{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=651\u0026view=list","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=650\u0026view=list","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=652\u0026view=list","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=42281\u0026view=list"},"meta":{"pages":{"current_page":651,"next_page":652,"prev_page":650,"total_pages":42281,"limit_value":10,"offset_value":6500,"total_count":422809,"first_page?":false,"last_page?":false}},"data":[{"id":"f927b9df25ec0aef2ec17101_aspace_51d9af2de3f9d9b52e71ae9e27ccf11f","type":"File","attributes":{"title":"20th Century Envelopes","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f927b9df25ec0aef2ec17101_aspace_51d9af2de3f9d9b52e71ae9e27ccf11f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_51d9af2de3f9d9b52e71ae9e27ccf11f","ref_ssm":["aspace_51d9af2de3f9d9b52e71ae9e27ccf11f","aspace_51d9af2de3f9d9b52e71ae9e27ccf11f"],"id":"f927b9df25ec0aef2ec17101_aspace_51d9af2de3f9d9b52e71ae9e27ccf11f","title_filing_ssi":"20th Century Envelopes\n","title_ssm":["20th Century Envelopes\n"],"title_tesim":["20th Century Envelopes\n"],"normalized_title_ssm":["20th Century Envelopes"],"text":["20th Century Envelopes","Ramiro Casañas Collection, 1805-2006","Correspondence","Box 19","/repositories/2/archival_objects/83326","box 19","folder 10"],"component_level_isim":[3],"parent_ids_ssim":["f927b9df25ec0aef2ec17101","f927b9df25ec0aef2ec17101_aspace_71807c55174507231e2d96c029f7734f","f927b9df25ec0aef2ec17101_aspace_440f3ace1b3800e30516f29c435e2eda"],"parent_unittitles_ssm":["Ramiro Casañas Collection, 1805-2006","Correspondence","Box 19"],"parent_unittitles_tesim":["Ramiro Casañas Collection, 1805-2006","Correspondence","Box 19"],"parent_levels_ssm":["collection","Series","Other level"],"unitid_ssm":["/repositories/2/archival_objects/83326"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Ramiro Casañas Collection, 1805-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":300,"containers_ssim":["box 19","folder 10"],"_nest_path_":"/components#3/components#1/components#9","_nest_parent_":"f927b9df25ec0aef2ec17101_aspace_440f3ace1b3800e30516f29c435e2eda","_root_":"f927b9df25ec0aef2ec17101","_version_":1870844517756698624,"timestamp":"2026-07-16T04:32:46.553Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f927b9df25ec0aef2ec17101","title_ssm":["Ramiro Casañas Collection"],"title_tesim":["Ramiro Casañas Collection"],"ead_ssi":"f927b9df25ec0aef2ec17101","unitdate_ssm":["1805-2006"],"unitdate_inclusive_ssm":["1805-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9026","/repositories/2/resources/123"],"text":["SPC9026","/repositories/2/resources/123","Ramiro Casañas Collection, 1805-2006","The Ramiro Casanas Collection is arranged by dominant subject of the featured boxes in each series. 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Also included are artifacts from around the world, such as international banknotes, political ephemera, maps, and photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ramiro Casanas Collection provides a look into the Casanas Family's longtime passion for collecting. The collection's primary focus is on pieces that document Cuban history during the nineteenth and twentieth century. It features Cuban artwork, handwritten poetry, cigar boxes, periodicals, and sports paraphernalia. Also included are artifacts from around the world, such as international banknotes, political ephemera, maps, and photographs."],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"total_component_count_is":966,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844517756698624,"_root_":"f927b9df25ec0aef2ec17101","timestamp":"2026-07-16T04:32:46.553Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f927b9df25ec0aef2ec17101_aspace_2be6aff82efefd5e5838913950fa72e0"}},{"id":"edc1f8792c912192f7c15d4d_aspace_42e3f363b6ec377feb7b7b7ed9595cfc","type":"File","attributes":{"title":"20th Century Latin American Naive Art, 1964","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/edc1f8792c912192f7c15d4d_aspace_42e3f363b6ec377feb7b7b7ed9595cfc#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_42e3f363b6ec377feb7b7b7ed9595cfc","ref_ssm":["aspace_42e3f363b6ec377feb7b7b7ed9595cfc","aspace_42e3f363b6ec377feb7b7b7ed9595cfc"],"id":"edc1f8792c912192f7c15d4d_aspace_42e3f363b6ec377feb7b7b7ed9595cfc","title_filing_ssi":"20th Century Latin American Naive Art","title_ssm":["20th Century Latin American Naive Art"],"title_tesim":["20th Century Latin American Naive Art"],"unitdate_other_ssim":["1964"],"normalized_date_ssm":["1964"],"normalized_title_ssm":["20th Century Latin American Naive Art, 1964"],"text":["20th Century Latin American Naive Art, 1964","Vivian D. and John H. Hewitt Collection, 1942-2020","Publications","Exhibition Catalogs, 1963-1994","/repositories/2/archival_objects/1921","box 1","folder 20"],"component_level_isim":[3],"parent_ids_ssim":["edc1f8792c912192f7c15d4d","edc1f8792c912192f7c15d4d_aspace_65f8fc97259a5246dc596fb4e2c2dd6c","edc1f8792c912192f7c15d4d_aspace_cebb6d0fde2377728b5a059328ef43f0"],"parent_unittitles_ssm":["Vivian D. and John H. Hewitt Collection, 1942-2020","Publications","Exhibition Catalogs, 1963-1994"],"parent_unittitles_tesim":["Vivian D. and John H. Hewitt Collection, 1942-2020","Publications","Exhibition Catalogs, 1963-1994"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/1921"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":26,"parent_access_restrict_tesm":["The Vivian D. and John H. Hewitt Collection is open for research."],"date_range_isim":[1964],"containers_ssim":["box 1","folder 20"],"_nest_path_":"/components#1/components#1/components#1","_nest_parent_":"edc1f8792c912192f7c15d4d_aspace_cebb6d0fde2377728b5a059328ef43f0","_root_":"edc1f8792c912192f7c15d4d","_version_":1876455832185470976,"timestamp":"2026-09-16T03:02:13.023Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"edc1f8792c912192f7c15d4d","title_filing_ssi":"Hewitt, Vivian D. and John H. Collection","title_ssm":["Vivian D. and John H. Hewitt Collection"],"title_tesim":["Vivian D. and John H. Hewitt Collection"],"ead_ssi":"edc1f8792c912192f7c15d4d","unitdate_ssm":["1942-2020"],"unitdate_inclusive_ssm":["1942-2020"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2004.7","/repositories/2/resources/48"],"text":["AARLCC.2004.7","/repositories/2/resources/48","Vivian D. and John H. Hewitt Collection, 1942-2020","African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art","The Vivian D. and John H. Hewitt Collection is open for research.","View a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives.","John Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.","John Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.","Vivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.","John and Vivian Hewitt had one son, John Hewitt III (1952-2022).","The Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.","In 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.","In 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\"","The Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture.","The Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Hervé Télémaque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Grégoire (1922-2001), and E. Paul.","The collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories.","Materials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\".","The Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti.","AARLCC Special Collections","Hewitt, Vivian D.","Jacques Gourgue","Alexandre Gregoire","Carlo Jean-Jacques, 1943-1990","L. Janvier","Lucner Lazard, 1928-1998","Charles Obas, 1927-","Hervé Télémaque, 1937-","Luce Turnier, 1924-1994","Favrange Valcin, 1947-","The collection is primarily in English but includes materials in French, Haitian Creole, and German."],"unitid_tesim":["AARLCC.2004.7","/repositories/2/resources/48"],"normalized_date_ssm":["1942-2020"],"normalized_title_ssm":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"collection_title_tesim":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"collection_ssim":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["Vivian Davidson Hewitt donated the materials to the Broward County Library in memory of her husband, John H. Hewitt, Jr. in 2002 (Accession AARLCC-2004.7)."],"access_subjects_ssim":["African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"access_subjects_ssm":["African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"has_online_content_ssim":["false"],"extent_ssm":["4 Hollinger Boxes","14 Artwork","63 Books"],"extent_tesim":["4 Hollinger Boxes","14 Artwork","63 Books"],"genreform_ssim":["Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Vivian D. and John H. Hewitt Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/jandvhewitt/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives."],"bioghist_html_tesm":["\u003cp\u003eJohn Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.\u003c/p\u003e\n","\u003cp\u003eJohn Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.\u003c/p\u003e\n","\u003cp\u003eVivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.\u003c/p\u003e\n","\u003cp\u003eJohn and Vivian Hewitt had one son, John Hewitt III (1952-2022).\u003c/p\u003e\n","\u003cp\u003eThe Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.\u003c/p\u003e\n","\u003cp\u003eIn 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.\u003c/p\u003e\n","\u003cp\u003eIn 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["John Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.","John Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.","Vivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.","John and Vivian Hewitt had one son, John Hewitt III (1952-2022).","The Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.","In 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.","In 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\""],"prefercite_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection, African-American Research Library and Cultural Center Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Vivian D. and John H. Hewitt Collection, African-American Research Library and Cultural Center Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003eThe John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture."],"scopecontent_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Herv\u0026#xE9; T\u0026#xE9;l\u0026#xE9;maque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Gr\u0026#xE9;goire (1922-2001), and E. Paul.\u003c/p\u003e\n","\u003cp\u003eThe collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Hervé Télémaque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Grégoire (1922-2001), and E. Paul.","The collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=HEW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eMaterials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Materials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f20256a848bf64fa36b26feb824aee7d\"\u003eThe Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti.\u003c/abstract\u003e"],"abstract_tesim":["The Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti."],"names_ssim":["AARLCC Special Collections","Hewitt, Vivian D.","Jacques Gourgue","Alexandre Gregoire","Carlo Jean-Jacques, 1943-1990","L. Janvier","Lucner Lazard, 1928-1998","Charles Obas, 1927-","Hervé Télémaque, 1937-","Luce Turnier, 1924-1994","Favrange Valcin, 1947-"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Hewitt, Vivian D."],"persname_ssim":["Hewitt, Vivian D.","Jacques Gourgue","Alexandre Gregoire","Carlo Jean-Jacques, 1943-1990","L. Janvier","Lucner Lazard, 1928-1998","Charles Obas, 1927-","Hervé Télémaque, 1937-","Luce Turnier, 1924-1994","Favrange Valcin, 1947-"],"language_ssim":["The collection is primarily in English but includes materials in French, Haitian Creole, and German."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":157,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455832185470976,"_root_":"edc1f8792c912192f7c15d4d","timestamp":"2026-09-16T03:02:13.023Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/edc1f8792c912192f7c15d4d_aspace_42e3f363b6ec377feb7b7b7ed9595cfc"}},{"id":"11624158e5650be48e4f6cd2_aspace_209811","type":"File","attributes":{"title":"20th Century Stewardship, 1964","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/11624158e5650be48e4f6cd2_aspace_209811#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eDedication Sunday Sermon\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/11624158e5650be48e4f6cd2_aspace_209811#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_209811","ref_ssm":["aspace_209811","aspace_209811"],"id":"11624158e5650be48e4f6cd2_aspace_209811","title_filing_ssi":"20th Century Stewardship","title_ssm":["20th Century Stewardship"],"title_tesim":["20th Century Stewardship"],"unitdate_other_ssim":["1964"],"normalized_date_ssm":["1964"],"normalized_title_ssm":["20th Century Stewardship, 1964"],"text":["20th Century Stewardship, 1964","Milton S. Carothers Papers, 1956-1999, Date acquired: 04/04/2014","Folder 371","/repositories/10/archival_objects/154389","box 3","folder 371","Dedication Sunday Sermon"],"component_level_isim":[1],"parent_ids_ssim":["11624158e5650be48e4f6cd2"],"parent_unittitles_ssm":["Milton S. Carothers Papers, 1956-1999, Date acquired: 04/04/2014"],"parent_unittitles_tesim":["Milton S. Carothers Papers, 1956-1999, Date acquired: 04/04/2014"],"parent_levels_ssm":["collection"],"unitid_ssm":["Folder 371","/repositories/10/archival_objects/154389"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Milton S. Carothers Papers, 1956-1999, Date acquired: 04/04/2014"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":371,"parent_access_restrict_tesm":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. 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Carothers interview, OHPCN 0400, Reichelt Oral History Collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/HPUA-2015-00R\"\u003ehttp://purl.fcla.edu/fsu/HPUA-2015-00R\u003c/extref\u003e\n\u003cbr\u003e\u003cbr\u003eMilton Stover Carothers Papers, Southern Historical Collection, University of North Carolina University Libraries, Chapel Hill, North Carolina. \u003cextref href=\"http://search.lib.unc.edu/search?R=UNCb5315181\"\u003ehttp://search.lib.unc.edu/search?R=UNCb5315181\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003eCarothers, M. S. (1991). \u003cemph render=\"italic\"\u003eLetters \u0026amp; Lessons of Faith: A Collection of Ideas, Insights, and Sermons For Your Reflection\u003c/emph\u003e. \u003cextref href=\"http://fsu.catalog.fcla.edu/permalink.jsp?23FS029418834\"\u003ehttp://fsu.catalog.fcla.edu/permalink.jsp?23FS029418834\u003c/extref\u003e\n\u003cbr\u003e\u003cbr\u003eCarothers, M. S. 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Cittadini, July 1997","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/6a5e8e878dcb645f10e9a6e6_aspace_210440#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis book is described as \"the experience of an 8th Air Force B-17 crew on a daylight bombing mission flying out of the British Midlands. Target: Berlin, 7 May 1944.\" Book includes letters from a fellow POW, and the president of Mighty 8th Air Force Museum in Savannah, GA. The book details Cittadini's bombing mission, capture, imprisonment, liberation by Patton, and return home.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6a5e8e878dcb645f10e9a6e6_aspace_210440#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_210440","ref_ssm":["aspace_210440","aspace_210440"],"id":"6a5e8e878dcb645f10e9a6e6_aspace_210440","title_filing_ssi":"20th Mission: A Short Account, by Joseph L. 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Cittadini was then captured and held as a prisoner of war for almost a year, primarily at Stalag Luft III in Sagan, Germany, then in Stalag XIIID in Nurnberg, then finally in Stalag Luft VIIA in Moosberg, moving each time allied forces drew near. The camp in Moosberg was liberated by General Patton's 3rd Army on April 29, 1945.","Upon release, he was sent to Miami Beach, Florida and then Ellington Field, Texas for rehabilitation. After the war, he received the Purple Heart for wounds received during his 20th mission. Cittadini left active service in December of 1945, though he remained a reserve officer until 1968. The last few years of his life were spent in Melbourne, Florida near Patrick Air Force Base. His rank at death was Lieutenant Colonel."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Joseph L. Cittadini collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_01_0359\"\u003ehttp://purl.fcla.edu/fsu/WWII_01_0359\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Joseph L. Cittadini collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_01_0359 ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Joseph L. Cittadini who served as a Navigator with the 384th Bombardment Group.\u0026#xA0; The collection includes photographs, letters, and official documents from his time as a navigator with the US Army Air Corp and his time as a prisoner of war during World War II. Photographs include several of Cittadini with his crew of the \"Goin' Dawg\" and \"Nutalls Nut House\" B-17 bombers. Cittadini was a prisoner of war for a year after being shot down on a mission over Berlin and was held in several POW camps, but primarily in Stalag Luft III in Sagan, Germany. 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Photographs include several of Cittadini with his crew of the \"Goin' Dawg\" and \"Nutalls Nut House\" B-17 bombers. Cittadini was a prisoner of war for a year after being shot down on a mission over Berlin and was held in several POW camps, but primarily in Stalag Luft III in Sagan, Germany. His account of this is told in detail in both a manuscript and an oral history transcript.","Other documents include letters from his wife, Florence, detailing her experiences as a wife of a soldier who was missing in action. Several official records are included, which give information on topics such as Cittadini's marriage, his receipt of a Purple Heart, and his medical history. Also included is a copy of the October 1944 edition of the Navigator's Information File."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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European Theater of Operations","Stalag Luft III"],"persname_ssim":["Cittadini, Joseph L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"6a5e8e878dcb645f10e9a6e6","timestamp":"2026-07-08T13:07:41.820Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6a5e8e878dcb645f10e9a6e6_aspace_210440"}},{"id":"e295a7a17057ba24504f07e8_aspace_5883","type":"File","attributes":{"title":"20th Year Celebration","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/e295a7a17057ba24504f07e8_aspace_5883#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eBrochures and program for the awards dinner and dance\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/e295a7a17057ba24504f07e8_aspace_5883#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5883","ref_ssm":["aspace_5883","aspace_5883"],"id":"e295a7a17057ba24504f07e8_aspace_5883","title_filing_ssi":"20th Year Celebration","title_ssm":["20th Year Celebration"],"title_tesim":["20th Year Celebration"],"normalized_title_ssm":["20th Year Celebration"],"text":["20th Year Celebration","Office of the President -- Dr. Helen Popovich, 1983-1989, bulk 1983-1989","Popovich","Communications","Folder 26","/repositories/2/archival_objects/32372","box 3","folder 26","Brochures and program for the awards dinner and dance"],"component_level_isim":[3],"parent_ids_ssim":["e295a7a17057ba24504f07e8","e295a7a17057ba24504f07e8_aspace_5782","e295a7a17057ba24504f07e8_aspace_5848"],"parent_unittitles_ssm":["Office of the President -- Dr. Helen Popovich, 1983-1989, bulk 1983-1989","Popovich","Communications"],"parent_unittitles_tesim":["Office of the President -- Dr. Helen Popovich, 1983-1989, bulk 1983-1989","Popovich","Communications"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 26","/repositories/2/archival_objects/32372"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Office of the President -- Dr. Helen Popovich, 1983-1989, bulk 1983-1989"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":97,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 3","folder 26"],"scopecontent_html_tesm":["\u003cp\u003eBrochures and program for the awards dinner and dance\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Brochures and program for the awards dinner and dance"],"_nest_path_":"/components#0/components#3/components#32","_nest_parent_":"e295a7a17057ba24504f07e8_aspace_5848","_root_":"e295a7a17057ba24504f07e8","_version_":1870842124169117696,"timestamp":"2026-07-16T03:54:43.869Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"e295a7a17057ba24504f07e8","title_ssm":["Office of the President -- Dr. Helen Popovich"],"title_tesim":["Office of the President -- Dr. Helen Popovich"],"ead_ssi":"e295a7a17057ba24504f07e8","unitdate_ssm":["1983-1989","1983-1989"],"unitdate_bulk_ssim":["1983-1989"],"unitdate_inclusive_ssm":["1983-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA00010","/repositories/2/resources/80"],"text":["UA00010","/repositories/2/resources/80","Office of the President -- Dr. Helen Popovich, 1983-1989, bulk 1983-1989","Florida Atlantic University -- History","University Archives","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Chronological","Available Formats: Print and Digital","In 2010, Leslie Siegel and Victoria Thur processed this collection.","Dr. Helen Popovich, our third university president, the first woman to be FAU president, and the first woman to head a public university in Florida. Dr. Popovich graduated from the University of Texas-El Paso and received her doctorate in English from the University of Kansas. During her tenure, the population of Southeast Florida flourished, and the opportunity for FAU to expand and include first- and second-year students was well-timed. By late Fall of 1983, the Board of Regents approved the measure, and by the following year, the first class of freshmen started at FAU. Dr. Popovich worked to increase the enrollment of African American and Hispanic students. Serving the FAU community, she oversaw the Reuben O' D. Askew University Tower opening in downtown Fort Lauderdale, where students and faculty worked alongside business and industry executives. Dr. Popovich diversified the faculty and staff by supporting the appointment of women to professoriate and administrative roles. By 1986, the Women's Studies Certificate Program was created. In 1989, her last year in office, FAU reached the critical milestone of $10 million in sponsored research.   \n\nDr. Popovich's records reflect her internal and external University responsibilities as chief administrative officer of the University. The records include correspondence, memoranda, reports, minutes, agendas, clippings, photographs, publications, and other materials created and compiled by the Office of the President.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["Florida Atlantic University -- History","University Archives"],"access_subjects_ssm":["Florida Atlantic University -- History","University Archives"],"has_online_content_ssim":["false"],"extent_ssm":["5.00 boxes","2.5 linear feet Linear Feet"],"extent_tesim":["5.00 boxes","2.5 linear feet Linear Feet"],"date_range_isim":[1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. 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In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eChronological\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Chronological"],"odd_html_tesm":["\u003cp\u003eAvailable Formats: Print and Digital\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["Available Formats: Print and Digital"],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; University Archives; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2010, Leslie Siegel and Victoria Thur processed this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2010, Leslie Siegel and Victoria Thur processed this collection."],"scopecontent_html_tesm":["\u003cblockquote\u003eDr. Helen Popovich, our third university president, the first woman to be FAU president, and the first woman to head a public university in Florida. Dr. Popovich graduated from the University of Texas-El Paso and received her doctorate in English from the University of Kansas. During her tenure, the population of Southeast Florida flourished, and the opportunity for FAU to expand and include first- and second-year students was well-timed. By late Fall of 1983, the Board of Regents approved the measure, and by the following year, the first class of freshmen started at FAU. Dr. Popovich worked to increase the enrollment of African American and Hispanic students. Serving the FAU community, she oversaw the Reuben O' D. Askew University Tower opening in downtown Fort Lauderdale, where students and faculty worked alongside business and industry executives. Dr. Popovich diversified the faculty and staff by supporting the appointment of women to professoriate and administrative roles. By 1986, the Women's Studies Certificate Program was created. In 1989, her last year in office, FAU reached the critical milestone of $10 million in sponsored research.   \n\nDr. Popovich's records reflect her internal and external University responsibilities as chief administrative officer of the University. The records include correspondence, memoranda, reports, minutes, agendas, clippings, photographs, publications, and other materials created and compiled by the Office of the President.\u003c/blockquote\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Dr. Helen Popovich, our third university president, the first woman to be FAU president, and the first woman to head a public university in Florida. Dr. Popovich graduated from the University of Texas-El Paso and received her doctorate in English from the University of Kansas. During her tenure, the population of Southeast Florida flourished, and the opportunity for FAU to expand and include first- and second-year students was well-timed. By late Fall of 1983, the Board of Regents approved the measure, and by the following year, the first class of freshmen started at FAU. Dr. Popovich worked to increase the enrollment of African American and Hispanic students. Serving the FAU community, she oversaw the Reuben O' D. Askew University Tower opening in downtown Fort Lauderdale, where students and faculty worked alongside business and industry executives. Dr. Popovich diversified the faculty and staff by supporting the appointment of women to professoriate and administrative roles. By 1986, the Women's Studies Certificate Program was created. In 1989, her last year in office, FAU reached the critical milestone of $10 million in sponsored research.   \n\nDr. Popovich's records reflect her internal and external University responsibilities as chief administrative officer of the University. The records include correspondence, memoranda, reports, minutes, agendas, clippings, photographs, publications, and other materials created and compiled by the Office of the President."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). 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Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":164,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842124169117696,"_root_":"e295a7a17057ba24504f07e8","timestamp":"2026-07-16T03:54:43.869Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/e295a7a17057ba24504f07e8_aspace_5883"}},{"id":"632b627b03e7762cd9deea62_aspace_39348","type":"File","attributes":{"title":"20th Years of Cuban Diaspora Exhibition, 1978 May 26","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/632b627b03e7762cd9deea62_aspace_39348#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_39348","ref_ssm":["aspace_39348","aspace_39348"],"id":"632b627b03e7762cd9deea62_aspace_39348","title_filing_ssi":"20th Years of Cuban Diaspora Exhibition","title_ssm":["20th Years of Cuban Diaspora Exhibition"],"title_tesim":["20th Years of Cuban Diaspora Exhibition"],"unitdate_other_ssim":["1978 May 26"],"normalized_date_ssm":["1978 May 26"],"normalized_title_ssm":["20th Years of Cuban Diaspora Exhibition, 1978 May 26"],"text":["20th Years of Cuban Diaspora Exhibition, 1978 May 26","Miami Metropolitan Museum and Art Center Collection, 1968-1988","Box 2","Folder 34","/repositories/2/archival_objects/66690","folder 34"],"component_level_isim":[2],"parent_ids_ssim":["632b627b03e7762cd9deea62","632b627b03e7762cd9deea62_aspace_39314"],"parent_unittitles_ssm":["Miami Metropolitan Museum and Art Center Collection, 1968-1988","Box 2"],"parent_unittitles_tesim":["Miami Metropolitan Museum and Art Center Collection, 1968-1988","Box 2"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["Folder 34","/repositories/2/archival_objects/66690"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Miami Metropolitan Museum and Art Center Collection, 1968-1988"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":77,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. 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Such works came from renowned artists William Merritt Chase, Eadweard Muybridge, Rufino Tamayo, Duane Hanson, and Agustin Fernandez. MMAC's formation began in the early 1960s when a group of art enthusiasts brought renowned artists such as Robert Motherwell, James Brooks and Josef Albers to Miami for seminars and workshops.  The Lowe Gallery at the University of Miami agreed to provide space for these art activities.  Within a year, the group founded the Arts Council, Inc. and moved to a larger space in Kendall. Throughout the 1960's the program continued to grow and began exhibiting and collecting works of art and became a not-for profit organization changing its name to Miami Art Center (MAC). In 1973, MAC merged with the Miami Museum of Modern Art to form the Metropolitan Museum and Art Center.  In 1975, MMAC moved from Kendall to the historic Biltmore Country Club in Coral Gables and continued to present premier exhibitions of a variety of collections including local, national, and international collections.","This collection contains documents including but not limited to exhibit brochures, video gallery exhibitions, select artifacts from sunken ships, photographs, sculptures, and prints. This includes the Quicksilver Galleons believed to have sunk near the Dominican Republic in the early 18th century. Additionally, these archives are not limited to Latin America, but do contain select workings from the Far East, such as Japanese ceramic art.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English"],"unitid_tesim":["SPC4080","/repositories/2/resources/76"],"normalized_date_ssm":["1968-1988"],"normalized_title_ssm":["Miami Metropolitan Museum and Art Center Collection, 1968-1988"],"collection_title_tesim":["Miami Metropolitan Museum and Art Center Collection, 1968-1988"],"collection_ssim":["Miami Metropolitan Museum and Art Center Collection, 1968-1988"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. 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Such works came from renowned artists William Merritt Chase, Eadweard Muybridge, Rufino Tamayo, Duane Hanson, and Agustin Fernandez. MMAC's formation began in the early 1960s when a group of art enthusiasts brought renowned artists such as Robert Motherwell, James Brooks and Josef Albers to Miami for seminars and workshops.  The Lowe Gallery at the University of Miami agreed to provide space for these art activities.  Within a year, the group founded the Arts Council, Inc. and moved to a larger space in Kendall. Throughout the 1960's the program continued to grow and began exhibiting and collecting works of art and became a not-for profit organization changing its name to Miami Art Center (MAC). In 1973, MAC merged with the Miami Museum of Modern Art to form the Metropolitan Museum and Art Center.  In 1975, MMAC moved from Kendall to the historic Biltmore Country Club in Coral Gables and continued to present premier exhibitions of a variety of collections including local, national, and international collections.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["When the Metropolitan Museum and Art Center (MMAC) closed in 1989, the Art Museum at Florida International University acquired the collection of over 2,300 objects, such as sculptures, photographs, paintings, and other significant cultural artifacts from around the world spanning from the 18th to the 20th century. Such works came from renowned artists William Merritt Chase, Eadweard Muybridge, Rufino Tamayo, Duane Hanson, and Agustin Fernandez. MMAC's formation began in the early 1960s when a group of art enthusiasts brought renowned artists such as Robert Motherwell, James Brooks and Josef Albers to Miami for seminars and workshops.  The Lowe Gallery at the University of Miami agreed to provide space for these art activities.  Within a year, the group founded the Arts Council, Inc. and moved to a larger space in Kendall. Throughout the 1960's the program continued to grow and began exhibiting and collecting works of art and became a not-for profit organization changing its name to Miami Art Center (MAC). In 1973, MAC merged with the Miami Museum of Modern Art to form the Metropolitan Museum and Art Center.  In 1975, MMAC moved from Kendall to the historic Biltmore Country Club in Coral Gables and continued to present premier exhibitions of a variety of collections including local, national, and international collections."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains documents including but not limited to exhibit brochures, video gallery exhibitions, select artifacts from sunken ships, photographs, sculptures, and prints. This includes the Quicksilver Galleons believed to have sunk near the Dominican Republic in the early 18th century. Additionally, these archives are not limited to Latin America, but do contain select workings from the Far East, such as Japanese ceramic art.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains documents including but not limited to exhibit brochures, video gallery exhibitions, select artifacts from sunken ships, photographs, sculptures, and prints. This includes the Quicksilver Galleons believed to have sunk near the Dominican Republic in the early 18th century. Additionally, these archives are not limited to Latin America, but do contain select workings from the Far East, such as Japanese ceramic art."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. 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FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":909,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872203331105980416,"_root_":"632b627b03e7762cd9deea62","timestamp":"2026-07-31T04:30:31.956Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/632b627b03e7762cd9deea62_aspace_39348"}},{"id":"72deb24cd94ab58efde27fe0_aspace_be1adbb1c00abda15e7b79bae66b8bba","type":"File","attributes":{"title":"21","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/72deb24cd94ab58efde27fe0_aspace_be1adbb1c00abda15e7b79bae66b8bba#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_be1adbb1c00abda15e7b79bae66b8bba","ref_ssm":["aspace_be1adbb1c00abda15e7b79bae66b8bba","aspace_be1adbb1c00abda15e7b79bae66b8bba"],"id":"72deb24cd94ab58efde27fe0_aspace_be1adbb1c00abda15e7b79bae66b8bba","title_filing_ssi":"21","title_ssm":["21"],"title_tesim":["21"],"normalized_title_ssm":["21"],"text":["21","Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","Slides","Slides 1-24","/repositories/2/archival_objects/180975","box 83","folder 21"],"component_level_isim":[3],"parent_ids_ssim":["72deb24cd94ab58efde27fe0","72deb24cd94ab58efde27fe0_aspace_2d9b104ebf7440c2bfc40a074a9a843f","72deb24cd94ab58efde27fe0_aspace_83e8e43713b39a8b1cfbfa126a623f84"],"parent_unittitles_ssm":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","Slides","Slides 1-24"],"parent_unittitles_tesim":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","Slides","Slides 1-24"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["/repositories/2/archival_objects/180975"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":5957,"parent_access_restrict_tesm":["No restrictions."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 83","folder 21"],"_nest_path_":"/components#3/components#0/components#20","_nest_parent_":"72deb24cd94ab58efde27fe0_aspace_83e8e43713b39a8b1cfbfa126a623f84","_root_":"72deb24cd94ab58efde27fe0","_version_":1877023012303142912,"timestamp":"2026-09-22T09:17:18.046Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"72deb24cd94ab58efde27fe0","title_ssm":["Gandy Commercial and Aerial Photography collection"],"title_tesim":["Gandy Commercial and Aerial Photography collection"],"ead_ssi":"72deb24cd94ab58efde27fe0","unitdate_ssm":["1950-2010","Date acquired: 12/01/2010"],"unitdate_inclusive_ssm":["1950-2010"],"unitdate_other_ssim":["Date acquired: 12/01/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2010-02","/repositories/2/resources/390"],"text":["MS-2010-02","/repositories/2/resources/390","Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","Boats and boating -- Florida","Photograph collections","No restrictions.","Arranged alphabetically in two series (aerial and commercial photography).","Skip Gandy was born in Tampa in 1942. 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More information is available here: https://digitalcommons.usf.edu/gandy/\u003c/physloc\u003e"],"physloc_tesim":["Photographs are intermittently unavailable due to digitization. More information is available here: https://digitalcommons.usf.edu/gandy/"],"names_coll_ssim":["Eastern Air Lines","Eckerd, Jack M. (1913-2004)"],"names_ssim":["USF Libraries - Tampa Special Collections","Eastern Air Lines","Gandy, George Shepherd (\"Skip\"), 1942-2020","Eckerd, Jack M. (1913-2004)"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Eastern Air Lines"],"persname_ssim":["Gandy, George Shepherd (\"Skip\"), 1942-2020","Eckerd, Jack M. 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Beginning in the early 1970s, Gandy followed in his father's footsteps as a commercial photographer.\u0026#xA0;With an innovative gyroscope-mounted camera in the belly of his plane, Gandy was able to take perfectly level aerial photos depicting urban and natural scenes. The negatives represent the bulk of his work as a photographer before retiring in 2010.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Skip Gandy was born in Tampa in 1942. Beginning in the early 1970s, Gandy followed in his father's footsteps as a commercial photographer. With an innovative gyroscope-mounted camera in the belly of his plane, Gandy was able to take perfectly level aerial photos depicting urban and natural scenes. The negatives represent the bulk of his work as a photographer before retiring in 2010."],"prefercite_html_tesm":["\u003cp\u003eSkip Gandy Photograph Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Skip Gandy Photograph Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eBay Study Group Collection.\u003c/p\u003e\n","\u003cp\u003ehttp://scholarcommons.usf.edu/basgp/\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Bay Study Group Collection.","http://scholarcommons.usf.edu/basgp/"],"scopecontent_html_tesm":["\u003cp\u003eThe negatives are from the years 1970-2010, documenting Skip Gandy's activities.\u0026#xA0; A few of the prints are from his father, Sandy Gandy.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The negatives are from the years 1970-2010, documenting Skip Gandy's activities.  A few of the prints are from his father, Sandy Gandy."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f0829ee87f156f9d8e1500edac814ac3\" label=\"Abstract\"\u003eThe Gandy papers consist mostly of negatives of commercial and aerial photography, but also includes prints and digital materials.\u0026#xA0; Only the negatives, which comprise the bulk of the materials, have been fully processed.\u003c/abstract\u003e"],"abstract_tesim":["The Gandy papers consist mostly of negatives of commercial and aerial photography, but also includes prints and digital materials.  Only the negatives, which comprise the bulk of the materials, have been fully processed."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_06412a435727cb367b88f193b6659b9d\"\u003ePhotographs are intermittently unavailable due to digitization. More information is available here: https://digitalcommons.usf.edu/gandy/\u003c/physloc\u003e"],"physloc_tesim":["Photographs are intermittently unavailable due to digitization. More information is available here: https://digitalcommons.usf.edu/gandy/"],"names_coll_ssim":["Eastern Air Lines","Eckerd, Jack M. (1913-2004)"],"names_ssim":["USF Libraries - Tampa Special Collections","Eastern Air Lines","Gandy, George Shepherd (\"Skip\"), 1942-2020","Eckerd, Jack M. (1913-2004)"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Eastern Air Lines"],"persname_ssim":["Gandy, George Shepherd (\"Skip\"), 1942-2020","Eckerd, Jack M. (1913-2004)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":6281,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877023012303142912,"_root_":"72deb24cd94ab58efde27fe0","timestamp":"2026-09-22T09:17:18.046Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/72deb24cd94ab58efde27fe0_aspace_6cee1244871e1f1f54b8ca00261f9c69"}},{"id":"1654bcb1ae789004f883a575_aspace_69499","type":"File","attributes":{"title":"2101-04- ½-  East 7th Avenue- Reina S.N. Building","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1654bcb1ae789004f883a575_aspace_69499#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_69499","ref_ssm":["aspace_69499","aspace_69499"],"id":"1654bcb1ae789004f883a575_aspace_69499","title_filing_ssi":"2101-04- ½-  East 7th Avenue- Reina S.N. Building","title_ssm":["2101-04- ½-  East 7th Avenue- Reina S.N. Building"],"title_tesim":["2101-04- ½-  East 7th Avenue- Reina S.N. Building"],"normalized_title_ssm":["2101-04- ½-  East 7th Avenue- Reina S.N. Building"],"text":["2101-04- ½-  East 7th Avenue- Reina S.N. 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Hillsborough County, Ybor City, and West Tampa site files are arranged alphabetically. Ybor City streets and avenues are listed in ascending numerical order.","The Historic Tampa-Hillsborough County Preservation Board is one of seven major historic preservation boards created within the Department of State pursuant to Chapter 266, F.S. for the purpose of acquiring, maintaining, restoring, and preserving the sites, buildings, landmarks, and other materials of historical significance within the State of Florida. The established preservation boards include the Historic St. Augustine Preservation Board, the Historic Pensacola Preservation Board, the Historic Tallahassee Preservation Board, the Historic Palm Beach County Preservation Board, the Historic Florida Keys Preservation Board, and the combined historic preservation boards of Broward County, Volusia County, and Flagler County. In the City of Tampa, historic preservation is accomplished by means of three distinct architectural boards and commissions responsible for reviewing and monitoring development within historic districts. These boards are comprised of the Architectural Review Commission, the Historic Preservation Commission, and the Barrio Latino Commission.","\"Historic Preservation and Urban Design.\" Growth Management and Development Services Department, City of Tampa, Tampa, Florida.  http://www.tampagov.net/dept_historic_preservation/","Historic Tampa/Hillsborough County Preservation Board Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Note written by Jean McAllister, 2011","The collection consists of administrative records, the architectural records of historic buildings, site files, artifacts, zone surveys, public records, transcriptions, newspaper clippings, and general reference materials. Also included in the collection are the files of the Architectural Review Commission, the Tampa Trust Community Development Board, the Barrio Latino Commission, and the Beach Park Civic Association.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection consists of the records of the Historic Tampa-Hillsborough County Preservation Board.","USF Libraries - Tampa Special Collections","Historic Tampa-Hillsborough County Preservation Board","Citrus Park Colored School (Citrus Park, Fla.)","English"],"unitid_tesim":["H45","/repositories/2/resources/415"],"normalized_date_ssm":["1978-1995"],"normalized_title_ssm":["Historic Tampa-Hillsborough County Preservation Board collection, 1978-1995"],"collection_title_tesim":["Historic Tampa-Hillsborough County Preservation Board collection, 1978-1995"],"collection_ssim":["Historic Tampa-Hillsborough County Preservation Board collection, 1978-1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Hillsborough County (Fla.)","West Tampa (Fla.)","Ybor City (Tampa, Fla.)"],"geogname_ssim":["Hillsborough County (Fla.)","West Tampa (Fla.)","Ybor City (Tampa, Fla.)"],"creator_ssm":["Historic Tampa-Hillsborough County Preservation Board"],"creator_ssim":["Historic Tampa-Hillsborough County Preservation Board"],"creator_corpname_ssim":["Historic Tampa-Hillsborough County Preservation Board"],"creators_ssim":["Historic Tampa-Hillsborough County Preservation Board"],"places_ssim":["Hillsborough County (Fla.)","West Tampa (Fla.)","Ybor City (Tampa, Fla.)"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Architecture -- Conservation and restoration -- Florida -- Tampa","Architecture -- Conservation and restoration -- Florida -- Hillsborough County","National Register of Historic Places"],"access_subjects_ssm":["Architecture -- Conservation and restoration -- Florida -- Tampa","Architecture -- Conservation and restoration -- Florida -- Hillsborough County","National Register of Historic Places"],"has_online_content_ssim":["false"],"extent_ssm":["40.86 Linear Feet","48 boxes"],"extent_tesim":["40.86 Linear Feet","48 boxes"],"date_range_isim":[1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"arrangement_html_tesm":["\u003cp\u003eCollection is organized within series by subject. Hillsborough County, Ybor City, and West Tampa site files are arranged alphabetically. Ybor City streets and avenues are listed in ascending numerical order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Collection is organized within series by subject. Hillsborough County, Ybor City, and West Tampa site files are arranged alphabetically. Ybor City streets and avenues are listed in ascending numerical order."],"bioghist_html_tesm":["\u003cp\u003eThe Historic Tampa-Hillsborough County Preservation Board is one of seven major historic preservation boards created within the Department of State pursuant to Chapter 266, F.S. for the purpose of acquiring, maintaining, restoring, and preserving the sites, buildings, landmarks, and other materials of historical significance within the State of Florida. 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These boards are comprised of the Architectural Review Commission, the Historic Preservation Commission, and the Barrio Latino Commission.\u003c/p\u003e\n","\u003cp\u003e\"Historic Preservation and Urban Design.\" Growth Management and Development Services Department, City of Tampa, Tampa, Florida. \u003cextref href=\"http://www.tampagov.net/dept_historic_preservation/\"\u003ehttp://www.tampagov.net/dept_historic_preservation/\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eHistoric Tampa/Hillsborough County Preservation Board Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eNote written by Jean McAllister, 2011\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Historic Tampa-Hillsborough County Preservation Board is one of seven major historic preservation boards created within the Department of State pursuant to Chapter 266, F.S. for the purpose of acquiring, maintaining, restoring, and preserving the sites, buildings, landmarks, and other materials of historical significance within the State of Florida. 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