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Davis"],"ead_ssi":"6eda8024f4f9ea757e2c297d","unitdate_ssm":["1986-1989"],"unitdate_inclusive_ssm":["1986-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SP-RG-215","/repositories/3/resources/646"],"text":["SP-RG-215","/repositories/3/resources/646","Speeches of Lowell E. Davis, 1986-1989","Education, Higher -- Florida","College students -- Florida","Universities and colleges -- St. Petersburg","folder","\"Lowell's legacy is that he taught us to dream great things about the future of this campus.\" –Paul Getting, then executive vice president of the St. Petersburg Area Chamber of Commerce, at the September 1990 dedication of \"Davis Memorial Hall.\" ","A native of Jamaica, Lowell Davis came to the United States in the mid-1950s to pursue his dream of getting a college education. He earned his undergraduate degree at Howard University and completed his doctorate in biology at Case Western Reserve University. Davis became USF's first African-American dean. 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He arrived in August 1986 and promptly set into motion an agenda that supported the expansion of course offerings and academic majors at USF St. Petersburg. Davis took a strong position in advocating greater autonomy and independence for the growing campus at a time when many Tampa-based administrators hoped to limit curricular initiatives at the University's \"branch\" campuses. His untimely death in the fall of 1989 slowed the process but did not extinguish the dreams of greater autonomy. Subsequent administrators at USF St. Petersburg have benefited from the university and community leadership that defined Lowell Davis's tenure as dean. Pearl Williamson provided the Poynter Library with a notebook containing a representative collection of Dr. Davis's speeches at USF St. Petersburg, other academic institutions, and various organizations. 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He arrived in August 1986 and promptly set into motion an agenda that supported the expansion of course offerings and academic majors at USF St. Petersburg. Davis took a strong position in advocating greater autonomy and independence for the growing campus at a time when many Tampa-based administrators hoped to limit curricular initiatives at the University's \"branch\" campuses. His untimely death in the fall of 1989 slowed the process but did not extinguish the dreams of greater autonomy. Subsequent administrators at USF St. Petersburg have benefited from the university and community leadership that defined Lowell Davis's tenure as dean. Pearl Williamson provided the Poynter Library with a notebook containing a representative collection of Dr. Davis's speeches at USF St. Petersburg, other academic institutions, and various organizations. 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The major themes covered within the speeches include the importance higher education, civil rights, and the evolution of USF's St. Petersburg campus."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright. Visit the United States\nCopyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright. Visit the United States\nCopyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_80e30870ca9d085cae880cdef57b4932\"\u003eA representative collection of speeches delivered by Dr. Lowell E. Davis, Dean of USF St. Petersburg from 1986-1989.\u003c/abstract\u003e"],"abstract_tesim":["A representative collection of speeches delivered by Dr. Lowell E. 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 65","folder 19"],"scopecontent_html_tesm":["\u003cp\u003eFour typed draft copies; Three copies from The New Yorker magazine\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Four typed draft copies; Three copies from The New Yorker magazine"],"_nest_path_":"/components#1/components#1/components#10","_nest_parent_":"9b1a44caeacea9fdc5f72fbb_aspace_110428","_root_":"9b1a44caeacea9fdc5f72fbb","_version_":1870841986919956480,"timestamp":"2026-07-16T03:52:32.760Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9b1a44caeacea9fdc5f72fbb","title_ssm":["Theodore Pratt Collection"],"title_tesim":["Theodore Pratt Collection"],"ead_ssi":"9b1a44caeacea9fdc5f72fbb","unitdate_ssm":["1901-2025"],"unitdate_inclusive_ssm":["1901-2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00022","/repositories/2/resources/154"],"text":["SPC00022","/repositories/2/resources/154","Theodore Pratt Collection, 1901-2025","Pratt, Theodore, 1901-1969"," Florida -- Fiction"," Palm Beach (Fla.)","Florida -- In literature","Novelists, American -- 20th century ","Pratt, Theodore, 1901- Barefoot mailman"," Pratt, Theodore, 1901- Flame tree"," Fiction"," Mystery fiction","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2011, this collection processed by Jaclyn M. Nowak, Kerline Dameus, Teresa Van Dyke and Victoria Thur. Additional materials added by Robert Feeney.","Florida Atlantic University Libraries is the designated repository of the personal papers and manuscript archives of Florida author Theodore Pratt. The collection includes the author's personal copies of first and foreign editions of his works, original typescripts of his fiction and screenplays, correspondence, research notes, illustrative artwork for dustcovers and paperbacks, in addition to personal mementos and photographs.  In 1934, Theodore Pratt and his wife Belle Jacqueline Jacques moved to Lake Worth, Florida and made it their home until his death in 1969. He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet.  Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle.\n\nIn 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","Theodore Pratt","Taylor Hagood","English"],"unitid_tesim":["SPC00022","/repositories/2/resources/154"],"normalized_date_ssm":["1901-2025"],"normalized_title_ssm":["Theodore Pratt Collection, 1901-2025"],"collection_title_tesim":["Theodore Pratt Collection, 1901-2025"],"collection_ssim":["Theodore Pratt Collection, 1901-2025"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"creator_ssm":["Theodore Pratt","Taylor Hagood"],"creator_ssim":["Theodore Pratt","Taylor Hagood"],"creator_persname_ssim":["Theodore Pratt","Taylor Hagood"],"creators_ssim":["Theodore Pratt","Taylor Hagood"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). 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Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["Pratt, Theodore, 1901-1969"," Florida -- Fiction"," Palm Beach (Fla.)","Florida -- In literature","Novelists, American -- 20th century ","Pratt, Theodore, 1901- Barefoot mailman"," Pratt, Theodore, 1901- Flame tree"," Fiction"," Mystery fiction"],"access_subjects_ssm":["Pratt, Theodore, 1901-1969"," Florida -- Fiction"," Palm Beach (Fla.)","Florida -- In literature","Novelists, American -- 20th century ","Pratt, Theodore, 1901- Barefoot mailman"," Pratt, Theodore, 1901- Flame tree"," Fiction"," Mystery fiction"],"has_online_content_ssim":["false"],"extent_ssm":["72.00 Linear Feet"],"extent_tesim":["72.00 Linear Feet"],"genreform_ssim":[" Fiction"," Mystery fiction"],"date_range_isim":[1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2011, this collection processed by Jaclyn M. Nowak, Kerline Dameus, Teresa Van Dyke and Victoria Thur. Additional materials added by Robert Feeney.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2011, this collection processed by Jaclyn M. Nowak, Kerline Dameus, Teresa Van Dyke and Victoria Thur. Additional materials added by Robert Feeney."],"scopecontent_html_tesm":["\u003cblockquote\u003eFlorida Atlantic University Libraries is the designated repository of the personal papers and manuscript archives of Florida author Theodore Pratt. The collection includes the author's personal copies of first and foreign editions of his works, original typescripts of his fiction and screenplays, correspondence, research notes, illustrative artwork for dustcovers and paperbacks, in addition to personal mementos and photographs.  In 1934, Theodore Pratt and his wife Belle Jacqueline Jacques moved to Lake Worth, Florida and made it their home until his death in 1969. He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet.  Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle.\n\nIn 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work.\u003c/blockquote\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Florida Atlantic University Libraries is the designated repository of the personal papers and manuscript archives of Florida author Theodore Pratt. The collection includes the author's personal copies of first and foreign editions of his works, original typescripts of his fiction and screenplays, correspondence, research notes, illustrative artwork for dustcovers and paperbacks, in addition to personal mementos and photographs.  In 1934, Theodore Pratt and his wife Belle Jacqueline Jacques moved to Lake Worth, Florida and made it their home until his death in 1969. He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet.  Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle.\n\nIn 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries","Theodore Pratt","Taylor Hagood"],"corpname_ssim":["Florida Atlantic University Libraries"],"persname_ssim":["Theodore Pratt","Taylor Hagood"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4096,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841986919956480,"_root_":"9b1a44caeacea9fdc5f72fbb","timestamp":"2026-07-16T03:52:32.760Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9b1a44caeacea9fdc5f72fbb_aspace_110440"}},{"id":"7cebb39144b2c94f6c91b418_aspace_62174","type":"File","attributes":{"title":"You Keep Coming Back Like a Song, 1943","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/7cebb39144b2c94f6c91b418_aspace_62174#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eScore\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/7cebb39144b2c94f6c91b418_aspace_62174#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_62174","ref_ssm":["aspace_62174","aspace_62174"],"id":"7cebb39144b2c94f6c91b418_aspace_62174","title_filing_ssi":"You Keep Coming Back Like a Song","title_ssm":["You Keep Coming Back Like a Song"],"title_tesim":["You Keep Coming Back Like a Song"],"unitdate_other_ssim":["1943"],"normalized_date_ssm":["1943"],"normalized_title_ssm":["You Keep Coming Back Like a Song, 1943"],"text":["You Keep Coming Back Like a Song, 1943","Dance Band Combo, 1925-1962, bulk 1946-1953","Folder 10","/repositories/2/archival_objects/34603","4","Blue Skies","box 3","folder 10","Berlin, Irving","Mason, Jack","Irving Berlin","New York","Score","Eb Alto Sax, Bb Tenor Sax"],"component_level_isim":[1],"parent_ids_ssim":["7cebb39144b2c94f6c91b418"],"parent_unittitles_ssm":["Dance Band Combo, 1925-1962, bulk 1946-1953"],"parent_unittitles_tesim":["Dance Band Combo, 1925-1962, bulk 1946-1953"],"parent_levels_ssm":["collection"],"unitid_ssm":["Folder 10","/repositories/2/archival_objects/34603"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Dance Band Combo, 1925-1962, bulk 1946-1953"],"physdesc_tesim":["4"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":107,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"language_ssim":["Blue Skies"],"containers_ssim":["box 3","folder 10"],"odd_html_tesm":["\u003cp\u003eBerlin, Irving\u003c/p\u003e","\u003cp\u003eMason, Jack\u003c/p\u003e","\u003cp\u003eIrving Berlin\u003c/p\u003e","\u003cp\u003eNew York\u003c/p\u003e"],"odd_heading_ssm":["Composer","Arranger","Publisher","Place"],"odd_tesim":["Berlin, Irving","Mason, Jack","Irving Berlin","New York"],"scopecontent_html_tesm":["\u003cp\u003eScore\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Score"],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_b509756762ceee57b953ca200372b625\"\u003eEb Alto Sax, Bb Tenor Sax\u003c/materialspec\u003e"],"materialspec_tesim":["Eb Alto Sax, Bb Tenor Sax"],"_nest_path_":"/components#106","_nest_parent_":"7cebb39144b2c94f6c91b418","_root_":"7cebb39144b2c94f6c91b418","timestamp":"2026-04-21T17:59:32.872Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"7cebb39144b2c94f6c91b418","title_ssm":["Dance Band Combo"],"title_tesim":["Dance Band Combo"],"ead_ssi":"7cebb39144b2c94f6c91b418","unitdate_ssm":["1925-1962","1946-1953"],"unitdate_bulk_ssim":["1946-1953"],"unitdate_inclusive_ssm":["1925-1962"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00016","/repositories/2/resources/91"],"text":["PMC00016","/repositories/2/resources/91","Dance Band Combo, 1925-1962, bulk 1946-1953","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2012 this collection was processed by Elizabeth Fairall and Victoria Thur.","The Dance Band Combos Collection consists of instrumental arrangements of popular songs first made for distribution to theater and music hall orchestras. These early to mid 20th century arrangements proved so popular that surprised publishers began making them available for general sale. Pit bands could then purchase a ready-made score of a current hit tune to vary their repertoire. Dance groups found them useful as well, and they made novel additions to the programs of salon ensembles and amateur combinations. Later, these multi-purpose orchestrations became commonly known as stock arrangements.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00016","/repositories/2/resources/91"],"normalized_date_ssm":["1925-1962, bulk 1946-1953"],"normalized_title_ssm":["Dance Band Combo, 1925-1962, bulk 1946-1953"],"collection_title_tesim":["Dance Band Combo, 1925-1962, bulk 1946-1953"],"collection_ssim":["Dance Band Combo, 1925-1962, bulk 1946-1953"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["3.50 Linear Feet"],"extent_tesim":["3.50 Linear Feet"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2012 this collection was processed by Elizabeth Fairall and Victoria Thur.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2012 this collection was processed by Elizabeth Fairall and Victoria Thur."],"scopecontent_html_tesm":["\u003cp\u003eThe Dance Band Combos Collection consists of instrumental arrangements of popular songs first made for distribution to theater and music hall orchestras. These early to mid 20th century arrangements proved so popular that surprised publishers began making them available for general sale. Pit bands could then purchase a ready-made score of a current hit tune to vary their repertoire. Dance groups found them useful as well, and they made novel additions to the programs of salon ensembles and amateur combinations. Later, these multi-purpose orchestrations became commonly known as stock arrangements.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dance Band Combos Collection consists of instrumental arrangements of popular songs first made for distribution to theater and music hall orchestras. These early to mid 20th century arrangements proved so popular that surprised publishers began making them available for general sale. Pit bands could then purchase a ready-made score of a current hit tune to vary their repertoire. Dance groups found them useful as well, and they made novel additions to the programs of salon ensembles and amateur combinations. Later, these multi-purpose orchestrations became commonly known as stock arrangements."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":186,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"7cebb39144b2c94f6c91b418","timestamp":"2026-04-21T17:59:32.872Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/7cebb39144b2c94f6c91b418_aspace_62174"}},{"id":"377018d2c691025d88612f9e_aspace_8a581fa1ac5df7378f418095fdb2a433","type":"File","attributes":{"title":"\"You keep coming back like a song\", undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/377018d2c691025d88612f9e_aspace_8a581fa1ac5df7378f418095fdb2a433#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_8a581fa1ac5df7378f418095fdb2a433","ref_ssm":["aspace_8a581fa1ac5df7378f418095fdb2a433","aspace_8a581fa1ac5df7378f418095fdb2a433"],"id":"377018d2c691025d88612f9e_aspace_8a581fa1ac5df7378f418095fdb2a433","title_filing_ssi":"\"You keep coming back like a song\"","title_ssm":["\"You keep coming back like a song\""],"title_tesim":["\"You keep coming back like a song\""],"unitdate_inclusive_ssm":["undated"],"normalized_date_ssm":["undated"],"normalized_title_ssm":["\"You keep coming back like a song\", undated"],"text":["\"You keep coming back like a song\", undated","Burt Szabo music collection, 1955-2017","/repositories/2/archival_objects/79820","/repositories/2/archival_objects/83082","box 25","folder 19"],"component_level_isim":[1],"parent_ids_ssim":["377018d2c691025d88612f9e"],"parent_unittitles_ssm":["Burt Szabo music collection, 1955-2017"],"parent_unittitles_tesim":["Burt Szabo music collection, 1955-2017"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/79820","/repositories/2/archival_objects/83082"],"repository_ssim":["UCF University Archives"],"collection_ssim":["Burt Szabo music collection, 1955-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":856,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 25","folder 19"],"_nest_path_":"/components#855","_nest_parent_":"377018d2c691025d88612f9e","_root_":"377018d2c691025d88612f9e","_version_":1870858782767054848,"timestamp":"2026-07-16T08:19:30.734Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"377018d2c691025d88612f9e","title_ssm":["Burt Szabo music collection"],"title_tesim":["Burt Szabo music collection"],"ead_ssi":"377018d2c691025d88612f9e","unitdate_ssm":["1955-2017"],"unitdate_inclusive_ssm":["1955-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA21G","/repositories/2/resources/332"],"text":["UA21G","/repositories/2/resources/332","Burt Szabo music collection, 1955-2017","Barbershop quartets","sheet music","The entire collection is open for research.","The collection is arranged in the original order that it was received.","Albert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  ","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. ","Processed by and finding aid prepared by Simone DeLuque in 2025.","For more information on Special Collections \u0026 University Archives, please see our website.","The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022.","UCF University Archives","Szabo, Burt","English"],"unitid_tesim":["UA21G","/repositories/2/resources/332"],"normalized_date_ssm":["1955-2017"],"normalized_title_ssm":["Burt Szabo music collection, 1955-2017"],"collection_title_tesim":["Burt Szabo music collection, 1955-2017"],"collection_ssim":["Burt Szabo music collection, 1955-2017"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["Szabo, Burt"],"creator_ssim":["Szabo, Burt"],"creator_persname_ssim":["Szabo, Burt"],"creators_ssim":["Szabo, Burt"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of David Schreier in 2018 (Accession no. CFU2018_47)."],"access_subjects_ssim":["Barbershop quartets","sheet music"],"access_subjects_ssm":["Barbershop quartets","sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["11.8 Linear Feet 30 boxes"],"extent_tesim":["11.8 Linear Feet 30 boxes"],"genreform_ssim":["sheet music"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in the original order that it was received.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in the original order that it was received."],"bioghist_html_tesm":["\u003cp\u003eAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \u003c/p\u003e\n","\u003cp\u003eA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Albert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  ","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Burt Szabo music collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Burt Szabo music collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Simone DeLuque in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Simone DeLuque in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections \u0026amp; University Archives, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on Special Collections \u0026 University Archives, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_47ef4f2c9d3944ef54170a551f97a3e7\"\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022.\u003c/abstract\u003e"],"abstract_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022."],"names_ssim":["UCF University Archives","Szabo, Burt"],"corpname_ssim":["UCF University Archives"],"names_coll_ssim":["Szabo, Burt"],"persname_ssim":["Szabo, Burt"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1087,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858782767054848,"_root_":"377018d2c691025d88612f9e","timestamp":"2026-07-16T08:19:30.734Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/377018d2c691025d88612f9e_aspace_8a581fa1ac5df7378f418095fdb2a433"}},{"id":"3809a92600af476ee27dc057_aspace_69113","type":"File","attributes":{"title":"You Keep Coming Like a Song by Irving Berlin featured in film \"Blue Skies\" published by Irving Berlin","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3809a92600af476ee27dc057_aspace_69113#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_69113","ref_ssm":["aspace_69113","aspace_69113"],"id":"3809a92600af476ee27dc057_aspace_69113","title_filing_ssi":"You Keep Coming Like a Song by Irving Berlin featured in film \"Blue Skies\" published by Irving Berlin","title_ssm":["You Keep Coming Like a Song by Irving Berlin featured in film \"Blue Skies\" published by Irving Berlin"],"title_tesim":["You Keep Coming Like a Song by Irving Berlin featured in film \"Blue Skies\" published by Irving Berlin"],"normalized_title_ssm":["You Keep Coming Like a Song by Irving Berlin featured in film \"Blue Skies\" published by Irving Berlin"],"text":["You Keep Coming Like a Song by Irving Berlin featured in film \"Blue Skies\" published by Irving Berlin","J. Floyd Monk Collection, bulk 1826-1999","Box 6","Folder 141","/repositories/2/archival_objects/4798","folder 141"],"component_level_isim":[2],"parent_ids_ssim":["3809a92600af476ee27dc057","3809a92600af476ee27dc057_aspace_68897"],"parent_unittitles_ssm":["J. Floyd Monk Collection, bulk 1826-1999","Box 6"],"parent_unittitles_tesim":["J. Floyd Monk Collection, bulk 1826-1999","Box 6"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["Folder 141","/repositories/2/archival_objects/4798"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["J. Floyd Monk Collection, bulk 1826-1999"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":342,"parent_access_restrict_tesm":["This collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"containers_ssim":["folder 141"],"_nest_path_":"/components#5/components#140","_nest_parent_":"3809a92600af476ee27dc057_aspace_68897","_root_":"3809a92600af476ee27dc057","_version_":1870844519624212480,"timestamp":"2026-07-16T04:32:48.350Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3809a92600af476ee27dc057","title_ssm":["J. Floyd Monk Collection"],"title_tesim":["J. Floyd Monk Collection"],"ead_ssi":"3809a92600af476ee27dc057","unitdate_ssm":["1826-1999"],"unitdate_bulk_ssim":["1826-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC5075","/repositories/2/resources/19"],"text":["SPC5075","/repositories/2/resources/19","J. Floyd Monk Collection, bulk 1826-1999","cedar Key (Fla)- Description and travels","Cedar Key (Fla)- History","Rosewood (Fla)- Race relations","Seminole War, 2nd, 1835-1842","This collection is open for research.","J. Floyd Monk was born in 1914 in Moultrie, Georgia. He was the youngest in a family of 13 children. Though all of his brothers (and a few of his sisters) went to college, the highest degree he earned was a High School diploma (as class valedictorian) in 1932. Floyd worked in Moultrie for a few years before moving to Miami, Florida in 1936. He took a job as a clerk for Florida National Bank. By the time he retired in the 1970's—after 42 years—he had ascended to Vice President of the bank. He died in September of 2004 at the age of 90. Monk's collection of books and papers were donated to FIU's Special Collections department in 2005.","Please note: Newspaper text may reflect biases and prejudices or terms that are outdated, offensive or insensitive.","J. Floyd Monk began amassing his book collection in the 1930's and continued collecting throughout his life. He was especially interested in books on Florida history, geography and wildlife. Most of his books were purchased from the used book stores he frequently visited. A\t large portion of his Florida book collection was compiled as part of his research while writing the two books and several articles he authored. Although his books went unpublished, several of his articles were accepted for publication. The J. Floyd Monk papers are comprised of 4 boxes of research in Florida history and boxes of music sheets. Some of his frequently addressed topics include: The Seminole War, tourism in Florida, and the history of Cedar Key, one of Monk's special interests which also served as a vacation place for his family. The sub-topics within Cedar Key that he researched include: wildlife conservation (sea turtle habitat), industry (the pencil company) and racial tensions (Rosewood Massacre). Included are the manuscripts of his scholarly articles and works of fiction.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Eberhard Faber Pencil Company","Monk, J. Floyd, 1914-2004","English"],"unitid_tesim":["SPC5075","/repositories/2/resources/19"],"normalized_date_ssm":["bulk 1826-1999"],"normalized_title_ssm":["J. Floyd Monk Collection, bulk 1826-1999"],"collection_title_tesim":["J. Floyd Monk Collection, bulk 1826-1999"],"collection_ssim":["J. Floyd Monk Collection, bulk 1826-1999"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"access_subjects_ssim":["cedar Key (Fla)- Description and travels","Cedar Key (Fla)- History","Rosewood (Fla)- Race relations","Seminole War, 2nd, 1835-1842"],"access_subjects_ssm":["cedar Key (Fla)- Description and travels","Cedar Key (Fla)- History","Rosewood (Fla)- Race relations","Seminole War, 2nd, 1835-1842"],"has_online_content_ssim":["false"],"extent_ssm":["4.00 boxes"],"extent_tesim":["4.00 boxes"],"date_range_isim":[1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJ. 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Though all of his brothers (and a few of his sisters) went to college, the highest degree he earned was a High School diploma (as class valedictorian) in 1932. Floyd worked in Moultrie for a few years before moving to Miami, Florida in 1936. He took a job as a clerk for Florida National Bank. By the time he retired in the 1970's—after 42 years—he had ascended to Vice President of the bank. He died in September of 2004 at the age of 90. Monk's collection of books and papers were donated to FIU's Special Collections department in 2005."],"odd_html_tesm":["\u003cp\u003ePlease note: Newspaper text may reflect biases and prejudices or terms that are outdated, offensive or insensitive.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Please note: Newspaper text may reflect biases and prejudices or terms that are outdated, offensive or insensitive."],"scopecontent_html_tesm":["\u003cp\u003eJ. Floyd Monk began amassing his book collection in the 1930's and continued collecting throughout his life. He was especially interested in books on Florida history, geography and wildlife. Most of his books were purchased from the used book stores he frequently visited. A\t large portion of his Florida book collection was compiled as part of his research while writing the two books and several articles he authored. Although his books went unpublished, several of his articles were accepted for publication. The J. Floyd Monk papers are comprised of 4 boxes of research in Florida history and boxes of music sheets. Some of his frequently addressed topics include: The Seminole War, tourism in Florida, and the history of Cedar Key, one of Monk's special interests which also served as a vacation place for his family. The sub-topics within Cedar Key that he researched include: wildlife conservation (sea turtle habitat), industry (the pencil company) and racial tensions (Rosewood Massacre). Included are the manuscripts of his scholarly articles and works of fiction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["J. Floyd Monk began amassing his book collection in the 1930's and continued collecting throughout his life. He was especially interested in books on Florida history, geography and wildlife. Most of his books were purchased from the used book stores he frequently visited. A\t large portion of his Florida book collection was compiled as part of his research while writing the two books and several articles he authored. Although his books went unpublished, several of his articles were accepted for publication. The J. Floyd Monk papers are comprised of 4 boxes of research in Florida history and boxes of music sheets. Some of his frequently addressed topics include: The Seminole War, tourism in Florida, and the history of Cedar Key, one of Monk's special interests which also served as a vacation place for his family. The sub-topics within Cedar Key that he researched include: wildlife conservation (sea turtle habitat), industry (the pencil company) and racial tensions (Rosewood Massacre). Included are the manuscripts of his scholarly articles and works of fiction."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_coll_ssim":["Eberhard Faber Pencil Company","Monk, J. Floyd, 1914-2004"],"names_ssim":["FIU Special Collections","Eberhard Faber Pencil Company","Monk, J. Floyd, 1914-2004"],"corpname_ssim":["FIU Special Collections","Eberhard Faber Pencil Company"],"persname_ssim":["Monk, J. Floyd, 1914-2004"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":348,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844519624212480,"_root_":"3809a92600af476ee27dc057","timestamp":"2026-07-16T04:32:48.350Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3809a92600af476ee27dc057_aspace_69113"}},{"id":"826ec9e46b95f700555c74a0_aspace_c341a8f60f1790af42b79c11c1c5919f","type":"File","attributes":{"title":"\"You Know How to Love Me\", undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/826ec9e46b95f700555c74a0_aspace_c341a8f60f1790af42b79c11c1c5919f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c341a8f60f1790af42b79c11c1c5919f","ref_ssm":["aspace_c341a8f60f1790af42b79c11c1c5919f","aspace_c341a8f60f1790af42b79c11c1c5919f"],"id":"826ec9e46b95f700555c74a0_aspace_c341a8f60f1790af42b79c11c1c5919f","title_filing_ssi":"\"You Know How to Love Me\"","title_ssm":["\"You Know How to Love Me\""],"title_tesim":["\"You Know How to Love Me\""],"unitdate_inclusive_ssm":["undated"],"normalized_date_ssm":["undated"],"normalized_title_ssm":["\"You Know How to Love Me\", undated"],"text":["\"You Know How to Love Me\", undated","Emridge \"E.J.\" Jones, Jr. Collection, Circa 1960-2002","Personal Papers","Sheet Music","/repositories/2/archival_objects/8397","Box 2","folder 18"],"component_level_isim":[3],"parent_ids_ssim":["826ec9e46b95f700555c74a0","826ec9e46b95f700555c74a0_aspace_ae64fdd1a4bcc86cf7181105a7d6c49d","826ec9e46b95f700555c74a0_aspace_7a05eac17ad6b43f32121db47b485c5a"],"parent_unittitles_ssm":["Emridge \"E.J.\" Jones, Jr. Collection, Circa 1960-2002","Personal Papers","Sheet Music"],"parent_unittitles_tesim":["Emridge \"E.J.\" Jones, Jr. Collection, Circa 1960-2002","Personal Papers","Sheet Music"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/8397"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Emridge \"E.J.\" Jones, Jr. Collection, Circa 1960-2002"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":57,"parent_access_terms_tesm":["The Emridge \"E.J.\" Jones, Jr. Collection is open for research."],"containers_ssim":["Box 2","folder 18"],"_nest_path_":"/components#1/components#3/components#11","_nest_parent_":"826ec9e46b95f700555c74a0_aspace_7a05eac17ad6b43f32121db47b485c5a","_root_":"826ec9e46b95f700555c74a0","_version_":1870838762494230528,"timestamp":"2026-07-16T03:01:17.896Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"826ec9e46b95f700555c74a0","title_filing_ssi":"Jones, Emridge \"E.J.\" Jr. Collection","title_ssm":["Emridge \"E.J.\" Jones, Jr. Collection"],"title_tesim":["Emridge \"E.J.\" Jones, Jr. Collection"],"ead_ssi":"826ec9e46b95f700555c74a0","unitdate_ssm":["Circa 1960-2002"],"unitdate_inclusive_ssm":["Circa 1960-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2006.2","/repositories/2/resources/253"],"text":["AARLCC.2006.2","/repositories/2/resources/253","Emridge \"E.J.\" Jones, Jr. Collection, Circa 1960-2002","Notated music","The collection is organized into eight series: Series I. Correspondence, Series II. Personal Papers, Series III. Professional Papers, Series IV. Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Objects, and Series VIII. Audio-Visual Materials.","Emridge \"E.J.\" Jones, Jr. was born on July 10, 1950, to parents Emridge Jones, Sr and Norma Brady Jones of Chicago, Illinois. He began performing in church as a child and learned to play the saxophone, piano, flute, and other instruments. He received his early education in Cook County, Illinois. He attended John Marshall Harlan High School where he graduated as an honor student. He earned his Bachelor of Science degree in Music Education from Florida Agricultural and Mechanical University in 1972 and did additional musical studies at Roosevelt University in Chicago, Illinois. He married Linda Houston in 1974, and they have two children, daughter Jemilah L. Jones and son Emridge Jones Ⅲ.","Emridge \"E.J.\" Jones Jr. blossomed into a master musician and created the professional contemporary jazz group called E.J. and Company that performed for audiences at clubs, events, and other venues. Their unique sound is funky, sensual, and rhythmic. He was also the President of New Rel J Records 1994 to 2002.","Jones worked with other musicians as a music producer to compose, arrange, and record music and performed with and opened for other national and international acts such as Maze ft. Frankie Beverly, Jimmy Bo Horne, Earth Wind and Fire, KC and The Sunshine Band, Kool and the Gang, Miami Sound Machine, Issac Hayes, George Benson, Olivia Newton-John, George Michaels, BB King, and many more.","In addition to his music career, Emridge \"E.J.\" Jones Jr. was a music instructor and band director for the Broward County School District and music director for Ashanti Cultural Arts, Incorporated. He participated in youth creation programs in the City of Lauderdale Lakes and various parks within Broward County youth activity organizations that included football, baseball, basketball, and other youth related leagues. Emridge \"E.J.\" Jones Jr. also tutored young people in music and consulted others in music business and legal matters that included copywrite, publishing and songwriting.","At the age of 51, he passed away from colon cancer in his home at Pompano, Florida, on February 23, 2002.","The Community Foundation of Broward created an endowment fund in Emridge \"E.J.\" Jones Jr. name that continues his legacy of uplifting young African American musicians and artists with scholarships to support their creative initiatives.","Throughout his lifetime he was recognized and received prestigious awards including Musician of the Year on February 15, 2002, and the JM Family Enterprises African-American Achiever of the Arts in 2001. He was also awarded the North Broward County Links Male Pillars of the Community Award in May 1996, and Outstanding Contribution to the Youth in our Community on August 12, 1994. Notably, November 18, 2001, was declared Emridge \"E.J.\" Jones Day.","E.J. \u0026 Company produced a 15-track album entitled \"Everything Happens in Time\" released in 1999 with famous tracks; \"Suki Suki' \"Ah Yeah\" and \"Amazing Grace\".","This collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Emridge \"E.J.\" Jones, Jr. Collection in the Broward County Library Digital Archives.","The Emridge \"E.J.\" Jones, Jr. Collection contains photographs, plaques, awards, newspaper clippings,  sheet music, correspondence to and from Emridge \"E.J.\" Jones Jr., a card, certificates, contracts, a yearbook, a membership card, proclamations, resume, adjudication forms, printed ephemera, one CD, a saxophone mouthpiece, coffee mug, license plate, oval shaped plate and sweater belonging to Emridge \"E.J.\" Jones Jr. of Pompano Beach, Florida.","The Emridge \"E.J.\" Jones, Jr. Collection is open for research.","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2006.2","/repositories/2/resources/253"],"normalized_date_ssm":["Circa 1960-2002"],"normalized_title_ssm":["Emridge \"E.J.\" Jones, Jr. Collection, Circa 1960-2002"],"collection_title_tesim":["Emridge \"E.J.\" Jones, Jr. Collection, Circa 1960-2002"],"collection_ssim":["Emridge \"E.J.\" Jones, Jr. Collection, Circa 1960-2002"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"access_terms_ssm":["The Emridge \"E.J.\" Jones, Jr. Collection is open for research."],"access_subjects_ssim":["Notated music"],"access_subjects_ssm":["Notated music"],"has_online_content_ssim":["false"],"extent_ssm":["8 Hollinger Boxes"],"extent_tesim":["8 Hollinger Boxes"],"genreform_ssim":["Notated music"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into eight series: Series I. Correspondence, Series II. Personal Papers, Series III. Professional Papers, Series IV. Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Objects, and Series VIII. Audio-Visual Materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into eight series: Series I. Correspondence, Series II. Personal Papers, Series III. Professional Papers, Series IV. Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Objects, and Series VIII. Audio-Visual Materials."],"bioghist_html_tesm":["\u003cp\u003eEmridge \"E.J.\" Jones, Jr. was born on July 10, 1950, to parents Emridge Jones, Sr and Norma Brady Jones of Chicago, Illinois. He began performing in church as a child and learned to play the saxophone, piano, flute, and other instruments. He received his early education in Cook County, Illinois. He attended John Marshall Harlan High School where he graduated as an honor student. He earned his Bachelor of Science degree in Music Education from Florida Agricultural and Mechanical University in 1972 and did additional musical studies at Roosevelt University in Chicago, Illinois. He married Linda Houston in 1974, and they have two children, daughter Jemilah L. Jones and son Emridge Jones \u0026#x2162;.\u003c/p\u003e\n","\u003cp\u003eEmridge \"E.J.\" Jones Jr. blossomed into a master musician and created the professional contemporary jazz group called E.J. and Company that performed for audiences at clubs, events, and other venues. Their unique sound is funky, sensual, and rhythmic. He was also the President of New Rel J Records 1994 to 2002.\u003c/p\u003e\n","\u003cp\u003eJones worked with other musicians as a music producer to compose, arrange, and record music and performed with and opened for other national and international acts such as Maze ft. Frankie Beverly, Jimmy Bo Horne, Earth Wind and Fire, KC and The Sunshine Band, Kool and the Gang, Miami Sound Machine, Issac Hayes, George Benson, Olivia Newton-John, George Michaels, BB King, and many more.\u003c/p\u003e\n","\u003cp\u003eIn addition to his music career, Emridge \"E.J.\" Jones Jr. was a music instructor and band director for the Broward County School District and music director for Ashanti Cultural Arts, Incorporated. He participated in youth creation programs in the City of Lauderdale Lakes and various parks within Broward County youth activity organizations that included football, baseball, basketball, and other youth related leagues. Emridge \"E.J.\" Jones Jr. also tutored young people in music and consulted others in music business and legal matters that included copywrite, publishing and songwriting.\u003c/p\u003e\n","\u003cp\u003eAt the age of 51, he passed away from colon cancer in his home at Pompano, Florida, on February 23, 2002.\u003c/p\u003e\n","\u003cp\u003eThe Community Foundation of Broward created an endowment fund in Emridge \"E.J.\" Jones Jr. name that continues his legacy of uplifting young African American musicians and artists with scholarships to support their creative initiatives.\u003c/p\u003e\n","\u003cp\u003eThroughout his lifetime he was recognized and received prestigious awards including Musician of the Year on February 15, 2002, and the JM Family Enterprises African-American Achiever of the Arts in 2001. He was also awarded the North Broward County Links Male Pillars of the Community Award in May 1996, and Outstanding Contribution to the Youth in our Community on August 12, 1994. Notably, November 18, 2001, was declared Emridge \"E.J.\" Jones Day.\u003c/p\u003e\n","\u003cp\u003eE.J. \u0026amp; Company produced a 15-track album entitled \"Everything Happens in Time\" released in 1999 with famous tracks; \"Suki Suki' \"Ah Yeah\" and \"Amazing Grace\".\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Emridge \"E.J.\" Jones, Jr. was born on July 10, 1950, to parents Emridge Jones, Sr and Norma Brady Jones of Chicago, Illinois. He began performing in church as a child and learned to play the saxophone, piano, flute, and other instruments. He received his early education in Cook County, Illinois. He attended John Marshall Harlan High School where he graduated as an honor student. He earned his Bachelor of Science degree in Music Education from Florida Agricultural and Mechanical University in 1972 and did additional musical studies at Roosevelt University in Chicago, Illinois. He married Linda Houston in 1974, and they have two children, daughter Jemilah L. Jones and son Emridge Jones Ⅲ.","Emridge \"E.J.\" Jones Jr. blossomed into a master musician and created the professional contemporary jazz group called E.J. and Company that performed for audiences at clubs, events, and other venues. Their unique sound is funky, sensual, and rhythmic. He was also the President of New Rel J Records 1994 to 2002.","Jones worked with other musicians as a music producer to compose, arrange, and record music and performed with and opened for other national and international acts such as Maze ft. Frankie Beverly, Jimmy Bo Horne, Earth Wind and Fire, KC and The Sunshine Band, Kool and the Gang, Miami Sound Machine, Issac Hayes, George Benson, Olivia Newton-John, George Michaels, BB King, and many more.","In addition to his music career, Emridge \"E.J.\" Jones Jr. was a music instructor and band director for the Broward County School District and music director for Ashanti Cultural Arts, Incorporated. He participated in youth creation programs in the City of Lauderdale Lakes and various parks within Broward County youth activity organizations that included football, baseball, basketball, and other youth related leagues. Emridge \"E.J.\" Jones Jr. also tutored young people in music and consulted others in music business and legal matters that included copywrite, publishing and songwriting.","At the age of 51, he passed away from colon cancer in his home at Pompano, Florida, on February 23, 2002.","The Community Foundation of Broward created an endowment fund in Emridge \"E.J.\" Jones Jr. name that continues his legacy of uplifting young African American musicians and artists with scholarships to support their creative initiatives.","Throughout his lifetime he was recognized and received prestigious awards including Musician of the Year on February 15, 2002, and the JM Family Enterprises African-American Achiever of the Arts in 2001. He was also awarded the North Broward County Links Male Pillars of the Community Award in May 1996, and Outstanding Contribution to the Youth in our Community on August 12, 1994. Notably, November 18, 2001, was declared Emridge \"E.J.\" Jones Day.","E.J. \u0026 Company produced a 15-track album entitled \"Everything Happens in Time\" released in 1999 with famous tracks; \"Suki Suki' \"Ah Yeah\" and \"Amazing Grace\"."],"prefercite_html_tesm":["\u003cp\u003eEmridge \"E.J.\" Jones, Jr. Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Emridge \"E.J.\" Jones, Jr. Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll9/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Emridge \"E.J.\" Jones, Jr. Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Emridge \"E.J.\" Jones, Jr. Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Emridge \"E.J.\" Jones, Jr. Collection contains photographs, plaques, awards, newspaper clippings,  sheet music, correspondence to and from Emridge \"E.J.\" Jones Jr., a card, certificates, contracts, a yearbook, a membership card, proclamations, resume, adjudication forms, printed ephemera, one CD, a saxophone mouthpiece, coffee mug, license plate, oval shaped plate and sweater belonging to Emridge \"E.J.\" Jones Jr. of Pompano Beach, Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Emridge \"E.J.\" Jones, Jr. Collection contains photographs, plaques, awards, newspaper clippings,  sheet music, correspondence to and from Emridge \"E.J.\" Jones Jr., a card, certificates, contracts, a yearbook, a membership card, proclamations, resume, adjudication forms, printed ephemera, one CD, a saxophone mouthpiece, coffee mug, license plate, oval shaped plate and sweater belonging to Emridge \"E.J.\" Jones Jr. of Pompano Beach, Florida."],"userestrict_html_tesm":["\u003cp\u003eThe Emridge \"E.J.\" Jones, Jr. Collection is open for research.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Emridge \"E.J.\" Jones, Jr. Collection is open for research."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":164,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870838762494230528,"_root_":"826ec9e46b95f700555c74a0","timestamp":"2026-07-16T03:01:17.896Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/826ec9e46b95f700555c74a0_aspace_c341a8f60f1790af42b79c11c1c5919f"}},{"id":"11624158e5650be48e4f6cd2_aspace_209778","type":"File","attributes":{"title":"You Lack One Thing, 1963","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/11624158e5650be48e4f6cd2_aspace_209778#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eStewardship Sermon\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/11624158e5650be48e4f6cd2_aspace_209778#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_209778","ref_ssm":["aspace_209778","aspace_209778"],"id":"11624158e5650be48e4f6cd2_aspace_209778","title_filing_ssi":"You Lack One Thing","title_ssm":["You Lack One Thing"],"title_tesim":["You Lack One Thing"],"unitdate_other_ssim":["1963"],"normalized_date_ssm":["1963"],"normalized_title_ssm":["You Lack One Thing, 1963"],"text":["You Lack One Thing, 1963","Milton S. Carothers Papers, 1956-1999, Date acquired: 04/04/2014","Folder 338","/repositories/10/archival_objects/154356","box 3","folder 338","Stewardship Sermon"],"component_level_isim":[1],"parent_ids_ssim":["11624158e5650be48e4f6cd2"],"parent_unittitles_ssm":["Milton S. Carothers Papers, 1956-1999, Date acquired: 04/04/2014"],"parent_unittitles_tesim":["Milton S. Carothers Papers, 1956-1999, Date acquired: 04/04/2014"],"parent_levels_ssm":["collection"],"unitid_ssm":["Folder 338","/repositories/10/archival_objects/154356"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Milton S. Carothers Papers, 1956-1999, Date acquired: 04/04/2014"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":338,"parent_access_restrict_tesm":["This collection is open to all researchers. ","This collection is in an offsite storage location. 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Carothers Papers"],"ead_ssi":"11624158e5650be48e4f6cd2","unitdate_ssm":["1956-1999","Date acquired: 04/04/2014"],"unitdate_inclusive_ssm":["1956-1999"],"unitdate_other_ssim":["Date acquired: 04/04/2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2014-005","/repositories/10/resources/1207"],"text":["MSS 2014-005","/repositories/10/resources/1207","Milton S. Carothers Papers, 1956-1999, Date acquired: 04/04/2014","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Arrangement reflects the numbered filing system used by Carothers. Folder numbers reflect the original numbering of files in the Carothers system.","Julia Stover \u0026 Milton Washington Carothers Memorial Collection of Bibles and Rare Books, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.\n Milton S. Carothers interview, OHPCN 0400, Reichelt Oral History Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/HPUA-2015-00R Milton Stover Carothers Papers, Southern Historical Collection, University of North Carolina University Libraries, Chapel Hill, North Carolina.  http://search.lib.unc.edu/search?R=UNCb5315181","Carothers, M. S. (1991).  Letters \u0026 Lessons of Faith: A Collection of Ideas, Insights, and Sermons For Your Reflection .  http://fsu.catalog.fcla.edu/permalink.jsp?23FS029418834 Carothers, M. S. (2004).  More Letters \u0026 Lessons of Faith: A Collection of Ideas, Insights, and Sermons For Your Reflection .  http://fsu.catalog.fcla.edu/permalink.jsp?23FS033097177","Typed drafts, handwritten notes, newspaper clippings, event programs, and note cards documenting sermons written and delivered by Milton S. Carothers, as well as his career at Florida State University.\n Some sermons were later collected in  Letters \u0026 Lessons of Faith  and  More Letters \u0026 Lessons of Faith .","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Carothers, Milton Stover","English"],"unitid_tesim":["MSS 2014-005","/repositories/10/resources/1207"],"normalized_date_ssm":["1956-1999, Date acquired: 04/04/2014"],"normalized_title_ssm":["Milton S. Carothers Papers, 1956-1999, Date acquired: 04/04/2014"],"collection_title_tesim":["Milton S. Carothers Papers, 1956-1999, Date acquired: 04/04/2014"],"collection_ssim":["Milton S. Carothers Papers, 1956-1999, Date acquired: 04/04/2014"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Carothers, Milton Stover"],"creator_ssim":["Carothers, Milton Stover"],"creator_persname_ssim":["Carothers, Milton Stover"],"creators_ssim":["Carothers, Milton Stover"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. 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Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"arrangement_html_tesm":["\u003cp\u003eArrangement reflects the numbered filing system used by Carothers. Folder numbers reflect the original numbering of files in the Carothers system.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Arrangement reflects the numbered filing system used by Carothers. Folder numbers reflect the original numbering of files in the Carothers system."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Milton S. Carothers Papers, MSS 2014-005, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS_2014-005\"\u003ehttp://purl.fcla.edu/fsu/MSS_2014-005\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Milton S. Carothers Papers, MSS 2014-005, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_2014-005"],"relatedmaterial_html_tesm":["\u003cp\u003eJulia Stover \u0026amp; Milton Washington Carothers Memorial Collection of Bibles and Rare Books, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida.\n\u003cbr\u003e\u003cbr\u003eMilton S. Carothers interview, OHPCN 0400, Reichelt Oral History Collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/HPUA-2015-00R\"\u003ehttp://purl.fcla.edu/fsu/HPUA-2015-00R\u003c/extref\u003e\n\u003cbr\u003e\u003cbr\u003eMilton Stover Carothers Papers, Southern Historical Collection, University of North Carolina University Libraries, Chapel Hill, North Carolina. \u003cextref href=\"http://search.lib.unc.edu/search?R=UNCb5315181\"\u003ehttp://search.lib.unc.edu/search?R=UNCb5315181\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003eCarothers, M. S. (1991). \u003cemph render=\"italic\"\u003eLetters \u0026amp; Lessons of Faith: A Collection of Ideas, Insights, and Sermons For Your Reflection\u003c/emph\u003e. \u003cextref href=\"http://fsu.catalog.fcla.edu/permalink.jsp?23FS029418834\"\u003ehttp://fsu.catalog.fcla.edu/permalink.jsp?23FS029418834\u003c/extref\u003e\n\u003cbr\u003e\u003cbr\u003eCarothers, M. S. (2004). \u003cemph render=\"italic\"\u003eMore Letters \u0026amp; Lessons of Faith: A Collection of Ideas, Insights, and Sermons For Your Reflection\u003c/emph\u003e. \u003cextref href=\"http://fsu.catalog.fcla.edu/permalink.jsp?23FS033097177\"\u003ehttp://fsu.catalog.fcla.edu/permalink.jsp?23FS033097177\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Publications"],"relatedmaterial_tesim":["Julia Stover \u0026 Milton Washington Carothers Memorial Collection of Bibles and Rare Books, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.\n Milton S. Carothers interview, OHPCN 0400, Reichelt Oral History Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/HPUA-2015-00R Milton Stover Carothers Papers, Southern Historical Collection, University of North Carolina University Libraries, Chapel Hill, North Carolina.  http://search.lib.unc.edu/search?R=UNCb5315181","Carothers, M. S. (1991).  Letters \u0026 Lessons of Faith: A Collection of Ideas, Insights, and Sermons For Your Reflection .  http://fsu.catalog.fcla.edu/permalink.jsp?23FS029418834 Carothers, M. S. (2004).  More Letters \u0026 Lessons of Faith: A Collection of Ideas, Insights, and Sermons For Your Reflection .  http://fsu.catalog.fcla.edu/permalink.jsp?23FS033097177"],"scopecontent_html_tesm":["\u003cp\u003eTyped drafts, handwritten notes, newspaper clippings, event programs, and note cards documenting sermons written and delivered by Milton S. Carothers, as well as his career at Florida State University.\n\u003cbr\u003e\u003cbr\u003eSome sermons were later collected in \u003cemph render=\"underline\"\u003eLetters \u0026amp; Lessons of Faith\u003c/emph\u003e and \u003cemph render=\"underline\"\u003eMore Letters \u0026amp; Lessons of Faith\u003c/emph\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Typed drafts, handwritten notes, newspaper clippings, event programs, and note cards documenting sermons written and delivered by Milton S. Carothers, as well as his career at Florida State University.\n Some sermons were later collected in  Letters \u0026 Lessons of Faith  and  More Letters \u0026 Lessons of Faith ."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. 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","Processed by and finding aid prepared by Simone DeLuque in 2025.","For more information on Special Collections \u0026 University Archives, please see our website.","The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. 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","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Burt Szabo music collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Burt Szabo music collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Simone DeLuque in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Simone DeLuque in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections \u0026amp; University Archives, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on Special Collections \u0026 University Archives, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. 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He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. 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He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2012, this collection was processed by Elizabeth Fairall and Victoria Thur.","The collection of Sy Canton (1918- ) consists primarily of American popular sheet music.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00015","/repositories/2/resources/90"],"normalized_date_ssm":["1884-1975, bulk 1916-1949"],"normalized_title_ssm":["Sy Canton Collection, 1884-1975, bulk 1916-1949"],"collection_title_tesim":["Sy Canton Collection, 1884-1975, bulk 1916-1949"],"collection_ssim":["Sy Canton Collection, 1884-1975, bulk 1916-1949"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["3.50 Linear Feet"],"extent_tesim":["3.50 Linear Feet"],"date_range_isim":[1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2012, this collection was processed by Elizabeth Fairall and Victoria Thur.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2012, this collection was processed by Elizabeth Fairall and Victoria Thur."],"scopecontent_html_tesm":["\u003cp\u003eThe collection of Sy Canton (1918- ) consists primarily of American popular sheet music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection of Sy Canton (1918- ) consists primarily of American popular sheet music."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":446,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"a3867d88fd9407e04d4a69d2","timestamp":"2026-04-21T17:59:33.956Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a3867d88fd9407e04d4a69d2_aspace_62042"}},{"id":"f1098bbf9fbfeb8d23de54a0_aspace_44c037e835300fd9d86c686c479f3e88","type":"File","attributes":{"title":"\"You'll have to die now\", Redbook magazine, January 1958","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f1098bbf9fbfeb8d23de54a0_aspace_44c037e835300fd9d86c686c479f3e88#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_44c037e835300fd9d86c686c479f3e88","ref_ssm":["aspace_44c037e835300fd9d86c686c479f3e88","aspace_44c037e835300fd9d86c686c479f3e88"],"id":"f1098bbf9fbfeb8d23de54a0_aspace_44c037e835300fd9d86c686c479f3e88","title_filing_ssi":"\"You'll have to die now\", Redbook magazine","title_ssm":["\"You'll have to die now\", Redbook magazine"],"title_tesim":["\"You'll have to die now\", Redbook magazine"],"unitdate_other_ssim":["January 1958"],"normalized_date_ssm":["January 1958"],"normalized_title_ssm":["\"You'll have to die now\", Redbook magazine, January 1958"],"text":["\"You'll have to die now\", Redbook magazine, January 1958","Michael Shaara Collection, Circa 1947-1990","Writings, Circa 1952-1987","/repositories/3/archival_objects/12676","box 19","folder 17"],"component_level_isim":[2],"parent_ids_ssim":["f1098bbf9fbfeb8d23de54a0","f1098bbf9fbfeb8d23de54a0_aspace_2cfcb9d9ff5e187431f6b8c233e8d275"],"parent_unittitles_ssm":["Michael Shaara Collection, Circa 1947-1990","Writings, Circa 1952-1987"],"parent_unittitles_tesim":["Michael Shaara Collection, Circa 1947-1990","Writings, Circa 1952-1987"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/12676"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"collection_ssim":["Michael Shaara Collection, Circa 1947-1990"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":350,"parent_access_restrict_tesm":["The Michael Shaara Collection is open for research."],"date_range_isim":[1958],"containers_ssim":["box 19","folder 17"],"_nest_path_":"/components#1/components#149","_nest_parent_":"f1098bbf9fbfeb8d23de54a0_aspace_2cfcb9d9ff5e187431f6b8c233e8d275","_root_":"f1098bbf9fbfeb8d23de54a0","_version_":1879174602967482368,"timestamp":"2026-10-16T03:15:54.887Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f1098bbf9fbfeb8d23de54a0","title_filing_ssi":"Shaara, Michael Collection","title_ssm":["Michael Shaara Collection"],"title_tesim":["Michael Shaara Collection"],"ead_ssi":"f1098bbf9fbfeb8d23de54a0","unitdate_ssm":["Circa 1947-1990"],"unitdate_inclusive_ssm":["Circa 1947-1990"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["BIENES.2022.1","/repositories/3/resources/178"],"text":["BIENES.2022.1","/repositories/3/resources/178","Michael Shaara Collection, Circa 1947-1990","United States -- History -- Civil War, 1861-1865 -- Fiction","Shaara, Michael -- Correspondence","American literature","Historical fiction, American","Science fiction","Manuscripts","Short stories","Photographs","Clippings","The Michael Shaara Collection is open for research.","Related archival material can be found in the Denver Public Library, Western History/Genealogy Department, Denver, Colorado. Visit DenverLibrary.org for further information.","The Michael Shaara Collection contains eight series: Series I. Correspondence, Series II. Writings, Series III. Professional Papers, Series IV. Personal Papers, Series V. Financial and Legal Documents, Series VI. Photographs, Series VII. Awards, and Series VIII. Printed Materials.","Michael Shaara (1929-1988) was born on June 23, 1929 in Jersey City, N.J. to Michael Joseph Sr. and Allene Shaara. Michael Shaara graduated from Rutgers University with a bachelor's degree in 1951 and completed graduate studies at Columbia University (1952-1953) and University of Vermont (1953-1954). He began writing short stories in the 1950s after holding jobs as a paratrooper, merchant seaman, and police officer in St. Petersburg, Florida. In 1959, he was hired as an English instructor at Florida State University (FSU) and by 1968, became an Associate Professor. He taught English, literature and creative writing courses.","Michael Shaara wrote four novels and published more than 70 short stories in magazines including Cosmopolitan, Galaxy, Fantastic Universe, Playboy, Redbook, and the Saturday Evening Post. He began writing science fiction and fantasy genres for the popular pulp fiction magazines of the time and won several awards. Shaara received the Pulitzer Prize for Fiction in 1975 for his novel \"The Killer Angels\". His other three novels are: \"The Broken Place\" (1968), \"The Noah Conspiracy\" (known as the \"Herald\", 1981), and \"For Love of the Game\" (1991). Two of his novels were made into films: television miniseries \"Gettysburg\", an adaptation of \"The Killer Angels\" and film \"For Love of the Game\" (1991) based on the novel of the same name. ","In 1965, Michael Shaara had his first major heart attack and wrote about the experience in an article published by the Saturday Evening Post. The article \"In the Midst of Life\" won an American Medical Association award for medical journalism. While teaching an FSU abroad program in Italy in 1972, he had a motorcycle accident. He was unconcious for weeks and suffered from a severe brain injury. Later he described this event in his story \"Brain Damage\". ","Michael Shaara married Helen Krumweide (1928-2016) on September 16, 1950, and had two children, Jeffrey and Lila Elise. Jeff Shaara wrote the novels \"Gods and Generals\" (1996) and \"The Last Full Measure\" (1998) which serve as as a prequel and sequel to \"The Killer Angels.\" Jeff Shaara continues to write novels.","This collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Michael Shaara Collection in the Broward County Library Digital Archives.","The Michael Shaara Collection contains manuscripts, correspondence, photographs, teaching lectures and notes, speeches, financial documents, personal papers, books, awards, programs, newspaper clippings, and publications collected by author Michael Shaara (1929-1988). Manuscripts and drafts include his four novels (\"The Killer Angels\", \"The Broken Place\", \"The Herald\", and \"For Love of the Game\") and short stories.","Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library","Florida State University. Department of English","Shaara, Michael","English"],"unitid_tesim":["BIENES.2022.1","/repositories/3/resources/178"],"normalized_date_ssm":["Circa 1947-1990"],"normalized_title_ssm":["Michael Shaara Collection, Circa 1947-1990"],"collection_title_tesim":["Michael Shaara Collection, Circa 1947-1990"],"collection_ssim":["Michael Shaara Collection, Circa 1947-1990"],"repository_ssm":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"repository_ssim":["Bienes Museum of the Modern Book: The Dianne and Michael Bienes Special Collections and Rare Book Library"],"geogname_ssm":["United States -- History -- Civil War, 1861-1865 -- Fiction"],"geogname_ssim":["United States -- History -- Civil War, 1861-1865 -- Fiction"],"creator_ssm":["Shaara, Michael"],"creator_ssim":["Shaara, Michael"],"creator_persname_ssim":["Shaara, Michael"],"creators_ssim":["Shaara, Michael"],"places_ssim":["United States -- History -- Civil War, 1861-1865 -- Fiction"],"acqinfo_ssim":["Helen Shaara donated the Michael Shaara Collection to the Bienes Museum of the Modern Book on October 15, 1998."],"access_subjects_ssim":["Shaara, Michael -- Correspondence","American literature","Historical fiction, American","Science fiction","Manuscripts","Short stories","Photographs","Clippings"],"access_subjects_ssm":["Shaara, Michael -- Correspondence","American literature","Historical fiction, American","Science fiction","Manuscripts","Short stories","Photographs","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["26 Hollinger Boxes"],"extent_tesim":["26 Hollinger Boxes"],"genreform_ssim":["Manuscripts","Short stories","Photographs","Clippings"],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990],"accessrestrict_html_tesm":["\u003cp\u003eThe Michael Shaara Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Michael Shaara Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003eRelated archival material can be found in the Denver Public Library, Western History/Genealogy Department, Denver, Colorado. 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Printed Materials."],"bioghist_html_tesm":["\u003cp\u003eMichael Shaara (1929-1988) was born on June 23, 1929 in Jersey City, N.J. to Michael Joseph Sr. and Allene Shaara. Michael Shaara graduated from Rutgers University with a bachelor's degree in 1951 and completed graduate studies at Columbia University (1952-1953) and University of Vermont (1953-1954). He began writing short stories in the 1950s after holding jobs as a paratrooper, merchant seaman, and police officer in St. Petersburg, Florida. In 1959, he was hired as an English instructor at Florida State University (FSU) and by 1968, became an Associate Professor. He taught English, literature and creative writing courses.\u003c/p\u003e\n","\u003cp\u003eMichael Shaara wrote four novels and published more than 70 short stories in magazines including Cosmopolitan, Galaxy, Fantastic Universe, Playboy, Redbook, and the Saturday Evening Post. 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Later he described this event in his story \"Brain Damage\". \u003c/p\u003e\n","\u003cp\u003eMichael Shaara married Helen Krumweide (1928-2016) on September 16, 1950, and had two children, Jeffrey and Lila Elise. Jeff Shaara wrote the novels \"Gods and Generals\" (1996) and \"The Last Full Measure\" (1998) which serve as as a prequel and sequel to \"The Killer Angels.\" Jeff Shaara continues to write novels.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Michael Shaara (1929-1988) was born on June 23, 1929 in Jersey City, N.J. to Michael Joseph Sr. and Allene Shaara. Michael Shaara graduated from Rutgers University with a bachelor's degree in 1951 and completed graduate studies at Columbia University (1952-1953) and University of Vermont (1953-1954). He began writing short stories in the 1950s after holding jobs as a paratrooper, merchant seaman, and police officer in St. Petersburg, Florida. 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","In 1965, Michael Shaara had his first major heart attack and wrote about the experience in an article published by the Saturday Evening Post. The article \"In the Midst of Life\" won an American Medical Association award for medical journalism. While teaching an FSU abroad program in Italy in 1972, he had a motorcycle accident. He was unconcious for weeks and suffered from a severe brain injury. Later he described this event in his story \"Brain Damage\". ","Michael Shaara married Helen Krumweide (1928-2016) on September 16, 1950, and had two children, Jeffrey and Lila Elise. 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