{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=42168\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=42167\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=42169\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=42286\u0026view=compact"},"meta":{"pages":{"current_page":42168,"next_page":42169,"prev_page":42167,"total_pages":42286,"limit_value":10,"offset_value":421670,"total_count":422855,"first_page?":false,"last_page?":false}},"data":[{"id":"3a691bb3ebf7b743485425f4_aspace_1ac3d8346cfcf0220dab0b66458c0aa6","type":"File","attributes":{"title":"You Go To My Head","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/3a691bb3ebf7b743485425f4_aspace_1ac3d8346cfcf0220dab0b66458c0aa6#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains the following parts: \u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3a691bb3ebf7b743485425f4_aspace_1ac3d8346cfcf0220dab0b66458c0aa6#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1ac3d8346cfcf0220dab0b66458c0aa6","ref_ssm":["aspace_1ac3d8346cfcf0220dab0b66458c0aa6","aspace_1ac3d8346cfcf0220dab0b66458c0aa6"],"id":"3a691bb3ebf7b743485425f4_aspace_1ac3d8346cfcf0220dab0b66458c0aa6","title_filing_ssi":"You Go To My Head","title_ssm":["You Go To My Head"],"title_tesim":["You Go To My Head"],"normalized_title_ssm":["You Go To My Head"],"text":["You Go To My Head","Robert H. 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Stone and Pamela S. Carey Jazz Collection, 1920","Series II: Big Band/Basie","Box 5","Folder 124a","/repositories/12/archival_objects/215686","Holman, Bill (Willis Leonard) (1927-05-21)","Jazz","Jazz musicians","Sheet music","Popular music -- Lead sheets","English","This folder contains the following parts: ","Sax: 2 alto, 2 tenor, 1 bari \nTrumpet: 4\nTrombone: 4\nBass: 1 \nPiano: 1\nGuitar: 1\nPercussion: 1"],"component_level_isim":[3],"parent_ids_ssim":["3a691bb3ebf7b743485425f4","3a691bb3ebf7b743485425f4_aspace_dc4c77d98a562e4d17f225c0d68e229f","3a691bb3ebf7b743485425f4_aspace_9c9e50e81df6ad91b5bc5a782c9f3f61"],"parent_unittitles_ssm":["Robert H. Stone and Pamela S. Carey Jazz Collection, 1920","Series II: Big Band/Basie","Box 5"],"parent_unittitles_tesim":["Robert H. Stone and Pamela S. 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Due to copyright restrictions, items in this collection may not be photographed or scanned."],"names_ssim":["Holman, Bill (Willis Leonard) (1927-05-21)"],"persname_ssim":["Holman, Bill (Willis Leonard) (1927-05-21)"],"access_subjects_ssim":["Jazz","Jazz musicians","Sheet music","Popular music -- Lead sheets"],"access_subjects_ssm":["Jazz","Jazz musicians","Sheet music","Popular music -- Lead sheets"],"language_ssim":["English"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains the following parts: \u003c/p\u003e","\u003cp\u003eSax: 2 alto, 2 tenor, 1 bari \nTrumpet: 4\nTrombone: 4\nBass: 1 \nPiano: 1\nGuitar: 1\nPercussion: 1\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains the following parts: ","Sax: 2 alto, 2 tenor, 1 bari \nTrumpet: 4\nTrombone: 4\nBass: 1 \nPiano: 1\nGuitar: 1\nPercussion: 1"],"_nest_path_":"/components#1/components#4/components#9","_nest_parent_":"3a691bb3ebf7b743485425f4_aspace_9c9e50e81df6ad91b5bc5a782c9f3f61","_root_":"3a691bb3ebf7b743485425f4","_version_":1870852924015378432,"timestamp":"2026-07-16T06:46:23.350Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3a691bb3ebf7b743485425f4","title_ssm":["Robert H. Stone and Pamela S. Carey Jazz Collection"],"title_tesim":["Robert H. Stone and Pamela S. Carey Jazz Collection"],"ead_ssi":"3a691bb3ebf7b743485425f4","unitdate_ssm":["1920"],"unitdate_other_ssim":["1920"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["FSUML-2022-03","/repositories/12/resources/2018"],"text":["FSUML-2022-03","/repositories/12/resources/2018","Robert H. Stone and Pamela S. Carey Jazz Collection, 1920","Jazz","Jazz ensembles","Jazz musicians","Jazz singers","Jazz vocals","Jazz -- 1971-1980 -- Lead sheets","Jazz -- 1951-1960 -- Lead sheets","Popular music -- Lead sheets","Sheet music--United States--History","This collection is available for viewing in person.","This collection was owned in its entirety by Robert H. Stone and Pamela S. Carey.","This collection contains lead sheets, parts, and assorted jazz arrangements created by 200 arrangers, including some of unknown origin. The dates for this collection range from 1920-present. Many of these items are handwritten and unpublished. This collection was donated by Robert \"Bob\" Stone and Pamela S. Carey.","Bob Stone, the Founder and Musical Director of The Naples Jazz Orchestra, brings over forty (40) years of musical experience to the organization. This includes professional performance, ensemble development, musical directing/conducting, and teaching/mentoring students and professional musicians. Mr. Stone has had performance engagements with over 80 headliners, including some of the greatest names and organizations in American jazz and popular music such as Count Basie, Frank Sinatra, Lionel Hampton, Harry James, The Four Freshmen, and many, many more. He formed, managed, directed, promoted and played in one of the most famous big bands of its era, The Bob Stone Big Band, in Chicago, IL 1976-1989.","This collection is available for viewing in person. 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Due to copyright restrictions, items in this collection may not be photographed or scanned."],"names_ssim":["Holman, Bill (Willis Leonard) (1927-05-21)"],"persname_ssim":["Holman, Bill (Willis Leonard) (1927-05-21)"],"access_subjects_ssim":["Jazz","Jazz musicians","Sheet music","Popular music -- Lead sheets"],"access_subjects_ssm":["Jazz","Jazz musicians","Sheet music","Popular music -- Lead sheets"],"language_ssim":["English"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains the following parts: \u003c/p\u003e","\u003cp\u003eSax: 2 alto, 2 tenor, 1 bari \nTrumpet: 4\nTrombone: 4\nBass: 1 \nPiano: 1\nGuitar: 1\nPercussion: 1\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains the following parts: ","Sax: 2 alto, 2 tenor, 1 bari \nTrumpet: 4\nTrombone: 4\nBass: 1 \nPiano: 1\nGuitar: 1\nPercussion: 1"],"_nest_path_":"/components#1/components#4/components#10","_nest_parent_":"3a691bb3ebf7b743485425f4_aspace_9c9e50e81df6ad91b5bc5a782c9f3f61","_root_":"3a691bb3ebf7b743485425f4","_version_":1870852924015378432,"timestamp":"2026-07-16T06:46:23.350Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3a691bb3ebf7b743485425f4","title_ssm":["Robert H. Stone and Pamela S. Carey Jazz Collection"],"title_tesim":["Robert H. Stone and Pamela S. Carey Jazz Collection"],"ead_ssi":"3a691bb3ebf7b743485425f4","unitdate_ssm":["1920"],"unitdate_other_ssim":["1920"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["FSUML-2022-03","/repositories/12/resources/2018"],"text":["FSUML-2022-03","/repositories/12/resources/2018","Robert H. Stone and Pamela S. Carey Jazz Collection, 1920","Jazz","Jazz ensembles","Jazz musicians","Jazz singers","Jazz vocals","Jazz -- 1971-1980 -- Lead sheets","Jazz -- 1951-1960 -- Lead sheets","Popular music -- Lead sheets","Sheet music--United States--History","This collection is available for viewing in person.","This collection was owned in its entirety by Robert H. Stone and Pamela S. Carey.","This collection contains lead sheets, parts, and assorted jazz arrangements created by 200 arrangers, including some of unknown origin. The dates for this collection range from 1920-present. Many of these items are handwritten and unpublished. This collection was donated by Robert \"Bob\" Stone and Pamela S. Carey.","Bob Stone, the Founder and Musical Director of The Naples Jazz Orchestra, brings over forty (40) years of musical experience to the organization. This includes professional performance, ensemble development, musical directing/conducting, and teaching/mentoring students and professional musicians. Mr. Stone has had performance engagements with over 80 headliners, including some of the greatest names and organizations in American jazz and popular music such as Count Basie, Frank Sinatra, Lionel Hampton, Harry James, The Four Freshmen, and many, many more. He formed, managed, directed, promoted and played in one of the most famous big bands of its era, The Bob Stone Big Band, in Chicago, IL 1976-1989.","This collection is available for viewing in person. Due to copyright restrictions, items in this collection may not be photographed or scanned.","Allen Music Library Special Collections","London Orchestration","Albam, Manny (1922-06-24-2001-10-02)","Ayoub, Nick, 1926-1991","Dee Barton","Barone, Mike, 1936-","Bellson, Lou ","Berg, Curt","Blumberg, Dave","Boice, John","Boland, Francy (19291106-20050812)","Briggs, Bill, (Composer)","Bryant, Bobby (1934-05-19-1998-06)","Burns, Ralph (1922-06-29-2001-11-21)","Byers, Billy, 1927-1996","Carisi, John","Casagrande, Al ","Catingub, Matt","Chase, Bill","Childers, Buddy, 1926-2007","Caiazza, Igor","Cicchetti, Charles \"Chick\"","Clausen, Alf (19410328)","Coccia, Joe","Cohn, Al (1925-11-24-1988-02-15)","Colombier, Michel (19390523-20041114)","Comstock, Frank (1922-09-22-2013-05-21)","Costa, Don (1925-06-10-1983-01-19)","Dameron, Tadd, 1917-1965","Davis, Wild Bill, 1918-1995","Davis, Rick ","Dimmick, Don ","Eklund, Bernt","Ellington, Duke, 1899-1974","Evans, Gil, 1912-1988","Evans, Marion (1926-05-01)","Farnon, Robert (1917-07-24-2005-04-23)","Ferenturo, Ken","Florence, Bob, 1932-2008","Flory, Med, 1926-2014","Foster, Frank (Frank Benjamin), 1928-2011","Galliard, John Ernest, -1747","Gibbs, Michael (Michael Clement Irving), 1937-","Gray, Jerry, 1915-1976","Grove, Dick, 1927-1998","Haerle, Dan","Hampton, Slide (1932-04-21-2021-11-20)","Hanna, Ken, jazz trumpeter","Hartley, Lanny  ","Heath, Ted, 1902-1969","Heathman, Mike","Hefti, Neal (Neal Paul) (19221029-20081011)","Hensel, Wes, 1917-1982","Hill, Jay","Hodges, Tommy ","Holman, Bill (Willis Leonard) (1927-05-21)","Johnstone, Bruce","Jones, Jimmy, 1930-","Jones, Quincy (Quincy Delight), 1933-","Jones, Thad (1923-03-28-1986-08-20)","Kelly, Phil, 1937-","Kennedy, Jay, 1951-","Kenton, Stan (1911-12-15-1979-08-25)","King, Joe, (Trumpet player)","Kubis, Tom","LaParta, John ","Maiden, Willie, 1928-1976","Mandel, Johnny (1925-11-23-2020-06-29)","Manone, Jimmy","Mantooth, Frank","Mardin, Adrif ","Martin, Skip, 1957-","Mathieu, W. 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(William Allaudin) (1937)","May, Billy (1916-11-10-2004-01-22)","Maynard","McConnell, Rob (19350214-20100501)","McFarland, Gary","Menza, Don (1936-04-22)","Mintzer, Bob (Robert Alan) (1953-01-27)","Morgan, Bob, 1941-","Mulligan, Gerry (1927-04-06-1996-01-20)","Nelson, Oliver, 1932-1975","Nestico, Sammy (1924-02-06-2021-01-17)","Newsom, Tommy","Niehaus, Lennie (1929-06-01-2020-05-28)","Noto, Sam","Ojeda, Bob (1941-2020)","Oyler, Dave (1946-2018)","Paich, Marty (1925-01-23-1995-08-12)","Palombi, Dick","Perkins, Bill, 1924-2003","Phillips, Herbie, -1995","Pierce, Nat (19250716-19920610)","Piestrup, Don (Donall James) ([1937,1938])","Potts, Bill (1928-04-03-2005-02-15)","Powell, Morgan, 1938-","Radar, Don (1935)","Richards, Johnny","Richmond, Kim (19400724)","Rogers, Bill, 1938?-","Rogers, Shorty, 1924-1994","Roland, Gene (19210915-19820811)","Romero, Raoul","Rugolo, Pete, 1915-2011","Russo, William (1928-06-25-2003-01-11)","Saunders, Carl (19420802)","Sebesky, Don (1937-12-10)","Seibert, Bob","Shabda-Noor, Thomas","Shemenek, Bob","Sherwood, Bobby (1914-05-30-1981-01-23)","Shew, Bobby (19410304)","Stapleton, Bill","Stegmeyer, Bill, 1916-1968","Stock, J. 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Due to copyright restrictions, items in this collection may not be photographed or scanned."],"access_subjects_ssim":["Jazz","Jazz ensembles","Jazz musicians","Jazz singers","Jazz vocals","Jazz -- 1971-1980 -- Lead sheets","Jazz -- 1951-1960 -- Lead sheets","Popular music -- Lead sheets","Sheet music--United States--History"],"access_subjects_ssm":["Jazz","Jazz ensembles","Jazz musicians","Jazz singers","Jazz vocals","Jazz -- 1971-1980 -- Lead sheets","Jazz -- 1951-1960 -- Lead sheets","Popular music -- Lead sheets","Sheet music--United States--History"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes","48.75 Linear Feet"],"extent_tesim":["47 boxes","48.75 Linear Feet"],"date_range_isim":[1920],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is available for viewing in person.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is available for viewing in person."],"custodhist_html_tesm":["\u003cp\u003eThis collection was owned in its entirety by Robert H. Stone and Pamela S. Carey.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["This collection was owned in its entirety by Robert H. Stone and Pamela S. Carey."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], Robert H. Stone and Pamela S. Carey Jazz Collection, Warren D. Allen Music Library, Tallahassee, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], Robert H. Stone and Pamela S. Carey Jazz Collection, Warren D. Allen Music Library, Tallahassee, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains lead sheets, parts, and assorted jazz arrangements created by 200 arrangers, including some of unknown origin. The dates for this collection range from 1920-present. Many of these items are handwritten and unpublished. This collection was donated by Robert \"Bob\" Stone and Pamela S. Carey.\u003c/p\u003e\n","\u003cp\u003eBob Stone, the Founder and Musical Director of The Naples Jazz Orchestra, brings over forty (40) years of musical experience to the organization. This includes professional performance, ensemble development, musical directing/conducting, and teaching/mentoring students and professional musicians. Mr. Stone has had performance engagements with over 80 headliners, including some of the greatest names and organizations in American jazz and popular music such as Count Basie, Frank Sinatra, Lionel Hampton, Harry James, The Four Freshmen, and many, many more. He formed, managed, directed, promoted and played in one of the most famous big bands of its era, The Bob Stone Big Band, in Chicago, IL 1976-1989.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains lead sheets, parts, and assorted jazz arrangements created by 200 arrangers, including some of unknown origin. The dates for this collection range from 1920-present. Many of these items are handwritten and unpublished. This collection was donated by Robert \"Bob\" Stone and Pamela S. Carey.","Bob Stone, the Founder and Musical Director of The Naples Jazz Orchestra, brings over forty (40) years of musical experience to the organization. This includes professional performance, ensemble development, musical directing/conducting, and teaching/mentoring students and professional musicians. Mr. Stone has had performance engagements with over 80 headliners, including some of the greatest names and organizations in American jazz and popular music such as Count Basie, Frank Sinatra, Lionel Hampton, Harry James, The Four Freshmen, and many, many more. He formed, managed, directed, promoted and played in one of the most famous big bands of its era, The Bob Stone Big Band, in Chicago, IL 1976-1989."],"userestrict_html_tesm":["\u003cp\u003eThis collection is available for viewing in person. Due to copyright restrictions, items in this collection may not be photographed or scanned.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is available for viewing in person. Due to copyright restrictions, items in this collection may not be photographed or scanned."],"names_ssim":["Allen Music Library Special Collections","London Orchestration","Albam, Manny (1922-06-24-2001-10-02)","Ayoub, Nick, 1926-1991","Dee Barton","Barone, Mike, 1936-","Bellson, Lou ","Berg, Curt","Blumberg, Dave","Boice, John","Boland, Francy (19291106-20050812)","Briggs, Bill, (Composer)","Bryant, Bobby (1934-05-19-1998-06)","Burns, Ralph (1922-06-29-2001-11-21)","Byers, Billy, 1927-1996","Carisi, John","Casagrande, Al ","Catingub, Matt","Chase, Bill","Childers, Buddy, 1926-2007","Caiazza, Igor","Cicchetti, Charles \"Chick\"","Clausen, Alf (19410328)","Coccia, Joe","Cohn, Al (1925-11-24-1988-02-15)","Colombier, Michel (19390523-20041114)","Comstock, Frank (1922-09-22-2013-05-21)","Costa, Don (1925-06-10-1983-01-19)","Dameron, Tadd, 1917-1965","Davis, Wild Bill, 1918-1995","Davis, Rick ","Dimmick, Don ","Eklund, Bernt","Ellington, Duke, 1899-1974","Evans, Gil, 1912-1988","Evans, Marion (1926-05-01)","Farnon, Robert (1917-07-24-2005-04-23)","Ferenturo, Ken","Florence, Bob, 1932-2008","Flory, Med, 1926-2014","Foster, Frank (Frank Benjamin), 1928-2011","Galliard, John Ernest, -1747","Gibbs, Michael (Michael Clement Irving), 1937-","Gray, Jerry, 1915-1976","Grove, Dick, 1927-1998","Haerle, Dan","Hampton, Slide (1932-04-21-2021-11-20)","Hanna, Ken, jazz trumpeter","Hartley, Lanny  ","Heath, Ted, 1902-1969","Heathman, Mike","Hefti, Neal (Neal Paul) (19221029-20081011)","Hensel, Wes, 1917-1982","Hill, Jay","Hodges, Tommy ","Holman, Bill (Willis Leonard) (1927-05-21)","Johnstone, Bruce","Jones, Jimmy, 1930-","Jones, Quincy (Quincy Delight), 1933-","Jones, Thad (1923-03-28-1986-08-20)","Kelly, Phil, 1937-","Kennedy, Jay, 1951-","Kenton, Stan (1911-12-15-1979-08-25)","King, Joe, (Trumpet player)","Kubis, Tom","LaParta, John ","Maiden, Willie, 1928-1976","Mandel, Johnny (1925-11-23-2020-06-29)","Manone, Jimmy","Mantooth, Frank","Mardin, Adrif ","Martin, Skip, 1957-","Mathieu, W. 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(William Allaudin) (1937)","May, Billy (1916-11-10-2004-01-22)","Maynard","McConnell, Rob (19350214-20100501)","McFarland, Gary","Menza, Don (1936-04-22)","Mintzer, Bob (Robert Alan) (1953-01-27)","Morgan, Bob, 1941-","Mulligan, Gerry (1927-04-06-1996-01-20)","Nelson, Oliver, 1932-1975","Nestico, Sammy (1924-02-06-2021-01-17)","Newsom, Tommy","Niehaus, Lennie (1929-06-01-2020-05-28)","Noto, Sam","Ojeda, Bob (1941-2020)","Oyler, Dave (1946-2018)","Paich, Marty (1925-01-23-1995-08-12)","Palombi, Dick","Perkins, Bill, 1924-2003","Phillips, Herbie, -1995","Pierce, Nat (19250716-19920610)","Piestrup, Don (Donall James) ([1937,1938])","Potts, Bill (1928-04-03-2005-02-15)","Powell, Morgan, 1938-","Radar, Don (1935)","Richards, Johnny","Richmond, Kim (19400724)","Rogers, Bill, 1938?-","Rogers, Shorty, 1924-1994","Roland, Gene (19210915-19820811)","Romero, Raoul","Rugolo, Pete, 1915-2011","Russo, William (1928-06-25-2003-01-11)","Saunders, Carl (19420802)","Sebesky, Don (1937-12-10)","Seibert, Bob","Shabda-Noor, Thomas","Shemenek, Bob","Sherwood, Bobby (1914-05-30-1981-01-23)","Shew, Bobby (19410304)","Stapleton, Bill","Stegmeyer, Bill, 1916-1968","Stock, J. 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(William Allaudin) (1937)","May, Billy (1916-11-10-2004-01-22)","Maynard","McConnell, Rob (19350214-20100501)","McFarland, Gary","Menza, Don (1936-04-22)","Mintzer, Bob (Robert Alan) (1953-01-27)","Morgan, Bob, 1941-","Mulligan, Gerry (1927-04-06-1996-01-20)","Nelson, Oliver, 1932-1975","Nestico, Sammy (1924-02-06-2021-01-17)","Newsom, Tommy","Niehaus, Lennie (1929-06-01-2020-05-28)","Noto, Sam","Ojeda, Bob (1941-2020)","Oyler, Dave (1946-2018)","Paich, Marty (1925-01-23-1995-08-12)","Palombi, Dick","Perkins, Bill, 1924-2003","Phillips, Herbie, -1995","Pierce, Nat (19250716-19920610)","Piestrup, Don (Donall James) ([1937,1938])","Potts, Bill (1928-04-03-2005-02-15)","Powell, Morgan, 1938-","Radar, Don (1935)","Richards, Johnny","Richmond, Kim (19400724)","Rogers, Bill, 1938?-","Rogers, Shorty, 1924-1994","Roland, Gene (19210915-19820811)","Romero, Raoul","Rugolo, Pete, 1915-2011","Russo, William (1928-06-25-2003-01-11)","Saunders, Carl (19420802)","Sebesky, Don (1937-12-10)","Seibert, Bob","Shabda-Noor, Thomas","Shemenek, Bob","Sherwood, Bobby (1914-05-30-1981-01-23)","Shew, Bobby (19410304)","Stapleton, Bill","Stegmeyer, Bill, 1916-1968","Stock, J. 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Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Floyd Monk was born in 1914 in Moultrie, Georgia. He was the youngest in a family of 13 children. Though all of his brothers (and a few of his sisters) went to college, the highest degree he earned was a High School diploma (as class valedictorian) in 1932. Floyd worked in Moultrie for a few years before moving to Miami, Florida in 1936. He took a job as a clerk for Florida National Bank. By the time he retired in the 1970's\u0026#x2014;after 42 years\u0026#x2014;he had ascended to Vice President of the bank. He died in September of 2004 at the age of 90. Monk's collection of books and papers were donated to FIU's Special Collections department in 2005.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["J. Floyd Monk was born in 1914 in Moultrie, Georgia. He was the youngest in a family of 13 children. Though all of his brothers (and a few of his sisters) went to college, the highest degree he earned was a High School diploma (as class valedictorian) in 1932. Floyd worked in Moultrie for a few years before moving to Miami, Florida in 1936. He took a job as a clerk for Florida National Bank. By the time he retired in the 1970's—after 42 years—he had ascended to Vice President of the bank. He died in September of 2004 at the age of 90. Monk's collection of books and papers were donated to FIU's Special Collections department in 2005."],"odd_html_tesm":["\u003cp\u003ePlease note: Newspaper text may reflect biases and prejudices or terms that are outdated, offensive or insensitive.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Please note: Newspaper text may reflect biases and prejudices or terms that are outdated, offensive or insensitive."],"scopecontent_html_tesm":["\u003cp\u003eJ. Floyd Monk began amassing his book collection in the 1930's and continued collecting throughout his life. He was especially interested in books on Florida history, geography and wildlife. Most of his books were purchased from the used book stores he frequently visited. A\t large portion of his Florida book collection was compiled as part of his research while writing the two books and several articles he authored. Although his books went unpublished, several of his articles were accepted for publication. The J. Floyd Monk papers are comprised of 4 boxes of research in Florida history and boxes of music sheets. Some of his frequently addressed topics include: The Seminole War, tourism in Florida, and the history of Cedar Key, one of Monk's special interests which also served as a vacation place for his family. The sub-topics within Cedar Key that he researched include: wildlife conservation (sea turtle habitat), industry (the pencil company) and racial tensions (Rosewood Massacre). Included are the manuscripts of his scholarly articles and works of fiction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["J. Floyd Monk began amassing his book collection in the 1930's and continued collecting throughout his life. He was especially interested in books on Florida history, geography and wildlife. Most of his books were purchased from the used book stores he frequently visited. A\t large portion of his Florida book collection was compiled as part of his research while writing the two books and several articles he authored. Although his books went unpublished, several of his articles were accepted for publication. The J. Floyd Monk papers are comprised of 4 boxes of research in Florida history and boxes of music sheets. Some of his frequently addressed topics include: The Seminole War, tourism in Florida, and the history of Cedar Key, one of Monk's special interests which also served as a vacation place for his family. The sub-topics within Cedar Key that he researched include: wildlife conservation (sea turtle habitat), industry (the pencil company) and racial tensions (Rosewood Massacre). Included are the manuscripts of his scholarly articles and works of fiction."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_coll_ssim":["Eberhard Faber Pencil Company","Monk, J. Floyd, 1914-2004"],"names_ssim":["FIU Special Collections","Eberhard Faber Pencil Company","Monk, J. Floyd, 1914-2004"],"corpname_ssim":["FIU Special Collections","Eberhard Faber Pencil Company"],"persname_ssim":["Monk, J. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 12","folder 42"],"odd_html_tesm":["\u003cp\u003eSherman, Al\u003c/p\u003e","\u003cp\u003eLeo Feist, Inc\u003c/p\u003e","\u003cp\u003eNew York, NY\u003c/p\u003e","\u003cp\u003eLewis, Al / Fields, Buddy\u003c/p\u003e"],"odd_heading_ssm":["Composer","Publisher","Place","Lyricist"],"odd_tesim":["Sherman, Al","Leo Feist, Inc","New York, NY","Lewis, Al / Fields, Buddy"],"separatedmaterial_html_tesm":["\u003cp\u003eEnglish\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Language"],"separatedmaterial_tesim":["English"],"_nest_path_":"/components#0/components#0/components#1092","_nest_parent_":"3232c27cb5756431732dd4dd_aspace_128095","_root_":"3232c27cb5756431732dd4dd","timestamp":"2026-04-21T17:58:43.015Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3232c27cb5756431732dd4dd","title_ssm":["Joe Merman Sheet Music Collection"],"title_tesim":["Joe Merman Sheet Music Collection"],"ead_ssi":"3232c27cb5756431732dd4dd","unitdate_ssm":["1909-1999"],"unitdate_inclusive_ssm":["1909-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00012","/repositories/2/resources/98"],"text":["PMC00012","/repositories/2/resources/98","Joe Merman Sheet Music Collection, 1909-1999","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Alphabetical by score name","Joe Merman was a composer, pianist, orchestrator, and arranger of popular Jewish and American music. The Joe Merman Music Collection includes 1000 pieces of sheet music; all scores are unpublished, single-copy manuscripts and represent his diverse talent in writing different combinations of big band charts and pieces for theatre and radio orchestras. The collections also includes two scrap books that contain numerous images, pamphlets, newspaper clippings, and correspondence spanning across Joe Merman","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00012","/repositories/2/resources/98"],"normalized_date_ssm":["1909-1999"],"normalized_title_ssm":["Joe Merman Sheet Music Collection, 1909-1999"],"collection_title_tesim":["Joe Merman Sheet Music Collection, 1909-1999"],"collection_ssim":["Joe Merman Sheet Music Collection, 1909-1999"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"has_online_content_ssim":["false"],"extent_ssm":["8.50 Linear Feet","41 boxes other_unmapped"],"extent_tesim":["8.50 Linear Feet","41 boxes other_unmapped"],"date_range_isim":[1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eAlphabetical by score name\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetical by score name"],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"scopecontent_html_tesm":["\u003cp\u003eJoe Merman was a composer, pianist, orchestrator, and arranger of popular Jewish and American music. 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The collections also includes two scrap books that contain numerous images, pamphlets, newspaper clippings, and correspondence spanning across Joe Merman"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). 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Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2109,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3232c27cb5756431732dd4dd","timestamp":"2026-04-21T17:58:43.015Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3232c27cb5756431732dd4dd_aspace_129200"}},{"id":"377018d2c691025d88612f9e_aspace_ec843dcea2de2d19b71a965851f41457","type":"File","attributes":{"title":"\"You had to come along\", 2002","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/377018d2c691025d88612f9e_aspace_ec843dcea2de2d19b71a965851f41457#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_ec843dcea2de2d19b71a965851f41457","ref_ssm":["aspace_ec843dcea2de2d19b71a965851f41457","aspace_ec843dcea2de2d19b71a965851f41457"],"id":"377018d2c691025d88612f9e_aspace_ec843dcea2de2d19b71a965851f41457","title_filing_ssi":"\"You had to come along\"","title_ssm":["\"You had to come along\""],"title_tesim":["\"You had to come along\""],"unitdate_inclusive_ssm":["2002"],"normalized_date_ssm":["2002"],"normalized_title_ssm":["\"You had to come along\", 2002"],"text":["\"You had to come along\", 2002","Burt Szabo music collection, 1955-2017","/repositories/2/archival_objects/79477","/repositories/2/archival_objects/82739","box 15","folder 22"],"component_level_isim":[1],"parent_ids_ssim":["377018d2c691025d88612f9e"],"parent_unittitles_ssm":["Burt Szabo music collection, 1955-2017"],"parent_unittitles_tesim":["Burt Szabo music collection, 1955-2017"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/79477","/repositories/2/archival_objects/82739"],"repository_ssim":["UCF University Archives"],"collection_ssim":["Burt Szabo music collection, 1955-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":513,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. 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","Processed by and finding aid prepared by Simone DeLuque in 2025.","For more information on Special Collections \u0026 University Archives, please see our website.","The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. 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His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Albert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  ","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Burt Szabo music collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Burt Szabo music collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Simone DeLuque in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Simone DeLuque in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections \u0026amp; University Archives, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on Special Collections \u0026 University Archives, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_47ef4f2c9d3944ef54170a551f97a3e7\"\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022.\u003c/abstract\u003e"],"abstract_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022."],"names_ssim":["UCF University Archives","Szabo, Burt"],"corpname_ssim":["UCF University Archives"],"names_coll_ssim":["Szabo, Burt"],"persname_ssim":["Szabo, Burt"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1087,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858782767054848,"_root_":"377018d2c691025d88612f9e","timestamp":"2026-07-16T08:19:30.734Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/377018d2c691025d88612f9e_aspace_ec843dcea2de2d19b71a965851f41457"}},{"id":"6eda8024f4f9ea757e2c297d_aspace_1c97222d5de45c9208173b9f1f93ee77","type":"File","attributes":{"title":"\"You Have Everything Before You\" speech, 1987-05-02","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/6eda8024f4f9ea757e2c297d_aspace_1c97222d5de45c9208173b9f1f93ee77#abstract_or_scope","type":"document_value","attributes":{"value":["USF St. Petersburg Commencement Address delivered to the graduating class of 1987."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6eda8024f4f9ea757e2c297d_aspace_1c97222d5de45c9208173b9f1f93ee77#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1c97222d5de45c9208173b9f1f93ee77","ref_ssm":["aspace_1c97222d5de45c9208173b9f1f93ee77","aspace_1c97222d5de45c9208173b9f1f93ee77"],"id":"6eda8024f4f9ea757e2c297d_aspace_1c97222d5de45c9208173b9f1f93ee77","title_filing_ssi":"\"You Have Everything Before You\" speech","title_ssm":["\"You Have Everything Before You\" speech"],"title_tesim":["\"You Have Everything Before You\" speech"],"unitdate_other_ssim":["1987-05-02"],"normalized_date_ssm":["1987-05-02"],"normalized_title_ssm":["\"You Have Everything Before You\" speech, 1987-05-02"],"text":["\"You Have Everything Before You\" speech, 1987-05-02","Speeches of Lowell E. Davis, 1986-1989","Speeches","/repositories/3/archival_objects/186408","box 1","folder 12","USF St. Petersburg Commencement Address delivered to the graduating class of 1987."],"component_level_isim":[2],"parent_ids_ssim":["6eda8024f4f9ea757e2c297d","6eda8024f4f9ea757e2c297d_aspace_1ff404d1010cfc11ced0bc75577f25b6"],"parent_unittitles_ssm":["Speeches of Lowell E. Davis, 1986-1989","Speeches"],"parent_unittitles_tesim":["Speeches of Lowell E. Davis, 1986-1989","Speeches"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/3/archival_objects/186408"],"repository_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"collection_ssim":["Speeches of Lowell E. Davis, 1986-1989"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":13,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright. Visit the United States\nCopyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1987],"containers_ssim":["box 1","folder 12"],"abstract_html_tesm":["\u003cabstract id=\"aspace_8d5041467c4ad3eb107d0e352d3b33b2\"\u003eUSF St. Petersburg Commencement Address delivered to the graduating class of 1987.\u003c/abstract\u003e"],"abstract_tesim":["USF St. Petersburg Commencement Address delivered to the graduating class of 1987."],"_nest_path_":"/components#0/components#11","_nest_parent_":"6eda8024f4f9ea757e2c297d_aspace_1ff404d1010cfc11ced0bc75577f25b6","_root_":"6eda8024f4f9ea757e2c297d","_version_":1870861415100710912,"timestamp":"2026-07-16T09:01:21.136Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6eda8024f4f9ea757e2c297d","title_ssm":["Speeches of Lowell E. Davis"],"title_tesim":["Speeches of Lowell E. Davis"],"ead_ssi":"6eda8024f4f9ea757e2c297d","unitdate_ssm":["1986-1989"],"unitdate_inclusive_ssm":["1986-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SP-RG-215","/repositories/3/resources/646"],"text":["SP-RG-215","/repositories/3/resources/646","Speeches of Lowell E. Davis, 1986-1989","Education, Higher -- Florida","College students -- Florida","Universities and colleges -- St. Petersburg","folder","\"Lowell's legacy is that he taught us to dream great things about the future of this campus.\" –Paul Getting, then executive vice president of the St. Petersburg Area Chamber of Commerce, at the September 1990 dedication of \"Davis Memorial Hall.\" ","A native of Jamaica, Lowell Davis came to the United States in the mid-1950s to pursue his dream of getting a college education. He earned his undergraduate degree at Howard University and completed his doctorate in biology at Case Western Reserve University. Davis became USF's first African-American dean. He immediately set in motion plans to expand the physical size of the campus, as well as enhance its course offerings and resources. During his tenure, the endowment for the campus grew from $600,000 to $2.2 million. He moved ahead plans for the Campus Activities Center and expanded student scholarship opportunities. A popular administrator, he cultivated a collegial atmosphere at USF St. Petersburg. Students, staff, and faculty became members of a large and extended family with a shared sense of academic purpose and zeal. Just as he planned to move forward with an aggressive agenda to increase autonomy and set a new tone for the campus, he suffered a debilitating stroke on August 23, 1989. Five weeks later, on September 30, he passed away. Those who knew Lowell realize that he made an \"everlasting\" impression on the campus. ","Dr. Lowell E. Davis served as Dean during an important phase of USF St. Petersburg's history. He arrived in August 1986 and promptly set into motion an agenda that supported the expansion of course offerings and academic majors at USF St. Petersburg. Davis took a strong position in advocating greater autonomy and independence for the growing campus at a time when many Tampa-based administrators hoped to limit curricular initiatives at the University's \"branch\" campuses. His untimely death in the fall of 1989 slowed the process but did not extinguish the dreams of greater autonomy. Subsequent administrators at USF St. Petersburg have benefited from the university and community leadership that defined Lowell Davis's tenure as dean. Pearl Williamson provided the Poynter Library with a notebook containing a representative collection of Dr. Davis's speeches at USF St. Petersburg, other academic institutions, and various organizations. These transcripts illustrate his strong concern for ensuring academic excellence for all students, as well as his special concern for increasing opportunities for African American students. ","This collection was originally processed in 2007 and updated in 2024.","The Speeches of Lowell E. Davis collection includes transcripts of a representative sampling of speeches delivered by Dr. Davis during his outreach activities as Dean of USF St. Petersburg between 1986-1989. The speeches were delivered at USF St. Petersburg, other academic institutions, and various organizations in the St. Petersburg community and beyond. The major themes covered within the speeches include the importance higher education, civil rights, and the evolution of USF's St. Petersburg campus.","None. The contents of the collection may be subject to copyright. Visit the United States\nCopyright Office's website at http://www.copyright.gov/ for more information.","A representative collection of speeches delivered by Dr. Lowell E. Davis, Dean of USF St. Petersburg from 1986-1989.","USF Libraries - St. Petersburg Special Collections \u0026 University Archives","Davis, Lowell E. , 1931-1989","Williamson, Pearl","English"],"unitid_tesim":["SP-RG-215","/repositories/3/resources/646"],"normalized_date_ssm":["1986-1989"],"normalized_title_ssm":["Speeches of Lowell E. Davis, 1986-1989"],"collection_title_tesim":["Speeches of Lowell E. Davis, 1986-1989"],"collection_ssim":["Speeches of Lowell E. 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He earned his undergraduate degree at Howard University and completed his doctorate in biology at Case Western Reserve University. Davis became USF's first African-American dean. He immediately set in motion plans to expand the physical size of the campus, as well as enhance its course offerings and resources. During his tenure, the endowment for the campus grew from $600,000 to $2.2 million. He moved ahead plans for the Campus Activities Center and expanded student scholarship opportunities. A popular administrator, he cultivated a collegial atmosphere at USF St. Petersburg. Students, staff, and faculty became members of a large and extended family with a shared sense of academic purpose and zeal. Just as he planned to move forward with an aggressive agenda to increase autonomy and set a new tone for the campus, he suffered a debilitating stroke on August 23, 1989. Five weeks later, on September 30, he passed away. Those who knew Lowell realize that he made an \"everlasting\" impression on the campus. \u003c/p\u003e\n","\u003cp\u003eDr. Lowell E. Davis served as Dean during an important phase of USF St. Petersburg's history. He arrived in August 1986 and promptly set into motion an agenda that supported the expansion of course offerings and academic majors at USF St. Petersburg. Davis took a strong position in advocating greater autonomy and independence for the growing campus at a time when many Tampa-based administrators hoped to limit curricular initiatives at the University's \"branch\" campuses. His untimely death in the fall of 1989 slowed the process but did not extinguish the dreams of greater autonomy. Subsequent administrators at USF St. Petersburg have benefited from the university and community leadership that defined Lowell Davis's tenure as dean. Pearl Williamson provided the Poynter Library with a notebook containing a representative collection of Dr. Davis's speeches at USF St. Petersburg, other academic institutions, and various organizations. These transcripts illustrate his strong concern for ensuring academic excellence for all students, as well as his special concern for increasing opportunities for African American students. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"Lowell's legacy is that he taught us to dream great things about the future of this campus.\" –Paul Getting, then executive vice president of the St. Petersburg Area Chamber of Commerce, at the September 1990 dedication of \"Davis Memorial Hall.\" ","A native of Jamaica, Lowell Davis came to the United States in the mid-1950s to pursue his dream of getting a college education. He earned his undergraduate degree at Howard University and completed his doctorate in biology at Case Western Reserve University. Davis became USF's first African-American dean. He immediately set in motion plans to expand the physical size of the campus, as well as enhance its course offerings and resources. During his tenure, the endowment for the campus grew from $600,000 to $2.2 million. He moved ahead plans for the Campus Activities Center and expanded student scholarship opportunities. A popular administrator, he cultivated a collegial atmosphere at USF St. Petersburg. Students, staff, and faculty became members of a large and extended family with a shared sense of academic purpose and zeal. Just as he planned to move forward with an aggressive agenda to increase autonomy and set a new tone for the campus, he suffered a debilitating stroke on August 23, 1989. Five weeks later, on September 30, he passed away. Those who knew Lowell realize that he made an \"everlasting\" impression on the campus. ","Dr. Lowell E. Davis served as Dean during an important phase of USF St. Petersburg's history. He arrived in August 1986 and promptly set into motion an agenda that supported the expansion of course offerings and academic majors at USF St. Petersburg. Davis took a strong position in advocating greater autonomy and independence for the growing campus at a time when many Tampa-based administrators hoped to limit curricular initiatives at the University's \"branch\" campuses. His untimely death in the fall of 1989 slowed the process but did not extinguish the dreams of greater autonomy. Subsequent administrators at USF St. Petersburg have benefited from the university and community leadership that defined Lowell Davis's tenure as dean. Pearl Williamson provided the Poynter Library with a notebook containing a representative collection of Dr. Davis's speeches at USF St. Petersburg, other academic institutions, and various organizations. These transcripts illustrate his strong concern for ensuring academic excellence for all students, as well as his special concern for increasing opportunities for African American students. "],"prefercite_html_tesm":["\u003cp\u003eSpeeches of Dr. Lowell E. Davis, USF Libraries \u0026#x2013; Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL.\u003c/p\u003e"],"prefercite_tesim":["Speeches of Dr. Lowell E. Davis, USF Libraries – Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL."],"processinfo_html_tesm":["\u003cp\u003eThis collection was originally processed in 2007 and updated in 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was originally processed in 2007 and updated in 2024."],"scopecontent_html_tesm":["\u003cp\u003eThe Speeches of Lowell E. Davis collection includes transcripts of a representative sampling of speeches delivered by Dr. Davis during his outreach activities as Dean of USF St. Petersburg between 1986-1989. The speeches were delivered at USF St. Petersburg, other academic institutions, and various organizations in the St. Petersburg community and beyond. The major themes covered within the speeches include the importance higher education, civil rights, and the evolution of USF's St. Petersburg campus.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Speeches of Lowell E. Davis collection includes transcripts of a representative sampling of speeches delivered by Dr. Davis during his outreach activities as Dean of USF St. Petersburg between 1986-1989. The speeches were delivered at USF St. Petersburg, other academic institutions, and various organizations in the St. Petersburg community and beyond. The major themes covered within the speeches include the importance higher education, civil rights, and the evolution of USF's St. Petersburg campus."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright. Visit the United States\nCopyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright. Visit the United States\nCopyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_80e30870ca9d085cae880cdef57b4932\"\u003eA representative collection of speeches delivered by Dr. Lowell E. Davis, Dean of USF St. Petersburg from 1986-1989.\u003c/abstract\u003e"],"abstract_tesim":["A representative collection of speeches delivered by Dr. Lowell E. Davis, Dean of USF St. Petersburg from 1986-1989."],"names_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives","Davis, Lowell E. , 1931-1989","Williamson, Pearl"],"corpname_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"names_coll_ssim":["Williamson, Pearl"],"persname_ssim":["Davis, Lowell E. , 1931-1989","Williamson, Pearl"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":20,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870861415100710912,"_root_":"6eda8024f4f9ea757e2c297d","timestamp":"2026-07-16T09:01:21.136Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6eda8024f4f9ea757e2c297d_aspace_1c97222d5de45c9208173b9f1f93ee77"}},{"id":"9b1a44caeacea9fdc5f72fbb_aspace_110440","type":"File","attributes":{"title":"You Have to Make Pictures, 1942","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/9b1a44caeacea9fdc5f72fbb_aspace_110440#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFour typed draft copies; Three copies from The New Yorker magazine\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/9b1a44caeacea9fdc5f72fbb_aspace_110440#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_110440","ref_ssm":["aspace_110440","aspace_110440"],"id":"9b1a44caeacea9fdc5f72fbb_aspace_110440","title_filing_ssi":"You Have to Make Pictures","title_ssm":["You Have to Make Pictures"],"title_tesim":["You Have to Make Pictures"],"unitdate_other_ssim":["1942"],"normalized_date_ssm":["1942"],"normalized_title_ssm":["You Have to Make Pictures, 1942"],"text":["You Have to Make Pictures, 1942","Theodore Pratt Collection, 1901-2025","Theodore Pratt Other Works","Short Stories","Folder 19","/repositories/2/archival_objects/56281","box 65","folder 19","Four typed draft copies; Three copies from The New Yorker magazine"],"component_level_isim":[3],"parent_ids_ssim":["9b1a44caeacea9fdc5f72fbb","9b1a44caeacea9fdc5f72fbb_aspace_110417","9b1a44caeacea9fdc5f72fbb_aspace_110428"],"parent_unittitles_ssm":["Theodore Pratt Collection, 1901-2025","Theodore Pratt Other Works","Short Stories"],"parent_unittitles_tesim":["Theodore Pratt Collection, 1901-2025","Theodore Pratt Other Works","Short Stories"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 19","/repositories/2/archival_objects/56281"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Theodore Pratt Collection, 1901-2025"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":415,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 65","folder 19"],"scopecontent_html_tesm":["\u003cp\u003eFour typed draft copies; Three copies from The New Yorker magazine\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Four typed draft copies; Three copies from The New Yorker magazine"],"_nest_path_":"/components#1/components#1/components#10","_nest_parent_":"9b1a44caeacea9fdc5f72fbb_aspace_110428","_root_":"9b1a44caeacea9fdc5f72fbb","_version_":1870841986919956480,"timestamp":"2026-07-16T03:52:32.760Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"9b1a44caeacea9fdc5f72fbb","title_ssm":["Theodore Pratt Collection"],"title_tesim":["Theodore Pratt Collection"],"ead_ssi":"9b1a44caeacea9fdc5f72fbb","unitdate_ssm":["1901-2025"],"unitdate_inclusive_ssm":["1901-2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC00022","/repositories/2/resources/154"],"text":["SPC00022","/repositories/2/resources/154","Theodore Pratt Collection, 1901-2025","Pratt, Theodore, 1901-1969"," Florida -- Fiction"," Palm Beach (Fla.)","Florida -- In literature","Novelists, American -- 20th century ","Pratt, Theodore, 1901- Barefoot mailman"," Pratt, Theodore, 1901- Flame tree"," Fiction"," Mystery fiction","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2011, this collection processed by Jaclyn M. Nowak, Kerline Dameus, Teresa Van Dyke and Victoria Thur. Additional materials added by Robert Feeney.","Florida Atlantic University Libraries is the designated repository of the personal papers and manuscript archives of Florida author Theodore Pratt. The collection includes the author's personal copies of first and foreign editions of his works, original typescripts of his fiction and screenplays, correspondence, research notes, illustrative artwork for dustcovers and paperbacks, in addition to personal mementos and photographs.  In 1934, Theodore Pratt and his wife Belle Jacqueline Jacques moved to Lake Worth, Florida and made it their home until his death in 1969. He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet.  Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle.\n\nIn 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","Theodore Pratt","Taylor Hagood","English"],"unitid_tesim":["SPC00022","/repositories/2/resources/154"],"normalized_date_ssm":["1901-2025"],"normalized_title_ssm":["Theodore Pratt Collection, 1901-2025"],"collection_title_tesim":["Theodore Pratt Collection, 1901-2025"],"collection_ssim":["Theodore Pratt Collection, 1901-2025"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"creator_ssm":["Theodore Pratt","Taylor Hagood"],"creator_ssim":["Theodore Pratt","Taylor Hagood"],"creator_persname_ssim":["Theodore Pratt","Taylor Hagood"],"creators_ssim":["Theodore Pratt","Taylor Hagood"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["Pratt, Theodore, 1901-1969"," Florida -- Fiction"," Palm Beach (Fla.)","Florida -- In literature","Novelists, American -- 20th century ","Pratt, Theodore, 1901- Barefoot mailman"," Pratt, Theodore, 1901- Flame tree"," Fiction"," Mystery fiction"],"access_subjects_ssm":["Pratt, Theodore, 1901-1969"," Florida -- Fiction"," Palm Beach (Fla.)","Florida -- In literature","Novelists, American -- 20th century ","Pratt, Theodore, 1901- Barefoot mailman"," Pratt, Theodore, 1901- Flame tree"," Fiction"," Mystery fiction"],"has_online_content_ssim":["false"],"extent_ssm":["72.00 Linear Feet"],"extent_tesim":["72.00 Linear Feet"],"genreform_ssim":[" Fiction"," Mystery fiction"],"date_range_isim":[1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2011, this collection processed by Jaclyn M. Nowak, Kerline Dameus, Teresa Van Dyke and Victoria Thur. Additional materials added by Robert Feeney.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2011, this collection processed by Jaclyn M. Nowak, Kerline Dameus, Teresa Van Dyke and Victoria Thur. Additional materials added by Robert Feeney."],"scopecontent_html_tesm":["\u003cblockquote\u003eFlorida Atlantic University Libraries is the designated repository of the personal papers and manuscript archives of Florida author Theodore Pratt. The collection includes the author's personal copies of first and foreign editions of his works, original typescripts of his fiction and screenplays, correspondence, research notes, illustrative artwork for dustcovers and paperbacks, in addition to personal mementos and photographs.  In 1934, Theodore Pratt and his wife Belle Jacqueline Jacques moved to Lake Worth, Florida and made it their home until his death in 1969. He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet.  Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle.\n\nIn 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work.\u003c/blockquote\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Florida Atlantic University Libraries is the designated repository of the personal papers and manuscript archives of Florida author Theodore Pratt. The collection includes the author's personal copies of first and foreign editions of his works, original typescripts of his fiction and screenplays, correspondence, research notes, illustrative artwork for dustcovers and paperbacks, in addition to personal mementos and photographs.  In 1934, Theodore Pratt and his wife Belle Jacqueline Jacques moved to Lake Worth, Florida and made it their home until his death in 1969. He published 35 novels, including four mysteries under the pseudonym of \"Timothy Brace,\" two collections of short stories, two plays (adapted from his novels), and numerous short stories and articles. Pratt used a second pseudonym, \"Peter Steel\" for an adult novel titled The Amulet.  Of the 35 novels, 14 of Pratt's novels and many of his short stories are set in Florida. His trilogy, consisting of The Barefoot Mailman, The Flame Tree, and The Big Bubble (reprinted as My Bride in the Storm), tell the story of the state between 1880 and 1924 and resulted in the author being dubbed \"the literary laureate of Florida.\" Four of his novels and one article were adapted to screenplays and became feature films. His Florida novels were thoroughly researched and scrupulously portrayed the history of Florida people, institutions and events. He also kept detailed documentation on the practical and tedious aspects of making a living as a writer. His correspondence and photographs illustrate his unique character and provides a glimpse into the old Florida lifestyle.\n\nIn 1950, Pratt began to publish most of his work in paperback as he wanted to address sexual themes which most serious publishers would not consider. Pratt's interest in sexology or the scientific study of human sexual behavior can be seen in his novels, The Tormented (1950), The Lovers of Pompeii (1961), and Without Consent (1962). The Tormented is a study of nymphomania that was rejected by thirty-four publishers. Once published, it sold more than a million copies. Because of the paperback format and mass market appeal of his books, critics paid little attention to most of his work."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries","Theodore Pratt","Taylor Hagood"],"corpname_ssim":["Florida Atlantic University Libraries"],"persname_ssim":["Theodore Pratt","Taylor Hagood"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4096,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841986919956480,"_root_":"9b1a44caeacea9fdc5f72fbb","timestamp":"2026-07-16T03:52:32.760Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/9b1a44caeacea9fdc5f72fbb_aspace_110440"}},{"id":"7cebb39144b2c94f6c91b418_aspace_62174","type":"File","attributes":{"title":"You Keep Coming Back Like a Song, 1943","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/7cebb39144b2c94f6c91b418_aspace_62174#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eScore\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/7cebb39144b2c94f6c91b418_aspace_62174#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_62174","ref_ssm":["aspace_62174","aspace_62174"],"id":"7cebb39144b2c94f6c91b418_aspace_62174","title_filing_ssi":"You Keep Coming Back Like a Song","title_ssm":["You Keep Coming Back Like a Song"],"title_tesim":["You Keep Coming Back Like a Song"],"unitdate_other_ssim":["1943"],"normalized_date_ssm":["1943"],"normalized_title_ssm":["You Keep Coming Back Like a Song, 1943"],"text":["You Keep Coming Back Like a Song, 1943","Dance Band Combo, 1925-1962, bulk 1946-1953","Folder 10","/repositories/2/archival_objects/34603","4","Blue Skies","box 3","folder 10","Berlin, Irving","Mason, Jack","Irving Berlin","New York","Score","Eb Alto Sax, Bb Tenor Sax"],"component_level_isim":[1],"parent_ids_ssim":["7cebb39144b2c94f6c91b418"],"parent_unittitles_ssm":["Dance Band Combo, 1925-1962, bulk 1946-1953"],"parent_unittitles_tesim":["Dance Band Combo, 1925-1962, bulk 1946-1953"],"parent_levels_ssm":["collection"],"unitid_ssm":["Folder 10","/repositories/2/archival_objects/34603"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["Dance Band Combo, 1925-1962, bulk 1946-1953"],"physdesc_tesim":["4"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":107,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"language_ssim":["Blue Skies"],"containers_ssim":["box 3","folder 10"],"odd_html_tesm":["\u003cp\u003eBerlin, Irving\u003c/p\u003e","\u003cp\u003eMason, Jack\u003c/p\u003e","\u003cp\u003eIrving Berlin\u003c/p\u003e","\u003cp\u003eNew York\u003c/p\u003e"],"odd_heading_ssm":["Composer","Arranger","Publisher","Place"],"odd_tesim":["Berlin, Irving","Mason, Jack","Irving Berlin","New York"],"scopecontent_html_tesm":["\u003cp\u003eScore\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Score"],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_b509756762ceee57b953ca200372b625\"\u003eEb Alto Sax, Bb Tenor Sax\u003c/materialspec\u003e"],"materialspec_tesim":["Eb Alto Sax, Bb Tenor Sax"],"_nest_path_":"/components#106","_nest_parent_":"7cebb39144b2c94f6c91b418","_root_":"7cebb39144b2c94f6c91b418","timestamp":"2026-04-21T17:59:32.872Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"7cebb39144b2c94f6c91b418","title_ssm":["Dance Band Combo"],"title_tesim":["Dance Band Combo"],"ead_ssi":"7cebb39144b2c94f6c91b418","unitdate_ssm":["1925-1962","1946-1953"],"unitdate_bulk_ssim":["1946-1953"],"unitdate_inclusive_ssm":["1925-1962"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00016","/repositories/2/resources/91"],"text":["PMC00016","/repositories/2/resources/91","Dance Band Combo, 1925-1962, bulk 1946-1953","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2012 this collection was processed by Elizabeth Fairall and Victoria Thur.","The Dance Band Combos Collection consists of instrumental arrangements of popular songs first made for distribution to theater and music hall orchestras. These early to mid 20th century arrangements proved so popular that surprised publishers began making them available for general sale. Pit bands could then purchase a ready-made score of a current hit tune to vary their repertoire. Dance groups found them useful as well, and they made novel additions to the programs of salon ensembles and amateur combinations. Later, these multi-purpose orchestrations became commonly known as stock arrangements.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00016","/repositories/2/resources/91"],"normalized_date_ssm":["1925-1962, bulk 1946-1953"],"normalized_title_ssm":["Dance Band Combo, 1925-1962, bulk 1946-1953"],"collection_title_tesim":["Dance Band Combo, 1925-1962, bulk 1946-1953"],"collection_ssim":["Dance Band Combo, 1925-1962, bulk 1946-1953"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["3.50 Linear Feet"],"extent_tesim":["3.50 Linear Feet"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2012 this collection was processed by Elizabeth Fairall and Victoria Thur.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2012 this collection was processed by Elizabeth Fairall and Victoria Thur."],"scopecontent_html_tesm":["\u003cp\u003eThe Dance Band Combos Collection consists of instrumental arrangements of popular songs first made for distribution to theater and music hall orchestras. These early to mid 20th century arrangements proved so popular that surprised publishers began making them available for general sale. Pit bands could then purchase a ready-made score of a current hit tune to vary their repertoire. Dance groups found them useful as well, and they made novel additions to the programs of salon ensembles and amateur combinations. Later, these multi-purpose orchestrations became commonly known as stock arrangements.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dance Band Combos Collection consists of instrumental arrangements of popular songs first made for distribution to theater and music hall orchestras. These early to mid 20th century arrangements proved so popular that surprised publishers began making them available for general sale. Pit bands could then purchase a ready-made score of a current hit tune to vary their repertoire. Dance groups found them useful as well, and they made novel additions to the programs of salon ensembles and amateur combinations. Later, these multi-purpose orchestrations became commonly known as stock arrangements."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). 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