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With the increasing technical capabilities of the World Wide Web, the project team began creating science instructional materials using the Internet.  Two of its programs, \"Silent Invaders\" and \"Fire in Wildhorse Basin,\" are delivered entirely over the Internet.\n  \tA theme running through the collection is the migration from print, to videodiscs, then CDs, to DVD and finally to the web as the delivery system of the future.","This collection documents the creation and development of science teaching materials produced by the science education program at Florida State University from the 1960s to 2005.  The collection consists of the products of all major projects created in science education:  The Intermediate Science Curriculum Study  (ISCS),  Individualized Science Curriculum Study  (ISIS),  The Interactive Media Science  (IMS) projects.  Projects created by IMS are  Science Vision ,  EcoVentures: Focus On The Gulf ;  Burning Issues I  and  Burning Issues II ;  Fire in Wildhorse Basin  and;  Silent Invaders .  Also included are files of the original proposals to funding agencies, planning meetings, and other correspondence for each of the projects.","Rights statement: All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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ISCS and ISIS initially developed printed teaching materials, constituting several curricular projects.\u0026#xA0; Groups around the world became interested in this project and, with the permission of FSU, developed their own teaching editions. For example, FSU worked with an Australian team to rewrite the program for their own use but all production was done at FSU.\n\u003cbr\u003e\u003cbr\u003eOn the other hand, IMS pioneered the use of digital instructional media into the classroom.\u0026#xA0; IMS was the first major project using multimedia funded by the National Science Foundation (NSF) and the resulting subprojects led the way in introducing a model of teaching using inquiry methodologies. \"Science Vision\" was the first major project funded by the NSF in educational technology. 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These projects, the Intermediate Science Curriculum Study (ISCS), the Individualized Science Curriculum Study (ISIS) and the Interactive Media Science (IMS) projects, were and are extremely successful as measured by numbers of copies in use and the influence they had on curriculum projects done by others.  \n The first two projects used a unique instructional model that drastically altered the scope and sequence of science instruction in our secondary schools. ISCS and ISIS initially developed printed teaching materials, constituting several curricular projects.  Groups around the world became interested in this project and, with the permission of FSU, developed their own teaching editions. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights statement: All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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Garland collection on the reassessment of the Robert F. Kennedy Assassination, 1974-1988, Date acquired: 02/15/2007","Box 1","Folder 26","/repositories/2/archival_objects/57905","box 1","folder 26"],"component_level_isim":[2],"parent_ids_ssim":["65405f390a6889b2dd723b2a","65405f390a6889b2dd723b2a_aspace_335"],"parent_unittitles_ssm":["Patrick V. Garland collection on the reassessment of the Robert F. Kennedy Assassination, 1974-1988, Date acquired: 02/15/2007","Box 1"],"parent_unittitles_tesim":["Patrick V. Garland collection on the reassessment of the Robert F. Kennedy Assassination, 1974-1988, Date acquired: 02/15/2007","Box 1"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Folder 26","/repositories/2/archival_objects/57905"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Patrick V. Garland collection on the reassessment of the Robert F. 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The court appointed Patrick Garland and six other prominent forensic firearms experts to conduct the reexamination and determine if the firearms-related evidence provided any basis for the second gunman theory. Elected chairman of the expert panel by his colleagues, Garland coordinated the panel's work and presented its findings to the court. The panel concluded that, contrary to claims, there was no difference in the number of cannelures on the bullets, no difference in rifling clarity or angles not accounted for by impact damage, and that nothing in the firearms evidence indicated that a second gun was used in the Kennedy assassination.","Note written by PEC, 2007","Kathleen Cunningham Collection on the John F. Kennedy Assassination, Special Collections, Tampa Library, University of South Florida, Tampa, Florida.","The Killing of Robert F. Kennedy: An Investigation of Motive, Means, and Opportunity by Dan E. 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Wenke ordered a reexamination of the firearms evidence. The court appointed Patrick Garland and six other prominent forensic firearms experts to conduct the reexamination and determine if the firearms-related evidence provided any basis for the second gunman theory. Elected chairman of the expert panel by his colleagues, Garland coordinated the panel's work and presented its findings to the court. The panel concluded that, contrary to claims, there was no difference in the number of cannelures on the bullets, no difference in rifling clarity or angles not accounted for by impact damage, and that nothing in the firearms evidence indicated that a second gun was used in the Kennedy assassination.\u003c/p\u003e\n","\u003cp\u003eNote written by PEC, 2007\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Prompted by allegations that the bullet evidence in the Robert F. Kennedy assassination case indicated involvement by a second gunman, on September 18, 1975 Superior Court Judge Robert A. Wenke ordered a reexamination of the firearms evidence. The court appointed Patrick Garland and six other prominent forensic firearms experts to conduct the reexamination and determine if the firearms-related evidence provided any basis for the second gunman theory. Elected chairman of the expert panel by his colleagues, Garland coordinated the panel's work and presented its findings to the court. The panel concluded that, contrary to claims, there was no difference in the number of cannelures on the bullets, no difference in rifling clarity or angles not accounted for by impact damage, and that nothing in the firearms evidence indicated that a second gun was used in the Kennedy assassination.","Note written by PEC, 2007"],"prefercite_html_tesm":["\u003cp\u003ePatrick V. Garland Collection on the Reassessment of the Robert Kennedy Assassination, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Patrick V. Garland Collection on the Reassessment of the Robert Kennedy Assassination, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eKathleen Cunningham Collection on the John F. Kennedy Assassination, Special Collections, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e","\u003cp\u003eThe Killing of Robert F. Kennedy: An Investigation of Motive, Means, and Opportunity by Dan E. Moldea (NY: Norton, 1995), which is located in Special Collections (General: E 840.8 K4M58 1995).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Publications"],"relatedmaterial_tesim":["Kathleen Cunningham Collection on the John F. Kennedy Assassination, Special Collections, Tampa Library, University of South Florida, Tampa, Florida.","The Killing of Robert F. Kennedy: An Investigation of Motive, Means, and Opportunity by Dan E. Moldea (NY: Norton, 1995), which is located in Special Collections (General: E 840.8 K4M58 1995)."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of materials relating to Garland's work on the Kennedy case, including photographs, copies of court documents, working notes, correspondence, and copies of news articles. Accompanying the collection is a copy of \u003cemph render=\"italic\"\u003eThe Killing of Robert F. Kennedy: An Investigation of Motive, Means, and Opportunity\u003c/emph\u003e by Dan E. Moldea (NY: Norton, 1995), which is located in Special Collections (General: E 840.8 K4M58 1995).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of materials relating to Garland's work on the Kennedy case, including photographs, copies of court documents, working notes, correspondence, and copies of news articles. Accompanying the collection is a copy of  The Killing of Robert F. Kennedy: An Investigation of Motive, Means, and Opportunity  by Dan E. Moldea (NY: Norton, 1995), which is located in Special Collections (General: E 840.8 K4M58 1995)."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Garland, Patrick V.  (1937-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Garland, Patrick V.  (1937-)"],"persname_ssim":["Garland, Patrick V.  (1937-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":59,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862895419490304,"_root_":"65405f390a6889b2dd723b2a","timestamp":"2026-07-16T09:24:52.877Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/65405f390a6889b2dd723b2a_aspace_385"}},{"id":"2326334e5e159c8d459e96a3_aspace_38539","type":"File","attributes":{"title":"Working Sheets (Color Drawings), 1998, Undated.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_38539#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_38539","ref_ssm":["aspace_38539","aspace_38539"],"id":"2326334e5e159c8d459e96a3_aspace_38539","title_filing_ssi":"Working Sheets (Color Drawings)","title_ssm":["Working Sheets (Color Drawings)"],"title_tesim":["Working Sheets (Color Drawings)"],"unitdate_other_ssim":["1998, Undated."],"normalized_date_ssm":["1998, Undated."],"normalized_title_ssm":["Working Sheets (Color Drawings), 1998, Undated."],"text":["Working Sheets (Color Drawings), 1998, Undated.","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","General Cartoon Arts, 1955, 1970-2010, Undated.","Children's Books ., 1991-2002, Undated.","Dom's 1 to 10, 1998-1999, Undated.","Folder 6","/repositories/4/archival_objects/2684"],"component_level_isim":[4],"parent_ids_ssim":["2326334e5e159c8d459e96a3","2326334e5e159c8d459e96a3_aspace_38436","2326334e5e159c8d459e96a3_aspace_38488","2326334e5e159c8d459e96a3_aspace_38491"],"parent_unittitles_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","General Cartoon Arts, 1955, 1970-2010, Undated.","Children's Books ., 1991-2002, Undated.","Dom's 1 to 10, 1998-1999, Undated."],"parent_unittitles_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","General Cartoon Arts, 1955, 1970-2010, Undated.","Children's Books ., 1991-2002, Undated.","Dom's 1 to 10, 1998-1999, Undated."],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["Folder 6","/repositories/4/archival_objects/2684"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1320,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#1/components#2/components#0/components#5","_nest_parent_":"2326334e5e159c8d459e96a3_aspace_38491","_root_":"2326334e5e159c8d459e96a3","_version_":1870857743444738048,"timestamp":"2026-07-16T08:02:59.476Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2326334e5e159c8d459e96a3","title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art"],"ead_ssi":"2326334e5e159c8d459e96a3","unitdate_ssm":["1955-2013","1970-2013"],"unitdate_bulk_ssim":["1970-2013"],"unitdate_inclusive_ssm":["1955-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.094","/repositories/4/resources/12"],"text":["SC.094","/repositories/4/resources/12","Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013","Florida -- Politics and government -- Caricatures and cartoons","Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida","The entire collection is open for research.","Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.","Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.","Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File","Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).","UCF Special Collections","Stein, Glenn M., 1962-","English"],"unitid_tesim":["SC.094","/repositories/4/resources/12"],"normalized_date_ssm":["1955-2013, bulk 1970-2013"],"normalized_title_ssm":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_title_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"collection_ssim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, bulk 1970-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Florida -- Politics and government -- Caricatures and cartoons"],"geogname_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"places_ssim":["Florida -- Politics and government -- Caricatures and cartoons"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were donated to the University of Central Florida Special Collections by Glenn \"Marty\" Stein in 2013 (CFM2013_04)."],"access_subjects_ssim":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"access_subjects_ssm":["Comic books, strips, etc.","Editorial cartoonist -- Florida","Editorial cartoons -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"extent_tesim":["8 Linear Feet 17 Boxes, 1 Flat File, 67 Digital Files"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eGlenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.\u003c/p\u003e\n","\u003cp\u003e\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogot\u0026#xE1;, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.\u003c/p\u003e\n","\u003cp\u003e\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelg\u0026#xE4;ngers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.\u003c/p\u003e\n","\u003cp\u003e\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelg\u0026#xE4;ngers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.\u003c/p\u003e\n","\u003cp\u003e\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Glenn Martin Stein was born in Miami, Florida on October 4, 1962. When he was 5 years old, he moved from Miami to Satellite Beach, on the barrier island off the coast of Florida. He attended Ocean Breeze Elementary (Indian Harbour Beach) where he started drawing cartoons and comic books. He mainly derived his artistic ability from both parents, though it was his father who had particular talent, and he patiently spent many hours showing him how to draw any number of living and non-living subjects. His mother was very encouraging, in part because the time he spent drawing sapped from of his considerable over-abundance of energy. She would buy rolls of wide wax paper that he could sprawl over the dining room table and draw on the unwaxed side.","\nAfter graduating from high school, he attended University of Florida where he became a midshipman in the Navy ROTC program. Due to an eye injury he had at the age of 14, he was forced to leave the program after only six months. He continued to study at the University of Florida and earned a bachelor's degree in Public Relations and minor in History. In 1983, after taking a basic Spanish course, he spent six weeks as a foreign exchange student, studying Spanish at the Universidad de Los Andes (Bogotá, Colombia), and living with a Colombian family. By the end of his Colombian studies, he was just beginning to think in Spanish. Around this time, he was drawn toward editorial cartoons, and successfully approached the student newspaper, The Independent Florida Alligator, about submissions. His first cartoon is the only one that survives from this period; the rough draft, finished cartoon and tear sheet are part of the collection. Getting some cartoons printed made him realize how much he enjoyed editorial cartooning and decided this would be his focus for the future. After graduating in spring of 1985, he turned to The Gainesville Sun and published his first cartoon. He was always seeking freelance cartooning; designed a letterhead featuring a cartoon head and a business card in 1999. In 1987, he began self-publishing \"A Weekly Editorial Cartoon Statement\" he called American Punch, and left issues at newsstands around town. The name was taken from the long running British humor and satire magazine Punch that had been around since 1841.","\nSeeking out the gag cartoon market, he began sending cartoons to The New Yorker, which he continued doing off and on in the years that followed. The late 1980s and 1990s he became keen about creating comic strips and created three main strips; Doppelgängers (1987), HIJINX (1988), and Dr. Roget (1991). Since Glenn was living near the ocean, he got into the sport of wave skiing in 1988. He introduced Mr. T-Bones to Surf Ski Quarterly magazine and his episodes were published four times a year. Later, T-Bones became Mr. Tibs and went through five episodes, with artwork for a sixth episode (no. 11) being produced, but never published, due to the cancellation of the strip on June 1993. During two different period of time, Glenn drew editorial cartoons and illustrations for the Orlando Business Journal. Firstly from December 1990 until April 1991, and then from November 1998 through February 1999. Glenn was asked to generate cartoons generally relate the subjects to business and industry. After contributing cartoons to The Apopka Chief from February 1999 to March 2000, Glenn moved to Spanish-language weekly La Prensa (Central Florida), a family-run publication that had been in print for nearly 20 years. His first cartoon appeared in La Prensa on February 3, 2000.","\nIn October 1999, only a few months before joining La Prensa, Glenn was invited to a Florida Chapter meeting of the National Cartoonist Society (NCS) by cartoonist Dana Summers (The Orlando Sentinel) and became member of the NCS in May 2000, his membership was confirmed on a Certificate of Membership dated January 1, 2003. Membership to the American Association of Editorial Cartoonists (AAEC) was in 2001, and he received a certificate on September 13, 2003. In January 2000, Glenn wanted to revive the Doppelgängers strip and he changed the name to El Oasis. Glenn submitted El Oasis to FineToon Fellowship competition in 2004. However, it was eliminated in one of the final rounds in the pool of 400 submissions for FineToon/2004.","\nAfter a few months, La Prensa ceased publishing El Oasis due to space and financial reasons. Afterwards, Glenn tightened the cap on his ink bottle and scrubbed his pen and brush for the last time. Since 2006, Glenn had begun focusing more and more on Arctic/Antarctic and maritime research and writing, and laying the groundwork for short and long term projects."],"prefercite_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Glenn \"Marty\" Stein Collection of Cartoon Art, 1955-2013, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.\u003c/p\u003e","\u003cp\u003eAll materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Suphi Burak Ogreten; finding aid encoded by Suphi Burak Ogreten.","All materials were placed in acid-free boxes and folders. Materials were minimally processed and kept in original order."],"relatedmaterial_html_tesm":["\u003cp\u003eGlenn \"Marty\" Stein cartoons at the Library of Congress: \u003cextref href=\"http://www.loc.gov/pictures/search/?q=stein%2C%20glenn%20m\"\u003eGMS cartoons at the Library of Congress\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nGlenn \"Marty\" Stein cartoons at the University of South Florida: \u003cextref href=\"http://exhibits.lib.usf.edu/exhibits/show/poison-pens/new-millennium/stein\"\u003eArt of the Poison Pens: A Century of American Political Cartoons\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\nThe Ohio State University, Libraries: \u003cextref href=\"http://library.ohio-state.edu/record=b6830269~S7\"\u003eGlenn (Marty) Stein Biographical File\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Glenn \"Marty\" Stein cartoons at the Library of Congress:  GMS cartoons at the Library of Congress","\nGlenn \"Marty\" Stein cartoons at the University of South Florida:  Art of the Poison Pens: A Century of American Political Cartoons","\nThe Ohio State University, Libraries:  Glenn (Marty) Stein Biographical File"],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelg\u0026#xE4;ngers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. \u003c/p\u003e\n","\u003cp\u003e\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection consists of approximately 1,300 items dated between 1955 and 2010. The drawings are in water color, pencil or ink on white cardsctock. Afew cartoons have been mounted onto white cardboard. Most of the cartoons are signed and dated either on front or reverse. Some cartoons are marked with an indication ofwhere they were published. The cartoons are arranged chronologically. Before viewing the collection, please consult \"Recollections of a Cartoonist: Creating in Different Worlds\" (hard copy on file), which is an autobiographical piece by Glenn. In addition to insight into Glenn's cartooning experiences, these writings provide information on materials he used to create his cartoons.","\nSeries I: Editorial Cartoon Arts, 1983-2003, contains published cartoons include American Punch, The Apopka Chief, The Independent Florida Alligator, El Oasis, Orlando Business Journal, La Prensa, Mr. T-Bones, Mr. Tibs, Washington Hispanic, The West Orange Times, [unknown: Hispanic Newspaper in a State other than Florida], and [unknown: Orlando Business Journal or the Apopka Chief?]. Unpublished cartoons include Doppelgängers, Dr. Roget, Gag Cartoons, Greeting Cards, Hijinx, and various editorial cartoons.","\nSeries II: General Cartoon Arts, 1955, 1970-2010, include advertising cartoons, caricatures, children books, general art and a political cartoon artwork by American editorial cartoonist (Pulitzer Price Recipient, 1958), Bruce McKinley Shanks.","\nSeries III: Personal files, 1974-2013, includes autobiography of Glenn \"Marty\" Stein, newsclippings, correspondence, invoice, letterhead, publications, and four sketch books. ","\nSeries IV: United States Wave Ski Championships, 1990, contains event calendar, notes, posters, and t-shirt design (t-shirt, vinyl color separation layers, sketches, and logo design).","\nSeries V: Digital Files, 1991-2008, includes one Computer Disc (CD) which contains sixty-seven JPEG images: forty-five cartoon artworks, twenty editorial cartoons that Glenn \"Marty\" Stein donated to Library of Congress, and two certificates; National Cartoonists Society (NCS) and Association of American Editorial Cartoonists (AAEC)."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_79c7f7749bbd2323aa47f5f32d6c812f\" label=\"Abstract\"\u003eThe collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8\u0026#xBD; years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3\u0026#xBD; years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955).\u003c/abstract\u003e"],"abstract_tesim":["The collection was acquired from editorial cartoonist Glenn \"Marty\" Stein, who started drawing editorial cartoons and illustrations for the Orlando Business Journal. Afterwards, Marty worked for The Apopka Chief, and finally 8½ years for La Prensa (Orlando), a Spanish-language newspaper where he created weekly editorial cartoons in Spanish. In addition, he wrote and drew his original comic strip El Oasis for over 3½ years. The cartoon art collection consists of published and unpublished original drawings, sketches, comic strips, 1990 US Waveski Championships items, and one piece of editorial cartoon art by Bruce Shanks (1955)."],"names_ssim":["UCF Special Collections","Stein, Glenn M., 1962-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Stein, Glenn M., 1962-"],"persname_ssim":["Stein, Glenn M., 1962-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1521,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857743444738048,"_root_":"2326334e5e159c8d459e96a3","timestamp":"2026-07-16T08:02:59.476Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2326334e5e159c8d459e96a3_aspace_38539"}},{"id":"37e6df6e8da909b85d39e52f_aspace_5111","type":"File","attributes":{"title":"\"Working Stiff\"","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/37e6df6e8da909b85d39e52f_aspace_5111#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5111","ref_ssm":["aspace_5111","aspace_5111"],"id":"37e6df6e8da909b85d39e52f_aspace_5111","title_filing_ssi":"\"Working Stiff\"","title_ssm":["\"Working Stiff\""],"title_tesim":["\"Working Stiff\""],"normalized_title_ssm":["\"Working Stiff\""],"text":["\"Working Stiff\"","Mike Resnick collection, 1980-2000, Date acquired: 06/00/1995","Short Stories","Short Stories P-W","Folder 25","/repositories/2/archival_objects/99415","box 33","folder 25"],"component_level_isim":[3],"parent_ids_ssim":["37e6df6e8da909b85d39e52f","37e6df6e8da909b85d39e52f_aspace_3910","37e6df6e8da909b85d39e52f_aspace_3913"],"parent_unittitles_ssm":["Mike Resnick collection, 1980-2000, Date acquired: 06/00/1995","Short Stories","Short Stories P-W"],"parent_unittitles_tesim":["Mike Resnick collection, 1980-2000, Date acquired: 06/00/1995","Short Stories","Short Stories P-W"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Folder 25","/repositories/2/archival_objects/99415"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Mike Resnick collection, 1980-2000, Date acquired: 06/00/1995"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":269,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 33","folder 25"],"_nest_path_":"/components#2/components#2/components#24","_nest_parent_":"37e6df6e8da909b85d39e52f_aspace_3913","_root_":"37e6df6e8da909b85d39e52f","timestamp":"2026-07-10T04:33:06.792Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"37e6df6e8da909b85d39e52f","title_ssm":["Mike Resnick collection"],"title_tesim":["Mike Resnick collection"],"ead_ssi":"37e6df6e8da909b85d39e52f","unitdate_ssm":["1980-2000","Date acquired: 06/00/1995"],"unitdate_inclusive_ssm":["1980-2000"],"unitdate_other_ssim":["Date acquired: 06/00/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-08","/repositories/2/resources/445"],"text":["MS-1995-08","/repositories/2/resources/445","Mike Resnick collection, 1980-2000, Date acquired: 06/00/1995","Science fiction","Fantasy fiction","Authors, American","Additional materials are donated each year.","Organized by series. Items within each series are arranged alphabetically or chronologically.","Mike Resnick (1942 - 2020), a prolific author of Science Fiction novels and short stories, began his career in 1957 and since then, wrote a number of novels, short stories and articles, many under various pseudonyms.  In addition, he edited tabloid newspapers, a number of science fiction anthologies, and two men's magazines. He also wrote short non-fiction and was a regular columnist for The Magazine of Fantasy and Science Fiction.","Among Resnick's widely recognized works include The Soul Eater, Walpurgis III, the Tales of the Galactic Midway series, Santiago, and The Widowmaker series. Resnick was most noted, however, for the \"Kirinyaga\" series, which, with 51 major and minor awards and nominations to date, was one of the most honored series of stories in science fiction.","A highly regarded author, editor, and critic, Resnick has received numerous Hugo Awards and Nebula Awards, as well as a Clarke (British), Seiun-shos (Japanese), Homer Awards, an Alexander Award, a Golden Pagoda Award, a Hayakawa SF Award, a Locus Award, and has topped the S. F. Chronicle poll at least five times.","Mike Resnick. (2007). In Contemporary Authors Online. Retrieved May 20, 2009, from Literature Resource Center database.  ","Resnick, M. (n.d.).  Biography. Retrieved May 20, 2009, from http://www.fortunecity.com/tattooine/farmer/2/Biography.htm","Note written by PC, 1994","The bulk of the collection was donated by Mike Resnick in 1995.  Subsequent additions to the collection - primarily monographic in nature - continue to date.","published","Monographs separated from the Mike Resnick collection have been catalogued and integrated into the USF Tampa Library's Science Fiction collections.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection includes typescripts, correspondence, articles, and reviews written by science fiction author Mike Resnick.","USF Libraries - Tampa Special Collections","Resnick, Michael D.  (1942-2020)","English"],"unitid_tesim":["MS-1995-08","/repositories/2/resources/445"],"normalized_date_ssm":["1980-2000, Date acquired: 06/00/1995"],"normalized_title_ssm":["Mike Resnick collection, 1980-2000, Date acquired: 06/00/1995"],"collection_title_tesim":["Mike Resnick collection, 1980-2000, Date acquired: 06/00/1995"],"collection_ssim":["Mike Resnick collection, 1980-2000, Date acquired: 06/00/1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Resnick, Michael D.  (1942-2020)"],"creator_ssim":["Resnick, Michael D.  (1942-2020)"],"creator_persname_ssim":["Resnick, Michael D.  (1942-2020)"],"creators_ssim":["Resnick, Michael D.  (1942-2020)"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Mike Resnick","Donation"],"access_subjects_ssim":["Science fiction","Fantasy fiction","Authors, American"],"access_subjects_ssm":["Science fiction","Fantasy fiction","Authors, American"],"has_online_content_ssim":["false"],"extent_ssm":["14.47 Linear Feet","36 boxes"],"extent_tesim":["14.47 Linear Feet","36 boxes"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"appraisal_html_tesm":["\u003cp\u003eAdditional materials are donated each year.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Information"],"appraisal_tesim":["Additional materials are donated each year."],"arrangement_html_tesm":["\u003cp\u003eOrganized by series. Items within each series are arranged alphabetically or chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized by series. Items within each series are arranged alphabetically or chronologically."],"bioghist_html_tesm":["\u003cp\u003eMike Resnick (1942 - 2020), a prolific author of Science Fiction novels and short stories, began his career in 1957 and since then, wrote a number of novels, short stories and articles, many under various pseudonyms.  In addition, he edited tabloid newspapers, a number of science fiction anthologies, and two men's magazines. He also wrote short non-fiction and was a regular columnist for The Magazine of Fantasy and Science Fiction.\u003c/p\u003e\n","\u003cp\u003eAmong Resnick's widely recognized works include The Soul Eater, Walpurgis III, the Tales of the Galactic Midway series, Santiago, and The Widowmaker series. Resnick was most noted, however, for the \"Kirinyaga\" series, which, with 51 major and minor awards and nominations to date, was one of the most honored series of stories in science fiction.\u003c/p\u003e\n","\u003cp\u003eA highly regarded author, editor, and critic, Resnick has received numerous Hugo Awards and Nebula Awards, as well as a Clarke (British), Seiun-shos (Japanese), Homer Awards, an Alexander Award, a Golden Pagoda Award, a Hayakawa SF Award, a Locus Award, and has topped the S. F. Chronicle poll at least five times.\u003c/p\u003e\n","\u003cp\u003eMike Resnick. (2007). In Contemporary Authors Online. Retrieved May 20, 2009, from Literature Resource Center database.  \u003c/p\u003e\n","\u003cp\u003eResnick, M. (n.d.).  Biography. Retrieved May 20, 2009, from http://www.fortunecity.com/tattooine/farmer/2/Biography.htm\u003c/p\u003e\n","\u003cp\u003eNote written by PC, 1994\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Mike Resnick (1942 - 2020), a prolific author of Science Fiction novels and short stories, began his career in 1957 and since then, wrote a number of novels, short stories and articles, many under various pseudonyms.  In addition, he edited tabloid newspapers, a number of science fiction anthologies, and two men's magazines. He also wrote short non-fiction and was a regular columnist for The Magazine of Fantasy and Science Fiction.","Among Resnick's widely recognized works include The Soul Eater, Walpurgis III, the Tales of the Galactic Midway series, Santiago, and The Widowmaker series. Resnick was most noted, however, for the \"Kirinyaga\" series, which, with 51 major and minor awards and nominations to date, was one of the most honored series of stories in science fiction.","A highly regarded author, editor, and critic, Resnick has received numerous Hugo Awards and Nebula Awards, as well as a Clarke (British), Seiun-shos (Japanese), Homer Awards, an Alexander Award, a Golden Pagoda Award, a Hayakawa SF Award, a Locus Award, and has topped the S. F. Chronicle poll at least five times.","Mike Resnick. (2007). In Contemporary Authors Online. Retrieved May 20, 2009, from Literature Resource Center database.  ","Resnick, M. (n.d.).  Biography. Retrieved May 20, 2009, from http://www.fortunecity.com/tattooine/farmer/2/Biography.htm","Note written by PC, 1994"],"custodhist_html_tesm":["\u003cp\u003eThe bulk of the collection was donated by Mike Resnick in 1995.\u0026#xA0; Subsequent additions to the collection - primarily monographic in nature - continue to date.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The bulk of the collection was donated by Mike Resnick in 1995.  Subsequent additions to the collection - primarily monographic in nature - continue to date."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eMike Resnick collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Mike Resnick collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"separatedmaterial_html_tesm":["\u003cp\u003eMonographs separated from the Mike Resnick collection have been catalogued and integrated into the USF Tampa Library's Science Fiction collections.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Monographs separated from the Mike Resnick collection have been catalogued and integrated into the USF Tampa Library's Science Fiction collections."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e0a53a9eab6c18f27db5eb71a03444ec\" label=\"Abstract\"\u003eThis collection includes typescripts, correspondence, articles, and reviews written by science fiction author Mike Resnick.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes typescripts, correspondence, articles, and reviews written by science fiction author Mike Resnick."],"names_ssim":["USF Libraries - Tampa Special Collections","Resnick, Michael D.  (1942-2020)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Resnick, Michael D.  (1942-2020)"],"persname_ssim":["Resnick, Michael D.  (1942-2020)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":340,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"37e6df6e8da909b85d39e52f","timestamp":"2026-07-10T04:33:06.792Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/37e6df6e8da909b85d39e52f_aspace_5111"}},{"id":"998ae1dfeac58871a130992b_aspace_c9d16b53b107a3c7116d2bd0de826ccb","type":"File","attributes":{"title":"Working the FAMU Community Garden, 1988 February 21","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/998ae1dfeac58871a130992b_aspace_c9d16b53b107a3c7116d2bd0de826ccb#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eOrange Avenue, FAMU campus\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/998ae1dfeac58871a130992b_aspace_c9d16b53b107a3c7116d2bd0de826ccb#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c9d16b53b107a3c7116d2bd0de826ccb","ref_ssm":["aspace_c9d16b53b107a3c7116d2bd0de826ccb","aspace_c9d16b53b107a3c7116d2bd0de826ccb"],"id":"998ae1dfeac58871a130992b_aspace_c9d16b53b107a3c7116d2bd0de826ccb","title_filing_ssi":"Working the FAMU Community Garden","title_ssm":["Working the FAMU Community Garden"],"title_tesim":["Working the FAMU Community Garden"],"unitdate_other_ssim":["1988 February 21"],"normalized_date_ssm":["1988 February 21"],"normalized_title_ssm":["Working the FAMU Community Garden, 1988 February 21"],"text":["Working the FAMU Community Garden, 1988 February 21","Mark Wallheiser Photographic Collection, 1980-2024","Negatives, 1980-2004","Box 7","/repositories/10/archival_objects/239248","box 7","Orange Avenue, FAMU campus"],"component_level_isim":[3],"parent_ids_ssim":["998ae1dfeac58871a130992b","998ae1dfeac58871a130992b_aspace_558164c2217b036c21bcfa52c37f4950","998ae1dfeac58871a130992b_aspace_3c63a35c4a481310241c9d76b0fb7692"],"parent_unittitles_ssm":["Mark Wallheiser Photographic Collection, 1980-2024","Negatives, 1980-2004","Box 7"],"parent_unittitles_tesim":["Mark Wallheiser Photographic Collection, 1980-2024","Negatives, 1980-2004","Box 7"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/10/archival_objects/239248"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Mark Wallheiser Photographic Collection, 1980-2024"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2231,"parent_access_restrict_tesm":["Boxes 1-32 and 35 of this collection are open to all researchers.","Boxes 33 and 34 are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","All boxes may be accessed by researchers upon request at the Claude Pepper Library."],"parent_access_terms_tesm":["Copyright in images created by Wallheiser are held by the Wallheiser estate.","Re-use or copying of these works beyond Fair Use may require permission from the rights-holder. For more information, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"containers_ssim":["box 7"],"scopecontent_html_tesm":["\u003cp\u003eOrange Avenue, FAMU campus\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Orange Avenue, FAMU campus"],"_nest_path_":"/components#0/components#6/components#23","_nest_parent_":"998ae1dfeac58871a130992b_aspace_3c63a35c4a481310241c9d76b0fb7692","_root_":"998ae1dfeac58871a130992b","_version_":1877107886885175296,"timestamp":"2026-09-23T07:46:20.757Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"998ae1dfeac58871a130992b","title_filing_ssi":"Wallheiser Photographic Collection","title_ssm":["Mark Wallheiser Photographic Collection"],"title_tesim":["Mark Wallheiser Photographic Collection"],"ead_ssi":"998ae1dfeac58871a130992b","unitdate_ssm":["1980-2024"],"unitdate_inclusive_ssm":["1980-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SCA 2024-008","/repositories/10/resources/2668"],"text":["SCA 2024-008","/repositories/10/resources/2668","Mark Wallheiser Photographic Collection, 1980-2024","Boxes 1-32 and 35 of this collection are open to all researchers.","Boxes 33 and 34 are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","All boxes may be accessed by researchers upon request at the Claude Pepper Library.","Mark Wallheiser was a staff photographer at the Tallahassee Democrat from 1981 to 2008, and a freelancer from 2008 to 2025. He was known for his coverage of natural disasters, high school and collegiate athletics, and American politics.","He graduated from Western Kentucky University where he initially majored in English before switching to multimedia. he left Tennessee for Alabama to work for the Montgomery Advertiser in 1978.","The Society for Professional Journalism named him Florida News Photographer of the Year in 1989. After multiple individual Pulitzer Prize nominations, Wallheiser was part of a team that won the 2006 Pulitzer Prize in Public Service covering Hurricane Katrina. He was nominated again for a Pulitzer Prize for an image he captured of Donald Trump at a rally in Mobile, Alabama.\nHis work was featured on the cover of the Washington Post, the New York Times, USA Today and in other media outlets.","Wallheiser retired from FAMU-FSU College of Engineering in December 2023.","Wallheiser, 72, died of cancer on May 15, 2026.","Sources:","https://www.markwallheiser.com/","William L. Hatfield. (May 16, 2026). A life behind the lens: Local Pulitzer-winning photographer and mentor dies.  Tallahassee Democrat .  https://www.tallahassee.com/story/news/2026/05/16/pulitzer-winning-photojournalist-mark-wallheiser-dies-tallahassee-photos/90108314007/","This collection does not have a box 31.","Mark Wallheiser Photography.  https://www.markwallheiser.com/ \nat the Internet Archive:  https://wayback.archive-it.org/31388/*/https://www.markwallheiser.com/","Digital images, film negatives, and photographic prints documenting the photography career of Mark Wallheiser. Major topics include: Florida State University athletics and campus life; Florida A\u0026M University athletics; National Football League; 2000 US Presidential Election events in Florida; North Florida scenes and locations; and Wallheiser's Pulitzer-nominated photo essays on crack cocaine use in Tallahassee and Hurricane Katrina.","Portions of this collection include graphic depictions of drug use, the aftermath of natural disasters, and human remains. Some content may be traumatic to researchers and difficult to view. See our full Statement on Potentially Harmful Content here:  https://repository.lib.fsu.edu/potentially-harmful-content-statement","Selected images from this collection have been digitized and are available through  PASS .","Copyright in images created by Wallheiser are held by the Wallheiser estate.","Re-use or copying of these works beyond Fair Use may require permission from the rights-holder. For more information, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["SCA 2024-008","/repositories/10/resources/2668"],"normalized_date_ssm":["1980-2024"],"normalized_title_ssm":["Mark Wallheiser Photographic Collection, 1980-2024"],"collection_title_tesim":["Mark Wallheiser Photographic Collection, 1980-2024"],"collection_ssim":["Mark Wallheiser Photographic Collection, 1980-2024"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright in images created by Wallheiser are held by the Wallheiser estate.","Re-use or copying of these works beyond Fair Use may require permission from the rights-holder. For more information, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"acqinfo_ssim":["Property rights transfer and copyright license executed by SCA Deed of Gift, March 28, 2023.","Negatives, prints, and optical disks transported to FSU Libraries on April 30, 2024.","Transfer of additional digital images expected in May 2024."],"has_online_content_ssim":["false"],"extent_ssm":["30 Linear Feet"],"extent_tesim":["30 Linear Feet"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eBoxes 1-32 and 35 of this collection are open to all researchers.\u003c/p\u003e\n","\u003cp\u003eBoxes 33 and 34 are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.\u003c/p\u003e\n","\u003cp\u003eAll boxes may be accessed by researchers upon request at the Claude Pepper Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Boxes 1-32 and 35 of this collection are open to all researchers.","Boxes 33 and 34 are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","All boxes may be accessed by researchers upon request at the Claude Pepper Library."],"bioghist_html_tesm":["\u003cp\u003eMark Wallheiser was a staff photographer at the Tallahassee Democrat from 1981 to 2008, and a freelancer from 2008 to 2025. He was known for his coverage of natural disasters, high school and collegiate athletics, and American politics.\u003c/p\u003e\n","\u003cp\u003eHe graduated from Western Kentucky University where he initially majored in English before switching to multimedia. he left Tennessee for Alabama to work for the Montgomery Advertiser in 1978.\u003c/p\u003e\n","\u003cp\u003eThe Society for Professional Journalism named him Florida News Photographer of the Year in 1989. After multiple individual Pulitzer Prize nominations, Wallheiser was part of a team that won the 2006 Pulitzer Prize in Public Service covering Hurricane Katrina. He was nominated again for a Pulitzer Prize for an image he captured of Donald Trump at a rally in Mobile, Alabama.\nHis work was featured on the cover of the Washington Post, the New York Times, USA Today and in other media outlets.\u003c/p\u003e\n","\u003cp\u003eWallheiser retired from FAMU-FSU College of Engineering in December 2023.\u003c/p\u003e\n","\u003cp\u003eWallheiser, 72, died of cancer on May 15, 2026.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://www.markwallheiser.com/\"\u003ehttps://www.markwallheiser.com/\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eWilliam L. Hatfield. (May 16, 2026). A life behind the lens: Local Pulitzer-winning photographer and mentor dies. \u003cemph render=\"italic\"\u003eTallahassee Democrat\u003c/emph\u003e. \u003cextref href=\"https://www.tallahassee.com/story/news/2026/05/16/pulitzer-winning-photojournalist-mark-wallheiser-dies-tallahassee-photos/90108314007/\"\u003ehttps://www.tallahassee.com/story/news/2026/05/16/pulitzer-winning-photojournalist-mark-wallheiser-dies-tallahassee-photos/90108314007/\u003c/extref\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Mark Wallheiser was a staff photographer at the Tallahassee Democrat from 1981 to 2008, and a freelancer from 2008 to 2025. He was known for his coverage of natural disasters, high school and collegiate athletics, and American politics.","He graduated from Western Kentucky University where he initially majored in English before switching to multimedia. he left Tennessee for Alabama to work for the Montgomery Advertiser in 1978.","The Society for Professional Journalism named him Florida News Photographer of the Year in 1989. After multiple individual Pulitzer Prize nominations, Wallheiser was part of a team that won the 2006 Pulitzer Prize in Public Service covering Hurricane Katrina. He was nominated again for a Pulitzer Prize for an image he captured of Donald Trump at a rally in Mobile, Alabama.\nHis work was featured on the cover of the Washington Post, the New York Times, USA Today and in other media outlets.","Wallheiser retired from FAMU-FSU College of Engineering in December 2023.","Wallheiser, 72, died of cancer on May 15, 2026.","Sources:","https://www.markwallheiser.com/","William L. Hatfield. (May 16, 2026). A life behind the lens: Local Pulitzer-winning photographer and mentor dies.  Tallahassee Democrat .  https://www.tallahassee.com/story/news/2026/05/16/pulitzer-winning-photojournalist-mark-wallheiser-dies-tallahassee-photos/90108314007/"],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Mark Wallheiser Photographic Collection, SCA 2024-008, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. http://purl.lib.fsu.edu/fa/SCA-2024-008\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Mark Wallheiser Photographic Collection, SCA 2024-008, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. http://purl.lib.fsu.edu/fa/SCA-2024-008"],"processinfo_html_tesm":["\u003cp\u003eThis collection does not have a box 31.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection does not have a box 31."],"relatedmaterial_html_tesm":["\u003cp\u003eMark Wallheiser Photography. \u003cextref href=\"https://www.markwallheiser.com/\"\u003ehttps://www.markwallheiser.com/\u003c/extref\u003e\n\u003cbr\u003e\nat the Internet Archive: \u003cextref href=\"https://wayback.archive-it.org/31388/*/https://www.markwallheiser.com/\"\u003ehttps://wayback.archive-it.org/31388/*/https://www.markwallheiser.com/\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Mark Wallheiser Photography.  https://www.markwallheiser.com/ \nat the Internet Archive:  https://wayback.archive-it.org/31388/*/https://www.markwallheiser.com/"],"scopecontent_html_tesm":["\u003cp\u003eDigital images, film negatives, and photographic prints documenting the photography career of Mark Wallheiser. Major topics include: Florida State University athletics and campus life; Florida A\u0026amp;M University athletics; National Football League; 2000 US Presidential Election events in Florida; North Florida scenes and locations; and Wallheiser's Pulitzer-nominated photo essays on crack cocaine use in Tallahassee and Hurricane Katrina.\u003c/p\u003e","\u003cp\u003ePortions of this collection include graphic depictions of drug use, the aftermath of natural disasters, and human remains. Some content may be traumatic to researchers and difficult to view. See our full Statement on Potentially Harmful Content here: \u003cextref href=\"https://repository.lib.fsu.edu/potentially-harmful-content-statement\"\u003ehttps://repository.lib.fsu.edu/potentially-harmful-content-statement\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003eSelected images from this collection have been digitized and are available through \u003cextref href=\"http://pass.lib.fsu.edu/#Mark_Wallheiser_Photographic_Collection_2024-008/\"\u003ePASS\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Potentially Harmful Content","Online Copies Available"],"scopecontent_tesim":["Digital images, film negatives, and photographic prints documenting the photography career of Mark Wallheiser. Major topics include: Florida State University athletics and campus life; Florida A\u0026M University athletics; National Football League; 2000 US Presidential Election events in Florida; North Florida scenes and locations; and Wallheiser's Pulitzer-nominated photo essays on crack cocaine use in Tallahassee and Hurricane Katrina.","Portions of this collection include graphic depictions of drug use, the aftermath of natural disasters, and human remains. Some content may be traumatic to researchers and difficult to view. See our full Statement on Potentially Harmful Content here:  https://repository.lib.fsu.edu/potentially-harmful-content-statement","Selected images from this collection have been digitized and are available through  PASS ."],"userestrict_html_tesm":["\u003cp\u003eCopyright in images created by Wallheiser are held by the Wallheiser estate.\u003c/p\u003e\n","\u003cp\u003eRe-use or copying of these works beyond Fair Use may require permission from the rights-holder. For more information, contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright in images created by Wallheiser are held by the Wallheiser estate.","Re-use or copying of these works beyond Fair Use may require permission from the rights-holder. For more information, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"total_component_count_is":5345,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877107886885175296,"_root_":"998ae1dfeac58871a130992b","timestamp":"2026-09-23T07:46:20.757Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/998ae1dfeac58871a130992b_aspace_c9d16b53b107a3c7116d2bd0de826ccb"}},{"id":"1366e17c7084d4604a55bfdb_aspace_a3ecdc2509c82f11813ff9fc1093d762","type":"File","attributes":{"title":"\"Working with Chiropractors,\" J.E. Zigler, 2002","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1366e17c7084d4604a55bfdb_aspace_a3ecdc2509c82f11813ff9fc1093d762#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_a3ecdc2509c82f11813ff9fc1093d762","ref_ssm":["aspace_a3ecdc2509c82f11813ff9fc1093d762","aspace_a3ecdc2509c82f11813ff9fc1093d762"],"id":"1366e17c7084d4604a55bfdb_aspace_a3ecdc2509c82f11813ff9fc1093d762","title_filing_ssi":"\"Working with Chiropractors,\" J.E. Zigler","title_ssm":["\"Working with Chiropractors,\" J.E. Zigler"],"title_tesim":["\"Working with Chiropractors,\" J.E. Zigler"],"unitdate_other_ssim":["2002"],"normalized_date_ssm":["2002"],"normalized_title_ssm":["\"Working with Chiropractors,\" J.E. Zigler, 2002"],"text":["\"Working with Chiropractors,\" J.E. Zigler, 2002","Florida State University Office of the Provost Records, 1953-2020, bulk 1984-2012","21","/repositories/10/archival_objects/233386","box 34"],"component_level_isim":[1],"parent_ids_ssim":["1366e17c7084d4604a55bfdb"],"parent_unittitles_ssm":["Florida State University Office of the Provost Records, 1953-2020, bulk 1984-2012"],"parent_unittitles_tesim":["Florida State University Office of the Provost Records, 1953-2020, bulk 1984-2012"],"parent_levels_ssm":["collection"],"unitid_ssm":["21","/repositories/10/archival_objects/233386"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Florida State University Office of the Provost Records, 1953-2020, bulk 1984-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":911,"parent_access_restrict_tesm":["Boxes 1-42 of this collection are open to all researchers. ","Boxes 43, 44, and 45 are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","Box 43, Folders 1-36 require review upon request until 2029. Box 44, Folders 15-19 require review upon request until 2026. Box 43, Folders 37-44 require review upon request until 2043. Box 45 requires review upon request until 2085.","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"containers_ssim":["box 34"],"_nest_path_":"/components#910","_nest_parent_":"1366e17c7084d4604a55bfdb","_root_":"1366e17c7084d4604a55bfdb","timestamp":"2026-07-08T09:43:42.111Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1366e17c7084d4604a55bfdb","title_ssm":["Florida State University Office of the Provost Records"],"title_tesim":["Florida State University Office of the Provost Records"],"ead_ssi":"1366e17c7084d4604a55bfdb","unitdate_ssm":["1953-2020","1984-2012"],"unitdate_bulk_ssim":["1984-2012"],"unitdate_inclusive_ssm":["1953-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SCA 2023-014","/repositories/10/resources/2649"],"text":["SCA 2023-014","/repositories/10/resources/2649","Florida State University Office of the Provost Records, 1953-2020, bulk 1984-2012","Boxes 1-42 of this collection are open to all researchers. ","Boxes 43, 44, and 45 are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","Box 43, Folders 1-36 require review upon request until 2029. Box 44, Folders 15-19 require review upon request until 2026. Box 43, Folders 37-44 require review upon request until 2043. Box 45 requires review upon request until 2085.","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","The Florida State University Provost and Executive Vice President for Academic Affairs oversees university academics. This includes all colleges, centers, and institutes, the Office of Faculty Development and Advancement, The Graduate School, the Division of Undergraduate Studies, and The Ringling. The Office of the Provost also oversees faculty development and advancement, including the Faculty Senate and promotion and tenure; accreditation, assessment, and planning; student success, including recruitment; and enrollment management. ","The following former FSU provosts are represented in this collection: Robert O. Lawton (1977-1980), Robert Johnson (1980-unknown), Augustus Turnbull (1986-1991), Robert Glidden (1991-1994), Larry Abele (1994-2010), Garnett Stokes (2011-2015), and Sally McRorie (2015-2021). ","Date received: 2023/11/09\nDate accessioned: 2023/11/09","The Florida State University Office of the Provost Records document the administration, governance, and development of Florida State University, largely from the 1980s to the 2010s. Records in the collection include self-studies and reports related to enrollment and retention, salaries, funding, and resource planning; master and strategic plans; committee reports, meeting minutes, and agendas, including from the FSU Board of Trustees and State University System of Florida's Board of Governors; budgetary records by academic unit; program audits and proposals, including a proposal and consideration for a Chiropractic program in the College of Medicine; research reports from the National High Magnetic Field Laboratory; proposals and reports for externally-funded projects; agreements with the Asolo Conservatory and Ringling Museum; and internal and external correspondence with the Provost's office. ","The collection documents the development of the university's academic programs, particularly regarding the College of Medicine. Also documented is the university's study of student enrollment and retention. In addition, records of the University Budget Crisis Committee's document the impact of the Great Recession in 2007-2009 on the university's operations. As the Office of the Provost looked toward the university's future in the late 1990s and early 2000s, many records also focus on Strategic Planning for FSU and the State University System of Florida. ","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["SCA 2023-014","/repositories/10/resources/2649"],"normalized_date_ssm":["1953-2020, bulk 1984-2012"],"normalized_title_ssm":["Florida State University Office of the Provost Records, 1953-2020, bulk 1984-2012"],"collection_title_tesim":["Florida State University Office of the Provost Records, 1953-2020, bulk 1984-2012"],"collection_ssim":["Florida State University Office of the Provost Records, 1953-2020, bulk 1984-2012"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["Office of the Provost Program Director Cassandra Brown"],"has_online_content_ssim":["false"],"extent_ssm":["45 Linear Feet"],"extent_tesim":["45 Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003eBoxes 1-42 of this collection are open to all researchers. \u003c/p\u003e\n","\u003cp\u003eBoxes 43, 44, and 45 are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.\u003c/p\u003e\n","\u003cp\u003eBox 43, Folders 1-36 require review upon request until 2029. Box 44, Folders 15-19 require review upon request until 2026. Box 43, Folders 37-44 require review upon request until 2043. Box 45 requires review upon request until 2085.\u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Boxes 1-42 of this collection are open to all researchers. ","Boxes 43, 44, and 45 are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","Box 43, Folders 1-36 require review upon request until 2029. Box 44, Folders 15-19 require review upon request until 2026. Box 43, Folders 37-44 require review upon request until 2043. Box 45 requires review upon request until 2085.","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eThe Florida State University Provost and Executive Vice President for Academic Affairs oversees university academics. This includes all colleges, centers, and institutes, the Office of Faculty Development and Advancement, The Graduate School, the Division of Undergraduate Studies, and The Ringling. The Office of the Provost also oversees faculty development and advancement, including the Faculty Senate and promotion and tenure; accreditation, assessment, and planning; student success, including recruitment; and enrollment management. \u003c/p\u003e\n","\u003cp\u003eThe following former FSU provosts are represented in this collection: Robert O. Lawton (1977-1980), Robert Johnson (1980-unknown), Augustus Turnbull (1986-1991), Robert Glidden (1991-1994), Larry Abele (1994-2010), Garnett Stokes (2011-2015), and Sally McRorie (2015-2021). \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Florida State University Provost and Executive Vice President for Academic Affairs oversees university academics. This includes all colleges, centers, and institutes, the Office of Faculty Development and Advancement, The Graduate School, the Division of Undergraduate Studies, and The Ringling. The Office of the Provost also oversees faculty development and advancement, including the Faculty Senate and promotion and tenure; accreditation, assessment, and planning; student success, including recruitment; and enrollment management. ","The following former FSU provosts are represented in this collection: Robert O. Lawton (1977-1980), Robert Johnson (1980-unknown), Augustus Turnbull (1986-1991), Robert Glidden (1991-1994), Larry Abele (1994-2010), Garnett Stokes (2011-2015), and Sally McRorie (2015-2021). "],"custodhist_html_tesm":["\u003cp\u003eDate received: 2023/11/09\nDate accessioned: 2023/11/09\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Date received: 2023/11/09\nDate accessioned: 2023/11/09"],"prefercite_html_tesm":["\u003cp\u003eFlorida State University Office of the Provost Records, SCA 2023-014, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/SCA_2023-014\u003c/p\u003e"],"prefercite_tesim":["Florida State University Office of the Provost Records, SCA 2023-014, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/SCA_2023-014"],"scopecontent_html_tesm":["\u003cp\u003eThe Florida State University Office of the Provost Records document the administration, governance, and development of Florida State University, largely from the 1980s to the 2010s. Records in the collection include self-studies and reports related to enrollment and retention, salaries, funding, and resource planning; master and strategic plans; committee reports, meeting minutes, and agendas, including from the FSU Board of Trustees and State University System of Florida's Board of Governors; budgetary records by academic unit; program audits and proposals, including a proposal and consideration for a Chiropractic program in the College of Medicine; research reports from the National High Magnetic Field Laboratory; proposals and reports for externally-funded projects; agreements with the Asolo Conservatory and Ringling Museum; and internal and external correspondence with the Provost's office. \u003c/p\u003e\n","\u003cp\u003eThe collection documents the development of the university's academic programs, particularly regarding the College of Medicine. Also documented is the university's study of student enrollment and retention. In addition, records of the University Budget Crisis Committee's document the impact of the Great Recession in 2007-2009 on the university's operations. As the Office of the Provost looked toward the university's future in the late 1990s and early 2000s, many records also focus on Strategic Planning for FSU and the State University System of Florida. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Florida State University Office of the Provost Records document the administration, governance, and development of Florida State University, largely from the 1980s to the 2010s. 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In addition, records of the University Budget Crisis Committee's document the impact of the Great Recession in 2007-2009 on the university's operations. As the Office of the Provost looked toward the university's future in the late 1990s and early 2000s, many records also focus on Strategic Planning for FSU and the State University System of Florida. "],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. 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