{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=41403\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=41402\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=41404\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=42281\u0026view=compact"},"meta":{"pages":{"current_page":41403,"next_page":41404,"prev_page":41402,"total_pages":42281,"limit_value":10,"offset_value":414020,"total_count":422809,"first_page?":false,"last_page?":false}},"data":[{"id":"aba7a5dffcfaf50e318f174b_aspace_66986","type":"File","attributes":{"title":"Wilde, Percival. A Question of Morality [published book]Sheldon Abend American Theater Collection. 1919; published work.","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b_aspace_66986#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eComedy in 1 Act; includes characters list, scene, original cast of characters from 3/17/1917 New York stage production, descriptions of scene and characters within text\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b_aspace_66986#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_66986","ref_ssm":["aspace_66986","aspace_66986"],"id":"aba7a5dffcfaf50e318f174b_aspace_66986","title_filing_ssi":"Wilde, Percival. A Question of Morality [published book]Sheldon Abend American Theater Collection. 1919; published work.","title_ssm":["Wilde, Percival. A Question of Morality [published book]Sheldon Abend American Theater Collection. 1919; published work."],"title_tesim":["Wilde, Percival. A Question of Morality [published book]Sheldon Abend American Theater Collection. 1919; published work."],"normalized_title_ssm":["Wilde, Percival. A Question of Morality [published book]Sheldon Abend American Theater Collection. 1919; published work."],"text":["Wilde, Percival. A Question of Morality [published book]Sheldon Abend American Theater Collection. 1919; published work.","Sheldon Abend American Theater Collection, 1874-1968","Box 45","Folder 5","/repositories/2/archival_objects/9276","folder 5","Comedy in 1 Act; includes characters list, scene, original cast of characters from 3/17/1917 New York stage production, descriptions of scene and characters within text"],"component_level_isim":[2],"parent_ids_ssim":["aba7a5dffcfaf50e318f174b","aba7a5dffcfaf50e318f174b_aspace_65624"],"parent_unittitles_ssm":["Sheldon Abend American Theater Collection, 1874-1968","Box 45"],"parent_unittitles_tesim":["Sheldon Abend American Theater Collection, 1874-1968","Box 45"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["Folder 5","/repositories/2/archival_objects/9276"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Sheldon Abend American Theater Collection, 1874-1968"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1849,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"containers_ssim":["folder 5"],"scopecontent_html_tesm":["\u003cp\u003eComedy in 1 Act; includes characters list, scene, original cast of characters from 3/17/1917 New York stage production, descriptions of scene and characters within text\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Comedy in 1 Act; includes characters list, scene, original cast of characters from 3/17/1917 New York stage production, descriptions of scene and characters within text"],"_nest_path_":"/components#44/components#4","_nest_parent_":"aba7a5dffcfaf50e318f174b_aspace_65624","_root_":"aba7a5dffcfaf50e318f174b","_version_":1870844656373202944,"timestamp":"2026-07-16T04:34:58.668Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"aba7a5dffcfaf50e318f174b","title_ssm":["Sheldon Abend American Theater Collection"],"title_tesim":["Sheldon Abend American Theater Collection"],"ead_ssi":"aba7a5dffcfaf50e318f174b","unitdate_ssm":["1874-1968"],"unitdate_inclusive_ssm":["1874-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC6030","/repositories/2/resources/37"],"text":["SPC6030","/repositories/2/resources/37","Sheldon Abend American Theater Collection, 1874-1968","Minstrel shows.","Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)","The collection is open for research.","Folders are organized in alphabetical order by author's name.","Sheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA.","Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture.","Related material to the collection may be found in the following repository. ","University of Miami Libraries, Special Collections.","American Play Company Collection","https://atom.library.miami.edu/asm0006","This collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003.","Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Abend, Sheldon (1929-2003)","English"],"unitid_tesim":["SPC6030","/repositories/2/resources/37"],"normalized_date_ssm":["1874-1968"],"normalized_title_ssm":["Sheldon Abend American Theater Collection, 1874-1968"],"collection_title_tesim":["Sheldon Abend American Theater Collection, 1874-1968"],"collection_ssim":["Sheldon Abend American Theater Collection, 1874-1968"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Minstrel shows."],"geogname_ssim":["Minstrel shows."],"creator_ssm":["Abend, Sheldon (1929-2003)"],"creator_ssim":["Abend, Sheldon (1929-2003)"],"creator_persname_ssim":["Abend, Sheldon (1929-2003)"],"creators_ssim":["Abend, Sheldon (1929-2003)"],"places_ssim":["Minstrel shows."],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation","Sheldon Abend"],"access_subjects_ssim":["Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"access_subjects_ssm":["Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes"],"extent_tesim":["47 boxes"],"genreform_ssim":["Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"date_range_isim":[1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eFolders are organized in alphabetical order by author's name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Folders are organized in alphabetical order by author's name."],"bioghist_html_tesm":["\u003cp\u003eSheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA."],"odd_html_tesm":["\u003cp\u003eLanguage from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.\u003c/p\u003e","\u003cp\u003eBlackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement","Historical Note"],"odd_tesim":["Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated material to the collection may be found in the following repository. \u003c/p\u003e\n","\u003cp\u003eUniversity of Miami Libraries, Special Collections.\u003c/p\u003e\n","\u003cp\u003eAmerican Play Company Collection\u003c/p\u003e\n","\u003cp\u003ehttps://atom.library.miami.edu/asm0006\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related material to the collection may be found in the following repository. ","University of Miami Libraries, Special Collections.","American Play Company Collection","https://atom.library.miami.edu/asm0006"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: \u003c/p\u003e\n","\u003cp\u003ehttps://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Abend, Sheldon (1929-2003)"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Abend, Sheldon (1929-2003)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1996,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844656373202944,"_root_":"aba7a5dffcfaf50e318f174b","timestamp":"2026-07-16T04:34:58.668Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b_aspace_66986"}},{"id":"aba7a5dffcfaf50e318f174b_aspace_66984","type":"File","attributes":{"title":"Wilde, Percival. Little Shot [copy]Sheldon Abend American Theater Collection; play script.","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b_aspace_66984#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eComedy in 3 Acts; includes characters list, synopsis of scenes, action, detailed description of scene within text\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b_aspace_66984#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_66984","ref_ssm":["aspace_66984","aspace_66984"],"id":"aba7a5dffcfaf50e318f174b_aspace_66984","title_filing_ssi":"Wilde, Percival. Little Shot [copy]Sheldon Abend American Theater Collection; play script.","title_ssm":["Wilde, Percival. Little Shot [copy]Sheldon Abend American Theater Collection; play script."],"title_tesim":["Wilde, Percival. Little Shot [copy]Sheldon Abend American Theater Collection; play script."],"normalized_title_ssm":["Wilde, Percival. Little Shot [copy]Sheldon Abend American Theater Collection; play script."],"text":["Wilde, Percival. Little Shot [copy]Sheldon Abend American Theater Collection; play script.","Sheldon Abend American Theater Collection, 1874-1968","Box 45","Folder 3","/repositories/2/archival_objects/9152","folder 3","Comedy in 3 Acts; includes characters list, synopsis of scenes, action, detailed description of scene within text"],"component_level_isim":[2],"parent_ids_ssim":["aba7a5dffcfaf50e318f174b","aba7a5dffcfaf50e318f174b_aspace_65624"],"parent_unittitles_ssm":["Sheldon Abend American Theater Collection, 1874-1968","Box 45"],"parent_unittitles_tesim":["Sheldon Abend American Theater Collection, 1874-1968","Box 45"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["Folder 3","/repositories/2/archival_objects/9152"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Sheldon Abend American Theater Collection, 1874-1968"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1847,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"containers_ssim":["folder 3"],"scopecontent_html_tesm":["\u003cp\u003eComedy in 3 Acts; includes characters list, synopsis of scenes, action, detailed description of scene within text\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Comedy in 3 Acts; includes characters list, synopsis of scenes, action, detailed description of scene within text"],"_nest_path_":"/components#44/components#2","_nest_parent_":"aba7a5dffcfaf50e318f174b_aspace_65624","_root_":"aba7a5dffcfaf50e318f174b","_version_":1870844656373202944,"timestamp":"2026-07-16T04:34:58.668Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"aba7a5dffcfaf50e318f174b","title_ssm":["Sheldon Abend American Theater Collection"],"title_tesim":["Sheldon Abend American Theater Collection"],"ead_ssi":"aba7a5dffcfaf50e318f174b","unitdate_ssm":["1874-1968"],"unitdate_inclusive_ssm":["1874-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC6030","/repositories/2/resources/37"],"text":["SPC6030","/repositories/2/resources/37","Sheldon Abend American Theater Collection, 1874-1968","Minstrel shows.","Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)","The collection is open for research.","Folders are organized in alphabetical order by author's name.","Sheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA.","Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture.","Related material to the collection may be found in the following repository. ","University of Miami Libraries, Special Collections.","American Play Company Collection","https://atom.library.miami.edu/asm0006","This collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003.","Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Abend, Sheldon (1929-2003)","English"],"unitid_tesim":["SPC6030","/repositories/2/resources/37"],"normalized_date_ssm":["1874-1968"],"normalized_title_ssm":["Sheldon Abend American Theater Collection, 1874-1968"],"collection_title_tesim":["Sheldon Abend American Theater Collection, 1874-1968"],"collection_ssim":["Sheldon Abend American Theater Collection, 1874-1968"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Minstrel shows."],"geogname_ssim":["Minstrel shows."],"creator_ssm":["Abend, Sheldon (1929-2003)"],"creator_ssim":["Abend, Sheldon (1929-2003)"],"creator_persname_ssim":["Abend, Sheldon (1929-2003)"],"creators_ssim":["Abend, Sheldon (1929-2003)"],"places_ssim":["Minstrel shows."],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation","Sheldon Abend"],"access_subjects_ssim":["Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"access_subjects_ssm":["Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes"],"extent_tesim":["47 boxes"],"genreform_ssim":["Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"date_range_isim":[1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eFolders are organized in alphabetical order by author's name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Folders are organized in alphabetical order by author's name."],"bioghist_html_tesm":["\u003cp\u003eSheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA."],"odd_html_tesm":["\u003cp\u003eLanguage from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.\u003c/p\u003e","\u003cp\u003eBlackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement","Historical Note"],"odd_tesim":["Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated material to the collection may be found in the following repository. \u003c/p\u003e\n","\u003cp\u003eUniversity of Miami Libraries, Special Collections.\u003c/p\u003e\n","\u003cp\u003eAmerican Play Company Collection\u003c/p\u003e\n","\u003cp\u003ehttps://atom.library.miami.edu/asm0006\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related material to the collection may be found in the following repository. ","University of Miami Libraries, Special Collections.","American Play Company Collection","https://atom.library.miami.edu/asm0006"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: \u003c/p\u003e\n","\u003cp\u003ehttps://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Abend, Sheldon (1929-2003)"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Abend, Sheldon (1929-2003)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1996,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844656373202944,"_root_":"aba7a5dffcfaf50e318f174b","timestamp":"2026-07-16T04:34:58.668Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b_aspace_66984"}},{"id":"aba7a5dffcfaf50e318f174b_aspace_66983","type":"File","attributes":{"title":"Wilde, Percival. The Beautiful Story [published book]Sheldon Abend American Theater Collection. 1909 Jul 1; published work.","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b_aspace_66983#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003ePlay in 1 Act; includes characters list, original cast of characters from 1/3/1917 Chicago stage production, description of scene within text\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b_aspace_66983#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_66983","ref_ssm":["aspace_66983","aspace_66983"],"id":"aba7a5dffcfaf50e318f174b_aspace_66983","title_filing_ssi":"Wilde, Percival. The Beautiful Story [published book]Sheldon Abend American Theater Collection. 1909 Jul 1; published work.","title_ssm":["Wilde, Percival. The Beautiful Story [published book]Sheldon Abend American Theater Collection. 1909 Jul 1; published work."],"title_tesim":["Wilde, Percival. The Beautiful Story [published book]Sheldon Abend American Theater Collection. 1909 Jul 1; published work."],"normalized_title_ssm":["Wilde, Percival. The Beautiful Story [published book]Sheldon Abend American Theater Collection. 1909 Jul 1; published work."],"text":["Wilde, Percival. The Beautiful Story [published book]Sheldon Abend American Theater Collection. 1909 Jul 1; published work.","Sheldon Abend American Theater Collection, 1874-1968","Box 45","Folder 2","/repositories/2/archival_objects/9150","folder 2","Play in 1 Act; includes characters list, original cast of characters from 1/3/1917 Chicago stage production, description of scene within text"],"component_level_isim":[2],"parent_ids_ssim":["aba7a5dffcfaf50e318f174b","aba7a5dffcfaf50e318f174b_aspace_65624"],"parent_unittitles_ssm":["Sheldon Abend American Theater Collection, 1874-1968","Box 45"],"parent_unittitles_tesim":["Sheldon Abend American Theater Collection, 1874-1968","Box 45"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["Folder 2","/repositories/2/archival_objects/9150"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Sheldon Abend American Theater Collection, 1874-1968"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1846,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"containers_ssim":["folder 2"],"scopecontent_html_tesm":["\u003cp\u003ePlay in 1 Act; includes characters list, original cast of characters from 1/3/1917 Chicago stage production, description of scene within text\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Play in 1 Act; includes characters list, original cast of characters from 1/3/1917 Chicago stage production, description of scene within text"],"_nest_path_":"/components#44/components#1","_nest_parent_":"aba7a5dffcfaf50e318f174b_aspace_65624","_root_":"aba7a5dffcfaf50e318f174b","_version_":1870844656373202944,"timestamp":"2026-07-16T04:34:58.668Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"aba7a5dffcfaf50e318f174b","title_ssm":["Sheldon Abend American Theater Collection"],"title_tesim":["Sheldon Abend American Theater Collection"],"ead_ssi":"aba7a5dffcfaf50e318f174b","unitdate_ssm":["1874-1968"],"unitdate_inclusive_ssm":["1874-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC6030","/repositories/2/resources/37"],"text":["SPC6030","/repositories/2/resources/37","Sheldon Abend American Theater Collection, 1874-1968","Minstrel shows.","Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)","The collection is open for research.","Folders are organized in alphabetical order by author's name.","Sheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA.","Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture.","Related material to the collection may be found in the following repository. ","University of Miami Libraries, Special Collections.","American Play Company Collection","https://atom.library.miami.edu/asm0006","This collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003.","Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Abend, Sheldon (1929-2003)","English"],"unitid_tesim":["SPC6030","/repositories/2/resources/37"],"normalized_date_ssm":["1874-1968"],"normalized_title_ssm":["Sheldon Abend American Theater Collection, 1874-1968"],"collection_title_tesim":["Sheldon Abend American Theater Collection, 1874-1968"],"collection_ssim":["Sheldon Abend American Theater Collection, 1874-1968"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Minstrel shows."],"geogname_ssim":["Minstrel shows."],"creator_ssm":["Abend, Sheldon (1929-2003)"],"creator_ssim":["Abend, Sheldon (1929-2003)"],"creator_persname_ssim":["Abend, Sheldon (1929-2003)"],"creators_ssim":["Abend, Sheldon (1929-2003)"],"places_ssim":["Minstrel shows."],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation","Sheldon Abend"],"access_subjects_ssim":["Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"access_subjects_ssm":["Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes"],"extent_tesim":["47 boxes"],"genreform_ssim":["Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"date_range_isim":[1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eFolders are organized in alphabetical order by author's name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Folders are organized in alphabetical order by author's name."],"bioghist_html_tesm":["\u003cp\u003eSheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA."],"odd_html_tesm":["\u003cp\u003eLanguage from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.\u003c/p\u003e","\u003cp\u003eBlackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement","Historical Note"],"odd_tesim":["Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated material to the collection may be found in the following repository. \u003c/p\u003e\n","\u003cp\u003eUniversity of Miami Libraries, Special Collections.\u003c/p\u003e\n","\u003cp\u003eAmerican Play Company Collection\u003c/p\u003e\n","\u003cp\u003ehttps://atom.library.miami.edu/asm0006\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related material to the collection may be found in the following repository. ","University of Miami Libraries, Special Collections.","American Play Company Collection","https://atom.library.miami.edu/asm0006"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: \u003c/p\u003e\n","\u003cp\u003ehttps://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Abend, Sheldon (1929-2003)"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Abend, Sheldon (1929-2003)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1996,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844656373202944,"_root_":"aba7a5dffcfaf50e318f174b","timestamp":"2026-07-16T04:34:58.668Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b_aspace_66983"}},{"id":"aba7a5dffcfaf50e318f174b_aspace_66985","type":"File","attributes":{"title":"Wilde, Percival. The Noble Lord [published book]Sheldon Abend American Theater Collection. 1915; published work.","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b_aspace_66985#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eComedy in 1 Act; includes characters list, noteworthy casts of characters from New York 1/1915, Erie 1916, Illinois 1/1917, Detroit 1918, New Jersey 1919 stage productions, descriptions of scene and characters within text\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b_aspace_66985#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_66985","ref_ssm":["aspace_66985","aspace_66985"],"id":"aba7a5dffcfaf50e318f174b_aspace_66985","title_filing_ssi":"Wilde, Percival. The Noble Lord [published book]Sheldon Abend American Theater Collection. 1915; published work.","title_ssm":["Wilde, Percival. The Noble Lord [published book]Sheldon Abend American Theater Collection. 1915; published work."],"title_tesim":["Wilde, Percival. The Noble Lord [published book]Sheldon Abend American Theater Collection. 1915; published work."],"normalized_title_ssm":["Wilde, Percival. The Noble Lord [published book]Sheldon Abend American Theater Collection. 1915; published work."],"text":["Wilde, Percival. The Noble Lord [published book]Sheldon Abend American Theater Collection. 1915; published work.","Sheldon Abend American Theater Collection, 1874-1968","Box 45","Folder 4","/repositories/2/archival_objects/9275","folder 4","Comedy in 1 Act; includes characters list, noteworthy casts of characters from New York 1/1915, Erie 1916, Illinois 1/1917, Detroit 1918, New Jersey 1919 stage productions, descriptions of scene and characters within text"],"component_level_isim":[2],"parent_ids_ssim":["aba7a5dffcfaf50e318f174b","aba7a5dffcfaf50e318f174b_aspace_65624"],"parent_unittitles_ssm":["Sheldon Abend American Theater Collection, 1874-1968","Box 45"],"parent_unittitles_tesim":["Sheldon Abend American Theater Collection, 1874-1968","Box 45"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["Folder 4","/repositories/2/archival_objects/9275"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Sheldon Abend American Theater Collection, 1874-1968"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1848,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"containers_ssim":["folder 4"],"scopecontent_html_tesm":["\u003cp\u003eComedy in 1 Act; includes characters list, noteworthy casts of characters from New York 1/1915, Erie 1916, Illinois 1/1917, Detroit 1918, New Jersey 1919 stage productions, descriptions of scene and characters within text\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Comedy in 1 Act; includes characters list, noteworthy casts of characters from New York 1/1915, Erie 1916, Illinois 1/1917, Detroit 1918, New Jersey 1919 stage productions, descriptions of scene and characters within text"],"_nest_path_":"/components#44/components#3","_nest_parent_":"aba7a5dffcfaf50e318f174b_aspace_65624","_root_":"aba7a5dffcfaf50e318f174b","_version_":1870844656373202944,"timestamp":"2026-07-16T04:34:58.668Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"aba7a5dffcfaf50e318f174b","title_ssm":["Sheldon Abend American Theater Collection"],"title_tesim":["Sheldon Abend American Theater Collection"],"ead_ssi":"aba7a5dffcfaf50e318f174b","unitdate_ssm":["1874-1968"],"unitdate_inclusive_ssm":["1874-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC6030","/repositories/2/resources/37"],"text":["SPC6030","/repositories/2/resources/37","Sheldon Abend American Theater Collection, 1874-1968","Minstrel shows.","Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)","The collection is open for research.","Folders are organized in alphabetical order by author's name.","Sheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA.","Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture.","Related material to the collection may be found in the following repository. ","University of Miami Libraries, Special Collections.","American Play Company Collection","https://atom.library.miami.edu/asm0006","This collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003.","Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Abend, Sheldon (1929-2003)","English"],"unitid_tesim":["SPC6030","/repositories/2/resources/37"],"normalized_date_ssm":["1874-1968"],"normalized_title_ssm":["Sheldon Abend American Theater Collection, 1874-1968"],"collection_title_tesim":["Sheldon Abend American Theater Collection, 1874-1968"],"collection_ssim":["Sheldon Abend American Theater Collection, 1874-1968"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Minstrel shows."],"geogname_ssim":["Minstrel shows."],"creator_ssm":["Abend, Sheldon (1929-2003)"],"creator_ssim":["Abend, Sheldon (1929-2003)"],"creator_persname_ssim":["Abend, Sheldon (1929-2003)"],"creators_ssim":["Abend, Sheldon (1929-2003)"],"places_ssim":["Minstrel shows."],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation","Sheldon Abend"],"access_subjects_ssim":["Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"access_subjects_ssm":["Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes"],"extent_tesim":["47 boxes"],"genreform_ssim":["Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"date_range_isim":[1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eFolders are organized in alphabetical order by author's name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Folders are organized in alphabetical order by author's name."],"bioghist_html_tesm":["\u003cp\u003eSheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA."],"odd_html_tesm":["\u003cp\u003eLanguage from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.\u003c/p\u003e","\u003cp\u003eBlackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement","Historical Note"],"odd_tesim":["Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated material to the collection may be found in the following repository. \u003c/p\u003e\n","\u003cp\u003eUniversity of Miami Libraries, Special Collections.\u003c/p\u003e\n","\u003cp\u003eAmerican Play Company Collection\u003c/p\u003e\n","\u003cp\u003ehttps://atom.library.miami.edu/asm0006\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related material to the collection may be found in the following repository. ","University of Miami Libraries, Special Collections.","American Play Company Collection","https://atom.library.miami.edu/asm0006"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: \u003c/p\u003e\n","\u003cp\u003ehttps://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Abend, Sheldon (1929-2003)"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Abend, Sheldon (1929-2003)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1996,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844656373202944,"_root_":"aba7a5dffcfaf50e318f174b","timestamp":"2026-07-16T04:34:58.668Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b_aspace_66985"}},{"id":"aba7a5dffcfaf50e318f174b_aspace_66987","type":"File","attributes":{"title":"Wilde, Percival. The Traitor [published book]Sheldon Abend American Theater Collection. 1919; published work.","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b_aspace_66987#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003ePlay in 1 Act; includes characters list, scene, time, place, noteworthy casts of characters from New York 3/16/1917 and 1/6/1918 stage productions, brief description of scene within text\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b_aspace_66987#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_66987","ref_ssm":["aspace_66987","aspace_66987"],"id":"aba7a5dffcfaf50e318f174b_aspace_66987","title_filing_ssi":"Wilde, Percival. The Traitor [published book]Sheldon Abend American Theater Collection. 1919; published work.","title_ssm":["Wilde, Percival. The Traitor [published book]Sheldon Abend American Theater Collection. 1919; published work."],"title_tesim":["Wilde, Percival. The Traitor [published book]Sheldon Abend American Theater Collection. 1919; published work."],"normalized_title_ssm":["Wilde, Percival. The Traitor [published book]Sheldon Abend American Theater Collection. 1919; published work."],"text":["Wilde, Percival. The Traitor [published book]Sheldon Abend American Theater Collection. 1919; published work.","Sheldon Abend American Theater Collection, 1874-1968","Box 45","Folder 6","/repositories/2/archival_objects/9279","folder 6","Play in 1 Act; includes characters list, scene, time, place, noteworthy casts of characters from New York 3/16/1917 and 1/6/1918 stage productions, brief description of scene within text"],"component_level_isim":[2],"parent_ids_ssim":["aba7a5dffcfaf50e318f174b","aba7a5dffcfaf50e318f174b_aspace_65624"],"parent_unittitles_ssm":["Sheldon Abend American Theater Collection, 1874-1968","Box 45"],"parent_unittitles_tesim":["Sheldon Abend American Theater Collection, 1874-1968","Box 45"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["Folder 6","/repositories/2/archival_objects/9279"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Sheldon Abend American Theater Collection, 1874-1968"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1850,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"containers_ssim":["folder 6"],"scopecontent_html_tesm":["\u003cp\u003ePlay in 1 Act; includes characters list, scene, time, place, noteworthy casts of characters from New York 3/16/1917 and 1/6/1918 stage productions, brief description of scene within text\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Play in 1 Act; includes characters list, scene, time, place, noteworthy casts of characters from New York 3/16/1917 and 1/6/1918 stage productions, brief description of scene within text"],"_nest_path_":"/components#44/components#5","_nest_parent_":"aba7a5dffcfaf50e318f174b_aspace_65624","_root_":"aba7a5dffcfaf50e318f174b","_version_":1870844656373202944,"timestamp":"2026-07-16T04:34:58.668Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"aba7a5dffcfaf50e318f174b","title_ssm":["Sheldon Abend American Theater Collection"],"title_tesim":["Sheldon Abend American Theater Collection"],"ead_ssi":"aba7a5dffcfaf50e318f174b","unitdate_ssm":["1874-1968"],"unitdate_inclusive_ssm":["1874-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC6030","/repositories/2/resources/37"],"text":["SPC6030","/repositories/2/resources/37","Sheldon Abend American Theater Collection, 1874-1968","Minstrel shows.","Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)","The collection is open for research.","Folders are organized in alphabetical order by author's name.","Sheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA.","Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture.","Related material to the collection may be found in the following repository. ","University of Miami Libraries, Special Collections.","American Play Company Collection","https://atom.library.miami.edu/asm0006","This collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003.","Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Abend, Sheldon (1929-2003)","English"],"unitid_tesim":["SPC6030","/repositories/2/resources/37"],"normalized_date_ssm":["1874-1968"],"normalized_title_ssm":["Sheldon Abend American Theater Collection, 1874-1968"],"collection_title_tesim":["Sheldon Abend American Theater Collection, 1874-1968"],"collection_ssim":["Sheldon Abend American Theater Collection, 1874-1968"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Minstrel shows."],"geogname_ssim":["Minstrel shows."],"creator_ssm":["Abend, Sheldon (1929-2003)"],"creator_ssim":["Abend, Sheldon (1929-2003)"],"creator_persname_ssim":["Abend, Sheldon (1929-2003)"],"creators_ssim":["Abend, Sheldon (1929-2003)"],"places_ssim":["Minstrel shows."],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation","Sheldon Abend"],"access_subjects_ssim":["Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"access_subjects_ssm":["Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes"],"extent_tesim":["47 boxes"],"genreform_ssim":["Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"date_range_isim":[1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eFolders are organized in alphabetical order by author's name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Folders are organized in alphabetical order by author's name."],"bioghist_html_tesm":["\u003cp\u003eSheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA."],"odd_html_tesm":["\u003cp\u003eLanguage from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.\u003c/p\u003e","\u003cp\u003eBlackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement","Historical Note"],"odd_tesim":["Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated material to the collection may be found in the following repository. \u003c/p\u003e\n","\u003cp\u003eUniversity of Miami Libraries, Special Collections.\u003c/p\u003e\n","\u003cp\u003eAmerican Play Company Collection\u003c/p\u003e\n","\u003cp\u003ehttps://atom.library.miami.edu/asm0006\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related material to the collection may be found in the following repository. ","University of Miami Libraries, Special Collections.","American Play Company Collection","https://atom.library.miami.edu/asm0006"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: \u003c/p\u003e\n","\u003cp\u003ehttps://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Abend, Sheldon (1929-2003)"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Abend, Sheldon (1929-2003)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1996,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844656373202944,"_root_":"aba7a5dffcfaf50e318f174b","timestamp":"2026-07-16T04:34:58.668Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b_aspace_66987"}},{"id":"aba7a5dffcfaf50e318f174b_aspace_66988","type":"File","attributes":{"title":"Wilde, Percival. The Villian in the Piece [published book]Sheldon Abend American Theater Collection. 1916; published work.","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b_aspace_66988#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eUnromantic Comedy in 1 Act; includes characters list, scene, original cast of characters from San Francisco 11/13/1917 stage production, descriptions of scene and characters within text\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b_aspace_66988#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_66988","ref_ssm":["aspace_66988","aspace_66988"],"id":"aba7a5dffcfaf50e318f174b_aspace_66988","title_filing_ssi":"Wilde, Percival. The Villian in the Piece [published book]Sheldon Abend American Theater Collection. 1916; published work.","title_ssm":["Wilde, Percival. The Villian in the Piece [published book]Sheldon Abend American Theater Collection. 1916; published work."],"title_tesim":["Wilde, Percival. The Villian in the Piece [published book]Sheldon Abend American Theater Collection. 1916; published work."],"normalized_title_ssm":["Wilde, Percival. The Villian in the Piece [published book]Sheldon Abend American Theater Collection. 1916; published work."],"text":["Wilde, Percival. The Villian in the Piece [published book]Sheldon Abend American Theater Collection. 1916; published work.","Sheldon Abend American Theater Collection, 1874-1968","Box 45","Folder 7","/repositories/2/archival_objects/9280","folder 7","Unromantic Comedy in 1 Act; includes characters list, scene, original cast of characters from San Francisco 11/13/1917 stage production, descriptions of scene and characters within text"],"component_level_isim":[2],"parent_ids_ssim":["aba7a5dffcfaf50e318f174b","aba7a5dffcfaf50e318f174b_aspace_65624"],"parent_unittitles_ssm":["Sheldon Abend American Theater Collection, 1874-1968","Box 45"],"parent_unittitles_tesim":["Sheldon Abend American Theater Collection, 1874-1968","Box 45"],"parent_levels_ssm":["collection","Other level"],"unitid_ssm":["Folder 7","/repositories/2/archival_objects/9280"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Sheldon Abend American Theater Collection, 1874-1968"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1851,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"containers_ssim":["folder 7"],"scopecontent_html_tesm":["\u003cp\u003eUnromantic Comedy in 1 Act; includes characters list, scene, original cast of characters from San Francisco 11/13/1917 stage production, descriptions of scene and characters within text\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Unromantic Comedy in 1 Act; includes characters list, scene, original cast of characters from San Francisco 11/13/1917 stage production, descriptions of scene and characters within text"],"_nest_path_":"/components#44/components#6","_nest_parent_":"aba7a5dffcfaf50e318f174b_aspace_65624","_root_":"aba7a5dffcfaf50e318f174b","_version_":1870844656373202944,"timestamp":"2026-07-16T04:34:58.668Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"aba7a5dffcfaf50e318f174b","title_ssm":["Sheldon Abend American Theater Collection"],"title_tesim":["Sheldon Abend American Theater Collection"],"ead_ssi":"aba7a5dffcfaf50e318f174b","unitdate_ssm":["1874-1968"],"unitdate_inclusive_ssm":["1874-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC6030","/repositories/2/resources/37"],"text":["SPC6030","/repositories/2/resources/37","Sheldon Abend American Theater Collection, 1874-1968","Minstrel shows.","Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)","The collection is open for research.","Folders are organized in alphabetical order by author's name.","Sheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA.","Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture.","Related material to the collection may be found in the following repository. ","University of Miami Libraries, Special Collections.","American Play Company Collection","https://atom.library.miami.edu/asm0006","This collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003.","Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Abend, Sheldon (1929-2003)","English"],"unitid_tesim":["SPC6030","/repositories/2/resources/37"],"normalized_date_ssm":["1874-1968"],"normalized_title_ssm":["Sheldon Abend American Theater Collection, 1874-1968"],"collection_title_tesim":["Sheldon Abend American Theater Collection, 1874-1968"],"collection_ssim":["Sheldon Abend American Theater Collection, 1874-1968"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Minstrel shows."],"geogname_ssim":["Minstrel shows."],"creator_ssm":["Abend, Sheldon (1929-2003)"],"creator_ssim":["Abend, Sheldon (1929-2003)"],"creator_persname_ssim":["Abend, Sheldon (1929-2003)"],"creators_ssim":["Abend, Sheldon (1929-2003)"],"places_ssim":["Minstrel shows."],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation","Sheldon Abend"],"access_subjects_ssim":["Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"access_subjects_ssm":["Motion picture producers and directors.","Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"has_online_content_ssim":["false"],"extent_ssm":["47 boxes"],"extent_tesim":["47 boxes"],"genreform_ssim":["Playbills.","Theater Playbills and Programs Collection (Library of Congress)"],"date_range_isim":[1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eFolders are organized in alphabetical order by author's name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Folders are organized in alphabetical order by author's name."],"bioghist_html_tesm":["\u003cp\u003eSheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sheldon Abend was born on 13 June 1929 in New York City, New York, USA. Sheldon Abend was an executive producer who also served as an estate representative for such literary luminaries as George Bernard Shaw and Tennessee Williams. He made a name for himself by winning an intense copyright battle with MCA. A New York native who later fought in the ring and worked as a tugboat coal-stoker, Abend went to work for the American Play Company in 1957 with little education and an over-abundance of initiative. He rose through the ranks to own the organization in three short years, and after establishing the Author's Research Company, served as a literary consultant and rights negotiator for David O. Selznick, among many others. Gaining notoriety for taking on MCA, Alfred Hitchcock, and Jimmy Stewart in 1983 to establish what has come to be known as the \"Abend Rule,\" the tenacious negotiator went to the Supreme Court to clarify copyright law for instances in which the author dies during the copyright's term. In addition, he was known for Original Sin (2001), Why Would I Lie? (1980) and Rear Window (1998). He died on 24 August 2003 in New York City, New York, USA."],"odd_html_tesm":["\u003cp\u003eLanguage from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.\u003c/p\u003e","\u003cp\u003eBlackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement","Historical Note"],"odd_tesim":["Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. The Sheldon Abend Theater Collection includes Blackface minstrelsy materials for the benefit of scholars seeking to better understand the role racial performance has had in shaping Western culture."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated material to the collection may be found in the following repository. \u003c/p\u003e\n","\u003cp\u003eUniversity of Miami Libraries, Special Collections.\u003c/p\u003e\n","\u003cp\u003eAmerican Play Company Collection\u003c/p\u003e\n","\u003cp\u003ehttps://atom.library.miami.edu/asm0006\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related material to the collection may be found in the following repository. ","University of Miami Libraries, Special Collections.","American Play Company Collection","https://atom.library.miami.edu/asm0006"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains scripts. This includes but is not limited to, play descriptions, selected scenes, and notes and comments from works such as Grounds for Divorce, Robin Hood's Party, and the Broadway play The Last Warning. Additionally, this collection includes blueprints on how scenes were developed, corrected, and improved based on comments and concerns from various actors during his career from the early 1920s until his death in 2003."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: \u003c/p\u003e\n","\u003cp\u003ehttps://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: ","https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Abend, Sheldon (1929-2003)"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Abend, Sheldon (1929-2003)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1996,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844656373202944,"_root_":"aba7a5dffcfaf50e318f174b","timestamp":"2026-07-16T04:34:58.668Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/aba7a5dffcfaf50e318f174b_aspace_66988"}},{"id":"6370922c1750cef4ef1d223f_aspace_17186","type":"File","attributes":{"title":"Wilder, Benjamin","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6370922c1750cef4ef1d223f_aspace_17186#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_17186","ref_ssm":["aspace_17186","aspace_17186"],"id":"6370922c1750cef4ef1d223f_aspace_17186","title_filing_ssi":"Wilder, Benjamin","title_ssm":["Wilder, Benjamin"],"title_tesim":["Wilder, Benjamin"],"normalized_title_ssm":["Wilder, Benjamin"],"text":["Wilder, Benjamin","USF Photograph collection, 1958-1999","Watley - Winchester","Folder 56","/repositories/2/archival_objects/88899","box 68","folder 56"],"component_level_isim":[2],"parent_ids_ssim":["6370922c1750cef4ef1d223f","6370922c1750cef4ef1d223f_aspace_17238"],"parent_unittitles_ssm":["USF Photograph collection, 1958-1999","Watley - Winchester"],"parent_unittitles_tesim":["USF Photograph collection, 1958-1999","Watley - Winchester"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Folder 56","/repositories/2/archival_objects/88899"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["USF Photograph collection, 1958-1999"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3722,"parent_access_restrict_tesm":["None."],"parent_access_terms_tesm":["The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 68","folder 56"],"_nest_path_":"/components#69/components#55","_nest_parent_":"6370922c1750cef4ef1d223f_aspace_17238","_root_":"6370922c1750cef4ef1d223f","_version_":1870863222152626176,"timestamp":"2026-07-16T09:30:04.366Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6370922c1750cef4ef1d223f","title_ssm":["USF Photograph collection"],"title_tesim":["USF Photograph collection"],"ead_ssi":"6370922c1750cef4ef1d223f","unitdate_ssm":["1958-1999"],"unitdate_inclusive_ssm":["1958-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1958-01","/repositories/2/resources/407"],"text":["MS-1958-01","/repositories/2/resources/407","USF Photograph collection, 1958-1999","Photographs","Photography","College students -- Florida -- Photographs","None.","Alphabetical by last name and name of event.","The University of South Florida was founded in 1956 as the first public university established specifically to address the needs of Florida's rapidly emerging urban regions. Today, the University of South Florida System is comprised of two separately accredited institutions, USF and USF St. Petersburg. USF consists of the main research campus in Tampa, which includes USF Health, and two regional campuses: USF Sarasota-Manatee and USF Polytechnic in Lakeland.","At the University of South Florida, federal funds for academic research and development increased 213 percent from 2000 to 2007.  According to the Chronicle of Higher Education, that makes USF the fastest growing research university in the United States. In the academic year 2008-09, USF reached a new high with $380.4 million in research grants and contracts.","As of 2010, USF serves more than 39,000 students and offers 228 degree programs at the undergraduate, graduate, specialist and doctoral levels, including the doctor of medicine, through its 11 colleges. USF is a member of the Big East Athletic Conference.","Ongoing","University Archives,  Special Collections, Department, Tampa Library, University of South Florida, Tampa, Florida.","USF Oracle","Inside USF","The University of South Florida (USF) Photograph Collection brings together photographs from two USF publications - Inside USF (the official magazine) and the Oracle (the student newspaper) - and a general collection of USF photographs.  By combining these collections, Special Collections has attempted to facilitate access, retrieval and use of USF photographs. This guide primarily serves as in index and provides a container listing and additional collection notes that indicate how some photographs have been categorized.","The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","USF Libraries - Tampa Special Collections","University of South Florida ","English"],"unitid_tesim":["MS-1958-01","/repositories/2/resources/407"],"normalized_date_ssm":["1958-1999"],"normalized_title_ssm":["USF Photograph collection, 1958-1999"],"collection_title_tesim":["USF Photograph collection, 1958-1999"],"collection_ssim":["USF Photograph collection, 1958-1999"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["University of South Florida "],"creator_ssim":["University of South Florida "],"creator_corpname_ssim":["University of South Florida "],"creators_ssim":["University of South Florida "],"access_terms_ssm":["The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"access_subjects_ssim":["Photographs","Photography","College students -- Florida -- Photographs"],"access_subjects_ssm":["Photographs","Photography","College students -- Florida -- Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["35.05 Linear Feet","83 boxes"],"extent_tesim":["35.05 Linear Feet","83 boxes"],"date_range_isim":[1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eNone.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["None."],"arrangement_html_tesm":["\u003cp\u003eAlphabetical by last name and name of event.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetical by last name and name of event."],"bioghist_html_tesm":["\u003cp\u003eThe University of South Florida was founded in 1956 as the first public university established specifically to address the needs of Florida's rapidly emerging urban regions. Today, the University of South Florida System is comprised of two separately accredited institutions, USF and USF St. Petersburg. USF consists of the main research campus in Tampa, which includes USF Health, and two regional campuses: USF Sarasota-Manatee and USF Polytechnic in Lakeland.\u003c/p\u003e\n","\u003cp\u003eAt the University of South Florida, federal funds for academic research and development increased 213 percent from 2000 to 2007.\u0026#xA0; According to the Chronicle of Higher Education, that makes USF the fastest growing research university in the United States. In the academic year 2008-09, USF reached a new high with $380.4 million in research grants and contracts.\u003c/p\u003e\n","\u003cp\u003eAs of 2010, USF serves more than 39,000 students and offers 228 degree programs at the undergraduate, graduate, specialist and doctoral levels, including the doctor of medicine, through its 11 colleges. USF is a member of the Big East Athletic Conference.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The University of South Florida was founded in 1956 as the first public university established specifically to address the needs of Florida's rapidly emerging urban regions. Today, the University of South Florida System is comprised of two separately accredited institutions, USF and USF St. Petersburg. USF consists of the main research campus in Tampa, which includes USF Health, and two regional campuses: USF Sarasota-Manatee and USF Polytechnic in Lakeland.","At the University of South Florida, federal funds for academic research and development increased 213 percent from 2000 to 2007.  According to the Chronicle of Higher Education, that makes USF the fastest growing research university in the United States. In the academic year 2008-09, USF reached a new high with $380.4 million in research grants and contracts.","As of 2010, USF serves more than 39,000 students and offers 228 degree programs at the undergraduate, graduate, specialist and doctoral levels, including the doctor of medicine, through its 11 colleges. USF is a member of the Big East Athletic Conference."],"prefercite_html_tesm":["\u003cp\u003eUSF photograph collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["USF photograph collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"processinfo_html_tesm":["\u003cp\u003eOngoing\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Ongoing"],"relatedmaterial_html_tesm":["\u003cp\u003eUniversity Archives,\u0026#xA0; Special Collections, Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e","\u003cp\u003eUSF Oracle\u003c/p\u003e\n","\u003cp\u003eInside USF\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Publications"],"relatedmaterial_tesim":["University Archives,  Special Collections, Department, Tampa Library, University of South Florida, Tampa, Florida.","USF Oracle","Inside USF"],"scopecontent_html_tesm":["\u003cp\u003eThe University of South Florida (USF) Photograph Collection brings together photographs from two USF publications - Inside USF (the official magazine) and the Oracle (the student newspaper) - and a general collection of USF photographs.\u0026#xA0; By combining these collections, Special Collections has attempted to facilitate access, retrieval and use of USF photographs. This guide primarily serves as in index and provides a container listing and additional collection notes that indicate how some photographs have been categorized.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The University of South Florida (USF) Photograph Collection brings together photographs from two USF publications - Inside USF (the official magazine) and the Oracle (the student newspaper) - and a general collection of USF photographs.  By combining these collections, Special Collections has attempted to facilitate access, retrieval and use of USF photographs. This guide primarily serves as in index and provides a container listing and additional collection notes that indicate how some photographs have been categorized."],"userestrict_html_tesm":["\u003cp\u003eThe contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"names_coll_ssim":["University of South Florida "],"names_ssim":["USF Libraries - Tampa Special Collections","University of South Florida "],"corpname_ssim":["USF Libraries - Tampa Special Collections","University of South Florida "],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3974,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863222152626176,"_root_":"6370922c1750cef4ef1d223f","timestamp":"2026-07-16T09:30:04.366Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6370922c1750cef4ef1d223f_aspace_17186"}},{"id":"f8f446b15f81524e15fa326b_aspace_136210","type":"File","attributes":{"title":"Wilder, James D.","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/f8f446b15f81524e15fa326b_aspace_136210#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eVeteran: Yes\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f8f446b15f81524e15fa326b_aspace_136210#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_136210","ref_ssm":["aspace_136210","aspace_136210"],"id":"f8f446b15f81524e15fa326b_aspace_136210","title_filing_ssi":"Wilder, James D.","title_ssm":["Wilder, James D."],"title_tesim":["Wilder, James D."],"normalized_title_ssm":["Wilder, James D."],"text":["Wilder, James D.","Tom Brokaw collection, 1941-1997, bulk 1998-2007","Reminiscences","Folder 18","/repositories/10/archival_objects/14089","box 52","folder 18","Veteran: Yes","Subject: Self","Theater: Pacific","Branch: Navy","Unit/Ship/Squadron: USS Stoddard","Dates covered in folder: 1942-1945","POW: No","Description of folder contents: A book written by James Wilder about the history of the USS Stoddard and the ships service, along with her crewman during World War II."],"component_level_isim":[2],"parent_ids_ssim":["f8f446b15f81524e15fa326b","f8f446b15f81524e15fa326b_aspace_101845"],"parent_unittitles_ssm":["Tom Brokaw collection, 1941-1997, bulk 1998-2007","Reminiscences"],"parent_unittitles_tesim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007","Reminiscences"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 18","/repositories/10/archival_objects/14089"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1061,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"containers_ssim":["box 52","folder 18"],"scopecontent_html_tesm":["\u003cp\u003eVeteran: Yes\u003c/p\u003e","\u003cp\u003eSubject: Self\u003c/p\u003e","\u003cp\u003eTheater: Pacific\u003c/p\u003e","\u003cp\u003eBranch: Navy\u003c/p\u003e","\u003cp\u003eUnit/Ship/Squadron: USS Stoddard\u003c/p\u003e","\u003cp\u003eDates covered in folder: 1942-1945\u003c/p\u003e","\u003cp\u003ePOW: No\u003c/p\u003e","\u003cp\u003eDescription of folder contents: A book written by James Wilder about the history of the USS Stoddard and the ships service, along with her crewman during World War II.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Veteran: Yes","Subject: Self","Theater: Pacific","Branch: Navy","Unit/Ship/Squadron: USS Stoddard","Dates covered in folder: 1942-1945","POW: No","Description of folder contents: A book written by James Wilder about the history of the USS Stoddard and the ships service, along with her crewman during World War II."],"_nest_path_":"/components#0/components#1059","_nest_parent_":"f8f446b15f81524e15fa326b_aspace_101845","_root_":"f8f446b15f81524e15fa326b","timestamp":"2026-07-14T02:47:00.113Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f8f446b15f81524e15fa326b","title_ssm":["Tom Brokaw collection"],"title_tesim":["Tom Brokaw collection"],"ead_ssi":"f8f446b15f81524e15fa326b","unitdate_ssm":["1941-1997","1998-2007"],"unitdate_bulk_ssim":["1998-2007"],"unitdate_inclusive_ssm":["1941-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01.0171","/repositories/10/resources/37"],"text":["01.0171","/repositories/10/resources/37","Tom Brokaw collection, 1941-1997, bulk 1998-2007","This collection is open to all researchers.","The Tom Brokaw Collection is arranged within ten separate series. Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Originally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books,  The Greatest Generation  (1998) and  The Greatest Generation Speaks  (1999).\n Contained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Tom Brokaw","English"],"unitid_tesim":["01.0171","/repositories/10/resources/37"],"normalized_date_ssm":["1941-1997, bulk 1998-2007"],"normalized_title_ssm":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"collection_title_tesim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"collection_ssim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Tom Brokaw"],"creator_ssim":["Tom Brokaw"],"creator_persname_ssim":["Tom Brokaw"],"creators_ssim":["Tom Brokaw"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"has_online_content_ssim":["false"],"extent_ssm":["120.00 Linear Feet"],"extent_tesim":["120.00 Linear Feet"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"arrangement_html_tesm":["\u003cp\u003eThe Tom Brokaw Collection is arranged within ten separate series. Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Tom Brokaw Collection is arranged within ten separate series. Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Tom Brokaw collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-01-0171\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Tom Brokaw collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-01-0171"],"scopecontent_html_tesm":["\u003cp\u003eOriginally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books, \u003cemph render=\"italic\"\u003eThe Greatest Generation \u003c/emph\u003e(1998) and \u003cemph render=\"italic\"\u003eThe Greatest Generation Speaks \u003c/emph\u003e(1999).\n\u003cbr\u003e\u003cbr\u003eContained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Originally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books,  The Greatest Generation  (1998) and  The Greatest Generation Speaks  (1999).\n Contained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Tom Brokaw"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"persname_ssim":["Tom Brokaw"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8743,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f8f446b15f81524e15fa326b","timestamp":"2026-07-14T02:47:00.113Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f8f446b15f81524e15fa326b_aspace_136210"}},{"id":"f8f446b15f81524e15fa326b_aspace_136211","type":"File","attributes":{"title":"Wilder, James E.","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/f8f446b15f81524e15fa326b_aspace_136211#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eVeteran: Yes\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f8f446b15f81524e15fa326b_aspace_136211#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_136211","ref_ssm":["aspace_136211","aspace_136211"],"id":"f8f446b15f81524e15fa326b_aspace_136211","title_filing_ssi":"Wilder, James E.","title_ssm":["Wilder, James E."],"title_tesim":["Wilder, James E."],"normalized_title_ssm":["Wilder, James E."],"text":["Wilder, James E.","Tom Brokaw collection, 1941-1997, bulk 1998-2007","Reminiscences","Folder 19","/repositories/10/archival_objects/14090","box 52","folder 19","Veteran: Yes","Subject: Self \u0026 family","Theater: European","Branch: Army Air Force","Unit/Ship/Squadron: 446th Bomb Group","Dates covered in folder: 1943-1945","POW: No","Description of folder contents: 69-page book about James Wilder Jr's family and his life, before, during, and after World War II that includes photographs of his family and his war experiences."],"component_level_isim":[2],"parent_ids_ssim":["f8f446b15f81524e15fa326b","f8f446b15f81524e15fa326b_aspace_101845"],"parent_unittitles_ssm":["Tom Brokaw collection, 1941-1997, bulk 1998-2007","Reminiscences"],"parent_unittitles_tesim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007","Reminiscences"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 19","/repositories/10/archival_objects/14090"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1062,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"containers_ssim":["box 52","folder 19"],"scopecontent_html_tesm":["\u003cp\u003eVeteran: Yes\u003c/p\u003e","\u003cp\u003eSubject: Self \u0026amp; family\u003c/p\u003e","\u003cp\u003eTheater: European\u003c/p\u003e","\u003cp\u003eBranch: Army Air Force\u003c/p\u003e","\u003cp\u003eUnit/Ship/Squadron: 446th Bomb Group\u003c/p\u003e","\u003cp\u003eDates covered in folder: 1943-1945\u003c/p\u003e","\u003cp\u003ePOW: No\u003c/p\u003e","\u003cp\u003eDescription of folder contents: 69-page book about James Wilder Jr's family and his life, before, during, and after World War II that includes photographs of his family and his war experiences.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Veteran: Yes","Subject: Self \u0026 family","Theater: European","Branch: Army Air Force","Unit/Ship/Squadron: 446th Bomb Group","Dates covered in folder: 1943-1945","POW: No","Description of folder contents: 69-page book about James Wilder Jr's family and his life, before, during, and after World War II that includes photographs of his family and his war experiences."],"_nest_path_":"/components#0/components#1060","_nest_parent_":"f8f446b15f81524e15fa326b_aspace_101845","_root_":"f8f446b15f81524e15fa326b","timestamp":"2026-07-14T02:47:00.113Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f8f446b15f81524e15fa326b","title_ssm":["Tom Brokaw collection"],"title_tesim":["Tom Brokaw collection"],"ead_ssi":"f8f446b15f81524e15fa326b","unitdate_ssm":["1941-1997","1998-2007"],"unitdate_bulk_ssim":["1998-2007"],"unitdate_inclusive_ssm":["1941-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01.0171","/repositories/10/resources/37"],"text":["01.0171","/repositories/10/resources/37","Tom Brokaw collection, 1941-1997, bulk 1998-2007","This collection is open to all researchers.","The Tom Brokaw Collection is arranged within ten separate series. Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Originally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books,  The Greatest Generation  (1998) and  The Greatest Generation Speaks  (1999).\n Contained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Tom Brokaw","English"],"unitid_tesim":["01.0171","/repositories/10/resources/37"],"normalized_date_ssm":["1941-1997, bulk 1998-2007"],"normalized_title_ssm":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"collection_title_tesim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"collection_ssim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Tom Brokaw"],"creator_ssim":["Tom Brokaw"],"creator_persname_ssim":["Tom Brokaw"],"creators_ssim":["Tom Brokaw"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"has_online_content_ssim":["false"],"extent_ssm":["120.00 Linear Feet"],"extent_tesim":["120.00 Linear Feet"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"arrangement_html_tesm":["\u003cp\u003eThe Tom Brokaw Collection is arranged within ten separate series. Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Tom Brokaw Collection is arranged within ten separate series. Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Tom Brokaw collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-01-0171\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Tom Brokaw collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-01-0171"],"scopecontent_html_tesm":["\u003cp\u003eOriginally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books, \u003cemph render=\"italic\"\u003eThe Greatest Generation \u003c/emph\u003e(1998) and \u003cemph render=\"italic\"\u003eThe Greatest Generation Speaks \u003c/emph\u003e(1999).\n\u003cbr\u003e\u003cbr\u003eContained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Originally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books,  The Greatest Generation  (1998) and  The Greatest Generation Speaks  (1999).\n Contained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Tom Brokaw"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"persname_ssim":["Tom Brokaw"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8743,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f8f446b15f81524e15fa326b","timestamp":"2026-07-14T02:47:00.113Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f8f446b15f81524e15fa326b_aspace_136211"}},{"id":"b7ddc964c6f13a7e308f2280_aspace_127276","type":"File","attributes":{"title":"Wilder, Joseph, 1982-1990","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b7ddc964c6f13a7e308f2280_aspace_127276#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_127276","ref_ssm":["aspace_127276","aspace_127276"],"id":"b7ddc964c6f13a7e308f2280_aspace_127276","title_filing_ssi":"Wilder, Joseph","title_ssm":["Wilder, Joseph"],"title_tesim":["Wilder, Joseph"],"unitdate_other_ssim":["1982-1990"],"normalized_date_ssm":["1982-1990"],"normalized_title_ssm":["Wilder, Joseph, 1982-1990"],"text":["Wilder, Joseph, 1982-1990","Haynes et al. v. Shoney's, Inc. Papers, 1959-1997, bulk 1990-1994","Witness Materials, 1977-1993, undated","Witness Files, 1977-1993","Folder 2","/repositories/10/archival_objects/121500","box 113-161","box 158","folder 2"],"component_level_isim":[3],"parent_ids_ssim":["b7ddc964c6f13a7e308f2280","b7ddc964c6f13a7e308f2280_aspace_126325","b7ddc964c6f13a7e308f2280_aspace_126341"],"parent_unittitles_ssm":["Haynes et al. v. Shoney's, Inc. Papers, 1959-1997, bulk 1990-1994","Witness Materials, 1977-1993, undated","Witness Files, 1977-1993"],"parent_unittitles_tesim":["Haynes et al. v. Shoney's, Inc. Papers, 1959-1997, bulk 1990-1994","Witness Materials, 1977-1993, undated","Witness Files, 1977-1993"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 2","/repositories/10/archival_objects/121500"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Haynes et al. v. Shoney's, Inc. Papers, 1959-1997, bulk 1990-1994"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2161,"parent_access_restrict_tesm":["This collection is open to all researchers. However, since many records contain personal information, such as Social Security numbers, researchers are requested to contact the Special Collections Department in advance of their visit so that staff may review these materials. The Applicant Claim Forms and Notice of Approval of Current or Former Employee Claims Series, because of the confidential nature of these materials, are closed until 2063. Users may access this collection at the Claude Pepper Library. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"containers_ssim":["box 113-161","box 158","folder 2"],"_nest_path_":"/components#10/components#11/components#888","_nest_parent_":"b7ddc964c6f13a7e308f2280_aspace_126341","_root_":"b7ddc964c6f13a7e308f2280","timestamp":"2026-07-09T10:15:54.221Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b7ddc964c6f13a7e308f2280","title_ssm":["Haynes et al. v. Shoney's, Inc. Papers"],"title_tesim":["Haynes et al. v. Shoney's, Inc. Papers"],"ead_ssi":"b7ddc964c6f13a7e308f2280","unitdate_ssm":["1959-1997","1990-1994"],"unitdate_bulk_ssim":["1990-1994"],"unitdate_inclusive_ssm":["1959-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2004-001","/repositories/10/resources/728"],"text":["MSS 2004-001","/repositories/10/resources/728","Haynes et al. v. Shoney's, Inc. Papers, 1959-1997, bulk 1990-1994","Discrimination in employment--United States--Case studies","Discrimination in restaurants--United States--Case studies","Race discrimination--United States","Shoney's Inc.--Personnel management","Interviews.","African Americans--Employment","Clippings (Books, newspapers, etc.)","Correspondence","Legal documents.","Notebooks.","Reports","Sound recordings.","Videocassettes.","This collection is open to all researchers. However, since many records contain personal information, such as Social Security numbers, researchers are requested to contact the Special Collections Department in advance of their visit so that staff may review these materials. The Applicant Claim Forms and Notice of Approval of Current or Former Employee Claims Series, because of the confidential nature of these materials, are closed until 2063. Users may access this collection at the Claude Pepper Library. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","On April 4, 1989, Tallahassee (FL) attorney Tommy Warren and nine named plaintiffs, all former Shoneys and Captain Ds employees or job applicants, served Shoneys CEO, Ray Danner, and Shoneys, Inc. with a class-action suit alleging racial discrimination. The plaintiffs, represented by Warren and his co-counsel, civil rights attorney Barry Goldstein, sought more than half a billion dollars in back pay and punitive damages, in addition to a court-ordered affirmative action plan, to counteract claims of years of racially discriminatory company policy. Witnesses, such as Josephine Haynes, included tens of thousands of workers, former workers, and frustrated job applicants, who said they lost jobs, were denied jobs, or were not given opportunities at Shoneys for even the lowest-paying jobs because they were African-Americans. Other witnesses included lower level white managers, who testified that they were fired because they wouldnt follow company orders to reduce the number of African-Americans. Many said they were instructed to carry out a corporate strategy that was directed by the Companys founder and CEO, Ray Danner, not found in any Shoneys procedure manuals. During the course of the litigation, which lasted from 1989-1993, many allegations were made under oath, and entered into the court record that race discrimination at Shoneys was standard operating procedure and had existed during the entire time Ray Danner ran the company. Danner continually denied these allegations throughout the case.\nBy the time the case concluded in 1993, the total cost of the Shoneys settlement was $132.5 million, which was the plaintiffs final compromise figure and the largest ever in a racial discrimination case. In addition, Ray Danner personally contributed approximately $65 million to the settlement. This payment by an individual defendant was unprecedented in U.S. race discrimination cases. According to Steve Watkins The Black O, a book that documents the entire case, 28, 994 claims were submitted in the settlement. At Warren and Goldsteins insistence, that number was expanded beyond the scope of the class of discriminated individuals to include all of Shoneys divisions, except for the franchise stores, for the period from 1985 through November 3, 1992. Based on a complex formula approved by Judge Roger Vinson to determine the validity of those claims and the amount due each legitimate claimant, 20,909 people ultimately received money from the $105 million settlement pool. The plaintiffs attorneys spent nearly $2 million to notify these claimants about the settlement, an effort that the judge said was unmatched by any he had ever seen in a class-action case. Approximately $5 million from the settlement pool was designated for a special class of claimants, those who had been witnesses and named plaintiffs in the case. $10 million was earmarked for African-American former job applicants, and the bulk of the settlement, $90 million, went to incumbent African-American employees. Money left over when the settlement was completed, and after Shoneys final payment in 1998, was divided among five organizations: the United Negro College Fund, the Southern Poverty Law Center, the Lawyers Committee for Civil Rights Under Law, the Washington Lawyers Committee for Civil Rights Under Law, and Inroads, a group that works to increase management opportunities for minorities.\nIn the aftermath of the case, Shoneys complied with the affirmative action plan and significantly increased its hiring of restaurant managers, dining room supervisors, and servers of color. In 1995, the company brought in a new management team which greatly improved its position financially, and in hiring, promotion, and business opportunities for minoritized communities.\nNote written by","Partially funded by a National Publications and Records Commission grant, the collection was processed by Chad Underwood from March 2005 to October 2006.","The Haynes v. Shoneys Papers documents the largest racial discrimination class-action suit against a private employer in the history of civil rights law. The collection has significant historical and research value for American legal history and civil rights scholars. Some topics include the admissibility of prior discrimination as evidence, adverse witnesses, affirmative action, allegations of recent discrimination, class certification, defendants contacts with plaintiffs' witnesses and clients, deceased claimants notes, destruction of evidence, jury selection, Raymond Danner's claim to fight race discrimination, and the Southern Christian Leadership Conferences covenant with Shoneys, in which the corporation promised that it would do business with minority-owned firms and target management jobs and franchise ownership opportunities for African-Americans. Among the materials included are all court pleadings and filings in the case, affidavits and declarations, challenges, consent decrees, correspondence, depositions, discovery documents, expert witness files, interrogatories, investigative files, newspaper and magazine articles, notebooks, orders, policies, press releases, questionnaires, reports, research materials, right-to-sue requests, settlement documents, shopper reports, surveys, visitation reports, and the deposition transcripts of over 150 witnesses, who document the history of the alleged discrimination of Shoneys, Inc and Ray Danner.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","Claude Pepper Library.","FSU Special Collections \u0026 Archives","Thomas A. Warren Law Offices (Tallahassee, Fla.)","Danner, Raymond L.","English"],"unitid_tesim":["MSS 2004-001","/repositories/10/resources/728"],"normalized_date_ssm":["1959-1997, bulk 1990-1994"],"normalized_title_ssm":["Haynes et al. v. Shoney's, Inc. Papers, 1959-1997, bulk 1990-1994"],"collection_title_tesim":["Haynes et al. v. Shoney's, Inc. Papers, 1959-1997, bulk 1990-1994"],"collection_ssim":["Haynes et al. v. Shoney's, Inc. Papers, 1959-1997, bulk 1990-1994"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Thomas A. Warren Law Offices (Tallahassee, Fla.)"],"creator_ssim":["Thomas A. Warren Law Offices (Tallahassee, Fla.)"],"creator_corpname_ssim":["Thomas A. Warren Law Offices (Tallahassee, Fla.)"],"creators_ssim":["Thomas A. Warren Law Offices (Tallahassee, Fla.)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["The collection was given by Thomas Warren, attorney, in 2003."],"access_subjects_ssim":["Discrimination in employment--United States--Case studies","Discrimination in restaurants--United States--Case studies","Race discrimination--United States","Shoney's Inc.--Personnel management","Interviews.","African Americans--Employment","Clippings (Books, newspapers, etc.)","Correspondence","Legal documents.","Notebooks.","Reports","Sound recordings.","Videocassettes."],"access_subjects_ssm":["Discrimination in employment--United States--Case studies","Discrimination in restaurants--United States--Case studies","Race discrimination--United States","Shoney's Inc.--Personnel management","Interviews.","African Americans--Employment","Clippings (Books, newspapers, etc.)","Correspondence","Legal documents.","Notebooks.","Reports","Sound recordings.","Videocassettes."],"has_online_content_ssim":["false"],"extent_ssm":["1,040 boxes","415.60 Linear Feet"],"extent_tesim":["1,040 boxes","415.60 Linear Feet"],"genreform_ssim":["Clippings (Books, newspapers, etc.)","Correspondence","Legal documents.","Notebooks.","Reports","Sound recordings.","Videocassettes."],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. However, since many records contain personal information, such as Social Security numbers, researchers are requested to contact the Special Collections Department in advance of their visit so that staff may review these materials. The Applicant Claim Forms and Notice of Approval of Current or Former Employee Claims Series, because of the confidential nature of these materials, are closed until 2063. Users may access this collection at the Claude Pepper Library. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. However, since many records contain personal information, such as Social Security numbers, researchers are requested to contact the Special Collections Department in advance of their visit so that staff may review these materials. The Applicant Claim Forms and Notice of Approval of Current or Former Employee Claims Series, because of the confidential nature of these materials, are closed until 2063. Users may access this collection at the Claude Pepper Library. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"bioghist_html_tesm":["\u003cp\u003eOn April 4, 1989, Tallahassee (FL) attorney Tommy Warren and nine named plaintiffs, all former Shoneys and Captain Ds employees or job applicants, served Shoneys CEO, Ray Danner, and Shoneys, Inc. with a class-action suit alleging racial discrimination. The plaintiffs, represented by Warren and his co-counsel, civil rights attorney Barry Goldstein, sought more than half a billion dollars in back pay and punitive damages, in addition to a court-ordered affirmative action plan, to counteract claims of years of racially discriminatory company policy. Witnesses, such as Josephine Haynes, included tens of thousands of workers, former workers, and frustrated job applicants, who said they lost jobs, were denied jobs, or were not given opportunities at Shoneys for even the lowest-paying jobs because they were African-Americans. Other witnesses included lower level white managers, who testified that they were fired because they wouldnt follow company orders to reduce the number of African-Americans. Many said they were instructed to carry out a corporate strategy that was directed by the Companys founder and CEO, Ray Danner, not found in any Shoneys procedure manuals. During the course of the litigation, which lasted from 1989-1993, many allegations were made under oath, and entered into the court record that race discrimination at Shoneys was standard operating procedure and had existed during the entire time Ray Danner ran the company. Danner continually denied these allegations throughout the case.\nBy the time the case concluded in 1993, the total cost of the Shoneys settlement was $132.5 million, which was the plaintiffs final compromise figure and the largest ever in a racial discrimination case. In addition, Ray Danner personally contributed approximately $65 million to the settlement. This payment by an individual defendant was unprecedented in U.S. race discrimination cases. According to Steve Watkins The Black O, a book that documents the entire case, 28, 994 claims were submitted in the settlement. At Warren and Goldsteins insistence, that number was expanded beyond the scope of the class of discriminated individuals to include all of Shoneys divisions, except for the franchise stores, for the period from 1985 through November 3, 1992. Based on a complex formula approved by Judge Roger Vinson to determine the validity of those claims and the amount due each legitimate claimant, 20,909 people ultimately received money from the $105 million settlement pool. The plaintiffs attorneys spent nearly $2 million to notify these claimants about the settlement, an effort that the judge said was unmatched by any he had ever seen in a class-action case. Approximately $5 million from the settlement pool was designated for a special class of claimants, those who had been witnesses and named plaintiffs in the case. $10 million was earmarked for African-American former job applicants, and the bulk of the settlement, $90 million, went to incumbent African-American employees. Money left over when the settlement was completed, and after Shoneys final payment in 1998, was divided among five organizations: the United Negro College Fund, the Southern Poverty Law Center, the Lawyers Committee for Civil Rights Under Law, the Washington Lawyers Committee for Civil Rights Under Law, and Inroads, a group that works to increase management opportunities for minorities.\nIn the aftermath of the case, Shoneys complied with the affirmative action plan and significantly increased its hiring of restaurant managers, dining room supervisors, and servers of color. In 1995, the company brought in a new management team which greatly improved its position financially, and in hiring, promotion, and business opportunities for minoritized communities.\nNote written by\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["On April 4, 1989, Tallahassee (FL) attorney Tommy Warren and nine named plaintiffs, all former Shoneys and Captain Ds employees or job applicants, served Shoneys CEO, Ray Danner, and Shoneys, Inc. with a class-action suit alleging racial discrimination. The plaintiffs, represented by Warren and his co-counsel, civil rights attorney Barry Goldstein, sought more than half a billion dollars in back pay and punitive damages, in addition to a court-ordered affirmative action plan, to counteract claims of years of racially discriminatory company policy. Witnesses, such as Josephine Haynes, included tens of thousands of workers, former workers, and frustrated job applicants, who said they lost jobs, were denied jobs, or were not given opportunities at Shoneys for even the lowest-paying jobs because they were African-Americans. Other witnesses included lower level white managers, who testified that they were fired because they wouldnt follow company orders to reduce the number of African-Americans. Many said they were instructed to carry out a corporate strategy that was directed by the Companys founder and CEO, Ray Danner, not found in any Shoneys procedure manuals. During the course of the litigation, which lasted from 1989-1993, many allegations were made under oath, and entered into the court record that race discrimination at Shoneys was standard operating procedure and had existed during the entire time Ray Danner ran the company. Danner continually denied these allegations throughout the case.\nBy the time the case concluded in 1993, the total cost of the Shoneys settlement was $132.5 million, which was the plaintiffs final compromise figure and the largest ever in a racial discrimination case. In addition, Ray Danner personally contributed approximately $65 million to the settlement. This payment by an individual defendant was unprecedented in U.S. race discrimination cases. According to Steve Watkins The Black O, a book that documents the entire case, 28, 994 claims were submitted in the settlement. At Warren and Goldsteins insistence, that number was expanded beyond the scope of the class of discriminated individuals to include all of Shoneys divisions, except for the franchise stores, for the period from 1985 through November 3, 1992. Based on a complex formula approved by Judge Roger Vinson to determine the validity of those claims and the amount due each legitimate claimant, 20,909 people ultimately received money from the $105 million settlement pool. The plaintiffs attorneys spent nearly $2 million to notify these claimants about the settlement, an effort that the judge said was unmatched by any he had ever seen in a class-action case. Approximately $5 million from the settlement pool was designated for a special class of claimants, those who had been witnesses and named plaintiffs in the case. $10 million was earmarked for African-American former job applicants, and the bulk of the settlement, $90 million, went to incumbent African-American employees. Money left over when the settlement was completed, and after Shoneys final payment in 1998, was divided among five organizations: the United Negro College Fund, the Southern Poverty Law Center, the Lawyers Committee for Civil Rights Under Law, the Washington Lawyers Committee for Civil Rights Under Law, and Inroads, a group that works to increase management opportunities for minorities.\nIn the aftermath of the case, Shoneys complied with the affirmative action plan and significantly increased its hiring of restaurant managers, dining room supervisors, and servers of color. In 1995, the company brought in a new management team which greatly improved its position financially, and in hiring, promotion, and business opportunities for minoritized communities.\nNote written by"],"prefercite_html_tesm":["\u003cp\u003eHaynes et al. v. Shoney's, Inc. Papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2004-001\u003c/p\u003e"],"prefercite_tesim":["Haynes et al. v. Shoney's, Inc. Papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/MSS-2004-001"],"processinfo_html_tesm":["\u003cp\u003ePartially funded by a National Publications and Records Commission grant, the collection was processed by Chad Underwood from March 2005 to October 2006.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Partially funded by a National Publications and Records Commission grant, the collection was processed by Chad Underwood from March 2005 to October 2006."],"scopecontent_html_tesm":["\u003cp\u003eThe Haynes v. Shoneys Papers documents the largest racial discrimination class-action suit against a private employer in the history of civil rights law. The collection has significant historical and research value for American legal history and civil rights scholars. Some topics include the admissibility of prior discrimination as evidence, adverse witnesses, affirmative action, allegations of recent discrimination, class certification, defendants contacts with plaintiffs' witnesses and clients, deceased claimants notes, destruction of evidence, jury selection, Raymond Danner's claim to fight race discrimination, and the Southern Christian Leadership Conferences covenant with Shoneys, in which the corporation promised that it would do business with minority-owned firms and target management jobs and franchise ownership opportunities for African-Americans. Among the materials included are all court pleadings and filings in the case, affidavits and declarations, challenges, consent decrees, correspondence, depositions, discovery documents, expert witness files, interrogatories, investigative files, newspaper and magazine articles, notebooks, orders, policies, press releases, questionnaires, reports, research materials, right-to-sue requests, settlement documents, shopper reports, surveys, visitation reports, and the deposition transcripts of over 150 witnesses, who document the history of the alleged discrimination of Shoneys, Inc and Ray Danner.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Haynes v. Shoneys Papers documents the largest racial discrimination class-action suit against a private employer in the history of civil rights law. The collection has significant historical and research value for American legal history and civil rights scholars. Some topics include the admissibility of prior discrimination as evidence, adverse witnesses, affirmative action, allegations of recent discrimination, class certification, defendants contacts with plaintiffs' witnesses and clients, deceased claimants notes, destruction of evidence, jury selection, Raymond Danner's claim to fight race discrimination, and the Southern Christian Leadership Conferences covenant with Shoneys, in which the corporation promised that it would do business with minority-owned firms and target management jobs and franchise ownership opportunities for African-Americans. Among the materials included are all court pleadings and filings in the case, affidavits and declarations, challenges, consent decrees, correspondence, depositions, discovery documents, expert witness files, interrogatories, investigative files, newspaper and magazine articles, notebooks, orders, policies, press releases, questionnaires, reports, research materials, right-to-sue requests, settlement documents, shopper reports, surveys, visitation reports, and the deposition transcripts of over 150 witnesses, who document the history of the alleged discrimination of Shoneys, Inc and Ray Danner."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_991a1ea9febf70050aa6b227f8416a78\"\u003eClaude Pepper Library.\u003c/physloc\u003e"],"physloc_tesim":["Claude Pepper Library."],"names_ssim":["FSU Special Collections \u0026 Archives","Thomas A. Warren Law Offices (Tallahassee, Fla.)","Danner, Raymond L."],"corpname_ssim":["FSU Special Collections \u0026 Archives","Thomas A. Warren Law Offices (Tallahassee, Fla.)"],"names_coll_ssim":["Danner, Raymond L."],"persname_ssim":["Danner, Raymond L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4803,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"b7ddc964c6f13a7e308f2280","timestamp":"2026-07-09T10:15:54.221Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b7ddc964c6f13a7e308f2280_aspace_127276"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Claude Pepper Papers, 1900-1989","value":"Claude Pepper Papers, 1900-1989","hits":35898},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Claude+Pepper+Papers%2C+1900-1989\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Tom Brokaw collection, 1941-1997, bulk 1998-2007","value":"Tom Brokaw collection, 1941-1997, bulk 1998-2007","hits":8449},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Tom+Brokaw+collection%2C+1941-1997%2C+bulk+1998-2007\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","value":"Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","hits":7716},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Sam+Gibbons+collection%2C+1940-2000%2C+1996%2C+bulk+1960-1996\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","value":"Gandy Commercial and Aerial Photography collection, 1950-2010, Date acquired: 12/01/2010","hits":6088},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Gandy+Commercial+and+Aerial+Photography+collection%2C+1950-2010%2C+Date+acquired%3A+12%2F01%2F2010\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Mark Wallheiser Photographic Collection, 1980-2024","value":"Mark Wallheiser Photographic Collection, 1980-2024","hits":5319},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Mark+Wallheiser+Photographic+Collection%2C+1980-2024\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Haynes et al. v. Shoney's, Inc. Papers, 1959-1997, bulk 1990-1994","value":"Haynes et al. v. Shoney's, Inc. Papers, 1959-1997, bulk 1990-1994","hits":4772},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Haynes+et+al.+v.+Shoney%27s%2C+Inc.+Papers%2C+1959-1997%2C+bulk+1990-1994\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Harrison \"Buzz\" Price papers, 1948-2006","value":"Harrison \"Buzz\" Price papers, 1948-2006","hits":4655},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Harrison+%22Buzz%22+Price+papers%2C+1948-2006\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","value":"Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","hits":4425},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Hampton+Dunn+collection%2C+1916-2002%2C+Date+acquired%3A+00%2F00%2F1981%2C+bulk+1960-2002\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Southwest Florida Regional Planning Council Collection, 1920-2020","value":"Southwest Florida Regional Planning Council Collection, 1920-2020","hits":4366},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Southwest+Florida+Regional+Planning+Council+Collection%2C+1920-2020\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"USF Photograph collection, 1958-1999","value":"USF Photograph collection, 1958-1999","hits":3889},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=USF+Photograph+collection%2C+1958-1999\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","value":"Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","hits":3820},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Anthony+P.+%22Tony%22+Pizzo+collection%2C+1824-1994%2C+Date+acquired%3A+10%2F23%2F1982\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/collection_ssim.json?f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Phillip Spurgeon  (1936-2020)","value":"Phillip Spurgeon  (1936-2020)","hits":145},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Phillip+Spurgeon++%281936-2020%29\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Stecher, Jo","value":"Stecher, Jo","hits":133},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Stecher%2C+Jo\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Holman, Bill (Willis Leonard) (1927-05-21)","value":"Holman, Bill (Willis Leonard) (1927-05-21)","hits":115},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Holman%2C+Bill+%28Willis+Leonard%29+%281927-05-21%29\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Byers, Billy, 1927-1996","value":"Byers, Billy, 1927-1996","hits":72},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Byers%2C+Billy%2C+1927-1996\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Nestico, Sammy (1924-02-06-2021-01-17)","value":"Nestico, Sammy (1924-02-06-2021-01-17)","hits":70},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Nestico%2C+Sammy+%281924-02-06-2021-01-17%29\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Jones, Thad (1923-03-28-1986-08-20)","value":"Jones, Thad (1923-03-28-1986-08-20)","hits":57},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Jones%2C+Thad+%281923-03-28-1986-08-20%29\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Morey, Brad","value":"Morey, Brad","hits":50},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Morey%2C+Brad\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"McConnell, Rob (19350214-20100501)","value":"McConnell, Rob (19350214-20100501)","hits":44},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=McConnell%2C+Rob+%2819350214-20100501%29\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Niehaus, Lennie (1929-06-01-2020-05-28)","value":"Niehaus, Lennie (1929-06-01-2020-05-28)","hits":38},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Niehaus%2C+Lennie+%281929-06-01-2020-05-28%29\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Florence, Bob, 1932-2008","value":"Florence, Bob, 1932-2008","hits":37},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Florence%2C+Bob%2C+1932-2008\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Boice, John","value":"Boice, John","hits":34},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcreators%5D%5B%5D=Boice%2C+John\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/creator_ssim.json?f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1987","value":"1987","hits":3935},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1987\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1985","value":"1985","hits":3856},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1985\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1986","value":"1986","hits":3809},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1986\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1990","value":"1990","hits":3790},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1990\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1989","value":"1989","hits":3719},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1989\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1988","value":"1988","hits":3713},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1988\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1944","value":"1944","hits":3656},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1944\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1945","value":"1945","hits":3603},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1945\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1984","value":"1984","hits":3599},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1984\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1983","value":"1983","hits":3526},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1983\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1997","value":"1997","hits":3454},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1997\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1982","value":"1982","hits":3410},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1982\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1991","value":"1991","hits":3298},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1991\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1996","value":"1996","hits":3287},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1996\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1998","value":"1998","hits":3285},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1998\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1992","value":"1992","hits":3240},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1992\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1981","value":"1981","hits":3238},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1981\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1995","value":"1995","hits":3222},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1995\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1980","value":"1980","hits":3221},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1980\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1976","value":"1976","hits":3204},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1976\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1978","value":"1978","hits":3199},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1978\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1999","value":"1999","hits":3178},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1999\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1994","value":"1994","hits":3136},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1994\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1979","value":"1979","hits":3111},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1979\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1943","value":"1943","hits":3082},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1943\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1993","value":"1993","hits":3071},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1993\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1975","value":"1975","hits":3068},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1975\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1977","value":"1977","hits":3010},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1977\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1974","value":"1974","hits":2970},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1974\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1973","value":"1973","hits":2865},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1973\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1970","value":"1970","hits":2836},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1970\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1971","value":"1971","hits":2825},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1971\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1972","value":"1972","hits":2789},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1972\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"2000","value":"2000","hits":2778},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2000\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1969","value":"1969","hits":2650},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1969\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1968","value":"1968","hits":2590},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1968\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"2001","value":"2001","hits":2523},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2001\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1967","value":"1967","hits":2504},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1967\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1946","value":"1946","hits":2418},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1946\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1966","value":"1966","hits":2412},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1966\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1950","value":"1950","hits":2397},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1950\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1965","value":"1965","hits":2387},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1965\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1942","value":"1942","hits":2381},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1942\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1956","value":"1956","hits":2364},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1956\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1955","value":"1955","hits":2354},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1955\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1964","value":"1964","hits":2352},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1964\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1963","value":"1963","hits":2323},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1963\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1957","value":"1957","hits":2315},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1957\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1954","value":"1954","hits":2307},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1954\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1951","value":"1951","hits":2260},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1951\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1953","value":"1953","hits":2258},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1953\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1962","value":"1962","hits":2258},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1962\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"2002","value":"2002","hits":2254},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2002\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1952","value":"1952","hits":2253},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1952\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1961","value":"1961","hits":2245},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1961\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1949","value":"1949","hits":2233},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1949\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1948","value":"1948","hits":2222},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1948\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1947","value":"1947","hits":2202},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1947\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1960","value":"1960","hits":2186},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1960\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1958","value":"1958","hits":2100},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1958\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"2007","value":"2007","hits":2059},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2007\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1959","value":"1959","hits":2058},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1959\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"2003","value":"2003","hits":2028},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2003\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"2006","value":"2006","hits":1975},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2006\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1941","value":"1941","hits":1967},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1941\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"2004","value":"2004","hits":1943},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"2005","value":"2005","hits":1918},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1940","value":"1940","hits":1825},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1940\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"2008","value":"2008","hits":1657},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2008\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1939","value":"1939","hits":1617},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1939\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"2009","value":"2009","hits":1486},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2009\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1938","value":"1938","hits":1471},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1938\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"2010","value":"2010","hits":1368},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2010\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1937","value":"1937","hits":1317},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1936","value":"1936","hits":1189},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1935","value":"1935","hits":1122},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1935\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1932","value":"1932","hits":1111},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1932\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1934","value":"1934","hits":1053},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1934\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1933","value":"1933","hits":1034},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1933\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1931","value":"1931","hits":1015},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1931\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"2011","value":"2011","hits":1014},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2011\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1930","value":"1930","hits":985},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1930\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1926","value":"1926","hits":878},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1926\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"2012","value":"2012","hits":876},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2012\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1928","value":"1928","hits":863},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1928\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1929","value":"1929","hits":863},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1929\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1925","value":"1925","hits":841},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1925\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1927","value":"1927","hits":819},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1927\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"2013","value":"2013","hits":797},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"2014","value":"2014","hits":668},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2014\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1920","value":"1920","hits":589},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1920\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"2015","value":"2015","hits":571},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"2016","value":"2016","hits":569},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2016\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1923","value":"1923","hits":518},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1923\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1924","value":"1924","hits":511},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1924\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"2017","value":"2017","hits":474},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1922","value":"1922","hits":470},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1922\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1921","value":"1921","hits":458},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"2018","value":"2018","hits":391},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2018\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"1918","value":"1918","hits":386},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=1918\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/date_range_isim.json?f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"File","value":"File","hits":422809},"links":{"remove":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Collection","value":"Collection","hits":83},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Blevel%5D%5B%5D=Collection\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/level_ssim.json?f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"Phillip Spurgeon  (1936-2020)","value":"Phillip Spurgeon  (1936-2020)","hits":145},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Bnames%5D%5B%5D=Phillip+Spurgeon++%281936-2020%29\u0026view=compact"}},{"attributes":{"label":"Stecher, Jo","value":"Stecher, Jo","hits":133},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Bnames%5D%5B%5D=Stecher%2C+Jo\u0026view=compact"}},{"attributes":{"label":"Holman, Bill (Willis Leonard) (1927-05-21)","value":"Holman, Bill (Willis Leonard) (1927-05-21)","hits":115},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Bnames%5D%5B%5D=Holman%2C+Bill+%28Willis+Leonard%29+%281927-05-21%29\u0026view=compact"}},{"attributes":{"label":"Byers, Billy, 1927-1996","value":"Byers, Billy, 1927-1996","hits":72},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Bnames%5D%5B%5D=Byers%2C+Billy%2C+1927-1996\u0026view=compact"}},{"attributes":{"label":"Nestico, Sammy (1924-02-06-2021-01-17)","value":"Nestico, Sammy (1924-02-06-2021-01-17)","hits":70},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Bnames%5D%5B%5D=Nestico%2C+Sammy+%281924-02-06-2021-01-17%29\u0026view=compact"}},{"attributes":{"label":"Jones, Thad (1923-03-28-1986-08-20)","value":"Jones, Thad (1923-03-28-1986-08-20)","hits":57},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Bnames%5D%5B%5D=Jones%2C+Thad+%281923-03-28-1986-08-20%29\u0026view=compact"}},{"attributes":{"label":"Morey, Brad","value":"Morey, Brad","hits":50},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Bnames%5D%5B%5D=Morey%2C+Brad\u0026view=compact"}},{"attributes":{"label":"McConnell, Rob (19350214-20100501)","value":"McConnell, Rob (19350214-20100501)","hits":44},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Bnames%5D%5B%5D=McConnell%2C+Rob+%2819350214-20100501%29\u0026view=compact"}},{"attributes":{"label":"Niehaus, Lennie (1929-06-01-2020-05-28)","value":"Niehaus, Lennie (1929-06-01-2020-05-28)","hits":38},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Bnames%5D%5B%5D=Niehaus%2C+Lennie+%281929-06-01-2020-05-28%29\u0026view=compact"}},{"attributes":{"label":"Florence, Bob, 1932-2008","value":"Florence, Bob, 1932-2008","hits":37},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Bnames%5D%5B%5D=Florence%2C+Bob%2C+1932-2008\u0026view=compact"}},{"attributes":{"label":"Boice, John","value":"Boice, John","hits":34},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Bnames%5D%5B%5D=Boice%2C+John\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/names_ssim.json?f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"FSU Special Collections \u0026 Archives","value":"FSU Special Collections \u0026 Archives","hits":138749},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=FSU+Special+Collections+%26+Archives\u0026view=compact"}},{"attributes":{"label":"USF Libraries - Tampa Special Collections","value":"USF Libraries - Tampa Special Collections","hits":104521},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=USF+Libraries+-+Tampa+Special+Collections\u0026view=compact"}},{"attributes":{"label":"Florida Atlantic University Libraries","value":"Florida Atlantic University Libraries","hits":37692},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Florida+Atlantic+University+Libraries\u0026view=compact"}},{"attributes":{"label":"FIU Special Collections","value":"FIU Special Collections","hits":27880},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=FIU+Special+Collections\u0026view=compact"}},{"attributes":{"label":"UCF Special Collections","value":"UCF Special Collections","hits":22474},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=UCF+Special+Collections\u0026view=compact"}},{"attributes":{"label":"UCF University Archives","value":"UCF University Archives","hits":17387},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=UCF+University+Archives\u0026view=compact"}},{"attributes":{"label":"The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","value":"The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","hits":11459},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=The+Sarah+D.+and+L.+Kirk+McKay%2C+Jr.+Archives+Center+Manuscript+Collections\u0026view=compact"}},{"attributes":{"label":"UWF University Archives and West Florida History Center","value":"UWF University Archives and West Florida History Center","hits":9384},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=UWF+University+Archives+and+West+Florida+History+Center\u0026view=compact"}},{"attributes":{"label":"Florida Gulf Coast University Archives","value":"Florida Gulf Coast University Archives","hits":9130},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Florida+Gulf+Coast+University+Archives\u0026view=compact"}},{"attributes":{"label":"Thomas B. Mack Florida Citrus Archives","value":"Thomas B. Mack Florida Citrus Archives","hits":8836},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=Thomas+B.+Mack+Florida+Citrus+Archives\u0026view=compact"}},{"attributes":{"label":"AARLCC Special Collections","value":"AARLCC Special Collections","hits":8570},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=AARLCC+Special+Collections\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/repository_ssim.json?f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"Zines.","value":"Zines.","hits":319},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Bplaces%5D%5B%5D=Zines.\u0026view=compact"}},{"attributes":{"label":"Community organization.","value":"Community organization.","hits":139},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Bplaces%5D%5B%5D=Community+organization.\u0026view=compact"}},{"attributes":{"label":"Feminism.","value":"Feminism.","hits":135},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Bplaces%5D%5B%5D=Feminism.\u0026view=compact"}},{"attributes":{"label":"Vero Beach (Fla.)","value":"Vero Beach (Fla.)","hits":113},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Bplaces%5D%5B%5D=Vero+Beach+%28Fla.%29\u0026view=compact"}},{"attributes":{"label":"Punk culture.","value":"Punk culture.","hits":93},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Bplaces%5D%5B%5D=Punk+culture.\u0026view=compact"}},{"attributes":{"label":"Art.","value":"Art.","hits":81},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Bplaces%5D%5B%5D=Art.\u0026view=compact"}},{"attributes":{"label":"Punk rock music.","value":"Punk rock music.","hits":77},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Bplaces%5D%5B%5D=Punk+rock+music.\u0026view=compact"}},{"attributes":{"label":"Identity and solidarity","value":"Identity and solidarity","hits":76},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Bplaces%5D%5B%5D=Identity+and+solidarity\u0026view=compact"}},{"attributes":{"label":"LGBTQ issues\t","value":"LGBTQ issues\t","hits":75},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Bplaces%5D%5B%5D=LGBTQ+issues%09\u0026view=compact"}},{"attributes":{"label":"Riot grrrl movement.","value":"Riot grrrl movement.","hits":75},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Bplaces%5D%5B%5D=Riot+grrrl+movement.\u0026view=compact"}},{"attributes":{"label":"Feminism and art--United States.","value":"Feminism and art--United States.","hits":73},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Bplaces%5D%5B%5D=Feminism+and+art--United+States.\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/geogname_ssim.json?f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"Jazz","value":"Jazz","hits":1625},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Jazz\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Sheet music","value":"Sheet music","hits":1622},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sheet+music\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Jazz musicians","value":"Jazz musicians","hits":1620},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Jazz+musicians\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Popular music -- Lead sheets","value":"Popular music -- Lead sheets","hits":1614},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Popular+music+--+Lead+sheets\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Developmental Regional Impact (DRI)","value":"Developmental Regional Impact (DRI)","hits":1246},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Developmental+Regional+Impact+%28DRI%29\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Report and studies","value":"Report and studies","hits":635},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Report+and+studies\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Sufficiency","value":"Sufficiency","hits":350},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sufficiency\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Legal documents","value":"Legal documents","hits":329},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Legal+documents\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Notice Of Proposed Change (NOPC)","value":"Notice Of Proposed Change (NOPC)","hits":236},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Notice+Of+Proposed+Change+%28NOPC%29\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Sheet music--United States--History","value":"Sheet music--United States--History","hits":190},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Sheet+music--United+States--History\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"attributes":{"label":"Dance orchestra music","value":"Dance orchestra music","hits":187},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Dance+orchestra+music\u0026f%5Blevel%5D%5B%5D=File\u0026view=compact"}}]},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/facet/access_subjects_ssim.json?f%5Blevel%5D%5B%5D=File\u0026view=compact"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=41403\u0026search_field=all_fields\u0026view=compact"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=41403\u0026search_field=keyword\u0026view=compact"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=41403\u0026search_field=name\u0026view=compact"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=41403\u0026search_field=place\u0026view=compact"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=41403\u0026search_field=subject\u0026view=compact"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=41403\u0026search_field=title\u0026view=compact"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=41403\u0026search_field=container\u0026view=compact"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=41403\u0026search_field=identifier\u0026view=compact"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=41403\u0026sort=score+desc%2C+title_sort+asc\u0026view=compact"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=41403\u0026sort=date_sort+asc\u0026view=compact"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=41403\u0026sort=date_sort+desc\u0026view=compact"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=41403\u0026sort=creator_sort+asc\u0026view=compact"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=41403\u0026sort=creator_sort+desc\u0026view=compact"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=41403\u0026sort=title_sort+asc\u0026view=compact"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026page=41403\u0026sort=title_sort+desc\u0026view=compact"}}]}