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Photographs of the different stages in the production process of the \"Wheels\" project at the San Antonio Sea World. Many of the prints are of the construction done on this project. There are also a few pictures of the 3-D model the team created and photos of some of the illustration drawings that were done."],"_nest_path_":"/components#0/components#1/components#2/components#2/components#7","_nest_parent_":"f3a395395ce4b16d754d4a5b_aspace_72897","_root_":"f3a395395ce4b16d754d4a5b","timestamp":"2026-07-10T03:31:04.733Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f3a395395ce4b16d754d4a5b","title_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection"],"title_tesim":["Thomas E. 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Azzari.","Thomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"","\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.","\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks.","Processed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch","Materials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves.","George and Anne Millay Collection, 1959-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Harrison \"Buzz\" Price papers, 1948-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Series I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.","\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Thomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee.","UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-","English"],"unitid_tesim":["SC.109","/repositories/4/resources/43"],"normalized_date_ssm":["1973-2018, bulk 1973-1991"],"normalized_title_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"collection_title_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"collection_ssim":["Thomas E. 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Azzari donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_02)."],"access_subjects_ssim":["Tourism","Architecture -- Designs and plans","Amusement parks","slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)"],"access_subjects_ssm":["Tourism","Architecture -- Designs and plans","Amusement parks","slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["5.5 Linear Feet 3 Boxes, 32 Flat Files, and 1 Tube"],"extent_tesim":["5.5 Linear Feet 3 Boxes, 32 Flat Files, and 1 Tube"],"genreform_ssim":["slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari."],"bioghist_html_tesm":["\u003cp\u003eThomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"\u003c/p\u003e\n","\u003cp\u003e\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.\u003c/p\u003e\n","\u003cp\u003e\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Thomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"","\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.","\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks."],"prefercite_html_tesm":["\u003cp\u003eThomas E. Azzari Theme Parks and Attractions Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch\u003c/p\u003e","\u003cp\u003eMaterials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch","Materials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2007-15\"\u003eGeorge and Anne Millay Collection, 1959-2006\u003c/extref\u003e, Special Collections, University of Central Florida, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2003-12a\"\u003eHarrison \"Buzz\" Price papers, 1948-2006\u003c/extref\u003e, Special Collections, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["George and Anne Millay Collection, 1959-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Harrison \"Buzz\" Price papers, 1948-2006 , Special Collections, University of Central Florida, Orlando, Florida."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.","\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_33d7749adf2f340e0bbb99d3b437dca7\" label=\"Abstract\"\u003eThomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee.\u003c/abstract\u003e"],"abstract_tesim":["Thomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee."],"names_coll_ssim":["Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-"],"names_ssim":["UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-"],"corpname_ssim":["UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino"],"persname_ssim":["Azzari, Thomas E., 1940-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":97,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f3a395395ce4b16d754d4a5b","timestamp":"2026-07-10T03:31:04.733Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f3a395395ce4b16d754d4a5b_aspace_72906"}},{"id":"f3a395395ce4b16d754d4a5b_aspace_72914","type":"File","attributes":{"title":"\"Wheels,\" San Antonio, Texas, Circa 1988.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f3a395395ce4b16d754d4a5b_aspace_72914#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_72914","ref_ssm":["aspace_72914","aspace_72914"],"id":"f3a395395ce4b16d754d4a5b_aspace_72914","title_filing_ssi":"\"Wheels,\" San Antonio, Texas","title_ssm":["\"Wheels,\" San Antonio, Texas"],"title_tesim":["\"Wheels,\" San Antonio, Texas"],"unitdate_other_ssim":["Circa 1988."],"normalized_date_ssm":["Circa 1988."],"normalized_title_ssm":["\"Wheels,\" San Antonio, Texas, Circa 1988."],"text":["\"Wheels,\" San Antonio, Texas, Circa 1988.","Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Sea World, 1973-1991.","Multimedia Files, 1982-1991.","Negatives, 1986-1988, Undated.","Folder 18","/repositories/4/archival_objects/8462","box 1","folder 18","3 sheets of negatives: 3 sheets of colored negatives were exposed. These are negatives of the \"Wheels\" project in Sea World of San Antonio. The negatives are placed into 4 negative sleeves and contain a total of 81 negatives."],"component_level_isim":[5],"parent_ids_ssim":["f3a395395ce4b16d754d4a5b","f3a395395ce4b16d754d4a5b_aspace_72851","f3a395395ce4b16d754d4a5b_aspace_72858","f3a395395ce4b16d754d4a5b_aspace_72886","f3a395395ce4b16d754d4a5b_aspace_72907"],"parent_unittitles_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Sea World, 1973-1991.","Multimedia Files, 1982-1991.","Negatives, 1986-1988, Undated."],"parent_unittitles_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Sea World, 1973-1991.","Multimedia Files, 1982-1991.","Negatives, 1986-1988, Undated."],"parent_levels_ssm":["collection","Series","Subseries","Subseries","Subseries"],"unitid_ssm":["Folder 18","/repositories/4/archival_objects/8462"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":58,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["box 1","folder 18"],"odd_html_tesm":["\u003cp\u003e3 sheets of negatives: 3 sheets of colored negatives were exposed. These are negatives of the \"Wheels\" project in Sea World of San Antonio. The negatives are placed into 4 negative sleeves and contain a total of 81 negatives.\u003c/p\u003e"],"odd_heading_ssm":["Note"],"odd_tesim":["3 sheets of negatives: 3 sheets of colored negatives were exposed. These are negatives of the \"Wheels\" project in Sea World of San Antonio. 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Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Weeki Wachee (Fla.)","Silver Springs (Fla)","Tourism","Architecture -- Designs and plans","Amusement parks","slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)","The entire collection is open for research.","This collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari.","Thomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"","\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.","\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks.","Processed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch","Materials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves.","George and Anne Millay Collection, 1959-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Harrison \"Buzz\" Price papers, 1948-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Series I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.","\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Thomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee.","UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-","English"],"unitid_tesim":["SC.109","/repositories/4/resources/43"],"normalized_date_ssm":["1973-2018, bulk 1973-1991"],"normalized_title_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"collection_title_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"collection_ssim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Weeki Wachee (Fla.)","Silver Springs (Fla)"],"geogname_ssim":["Weeki Wachee (Fla.)","Silver Springs (Fla)"],"places_ssim":["Weeki Wachee (Fla.)","Silver Springs (Fla)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Thomas E. Azzari donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFM2018_02)."],"access_subjects_ssim":["Tourism","Architecture -- Designs and plans","Amusement parks","slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)"],"access_subjects_ssm":["Tourism","Architecture -- Designs and plans","Amusement parks","slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["5.5 Linear Feet 3 Boxes, 32 Flat Files, and 1 Tube"],"extent_tesim":["5.5 Linear Feet 3 Boxes, 32 Flat Files, and 1 Tube"],"genreform_ssim":["slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari."],"bioghist_html_tesm":["\u003cp\u003eThomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"\u003c/p\u003e\n","\u003cp\u003e\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.\u003c/p\u003e\n","\u003cp\u003e\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Thomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"","\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.","\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks."],"prefercite_html_tesm":["\u003cp\u003eThomas E. Azzari Theme Parks and Attractions Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch\u003c/p\u003e","\u003cp\u003eMaterials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch","Materials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2007-15\"\u003eGeorge and Anne Millay Collection, 1959-2006\u003c/extref\u003e, Special Collections, University of Central Florida, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2003-12a\"\u003eHarrison \"Buzz\" Price papers, 1948-2006\u003c/extref\u003e, Special Collections, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["George and Anne Millay Collection, 1959-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Harrison \"Buzz\" Price papers, 1948-2006 , Special Collections, University of Central Florida, Orlando, Florida."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.","\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_33d7749adf2f340e0bbb99d3b437dca7\" label=\"Abstract\"\u003eThomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee.\u003c/abstract\u003e"],"abstract_tesim":["Thomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee."],"names_coll_ssim":["Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-"],"names_ssim":["UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-"],"corpname_ssim":["UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino"],"persname_ssim":["Azzari, Thomas E., 1940-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":97,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f3a395395ce4b16d754d4a5b","timestamp":"2026-07-10T03:31:04.733Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f3a395395ce4b16d754d4a5b_aspace_72914"}},{"id":"f3a395395ce4b16d754d4a5b_aspace_72882","type":"File","attributes":{"title":"\"Wheels\" (Stage Show) Construction Drawings, San Antonio, Texas, 1988.","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f3a395395ce4b16d754d4a5b_aspace_72882#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_72882","ref_ssm":["aspace_72882","aspace_72882"],"id":"f3a395395ce4b16d754d4a5b_aspace_72882","title_filing_ssi":"\"Wheels\" (Stage Show) Construction Drawings, San Antonio, Texas","title_ssm":["\"Wheels\" (Stage Show) Construction Drawings, San Antonio, Texas"],"title_tesim":["\"Wheels\" (Stage Show) Construction Drawings, San Antonio, Texas"],"unitdate_other_ssim":["1988."],"normalized_date_ssm":["1988."],"normalized_title_ssm":["\"Wheels\" (Stage Show) Construction Drawings, San Antonio, Texas, 1988."],"text":["\"Wheels\" (Stage Show) Construction Drawings, San Antonio, Texas, 1988.","Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Sea World, 1973-1991.","Drawings, 1973-1991, Undated.","Flat File 24","/repositories/4/archival_objects/8478","Flat File 24","12 Drawings: 9 graphite on vellum; 2 graphite on bond; 1 graphite on trace. These are construction drawings for the Wheels stage show in San Antonio, Texas. Eight of them are construction drawings. One is just of boxes that have height and length measurements. Two of these drawings are small construction drawings that were taped together, but tape has been removed. One of the drawings was a construction drawing done on trace paper."],"component_level_isim":[4],"parent_ids_ssim":["f3a395395ce4b16d754d4a5b","f3a395395ce4b16d754d4a5b_aspace_72851","f3a395395ce4b16d754d4a5b_aspace_72858","f3a395395ce4b16d754d4a5b_aspace_72859"],"parent_unittitles_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Sea World, 1973-1991.","Drawings, 1973-1991, Undated."],"parent_unittitles_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Theme Parks, 1973-1991.","Sea World, 1973-1991.","Drawings, 1973-1991, Undated."],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["Flat File 24","/repositories/4/archival_objects/8478"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":31,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"containers_ssim":["Flat File 24"],"odd_html_tesm":["\u003cp\u003e12 Drawings: 9 graphite on vellum; 2 graphite on bond; 1 graphite on trace. These are construction drawings for the Wheels stage show in San Antonio, Texas. Eight of them are construction drawings. One is just of boxes that have height and length measurements. Two of these drawings are small construction drawings that were taped together, but tape has been removed. One of the drawings was a construction drawing done on trace paper.\u003c/p\u003e"],"odd_heading_ssm":["Note"],"odd_tesim":["12 Drawings: 9 graphite on vellum; 2 graphite on bond; 1 graphite on trace. These are construction drawings for the Wheels stage show in San Antonio, Texas. Eight of them are construction drawings. One is just of boxes that have height and length measurements. Two of these drawings are small construction drawings that were taped together, but tape has been removed. One of the drawings was a construction drawing done on trace paper."],"_nest_path_":"/components#0/components#1/components#0/components#22","_nest_parent_":"f3a395395ce4b16d754d4a5b_aspace_72859","_root_":"f3a395395ce4b16d754d4a5b","timestamp":"2026-07-10T03:31:04.733Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f3a395395ce4b16d754d4a5b","title_ssm":["Thomas E. Azzari Theme Parks and Attractions Collection"],"title_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection"],"ead_ssi":"f3a395395ce4b16d754d4a5b","unitdate_ssm":["1973-2018","1973-1991"],"unitdate_bulk_ssim":["1973-1991"],"unitdate_inclusive_ssm":["1973-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.109","/repositories/4/resources/43"],"text":["SC.109","/repositories/4/resources/43","Thomas E. Azzari Theme Parks and Attractions Collection, 1973-2018, bulk 1973-1991","Weeki Wachee (Fla.)","Silver Springs (Fla)","Tourism","Architecture -- Designs and plans","Amusement parks","slides (photographs)","Photographic prints","negatives (photographs)","letters (correspondence)","illustrations (layout features)","architectural drawings (visual works)","The entire collection is open for research.","This collection is divided into 2 series by theme parks and administrative files. The first series has four subseries, which are arranged by theme park. The second series contains a collection overview provided by Thomas E. Azzari.","Thomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"","\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.","\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks.","Processed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch","Materials are placed in pH neutral archival folders and boxes. 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Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.\u003c/p\u003e\n","\u003cp\u003e\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Thomas E. Azzari was born in Bronx, New York on August 30, 1940. He was the eldest son of Almo and Alein Azzari. With his father being a mechanic, Thomas learned basic mechanical skills that would be beneficial to his future career. Thomas studied industrial design at the University of Bridgeport in Connecticut for only two years. In 1961, Thomas moved out to Los Angeles, California. While out in California Thomas studied at Art Center College of Design. After receiving his education, Thomas worked for over forty years in the media and entertainment industry as a production designer. Thomas began started his career in the media and entertainment industry by working for Colombia Broadcasting System (CBS) in the purchasing department and then eventually as a set designer. Some of his most notable televised works were the series \"Coupling\" and \"That's My Bush,\" both of which were nominated for a Guild Award. He also worked on television series like \"Fish\" - which won the 1976-1977 Academy of Television Arts and Sciences Emmy Award - and \"Seinfeld\". Thomas also worked on films as a production designer; one of which included his 1979-1980 Academy of Television Arts and Sciences Emmy winning special, \"The Stable Boy's Christmas.\"","\nEventually, Thomas began to work in theme park design and continued for over fifteen years. Bob LaPorta and Lynn Gillam, both executive members of Sea World's staff, were looking for someone with enough film and television scenic design experience to work on their theme park show concepts. In 1973, Thomas was introduced to Bob La Porta, former Sea World Vice President of Entertainment, by his friend Dan Kibbie; this was the start of Thomas's Sea World career. Most of the projects he worked on were for Sea World's aquatic animals and different animal shows throughout the park. He helped design sets in an open-air salt-water setting. Thomas was originally hired to work on the set for \"Shamu for Mayor,\" at the Sea World in San Diego, California. He was involved with the designs and openings of the Sea World in Orlando, Florida and the Sea World in San Antonio, Texas. Thomas also worked as a set designer for other parks such as Silver Springs and Weeki Wachee, Florida.","\nAfter his many years as a theme park set designer, Thomas retired and moved out to Taos, New Mexico with his family in 2002. While enjoying his retirement, Thomas volunteers his spare time to producing and directing archival videos for National Landmarks."],"prefercite_html_tesm":["\u003cp\u003eThomas E. Azzari Theme Parks and Attractions Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Thomas E. Azzari Theme Parks and Attractions Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch\u003c/p\u003e","\u003cp\u003eMaterials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Sarah Ryschkewitsch; finding aid prepared by Sarah Ryschkewitsch","Materials are placed in pH neutral archival folders and boxes. Photographs and slides are housed in clear plastic sleeves."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2007-15\"\u003eGeorge and Anne Millay Collection, 1959-2006\u003c/extref\u003e, Special Collections, University of Central Florida, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\n\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2003-12a\"\u003eHarrison \"Buzz\" Price papers, 1948-2006\u003c/extref\u003e, Special Collections, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["George and Anne Millay Collection, 1959-2006 , Special Collections, University of Central Florida, Orlando, Florida.","Harrison \"Buzz\" Price papers, 1948-2006 , Special Collections, University of Central Florida, Orlando, Florida."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Theme Parks, 1973-1991, Undated, materials created by Thomas E. Azzari during his time as a set designer for Sea World, Silver Springs, and Weeki Wachee. This series is divided into four subseries for each theme park he worked for including Lucky Forest, Sea World, Silver Springs, and Weeki Wachee. Each subseries is organized on the type of item that can be found for that particular theme park including construction plans, drawings, illustrations, multimedia items, and project paperwork.","\nSeries II: Administrative files, 2018, includes a collection overview created by Thomas E. Azzari including an archival list of the collection materials, biographical information, past production projects, additional information about Sea World, and brief backgrounds on some of his theme park associates."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_33d7749adf2f340e0bbb99d3b437dca7\" label=\"Abstract\"\u003eThomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee.\u003c/abstract\u003e"],"abstract_tesim":["Thomas E. Azzari was a set designer for Sea World, designing open-air salt-water sets for several different aquatic animals like whales, dolphins, otters, and many more. Over his fifteen years as a theme park set designer, Thomas E. Azzari collected numerous reports, letters, photographs, drawings, construction plans, and memorabilia. Most of this collection focuses on his time as a set designer for Sea World, but it also contains some of the work he did for other theme parks, like Silver Springs and Weeki Wachee."],"names_coll_ssim":["Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-"],"names_ssim":["UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino","Azzari, Thomas E., 1940-"],"corpname_ssim":["UCF Special Collections","Sea World of Florida","Sea World","Fitzgeralds Reno Hotel \u0026 Casino"],"persname_ssim":["Azzari, Thomas E., 1940-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":97,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f3a395395ce4b16d754d4a5b","timestamp":"2026-07-10T03:31:04.733Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f3a395395ce4b16d754d4a5b_aspace_72882"}},{"id":"f8f446b15f81524e15fa326b_aspace_123199","type":"File","attributes":{"title":"Whelan, Joseph","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f8f446b15f81524e15fa326b_aspace_123199#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_123199","ref_ssm":["aspace_123199","aspace_123199"],"id":"f8f446b15f81524e15fa326b_aspace_123199","title_filing_ssi":"Whelan, Joseph","title_ssm":["Whelan, Joseph"],"title_tesim":["Whelan, Joseph"],"normalized_title_ssm":["Whelan, Joseph"],"text":["Whelan, Joseph","Tom Brokaw collection, 1941-1997, bulk 1998-2007","Tom Brokaw Mail (RESTRICTED MATERIAL)","Book Fanmail","Folder 43","/repositories/10/archival_objects/17013","box 161","folder 43"],"component_level_isim":[3],"parent_ids_ssim":["f8f446b15f81524e15fa326b","f8f446b15f81524e15fa326b_aspace_113497","f8f446b15f81524e15fa326b_aspace_113498"],"parent_unittitles_ssm":["Tom Brokaw collection, 1941-1997, bulk 1998-2007","Tom Brokaw Mail (RESTRICTED MATERIAL)","Book Fanmail"],"parent_unittitles_tesim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007","Tom Brokaw Mail (RESTRICTED MATERIAL)","Book Fanmail"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 43","/repositories/10/archival_objects/17013"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":6857,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"containers_ssim":["box 161","folder 43"],"_nest_path_":"/components#6/components#0/components#2855","_nest_parent_":"f8f446b15f81524e15fa326b_aspace_113498","_root_":"f8f446b15f81524e15fa326b","timestamp":"2026-07-14T02:47:00.113Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f8f446b15f81524e15fa326b","title_ssm":["Tom Brokaw collection"],"title_tesim":["Tom Brokaw collection"],"ead_ssi":"f8f446b15f81524e15fa326b","unitdate_ssm":["1941-1997","1998-2007"],"unitdate_bulk_ssim":["1998-2007"],"unitdate_inclusive_ssm":["1941-1997"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01.0171","/repositories/10/resources/37"],"text":["01.0171","/repositories/10/resources/37","Tom Brokaw collection, 1941-1997, bulk 1998-2007","This collection is open to all researchers.","The Tom Brokaw Collection is arranged within ten separate series. Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Originally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books,  The Greatest Generation  (1998) and  The Greatest Generation Speaks  (1999).\n Contained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Tom Brokaw","English"],"unitid_tesim":["01.0171","/repositories/10/resources/37"],"normalized_date_ssm":["1941-1997, bulk 1998-2007"],"normalized_title_ssm":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"collection_title_tesim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"collection_ssim":["Tom Brokaw collection, 1941-1997, bulk 1998-2007"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Tom Brokaw"],"creator_ssim":["Tom Brokaw"],"creator_persname_ssim":["Tom Brokaw"],"creators_ssim":["Tom Brokaw"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"has_online_content_ssim":["false"],"extent_ssm":["120.00 Linear Feet"],"extent_tesim":["120.00 Linear Feet"],"date_range_isim":[1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"arrangement_html_tesm":["\u003cp\u003eThe Tom Brokaw Collection is arranged within ten separate series. Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Tom Brokaw Collection is arranged within ten separate series. Series one through seven and nine and ten are arranged alphabetically while series eight is arranged chronologically and alphabetically within the series."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Tom Brokaw collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-01-0171\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Tom Brokaw collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-01-0171"],"scopecontent_html_tesm":["\u003cp\u003eOriginally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books, \u003cemph render=\"italic\"\u003eThe Greatest Generation \u003c/emph\u003e(1998) and \u003cemph render=\"italic\"\u003eThe Greatest Generation Speaks \u003c/emph\u003e(1999).\n\u003cbr\u003e\u003cbr\u003eContained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Originally donated to the Institute on World War II and the Human Experience at FSU in 2001, the Tom Brokaw Collection is comprised of material sent to Tom Brokaw by World War II veterans before, during and after the publishing of his books,  The Greatest Generation  (1998) and  The Greatest Generation Speaks  (1999).\n Contained within the Tom Brokaw Collection are reminiscences from World War II veterans and those who were alive during the conflict, correspondence written to families back home during the war years, publications from various World War II veterans associations, poems written by veterans and their families commemorating their service in the war, photographs as well as artifacts and ephemera from the war years."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Tom Brokaw"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"persname_ssim":["Tom Brokaw"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8743,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f8f446b15f81524e15fa326b","timestamp":"2026-07-14T02:47:00.113Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f8f446b15f81524e15fa326b_aspace_123199"}},{"id":"4674dbbf638dff3316591cb2_aspace_51831","type":"File","attributes":{"title":"Wheldon and Wesley Ltd, 1946-1986","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4674dbbf638dff3316591cb2_aspace_51831#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_51831","ref_ssm":["aspace_51831","aspace_51831"],"id":"4674dbbf638dff3316591cb2_aspace_51831","title_filing_ssi":"Wheldon and Wesley Ltd","title_ssm":["Wheldon and Wesley Ltd"],"title_tesim":["Wheldon and Wesley Ltd"],"unitdate_inclusive_ssm":["1946-1986"],"normalized_date_ssm":["1946-1986"],"normalized_title_ssm":["Wheldon and Wesley Ltd, 1946-1986"],"text":["Wheldon and Wesley Ltd, 1946-1986","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Mulford and Racine Foster Files, 1910-1991","Correspondence, 1930-1990","Folder 1","/repositories/4/archival_objects/35251","box 222","folder 1"],"component_level_isim":[3],"parent_ids_ssim":["4674dbbf638dff3316591cb2","4674dbbf638dff3316591cb2_aspace_51261","4674dbbf638dff3316591cb2_aspace_51262"],"parent_unittitles_ssm":["Michael A. Spencer Bromeliad Research Collection, 1754-2014","Mulford and Racine Foster Files, 1910-1991","Correspondence, 1930-1990"],"parent_unittitles_tesim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014","Mulford and Racine Foster Files, 1910-1991","Correspondence, 1930-1990"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 1","/repositories/4/archival_objects/35251"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":561,"parent_access_restrict_tesm":["The entire collection is open for research except for the following:\n\n  Boxes 180-181: Personal correspondence\n  Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"\n"],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"containers_ssim":["box 222","folder 1"],"_nest_path_":"/components#0/components#0/components#558","_nest_parent_":"4674dbbf638dff3316591cb2_aspace_51262","_root_":"4674dbbf638dff3316591cb2","_version_":1881733154071379968,"timestamp":"2026-11-13T09:02:59.266Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4674dbbf638dff3316591cb2","title_ssm":["Michael A. Spencer Bromeliad Research Collection"],"title_tesim":["Michael A. Spencer Bromeliad Research Collection"],"ead_ssi":"4674dbbf638dff3316591cb2","unitdate_ssm":["1754-2014"],"unitdate_inclusive_ssm":["1754-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC068","/repositories/4/resources/148"],"text":["SC068","/repositories/4/resources/148","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Marineland (Fla.)","Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)","The entire collection is open for research except for the following:\n Boxes 180-181: Personal correspondence Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"","The collection is divided into eight series by type of file.","Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.","Materials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023.","A large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library  Online Catalog .  Michael A. Spencer Collection on Julian Nally ,  Michael A. Spencer Collection on Theodore Mead ,  Michael A. Spencer Collection on Henry Nehrling  and the  Henry Nehrling Papers  are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the  Harry P. Leu Gardens . The  Henry Nehrling Collection  and the  Theodore L. Mead Collection  are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the  Smithsonian Institution Archives .","Series I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.","\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.","\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.","\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.","\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.","\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.","\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.","\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder.","Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here.","UCF Special Collections","Bromeliad Society","Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991","English"],"unitid_tesim":["SC068","/repositories/4/resources/148"],"normalized_date_ssm":["1754-2014"],"normalized_title_ssm":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"collection_title_tesim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"collection_ssim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Marineland (Fla.)"],"geogname_ssim":["Marineland (Fla.)"],"creator_ssm":["Spencer, Michael A."],"creator_ssim":["Spencer, Michael A."],"creator_persname_ssim":["Spencer, Michael A."],"creators_ssim":["Spencer, Michael A."],"places_ssim":["Marineland (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"acqinfo_ssim":["Some of these materials were donated to and others were purchased by the University of Central Florida Libraries, Special Collections and University Archives from Michael A. Spencer in 2006 (CFM2006_09), 2011 (CFM2011_02), 2012 (CFM2012_10), and 2014 (CFM2014_01)."],"access_subjects_ssim":["Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"access_subjects_ssm":["Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["130 Linear Feet 259 boxes, 2 flat files"],"extent_tesim":["130 Linear Feet 259 boxes, 2 flat files"],"genreform_ssim":["botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"date_range_isim":[1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research except for the following:\n\u003cul\u003e\n  \u003cli\u003eBoxes 180-181: Personal correspondence\u003c/li\u003e\n  \u003cli\u003eBoxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research except for the following:\n Boxes 180-181: Personal correspondence Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\""],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into eight series by type of file.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into eight series by type of file."],"bioghist_html_tesm":["\u003cp\u003eMichael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004."],"prefercite_html_tesm":["\u003cp\u003eMichael A. Spencer Bromeliad Research Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Michael A. Spencer Bromeliad Research Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eA large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e. \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08c\"\u003eMichael A. Spencer Collection on Julian Nally\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08b\"\u003eMichael A. Spencer Collection on Theodore Mead\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08a\"\u003eMichael A. Spencer Collection on Henry Nehrling\u003c/extref\u003e and the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-03\"\u003eHenry Nehrling Papers\u003c/extref\u003e are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the \u003cextref href=\"http://www.leugardens.org/\"\u003eHarry P. Leu Gardens\u003c/extref\u003e. The \u003cextref href=\"https://aspace.rollins.edu/repositories/2/resources/4\"\u003eHenry Nehrling Collection\u003c/extref\u003e and the \u003cextref href=\"https://aspace.rollins.edu/repositories/2/resources/97\"\u003eTheodore L. Mead Collection\u003c/extref\u003e are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the \u003cextref href=\"http://siarchives.si.edu/\"\u003eSmithsonian Institution Archives\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library  Online Catalog .  Michael A. Spencer Collection on Julian Nally ,  Michael A. Spencer Collection on Theodore Mead ,  Michael A. Spencer Collection on Henry Nehrling  and the  Henry Nehrling Papers  are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the  Harry P. Leu Gardens . The  Henry Nehrling Collection  and the  Theodore L. Mead Collection  are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the  Smithsonian Institution Archives ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.","\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.","\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.","\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.","\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.","\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.","\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.","\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8e33310d6b1a70e4d88f1e2d3043cf71\" label=\"Abstract\"\u003eMichael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here.\u003c/abstract\u003e"],"abstract_tesim":["Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here."],"names_coll_ssim":["Bromeliad Society","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"names_ssim":["UCF Special Collections","Bromeliad Society","Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"corpname_ssim":["UCF Special Collections","Bromeliad Society"],"persname_ssim":["Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"containers_ssim":["box 11","folder 86"],"odd_html_tesm":["\u003cp\u003eNew York, NY\u003c/p\u003e","\u003cp\u003eSmith, Dick / Wine-Gar, Frank / Rogan, Jimmy\u003c/p\u003e","\u003cp\u003eDeutsch, Emery\u003c/p\u003e","\u003cp\u003eDonaldson, Douglas, and Gumble Inc.\u003c/p\u003e"],"odd_heading_ssm":["Place","Lyricist","Composer","Publisher"],"odd_tesim":["New York, NY","Smith, Dick / Wine-Gar, Frank / Rogan, Jimmy","Deutsch, Emery","Donaldson, Douglas, and Gumble Inc."],"separatedmaterial_html_tesm":["\u003cp\u003eEnglish\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Language"],"separatedmaterial_tesim":["English"],"_nest_path_":"/components#0/components#0/components#1031","_nest_parent_":"3232c27cb5756431732dd4dd_aspace_128095","_root_":"3232c27cb5756431732dd4dd","timestamp":"2026-04-21T17:58:43.015Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3232c27cb5756431732dd4dd","title_ssm":["Joe Merman Sheet Music Collection"],"title_tesim":["Joe Merman Sheet Music Collection"],"ead_ssi":"3232c27cb5756431732dd4dd","unitdate_ssm":["1909-1999"],"unitdate_inclusive_ssm":["1909-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00012","/repositories/2/resources/98"],"text":["PMC00012","/repositories/2/resources/98","Joe Merman Sheet Music Collection, 1909-1999","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Alphabetical by score name","Joe Merman was a composer, pianist, orchestrator, and arranger of popular Jewish and American music. The Joe Merman Music Collection includes 1000 pieces of sheet music; all scores are unpublished, single-copy manuscripts and represent his diverse talent in writing different combinations of big band charts and pieces for theatre and radio orchestras. The collections also includes two scrap books that contain numerous images, pamphlets, newspaper clippings, and correspondence spanning across Joe Merman","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00012","/repositories/2/resources/98"],"normalized_date_ssm":["1909-1999"],"normalized_title_ssm":["Joe Merman Sheet Music Collection, 1909-1999"],"collection_title_tesim":["Joe Merman Sheet Music Collection, 1909-1999"],"collection_ssim":["Joe Merman Sheet Music Collection, 1909-1999"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"has_online_content_ssim":["false"],"extent_ssm":["8.50 Linear Feet","41 boxes other_unmapped"],"extent_tesim":["8.50 Linear Feet","41 boxes other_unmapped"],"date_range_isim":[1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment. Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eAlphabetical by score name\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetical by score name"],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"scopecontent_html_tesm":["\u003cp\u003eJoe Merman was a composer, pianist, orchestrator, and arranger of popular Jewish and American music. 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It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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In addition, selected materials are digitized and available electronically through the Digital Library."],"arrangement_html_tesm":["\u003cp\u003eAlphabetical by title\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetical by title"],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"scopecontent_html_tesm":["\u003cp\u003eIn 2007, Sybil Weiner donated her collection of over 500 pieces of American popular print music to Florida Atlantic University. 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Throughout the Marion Banzhaf Papers, researchers will encounter the following organizations and subjects documented: ","the People with AIDS Coalition of New York and New Jersey (PWA), the AIDS Coalition to Unleash Power (ACT UP), the New Jersey Women and AIDS Network (NJWAN), the AIDS Drug Assistance Program (ADAP), the Sexuality Information and Education Council of the United States (SIECUS), the Governor's Advisory Council of New Jersey (GAC NJ), the National Institute of Allergy and Infectious Disease (NIAID), the Association for Women's AIDS Research and Education (A.W.A.R.E), the Women's AIDS Network (WAN), the Pregnancy Information Project (PIP), the New Jersey Department of Health (NJ DOH), the Morbidity and Mortality Weekly Report (MMWR), the National Organization for Women (NOW), the Health Resources and Services Administration (HRSA), the Harm Reduction Training Institute (HRTI), the Feminist Women's Health Center (FWHC), AIDS Counseling and Education (ACE), and the Hyacinth AIDS Foundation. 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