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","Tampa Cigar Label Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","The Fred Bautz Cigar Label Collection covers a wide range of artistic styles used in cigar advertisement, as well as lithographic techniques used in creating those labels. The collection covers labels from the late 19th century through the mid-1940s, and geographically covers examples from the United States and Europe. The labels from the 1920s were also among the last to use the old chromolithographic printing process. The proofs themselves have a wide range of color use, ranging from six to twenty colors per proof, and include examples from several lithographic corporations, such as American Lithography, Hepenheimer and Sons, Whitch and Schmidt, George  Harris, Schumaker and Ettlinger, and Haywood S. and V. Lithographers.","USF Libraries - Tampa Special Collections","Bautz, Fred","English"],"unitid_tesim":["MS-1985-01","/repositories/2/resources/142"],"normalized_date_ssm":["1890-1945, Date acquired: 00/00/1985"],"normalized_title_ssm":["Fred Bautz Cigar Label collection, 1890-1945, Date acquired: 00/00/1985"],"collection_title_tesim":["Fred Bautz Cigar Label collection, 1890-1945, Date acquired: 00/00/1985"],"collection_ssim":["Fred Bautz Cigar Label collection, 1890-1945, Date acquired: 00/00/1985"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Bautz, Fred"],"creator_ssim":["Bautz, Fred"],"creator_persname_ssim":["Bautz, Fred"],"creators_ssim":["Bautz, Fred"],"access_terms_ssm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Fred Bautz","Historian L. Glenn Westfall facilitated the donation of this collection and is responsible for several important donations of material covering the cigar industry in Tampa and Key West."],"access_subjects_ssim":["Chromolithography","Cigar bands and labels -- Lithography"],"access_subjects_ssm":["Chromolithography","Cigar bands and labels -- Lithography"],"has_online_content_ssim":["false"],"extent_ssm":["6.26 Linear Feet","16 boxes"],"extent_tesim":["6.26 Linear Feet","16 boxes"],"genreform_ssim":["Cigar bands and labels -- Lithography"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945],"arrangement_html_tesm":["\u003cp\u003eLabels are arranged alphabetically by company name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Labels are arranged alphabetically by company name."],"prefercite_html_tesm":["\u003cp\u003eFred Bautz Cigar Label Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Fred Bautz Cigar Label Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eKane-Greenberg Lithography Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e\n","\u003cp\u003eTampa Cigar Label Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Kane-Greenberg Lithography Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Tampa Cigar Label Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e98cef931140790b926273ef7b53f770\" label=\"Abstract\"\u003eThe Fred Bautz Cigar Label Collection covers a wide range of artistic styles used in cigar advertisement, as well as lithographic techniques used in creating those labels. The collection covers labels from the late 19th century through the mid-1940s, and geographically covers examples from the United States and Europe. The labels from the 1920s were also among the last to use the old chromolithographic printing process. The proofs themselves have a wide range of color use, ranging from six to twenty colors per proof, and include examples from several lithographic corporations, such as American Lithography, Hepenheimer and Sons, Whitch and Schmidt, George\u0026#xA0; Harris, Schumaker and Ettlinger, and Haywood S. and V. Lithographers.\u003c/abstract\u003e"],"abstract_tesim":["The Fred Bautz Cigar Label Collection covers a wide range of artistic styles used in cigar advertisement, as well as lithographic techniques used in creating those labels. The collection covers labels from the late 19th century through the mid-1940s, and geographically covers examples from the United States and Europe. The labels from the 1920s were also among the last to use the old chromolithographic printing process. The proofs themselves have a wide range of color use, ranging from six to twenty colors per proof, and include examples from several lithographic corporations, such as American Lithography, Hepenheimer and Sons, Whitch and Schmidt, George  Harris, Schumaker and Ettlinger, and Haywood S. and V. Lithographers."],"names_ssim":["USF Libraries - Tampa Special Collections","Bautz, Fred"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Bautz, Fred"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1048,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862523910062080,"_root_":"ba11e1a27e9c23cb6b07bb20","timestamp":"2026-07-16T09:18:58.567Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ba11e1a27e9c23cb6b07bb20_aspace_120984"}},{"id":"0324bb087c1e9b345ba6087e_aspace_89249","type":"File","attributes":{"title":"Zimbala, no. 235","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/0324bb087c1e9b345ba6087e_aspace_89249#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_89249","ref_ssm":["aspace_89249","aspace_89249"],"id":"0324bb087c1e9b345ba6087e_aspace_89249","title_filing_ssi":"Zimbala, no. 235","title_ssm":["Zimbala, no. 235"],"title_tesim":["Zimbala, no. 235"],"normalized_title_ssm":["Zimbala, no. 235"],"text":["Zimbala, no. 235","Kane-Greenberg Lithography collection, 1870-1939, Date acquired: 12/06/1985","Lithographic Proof Books—Non-Tampa Brands","Cigar Label Proof Books","Wh- Z","Folder 12","/repositories/2/archival_objects/28295","box 53","folder 12"],"component_level_isim":[4],"parent_ids_ssim":["0324bb087c1e9b345ba6087e","0324bb087c1e9b345ba6087e_aspace_88175","0324bb087c1e9b345ba6087e_aspace_88179","0324bb087c1e9b345ba6087e_aspace_89237"],"parent_unittitles_ssm":["Kane-Greenberg Lithography collection, 1870-1939, Date acquired: 12/06/1985","Lithographic Proof Books—Non-Tampa Brands","Cigar Label Proof Books","Wh- Z"],"parent_unittitles_tesim":["Kane-Greenberg Lithography collection, 1870-1939, Date acquired: 12/06/1985","Lithographic Proof Books—Non-Tampa Brands","Cigar Label Proof Books","Wh- Z"],"parent_levels_ssm":["collection","Series","Subseries","Box"],"unitid_ssm":["Folder 12","/repositories/2/archival_objects/28295"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Kane-Greenberg Lithography collection, 1870-1939, Date acquired: 12/06/1985"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":771,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 53","folder 12"],"_nest_path_":"/components#1/components#0/components#44/components#11","_nest_parent_":"0324bb087c1e9b345ba6087e_aspace_89237","_root_":"0324bb087c1e9b345ba6087e","_version_":1870862576011706368,"timestamp":"2026-07-16T09:19:48.171Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"0324bb087c1e9b345ba6087e","title_ssm":["Kane-Greenberg Lithography collection"],"title_tesim":["Kane-Greenberg Lithography collection"],"ead_ssi":"0324bb087c1e9b345ba6087e","unitdate_ssm":["1870-1939","Date acquired: 12/06/1985"],"unitdate_other_ssim":["1870-1939","Date acquired: 12/06/1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1985-06","/repositories/2/resources/174"],"text":["MS-1985-06","/repositories/2/resources/174","Kane-Greenberg Lithography collection, 1870-1939, Date acquired: 12/06/1985","Chromolithography","Cigar box labels -- United States -- History","Tobacco industry -- Florida -- History","Cigar box labels","Cigar bands and labels -- Lithography","The donation of this extensive assortment of master proof reference books  and lithographic proof books supplemented a similar donation that had previously established the collection. To this pre-existing collection, Dr. Stanley Greenberg donated 50 proof books, Dr. Neil Greenberg donated 27 proof books,  Mr. Morris Greenberg donated 14 proof books, while Mr. Raymond Kane contributed a donation of 74 proof books and 3 master reference books.","Donated proof books were appraised by Frank Thomas Vance, with an evaluation made and recorded by Loy Glenn Westfall.","The collection is arranged within series by type of material (proof books; cigar bands and labels) and by location of the cigar manufacturer (Tampa; Non-Tampa), with sub-series separating cigar labels from cigar bands. Individual proof books are filed alphabetically by brand name within subseries. Assorted cigar bands and labels not comprising lithographic proof books are arranged within a separate series, filed alphabetically within subseries by lithographic corporation or location, as appropriate.","Central to the advertising art of the cigar industry, progressive proof books were produced by means of stone lithography, an artistic and commercial process by which an engraved stone is used in order to print each color of a total image separately. The majority of cigar labels were produced by using six or fewer stones, while labels requiring as many as twenty-two stones have also been reported. Prior to printing a label, image registration and color layout were checked by means of running a set of proofs. These proofs contain the particular sequence of colors in which cigar labels were printed, as well as a final sample of the label resulting from each of the separately printed colors. The proofs were bound together and used as reference books by commercial printers, and are today the remnants of a detailed, time-consuming, and long-abandoned printing process. The variety of themes and subjects recorded in lithographic labels and advertisements are a valuable contribution to the historical and cultural record.","Mr. Raymond Kane, together with Dr. Stanley Greenberg, Dr. Neil Greenberg, and Mr. Morris Greenberg, contributed an important collection of master proof reference books and lithographic proof books to the University of South Florida. Central to the advertising art of the cigar industry, progressive proof books were produced by means of stone lithography, an artistic and commercial process by which an engraved stone is used to print each color of a total image separately. The majority of cigar labels were produced by using six or fewer stones, while labels requiring as many as twenty-two stones have also been reported. Prior to printing a label, image registration and color layout were checked by means of running a set of proofs. These proofs contain the particular sequence of colors in which cigar labels were printed, as well as a final sample of the label resulting from each of the separately printed colors. The proofs were bound together and used as reference books by commercial printers, and are today the remnants of a detailed, time-consuming, and long-abandoned printing process. The variety of themes and subjects recorded in lithographic labels and advertisements provide a valuable contribution to the historical and cultural record.","Greenberg, Morris. \"The Kane-Greenberg Collection: Donation to the University of South Florida Library.\" Donor file of  Kane-Greenberg Collection . 06 Dec 1985. Print. [Collection appraisal information].","Note written by ","Some materials are fragile.","Tampa Cigar Label Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Antonio Cigar Factory Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Ybor-Manrara Cigar Ledgers and Record Books, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida","Fred Bautz Cigar Label Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Sanchez y Haya Company Papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Oliva Tobacco Company Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","http://purl.fcla.edu/usf/dc/o2","Representing the wide array of lithographic styles, colors, and processes used in cigar industry labeling and advertising, the Kane-Greenberg Lithography Collection consists of cigar labels, bands, and progressive proof books spanning from the late 19th century through the mid-1930s. Lithographic corporations throughout the United States are represented in the collection, including American Lithographic Co., F. Heppenheimer's  Sons, Witsch \u0026 Schmitt, George Harris \u0026 Sons, and Schumaker \u0026 Ettlinger.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Kane, Raymond P.","Greenberg, Morris","Greenberg, Stanley","Greenberg, Neil","English"],"unitid_tesim":["MS-1985-06","/repositories/2/resources/174"],"normalized_date_ssm":["1870-1939, Date acquired: 12/06/1985"],"normalized_title_ssm":["Kane-Greenberg Lithography collection, 1870-1939, Date acquired: 12/06/1985"],"collection_title_tesim":["Kane-Greenberg Lithography collection, 1870-1939, Date acquired: 12/06/1985"],"collection_ssim":["Kane-Greenberg Lithography collection, 1870-1939, Date acquired: 12/06/1985"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Kane, Raymond P.","Greenberg, Morris","Greenberg, Stanley","Greenberg, Neil"],"creator_ssim":["Kane, Raymond P.","Greenberg, Morris","Greenberg, Stanley","Greenberg, Neil"],"creator_persname_ssim":["Kane, Raymond P.","Greenberg, Morris","Greenberg, Stanley","Greenberg, Neil"],"creators_ssim":["Kane, Raymond P.","Greenberg, Morris","Greenberg, Stanley","Greenberg, Neil"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["The Kane-Greenberg Collection is comprised of four distinct assortments of progressive lithographic proof books held by Raymond P. Kane, Mr. Morris Greenberg, Dr. Stanley Greenberg, and Dr. Neil Greenberg.  Historian L. Glenn Westfall facilitated the donation of the material to the University of South Florida.  Westfall is responsible for several important acquisitions of material covering the cigar industry in Tampa and Key West."],"access_subjects_ssim":["Chromolithography","Cigar box labels -- United States -- History","Tobacco industry -- Florida -- History","Cigar box labels","Cigar bands and labels -- Lithography"],"access_subjects_ssm":["Chromolithography","Cigar box labels -- United States -- History","Tobacco industry -- Florida -- History","Cigar box labels","Cigar bands and labels -- Lithography"],"has_online_content_ssim":["false"],"extent_ssm":["23.98 Linear Feet","60 boxes"],"extent_tesim":["23.98 Linear Feet","60 boxes"],"genreform_ssim":["Cigar box labels","Cigar bands and labels -- Lithography"],"accruals_html_tesm":["\u003cp\u003eThe donation of this extensive assortment of master proof reference books\u0026#xA0; and lithographic proof books supplemented a similar donation that had previously established the collection. To this pre-existing collection, Dr. Stanley Greenberg donated 50 proof books, Dr. Neil Greenberg donated 27 proof books,\u0026#xA0; Mr. Morris Greenberg donated 14 proof books, while Mr. Raymond Kane contributed a donation of 74 proof books and 3 master reference books.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["The donation of this extensive assortment of master proof reference books  and lithographic proof books supplemented a similar donation that had previously established the collection. To this pre-existing collection, Dr. Stanley Greenberg donated 50 proof books, Dr. Neil Greenberg donated 27 proof books,  Mr. Morris Greenberg donated 14 proof books, while Mr. Raymond Kane contributed a donation of 74 proof books and 3 master reference books."],"appraisal_html_tesm":["\u003cp\u003eDonated proof books were appraised by Frank Thomas Vance, with an evaluation made and recorded by Loy Glenn Westfall.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Information"],"appraisal_tesim":["Donated proof books were appraised by Frank Thomas Vance, with an evaluation made and recorded by Loy Glenn Westfall."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged within series by type of material (proof books; cigar bands and labels) and by location of the cigar manufacturer (Tampa; Non-Tampa), with sub-series separating cigar labels from cigar bands. Individual proof books are filed alphabetically by brand name within subseries. Assorted cigar bands and labels not comprising lithographic proof books are arranged within a separate series, filed alphabetically within subseries by lithographic corporation or location, as appropriate.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged within series by type of material (proof books; cigar bands and labels) and by location of the cigar manufacturer (Tampa; Non-Tampa), with sub-series separating cigar labels from cigar bands. Individual proof books are filed alphabetically by brand name within subseries. Assorted cigar bands and labels not comprising lithographic proof books are arranged within a separate series, filed alphabetically within subseries by lithographic corporation or location, as appropriate."],"bioghist_html_tesm":["\u003cp\u003eCentral to the advertising art of the cigar industry, progressive proof books were produced by means of stone lithography, an artistic and commercial process by which an engraved stone is used in order to print each color of a total image separately. The majority of cigar labels were produced by using six or fewer stones, while labels requiring as many as twenty-two stones have also been reported. Prior to printing a label, image registration and color layout were checked by means of running a set of proofs. These proofs contain the particular sequence of colors in which cigar labels were printed, as well as a final sample of the label resulting from each of the separately printed colors. The proofs were bound together and used as reference books by commercial printers, and are today the remnants of a detailed, time-consuming, and long-abandoned printing process. The variety of themes and subjects recorded in lithographic labels and advertisements are a valuable contribution to the historical and cultural record.\u003c/p\u003e\n","\u003cp\u003eMr. Raymond Kane, together with Dr. Stanley Greenberg, Dr. Neil Greenberg, and Mr. Morris Greenberg, contributed an important collection of master proof reference books and lithographic proof books to the University of South Florida. Central to the advertising art of the cigar industry, progressive proof books were produced by means of stone lithography, an artistic and commercial process by which an engraved stone is used to print each color of a total image separately. The majority of cigar labels were produced by using six or fewer stones, while labels requiring as many as twenty-two stones have also been reported. Prior to printing a label, image registration and color layout were checked by means of running a set of proofs. These proofs contain the particular sequence of colors in which cigar labels were printed, as well as a final sample of the label resulting from each of the separately printed colors. The proofs were bound together and used as reference books by commercial printers, and are today the remnants of a detailed, time-consuming, and long-abandoned printing process. The variety of themes and subjects recorded in lithographic labels and advertisements provide a valuable contribution to the historical and cultural record.\u003c/p\u003e\n","\u003cp\u003eGreenberg, Morris. \"The Kane-Greenberg Collection: Donation to the University of South Florida Library.\" Donor file of \u003cemph render=\"italic\"\u003eKane-Greenberg Collection\u003c/emph\u003e. 06 Dec 1985. Print. [Collection appraisal information].\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Central to the advertising art of the cigar industry, progressive proof books were produced by means of stone lithography, an artistic and commercial process by which an engraved stone is used in order to print each color of a total image separately. The majority of cigar labels were produced by using six or fewer stones, while labels requiring as many as twenty-two stones have also been reported. Prior to printing a label, image registration and color layout were checked by means of running a set of proofs. These proofs contain the particular sequence of colors in which cigar labels were printed, as well as a final sample of the label resulting from each of the separately printed colors. The proofs were bound together and used as reference books by commercial printers, and are today the remnants of a detailed, time-consuming, and long-abandoned printing process. The variety of themes and subjects recorded in lithographic labels and advertisements are a valuable contribution to the historical and cultural record.","Mr. Raymond Kane, together with Dr. Stanley Greenberg, Dr. Neil Greenberg, and Mr. Morris Greenberg, contributed an important collection of master proof reference books and lithographic proof books to the University of South Florida. Central to the advertising art of the cigar industry, progressive proof books were produced by means of stone lithography, an artistic and commercial process by which an engraved stone is used to print each color of a total image separately. The majority of cigar labels were produced by using six or fewer stones, while labels requiring as many as twenty-two stones have also been reported. Prior to printing a label, image registration and color layout were checked by means of running a set of proofs. These proofs contain the particular sequence of colors in which cigar labels were printed, as well as a final sample of the label resulting from each of the separately printed colors. The proofs were bound together and used as reference books by commercial printers, and are today the remnants of a detailed, time-consuming, and long-abandoned printing process. The variety of themes and subjects recorded in lithographic labels and advertisements provide a valuable contribution to the historical and cultural record.","Greenberg, Morris. \"The Kane-Greenberg Collection: Donation to the University of South Florida Library.\" Donor file of  Kane-Greenberg Collection . 06 Dec 1985. Print. [Collection appraisal information].","Note written by "],"phystech_html_tesm":["\u003cp\u003eSome materials are fragile.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Access Requirements"],"phystech_tesim":["Some materials are fragile."],"prefercite_html_tesm":["\u003cp\u003eKane-Greenberg Lithography Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Kane-Greenberg Lithography Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eTampa Cigar Label Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eAntonio Cigar Factory Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eYbor-Manrara Cigar Ledgers and Record Books, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida\u003c/p\u003e\n","\u003cp\u003eFred Bautz Cigar Label Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eSanchez y Haya Company Papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eOliva Tobacco Company Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003ehttp://purl.fcla.edu/usf/dc/o2\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Tampa Cigar Label Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Antonio Cigar Factory Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Ybor-Manrara Cigar Ledgers and Record Books, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida","Fred Bautz Cigar Label Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Sanchez y Haya Company Papers, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Oliva Tobacco Company Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","http://purl.fcla.edu/usf/dc/o2"],"scopecontent_html_tesm":["\u003cp\u003eRepresenting the wide array of lithographic styles, colors, and processes used in cigar industry labeling and advertising, the Kane-Greenberg Lithography Collection consists of cigar labels, bands, and progressive proof books spanning from the late 19th century through the mid-1930s. Lithographic corporations throughout the United States are represented in the collection, including American Lithographic Co., F. Heppenheimer's\u0026#xA0; Sons, Witsch \u0026amp; Schmitt, George Harris \u0026amp; Sons, and Schumaker \u0026amp; Ettlinger.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Representing the wide array of lithographic styles, colors, and processes used in cigar industry labeling and advertising, the Kane-Greenberg Lithography Collection consists of cigar labels, bands, and progressive proof books spanning from the late 19th century through the mid-1930s. Lithographic corporations throughout the United States are represented in the collection, including American Lithographic Co., F. Heppenheimer's  Sons, Witsch \u0026 Schmitt, George Harris \u0026 Sons, and Schumaker \u0026 Ettlinger."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Kane, Raymond P.","Greenberg, Morris","Greenberg, Stanley","Greenberg, Neil"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Kane, Raymond P.","Greenberg, Morris","Greenberg, Stanley","Greenberg, Neil"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1012,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862576011706368,"_root_":"0324bb087c1e9b345ba6087e","timestamp":"2026-07-16T09:19:48.171Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/0324bb087c1e9b345ba6087e_aspace_89249"}},{"id":"6fb6b27850de62e5c1e768a0_aspace_16094","type":"File","attributes":{"title":"Zimbalist, Efrem","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6fb6b27850de62e5c1e768a0_aspace_16094#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_16094","ref_ssm":["aspace_16094","aspace_16094"],"id":"6fb6b27850de62e5c1e768a0_aspace_16094","title_filing_ssi":"Zimbalist, Efrem","title_ssm":["Zimbalist, Efrem"],"title_tesim":["Zimbalist, Efrem"],"normalized_title_ssm":["Zimbalist, Efrem"],"text":["Zimbalist, Efrem","Music Collection, bulk 1900-1990","Sheet Music","Folder 95","/repositories/2/archival_objects/3585","box 3","folder 95"],"component_level_isim":[2],"parent_ids_ssim":["6fb6b27850de62e5c1e768a0","6fb6b27850de62e5c1e768a0_aspace_15752"],"parent_unittitles_ssm":["Music Collection, bulk 1900-1990","Sheet Music"],"parent_unittitles_tesim":["Music Collection, bulk 1900-1990","Sheet Music"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 95","/repositories/2/archival_objects/3585"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Music Collection, bulk 1900-1990"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":949,"parent_access_restrict_tesm":["The collection is open for research."],"containers_ssim":["box 3","folder 95"],"_nest_path_":"/components#0/components#324","_nest_parent_":"6fb6b27850de62e5c1e768a0_aspace_15752","_root_":"6fb6b27850de62e5c1e768a0","_version_":1880265583097806848,"timestamp":"2026-10-28T04:16:34.611Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6fb6b27850de62e5c1e768a0","title_ssm":["Music Collection"],"title_tesim":["Music Collection"],"ead_ssi":"6fb6b27850de62e5c1e768a0","unitdate_ssm":["1900-1990"],"unitdate_bulk_ssim":["1900-1990"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/43","/repositories/2/resources/4"],"text":["02/01/43","/repositories/2/resources/4","Music Collection, bulk 1900-1990","Sheet music.","Music.","Composers","The collection is open for research.","Organized in two series: Series 1, Sheet Music is arranged alphabetically by composer's last name; Series 2, Opera Scores is arranged on shelves in Library of Congress Classification order.","The music collection contains two series that hold hundreds of different composer's sheet music that spans across centuries. 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","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections and Archives. 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