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Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"names_coll_ssim":["Santa Rosa Island Authority.","American Association of University Women.","United States. Environmental Protection Agency.","Florida. Pollution Control Board.","St. Regis Paper Company.","Murray, Jean Hern.","Murray, James F.","Gurney, Edward, (Edward John), 1914- --Correspondence.","Sikes, Robert L. F. (1906-1994)--Correspondence."],"names_ssim":["UWF University Archives and West Florida History Center","Santa Rosa Island Authority.","American Association of University Women.","United States. Environmental Protection Agency.","Florida. Pollution Control Board.","St. Regis Paper Company.","Murray, James F.","Murray, Jean Hern.","Gurney, Edward, (Edward John), 1914- --Correspondence.","Sikes, Robert L. F. 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Also includes the personal papers of Jean Hern Murray, 1968-1973, concerning the American Association of University Women and their concerns about the Gulf Islands National Seashore, pollution and development on Santa Rosa Island, and the Santa Rosa Island Authority.","OTHER INFORMATION:  St. Regis later became Champion Paper Company then International Paper, and the Pollution Control Board of Florida became the Florida Department of Environmental Regulation.","Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.","UWF University Archives and West Florida History Center","Santa Rosa Island Authority.","American Association of University Women.","United States. Environmental Protection Agency.","Florida. Pollution Control Board.","St. Regis Paper Company.","Murray, James F.","Murray, Jean Hern.","Gurney, Edward, (Edward John), 1914- --Correspondence.","Sikes, Robert L. F. 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Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"acqinfo_ssim":["Jean F. Murray, Pensacola, Fla., 1984"],"access_subjects_ssim":["Gulf Islands National Seashore (Fla. and Miss.)","Marine pollution--Perdido Bay (Ala. and Fla.)","Ecology.","Environmental policy--Florida.","Environmental policy--United States.","Paper industry--Florida--Waste disposal.","Factory and trade waste--Florida.","Real estate development--Florida--Santa Rosa Island.","Pollution--Florida--Santa Rosa Island.","Pollution--Florida--Cantonment.","Environmental policy--Alabama.","Environmentalists--Florida--Pensacola.","Testimonies."],"access_subjects_ssm":["Gulf Islands National Seashore (Fla. and Miss.)","Marine pollution--Perdido Bay (Ala. and Fla.)","Ecology.","Environmental policy--Florida.","Environmental policy--United States.","Paper industry--Florida--Waste disposal.","Factory and trade waste--Florida.","Real estate development--Florida--Santa Rosa Island.","Pollution--Florida--Santa Rosa Island.","Pollution--Florida--Cantonment.","Environmental policy--Alabama.","Environmentalists--Florida--Pensacola.","Testimonies."],"has_online_content_ssim":["false"],"extent_ssm":["645.00 items"],"extent_tesim":["645.00 items"],"genreform_ssim":["Testimonies."],"date_range_isim":[1968,1969,1970,1971,1972,1973,1974,1975,1976,1977],"accessrestrict_html_tesm":["\u003cp\u003eOpen to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open to researchers, dependent on our compliance with U.S. Copyright Law, HIPPA requirements, donor agreements and other applicable state and federal statutes.  Occasionally we may need to review a collection before permitting immediate access."],"arrangement_html_tesm":["\u003cp\u003eAlphabetical; report files are chronological.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetical; report files are chronological."],"processinfo_html_tesm":["\u003cp\u003eRevised 08/10/1989\u003c/p\u003e","\u003cp\u003eCataloged 12/19/1988\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Revised 08/10/1989","Cataloged 12/19/1988"],"scopecontent_html_tesm":["\u003cp\u003ePensacola Environmentalist.\u003c/p\u003e\n","\u003cp\u003e     Personal papers, 1968-1977, including correspondence, reports, newspaper clippings, published hearings, testimony, and other materials concerning the St. Regis Paper Company, Cantonment, Florida and the discharge of industrial waste into Perdido Bay, 1971-1975.  Correspondents include U. S. Senator Edward Gurney, U. S. Representative Robert Sikes, the Pollution Control Board of Florida, the U. S. Envirionmental Protection Agency, and local, state, and federal agencies in Florida and Alabama.  Also includes the personal papers of Jean Hern Murray, 1968-1973, concerning the American Association of University Women and their concerns about the Gulf Islands National Seashore, pollution and development on Santa Rosa Island, and the Santa Rosa Island Authority.\u003c/p\u003e\n","\u003cp\u003eOTHER INFORMATION:  St. Regis later became Champion Paper Company then International Paper, and the Pollution Control Board of Florida became the Florida Department of Environmental Regulation.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Pensacola Environmentalist.","     Personal papers, 1968-1977, including correspondence, reports, newspaper clippings, published hearings, testimony, and other materials concerning the St. Regis Paper Company, Cantonment, Florida and the discharge of industrial waste into Perdido Bay, 1971-1975.  Correspondents include U. S. Senator Edward Gurney, U. S. Representative Robert Sikes, the Pollution Control Board of Florida, the U. S. Envirionmental Protection Agency, and local, state, and federal agencies in Florida and Alabama.  Also includes the personal papers of Jean Hern Murray, 1968-1973, concerning the American Association of University Women and their concerns about the Gulf Islands National Seashore, pollution and development on Santa Rosa Island, and the Santa Rosa Island Authority.","OTHER INFORMATION:  St. Regis later became Champion Paper Company then International Paper, and the Pollution Control Board of Florida became the Florida Department of Environmental Regulation."],"userestrict_html_tesm":["\u003cp\u003eDigital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Digital photography, scanning, and photocopying of materials is prohibited.  Permission may be granted by the Special Collections Librarian for such reprography dependent on issues of copyright, ownership, condition, donor agreements, etc.  In general, staff do not make reproductions of copyright materials or materials for which title is not owned by the institution.  Recent revisions in the U.S. Copyright Law extended the copyright of correspondence, letters, and other personal papers to the life of the author plus seventy years."],"names_coll_ssim":["Santa Rosa Island Authority.","American Association of University Women.","United States. Environmental Protection Agency.","Florida. Pollution Control Board.","St. Regis Paper Company.","Murray, Jean Hern.","Murray, James F.","Gurney, Edward, (Edward John), 1914- --Correspondence.","Sikes, Robert L. F. (1906-1994)--Correspondence."],"names_ssim":["UWF University Archives and West Florida History Center","Santa Rosa Island Authority.","American Association of University Women.","United States. Environmental Protection Agency.","Florida. Pollution Control Board.","St. Regis Paper Company.","Murray, James F.","Murray, Jean Hern.","Gurney, Edward, (Edward John), 1914- --Correspondence.","Sikes, Robert L. F. (1906-1994)--Correspondence."],"corpname_ssim":["UWF University Archives and West Florida History Center","Santa Rosa Island Authority.","American Association of University Women.","United States. Environmental Protection Agency.","Florida. Pollution Control Board.","St. Regis Paper Company."],"persname_ssim":["Murray, James F.","Murray, Jean Hern.","Gurney, Edward, (Edward John), 1914- --Correspondence.","Sikes, Robert L. F. 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Types of items include gallery guides and rack cards, exhibition catalogs, invitations and publicity brochures, exhibition and text boards, and posters published by the Museum. Of particular interest are guides, catalogs, publicity and memorabilia from the Ramses II exhibition presented by the Jacksonville Art Museum in 1986-87, the Andrew Wyeth exhibition in 1992, and large scale posters from other notable art exhibitions.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f11c2e39be427385299a43c9#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"f11c2e39be427385299a43c9","title_ssm":["Museum of Contemporary Art Jacksonville Collection"],"title_tesim":["Museum of Contemporary Art Jacksonville Collection"],"ead_ssi":"f11c2e39be427385299a43c9","unitdate_ssm":["1977-2010"],"unitdate_inclusive_ssm":["1977-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2009.006","/repositories/3/resources/62"],"text":["2009.006","/repositories/3/resources/62","Museum of Contemporary Art Jacksonville Collection, 1977-2010","Art--Florida--Jacksonville--Exhibitions.","Arts, American--Florida--Jacksonville--20th century--Exhibitions.","Arts, American--Florida--Jacksonville--21st century--Exhibitions.","Arts, Modern--20th century--Exhibitions.","Arts, Modern--21st century--Exhibitions.","Pamphlets","Posters","Printed materials","Realia","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","The Museum of Contemporary Art Jacksonville (MOCA Jacksonville) has a long and rich history as the first organization devoted to the visual arts in Northeast Florida. Founded in 1924 as the Jacksonville Fine Arts Society, the Museum evolved into a contemporary artistic institution with a substantial permanent collection, traveling exhibitions, and special events and educational programs for the community, supported by a permanent staff. At the mid-twentieth century mark in 1948, it was professionally incorporated as the Jacksonville Art Museum and purchased its first facility - the \"Fleming Mansion,\" a historic home on Riverside Avenue. A new and substantially larger building, located in the Koger Executive Center on 4160 Boulevard Center Drive, opened in 1966 and included both permanent and rotating exhibition galleries, a museum store, and an outdoor sculpture garden. In 1978, the Museum was accredited by the American Association of Museums. Efforts by the Board of Trustees in 1995 to clarify its mission resulted in the Museum's name change to the Jacksonville Museum of Contemporary Art.\nThe end of the twentieth century brought two major changes to the Museum: a new, centralized and visible location in downtown Jacksonville to house its growing collections and a name change to more accurately reflect the Museum's then scope and mission. In November 1999, the Museum acquired the five story Galleria / Western Union Telegraph building across from Hemming Park and City Hall. At the same time, the Museum became the Jacksonville Museum of Modern Art (JMoMA). In May 2003, a total renovation of the building was completed, with the addition of updated educational facilities, and a new restaurant, theater, and Museum Shop. The permanent galleries showcase works by leading modernists, such as Hans Hofmann, Joan Mitchell and Ed Paschke, with additional rotating exhibits displayed several times a year.\nIn 2006, JMoMA officially became the Museum of Contemporary Art Jacksonville (MOCA Jacksonville). Two years later, in October 2008, it was announced that the University of North Florida (UNF) was planning to take over the operations of MOCA, coincidentally housed in the same Galleria Building where the University had maintained a Downtown Center from 1978 to 1987. On April 16, 2009, the UNF Board of Trustees approved the arrangement, after the University's eleven-month review of the Museum's finances, legal obligations, physical plant, and the art collection. Under the terms of the arrangement, UNF became the building's leaseholder and in control of most of MOCA Jacksonville's 800-piece collection. The symbiotic affiliation and partnership continues to serve both the Museum and UNF as MOCA provides a rich stage for arts education activities, including UNF faculty and student exhibits, workshops and lectures, and special art outreach programs in the Jacksonville community.","Note written by ","The Library's collection contains printed materials which provide documentation of the Museum's exhibitions and programs from the late 1970s to date. Types of items include gallery guides and rack cards, exhibition catalogs, invitations and publicity brochures, exhibition and text boards, and posters published by the Museum. Of particular interest are guides, catalogs, publicity and memorabilia from the Ramses II exhibition presented by the Jacksonville Art Museum in 1986-87, the Andrew Wyeth exhibition in 1992, and large scale posters from other notable art exhibitions.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. 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Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from the Museum of Contemporary Art Jacksonville, 2009"],"access_subjects_ssim":["Art--Florida--Jacksonville--Exhibitions.","Arts, American--Florida--Jacksonville--20th century--Exhibitions.","Arts, American--Florida--Jacksonville--21st century--Exhibitions.","Arts, Modern--20th century--Exhibitions.","Arts, Modern--21st century--Exhibitions.","Pamphlets","Posters","Printed materials","Realia"],"access_subjects_ssm":["Art--Florida--Jacksonville--Exhibitions.","Arts, American--Florida--Jacksonville--20th century--Exhibitions.","Arts, American--Florida--Jacksonville--21st century--Exhibitions.","Arts, Modern--20th century--Exhibitions.","Arts, Modern--21st century--Exhibitions.","Pamphlets","Posters","Printed materials","Realia"],"has_online_content_ssim":["false"],"extent_ssm":["13.00 Linear Feet"],"extent_tesim":["13.00 Linear Feet"],"genreform_ssim":["Pamphlets","Posters","Printed materials","Realia"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eThe Museum of Contemporary Art Jacksonville (MOCA Jacksonville) has a long and rich history as the first organization devoted to the visual arts in Northeast Florida. Founded in 1924 as the Jacksonville Fine Arts Society, the Museum evolved into a contemporary artistic institution with a substantial permanent collection, traveling exhibitions, and special events and educational programs for the community, supported by a permanent staff. At the mid-twentieth century mark in 1948, it was professionally incorporated as the Jacksonville Art Museum and purchased its first facility - the \"Fleming Mansion,\" a historic home on Riverside Avenue. 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In May 2003, a total renovation of the building was completed, with the addition of updated educational facilities, and a new restaurant, theater, and Museum Shop. The permanent galleries showcase works by leading modernists, such as Hans Hofmann, Joan Mitchell and Ed Paschke, with additional rotating exhibits displayed several times a year.\nIn 2006, JMoMA officially became the Museum of Contemporary Art Jacksonville (MOCA Jacksonville). Two years later, in October 2008, it was announced that the University of North Florida (UNF) was planning to take over the operations of MOCA, coincidentally housed in the same Galleria Building where the University had maintained a Downtown Center from 1978 to 1987. On April 16, 2009, the UNF Board of Trustees approved the arrangement, after the University's eleven-month review of the Museum's finances, legal obligations, physical plant, and the art collection. Under the terms of the arrangement, UNF became the building's leaseholder and in control of most of MOCA Jacksonville's 800-piece collection. The symbiotic affiliation and partnership continues to serve both the Museum and UNF as MOCA provides a rich stage for arts education activities, including UNF faculty and student exhibits, workshops and lectures, and special art outreach programs in the Jacksonville community.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Museum of Contemporary Art Jacksonville (MOCA Jacksonville) has a long and rich history as the first organization devoted to the visual arts in Northeast Florida. Founded in 1924 as the Jacksonville Fine Arts Society, the Museum evolved into a contemporary artistic institution with a substantial permanent collection, traveling exhibitions, and special events and educational programs for the community, supported by a permanent staff. At the mid-twentieth century mark in 1948, it was professionally incorporated as the Jacksonville Art Museum and purchased its first facility - the \"Fleming Mansion,\" a historic home on Riverside Avenue. A new and substantially larger building, located in the Koger Executive Center on 4160 Boulevard Center Drive, opened in 1966 and included both permanent and rotating exhibition galleries, a museum store, and an outdoor sculpture garden. In 1978, the Museum was accredited by the American Association of Museums. Efforts by the Board of Trustees in 1995 to clarify its mission resulted in the Museum's name change to the Jacksonville Museum of Contemporary Art.\nThe end of the twentieth century brought two major changes to the Museum: a new, centralized and visible location in downtown Jacksonville to house its growing collections and a name change to more accurately reflect the Museum's then scope and mission. In November 1999, the Museum acquired the five story Galleria / Western Union Telegraph building across from Hemming Park and City Hall. At the same time, the Museum became the Jacksonville Museum of Modern Art (JMoMA). In May 2003, a total renovation of the building was completed, with the addition of updated educational facilities, and a new restaurant, theater, and Museum Shop. The permanent galleries showcase works by leading modernists, such as Hans Hofmann, Joan Mitchell and Ed Paschke, with additional rotating exhibits displayed several times a year.\nIn 2006, JMoMA officially became the Museum of Contemporary Art Jacksonville (MOCA Jacksonville). Two years later, in October 2008, it was announced that the University of North Florida (UNF) was planning to take over the operations of MOCA, coincidentally housed in the same Galleria Building where the University had maintained a Downtown Center from 1978 to 1987. On April 16, 2009, the UNF Board of Trustees approved the arrangement, after the University's eleven-month review of the Museum's finances, legal obligations, physical plant, and the art collection. Under the terms of the arrangement, UNF became the building's leaseholder and in control of most of MOCA Jacksonville's 800-piece collection. The symbiotic affiliation and partnership continues to serve both the Museum and UNF as MOCA provides a rich stage for arts education activities, including UNF faculty and student exhibits, workshops and lectures, and special art outreach programs in the Jacksonville community.","Note written by "],"prefercite_html_tesm":["\u003cp\u003eMuseum of Contemporary Art Jacksonville Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Museum of Contemporary Art Jacksonville Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe Library's collection contains printed materials which provide documentation of the Museum's exhibitions and programs from the late 1970s to date. Types of items include gallery guides and rack cards, exhibition catalogs, invitations and publicity brochures, exhibition and text boards, and posters published by the Museum. Of particular interest are guides, catalogs, publicity and memorabilia from the Ramses II exhibition presented by the Jacksonville Art Museum in 1986-87, the Andrew Wyeth exhibition in 1992, and large scale posters from other notable art exhibitions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Library's collection contains printed materials which provide documentation of the Museum's exhibitions and programs from the late 1970s to date. Types of items include gallery guides and rack cards, exhibition catalogs, invitations and publicity brochures, exhibition and text boards, and posters published by the Museum. Of particular interest are guides, catalogs, publicity and memorabilia from the Ramses II exhibition presented by the Jacksonville Art Museum in 1986-87, the Andrew Wyeth exhibition in 1992, and large scale posters from other notable art exhibitions."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. 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Please contact lib-special@unf.edu to schedule an appointment.","The Museum of Contemporary Art Jacksonville (MOCA Jacksonville) has a long and rich history as the first organization devoted to the visual arts in Northeast Florida. Founded in 1924 as the Jacksonville Fine Arts Society, the Museum evolved into a contemporary artistic institution with a substantial permanent collection, traveling exhibitions, and special events and educational programs for the community, supported by a permanent staff. At the mid-twentieth century mark in 1948, it was professionally incorporated as the Jacksonville Art Museum and purchased its first facility - the \"Fleming Mansion,\" a historic home on Riverside Avenue. A new and substantially larger building, located in the Koger Executive Center on 4160 Boulevard Center Drive, opened in 1966 and included both permanent and rotating exhibition galleries, a museum store, and an outdoor sculpture garden. In 1978, the Museum was accredited by the American Association of Museums. Efforts by the Board of Trustees in 1995 to clarify its mission resulted in the Museum's name change to the Jacksonville Museum of Contemporary Art.\nThe end of the twentieth century brought two major changes to the Museum: a new, centralized and visible location in downtown Jacksonville to house its growing collections and a name change to more accurately reflect the Museum's then scope and mission. In November 1999, the Museum acquired the five story Galleria / Western Union Telegraph building across from Hemming Park and City Hall. At the same time, the Museum became the Jacksonville Museum of Modern Art (JMoMA). In May 2003, a total renovation of the building was completed, with the addition of updated educational facilities, and a new restaurant, theater, and Museum Shop. The permanent galleries showcase works by leading modernists, such as Hans Hofmann, Joan Mitchell and Ed Paschke, with additional rotating exhibits displayed several times a year.\nIn 2006, JMoMA officially became the Museum of Contemporary Art Jacksonville (MOCA Jacksonville). Two years later, in October 2008, it was announced that the University of North Florida (UNF) was planning to take over the operations of MOCA, coincidentally housed in the same Galleria Building where the University had maintained a Downtown Center from 1978 to 1987. On April 16, 2009, the UNF Board of Trustees approved the arrangement, after the University's eleven-month review of the Museum's finances, legal obligations, physical plant, and the art collection. Under the terms of the arrangement, UNF became the building's leaseholder and in control of most of MOCA Jacksonville's 800-piece collection. The symbiotic affiliation and partnership continues to serve both the Museum and UNF as MOCA provides a rich stage for arts education activities, including UNF faculty and student exhibits, workshops and lectures, and special art outreach programs in the Jacksonville community.","Note written by ","The Library's collection contains printed materials which provide documentation of the Museum's exhibitions and programs from the late 1970s to date. Types of items include gallery guides and rack cards, exhibition catalogs, invitations and publicity brochures, exhibition and text boards, and posters published by the Museum. Of particular interest are guides, catalogs, publicity and memorabilia from the Ramses II exhibition presented by the Jacksonville Art Museum in 1986-87, the Andrew Wyeth exhibition in 1992, and large scale posters from other notable art exhibitions.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. 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Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from the Museum of Contemporary Art Jacksonville, 2009"],"access_subjects_ssim":["Art--Florida--Jacksonville--Exhibitions.","Arts, American--Florida--Jacksonville--20th century--Exhibitions.","Arts, American--Florida--Jacksonville--21st century--Exhibitions.","Arts, Modern--20th century--Exhibitions.","Arts, Modern--21st century--Exhibitions.","Pamphlets","Posters","Printed materials","Realia"],"access_subjects_ssm":["Art--Florida--Jacksonville--Exhibitions.","Arts, American--Florida--Jacksonville--20th century--Exhibitions.","Arts, American--Florida--Jacksonville--21st century--Exhibitions.","Arts, Modern--20th century--Exhibitions.","Arts, Modern--21st century--Exhibitions.","Pamphlets","Posters","Printed materials","Realia"],"has_online_content_ssim":["false"],"extent_ssm":["13.00 Linear Feet"],"extent_tesim":["13.00 Linear Feet"],"genreform_ssim":["Pamphlets","Posters","Printed materials","Realia"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eThe Museum of Contemporary Art Jacksonville (MOCA Jacksonville) has a long and rich history as the first organization devoted to the visual arts in Northeast Florida. Founded in 1924 as the Jacksonville Fine Arts Society, the Museum evolved into a contemporary artistic institution with a substantial permanent collection, traveling exhibitions, and special events and educational programs for the community, supported by a permanent staff. At the mid-twentieth century mark in 1948, it was professionally incorporated as the Jacksonville Art Museum and purchased its first facility - the \"Fleming Mansion,\" a historic home on Riverside Avenue. A new and substantially larger building, located in the Koger Executive Center on 4160 Boulevard Center Drive, opened in 1966 and included both permanent and rotating exhibition galleries, a museum store, and an outdoor sculpture garden. In 1978, the Museum was accredited by the American Association of Museums. Efforts by the Board of Trustees in 1995 to clarify its mission resulted in the Museum's name change to the Jacksonville Museum of Contemporary Art.\nThe end of the twentieth century brought two major changes to the Museum: a new, centralized and visible location in downtown Jacksonville to house its growing collections and a name change to more accurately reflect the Museum's then scope and mission. In November 1999, the Museum acquired the five story Galleria / Western Union Telegraph building across from Hemming Park and City Hall. At the same time, the Museum became the Jacksonville Museum of Modern Art (JMoMA). In May 2003, a total renovation of the building was completed, with the addition of updated educational facilities, and a new restaurant, theater, and Museum Shop. The permanent galleries showcase works by leading modernists, such as Hans Hofmann, Joan Mitchell and Ed Paschke, with additional rotating exhibits displayed several times a year.\nIn 2006, JMoMA officially became the Museum of Contemporary Art Jacksonville (MOCA Jacksonville). Two years later, in October 2008, it was announced that the University of North Florida (UNF) was planning to take over the operations of MOCA, coincidentally housed in the same Galleria Building where the University had maintained a Downtown Center from 1978 to 1987. On April 16, 2009, the UNF Board of Trustees approved the arrangement, after the University's eleven-month review of the Museum's finances, legal obligations, physical plant, and the art collection. Under the terms of the arrangement, UNF became the building's leaseholder and in control of most of MOCA Jacksonville's 800-piece collection. The symbiotic affiliation and partnership continues to serve both the Museum and UNF as MOCA provides a rich stage for arts education activities, including UNF faculty and student exhibits, workshops and lectures, and special art outreach programs in the Jacksonville community.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Museum of Contemporary Art Jacksonville (MOCA Jacksonville) has a long and rich history as the first organization devoted to the visual arts in Northeast Florida. Founded in 1924 as the Jacksonville Fine Arts Society, the Museum evolved into a contemporary artistic institution with a substantial permanent collection, traveling exhibitions, and special events and educational programs for the community, supported by a permanent staff. At the mid-twentieth century mark in 1948, it was professionally incorporated as the Jacksonville Art Museum and purchased its first facility - the \"Fleming Mansion,\" a historic home on Riverside Avenue. A new and substantially larger building, located in the Koger Executive Center on 4160 Boulevard Center Drive, opened in 1966 and included both permanent and rotating exhibition galleries, a museum store, and an outdoor sculpture garden. In 1978, the Museum was accredited by the American Association of Museums. Efforts by the Board of Trustees in 1995 to clarify its mission resulted in the Museum's name change to the Jacksonville Museum of Contemporary Art.\nThe end of the twentieth century brought two major changes to the Museum: a new, centralized and visible location in downtown Jacksonville to house its growing collections and a name change to more accurately reflect the Museum's then scope and mission. In November 1999, the Museum acquired the five story Galleria / Western Union Telegraph building across from Hemming Park and City Hall. At the same time, the Museum became the Jacksonville Museum of Modern Art (JMoMA). In May 2003, a total renovation of the building was completed, with the addition of updated educational facilities, and a new restaurant, theater, and Museum Shop. The permanent galleries showcase works by leading modernists, such as Hans Hofmann, Joan Mitchell and Ed Paschke, with additional rotating exhibits displayed several times a year.\nIn 2006, JMoMA officially became the Museum of Contemporary Art Jacksonville (MOCA Jacksonville). Two years later, in October 2008, it was announced that the University of North Florida (UNF) was planning to take over the operations of MOCA, coincidentally housed in the same Galleria Building where the University had maintained a Downtown Center from 1978 to 1987. On April 16, 2009, the UNF Board of Trustees approved the arrangement, after the University's eleven-month review of the Museum's finances, legal obligations, physical plant, and the art collection. Under the terms of the arrangement, UNF became the building's leaseholder and in control of most of MOCA Jacksonville's 800-piece collection. The symbiotic affiliation and partnership continues to serve both the Museum and UNF as MOCA provides a rich stage for arts education activities, including UNF faculty and student exhibits, workshops and lectures, and special art outreach programs in the Jacksonville community.","Note written by "],"prefercite_html_tesm":["\u003cp\u003eMuseum of Contemporary Art Jacksonville Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Museum of Contemporary Art Jacksonville Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe Library's collection contains printed materials which provide documentation of the Museum's exhibitions and programs from the late 1970s to date. Types of items include gallery guides and rack cards, exhibition catalogs, invitations and publicity brochures, exhibition and text boards, and posters published by the Museum. Of particular interest are guides, catalogs, publicity and memorabilia from the Ramses II exhibition presented by the Jacksonville Art Museum in 1986-87, the Andrew Wyeth exhibition in 1992, and large scale posters from other notable art exhibitions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Library's collection contains printed materials which provide documentation of the Museum's exhibitions and programs from the late 1970s to date. Types of items include gallery guides and rack cards, exhibition catalogs, invitations and publicity brochures, exhibition and text boards, and posters published by the Museum. Of particular interest are guides, catalogs, publicity and memorabilia from the Ramses II exhibition presented by the Jacksonville Art Museum in 1986-87, the Andrew Wyeth exhibition in 1992, and large scale posters from other notable art exhibitions."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_coll_ssim":["Jacksonville Art Museum.","Jacksonville Museum of Contemporary Art.","Jacksonville Museum of Modern Art.","Museum of Contemporary Art Jacksonville.","University of North Florida.","Jacksonville Museum of Modern Art--Catalogs.","Jacksonville Art Museum--Catalogs.","Jacksonville Museum of Contemporary Art--Catalogs.","Museum of Contemporary Art Jacksonville--Catalogs.","Ramses II King of Egypt--Exhibitions."],"names_ssim":["UNF Library Special Collections and University Archives","Museum of Contemporary Art Jacksonville.","Jacksonville Art Museum.","Jacksonville Museum of Contemporary Art.","Jacksonville Museum of Modern Art.","University of North Florida.","Jacksonville Museum of Modern Art--Catalogs.","Jacksonville Art Museum--Catalogs.","Jacksonville Museum of Contemporary Art--Catalogs.","Museum of Contemporary Art Jacksonville--Catalogs.","Ramses II King of Egypt--Exhibitions."],"corpname_ssim":["UNF Library Special Collections and University Archives","Museum of Contemporary Art Jacksonville.","Jacksonville Art Museum.","Jacksonville Museum of Contemporary Art.","Jacksonville Museum of Modern Art.","University of North Florida.","Jacksonville Museum of Modern Art--Catalogs.","Jacksonville Art Museum--Catalogs.","Jacksonville Museum of Contemporary Art--Catalogs.","Museum of Contemporary Art Jacksonville--Catalogs."],"persname_ssim":["Ramses II King of Egypt--Exhibitions."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860566621323264,"_root_":"f11c2e39be427385299a43c9","timestamp":"2026-07-16T08:47:51.964Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f11c2e39be427385299a43c9"}},{"id":"b921fdcc559497ede89ab11f","type":"collection","attributes":{"title":"Museum of Fine Arts Materials, Undated","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/b921fdcc559497ede89ab11f#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003ePart One by Box #: 1. 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Tube of Photo- Posters (needs rehousing)"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. 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Boxes 2, 4, 13-32, \u0026 39-53 can be accessed at the Claude Pepper Library. Boxes 1, 3 , 5-12, \u0026 33-38 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Date accessioned: 2018","Part One by Box #:\n1. Slides\n2. Mix: map reports, photos, AISB\n3. AISB Records\n4. Records/ Education Packets\n5. Slides\n6. Slides\n7. Publicity/ FAISB\n8. Slides\n9. Clippings/ Slides\n10. AISB records\n11. Slides\n12. Publicity '91-'06\n13. VHS \u0026 cassette tapes\n14. VHS tapes \u0026 ED+ Monifa Love\n15. Slides\n16. Earl Bronsteen rejection letter\n17. FAISB labels\n18. Life Sciences Building metal decorations\n19. Slides\n20. Photos in envelopes\n21. Misc. items\n22. Publications\n23. Publications\n24. Publications\n25. Publications\n26. Publications\n27. Publications\n28. Publications\n29. Athanor\n30. Athanor\n31. Athanor\n32. 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Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2018-073","/repositories/10/resources/1576"],"normalized_date_ssm":["Undated"],"normalized_title_ssm":["Museum of Fine Arts Materials, Undated"],"collection_title_tesim":["Museum of Fine Arts Materials, Undated"],"collection_ssim":["Museum of Fine Arts Materials, Undated"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["MOFA/ Elizabeth McLendon"],"has_online_content_ssim":["false"],"extent_ssm":["51 Linear Feet","53 boxes"],"extent_tesim":["51 Linear Feet","53 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. Boxes 2, 4, 13-32, \u0026amp; 39-53 can be accessed at the Claude Pepper Library. Boxes 1, 3 , 5-12, \u0026amp; 33-38 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. Boxes 2, 4, 13-32, \u0026 39-53 can be accessed at the Claude Pepper Library. Boxes 1, 3 , 5-12, \u0026 33-38 are in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"custodhist_html_tesm":["\u003cp\u003eDate accessioned: 2018\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Date accessioned: 2018"],"prefercite_html_tesm":["\u003cp\u003eMuseum of Fine Arts Materials, HUA 2018-073, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/HUA-2018-073\u003c/p\u003e"],"prefercite_tesim":["Museum of Fine Arts Materials, HUA 2018-073, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida.\nhttps://purl.lib.fsu.edu/fa/HUA-2018-073"],"scopecontent_html_tesm":["\u003cp\u003ePart One by Box #:\n1. Slides\n2. Mix: map reports, photos, AISB\n3. AISB Records\n4. Records/ Education Packets\n5. Slides\n6. Slides\n7. Publicity/ FAISB\n8. Slides\n9. Clippings/ Slides\n10. AISB records\n11. Slides\n12. Publicity '91-'06\n13. VHS \u0026amp; cassette tapes\n14. VHS tapes \u0026amp; ED+ Monifa Love\n15. Slides\n16. Earl Bronsteen rejection letter\n17. FAISB labels\n18. Life Sciences Building metal decorations\n19. Slides\n20. Photos in envelopes\n21. Misc. items\n22. Publications\n23. Publications\n24. Publications\n25. Publications\n26. Publications\n27. Publications\n28. Publications\n29. Athanor\n30. Athanor\n31. Athanor\n32. Athanor\n34) Walmsley\n35) Walmsley\n36) Walmsley\n37) Walmsley\n38) Walmsley\n39) Walmsley\n40. Publications\n41. Publications\n42. Project Files\n43. Project Files\n44. Admin Files\n45. Flyers \u0026amp; Files\n46. Flyers \u0026amp; Files \n47. William Walmsley\n48. Files, Publications, \u0026amp; CDs\n49. Manuals \u0026amp; Accessories\n50. SVAD Slides\n51. Tube of Photo- Posters (needs rehousing)\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Part One by Box #:\n1. Slides\n2. Mix: map reports, photos, AISB\n3. AISB Records\n4. Records/ Education Packets\n5. Slides\n6. Slides\n7. Publicity/ FAISB\n8. Slides\n9. Clippings/ Slides\n10. AISB records\n11. Slides\n12. Publicity '91-'06\n13. VHS \u0026 cassette tapes\n14. VHS tapes \u0026 ED+ Monifa Love\n15. Slides\n16. Earl Bronsteen rejection letter\n17. FAISB labels\n18. Life Sciences Building metal decorations\n19. Slides\n20. Photos in envelopes\n21. Misc. items\n22. Publications\n23. Publications\n24. Publications\n25. Publications\n26. Publications\n27. Publications\n28. Publications\n29. Athanor\n30. Athanor\n31. Athanor\n32. Athanor\n34) Walmsley\n35) Walmsley\n36) Walmsley\n37) Walmsley\n38) Walmsley\n39) Walmsley\n40. Publications\n41. Publications\n42. Project Files\n43. Project Files\n44. Admin Files\n45. Flyers \u0026 Files\n46. Flyers \u0026 Files \n47. William Walmsley\n48. Files, Publications, \u0026 CDs\n49. Manuals \u0026 Accessories\n50. SVAD Slides\n51. Tube of Photo- Posters (needs rehousing)"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"b921fdcc559497ede89ab11f","timestamp":"2026-07-08T05:39:57.677Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b921fdcc559497ede89ab11f"}},{"id":"2bb9d42f2e0d9afb9a01aa06","type":"collection","attributes":{"title":"Music and Dance Advertisements and Photos, Undated","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2bb9d42f2e0d9afb9a01aa06#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003e\"Annals of the School of Music Martha Graham Dance Company ads The Pirates of Penzance performance photos Music, Physics, Telecommunications, Economics, Health Center, and Buisness buildings dedication pamphlets American Ballet Theatre Repertory Company photos Columbia Artists photo flyers Karel Paukert (organist) Masterclass flyer Various performance advertisments and booklets from FSU Artist Series: 1987/88 Season, 1988/89 Season, 1989/90 Season Summer and Fall Artist Series 1951, Summer 1960, Spring 1971 (2), Fall 1970, Fall 1973 (2), 1974/75 season, Oct. 1976 (2), Feb 1977 (2), April 1978 (2), Oct. 1976, Jan 1977, March 1978, Feb. 1978, 1977/78 Season Photo of Elliot Feld Photo of Philidor Trio Photos of Nadja Salerno-Sonnenberg Newspaper featuring FSU 1977 Fine Arts Festival Production photos of the national tour of Me and My Girl Production photos and advertisments of Don Cossacks flyer: The Best of Mummenschanz 1969-1989 flyer: Bizet's Carmen in English. Western Opera Theater flyer: Me and my Girl \"\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2bb9d42f2e0d9afb9a01aa06#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"2bb9d42f2e0d9afb9a01aa06","title_ssm":["Music and Dance Advertisements and Photos"],"title_tesim":["Music and Dance Advertisements and Photos"],"ead_ssi":"2bb9d42f2e0d9afb9a01aa06","unitdate_ssm":["Undated"],"unitdate_inclusive_ssm":["Undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HUA 2019-130","/repositories/10/resources/2611"],"text":["HUA 2019-130","/repositories/10/resources/2611","Music and Dance Advertisements and Photos, Undated","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Date accessioned: 2019/06/18","\"Annals of the School of Music\nMartha Graham Dance Company ads\nThe Pirates of Penzance performance photos\nMusic, Physics, Telecommunications, Economics, Health Center, and Buisness buildings dedication pamphlets\nAmerican Ballet Theatre Repertory Company photos\nColumbia Artists photo flyers \nKarel Paukert (organist) Masterclass flyer\nVarious performance advertisments and booklets from FSU Artist Series: 1987/88 Season, 1988/89 Season, 1989/90 Season Summer and Fall Artist Series 1951, Summer 1960, Spring 1971 (2), Fall 1970, Fall 1973 (2), 1974/75 season, Oct. 1976 (2), Feb 1977 (2), April 1978 (2), Oct. 1976, Jan 1977, March 1978, Feb. 1978, 1977/78 Season\nPhoto of Elliot Feld\nPhoto of Philidor Trio\nPhotos of Nadja Salerno-Sonnenberg\nNewspaper featuring FSU 1977 Fine Arts Festival\nProduction photos of the national tour of Me and My Girl\nProduction photos and advertisments of Don Cossacks\nflyer: The Best of Mummenschanz 1969-1989\nflyer: Bizet's Carmen in English. Western Opera Theater\nflyer: Me and my Girl\n \"","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2019-130","/repositories/10/resources/2611"],"normalized_date_ssm":["Undated"],"normalized_title_ssm":["Music and Dance Advertisements and Photos, Undated"],"collection_title_tesim":["Music and Dance Advertisements and Photos, Undated"],"collection_ssim":["Music and Dance Advertisements and Photos, Undated"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. 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Western Opera Theater\nflyer: Me and my Girl\n \"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["\"Annals of the School of Music\nMartha Graham Dance Company ads\nThe Pirates of Penzance performance photos\nMusic, Physics, Telecommunications, Economics, Health Center, and Buisness buildings dedication pamphlets\nAmerican Ballet Theatre Repertory Company photos\nColumbia Artists photo flyers \nKarel Paukert (organist) Masterclass flyer\nVarious performance advertisments and booklets from FSU Artist Series: 1987/88 Season, 1988/89 Season, 1989/90 Season Summer and Fall Artist Series 1951, Summer 1960, Spring 1971 (2), Fall 1970, Fall 1973 (2), 1974/75 season, Oct. 1976 (2), Feb 1977 (2), April 1978 (2), Oct. 1976, Jan 1977, March 1978, Feb. 1978, 1977/78 Season\nPhoto of Elliot Feld\nPhoto of Philidor Trio\nPhotos of Nadja Salerno-Sonnenberg\nNewspaper featuring FSU 1977 Fine Arts Festival\nProduction photos of the national tour of Me and My Girl\nProduction photos and advertisments of Don Cossacks\nflyer: The Best of Mummenschanz 1969-1989\nflyer: Bizet's Carmen in English. Western Opera Theater\nflyer: Me and my Girl\n \""],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. 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Western Opera Theater\nflyer: Me and my Girl\n \"","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2019-130","/repositories/10/resources/2611"],"normalized_date_ssm":["Undated"],"normalized_title_ssm":["Music and Dance Advertisements and Photos, Undated"],"collection_title_tesim":["Music and Dance Advertisements and Photos, Undated"],"collection_ssim":["Music and Dance Advertisements and Photos, Undated"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. 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