{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026page=115\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026page=114\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026page=116\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026page=501\u0026view=compact"},"meta":{"pages":{"current_page":115,"next_page":116,"prev_page":114,"total_pages":501,"limit_value":10,"offset_value":1140,"total_count":5009,"first_page?":false,"last_page?":false}},"data":[{"id":"3056ee86647273e001c28846","type":"collection","attributes":{"title":"Eleanor and Elliott T. 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Gifford.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3056ee86647273e001c28846#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"3056ee86647273e001c28846","title_filing_ssi":"Gifford, Eleanor and Elliott T. collection","title_ssm":["Eleanor and Elliott T. Gifford collection"],"title_tesim":["Eleanor and Elliott T. Gifford collection"],"ead_ssi":"3056ee86647273e001c28846","unitdate_ssm":["1938-1968","Date accessioned: 2020-02-24"],"unitdate_inclusive_ssm":["1938-1968"],"unitdate_other_ssim":["Date accessioned: 2020-02-24"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["20.0003","/repositories/10/resources/1663"],"text":["20.0003","/repositories/10/resources/1663","Eleanor and Elliott T. Gifford collection, 1938-1968, Date accessioned: 2020-02-24","Camp Carson (Colo.)","Fort Des Moines (Iowa)","Fort Oglethorpe (Ga.)","Livorno (Italy)","Salzburg (Austria)","Königssee (Germany)","World War, 1939-1945--Germany--Berchtesgaden","Missing in action--1940-1950.","Theater.","World War, 1939-1945--Europe","Dorchester (Ship)","Aerographers, Naval","First Lieutenant, WAC","This collection is open to all researchers. Restrictions apply to this collection. Glenn E. Ballew donated the collection. Ballew acquired the collection after the passing of friend and co-worker Clifford Brooks Shirley on October 11th, 1994. Ballew discovered these letters, photographs and newspaper clipping in Shirley's attic of his residence. Shirley has no known living relatives.","Eleanor Gifford was born May 5, 1914 in Philadelphia, PA. She enlisted in the U.S. Women's Army Corps on April 17, 1943 in New York, NY. At the time she performed as a singer and actress in New York. From August to October 1945 Eleanor Gifford served as a first lieutenant WAC in Salzburg in the Special Services branch. From October 1945 to Febuary 1950 Eleanor Gifford was responsible for the organization of various activities of the Berchtesgaden Recreational Area as a WAC and civilian. She remained in Germany for the remainder of her life. Gifford married Günther Menzel on May 3, 1978  in Oberstdorf where she then also settled after retiring.\n \nEleanor's brother, Elliott Temple Gifford, was born on January 3, 1913, graduated from High School Point Pleasant, New Jersey in 1930 and immediately went to the U.S. Navy and served as an Aerographer's Mate. He was listed as missing in action, presumed dead, when the USAT  Dorchester   was torpedoed by a German submarine on February 3, 1943. The  Dorchester   was bound for the Army Command Base at Narsarsuaq in southern Greenland.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","The collection 17.0005 of Leigh Jamison Gifford and Eli Gifford (01.0171.1314) are related to Eleanor and Elliott Gifford.","This collection relates to Eleanor Gifford who served in the special services and her brother Elliott T. Gifford who served as an Aerographer's Mate in the U.S. Navy during World War II. Elliott T. Gifford was killed in action on board the USAT  Dorchester  when it was sunk on February 3, 1943 by a German submarine. This collection contains documents, newspaper clippings, German event posters, radio transcripts, letters, and photographs predominately from Eleanor M. 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Restrictions apply to this collection. Glenn E. Ballew donated the collection. Ballew acquired the collection after the passing of friend and co-worker Clifford Brooks Shirley on October 11th, 1994. Ballew discovered these letters, photographs and newspaper clipping in Shirley's attic of his residence. Shirley has no known living relatives.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. Restrictions apply to this collection. Glenn E. Ballew donated the collection. Ballew acquired the collection after the passing of friend and co-worker Clifford Brooks Shirley on October 11th, 1994. Ballew discovered these letters, photographs and newspaper clipping in Shirley's attic of his residence. Shirley has no known living relatives."],"bioghist_html_tesm":["\u003cp\u003eEleanor Gifford was born May 5, 1914 in Philadelphia, PA. 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The  Dorchester   was bound for the Army Command Base at Narsarsuaq in southern Greenland."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Eleanor and Elliot T. Gifford colection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_20_0003\"\u003ehttp://purl.fcla.edu/fsu/WWII_20_0003\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Eleanor and Elliot T. Gifford colection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_20_0003"],"relatedmaterial_html_tesm":["\u003cp\u003eThe collection 17.0005 of Leigh Jamison Gifford and Eli Gifford (01.0171.1314) are related to Eleanor and Elliott Gifford.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The collection 17.0005 of Leigh Jamison Gifford and Eli Gifford (01.0171.1314) are related to Eleanor and Elliott Gifford."],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Eleanor Gifford who served in the special services and her brother Elliott T. Gifford who served as an Aerographer's Mate in the U.S. Navy during World War II. Elliott T. Gifford was killed in action on board the USAT \u003cemph render=\"italic\"\u003eDorchester\u003c/emph\u003e when it was sunk on February 3, 1943 by a German submarine. 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Gifford collection"],"ead_ssi":"3056ee86647273e001c28846","unitdate_ssm":["1938-1968","Date accessioned: 2020-02-24"],"unitdate_inclusive_ssm":["1938-1968"],"unitdate_other_ssim":["Date accessioned: 2020-02-24"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["20.0003","/repositories/10/resources/1663"],"text":["20.0003","/repositories/10/resources/1663","Eleanor and Elliott T. Gifford collection, 1938-1968, Date accessioned: 2020-02-24","Camp Carson (Colo.)","Fort Des Moines (Iowa)","Fort Oglethorpe (Ga.)","Livorno (Italy)","Salzburg (Austria)","Königssee (Germany)","World War, 1939-1945--Germany--Berchtesgaden","Missing in action--1940-1950.","Theater.","World War, 1939-1945--Europe","Dorchester (Ship)","Aerographers, Naval","First Lieutenant, WAC","This collection is open to all researchers. Restrictions apply to this collection. Glenn E. Ballew donated the collection. 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Gifford married Günther Menzel on May 3, 1978  in Oberstdorf where she then also settled after retiring.\n \nEleanor's brother, Elliott Temple Gifford, was born on January 3, 1913, graduated from High School Point Pleasant, New Jersey in 1930 and immediately went to the U.S. Navy and served as an Aerographer's Mate. He was listed as missing in action, presumed dead, when the USAT  Dorchester   was torpedoed by a German submarine on February 3, 1943. The  Dorchester   was bound for the Army Command Base at Narsarsuaq in southern Greenland.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","The collection 17.0005 of Leigh Jamison Gifford and Eli Gifford (01.0171.1314) are related to Eleanor and Elliott Gifford.","This collection relates to Eleanor Gifford who served in the special services and her brother Elliott T. Gifford who served as an Aerographer's Mate in the U.S. Navy during World War II. Elliott T. Gifford was killed in action on board the USAT  Dorchester  when it was sunk on February 3, 1943 by a German submarine. This collection contains documents, newspaper clippings, German event posters, radio transcripts, letters, and photographs predominately from Eleanor M. Gifford.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","United States. Army. Women's Army Corps","School for Personnel Services (Lexington, Va.)","Gifford, Eleanor, 1914-","Gifford, Elliott T., 1913-1943","Pershing, John J. 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Restrictions apply to this collection. Glenn E. Ballew donated the collection. Ballew acquired the collection after the passing of friend and co-worker Clifford Brooks Shirley on October 11th, 1994. Ballew discovered these letters, photographs and newspaper clipping in Shirley's attic of his residence. Shirley has no known living relatives.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. Restrictions apply to this collection. Glenn E. Ballew donated the collection. Ballew acquired the collection after the passing of friend and co-worker Clifford Brooks Shirley on October 11th, 1994. Ballew discovered these letters, photographs and newspaper clipping in Shirley's attic of his residence. Shirley has no known living relatives."],"bioghist_html_tesm":["\u003cp\u003eEleanor Gifford was born May 5, 1914 in Philadelphia, PA. 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Gifford colection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_20_0003"],"relatedmaterial_html_tesm":["\u003cp\u003eThe collection 17.0005 of Leigh Jamison Gifford and Eli Gifford (01.0171.1314) are related to Eleanor and Elliott Gifford.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The collection 17.0005 of Leigh Jamison Gifford and Eli Gifford (01.0171.1314) are related to Eleanor and Elliott Gifford."],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Eleanor Gifford who served in the special services and her brother Elliott T. Gifford who served as an Aerographer's Mate in the U.S. Navy during World War II. Elliott T. Gifford was killed in action on board the USAT \u003cemph render=\"italic\"\u003eDorchester\u003c/emph\u003e when it was sunk on February 3, 1943 by a German submarine. This collection contains documents, newspaper clippings, German event posters, radio transcripts, letters, and photographs predominately from Eleanor M. Gifford.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection relates to Eleanor Gifford who served in the special services and her brother Elliott T. Gifford who served as an Aerographer's Mate in the U.S. Navy during World War II. Elliott T. Gifford was killed in action on board the USAT  Dorchester  when it was sunk on February 3, 1943 by a German submarine. This collection contains documents, newspaper clippings, German event posters, radio transcripts, letters, and photographs predominately from Eleanor M. Gifford."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["United States. Army. Women's Army Corps","School for Personnel Services (Lexington, Va.)","Pershing, John J. (John Joseph), 1860-1948","Welles, Orson, 1915-1985","Hampton, Lionel"],"names_ssim":["FSU Special Collections \u0026 Archives","United States. Army. Women's Army Corps","School for Personnel Services (Lexington, Va.)","Gifford, Eleanor, 1914-","Gifford, Elliott T., 1913-1943","Pershing, John J. (John Joseph), 1860-1948","Welles, Orson, 1915-1985","Hampton, Lionel"],"corpname_ssim":["FSU Special Collections \u0026 Archives","United States. Army. Women's Army Corps","School for Personnel Services (Lexington, Va.)"],"persname_ssim":["Gifford, Eleanor, 1914-","Gifford, Elliott T., 1913-1943","Pershing, John J. (John Joseph), 1860-1948","Welles, Orson, 1915-1985","Hampton, Lionel"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":18,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857639326384128,"_root_":"3056ee86647273e001c28846","timestamp":"2026-07-16T08:01:20.277Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3056ee86647273e001c28846"}},{"id":"721893a4c14f451d839f3d9b","type":"collection","attributes":{"title":"Eleanor Frajeon Materials, Unknown","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/721893a4c14f451d839f3d9b#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"721893a4c14f451d839f3d9b","title_ssm":["Eleanor Frajeon Materials"],"title_tesim":["Eleanor Frajeon Materials"],"ead_ssi":"721893a4c14f451d839f3d9b","unitdate_ssm":["Unknown"],"unitdate_other_ssim":["Unknown"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HUA 2019-112","/repositories/10/resources/1623"],"text":["HUA 2019-112","/repositories/10/resources/1623","Eleanor Frajeon Materials, Unknown","Date accessioned: 2019/06/05","Copyright restrictions may apply to works in this collection. 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Please contact lib-specialcollections@fsu.edu for more information."],"has_online_content_ssim":["false"],"extent_ssm":["1 items 1 folder"],"extent_tesim":["1 items 1 folder"],"custodhist_html_tesm":["\u003cp\u003eDate accessioned: 2019/06/05\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Date accessioned: 2019/06/05"],"prefercite_html_tesm":["\u003cp\u003eEleanor Frajeon Materials, HUA 2019-112, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HUA-2019-112\u003c/p\u003e"],"prefercite_tesim":["Eleanor Frajeon Materials, HUA 2019-112, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HUA-2019-112"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"721893a4c14f451d839f3d9b","timestamp":"2026-07-08T05:46:55.045Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"721893a4c14f451d839f3d9b","title_ssm":["Eleanor Frajeon Materials"],"title_tesim":["Eleanor Frajeon Materials"],"ead_ssi":"721893a4c14f451d839f3d9b","unitdate_ssm":["Unknown"],"unitdate_other_ssim":["Unknown"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HUA 2019-112","/repositories/10/resources/1623"],"text":["HUA 2019-112","/repositories/10/resources/1623","Eleanor Frajeon Materials, Unknown","Date accessioned: 2019/06/05","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2019-112","/repositories/10/resources/1623"],"normalized_date_ssm":["Unknown"],"normalized_title_ssm":["Eleanor Frajeon Materials, Unknown"],"collection_title_tesim":["Eleanor Frajeon Materials, Unknown"],"collection_ssim":["Eleanor Frajeon Materials, Unknown"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"has_online_content_ssim":["false"],"extent_ssm":["1 items 1 folder"],"extent_tesim":["1 items 1 folder"],"custodhist_html_tesm":["\u003cp\u003eDate accessioned: 2019/06/05\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Date accessioned: 2019/06/05"],"prefercite_html_tesm":["\u003cp\u003eEleanor Frajeon Materials, HUA 2019-112, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HUA-2019-112\u003c/p\u003e"],"prefercite_tesim":["Eleanor Frajeon Materials, HUA 2019-112, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HUA-2019-112"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"721893a4c14f451d839f3d9b","timestamp":"2026-07-08T05:46:55.045Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/721893a4c14f451d839f3d9b"}},{"id":"2dbb1d6e39d5f8ffbd6eb207","type":"collection","attributes":{"title":"Eleanor Harpring transcript, 1940-1945, Date acquired: 12/20/2001","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/2dbb1d6e39d5f8ffbd6eb207#creator","type":"document_value","attributes":{"value":["Harpring, Eleanor , 1925-2019"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2dbb1d6e39d5f8ffbd6eb207#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis oral interview was taken of Eleanor Harpring who served in the United Service Organization (USO) during the time of World War II. She traveled to various military bases in the U.S. and Europe to perform. She saw the destruction after the war, and how Kassel, Germany was demolished and families were destroyed due to the bombing. She also explains how living conditions for women and children during the war, and how she would help. She also describes all about her travels during and after World War II.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2dbb1d6e39d5f8ffbd6eb207#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"2dbb1d6e39d5f8ffbd6eb207","title_filing_ssi":" Harpring, Eleanor transcript","title_ssm":["Eleanor Harpring transcript"],"title_tesim":["Eleanor Harpring transcript"],"ead_ssi":"2dbb1d6e39d5f8ffbd6eb207","unitdate_ssm":["1940-1945","Date acquired: 12/20/2001"],"unitdate_inclusive_ssm":["1940-1945"],"unitdate_other_ssim":["Date acquired: 12/20/2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01.0610","/repositories/10/resources/340"],"text":["01.0610","/repositories/10/resources/340","Eleanor Harpring transcript, 1940-1945, Date acquired: 12/20/2001","Vero Beach (Fla.)","New York (N.Y.)","Quonset huts--Belgium","President Roosevelt death","Pearl Harbor (Hawaii), Attack on, 1941","World War, 1939-1945","Kassel (Germany)--History--Bombardment, 1943","Kassel (Germany)--History, Military.","United Service Organization","United Service Organizations (USO)","This collection is open to all researchers.","Eleanor Harpring was born on November 8, 1925 on St. Marks Place in New York City to Romilda and George Porrazzo, the youngest of five children in an Italian immigrant family. A rapid advancement student at Washington Irving High School, Eleanor graduated at 16. Like many of her generation, she helped support her family by going to work at an early age. Though she had hoped to attend college and study journalism, she instead found jobs singing with bands, thus embarking on a ten-year career in show business.\n \nWith the United Services Organization (USO) she performed for troops in the U.S. and in war-torn Germany and Belgium; her remembrances are documented at the Institute on WWII and the Human Experience. After returning to the U.S. she sang and toured the country with several big bands, among them the Charlie Barnet and Jimmy Dorsey Orchestras and Les Brown and his Band of Renown. She originated and toured nationally in the role of Happy Hotpoint for Hotpoint Corporation industrial shows, and in the early television era she was a featured cast member of the Jerry Lester Show, a daytime variety program on ABC.\n \nIn the mid-1950s, while performing at a hotel in Miami Beach, she was introduced to handsome radio announcer Jim Harpring, who always said it was love at first sight. Within the year Eleanor retired, married Jim, moved to Miami, and started a family, to which she was deeply devoted. Guided by her sense of adventure and joie de vivre, the family travelled to many countries across the world over several decades. In 1988, following the loss of her beloved husband Jim, Eleanor relocated to Vero Beach, becoming an active member of the Holy Cross Women's Guild and Republican Women Aware, and the much-praised president of the Christian Women's Association. Harpring passed away peacefully at her home in Vero Beach, Florida on May 11, 2019, surrounded by her family.\n \nA Mass of Christian Burial was celebrated 10:00 a.m., Friday, May 24, 2019 at Holy Cross Catholic Church, Vero Beach. She is buried at the Gate of Heaven Cemetery, Hawthorne, NY.\n \nSource: Strunk Funeral Home, Vero Beach, FL","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Reichelt Oral History Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/HPUA-2015-00R","This oral interview was taken of Eleanor Harpring who served in the United Service Organization (USO) during the time of World War II. She traveled to various military bases in the U.S. and Europe to perform. She saw the destruction after the war, and how Kassel, Germany was demolished and families were destroyed due to the bombing. She also explains how living conditions for women and children during the war, and how she would help. She also describes all about her travels during and after World War II.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Harpring, Eleanor , 1925-2019","English"],"unitid_tesim":["01.0610","/repositories/10/resources/340"],"normalized_date_ssm":["1940-1945, Date acquired: 12/20/2001"],"normalized_title_ssm":["Eleanor Harpring transcript, 1940-1945, Date acquired: 12/20/2001"],"collection_title_tesim":["Eleanor Harpring transcript, 1940-1945, Date acquired: 12/20/2001"],"collection_ssim":["Eleanor Harpring transcript, 1940-1945, Date acquired: 12/20/2001"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Vero Beach (Fla.)","New York (N.Y.)"],"geogname_ssim":["Vero Beach (Fla.)","New York (N.Y.)"],"creator_ssm":["Harpring, Eleanor , 1925-2019"],"creator_ssim":["Harpring, Eleanor , 1925-2019"],"creator_persname_ssim":["Harpring, Eleanor , 1925-2019"],"creators_ssim":["Harpring, Eleanor , 1925-2019"],"places_ssim":["Vero Beach (Fla.)","New York (N.Y.)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Reichelt Oral History Program"],"access_subjects_ssim":["Quonset huts--Belgium","President Roosevelt death","Pearl Harbor (Hawaii), Attack on, 1941","World War, 1939-1945","Kassel (Germany)--History--Bombardment, 1943","Kassel (Germany)--History, Military.","United Service Organization","United Service Organizations (USO)"],"access_subjects_ssm":["Quonset huts--Belgium","President Roosevelt death","Pearl Harbor (Hawaii), Attack on, 1941","World War, 1939-1945","Kassel (Germany)--History--Bombardment, 1943","Kassel (Germany)--History, Military.","United Service Organization","United Service Organizations (USO)"],"has_online_content_ssim":["false"],"extent_ssm":["1.00 folders"],"extent_tesim":["1.00 folders"],"date_range_isim":[1940,1941,1942,1943,1944,1945,2001],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003eEleanor Harpring was born on November 8, 1925 on St. Marks Place in New York City to Romilda and George Porrazzo, the youngest of five children in an Italian immigrant family. A rapid advancement student at Washington Irving High School, Eleanor graduated at 16. Like many of her generation, she helped support her family by going to work at an early age. Though she had hoped to attend college and study journalism, she instead found jobs singing with bands, thus embarking on a ten-year career in show business.\n\u003cbr\u003e\u003cbr\u003e\nWith the United Services Organization (USO) she performed for troops in the U.S. and in war-torn Germany and Belgium; her remembrances are documented at the Institute on WWII and the Human Experience. After returning to the U.S. she sang and toured the country with several big bands, among them the Charlie Barnet and Jimmy Dorsey Orchestras and Les Brown and his Band of Renown. She originated and toured nationally in the role of Happy Hotpoint for Hotpoint Corporation industrial shows, and in the early television era she was a featured cast member of the Jerry Lester Show, a daytime variety program on ABC.\n\u003cbr\u003e\u003cbr\u003e\nIn the mid-1950s, while performing at a hotel in Miami Beach, she was introduced to handsome radio announcer Jim Harpring, who always said it was love at first sight. Within the year Eleanor retired, married Jim, moved to Miami, and started a family, to which she was deeply devoted. Guided by her sense of adventure and joie de vivre, the family travelled to many countries across the world over several decades. In 1988, following the loss of her beloved husband Jim, Eleanor relocated to Vero Beach, becoming an active member of the Holy Cross Women's Guild and Republican Women Aware, and the much-praised president of the Christian Women's Association. Harpring passed away peacefully at her home in Vero Beach, Florida on May 11, 2019, surrounded by her family.\n\u003cbr\u003e\u003cbr\u003e\nA Mass of Christian Burial was celebrated 10:00 a.m., Friday, May 24, 2019 at Holy Cross Catholic Church, Vero Beach. She is buried at the Gate of Heaven Cemetery, Hawthorne, NY.\n\u003cbr\u003e\u003cbr\u003e\nSource: Strunk Funeral Home, Vero Beach, FL\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Eleanor Harpring was born on November 8, 1925 on St. Marks Place in New York City to Romilda and George Porrazzo, the youngest of five children in an Italian immigrant family. A rapid advancement student at Washington Irving High School, Eleanor graduated at 16. Like many of her generation, she helped support her family by going to work at an early age. Though she had hoped to attend college and study journalism, she instead found jobs singing with bands, thus embarking on a ten-year career in show business.\n \nWith the United Services Organization (USO) she performed for troops in the U.S. and in war-torn Germany and Belgium; her remembrances are documented at the Institute on WWII and the Human Experience. After returning to the U.S. she sang and toured the country with several big bands, among them the Charlie Barnet and Jimmy Dorsey Orchestras and Les Brown and his Band of Renown. She originated and toured nationally in the role of Happy Hotpoint for Hotpoint Corporation industrial shows, and in the early television era she was a featured cast member of the Jerry Lester Show, a daytime variety program on ABC.\n \nIn the mid-1950s, while performing at a hotel in Miami Beach, she was introduced to handsome radio announcer Jim Harpring, who always said it was love at first sight. Within the year Eleanor retired, married Jim, moved to Miami, and started a family, to which she was deeply devoted. Guided by her sense of adventure and joie de vivre, the family travelled to many countries across the world over several decades. In 1988, following the loss of her beloved husband Jim, Eleanor relocated to Vero Beach, becoming an active member of the Holy Cross Women's Guild and Republican Women Aware, and the much-praised president of the Christian Women's Association. Harpring passed away peacefully at her home in Vero Beach, Florida on May 11, 2019, surrounded by her family.\n \nA Mass of Christian Burial was celebrated 10:00 a.m., Friday, May 24, 2019 at Holy Cross Catholic Church, Vero Beach. She is buried at the Gate of Heaven Cemetery, Hawthorne, NY.\n \nSource: Strunk Funeral Home, Vero Beach, FL"],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Eleanor Harpring transcript, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_01_0610\"\u003ehttp://purl.fcla.edu/fsu/WWII_01_0610\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Eleanor Harpring transcript, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_01_0610"],"relatedmaterial_html_tesm":["\u003cp\u003eReichelt Oral History Collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/HPUA-2015-00R\"\u003ehttp://purl.fcla.edu/fsu/HPUA-2015-00R\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Reichelt Oral History Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/HPUA-2015-00R"],"scopecontent_html_tesm":["\u003cp\u003eThis oral interview was taken of Eleanor Harpring who served in the United Service Organization (USO) during the time of World War II. She traveled to various military bases in the U.S. and Europe to perform. She saw the destruction after the war, and how Kassel, Germany was demolished and families were destroyed due to the bombing. She also explains how living conditions for women and children during the war, and how she would help. She also describes all about her travels during and after World War II.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This oral interview was taken of Eleanor Harpring who served in the United Service Organization (USO) during the time of World War II. She traveled to various military bases in the U.S. and Europe to perform. She saw the destruction after the war, and how Kassel, Germany was demolished and families were destroyed due to the bombing. She also explains how living conditions for women and children during the war, and how she would help. She also describes all about her travels during and after World War II."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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A rapid advancement student at Washington Irving High School, Eleanor graduated at 16. Like many of her generation, she helped support her family by going to work at an early age. Though she had hoped to attend college and study journalism, she instead found jobs singing with bands, thus embarking on a ten-year career in show business.\n \nWith the United Services Organization (USO) she performed for troops in the U.S. and in war-torn Germany and Belgium; her remembrances are documented at the Institute on WWII and the Human Experience. After returning to the U.S. she sang and toured the country with several big bands, among them the Charlie Barnet and Jimmy Dorsey Orchestras and Les Brown and his Band of Renown. She originated and toured nationally in the role of Happy Hotpoint for Hotpoint Corporation industrial shows, and in the early television era she was a featured cast member of the Jerry Lester Show, a daytime variety program on ABC.\n \nIn the mid-1950s, while performing at a hotel in Miami Beach, she was introduced to handsome radio announcer Jim Harpring, who always said it was love at first sight. Within the year Eleanor retired, married Jim, moved to Miami, and started a family, to which she was deeply devoted. Guided by her sense of adventure and joie de vivre, the family travelled to many countries across the world over several decades. In 1988, following the loss of her beloved husband Jim, Eleanor relocated to Vero Beach, becoming an active member of the Holy Cross Women's Guild and Republican Women Aware, and the much-praised president of the Christian Women's Association. Harpring passed away peacefully at her home in Vero Beach, Florida on May 11, 2019, surrounded by her family.\n \nA Mass of Christian Burial was celebrated 10:00 a.m., Friday, May 24, 2019 at Holy Cross Catholic Church, Vero Beach. She is buried at the Gate of Heaven Cemetery, Hawthorne, NY.\n \nSource: Strunk Funeral Home, Vero Beach, FL","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Reichelt Oral History Collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/HPUA-2015-00R","This oral interview was taken of Eleanor Harpring who served in the United Service Organization (USO) during the time of World War II. She traveled to various military bases in the U.S. and Europe to perform. She saw the destruction after the war, and how Kassel, Germany was demolished and families were destroyed due to the bombing. She also explains how living conditions for women and children during the war, and how she would help. She also describes all about her travels during and after World War II.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Harpring, Eleanor , 1925-2019","English"],"unitid_tesim":["01.0610","/repositories/10/resources/340"],"normalized_date_ssm":["1940-1945, Date acquired: 12/20/2001"],"normalized_title_ssm":["Eleanor Harpring transcript, 1940-1945, Date acquired: 12/20/2001"],"collection_title_tesim":["Eleanor Harpring transcript, 1940-1945, Date acquired: 12/20/2001"],"collection_ssim":["Eleanor Harpring transcript, 1940-1945, Date acquired: 12/20/2001"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Vero Beach (Fla.)","New York (N.Y.)"],"geogname_ssim":["Vero Beach (Fla.)","New York (N.Y.)"],"creator_ssm":["Harpring, Eleanor , 1925-2019"],"creator_ssim":["Harpring, Eleanor , 1925-2019"],"creator_persname_ssim":["Harpring, Eleanor , 1925-2019"],"creators_ssim":["Harpring, Eleanor , 1925-2019"],"places_ssim":["Vero Beach (Fla.)","New York (N.Y.)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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Harpring passed away peacefully at her home in Vero Beach, Florida on May 11, 2019, surrounded by her family.\n\u003cbr\u003e\u003cbr\u003e\nA Mass of Christian Burial was celebrated 10:00 a.m., Friday, May 24, 2019 at Holy Cross Catholic Church, Vero Beach. She is buried at the Gate of Heaven Cemetery, Hawthorne, NY.\n\u003cbr\u003e\u003cbr\u003e\nSource: Strunk Funeral Home, Vero Beach, FL\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Eleanor Harpring was born on November 8, 1925 on St. Marks Place in New York City to Romilda and George Porrazzo, the youngest of five children in an Italian immigrant family. A rapid advancement student at Washington Irving High School, Eleanor graduated at 16. Like many of her generation, she helped support her family by going to work at an early age. Though she had hoped to attend college and study journalism, she instead found jobs singing with bands, thus embarking on a ten-year career in show business.\n \nWith the United Services Organization (USO) she performed for troops in the U.S. and in war-torn Germany and Belgium; her remembrances are documented at the Institute on WWII and the Human Experience. After returning to the U.S. she sang and toured the country with several big bands, among them the Charlie Barnet and Jimmy Dorsey Orchestras and Les Brown and his Band of Renown. She originated and toured nationally in the role of Happy Hotpoint for Hotpoint Corporation industrial shows, and in the early television era she was a featured cast member of the Jerry Lester Show, a daytime variety program on ABC.\n \nIn the mid-1950s, while performing at a hotel in Miami Beach, she was introduced to handsome radio announcer Jim Harpring, who always said it was love at first sight. 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She also describes all about her travels during and after World War II."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"be6ce791bcd745e39261598f","title_ssm":["Eleanor Merritt [Darlington] Collection"],"title_tesim":["Eleanor Merritt [Darlington] Collection"],"ead_ssi":"be6ce791bcd745e39261598f","unitdate_ssm":["1950-2019","1990-2019"],"unitdate_bulk_ssim":["1990-2019"],"unitdate_inclusive_ssm":["1950-2019"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["A.2022.0004","/repositories/11/resources/1933"],"text":["A.2022.0004","/repositories/11/resources/1933","Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting.","This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.","The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.","All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.","The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. 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Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"access_subjects_ssim":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"access_subjects_ssm":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"has_online_content_ssim":["false"],"extent_ssm":["5.3 Linear Feet 17 Boxes"],"extent_tesim":["5.3 Linear Feet 17 Boxes"],"genreform_ssim":["Painting."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals."],"prefercite_html_tesm":["\u003cp\u003eThe John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019.\u003c/p\u003e"],"prefercite_tesim":["The John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019."],"scopecontent_html_tesm":["\u003cp\u003eThe Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. 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This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0d3e798eb2a8cee06c3eebf554d917ee\"\u003eThe Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.\u003c/abstract\u003e"],"abstract_tesim":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"names_ssim":["The John and Mable Ringling Museum of Art Archives"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"be6ce791bcd745e39261598f","timestamp":"2026-04-21T02:41:46.838Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"be6ce791bcd745e39261598f","title_ssm":["Eleanor Merritt [Darlington] Collection"],"title_tesim":["Eleanor Merritt [Darlington] Collection"],"ead_ssi":"be6ce791bcd745e39261598f","unitdate_ssm":["1950-2019","1990-2019"],"unitdate_bulk_ssim":["1990-2019"],"unitdate_inclusive_ssm":["1950-2019"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["A.2022.0004","/repositories/11/resources/1933"],"text":["A.2022.0004","/repositories/11/resources/1933","Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting.","This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.","The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.","All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.","The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. 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Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"access_subjects_ssim":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"access_subjects_ssm":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"has_online_content_ssim":["false"],"extent_ssm":["5.3 Linear Feet 17 Boxes"],"extent_tesim":["5.3 Linear Feet 17 Boxes"],"genreform_ssim":["Painting."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals."],"prefercite_html_tesm":["\u003cp\u003eThe John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019.\u003c/p\u003e"],"prefercite_tesim":["The John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019."],"scopecontent_html_tesm":["\u003cp\u003eThe Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged by subject in chronological order spanning from 1950 \u0026#x2013; 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. \u003c/p\u003e\n","\u003cp\u003eMerritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). 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This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0d3e798eb2a8cee06c3eebf554d917ee\"\u003eThe Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.\u003c/abstract\u003e"],"abstract_tesim":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"names_ssim":["The John and Mable Ringling Museum of Art Archives"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"be6ce791bcd745e39261598f","timestamp":"2026-04-21T02:41:46.838Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f"}},{"id":"8b6116690fe10715568a496a","type":"collection","attributes":{"title":"Eleanor Parker Scrapbook, 1943","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/8b6116690fe10715568a496a#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003e1 Scrapbook leather cover\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8b6116690fe10715568a496a#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"8b6116690fe10715568a496a","title_ssm":["Eleanor Parker Scrapbook"],"title_tesim":["Eleanor Parker Scrapbook"],"ead_ssi":"8b6116690fe10715568a496a","unitdate_ssm":["1943"],"unitdate_other_ssim":["1943"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HUA 2016-133","/repositories/10/resources/2192"],"text":["HUA 2016-133","/repositories/10/resources/2192","Eleanor Parker Scrapbook, 1943","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Date accessioned: 2016/11/04","1 Scrapbook leather cover","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2016-133","/repositories/10/resources/2192"],"normalized_date_ssm":["1943"],"normalized_title_ssm":["Eleanor Parker Scrapbook, 1943"],"collection_title_tesim":["Eleanor Parker Scrapbook, 1943"],"collection_ssim":["Eleanor Parker Scrapbook, 1943"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet"],"extent_tesim":["1.5 Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"custodhist_html_tesm":["\u003cp\u003eDate accessioned: 2016/11/04\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Date accessioned: 2016/11/04"],"prefercite_html_tesm":["\u003cp\u003eEleanor Parker Scrapbook, HUA 2016-133, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HUA-2016-133\u003c/p\u003e"],"prefercite_tesim":["Eleanor Parker Scrapbook, HUA 2016-133, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HUA-2016-133"],"scopecontent_html_tesm":["\u003cp\u003e1 Scrapbook leather cover\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["1 Scrapbook leather cover"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858038097739776,"_root_":"8b6116690fe10715568a496a","timestamp":"2026-07-16T08:07:40.576Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8b6116690fe10715568a496a","title_ssm":["Eleanor Parker Scrapbook"],"title_tesim":["Eleanor Parker Scrapbook"],"ead_ssi":"8b6116690fe10715568a496a","unitdate_ssm":["1943"],"unitdate_other_ssim":["1943"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HUA 2016-133","/repositories/10/resources/2192"],"text":["HUA 2016-133","/repositories/10/resources/2192","Eleanor Parker Scrapbook, 1943","This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.","Date accessioned: 2016/11/04","1 Scrapbook leather cover","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2016-133","/repositories/10/resources/2192"],"normalized_date_ssm":["1943"],"normalized_title_ssm":["Eleanor Parker Scrapbook, 1943"],"collection_title_tesim":["Eleanor Parker Scrapbook, 1943"],"collection_ssim":["Eleanor Parker Scrapbook, 1943"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet"],"extent_tesim":["1.5 Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. \u003c/p\u003e\n","\u003cp\u003eThis collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. ","This collection is in an offsite storage location. Please contact lib-specialcollections@fsu.edu with requests for access or for more information."],"custodhist_html_tesm":["\u003cp\u003eDate accessioned: 2016/11/04\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Date accessioned: 2016/11/04"],"prefercite_html_tesm":["\u003cp\u003eEleanor Parker Scrapbook, HUA 2016-133, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HUA-2016-133\u003c/p\u003e"],"prefercite_tesim":["Eleanor Parker Scrapbook, HUA 2016-133, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HUA-2016-133"],"scopecontent_html_tesm":["\u003cp\u003e1 Scrapbook leather cover\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["1 Scrapbook leather cover"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858038097739776,"_root_":"8b6116690fe10715568a496a","timestamp":"2026-07-16T08:07:40.576Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8b6116690fe10715568a496a"}},{"id":"f28075319707fab1b45565f1","type":"collection","attributes":{"title":"Elena Kurstin Cuban Memorabilia Collection, date unknown","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/f28075319707fab1b45565f1#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Elena Kurstin Cuban Memorabilia Collection provides a glance at Cuban life and culture in the years prior to 1959. This collection contains assorted pieces of ephemera that depict the lives of average Cuban people. Included are photographs of the countryside and people, postcards, and advertisements. The Cuban tourist industry is well represented, especially the resorts and casinos of 1940s and 1950s Havana. The collection also includes magazine and newspaper articles about Cuba, both pre and post-revolution.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f28075319707fab1b45565f1#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"f28075319707fab1b45565f1","title_ssm":["Elena Kurstin Cuban Memorabilia Collection"],"title_tesim":["Elena Kurstin Cuban Memorabilia Collection"],"ead_ssi":"f28075319707fab1b45565f1","unitdate_ssm":["date unknown"],"unitdate_other_ssim":["date unknown"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8000","/repositories/2/resources/84"],"text":["SPC8000","/repositories/2/resources/84","Elena Kurstin Cuban Memorabilia Collection, date unknown","Cuba","Cold War","Cuba -- History -- 1933-1959","Cuba -- Pictorial works","Cuba--Politics and government. ","Cuba--Social life and customs--Pictorial works","Cuba--Social conditions--20th century","postcards","Advertising--Tourism","stamp collecting","tourism","Correspondence","The collection is open for research.","The Elena Kurstin Cuban Memorabilia Collection provides a glance at Cuban life and culture in the years prior to 1959. This collection contains assorted pieces of ephemera that depict the lives of average Cuban people. Included are photographs of the countryside and people, postcards, and advertisements. The Cuban tourist industry is well represented, especially the resorts and casinos of 1940s and 1950s Havana. The collection also includes magazine and newspaper articles about Cuba, both pre and post-revolution.","Rights: Copyright undetermined. http://rightsstatements.org/vocab/UND/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC8000","/repositories/2/resources/84"],"normalized_date_ssm":["date unknown"],"normalized_title_ssm":["Elena Kurstin Cuban Memorabilia Collection, date unknown"],"collection_title_tesim":["Elena Kurstin Cuban Memorabilia Collection, date unknown"],"collection_ssim":["Elena Kurstin Cuban Memorabilia Collection, date unknown"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"places_ssim":["Cuba"],"access_terms_ssm":["Rights: Copyright undetermined. http://rightsstatements.org/vocab/UND/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Cold War","Cuba -- History -- 1933-1959","Cuba -- Pictorial works","Cuba--Politics and government. ","Cuba--Social life and customs--Pictorial works","Cuba--Social conditions--20th century","postcards","Advertising--Tourism","stamp collecting","tourism","Correspondence"],"access_subjects_ssm":["Cold War","Cuba -- History -- 1933-1959","Cuba -- Pictorial works","Cuba--Politics and government. ","Cuba--Social life and customs--Pictorial works","Cuba--Social conditions--20th century","postcards","Advertising--Tourism","stamp collecting","tourism","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["7.73 Linear Feet"],"extent_tesim":["7.73 Linear Feet"],"genreform_ssim":["Correspondence"],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"scopecontent_html_tesm":["\u003cp\u003eThe Elena Kurstin Cuban Memorabilia Collection provides a glance at Cuban life and culture in the years prior to 1959. This collection contains assorted pieces of ephemera that depict the lives of average Cuban people. Included are photographs of the countryside and people, postcards, and advertisements. The Cuban tourist industry is well represented, especially the resorts and casinos of 1940s and 1950s Havana. The collection also includes magazine and newspaper articles about Cuba, both pre and post-revolution.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Elena Kurstin Cuban Memorabilia Collection provides a glance at Cuban life and culture in the years prior to 1959. This collection contains assorted pieces of ephemera that depict the lives of average Cuban people. Included are photographs of the countryside and people, postcards, and advertisements. The Cuban tourist industry is well represented, especially the resorts and casinos of 1940s and 1950s Havana. The collection also includes magazine and newspaper articles about Cuba, both pre and post-revolution."],"userestrict_html_tesm":["\u003cp\u003eRights: Copyright undetermined. http://rightsstatements.org/vocab/UND/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: Copyright undetermined. http://rightsstatements.org/vocab/UND/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":258,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f28075319707fab1b45565f1","timestamp":"2026-04-29T02:04:03.535Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f28075319707fab1b45565f1","title_ssm":["Elena Kurstin Cuban Memorabilia Collection"],"title_tesim":["Elena Kurstin Cuban Memorabilia Collection"],"ead_ssi":"f28075319707fab1b45565f1","unitdate_ssm":["date unknown"],"unitdate_other_ssim":["date unknown"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8000","/repositories/2/resources/84"],"text":["SPC8000","/repositories/2/resources/84","Elena Kurstin Cuban Memorabilia Collection, date unknown","Cuba","Cold War","Cuba -- History -- 1933-1959","Cuba -- Pictorial works","Cuba--Politics and government. ","Cuba--Social life and customs--Pictorial works","Cuba--Social conditions--20th century","postcards","Advertising--Tourism","stamp collecting","tourism","Correspondence","The collection is open for research.","The Elena Kurstin Cuban Memorabilia Collection provides a glance at Cuban life and culture in the years prior to 1959. This collection contains assorted pieces of ephemera that depict the lives of average Cuban people. Included are photographs of the countryside and people, postcards, and advertisements. The Cuban tourist industry is well represented, especially the resorts and casinos of 1940s and 1950s Havana. The collection also includes magazine and newspaper articles about Cuba, both pre and post-revolution.","Rights: Copyright undetermined. http://rightsstatements.org/vocab/UND/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC8000","/repositories/2/resources/84"],"normalized_date_ssm":["date unknown"],"normalized_title_ssm":["Elena Kurstin Cuban Memorabilia Collection, date unknown"],"collection_title_tesim":["Elena Kurstin Cuban Memorabilia Collection, date unknown"],"collection_ssim":["Elena Kurstin Cuban Memorabilia Collection, date unknown"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"places_ssim":["Cuba"],"access_terms_ssm":["Rights: Copyright undetermined. http://rightsstatements.org/vocab/UND/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Cold War","Cuba -- History -- 1933-1959","Cuba -- Pictorial works","Cuba--Politics and government. ","Cuba--Social life and customs--Pictorial works","Cuba--Social conditions--20th century","postcards","Advertising--Tourism","stamp collecting","tourism","Correspondence"],"access_subjects_ssm":["Cold War","Cuba -- History -- 1933-1959","Cuba -- Pictorial works","Cuba--Politics and government. ","Cuba--Social life and customs--Pictorial works","Cuba--Social conditions--20th century","postcards","Advertising--Tourism","stamp collecting","tourism","Correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["7.73 Linear Feet"],"extent_tesim":["7.73 Linear Feet"],"genreform_ssim":["Correspondence"],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"scopecontent_html_tesm":["\u003cp\u003eThe Elena Kurstin Cuban Memorabilia Collection provides a glance at Cuban life and culture in the years prior to 1959. This collection contains assorted pieces of ephemera that depict the lives of average Cuban people. Included are photographs of the countryside and people, postcards, and advertisements. The Cuban tourist industry is well represented, especially the resorts and casinos of 1940s and 1950s Havana. The collection also includes magazine and newspaper articles about Cuba, both pre and post-revolution.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Elena Kurstin Cuban Memorabilia Collection provides a glance at Cuban life and culture in the years prior to 1959. This collection contains assorted pieces of ephemera that depict the lives of average Cuban people. Included are photographs of the countryside and people, postcards, and advertisements. The Cuban tourist industry is well represented, especially the resorts and casinos of 1940s and 1950s Havana. The collection also includes magazine and newspaper articles about Cuba, both pre and post-revolution."],"userestrict_html_tesm":["\u003cp\u003eRights: Copyright undetermined. http://rightsstatements.org/vocab/UND/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: Copyright undetermined. http://rightsstatements.org/vocab/UND/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":258,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f28075319707fab1b45565f1","timestamp":"2026-04-29T02:04:03.535Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f28075319707fab1b45565f1"}},{"id":"54a79d377751a18bb2b6bb5c","type":"collection","attributes":{"title":"Elena Pathak Collection about the Ben White Raceway, 1936-1979","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/54a79d377751a18bb2b6bb5c#abstract_or_scope","type":"document_value","attributes":{"value":["Collected by Elena Pathak, this collection includes information and materials about the Ben White Raceway. The key information it contains is found in the directories. These directories describe which horses are staying at the raceway, the company that owns them, the trainers, and which barn they are being housed in. In addition, postcards and a photograph are included in this collection to further emphasize the grandeur of the Ben White Raceway, and to remember the founder, Ben White."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/54a79d377751a18bb2b6bb5c#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"54a79d377751a18bb2b6bb5c","title_ssm":["Elena Pathak Collection about the Ben White Raceway"],"title_tesim":["Elena Pathak Collection about the Ben White Raceway"],"ead_ssi":"54a79d377751a18bb2b6bb5c","unitdate_ssm":["1936-1979"],"unitdate_inclusive_ssm":["1936-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.123","/repositories/4/resources/221"],"text":["SC.123","/repositories/4/resources/221","Elena Pathak Collection about the Ben White Raceway, 1936-1979","Ben White Raceway","Horse racing","Central Florida","The entire collection is open for research.","This collection is arranged in one series. Series one is itemized and each folder is organized chronologically.","Ben White Raceway was a racehorse training site in Orlando, Florida, that was founded in 1920 by Ben White. Ben White was a world-famous horseracing trainer, and he picked Orlando to be his training location. It was often referred to as the winter capital of harness racing, being in the heart of Central Florida. The raceway enjoyed decades of prominence, attracting 30 million visitors in 1959 with total bets made was about 800 million dollars. However, Ben White Raceway, and horseracing in general, lost popularity with the rise of other sporting and betting events. In July 2001, its name was changed to Trotters Park and is now a public park.","Ben White Raceway Papers, 1946-1978.","This collection is arranged in one series. Series one is itemized and each folder is organized chronologically.","Series I, Organizational Files, 1936-1979, Undated, includes multiple copies of directories, different postcards, and a single photograph.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Collected by Elena Pathak, this collection includes information and materials about the Ben White Raceway. The key information it contains is found in the directories. These directories describe which horses are staying at the raceway, the company that owns them, the trainers, and which barn they are being housed in. In addition, postcards and a photograph are included in this collection to further emphasize the grandeur of the Ben White Raceway, and to remember the founder, Ben White.","UCF Special Collections","The materials are written in English"],"unitid_tesim":["SC.123","/repositories/4/resources/221"],"normalized_date_ssm":["1936-1979"],"normalized_title_ssm":["Elena Pathak Collection about the Ben White Raceway, 1936-1979"],"collection_title_tesim":["Elena Pathak Collection about the Ben White Raceway, 1936-1979"],"collection_ssim":["Elena Pathak Collection about the Ben White Raceway, 1936-1979"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. 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