{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Box\u0026page=874\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Box\u0026page=873\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Box\u0026page=875\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Box\u0026page=962\u0026view=compact"},"meta":{"pages":{"current_page":874,"next_page":875,"prev_page":873,"total_pages":962,"limit_value":10,"offset_value":8730,"total_count":9618,"first_page?":false,"last_page?":false}},"data":[{"id":"8b33a8c5177804a4b9511a5f_aspace_bdb31af0596df7bf70ef7bd9855c0a3f","type":"Box","attributes":{"title":"Sheet Music (Zarzuelas): No.65-71; 74-75;78","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8b33a8c5177804a4b9511a5f_aspace_bdb31af0596df7bf70ef7bd9855c0a3f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_bdb31af0596df7bf70ef7bd9855c0a3f","ref_ssm":["aspace_bdb31af0596df7bf70ef7bd9855c0a3f","aspace_bdb31af0596df7bf70ef7bd9855c0a3f"],"id":"8b33a8c5177804a4b9511a5f_aspace_bdb31af0596df7bf70ef7bd9855c0a3f","title_filing_ssi":"Sheet Music (Zarzuelas): No.65-71; 74-75;78","title_ssm":["Sheet Music (Zarzuelas): No.65-71; 74-75;78"],"title_tesim":["Sheet Music (Zarzuelas): No.65-71; 74-75;78"],"normalized_title_ssm":["Sheet Music (Zarzuelas): No.65-71; 74-75;78"],"text":["Sheet Music (Zarzuelas): No.65-71; 74-75;78","Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Ephemera","101","/repositories/2/archival_objects/182110","box 101"],"component_level_isim":[2],"parent_ids_ssim":["8b33a8c5177804a4b9511a5f","8b33a8c5177804a4b9511a5f_aspace_86440"],"parent_unittitles_ssm":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Ephemera"],"parent_unittitles_tesim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Ephemera"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["101","/repositories/2/archival_objects/182110"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":405,"parent_access_terms_tesm":["None. 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These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.","When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011.","Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.","None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.","USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","English"],"unitid_tesim":["MS-1989-02","/repositories/2/resources/542"],"normalized_date_ssm":["1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"normalized_title_ssm":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"collection_title_tesim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"collection_ssim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.) -- History"],"geogname_ssim":["Tampa (Fla.) -- History"],"creator_ssm":["Centro Asturiano de Tampa"],"creator_ssim":["Centro Asturiano de Tampa"],"creator_corpname_ssim":["Centro Asturiano de Tampa"],"creators_ssim":["Centro Asturiano de Tampa"],"places_ssim":["Tampa (Fla.) -- History"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"acqinfo_ssim":["Centro Asturiano de Tampa","Donation"],"access_subjects_ssim":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"access_subjects_ssm":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"has_online_content_ssim":["false"],"extent_ssm":["164.7 Linear Feet","241 boxes"],"extent_tesim":["164.7 Linear Feet","241 boxes"],"genreform_ssim":["Playbills -- Florida -- Tampa"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"arrangement_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records."],"bioghist_html_tesm":["\u003cp\u003eWhen Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Espa\u0026#xF1;ol, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Espa\u0026#xF1;ol to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.\u003c/p\u003e\n","\u003cp\u003eOn January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the \u003cemph render=\"italic\"\u003eTampa Morning Tribune\u003c/emph\u003e called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.\u003c/p\u003e\n","\u003cp\u003eA central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.\u003c/p\u003e\n","\u003cp\u003eThe largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.\u003c/p\u003e\n","\u003cp\u003eNote written by Paul Camp, 2006; Joe Tamargo, 2011.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011."],"prefercite_html_tesm":["\u003cp\u003eCentro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Centro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano De Tampa Membership Records Photograph Collection\u003c/emph\u003e. Tampa, Florida: University of South Florida Libraries, 2003.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano Library Collection,\u003c/emph\u003e Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Espan\u0026#x303;ol De Tampa Collection\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCuban Club Records\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"names_coll_ssim":["Centro Asturiano de Tampa"],"names_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1038,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1875301659078295552,"_root_":"8b33a8c5177804a4b9511a5f","timestamp":"2026-09-03T09:17:07.659Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8b33a8c5177804a4b9511a5f_aspace_bdb31af0596df7bf70ef7bd9855c0a3f"}},{"id":"8b33a8c5177804a4b9511a5f_aspace_a35cd54c89e36aabc062a0a61b15b929","type":"Box","attributes":{"title":"Sheet Music (Zarzuelas): No. 80, 84, 87, 89, 90, 101;103-106","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8b33a8c5177804a4b9511a5f_aspace_a35cd54c89e36aabc062a0a61b15b929#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_a35cd54c89e36aabc062a0a61b15b929","ref_ssm":["aspace_a35cd54c89e36aabc062a0a61b15b929","aspace_a35cd54c89e36aabc062a0a61b15b929"],"id":"8b33a8c5177804a4b9511a5f_aspace_a35cd54c89e36aabc062a0a61b15b929","title_filing_ssi":"Sheet Music (Zarzuelas): No. 80, 84, 87, 89, 90, 101;103-106","title_ssm":["Sheet Music (Zarzuelas): No. 80, 84, 87, 89, 90, 101;103-106"],"title_tesim":["Sheet Music (Zarzuelas): No. 80, 84, 87, 89, 90, 101;103-106"],"normalized_title_ssm":["Sheet Music (Zarzuelas): No. 80, 84, 87, 89, 90, 101;103-106"],"text":["Sheet Music (Zarzuelas): No. 80, 84, 87, 89, 90, 101;103-106","Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Ephemera","102","/repositories/2/archival_objects/182121","box 102"],"component_level_isim":[2],"parent_ids_ssim":["8b33a8c5177804a4b9511a5f","8b33a8c5177804a4b9511a5f_aspace_86440"],"parent_unittitles_ssm":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Ephemera"],"parent_unittitles_tesim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Ephemera"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["102","/repositories/2/archival_objects/182121"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":416,"parent_access_terms_tesm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"containers_ssim":["box 102"],"_nest_path_":"/components#1/components#16","_nest_parent_":"8b33a8c5177804a4b9511a5f_aspace_86440","_root_":"8b33a8c5177804a4b9511a5f","_version_":1875301659078295552,"timestamp":"2026-09-03T09:17:07.659Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8b33a8c5177804a4b9511a5f","title_ssm":["Centro Asturiano de Tampa collection"],"title_tesim":["Centro Asturiano de Tampa collection"],"ead_ssi":"8b33a8c5177804a4b9511a5f","unitdate_ssm":["1902-2007","1902-1987","Date acquired: 00/00/1989"],"unitdate_bulk_ssim":["1902-1987"],"unitdate_inclusive_ssm":["1902-2007"],"unitdate_other_ssim":["Date acquired: 00/00/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1989-02","/repositories/2/resources/542"],"text":["MS-1989-02","/repositories/2/resources/542","Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Tampa (Fla.) -- History","Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa","The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.","When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011.","Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.","None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.","USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","English"],"unitid_tesim":["MS-1989-02","/repositories/2/resources/542"],"normalized_date_ssm":["1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"normalized_title_ssm":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"collection_title_tesim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"collection_ssim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.) -- History"],"geogname_ssim":["Tampa (Fla.) -- History"],"creator_ssm":["Centro Asturiano de Tampa"],"creator_ssim":["Centro Asturiano de Tampa"],"creator_corpname_ssim":["Centro Asturiano de Tampa"],"creators_ssim":["Centro Asturiano de Tampa"],"places_ssim":["Tampa (Fla.) -- History"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"acqinfo_ssim":["Centro Asturiano de Tampa","Donation"],"access_subjects_ssim":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"access_subjects_ssm":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"has_online_content_ssim":["false"],"extent_ssm":["164.7 Linear Feet","241 boxes"],"extent_tesim":["164.7 Linear Feet","241 boxes"],"genreform_ssim":["Playbills -- Florida -- Tampa"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"arrangement_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records."],"bioghist_html_tesm":["\u003cp\u003eWhen Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Espa\u0026#xF1;ol, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Espa\u0026#xF1;ol to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.\u003c/p\u003e\n","\u003cp\u003eOn January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the \u003cemph render=\"italic\"\u003eTampa Morning Tribune\u003c/emph\u003e called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.\u003c/p\u003e\n","\u003cp\u003eA central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.\u003c/p\u003e\n","\u003cp\u003eThe largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.\u003c/p\u003e\n","\u003cp\u003eNote written by Paul Camp, 2006; Joe Tamargo, 2011.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011."],"prefercite_html_tesm":["\u003cp\u003eCentro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Centro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano De Tampa Membership Records Photograph Collection\u003c/emph\u003e. Tampa, Florida: University of South Florida Libraries, 2003.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano Library Collection,\u003c/emph\u003e Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Espan\u0026#x303;ol De Tampa Collection\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCuban Club Records\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"names_coll_ssim":["Centro Asturiano de Tampa"],"names_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1038,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1875301659078295552,"_root_":"8b33a8c5177804a4b9511a5f","timestamp":"2026-09-03T09:17:07.659Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8b33a8c5177804a4b9511a5f_aspace_a35cd54c89e36aabc062a0a61b15b929"}},{"id":"8b33a8c5177804a4b9511a5f_aspace_d1d8916ee34b991517a022d8bc7b891d","type":"Box","attributes":{"title":"Sheet Music (Zarzuelas): No. 8-14","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8b33a8c5177804a4b9511a5f_aspace_d1d8916ee34b991517a022d8bc7b891d#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_d1d8916ee34b991517a022d8bc7b891d","ref_ssm":["aspace_d1d8916ee34b991517a022d8bc7b891d","aspace_d1d8916ee34b991517a022d8bc7b891d"],"id":"8b33a8c5177804a4b9511a5f_aspace_d1d8916ee34b991517a022d8bc7b891d","title_filing_ssi":"Sheet Music (Zarzuelas): No. 8-14","title_ssm":["Sheet Music (Zarzuelas): No. 8-14"],"title_tesim":["Sheet Music (Zarzuelas): No. 8-14"],"normalized_title_ssm":["Sheet Music (Zarzuelas): No. 8-14"],"text":["Sheet Music (Zarzuelas): No. 8-14","Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Ephemera","94","/repositories/2/archival_objects/181574","box 94"],"component_level_isim":[2],"parent_ids_ssim":["8b33a8c5177804a4b9511a5f","8b33a8c5177804a4b9511a5f_aspace_86440"],"parent_unittitles_ssm":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Ephemera"],"parent_unittitles_tesim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Ephemera"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["94","/repositories/2/archival_objects/181574"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"has_online_content_ssim":["false"],"child_component_count_isi":7,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":344,"parent_access_terms_tesm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"containers_ssim":["box 94"],"_nest_path_":"/components#1/components#8","_nest_parent_":"8b33a8c5177804a4b9511a5f_aspace_86440","_root_":"8b33a8c5177804a4b9511a5f","_version_":1875301659078295552,"timestamp":"2026-09-03T09:17:07.659Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8b33a8c5177804a4b9511a5f","title_ssm":["Centro Asturiano de Tampa collection"],"title_tesim":["Centro Asturiano de Tampa collection"],"ead_ssi":"8b33a8c5177804a4b9511a5f","unitdate_ssm":["1902-2007","1902-1987","Date acquired: 00/00/1989"],"unitdate_bulk_ssim":["1902-1987"],"unitdate_inclusive_ssm":["1902-2007"],"unitdate_other_ssim":["Date acquired: 00/00/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1989-02","/repositories/2/resources/542"],"text":["MS-1989-02","/repositories/2/resources/542","Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Tampa (Fla.) -- History","Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa","The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.","When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011.","Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.","None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.","USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","English"],"unitid_tesim":["MS-1989-02","/repositories/2/resources/542"],"normalized_date_ssm":["1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"normalized_title_ssm":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"collection_title_tesim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"collection_ssim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.) -- History"],"geogname_ssim":["Tampa (Fla.) -- History"],"creator_ssm":["Centro Asturiano de Tampa"],"creator_ssim":["Centro Asturiano de Tampa"],"creator_corpname_ssim":["Centro Asturiano de Tampa"],"creators_ssim":["Centro Asturiano de Tampa"],"places_ssim":["Tampa (Fla.) -- History"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"acqinfo_ssim":["Centro Asturiano de Tampa","Donation"],"access_subjects_ssim":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"access_subjects_ssm":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"has_online_content_ssim":["false"],"extent_ssm":["164.7 Linear Feet","241 boxes"],"extent_tesim":["164.7 Linear Feet","241 boxes"],"genreform_ssim":["Playbills -- Florida -- Tampa"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"arrangement_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records."],"bioghist_html_tesm":["\u003cp\u003eWhen Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Espa\u0026#xF1;ol, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Espa\u0026#xF1;ol to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.\u003c/p\u003e\n","\u003cp\u003eOn January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the \u003cemph render=\"italic\"\u003eTampa Morning Tribune\u003c/emph\u003e called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.\u003c/p\u003e\n","\u003cp\u003eA central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.\u003c/p\u003e\n","\u003cp\u003eThe largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.\u003c/p\u003e\n","\u003cp\u003eNote written by Paul Camp, 2006; Joe Tamargo, 2011.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011."],"prefercite_html_tesm":["\u003cp\u003eCentro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Centro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano De Tampa Membership Records Photograph Collection\u003c/emph\u003e. Tampa, Florida: University of South Florida Libraries, 2003.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano Library Collection,\u003c/emph\u003e Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Espan\u0026#x303;ol De Tampa Collection\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCuban Club Records\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"names_coll_ssim":["Centro Asturiano de Tampa"],"names_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1038,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1875301659078295552,"_root_":"8b33a8c5177804a4b9511a5f","timestamp":"2026-09-03T09:17:07.659Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8b33a8c5177804a4b9511a5f_aspace_d1d8916ee34b991517a022d8bc7b891d"}},{"id":"89a014763df1a74a641b88b7_aspace_e17a3b9d666d0f71142388185c68758e","type":"Box","attributes":{"title":"Sheriff Portraits","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/89a014763df1a74a641b88b7_aspace_e17a3b9d666d0f71142388185c68758e#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_e17a3b9d666d0f71142388185c68758e","ref_ssm":["aspace_e17a3b9d666d0f71142388185c68758e","aspace_e17a3b9d666d0f71142388185c68758e"],"id":"89a014763df1a74a641b88b7_aspace_e17a3b9d666d0f71142388185c68758e","title_filing_ssi":"Sheriff Portraits","title_ssm":["Sheriff Portraits"],"title_tesim":["Sheriff Portraits"],"normalized_title_ssm":["Sheriff Portraits"],"text":["Sheriff Portraits","Sheriff Chad Chronister Hillsborough County Sheriff's Office (HCSO) historical collection, 1920-2000","Photographs","163","/repositories/2/archival_objects/220360","box 163"],"component_level_isim":[2],"parent_ids_ssim":["89a014763df1a74a641b88b7","89a014763df1a74a641b88b7_aspace_6093976dc054d28505de8732472e2f8b"],"parent_unittitles_ssm":["Sheriff Chad Chronister Hillsborough County Sheriff's Office (HCSO) historical collection, 1920-2000","Photographs"],"parent_unittitles_tesim":["Sheriff Chad Chronister Hillsborough County Sheriff's Office (HCSO) historical collection, 1920-2000","Photographs"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["163","/repositories/2/archival_objects/220360"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Sheriff Chad Chronister Hillsborough County Sheriff's Office (HCSO) historical collection, 1920-2000"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":353,"parent_access_restrict_tesm":["Materials are arranged by identifiers assigned by the USF Institute for Digital Exploration rather than by subject. To access materials related to a specific research topic, please contact USF Special Collections to schedule a consultation. Staff can assist with browsing the database and locating identifiers associated with particular subjects, time periods, individuals, incidents, and related topics."],"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 163"],"_nest_path_":"/components#4/components#21","_nest_parent_":"89a014763df1a74a641b88b7_aspace_6093976dc054d28505de8732472e2f8b","_root_":"89a014763df1a74a641b88b7","_version_":1878381912655921152,"timestamp":"2026-10-07T09:16:26.495Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"89a014763df1a74a641b88b7","title_ssm":["Sheriff Chad Chronister Hillsborough County Sheriff's Office (HCSO) historical collection"],"title_tesim":["Sheriff Chad Chronister Hillsborough County Sheriff's Office (HCSO) historical collection"],"ead_ssi":"89a014763df1a74a641b88b7","unitdate_ssm":["1920-2000"],"unitdate_inclusive_ssm":["1920-2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.2026.04","/repositories/2/resources/740"],"text":["MS.2026.04","/repositories/2/resources/740","Sheriff Chad Chronister Hillsborough County Sheriff's Office (HCSO) historical collection, 1920-2000","Florida -- Politics and government","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History","Crime and criminals -- Florida","Correctional institutions","Jails","This collection is currently accessible only in our reading room. Requests to view materials containing sensitive or private information require approval from a representative of the Hillsborough County Sheriff's Office.","Materials are arranged by identifiers assigned by the USF Institute for Digital Exploration rather than by subject. To access materials related to a specific research topic, please contact USF Special Collections to schedule a consultation. Staff can assist with browsing the database and locating identifiers associated with particular subjects, time periods, individuals, incidents, and related topics.","The Hillsborough County Sheriff's Office (HCSO) is one of Florida's oldest continuously operating law enforcement agencies. Established in 1845, the same year Florida became a state, the agency provides law enforcement services throughout Hillsborough County, including Tampa, Plant City, Temple Terrace, and the county's many unincorporated communities. Over nearly two centuries, the sheriff's office has evolved from a frontier-era operation into one of the largest and most technologically advanced law enforcement agencies in the state.","The Hillsborough County Sheriff's Office was created following legislation passed by the Florida Legislature requiring each county in the newly admitted state to elect a sheriff. At the time, Hillsborough County had only 47 eligible voters. John Parker, a captain during the Seminole Indian Wars, became the county's first sheriff in 1845. Parker effectively operated as a one-man department and also served as the county's ex-officio tax collector.","In 1847, John Irving Hooker was elected sheriff, and by 1848 the county constructed its first jail, at a time when Tampa's population was only about 100 residents. The office gradually expanded as the county grew. Deputies were not officially added until 1857 during the administration of Sheriff Henry Parker. Three years later, under Sheriff William S. Spencer, a new jailhouse was built on Jefferson Street in 1860 to accommodate the county's increasing population and legal demands.","During the late nineteenth century, the sheriff's office reflected broader social changes taking place across Florida and the South. In 1895, Sheriff Thomas K. Spencer deputized Levin Arwood as the first Black deputy sheriff in Hillsborough County, marking a significant milestone in the agency's history. The county continued to modernize into the twentieth century, and in May 1926 a new Hillsborough County Jail opened on Pierce Street under Sheriff Luther M. Heirs.","Additional changes followed in the decades ahead. In 1929, under Sheriff Luther Hatton, Eleanor E. Robinson became the first female deputy sheriff employed by the agency, representing another important step in the department's diversification.","In 1941, Hugh Culbreath was elected sheriff and established the agency's first substation in Plant City to better serve eastern Hillsborough County. He also became the first sheriff in 53 years to win reelection when he secured a second term in 1944. In 1961, Sheriff Ed Blackburn implemented the agency's first marine unit, featuring a patrol boat known as the \"Keystone Cop.\"","During the tenure of Sheriff Malcolm Beard from 1965 to 1978, the agency established the Mounted Posse, created the School Crossing Guard program, and opened the new Morgan Street Jail in 1965. Under Sheriff Walter Heinrich, the Hillsborough County Sheriff's Office became the first sheriff's office in the southeastern United States and the third in the nation to earn accreditation from the Commission on Accreditation for Law Enforcement Agencies (CALEA). In 1991, the agency became the first sheriff's office in the country to receive \"unconditional\" reaccreditation.","Throughout the twentieth and twenty-first centuries, the Hillsborough County Sheriff's Office expanded alongside the rapid growth of the Tampa Bay region. What began as a frontier law enforcement office evolved into a full-service agency responsible for patrol operations, criminal investigations, detention services, courthouse security, aviation and marine operations, emergency response, and numerous community programs. Under current Sheriff Chad Chronister, the agency partnered with University of South Florida's Institute for Digital Exploration to digitize and preserve thousands of historical records dating back to the nineteenth century. These records are now housed in the university's Special Collections Library in Tampa.","References: ","Hillsborough County Sheriff's Office: 150 Years, 1845-1995. (1995)","Hillsborough County Sheriff's Office, Partnership: Institute of Digital Exploration. (2023) University of South Florida.","Historical records, photographs, scrapbooks and training materials from the Hillsborough County Sheriff's Office.","Artifacts and various documents and photographs are on display at the HCSO History Museum.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","USF Libraries - Tampa Special Collections","Hillsborough County Sheriff's Office","Chronister, Chad","English"],"unitid_tesim":["MS.2026.04","/repositories/2/resources/740"],"normalized_date_ssm":["1920-2000"],"normalized_title_ssm":["Sheriff Chad Chronister Hillsborough County Sheriff's Office (HCSO) historical collection, 1920-2000"],"collection_title_tesim":["Sheriff Chad Chronister Hillsborough County Sheriff's Office (HCSO) historical collection, 1920-2000"],"collection_ssim":["Sheriff Chad Chronister Hillsborough County Sheriff's Office (HCSO) historical collection, 1920-2000"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Florida -- Politics and government","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History"],"geogname_ssim":["Florida -- Politics and government","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History"],"creator_ssm":["Hillsborough County Sheriff's Office","Chronister, Chad"],"creator_ssim":["Hillsborough County Sheriff's Office","Chronister, Chad"],"creator_persname_ssim":["Chronister, Chad"],"creator_corpname_ssim":["Hillsborough County Sheriff's Office"],"creators_ssim":["Chronister, Chad","Hillsborough County Sheriff's Office"],"places_ssim":["Florida -- Politics and government","Tampa (Fla.) -- Politics and government","Tampa Bay Region (Fla.) -- History"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"access_subjects_ssim":["Crime and criminals -- Florida","Correctional institutions","Jails"],"access_subjects_ssm":["Crime and criminals -- Florida","Correctional institutions","Jails"],"has_online_content_ssim":["false"],"extent_ssm":["130 Linear Feet","175 boxes"],"extent_tesim":["130 Linear Feet","175 boxes"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is currently accessible only in our reading room. Requests to view materials containing sensitive or private information require approval from a representative of the Hillsborough County Sheriff's Office.\u003c/p\u003e","\u003cp\u003eMaterials are arranged by identifiers assigned by the USF Institute for Digital Exploration rather than by subject. To access materials related to a specific research topic, please contact USF Special Collections to schedule a consultation. Staff can assist with browsing the database and locating identifiers associated with particular subjects, time periods, individuals, incidents, and related topics.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["This collection is currently accessible only in our reading room. Requests to view materials containing sensitive or private information require approval from a representative of the Hillsborough County Sheriff's Office.","Materials are arranged by identifiers assigned by the USF Institute for Digital Exploration rather than by subject. To access materials related to a specific research topic, please contact USF Special Collections to schedule a consultation. Staff can assist with browsing the database and locating identifiers associated with particular subjects, time periods, individuals, incidents, and related topics."],"bioghist_html_tesm":["\u003cp\u003eThe Hillsborough County Sheriff's Office (HCSO) is one of Florida's oldest continuously operating law enforcement agencies. Established in 1845, the same year Florida became a state, the agency provides law enforcement services throughout Hillsborough County, including Tampa, Plant City, Temple Terrace, and the county's many unincorporated communities. Over nearly two centuries, the sheriff's office has evolved from a frontier-era operation into one of the largest and most technologically advanced law enforcement agencies in the state.\u003c/p\u003e\n","\u003cp\u003eThe Hillsborough County Sheriff's Office was created following legislation passed by the Florida Legislature requiring each county in the newly admitted state to elect a sheriff. At the time, Hillsborough County had only 47 eligible voters. John Parker, a captain during the Seminole Indian Wars, became the county's first sheriff in 1845. Parker effectively operated as a one-man department and also served as the county's ex-officio tax collector.\u003c/p\u003e\n","\u003cp\u003eIn 1847, John Irving Hooker was elected sheriff, and by 1848 the county constructed its first jail, at a time when Tampa's population was only about 100 residents. The office gradually expanded as the county grew. Deputies were not officially added until 1857 during the administration of Sheriff Henry Parker. Three years later, under Sheriff William S. Spencer, a new jailhouse was built on Jefferson Street in 1860 to accommodate the county's increasing population and legal demands.\u003c/p\u003e\n","\u003cp\u003eDuring the late nineteenth century, the sheriff's office reflected broader social changes taking place across Florida and the South. In 1895, Sheriff Thomas K. Spencer deputized Levin Arwood as the first Black deputy sheriff in Hillsborough County, marking a significant milestone in the agency's history. The county continued to modernize into the twentieth century, and in May 1926 a new Hillsborough County Jail opened on Pierce Street under Sheriff Luther M. Heirs.\u003c/p\u003e\n","\u003cp\u003eAdditional changes followed in the decades ahead. In 1929, under Sheriff Luther Hatton, Eleanor E. 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Under Sheriff Walter Heinrich, the Hillsborough County Sheriff's Office became the first sheriff's office in the southeastern United States and the third in the nation to earn accreditation from the Commission on Accreditation for Law Enforcement Agencies (CALEA). In 1991, the agency became the first sheriff's office in the country to receive \"unconditional\" reaccreditation.\u003c/p\u003e\n","\u003cp\u003eThroughout the twentieth and twenty-first centuries, the Hillsborough County Sheriff's Office expanded alongside the rapid growth of the Tampa Bay region. What began as a frontier law enforcement office evolved into a full-service agency responsible for patrol operations, criminal investigations, detention services, courthouse security, aviation and marine operations, emergency response, and numerous community programs. Under current Sheriff Chad Chronister, the agency partnered with University of South Florida's Institute for Digital Exploration to digitize and preserve thousands of historical records dating back to the nineteenth century. These records are now housed in the university's Special Collections Library in Tampa.\u003c/p\u003e\n","\u003cp\u003eReferences: \u003c/p\u003e\n","\u003cp\u003eHillsborough County Sheriff's Office: 150 Years, 1845-1995. (1995)\u003c/p\u003e\n","\u003cp\u003eHillsborough County Sheriff's Office, Partnership: Institute of Digital Exploration. (2023) University of South Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Hillsborough County Sheriff's Office (HCSO) is one of Florida's oldest continuously operating law enforcement agencies. Established in 1845, the same year Florida became a state, the agency provides law enforcement services throughout Hillsborough County, including Tampa, Plant City, Temple Terrace, and the county's many unincorporated communities. Over nearly two centuries, the sheriff's office has evolved from a frontier-era operation into one of the largest and most technologically advanced law enforcement agencies in the state.","The Hillsborough County Sheriff's Office was created following legislation passed by the Florida Legislature requiring each county in the newly admitted state to elect a sheriff. At the time, Hillsborough County had only 47 eligible voters. John Parker, a captain during the Seminole Indian Wars, became the county's first sheriff in 1845. Parker effectively operated as a one-man department and also served as the county's ex-officio tax collector.","In 1847, John Irving Hooker was elected sheriff, and by 1848 the county constructed its first jail, at a time when Tampa's population was only about 100 residents. The office gradually expanded as the county grew. Deputies were not officially added until 1857 during the administration of Sheriff Henry Parker. Three years later, under Sheriff William S. Spencer, a new jailhouse was built on Jefferson Street in 1860 to accommodate the county's increasing population and legal demands.","During the late nineteenth century, the sheriff's office reflected broader social changes taking place across Florida and the South. In 1895, Sheriff Thomas K. Spencer deputized Levin Arwood as the first Black deputy sheriff in Hillsborough County, marking a significant milestone in the agency's history. The county continued to modernize into the twentieth century, and in May 1926 a new Hillsborough County Jail opened on Pierce Street under Sheriff Luther M. Heirs.","Additional changes followed in the decades ahead. In 1929, under Sheriff Luther Hatton, Eleanor E. Robinson became the first female deputy sheriff employed by the agency, representing another important step in the department's diversification.","In 1941, Hugh Culbreath was elected sheriff and established the agency's first substation in Plant City to better serve eastern Hillsborough County. He also became the first sheriff in 53 years to win reelection when he secured a second term in 1944. In 1961, Sheriff Ed Blackburn implemented the agency's first marine unit, featuring a patrol boat known as the \"Keystone Cop.\"","During the tenure of Sheriff Malcolm Beard from 1965 to 1978, the agency established the Mounted Posse, created the School Crossing Guard program, and opened the new Morgan Street Jail in 1965. Under Sheriff Walter Heinrich, the Hillsborough County Sheriff's Office became the first sheriff's office in the southeastern United States and the third in the nation to earn accreditation from the Commission on Accreditation for Law Enforcement Agencies (CALEA). In 1991, the agency became the first sheriff's office in the country to receive \"unconditional\" reaccreditation.","Throughout the twentieth and twenty-first centuries, the Hillsborough County Sheriff's Office expanded alongside the rapid growth of the Tampa Bay region. What began as a frontier law enforcement office evolved into a full-service agency responsible for patrol operations, criminal investigations, detention services, courthouse security, aviation and marine operations, emergency response, and numerous community programs. Under current Sheriff Chad Chronister, the agency partnered with University of South Florida's Institute for Digital Exploration to digitize and preserve thousands of historical records dating back to the nineteenth century. These records are now housed in the university's Special Collections Library in Tampa.","References: ","Hillsborough County Sheriff's Office: 150 Years, 1845-1995. (1995)","Hillsborough County Sheriff's Office, Partnership: Institute of Digital Exploration. (2023) University of South Florida."],"scopecontent_html_tesm":["\u003cp\u003eHistorical records, photographs, scrapbooks and training materials from the Hillsborough County Sheriff's Office.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Historical records, photographs, scrapbooks and training materials from the Hillsborough County Sheriff's Office."],"separatedmaterial_html_tesm":["\u003cp\u003eArtifacts and various documents and photographs are on display at the HCSO History Museum.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Artifacts and various documents and photographs are on display at the HCSO History Museum."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Hillsborough County Sheriff's Office","Chronister, Chad"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Hillsborough County Sheriff's Office"],"names_coll_ssim":["Chronister, Chad"],"persname_ssim":["Chronister, Chad"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":452,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1878381912655921152,"_root_":"89a014763df1a74a641b88b7","timestamp":"2026-10-07T09:16:26.495Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/89a014763df1a74a641b88b7_aspace_e17a3b9d666d0f71142388185c68758e"}},{"id":"37e6df6e8da909b85d39e52f_aspace_3905","type":"Box","attributes":{"title":"Sherlock Holmes in Orbit~Sideshow","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/37e6df6e8da909b85d39e52f_aspace_3905#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSherlock Holmes in Orbit: An Original Anthology (4 parts) Sideshow. 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Retrieved May 20, 2009, from http://www.fortunecity.com/tattooine/farmer/2/Biography.htm","Note written by PC, 1994","The bulk of the collection was donated by Mike Resnick in 1995.  Subsequent additions to the collection - primarily monographic in nature - continue to date.","published","Monographs separated from the Mike Resnick collection have been catalogued and integrated into the USF Tampa Library's Science Fiction collections.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection includes typescripts, correspondence, articles, and reviews written by science fiction author Mike Resnick.","USF Libraries - Tampa Special Collections","Resnick, Michael D.  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Items within each series are arranged alphabetically or chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized by series. Items within each series are arranged alphabetically or chronologically."],"bioghist_html_tesm":["\u003cp\u003eMike Resnick (1942 - 2020), a prolific author of Science Fiction novels and short stories, began his career in 1957 and since then, wrote a number of novels, short stories and articles, many under various pseudonyms.  In addition, he edited tabloid newspapers, a number of science fiction anthologies, and two men's magazines. He also wrote short non-fiction and was a regular columnist for The Magazine of Fantasy and Science Fiction.\u003c/p\u003e\n","\u003cp\u003eAmong Resnick's widely recognized works include The Soul Eater, Walpurgis III, the Tales of the Galactic Midway series, Santiago, and The Widowmaker series. 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Retrieved May 20, 2009, from http://www.fortunecity.com/tattooine/farmer/2/Biography.htm\u003c/p\u003e\n","\u003cp\u003eNote written by PC, 1994\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Mike Resnick (1942 - 2020), a prolific author of Science Fiction novels and short stories, began his career in 1957 and since then, wrote a number of novels, short stories and articles, many under various pseudonyms.  In addition, he edited tabloid newspapers, a number of science fiction anthologies, and two men's magazines. He also wrote short non-fiction and was a regular columnist for The Magazine of Fantasy and Science Fiction.","Among Resnick's widely recognized works include The Soul Eater, Walpurgis III, the Tales of the Galactic Midway series, Santiago, and The Widowmaker series. Resnick was most noted, however, for the \"Kirinyaga\" series, which, with 51 major and minor awards and nominations to date, was one of the most honored series of stories in science fiction.","A highly regarded author, editor, and critic, Resnick has received numerous Hugo Awards and Nebula Awards, as well as a Clarke (British), Seiun-shos (Japanese), Homer Awards, an Alexander Award, a Golden Pagoda Award, a Hayakawa SF Award, a Locus Award, and has topped the S. F. Chronicle poll at least five times.","Mike Resnick. (2007). In Contemporary Authors Online. Retrieved May 20, 2009, from Literature Resource Center database.  ","Resnick, M. (n.d.).  Biography. Retrieved May 20, 2009, from http://www.fortunecity.com/tattooine/farmer/2/Biography.htm","Note written by PC, 1994"],"custodhist_html_tesm":["\u003cp\u003eThe bulk of the collection was donated by Mike Resnick in 1995.\u0026#xA0; Subsequent additions to the collection - primarily monographic in nature - continue to date.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["The bulk of the collection was donated by Mike Resnick in 1995.  Subsequent additions to the collection - primarily monographic in nature - continue to date."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eMike Resnick collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Mike Resnick collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"separatedmaterial_html_tesm":["\u003cp\u003eMonographs separated from the Mike Resnick collection have been catalogued and integrated into the USF Tampa Library's Science Fiction collections.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Monographs separated from the Mike Resnick collection have been catalogued and integrated into the USF Tampa Library's Science Fiction collections."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e0a53a9eab6c18f27db5eb71a03444ec\" label=\"Abstract\"\u003eThis collection includes typescripts, correspondence, articles, and reviews written by science fiction author Mike Resnick.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes typescripts, correspondence, articles, and reviews written by science fiction author Mike Resnick."],"names_ssim":["USF Libraries - Tampa Special Collections","Resnick, Michael D.  (1942-2020)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Resnick, Michael D.  (1942-2020)"],"persname_ssim":["Resnick, Michael D.  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Dizer papers, 1853-2007, Date acquired: 00/00/2007","Correspondence","28","/repositories/2/archival_objects/53836","box 28"],"component_level_isim":[2],"parent_ids_ssim":["bf494aba24b034497c4115cf","bf494aba24b034497c4115cf_aspace_103609"],"parent_unittitles_ssm":["John T. Dizer papers, 1853-2007, Date acquired: 00/00/2007","Correspondence"],"parent_unittitles_tesim":["John T. Dizer papers, 1853-2007, Date acquired: 00/00/2007","Correspondence"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["28","/repositories/2/archival_objects/53836"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["John T. 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Dizer papers"],"ead_ssi":"bf494aba24b034497c4115cf","unitdate_ssm":["1853-2007","Date acquired: 00/00/2007"],"unitdate_inclusive_ssm":["1853-2007"],"unitdate_other_ssim":["Date acquired: 00/00/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2007-01","/repositories/2/resources/336"],"text":["MS-2007-01","/repositories/2/resources/336","John T. Dizer papers, 1853-2007, Date acquired: 00/00/2007","Children's literature in series","Boy Scouts -- Florida","Children","Children's literature","Children's literature, American -- History and criticism","Children's stories","Detective and mystery stories -- Juvenile literature","Stratemeyer Syndicate","Swift, Tom (Fictitious character)","Young adult fiction, American -- History and criticism","Young adult fiction -- Publishing -- United States","Dime novels","Primarily alphabetical; original order maintained where discernable.","John Thomas \"Jack\" Dizer Jr. served in the U. S. Navy during World War II, commanding an LCT (Landing Craft Tank) in the Pacific.  Following the war, Dizer trained as an engineer and  received his Ph.D. from Purdue University.  After a professional career in industry he joined the engineering faculty of Mohawk Valley Community College (MVCC) in 1959, where he served as a Professor, Head of the Mechanical Engineering Technology Department, and Dean of the Technology and Business Division. He retired from MVCC in 1985 with the title Professor and Dean Emeritus. He was a Consulting Registered Certified Professional Engineer and a Life Fellow of the American Society of Mechanical Engineers.","Dizer's favorite childhood reading materials included stories about fictional boy inventor Tom Swift. The Tom Swift books influenced him significantly in deciding to pursue an engineering career. This experience gave him an appreciation for the importance of childhood reading in shaping adult lives. Dr. Dizer actively collected and studied children's literature for over 40 years, gaining recognition as a leading authority on American popular children's fiction. The works of Tom Swift's creator Edward Stratemeyer (1862-1930) and the Stratemeyer Syndicate were Dizer's principal areas of study. He lectured extensively on American children's literature and authored four books and more than 70 articles on diverse aspects of boys' and girls' popular fiction.","Sources:\n\"All Inductees, 1996-2004, to be Honored on New Hall of Fame Wall.\" Communitas: MVCC Faculty/Staff Newsletter.  10/4/2004, pp. 1, 3.\nHartman, Krista. \"Mohawk Valley Community College Authors: Faculty and Staff: A Bibliography.\"  [Utica: Mohawk Valley Community College, 2007].\n\"MVCC Dean/Professor Emeritus Authors Book on Children's Literature.\"  Communitas: MVCC Faculty/Staff Newsletter.  3/13/2006,  p. 1.\n\"MVCC 60th Anniversary Snapshots, MVCC 1946-2006.\" Communitas: MVCC Faculty/Staff Newsletter.  11/20/2006, p. 1.","Note written by PEC, 2007","published","Dizer, John T.  American Children's Literature 1890-1940: Heroic Tales That Shaped Adult Lives.  Lewiston: Edwin Mellen Press, 2006.","Dizer, John T.  \"LCT, I Love You.\" World War II Landing Craft Tanks, http://ww2lct.org/ .","Dizer, John T.  Readings in American Juvenile Literature: The Collected Essays of John T. Dizer.  Lewiston: Edwin Mellen Press, 2006.","Dizer, John T.  Tom Swift \u0026 Company: \"Boys' Books\" by Stratemeyer's and Others.  Jefferson: MacFarland \u0026 Co., 1982.","Dizer, John T.  Tom Swift, the Bobbsey Twins, and Other Heroes of American Juvenile Literature.  Lewiston: Edwin Mellen Press, 1997.","The collection consists of Dr. Dizer's correspondence and research files relating to nineteenth- and twentieth-century American popular children's literature, with particular emphasis on series books, story papers, and dime novels.  Notable are extensive files dealing with Edward Stratemeyer, the Stratemeyer Syndicate, and the Boy Scouts of America.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Street and Smith Publications","Dizer, John T. 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Dr. Dizer actively collected and studied children's literature for over 40 years, gaining recognition as a leading authority on American popular children's fiction. The works of Tom Swift's creator Edward Stratemeyer (1862-1930) and the Stratemeyer Syndicate were Dizer's principal areas of study. He lectured extensively on American children's literature and authored four books and more than 70 articles on diverse aspects of boys' and girls' popular fiction.\u003c/p\u003e\n","\u003cp\u003eSources:\n\"All Inductees, 1996-2004, to be Honored on New Hall of Fame Wall.\" Communitas: MVCC Faculty/Staff Newsletter.  10/4/2004, pp. 1, 3.\nHartman, Krista. \"Mohawk Valley Community College Authors: Faculty and Staff: A Bibliography.\"  [Utica: Mohawk Valley Community College, 2007].\n\"MVCC Dean/Professor Emeritus Authors Book on Children's Literature.\"  Communitas: MVCC Faculty/Staff Newsletter.  3/13/2006,  p. 1.\n\"MVCC 60th Anniversary Snapshots, MVCC 1946-2006.\" Communitas: MVCC Faculty/Staff Newsletter.  11/20/2006, p. 1.\u003c/p\u003e\n","\u003cp\u003eNote written by PEC, 2007\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["John Thomas \"Jack\" Dizer Jr. served in the U. S. Navy during World War II, commanding an LCT (Landing Craft Tank) in the Pacific.  Following the war, Dizer trained as an engineer and  received his Ph.D. from Purdue University.  After a professional career in industry he joined the engineering faculty of Mohawk Valley Community College (MVCC) in 1959, where he served as a Professor, Head of the Mechanical Engineering Technology Department, and Dean of the Technology and Business Division. He retired from MVCC in 1985 with the title Professor and Dean Emeritus. He was a Consulting Registered Certified Professional Engineer and a Life Fellow of the American Society of Mechanical Engineers.","Dizer's favorite childhood reading materials included stories about fictional boy inventor Tom Swift. The Tom Swift books influenced him significantly in deciding to pursue an engineering career. This experience gave him an appreciation for the importance of childhood reading in shaping adult lives. Dr. Dizer actively collected and studied children's literature for over 40 years, gaining recognition as a leading authority on American popular children's fiction. The works of Tom Swift's creator Edward Stratemeyer (1862-1930) and the Stratemeyer Syndicate were Dizer's principal areas of study. He lectured extensively on American children's literature and authored four books and more than 70 articles on diverse aspects of boys' and girls' popular fiction.","Sources:\n\"All Inductees, 1996-2004, to be Honored on New Hall of Fame Wall.\" Communitas: MVCC Faculty/Staff Newsletter.  10/4/2004, pp. 1, 3.\nHartman, Krista. \"Mohawk Valley Community College Authors: Faculty and Staff: A Bibliography.\"  [Utica: Mohawk Valley Community College, 2007].\n\"MVCC Dean/Professor Emeritus Authors Book on Children's Literature.\"  Communitas: MVCC Faculty/Staff Newsletter.  3/13/2006,  p. 1.\n\"MVCC 60th Anniversary Snapshots, MVCC 1946-2006.\" Communitas: MVCC Faculty/Staff Newsletter.  11/20/2006, p. 1.","Note written by PEC, 2007"],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eJohn T. Dizer papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["John T. Dizer papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eDizer, John T.\u0026#xA0; American Children's Literature 1890-1940: Heroic Tales That Shaped Adult Lives.\u0026#xA0; Lewiston: Edwin Mellen Press, 2006.\u003c/p\u003e\n","\u003cp\u003eDizer, John T.\u0026#xA0; \"LCT, I Love You.\" World War II Landing Craft Tanks, http://ww2lct.org/ .\u003c/p\u003e\n","\u003cp\u003eDizer, John T.\u0026#xA0; Readings in American Juvenile Literature: The Collected Essays of John T. Dizer.\u0026#xA0; Lewiston: Edwin Mellen Press, 2006.\u003c/p\u003e\n","\u003cp\u003eDizer, John T.\u0026#xA0; Tom Swift \u0026amp; Company: \"Boys' Books\" by Stratemeyer's and Others.\u0026#xA0; Jefferson: MacFarland \u0026amp; Co., 1982.\u003c/p\u003e\n","\u003cp\u003eDizer, John T.\u0026#xA0; Tom Swift, the Bobbsey Twins, and Other Heroes of American Juvenile Literature.\u0026#xA0; Lewiston: Edwin Mellen Press, 1997.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Publications"],"relatedmaterial_tesim":["Dizer, John T.  American Children's Literature 1890-1940: Heroic Tales That Shaped Adult Lives.  Lewiston: Edwin Mellen Press, 2006.","Dizer, John T.  \"LCT, I Love You.\" World War II Landing Craft Tanks, http://ww2lct.org/ .","Dizer, John T.  Readings in American Juvenile Literature: The Collected Essays of John T. Dizer.  Lewiston: Edwin Mellen Press, 2006.","Dizer, John T.  Tom Swift \u0026 Company: \"Boys' Books\" by Stratemeyer's and Others.  Jefferson: MacFarland \u0026 Co., 1982.","Dizer, John T.  Tom Swift, the Bobbsey Twins, and Other Heroes of American Juvenile Literature.  Lewiston: Edwin Mellen Press, 1997."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of Dr. Dizer's correspondence and research files relating to nineteenth- and twentieth-century American popular children's literature, with particular emphasis on series books, story papers, and dime novels.\u0026#xA0; Notable are extensive files dealing with Edward Stratemeyer, the Stratemeyer Syndicate, and the Boy Scouts of America.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of Dr. Dizer's correspondence and research files relating to nineteenth- and twentieth-century American popular children's literature, with particular emphasis on series books, story papers, and dime novels.  Notable are extensive files dealing with Edward Stratemeyer, the Stratemeyer Syndicate, and the Boy Scouts of America."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_coll_ssim":["Street and Smith Publications","Alger, Horatio, Jr. (1832-1899)","Appleton, Victor","Wirt, Mildred A. (Mildred Augustine) (1905-2002)","Dizer, John T. (1921-2017)","Keene, Carolyn","McFarlane, Leslie (1902-1977)","Stratemeyer, Edward (1862-1930)"],"names_ssim":["USF Libraries - Tampa Special Collections","Street and Smith Publications","Dizer, John T. (1921-2017)","Alger, Horatio, Jr. (1832-1899)","Appleton, Victor","Wirt, Mildred A. (Mildred Augustine) (1905-2002)","Keene, Carolyn","McFarlane, Leslie (1902-1977)","Stratemeyer, Edward (1862-1930)"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Street and Smith Publications"],"persname_ssim":["Dizer, John T. (1921-2017)","Alger, Horatio, Jr. (1832-1899)","Appleton, Victor","Wirt, Mildred A. (Mildred Augustine) (1905-2002)","Keene, Carolyn","McFarlane, Leslie (1902-1977)","Stratemeyer, Edward (1862-1930)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":770,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862875373862912,"_root_":"bf494aba24b034497c4115cf","timestamp":"2026-07-16T09:24:33.676Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bf494aba24b034497c4115cf_aspace_104084"}},{"id":"e219c076c3d3d57787710ea4_aspace_b793e9d99cb2dcc5db121cc8c548d3a7","type":"Box","attributes":{"title":"Short-Form Fiction","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/e219c076c3d3d57787710ea4_aspace_b793e9d99cb2dcc5db121cc8c548d3a7#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b793e9d99cb2dcc5db121cc8c548d3a7","ref_ssm":["aspace_b793e9d99cb2dcc5db121cc8c548d3a7","aspace_b793e9d99cb2dcc5db121cc8c548d3a7"],"id":"e219c076c3d3d57787710ea4_aspace_b793e9d99cb2dcc5db121cc8c548d3a7","title_filing_ssi":"Short-Form Fiction","title_ssm":["Short-Form Fiction"],"title_tesim":["Short-Form Fiction"],"normalized_title_ssm":["Short-Form Fiction"],"text":["Short-Form Fiction","Iain Lawrence collection, 1970-2020","/repositories/2/archival_objects/145639","box 7"],"component_level_isim":[1],"parent_ids_ssim":["e219c076c3d3d57787710ea4"],"parent_unittitles_ssm":["Iain Lawrence collection, 1970-2020"],"parent_unittitles_tesim":["Iain Lawrence collection, 1970-2020"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/145639"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Iain Lawrence collection, 1970-2020"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":47,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 7"],"_nest_path_":"/components#6","_nest_parent_":"e219c076c3d3d57787710ea4","_root_":"e219c076c3d3d57787710ea4","timestamp":"2026-07-10T05:03:37.212Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"e219c076c3d3d57787710ea4","title_ssm":["Iain Lawrence collection"],"title_tesim":["Iain Lawrence collection"],"ead_ssi":"e219c076c3d3d57787710ea4","unitdate_ssm":["1970-2020"],"unitdate_inclusive_ssm":["1970-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2022-03    ","/repositories/2/resources/605"],"text":["MS-2022-03    ","/repositories/2/resources/605","Iain Lawrence collection, 1970-2020","Young adult fiction -- Publishing -- United States","Correspondence.","Manuscripts","Good","The collection contains personal materials, correspondence, notes, and research materialss related to the life and career of Iain Lawarecne, an award winning Canadian children's novelist. Included in this collection are the research and notes for \"Gemini Summer,\" a novel which earned Lawrence the Governor General's Literary Award in Children's Literature in 2007, along with the incredibly popular \"The Wreckers\" series. In addition, contained in the collection are the manuscripts of several of Lawrence's unpublished adult novels.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","A collection of assorted materials related to Iain Lawrence's life and career as a children's novelist.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-2022-03    ","/repositories/2/resources/605"],"normalized_date_ssm":["1970-2020"],"normalized_title_ssm":["Iain Lawrence collection, 1970-2020"],"collection_title_tesim":["Iain Lawrence collection, 1970-2020"],"collection_ssim":["Iain Lawrence collection, 1970-2020"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Young adult fiction -- Publishing -- United States","Correspondence.","Manuscripts"],"access_subjects_ssm":["Young adult fiction -- Publishing -- United States","Correspondence.","Manuscripts"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good"],"extent_ssm":["11 boxes"],"extent_tesim":["11 boxes"],"genreform_ssim":["Manuscripts"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"prefercite_html_tesm":["\u003cp\u003eIain Lawrence collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Iain Lawrence collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains personal materials, correspondence, notes, and research materialss related to the life and career of Iain Lawarecne, an award winning Canadian children's novelist. Included in this collection are the research and notes for \"Gemini Summer,\" a novel which earned Lawrence the Governor General's Literary Award in Children's Literature in 2007, along with the incredibly popular \"The Wreckers\" series. In addition, contained in the collection are the manuscripts of several of Lawrence's unpublished adult novels.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The collection contains personal materials, correspondence, notes, and research materialss related to the life and career of Iain Lawarecne, an award winning Canadian children's novelist. Included in this collection are the research and notes for \"Gemini Summer,\" a novel which earned Lawrence the Governor General's Literary Award in Children's Literature in 2007, along with the incredibly popular \"The Wreckers\" series. In addition, contained in the collection are the manuscripts of several of Lawrence's unpublished adult novels."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d00257b696f85a2f380ca6ad1bb25a2c\" label=\"Abstract\"\u003eA collection of assorted materials related to Iain Lawrence's life and career as a children's novelist.\u003c/abstract\u003e"],"abstract_tesim":["A collection of assorted materials related to Iain Lawrence's life and career as a children's novelist."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"total_component_count_is":85,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"e219c076c3d3d57787710ea4","timestamp":"2026-07-10T05:03:37.212Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/e219c076c3d3d57787710ea4_aspace_b793e9d99cb2dcc5db121cc8c548d3a7"}},{"id":"4f52bb6ea596aca8bef98722_aspace_121365","type":"Box","attributes":{"title":"Short Stories","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4f52bb6ea596aca8bef98722_aspace_121365#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_121365","ref_ssm":["aspace_121365","aspace_121365"],"id":"4f52bb6ea596aca8bef98722_aspace_121365","title_filing_ssi":"Short Stories","title_ssm":["Short Stories"],"title_tesim":["Short Stories"],"normalized_title_ssm":["Short Stories"],"text":["Short Stories","Leo Stalnaker papers, 1897-1939","1","/repositories/2/archival_objects/47775","box 1"],"component_level_isim":[1],"parent_ids_ssim":["4f52bb6ea596aca8bef98722"],"parent_unittitles_ssm":["Leo Stalnaker papers, 1897-1939"],"parent_unittitles_tesim":["Leo Stalnaker papers, 1897-1939"],"parent_levels_ssm":["collection"],"unitid_ssm":["1","/repositories/2/archival_objects/47775"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Leo Stalnaker papers, 1897-1939"],"has_online_content_ssim":["false"],"child_component_count_isi":12,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":1,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 1"],"_nest_path_":"/components#0","_nest_parent_":"4f52bb6ea596aca8bef98722","_root_":"4f52bb6ea596aca8bef98722","timestamp":"2026-04-21T04:01:17.161Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4f52bb6ea596aca8bef98722","title_ssm":["Leo Stalnaker papers"],"title_tesim":["Leo Stalnaker papers"],"ead_ssi":"4f52bb6ea596aca8bef98722","unitdate_ssm":["1897-1939"],"unitdate_inclusive_ssm":["1897-1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["S44","/repositories/2/resources/287"],"text":["S44","/repositories/2/resources/287","Leo Stalnaker papers, 1897-1939","Tampa (Fla.) -- Politics and government","Tampa (Fla.) -- Newspapers","Detective and mystery stories -- American -- Florida","Civil rights movements -- Florida -- Tampa -- History","Numbers in the Bible","Stalnaker, Leo.  Mystic Symbolism in Bible Numerals . New York: C. \u0026 R. Anthony, 1952. Print.","The collection contains some of the work of lawyer and writer Leo Stalnaker, including 12 short stories for magazines like  Detective Fiction Weekly   and  Detective Short Stories . Also included in the collection are Stalnaker's notes and manuscripts for his work with Biblical Numerology. Oversized boxes contain issues of the Tampa Life newspaper and the Great Seal of Florida.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Stalnaker, Leo (1897-1986)","English"],"unitid_tesim":["S44","/repositories/2/resources/287"],"normalized_date_ssm":["1897-1939"],"normalized_title_ssm":["Leo Stalnaker papers, 1897-1939"],"collection_title_tesim":["Leo Stalnaker papers, 1897-1939"],"collection_ssim":["Leo Stalnaker papers, 1897-1939"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.) -- Politics and government","Tampa (Fla.) -- Newspapers"],"geogname_ssim":["Tampa (Fla.) -- Politics and government","Tampa (Fla.) -- Newspapers"],"creator_ssm":["Stalnaker, Leo (1897-1986)"],"creator_ssim":["Stalnaker, Leo (1897-1986)"],"creator_persname_ssim":["Stalnaker, Leo (1897-1986)"],"creators_ssim":["Stalnaker, Leo (1897-1986)"],"places_ssim":["Tampa (Fla.) -- Politics and government","Tampa (Fla.) -- Newspapers"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Donation"],"access_subjects_ssim":["Detective and mystery stories -- American -- Florida","Civil rights movements -- Florida -- Tampa -- History","Numbers in the Bible"],"access_subjects_ssm":["Detective and mystery stories -- American -- Florida","Civil rights movements -- Florida -- Tampa -- History","Numbers in the Bible"],"has_online_content_ssim":["false"],"extent_ssm":["2.77 Linear Feet","4 boxes"],"extent_tesim":["2.77 Linear Feet","4 boxes"],"date_range_isim":[1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939],"prefercite_html_tesm":["\u003cp\u003eLeo Stalnaker Papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Leo Stalnaker Papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eStalnaker, Leo. \u003cemph render=\"italic\"\u003eMystic Symbolism in Bible Numerals\u003c/emph\u003e. New York: C. \u0026amp; R. Anthony, 1952. Print.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Publications"],"relatedmaterial_tesim":["Stalnaker, Leo.  Mystic Symbolism in Bible Numerals . New York: C. \u0026 R. Anthony, 1952. Print."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains some of the work of lawyer and writer Leo Stalnaker, including 12 short stories for magazines like \u003cemph render=\"italic\"\u003eDetective Fiction Weekly\u0026#xA0; \u003c/emph\u003eand \u003cemph render=\"italic\"\u003eDetective Short Stories\u003c/emph\u003e. Also included in the collection are Stalnaker's notes and manuscripts for his work with Biblical Numerology. Oversized boxes contain issues of the Tampa Life newspaper and the Great Seal of Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains some of the work of lawyer and writer Leo Stalnaker, including 12 short stories for magazines like  Detective Fiction Weekly   and  Detective Short Stories . Also included in the collection are Stalnaker's notes and manuscripts for his work with Biblical Numerology. Oversized boxes contain issues of the Tampa Life newspaper and the Great Seal of Florida."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Stalnaker, Leo (1897-1986)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Stalnaker, Leo (1897-1986)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":25,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"4f52bb6ea596aca8bef98722","timestamp":"2026-04-21T04:01:17.161Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4f52bb6ea596aca8bef98722_aspace_121365"}},{"id":"cfc95d7f733d790136ba73f5_aspace_3693","type":"Box","attributes":{"title":"Short Stories","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cfc95d7f733d790136ba73f5_aspace_3693#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_3693","ref_ssm":["aspace_3693","aspace_3693"],"id":"cfc95d7f733d790136ba73f5_aspace_3693","title_filing_ssi":"Short Stories ","title_ssm":["Short Stories "],"title_tesim":["Short Stories "],"normalized_title_ssm":["Short Stories"],"text":["Short Stories","Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003","14","/repositories/2/archival_objects/97599","box 14"],"component_level_isim":[1],"parent_ids_ssim":["cfc95d7f733d790136ba73f5"],"parent_unittitles_ssm":["Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003"],"parent_unittitles_tesim":["Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003"],"parent_levels_ssm":["collection"],"unitid_ssm":["14","/repositories/2/archival_objects/97599"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003"],"has_online_content_ssim":["false"],"child_component_count_isi":13,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":88,"parent_access_terms_tesm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 14"],"_nest_path_":"/components#13","_nest_parent_":"cfc95d7f733d790136ba73f5","_root_":"cfc95d7f733d790136ba73f5","_version_":1870863117407223808,"timestamp":"2026-07-16T09:28:24.581Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cfc95d7f733d790136ba73f5","title_ssm":["Harry Harrison collection"],"title_tesim":["Harry Harrison collection"],"ead_ssi":"cfc95d7f733d790136ba73f5","unitdate_ssm":["1964-2004","Date acquired: 00/00/2003"],"unitdate_inclusive_ssm":["1964-2004"],"unitdate_other_ssim":["Date acquired: 00/00/2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2003-08","/repositories/2/resources/439"],"text":["MS-2003-08","/repositories/2/resources/439","Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003","Science fiction -- American","Fantasy fiction -- American","Speculative fiction","The collection is organized into eleven alphabetically arranged series: Anthologies, Books, Comics, Correspondence, Courses, Essays, Lectures, Novelettes, Posters, Unpublished Manuscripts, and Videos.","Harry Harrison (1925 - 2012) was born Henry Maxwell Dempsey to Henry Leo and Ria (Kirjassoff) Harrison.  During the Depression, the elder Harrison worked intermittently as a newspaper compositor and proof-reader.  He first introduced Harry to science fiction as a seven-year-old, giving him a copy of the large-format pulp magazine Amazing Stories.  At the age of thirteen, Harry became a founding member of the Queens Chapter of the Science Fiction League; at the age of fifteen, he wrote his first fan letter, published in the Fall 1940 issue of Captain Future.","Upon graduating from Forest Hills High School (NY), Harrison was drafted into the U.S. Army Air Corps.  In 1944, while stationed in Laredo, Texas, he began studying the international language Esperanto, a lifelong pursuit and an influence on his later writings.  Discharged in 1946, Harrison eventually began studying art, attending the Manhattan Cartoonists and Illustrators School. The young illustrator teamed up with Wally Wood, and the two garnered the attention of Bill Gaines at E.C. Comics. Wood and Harrison persuaded Gaines to create a science fiction comic, and the editor responded with Weird Science.","Harrison's gradual move from illustration to writing began in the early 1950s when he was a member of the legendary New York Hydra Club (1946-1957/58),  founded in Frederick Pohl's Greenwich Village apartment.  During this period, Harrison developed an illness that limited his drawing abilities.  Using a typewriter, he wrote a short story called \"I Walk through the Rocks,\" which he sold to fellow Hydra member Damon Knight for $100.  Worlds Beyond published the story under the title \"Rock Diver\" in February 1951.  Harrison's second science fiction story, published under the pseudonym Felix Boyd, appeared in the September 1953 issue of  Rocket Stories.","In June 1954, Harrison married Joan Merkler, a dress designer and ballet dancer.  Harrison worked as an art director, a freelance comics script-writer and editor until the mid-1950s, when the scandal of Congressional hearings focused on Bill Gaines resulted in backlash, censoring, and the demise of E.C. Comics.  Harrison moved his family to Cuautla (Morelos) Mexico in 1956, so that he could work on Deathworld, his first full-length science fiction novel.  In August of the following year, Harrison published the short story, \"The Stainless Steel Rat,\" in John W. Campbell's Astounding Science Fiction.  This work introduced Harrison's most famous character, James Boliver, alias 'Slippery Jim' DiGriz.  Campbell's positive reception buoyed Harrison into writing more science fiction stories.  He rapidly became one of \"Campbell's writers,\" a group writers  now equated with the Golden Age of American science fiction.","During the early 1960s, Deathworld, Planet of the Damned and Vendetta for the Saint appeared in serialized form.  A novel he provisionally entitled If You Can Read This, You're Too Damn Close appeared in Frederick Pohl's Galaxy as \"Starsloggers\" and in Michael Moorcock's New Worlds under the title \"Bill, the Galactic Hero.\"  In 1965, he published his first short story collection, Two Tales and Eight Tomorrows, with an introduction by Brian Aldiss.  The two writers became lifelong friends and collaborators on over 20 science fiction anthologies.  Their most famous collaboration, the Best SF Series, was published consistently from 1967-1976.","During the late 1960s, the Harrisons returned to the United States, residing in San Diego, California.  Harrison's novels Plague from Space, The Technicolor Time Machine, Captive Universe, Spaceship Medic and Make Room! Make Room! appeared in print.  The latter formed the basis of the 1973 film, Soylent Green, for which Harrison received a \"Best Dramatic Presentation\" Nebula Award (1973).","In the 1970s, Harrison taught science fiction at San Diego State College and contributed to two college texts: A Science Fiction Reader (1973) and Science Fiction Novellas (1975).  During the decade, he edited 25 science fiction anthologies, including one in honor of his mentor-patron, John W. Campbell, who died in 1971.  Two years later, he and Brian Aldiss honored Campbell by establishing the John W. Campbell Memorial Award, an annual international juried award for the best science fiction novel.","Throughout the 1980s and 1990s, Harrison published his West of Eden trilogy, the first part of his Stars and Stripes Forever trilogy, five Bill, the Galactic Hero novels, and a number of short stories.  During this period, he formed collaborations with Tom Shippey, Jack Cohen, Robert E. Myers, and Marvin Minsky.  The first full-length study of Harrison's work, Harry Harrison by Leon Stover, appeared in 1990.","A prolific author, editor, fan, critic and historian of science fiction, Harrison's professional career spans more than five decades. He was the first president of the World SF (1978-80) and was nominated for three Nebula Awards and two Hugo Awards.  In 2001, Harrison celebrated his 50th anniversary as a science fiction writer by publishing 50 in 50, an anthology of his finest short stories.  He was inducted into the SF Hall of Fame in 2003.","Note written by ","published","This collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence.  Coverage of short stories dates from 1964-1987; coverage of novels dates from 1996-2002; correspondence dates from 1972-2004.  Editorial notation is prevalent throughout the collection.","None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","The papers of science fiction writer Harry Harrison, who was probably best known for his Stainless Steel Rat character. The collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence. ","USF Libraries - Tampa Special Collections","Harrison, Harry (1925-2012)","English"],"unitid_tesim":["MS-2003-08","/repositories/2/resources/439"],"normalized_date_ssm":["1964-2004, Date acquired: 00/00/2003"],"normalized_title_ssm":["Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003"],"collection_title_tesim":["Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003"],"collection_ssim":["Harry Harrison collection, 1964-2004, Date acquired: 00/00/2003"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Harrison, Harry (1925-2012)"],"creator_ssim":["Harrison, Harry (1925-2012)"],"creator_persname_ssim":["Harrison, Harry (1925-2012)"],"creators_ssim":["Harrison, Harry (1925-2012)"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Harry Harrison and David Merkler","Donation."],"access_subjects_ssim":["Science fiction -- American","Fantasy fiction -- American","Speculative fiction"],"access_subjects_ssm":["Science fiction -- American","Fantasy fiction -- American","Speculative fiction"],"has_online_content_ssim":["false"],"extent_ssm":["10.00 Linear Feet","17 boxes"],"extent_tesim":["10.00 Linear Feet","17 boxes"],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into eleven alphabetically arranged series: Anthologies, Books, Comics, Correspondence, Courses, Essays, Lectures, Novelettes, Posters, Unpublished Manuscripts, and Videos.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is organized into eleven alphabetically arranged series: Anthologies, Books, Comics, Correspondence, Courses, Essays, Lectures, Novelettes, Posters, Unpublished Manuscripts, and Videos."],"bioghist_html_tesm":["\u003cp\u003eHarry Harrison (1925 - 2012) was born Henry Maxwell Dempsey to Henry Leo and Ria (Kirjassoff) Harrison.  During the Depression, the elder Harrison worked intermittently as a newspaper compositor and proof-reader.  He first introduced Harry to science fiction as a seven-year-old, giving him a copy of the large-format pulp magazine Amazing Stories.  At the age of thirteen, Harry became a founding member of the Queens Chapter of the Science Fiction League; at the age of fifteen, he wrote his first fan letter, published in the Fall 1940 issue of Captain Future.\u003c/p\u003e\n","\u003cp\u003eUpon graduating from Forest Hills High School (NY), Harrison was drafted into the U.S. Army Air Corps.  In 1944, while stationed in Laredo, Texas, he began studying the international language Esperanto, a lifelong pursuit and an influence on his later writings.  Discharged in 1946, Harrison eventually began studying art, attending the Manhattan Cartoonists and Illustrators School. The young illustrator teamed up with Wally Wood, and the two garnered the attention of Bill Gaines at E.C. Comics. Wood and Harrison persuaded Gaines to create a science fiction comic, and the editor responded with Weird Science.\u003c/p\u003e\n","\u003cp\u003eHarrison's gradual move from illustration to writing began in the early 1950s when he was a member of the legendary New York Hydra Club (1946-1957/58),  founded in Frederick Pohl's Greenwich Village apartment.  During this period, Harrison developed an illness that limited his drawing abilities.  Using a typewriter, he wrote a short story called \"I Walk through the Rocks,\" which he sold to fellow Hydra member Damon Knight for $100.  Worlds Beyond published the story under the title \"Rock Diver\" in February 1951.  Harrison's second science fiction story, published under the pseudonym Felix Boyd, appeared in the September 1953 issue of  Rocket Stories.\u003c/p\u003e\n","\u003cp\u003eIn June 1954, Harrison married Joan Merkler, a dress designer and ballet dancer.  Harrison worked as an art director, a freelance comics script-writer and editor until the mid-1950s, when the scandal of Congressional hearings focused on Bill Gaines resulted in backlash, censoring, and the demise of E.C. Comics.  Harrison moved his family to Cuautla (Morelos) Mexico in 1956, so that he could work on Deathworld, his first full-length science fiction novel.  In August of the following year, Harrison published the short story, \"The Stainless Steel Rat,\" in John W. Campbell's Astounding Science Fiction.  This work introduced Harrison's most famous character, James Boliver, alias 'Slippery Jim' DiGriz.  Campbell's positive reception buoyed Harrison into writing more science fiction stories.  He rapidly became one of \"Campbell's writers,\" a group writers  now equated with the Golden Age of American science fiction.\u003c/p\u003e\n","\u003cp\u003eDuring the early 1960s, Deathworld, Planet of the Damned and Vendetta for the Saint appeared in serialized form.  A novel he provisionally entitled If You Can Read This, You're Too Damn Close appeared in Frederick Pohl's Galaxy as \"Starsloggers\" and in Michael Moorcock's New Worlds under the title \"Bill, the Galactic Hero.\"  In 1965, he published his first short story collection, Two Tales and Eight Tomorrows, with an introduction by Brian Aldiss.  The two writers became lifelong friends and collaborators on over 20 science fiction anthologies.  Their most famous collaboration, the Best SF Series, was published consistently from 1967-1976.\u003c/p\u003e\n","\u003cp\u003eDuring the late 1960s, the Harrisons returned to the United States, residing in San Diego, California.  Harrison's novels Plague from Space, The Technicolor Time Machine, Captive Universe, Spaceship Medic and Make Room! Make Room! appeared in print.  The latter formed the basis of the 1973 film, Soylent Green, for which Harrison received a \"Best Dramatic Presentation\" Nebula Award (1973).\u003c/p\u003e\n","\u003cp\u003eIn the 1970s, Harrison taught science fiction at San Diego State College and contributed to two college texts: A Science Fiction Reader (1973) and Science Fiction Novellas (1975).  During the decade, he edited 25 science fiction anthologies, including one in honor of his mentor-patron, John W. Campbell, who died in 1971.  Two years later, he and Brian Aldiss honored Campbell by establishing the John W. Campbell Memorial Award, an annual international juried award for the best science fiction novel.\u003c/p\u003e\n","\u003cp\u003eThroughout the 1980s and 1990s, Harrison published his West of Eden trilogy, the first part of his Stars and Stripes Forever trilogy, five Bill, the Galactic Hero novels, and a number of short stories.  During this period, he formed collaborations with Tom Shippey, Jack Cohen, Robert E. Myers, and Marvin Minsky.  The first full-length study of Harrison's work, Harry Harrison by Leon Stover, appeared in 1990.\u003c/p\u003e\n","\u003cp\u003eA prolific author, editor, fan, critic and historian of science fiction, Harrison's professional career spans more than five decades. He was the first president of the World SF (1978-80) and was nominated for three Nebula Awards and two Hugo Awards.  In 2001, Harrison celebrated his 50th anniversary as a science fiction writer by publishing 50 in 50, an anthology of his finest short stories.  He was inducted into the SF Hall of Fame in 2003.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Harry Harrison (1925 - 2012) was born Henry Maxwell Dempsey to Henry Leo and Ria (Kirjassoff) Harrison.  During the Depression, the elder Harrison worked intermittently as a newspaper compositor and proof-reader.  He first introduced Harry to science fiction as a seven-year-old, giving him a copy of the large-format pulp magazine Amazing Stories.  At the age of thirteen, Harry became a founding member of the Queens Chapter of the Science Fiction League; at the age of fifteen, he wrote his first fan letter, published in the Fall 1940 issue of Captain Future.","Upon graduating from Forest Hills High School (NY), Harrison was drafted into the U.S. Army Air Corps.  In 1944, while stationed in Laredo, Texas, he began studying the international language Esperanto, a lifelong pursuit and an influence on his later writings.  Discharged in 1946, Harrison eventually began studying art, attending the Manhattan Cartoonists and Illustrators School. The young illustrator teamed up with Wally Wood, and the two garnered the attention of Bill Gaines at E.C. Comics. Wood and Harrison persuaded Gaines to create a science fiction comic, and the editor responded with Weird Science.","Harrison's gradual move from illustration to writing began in the early 1950s when he was a member of the legendary New York Hydra Club (1946-1957/58),  founded in Frederick Pohl's Greenwich Village apartment.  During this period, Harrison developed an illness that limited his drawing abilities.  Using a typewriter, he wrote a short story called \"I Walk through the Rocks,\" which he sold to fellow Hydra member Damon Knight for $100.  Worlds Beyond published the story under the title \"Rock Diver\" in February 1951.  Harrison's second science fiction story, published under the pseudonym Felix Boyd, appeared in the September 1953 issue of  Rocket Stories.","In June 1954, Harrison married Joan Merkler, a dress designer and ballet dancer.  Harrison worked as an art director, a freelance comics script-writer and editor until the mid-1950s, when the scandal of Congressional hearings focused on Bill Gaines resulted in backlash, censoring, and the demise of E.C. Comics.  Harrison moved his family to Cuautla (Morelos) Mexico in 1956, so that he could work on Deathworld, his first full-length science fiction novel.  In August of the following year, Harrison published the short story, \"The Stainless Steel Rat,\" in John W. Campbell's Astounding Science Fiction.  This work introduced Harrison's most famous character, James Boliver, alias 'Slippery Jim' DiGriz.  Campbell's positive reception buoyed Harrison into writing more science fiction stories.  He rapidly became one of \"Campbell's writers,\" a group writers  now equated with the Golden Age of American science fiction.","During the early 1960s, Deathworld, Planet of the Damned and Vendetta for the Saint appeared in serialized form.  A novel he provisionally entitled If You Can Read This, You're Too Damn Close appeared in Frederick Pohl's Galaxy as \"Starsloggers\" and in Michael Moorcock's New Worlds under the title \"Bill, the Galactic Hero.\"  In 1965, he published his first short story collection, Two Tales and Eight Tomorrows, with an introduction by Brian Aldiss.  The two writers became lifelong friends and collaborators on over 20 science fiction anthologies.  Their most famous collaboration, the Best SF Series, was published consistently from 1967-1976.","During the late 1960s, the Harrisons returned to the United States, residing in San Diego, California.  Harrison's novels Plague from Space, The Technicolor Time Machine, Captive Universe, Spaceship Medic and Make Room! Make Room! appeared in print.  The latter formed the basis of the 1973 film, Soylent Green, for which Harrison received a \"Best Dramatic Presentation\" Nebula Award (1973).","In the 1970s, Harrison taught science fiction at San Diego State College and contributed to two college texts: A Science Fiction Reader (1973) and Science Fiction Novellas (1975).  During the decade, he edited 25 science fiction anthologies, including one in honor of his mentor-patron, John W. Campbell, who died in 1971.  Two years later, he and Brian Aldiss honored Campbell by establishing the John W. Campbell Memorial Award, an annual international juried award for the best science fiction novel.","Throughout the 1980s and 1990s, Harrison published his West of Eden trilogy, the first part of his Stars and Stripes Forever trilogy, five Bill, the Galactic Hero novels, and a number of short stories.  During this period, he formed collaborations with Tom Shippey, Jack Cohen, Robert E. Myers, and Marvin Minsky.  The first full-length study of Harrison's work, Harry Harrison by Leon Stover, appeared in 1990.","A prolific author, editor, fan, critic and historian of science fiction, Harrison's professional career spans more than five decades. He was the first president of the World SF (1978-80) and was nominated for three Nebula Awards and two Hugo Awards.  In 2001, Harrison celebrated his 50th anniversary as a science fiction writer by publishing 50 in 50, an anthology of his finest short stories.  He was inducted into the SF Hall of Fame in 2003.","Note written by "],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eHarry Harrison Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Harry Harrison Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence.\u0026#xA0; Coverage of short stories dates from 1964-1987; coverage of novels dates from 1996-2002; correspondence dates from 1972-2004.\u0026#xA0; Editorial notation is prevalent throughout the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence.  Coverage of short stories dates from 1964-1987; coverage of novels dates from 1996-2002; correspondence dates from 1972-2004.  Editorial notation is prevalent throughout the collection."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_64c0cb274364750baf6307962fdbc5a1\"\u003eThe papers of science fiction writer Harry Harrison, who was probably best known for his Stainless Steel Rat character. The collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence.\u0026#xA0;\u003c/abstract\u003e"],"abstract_tesim":["The papers of science fiction writer Harry Harrison, who was probably best known for his Stainless Steel Rat character. The collection primarily consists of typescripts, setting copies, and copyedited proofs of many of Harrison's published and unpublished works as well as a small amount of correspondence. "],"names_ssim":["USF Libraries - Tampa Special Collections","Harrison, Harry (1925-2012)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Harrison, Harry (1925-2012)"],"persname_ssim":["Harrison, Harry (1925-2012)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":124,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863117407223808,"_root_":"cfc95d7f733d790136ba73f5","timestamp":"2026-07-16T09:28:24.581Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cfc95d7f733d790136ba73f5_aspace_3693"}},{"id":"37e6df6e8da909b85d39e52f_aspace_3911","type":"Box","attributes":{"title":"Short Stories A-H","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/37e6df6e8da909b85d39e52f_aspace_3911#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_3911","ref_ssm":["aspace_3911","aspace_3911"],"id":"37e6df6e8da909b85d39e52f_aspace_3911","title_filing_ssi":"Short Stories A-H","title_ssm":["Short Stories A-H"],"title_tesim":["Short Stories A-H"],"normalized_title_ssm":["Short Stories A-H"],"text":["Short Stories A-H","Mike Resnick collection, 1980-2000, Date acquired: 06/00/1995","Short Stories","31","/repositories/2/archival_objects/99270","box 31"],"component_level_isim":[2],"parent_ids_ssim":["37e6df6e8da909b85d39e52f","37e6df6e8da909b85d39e52f_aspace_3910"],"parent_unittitles_ssm":["Mike Resnick collection, 1980-2000, Date acquired: 06/00/1995","Short Stories"],"parent_unittitles_tesim":["Mike Resnick collection, 1980-2000, Date acquired: 06/00/1995","Short Stories"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["31","/repositories/2/archival_objects/99270"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Mike Resnick collection, 1980-2000, Date acquired: 06/00/1995"],"has_online_content_ssim":["false"],"child_component_count_isi":31,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":182,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 31"],"_nest_path_":"/components#2/components#0","_nest_parent_":"37e6df6e8da909b85d39e52f_aspace_3910","_root_":"37e6df6e8da909b85d39e52f","timestamp":"2026-07-10T04:33:06.792Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"37e6df6e8da909b85d39e52f","title_ssm":["Mike Resnick collection"],"title_tesim":["Mike Resnick collection"],"ead_ssi":"37e6df6e8da909b85d39e52f","unitdate_ssm":["1980-2000","Date acquired: 06/00/1995"],"unitdate_inclusive_ssm":["1980-2000"],"unitdate_other_ssim":["Date acquired: 06/00/1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1995-08","/repositories/2/resources/445"],"text":["MS-1995-08","/repositories/2/resources/445","Mike Resnick collection, 1980-2000, Date acquired: 06/00/1995","Science fiction","Fantasy fiction","Authors, American","Additional materials are donated each year.","Organized by series. Items within each series are arranged alphabetically or chronologically.","Mike Resnick (1942 - 2020), a prolific author of Science Fiction novels and short stories, began his career in 1957 and since then, wrote a number of novels, short stories and articles, many under various pseudonyms.  In addition, he edited tabloid newspapers, a number of science fiction anthologies, and two men's magazines. He also wrote short non-fiction and was a regular columnist for The Magazine of Fantasy and Science Fiction.","Among Resnick's widely recognized works include The Soul Eater, Walpurgis III, the Tales of the Galactic Midway series, Santiago, and The Widowmaker series. Resnick was most noted, however, for the \"Kirinyaga\" series, which, with 51 major and minor awards and nominations to date, was one of the most honored series of stories in science fiction.","A highly regarded author, editor, and critic, Resnick has received numerous Hugo Awards and Nebula Awards, as well as a Clarke (British), Seiun-shos (Japanese), Homer Awards, an Alexander Award, a Golden Pagoda Award, a Hayakawa SF Award, a Locus Award, and has topped the S. F. Chronicle poll at least five times.","Mike Resnick. (2007). In Contemporary Authors Online. Retrieved May 20, 2009, from Literature Resource Center database.  ","Resnick, M. (n.d.).  Biography. Retrieved May 20, 2009, from http://www.fortunecity.com/tattooine/farmer/2/Biography.htm","Note written by PC, 1994","The bulk of the collection was donated by Mike Resnick in 1995.  Subsequent additions to the collection - primarily monographic in nature - continue to date.","published","Monographs separated from the Mike Resnick collection have been catalogued and integrated into the USF Tampa Library's Science Fiction collections.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection includes typescripts, correspondence, articles, and reviews written by science fiction author Mike Resnick.","USF Libraries - Tampa Special Collections","Resnick, Michael D.  (1942-2020)","English"],"unitid_tesim":["MS-1995-08","/repositories/2/resources/445"],"normalized_date_ssm":["1980-2000, Date acquired: 06/00/1995"],"normalized_title_ssm":["Mike Resnick collection, 1980-2000, Date acquired: 06/00/1995"],"collection_title_tesim":["Mike Resnick collection, 1980-2000, Date acquired: 06/00/1995"],"collection_ssim":["Mike Resnick collection, 1980-2000, Date acquired: 06/00/1995"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Resnick, Michael D.  (1942-2020)"],"creator_ssim":["Resnick, Michael D.  (1942-2020)"],"creator_persname_ssim":["Resnick, Michael D.  (1942-2020)"],"creators_ssim":["Resnick, Michael D.  (1942-2020)"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Mike Resnick","Donation"],"access_subjects_ssim":["Science fiction","Fantasy fiction","Authors, American"],"access_subjects_ssm":["Science fiction","Fantasy fiction","Authors, American"],"has_online_content_ssim":["false"],"extent_ssm":["14.47 Linear Feet","36 boxes"],"extent_tesim":["14.47 Linear Feet","36 boxes"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"appraisal_html_tesm":["\u003cp\u003eAdditional materials are donated each year.\u003c/p\u003e"],"appraisal_heading_ssm":["Appraisal Information"],"appraisal_tesim":["Additional materials are donated each year."],"arrangement_html_tesm":["\u003cp\u003eOrganized by series. Items within each series are arranged alphabetically or chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized by series. Items within each series are arranged alphabetically or chronologically."],"bioghist_html_tesm":["\u003cp\u003eMike Resnick (1942 - 2020), a prolific author of Science Fiction novels and short stories, began his career in 1957 and since then, wrote a number of novels, short stories and articles, many under various pseudonyms.  In addition, he edited tabloid newspapers, a number of science fiction anthologies, and two men's magazines. He also wrote short non-fiction and was a regular columnist for The Magazine of Fantasy and Science Fiction.\u003c/p\u003e\n","\u003cp\u003eAmong Resnick's widely recognized works include The Soul Eater, Walpurgis III, the Tales of the Galactic Midway series, Santiago, and The Widowmaker series. Resnick was most noted, however, for the \"Kirinyaga\" series, which, with 51 major and minor awards and nominations to date, was one of the most honored series of stories in science fiction.\u003c/p\u003e\n","\u003cp\u003eA highly regarded author, editor, and critic, Resnick has received numerous Hugo Awards and Nebula Awards, as well as a Clarke (British), Seiun-shos (Japanese), Homer Awards, an Alexander Award, a Golden Pagoda Award, a Hayakawa SF Award, a Locus Award, and has topped the S. F. Chronicle poll at least five times.\u003c/p\u003e\n","\u003cp\u003eMike Resnick. (2007). In Contemporary Authors Online. Retrieved May 20, 2009, from Literature Resource Center database.  \u003c/p\u003e\n","\u003cp\u003eResnick, M. (n.d.).  Biography. Retrieved May 20, 2009, from http://www.fortunecity.com/tattooine/farmer/2/Biography.htm\u003c/p\u003e\n","\u003cp\u003eNote written by PC, 1994\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Mike Resnick (1942 - 2020), a prolific author of Science Fiction novels and short stories, began his career in 1957 and since then, wrote a number of novels, short stories and articles, many under various pseudonyms.  In addition, he edited tabloid newspapers, a number of science fiction anthologies, and two men's magazines. He also wrote short non-fiction and was a regular columnist for The Magazine of Fantasy and Science Fiction.","Among Resnick's widely recognized works include The Soul Eater, Walpurgis III, the Tales of the Galactic Midway series, Santiago, and The Widowmaker series. Resnick was most noted, however, for the \"Kirinyaga\" series, which, with 51 major and minor awards and nominations to date, was one of the most honored series of stories in science fiction.","A highly regarded author, editor, and critic, Resnick has received numerous Hugo Awards and Nebula Awards, as well as a Clarke (British), Seiun-shos (Japanese), Homer Awards, an Alexander Award, a Golden Pagoda Award, a Hayakawa SF Award, a Locus Award, and has topped the S. F. Chronicle poll at least five times.","Mike Resnick. (2007). In Contemporary Authors Online. Retrieved May 20, 2009, from Literature Resource Center database.  ","Resnick, M. (n.d.).  Biography. 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