{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Box\u0026page=812\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Box\u0026page=811\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Box\u0026page=813\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Blevel%5D%5B%5D=Box\u0026page=962\u0026view=compact"},"meta":{"pages":{"current_page":812,"next_page":813,"prev_page":811,"total_pages":962,"limit_value":10,"offset_value":8110,"total_count":9618,"first_page?":false,"last_page?":false}},"data":[{"id":"8b33a8c5177804a4b9511a5f_aspace_86453","type":"Box","attributes":{"title":"Printing Plates","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8b33a8c5177804a4b9511a5f_aspace_86453#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_86453","ref_ssm":["aspace_86453","aspace_86453"],"id":"8b33a8c5177804a4b9511a5f_aspace_86453","title_filing_ssi":"Printing Plates","title_ssm":["Printing Plates"],"title_tesim":["Printing Plates"],"normalized_title_ssm":["Printing Plates"],"text":["Printing Plates","Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Artifacts","119","/repositories/2/archival_objects/125292","box 119"],"component_level_isim":[2],"parent_ids_ssim":["8b33a8c5177804a4b9511a5f","8b33a8c5177804a4b9511a5f_aspace_ee6d6f4a0baff1225b0c4eb54b8b6b9f"],"parent_unittitles_ssm":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Artifacts"],"parent_unittitles_tesim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Artifacts"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["119","/repositories/2/archival_objects/125292"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":541,"parent_access_terms_tesm":["None. 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These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.","When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011.","Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.","None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.","USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","English"],"unitid_tesim":["MS-1989-02","/repositories/2/resources/542"],"normalized_date_ssm":["1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"normalized_title_ssm":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"collection_title_tesim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"collection_ssim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.) -- History"],"geogname_ssim":["Tampa (Fla.) -- History"],"creator_ssm":["Centro Asturiano de Tampa"],"creator_ssim":["Centro Asturiano de Tampa"],"creator_corpname_ssim":["Centro Asturiano de Tampa"],"creators_ssim":["Centro Asturiano de Tampa"],"places_ssim":["Tampa (Fla.) -- History"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"acqinfo_ssim":["Centro Asturiano de Tampa","Donation"],"access_subjects_ssim":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"access_subjects_ssm":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"has_online_content_ssim":["false"],"extent_ssm":["164.7 Linear Feet","241 boxes"],"extent_tesim":["164.7 Linear Feet","241 boxes"],"genreform_ssim":["Playbills -- Florida -- Tampa"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"arrangement_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records."],"bioghist_html_tesm":["\u003cp\u003eWhen Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Espa\u0026#xF1;ol, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Espa\u0026#xF1;ol to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.\u003c/p\u003e\n","\u003cp\u003eOn January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the \u003cemph render=\"italic\"\u003eTampa Morning Tribune\u003c/emph\u003e called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.\u003c/p\u003e\n","\u003cp\u003eA central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.\u003c/p\u003e\n","\u003cp\u003eThe largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.\u003c/p\u003e\n","\u003cp\u003eNote written by Paul Camp, 2006; Joe Tamargo, 2011.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011."],"prefercite_html_tesm":["\u003cp\u003eCentro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Centro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano De Tampa Membership Records Photograph Collection\u003c/emph\u003e. Tampa, Florida: University of South Florida Libraries, 2003.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano Library Collection,\u003c/emph\u003e Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Espan\u0026#x303;ol De Tampa Collection\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCuban Club Records\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"names_coll_ssim":["Centro Asturiano de Tampa"],"names_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1038,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1875301659078295552,"_root_":"8b33a8c5177804a4b9511a5f","timestamp":"2026-09-03T09:17:07.659Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8b33a8c5177804a4b9511a5f_aspace_86453"}},{"id":"8b33a8c5177804a4b9511a5f_aspace_86454","type":"Box","attributes":{"title":"Printing Plates","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8b33a8c5177804a4b9511a5f_aspace_86454#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_86454","ref_ssm":["aspace_86454","aspace_86454"],"id":"8b33a8c5177804a4b9511a5f_aspace_86454","title_filing_ssi":"Printing Plates","title_ssm":["Printing Plates"],"title_tesim":["Printing Plates"],"normalized_title_ssm":["Printing Plates"],"text":["Printing Plates","Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Artifacts","120","/repositories/2/archival_objects/125293","box 120"],"component_level_isim":[2],"parent_ids_ssim":["8b33a8c5177804a4b9511a5f","8b33a8c5177804a4b9511a5f_aspace_ee6d6f4a0baff1225b0c4eb54b8b6b9f"],"parent_unittitles_ssm":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Artifacts"],"parent_unittitles_tesim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Artifacts"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["120","/repositories/2/archival_objects/125293"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":542,"parent_access_terms_tesm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"containers_ssim":["box 120"],"_nest_path_":"/components#2/components#12","_nest_parent_":"8b33a8c5177804a4b9511a5f_aspace_ee6d6f4a0baff1225b0c4eb54b8b6b9f","_root_":"8b33a8c5177804a4b9511a5f","_version_":1875301659078295552,"timestamp":"2026-09-03T09:17:07.659Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8b33a8c5177804a4b9511a5f","title_ssm":["Centro Asturiano de Tampa collection"],"title_tesim":["Centro Asturiano de Tampa collection"],"ead_ssi":"8b33a8c5177804a4b9511a5f","unitdate_ssm":["1902-2007","1902-1987","Date acquired: 00/00/1989"],"unitdate_bulk_ssim":["1902-1987"],"unitdate_inclusive_ssm":["1902-2007"],"unitdate_other_ssim":["Date acquired: 00/00/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1989-02","/repositories/2/resources/542"],"text":["MS-1989-02","/repositories/2/resources/542","Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Tampa (Fla.) -- History","Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa","The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.","When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011.","Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.","None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.","USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","English"],"unitid_tesim":["MS-1989-02","/repositories/2/resources/542"],"normalized_date_ssm":["1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"normalized_title_ssm":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"collection_title_tesim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"collection_ssim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.) -- History"],"geogname_ssim":["Tampa (Fla.) -- History"],"creator_ssm":["Centro Asturiano de Tampa"],"creator_ssim":["Centro Asturiano de Tampa"],"creator_corpname_ssim":["Centro Asturiano de Tampa"],"creators_ssim":["Centro Asturiano de Tampa"],"places_ssim":["Tampa (Fla.) -- History"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"acqinfo_ssim":["Centro Asturiano de Tampa","Donation"],"access_subjects_ssim":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"access_subjects_ssm":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"has_online_content_ssim":["false"],"extent_ssm":["164.7 Linear Feet","241 boxes"],"extent_tesim":["164.7 Linear Feet","241 boxes"],"genreform_ssim":["Playbills -- Florida -- Tampa"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"arrangement_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records."],"bioghist_html_tesm":["\u003cp\u003eWhen Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Espa\u0026#xF1;ol, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Espa\u0026#xF1;ol to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.\u003c/p\u003e\n","\u003cp\u003eOn January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the \u003cemph render=\"italic\"\u003eTampa Morning Tribune\u003c/emph\u003e called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.\u003c/p\u003e\n","\u003cp\u003eA central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.\u003c/p\u003e\n","\u003cp\u003eThe largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.\u003c/p\u003e\n","\u003cp\u003eNote written by Paul Camp, 2006; Joe Tamargo, 2011.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011."],"prefercite_html_tesm":["\u003cp\u003eCentro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Centro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano De Tampa Membership Records Photograph Collection\u003c/emph\u003e. Tampa, Florida: University of South Florida Libraries, 2003.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano Library Collection,\u003c/emph\u003e Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Espan\u0026#x303;ol De Tampa Collection\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCuban Club Records\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"names_coll_ssim":["Centro Asturiano de Tampa"],"names_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1038,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1875301659078295552,"_root_":"8b33a8c5177804a4b9511a5f","timestamp":"2026-09-03T09:17:07.659Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8b33a8c5177804a4b9511a5f_aspace_86454"}},{"id":"8b33a8c5177804a4b9511a5f_aspace_86455","type":"Box","attributes":{"title":"Printing Plates","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8b33a8c5177804a4b9511a5f_aspace_86455#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_86455","ref_ssm":["aspace_86455","aspace_86455"],"id":"8b33a8c5177804a4b9511a5f_aspace_86455","title_filing_ssi":"Printing Plates","title_ssm":["Printing Plates"],"title_tesim":["Printing Plates"],"normalized_title_ssm":["Printing Plates"],"text":["Printing Plates","Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Artifacts","121","/repositories/2/archival_objects/125311","box 121"],"component_level_isim":[2],"parent_ids_ssim":["8b33a8c5177804a4b9511a5f","8b33a8c5177804a4b9511a5f_aspace_ee6d6f4a0baff1225b0c4eb54b8b6b9f"],"parent_unittitles_ssm":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Artifacts"],"parent_unittitles_tesim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Artifacts"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["121","/repositories/2/archival_objects/125311"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":543,"parent_access_terms_tesm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"containers_ssim":["box 121"],"_nest_path_":"/components#2/components#13","_nest_parent_":"8b33a8c5177804a4b9511a5f_aspace_ee6d6f4a0baff1225b0c4eb54b8b6b9f","_root_":"8b33a8c5177804a4b9511a5f","_version_":1875301659078295552,"timestamp":"2026-09-03T09:17:07.659Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8b33a8c5177804a4b9511a5f","title_ssm":["Centro Asturiano de Tampa collection"],"title_tesim":["Centro Asturiano de Tampa collection"],"ead_ssi":"8b33a8c5177804a4b9511a5f","unitdate_ssm":["1902-2007","1902-1987","Date acquired: 00/00/1989"],"unitdate_bulk_ssim":["1902-1987"],"unitdate_inclusive_ssm":["1902-2007"],"unitdate_other_ssim":["Date acquired: 00/00/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1989-02","/repositories/2/resources/542"],"text":["MS-1989-02","/repositories/2/resources/542","Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","Tampa (Fla.) -- History","Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa","The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.","When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011.","Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.","None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.","USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa","English"],"unitid_tesim":["MS-1989-02","/repositories/2/resources/542"],"normalized_date_ssm":["1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"normalized_title_ssm":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"collection_title_tesim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"collection_ssim":["Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.) -- History"],"geogname_ssim":["Tampa (Fla.) -- History"],"creator_ssm":["Centro Asturiano de Tampa"],"creator_ssim":["Centro Asturiano de Tampa"],"creator_corpname_ssim":["Centro Asturiano de Tampa"],"creators_ssim":["Centro Asturiano de Tampa"],"places_ssim":["Tampa (Fla.) -- History"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"acqinfo_ssim":["Centro Asturiano de Tampa","Donation"],"access_subjects_ssim":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"access_subjects_ssm":["Cigar industry -- Florida -- Tampa","Cuba -- Relations -- Florida -- Tampa","Clubs -- Florida -- Tampa","Tampa (Fla.) -- Social life and customs","Playbills -- Florida -- Tampa"],"has_online_content_ssim":["false"],"extent_ssm":["164.7 Linear Feet","241 boxes"],"extent_tesim":["164.7 Linear Feet","241 boxes"],"genreform_ssim":["Playbills -- Florida -- Tampa"],"date_range_isim":[1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"arrangement_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Centro Asturiano de Tampa Collection is arranged into series according to subject. These include organizational, financial, ephemera, artifacts, photographs, and media. Records are arranged chronologically within each series. Boxes 159-243 contain financial records."],"bioghist_html_tesm":["\u003cp\u003eWhen Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Espa\u0026#xF1;ol, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Espa\u0026#xF1;ol to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.\u003c/p\u003e\n","\u003cp\u003eOn January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the \u003cemph render=\"italic\"\u003eTampa Morning Tribune\u003c/emph\u003e called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.\u003c/p\u003e\n","\u003cp\u003eA central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.\u003c/p\u003e\n","\u003cp\u003eThe largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.\u003c/p\u003e\n","\u003cp\u003eNote written by Paul Camp, 2006; Joe Tamargo, 2011.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["When Spanish immigrants came to Tampa in the 1890s, they brought with them the idea of the mutual aid society, a voluntary association or club that pooled resources to provide members with a variety of social, cultural, and economic benefits.  The first such club established in Tampa was the Centro Español, founded in 1891. The Centro Asturiano began in 1902 when a group of members seceded from the Centro Español to create a club that included healthcare.  Named for the northwest Spanish region of Asturias from which many of the founding members had come, the new society was chartered as a branch of the Centro Asturiano de Habana, and was known for decades as the \"Tampa Delegation\" of the Cuban organization.","On January 22, 1909, the club dedicated a handsome red brick building, which cost $75,000.  When fire destroyed the building in 1912, club members voted to build an even larger and more impressive facility. This columned, neoclassical building, which the  Tampa Morning Tribune  called \"the most beautiful building in the South,\" opened in 1914 at a cost of $110,000. The building was added to the National Register of Historic Places in 1974 and retains its stature as one of the most outstanding structures in Tampa's Ybor City historic district. The club's cantina provided a pleasant atmosphere for members to spend their leisure time, a place to talk, play dominos, and smoke a cigar.  The palatial ballroom was the scene of glittering social affairs, balls, tea dances, and other activities. A space was set aside for a library and gymnasium as well to promote the club's mission of education, good health and the general well-being of its members. The Centro's building served as a center of social and cultural life for its community and is still owned by the club to this day.","A central part of club life was the building's elaborate theatre.  In its heyday, the Centro theatre was the venue for plays, operas, musicals, and other performances featuring both local talent and well-known Cuban, Spanish, and Italian entertainers who made Ybor City part of their tours. During the depression years of the 1930s, the Spanish language unit of the WPA Federal Theatre presented performances in the Centro's theatre, which was also used for cigar labor union meetings and other events.","The largest of all the Tampa fraternal clubs, the Centro expanded and flourished in the early decades of the twentieth century, due in large part to its acceptance of members from various ethnicities and its medical facilities. Following World War II however, membership gradually declined as economic and demographic changes eroded the cigar-making immigrant community.  Many of the services offered by the club either became functions of government agencies or were too expensive to maintain, lessening the advantages of membership. With the assimilation of its traditional membership base into the general population, the club was no longer the center of the cohesive ethnic community it once served. Despite adversity, the Centro Asturiano has endured, serving as an icon of heritage to descendants of the Spanish immigrants who played such a significant role in the development of modern Tampa.","Note written by Paul Camp, 2006; Joe Tamargo, 2011."],"prefercite_html_tesm":["\u003cp\u003eCentro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Centro Asturiano de Tampa collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano De Tampa Membership Records Photograph Collection\u003c/emph\u003e. Tampa, Florida: University of South Florida Libraries, 2003.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Asturiano Library Collection,\u003c/emph\u003e Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCentro Espan\u0026#x303;ol De Tampa Collection\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eCuban Club Records\u003c/emph\u003e, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Centro Asturiano De Tampa Membership Records Photograph Collection . Tampa, Florida: University of South Florida Libraries, 2003.","Centro Asturiano Library Collection,  Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Centro Español De Tampa Collection , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Cuban Club Records , USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThe Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Centro Asturiano de Tampa Collection consists of club and hospital records, meeting minutes, photographs, ephemera, zarzuelas, playbills, financial records, memorias, and cemetery records. Artifacts include flags, trophies, printing plates, and various other items related to the club."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at http://www.copyright.gov/for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"names_coll_ssim":["Centro Asturiano de Tampa"],"names_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Centro Asturiano de Tampa"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1038,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1875301659078295552,"_root_":"8b33a8c5177804a4b9511a5f","timestamp":"2026-09-03T09:17:07.659Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8b33a8c5177804a4b9511a5f_aspace_86455"}},{"id":"d72b028929ae2ac7cd6270c8_aspace_be61399f21a9674576a56462304b55c9","type":"Box","attributes":{"title":"Printings Blocks","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d72b028929ae2ac7cd6270c8_aspace_be61399f21a9674576a56462304b55c9#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_be61399f21a9674576a56462304b55c9","ref_ssm":["aspace_be61399f21a9674576a56462304b55c9","aspace_be61399f21a9674576a56462304b55c9"],"id":"d72b028929ae2ac7cd6270c8_aspace_be61399f21a9674576a56462304b55c9","title_filing_ssi":"Printings Blocks","title_ssm":["Printings Blocks"],"title_tesim":["Printings Blocks"],"normalized_title_ssm":["Printings Blocks"],"text":["Printings Blocks","Wallace \"Wally\" Bishop collection of \"Muggs and Skeeter\" cartoon art and family papers, 1889-1982","Life and Works of Wally Bishop","/repositories/3/archival_objects/187036","box 4"],"component_level_isim":[2],"parent_ids_ssim":["d72b028929ae2ac7cd6270c8","d72b028929ae2ac7cd6270c8_aspace_259a587614c0979f857326b17e78f0c7"],"parent_unittitles_ssm":["Wallace \"Wally\" Bishop collection of \"Muggs and Skeeter\" cartoon art and family papers, 1889-1982","Life and Works of Wally Bishop"],"parent_unittitles_tesim":["Wallace \"Wally\" Bishop collection of \"Muggs and Skeeter\" cartoon art and family papers, 1889-1982","Life and Works of Wally Bishop"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/187036"],"repository_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"collection_ssim":["Wallace \"Wally\" Bishop collection of \"Muggs and Skeeter\" cartoon art and family papers, 1889-1982"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":18,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 4"],"_nest_path_":"/components#0/components#3","_nest_parent_":"d72b028929ae2ac7cd6270c8_aspace_259a587614c0979f857326b17e78f0c7","_root_":"d72b028929ae2ac7cd6270c8","timestamp":"2026-04-24T03:11:01.840Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d72b028929ae2ac7cd6270c8","title_ssm":["Wallace \"Wally\" Bishop collection of \"Muggs and Skeeter\" cartoon art and family papers"],"title_tesim":["Wallace \"Wally\" Bishop collection of \"Muggs and Skeeter\" cartoon art and family papers"],"ead_ssi":"d72b028929ae2ac7cd6270c8","unitdate_ssm":["1889-1982"],"unitdate_inclusive_ssm":["1889-1982"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SP-MS-2014-002","/repositories/3/resources/656"],"text":["SP-MS-2014-002","/repositories/3/resources/656","Wallace \"Wally\" Bishop collection of \"Muggs and Skeeter\" cartoon art and family papers, 1889-1982","Caricatures and cartoons -- United States","Comic books, strips, etc.","Political cartoons","Wally Bishop and his wife, Louise C. Bishop became leaders in a variety of social circles and cultural organizations in the greater St. Petersburg area. In the late 1930s, they bought the elaborate mansion constructed by C. Perry Snell on Brightwaters Boulevard at the mouth of Coffee Pot Bayou. In Louise's later life, her profound concern for ethics in undergraduate education led to the establishment of the Bishop Center for Ethical Leadership and Civic Engagement at the University of South Florida St. Petersburg. The cartoons in this collection, part of the Bishop estate, were transferred to the Bishop Center with hopes that they may support the didactic and curricular needs of the Center.","The cartoonist, Wallace Bond \"Wally\" Bishop (1905‐1982), began the comic strip in 1927 under the name of \"Muggs McGinnis.\" The name changed in 1936 to \"Muggs and Skeeter\" and became a staple if the cartoon pages until the strip ended publication in 1974. The proofs that exist in this particular collection span the years from 1962 through 1974. Missing from this collection are the years from 1927 through 1961. The cartoon's lifespan covers much of the mid‐ twentieth century, including major historical events such as the end of the Roaring Twenties, the Great Depression, World War II, the Korean War, the assassinations of both President John F. Kennedy and Martin Luther King, the Vietnam War, Civil Rights protests, White House sit‐ins, the Watergate Scandal, and much more. ","Many of the comic strips are based on current events of the time. While it was not found to be the norm throughout the publishing life of the cartoon, the author did occasionally insert subtle references to his own feelings toward contemporary events. Indeed, there are three particular comics that one could construe as the author's way of mildly adding his political opinions; they took place during the tenure of President Richard Nixon. The first one dated June 1971 references citizens under watch and control of their government. The second one dated February/March 1972 refers to the desire for a new president, while the third, dated April 1972, mentions \"invasion of privacy.\" These three comics actually reference a time when citizens strongly challenged governmental abuse of power and attempts to control the lives of ordinary citizens. ","None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","The Wallace \"Wally\" Bishop Collection of \"Muggs and Skeeter\" Cartoon Art and Family Papers in St. Petersburg, Florida has materials of art boards, proof sheets, personal and family photographs, scrapbooks, and correspondence.","USF Libraries - St. Petersburg Special Collections \u0026 University Archives","Bishop, Wallace (\"Wally\")","English"],"unitid_tesim":["SP-MS-2014-002","/repositories/3/resources/656"],"normalized_date_ssm":["1889-1982"],"normalized_title_ssm":["Wallace \"Wally\" Bishop collection of \"Muggs and Skeeter\" cartoon art and family papers, 1889-1982"],"collection_title_tesim":["Wallace \"Wally\" Bishop collection of \"Muggs and Skeeter\" cartoon art and family papers, 1889-1982"],"collection_ssim":["Wallace \"Wally\" Bishop collection of \"Muggs and Skeeter\" cartoon art and family papers, 1889-1982"],"repository_ssm":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"repository_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"creator_ssm":["Bishop, Wallace (\"Wally\")"],"creator_ssim":["Bishop, Wallace (\"Wally\")"],"creator_persname_ssim":["Bishop, Wallace (\"Wally\")"],"creators_ssim":["Bishop, Wallace (\"Wally\")"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"access_subjects_ssim":["Caricatures and cartoons -- United States","Comic books, strips, etc.","Political cartoons"],"access_subjects_ssm":["Caricatures and cartoons -- United States","Comic books, strips, etc.","Political cartoons"],"has_online_content_ssim":["false"],"extent_ssm":["9 boxes"],"extent_tesim":["9 boxes"],"genreform_ssim":["Political cartoons"],"date_range_isim":[1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982],"bioghist_html_tesm":["\u003cp\u003eWally Bishop and his wife, Louise C. Bishop became leaders in a variety of social circles and cultural organizations in the greater St. Petersburg area. In the late 1930s, they bought the elaborate mansion constructed by C. Perry Snell on Brightwaters Boulevard at the mouth of Coffee Pot Bayou. In Louise's later life, her profound concern for ethics in undergraduate education led to the establishment of the Bishop Center for Ethical Leadership and Civic Engagement at the University of South Florida St. Petersburg. The cartoons in this collection, part of the Bishop estate, were transferred to the Bishop Center with hopes that they may support the didactic and curricular needs of the Center.\u003c/p\u003e\n","\u003cp\u003eThe cartoonist, Wallace Bond \"Wally\" Bishop (1905\u0026#x2010;1982), began the comic strip in 1927 under the name of \"Muggs McGinnis.\" The name changed in 1936 to \"Muggs and Skeeter\" and became a staple if the cartoon pages until the strip ended publication in 1974. The proofs that exist in this particular collection span the years from 1962 through 1974. Missing from this collection are the years from 1927 through 1961. The cartoon's lifespan covers much of the mid\u0026#x2010; twentieth century, including major historical events such as the end of the Roaring Twenties, the Great Depression, World War II, the Korean War, the assassinations of both President John F. Kennedy and Martin Luther King, the Vietnam War, Civil Rights protests, White House sit\u0026#x2010;ins, the Watergate Scandal, and much more. \u003c/p\u003e\n","\u003cp\u003eMany of the comic strips are based on current events of the time. While it was not found to be the norm throughout the publishing life of the cartoon, the author did occasionally insert subtle references to his own feelings toward contemporary events. Indeed, there are three particular comics that one could construe as the author's way of mildly adding his political opinions; they took place during the tenure of President Richard Nixon. The first one dated June 1971 references citizens under watch and control of their government. The second one dated February/March 1972 refers to the desire for a new president, while the third, dated April 1972, mentions \"invasion of privacy.\" These three comics actually reference a time when citizens strongly challenged governmental abuse of power and attempts to control the lives of ordinary citizens. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Wally Bishop and his wife, Louise C. Bishop became leaders in a variety of social circles and cultural organizations in the greater St. Petersburg area. In the late 1930s, they bought the elaborate mansion constructed by C. Perry Snell on Brightwaters Boulevard at the mouth of Coffee Pot Bayou. In Louise's later life, her profound concern for ethics in undergraduate education led to the establishment of the Bishop Center for Ethical Leadership and Civic Engagement at the University of South Florida St. Petersburg. The cartoons in this collection, part of the Bishop estate, were transferred to the Bishop Center with hopes that they may support the didactic and curricular needs of the Center.","The cartoonist, Wallace Bond \"Wally\" Bishop (1905‐1982), began the comic strip in 1927 under the name of \"Muggs McGinnis.\" The name changed in 1936 to \"Muggs and Skeeter\" and became a staple if the cartoon pages until the strip ended publication in 1974. The proofs that exist in this particular collection span the years from 1962 through 1974. Missing from this collection are the years from 1927 through 1961. The cartoon's lifespan covers much of the mid‐ twentieth century, including major historical events such as the end of the Roaring Twenties, the Great Depression, World War II, the Korean War, the assassinations of both President John F. Kennedy and Martin Luther King, the Vietnam War, Civil Rights protests, White House sit‐ins, the Watergate Scandal, and much more. ","Many of the comic strips are based on current events of the time. While it was not found to be the norm throughout the publishing life of the cartoon, the author did occasionally insert subtle references to his own feelings toward contemporary events. Indeed, there are three particular comics that one could construe as the author's way of mildly adding his political opinions; they took place during the tenure of President Richard Nixon. The first one dated June 1971 references citizens under watch and control of their government. The second one dated February/March 1972 refers to the desire for a new president, while the third, dated April 1972, mentions \"invasion of privacy.\" These three comics actually reference a time when citizens strongly challenged governmental abuse of power and attempts to control the lives of ordinary citizens. "],"prefercite_html_tesm":["\u003cp\u003eThe Wallace \"Wally\" Bishop Collection of \"Muggs and Skeeter\" Cartoon Art and Family Papers collection, Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL.\u003c/p\u003e"],"prefercite_tesim":["The Wallace \"Wally\" Bishop Collection of \"Muggs and Skeeter\" Cartoon Art and Family Papers collection, Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_65cf45a13950a2b23b44324d783348f2\"\u003eThe Wallace \"Wally\" Bishop Collection of \"Muggs and Skeeter\" Cartoon Art and Family Papers in St. Petersburg, Florida has materials of art boards, proof sheets, personal and family photographs, scrapbooks, and correspondence.\u003c/abstract\u003e"],"abstract_tesim":["The Wallace \"Wally\" Bishop Collection of \"Muggs and Skeeter\" Cartoon Art and Family Papers in St. Petersburg, Florida has materials of art boards, proof sheets, personal and family photographs, scrapbooks, and correspondence."],"names_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives","Bishop, Wallace (\"Wally\")"],"corpname_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"persname_ssim":["Bishop, Wallace (\"Wally\")"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":86,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"d72b028929ae2ac7cd6270c8","timestamp":"2026-04-24T03:11:01.840Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d72b028929ae2ac7cd6270c8_aspace_be61399f21a9674576a56462304b55c9"}},{"id":"6944cbe2c213bba76d78305a_aspace_80bea5a416379cda8dbaed84e5aa0669","type":"Box","attributes":{"title":"Print Materials","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6944cbe2c213bba76d78305a_aspace_80bea5a416379cda8dbaed84e5aa0669#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_80bea5a416379cda8dbaed84e5aa0669","ref_ssm":["aspace_80bea5a416379cda8dbaed84e5aa0669","aspace_80bea5a416379cda8dbaed84e5aa0669"],"id":"6944cbe2c213bba76d78305a_aspace_80bea5a416379cda8dbaed84e5aa0669","title_filing_ssi":"Print Materials ","title_ssm":["Print Materials "],"title_tesim":["Print Materials "],"normalized_title_ssm":["Print Materials"],"text":["Print Materials","Children's and Young Adult Ephemera collection, bulk 1985-2022","/repositories/2/archival_objects/145845","box 3"],"component_level_isim":[1],"parent_ids_ssim":["6944cbe2c213bba76d78305a"],"parent_unittitles_ssm":["Children's and Young Adult Ephemera collection, bulk 1985-2022"],"parent_unittitles_tesim":["Children's and Young Adult Ephemera collection, bulk 1985-2022"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/145845"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Children's and Young Adult Ephemera collection, bulk 1985-2022"],"has_online_content_ssim":["false"],"child_component_count_isi":14,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":40,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 3"],"_nest_path_":"/components#2","_nest_parent_":"6944cbe2c213bba76d78305a","_root_":"6944cbe2c213bba76d78305a","_version_":1881103606276423680,"timestamp":"2026-11-06T10:16:35.803Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6944cbe2c213bba76d78305a","title_ssm":["Children's and Young Adult Ephemera collection"],"title_tesim":["Children's and Young Adult Ephemera collection"],"ead_ssi":"6944cbe2c213bba76d78305a","unitdate_ssm":["1985-2022"],"unitdate_bulk_ssim":["1985-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["  MS-2007-05","/repositories/2/resources/606"],"text":["  MS-2007-05","/repositories/2/resources/606","Children's and Young Adult Ephemera collection, bulk 1985-2022","Young adult fiction -- Publishing -- United States","Children's literature","Printed ephemera","Good","Accrual of oversized posters processed 2026-02-23.","CC","The collection contains assorted ephemera related to nearly fifty popular children's and young adult novels that were published between 1985 and 2022. In recent years, the children's and young adult literature market has grown to make up a substantial portion of the publishing idustry, with books from both genres being read by kids and adults alike. The materials within the collection provide a closer look at the ways in which children's and young adult authors and publishers market their books to readers and reviewers alike, with many of the materials specifically geared towards younger readers.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","A collection of ephemera, including commemorative pins, bookmarks, print materials, and more, that detail the ways in which children's and young adult novels are promoted by publishers.","USF Libraries - Tampa Special Collections","Kaywell, Joan F.","English"],"unitid_tesim":["  MS-2007-05","/repositories/2/resources/606"],"normalized_date_ssm":["bulk 1985-2022"],"normalized_title_ssm":["Children's and Young Adult Ephemera collection, bulk 1985-2022"],"collection_title_tesim":["Children's and Young Adult Ephemera collection, bulk 1985-2022"],"collection_ssim":["Children's and Young Adult Ephemera collection, bulk 1985-2022"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Kaywell, Joan F."],"creator_ssim":["Kaywell, Joan F."],"creator_persname_ssim":["Kaywell, Joan F."],"creators_ssim":["Kaywell, Joan F."],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Young adult fiction -- Publishing -- United States","Children's literature","Printed ephemera"],"access_subjects_ssm":["Young adult fiction -- Publishing -- United States","Children's literature","Printed ephemera"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good"],"extent_ssm":["2 Linear Feet"],"extent_tesim":["2 Linear Feet"],"date_range_isim":[1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accruals_html_tesm":["\u003cp\u003eAccrual of oversized posters processed 2026-02-23.\u003c/p\u003e\n","\u003cp\u003eCC\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accrual of oversized posters processed 2026-02-23.","CC"],"prefercite_html_tesm":["\u003cp\u003eChildren's and Young Adult Ephemera collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Children's and Young Adult Ephemera collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains assorted ephemera related to nearly fifty popular children's and young adult novels that were published between 1985 and 2022. In recent years, the children's and young adult literature market has grown to make up a substantial portion of the publishing idustry, with books from both genres being read by kids and adults alike. The materials within the collection provide a closer look at the ways in which children's and young adult authors and publishers market their books to readers and reviewers alike, with many of the materials specifically geared towards younger readers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The collection contains assorted ephemera related to nearly fifty popular children's and young adult novels that were published between 1985 and 2022. In recent years, the children's and young adult literature market has grown to make up a substantial portion of the publishing idustry, with books from both genres being read by kids and adults alike. The materials within the collection provide a closer look at the ways in which children's and young adult authors and publishers market their books to readers and reviewers alike, with many of the materials specifically geared towards younger readers."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_fe8fd130781144bc1162f819622bb4c4\" label=\"Abstract \"\u003eA collection of ephemera, including commemorative pins, bookmarks, print materials, and more, that detail the ways in which children's and young adult novels are promoted by publishers.\u003c/abstract\u003e"],"abstract_tesim":["A collection of ephemera, including commemorative pins, bookmarks, print materials, and more, that detail the ways in which children's and young adult novels are promoted by publishers."],"names_ssim":["USF Libraries - Tampa Special Collections","Kaywell, Joan F."],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Kaywell, Joan F."],"persname_ssim":["Kaywell, Joan F."],"language_ssim":["English"],"total_component_count_is":71,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881103606276423680,"_root_":"6944cbe2c213bba76d78305a","timestamp":"2026-11-06T10:16:35.803Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6944cbe2c213bba76d78305a_aspace_80bea5a416379cda8dbaed84e5aa0669"}},{"id":"cbc2a7b19233380ee50dea36_aspace_159312","type":"Box","attributes":{"title":"Prints","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cbc2a7b19233380ee50dea36_aspace_159312#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_159312","ref_ssm":["aspace_159312","aspace_159312"],"id":"cbc2a7b19233380ee50dea36_aspace_159312","title_filing_ssi":"Prints ","title_ssm":["Prints "],"title_tesim":["Prints "],"normalized_title_ssm":["Prints"],"text":["Prints","Elizabeth Lee Barron collection of children's literature prints, 1922-2016, Date acquired: 04/05/2018","1","/repositories/2/archival_objects/9635","box 1"],"component_level_isim":[1],"parent_ids_ssim":["cbc2a7b19233380ee50dea36"],"parent_unittitles_ssm":["Elizabeth Lee Barron collection of children's literature prints, 1922-2016, Date acquired: 04/05/2018"],"parent_unittitles_tesim":["Elizabeth Lee Barron collection of children's literature prints, 1922-2016, Date acquired: 04/05/2018"],"parent_levels_ssm":["collection"],"unitid_ssm":["1","/repositories/2/archival_objects/9635"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Elizabeth Lee Barron collection of children's literature prints, 1922-2016, Date acquired: 04/05/2018"],"has_online_content_ssim":["false"],"child_component_count_isi":7,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":1,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"containers_ssim":["box 1"],"_nest_path_":"/components#0","_nest_parent_":"cbc2a7b19233380ee50dea36","_root_":"cbc2a7b19233380ee50dea36","_version_":1870863399992164352,"timestamp":"2026-07-16T09:32:54.077Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cbc2a7b19233380ee50dea36","title_ssm":["Elizabeth Lee Barron collection of children's literature prints"],"title_tesim":["Elizabeth Lee Barron collection of children's literature prints"],"ead_ssi":"cbc2a7b19233380ee50dea36","unitdate_ssm":["1922-2016","Date acquired: 04/05/2018"],"unitdate_inclusive_ssm":["1922-2016"],"unitdate_other_ssim":["Date acquired: 04/05/2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2018-01","/repositories/2/resources/59"],"text":["MS-2018-01","/repositories/2/resources/59","Elizabeth Lee Barron collection of children's literature prints, 1922-2016, Date acquired: 04/05/2018","Children's literature","Prints -- Limited editions","Prints","Children's literature -- Illustrations","Prints remain in original frames and are arranged by size.","Elizabeth Lee Barron studied at the University of North Carolina at Chapel Hill, graduating with a Master of Library and Information Science degree in 1988. As a Reference Librarian at the University of Tampa (FL), Barron's responsibilities included the acquisition of educational materials for the library, as well as materials on the topics of criminology and nursing.","published","Childrens Literature Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.","This collection consists of seven color prints with illustrations from works of children's literature.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection includes four color prints collected and donated by Elizabeth Lee Barron, a librarian employed by the University of Tampa. The framed prints in the collection are reproductions of illustrations from 20th and 21st century children's literature books. Two of the prints are signed by the artist. This collection was donated as a gift in honor of William Edwards Lee III.","USF Libraries - Tampa Special Collections","Barron, Elizabeth Lee","Robinson, Christian (1986-)","Rylant, Cynthia (1954-)","Lofting, Hugh (1886-1947)","Steig, William (1907-2003)","Sís, Peter (1949-)","English"],"unitid_tesim":["MS-2018-01","/repositories/2/resources/59"],"normalized_date_ssm":["1922-2016, Date acquired: 04/05/2018"],"normalized_title_ssm":["Elizabeth Lee Barron collection of children's literature prints, 1922-2016, Date acquired: 04/05/2018"],"collection_title_tesim":["Elizabeth Lee Barron collection of children's literature prints, 1922-2016, Date acquired: 04/05/2018"],"collection_ssim":["Elizabeth Lee Barron collection of children's literature prints, 1922-2016, Date acquired: 04/05/2018"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Barron, Elizabeth Lee","Barron, Elizabeth Lee"],"creator_ssim":["Barron, Elizabeth Lee","Barron, Elizabeth Lee"],"creator_persname_ssim":["Barron, Elizabeth Lee","Barron, Elizabeth Lee"],"creators_ssim":["Barron, Elizabeth Lee","Barron, Elizabeth Lee"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Elizabeth Lee Barron. A gift in honor of William Edwards Lee III.","Donation."],"access_subjects_ssim":["Children's literature","Prints -- Limited editions","Prints","Children's literature -- Illustrations"],"access_subjects_ssm":["Children's literature","Prints -- Limited editions","Prints","Children's literature -- Illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["1.74 Linear Feet","1  boxes"],"extent_tesim":["1.74 Linear Feet","1  boxes"],"genreform_ssim":["Children's literature -- Illustrations"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2018],"arrangement_html_tesm":["\u003cp\u003ePrints remain in original frames and are arranged by size.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Prints remain in original frames and are arranged by size."],"bioghist_html_tesm":["\u003cp\u003eElizabeth Lee Barron studied at the University of North Carolina at Chapel Hill, graduating with a Master of Library and Information Science degree in 1988. As a Reference Librarian at the University of Tampa (FL), Barron's responsibilities included the acquisition of educational materials for the library, as well as materials on the topics of criminology and nursing.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Elizabeth Lee Barron studied at the University of North Carolina at Chapel Hill, graduating with a Master of Library and Information Science degree in 1988. As a Reference Librarian at the University of Tampa (FL), Barron's responsibilities included the acquisition of educational materials for the library, as well as materials on the topics of criminology and nursing."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eElizabeth Lee Barron collection of children's literature prints, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Elizabeth Lee Barron collection of children's literature prints, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eChildrens Literature Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Childrens Literature Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of seven color prints with illustrations from works of children's literature.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of seven color prints with illustrations from works of children's literature."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_43e53b9de1d165d9abfafe5c42ba3503\" label=\"Abstract\"\u003eThis collection includes four color prints collected and donated by Elizabeth Lee Barron, a librarian employed by the University of Tampa. The framed prints in the collection are reproductions of illustrations from 20th and 21st century children's literature books. Two of the prints are signed by the artist. This collection was donated as a gift in honor of William Edwards Lee III.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes four color prints collected and donated by Elizabeth Lee Barron, a librarian employed by the University of Tampa. The framed prints in the collection are reproductions of illustrations from 20th and 21st century children's literature books. Two of the prints are signed by the artist. This collection was donated as a gift in honor of William Edwards Lee III."],"names_ssim":["USF Libraries - Tampa Special Collections","Barron, Elizabeth Lee","Robinson, Christian (1986-)","Rylant, Cynthia (1954-)","Lofting, Hugh (1886-1947)","Steig, William (1907-2003)","Sís, Peter (1949-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Robinson, Christian (1986-)","Rylant, Cynthia (1954-)","Lofting, Hugh (1886-1947)","Steig, William (1907-2003)","Sís, Peter (1949-)","Barron, Elizabeth Lee"],"persname_ssim":["Barron, Elizabeth Lee","Robinson, Christian (1986-)","Rylant, Cynthia (1954-)","Lofting, Hugh (1886-1947)","Steig, William (1907-2003)","Sís, Peter (1949-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863399992164352,"_root_":"cbc2a7b19233380ee50dea36","timestamp":"2026-07-16T09:32:54.077Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cbc2a7b19233380ee50dea36_aspace_159312"}},{"id":"4831053176f6f3dd0c1ca247_aspace_161361","type":"Box","attributes":{"title":"Prints by Manufacturer - A-F","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4831053176f6f3dd0c1ca247_aspace_161361#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_161361","ref_ssm":["aspace_161361","aspace_161361"],"id":"4831053176f6f3dd0c1ca247_aspace_161361","title_filing_ssi":"Prints by Manufacturer - A-F","title_ssm":["Prints by Manufacturer - A-F"],"title_tesim":["Prints by Manufacturer - A-F"],"normalized_title_ssm":["Prints by Manufacturer - A-F"],"text":["Prints by Manufacturer - A-F","Noel Wisdom Collection of Chromolithographic Prints, 1860-1910","1","/repositories/2/archival_objects/19910","box 1"],"component_level_isim":[1],"parent_ids_ssim":["4831053176f6f3dd0c1ca247"],"parent_unittitles_ssm":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"parent_unittitles_tesim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"parent_levels_ssm":["collection"],"unitid_ssm":["1","/repositories/2/archival_objects/19910"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"has_online_content_ssim":["false"],"child_component_count_isi":8,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":1,"parent_access_terms_tesm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"containers_ssim":["box 1"],"_nest_path_":"/components#0","_nest_parent_":"4831053176f6f3dd0c1ca247","_root_":"4831053176f6f3dd0c1ca247","_version_":1870862436233379840,"timestamp":"2026-07-16T09:17:34.964Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4831053176f6f3dd0c1ca247","title_ssm":["Noel Wisdom Collection of Chromolithographic Prints"],"title_tesim":["Noel Wisdom Collection of Chromolithographic Prints"],"ead_ssi":"4831053176f6f3dd0c1ca247","unitdate_ssm":["1860-1910"],"unitdate_inclusive_ssm":["1860-1910"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1976-03","/repositories/2/resources/128"],"text":["MS-1976-03","/repositories/2/resources/128","Noel Wisdom Collection of Chromolithographic Prints, 1860-1910","Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines","Alphabetical by maker, when identified. Alphabetical by subject when maker is not identified.","Cuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve","Noel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","This collection consists of more than 3,500 individual prints of varied size and format.","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","This collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials.","USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)","English"],"unitid_tesim":["MS-1976-03","/repositories/2/resources/128"],"normalized_date_ssm":["1860-1910"],"normalized_title_ssm":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"collection_title_tesim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"collection_ssim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Wisdom, Noel (1897-1983)"],"creator_ssim":["Wisdom, Noel (1897-1983)"],"creator_persname_ssim":["Wisdom, Noel (1897-1983)"],"creators_ssim":["Wisdom, Noel (1897-1983)"],"access_terms_ssm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Noel Wisdom","Donation."],"access_subjects_ssim":["Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines"],"access_subjects_ssm":["Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines"],"has_online_content_ssim":["false"],"extent_ssm":["4.88 Linear Feet","9 boxes"],"extent_tesim":["4.88 Linear Feet","9 boxes"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910],"arrangement_html_tesm":["\u003cp\u003eAlphabetical by maker, when identified. Alphabetical by subject when maker is not identified.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetical by maker, when identified. Alphabetical by subject when maker is not identified."],"bioghist_html_tesm":["\u003cp\u003eCuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.\u003c/p\u003e\n","\u003cp\u003eWisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"\u003c/p\u003e\n","\u003cp\u003eIn 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.\u003c/p\u003e\n","\u003cp\u003eWhen the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.\u003c/p\u003e\n","\u003cp\u003eHe worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.\u003c/p\u003e\n","\u003cp\u003eUpon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.\u003c/p\u003e\n","\u003cp\u003eWisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e, a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.\u003c/p\u003e\n","\u003cp\u003eNote written by Rebecca Rieve\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Cuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve"],"prefercite_html_tesm":["\u003cp\u003eNoel Wisdom Collection of Chromolithographic Prints, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Noel Wisdom Collection of Chromolithographic Prints, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eNoel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Noel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of more than 3,500 individual prints of varied size and format.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of more than 3,500 individual prints of varied size and format."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9f2715520ed32739b5cf2e74598db5ae\" label=\"Abstract\"\u003eThis collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials."],"names_ssim":["USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Wisdom, Noel (1897-1983)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":81,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862436233379840,"_root_":"4831053176f6f3dd0c1ca247","timestamp":"2026-07-16T09:17:34.964Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4831053176f6f3dd0c1ca247_aspace_161361"}},{"id":"4831053176f6f3dd0c1ca247_aspace_161370","type":"Box","attributes":{"title":"Prints by Manufacturer - G-M","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4831053176f6f3dd0c1ca247_aspace_161370#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_161370","ref_ssm":["aspace_161370","aspace_161370"],"id":"4831053176f6f3dd0c1ca247_aspace_161370","title_filing_ssi":"Prints by Manufacturer - G-M","title_ssm":["Prints by Manufacturer - G-M"],"title_tesim":["Prints by Manufacturer - G-M"],"normalized_title_ssm":["Prints by Manufacturer - G-M"],"text":["Prints by Manufacturer - G-M","Noel Wisdom Collection of Chromolithographic Prints, 1860-1910","2","/repositories/2/archival_objects/19912","box 2"],"component_level_isim":[1],"parent_ids_ssim":["4831053176f6f3dd0c1ca247"],"parent_unittitles_ssm":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"parent_unittitles_tesim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"parent_levels_ssm":["collection"],"unitid_ssm":["2","/repositories/2/archival_objects/19912"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"has_online_content_ssim":["false"],"child_component_count_isi":11,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":10,"parent_access_terms_tesm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"containers_ssim":["box 2"],"_nest_path_":"/components#1","_nest_parent_":"4831053176f6f3dd0c1ca247","_root_":"4831053176f6f3dd0c1ca247","_version_":1870862436233379840,"timestamp":"2026-07-16T09:17:34.964Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4831053176f6f3dd0c1ca247","title_ssm":["Noel Wisdom Collection of Chromolithographic Prints"],"title_tesim":["Noel Wisdom Collection of Chromolithographic Prints"],"ead_ssi":"4831053176f6f3dd0c1ca247","unitdate_ssm":["1860-1910"],"unitdate_inclusive_ssm":["1860-1910"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1976-03","/repositories/2/resources/128"],"text":["MS-1976-03","/repositories/2/resources/128","Noel Wisdom Collection of Chromolithographic Prints, 1860-1910","Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines","Alphabetical by maker, when identified. Alphabetical by subject when maker is not identified.","Cuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve","Noel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","This collection consists of more than 3,500 individual prints of varied size and format.","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","This collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials.","USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)","English"],"unitid_tesim":["MS-1976-03","/repositories/2/resources/128"],"normalized_date_ssm":["1860-1910"],"normalized_title_ssm":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"collection_title_tesim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"collection_ssim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Wisdom, Noel (1897-1983)"],"creator_ssim":["Wisdom, Noel (1897-1983)"],"creator_persname_ssim":["Wisdom, Noel (1897-1983)"],"creators_ssim":["Wisdom, Noel (1897-1983)"],"access_terms_ssm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Noel Wisdom","Donation."],"access_subjects_ssim":["Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines"],"access_subjects_ssm":["Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines"],"has_online_content_ssim":["false"],"extent_ssm":["4.88 Linear Feet","9 boxes"],"extent_tesim":["4.88 Linear Feet","9 boxes"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910],"arrangement_html_tesm":["\u003cp\u003eAlphabetical by maker, when identified. Alphabetical by subject when maker is not identified.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetical by maker, when identified. Alphabetical by subject when maker is not identified."],"bioghist_html_tesm":["\u003cp\u003eCuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.\u003c/p\u003e\n","\u003cp\u003eWisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"\u003c/p\u003e\n","\u003cp\u003eIn 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.\u003c/p\u003e\n","\u003cp\u003eWhen the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.\u003c/p\u003e\n","\u003cp\u003eHe worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.\u003c/p\u003e\n","\u003cp\u003eUpon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.\u003c/p\u003e\n","\u003cp\u003eWisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e, a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.\u003c/p\u003e\n","\u003cp\u003eNote written by Rebecca Rieve\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Cuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve"],"prefercite_html_tesm":["\u003cp\u003eNoel Wisdom Collection of Chromolithographic Prints, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Noel Wisdom Collection of Chromolithographic Prints, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eNoel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Noel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of more than 3,500 individual prints of varied size and format.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of more than 3,500 individual prints of varied size and format."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9f2715520ed32739b5cf2e74598db5ae\" label=\"Abstract\"\u003eThis collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials."],"names_ssim":["USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Wisdom, Noel (1897-1983)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":81,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862436233379840,"_root_":"4831053176f6f3dd0c1ca247","timestamp":"2026-07-16T09:17:34.964Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4831053176f6f3dd0c1ca247_aspace_161370"}},{"id":"4831053176f6f3dd0c1ca247_aspace_161382","type":"Box","attributes":{"title":"Prints by Manufacturer - M-T","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4831053176f6f3dd0c1ca247_aspace_161382#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_161382","ref_ssm":["aspace_161382","aspace_161382"],"id":"4831053176f6f3dd0c1ca247_aspace_161382","title_filing_ssi":"Prints by Manufacturer - M-T","title_ssm":["Prints by Manufacturer - M-T"],"title_tesim":["Prints by Manufacturer - M-T"],"normalized_title_ssm":["Prints by Manufacturer - M-T"],"text":["Prints by Manufacturer - M-T","Noel Wisdom Collection of Chromolithographic Prints, 1860-1910","3","/repositories/2/archival_objects/19916","box 3"],"component_level_isim":[1],"parent_ids_ssim":["4831053176f6f3dd0c1ca247"],"parent_unittitles_ssm":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"parent_unittitles_tesim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"parent_levels_ssm":["collection"],"unitid_ssm":["3","/repositories/2/archival_objects/19916"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"has_online_content_ssim":["false"],"child_component_count_isi":11,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":22,"parent_access_terms_tesm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"containers_ssim":["box 3"],"_nest_path_":"/components#2","_nest_parent_":"4831053176f6f3dd0c1ca247","_root_":"4831053176f6f3dd0c1ca247","_version_":1870862436233379840,"timestamp":"2026-07-16T09:17:34.964Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4831053176f6f3dd0c1ca247","title_ssm":["Noel Wisdom Collection of Chromolithographic Prints"],"title_tesim":["Noel Wisdom Collection of Chromolithographic Prints"],"ead_ssi":"4831053176f6f3dd0c1ca247","unitdate_ssm":["1860-1910"],"unitdate_inclusive_ssm":["1860-1910"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1976-03","/repositories/2/resources/128"],"text":["MS-1976-03","/repositories/2/resources/128","Noel Wisdom Collection of Chromolithographic Prints, 1860-1910","Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines","Alphabetical by maker, when identified. Alphabetical by subject when maker is not identified.","Cuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve","Noel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","This collection consists of more than 3,500 individual prints of varied size and format.","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","This collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials.","USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)","English"],"unitid_tesim":["MS-1976-03","/repositories/2/resources/128"],"normalized_date_ssm":["1860-1910"],"normalized_title_ssm":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"collection_title_tesim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"collection_ssim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Wisdom, Noel (1897-1983)"],"creator_ssim":["Wisdom, Noel (1897-1983)"],"creator_persname_ssim":["Wisdom, Noel (1897-1983)"],"creators_ssim":["Wisdom, Noel (1897-1983)"],"access_terms_ssm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Noel Wisdom","Donation."],"access_subjects_ssim":["Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines"],"access_subjects_ssm":["Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines"],"has_online_content_ssim":["false"],"extent_ssm":["4.88 Linear Feet","9 boxes"],"extent_tesim":["4.88 Linear Feet","9 boxes"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910],"arrangement_html_tesm":["\u003cp\u003eAlphabetical by maker, when identified. Alphabetical by subject when maker is not identified.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetical by maker, when identified. Alphabetical by subject when maker is not identified."],"bioghist_html_tesm":["\u003cp\u003eCuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.\u003c/p\u003e\n","\u003cp\u003eWisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"\u003c/p\u003e\n","\u003cp\u003eIn 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.\u003c/p\u003e\n","\u003cp\u003eWhen the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.\u003c/p\u003e\n","\u003cp\u003eHe worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.\u003c/p\u003e\n","\u003cp\u003eUpon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.\u003c/p\u003e\n","\u003cp\u003eWisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e, a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.\u003c/p\u003e\n","\u003cp\u003eNote written by Rebecca Rieve\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Cuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve"],"prefercite_html_tesm":["\u003cp\u003eNoel Wisdom Collection of Chromolithographic Prints, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Noel Wisdom Collection of Chromolithographic Prints, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eNoel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Noel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of more than 3,500 individual prints of varied size and format.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of more than 3,500 individual prints of varied size and format."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9f2715520ed32739b5cf2e74598db5ae\" label=\"Abstract\"\u003eThis collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials."],"names_ssim":["USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Wisdom, Noel (1897-1983)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":81,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862436233379840,"_root_":"4831053176f6f3dd0c1ca247","timestamp":"2026-07-16T09:17:34.964Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4831053176f6f3dd0c1ca247_aspace_161382"}},{"id":"4831053176f6f3dd0c1ca247_aspace_161394","type":"Box","attributes":{"title":"Prints by Manufacturer - U-W \u0026 Miscellaneous Prints","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4831053176f6f3dd0c1ca247_aspace_161394#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_161394","ref_ssm":["aspace_161394","aspace_161394"],"id":"4831053176f6f3dd0c1ca247_aspace_161394","title_filing_ssi":"Prints by Manufacturer - U-W \u0026 Miscellaneous Prints","title_ssm":["Prints by Manufacturer - U-W \u0026 Miscellaneous Prints"],"title_tesim":["Prints by Manufacturer - U-W \u0026 Miscellaneous Prints"],"normalized_title_ssm":["Prints by Manufacturer - U-W \u0026 Miscellaneous Prints"],"text":["Prints by Manufacturer - U-W \u0026 Miscellaneous Prints","Noel Wisdom Collection of Chromolithographic Prints, 1860-1910","4","/repositories/2/archival_objects/19919","box 4"],"component_level_isim":[1],"parent_ids_ssim":["4831053176f6f3dd0c1ca247"],"parent_unittitles_ssm":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"parent_unittitles_tesim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"parent_levels_ssm":["collection"],"unitid_ssm":["4","/repositories/2/archival_objects/19919"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Noel Wisdom Collection of Chromolithographic Prints, 1860-1910"],"has_online_content_ssim":["false"],"child_component_count_isi":13,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":34,"parent_access_terms_tesm":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/for more information."],"containers_ssim":["box 4"],"_nest_path_":"/components#3","_nest_parent_":"4831053176f6f3dd0c1ca247","_root_":"4831053176f6f3dd0c1ca247","_version_":1870862436233379840,"timestamp":"2026-07-16T09:17:34.964Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4831053176f6f3dd0c1ca247","title_ssm":["Noel Wisdom Collection of Chromolithographic Prints"],"title_tesim":["Noel Wisdom Collection of Chromolithographic Prints"],"ead_ssi":"4831053176f6f3dd0c1ca247","unitdate_ssm":["1860-1910"],"unitdate_inclusive_ssm":["1860-1910"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1976-03","/repositories/2/resources/128"],"text":["MS-1976-03","/repositories/2/resources/128","Noel Wisdom Collection of Chromolithographic Prints, 1860-1910","Advertising","Postcards","Greeting cards.","Printed ephemera","Paper dolls","Valentines","Alphabetical by maker, when identified. Alphabetical by subject when maker is not identified.","Cuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve","Noel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","This collection consists of more than 3,500 individual prints of varied size and format.","None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","This collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. 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Alphabetical by subject when maker is not identified.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetical by maker, when identified. Alphabetical by subject when maker is not identified."],"bioghist_html_tesm":["\u003cp\u003eCuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.\u003c/p\u003e\n","\u003cp\u003eWisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"\u003c/p\u003e\n","\u003cp\u003eIn 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.\u003c/p\u003e\n","\u003cp\u003eWhen the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.\u003c/p\u003e\n","\u003cp\u003eHe worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.\u003c/p\u003e\n","\u003cp\u003eUpon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.\u003c/p\u003e\n","\u003cp\u003eWisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished \u003cemph render=\"italic\"\u003eAround The World On Scissors\u003c/emph\u003e, a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.\u003c/p\u003e\n","\u003cp\u003eNote written by Rebecca Rieve\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Cuthbert Noel Wisdom, born in Chicago in 1897 to parents who had recently moved from England, found himself back in England at the age of two after the death of his father, a schoolteacher who had moved to Chicago and opened a private school on the Chicago's south side. His mother, a nurse, returned with baby Noel to England, where the two stayed with relatives until Noel was old enough to go to boarding school.","Wisdom dropped out of school at age 14 and began working, first in a draper's shop, then soon he was making signs and show cards, all a pre-cursor to his film career--he \"set up titles on a black velvet board, hand-tinted movie film, carried tripods for cameramen, was an extra. I'd have been a cameraman if the war hadn't come along.\"","In 1915 Wisdom was accepted for service and found himself in the British trenches. Most of what he did in the trenches consisited of sketching profiles of his platoon. One member of his platoon commented to Wisdom that he would always be able to earn a living as long as he was sketching.","When the war ended, Wisdom found a job in London creating ad layouts for trade magazines; in his spare time he was sketching. In 1924, when the British Empire Exhibition landed in London, Wisdom saw a display of silhouettes (and an exhibit from Australia) and knew his life had changed forever. He borrowed a pair of his mother's surgical scissors and, from black paper, carved a few profiles. Within six weeks, Noel Wisdom had landed on the shores of Australia.","He worked in Melbourne for a year, cutting silhouettes at night while working in a studio during the day. At the end of the year, he returned to England to marry an amusement park cashier he had known; however, the two realized that they had changed their minds and Wisdom set off once again. He spent much of the next nine years braving sea voyages, where he would snip silhouettes of passengers and crew between his journeys to islands such as Tahiti and Pitcairn Island. He wound up in the United States during the Depression, finding work difficult to come by; as a result, he freelanced in amusement parks on the west coast. Another return trip to Austrailia only proved to last three years, and Wisdom decided to return to the States once again.","Upon his return in 1937 Wisdom found work at a department store in Ithaca, New York where he trimmed windows and made signs. He eventually made his way around the United States, travelling to such cities as Miami Beach, Chicago, and St. Louis, snipping silhouettes everywhere he landed. During World War II he snipped hundreds of servicemen for free.","Wisdom \"retired\" to St. Petersburg, Florida in 1962, preferring warmer climes to those of New York and Chicago. About this time he penned his still unpublished  Around The World On Scissors , a retrospective of his life as a soldier and silhouette artist. In his retirement he enjoyed his hobbies, among them continuing to cut silhouettes, and corresponding with old friends; additionally, he was a member of the Canadian Legion Post 114 in St. Petersburg. Cuthbert Noel Wisdom passed away in St. Petersburg in December of 1983.","Note written by Rebecca Rieve"],"prefercite_html_tesm":["\u003cp\u003eNoel Wisdom Collection of Chromolithographic Prints, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Noel Wisdom Collection of Chromolithographic Prints, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eNoel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Noel Wisdom Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of more than 3,500 individual prints of varied size and format.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of more than 3,500 individual prints of varied size and format."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%C2%A0\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9f2715520ed32739b5cf2e74598db5ae\" label=\"Abstract\"\u003eThis collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of chromolithographic prints collected by Noel Wisdom, a silhouette artist. This collection consists of a variety of 19th and early 20th century chromolithographic prints, lithographic prints, etchings, and engravings. Collection areas include: occasion cards, advertisements, rewards of merit, calling cards, decorative prints, booklets, and oversized materials."],"names_ssim":["USF Libraries - Tampa Special Collections","Wisdom, Noel (1897-1983)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Wisdom, Noel (1897-1983)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":81,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862436233379840,"_root_":"4831053176f6f3dd0c1ca247","timestamp":"2026-07-16T09:17:34.964Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4831053176f6f3dd0c1ca247_aspace_161394"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","value":"Sam Gibbons collection, 1940-2000, 1996, bulk 1960-1996","hits":392},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Sam+Gibbons+collection%2C+1940-2000%2C+1996%2C+bulk+1960-1996\u0026f%5Blevel%5D%5B%5D=Box\u0026view=compact"}},{"attributes":{"label":"Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","value":"Jonas and Edna Kamlet / Kamlet Laboratories records, 1913-1989, Date acquired: 00/00/2006","hits":369},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Jonas+and+Edna+Kamlet+%2F+Kamlet+Laboratories+records%2C+1913-1989%2C+Date+acquired%3A+00%2F00%2F2006\u0026f%5Blevel%5D%5B%5D=Box\u0026view=compact"}},{"attributes":{"label":"LeRoy Collins papers, 1945-1993, Date acquired: 00/00/1962, bulk 1953-1968","value":"LeRoy Collins papers, 1945-1993, Date acquired: 00/00/1962, bulk 1953-1968","hits":366},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=LeRoy+Collins+papers%2C+1945-1993%2C+Date+acquired%3A+00%2F00%2F1962%2C+bulk+1953-1968\u0026f%5Blevel%5D%5B%5D=Box\u0026view=compact"}},{"attributes":{"label":"Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","value":"Hampton Dunn collection, 1916-2002, Date acquired: 00/00/1981, bulk 1960-2002","hits":344},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Hampton+Dunn+collection%2C+1916-2002%2C+Date+acquired%3A+00%2F00%2F1981%2C+bulk+1960-2002\u0026f%5Blevel%5D%5B%5D=Box\u0026view=compact"}},{"attributes":{"label":"Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","value":"Anthony P. \"Tony\" Pizzo collection, 1824-1994, Date acquired: 10/23/1982","hits":261},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Anthony+P.+%22Tony%22+Pizzo+collection%2C+1824-1994%2C+Date+acquired%3A+10%2F23%2F1982\u0026f%5Blevel%5D%5B%5D=Box\u0026view=compact"}},{"attributes":{"label":"Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","value":"Centro Asturiano de Tampa collection, 1902-2007, Date acquired: 00/00/1989, bulk 1902-1987","hits":235},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Centro+Asturiano+de+Tampa+collection%2C+1902-2007%2C+Date+acquired%3A+00%2F00%2F1989%2C+bulk+1902-1987\u0026f%5Blevel%5D%5B%5D=Box\u0026view=compact"}},{"attributes":{"label":"Piers Anthony collection, 1956-1996, Date acquired: 12/10/1991","value":"Piers Anthony collection, 1956-1996, Date acquired: 12/10/1991","hits":233},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Piers+Anthony+collection%2C+1956-1996%2C+Date+acquired%3A+12%2F10%2F1991\u0026f%5Blevel%5D%5B%5D=Box\u0026view=compact"}},{"attributes":{"label":"USF Athletics collection, bulk 1956-Present","value":"USF Athletics collection, bulk 1956-Present","hits":229},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=USF+Athletics+collection%2C+bulk+1956-Present\u0026f%5Blevel%5D%5B%5D=Box\u0026view=compact"}},{"attributes":{"label":"Jan K. 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