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Please inquire if you have questions -archives@flsouthern.edu."],"names_ssim":["The Florida Southern College Archives","Florida Southern College"],"corpname_ssim":["The Florida Southern College Archives","Florida Southern College"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":565,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1873201808878338048,"_root_":"61657dca6e05f30cb549ce7a","timestamp":"2026-08-11T05:00:54.566Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/61657dca6e05f30cb549ce7a_aspace_1192d1b1ba7bdab1b1d74f3b4ced55be"}},{"id":"6732e67c348c3da5a8009f2c_aspace_d93c12ce0300e85635a849bd99c7d314","type":"File","attributes":{"title":"Newspaper Clippings, 2011-2021, 1992","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/6732e67c348c3da5a8009f2c_aspace_d93c12ce0300e85635a849bd99c7d314#abstract_or_scope","type":"document_value","attributes":{"value":["Newspaper clipping from 1992, and newspaper clippings from 2011 to 2021."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6732e67c348c3da5a8009f2c_aspace_d93c12ce0300e85635a849bd99c7d314#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_d93c12ce0300e85635a849bd99c7d314","ref_ssm":["aspace_d93c12ce0300e85635a849bd99c7d314","aspace_d93c12ce0300e85635a849bd99c7d314"],"id":"6732e67c348c3da5a8009f2c_aspace_d93c12ce0300e85635a849bd99c7d314","title_filing_ssi":"Newspaper Clippings","title_ssm":["Newspaper Clippings"],"title_tesim":["Newspaper Clippings"],"unitdate_inclusive_ssm":["2011-2021"],"unitdate_other_ssim":["1992"],"normalized_date_ssm":["2011-2021, 1992"],"normalized_title_ssm":["Newspaper Clippings, 2011-2021, 1992"],"text":["Newspaper Clippings, 2011-2021, 1992","The Women's Fund Miami-Dade Collection, 1992-2023","Series I: Papers","Box 2","Folder 6","/repositories/2/archival_objects/82301","folder 6","Newspaper clipping from 1992, and newspaper clippings from 2011 to 2021."],"component_level_isim":[3],"parent_ids_ssim":["6732e67c348c3da5a8009f2c","6732e67c348c3da5a8009f2c_aspace_80b535a6c4a718127aa54a43207f2ab4","6732e67c348c3da5a8009f2c_aspace_d9d0c0209690698063028580d2f66fce"],"parent_unittitles_ssm":["The Women's Fund Miami-Dade Collection, 1992-2023","Series I: Papers","Box 2"],"parent_unittitles_tesim":["The Women's Fund Miami-Dade Collection, 1992-2023","Series I: Papers","Box 2"],"parent_levels_ssm":["collection","Series","Box 2"],"unitid_ssm":["Folder 6","/repositories/2/archival_objects/82301"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["The Women's Fund Miami-Dade Collection, 1992-2023"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":23,"parent_access_restrict_tesm":["The collection is open for research use."],"parent_access_terms_tesm":["Copyright restrictions may apply. No part of the materials protected by copyright may be reproduced or utilized in any form, electronic or mechanical, without written permission from the copyright holder. Researchers are required to seek permission from the copyright holder to reproduce and/or publish materials, in accordance with United States copyright law."],"date_range_isim":[1992,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"containers_ssim":["folder 6"],"abstract_html_tesm":["\u003cabstract id=\"aspace_64b685ccc79becdf0e508b5f84c7a859\"\u003eNewspaper clipping from 1992, and newspaper clippings from 2011 to 2021.\u003c/abstract\u003e"],"abstract_tesim":["Newspaper clipping from 1992, and newspaper clippings from 2011 to 2021."],"_nest_path_":"/components#0/components#1/components#5","_nest_parent_":"6732e67c348c3da5a8009f2c_aspace_d9d0c0209690698063028580d2f66fce","_root_":"6732e67c348c3da5a8009f2c","_version_":1870844459012325376,"timestamp":"2026-07-16T04:31:50.550Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6732e67c348c3da5a8009f2c","title_ssm":["The Women's Fund Miami-Dade Collection"],"title_tesim":["The Women's Fund Miami-Dade Collection"],"ead_ssi":"6732e67c348c3da5a8009f2c","unitdate_ssm":["1992-2023"],"unitdate_inclusive_ssm":["1992-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC6085","/repositories/2/resources/117"],"text":["SPC6085","/repositories/2/resources/117","The Women's Fund Miami-Dade Collection, 1992-2023","Miami","Women Philanthropists","Nonprofit Organizations","Women -- Charities","Women in Charitable Work","The collection is open for research use.","The collection is arranged in six boxes that are organized by subject and chronological order. Box 1 contains newsletters and administrative records. Box 2 contains news clippings, marketing material, and public awareness campaign memorabilia. Box 3 contains invitations and programs from various events which were hosted by, sponsored by, or benefitting The Women's Fund Miami-Dade from 1996 to 2022; this includes materials from the Power of the Purse Annual Luncheon, the key fundraising event of the Women's Fund. Box 4 and Box 5 contain photographs, including film negatives, contact sheets, and photo CDs. Box 6 contains audio visual material, including DVDs, CDs, tapes, and videocassettes.","The Women's Fund Miami-Dade was founded by Marilynn Gladstone. Gladstone assembled a 12 person steering committee of other philanthropically minded women in South Florida, and in 1992 they established the Women's Fund of Dade County. In the wake of the devastation caused by Hurricane Andrew, the Women's Fund initiated their grantmaking program by sending out their first call for proposals; they gave modest $1000 grants to 5 organizations from around Miami-Dade County.\nIn 1998, the Women's Fund of Dade County became the Women's Fund Miami-Dade County, and in 2007, they became the Women's Fund Miami-Dade (WFMD). They have provided millions of dollars in grants to organizations benefiting women and girls in Miami. In addition to grantmaking, WFMD supports women and girls through advocacy in the form of program support, research, and public awareness campaigns based around their four pillars: Freedom from Violence, Leadership, Health and Wellbeing, and Economic Security.","Founding Members (Steering Committee): Marcia Fair, Sue Sponnable, Conchy Bretos, Evelyn Cohan, Lynn Meyer, Aundrella Hamed, Sondi Reiff, Marguerita Delgado, Brenda Shapiro, Hilarie Bass, Beatrice Louissaint, Kathy Shea","Note written by Amanda Sentmanat-Perez","This collection contains various papers documenting the history and work of the Women's Fund Miami-Dade, including newsletters, administrative documents, newspaper clippings, printed marketing material, and event programs and invitations. The collection also contains photographs and audio visual material.","Copyright restrictions may apply. No part of the materials protected by copyright may be reproduced or utilized in any form, electronic or mechanical, without written permission from the copyright holder. Researchers are required to seek permission from the copyright holder to reproduce and/or publish materials, in accordance with United States copyright law.","FIU Special Collections","Johns, Davida","English"],"unitid_tesim":["SPC6085","/repositories/2/resources/117"],"normalized_date_ssm":["1992-2023"],"normalized_title_ssm":["The Women's Fund Miami-Dade Collection, 1992-2023"],"collection_title_tesim":["The Women's Fund Miami-Dade Collection, 1992-2023"],"collection_ssim":["The Women's Fund Miami-Dade Collection, 1992-2023"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Miami"],"geogname_ssim":["Miami"],"places_ssim":["Miami"],"access_terms_ssm":["Copyright restrictions may apply. No part of the materials protected by copyright may be reproduced or utilized in any form, electronic or mechanical, without written permission from the copyright holder. Researchers are required to seek permission from the copyright holder to reproduce and/or publish materials, in accordance with United States copyright law."],"acqinfo_ssim":["Donation by The Women's Fund Miami-Dade"],"access_subjects_ssim":["Women Philanthropists","Nonprofit Organizations","Women -- Charities","Women in Charitable Work"],"access_subjects_ssm":["Women Philanthropists","Nonprofit Organizations","Women -- Charities","Women in Charitable Work"],"has_online_content_ssim":["false"],"extent_ssm":["6 boxes"],"extent_tesim":["6 boxes"],"date_range_isim":[1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in six boxes that are organized by subject and chronological order. Box 1 contains newsletters and administrative records. Box 2 contains news clippings, marketing material, and public awareness campaign memorabilia. Box 3 contains invitations and programs from various events which were hosted by, sponsored by, or benefitting The Women's Fund Miami-Dade from 1996 to 2022; this includes materials from the Power of the Purse Annual Luncheon, the key fundraising event of the Women's Fund. Box 4 and Box 5 contain photographs, including film negatives, contact sheets, and photo CDs. Box 6 contains audio visual material, including DVDs, CDs, tapes, and videocassettes.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in six boxes that are organized by subject and chronological order. Box 1 contains newsletters and administrative records. Box 2 contains news clippings, marketing material, and public awareness campaign memorabilia. Box 3 contains invitations and programs from various events which were hosted by, sponsored by, or benefitting The Women's Fund Miami-Dade from 1996 to 2022; this includes materials from the Power of the Purse Annual Luncheon, the key fundraising event of the Women's Fund. Box 4 and Box 5 contain photographs, including film negatives, contact sheets, and photo CDs. Box 6 contains audio visual material, including DVDs, CDs, tapes, and videocassettes."],"bioghist_html_tesm":["\u003cp\u003eThe Women's Fund Miami-Dade was founded by Marilynn Gladstone. Gladstone assembled a 12 person steering committee of other philanthropically minded women in South Florida, and in 1992 they established the Women's Fund of Dade County. In the wake of the devastation caused by Hurricane Andrew, the Women's Fund initiated their grantmaking program by sending out their first call for proposals; they gave modest $1000 grants to 5 organizations from around Miami-Dade County.\nIn 1998, the Women's Fund of Dade County became the Women's Fund Miami-Dade County, and in 2007, they became the Women's Fund Miami-Dade (WFMD). They have provided millions of dollars in grants to organizations benefiting women and girls in Miami. In addition to grantmaking, WFMD supports women and girls through advocacy in the form of program support, research, and public awareness campaigns based around their four pillars: Freedom from Violence, Leadership, Health and Wellbeing, and Economic Security.\u003c/p\u003e\n","\u003cp\u003eFounding Members (Steering Committee): Marcia Fair, Sue Sponnable, Conchy Bretos, Evelyn Cohan, Lynn Meyer, Aundrella Hamed, Sondi Reiff, Marguerita Delgado, Brenda Shapiro, Hilarie Bass, Beatrice Louissaint, Kathy Shea\u003c/p\u003e\n","\u003cp\u003eNote written by Amanda Sentmanat-Perez\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Women's Fund Miami-Dade was founded by Marilynn Gladstone. Gladstone assembled a 12 person steering committee of other philanthropically minded women in South Florida, and in 1992 they established the Women's Fund of Dade County. In the wake of the devastation caused by Hurricane Andrew, the Women's Fund initiated their grantmaking program by sending out their first call for proposals; they gave modest $1000 grants to 5 organizations from around Miami-Dade County.\nIn 1998, the Women's Fund of Dade County became the Women's Fund Miami-Dade County, and in 2007, they became the Women's Fund Miami-Dade (WFMD). They have provided millions of dollars in grants to organizations benefiting women and girls in Miami. In addition to grantmaking, WFMD supports women and girls through advocacy in the form of program support, research, and public awareness campaigns based around their four pillars: Freedom from Violence, Leadership, Health and Wellbeing, and Economic Security.","Founding Members (Steering Committee): Marcia Fair, Sue Sponnable, Conchy Bretos, Evelyn Cohan, Lynn Meyer, Aundrella Hamed, Sondi Reiff, Marguerita Delgado, Brenda Shapiro, Hilarie Bass, Beatrice Louissaint, Kathy Shea","Note written by Amanda Sentmanat-Perez"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains various papers documenting the history and work of the Women's Fund Miami-Dade, including newsletters, administrative documents, newspaper clippings, printed marketing material, and event programs and invitations. The collection also contains photographs and audio visual material.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains various papers documenting the history and work of the Women's Fund Miami-Dade, including newsletters, administrative documents, newspaper clippings, printed marketing material, and event programs and invitations. The collection also contains photographs and audio visual material."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. No part of the materials protected by copyright may be reproduced or utilized in any form, electronic or mechanical, without written permission from the copyright holder. Researchers are required to seek permission from the copyright holder to reproduce and/or publish materials, in accordance with United States copyright law.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. No part of the materials protected by copyright may be reproduced or utilized in any form, electronic or mechanical, without written permission from the copyright holder. Researchers are required to seek permission from the copyright holder to reproduce and/or publish materials, in accordance with United States copyright law."],"names_ssim":["FIU Special Collections","Johns, Davida"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Johns, Davida"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":117,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844459012325376,"_root_":"6732e67c348c3da5a8009f2c","timestamp":"2026-07-16T04:31:50.550Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6732e67c348c3da5a8009f2c_aspace_d93c12ce0300e85635a849bd99c7d314"}},{"id":"dca89ca9ec915ee938e95922_aspace_63b429279953faaefd6256794a3d7335","type":"Box","attributes":{"title":"Newspapers, 2011-2022","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/dca89ca9ec915ee938e95922_aspace_63b429279953faaefd6256794a3d7335#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_63b429279953faaefd6256794a3d7335","ref_ssm":["aspace_63b429279953faaefd6256794a3d7335","aspace_63b429279953faaefd6256794a3d7335"],"id":"dca89ca9ec915ee938e95922_aspace_63b429279953faaefd6256794a3d7335","title_filing_ssi":"Newspapers","title_ssm":["Newspapers"],"title_tesim":["Newspapers"],"unitdate_inclusive_ssm":["2011-2022"],"normalized_date_ssm":["2011-2022"],"normalized_title_ssm":["Newspapers, 2011-2022"],"text":["Newspapers, 2011-2022","PFLAG Tampa collection, 2010-2023, Date acquired: 2025-12-11","7","/repositories/2/archival_objects/214987","box 7","Includes issues of the Tampa Bay Times, Tampa Tribune, Watermark, and Plant City Observer with articles related to PFLAG, John and Nancy Desmond, Tampa Pride, and Tampa Bay LGBTQ+ issues."],"component_level_isim":[1],"parent_ids_ssim":["dca89ca9ec915ee938e95922"],"parent_unittitles_ssm":["PFLAG Tampa collection, 2010-2023, Date acquired: 2025-12-11"],"parent_unittitles_tesim":["PFLAG Tampa collection, 2010-2023, Date acquired: 2025-12-11"],"parent_levels_ssm":["collection"],"unitid_ssm":["7","/repositories/2/archival_objects/214987"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["PFLAG Tampa collection, 2010-2023, Date acquired: 2025-12-11"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":68,"parent_access_restrict_tesm":["None."],"parent_access_terms_tesm":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"containers_ssim":["box 7"],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_b75aae326e7dd3fe94b0aee1a6472d1b\"\u003eIncludes issues of the Tampa Bay Times, Tampa Tribune, Watermark, and Plant City Observer with articles related to PFLAG, John and Nancy Desmond, Tampa Pride, and Tampa Bay LGBTQ+ issues.\u003c/materialspec\u003e"],"materialspec_tesim":["Includes issues of the Tampa Bay Times, Tampa Tribune, Watermark, and Plant City Observer with articles related to PFLAG, John and Nancy Desmond, Tampa Pride, and Tampa Bay LGBTQ+ issues."],"_nest_path_":"/components#6","_nest_parent_":"dca89ca9ec915ee938e95922","_root_":"dca89ca9ec915ee938e95922","_version_":1878019535937732608,"timestamp":"2026-10-03T09:16:37.133Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"dca89ca9ec915ee938e95922","title_ssm":["PFLAG Tampa collection"],"title_tesim":["PFLAG Tampa collection"],"ead_ssi":"dca89ca9ec915ee938e95922","unitdate_ssm":["2010-2023","Date acquired: 2025-12-11"],"unitdate_inclusive_ssm":["2010-2023"],"unitdate_other_ssim":["Date acquired: 2025-12-11"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.2025.06","/repositories/2/resources/760"],"text":["MS.2025.06","/repositories/2/resources/760","PFLAG Tampa collection, 2010-2023, Date acquired: 2025-12-11","LGBTQ+","LGBTQ+ activism","LGBTQ+ advocacy","LGBTQ+ clubs and organizations","LGBTQ+ communities","LGBTQ+ History","Queer activism","Queer community ","Civil rights movements -- Florida -- Tampa -- History","None.","10/2026: Additional materials integrated into collection. CC","This collection is arranged topically by organization and alphabetically within organizations.","John \"Lefty\" and Nancy Desmond founded PFLAG Tampa in 2011 after the coming out of their son, JP. Through PFLAG and JP's church community at Metropolitan Community Church, they became involved in other local LGBTQ+ organizations, including the GaYBOR District Coalition, the LGBT Roundtable at The Spring, the LBGT Roundtable at the Hillsborough Homeless Coalition, Metro Wellness, and Equality Florida. The Desmonds later founded PFLAG St. Petersburg in 2018. ","John Desmond served on the Hillsborough County Board of County Commissioners Human Rights Board and aided in the crafting of the Human Rights Ordinance which added protections for sexual orientation and gender identity and lifted a ban on Pride parades. The year after the ordinance's passing, the Desmonds served as founding board members for the inaugural Tampa Pride Festival in 2015. ","Information taken from \"Why We March\" speech held in collection.","Equality Florida records, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Metro Wellness collection of photographs, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","The PFLAG Tampa collection primarily consists of organizational documents (presentation materials, resources, and meeting materials), publications, and ephemera (events flyers, brochures, pamphlets, and business cards). Most materials pertain to PFLAG Tampa and its collaboration with other Tampa Bay LGBTQ+ organizations. Also included are materials related to John Desmond's time on the Hillsborough County Board of County Commissioners Human Rights Board and Tampa Pride organizational documents. Materials span from 2010 to 2023.","Issues of Watermark integrated into catalogued collection (HQ 76.8 F6 W38). Issues 22.23 (11/5-18/2015), 22.27 (12/31/2015-1/13/2016), 23.06 (3/24/2016-4/6/2016), 24.25 (12/14-27/2017, Tampa Bay Edition), 25.01 (1/11-24/2018), 26.25 (12/12-25/2019), and 2022 Spring Arts Guide (HQ 76.8 F6 W38 suppl.).","None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","The PFLAG Tampa collection includes materials related to the Tampa chapter of PFLAG, a national LGBTQ+ advocacy organization, as well as materials related to organizations with which PFLAG Tampa and its founders, John and Nancy Desmond, collaborated. This collection contains a significant volume of materials related to Tampa Pride, the group which organizes the annual Tampa Pride Festival, both from PFLAG's involvement with the festival and John and Nancy Desmond's time as board members for the organization. Materials in this collection include organizational documents, promotional materials, community resources, and events ephemera and realia.","USF Libraries - Tampa Special Collections","Equality Florida","Metropolitan Community Church of Tampa","Desmond, John","Desmond, Nancy","Metro Wellness Health","English"],"unitid_tesim":["MS.2025.06","/repositories/2/resources/760"],"normalized_date_ssm":["2010-2023, Date acquired: 2025-12-11"],"normalized_title_ssm":["PFLAG Tampa collection, 2010-2023, Date acquired: 2025-12-11"],"collection_title_tesim":["PFLAG Tampa collection, 2010-2023, Date acquired: 2025-12-11"],"collection_ssim":["PFLAG Tampa collection, 2010-2023, Date acquired: 2025-12-11"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Desmond, John","Desmond, Nancy"],"creator_ssim":["Desmond, John","Desmond, Nancy"],"creator_persname_ssim":["Desmond, John","Desmond, Nancy"],"creators_ssim":["Desmond, John","Desmond, Nancy"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["John Desmond","Donation"],"access_subjects_ssim":["LGBTQ+","LGBTQ+ activism","LGBTQ+ advocacy","LGBTQ+ clubs and organizations","LGBTQ+ communities","LGBTQ+ History","Queer activism","Queer community ","Civil rights movements -- Florida -- Tampa -- History"],"access_subjects_ssm":["LGBTQ+","LGBTQ+ activism","LGBTQ+ advocacy","LGBTQ+ clubs and organizations","LGBTQ+ communities","LGBTQ+ History","Queer activism","Queer community ","Civil rights movements -- Florida -- Tampa -- History"],"has_online_content_ssim":["false"],"extent_ssm":["7 boxes","5.42 Linear Feet"],"extent_tesim":["7 boxes","5.42 Linear Feet"],"date_range_isim":[2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eNone.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["None."],"accruals_html_tesm":["\u003cp\u003e10/2026: Additional materials integrated into collection. CC\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["10/2026: Additional materials integrated into collection. CC"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged topically by organization and alphabetically within organizations.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged topically by organization and alphabetically within organizations."],"bioghist_html_tesm":["\u003cp\u003eJohn \"Lefty\" and Nancy Desmond founded PFLAG Tampa in 2011 after the coming out of their son, JP. Through PFLAG and JP's church community at Metropolitan Community Church, they became involved in other local LGBTQ+ organizations, including the GaYBOR District Coalition, the LGBT Roundtable at The Spring, the LBGT Roundtable at the Hillsborough Homeless Coalition, Metro Wellness, and Equality Florida. The Desmonds later founded PFLAG St. Petersburg in 2018. \u003c/p\u003e\n","\u003cp\u003eJohn Desmond served on the Hillsborough County Board of County Commissioners Human Rights Board and aided in the crafting of the Human Rights Ordinance which added protections for sexual orientation and gender identity and lifted a ban on Pride parades. The year after the ordinance's passing, the Desmonds served as founding board members for the inaugural Tampa Pride Festival in 2015. \u003c/p\u003e\n","\u003cp\u003eInformation taken from \"Why We March\" speech held in collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["John \"Lefty\" and Nancy Desmond founded PFLAG Tampa in 2011 after the coming out of their son, JP. Through PFLAG and JP's church community at Metropolitan Community Church, they became involved in other local LGBTQ+ organizations, including the GaYBOR District Coalition, the LGBT Roundtable at The Spring, the LBGT Roundtable at the Hillsborough Homeless Coalition, Metro Wellness, and Equality Florida. The Desmonds later founded PFLAG St. Petersburg in 2018. ","John Desmond served on the Hillsborough County Board of County Commissioners Human Rights Board and aided in the crafting of the Human Rights Ordinance which added protections for sexual orientation and gender identity and lifted a ban on Pride parades. The year after the ordinance's passing, the Desmonds served as founding board members for the inaugural Tampa Pride Festival in 2015. ","Information taken from \"Why We March\" speech held in collection."],"prefercite_html_tesm":["\u003cp\u003ePFLAG Tampa collection, USF Libraries \u0026#x2013; Tampa Special Collections, University of South Florida,\nTampa, FL\u003c/p\u003e"],"prefercite_tesim":["PFLAG Tampa collection, USF Libraries – Tampa Special Collections, University of South Florida,\nTampa, FL"],"relatedmaterial_html_tesm":["\u003cp\u003eEquality Florida records, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eMetro Wellness collection of photographs, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Equality Florida records, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Metro Wellness collection of photographs, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe PFLAG Tampa collection primarily consists of organizational documents (presentation materials, resources, and meeting materials), publications, and ephemera (events flyers, brochures, pamphlets, and business cards). Most materials pertain to PFLAG Tampa and its collaboration with other Tampa Bay LGBTQ+ organizations. Also included are materials related to John Desmond's time on the Hillsborough County Board of County Commissioners Human Rights Board and Tampa Pride organizational documents. Materials span from 2010 to 2023.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The PFLAG Tampa collection primarily consists of organizational documents (presentation materials, resources, and meeting materials), publications, and ephemera (events flyers, brochures, pamphlets, and business cards). Most materials pertain to PFLAG Tampa and its collaboration with other Tampa Bay LGBTQ+ organizations. Also included are materials related to John Desmond's time on the Hillsborough County Board of County Commissioners Human Rights Board and Tampa Pride organizational documents. Materials span from 2010 to 2023."],"separatedmaterial_html_tesm":["\u003cp\u003eIssues of Watermark integrated into catalogued collection (HQ 76.8 F6 W38). Issues 22.23 (11/5-18/2015), 22.27 (12/31/2015-1/13/2016), 23.06 (3/24/2016-4/6/2016), 24.25 (12/14-27/2017, Tampa Bay Edition), 25.01 (1/11-24/2018), 26.25 (12/12-25/2019), and 2022 Spring Arts Guide (HQ 76.8 F6 W38 suppl.).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Issues of Watermark integrated into catalogued collection (HQ 76.8 F6 W38). Issues 22.23 (11/5-18/2015), 22.27 (12/31/2015-1/13/2016), 23.06 (3/24/2016-4/6/2016), 24.25 (12/14-27/2017, Tampa Bay Edition), 25.01 (1/11-24/2018), 26.25 (12/12-25/2019), and 2022 Spring Arts Guide (HQ 76.8 F6 W38 suppl.)."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b2f6c39937255d6c0f02ed93ebc14d55\"\u003eThe PFLAG Tampa collection includes materials related to the Tampa chapter of PFLAG, a national LGBTQ+ advocacy organization, as well as materials related to organizations with which PFLAG Tampa and its founders, John and Nancy Desmond, collaborated. This collection contains a significant volume of materials related to Tampa Pride, the group which organizes the annual Tampa Pride Festival, both from PFLAG's involvement with the festival and John and Nancy Desmond's time as board members for the organization. Materials in this collection include organizational documents, promotional materials, community resources, and events ephemera and realia.\u003c/abstract\u003e"],"abstract_tesim":["The PFLAG Tampa collection includes materials related to the Tampa chapter of PFLAG, a national LGBTQ+ advocacy organization, as well as materials related to organizations with which PFLAG Tampa and its founders, John and Nancy Desmond, collaborated. This collection contains a significant volume of materials related to Tampa Pride, the group which organizes the annual Tampa Pride Festival, both from PFLAG's involvement with the festival and John and Nancy Desmond's time as board members for the organization. Materials in this collection include organizational documents, promotional materials, community resources, and events ephemera and realia."],"names_coll_ssim":["Equality Florida","Metropolitan Community Church of Tampa","Metro Wellness Health"],"names_ssim":["USF Libraries - Tampa Special Collections","Equality Florida","Metropolitan Community Church of Tampa","Desmond, John","Desmond, Nancy","Metro Wellness Health"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Equality Florida","Metropolitan Community Church of Tampa"],"persname_ssim":["Desmond, John","Desmond, Nancy","Metro Wellness Health"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":70,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1878019535937732608,"_root_":"dca89ca9ec915ee938e95922","timestamp":"2026-10-03T09:16:37.133Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/dca89ca9ec915ee938e95922_aspace_63b429279953faaefd6256794a3d7335"}},{"id":"d20aa889e8ea8129c93e6502","type":"collection","attributes":{"title":"Nola Perez Papers, 1969-2022","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"d20aa889e8ea8129c93e6502","title_ssm":["Nola Perez Papers"],"title_tesim":["Nola Perez Papers"],"ead_ssi":"d20aa889e8ea8129c93e6502","unitdate_ssm":["1969-2022"],"unitdate_inclusive_ssm":["1969-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016.006","/repositories/3/resources/78"],"text":["2016.006","/repositories/3/resources/78","Nola Perez Papers, 1969-2022","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. ","This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2016.006","/repositories/3/resources/78"],"normalized_date_ssm":["1969-2022"],"normalized_title_ssm":["Nola Perez Papers, 1969-2022"],"collection_title_tesim":["Nola Perez Papers, 1969-2022"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Nola B. Perez, 2016-09-06."],"has_online_content_ssim":["false"],"extent_ssm":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"extent_tesim":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eNola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. \u003c/p\u003e\n","\u003cp\u003eDuring her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.\u003c/p\u003e\n","\u003cp\u003eIn the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.\u003c/p\u003e\n","\u003cp\u003eUpon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. "],"prefercite_html_tesm":["\u003cp\u003eNola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Nola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2013; Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2013; Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2013; Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2013; Critiques (arranged chronologically) include critical receptions of Nola Perez's work\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2013; Events (arranged alphabetically by subseries)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Book Signings and Poetry Readings (arranged chronologically) includes information and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"\u003c/p\u003e\n","\u003cp\u003eSeries 6 \u0026#x2013; Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation\u003c/p\u003e\n","\u003cp\u003eSeries 7 \u0026#x2013; Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career\u003c/p\u003e\n","\u003cp\u003eSeries 8 \u0026#x2013; Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Photographs (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Publications (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 5 \u0026#x2013; Workshops (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSeries 9 \u0026#x2013; Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events\u003c/p\u003e\n","\u003cp\u003eSeries 10 \u0026#x2013; Poetry (arranged chronologically) contains a collection of Nola's poetry\u003c/p\u003e\n","\u003cp\u003eSeries 11 \u0026#x2013; Publications (arranged alphabetically by type of publication)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Books (arranged chronologically by publication date; chronological files within each book published)\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Journals (arranged chronologically by publication date)\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website\u003c/p\u003e\n","\u003cp\u003eSeries 12 \u0026#x2013; Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia\u003c/p\u003e\n","\u003cp\u003eSeries 13 \u0026#x2013; Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":231,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860591887810560,"_root_":"d20aa889e8ea8129c93e6502","timestamp":"2026-07-16T08:48:16.050Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d20aa889e8ea8129c93e6502","title_ssm":["Nola Perez Papers"],"title_tesim":["Nola Perez Papers"],"ead_ssi":"d20aa889e8ea8129c93e6502","unitdate_ssm":["1969-2022"],"unitdate_inclusive_ssm":["1969-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016.006","/repositories/3/resources/78"],"text":["2016.006","/repositories/3/resources/78","Nola Perez Papers, 1969-2022","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. ","This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2016.006","/repositories/3/resources/78"],"normalized_date_ssm":["1969-2022"],"normalized_title_ssm":["Nola Perez Papers, 1969-2022"],"collection_title_tesim":["Nola Perez Papers, 1969-2022"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Nola B. Perez, 2016-09-06."],"has_online_content_ssim":["false"],"extent_ssm":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"extent_tesim":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eNola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. \u003c/p\u003e\n","\u003cp\u003eDuring her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.\u003c/p\u003e\n","\u003cp\u003eIn the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.\u003c/p\u003e\n","\u003cp\u003eUpon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. "],"prefercite_html_tesm":["\u003cp\u003eNola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Nola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2013; Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2013; Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2013; Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2013; Critiques (arranged chronologically) include critical receptions of Nola Perez's work\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2013; Events (arranged alphabetically by subseries)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Book Signings and Poetry Readings (arranged chronologically) includes information and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"\u003c/p\u003e\n","\u003cp\u003eSeries 6 \u0026#x2013; Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation\u003c/p\u003e\n","\u003cp\u003eSeries 7 \u0026#x2013; Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career\u003c/p\u003e\n","\u003cp\u003eSeries 8 \u0026#x2013; Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Photographs (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Publications (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 5 \u0026#x2013; Workshops (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSeries 9 \u0026#x2013; Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events\u003c/p\u003e\n","\u003cp\u003eSeries 10 \u0026#x2013; Poetry (arranged chronologically) contains a collection of Nola's poetry\u003c/p\u003e\n","\u003cp\u003eSeries 11 \u0026#x2013; Publications (arranged alphabetically by type of publication)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Books (arranged chronologically by publication date; chronological files within each book published)\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Journals (arranged chronologically by publication date)\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website\u003c/p\u003e\n","\u003cp\u003eSeries 12 \u0026#x2013; Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia\u003c/p\u003e\n","\u003cp\u003eSeries 13 \u0026#x2013; Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). 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Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":231,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860591887810560,"_root_":"d20aa889e8ea8129c93e6502","timestamp":"2026-07-16T08:48:16.050Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502"}},{"id":"bc9debec2ac13a50aaa0b373","type":"collection","attributes":{"title":"Office of Institutional Research, 2005-2021","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/bc9debec2ac13a50aaa0b373#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Office of Institutional Research contains documents regarding the Office of Institutional Research, including data sets, accountability reports, accountability plans, and quarterly briefings. 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Correspondence, Series II. Attucks High School, Series III. Photographs, Series IV. Printed Materials, Series V. Awards, and Series VI. Artwork.","Emmanuel George is a Dominican- American archivist, film maker and arts organizer based in Hollywood, Florida. Emmanuel's love of history began in childhood when his father Emanuel George Sr. would teach him Black history in efforts to highlight what he thought Emmanuel would not be taught in public school. Emmanuel credits his father's teachings to his ability to seek out overlooked narratives.","In 2015, after taking a leave of absence from pursuing his Bachelors in Film from Full Sail University, Emmanuel found himself joining a group of local activists in Miami -Dade County who were advocating on behalf of its residents to fight displacement. During this time, Emmanuel spoke with local residents and learned about the history of Black Miami. This curiosity led Emmanuel to begin submerging himself in learning the Black history of his home community, Broward County. ","In 2016, Emmanuel George produced his first film under the Black Broward Film Project, entitled A Tale of Sibling Communities; Danie and Liberia a documentary about the shared relationship between two Black communities in Broward County. The film featured oral interviews of local pioneers and historical landmarks that are staples to the community. Emmanuel followed this up with his 2021 film entitled Stories from our Ancestors: An Ode to Attucks High School; a film focusing on how the closing of a historically Black High school impacted the community of Liberia and its neighboring communities: Danie, Carver Ranches, Hallandale, Ojus, and Davie. ","In 2021, under the mentorship of esteemed historian Kitty Oliver, Emmanuel landed a fellowship with Lake Wales Museum where he interviewed and archived stories of residents from the historic Lincoln Avenue community. From there, Emmanuel would complete a fellowship with Cogenerators (formerly Encore) and work with Florida International University's Wolfson Public Humanities Lab, the Delray Beach Historical Society, the African American Research Library and the Old Dillard Museum, further expanding the ways he shares and preserves local Black history. Most recently, Emmanuel completed a fellowship with Temple University, serving as the Community Archivist for the Association for the Study of African American Life and History (ASALH). \nCurrently, Emmanuel founded and runs the Black Orchid Foundation, a non-profit centered on preserving the stories of Black high schools in the south that were phased out after the supreme court case of Brown vs. Board of Education, ruling that separating children in public schools on the basis of race was unconstitutional. Emmanuel is also the youngest person in Broward County to have his own special collections archive, the Emmanuel George Collection at the African American Research Library, where he actively collects physical and digitally archived data on the history of Attucks High School. ","Emmanuel's goal is to continue bridging the generational divide by connecting the youth from the rising Black Student Union populations in Broward County with the pioneers from the Historic Black High Schools (Attucks, Dillard, and Blanche Ely) through an Oral History workshop, in hopes to inspire young archivists to narrate their own stories and preserve their history at the African American Research Library and Cultural Center.","This collection received file processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Emmanuel George Collection in the Broward County Library Digital Archives.","The Emmanuel George Collection contains correspondence, photographs, printed materials, certificates, short videos and artwork related to African Americans in Broward County, Florida. Correspondence contains cards written to Emmanuel George about his internships with Encore and the Lake Wales Public Library African American Archives Project. Crispus Attucks High School materials include a yearbook, student report cards, commencement programs, and class reunions. Photographs display African American individual and group portraits in Broward County. Printed materials include newspaper articles about African American neighborhoods in Broward County, specifically Hollywood, an African American Research Library and Cultural Center brochure, signed Legacy of Broward trading cards, funeral programs, and a magazine article featuring Emmanuel George at Sistrunk-A-Fair. Awards includes a certificate from the City of Miami awarded to Emmanuel George for his participation as a featured artist in the \"Reimagine the Neighborhood\" campaign in April 2022. Paintings of African Americans include the following: Tamara James, Attucks High School alumni (30 x 30), Kitty Oliver (36 x 36), Cannonball Adderley, Dr. James Sistrunk, and Esther Rolle.","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2021.11","/repositories/2/resources/105"],"normalized_date_ssm":["1962-2023"],"normalized_title_ssm":["Emmanuel George Collection, 1962-2023"],"collection_title_tesim":["Emmanuel George Collection, 1962-2023"],"collection_ssim":["Emmanuel George Collection, 1962-2023"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"access_subjects_ssim":["Paintings","Art"],"access_subjects_ssm":["Paintings","Art"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Hollinger Box 1 and a half Hollinger boxes and 6 paintings."],"extent_tesim":["1.5 Hollinger Box 1 and a half Hollinger boxes and 6 paintings."],"genreform_ssim":["Paintings","Art"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThe Emmanuel George Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Emmanuel George Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 6 series: Series I. Correspondence, Series II. Attucks High School, Series III. Photographs, Series IV. Printed Materials, Series V. Awards, and Series VI. Artwork.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 6 series: Series I. Correspondence, Series II. Attucks High School, Series III. Photographs, Series IV. Printed Materials, Series V. Awards, and Series VI. Artwork."],"bioghist_html_tesm":["\u003cp\u003eEmmanuel George is a Dominican- American archivist, film maker and arts organizer based in Hollywood, Florida. Emmanuel's love of history began in childhood when his father Emanuel George Sr. would teach him Black history in efforts to highlight what he thought Emmanuel would not be taught in public school. Emmanuel credits his father's teachings to his ability to seek out overlooked narratives.\u003c/p\u003e\n","\u003cp\u003eIn 2015, after taking a leave of absence from pursuing his Bachelors in Film from Full Sail University, Emmanuel found himself joining a group of local activists in Miami -Dade County who were advocating on behalf of its residents to fight displacement. During this time, Emmanuel spoke with local residents and learned about the history of Black Miami. This curiosity led Emmanuel to begin submerging himself in learning the Black history of his home community, Broward County. \u003c/p\u003e\n","\u003cp\u003eIn 2016, Emmanuel George produced his first film under the Black Broward Film Project, entitled A Tale of Sibling Communities; Danie and Liberia a documentary about the shared relationship between two Black communities in Broward County. The film featured oral interviews of local pioneers and historical landmarks that are staples to the community. Emmanuel followed this up with his 2021 film entitled Stories from our Ancestors: An Ode to Attucks High School; a film focusing on how the closing of a historically Black High school impacted the community of Liberia and its neighboring communities: Danie, Carver Ranches, Hallandale, Ojus, and Davie. \u003c/p\u003e\n","\u003cp\u003eIn 2021, under the mentorship of esteemed historian Kitty Oliver, Emmanuel landed a fellowship with Lake Wales Museum where he interviewed and archived stories of residents from the historic Lincoln Avenue community. From there, Emmanuel would complete a fellowship with Cogenerators (formerly Encore) and work with Florida International University's Wolfson Public Humanities Lab, the Delray Beach Historical Society, the African American Research Library and the Old Dillard Museum, further expanding the ways he shares and preserves local Black history. Most recently, Emmanuel completed a fellowship with Temple University, serving as the Community Archivist for the Association for the Study of African American Life and History (ASALH). \nCurrently, Emmanuel founded and runs the Black Orchid Foundation, a non-profit centered on preserving the stories of Black high schools in the south that were phased out after the supreme court case of Brown vs. Board of Education, ruling that separating children in public schools on the basis of race was unconstitutional. Emmanuel is also the youngest person in Broward County to have his own special collections archive, the Emmanuel George Collection at the African American Research Library, where he actively collects physical and digitally archived data on the history of Attucks High School. \u003c/p\u003e\n","\u003cp\u003eEmmanuel's goal is to continue bridging the generational divide by connecting the youth from the rising Black Student Union populations in Broward County with the pioneers from the Historic Black High Schools (Attucks, Dillard, and Blanche Ely) through an Oral History workshop, in hopes to inspire young archivists to narrate their own stories and preserve their history at the African American Research Library and Cultural Center.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Emmanuel George is a Dominican- American archivist, film maker and arts organizer based in Hollywood, Florida. Emmanuel's love of history began in childhood when his father Emanuel George Sr. would teach him Black history in efforts to highlight what he thought Emmanuel would not be taught in public school. Emmanuel credits his father's teachings to his ability to seek out overlooked narratives.","In 2015, after taking a leave of absence from pursuing his Bachelors in Film from Full Sail University, Emmanuel found himself joining a group of local activists in Miami -Dade County who were advocating on behalf of its residents to fight displacement. During this time, Emmanuel spoke with local residents and learned about the history of Black Miami. This curiosity led Emmanuel to begin submerging himself in learning the Black history of his home community, Broward County. ","In 2016, Emmanuel George produced his first film under the Black Broward Film Project, entitled A Tale of Sibling Communities; Danie and Liberia a documentary about the shared relationship between two Black communities in Broward County. The film featured oral interviews of local pioneers and historical landmarks that are staples to the community. Emmanuel followed this up with his 2021 film entitled Stories from our Ancestors: An Ode to Attucks High School; a film focusing on how the closing of a historically Black High school impacted the community of Liberia and its neighboring communities: Danie, Carver Ranches, Hallandale, Ojus, and Davie. ","In 2021, under the mentorship of esteemed historian Kitty Oliver, Emmanuel landed a fellowship with Lake Wales Museum where he interviewed and archived stories of residents from the historic Lincoln Avenue community. From there, Emmanuel would complete a fellowship with Cogenerators (formerly Encore) and work with Florida International University's Wolfson Public Humanities Lab, the Delray Beach Historical Society, the African American Research Library and the Old Dillard Museum, further expanding the ways he shares and preserves local Black history. Most recently, Emmanuel completed a fellowship with Temple University, serving as the Community Archivist for the Association for the Study of African American Life and History (ASALH). \nCurrently, Emmanuel founded and runs the Black Orchid Foundation, a non-profit centered on preserving the stories of Black high schools in the south that were phased out after the supreme court case of Brown vs. Board of Education, ruling that separating children in public schools on the basis of race was unconstitutional. Emmanuel is also the youngest person in Broward County to have his own special collections archive, the Emmanuel George Collection at the African American Research Library, where he actively collects physical and digitally archived data on the history of Attucks High School. ","Emmanuel's goal is to continue bridging the generational divide by connecting the youth from the rising Black Student Union populations in Broward County with the pioneers from the Historic Black High Schools (Attucks, Dillard, and Blanche Ely) through an Oral History workshop, in hopes to inspire young archivists to narrate their own stories and preserve their history at the African American Research Library and Cultural Center."],"prefercite_html_tesm":["\u003cp\u003eThe Emmanuel George Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Emmanuel George Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll31/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Emmanuel George Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Emmanuel George Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Emmanuel George Collection contains correspondence, photographs, printed materials, certificates, short videos and artwork related to African Americans in Broward County, Florida. Correspondence contains cards written to Emmanuel George about his internships with Encore and the Lake Wales Public Library African American Archives Project. Crispus Attucks High School materials include a yearbook, student report cards, commencement programs, and class reunions. Photographs display African American individual and group portraits in Broward County. Printed materials include newspaper articles about African American neighborhoods in Broward County, specifically Hollywood, an African American Research Library and Cultural Center brochure, signed Legacy of Broward trading cards, funeral programs, and a magazine article featuring Emmanuel George at Sistrunk-A-Fair. Awards includes a certificate from the City of Miami awarded to Emmanuel George for his participation as a featured artist in the \"Reimagine the Neighborhood\" campaign in April 2022. Paintings of African Americans include the following: Tamara James, Attucks High School alumni (30 x 30), Kitty Oliver (36 x 36), Cannonball Adderley, Dr. James Sistrunk, and Esther Rolle.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Emmanuel George Collection contains correspondence, photographs, printed materials, certificates, short videos and artwork related to African Americans in Broward County, Florida. Correspondence contains cards written to Emmanuel George about his internships with Encore and the Lake Wales Public Library African American Archives Project. Crispus Attucks High School materials include a yearbook, student report cards, commencement programs, and class reunions. Photographs display African American individual and group portraits in Broward County. Printed materials include newspaper articles about African American neighborhoods in Broward County, specifically Hollywood, an African American Research Library and Cultural Center brochure, signed Legacy of Broward trading cards, funeral programs, and a magazine article featuring Emmanuel George at Sistrunk-A-Fair. Awards includes a certificate from the City of Miami awarded to Emmanuel George for his participation as a featured artist in the \"Reimagine the Neighborhood\" campaign in April 2022. Paintings of African Americans include the following: Tamara James, Attucks High School alumni (30 x 30), Kitty Oliver (36 x 36), Cannonball Adderley, Dr. James Sistrunk, and Esther Rolle."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":45,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563559323828224,"_root_":"328cb1ddb2eba00ca03f2172","timestamp":"2026-07-24T03:01:38.048Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/328cb1ddb2eba00ca03f2172_aspace_26ca25164961e55c805dd4e7f2f8a522"}},{"id":"a04ee2f29c834be99eea7a5b_aspace_ca22542b83dc1b0ed3139c0156a54e78","type":"Item","attributes":{"title":"On Campus and Awaiting Trial, 2021","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a04ee2f29c834be99eea7a5b_aspace_ca22542b83dc1b0ed3139c0156a54e78#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis edition of the UP covers how a student charged with sexual assault living in residential housing, Gillian Manning, editor-in-chief\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a04ee2f29c834be99eea7a5b_aspace_ca22542b83dc1b0ed3139c0156a54e78#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_ca22542b83dc1b0ed3139c0156a54e78","ref_ssm":["aspace_ca22542b83dc1b0ed3139c0156a54e78","aspace_ca22542b83dc1b0ed3139c0156a54e78"],"id":"a04ee2f29c834be99eea7a5b_aspace_ca22542b83dc1b0ed3139c0156a54e78","title_filing_ssi":"On Campus and Awaiting Trial","title_ssm":["On Campus and Awaiting Trial"],"title_tesim":["On Campus and Awaiting Trial"],"unitdate_other_ssim":["2021"],"normalized_date_ssm":["2021"],"normalized_title_ssm":["On Campus and Awaiting Trial, 2021"],"text":["On Campus and Awaiting Trial, 2021","FAU Student Newspapers Collection, 1964 - 2017","University Press, 1999-Active","Volume 24, 2021-2022","/repositories/2/archival_objects/81847","box 21","item 11","This edition of the UP covers how a student charged with sexual assault living in residential housing, Gillian Manning, editor-in-chief"],"component_level_isim":[3],"parent_ids_ssim":["a04ee2f29c834be99eea7a5b","a04ee2f29c834be99eea7a5b_aspace_22485","a04ee2f29c834be99eea7a5b_aspace_c135e9bd5965469906a92cbd161a8bbc"],"parent_unittitles_ssm":["FAU Student Newspapers Collection, 1964 - 2017","University Press, 1999-Active","Volume 24, 2021-2022"],"parent_unittitles_tesim":["FAU Student Newspapers Collection, 1964 - 2017","University Press, 1999-Active","Volume 24, 2021-2022"],"parent_levels_ssm":["collection","Subseries","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/81847"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["FAU Student Newspapers Collection, 1964 - 2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1886,"parent_access_restrict_tesm":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"parent_access_terms_tesm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"date_range_isim":[2021],"containers_ssim":["box 21","item 11"],"scopecontent_html_tesm":["\u003cp\u003eThis edition of the UP covers how a student charged with sexual assault living in residential housing, Gillian Manning, editor-in-chief\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This edition of the UP covers how a student charged with sexual assault living in residential housing, Gillian Manning, editor-in-chief"],"_nest_path_":"/components#6/components#22/components#2","_nest_parent_":"a04ee2f29c834be99eea7a5b_aspace_c135e9bd5965469906a92cbd161a8bbc","_root_":"a04ee2f29c834be99eea7a5b","_version_":1870841933544292352,"timestamp":"2026-07-16T03:51:41.966Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a04ee2f29c834be99eea7a5b","title_ssm":["FAU Student Newspapers Collection"],"title_tesim":["FAU Student Newspapers Collection"],"ead_ssi":"a04ee2f29c834be99eea7a5b","unitdate_ssm":["1964 - 2017"],"unitdate_inclusive_ssm":["1964 - 2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA00017","/repositories/2/resources/18"],"text":["UA00017","/repositories/2/resources/18","FAU Student Newspapers Collection, 1964 - 2017","Boca Raton (Fla.) -- Newspapers","\tCollege student newspapers and periodicals -- Florida -- Boca Raton","Florida Atlantic University -- Students -- Periodicals","\tUniversities and colleges -- Florida -- Boca Raton -- Periodicals","University Archives","Florida Atlantic University -- History","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","The collection is arranged in volume order. The item field represents the publication's issue number.  On some issues, there are a variety of publication conventions, such as: no printed issue number, words in place of issue number, or misnumbered print run.  For example, the phrase \"New Student Edition,\" \"Orientation,\" or \"Extra\" may appear instead of an issue number.  When permissible the finding aid best represents the information found on the front page.","In 2011, Leslie Siegel processed this collection.","The student newspapers at Florida Atlantic University document various events, politics, and opinions at FAU.  Overall there are seven different publishing histories: The Atlantic Sun (1964 - 1989),  Student Newspapers - Self Published (1969 - 1973), The Independent Atlantic Sun (1989 - 1991), \"All New\" Atlantic Sun (1991 - 1992), Free Press at Florida Atlantic University (1994 - 1995), The University Press at Florida Atlantic University (1996 - 1999), and The University Press (1999 - Active).","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","Florida Atlantic University","English"],"unitid_tesim":["UA00017","/repositories/2/resources/18"],"normalized_date_ssm":["1964 - 2017"],"normalized_title_ssm":["FAU Student Newspapers Collection, 1964 - 2017"],"collection_title_tesim":["FAU Student Newspapers Collection, 1964 - 2017"],"collection_ssim":["FAU Student Newspapers Collection, 1964 - 2017"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"access_subjects_ssim":["Boca Raton (Fla.) -- Newspapers","\tCollege student newspapers and periodicals -- Florida -- Boca Raton","Florida Atlantic University -- Students -- Periodicals","\tUniversities and colleges -- Florida -- Boca Raton -- Periodicals","University Archives","Florida Atlantic University -- History"],"access_subjects_ssm":["Boca Raton (Fla.) -- Newspapers","\tCollege student newspapers and periodicals -- Florida -- Boca Raton","Florida Atlantic University -- Students -- Periodicals","\tUniversities and colleges -- Florida -- Boca Raton -- Periodicals","University Archives","Florida Atlantic University -- History"],"has_online_content_ssim":["false"],"extent_ssm":["36.00 Linear Feet"],"extent_tesim":["36.00 Linear Feet"],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. 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