{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2021\u0026f%5Blevel%5D%5B%5D=File\u0026page=8","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2021\u0026f%5Blevel%5D%5B%5D=File\u0026page=7","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2021\u0026f%5Blevel%5D%5B%5D=File\u0026page=9","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2021\u0026f%5Blevel%5D%5B%5D=File\u0026page=17"},"meta":{"pages":{"current_page":8,"next_page":9,"prev_page":7,"total_pages":17,"limit_value":10,"offset_value":70,"total_count":162,"first_page?":false,"last_page?":false}},"data":[{"id":"ec636735327499b3b8a45f21_aspace_ffce693e201247e2c308007cf75b4fdf","type":"File","attributes":{"title":"Misc. 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Notes, 2007-2022","Dianora Niccolini collection, 1973-2022","Museum Files","/repositories/2/archival_objects/147639","box 2","folder 21"],"component_level_isim":[2],"parent_ids_ssim":["ec636735327499b3b8a45f21","ec636735327499b3b8a45f21_aspace_5ae82eb1e3c9a2b019d6329d58839a02"],"parent_unittitles_ssm":["Dianora Niccolini collection, 1973-2022","Museum Files"],"parent_unittitles_tesim":["Dianora Niccolini collection, 1973-2022","Museum Files"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/2/archival_objects/147639"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Dianora Niccolini collection, 1973-2022"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":70,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"containers_ssim":["box 2","folder 21"],"_nest_path_":"/components#1/components#20","_nest_parent_":"ec636735327499b3b8a45f21_aspace_5ae82eb1e3c9a2b019d6329d58839a02","_root_":"ec636735327499b3b8a45f21","timestamp":"2026-04-21T05:36:10.799Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ec636735327499b3b8a45f21","title_ssm":["Dianora Niccolini collection"],"title_tesim":["Dianora Niccolini collection"],"ead_ssi":"ec636735327499b3b8a45f21","unitdate_ssm":["1973-2022"],"unitdate_inclusive_ssm":["1973-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2022-05","/repositories/2/resources/608"],"text":["MS-2022-05","/repositories/2/resources/608","Dianora Niccolini collection, 1973-2022","Photography","Photography, Erotic","Photography of the nude","Artists","Collection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained.","Dianora Niccolini was born in Florence, Italy, but moved to the United States at the age of nine. Niccolini relocated to New York City to study art, but moved from the realm of dance to photography after meeting the noted photographer Weegee. Niccolini's first exhibit was a 1974 study of female nudes, followed by a Sunday New York Times-reviewed show of the male nude the following year. Niccolini is considered a pioneering female photographer in the realm of photographing the male nude and her images of the male nude pre-date those of body builders popularized by Robert Mapplethorpe. Her photographs have been featured in several anthologies of nude figurative photography. Niccolini was the first president of Professional Women Photographers (PWP), serving 1979-1984, under which PWP became the leading professional organization of its kind. Niccolini has taught photography at the Germain school of photography, The New York Institute of photography, The New York Institute of Technology and, The Learning Annex.","This collection includes original silver gelatin photographs and chemomonoprints by photographer Dianora Niccolini, as well as a poster and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, periodicals that include Niccolini's photographs, correspondence, exhibition files, biographical material, and related research materials.","Oversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection is comprised of a series of original photographs and supporting documents tracing the career of Dianora Niccolini, an Italian-born American photographer. Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Niccolini's photographs. Cataloged alongside the archival materials are a series of books featuring Niccolini's photographs, as well as select catalogs of exhibits.","USF Libraries - Tampa Special Collections","Niccolini, Dianora ","English"],"unitid_tesim":["MS-2022-05","/repositories/2/resources/608"],"normalized_date_ssm":["1973-2022"],"normalized_title_ssm":["Dianora Niccolini collection, 1973-2022"],"collection_title_tesim":["Dianora Niccolini collection, 1973-2022"],"collection_ssim":["Dianora Niccolini collection, 1973-2022"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Photography","Photography, Erotic","Photography of the nude","Artists"],"access_subjects_ssm":["Photography","Photography, Erotic","Photography of the nude","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes","1.25 Linear Feet"],"extent_tesim":["3 boxes","1.25 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained."],"bioghist_html_tesm":["\u003cp\u003eDianora Niccolini was born in Florence, Italy, but moved to the United States at the age of nine. Niccolini relocated to New York City to study art, but moved from the realm of dance to photography after meeting the noted photographer Weegee. Niccolini's first exhibit was a 1974 study of female nudes, followed by a Sunday New York Times-reviewed show of the male nude the following year. Niccolini is considered a pioneering female photographer in the realm of photographing the male nude and her images of the male nude pre-date those of body builders popularized by Robert Mapplethorpe. Her photographs have been featured in several anthologies of nude figurative photography. Niccolini was the first president of Professional Women Photographers (PWP), serving 1979-1984, under which PWP became the leading professional organization of its kind. Niccolini has taught photography at the Germain school of photography, The New York Institute of photography, The New York Institute of Technology and, The Learning Annex.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dianora Niccolini was born in Florence, Italy, but moved to the United States at the age of nine. Niccolini relocated to New York City to study art, but moved from the realm of dance to photography after meeting the noted photographer Weegee. Niccolini's first exhibit was a 1974 study of female nudes, followed by a Sunday New York Times-reviewed show of the male nude the following year. Niccolini is considered a pioneering female photographer in the realm of photographing the male nude and her images of the male nude pre-date those of body builders popularized by Robert Mapplethorpe. Her photographs have been featured in several anthologies of nude figurative photography. Niccolini was the first president of Professional Women Photographers (PWP), serving 1979-1984, under which PWP became the leading professional organization of its kind. Niccolini has taught photography at the Germain school of photography, The New York Institute of photography, The New York Institute of Technology and, The Learning Annex."],"prefercite_html_tesm":["\u003cp\u003eDianora Niccolini collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Dianora Niccolini collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes original silver gelatin photographs and chemomonoprints by photographer Dianora Niccolini, as well as a poster and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, periodicals that include Niccolini's photographs, correspondence, exhibition files, biographical material, and related research materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes original silver gelatin photographs and chemomonoprints by photographer Dianora Niccolini, as well as a poster and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, periodicals that include Niccolini's photographs, correspondence, exhibition files, biographical material, and related research materials."],"separatedmaterial_html_tesm":["\u003cp\u003eOversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Oversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_57ad22ca8489716342852fe09c92f8e2\"\u003eThis collection is comprised of a series of original photographs and supporting documents tracing the career of Dianora Niccolini, an Italian-born American photographer. Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Niccolini's photographs. Cataloged alongside the archival materials are a series of books featuring Niccolini's photographs, as well as select catalogs of exhibits.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of a series of original photographs and supporting documents tracing the career of Dianora Niccolini, an Italian-born American photographer. Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Niccolini's photographs. Cataloged alongside the archival materials are a series of books featuring Niccolini's photographs, as well as select catalogs of exhibits."],"names_ssim":["USF Libraries - Tampa Special Collections","Niccolini, Dianora "],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Niccolini, Dianora "],"persname_ssim":["Niccolini, Dianora "],"language_ssim":["English"],"total_component_count_is":92,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"ec636735327499b3b8a45f21","timestamp":"2026-04-21T05:36:10.799Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ec636735327499b3b8a45f21_aspace_ffce693e201247e2c308007cf75b4fdf"}},{"id":"3b651bebb556d00cec8728df_aspace_a9d0d5802397d1026a7e6dce42688b78","type":"File","attributes":{"title":"\"Mom, God and a Child's Art\" in Winter Park Magazine, 2021","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3b651bebb556d00cec8728df_aspace_a9d0d5802397d1026a7e6dce42688b78#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_a9d0d5802397d1026a7e6dce42688b78","ref_ssm":["aspace_a9d0d5802397d1026a7e6dce42688b78","aspace_a9d0d5802397d1026a7e6dce42688b78"],"id":"3b651bebb556d00cec8728df_aspace_a9d0d5802397d1026a7e6dce42688b78","title_filing_ssi":"\"Mom, God and a Child's Art\" in Winter Park Magazine","title_ssm":["\"Mom, God and a Child's Art\" in Winter Park Magazine"],"title_tesim":["\"Mom, God and a Child's Art\" in Winter Park Magazine"],"unitdate_inclusive_ssm":["2021"],"normalized_date_ssm":["2021"],"normalized_title_ssm":["\"Mom, God and a Child's Art\" in Winter Park Magazine, 2021"],"text":["\"Mom, God and a Child's Art\" in Winter Park Magazine, 2021","Walter and Dorothy Donnelly family papers, 1887-2021","Additional Materials, 1909-2021","CFM2021_21 \u0026 CFM2022_05, 1931-2021","/repositories/4/archival_objects/68684","box 13","folder 3"],"component_level_isim":[3],"parent_ids_ssim":["3b651bebb556d00cec8728df","3b651bebb556d00cec8728df_aspace_f58acf1e5bb3c4c23984bca2eb8d71a6","3b651bebb556d00cec8728df_aspace_b84ce403db52cfa7a7491ca91c4ca58c"],"parent_unittitles_ssm":["Walter and Dorothy Donnelly family papers, 1887-2021","Additional Materials, 1909-2021","CFM2021_21 \u0026 CFM2022_05, 1931-2021"],"parent_unittitles_tesim":["Walter and Dorothy Donnelly family papers, 1887-2021","Additional Materials, 1909-2021","CFM2021_21 \u0026 CFM2022_05, 1931-2021"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/68684"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Walter and Dorothy Donnelly family papers, 1887-2021"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":225,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[2021],"containers_ssim":["box 13","folder 3"],"_nest_path_":"/components#2/components#2/components#2","_nest_parent_":"3b651bebb556d00cec8728df_aspace_b84ce403db52cfa7a7491ca91c4ca58c","_root_":"3b651bebb556d00cec8728df","timestamp":"2026-06-03T02:50:58.042Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3b651bebb556d00cec8728df","title_ssm":["Walter and Dorothy Donnelly family papers"],"title_tesim":["Walter and Dorothy Donnelly family papers"],"ead_ssi":"3b651bebb556d00cec8728df","unitdate_ssm":["1887-2021"],"unitdate_inclusive_ssm":["1887-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.33","/repositories/4/resources/35"],"text":["SC.33","/repositories/4/resources/35","Walter and Dorothy Donnelly family papers, 1887-2021","Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems","The entire collection is open for research.","Walter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.","\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"","\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.","\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today.","Collection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023.","Patrick Boland collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","The collection is arranged in three series, Family Papers, Typophiles and Additional Materials. ","Series I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.","\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. "," \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured.","Books donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.","The papers of Patrick Boland were separated into their own collection. ","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books.","UCF Special Collections","Donnelly, Walter","Donnelly, Dorothy, 1903-1994","English"],"unitid_tesim":["SC.33","/repositories/4/resources/35"],"normalized_date_ssm":["1887-2021"],"normalized_title_ssm":["Walter and Dorothy Donnelly family papers, 1887-2021"],"collection_title_tesim":["Walter and Dorothy Donnelly family papers, 1887-2021"],"collection_ssim":["Walter and Dorothy Donnelly family papers, 1887-2021"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creator_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creator_persname_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creators_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Donnelly sons donated their parents' collection to the University of Central Florida Library in 1999 (CFM1999_08). Additional materials received from Jerome Donnelly in 2020 (CFM2020_06; CFM2020_10), 2021 (CFM2021_21), and 2022 (CFM2022_05)."],"access_subjects_ssim":["Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems"],"access_subjects_ssm":["Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems"],"has_online_content_ssim":["false"],"extent_ssm":["7.5 Linear Feet 15 Boxes, 1 Flat File"],"extent_tesim":["7.5 Linear Feet 15 Boxes, 1 Flat File"],"genreform_ssim":["diaries","poems"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eWalter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.\u003c/p\u003e\n","\u003cp\u003e\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"\u003c/p\u003e\n","\u003cp\u003e\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.\u003c/p\u003e\n","\u003cp\u003e\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Walter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.","\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"","\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.","\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today."],"prefercite_html_tesm":["\u003cp\u003eWalter and Dorothy Donnelly Family Papers, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Walter and Dorothy Donnelly Family Papers, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/289\"\u003ePatrick Boland collection\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Patrick Boland collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is arranged in three series, Family Papers, Typophiles and Additional Materials. \u003c/p\u003e\n","\u003cp\u003eSeries I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.\u003c/p\u003e\n","\u003cp\u003e\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. \u003c/p\u003e\n","\u003cp\u003e \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is arranged in three series, Family Papers, Typophiles and Additional Materials. ","Series I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.","\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. "," \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.\u003c/p\u003e\n","\u003cp\u003eThe papers of Patrick Boland were separated into their own collection.\u0026#xA0;\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.","The papers of Patrick Boland were separated into their own collection. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_58a62762084b860db899b0bb6eea27dd\" label=\"Abstract\"\u003eThe materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books.\u003c/abstract\u003e"],"abstract_tesim":["The materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books."],"names_ssim":["UCF Special Collections","Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":255,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3b651bebb556d00cec8728df","timestamp":"2026-06-03T02:50:58.042Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3b651bebb556d00cec8728df_aspace_a9d0d5802397d1026a7e6dce42688b78"}},{"id":"ec636735327499b3b8a45f21_aspace_a84c5b095418e94506174f90e74c7f20","type":"File","attributes":{"title":"Museum Collections – Misc. Notes, 2009-2022","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ec636735327499b3b8a45f21_aspace_a84c5b095418e94506174f90e74c7f20#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_a84c5b095418e94506174f90e74c7f20","ref_ssm":["aspace_a84c5b095418e94506174f90e74c7f20","aspace_a84c5b095418e94506174f90e74c7f20"],"id":"ec636735327499b3b8a45f21_aspace_a84c5b095418e94506174f90e74c7f20","title_filing_ssi":"Museum Collections – Misc. Notes","title_ssm":["Museum Collections – Misc. Notes"],"title_tesim":["Museum Collections – Misc. Notes"],"unitdate_inclusive_ssm":["2009-2022"],"normalized_date_ssm":["2009-2022"],"normalized_title_ssm":["Museum Collections – Misc. Notes, 2009-2022"],"text":["Museum Collections – Misc. Notes, 2009-2022","Dianora Niccolini collection, 1973-2022","Museum Files","/repositories/2/archival_objects/147621","box 2","folder 3"],"component_level_isim":[2],"parent_ids_ssim":["ec636735327499b3b8a45f21","ec636735327499b3b8a45f21_aspace_5ae82eb1e3c9a2b019d6329d58839a02"],"parent_unittitles_ssm":["Dianora Niccolini collection, 1973-2022","Museum Files"],"parent_unittitles_tesim":["Dianora Niccolini collection, 1973-2022","Museum Files"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/2/archival_objects/147621"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Dianora Niccolini collection, 1973-2022"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":52,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"containers_ssim":["box 2","folder 3"],"_nest_path_":"/components#1/components#2","_nest_parent_":"ec636735327499b3b8a45f21_aspace_5ae82eb1e3c9a2b019d6329d58839a02","_root_":"ec636735327499b3b8a45f21","timestamp":"2026-04-21T05:36:10.799Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ec636735327499b3b8a45f21","title_ssm":["Dianora Niccolini collection"],"title_tesim":["Dianora Niccolini collection"],"ead_ssi":"ec636735327499b3b8a45f21","unitdate_ssm":["1973-2022"],"unitdate_inclusive_ssm":["1973-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2022-05","/repositories/2/resources/608"],"text":["MS-2022-05","/repositories/2/resources/608","Dianora Niccolini collection, 1973-2022","Photography","Photography, Erotic","Photography of the nude","Artists","Collection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained.","Dianora Niccolini was born in Florence, Italy, but moved to the United States at the age of nine. Niccolini relocated to New York City to study art, but moved from the realm of dance to photography after meeting the noted photographer Weegee. Niccolini's first exhibit was a 1974 study of female nudes, followed by a Sunday New York Times-reviewed show of the male nude the following year. Niccolini is considered a pioneering female photographer in the realm of photographing the male nude and her images of the male nude pre-date those of body builders popularized by Robert Mapplethorpe. Her photographs have been featured in several anthologies of nude figurative photography. Niccolini was the first president of Professional Women Photographers (PWP), serving 1979-1984, under which PWP became the leading professional organization of its kind. Niccolini has taught photography at the Germain school of photography, The New York Institute of photography, The New York Institute of Technology and, The Learning Annex.","This collection includes original silver gelatin photographs and chemomonoprints by photographer Dianora Niccolini, as well as a poster and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, periodicals that include Niccolini's photographs, correspondence, exhibition files, biographical material, and related research materials.","Oversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection is comprised of a series of original photographs and supporting documents tracing the career of Dianora Niccolini, an Italian-born American photographer. Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Niccolini's photographs. Cataloged alongside the archival materials are a series of books featuring Niccolini's photographs, as well as select catalogs of exhibits.","USF Libraries - Tampa Special Collections","Niccolini, Dianora ","English"],"unitid_tesim":["MS-2022-05","/repositories/2/resources/608"],"normalized_date_ssm":["1973-2022"],"normalized_title_ssm":["Dianora Niccolini collection, 1973-2022"],"collection_title_tesim":["Dianora Niccolini collection, 1973-2022"],"collection_ssim":["Dianora Niccolini collection, 1973-2022"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Photography","Photography, Erotic","Photography of the nude","Artists"],"access_subjects_ssm":["Photography","Photography, Erotic","Photography of the nude","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes","1.25 Linear Feet"],"extent_tesim":["3 boxes","1.25 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained."],"bioghist_html_tesm":["\u003cp\u003eDianora Niccolini was born in Florence, Italy, but moved to the United States at the age of nine. Niccolini relocated to New York City to study art, but moved from the realm of dance to photography after meeting the noted photographer Weegee. Niccolini's first exhibit was a 1974 study of female nudes, followed by a Sunday New York Times-reviewed show of the male nude the following year. Niccolini is considered a pioneering female photographer in the realm of photographing the male nude and her images of the male nude pre-date those of body builders popularized by Robert Mapplethorpe. Her photographs have been featured in several anthologies of nude figurative photography. Niccolini was the first president of Professional Women Photographers (PWP), serving 1979-1984, under which PWP became the leading professional organization of its kind. Niccolini has taught photography at the Germain school of photography, The New York Institute of photography, The New York Institute of Technology and, The Learning Annex.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dianora Niccolini was born in Florence, Italy, but moved to the United States at the age of nine. Niccolini relocated to New York City to study art, but moved from the realm of dance to photography after meeting the noted photographer Weegee. Niccolini's first exhibit was a 1974 study of female nudes, followed by a Sunday New York Times-reviewed show of the male nude the following year. Niccolini is considered a pioneering female photographer in the realm of photographing the male nude and her images of the male nude pre-date those of body builders popularized by Robert Mapplethorpe. Her photographs have been featured in several anthologies of nude figurative photography. Niccolini was the first president of Professional Women Photographers (PWP), serving 1979-1984, under which PWP became the leading professional organization of its kind. Niccolini has taught photography at the Germain school of photography, The New York Institute of photography, The New York Institute of Technology and, The Learning Annex."],"prefercite_html_tesm":["\u003cp\u003eDianora Niccolini collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Dianora Niccolini collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes original silver gelatin photographs and chemomonoprints by photographer Dianora Niccolini, as well as a poster and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, periodicals that include Niccolini's photographs, correspondence, exhibition files, biographical material, and related research materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes original silver gelatin photographs and chemomonoprints by photographer Dianora Niccolini, as well as a poster and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, periodicals that include Niccolini's photographs, correspondence, exhibition files, biographical material, and related research materials."],"separatedmaterial_html_tesm":["\u003cp\u003eOversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Oversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_57ad22ca8489716342852fe09c92f8e2\"\u003eThis collection is comprised of a series of original photographs and supporting documents tracing the career of Dianora Niccolini, an Italian-born American photographer. Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Niccolini's photographs. Cataloged alongside the archival materials are a series of books featuring Niccolini's photographs, as well as select catalogs of exhibits.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of a series of original photographs and supporting documents tracing the career of Dianora Niccolini, an Italian-born American photographer. Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Niccolini's photographs. Cataloged alongside the archival materials are a series of books featuring Niccolini's photographs, as well as select catalogs of exhibits."],"names_ssim":["USF Libraries - Tampa Special Collections","Niccolini, Dianora "],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Niccolini, Dianora "],"persname_ssim":["Niccolini, Dianora "],"language_ssim":["English"],"total_component_count_is":92,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"ec636735327499b3b8a45f21","timestamp":"2026-04-21T05:36:10.799Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ec636735327499b3b8a45f21_aspace_a84c5b095418e94506174f90e74c7f20"}},{"id":"ec636735327499b3b8a45f21_aspace_1055e1ad585236d6e604be9bbe33cade","type":"File","attributes":{"title":"Museum Collections – Museum of Fine Arts, St. Petersburg, 2007-2022","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ec636735327499b3b8a45f21_aspace_1055e1ad585236d6e604be9bbe33cade#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1055e1ad585236d6e604be9bbe33cade","ref_ssm":["aspace_1055e1ad585236d6e604be9bbe33cade","aspace_1055e1ad585236d6e604be9bbe33cade"],"id":"ec636735327499b3b8a45f21_aspace_1055e1ad585236d6e604be9bbe33cade","title_filing_ssi":"Museum Collections – Museum of Fine Arts, St. Petersburg","title_ssm":["Museum Collections – Museum of Fine Arts, St. Petersburg"],"title_tesim":["Museum Collections – Museum of Fine Arts, St. Petersburg"],"unitdate_inclusive_ssm":["2007-2022"],"normalized_date_ssm":["2007-2022"],"normalized_title_ssm":["Museum Collections – Museum of Fine Arts, St. Petersburg, 2007-2022"],"text":["Museum Collections – Museum of Fine Arts, St. Petersburg, 2007-2022","Dianora Niccolini collection, 1973-2022","Museum Files","/repositories/2/archival_objects/147628","box 2","folder 10"],"component_level_isim":[2],"parent_ids_ssim":["ec636735327499b3b8a45f21","ec636735327499b3b8a45f21_aspace_5ae82eb1e3c9a2b019d6329d58839a02"],"parent_unittitles_ssm":["Dianora Niccolini collection, 1973-2022","Museum Files"],"parent_unittitles_tesim":["Dianora Niccolini collection, 1973-2022","Museum Files"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/2/archival_objects/147628"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Dianora Niccolini collection, 1973-2022"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":59,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"containers_ssim":["box 2","folder 10"],"_nest_path_":"/components#1/components#9","_nest_parent_":"ec636735327499b3b8a45f21_aspace_5ae82eb1e3c9a2b019d6329d58839a02","_root_":"ec636735327499b3b8a45f21","timestamp":"2026-04-21T05:36:10.799Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ec636735327499b3b8a45f21","title_ssm":["Dianora Niccolini collection"],"title_tesim":["Dianora Niccolini collection"],"ead_ssi":"ec636735327499b3b8a45f21","unitdate_ssm":["1973-2022"],"unitdate_inclusive_ssm":["1973-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2022-05","/repositories/2/resources/608"],"text":["MS-2022-05","/repositories/2/resources/608","Dianora Niccolini collection, 1973-2022","Photography","Photography, Erotic","Photography of the nude","Artists","Collection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained.","Dianora Niccolini was born in Florence, Italy, but moved to the United States at the age of nine. Niccolini relocated to New York City to study art, but moved from the realm of dance to photography after meeting the noted photographer Weegee. Niccolini's first exhibit was a 1974 study of female nudes, followed by a Sunday New York Times-reviewed show of the male nude the following year. Niccolini is considered a pioneering female photographer in the realm of photographing the male nude and her images of the male nude pre-date those of body builders popularized by Robert Mapplethorpe. Her photographs have been featured in several anthologies of nude figurative photography. Niccolini was the first president of Professional Women Photographers (PWP), serving 1979-1984, under which PWP became the leading professional organization of its kind. Niccolini has taught photography at the Germain school of photography, The New York Institute of photography, The New York Institute of Technology and, The Learning Annex.","This collection includes original silver gelatin photographs and chemomonoprints by photographer Dianora Niccolini, as well as a poster and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, periodicals that include Niccolini's photographs, correspondence, exhibition files, biographical material, and related research materials.","Oversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection is comprised of a series of original photographs and supporting documents tracing the career of Dianora Niccolini, an Italian-born American photographer. Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Niccolini's photographs. 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These included the Concert Lecture Series, the Fine Arts Series, the BandConcerts, Drama Productions, and the Concert Choir.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Festival of Fine Arts was formed in the 1970-1971 academic year as a combination of previosuly seperate events. These included the Concert Lecture Series, the Fine Arts Series, the BandConcerts, Drama Productions, and the Concert Choir."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect the history of the Festval of Fine Arts. Included are playbills, photographs, and other ephemera related to the production of these programs. Some biographical information for guest artists is included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect the history of the Festval of Fine Arts. Included are playbills, photographs, and other ephemera related to the production of these programs. Some biographical information for guest artists is included."],"userestrict_html_tesm":["\u003cp\u003eThe Festival of Fine Arts records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Festival of Fine Arts records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["The Florida Southern College Archives","Florida Southern College"],"corpname_ssim":["The Florida Southern College Archives","Florida Southern College"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1144,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870846336524353536,"_root_":"8e87cad770c4897fd823a47e","timestamp":"2026-07-16T05:01:41.074Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8e87cad770c4897fd823a47e_aspace_92dc91e75cff0707c1150d632cb598bb"}},{"id":"256e771e3cc0782aac349f80_aspace_b92aa77181b54f2d67797d9ba7b142b7","type":"File","attributes":{"title":"New Arrivals, June 3, 2021","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_b92aa77181b54f2d67797d9ba7b142b7#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b92aa77181b54f2d67797d9ba7b142b7","ref_ssm":["aspace_b92aa77181b54f2d67797d9ba7b142b7","aspace_b92aa77181b54f2d67797d9ba7b142b7"],"id":"256e771e3cc0782aac349f80_aspace_b92aa77181b54f2d67797d9ba7b142b7","title_filing_ssi":"New Arrivals","title_ssm":["New Arrivals"],"title_tesim":["New Arrivals"],"unitdate_other_ssim":["June 3, 2021"],"normalized_date_ssm":["June 3, 2021"],"normalized_title_ssm":["New Arrivals, June 3, 2021"],"text":["New Arrivals, June 3, 2021","Zine Collection, 1973-2019","Non-Collectives and Unaffiliated Creators Part 2, 1920-Present","/repositories/2/archival_objects/29313","Art.","Zines.","Animals","Box: 6","folder 74"],"component_level_isim":[2],"parent_ids_ssim":["256e771e3cc0782aac349f80","256e771e3cc0782aac349f80_aspace_e65bc2b283d16dde4bc7945d86732b48"],"parent_unittitles_ssm":["Zine Collection, 1973-2019","Non-Collectives and Unaffiliated Creators Part 2, 1920-Present"],"parent_unittitles_tesim":["Zine Collection, 1973-2019","Non-Collectives and Unaffiliated Creators Part 2, 1920-Present"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/29313"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Zine Collection, 1973-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":431,"parent_access_restrict_tesm":["The collection is open for use."],"date_range_isim":[2021],"geogname_ssim":["Art.","Zines.","Animals"],"geogname_ssm":["Art.","Zines.","Animals"],"places_ssim":["Art.","Zines.","Animals"],"containers_ssim":["Box: 6","folder 74"],"_nest_path_":"/components#5/components#73","_nest_parent_":"256e771e3cc0782aac349f80_aspace_e65bc2b283d16dde4bc7945d86732b48","_root_":"256e771e3cc0782aac349f80","_version_":1870843569479090176,"timestamp":"2026-07-16T04:17:42.144Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"256e771e3cc0782aac349f80","title_ssm":["Zine Collection"],"title_tesim":["Zine Collection"],"ead_ssi":"256e771e3cc0782aac349f80","unitdate_ssm":["1973-2019"],"unitdate_inclusive_ssm":["1973-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/26","/repositories/2/resources/6"],"text":["02/01/26","/repositories/2/resources/6","Zine Collection, 1973-2019","Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art","The collection is open for use.","Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.","The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.","Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.","Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe","English"],"unitid_tesim":["02/01/26","/repositories/2/resources/6"],"normalized_date_ssm":["1973-2019"],"normalized_title_ssm":["Zine Collection, 1973-2019"],"collection_title_tesim":["Zine Collection, 1973-2019"],"collection_ssim":["Zine Collection, 1973-2019"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"geogname_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"places_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for use."],"arrangement_html_tesm":["\u003cp\u003eOrganized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5a0de4e8fb6224cb231f2eecf1aee4f4\" label=\"Abstract and Language Disclaimer\"\u003eZines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.\u003c/abstract\u003e"],"abstract_tesim":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"names_ssim":["Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Corley, Madison","Lewis, Chloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":447,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843569479090176,"_root_":"256e771e3cc0782aac349f80","timestamp":"2026-07-16T04:17:42.144Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_b92aa77181b54f2d67797d9ba7b142b7"}},{"id":"b5eeefcdbe0d017c7ae75d48_aspace_699e995b1fd0ac8938a96209461e1565","type":"File","attributes":{"title":"New College Research, 2021-2022","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/b5eeefcdbe0d017c7ae75d48_aspace_699e995b1fd0ac8938a96209461e1565#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFolder includes correspondence, site maps, thesis overviews, and book excerpts. \u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b5eeefcdbe0d017c7ae75d48_aspace_699e995b1fd0ac8938a96209461e1565#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_699e995b1fd0ac8938a96209461e1565","ref_ssm":["aspace_699e995b1fd0ac8938a96209461e1565","aspace_699e995b1fd0ac8938a96209461e1565"],"id":"b5eeefcdbe0d017c7ae75d48_aspace_699e995b1fd0ac8938a96209461e1565","title_filing_ssi":"New College Research","title_ssm":["New College Research"],"title_tesim":["New College Research"],"unitdate_inclusive_ssm":["2021-2022"],"normalized_date_ssm":["2021-2022"],"normalized_title_ssm":["New College Research, 2021-2022"],"text":["New College Research, 2021-2022","USF Sarasota-Manatee Gopher Tortoise conservation collection, 1995-2023","Documents \u0026 Photographs","/repositories/2/archival_objects/223165","box 1","folder 10","Folder includes correspondence, site maps, thesis overviews, and book excerpts. "],"component_level_isim":[2],"parent_ids_ssim":["b5eeefcdbe0d017c7ae75d48","b5eeefcdbe0d017c7ae75d48_aspace_389dfd6b1a6a468e9fcdc602878832c7"],"parent_unittitles_ssm":["USF Sarasota-Manatee Gopher Tortoise conservation collection, 1995-2023","Documents \u0026 Photographs"],"parent_unittitles_tesim":["USF Sarasota-Manatee Gopher Tortoise conservation collection, 1995-2023","Documents \u0026 Photographs"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/2/archival_objects/223165"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["USF Sarasota-Manatee Gopher Tortoise conservation collection, 1995-2023"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":23,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2021,2022],"containers_ssim":["box 1","folder 10"],"scopecontent_html_tesm":["\u003cp\u003eFolder includes correspondence, site maps, thesis overviews, and book excerpts.\u0026#xA0;\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Folder includes correspondence, site maps, thesis overviews, and book excerpts. "],"_nest_path_":"/components#0/components#9","_nest_parent_":"b5eeefcdbe0d017c7ae75d48_aspace_389dfd6b1a6a468e9fcdc602878832c7","_root_":"b5eeefcdbe0d017c7ae75d48","_version_":1876388804827283456,"timestamp":"2026-09-15T09:16:50.755Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b5eeefcdbe0d017c7ae75d48","title_filing_ssi":"USF Sarasota-Manatee Gopher Tortoise conservation collection","title_ssm":["USF Sarasota-Manatee Gopher Tortoise conservation collection"],"title_tesim":["USF Sarasota-Manatee Gopher Tortoise conservation collection"],"ead_ssi":"b5eeefcdbe0d017c7ae75d48","unitdate_ssm":["1995-2023"],"unitdate_inclusive_ssm":["1995-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2026-10","/repositories/2/resources/779"],"text":["MS-2026-10","/repositories/2/resources/779","USF Sarasota-Manatee Gopher Tortoise conservation collection, 1995-2023","Conservationists -- Florida","Endangered species","Wildlife conservation","Environmental protection","The original order of the donor was maintained, including the folder titles.","\"The University of South Florida's campus in Sarasota has a 6.2 acre gopher tortoise conservation area that was established as an on-site relocation of gopher tortoises in 2004 when the current facility was constructed. The site is comprised of three plots totaling 6.2 acres east of the main campus building along N. Tamiami Trail connected via 3 eco-tunnels to provide safe passage of tortoise between the plots. ","In 2016, the requisite permits and permissions were obtained by Dr. Edie Banner to conduct surveys, monitor the site, assess the suitability of the habitat and develop habitat protocols. The monitoring of the GTCA, overseen by Dr. Edie Banner, uses student volunteers, aka the Tortoise Team, to perform burrow surveys and biodiversity inventories, identify and remove invasive plants, and engage in research projects. This local protected area gives student volunteers a connection to nature and the environment creating a sense of place as they recognize the responsibility of engaging in the needs of the community.\"","Text taken from The Gopher Tortoise Council Newsletter, Volume 44, Number 1.\n","The USF Sarasota-Manatee Gopher Tortoise conservation collection Resource consists of publications, clippings, CD-ROMs, photographs, maps, correspondence, presentations, and permitting documents. A hard drive with digital material was donated with the collection. See the Separated Materials note on this finding aid for more information.","This collection included a hard drive, which has been separated and is housed in the Digital Initiatives storage area. To arrange for access to these digital files, please contact spcinfo@usf.edu.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection consists of material donated by Dr. Edie Banner related to her work with the USF Sarasota-Manatee Gopher Tortoise conservation area, including its founding, land management, associated research projects, student intern work, background research, and publications.","USF Libraries - Tampa Special Collections","Banner, Edie","English"],"unitid_tesim":["MS-2026-10","/repositories/2/resources/779"],"normalized_date_ssm":["1995-2023"],"normalized_title_ssm":["USF Sarasota-Manatee Gopher Tortoise conservation collection, 1995-2023"],"collection_title_tesim":["USF Sarasota-Manatee Gopher Tortoise conservation collection, 1995-2023"],"collection_ssim":["USF Sarasota-Manatee Gopher Tortoise conservation collection, 1995-2023"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Banner, Edie"],"creator_ssim":["Banner, Edie"],"creator_persname_ssim":["Banner, Edie"],"creators_ssim":["Banner, Edie"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Conservationists -- Florida","Endangered species","Wildlife conservation","Environmental protection"],"access_subjects_ssm":["Conservationists -- Florida","Endangered species","Wildlife conservation","Environmental protection"],"has_online_content_ssim":["false"],"extent_ssm":["1 boxes","0.5 Linear Feet"],"extent_tesim":["1 boxes","0.5 Linear Feet"],"date_range_isim":[1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"arrangement_html_tesm":["\u003cp\u003eThe original order of the donor was maintained, including the folder titles.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The original order of the donor was maintained, including the folder titles."],"bioghist_html_tesm":["\u003cp\u003e\"The University of South Florida's campus in Sarasota has a 6.2 acre gopher tortoise conservation area that was established as an on-site relocation of gopher tortoises in 2004 when the current facility was constructed. The site is comprised of three plots totaling 6.2 acres east of the main campus building along N. Tamiami Trail connected via 3 eco-tunnels to provide safe passage of tortoise between the plots. \u003c/p\u003e\n","\u003cp\u003eIn 2016, the requisite permits and permissions were obtained by Dr. Edie Banner to conduct surveys, monitor the site, assess the suitability of the habitat and develop habitat protocols. The monitoring of the GTCA, overseen by Dr. Edie Banner, uses student volunteers, aka the Tortoise Team, to perform burrow surveys and biodiversity inventories, identify and remove invasive plants, and engage in research projects. This local protected area gives student volunteers a connection to nature and the environment creating a sense of place as they recognize the responsibility of engaging in the needs of the community.\"\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://gophertortoisecouncil.org/gtc-newsletter/47-volume-44-number-1/240-donna-j-heinrich-environmental-education-grant-spotlight-university-of-south-florida-sarasota-manatee-campus\"\u003eText taken from The Gopher Tortoise Council Newsletter, Volume 44, Number 1.\n\u003c/a\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"The University of South Florida's campus in Sarasota has a 6.2 acre gopher tortoise conservation area that was established as an on-site relocation of gopher tortoises in 2004 when the current facility was constructed. The site is comprised of three plots totaling 6.2 acres east of the main campus building along N. Tamiami Trail connected via 3 eco-tunnels to provide safe passage of tortoise between the plots. ","In 2016, the requisite permits and permissions were obtained by Dr. Edie Banner to conduct surveys, monitor the site, assess the suitability of the habitat and develop habitat protocols. The monitoring of the GTCA, overseen by Dr. Edie Banner, uses student volunteers, aka the Tortoise Team, to perform burrow surveys and biodiversity inventories, identify and remove invasive plants, and engage in research projects. This local protected area gives student volunteers a connection to nature and the environment creating a sense of place as they recognize the responsibility of engaging in the needs of the community.\"","Text taken from The Gopher Tortoise Council Newsletter, Volume 44, Number 1.\n"],"prefercite_html_tesm":["\u003cp\u003eUSF Sarasota-Manatee Gopher Tortoise conservation collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["USF Sarasota-Manatee Gopher Tortoise conservation collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe USF Sarasota-Manatee Gopher Tortoise conservation collection Resource consists of publications, clippings, CD-ROMs, photographs, maps, correspondence, presentations, and permitting documents. A hard drive with digital material was donated with the collection. See the Separated Materials note on this finding aid for more information.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The USF Sarasota-Manatee Gopher Tortoise conservation collection Resource consists of publications, clippings, CD-ROMs, photographs, maps, correspondence, presentations, and permitting documents. A hard drive with digital material was donated with the collection. See the Separated Materials note on this finding aid for more information."],"separatedmaterial_html_tesm":["\u003cp\u003eThis collection included a hard drive, which has been separated and is housed in the Digital Initiatives storage area. To arrange for access to these digital files, please contact spcinfo@usf.edu.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["This collection included a hard drive, which has been separated and is housed in the Digital Initiatives storage area. To arrange for access to these digital files, please contact spcinfo@usf.edu."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4252e439fcdc3180ae992c7a83147f0\"\u003eThis collection consists of material donated by Dr. Edie Banner related to her work with the USF Sarasota-Manatee Gopher Tortoise conservation area, including its founding, land management, associated research projects, student intern work, background research, and publications.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of material donated by Dr. Edie Banner related to her work with the USF Sarasota-Manatee Gopher Tortoise conservation area, including its founding, land management, associated research projects, student intern work, background research, and publications."],"names_ssim":["USF Libraries - Tampa Special Collections","Banner, Edie"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Banner, Edie"],"persname_ssim":["Banner, Edie"],"language_ssim":["English"],"total_component_count_is":33,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876388804827283456,"_root_":"b5eeefcdbe0d017c7ae75d48","timestamp":"2026-09-15T09:16:50.755Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b5eeefcdbe0d017c7ae75d48_aspace_699e995b1fd0ac8938a96209461e1565"}},{"id":"61657dca6e05f30cb549ce7a_aspace_d00ed9a25ee41d4c991b5477759c6f13","type":"File","attributes":{"title":"Newspaper Articles, 2021","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/61657dca6e05f30cb549ce7a_aspace_d00ed9a25ee41d4c991b5477759c6f13#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_d00ed9a25ee41d4c991b5477759c6f13","ref_ssm":["aspace_d00ed9a25ee41d4c991b5477759c6f13","aspace_d00ed9a25ee41d4c991b5477759c6f13"],"id":"61657dca6e05f30cb549ce7a_aspace_d00ed9a25ee41d4c991b5477759c6f13","title_filing_ssi":"Newspaper Articles","title_ssm":["Newspaper Articles"],"title_tesim":["Newspaper Articles"],"unitdate_other_ssim":["2021"],"normalized_date_ssm":["2021"],"normalized_title_ssm":["Newspaper Articles, 2021"],"text":["Newspaper Articles, 2021","Florida Southern College Buildings \u0026 Grounds, 1922-2024","Box 1","Academic Buildings","Joe K. \u0026 Alberta Blanton Nursing Building","/repositories/4/archival_objects/1461","folder 10-A"],"component_level_isim":[4],"parent_ids_ssim":["61657dca6e05f30cb549ce7a","61657dca6e05f30cb549ce7a_aspace_36055b38612d278aacb54c99fa46a20b","61657dca6e05f30cb549ce7a_aspace_7665ceccaa14d3ec9580972e1b36cb55","61657dca6e05f30cb549ce7a_aspace_b81b1b151c60af00d9c22f58fe85c6bf"],"parent_unittitles_ssm":["Florida Southern College Buildings \u0026 Grounds, 1922-2024","Box 1","Academic Buildings","Joe K. \u0026 Alberta Blanton Nursing Building"],"parent_unittitles_tesim":["Florida Southern College Buildings \u0026 Grounds, 1922-2024","Box 1","Academic Buildings","Joe K. \u0026 Alberta Blanton Nursing Building"],"parent_levels_ssm":["collection","Box","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/1461"],"repository_ssim":["The Florida Southern College Archives"],"collection_ssim":["Florida Southern College Buildings \u0026 Grounds, 1922-2024"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":17,"parent_access_restrict_tesm":["This collection is open for research. 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Please inquire if you have questions -archives@flsouthern.edu.","The Florida Southern College Archives","Florida Southern College","English"],"unitid_tesim":["CA6000","/repositories/4/resources/39"],"normalized_date_ssm":["1922-2024"],"normalized_title_ssm":["Florida Southern College Buildings \u0026 Grounds, 1922-2024"],"collection_title_tesim":["Florida Southern College Buildings \u0026 Grounds, 1922-2024"],"collection_ssim":["Florida Southern College Buildings \u0026 Grounds, 1922-2024"],"repository_ssm":["The Florida Southern College Archives"],"repository_ssim":["The Florida Southern College Archives"],"creator_ssm":["Florida Southern College"],"creator_ssim":["Florida Southern College"],"creator_corpname_ssim":["Florida Southern College"],"creators_ssim":["Florida Southern College"],"access_terms_ssm":["This collection is protected by copyright and/or related rights. 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Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital material"],"arrangement_html_tesm":["\u003cp\u003eThe files in this collection are arranged in the following series. Series denote intended or primary use of the building:\nAcademic;\nAdministration;\nAthletics;\nChapels;\nDining Facilities;\nDorms: Note that apartments located off of the main campus are included in this series;\nGreek Houses;\nGrounds (Including memorials);\nLibraries;\nMaintenance;\nOff-Campus Property;\nPhotographs;\nPhysical Plant: General files having to do with campus, but not a specific building or feature;\nPresident's Guest House;\nPresident's Residence;\nStudent Unions;\nVisitor's Centers;\nOversize Items.\u003c/p\u003e\n","\u003cp\u003e\nThe files within each series are arranged by building name alphabetically by last name of donor/beneficiary.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The files in this collection are arranged in the following series. Series denote intended or primary use of the building:\nAcademic;\nAdministration;\nAthletics;\nChapels;\nDining Facilities;\nDorms: Note that apartments located off of the main campus are included in this series;\nGreek Houses;\nGrounds (Including memorials);\nLibraries;\nMaintenance;\nOff-Campus Property;\nPhotographs;\nPhysical Plant: General files having to do with campus, but not a specific building or feature;\nPresident's Guest House;\nPresident's Residence;\nStudent Unions;\nVisitor's Centers;\nOversize Items.","\nThe files within each series are arranged by building name alphabetically by last name of donor/beneficiary."],"odd_html_tesm":["\u003cp\u003eFormer Names: Many buildings on campus have been known by several names over the years. Edge Hall was originally the Social Hall. Fannin Campus Ministries Center was initially known as the Jackson Student Activities Center and then the Jackson Religion Building (or JRB). Raulerson was originally three separate buildings: Carter, Walbridge, and Hawkins (the Three Seminars). The Thad Buckner Building was the original (1945) E.T. Roux Library. Joseph-Reynolds Hall was originally the Women's Residence. Ordway was briefly known as the J. William Horsey building. Additional newspaper articles and photographs make exist in Digital format.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Former Names: Many buildings on campus have been known by several names over the years. Edge Hall was originally the Social Hall. Fannin Campus Ministries Center was initially known as the Jackson Student Activities Center and then the Jackson Religion Building (or JRB). Raulerson was originally three separate buildings: Carter, Walbridge, and Hawkins (the Three Seminars). The Thad Buckner Building was the original (1945) E.T. Roux Library. Joseph-Reynolds Hall was originally the Women's Residence. Ordway was briefly known as the J. William Horsey building. Additional newspaper articles and photographs make exist in Digital format."],"scopecontent_html_tesm":["\u003cp\u003eThe files in this collection were generated by the college and include built structures as well as some physical features (gardens and monuments) on property related to the Lakeland campus after 1922. Additionally, there are some files about property owned or formerly owned by FSC that is not part of the main campus in Lakeland.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The files in this collection were generated by the college and include built structures as well as some physical features (gardens and monuments) on property related to the Lakeland campus after 1922. Additionally, there are some files about property owned or formerly owned by FSC that is not part of the main campus in Lakeland."],"userestrict_html_tesm":["\u003cp\u003eThis collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions -archives@flsouthern.edu.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions -archives@flsouthern.edu."],"names_ssim":["The Florida Southern College Archives","Florida Southern College"],"corpname_ssim":["The Florida Southern College Archives","Florida Southern College"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":565,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1873201808878338048,"_root_":"61657dca6e05f30cb549ce7a","timestamp":"2026-08-11T05:00:54.566Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/61657dca6e05f30cb549ce7a_aspace_1192d1b1ba7bdab1b1d74f3b4ced55be"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"University of Central Florida Office of Technology Transfer records, 1989-2024","value":"University of Central Florida Office of Technology Transfer records, 1989-2024","hits":20},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=University+of+Central+Florida+Office+of+Technology+Transfer+records%2C+1989-2024\u0026f%5Bdate_range%5D%5B%5D=2021\u0026f%5Blevel%5D%5B%5D=File"}},{"attributes":{"label":"Democratic Women's Club of Florida, Inc. 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