{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Blevel%5D%5B%5D=File\u0026page=27","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Blevel%5D%5B%5D=File\u0026page=26","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Blevel%5D%5B%5D=File\u0026page=28","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Blevel%5D%5B%5D=File\u0026page=48"},"meta":{"pages":{"current_page":27,"next_page":28,"prev_page":26,"total_pages":48,"limit_value":10,"offset_value":260,"total_count":474,"first_page?":false,"last_page?":false}},"data":[{"id":"b0cab8570fce52a148522f23_aspace_6d3df07b9879fe9d86b7d9f8c9f42e2a","type":"File","attributes":{"title":"Miscellaneous Ephemera, 1941-2009","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/b0cab8570fce52a148522f23_aspace_6d3df07b9879fe9d86b7d9f8c9f42e2a#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains the following objects: six postcards of which two were sent from Silzer to Florence Erickson, 1 Krona 1941 bank note for krona fyrir rikissjod islands, Iceland, 1945 Christmas 1st Marine Division card, and September 7, 2019 playbill for \u003cem\u003eOur Lives in Letters.\u003c/em\u003e\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b0cab8570fce52a148522f23_aspace_6d3df07b9879fe9d86b7d9f8c9f42e2a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_6d3df07b9879fe9d86b7d9f8c9f42e2a","ref_ssm":["aspace_6d3df07b9879fe9d86b7d9f8c9f42e2a","aspace_6d3df07b9879fe9d86b7d9f8c9f42e2a"],"id":"b0cab8570fce52a148522f23_aspace_6d3df07b9879fe9d86b7d9f8c9f42e2a","title_filing_ssi":"Miscellaneous Ephemera","title_ssm":["Miscellaneous Ephemera"],"title_tesim":["Miscellaneous Ephemera"],"unitdate_inclusive_ssm":["1941-2009"],"normalized_date_ssm":["1941-2009"],"normalized_title_ssm":["Miscellaneous Ephemera, 1941-2009"],"text":["Miscellaneous Ephemera, 1941-2009","Charles F. Silzer collection, 1941-2019, Date accessioned: 2019-11-05, bulk 1944-1945","007","/repositories/10/archival_objects/180385","19.0024 - Box 1","folder 007","This folder contains the following objects: six postcards of which two were sent from Silzer to Florence Erickson, 1 Krona 1941 bank note for krona fyrir rikissjod islands, Iceland, 1945 Christmas 1st Marine Division card, and September 7, 2019 playbill for  Our Lives in Letters."],"component_level_isim":[1],"parent_ids_ssim":["b0cab8570fce52a148522f23"],"parent_unittitles_ssm":["Charles F. Silzer collection, 1941-2019, Date accessioned: 2019-11-05, bulk 1944-1945"],"parent_unittitles_tesim":["Charles F. Silzer collection, 1941-2019, Date accessioned: 2019-11-05, bulk 1944-1945"],"parent_levels_ssm":["collection"],"unitid_ssm":["007","/repositories/10/archival_objects/180385"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Charles F. 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Silzer collection"],"title_tesim":["Charles F. Silzer collection"],"ead_ssi":"b0cab8570fce52a148522f23","unitdate_ssm":["1941-2019","1944-1945","Date accessioned: 2019-11-05"],"unitdate_bulk_ssim":["1944-1945"],"unitdate_inclusive_ssm":["1941-2019"],"unitdate_other_ssim":["Date accessioned: 2019-11-05"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["19.0024","/repositories/10/resources/1563"],"text":["19.0024","/repositories/10/resources/1563","Charles F. Silzer collection, 1941-2019, Date accessioned: 2019-11-05, bulk 1944-1945","Okinawa Island (Japan)","World War, 1939-1945--China","World War, 1939-1945--Campaigns--Japan--Okinawa Island","World War, 1939-1945--Campaigns--Pacific Area","United States--Marine Corps--Marine Division, 1st","This collection is open to all researchers.","Charles F. Silzer was born Chicago, IL on March 5, 1924. He entered the United States Marine Corps in January 1943, assigned as a replacement with the 1st Marine Division, and sent overseas in September 1943. At the time Silzer was engaged and married Florence A. Erickson after being discharged on January 29, 1946.  Silzer passed away on February 10, 2010 and is buried at Chapel Hill Gardens South, Oak Lawn, IL.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","This collection relates to Corporal Charles F. Silzer who served with the 1st Reconnaissance Battalion, 1st Marine Division, during World War II in the Pacific Theater. He participated in the battles of Cape Gloucester, New Britian, Peleliu, and Okinawa and occupation of China. The collection contains letters Silzer wrote to his fiance, later wife, Florence Erickson, photographs of Silzer, and a framed discharge document.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Silzer, Charles F., 1924-2010","English"],"unitid_tesim":["19.0024","/repositories/10/resources/1563"],"normalized_date_ssm":["1941-2019, Date accessioned: 2019-11-05, bulk 1944-1945"],"normalized_title_ssm":["Charles F. Silzer collection, 1941-2019, Date accessioned: 2019-11-05, bulk 1944-1945"],"collection_title_tesim":["Charles F. 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Silzer passed away on February 10, 2010 and is buried at Chapel Hill Gardens South, Oak Lawn, IL."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Charles F. Silzer collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_19_0024\"\u003ehttp://purl.fcla.edu/fsu/WWII_19_0024\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Charles F. 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The collection contains letters Silzer wrote to his fiance, later wife, Florence Erickson, photographs of Silzer, and a framed discharge document."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Silzer, Charles F., 1924-2010"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"persname_ssim":["Silzer, Charles F., 1924-2010"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":9,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"b0cab8570fce52a148522f23","timestamp":"2026-04-21T05:54:00.955Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b0cab8570fce52a148522f23_aspace_6d3df07b9879fe9d86b7d9f8c9f42e2a"}},{"id":"ec636735327499b3b8a45f21_aspace_ffce693e201247e2c308007cf75b4fdf","type":"File","attributes":{"title":"Misc. 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When able, the donor's original order and file level labels were maintained.","Dianora Niccolini was born in Florence, Italy, but moved to the United States at the age of nine. Niccolini relocated to New York City to study art, but moved from the realm of dance to photography after meeting the noted photographer Weegee. Niccolini's first exhibit was a 1974 study of female nudes, followed by a Sunday New York Times-reviewed show of the male nude the following year. Niccolini is considered a pioneering female photographer in the realm of photographing the male nude and her images of the male nude pre-date those of body builders popularized by Robert Mapplethorpe. Her photographs have been featured in several anthologies of nude figurative photography. Niccolini was the first president of Professional Women Photographers (PWP), serving 1979-1984, under which PWP became the leading professional organization of its kind. Niccolini has taught photography at the Germain school of photography, The New York Institute of photography, The New York Institute of Technology and, The Learning Annex.","This collection includes original silver gelatin photographs and chemomonoprints by photographer Dianora Niccolini, as well as a poster and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, periodicals that include Niccolini's photographs, correspondence, exhibition files, biographical material, and related research materials.","Oversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection is comprised of a series of original photographs and supporting documents tracing the career of Dianora Niccolini, an Italian-born American photographer. Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Niccolini's photographs. Cataloged alongside the archival materials are a series of books featuring Niccolini's photographs, as well as select catalogs of exhibits.","USF Libraries - Tampa Special Collections","Niccolini, Dianora ","English"],"unitid_tesim":["MS-2022-05","/repositories/2/resources/608"],"normalized_date_ssm":["1973-2022"],"normalized_title_ssm":["Dianora Niccolini collection, 1973-2022"],"collection_title_tesim":["Dianora Niccolini collection, 1973-2022"],"collection_ssim":["Dianora Niccolini collection, 1973-2022"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Photography","Photography, Erotic","Photography of the nude","Artists"],"access_subjects_ssm":["Photography","Photography, Erotic","Photography of the nude","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes","1.25 Linear Feet"],"extent_tesim":["3 boxes","1.25 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained."],"bioghist_html_tesm":["\u003cp\u003eDianora Niccolini was born in Florence, Italy, but moved to the United States at the age of nine. Niccolini relocated to New York City to study art, but moved from the realm of dance to photography after meeting the noted photographer Weegee. Niccolini's first exhibit was a 1974 study of female nudes, followed by a Sunday New York Times-reviewed show of the male nude the following year. Niccolini is considered a pioneering female photographer in the realm of photographing the male nude and her images of the male nude pre-date those of body builders popularized by Robert Mapplethorpe. Her photographs have been featured in several anthologies of nude figurative photography. Niccolini was the first president of Professional Women Photographers (PWP), serving 1979-1984, under which PWP became the leading professional organization of its kind. Niccolini has taught photography at the Germain school of photography, The New York Institute of photography, The New York Institute of Technology and, The Learning Annex.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dianora Niccolini was born in Florence, Italy, but moved to the United States at the age of nine. Niccolini relocated to New York City to study art, but moved from the realm of dance to photography after meeting the noted photographer Weegee. Niccolini's first exhibit was a 1974 study of female nudes, followed by a Sunday New York Times-reviewed show of the male nude the following year. Niccolini is considered a pioneering female photographer in the realm of photographing the male nude and her images of the male nude pre-date those of body builders popularized by Robert Mapplethorpe. Her photographs have been featured in several anthologies of nude figurative photography. Niccolini was the first president of Professional Women Photographers (PWP), serving 1979-1984, under which PWP became the leading professional organization of its kind. Niccolini has taught photography at the Germain school of photography, The New York Institute of photography, The New York Institute of Technology and, The Learning Annex."],"prefercite_html_tesm":["\u003cp\u003eDianora Niccolini collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Dianora Niccolini collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes original silver gelatin photographs and chemomonoprints by photographer Dianora Niccolini, as well as a poster and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, periodicals that include Niccolini's photographs, correspondence, exhibition files, biographical material, and related research materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes original silver gelatin photographs and chemomonoprints by photographer Dianora Niccolini, as well as a poster and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, periodicals that include Niccolini's photographs, correspondence, exhibition files, biographical material, and related research materials."],"separatedmaterial_html_tesm":["\u003cp\u003eOversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Oversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_57ad22ca8489716342852fe09c92f8e2\"\u003eThis collection is comprised of a series of original photographs and supporting documents tracing the career of Dianora Niccolini, an Italian-born American photographer. Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Niccolini's photographs. Cataloged alongside the archival materials are a series of books featuring Niccolini's photographs, as well as select catalogs of exhibits.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of a series of original photographs and supporting documents tracing the career of Dianora Niccolini, an Italian-born American photographer. Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. 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Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Niccolini's photographs. Cataloged alongside the archival materials are a series of books featuring Niccolini's photographs, as well as select catalogs of exhibits.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of a series of original photographs and supporting documents tracing the career of Dianora Niccolini, an Italian-born American photographer. Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. 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When able, the donor's original order and file level labels were maintained.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained."],"bioghist_html_tesm":["\u003cp\u003eDianora Niccolini was born in Florence, Italy, but moved to the United States at the age of nine. Niccolini relocated to New York City to study art, but moved from the realm of dance to photography after meeting the noted photographer Weegee. Niccolini's first exhibit was a 1974 study of female nudes, followed by a Sunday New York Times-reviewed show of the male nude the following year. Niccolini is considered a pioneering female photographer in the realm of photographing the male nude and her images of the male nude pre-date those of body builders popularized by Robert Mapplethorpe. 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Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Niccolini's photographs. Cataloged alongside the archival materials are a series of books featuring Niccolini's photographs, as well as select catalogs of exhibits.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of a series of original photographs and supporting documents tracing the career of Dianora Niccolini, an Italian-born American photographer. Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Niccolini's photographs. Cataloged alongside the archival materials are a series of books featuring Niccolini's photographs, as well as select catalogs of exhibits."],"names_ssim":["USF Libraries - Tampa Special Collections","Niccolini, Dianora "],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Niccolini, Dianora "],"persname_ssim":["Niccolini, Dianora "],"language_ssim":["English"],"total_component_count_is":92,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"ec636735327499b3b8a45f21","timestamp":"2026-04-21T05:36:10.799Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ec636735327499b3b8a45f21_aspace_d6fd0a6569b8ee6ea4ae63fec46e0712"}},{"id":"ec636735327499b3b8a45f21_aspace_b37c8c16adb5273b99f0f49b8ff5fda9","type":"File","attributes":{"title":"Museum Collections – University of Florida's Harn Museum, 2008-2020","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ec636735327499b3b8a45f21_aspace_b37c8c16adb5273b99f0f49b8ff5fda9#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b37c8c16adb5273b99f0f49b8ff5fda9","ref_ssm":["aspace_b37c8c16adb5273b99f0f49b8ff5fda9","aspace_b37c8c16adb5273b99f0f49b8ff5fda9"],"id":"ec636735327499b3b8a45f21_aspace_b37c8c16adb5273b99f0f49b8ff5fda9","title_filing_ssi":"Museum Collections – University of Florida's Harn Museum","title_ssm":["Museum Collections – University of Florida's Harn Museum"],"title_tesim":["Museum Collections – University of Florida's Harn Museum"],"unitdate_inclusive_ssm":["2008-2020"],"normalized_date_ssm":["2008-2020"],"normalized_title_ssm":["Museum Collections – University of Florida's Harn Museum, 2008-2020"],"text":["Museum Collections – University of Florida's Harn Museum, 2008-2020","Dianora Niccolini collection, 1973-2022","Museum Files","/repositories/2/archival_objects/147630","box 2","folder 12"],"component_level_isim":[2],"parent_ids_ssim":["ec636735327499b3b8a45f21","ec636735327499b3b8a45f21_aspace_5ae82eb1e3c9a2b019d6329d58839a02"],"parent_unittitles_ssm":["Dianora Niccolini collection, 1973-2022","Museum Files"],"parent_unittitles_tesim":["Dianora Niccolini collection, 1973-2022","Museum Files"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/2/archival_objects/147630"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Dianora Niccolini collection, 1973-2022"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":61,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"containers_ssim":["box 2","folder 12"],"_nest_path_":"/components#1/components#11","_nest_parent_":"ec636735327499b3b8a45f21_aspace_5ae82eb1e3c9a2b019d6329d58839a02","_root_":"ec636735327499b3b8a45f21","timestamp":"2026-04-21T05:36:10.799Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ec636735327499b3b8a45f21","title_ssm":["Dianora Niccolini collection"],"title_tesim":["Dianora Niccolini collection"],"ead_ssi":"ec636735327499b3b8a45f21","unitdate_ssm":["1973-2022"],"unitdate_inclusive_ssm":["1973-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2022-05","/repositories/2/resources/608"],"text":["MS-2022-05","/repositories/2/resources/608","Dianora Niccolini collection, 1973-2022","Photography","Photography, Erotic","Photography of the nude","Artists","Collection is arranged according to material type and chronology. 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Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Niccolini's photographs. Cataloged alongside the archival materials are a series of books featuring Niccolini's photographs, as well as select catalogs of exhibits.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of a series of original photographs and supporting documents tracing the career of Dianora Niccolini, an Italian-born American photographer. Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Niccolini's photographs. Cataloged alongside the archival materials are a series of books featuring Niccolini's photographs, as well as select catalogs of exhibits."],"names_ssim":["USF Libraries - Tampa Special Collections","Niccolini, Dianora "],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Niccolini, Dianora "],"persname_ssim":["Niccolini, Dianora "],"language_ssim":["English"],"total_component_count_is":92,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"ec636735327499b3b8a45f21","timestamp":"2026-04-21T05:36:10.799Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ec636735327499b3b8a45f21_aspace_b37c8c16adb5273b99f0f49b8ff5fda9"}},{"id":"256e771e3cc0782aac349f80_aspace_67c4eeb7adde11b4a22ae0d49927d309","type":"File","attributes":{"title":"My Cat Doesn't Care What My Gender Is, 2017","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_67c4eeb7adde11b4a22ae0d49927d309#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_67c4eeb7adde11b4a22ae0d49927d309","ref_ssm":["aspace_67c4eeb7adde11b4a22ae0d49927d309","aspace_67c4eeb7adde11b4a22ae0d49927d309"],"id":"256e771e3cc0782aac349f80_aspace_67c4eeb7adde11b4a22ae0d49927d309","title_filing_ssi":"My Cat Doesn't Care What My Gender Is","title_ssm":["My Cat Doesn't Care What My Gender Is"],"title_tesim":["My Cat Doesn't Care What My Gender Is"],"unitdate_other_ssim":["2017"],"normalized_date_ssm":["2017"],"normalized_title_ssm":["My Cat Doesn't Care What My Gender Is, 2017"],"text":["My Cat Doesn't Care What My Gender Is, 2017","Zine Collection, 1973-2019","Non-Collectives and Unaffiliated Creators Part 2, 1920-Present","/repositories/2/archival_objects/29399","Gender.","Gender Identity in Art","Zines.","Box: 6","folder 44"],"component_level_isim":[2],"parent_ids_ssim":["256e771e3cc0782aac349f80","256e771e3cc0782aac349f80_aspace_e65bc2b283d16dde4bc7945d86732b48"],"parent_unittitles_ssm":["Zine Collection, 1973-2019","Non-Collectives and Unaffiliated Creators Part 2, 1920-Present"],"parent_unittitles_tesim":["Zine Collection, 1973-2019","Non-Collectives and Unaffiliated Creators Part 2, 1920-Present"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/29399"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Zine Collection, 1973-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":401,"parent_access_restrict_tesm":["The collection is open for use."],"date_range_isim":[2017],"geogname_ssim":["Gender.","Gender Identity in Art","Zines."],"geogname_ssm":["Gender.","Gender Identity in Art","Zines."],"places_ssim":["Gender.","Gender Identity in Art","Zines."],"containers_ssim":["Box: 6","folder 44"],"_nest_path_":"/components#5/components#43","_nest_parent_":"256e771e3cc0782aac349f80_aspace_e65bc2b283d16dde4bc7945d86732b48","_root_":"256e771e3cc0782aac349f80","_version_":1870843569479090176,"timestamp":"2026-07-16T04:17:42.144Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"256e771e3cc0782aac349f80","title_ssm":["Zine Collection"],"title_tesim":["Zine Collection"],"ead_ssi":"256e771e3cc0782aac349f80","unitdate_ssm":["1973-2019"],"unitdate_inclusive_ssm":["1973-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/26","/repositories/2/resources/6"],"text":["02/01/26","/repositories/2/resources/6","Zine Collection, 1973-2019","Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art","The collection is open for use.","Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.","The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.","Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.","Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe","English"],"unitid_tesim":["02/01/26","/repositories/2/resources/6"],"normalized_date_ssm":["1973-2019"],"normalized_title_ssm":["Zine Collection, 1973-2019"],"collection_title_tesim":["Zine Collection, 1973-2019"],"collection_ssim":["Zine Collection, 1973-2019"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"geogname_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"places_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for use."],"arrangement_html_tesm":["\u003cp\u003eOrganized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5a0de4e8fb6224cb231f2eecf1aee4f4\" label=\"Abstract and Language Disclaimer\"\u003eZines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.\u003c/abstract\u003e"],"abstract_tesim":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"names_ssim":["Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Corley, Madison","Lewis, Chloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":447,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843569479090176,"_root_":"256e771e3cc0782aac349f80","timestamp":"2026-07-16T04:17:42.144Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_67c4eeb7adde11b4a22ae0d49927d309"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Democratic Women's Club of Florida, Inc. Collection, 1945-2023","value":"Democratic Women's Club of Florida, Inc. 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