{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=13","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=12","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=14","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2017\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=21"},"meta":{"pages":{"current_page":13,"next_page":14,"prev_page":12,"total_pages":21,"limit_value":10,"offset_value":120,"total_count":208,"first_page?":false,"last_page?":false}},"data":[{"id":"d52d92af1bf73915192489ed","type":"collection","attributes":{"title":"Mahan collection of American humor and cartoon art, 1813-2005, Date acquired: 00/00/2006, bulk 1928-1965","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/d52d92af1bf73915192489ed#creator","type":"document_value","attributes":{"value":["Mahan, Charles S. (1938-)"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d52d92af1bf73915192489ed#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eIn addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. While the earliest illustration in this collection is from 1838, its focus is the Golden Age of American Animation (1895-1945).\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d52d92af1bf73915192489ed#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"d52d92af1bf73915192489ed","title_ssm":["Mahan collection of American humor and cartoon art"],"title_tesim":["Mahan collection of American humor and cartoon art"],"ead_ssi":"d52d92af1bf73915192489ed","unitdate_ssm":["1813-2005","1928-1965","Date acquired: 00/00/2006"],"unitdate_bulk_ssim":["1928-1965"],"unitdate_inclusive_ssm":["1813-2005"],"unitdate_other_ssim":["Date acquired: 00/00/2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2006-12","/repositories/2/resources/220"],"text":["MS-2006-12","/repositories/2/resources/220","Mahan collection of American humor and cartoon art, 1813-2005, Date acquired: 00/00/2006, bulk 1928-1965","American wit and humor, Pictorial","Caricatures and cartoons -- United States","Walt Disney Company","Charles S. Mahan, M.D., is Professor Emeritus, College of Public Health and the Lawton and Rhea Chiles Center for Healthy Mothers and Babies. Mahan received his MD from Northwestern University and worked for the University of Florida and the North Central Florida Maternal and Infant Care Program before joining the University of South Florida as Dean of the College of Public Health (1995-2002).","University of South Florida Tampa Library. (2006). Special collections establishes the Dr. Charles Mahan Collection of American Humor and Cartoon Art.  University of South Florida Library Links, 10 (3), 2-3.","Note written by ","In addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. While the earliest illustration in this collection is from 1838, its focus is the Golden Age of American Animation (1895-1945).","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Mahan, Charles S. (1938-)","English"],"unitid_tesim":["MS-2006-12","/repositories/2/resources/220"],"normalized_date_ssm":["1813-2005, Date acquired: 00/00/2006, bulk 1928-1965"],"normalized_title_ssm":["Mahan collection of American humor and cartoon art, 1813-2005, Date acquired: 00/00/2006, bulk 1928-1965"],"collection_title_tesim":["Mahan collection of American humor and cartoon art, 1813-2005, Date acquired: 00/00/2006, bulk 1928-1965"],"collection_ssim":["Mahan collection of American humor and cartoon art, 1813-2005, Date acquired: 00/00/2006, bulk 1928-1965"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Mahan, Charles S. (1938-)"],"creator_ssim":["Mahan, Charles S. (1938-)"],"creator_persname_ssim":["Mahan, Charles S. (1938-)"],"creators_ssim":["Mahan, Charles S. 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Mahan","Donation."],"access_subjects_ssim":["American wit and humor, Pictorial","Caricatures and cartoons -- United States","Walt Disney Company"],"access_subjects_ssm":["American wit and humor, Pictorial","Caricatures and cartoons -- United States","Walt Disney Company"],"has_online_content_ssim":["false"],"extent_ssm":["78.75 Linear Feet","90 boxes"],"extent_tesim":["78.75 Linear Feet","90 boxes"],"date_range_isim":[1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"bioghist_html_tesm":["\u003cp\u003eCharles S. Mahan, M.D., is Professor Emeritus, College of Public Health and the Lawton and Rhea Chiles Center for Healthy Mothers and Babies. Mahan received his MD from Northwestern University and worked for the University of Florida and the North Central Florida Maternal and Infant Care Program before joining the University of South Florida as Dean of the College of Public Health (1995-2002).\u003c/p\u003e\n","\u003cp\u003eUniversity of South Florida Tampa Library. (2006). Special collections establishes the Dr. Charles Mahan Collection of American Humor and Cartoon Art. \u003cemph render=\"italic\"\u003eUniversity of South Florida Library Links, 10\u003c/emph\u003e(3), 2-3.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Charles S. Mahan, M.D., is Professor Emeritus, College of Public Health and the Lawton and Rhea Chiles Center for Healthy Mothers and Babies. Mahan received his MD from Northwestern University and worked for the University of Florida and the North Central Florida Maternal and Infant Care Program before joining the University of South Florida as Dean of the College of Public Health (1995-2002).","University of South Florida Tampa Library. (2006). Special collections establishes the Dr. Charles Mahan Collection of American Humor and Cartoon Art.  University of South Florida Library Links, 10 (3), 2-3.","Note written by "],"prefercite_html_tesm":["\u003cp\u003eMahan Collection of American Humor and Cartoon Art, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Mahan Collection of American Humor and Cartoon Art, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eIn addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. While the earliest illustration in this collection is from 1838, its focus is the Golden Age of American Animation (1895-1945).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["In addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. While the earliest illustration in this collection is from 1838, its focus is the Golden Age of American Animation (1895-1945)."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Mahan, Charles S. (1938-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Mahan, Charles S. 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Mahan, M.D., is Professor Emeritus, College of Public Health and the Lawton and Rhea Chiles Center for Healthy Mothers and Babies. Mahan received his MD from Northwestern University and worked for the University of Florida and the North Central Florida Maternal and Infant Care Program before joining the University of South Florida as Dean of the College of Public Health (1995-2002).","University of South Florida Tampa Library. (2006). Special collections establishes the Dr. Charles Mahan Collection of American Humor and Cartoon Art.  University of South Florida Library Links, 10 (3), 2-3.","Note written by ","In addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. While the earliest illustration in this collection is from 1838, its focus is the Golden Age of American Animation (1895-1945).","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","Mahan, Charles S. (1938-)","English"],"unitid_tesim":["MS-2006-12","/repositories/2/resources/220"],"normalized_date_ssm":["1813-2005, Date acquired: 00/00/2006, bulk 1928-1965"],"normalized_title_ssm":["Mahan collection of American humor and cartoon art, 1813-2005, Date acquired: 00/00/2006, bulk 1928-1965"],"collection_title_tesim":["Mahan collection of American humor and cartoon art, 1813-2005, Date acquired: 00/00/2006, bulk 1928-1965"],"collection_ssim":["Mahan collection of American humor and cartoon art, 1813-2005, Date acquired: 00/00/2006, bulk 1928-1965"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Mahan, Charles S. (1938-)"],"creator_ssim":["Mahan, Charles S. (1938-)"],"creator_persname_ssim":["Mahan, Charles S. (1938-)"],"creators_ssim":["Mahan, Charles S. 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Mahan, M.D., is Professor Emeritus, College of Public Health and the Lawton and Rhea Chiles Center for Healthy Mothers and Babies. Mahan received his MD from Northwestern University and worked for the University of Florida and the North Central Florida Maternal and Infant Care Program before joining the University of South Florida as Dean of the College of Public Health (1995-2002).\u003c/p\u003e\n","\u003cp\u003eUniversity of South Florida Tampa Library. (2006). Special collections establishes the Dr. Charles Mahan Collection of American Humor and Cartoon Art. \u003cemph render=\"italic\"\u003eUniversity of South Florida Library Links, 10\u003c/emph\u003e(3), 2-3.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Charles S. Mahan, M.D., is Professor Emeritus, College of Public Health and the Lawton and Rhea Chiles Center for Healthy Mothers and Babies. Mahan received his MD from Northwestern University and worked for the University of Florida and the North Central Florida Maternal and Infant Care Program before joining the University of South Florida as Dean of the College of Public Health (1995-2002).","University of South Florida Tampa Library. (2006). Special collections establishes the Dr. Charles Mahan Collection of American Humor and Cartoon Art.  University of South Florida Library Links, 10 (3), 2-3.","Note written by "],"prefercite_html_tesm":["\u003cp\u003eMahan Collection of American Humor and Cartoon Art, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Mahan Collection of American Humor and Cartoon Art, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eIn addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. While the earliest illustration in this collection is from 1838, its focus is the Golden Age of American Animation (1895-1945).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["In addition to Disney animation catalogs, illustrations, lithographs, cels, posters, calendars, newspapers, LPs and sheet music, the Mahan Collection of American Humor and Cartoon Art includes numerous non-Disney and political illustrations that depict American humor and cartoon art. While the earliest illustration in this collection is from 1838, its focus is the Golden Age of American Animation (1895-1945)."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Mahan, Charles S. (1938-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Mahan, Charles S. (1938-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2403,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877838338632712192,"_root_":"d52d92af1bf73915192489ed","timestamp":"2026-10-01T09:16:33.829Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d52d92af1bf73915192489ed"}},{"id":"05a98c5b9134be606136de87","type":"collection","attributes":{"title":"Marilyn Crotty papers, 1972-2018, bulk 1976-1978","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/05a98c5b9134be606136de87#creator","type":"document_value","attributes":{"value":["Crotty, Marilyn, 1942-"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/05a98c5b9134be606136de87#abstract_or_scope","type":"document_value","attributes":{"value":["The Marilyn Crotty papers, 1972-2018 (bulk 1976-1978), chiefly consist of news clippings, correspondence, reports, organizational records, and publications collected by Marilyn Crotty during her involvement with the Florida Governor's Commission on the Status of Women (COSOW). This collection documents the commission's organizational history and its efforts toward the betterment of women in the Central Florida area. The collection offers a glimpse into second-wave feminist activism in Florida and strategies in the 1970s to promote the feminist movement and gain support. Marilyn Ettinger Crotty is a Florida educator, activist, and civic leader whose career included work in public service, local government, and higher education. She served on the East Central Florida Regional Planning Council, the Florida Environmental Efficiency Study Commission, and the Florida Governor's Commission on the Status of Women (COSOW). In 1982, she established Valencia Community College's Center for Community Leadership, a state-funded institute that provided training programs for local government employees and elected officials. In 1990, the University of Central Florida hired her to direct the John Scott Dailey Institute of Government, a position she held until her retirement in 2018."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/05a98c5b9134be606136de87#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"05a98c5b9134be606136de87","title_ssm":["Marilyn Crotty papers"],"title_tesim":["Marilyn Crotty papers"],"ead_ssi":"05a98c5b9134be606136de87","unitdate_ssm":["1972-2018","1976-1978"],"unitdate_bulk_ssim":["1976-1978"],"unitdate_inclusive_ssm":["1972-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC189","/repositories/4/resources/387"],"text":["SC189","/repositories/4/resources/387","Marilyn Crotty papers, 1972-2018, bulk 1976-1978","Equal Rights Amendments -- United States","Equal Rights Amendments","Feminism -- United States","Feminism","International Women's Decade, 1976-1985","International Women's Year, 1975","Women's rights -- United States","publications (documents)","programs (documents)","brochures","newspaper clippings","minutes (administrative records)","The entire collection is open for research.","The collection is arranged into two series as follows:\n Series I. Personal Files, 1976-2018 Series II. Commission on the Status of Women, 1972-1996","Marilyn Ettinger Crotty is a Florida educator, activist, and civic leader whose career included work in public service, local government, and higher education.  Born in 1942 to Beatrice Bornstein Ettinger and Leon Ettinger, Crotty earned a B.S. in Nursing from the University of Florida in 1963. Following graduation, she lived in San Francisco, California with her husband, Garrett Crotty, devoting her time to volunteer work, community service, and raising their three sons.  ","In 1968, she joined the League of Women Voters of San Francisco. When her family returned to Florida in 1971, she remained active in the League, participating in local and national initiatives, such as efforts to ratify the Equal Rights Amendment (ERA). She served as President of the Seminole County League of Women Voters from 1973 to 1975, then as a board member of the Florida League for six years.  She worked at various times alongside her mother, Beatrice Ettinger, who helped to establish the Central Florida Educational Consortium for Women and served as Vice President of the Florida League of Women Voters. Crotty received a Lifetime Achievement Award from the League of Women Voters in 2021.  ","Crotty later served as Executive Director of the Tri County League of Cities, representing municipalities in Orange, Seminole, and Osceola counties, and as a faculty member on the Florida League of Cities Institute for Elected Municipal Officials. She also served on the East Central Florida Regional Planning Council, the Florida Environmental Efficiency Study Commission, and the Florida Governor's Commission on the Status of Women (COSOW). Charged with improving public awareness of the needs and concerns of Florida women, COSOW advocated for women's education, employment, equal pay, and domestic violence support.  They also worked to establish local commissions throughout the state and were involved in International Women's Year (1975). ","Crotty had a long relationship with Central Florida's higher education institutions. In 1982, she established Valencia Community College's Center for Community Leadership, a state-funded institute that provided training programs for local government employees and elected officials. In 1990, the University of Central Florida hired her to direct the John Scott Dailey Institute of Government, a position she held until her retirement in 2018. ","Processed by and finding aid prepared by Ava Botwin in 2026.","Other materials related to the Commission on the Status of Women, Marilyn Crotty, and feminist efforts in Central Florida can be found in the  Beatrice B. Ettinger Papers . Similar materials may also be found in the  Phyllis J. Hudson papers  and the  Lynda Van Scoyoc papers  as well.","The Marilyn Crotty papers, 1972-2018 (bulk 1976-1978), chiefly consist of news clippings, correspondence, reports, organizational records, and publications collected by Marilyn Crotty during her involvement with the Florida Governor's Commission on the Status of Women (COSOW). This collection documents the commission's organizational history and its efforts toward the betterment of women in the Central Florida area. The collection offers a glimpse into second-wave feminist activism in Florida and strategies in the 1970s to promote the feminist movement and gain support.   ","Series I: Personal Files, 1976-2018, contains Marilyn Crotty's personal papers, including personal correspondence, publications, and materials related to Crotty's role in public service positions outside of the Florida Governor's Commission on the Status of Women. It also includes news clippings relating to Crotty and her achievements. This series is arranged alphabetically by topic. ","Series II: Commission on the Status of Women, 1972-1996, consists of material relating to the Florida Governor's Commission on the Status of Women (COSOW). Subseries I, Organizational Records, features internal records of the Commission, including interlocal agreements, ordinances, and testimonies about the creation of the Commission, as well as meeting minutes, reports, and news articles. It also holds publications produced by both the Central Florida COSOW and other national feminist organizations. This subseries is arranged by topic in alphabetical order.  Subseries II, Initiatives, contains material related to various causes and actions that COSOW supported or engaged in, including women's education, employment, and spousal abuse support. There is a sizable number of materials on the Equal Rights Amendment. This subseries is arranged by topic in alphabetical order. ","Materials concerning Bea Ettinger and the Commission on Continuing Education for Women were added to the  Beatrice B. Ettinger Papers .","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Marilyn Crotty papers, 1972-2018 (bulk 1976-1978), chiefly consist of news clippings, correspondence, reports, organizational records, and publications collected by Marilyn Crotty during her involvement with the Florida Governor's Commission on the Status of Women (COSOW). This collection documents the commission's organizational history and its efforts toward the betterment of women in the Central Florida area. The collection offers a glimpse into second-wave feminist activism in Florida and strategies in the 1970s to promote the feminist movement and gain support.\n\nMarilyn Ettinger Crotty is a Florida educator, activist, and civic leader whose career included work in public service, local government, and higher education. She served on the East Central Florida Regional Planning Council, the Florida Environmental Efficiency Study Commission, and the Florida Governor's Commission on the Status of Women (COSOW). In 1982, she established Valencia Community College's Center for Community Leadership, a state-funded institute that provided training programs for local government employees and elected officials. In 1990, the University of Central Florida hired her to direct the John Scott Dailey Institute of Government, a position she held until her retirement in 2018.","UCF Special Collections","Florida League of Women Voters","Florida. Governor's Commission on the Status of Women","Crotty, Marilyn, 1942-","English"],"unitid_tesim":["SC189","/repositories/4/resources/387"],"normalized_date_ssm":["1972-2018, bulk 1976-1978"],"normalized_title_ssm":["Marilyn Crotty papers, 1972-2018, bulk 1976-1978"],"collection_title_tesim":["Marilyn Crotty papers, 1972-2018, bulk 1976-1978"],"collection_ssim":["Marilyn Crotty papers, 1972-2018, bulk 1976-1978"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Crotty, Marilyn, 1942-"],"creator_ssim":["Crotty, Marilyn, 1942-"],"creator_persname_ssim":["Crotty, Marilyn, 1942-"],"creators_ssim":["Crotty, Marilyn, 1942-"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of Marilyn Crotty in 2026 (Accession no. CFM2026_04)."],"access_subjects_ssim":["Equal Rights Amendments -- United States","Equal Rights Amendments","Feminism -- United States","Feminism","International Women's Decade, 1976-1985","International Women's Year, 1975","Women's rights -- United States","publications (documents)","programs (documents)","brochures","newspaper clippings","minutes (administrative records)"],"access_subjects_ssm":["Equal Rights Amendments -- United States","Equal Rights Amendments","Feminism -- United States","Feminism","International Women's Decade, 1976-1985","International Women's Year, 1975","Women's rights -- United States","publications (documents)","programs (documents)","brochures","newspaper clippings","minutes (administrative records)"],"has_online_content_ssim":["false"],"extent_ssm":["1.3 Linear Feet 3 boxes, 1 flat file"],"extent_tesim":["1.3 Linear Feet 3 boxes, 1 flat file"],"genreform_ssim":["publications (documents)","programs (documents)","brochures","newspaper clippings","minutes (administrative records)"],"date_range_isim":[1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series as follows:\n\u003cul style=\"list-style-type: none\"\u003e\n  \u003cli\u003eSeries I. Personal Files, 1976-2018\u003c/li\u003e\n  \u003cli\u003eSeries II. Commission on the Status of Women, 1972-1996\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series as follows:\n Series I. Personal Files, 1976-2018 Series II. Commission on the Status of Women, 1972-1996"],"bioghist_html_tesm":["\u003cp\u003eMarilyn Ettinger Crotty is a Florida educator, activist, and civic leader whose career included work in public service, local government, and higher education.  Born in 1942 to Beatrice Bornstein Ettinger and Leon Ettinger, Crotty earned a B.S. in Nursing from the University of Florida in 1963. Following graduation, she lived in San Francisco, California with her husband, Garrett Crotty, devoting her time to volunteer work, community service, and raising their three sons.  \u003c/p\u003e\n","\u003cp\u003eIn 1968, she joined the League of Women Voters of San Francisco. When her family returned to Florida in 1971, she remained active in the League, participating in local and national initiatives, such as efforts to ratify the Equal Rights Amendment (ERA). She served as President of the Seminole County League of Women Voters from 1973 to 1975, then as a board member of the Florida League for six years.  She worked at various times alongside her mother, Beatrice Ettinger, who helped to establish the Central Florida Educational Consortium for Women and served as Vice President of the Florida League of Women Voters. Crotty received a Lifetime Achievement Award from the League of Women Voters in 2021.  \u003c/p\u003e\n","\u003cp\u003eCrotty later served as Executive Director of the Tri County League of Cities, representing municipalities in Orange, Seminole, and Osceola counties, and as a faculty member on the Florida League of Cities Institute for Elected Municipal Officials. She also served on the East Central Florida Regional Planning Council, the Florida Environmental Efficiency Study Commission, and the Florida Governor's Commission on the Status of Women (COSOW). Charged with improving public awareness of the needs and concerns of Florida women, COSOW advocated for women's education, employment, equal pay, and domestic violence support.  They also worked to establish local commissions throughout the state and were involved in International Women's Year (1975). \u003c/p\u003e\n","\u003cp\u003eCrotty had a long relationship with Central Florida's higher education institutions. In 1982, she established Valencia Community College's Center for Community Leadership, a state-funded institute that provided training programs for local government employees and elected officials. In 1990, the University of Central Florida hired her to direct the John Scott Dailey Institute of Government, a position she held until her retirement in 2018. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Marilyn Ettinger Crotty is a Florida educator, activist, and civic leader whose career included work in public service, local government, and higher education.  Born in 1942 to Beatrice Bornstein Ettinger and Leon Ettinger, Crotty earned a B.S. in Nursing from the University of Florida in 1963. Following graduation, she lived in San Francisco, California with her husband, Garrett Crotty, devoting her time to volunteer work, community service, and raising their three sons.  ","In 1968, she joined the League of Women Voters of San Francisco. When her family returned to Florida in 1971, she remained active in the League, participating in local and national initiatives, such as efforts to ratify the Equal Rights Amendment (ERA). She served as President of the Seminole County League of Women Voters from 1973 to 1975, then as a board member of the Florida League for six years.  She worked at various times alongside her mother, Beatrice Ettinger, who helped to establish the Central Florida Educational Consortium for Women and served as Vice President of the Florida League of Women Voters. Crotty received a Lifetime Achievement Award from the League of Women Voters in 2021.  ","Crotty later served as Executive Director of the Tri County League of Cities, representing municipalities in Orange, Seminole, and Osceola counties, and as a faculty member on the Florida League of Cities Institute for Elected Municipal Officials. She also served on the East Central Florida Regional Planning Council, the Florida Environmental Efficiency Study Commission, and the Florida Governor's Commission on the Status of Women (COSOW). Charged with improving public awareness of the needs and concerns of Florida women, COSOW advocated for women's education, employment, equal pay, and domestic violence support.  They also worked to establish local commissions throughout the state and were involved in International Women's Year (1975). ","Crotty had a long relationship with Central Florida's higher education institutions. In 1982, she established Valencia Community College's Center for Community Leadership, a state-funded institute that provided training programs for local government employees and elected officials. In 1990, the University of Central Florida hired her to direct the John Scott Dailey Institute of Government, a position she held until her retirement in 2018. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Marilyn Crotty papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Marilyn Crotty papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Ava Botwin in 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Ava Botwin in 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eOther materials related to the Commission on the Status of Women, Marilyn Crotty, and feminist efforts in Central Florida can be found in the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2002-02\"\u003eBeatrice B. Ettinger Papers\u003c/extref\u003e. Similar materials may also be found in the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-02\"\u003ePhyllis J. Hudson papers\u003c/extref\u003e and the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-15\"\u003eLynda Van Scoyoc papers\u003c/extref\u003e as well.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other materials related to the Commission on the Status of Women, Marilyn Crotty, and feminist efforts in Central Florida can be found in the  Beatrice B. Ettinger Papers . Similar materials may also be found in the  Phyllis J. Hudson papers  and the  Lynda Van Scoyoc papers  as well."],"scopecontent_html_tesm":["\u003cp\u003eThe Marilyn Crotty papers, 1972-2018 (bulk 1976-1978), chiefly consist of news clippings, correspondence, reports, organizational records, and publications collected by Marilyn Crotty during her involvement with the Florida Governor's Commission on the Status of Women (COSOW). This collection documents the commission's organizational history and its efforts toward the betterment of women in the Central Florida area. The collection offers a glimpse into second-wave feminist activism in Florida and strategies in the 1970s to promote the feminist movement and gain support.   \u003c/p\u003e\n","\u003cp\u003eSeries I: Personal Files, 1976-2018, contains Marilyn Crotty's personal papers, including personal correspondence, publications, and materials related to Crotty's role in public service positions outside of the Florida Governor's Commission on the Status of Women. It also includes news clippings relating to Crotty and her achievements. This series is arranged alphabetically by topic. \u003c/p\u003e\n","\u003cp\u003eSeries II: Commission on the Status of Women, 1972-1996, consists of material relating to the Florida Governor's Commission on the Status of Women (COSOW). Subseries I, Organizational Records, features internal records of the Commission, including interlocal agreements, ordinances, and testimonies about the creation of the Commission, as well as meeting minutes, reports, and news articles. It also holds publications produced by both the Central Florida COSOW and other national feminist organizations. This subseries is arranged by topic in alphabetical order.  Subseries II, Initiatives, contains material related to various causes and actions that COSOW supported or engaged in, including women's education, employment, and spousal abuse support. There is a sizable number of materials on the Equal Rights Amendment. This subseries is arranged by topic in alphabetical order. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Marilyn Crotty papers, 1972-2018 (bulk 1976-1978), chiefly consist of news clippings, correspondence, reports, organizational records, and publications collected by Marilyn Crotty during her involvement with the Florida Governor's Commission on the Status of Women (COSOW). This collection documents the commission's organizational history and its efforts toward the betterment of women in the Central Florida area. The collection offers a glimpse into second-wave feminist activism in Florida and strategies in the 1970s to promote the feminist movement and gain support.   ","Series I: Personal Files, 1976-2018, contains Marilyn Crotty's personal papers, including personal correspondence, publications, and materials related to Crotty's role in public service positions outside of the Florida Governor's Commission on the Status of Women. It also includes news clippings relating to Crotty and her achievements. This series is arranged alphabetically by topic. ","Series II: Commission on the Status of Women, 1972-1996, consists of material relating to the Florida Governor's Commission on the Status of Women (COSOW). Subseries I, Organizational Records, features internal records of the Commission, including interlocal agreements, ordinances, and testimonies about the creation of the Commission, as well as meeting minutes, reports, and news articles. It also holds publications produced by both the Central Florida COSOW and other national feminist organizations. This subseries is arranged by topic in alphabetical order.  Subseries II, Initiatives, contains material related to various causes and actions that COSOW supported or engaged in, including women's education, employment, and spousal abuse support. There is a sizable number of materials on the Equal Rights Amendment. This subseries is arranged by topic in alphabetical order. "],"separatedmaterial_html_tesm":["\u003cp\u003eMaterials concerning Bea Ettinger and the Commission on Continuing Education for Women were added to the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2002-02\"\u003eBeatrice B. Ettinger Papers\u003c/extref\u003e.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Materials concerning Bea Ettinger and the Commission on Continuing Education for Women were added to the  Beatrice B. Ettinger Papers ."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6775f3d81f85428dce8e0c525e6a2237\"\u003eThe Marilyn Crotty papers, 1972-2018 (bulk 1976-1978), chiefly consist of news clippings, correspondence, reports, organizational records, and publications collected by Marilyn Crotty during her involvement with the Florida Governor's Commission on the Status of Women (COSOW). This collection documents the commission's organizational history and its efforts toward the betterment of women in the Central Florida area. The collection offers a glimpse into second-wave feminist activism in Florida and strategies in the 1970s to promote the feminist movement and gain support.\n\nMarilyn Ettinger Crotty is a Florida educator, activist, and civic leader whose career included work in public service, local government, and higher education. She served on the East Central Florida Regional Planning Council, the Florida Environmental Efficiency Study Commission, and the Florida Governor's Commission on the Status of Women (COSOW). In 1982, she established Valencia Community College's Center for Community Leadership, a state-funded institute that provided training programs for local government employees and elected officials. In 1990, the University of Central Florida hired her to direct the John Scott Dailey Institute of Government, a position she held until her retirement in 2018.\u003c/abstract\u003e"],"abstract_tesim":["The Marilyn Crotty papers, 1972-2018 (bulk 1976-1978), chiefly consist of news clippings, correspondence, reports, organizational records, and publications collected by Marilyn Crotty during her involvement with the Florida Governor's Commission on the Status of Women (COSOW). This collection documents the commission's organizational history and its efforts toward the betterment of women in the Central Florida area. The collection offers a glimpse into second-wave feminist activism in Florida and strategies in the 1970s to promote the feminist movement and gain support.\n\nMarilyn Ettinger Crotty is a Florida educator, activist, and civic leader whose career included work in public service, local government, and higher education. She served on the East Central Florida Regional Planning Council, the Florida Environmental Efficiency Study Commission, and the Florida Governor's Commission on the Status of Women (COSOW). In 1982, she established Valencia Community College's Center for Community Leadership, a state-funded institute that provided training programs for local government employees and elected officials. In 1990, the University of Central Florida hired her to direct the John Scott Dailey Institute of Government, a position she held until her retirement in 2018."],"names_coll_ssim":["Florida League of Women Voters","Florida. Governor's Commission on the Status of Women","Crotty, Marilyn, 1942-"],"names_ssim":["UCF Special Collections","Florida League of Women Voters","Florida. Governor's Commission on the Status of Women","Crotty, Marilyn, 1942-"],"corpname_ssim":["UCF Special Collections","Florida League of Women Voters","Florida. Governor's Commission on the Status of Women"],"persname_ssim":["Crotty, Marilyn, 1942-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":37,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1874028555102322688,"_root_":"05a98c5b9134be606136de87","timestamp":"2026-08-20T08:01:41.213Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"05a98c5b9134be606136de87","title_ssm":["Marilyn Crotty papers"],"title_tesim":["Marilyn Crotty papers"],"ead_ssi":"05a98c5b9134be606136de87","unitdate_ssm":["1972-2018","1976-1978"],"unitdate_bulk_ssim":["1976-1978"],"unitdate_inclusive_ssm":["1972-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC189","/repositories/4/resources/387"],"text":["SC189","/repositories/4/resources/387","Marilyn Crotty papers, 1972-2018, bulk 1976-1978","Equal Rights Amendments -- United States","Equal Rights Amendments","Feminism -- United States","Feminism","International Women's Decade, 1976-1985","International Women's Year, 1975","Women's rights -- United States","publications (documents)","programs (documents)","brochures","newspaper clippings","minutes (administrative records)","The entire collection is open for research.","The collection is arranged into two series as follows:\n Series I. Personal Files, 1976-2018 Series II. Commission on the Status of Women, 1972-1996","Marilyn Ettinger Crotty is a Florida educator, activist, and civic leader whose career included work in public service, local government, and higher education.  Born in 1942 to Beatrice Bornstein Ettinger and Leon Ettinger, Crotty earned a B.S. in Nursing from the University of Florida in 1963. Following graduation, she lived in San Francisco, California with her husband, Garrett Crotty, devoting her time to volunteer work, community service, and raising their three sons.  ","In 1968, she joined the League of Women Voters of San Francisco. When her family returned to Florida in 1971, she remained active in the League, participating in local and national initiatives, such as efforts to ratify the Equal Rights Amendment (ERA). She served as President of the Seminole County League of Women Voters from 1973 to 1975, then as a board member of the Florida League for six years.  She worked at various times alongside her mother, Beatrice Ettinger, who helped to establish the Central Florida Educational Consortium for Women and served as Vice President of the Florida League of Women Voters. Crotty received a Lifetime Achievement Award from the League of Women Voters in 2021.  ","Crotty later served as Executive Director of the Tri County League of Cities, representing municipalities in Orange, Seminole, and Osceola counties, and as a faculty member on the Florida League of Cities Institute for Elected Municipal Officials. She also served on the East Central Florida Regional Planning Council, the Florida Environmental Efficiency Study Commission, and the Florida Governor's Commission on the Status of Women (COSOW). Charged with improving public awareness of the needs and concerns of Florida women, COSOW advocated for women's education, employment, equal pay, and domestic violence support.  They also worked to establish local commissions throughout the state and were involved in International Women's Year (1975). ","Crotty had a long relationship with Central Florida's higher education institutions. In 1982, she established Valencia Community College's Center for Community Leadership, a state-funded institute that provided training programs for local government employees and elected officials. In 1990, the University of Central Florida hired her to direct the John Scott Dailey Institute of Government, a position she held until her retirement in 2018. ","Processed by and finding aid prepared by Ava Botwin in 2026.","Other materials related to the Commission on the Status of Women, Marilyn Crotty, and feminist efforts in Central Florida can be found in the  Beatrice B. Ettinger Papers . Similar materials may also be found in the  Phyllis J. Hudson papers  and the  Lynda Van Scoyoc papers  as well.","The Marilyn Crotty papers, 1972-2018 (bulk 1976-1978), chiefly consist of news clippings, correspondence, reports, organizational records, and publications collected by Marilyn Crotty during her involvement with the Florida Governor's Commission on the Status of Women (COSOW). This collection documents the commission's organizational history and its efforts toward the betterment of women in the Central Florida area. The collection offers a glimpse into second-wave feminist activism in Florida and strategies in the 1970s to promote the feminist movement and gain support.   ","Series I: Personal Files, 1976-2018, contains Marilyn Crotty's personal papers, including personal correspondence, publications, and materials related to Crotty's role in public service positions outside of the Florida Governor's Commission on the Status of Women. It also includes news clippings relating to Crotty and her achievements. This series is arranged alphabetically by topic. ","Series II: Commission on the Status of Women, 1972-1996, consists of material relating to the Florida Governor's Commission on the Status of Women (COSOW). Subseries I, Organizational Records, features internal records of the Commission, including interlocal agreements, ordinances, and testimonies about the creation of the Commission, as well as meeting minutes, reports, and news articles. It also holds publications produced by both the Central Florida COSOW and other national feminist organizations. This subseries is arranged by topic in alphabetical order.  Subseries II, Initiatives, contains material related to various causes and actions that COSOW supported or engaged in, including women's education, employment, and spousal abuse support. There is a sizable number of materials on the Equal Rights Amendment. This subseries is arranged by topic in alphabetical order. ","Materials concerning Bea Ettinger and the Commission on Continuing Education for Women were added to the  Beatrice B. Ettinger Papers .","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Marilyn Crotty papers, 1972-2018 (bulk 1976-1978), chiefly consist of news clippings, correspondence, reports, organizational records, and publications collected by Marilyn Crotty during her involvement with the Florida Governor's Commission on the Status of Women (COSOW). This collection documents the commission's organizational history and its efforts toward the betterment of women in the Central Florida area. The collection offers a glimpse into second-wave feminist activism in Florida and strategies in the 1970s to promote the feminist movement and gain support.\n\nMarilyn Ettinger Crotty is a Florida educator, activist, and civic leader whose career included work in public service, local government, and higher education. She served on the East Central Florida Regional Planning Council, the Florida Environmental Efficiency Study Commission, and the Florida Governor's Commission on the Status of Women (COSOW). In 1982, she established Valencia Community College's Center for Community Leadership, a state-funded institute that provided training programs for local government employees and elected officials. In 1990, the University of Central Florida hired her to direct the John Scott Dailey Institute of Government, a position she held until her retirement in 2018.","UCF Special Collections","Florida League of Women Voters","Florida. Governor's Commission on the Status of Women","Crotty, Marilyn, 1942-","English"],"unitid_tesim":["SC189","/repositories/4/resources/387"],"normalized_date_ssm":["1972-2018, bulk 1976-1978"],"normalized_title_ssm":["Marilyn Crotty papers, 1972-2018, bulk 1976-1978"],"collection_title_tesim":["Marilyn Crotty papers, 1972-2018, bulk 1976-1978"],"collection_ssim":["Marilyn Crotty papers, 1972-2018, bulk 1976-1978"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Crotty, Marilyn, 1942-"],"creator_ssim":["Crotty, Marilyn, 1942-"],"creator_persname_ssim":["Crotty, Marilyn, 1942-"],"creators_ssim":["Crotty, Marilyn, 1942-"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of Marilyn Crotty in 2026 (Accession no. CFM2026_04)."],"access_subjects_ssim":["Equal Rights Amendments -- United States","Equal Rights Amendments","Feminism -- United States","Feminism","International Women's Decade, 1976-1985","International Women's Year, 1975","Women's rights -- United States","publications (documents)","programs (documents)","brochures","newspaper clippings","minutes (administrative records)"],"access_subjects_ssm":["Equal Rights Amendments -- United States","Equal Rights Amendments","Feminism -- United States","Feminism","International Women's Decade, 1976-1985","International Women's Year, 1975","Women's rights -- United States","publications (documents)","programs (documents)","brochures","newspaper clippings","minutes (administrative records)"],"has_online_content_ssim":["false"],"extent_ssm":["1.3 Linear Feet 3 boxes, 1 flat file"],"extent_tesim":["1.3 Linear Feet 3 boxes, 1 flat file"],"genreform_ssim":["publications (documents)","programs (documents)","brochures","newspaper clippings","minutes (administrative records)"],"date_range_isim":[1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series as follows:\n\u003cul style=\"list-style-type: none\"\u003e\n  \u003cli\u003eSeries I. Personal Files, 1976-2018\u003c/li\u003e\n  \u003cli\u003eSeries II. Commission on the Status of Women, 1972-1996\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series as follows:\n Series I. Personal Files, 1976-2018 Series II. Commission on the Status of Women, 1972-1996"],"bioghist_html_tesm":["\u003cp\u003eMarilyn Ettinger Crotty is a Florida educator, activist, and civic leader whose career included work in public service, local government, and higher education.  Born in 1942 to Beatrice Bornstein Ettinger and Leon Ettinger, Crotty earned a B.S. in Nursing from the University of Florida in 1963. Following graduation, she lived in San Francisco, California with her husband, Garrett Crotty, devoting her time to volunteer work, community service, and raising their three sons.  \u003c/p\u003e\n","\u003cp\u003eIn 1968, she joined the League of Women Voters of San Francisco. When her family returned to Florida in 1971, she remained active in the League, participating in local and national initiatives, such as efforts to ratify the Equal Rights Amendment (ERA). She served as President of the Seminole County League of Women Voters from 1973 to 1975, then as a board member of the Florida League for six years.  She worked at various times alongside her mother, Beatrice Ettinger, who helped to establish the Central Florida Educational Consortium for Women and served as Vice President of the Florida League of Women Voters. Crotty received a Lifetime Achievement Award from the League of Women Voters in 2021.  \u003c/p\u003e\n","\u003cp\u003eCrotty later served as Executive Director of the Tri County League of Cities, representing municipalities in Orange, Seminole, and Osceola counties, and as a faculty member on the Florida League of Cities Institute for Elected Municipal Officials. She also served on the East Central Florida Regional Planning Council, the Florida Environmental Efficiency Study Commission, and the Florida Governor's Commission on the Status of Women (COSOW). Charged with improving public awareness of the needs and concerns of Florida women, COSOW advocated for women's education, employment, equal pay, and domestic violence support.  They also worked to establish local commissions throughout the state and were involved in International Women's Year (1975). \u003c/p\u003e\n","\u003cp\u003eCrotty had a long relationship with Central Florida's higher education institutions. In 1982, she established Valencia Community College's Center for Community Leadership, a state-funded institute that provided training programs for local government employees and elected officials. In 1990, the University of Central Florida hired her to direct the John Scott Dailey Institute of Government, a position she held until her retirement in 2018. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Marilyn Ettinger Crotty is a Florida educator, activist, and civic leader whose career included work in public service, local government, and higher education.  Born in 1942 to Beatrice Bornstein Ettinger and Leon Ettinger, Crotty earned a B.S. in Nursing from the University of Florida in 1963. Following graduation, she lived in San Francisco, California with her husband, Garrett Crotty, devoting her time to volunteer work, community service, and raising their three sons.  ","In 1968, she joined the League of Women Voters of San Francisco. When her family returned to Florida in 1971, she remained active in the League, participating in local and national initiatives, such as efforts to ratify the Equal Rights Amendment (ERA). She served as President of the Seminole County League of Women Voters from 1973 to 1975, then as a board member of the Florida League for six years.  She worked at various times alongside her mother, Beatrice Ettinger, who helped to establish the Central Florida Educational Consortium for Women and served as Vice President of the Florida League of Women Voters. Crotty received a Lifetime Achievement Award from the League of Women Voters in 2021.  ","Crotty later served as Executive Director of the Tri County League of Cities, representing municipalities in Orange, Seminole, and Osceola counties, and as a faculty member on the Florida League of Cities Institute for Elected Municipal Officials. She also served on the East Central Florida Regional Planning Council, the Florida Environmental Efficiency Study Commission, and the Florida Governor's Commission on the Status of Women (COSOW). Charged with improving public awareness of the needs and concerns of Florida women, COSOW advocated for women's education, employment, equal pay, and domestic violence support.  They also worked to establish local commissions throughout the state and were involved in International Women's Year (1975). ","Crotty had a long relationship with Central Florida's higher education institutions. In 1982, she established Valencia Community College's Center for Community Leadership, a state-funded institute that provided training programs for local government employees and elected officials. In 1990, the University of Central Florida hired her to direct the John Scott Dailey Institute of Government, a position she held until her retirement in 2018. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Marilyn Crotty papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Marilyn Crotty papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Ava Botwin in 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Ava Botwin in 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eOther materials related to the Commission on the Status of Women, Marilyn Crotty, and feminist efforts in Central Florida can be found in the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2002-02\"\u003eBeatrice B. Ettinger Papers\u003c/extref\u003e. Similar materials may also be found in the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-02\"\u003ePhyllis J. Hudson papers\u003c/extref\u003e and the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-15\"\u003eLynda Van Scoyoc papers\u003c/extref\u003e as well.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other materials related to the Commission on the Status of Women, Marilyn Crotty, and feminist efforts in Central Florida can be found in the  Beatrice B. Ettinger Papers . Similar materials may also be found in the  Phyllis J. Hudson papers  and the  Lynda Van Scoyoc papers  as well."],"scopecontent_html_tesm":["\u003cp\u003eThe Marilyn Crotty papers, 1972-2018 (bulk 1976-1978), chiefly consist of news clippings, correspondence, reports, organizational records, and publications collected by Marilyn Crotty during her involvement with the Florida Governor's Commission on the Status of Women (COSOW). This collection documents the commission's organizational history and its efforts toward the betterment of women in the Central Florida area. The collection offers a glimpse into second-wave feminist activism in Florida and strategies in the 1970s to promote the feminist movement and gain support.   \u003c/p\u003e\n","\u003cp\u003eSeries I: Personal Files, 1976-2018, contains Marilyn Crotty's personal papers, including personal correspondence, publications, and materials related to Crotty's role in public service positions outside of the Florida Governor's Commission on the Status of Women. It also includes news clippings relating to Crotty and her achievements. This series is arranged alphabetically by topic. \u003c/p\u003e\n","\u003cp\u003eSeries II: Commission on the Status of Women, 1972-1996, consists of material relating to the Florida Governor's Commission on the Status of Women (COSOW). Subseries I, Organizational Records, features internal records of the Commission, including interlocal agreements, ordinances, and testimonies about the creation of the Commission, as well as meeting minutes, reports, and news articles. It also holds publications produced by both the Central Florida COSOW and other national feminist organizations. This subseries is arranged by topic in alphabetical order.  Subseries II, Initiatives, contains material related to various causes and actions that COSOW supported or engaged in, including women's education, employment, and spousal abuse support. There is a sizable number of materials on the Equal Rights Amendment. This subseries is arranged by topic in alphabetical order. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Marilyn Crotty papers, 1972-2018 (bulk 1976-1978), chiefly consist of news clippings, correspondence, reports, organizational records, and publications collected by Marilyn Crotty during her involvement with the Florida Governor's Commission on the Status of Women (COSOW). This collection documents the commission's organizational history and its efforts toward the betterment of women in the Central Florida area. The collection offers a glimpse into second-wave feminist activism in Florida and strategies in the 1970s to promote the feminist movement and gain support.   ","Series I: Personal Files, 1976-2018, contains Marilyn Crotty's personal papers, including personal correspondence, publications, and materials related to Crotty's role in public service positions outside of the Florida Governor's Commission on the Status of Women. It also includes news clippings relating to Crotty and her achievements. This series is arranged alphabetically by topic. ","Series II: Commission on the Status of Women, 1972-1996, consists of material relating to the Florida Governor's Commission on the Status of Women (COSOW). Subseries I, Organizational Records, features internal records of the Commission, including interlocal agreements, ordinances, and testimonies about the creation of the Commission, as well as meeting minutes, reports, and news articles. It also holds publications produced by both the Central Florida COSOW and other national feminist organizations. This subseries is arranged by topic in alphabetical order.  Subseries II, Initiatives, contains material related to various causes and actions that COSOW supported or engaged in, including women's education, employment, and spousal abuse support. There is a sizable number of materials on the Equal Rights Amendment. This subseries is arranged by topic in alphabetical order. "],"separatedmaterial_html_tesm":["\u003cp\u003eMaterials concerning Bea Ettinger and the Commission on Continuing Education for Women were added to the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2002-02\"\u003eBeatrice B. Ettinger Papers\u003c/extref\u003e.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Materials concerning Bea Ettinger and the Commission on Continuing Education for Women were added to the  Beatrice B. Ettinger Papers ."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6775f3d81f85428dce8e0c525e6a2237\"\u003eThe Marilyn Crotty papers, 1972-2018 (bulk 1976-1978), chiefly consist of news clippings, correspondence, reports, organizational records, and publications collected by Marilyn Crotty during her involvement with the Florida Governor's Commission on the Status of Women (COSOW). This collection documents the commission's organizational history and its efforts toward the betterment of women in the Central Florida area. The collection offers a glimpse into second-wave feminist activism in Florida and strategies in the 1970s to promote the feminist movement and gain support.\n\nMarilyn Ettinger Crotty is a Florida educator, activist, and civic leader whose career included work in public service, local government, and higher education. She served on the East Central Florida Regional Planning Council, the Florida Environmental Efficiency Study Commission, and the Florida Governor's Commission on the Status of Women (COSOW). In 1982, she established Valencia Community College's Center for Community Leadership, a state-funded institute that provided training programs for local government employees and elected officials. In 1990, the University of Central Florida hired her to direct the John Scott Dailey Institute of Government, a position she held until her retirement in 2018.\u003c/abstract\u003e"],"abstract_tesim":["The Marilyn Crotty papers, 1972-2018 (bulk 1976-1978), chiefly consist of news clippings, correspondence, reports, organizational records, and publications collected by Marilyn Crotty during her involvement with the Florida Governor's Commission on the Status of Women (COSOW). This collection documents the commission's organizational history and its efforts toward the betterment of women in the Central Florida area. The collection offers a glimpse into second-wave feminist activism in Florida and strategies in the 1970s to promote the feminist movement and gain support.\n\nMarilyn Ettinger Crotty is a Florida educator, activist, and civic leader whose career included work in public service, local government, and higher education. She served on the East Central Florida Regional Planning Council, the Florida Environmental Efficiency Study Commission, and the Florida Governor's Commission on the Status of Women (COSOW). In 1982, she established Valencia Community College's Center for Community Leadership, a state-funded institute that provided training programs for local government employees and elected officials. In 1990, the University of Central Florida hired her to direct the John Scott Dailey Institute of Government, a position she held until her retirement in 2018."],"names_coll_ssim":["Florida League of Women Voters","Florida. Governor's Commission on the Status of Women","Crotty, Marilyn, 1942-"],"names_ssim":["UCF Special Collections","Florida League of Women Voters","Florida. Governor's Commission on the Status of Women","Crotty, Marilyn, 1942-"],"corpname_ssim":["UCF Special Collections","Florida League of Women Voters","Florida. Governor's Commission on the Status of Women"],"persname_ssim":["Crotty, Marilyn, 1942-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":37,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1874028555102322688,"_root_":"05a98c5b9134be606136de87","timestamp":"2026-08-20T08:01:41.213Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/05a98c5b9134be606136de87"}},{"id":"998ae1dfeac58871a130992b","type":"collection","attributes":{"title":"Mark Wallheiser Photographic Collection, 1980-2024","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/998ae1dfeac58871a130992b#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eDigital images, film negatives, and photographic prints documenting the photography career of Mark Wallheiser. Major topics include: Florida State University athletics and campus life; Florida A\u0026amp;M University athletics; National Football League; 2000 US Presidential Election events in Florida; North Florida scenes and locations; and Wallheiser's Pulitzer-nominated photo essays on crack cocaine use in Tallahassee and Hurricane Katrina.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/998ae1dfeac58871a130992b#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"998ae1dfeac58871a130992b","title_filing_ssi":"Wallheiser Photographic Collection","title_ssm":["Mark Wallheiser Photographic Collection"],"title_tesim":["Mark Wallheiser Photographic Collection"],"ead_ssi":"998ae1dfeac58871a130992b","unitdate_ssm":["1980-2024"],"unitdate_inclusive_ssm":["1980-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SCA 2024-008","/repositories/10/resources/2668"],"text":["SCA 2024-008","/repositories/10/resources/2668","Mark Wallheiser Photographic Collection, 1980-2024","Boxes 1-32 and 35 of this collection are open to all researchers.","Boxes 33 and 34 are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","All boxes may be accessed by researchers upon request at the Claude Pepper Library.","Mark Wallheiser was a staff photographer at the Tallahassee Democrat from 1981 to 2008, and a freelancer from 2008 to 2025. He was known for his coverage of natural disasters, high school and collegiate athletics, and American politics.","He graduated from Western Kentucky University where he initially majored in English before switching to multimedia. he left Tennessee for Alabama to work for the Montgomery Advertiser in 1978.","The Society for Professional Journalism named him Florida News Photographer of the Year in 1989. After multiple individual Pulitzer Prize nominations, Wallheiser was part of a team that won the 2006 Pulitzer Prize in Public Service covering Hurricane Katrina. He was nominated again for a Pulitzer Prize for an image he captured of Donald Trump at a rally in Mobile, Alabama.\nHis work was featured on the cover of the Washington Post, the New York Times, USA Today and in other media outlets.","Wallheiser retired from FAMU-FSU College of Engineering in December 2023.","Wallheiser, 72, died of cancer on May 15, 2026.","Sources:","https://www.markwallheiser.com/","William L. Hatfield. (May 16, 2026). A life behind the lens: Local Pulitzer-winning photographer and mentor dies.  Tallahassee Democrat .  https://www.tallahassee.com/story/news/2026/05/16/pulitzer-winning-photojournalist-mark-wallheiser-dies-tallahassee-photos/90108314007/","This collection does not have a box 31.","Mark Wallheiser Photography.  https://www.markwallheiser.com/ \nat the Internet Archive:  https://wayback.archive-it.org/31388/*/https://www.markwallheiser.com/","Digital images, film negatives, and photographic prints documenting the photography career of Mark Wallheiser. Major topics include: Florida State University athletics and campus life; Florida A\u0026M University athletics; National Football League; 2000 US Presidential Election events in Florida; North Florida scenes and locations; and Wallheiser's Pulitzer-nominated photo essays on crack cocaine use in Tallahassee and Hurricane Katrina.","Portions of this collection include graphic depictions of drug use, the aftermath of natural disasters, and human remains. Some content may be traumatic to researchers and difficult to view. See our full Statement on Potentially Harmful Content here:  https://repository.lib.fsu.edu/potentially-harmful-content-statement","Selected images from this collection have been digitized and are available through  PASS .","Copyright in images created by Wallheiser are held by the Wallheiser estate.","Re-use or copying of these works beyond Fair Use may require permission from the rights-holder. For more information, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["SCA 2024-008","/repositories/10/resources/2668"],"normalized_date_ssm":["1980-2024"],"normalized_title_ssm":["Mark Wallheiser Photographic Collection, 1980-2024"],"collection_title_tesim":["Mark Wallheiser Photographic Collection, 1980-2024"],"collection_ssim":["Mark Wallheiser Photographic Collection, 1980-2024"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright in images created by Wallheiser are held by the Wallheiser estate.","Re-use or copying of these works beyond Fair Use may require permission from the rights-holder. For more information, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"acqinfo_ssim":["Property rights transfer and copyright license executed by SCA Deed of Gift, March 28, 2023.","Negatives, prints, and optical disks transported to FSU Libraries on April 30, 2024.","Transfer of additional digital images expected in May 2024."],"has_online_content_ssim":["false"],"extent_ssm":["30 Linear Feet"],"extent_tesim":["30 Linear Feet"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eBoxes 1-32 and 35 of this collection are open to all researchers.\u003c/p\u003e\n","\u003cp\u003eBoxes 33 and 34 are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.\u003c/p\u003e\n","\u003cp\u003eAll boxes may be accessed by researchers upon request at the Claude Pepper Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Boxes 1-32 and 35 of this collection are open to all researchers.","Boxes 33 and 34 are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","All boxes may be accessed by researchers upon request at the Claude Pepper Library."],"bioghist_html_tesm":["\u003cp\u003eMark Wallheiser was a staff photographer at the Tallahassee Democrat from 1981 to 2008, and a freelancer from 2008 to 2025. He was known for his coverage of natural disasters, high school and collegiate athletics, and American politics.\u003c/p\u003e\n","\u003cp\u003eHe graduated from Western Kentucky University where he initially majored in English before switching to multimedia. he left Tennessee for Alabama to work for the Montgomery Advertiser in 1978.\u003c/p\u003e\n","\u003cp\u003eThe Society for Professional Journalism named him Florida News Photographer of the Year in 1989. After multiple individual Pulitzer Prize nominations, Wallheiser was part of a team that won the 2006 Pulitzer Prize in Public Service covering Hurricane Katrina. He was nominated again for a Pulitzer Prize for an image he captured of Donald Trump at a rally in Mobile, Alabama.\nHis work was featured on the cover of the Washington Post, the New York Times, USA Today and in other media outlets.\u003c/p\u003e\n","\u003cp\u003eWallheiser retired from FAMU-FSU College of Engineering in December 2023.\u003c/p\u003e\n","\u003cp\u003eWallheiser, 72, died of cancer on May 15, 2026.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://www.markwallheiser.com/\"\u003ehttps://www.markwallheiser.com/\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eWilliam L. Hatfield. (May 16, 2026). A life behind the lens: Local Pulitzer-winning photographer and mentor dies. \u003cemph render=\"italic\"\u003eTallahassee Democrat\u003c/emph\u003e. \u003cextref href=\"https://www.tallahassee.com/story/news/2026/05/16/pulitzer-winning-photojournalist-mark-wallheiser-dies-tallahassee-photos/90108314007/\"\u003ehttps://www.tallahassee.com/story/news/2026/05/16/pulitzer-winning-photojournalist-mark-wallheiser-dies-tallahassee-photos/90108314007/\u003c/extref\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Mark Wallheiser was a staff photographer at the Tallahassee Democrat from 1981 to 2008, and a freelancer from 2008 to 2025. He was known for his coverage of natural disasters, high school and collegiate athletics, and American politics.","He graduated from Western Kentucky University where he initially majored in English before switching to multimedia. he left Tennessee for Alabama to work for the Montgomery Advertiser in 1978.","The Society for Professional Journalism named him Florida News Photographer of the Year in 1989. After multiple individual Pulitzer Prize nominations, Wallheiser was part of a team that won the 2006 Pulitzer Prize in Public Service covering Hurricane Katrina. He was nominated again for a Pulitzer Prize for an image he captured of Donald Trump at a rally in Mobile, Alabama.\nHis work was featured on the cover of the Washington Post, the New York Times, USA Today and in other media outlets.","Wallheiser retired from FAMU-FSU College of Engineering in December 2023.","Wallheiser, 72, died of cancer on May 15, 2026.","Sources:","https://www.markwallheiser.com/","William L. Hatfield. (May 16, 2026). A life behind the lens: Local Pulitzer-winning photographer and mentor dies.  Tallahassee Democrat .  https://www.tallahassee.com/story/news/2026/05/16/pulitzer-winning-photojournalist-mark-wallheiser-dies-tallahassee-photos/90108314007/"],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Mark Wallheiser Photographic Collection, SCA 2024-008, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. http://purl.lib.fsu.edu/fa/SCA-2024-008\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Mark Wallheiser Photographic Collection, SCA 2024-008, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. http://purl.lib.fsu.edu/fa/SCA-2024-008"],"processinfo_html_tesm":["\u003cp\u003eThis collection does not have a box 31.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection does not have a box 31."],"relatedmaterial_html_tesm":["\u003cp\u003eMark Wallheiser Photography. \u003cextref href=\"https://www.markwallheiser.com/\"\u003ehttps://www.markwallheiser.com/\u003c/extref\u003e\n\u003cbr\u003e\nat the Internet Archive: \u003cextref href=\"https://wayback.archive-it.org/31388/*/https://www.markwallheiser.com/\"\u003ehttps://wayback.archive-it.org/31388/*/https://www.markwallheiser.com/\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Mark Wallheiser Photography.  https://www.markwallheiser.com/ \nat the Internet Archive:  https://wayback.archive-it.org/31388/*/https://www.markwallheiser.com/"],"scopecontent_html_tesm":["\u003cp\u003eDigital images, film negatives, and photographic prints documenting the photography career of Mark Wallheiser. Major topics include: Florida State University athletics and campus life; Florida A\u0026amp;M University athletics; National Football League; 2000 US Presidential Election events in Florida; North Florida scenes and locations; and Wallheiser's Pulitzer-nominated photo essays on crack cocaine use in Tallahassee and Hurricane Katrina.\u003c/p\u003e","\u003cp\u003ePortions of this collection include graphic depictions of drug use, the aftermath of natural disasters, and human remains. Some content may be traumatic to researchers and difficult to view. See our full Statement on Potentially Harmful Content here: \u003cextref href=\"https://repository.lib.fsu.edu/potentially-harmful-content-statement\"\u003ehttps://repository.lib.fsu.edu/potentially-harmful-content-statement\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003eSelected images from this collection have been digitized and are available through \u003cextref href=\"http://pass.lib.fsu.edu/#Mark_Wallheiser_Photographic_Collection_2024-008/\"\u003ePASS\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Potentially Harmful Content","Online Copies Available"],"scopecontent_tesim":["Digital images, film negatives, and photographic prints documenting the photography career of Mark Wallheiser. Major topics include: Florida State University athletics and campus life; Florida A\u0026M University athletics; National Football League; 2000 US Presidential Election events in Florida; North Florida scenes and locations; and Wallheiser's Pulitzer-nominated photo essays on crack cocaine use in Tallahassee and Hurricane Katrina.","Portions of this collection include graphic depictions of drug use, the aftermath of natural disasters, and human remains. Some content may be traumatic to researchers and difficult to view. See our full Statement on Potentially Harmful Content here:  https://repository.lib.fsu.edu/potentially-harmful-content-statement","Selected images from this collection have been digitized and are available through  PASS ."],"userestrict_html_tesm":["\u003cp\u003eCopyright in images created by Wallheiser are held by the Wallheiser estate.\u003c/p\u003e\n","\u003cp\u003eRe-use or copying of these works beyond Fair Use may require permission from the rights-holder. For more information, contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright in images created by Wallheiser are held by the Wallheiser estate.","Re-use or copying of these works beyond Fair Use may require permission from the rights-holder. For more information, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"total_component_count_is":5345,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877107886885175296,"_root_":"998ae1dfeac58871a130992b","timestamp":"2026-09-23T07:46:20.757Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"998ae1dfeac58871a130992b","title_filing_ssi":"Wallheiser Photographic Collection","title_ssm":["Mark Wallheiser Photographic Collection"],"title_tesim":["Mark Wallheiser Photographic Collection"],"ead_ssi":"998ae1dfeac58871a130992b","unitdate_ssm":["1980-2024"],"unitdate_inclusive_ssm":["1980-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SCA 2024-008","/repositories/10/resources/2668"],"text":["SCA 2024-008","/repositories/10/resources/2668","Mark Wallheiser Photographic Collection, 1980-2024","Boxes 1-32 and 35 of this collection are open to all researchers.","Boxes 33 and 34 are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","All boxes may be accessed by researchers upon request at the Claude Pepper Library.","Mark Wallheiser was a staff photographer at the Tallahassee Democrat from 1981 to 2008, and a freelancer from 2008 to 2025. He was known for his coverage of natural disasters, high school and collegiate athletics, and American politics.","He graduated from Western Kentucky University where he initially majored in English before switching to multimedia. he left Tennessee for Alabama to work for the Montgomery Advertiser in 1978.","The Society for Professional Journalism named him Florida News Photographer of the Year in 1989. After multiple individual Pulitzer Prize nominations, Wallheiser was part of a team that won the 2006 Pulitzer Prize in Public Service covering Hurricane Katrina. He was nominated again for a Pulitzer Prize for an image he captured of Donald Trump at a rally in Mobile, Alabama.\nHis work was featured on the cover of the Washington Post, the New York Times, USA Today and in other media outlets.","Wallheiser retired from FAMU-FSU College of Engineering in December 2023.","Wallheiser, 72, died of cancer on May 15, 2026.","Sources:","https://www.markwallheiser.com/","William L. Hatfield. (May 16, 2026). A life behind the lens: Local Pulitzer-winning photographer and mentor dies.  Tallahassee Democrat .  https://www.tallahassee.com/story/news/2026/05/16/pulitzer-winning-photojournalist-mark-wallheiser-dies-tallahassee-photos/90108314007/","This collection does not have a box 31.","Mark Wallheiser Photography.  https://www.markwallheiser.com/ \nat the Internet Archive:  https://wayback.archive-it.org/31388/*/https://www.markwallheiser.com/","Digital images, film negatives, and photographic prints documenting the photography career of Mark Wallheiser. Major topics include: Florida State University athletics and campus life; Florida A\u0026M University athletics; National Football League; 2000 US Presidential Election events in Florida; North Florida scenes and locations; and Wallheiser's Pulitzer-nominated photo essays on crack cocaine use in Tallahassee and Hurricane Katrina.","Portions of this collection include graphic depictions of drug use, the aftermath of natural disasters, and human remains. Some content may be traumatic to researchers and difficult to view. See our full Statement on Potentially Harmful Content here:  https://repository.lib.fsu.edu/potentially-harmful-content-statement","Selected images from this collection have been digitized and are available through  PASS .","Copyright in images created by Wallheiser are held by the Wallheiser estate.","Re-use or copying of these works beyond Fair Use may require permission from the rights-holder. For more information, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["SCA 2024-008","/repositories/10/resources/2668"],"normalized_date_ssm":["1980-2024"],"normalized_title_ssm":["Mark Wallheiser Photographic Collection, 1980-2024"],"collection_title_tesim":["Mark Wallheiser Photographic Collection, 1980-2024"],"collection_ssim":["Mark Wallheiser Photographic Collection, 1980-2024"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright in images created by Wallheiser are held by the Wallheiser estate.","Re-use or copying of these works beyond Fair Use may require permission from the rights-holder. For more information, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"acqinfo_ssim":["Property rights transfer and copyright license executed by SCA Deed of Gift, March 28, 2023.","Negatives, prints, and optical disks transported to FSU Libraries on April 30, 2024.","Transfer of additional digital images expected in May 2024."],"has_online_content_ssim":["false"],"extent_ssm":["30 Linear Feet"],"extent_tesim":["30 Linear Feet"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eBoxes 1-32 and 35 of this collection are open to all researchers.\u003c/p\u003e\n","\u003cp\u003eBoxes 33 and 34 are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.\u003c/p\u003e\n","\u003cp\u003eAll boxes may be accessed by researchers upon request at the Claude Pepper Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Boxes 1-32 and 35 of this collection are open to all researchers.","Boxes 33 and 34 are restricted. Access will be reviewed upon request by curators, screening for confidential or sensitive information. Contact lib-specialcollections@fsu.edu for more information about access to these materials.","All boxes may be accessed by researchers upon request at the Claude Pepper Library."],"bioghist_html_tesm":["\u003cp\u003eMark Wallheiser was a staff photographer at the Tallahassee Democrat from 1981 to 2008, and a freelancer from 2008 to 2025. He was known for his coverage of natural disasters, high school and collegiate athletics, and American politics.\u003c/p\u003e\n","\u003cp\u003eHe graduated from Western Kentucky University where he initially majored in English before switching to multimedia. he left Tennessee for Alabama to work for the Montgomery Advertiser in 1978.\u003c/p\u003e\n","\u003cp\u003eThe Society for Professional Journalism named him Florida News Photographer of the Year in 1989. After multiple individual Pulitzer Prize nominations, Wallheiser was part of a team that won the 2006 Pulitzer Prize in Public Service covering Hurricane Katrina. He was nominated again for a Pulitzer Prize for an image he captured of Donald Trump at a rally in Mobile, Alabama.\nHis work was featured on the cover of the Washington Post, the New York Times, USA Today and in other media outlets.\u003c/p\u003e\n","\u003cp\u003eWallheiser retired from FAMU-FSU College of Engineering in December 2023.\u003c/p\u003e\n","\u003cp\u003eWallheiser, 72, died of cancer on May 15, 2026.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://www.markwallheiser.com/\"\u003ehttps://www.markwallheiser.com/\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eWilliam L. Hatfield. (May 16, 2026). A life behind the lens: Local Pulitzer-winning photographer and mentor dies. \u003cemph render=\"italic\"\u003eTallahassee Democrat\u003c/emph\u003e. \u003cextref href=\"https://www.tallahassee.com/story/news/2026/05/16/pulitzer-winning-photojournalist-mark-wallheiser-dies-tallahassee-photos/90108314007/\"\u003ehttps://www.tallahassee.com/story/news/2026/05/16/pulitzer-winning-photojournalist-mark-wallheiser-dies-tallahassee-photos/90108314007/\u003c/extref\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Mark Wallheiser was a staff photographer at the Tallahassee Democrat from 1981 to 2008, and a freelancer from 2008 to 2025. He was known for his coverage of natural disasters, high school and collegiate athletics, and American politics.","He graduated from Western Kentucky University where he initially majored in English before switching to multimedia. he left Tennessee for Alabama to work for the Montgomery Advertiser in 1978.","The Society for Professional Journalism named him Florida News Photographer of the Year in 1989. After multiple individual Pulitzer Prize nominations, Wallheiser was part of a team that won the 2006 Pulitzer Prize in Public Service covering Hurricane Katrina. He was nominated again for a Pulitzer Prize for an image he captured of Donald Trump at a rally in Mobile, Alabama.\nHis work was featured on the cover of the Washington Post, the New York Times, USA Today and in other media outlets.","Wallheiser retired from FAMU-FSU College of Engineering in December 2023.","Wallheiser, 72, died of cancer on May 15, 2026.","Sources:","https://www.markwallheiser.com/","William L. Hatfield. (May 16, 2026). A life behind the lens: Local Pulitzer-winning photographer and mentor dies.  Tallahassee Democrat .  https://www.tallahassee.com/story/news/2026/05/16/pulitzer-winning-photojournalist-mark-wallheiser-dies-tallahassee-photos/90108314007/"],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Mark Wallheiser Photographic Collection, SCA 2024-008, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. http://purl.lib.fsu.edu/fa/SCA-2024-008\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Mark Wallheiser Photographic Collection, SCA 2024-008, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. http://purl.lib.fsu.edu/fa/SCA-2024-008"],"processinfo_html_tesm":["\u003cp\u003eThis collection does not have a box 31.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection does not have a box 31."],"relatedmaterial_html_tesm":["\u003cp\u003eMark Wallheiser Photography. \u003cextref href=\"https://www.markwallheiser.com/\"\u003ehttps://www.markwallheiser.com/\u003c/extref\u003e\n\u003cbr\u003e\nat the Internet Archive: \u003cextref href=\"https://wayback.archive-it.org/31388/*/https://www.markwallheiser.com/\"\u003ehttps://wayback.archive-it.org/31388/*/https://www.markwallheiser.com/\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Mark Wallheiser Photography.  https://www.markwallheiser.com/ \nat the Internet Archive:  https://wayback.archive-it.org/31388/*/https://www.markwallheiser.com/"],"scopecontent_html_tesm":["\u003cp\u003eDigital images, film negatives, and photographic prints documenting the photography career of Mark Wallheiser. Major topics include: Florida State University athletics and campus life; Florida A\u0026amp;M University athletics; National Football League; 2000 US Presidential Election events in Florida; North Florida scenes and locations; and Wallheiser's Pulitzer-nominated photo essays on crack cocaine use in Tallahassee and Hurricane Katrina.\u003c/p\u003e","\u003cp\u003ePortions of this collection include graphic depictions of drug use, the aftermath of natural disasters, and human remains. Some content may be traumatic to researchers and difficult to view. See our full Statement on Potentially Harmful Content here: \u003cextref href=\"https://repository.lib.fsu.edu/potentially-harmful-content-statement\"\u003ehttps://repository.lib.fsu.edu/potentially-harmful-content-statement\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003eSelected images from this collection have been digitized and are available through \u003cextref href=\"http://pass.lib.fsu.edu/#Mark_Wallheiser_Photographic_Collection_2024-008/\"\u003ePASS\u003c/extref\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Potentially Harmful Content","Online Copies Available"],"scopecontent_tesim":["Digital images, film negatives, and photographic prints documenting the photography career of Mark Wallheiser. Major topics include: Florida State University athletics and campus life; Florida A\u0026M University athletics; National Football League; 2000 US Presidential Election events in Florida; North Florida scenes and locations; and Wallheiser's Pulitzer-nominated photo essays on crack cocaine use in Tallahassee and Hurricane Katrina.","Portions of this collection include graphic depictions of drug use, the aftermath of natural disasters, and human remains. Some content may be traumatic to researchers and difficult to view. See our full Statement on Potentially Harmful Content here:  https://repository.lib.fsu.edu/potentially-harmful-content-statement","Selected images from this collection have been digitized and are available through  PASS ."],"userestrict_html_tesm":["\u003cp\u003eCopyright in images created by Wallheiser are held by the Wallheiser estate.\u003c/p\u003e\n","\u003cp\u003eRe-use or copying of these works beyond Fair Use may require permission from the rights-holder. For more information, contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright in images created by Wallheiser are held by the Wallheiser estate.","Re-use or copying of these works beyond Fair Use may require permission from the rights-holder. For more information, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu."],"names_ssim":["FSU Special Collections \u0026 Archives"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"language_ssim":["English"],"total_component_count_is":5345,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877107886885175296,"_root_":"998ae1dfeac58871a130992b","timestamp":"2026-09-23T07:46:20.757Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/998ae1dfeac58871a130992b"}},{"id":"d0c0ec0d01fac02c27f7a38e","type":"collection","attributes":{"title":"Melodie Moorehead Papers, 1970-2021","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d0c0ec0d01fac02c27f7a38e#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe materials in this collection reflect the subject's participation in Lesbian, Gay, Bisexual, Transgender (LGBT) activism and interest in psychotherapy for the LGBT community. The bulk of the collection contains correspondence, news clippings, interviews with Moorehead, autobiographical information, and photos.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d0c0ec0d01fac02c27f7a38e#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"d0c0ec0d01fac02c27f7a38e","title_ssm":["Melodie Moorehead Papers"],"title_tesim":["Melodie Moorehead Papers"],"ead_ssi":"d0c0ec0d01fac02c27f7a38e","unitdate_ssm":["1970-2021"],"unitdate_inclusive_ssm":["1970-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9015","/repositories/2/resources/111"],"text":["SPC9015","/repositories/2/resources/111","Melodie Moorehead Papers, 1970-2021","Lesbian Activists","Lesbians","LGBT community centers","Sexual minorities","Gay activists","Gay liberation movement","Gay rights","Gay community","Gay counselors","Gay press publications","Gay psychologists","Gay social workers","Lesbian Community","Lesbian Culture","South Florida Gay Community","Lesbian psychotherapists","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials in this collection are arranged as follows:","Personal Mementos\nCorrespondence Between Moorehead, Kunst, Rockway, and Others\nGraduate Seminar (Compiled by Moorehead)\nPublicity\n1970s-1980s Gay Rights Activism \nBiography\nTransperience and Mental Health Advocacy \nPhotography\nNewspapers\nMagazines\nNewspaper Clippings\nAudio\nEphemera","Dr. Melodie Kay Moorehead, born on Father's Day, June 19, 1949 in Utica, NY, was reared in Miami-Dade County, Florida where she began kindergarten. Subsequentially, she graduated from Miami Central High School, where she was a Silver Knight nominee in music and went on to become a professional musician working her way through school from the age of 18 until 1983, when she completed her PhD from the Union Institute. Following licensure as a psychologist she later became a Fellow and Board Certified, in Clinical Health Psychology, by the American Board of Professional Psychology (ABPP). She is a lifetime member of the American Psychological Association (APA), American Society for Metabolic and Bariatric Surgery (ASMBS), Internation Federation for the Surgery of Obesity and Metabolic Disorders (IFSO) and holds membership in Daughters of the American Revolution (DAR). Melodie also graduated from, Miami Dade Junior College – North Campus, and Florida Atlantic University (FAU), with a double major, completing that coursework in 1971.  ","Before her involvement with Human Rights work, she had many high-profile musical engagements as a drummer and vocalist. She contracted with a show band called Your Father's Mustache and played the \"Washboard\" and other percussion instruments at the age of 18 at the Hilton Plaza, Miami Beach. During her 1968 and 69 engagement there, the space also hosted Jackie Gleason's weekly television show, as well as the Headquarters for Richard Nixon's 1968 National Convention. Nightly, Nixon's staff were in front row attendance for the nightclub show and would send the young Melodie cold milk to the stage as they sent alcoholic beverages to other members of the band. When he won the election, Nixon's head writer invited Melodie to attend the Inaugural Ball, which she attended with her mother, Laura Joyce Gillett Moorehead Williams. Later Melodie, still an undergraduate, received an invitation from President Nixon's staff to transfer to Georgetown University and study law as a proper introduction to Washington politics. She humbly state: \"I want to become a doctor and help people.\"   ","Returning to her intentioned life's mission, she completed the MA degree, in Psychology, from Lone Mountain College  (today, University of San Francisco), in 1977. It was at this period of time she petitioned FAU to confer her undergraduate degree. It had been withheld by the institution due to administrative rules. She won her petition, which helps explains why her MA diploma was conferred a year before her BA. The irony here perhaps was that Dr. Shwartz, who headed the Department of Sociology at FAU, had offered her a full scholarship to the MA program and to a prestigious doctoral program in return for her teaching at FAU for 5 years. Again, she humbly and politely declined. ","Instead, Melodie toured with another musical group, which ultimately led to her coming to terms with her same-sex feelings, which had amounted to a lifetime of tumult. Following her own personal paradigmatic shift and owning her sense of \"gay identity,\" Melodie entered psychotherapy with Dr. Theodore Aidman, the first president and founder of the Dade County Psychological Association (Dr. Aidman ultimately served as mentor throughout Melodie's MA and PhD programs; her MA thesis was based on Dr. Adman's work, \"Transcending One's Self-Fulfilling Prophecy.\"). Melodie soon committed herself to a new career in the field of psychology working within the gay community. ","Dr. Alan Rockway, Mr. Robert \"Bob\" Kunst, and Mr. Bob Basker co-authored the 1976 Miami Gay Rights Ordinance. This Ordinance was repealed through the efforts of Anita Bryant and others the following year.  Before the 1976 Ordinance was repealed and before meeting the authors, Melodie was invited to be interview by Channel 10 News WPLG anchored by Ann Bishop, a popular local journalist. A news crew came to Melodie's Coconut Grove studio apartment, rented monthly for $175.00, to help put a face on what \"Gay\" looked like and to introduce that face to the community. People were expected to soon go to the polls to vote \"For\" or \"Against\" the repeal of the ordinance after the new law was on record for a few months without incident. The news crew stayed inside Melodie's apartment for 4 hours attempting to learn how she felt discriminated against. At the time, she could not come up with a direct sense of discrimination to report. Melodie is first to say, \"I was very naïve.\"","By 1977, Melodie had contributed a chapter in a volume titled Now What? to help parents understand their gay child; Dr. Virginia Pendergrass, a clinical psychologist at FIU, was also among the contributors and she, with the Center for Dialog, often put workshops together where Melodie also presented. ","It was during her Master's level training with the Gestalt Institute of Miami, Dr. Calvin Leonard, then Dean of the University of Miami School of Continuing Education, suggested that she meet directly with Dr. Rockway and Mr. Kunst of the Transperience Center. It was at this meeting when Melodie learned the Transperience Center was only a few doors down from where she lived. The two men began telling her of the $55,000 grant they had written through the federal Comprehensive Employment and Training Act (CETA) to fund five positions at the Transperience Center. They asked her to take a position as the Community Outreach Coordinator and Mental Health Counselor for the Transperience Center that they directed. She accepted the position after securing her credentials. The Transperience Center was a community health center for people living in alternative lifestyles. The grant was awarded and, following the repeal of the \"Gay Rights Ordinance,\" the grant was terminated following protests from ultra conservative groups. The trio Moorehead, Rockway, and Kunst then created a new organization, Congress United for Rights and Equality (CURE), and they filed a lawsuit through the Department of Labor for the grant's termination. Going to Federal Court twice without a judge discharging the case, the trio did not have the necessary funds to continue this fight. The gay community, even on the national scale, had not yet mobilized enough to assist. The trio ended up on food stamps for six months and Melodie conducted her last counseling session on the floor of the Transperience Center, as their rented furniture had been repossessed. ","It was during this downtrodden time that Melodie came to better understand  the many faces of discrimination. Kunst even asked Moorehead, \"Do you feel discrimination now?\" She replied \"Yes!,\" and then he asked: \"Are you ready to collect signatures?\" She then committed to collecting 18,000 of the  needed signatures to place an offensive effort to get Human Rights (Gay Rights) on the November 1978 ballot. The trio worked together to get certified registered voters' signatures to place three new ordinances onto the Dade County ballot that banned discrimination in housing, employment, transportation, and support equality for gays and others living alternative lifestyles, including heterosexuals. Throughout the late 1970s and early 1980s, the trio organized to pass equality ordinances and promote media awareness to protect individual rights.  ","Melodie relocated to Fort Lauderdale and began her PhD program in 1980. This relocation was picked up by the local press as Melodie met with every County Commissioner in Broward County regarding Gay Rights. It was not until the passage of the Eckart Bill, which called for the Privacy Rights of citizens in Florida, that Melodie shifted her focus to fully establishing herself in healthcare. By this time, she had learned the great need for culturally sensitive service in the mental health and medical field. Melodie routinely provided services for HTLV-3, later known as AIDS services, to individuals in and out of hospital settings. ","With unanticipated turn of events, by the mid-1980s the then Dr. Moorehead began working with other groups of very often discriminated people struggling with the disease of morbid and super obesity. Her talents and training were recognized and her work evolved to lecturing both nationally and internationally as an invited speaker while maintaining a longstanding private practice and holding staff privileges and responsivities for decades in Broward's hospital system. In 2002 Dr. Moorehead was awarded the Golden Circle of Excellence Award from what now is called ASMBS. She was the first woman and non-surgeon to receive this honor.","During the height of her career, a then-hospitalized Dr. John Graves, who served as the Board of Trustees President of what is today the Stonewall National Museum, Archives, and Library, asked her to serve as president of the decades-old organization. Knowing that this lovely, generous man was terminally ill, she agreed to his request. By 2004 she was at the helm of Stonewall and personally funded a trip to Washington, D.C., where, among her achievements as president, she signed a contract with the United States Holocaust Memorial Museum to bring its historic exhibition, \"Nazi Persecution of the Homosexual 1933-45,\" to South Florida. The exhibition was presented at the Fort Lauderdale main library. ","Finally, Dr. Moorehead closed her Professional Association and successfully retired her South Florida 50-year career in mental health. She did so only after providing two years of face-to-face isolation protocol support during the Covid-19 pandemic and lockdown in a long-term care facility.  Residents were mandated to remain in their closed rooms while family visitation was prohibited. As of Fall 2025, she retains her licensure and board certification and remains active in licensing professionals and programs worldwide in the use of The Bariatric Analysis and Reporting Outcome System (BAROS) and the Moorehead-Ardelt Quality of Life Questionnaire II (MAII) of which she holds copyright.","Dr. Moorehead encourages all who visit this bio sketch to enjoy the archives and share what you learn with others so that history does not have to repeat itself again. Biography compiled by Dr. Melodie Kay Moorehead","LANGUAGE WARNING: Some personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present.","The materials in this collection reflect the subject's participation in Lesbian, Gay, Bisexual, Transgender (LGBT) activism and interest in psychotherapy for the LGBT community. The bulk of the collection contains correspondence, news clippings, interviews with Moorehead, autobiographical information, and photos.","Please note: this collection includes some images that portray nudity in both sexual and non-sexual contexts.","The Melodie Moorehead Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English"],"unitid_tesim":["SPC9015","/repositories/2/resources/111"],"normalized_date_ssm":["1970-2021"],"normalized_title_ssm":["Melodie Moorehead Papers, 1970-2021"],"collection_title_tesim":["Melodie Moorehead Papers, 1970-2021"],"collection_ssim":["Melodie Moorehead Papers, 1970-2021"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Lesbian Activists","Lesbians","LGBT community centers","Sexual minorities","Gay activists","Gay liberation movement","Gay rights","Gay community","Gay counselors","Gay press publications","Gay psychologists","Gay social workers"],"geogname_ssim":["Lesbian Activists","Lesbians","LGBT community centers","Sexual minorities","Gay activists","Gay liberation movement","Gay rights","Gay community","Gay counselors","Gay press publications","Gay psychologists","Gay social workers"],"places_ssim":["Lesbian Activists","Lesbians","LGBT community centers","Sexual minorities","Gay activists","Gay liberation movement","Gay rights","Gay community","Gay counselors","Gay press publications","Gay psychologists","Gay social workers"],"access_terms_ssm":["The Melodie Moorehead Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by the Melodie Moorehead Archives"],"access_subjects_ssim":["Lesbian Community","Lesbian Culture","South Florida Gay Community","Lesbian psychotherapists"],"access_subjects_ssm":["Lesbian Community","Lesbian Culture","South Florida Gay Community","Lesbian psychotherapists"],"has_online_content_ssim":["false"],"extent_ssm":["1 boxes 1 Legal Size Document Case 1 Large Flat Newspaper Box"],"extent_tesim":["1 boxes 1 Legal Size Document Case 1 Large Flat Newspaper Box"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged as follows:\u003c/p\u003e\n","\u003cp\u003ePersonal Mementos\nCorrespondence Between Moorehead, Kunst, Rockway, and Others\nGraduate Seminar (Compiled by Moorehead)\nPublicity\n1970s-1980s Gay Rights Activism \nBiography\nTransperience and Mental Health Advocacy \nPhotography\nNewspapers\nMagazines\nNewspaper Clippings\nAudio\nEphemera\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection are arranged as follows:","Personal Mementos\nCorrespondence Between Moorehead, Kunst, Rockway, and Others\nGraduate Seminar (Compiled by Moorehead)\nPublicity\n1970s-1980s Gay Rights Activism \nBiography\nTransperience and Mental Health Advocacy \nPhotography\nNewspapers\nMagazines\nNewspaper Clippings\nAudio\nEphemera"],"bioghist_html_tesm":["\u003cp\u003eDr. Melodie Kay Moorehead, born on Father's Day, June 19, 1949 in Utica, NY, was reared in Miami-Dade County, Florida where she began kindergarten. Subsequentially, she graduated from Miami Central High School, where she was a Silver Knight nominee in music and went on to become a professional musician working her way through school from the age of 18 until 1983, when she completed her PhD from the Union Institute. Following licensure as a psychologist she later became a Fellow and Board Certified, in Clinical Health Psychology, by the American Board of Professional Psychology (ABPP). She is a lifetime member of the American Psychological Association (APA), American Society for Metabolic and Bariatric Surgery (ASMBS), Internation Federation for the Surgery of Obesity and Metabolic Disorders (IFSO) and holds membership in Daughters of the American Revolution (DAR). Melodie also graduated from, Miami Dade Junior College \u0026#x2013; North Campus, and Florida Atlantic University (FAU), with a double major, completing that coursework in 1971.  \u003c/p\u003e\n","\u003cp\u003eBefore her involvement with Human Rights work, she had many high-profile musical engagements as a drummer and vocalist. She contracted with a show band called Your Father's Mustache and played the \"Washboard\" and other percussion instruments at the age of 18 at the Hilton Plaza, Miami Beach. During her 1968 and 69 engagement there, the space also hosted Jackie Gleason's weekly television show, as well as the Headquarters for Richard Nixon's 1968 National Convention. Nightly, Nixon's staff were in front row attendance for the nightclub show and would send the young Melodie cold milk to the stage as they sent alcoholic beverages to other members of the band. When he won the election, Nixon's head writer invited Melodie to attend the Inaugural Ball, which she attended with her mother, Laura Joyce Gillett Moorehead Williams. Later Melodie, still an undergraduate, received an invitation from President Nixon's staff to transfer to Georgetown University and study law as a proper introduction to Washington politics. She humbly state: \"I want to become a doctor and help people.\"   \u003c/p\u003e\n","\u003cp\u003eReturning to her intentioned life's mission, she completed the MA degree, in Psychology, from Lone Mountain College  (today, University of San Francisco), in 1977. It was at this period of time she petitioned FAU to confer her undergraduate degree. It had been withheld by the institution due to administrative rules. She won her petition, which helps explains why her MA diploma was conferred a year before her BA. The irony here perhaps was that Dr. Shwartz, who headed the Department of Sociology at FAU, had offered her a full scholarship to the MA program and to a prestigious doctoral program in return for her teaching at FAU for 5 years. Again, she humbly and politely declined. \u003c/p\u003e\n","\u003cp\u003eInstead, Melodie toured with another musical group, which ultimately led to her coming to terms with her same-sex feelings, which had amounted to a lifetime of tumult. Following her own personal paradigmatic shift and owning her sense of \"gay identity,\" Melodie entered psychotherapy with Dr. Theodore Aidman, the first president and founder of the Dade County Psychological Association (Dr. Aidman ultimately served as mentor throughout Melodie's MA and PhD programs; her MA thesis was based on Dr. Adman's work, \"Transcending One's Self-Fulfilling Prophecy.\"). Melodie soon committed herself to a new career in the field of psychology working within the gay community. \u003c/p\u003e\n","\u003cp\u003eDr. Alan Rockway, Mr. Robert \"Bob\" Kunst, and Mr. Bob Basker co-authored the 1976 Miami Gay Rights Ordinance. This Ordinance was repealed through the efforts of Anita Bryant and others the following year.  Before the 1976 Ordinance was repealed and before meeting the authors, Melodie was invited to be interview by Channel 10 News WPLG anchored by Ann Bishop, a popular local journalist. A news crew came to Melodie's Coconut Grove studio apartment, rented monthly for $175.00, to help put a face on what \"Gay\" looked like and to introduce that face to the community. People were expected to soon go to the polls to vote \"For\" or \"Against\" the repeal of the ordinance after the new law was on record for a few months without incident. The news crew stayed inside Melodie's apartment for 4 hours attempting to learn how she felt discriminated against. At the time, she could not come up with a direct sense of discrimination to report. Melodie is first to say, \"I was very na\u0026#xEF;ve.\"\u003c/p\u003e\n","\u003cp\u003eBy 1977, Melodie had contributed a chapter in a volume titled Now What? to help parents understand their gay child; Dr. Virginia Pendergrass, a clinical psychologist at FIU, was also among the contributors and she, with the Center for Dialog, often put workshops together where Melodie also presented. \u003c/p\u003e\n","\u003cp\u003eIt was during her Master's level training with the Gestalt Institute of Miami, Dr. Calvin Leonard, then Dean of the University of Miami School of Continuing Education, suggested that she meet directly with Dr. Rockway and Mr. Kunst of the Transperience Center. It was at this meeting when Melodie learned the Transperience Center was only a few doors down from where she lived. The two men began telling her of the $55,000 grant they had written through the federal Comprehensive Employment and Training Act (CETA) to fund five positions at the Transperience Center. They asked her to take a position as the Community Outreach Coordinator and Mental Health Counselor for the Transperience Center that they directed. She accepted the position after securing her credentials. The Transperience Center was a community health center for people living in alternative lifestyles. The grant was awarded and, following the repeal of the \"Gay Rights Ordinance,\" the grant was terminated following protests from ultra conservative groups. The trio Moorehead, Rockway, and Kunst then created a new organization, Congress United for Rights and Equality (CURE), and they filed a lawsuit through the Department of Labor for the grant's termination. Going to Federal Court twice without a judge discharging the case, the trio did not have the necessary funds to continue this fight. The gay community, even on the national scale, had not yet mobilized enough to assist. The trio ended up on food stamps for six months and Melodie conducted her last counseling session on the floor of the Transperience Center, as their rented furniture had been repossessed. \u003c/p\u003e\n","\u003cp\u003eIt was during this downtrodden time that Melodie came to better understand  the many faces of discrimination. Kunst even asked Moorehead, \"Do you feel discrimination now?\" She replied \"Yes!,\" and then he asked: \"Are you ready to collect signatures?\" She then committed to collecting 18,000 of the  needed signatures to place an offensive effort to get Human Rights (Gay Rights) on the November 1978 ballot. The trio worked together to get certified registered voters' signatures to place three new ordinances onto the Dade County ballot that banned discrimination in housing, employment, transportation, and support equality for gays and others living alternative lifestyles, including heterosexuals. Throughout the late 1970s and early 1980s, the trio organized to pass equality ordinances and promote media awareness to protect individual rights.  \u003c/p\u003e\n","\u003cp\u003eMelodie relocated to Fort Lauderdale and began her PhD program in 1980. This relocation was picked up by the local press as Melodie met with every County Commissioner in Broward County regarding Gay Rights. It was not until the passage of the Eckart Bill, which called for the Privacy Rights of citizens in Florida, that Melodie shifted her focus to fully establishing herself in healthcare. By this time, she had learned the great need for culturally sensitive service in the mental health and medical field. Melodie routinely provided services for HTLV-3, later known as AIDS services, to individuals in and out of hospital settings. \u003c/p\u003e\n","\u003cp\u003eWith unanticipated turn of events, by the mid-1980s the then Dr. Moorehead began working with other groups of very often discriminated people struggling with the disease of morbid and super obesity. Her talents and training were recognized and her work evolved to lecturing both nationally and internationally as an invited speaker while maintaining a longstanding private practice and holding staff privileges and responsivities for decades in Broward's hospital system. In 2002 Dr. Moorehead was awarded the Golden Circle of Excellence Award from what now is called ASMBS. She was the first woman and non-surgeon to receive this honor.\u003c/p\u003e\n","\u003cp\u003eDuring the height of her career, a then-hospitalized Dr. John Graves, who served as the Board of Trustees President of what is today the Stonewall National Museum, Archives, and Library, asked her to serve as president of the decades-old organization. Knowing that this lovely, generous man was terminally ill, she agreed to his request. By 2004 she was at the helm of Stonewall and personally funded a trip to Washington, D.C., where, among her achievements as president, she signed a contract with the United States Holocaust Memorial Museum to bring its historic exhibition, \"Nazi Persecution of the Homosexual 1933-45,\" to South Florida. The exhibition was presented at the Fort Lauderdale main library. \u003c/p\u003e\n","\u003cp\u003eFinally, Dr. Moorehead closed her Professional Association and successfully retired her South Florida 50-year career in mental health. She did so only after providing two years of face-to-face isolation protocol support during the Covid-19 pandemic and lockdown in a long-term care facility.  Residents were mandated to remain in their closed rooms while family visitation was prohibited. As of Fall 2025, she retains her licensure and board certification and remains active in licensing professionals and programs worldwide in the use of The Bariatric Analysis and Reporting Outcome System (BAROS) and the Moorehead-Ardelt Quality of Life Questionnaire II (MAII) of which she holds copyright.\u003c/p\u003e\n","\u003cp\u003eDr. Moorehead encourages all who visit this bio sketch to enjoy the archives and share what you learn with others so that history does not have to repeat itself again. Biography compiled by Dr. Melodie Kay Moorehead\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Melodie Kay Moorehead, born on Father's Day, June 19, 1949 in Utica, NY, was reared in Miami-Dade County, Florida where she began kindergarten. Subsequentially, she graduated from Miami Central High School, where she was a Silver Knight nominee in music and went on to become a professional musician working her way through school from the age of 18 until 1983, when she completed her PhD from the Union Institute. Following licensure as a psychologist she later became a Fellow and Board Certified, in Clinical Health Psychology, by the American Board of Professional Psychology (ABPP). She is a lifetime member of the American Psychological Association (APA), American Society for Metabolic and Bariatric Surgery (ASMBS), Internation Federation for the Surgery of Obesity and Metabolic Disorders (IFSO) and holds membership in Daughters of the American Revolution (DAR). Melodie also graduated from, Miami Dade Junior College – North Campus, and Florida Atlantic University (FAU), with a double major, completing that coursework in 1971.  ","Before her involvement with Human Rights work, she had many high-profile musical engagements as a drummer and vocalist. She contracted with a show band called Your Father's Mustache and played the \"Washboard\" and other percussion instruments at the age of 18 at the Hilton Plaza, Miami Beach. During her 1968 and 69 engagement there, the space also hosted Jackie Gleason's weekly television show, as well as the Headquarters for Richard Nixon's 1968 National Convention. Nightly, Nixon's staff were in front row attendance for the nightclub show and would send the young Melodie cold milk to the stage as they sent alcoholic beverages to other members of the band. When he won the election, Nixon's head writer invited Melodie to attend the Inaugural Ball, which she attended with her mother, Laura Joyce Gillett Moorehead Williams. Later Melodie, still an undergraduate, received an invitation from President Nixon's staff to transfer to Georgetown University and study law as a proper introduction to Washington politics. She humbly state: \"I want to become a doctor and help people.\"   ","Returning to her intentioned life's mission, she completed the MA degree, in Psychology, from Lone Mountain College  (today, University of San Francisco), in 1977. It was at this period of time she petitioned FAU to confer her undergraduate degree. It had been withheld by the institution due to administrative rules. She won her petition, which helps explains why her MA diploma was conferred a year before her BA. The irony here perhaps was that Dr. Shwartz, who headed the Department of Sociology at FAU, had offered her a full scholarship to the MA program and to a prestigious doctoral program in return for her teaching at FAU for 5 years. Again, she humbly and politely declined. ","Instead, Melodie toured with another musical group, which ultimately led to her coming to terms with her same-sex feelings, which had amounted to a lifetime of tumult. Following her own personal paradigmatic shift and owning her sense of \"gay identity,\" Melodie entered psychotherapy with Dr. Theodore Aidman, the first president and founder of the Dade County Psychological Association (Dr. Aidman ultimately served as mentor throughout Melodie's MA and PhD programs; her MA thesis was based on Dr. Adman's work, \"Transcending One's Self-Fulfilling Prophecy.\"). Melodie soon committed herself to a new career in the field of psychology working within the gay community. ","Dr. Alan Rockway, Mr. Robert \"Bob\" Kunst, and Mr. Bob Basker co-authored the 1976 Miami Gay Rights Ordinance. This Ordinance was repealed through the efforts of Anita Bryant and others the following year.  Before the 1976 Ordinance was repealed and before meeting the authors, Melodie was invited to be interview by Channel 10 News WPLG anchored by Ann Bishop, a popular local journalist. A news crew came to Melodie's Coconut Grove studio apartment, rented monthly for $175.00, to help put a face on what \"Gay\" looked like and to introduce that face to the community. People were expected to soon go to the polls to vote \"For\" or \"Against\" the repeal of the ordinance after the new law was on record for a few months without incident. The news crew stayed inside Melodie's apartment for 4 hours attempting to learn how she felt discriminated against. At the time, she could not come up with a direct sense of discrimination to report. Melodie is first to say, \"I was very naïve.\"","By 1977, Melodie had contributed a chapter in a volume titled Now What? to help parents understand their gay child; Dr. Virginia Pendergrass, a clinical psychologist at FIU, was also among the contributors and she, with the Center for Dialog, often put workshops together where Melodie also presented. ","It was during her Master's level training with the Gestalt Institute of Miami, Dr. Calvin Leonard, then Dean of the University of Miami School of Continuing Education, suggested that she meet directly with Dr. Rockway and Mr. Kunst of the Transperience Center. It was at this meeting when Melodie learned the Transperience Center was only a few doors down from where she lived. The two men began telling her of the $55,000 grant they had written through the federal Comprehensive Employment and Training Act (CETA) to fund five positions at the Transperience Center. They asked her to take a position as the Community Outreach Coordinator and Mental Health Counselor for the Transperience Center that they directed. She accepted the position after securing her credentials. The Transperience Center was a community health center for people living in alternative lifestyles. The grant was awarded and, following the repeal of the \"Gay Rights Ordinance,\" the grant was terminated following protests from ultra conservative groups. The trio Moorehead, Rockway, and Kunst then created a new organization, Congress United for Rights and Equality (CURE), and they filed a lawsuit through the Department of Labor for the grant's termination. Going to Federal Court twice without a judge discharging the case, the trio did not have the necessary funds to continue this fight. The gay community, even on the national scale, had not yet mobilized enough to assist. The trio ended up on food stamps for six months and Melodie conducted her last counseling session on the floor of the Transperience Center, as their rented furniture had been repossessed. ","It was during this downtrodden time that Melodie came to better understand  the many faces of discrimination. Kunst even asked Moorehead, \"Do you feel discrimination now?\" She replied \"Yes!,\" and then he asked: \"Are you ready to collect signatures?\" She then committed to collecting 18,000 of the  needed signatures to place an offensive effort to get Human Rights (Gay Rights) on the November 1978 ballot. The trio worked together to get certified registered voters' signatures to place three new ordinances onto the Dade County ballot that banned discrimination in housing, employment, transportation, and support equality for gays and others living alternative lifestyles, including heterosexuals. Throughout the late 1970s and early 1980s, the trio organized to pass equality ordinances and promote media awareness to protect individual rights.  ","Melodie relocated to Fort Lauderdale and began her PhD program in 1980. This relocation was picked up by the local press as Melodie met with every County Commissioner in Broward County regarding Gay Rights. It was not until the passage of the Eckart Bill, which called for the Privacy Rights of citizens in Florida, that Melodie shifted her focus to fully establishing herself in healthcare. By this time, she had learned the great need for culturally sensitive service in the mental health and medical field. Melodie routinely provided services for HTLV-3, later known as AIDS services, to individuals in and out of hospital settings. ","With unanticipated turn of events, by the mid-1980s the then Dr. Moorehead began working with other groups of very often discriminated people struggling with the disease of morbid and super obesity. Her talents and training were recognized and her work evolved to lecturing both nationally and internationally as an invited speaker while maintaining a longstanding private practice and holding staff privileges and responsivities for decades in Broward's hospital system. In 2002 Dr. Moorehead was awarded the Golden Circle of Excellence Award from what now is called ASMBS. She was the first woman and non-surgeon to receive this honor.","During the height of her career, a then-hospitalized Dr. John Graves, who served as the Board of Trustees President of what is today the Stonewall National Museum, Archives, and Library, asked her to serve as president of the decades-old organization. Knowing that this lovely, generous man was terminally ill, she agreed to his request. By 2004 she was at the helm of Stonewall and personally funded a trip to Washington, D.C., where, among her achievements as president, she signed a contract with the United States Holocaust Memorial Museum to bring its historic exhibition, \"Nazi Persecution of the Homosexual 1933-45,\" to South Florida. The exhibition was presented at the Fort Lauderdale main library. ","Finally, Dr. Moorehead closed her Professional Association and successfully retired her South Florida 50-year career in mental health. She did so only after providing two years of face-to-face isolation protocol support during the Covid-19 pandemic and lockdown in a long-term care facility.  Residents were mandated to remain in their closed rooms while family visitation was prohibited. As of Fall 2025, she retains her licensure and board certification and remains active in licensing professionals and programs worldwide in the use of The Bariatric Analysis and Reporting Outcome System (BAROS) and the Moorehead-Ardelt Quality of Life Questionnaire II (MAII) of which she holds copyright.","Dr. Moorehead encourages all who visit this bio sketch to enjoy the archives and share what you learn with others so that history does not have to repeat itself again. Biography compiled by Dr. Melodie Kay Moorehead"],"odd_html_tesm":["\u003cp\u003eLANGUAGE WARNING: Some personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["LANGUAGE WARNING: Some personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect the subject's participation in Lesbian, Gay, Bisexual, Transgender (LGBT) activism and interest in psychotherapy for the LGBT community. The bulk of the collection contains correspondence, news clippings, interviews with Moorehead, autobiographical information, and photos.\u003c/p\u003e\n","\u003cp\u003ePlease note: this collection includes some images that portray nudity in both sexual and non-sexual contexts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect the subject's participation in Lesbian, Gay, Bisexual, Transgender (LGBT) activism and interest in psychotherapy for the LGBT community. The bulk of the collection contains correspondence, news clippings, interviews with Moorehead, autobiographical information, and photos.","Please note: this collection includes some images that portray nudity in both sexual and non-sexual contexts."],"userestrict_html_tesm":["\u003cp\u003eThe Melodie Moorehead Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Melodie Moorehead Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":15,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879179292500295680,"_root_":"d0c0ec0d01fac02c27f7a38e","timestamp":"2026-10-16T04:30:27.180Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d0c0ec0d01fac02c27f7a38e","title_ssm":["Melodie Moorehead Papers"],"title_tesim":["Melodie Moorehead Papers"],"ead_ssi":"d0c0ec0d01fac02c27f7a38e","unitdate_ssm":["1970-2021"],"unitdate_inclusive_ssm":["1970-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9015","/repositories/2/resources/111"],"text":["SPC9015","/repositories/2/resources/111","Melodie Moorehead Papers, 1970-2021","Lesbian Activists","Lesbians","LGBT community centers","Sexual minorities","Gay activists","Gay liberation movement","Gay rights","Gay community","Gay counselors","Gay press publications","Gay psychologists","Gay social workers","Lesbian Community","Lesbian Culture","South Florida Gay Community","Lesbian psychotherapists","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials in this collection are arranged as follows:","Personal Mementos\nCorrespondence Between Moorehead, Kunst, Rockway, and Others\nGraduate Seminar (Compiled by Moorehead)\nPublicity\n1970s-1980s Gay Rights Activism \nBiography\nTransperience and Mental Health Advocacy \nPhotography\nNewspapers\nMagazines\nNewspaper Clippings\nAudio\nEphemera","Dr. Melodie Kay Moorehead, born on Father's Day, June 19, 1949 in Utica, NY, was reared in Miami-Dade County, Florida where she began kindergarten. Subsequentially, she graduated from Miami Central High School, where she was a Silver Knight nominee in music and went on to become a professional musician working her way through school from the age of 18 until 1983, when she completed her PhD from the Union Institute. Following licensure as a psychologist she later became a Fellow and Board Certified, in Clinical Health Psychology, by the American Board of Professional Psychology (ABPP). She is a lifetime member of the American Psychological Association (APA), American Society for Metabolic and Bariatric Surgery (ASMBS), Internation Federation for the Surgery of Obesity and Metabolic Disorders (IFSO) and holds membership in Daughters of the American Revolution (DAR). Melodie also graduated from, Miami Dade Junior College – North Campus, and Florida Atlantic University (FAU), with a double major, completing that coursework in 1971.  ","Before her involvement with Human Rights work, she had many high-profile musical engagements as a drummer and vocalist. She contracted with a show band called Your Father's Mustache and played the \"Washboard\" and other percussion instruments at the age of 18 at the Hilton Plaza, Miami Beach. During her 1968 and 69 engagement there, the space also hosted Jackie Gleason's weekly television show, as well as the Headquarters for Richard Nixon's 1968 National Convention. Nightly, Nixon's staff were in front row attendance for the nightclub show and would send the young Melodie cold milk to the stage as they sent alcoholic beverages to other members of the band. When he won the election, Nixon's head writer invited Melodie to attend the Inaugural Ball, which she attended with her mother, Laura Joyce Gillett Moorehead Williams. Later Melodie, still an undergraduate, received an invitation from President Nixon's staff to transfer to Georgetown University and study law as a proper introduction to Washington politics. She humbly state: \"I want to become a doctor and help people.\"   ","Returning to her intentioned life's mission, she completed the MA degree, in Psychology, from Lone Mountain College  (today, University of San Francisco), in 1977. It was at this period of time she petitioned FAU to confer her undergraduate degree. It had been withheld by the institution due to administrative rules. She won her petition, which helps explains why her MA diploma was conferred a year before her BA. The irony here perhaps was that Dr. Shwartz, who headed the Department of Sociology at FAU, had offered her a full scholarship to the MA program and to a prestigious doctoral program in return for her teaching at FAU for 5 years. Again, she humbly and politely declined. ","Instead, Melodie toured with another musical group, which ultimately led to her coming to terms with her same-sex feelings, which had amounted to a lifetime of tumult. Following her own personal paradigmatic shift and owning her sense of \"gay identity,\" Melodie entered psychotherapy with Dr. Theodore Aidman, the first president and founder of the Dade County Psychological Association (Dr. Aidman ultimately served as mentor throughout Melodie's MA and PhD programs; her MA thesis was based on Dr. Adman's work, \"Transcending One's Self-Fulfilling Prophecy.\"). Melodie soon committed herself to a new career in the field of psychology working within the gay community. ","Dr. Alan Rockway, Mr. Robert \"Bob\" Kunst, and Mr. Bob Basker co-authored the 1976 Miami Gay Rights Ordinance. This Ordinance was repealed through the efforts of Anita Bryant and others the following year.  Before the 1976 Ordinance was repealed and before meeting the authors, Melodie was invited to be interview by Channel 10 News WPLG anchored by Ann Bishop, a popular local journalist. A news crew came to Melodie's Coconut Grove studio apartment, rented monthly for $175.00, to help put a face on what \"Gay\" looked like and to introduce that face to the community. People were expected to soon go to the polls to vote \"For\" or \"Against\" the repeal of the ordinance after the new law was on record for a few months without incident. The news crew stayed inside Melodie's apartment for 4 hours attempting to learn how she felt discriminated against. At the time, she could not come up with a direct sense of discrimination to report. Melodie is first to say, \"I was very naïve.\"","By 1977, Melodie had contributed a chapter in a volume titled Now What? to help parents understand their gay child; Dr. Virginia Pendergrass, a clinical psychologist at FIU, was also among the contributors and she, with the Center for Dialog, often put workshops together where Melodie also presented. ","It was during her Master's level training with the Gestalt Institute of Miami, Dr. Calvin Leonard, then Dean of the University of Miami School of Continuing Education, suggested that she meet directly with Dr. Rockway and Mr. Kunst of the Transperience Center. It was at this meeting when Melodie learned the Transperience Center was only a few doors down from where she lived. The two men began telling her of the $55,000 grant they had written through the federal Comprehensive Employment and Training Act (CETA) to fund five positions at the Transperience Center. They asked her to take a position as the Community Outreach Coordinator and Mental Health Counselor for the Transperience Center that they directed. She accepted the position after securing her credentials. The Transperience Center was a community health center for people living in alternative lifestyles. The grant was awarded and, following the repeal of the \"Gay Rights Ordinance,\" the grant was terminated following protests from ultra conservative groups. The trio Moorehead, Rockway, and Kunst then created a new organization, Congress United for Rights and Equality (CURE), and they filed a lawsuit through the Department of Labor for the grant's termination. Going to Federal Court twice without a judge discharging the case, the trio did not have the necessary funds to continue this fight. The gay community, even on the national scale, had not yet mobilized enough to assist. The trio ended up on food stamps for six months and Melodie conducted her last counseling session on the floor of the Transperience Center, as their rented furniture had been repossessed. ","It was during this downtrodden time that Melodie came to better understand  the many faces of discrimination. Kunst even asked Moorehead, \"Do you feel discrimination now?\" She replied \"Yes!,\" and then he asked: \"Are you ready to collect signatures?\" She then committed to collecting 18,000 of the  needed signatures to place an offensive effort to get Human Rights (Gay Rights) on the November 1978 ballot. The trio worked together to get certified registered voters' signatures to place three new ordinances onto the Dade County ballot that banned discrimination in housing, employment, transportation, and support equality for gays and others living alternative lifestyles, including heterosexuals. Throughout the late 1970s and early 1980s, the trio organized to pass equality ordinances and promote media awareness to protect individual rights.  ","Melodie relocated to Fort Lauderdale and began her PhD program in 1980. This relocation was picked up by the local press as Melodie met with every County Commissioner in Broward County regarding Gay Rights. It was not until the passage of the Eckart Bill, which called for the Privacy Rights of citizens in Florida, that Melodie shifted her focus to fully establishing herself in healthcare. By this time, she had learned the great need for culturally sensitive service in the mental health and medical field. Melodie routinely provided services for HTLV-3, later known as AIDS services, to individuals in and out of hospital settings. ","With unanticipated turn of events, by the mid-1980s the then Dr. Moorehead began working with other groups of very often discriminated people struggling with the disease of morbid and super obesity. Her talents and training were recognized and her work evolved to lecturing both nationally and internationally as an invited speaker while maintaining a longstanding private practice and holding staff privileges and responsivities for decades in Broward's hospital system. In 2002 Dr. Moorehead was awarded the Golden Circle of Excellence Award from what now is called ASMBS. She was the first woman and non-surgeon to receive this honor.","During the height of her career, a then-hospitalized Dr. John Graves, who served as the Board of Trustees President of what is today the Stonewall National Museum, Archives, and Library, asked her to serve as president of the decades-old organization. Knowing that this lovely, generous man was terminally ill, she agreed to his request. By 2004 she was at the helm of Stonewall and personally funded a trip to Washington, D.C., where, among her achievements as president, she signed a contract with the United States Holocaust Memorial Museum to bring its historic exhibition, \"Nazi Persecution of the Homosexual 1933-45,\" to South Florida. The exhibition was presented at the Fort Lauderdale main library. ","Finally, Dr. Moorehead closed her Professional Association and successfully retired her South Florida 50-year career in mental health. She did so only after providing two years of face-to-face isolation protocol support during the Covid-19 pandemic and lockdown in a long-term care facility.  Residents were mandated to remain in their closed rooms while family visitation was prohibited. As of Fall 2025, she retains her licensure and board certification and remains active in licensing professionals and programs worldwide in the use of The Bariatric Analysis and Reporting Outcome System (BAROS) and the Moorehead-Ardelt Quality of Life Questionnaire II (MAII) of which she holds copyright.","Dr. Moorehead encourages all who visit this bio sketch to enjoy the archives and share what you learn with others so that history does not have to repeat itself again. Biography compiled by Dr. Melodie Kay Moorehead","LANGUAGE WARNING: Some personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present.","The materials in this collection reflect the subject's participation in Lesbian, Gay, Bisexual, Transgender (LGBT) activism and interest in psychotherapy for the LGBT community. The bulk of the collection contains correspondence, news clippings, interviews with Moorehead, autobiographical information, and photos.","Please note: this collection includes some images that portray nudity in both sexual and non-sexual contexts.","The Melodie Moorehead Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English"],"unitid_tesim":["SPC9015","/repositories/2/resources/111"],"normalized_date_ssm":["1970-2021"],"normalized_title_ssm":["Melodie Moorehead Papers, 1970-2021"],"collection_title_tesim":["Melodie Moorehead Papers, 1970-2021"],"collection_ssim":["Melodie Moorehead Papers, 1970-2021"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Lesbian Activists","Lesbians","LGBT community centers","Sexual minorities","Gay activists","Gay liberation movement","Gay rights","Gay community","Gay counselors","Gay press publications","Gay psychologists","Gay social workers"],"geogname_ssim":["Lesbian Activists","Lesbians","LGBT community centers","Sexual minorities","Gay activists","Gay liberation movement","Gay rights","Gay community","Gay counselors","Gay press publications","Gay psychologists","Gay social workers"],"places_ssim":["Lesbian Activists","Lesbians","LGBT community centers","Sexual minorities","Gay activists","Gay liberation movement","Gay rights","Gay community","Gay counselors","Gay press publications","Gay psychologists","Gay social workers"],"access_terms_ssm":["The Melodie Moorehead Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by the Melodie Moorehead Archives"],"access_subjects_ssim":["Lesbian Community","Lesbian Culture","South Florida Gay Community","Lesbian psychotherapists"],"access_subjects_ssm":["Lesbian Community","Lesbian Culture","South Florida Gay Community","Lesbian psychotherapists"],"has_online_content_ssim":["false"],"extent_ssm":["1 boxes 1 Legal Size Document Case 1 Large Flat Newspaper Box"],"extent_tesim":["1 boxes 1 Legal Size Document Case 1 Large Flat Newspaper Box"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged as follows:\u003c/p\u003e\n","\u003cp\u003ePersonal Mementos\nCorrespondence Between Moorehead, Kunst, Rockway, and Others\nGraduate Seminar (Compiled by Moorehead)\nPublicity\n1970s-1980s Gay Rights Activism \nBiography\nTransperience and Mental Health Advocacy \nPhotography\nNewspapers\nMagazines\nNewspaper Clippings\nAudio\nEphemera\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection are arranged as follows:","Personal Mementos\nCorrespondence Between Moorehead, Kunst, Rockway, and Others\nGraduate Seminar (Compiled by Moorehead)\nPublicity\n1970s-1980s Gay Rights Activism \nBiography\nTransperience and Mental Health Advocacy \nPhotography\nNewspapers\nMagazines\nNewspaper Clippings\nAudio\nEphemera"],"bioghist_html_tesm":["\u003cp\u003eDr. Melodie Kay Moorehead, born on Father's Day, June 19, 1949 in Utica, NY, was reared in Miami-Dade County, Florida where she began kindergarten. Subsequentially, she graduated from Miami Central High School, where she was a Silver Knight nominee in music and went on to become a professional musician working her way through school from the age of 18 until 1983, when she completed her PhD from the Union Institute. Following licensure as a psychologist she later became a Fellow and Board Certified, in Clinical Health Psychology, by the American Board of Professional Psychology (ABPP). She is a lifetime member of the American Psychological Association (APA), American Society for Metabolic and Bariatric Surgery (ASMBS), Internation Federation for the Surgery of Obesity and Metabolic Disorders (IFSO) and holds membership in Daughters of the American Revolution (DAR). Melodie also graduated from, Miami Dade Junior College \u0026#x2013; North Campus, and Florida Atlantic University (FAU), with a double major, completing that coursework in 1971.  \u003c/p\u003e\n","\u003cp\u003eBefore her involvement with Human Rights work, she had many high-profile musical engagements as a drummer and vocalist. She contracted with a show band called Your Father's Mustache and played the \"Washboard\" and other percussion instruments at the age of 18 at the Hilton Plaza, Miami Beach. During her 1968 and 69 engagement there, the space also hosted Jackie Gleason's weekly television show, as well as the Headquarters for Richard Nixon's 1968 National Convention. Nightly, Nixon's staff were in front row attendance for the nightclub show and would send the young Melodie cold milk to the stage as they sent alcoholic beverages to other members of the band. When he won the election, Nixon's head writer invited Melodie to attend the Inaugural Ball, which she attended with her mother, Laura Joyce Gillett Moorehead Williams. Later Melodie, still an undergraduate, received an invitation from President Nixon's staff to transfer to Georgetown University and study law as a proper introduction to Washington politics. She humbly state: \"I want to become a doctor and help people.\"   \u003c/p\u003e\n","\u003cp\u003eReturning to her intentioned life's mission, she completed the MA degree, in Psychology, from Lone Mountain College  (today, University of San Francisco), in 1977. It was at this period of time she petitioned FAU to confer her undergraduate degree. It had been withheld by the institution due to administrative rules. She won her petition, which helps explains why her MA diploma was conferred a year before her BA. The irony here perhaps was that Dr. Shwartz, who headed the Department of Sociology at FAU, had offered her a full scholarship to the MA program and to a prestigious doctoral program in return for her teaching at FAU for 5 years. Again, she humbly and politely declined. \u003c/p\u003e\n","\u003cp\u003eInstead, Melodie toured with another musical group, which ultimately led to her coming to terms with her same-sex feelings, which had amounted to a lifetime of tumult. Following her own personal paradigmatic shift and owning her sense of \"gay identity,\" Melodie entered psychotherapy with Dr. Theodore Aidman, the first president and founder of the Dade County Psychological Association (Dr. Aidman ultimately served as mentor throughout Melodie's MA and PhD programs; her MA thesis was based on Dr. Adman's work, \"Transcending One's Self-Fulfilling Prophecy.\"). Melodie soon committed herself to a new career in the field of psychology working within the gay community. \u003c/p\u003e\n","\u003cp\u003eDr. Alan Rockway, Mr. Robert \"Bob\" Kunst, and Mr. Bob Basker co-authored the 1976 Miami Gay Rights Ordinance. This Ordinance was repealed through the efforts of Anita Bryant and others the following year.  Before the 1976 Ordinance was repealed and before meeting the authors, Melodie was invited to be interview by Channel 10 News WPLG anchored by Ann Bishop, a popular local journalist. A news crew came to Melodie's Coconut Grove studio apartment, rented monthly for $175.00, to help put a face on what \"Gay\" looked like and to introduce that face to the community. People were expected to soon go to the polls to vote \"For\" or \"Against\" the repeal of the ordinance after the new law was on record for a few months without incident. The news crew stayed inside Melodie's apartment for 4 hours attempting to learn how she felt discriminated against. At the time, she could not come up with a direct sense of discrimination to report. Melodie is first to say, \"I was very na\u0026#xEF;ve.\"\u003c/p\u003e\n","\u003cp\u003eBy 1977, Melodie had contributed a chapter in a volume titled Now What? to help parents understand their gay child; Dr. Virginia Pendergrass, a clinical psychologist at FIU, was also among the contributors and she, with the Center for Dialog, often put workshops together where Melodie also presented. \u003c/p\u003e\n","\u003cp\u003eIt was during her Master's level training with the Gestalt Institute of Miami, Dr. Calvin Leonard, then Dean of the University of Miami School of Continuing Education, suggested that she meet directly with Dr. Rockway and Mr. Kunst of the Transperience Center. It was at this meeting when Melodie learned the Transperience Center was only a few doors down from where she lived. The two men began telling her of the $55,000 grant they had written through the federal Comprehensive Employment and Training Act (CETA) to fund five positions at the Transperience Center. They asked her to take a position as the Community Outreach Coordinator and Mental Health Counselor for the Transperience Center that they directed. She accepted the position after securing her credentials. The Transperience Center was a community health center for people living in alternative lifestyles. The grant was awarded and, following the repeal of the \"Gay Rights Ordinance,\" the grant was terminated following protests from ultra conservative groups. The trio Moorehead, Rockway, and Kunst then created a new organization, Congress United for Rights and Equality (CURE), and they filed a lawsuit through the Department of Labor for the grant's termination. Going to Federal Court twice without a judge discharging the case, the trio did not have the necessary funds to continue this fight. The gay community, even on the national scale, had not yet mobilized enough to assist. The trio ended up on food stamps for six months and Melodie conducted her last counseling session on the floor of the Transperience Center, as their rented furniture had been repossessed. \u003c/p\u003e\n","\u003cp\u003eIt was during this downtrodden time that Melodie came to better understand  the many faces of discrimination. Kunst even asked Moorehead, \"Do you feel discrimination now?\" She replied \"Yes!,\" and then he asked: \"Are you ready to collect signatures?\" She then committed to collecting 18,000 of the  needed signatures to place an offensive effort to get Human Rights (Gay Rights) on the November 1978 ballot. The trio worked together to get certified registered voters' signatures to place three new ordinances onto the Dade County ballot that banned discrimination in housing, employment, transportation, and support equality for gays and others living alternative lifestyles, including heterosexuals. Throughout the late 1970s and early 1980s, the trio organized to pass equality ordinances and promote media awareness to protect individual rights.  \u003c/p\u003e\n","\u003cp\u003eMelodie relocated to Fort Lauderdale and began her PhD program in 1980. This relocation was picked up by the local press as Melodie met with every County Commissioner in Broward County regarding Gay Rights. It was not until the passage of the Eckart Bill, which called for the Privacy Rights of citizens in Florida, that Melodie shifted her focus to fully establishing herself in healthcare. By this time, she had learned the great need for culturally sensitive service in the mental health and medical field. Melodie routinely provided services for HTLV-3, later known as AIDS services, to individuals in and out of hospital settings. \u003c/p\u003e\n","\u003cp\u003eWith unanticipated turn of events, by the mid-1980s the then Dr. Moorehead began working with other groups of very often discriminated people struggling with the disease of morbid and super obesity. Her talents and training were recognized and her work evolved to lecturing both nationally and internationally as an invited speaker while maintaining a longstanding private practice and holding staff privileges and responsivities for decades in Broward's hospital system. In 2002 Dr. Moorehead was awarded the Golden Circle of Excellence Award from what now is called ASMBS. She was the first woman and non-surgeon to receive this honor.\u003c/p\u003e\n","\u003cp\u003eDuring the height of her career, a then-hospitalized Dr. John Graves, who served as the Board of Trustees President of what is today the Stonewall National Museum, Archives, and Library, asked her to serve as president of the decades-old organization. Knowing that this lovely, generous man was terminally ill, she agreed to his request. By 2004 she was at the helm of Stonewall and personally funded a trip to Washington, D.C., where, among her achievements as president, she signed a contract with the United States Holocaust Memorial Museum to bring its historic exhibition, \"Nazi Persecution of the Homosexual 1933-45,\" to South Florida. The exhibition was presented at the Fort Lauderdale main library. \u003c/p\u003e\n","\u003cp\u003eFinally, Dr. Moorehead closed her Professional Association and successfully retired her South Florida 50-year career in mental health. She did so only after providing two years of face-to-face isolation protocol support during the Covid-19 pandemic and lockdown in a long-term care facility.  Residents were mandated to remain in their closed rooms while family visitation was prohibited. As of Fall 2025, she retains her licensure and board certification and remains active in licensing professionals and programs worldwide in the use of The Bariatric Analysis and Reporting Outcome System (BAROS) and the Moorehead-Ardelt Quality of Life Questionnaire II (MAII) of which she holds copyright.\u003c/p\u003e\n","\u003cp\u003eDr. Moorehead encourages all who visit this bio sketch to enjoy the archives and share what you learn with others so that history does not have to repeat itself again. Biography compiled by Dr. Melodie Kay Moorehead\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Melodie Kay Moorehead, born on Father's Day, June 19, 1949 in Utica, NY, was reared in Miami-Dade County, Florida where she began kindergarten. Subsequentially, she graduated from Miami Central High School, where she was a Silver Knight nominee in music and went on to become a professional musician working her way through school from the age of 18 until 1983, when she completed her PhD from the Union Institute. Following licensure as a psychologist she later became a Fellow and Board Certified, in Clinical Health Psychology, by the American Board of Professional Psychology (ABPP). She is a lifetime member of the American Psychological Association (APA), American Society for Metabolic and Bariatric Surgery (ASMBS), Internation Federation for the Surgery of Obesity and Metabolic Disorders (IFSO) and holds membership in Daughters of the American Revolution (DAR). Melodie also graduated from, Miami Dade Junior College – North Campus, and Florida Atlantic University (FAU), with a double major, completing that coursework in 1971.  ","Before her involvement with Human Rights work, she had many high-profile musical engagements as a drummer and vocalist. She contracted with a show band called Your Father's Mustache and played the \"Washboard\" and other percussion instruments at the age of 18 at the Hilton Plaza, Miami Beach. During her 1968 and 69 engagement there, the space also hosted Jackie Gleason's weekly television show, as well as the Headquarters for Richard Nixon's 1968 National Convention. Nightly, Nixon's staff were in front row attendance for the nightclub show and would send the young Melodie cold milk to the stage as they sent alcoholic beverages to other members of the band. When he won the election, Nixon's head writer invited Melodie to attend the Inaugural Ball, which she attended with her mother, Laura Joyce Gillett Moorehead Williams. Later Melodie, still an undergraduate, received an invitation from President Nixon's staff to transfer to Georgetown University and study law as a proper introduction to Washington politics. She humbly state: \"I want to become a doctor and help people.\"   ","Returning to her intentioned life's mission, she completed the MA degree, in Psychology, from Lone Mountain College  (today, University of San Francisco), in 1977. It was at this period of time she petitioned FAU to confer her undergraduate degree. It had been withheld by the institution due to administrative rules. She won her petition, which helps explains why her MA diploma was conferred a year before her BA. The irony here perhaps was that Dr. Shwartz, who headed the Department of Sociology at FAU, had offered her a full scholarship to the MA program and to a prestigious doctoral program in return for her teaching at FAU for 5 years. Again, she humbly and politely declined. ","Instead, Melodie toured with another musical group, which ultimately led to her coming to terms with her same-sex feelings, which had amounted to a lifetime of tumult. Following her own personal paradigmatic shift and owning her sense of \"gay identity,\" Melodie entered psychotherapy with Dr. Theodore Aidman, the first president and founder of the Dade County Psychological Association (Dr. Aidman ultimately served as mentor throughout Melodie's MA and PhD programs; her MA thesis was based on Dr. Adman's work, \"Transcending One's Self-Fulfilling Prophecy.\"). Melodie soon committed herself to a new career in the field of psychology working within the gay community. ","Dr. Alan Rockway, Mr. Robert \"Bob\" Kunst, and Mr. Bob Basker co-authored the 1976 Miami Gay Rights Ordinance. This Ordinance was repealed through the efforts of Anita Bryant and others the following year.  Before the 1976 Ordinance was repealed and before meeting the authors, Melodie was invited to be interview by Channel 10 News WPLG anchored by Ann Bishop, a popular local journalist. A news crew came to Melodie's Coconut Grove studio apartment, rented monthly for $175.00, to help put a face on what \"Gay\" looked like and to introduce that face to the community. People were expected to soon go to the polls to vote \"For\" or \"Against\" the repeal of the ordinance after the new law was on record for a few months without incident. The news crew stayed inside Melodie's apartment for 4 hours attempting to learn how she felt discriminated against. At the time, she could not come up with a direct sense of discrimination to report. Melodie is first to say, \"I was very naïve.\"","By 1977, Melodie had contributed a chapter in a volume titled Now What? to help parents understand their gay child; Dr. Virginia Pendergrass, a clinical psychologist at FIU, was also among the contributors and she, with the Center for Dialog, often put workshops together where Melodie also presented. ","It was during her Master's level training with the Gestalt Institute of Miami, Dr. Calvin Leonard, then Dean of the University of Miami School of Continuing Education, suggested that she meet directly with Dr. Rockway and Mr. Kunst of the Transperience Center. It was at this meeting when Melodie learned the Transperience Center was only a few doors down from where she lived. The two men began telling her of the $55,000 grant they had written through the federal Comprehensive Employment and Training Act (CETA) to fund five positions at the Transperience Center. They asked her to take a position as the Community Outreach Coordinator and Mental Health Counselor for the Transperience Center that they directed. She accepted the position after securing her credentials. The Transperience Center was a community health center for people living in alternative lifestyles. The grant was awarded and, following the repeal of the \"Gay Rights Ordinance,\" the grant was terminated following protests from ultra conservative groups. The trio Moorehead, Rockway, and Kunst then created a new organization, Congress United for Rights and Equality (CURE), and they filed a lawsuit through the Department of Labor for the grant's termination. Going to Federal Court twice without a judge discharging the case, the trio did not have the necessary funds to continue this fight. The gay community, even on the national scale, had not yet mobilized enough to assist. The trio ended up on food stamps for six months and Melodie conducted her last counseling session on the floor of the Transperience Center, as their rented furniture had been repossessed. ","It was during this downtrodden time that Melodie came to better understand  the many faces of discrimination. Kunst even asked Moorehead, \"Do you feel discrimination now?\" She replied \"Yes!,\" and then he asked: \"Are you ready to collect signatures?\" She then committed to collecting 18,000 of the  needed signatures to place an offensive effort to get Human Rights (Gay Rights) on the November 1978 ballot. The trio worked together to get certified registered voters' signatures to place three new ordinances onto the Dade County ballot that banned discrimination in housing, employment, transportation, and support equality for gays and others living alternative lifestyles, including heterosexuals. Throughout the late 1970s and early 1980s, the trio organized to pass equality ordinances and promote media awareness to protect individual rights.  ","Melodie relocated to Fort Lauderdale and began her PhD program in 1980. This relocation was picked up by the local press as Melodie met with every County Commissioner in Broward County regarding Gay Rights. It was not until the passage of the Eckart Bill, which called for the Privacy Rights of citizens in Florida, that Melodie shifted her focus to fully establishing herself in healthcare. By this time, she had learned the great need for culturally sensitive service in the mental health and medical field. Melodie routinely provided services for HTLV-3, later known as AIDS services, to individuals in and out of hospital settings. ","With unanticipated turn of events, by the mid-1980s the then Dr. Moorehead began working with other groups of very often discriminated people struggling with the disease of morbid and super obesity. Her talents and training were recognized and her work evolved to lecturing both nationally and internationally as an invited speaker while maintaining a longstanding private practice and holding staff privileges and responsivities for decades in Broward's hospital system. In 2002 Dr. Moorehead was awarded the Golden Circle of Excellence Award from what now is called ASMBS. She was the first woman and non-surgeon to receive this honor.","During the height of her career, a then-hospitalized Dr. John Graves, who served as the Board of Trustees President of what is today the Stonewall National Museum, Archives, and Library, asked her to serve as president of the decades-old organization. Knowing that this lovely, generous man was terminally ill, she agreed to his request. By 2004 she was at the helm of Stonewall and personally funded a trip to Washington, D.C., where, among her achievements as president, she signed a contract with the United States Holocaust Memorial Museum to bring its historic exhibition, \"Nazi Persecution of the Homosexual 1933-45,\" to South Florida. The exhibition was presented at the Fort Lauderdale main library. ","Finally, Dr. Moorehead closed her Professional Association and successfully retired her South Florida 50-year career in mental health. She did so only after providing two years of face-to-face isolation protocol support during the Covid-19 pandemic and lockdown in a long-term care facility.  Residents were mandated to remain in their closed rooms while family visitation was prohibited. As of Fall 2025, she retains her licensure and board certification and remains active in licensing professionals and programs worldwide in the use of The Bariatric Analysis and Reporting Outcome System (BAROS) and the Moorehead-Ardelt Quality of Life Questionnaire II (MAII) of which she holds copyright.","Dr. Moorehead encourages all who visit this bio sketch to enjoy the archives and share what you learn with others so that history does not have to repeat itself again. Biography compiled by Dr. Melodie Kay Moorehead"],"odd_html_tesm":["\u003cp\u003eLANGUAGE WARNING: Some personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["LANGUAGE WARNING: Some personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect the subject's participation in Lesbian, Gay, Bisexual, Transgender (LGBT) activism and interest in psychotherapy for the LGBT community. The bulk of the collection contains correspondence, news clippings, interviews with Moorehead, autobiographical information, and photos.\u003c/p\u003e\n","\u003cp\u003ePlease note: this collection includes some images that portray nudity in both sexual and non-sexual contexts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect the subject's participation in Lesbian, Gay, Bisexual, Transgender (LGBT) activism and interest in psychotherapy for the LGBT community. The bulk of the collection contains correspondence, news clippings, interviews with Moorehead, autobiographical information, and photos.","Please note: this collection includes some images that portray nudity in both sexual and non-sexual contexts."],"userestrict_html_tesm":["\u003cp\u003eThe Melodie Moorehead Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Melodie Moorehead Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":15,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879179292500295680,"_root_":"d0c0ec0d01fac02c27f7a38e","timestamp":"2026-10-16T04:30:27.180Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d0c0ec0d01fac02c27f7a38e"}},{"id":"0adaa34c2f92f726f0484979","type":"collection","attributes":{"title":"Miscellaneous Ephemera, 2017","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/0adaa34c2f92f726f0484979#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eJames D. Westcott Legacy Society Annual Luncheon program and invitation, Black Student Union Groundbreaking Ceremony and pamphlet, Seminole Student Veterans Ball invitation, Alumni Hall of Fame Dinner \u0026amp; Ceremony invitation, Backstage Pass event invitation, Match Day invitation, Heritage Museum Dinner program, Class of 2017 President's Toast invitation, Institute on World War II and the Human Experience folder including conference proceedings, annual reports and pamphlets\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/0adaa34c2f92f726f0484979#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"0adaa34c2f92f726f0484979","title_ssm":["Miscellaneous Ephemera"],"title_tesim":["Miscellaneous Ephemera"],"ead_ssi":"0adaa34c2f92f726f0484979","unitdate_ssm":["2017"],"unitdate_other_ssim":["2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["HUA 2017-009","/repositories/10/resources/2178"],"text":["HUA 2017-009","/repositories/10/resources/2178","Miscellaneous Ephemera, 2017","This collection is open to all researchers.","Date accessioned: 2017/03/16","James D. Westcott Legacy Society Annual Luncheon program and invitation, Black Student Union Groundbreaking Ceremony and pamphlet, Seminole Student Veterans Ball invitation, Alumni Hall of Fame Dinner \u0026 Ceremony invitation, Backstage Pass event invitation, Match Day invitation, Heritage Museum Dinner program, Class of 2017 President's Toast invitation,  Institute on World War II and the Human Experience folder including conference proceedings, annual reports and pamphlets","Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","English"],"unitid_tesim":["HUA 2017-009","/repositories/10/resources/2178"],"normalized_date_ssm":["2017"],"normalized_title_ssm":["Miscellaneous Ephemera, 2017"],"collection_title_tesim":["Miscellaneous Ephemera, 2017"],"collection_ssim":["Miscellaneous Ephemera, 2017"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyright restrictions may apply to works in this collection. Re-use or copying beyond Fair Use may require permission from the rights-holder. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["Julia Zimmerman"],"has_online_content_ssim":["false"],"extent_ssm":["0 Linear Feet"],"extent_tesim":["0 Linear Feet"],"date_range_isim":[2017],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"custodhist_html_tesm":["\u003cp\u003eDate accessioned: 2017/03/16\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Date accessioned: 2017/03/16"],"prefercite_html_tesm":["\u003cp\u003eMiscellaneous Ephemera, HUA 2017-009, Special Collections \u0026amp; Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HUA-2017-009\u003c/p\u003e"],"prefercite_tesim":["Miscellaneous Ephemera, HUA 2017-009, Special Collections \u0026 Archives, Florida State University, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/HUA-2017-009"],"scopecontent_html_tesm":["\u003cp\u003eJames D. Westcott Legacy Society Annual Luncheon program and invitation, Black Student Union Groundbreaking Ceremony and pamphlet, Seminole Student Veterans Ball invitation, Alumni Hall of Fame Dinner \u0026amp; Ceremony invitation, Backstage Pass event invitation, Match Day invitation, Heritage Museum Dinner program, Class of 2017 President's Toast invitation,  Institute on World War II and the Human Experience folder including conference proceedings, annual reports and pamphlets\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["James D. 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These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"d20aa889e8ea8129c93e6502","title_ssm":["Nola Perez Papers"],"title_tesim":["Nola Perez Papers"],"ead_ssi":"d20aa889e8ea8129c93e6502","unitdate_ssm":["1969-2022"],"unitdate_inclusive_ssm":["1969-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016.006","/repositories/3/resources/78"],"text":["2016.006","/repositories/3/resources/78","Nola Perez Papers, 1969-2022","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. ","This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2016.006","/repositories/3/resources/78"],"normalized_date_ssm":["1969-2022"],"normalized_title_ssm":["Nola Perez Papers, 1969-2022"],"collection_title_tesim":["Nola Perez Papers, 1969-2022"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Nola B. Perez, 2016-09-06."],"has_online_content_ssim":["false"],"extent_ssm":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"extent_tesim":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eNola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. \u003c/p\u003e\n","\u003cp\u003eDuring her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.\u003c/p\u003e\n","\u003cp\u003eIn the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.\u003c/p\u003e\n","\u003cp\u003eUpon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. "],"prefercite_html_tesm":["\u003cp\u003eNola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Nola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2013; Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2013; Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2013; Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2013; Critiques (arranged chronologically) include critical receptions of Nola Perez's work\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2013; Events (arranged alphabetically by subseries)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Book Signings and Poetry Readings (arranged chronologically) includes information and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"\u003c/p\u003e\n","\u003cp\u003eSeries 6 \u0026#x2013; Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation\u003c/p\u003e\n","\u003cp\u003eSeries 7 \u0026#x2013; Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career\u003c/p\u003e\n","\u003cp\u003eSeries 8 \u0026#x2013; Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Photographs (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Publications (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 5 \u0026#x2013; Workshops (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSeries 9 \u0026#x2013; Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events\u003c/p\u003e\n","\u003cp\u003eSeries 10 \u0026#x2013; Poetry (arranged chronologically) contains a collection of Nola's poetry\u003c/p\u003e\n","\u003cp\u003eSeries 11 \u0026#x2013; Publications (arranged alphabetically by type of publication)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Books (arranged chronologically by publication date; chronological files within each book published)\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Journals (arranged chronologically by publication date)\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website\u003c/p\u003e\n","\u003cp\u003eSeries 12 \u0026#x2013; Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia\u003c/p\u003e\n","\u003cp\u003eSeries 13 \u0026#x2013; Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":231,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860591887810560,"_root_":"d20aa889e8ea8129c93e6502","timestamp":"2026-07-16T08:48:16.050Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d20aa889e8ea8129c93e6502","title_ssm":["Nola Perez Papers"],"title_tesim":["Nola Perez Papers"],"ead_ssi":"d20aa889e8ea8129c93e6502","unitdate_ssm":["1969-2022"],"unitdate_inclusive_ssm":["1969-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016.006","/repositories/3/resources/78"],"text":["2016.006","/repositories/3/resources/78","Nola Perez Papers, 1969-2022","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. ","This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2016.006","/repositories/3/resources/78"],"normalized_date_ssm":["1969-2022"],"normalized_title_ssm":["Nola Perez Papers, 1969-2022"],"collection_title_tesim":["Nola Perez Papers, 1969-2022"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Nola B. Perez, 2016-09-06."],"has_online_content_ssim":["false"],"extent_ssm":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"extent_tesim":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eNola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. \u003c/p\u003e\n","\u003cp\u003eDuring her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.\u003c/p\u003e\n","\u003cp\u003eIn the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.\u003c/p\u003e\n","\u003cp\u003eUpon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. "],"prefercite_html_tesm":["\u003cp\u003eNola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Nola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2013; Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2013; Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2013; Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2013; Critiques (arranged chronologically) include critical receptions of Nola Perez's work\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2013; Events (arranged alphabetically by subseries)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Book Signings and Poetry Readings (arranged chronologically) includes information and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"\u003c/p\u003e\n","\u003cp\u003eSeries 6 \u0026#x2013; Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation\u003c/p\u003e\n","\u003cp\u003eSeries 7 \u0026#x2013; Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career\u003c/p\u003e\n","\u003cp\u003eSeries 8 \u0026#x2013; Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Photographs (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Publications (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 5 \u0026#x2013; Workshops (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSeries 9 \u0026#x2013; Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events\u003c/p\u003e\n","\u003cp\u003eSeries 10 \u0026#x2013; Poetry (arranged chronologically) contains a collection of Nola's poetry\u003c/p\u003e\n","\u003cp\u003eSeries 11 \u0026#x2013; Publications (arranged alphabetically by type of publication)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Books (arranged chronologically by publication date; chronological files within each book published)\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Journals (arranged chronologically by publication date)\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website\u003c/p\u003e\n","\u003cp\u003eSeries 12 \u0026#x2013; Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia\u003c/p\u003e\n","\u003cp\u003eSeries 13 \u0026#x2013; Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":231,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860591887810560,"_root_":"d20aa889e8ea8129c93e6502","timestamp":"2026-07-16T08:48:16.050Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502"}},{"id":"45807c67f367973431520ee3","type":"collection","attributes":{"title":"Northeast Florida Regional Postcard Collection, 1858-2019","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/45807c67f367973431520ee3#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. Series in this collection include the following:\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/45807c67f367973431520ee3#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"45807c67f367973431520ee3","title_ssm":["Northeast Florida Regional Postcard Collection"],"title_tesim":["Northeast Florida Regional Postcard Collection"],"ead_ssi":"45807c67f367973431520ee3","unitdate_ssm":["1858-2019"],"unitdate_inclusive_ssm":["1858-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2024.001","/repositories/3/resources/82"],"text":["2024.001","/repositories/3/resources/82","Northeast Florida Regional Postcard Collection, 1858-2019","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","\tIn the United States, the traditional picture postcard rose to popularity in the early 20th century. Postcard history is often divided into eight distinct \"eras\" beginning in the 1850s and continuing through the \"Golden Age of Postcards\" beginning around 1905 and lasting through 1915. In this golden age, millions of cards were printed and sold throughout the entire U.S. and collecting cards became a popular hobby. The Northeast Florida Regional Postcard Collection contains examples from many of the documented eras, including photographic cards popularized in the nineteen teens and twenties. ","\nAdvances in printing and photographic techniques along with faster shipping methods between the U.S. and Europe allowed for the mass production of brightly colored pictorial cards to be quickly manufactured and distributed to sellers. In addition to the printers in major U.S. cities, a network of publishers and photographers allowed many local businesses in small towns across the U.S. to commission postcards of local \"views\" that were cheaply printed in Germany. Many images of small-town life, including municipal architecture, private residences, and street scenes were preserved and are a useful tool for local historians and researchers. These views act as a \"visual record of a town\" and help develop a fuller understanding of the locations represented in the postcards. Additionally, postcards depicted natural disasters, fires, local amusements, and tourist attractions and were important to the souvenir trade of the time.  ","\nAt the height of the industry's popularity, publishers would often share or even steal negatives to create their own postcards and often would change or distort the negative to make them appear different from other printers. Misspellings were common and incorrectly captioned cards were also prevalent. The Northeast Florida Regional Postcard collection has several examples of this business tactic and many examples of misspellings in the captions or titles on the cards. ","\nEnthusiasm for postcard collecting began to wane around 1912 and ended with the start of World War I. Even though the initial craze for postcards diminished, they are still produced and continue to be a useful visual record for researchers and historians of the late 19th and early 20th centuries. The Northeast Florida Regional Postcard Collection supports many of our Florida ephemera or Floridiana collections and is a great resource for the visual history of Jacksonville, St. Augustine, and the other towns of Northeast Florida. ","Sources:\n New York State Library Postcard Collection-Appendix C","Greetings from the Smithsonian: A Postcard History","This collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. \nSeries in this collection include the following:","Series 1- Advertising Cards (arranged chronologically) contains business advertisement cards from Northeast Florida business and organizations.","Series 2- Agriculture (arranged chronologically) contains postcards depicting the agricultural industry in Northeast Florida","Series 3- Airports (arranged chronologically) contains postcards depicting Jacksonville International Airport and local municipal airports in Northeast Florida.","Series 4- Alligator Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the Alligator farm, an early 20th century tourist attraction in Jacksonville, Florida.","Series 5- Atlantic Beach, Florida (arranged chronologically) contains postcards depicting panoramic views of Atlantic Beach, local hotels, and other tourist attractions.","Series 6- Atlantic Intracoastal Waterway (arranged chronologically) contains postcards depicting steamer ships owned by the Clyde Line, commercial shipping docks, and views of the intracoastal waterway.","Series 7- Bank Buildings (arranged chronologically) contains postcards depicting the Florida National Bank, Atlantic National Bank, Barnett First National Bank, and other local Northeast Florida Bank buildings.","Series 8- Bridges (arranged chronologically) contains postcards depicting local Jacksonville, Florida bridges, including the Fuller Warren Bridge, Main Street Bridge, Matthews Bridge, Napolean Bonaparte Broward Bridge, and Hart Bridge.","Series 9- Buildings (arranged chronologically) contains postcards depicting buildings in downtown Jacksonville, including structures of architectural significance like the St. James Building and the Shriners Temple.","Series 10- Church Buildings (arranged chronologically) contains postcards depicting churches of different denominations, including Catholic, Baptist, Methodist, and Episcopal, in the Northeast Florida area.","Series 11- Clubs (arranged chronologically) contains postcards depicting Jacksonville area athletic and social clubs. Examples include the Seminole Club, Fort George Club, Masonic Temple, and San Jose Golf Club.","Series 12- Cumberland Island, Georgia (arranged chronologically) contains postcards depicting Thomas M. Carnegie's home, Dungeness. ","Series 13- Dixieland Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting early 20th century tourist attraction on the Southbank of Jacksonville. ","Series 14- Docks and Shipping (arranged chronologically) contains postcards depicting scenes of commercial shipping docks and steamer ships on the St Johns River in downtown Jacksonville. ","Series 15- Dwellings (arranged chronologically) contains postcards depicting private residences in the Riverside, Springfield, Mandarin, and Ortega neighborhoods of Jacksonville. ","Series 16- Epping Forest; Jacksonville, Florida (arranged chronologically) contains postcards depicting the mansion of Alfred I. du Pont, now the Epping Forest Yacht Club.","Series 17- Eustis, Florida (arranged chronologically) contains postcards depicting photographic postcard taken in Eustis, Florida.","Series 18- Fernandina Beach, Florida (arranged chronologically) contains postcards depicting businesses, municipal buildings, hotels, private residences, and beach scenes.","Series 19- Florida Ostrich Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting tourist attraction popular in the early 20th century, with scenes of the farm with birds and ostriches racing. ","Series 20- Fort Clinch State Park, Florida (arranged chronologically) contains postcards depicting structures and ruins of the Civil War fort near Amelia Island and Fernandina Beach.","Series 21- Friendship Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting Friendship fountain and the downtown Jacksonville skyline across from the park located on the Southbank. ","Series 22- Gardens (arranged chronologically) contains postcards depicting scenes of plants native to Northeast Florida and Cummer Museum and Gardens. ","Series 23- General (arranged chronologically) contains postcards depicting a variety of scenes of locations in Jacksonville, cards printed by local printer H\u0026WB Drew Company, and cards addressed to Jacksonville addresses.","Series 24- Green Cove Springs, Florida (arranged chronologically) contains postcards depicting Springs, the bathing pavilion, and the Qui-Si-Sana Hotel and Health Spa. ","Series 25- Hemming Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting the grounds and businesses surrounding the park, known today as James Weldon Johnson Park. ","Series 26- Highways (arranged chronologically) contains postcards depicting several multi-lane highways and expressways in Jacksonville. ","Series 27- Hilliard, Florida (arranged chronologically) contains postcards depicting a hotel located in Hilliard, Florida near the Florida/Georgia Border. ","Series 28- Hospitals (arranged chronologically) contains postcards depicting Jacksonville area hospitals, including St. Vincent's Hospital, De Soto Sanatorium, St. Luke's Hospital, and Brewster Hospital. ","Series 29- Hotels (arranged chronologically) contains postcards depicting Jacksonville area hotels, including Hotel Burbridge, Hotel Roosevelt, Aragon Hotel, and Windsor Hotel. ","Series 30- Jacksonville Beach, Florida (arranged chronologically) contains postcards depicting scenes of local businesses, hotels, restaurants, and beaches.","Series 31- Keystone Heights, Florida (arranged chronologically) contains postcards depicting a hotel in Keystone Heights, Florida. ","Series 32- Kingsley Plantation; Fort George Island, Florida (arranged chronologically) contains postcards depicting National Park Kingsley Plantation on Fort George Island. ","Series 33- Library Buildings (arranged chronologically) contains postcards depicting the exteriors of Jacksonville area public library buildings.","Series 34- Marineland, Florida (arranged chronologically) contains postcards depicting aerial views of Marineland Studios, dolphins, and businesses at the historic tourist attraction. ","Series 35- Military Bases (arranged chronologically) contains photographic postcards depicting Camp Foster, founded as a work camp during the Great Depression, Camp Blanding Army Camp, and Camp Joseph E. Johnston.","Series 36- Mining (arranged chronologically) contains postcards depicting phosphate mining in Florida. ","Series 37- Monuments (arranged chronologically) contains postcards depicting monuments in the Jacksonville area.","Series 38- Motels (arranged chronologically) contains postcards depicting mid-20th century tourist motels in the Jacksonville area along U.S. Highway 1.","Series 39- Museums (arranged chronologically) contains postcards depicting artwork from the collections of the Cummer Museum in the Riverside neighborhood of Jacksonville, Florida. ","Series 40- Naval Air Station; Jacksonville, Florida (arranged chronologically) contains postcards depicting structures at Mayport, Cecil Field, and Jacksonville Naval Air stations. ","Series 41- Neptune Beach, Florida (arranged chronologically) contains postcards depicting scenes of beach front at Neptune Beach.","Series 42- Orange Park, Florida (arranged chronologically) contains postcards depicting structures at Moosehaven Retirement Community located in Orange Park, Florida on the St. Johns River. ","Series 43- Oriental Gardens; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the former tourist attraction located on San Jose Boulevard.","Series 44- Parks (arranged chronologically) contains postcards depicting historic images of parks in various Jacksonville neighborhoods, including Riverside and Springfield parks. ","Series 45- Persons (arranged chronologically) contains photographic postcards depicting portraits of visitors to Jacksonville. ","Series 46- Ponte Vedra Beach, Florida (arranged chronologically) contains postcards depicting views of structures on the Ponte Vedra Inn and Club.","Series 47- Post Office Building (arranged chronologically) contains postcards depicting early 20th century Federal Post Office in downtown Jacksonville. ","Series 48- Public Buildings (arranged chronologically) contains postcards depicting various municipal buildings including the original Duval County Courthouse, The Armory, and the Civic Auditorium of Jacksonville. ","Series 49- Restaurants (arranged chronologically) contains postcards depicting Jacksonville area restaurants.","Series 50- St. Augustine, Florida (arranged chronologically) contains postcards depicting businesses, tourist attractions, and historic sites in St. Augustine, Florida","Series 51- St. Johns River, Florida (arranged chronologically) contains postcards depicting scenes from the St. Johns River, ","Series 52- Sanford, Florida (arranged chronologically) contains postcards depicting a steamer ship in Sanford, Florida.","Series 53- Schools (arranged chronologically) contains postcards depicting school buildings in the Jacksonville area including Central Grammar School, Duval High School, Edward Waters College.","Series 54- Silver Springs, Florida (arranged chronologically) contains postcards depicting a scene of glass-bottom boats at the springs. ","Series 55- Souvenir Postcard Booklets (arranged chronologically) contains multi-postcard booklets depicting scenes from Northeast Florida.","Series 56- Streets (arranged chronologically) contains postcards depicting street views in downtown Jacksonville, and the Riverside and Springfield neighborhoods. ","Series 57- Theaters (arranged chronologically) contains postcards depicting the Palace and New Palace theaters.","Series 58- Trailer Camps (arranged chronologically) contains postcards depicting scenes of tourist trailer campgrounds near Jacksonville. ","Series 59- Trees (arranged chronologically) contains postcards depicting various species of trees native to Northeast Florida and the famous Treaty Oak live oak tree located in Jesse Ball duPont Park. ","Series 60- Turpentine Industry (arranged chronologically) contains postcards depicting scenes of turpentine camps in Northeast Florida.","Series 61- Union Station (arranged chronologically) contains postcards depicting various scenes of the historic Union Station in Downtown Jacksonville, now the Prime F. Osborn III Convention Center.","Series 62- Universities and Colleges (arranged chronologically) contains postcards depicting Jacksonville University, University of North Florida, and Edward Waters College campuses. ","Series 63- Viaducts/Trains (arranged chronologically) contains postcards depicting railroad viaducts and close-up depictions of train engines. ","Series 64- Waterfronts (arranged chronologically) contains postcards depicting various views of the Jacksonville skyline as seen from the St. Johns River. ","Series 65- Waterworks; Jacksonville, Florida (arranged chronologically) contains postcards depicting the historic waterworks located in the Springfield neighborhood of Jacksonville. ","Series 66- Zoos (arranged chronologically) contains postcards depicting views from the Jacksonville Zoo during the early and mid-20th century. ","Series 67- Sensitive Content (arranged chronologically) contains postcards depicting content that may be harmful or distressing to viewers. These items are available to review in person only.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2024.001","/repositories/3/resources/82"],"normalized_date_ssm":["1858-2019"],"normalized_title_ssm":["Northeast Florida Regional Postcard Collection, 1858-2019"],"collection_title_tesim":["Northeast Florida Regional Postcard Collection, 1858-2019"],"collection_ssim":["Northeast Florida Regional Postcard Collection, 1858-2019"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation."],"has_online_content_ssim":["false"],"extent_ssm":["1.92 Linear Feet"],"extent_tesim":["1.92 Linear Feet"],"date_range_isim":[1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003e\tIn the United States, the traditional picture postcard rose to popularity in the early 20th century. Postcard history is often divided into eight distinct \"eras\" beginning in the 1850s and continuing through the \"Golden Age of Postcards\" beginning around 1905 and lasting through 1915. In this golden age, millions of cards were printed and sold throughout the entire U.S. and collecting cards became a popular hobby. The Northeast Florida Regional Postcard Collection contains examples from many of the documented eras, including photographic cards popularized in the nineteen teens and twenties. \u003c/p\u003e\n","\u003cp\u003e\nAdvances in printing and photographic techniques along with faster shipping methods between the U.S. and Europe allowed for the mass production of brightly colored pictorial cards to be quickly manufactured and distributed to sellers. In addition to the printers in major U.S. cities, a network of publishers and photographers allowed many local businesses in small towns across the U.S. to commission postcards of local \"views\" that were cheaply printed in Germany. Many images of small-town life, including municipal architecture, private residences, and street scenes were preserved and are a useful tool for local historians and researchers. These views act as a \"visual record of a town\" and help develop a fuller understanding of the locations represented in the postcards. Additionally, postcards depicted natural disasters, fires, local amusements, and tourist attractions and were important to the souvenir trade of the time.  \u003c/p\u003e\n","\u003cp\u003e\nAt the height of the industry's popularity, publishers would often share or even steal negatives to create their own postcards and often would change or distort the negative to make them appear different from other printers. Misspellings were common and incorrectly captioned cards were also prevalent. The Northeast Florida Regional Postcard collection has several examples of this business tactic and many examples of misspellings in the captions or titles on the cards. \u003c/p\u003e\n","\u003cp\u003e\nEnthusiasm for postcard collecting began to wane around 1912 and ended with the start of World War I. Even though the initial craze for postcards diminished, they are still produced and continue to be a useful visual record for researchers and historians of the late 19th and early 20th centuries. The Northeast Florida Regional Postcard Collection supports many of our Florida ephemera or Floridiana collections and is a great resource for the visual history of Jacksonville, St. Augustine, and the other towns of Northeast Florida. \u003c/p\u003e\n","\u003cp\u003eSources:\n\u003cextref href=\"https://www.nysl.nysed.gov/msscfa/qc16510ess.htm\"\u003eNew York State Library Postcard Collection-Appendix C\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://siarchives.si.edu/history/featured-topics/postcard/postcard-history\"\u003eGreetings from the Smithsonian: A Postcard History\u003c/extref\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\tIn the United States, the traditional picture postcard rose to popularity in the early 20th century. Postcard history is often divided into eight distinct \"eras\" beginning in the 1850s and continuing through the \"Golden Age of Postcards\" beginning around 1905 and lasting through 1915. In this golden age, millions of cards were printed and sold throughout the entire U.S. and collecting cards became a popular hobby. The Northeast Florida Regional Postcard Collection contains examples from many of the documented eras, including photographic cards popularized in the nineteen teens and twenties. ","\nAdvances in printing and photographic techniques along with faster shipping methods between the U.S. and Europe allowed for the mass production of brightly colored pictorial cards to be quickly manufactured and distributed to sellers. In addition to the printers in major U.S. cities, a network of publishers and photographers allowed many local businesses in small towns across the U.S. to commission postcards of local \"views\" that were cheaply printed in Germany. Many images of small-town life, including municipal architecture, private residences, and street scenes were preserved and are a useful tool for local historians and researchers. These views act as a \"visual record of a town\" and help develop a fuller understanding of the locations represented in the postcards. Additionally, postcards depicted natural disasters, fires, local amusements, and tourist attractions and were important to the souvenir trade of the time.  ","\nAt the height of the industry's popularity, publishers would often share or even steal negatives to create their own postcards and often would change or distort the negative to make them appear different from other printers. Misspellings were common and incorrectly captioned cards were also prevalent. The Northeast Florida Regional Postcard collection has several examples of this business tactic and many examples of misspellings in the captions or titles on the cards. ","\nEnthusiasm for postcard collecting began to wane around 1912 and ended with the start of World War I. Even though the initial craze for postcards diminished, they are still produced and continue to be a useful visual record for researchers and historians of the late 19th and early 20th centuries. The Northeast Florida Regional Postcard Collection supports many of our Florida ephemera or Floridiana collections and is a great resource for the visual history of Jacksonville, St. Augustine, and the other towns of Northeast Florida. ","Sources:\n New York State Library Postcard Collection-Appendix C","Greetings from the Smithsonian: A Postcard History"],"prefercite_html_tesm":["\u003cp\u003eNortheast Florida Regional Postcard Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Northeast Florida Regional Postcard Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. \nSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1- Advertising Cards (arranged chronologically) contains business advertisement cards from Northeast Florida business and organizations.\u003c/p\u003e\n","\u003cp\u003eSeries 2- Agriculture (arranged chronologically) contains postcards depicting the agricultural industry in Northeast Florida\u003c/p\u003e\n","\u003cp\u003eSeries 3- Airports (arranged chronologically) contains postcards depicting Jacksonville International Airport and local municipal airports in Northeast Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 4- Alligator Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the Alligator farm, an early 20th century tourist attraction in Jacksonville, Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 5- Atlantic Beach, Florida (arranged chronologically) contains postcards depicting panoramic views of Atlantic Beach, local hotels, and other tourist attractions.\u003c/p\u003e\n","\u003cp\u003eSeries 6- Atlantic Intracoastal Waterway (arranged chronologically) contains postcards depicting steamer ships owned by the Clyde Line, commercial shipping docks, and views of the intracoastal waterway.\u003c/p\u003e\n","\u003cp\u003eSeries 7- Bank Buildings (arranged chronologically) contains postcards depicting the Florida National Bank, Atlantic National Bank, Barnett First National Bank, and other local Northeast Florida Bank buildings.\u003c/p\u003e\n","\u003cp\u003eSeries 8- Bridges (arranged chronologically) contains postcards depicting local Jacksonville, Florida bridges, including the Fuller Warren Bridge, Main Street Bridge, Matthews Bridge, Napolean Bonaparte Broward Bridge, and Hart Bridge.\u003c/p\u003e\n","\u003cp\u003eSeries 9- Buildings (arranged chronologically) contains postcards depicting buildings in downtown Jacksonville, including structures of architectural significance like the St. James Building and the Shriners Temple.\u003c/p\u003e\n","\u003cp\u003eSeries 10- Church Buildings (arranged chronologically) contains postcards depicting churches of different denominations, including Catholic, Baptist, Methodist, and Episcopal, in the Northeast Florida area.\u003c/p\u003e\n","\u003cp\u003eSeries 11- Clubs (arranged chronologically) contains postcards depicting Jacksonville area athletic and social clubs. Examples include the Seminole Club, Fort George Club, Masonic Temple, and San Jose Golf Club.\u003c/p\u003e\n","\u003cp\u003eSeries 12- Cumberland Island, Georgia (arranged chronologically) contains postcards depicting Thomas M. Carnegie's home, Dungeness. \u003c/p\u003e\n","\u003cp\u003eSeries 13- Dixieland Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting early 20th century tourist attraction on the Southbank of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 14- Docks and Shipping (arranged chronologically) contains postcards depicting scenes of commercial shipping docks and steamer ships on the St Johns River in downtown Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 15- Dwellings (arranged chronologically) contains postcards depicting private residences in the Riverside, Springfield, Mandarin, and Ortega neighborhoods of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 16- Epping Forest; Jacksonville, Florida (arranged chronologically) contains postcards depicting the mansion of Alfred I. du Pont, now the Epping Forest Yacht Club.\u003c/p\u003e\n","\u003cp\u003eSeries 17- Eustis, Florida (arranged chronologically) contains postcards depicting photographic postcard taken in Eustis, Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 18- Fernandina Beach, Florida (arranged chronologically) contains postcards depicting businesses, municipal buildings, hotels, private residences, and beach scenes.\u003c/p\u003e\n","\u003cp\u003eSeries 19- Florida Ostrich Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting tourist attraction popular in the early 20th century, with scenes of the farm with birds and ostriches racing. \u003c/p\u003e\n","\u003cp\u003eSeries 20- Fort Clinch State Park, Florida (arranged chronologically) contains postcards depicting structures and ruins of the Civil War fort near Amelia Island and Fernandina Beach.\u003c/p\u003e\n","\u003cp\u003eSeries 21- Friendship Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting Friendship fountain and the downtown Jacksonville skyline across from the park located on the Southbank. \u003c/p\u003e\n","\u003cp\u003eSeries 22- Gardens (arranged chronologically) contains postcards depicting scenes of plants native to Northeast Florida and Cummer Museum and Gardens. \u003c/p\u003e\n","\u003cp\u003eSeries 23- General (arranged chronologically) contains postcards depicting a variety of scenes of locations in Jacksonville, cards printed by local printer H\u0026amp;WB Drew Company, and cards addressed to Jacksonville addresses.\u003c/p\u003e\n","\u003cp\u003eSeries 24- Green Cove Springs, Florida (arranged chronologically) contains postcards depicting Springs, the bathing pavilion, and the Qui-Si-Sana Hotel and Health Spa. \u003c/p\u003e\n","\u003cp\u003eSeries 25- Hemming Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting the grounds and businesses surrounding the park, known today as James Weldon Johnson Park. \u003c/p\u003e\n","\u003cp\u003eSeries 26- Highways (arranged chronologically) contains postcards depicting several multi-lane highways and expressways in Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 27- Hilliard, Florida (arranged chronologically) contains postcards depicting a hotel located in Hilliard, Florida near the Florida/Georgia Border. \u003c/p\u003e\n","\u003cp\u003eSeries 28- Hospitals (arranged chronologically) contains postcards depicting Jacksonville area hospitals, including St. Vincent's Hospital, De Soto Sanatorium, St. Luke's Hospital, and Brewster Hospital. \u003c/p\u003e\n","\u003cp\u003eSeries 29- Hotels (arranged chronologically) contains postcards depicting Jacksonville area hotels, including Hotel Burbridge, Hotel Roosevelt, Aragon Hotel, and Windsor Hotel. \u003c/p\u003e\n","\u003cp\u003eSeries 30- Jacksonville Beach, Florida (arranged chronologically) contains postcards depicting scenes of local businesses, hotels, restaurants, and beaches.\u003c/p\u003e\n","\u003cp\u003eSeries 31- Keystone Heights, Florida (arranged chronologically) contains postcards depicting a hotel in Keystone Heights, Florida. \u003c/p\u003e\n","\u003cp\u003eSeries 32- Kingsley Plantation; Fort George Island, Florida (arranged chronologically) contains postcards depicting National Park Kingsley Plantation on Fort George Island. \u003c/p\u003e\n","\u003cp\u003eSeries 33- Library Buildings (arranged chronologically) contains postcards depicting the exteriors of Jacksonville area public library buildings.\u003c/p\u003e\n","\u003cp\u003eSeries 34- Marineland, Florida (arranged chronologically) contains postcards depicting aerial views of Marineland Studios, dolphins, and businesses at the historic tourist attraction. \u003c/p\u003e\n","\u003cp\u003eSeries 35- Military Bases (arranged chronologically) contains photographic postcards depicting Camp Foster, founded as a work camp during the Great Depression, Camp Blanding Army Camp, and Camp Joseph E. Johnston.\u003c/p\u003e\n","\u003cp\u003eSeries 36- Mining (arranged chronologically) contains postcards depicting phosphate mining in Florida. \u003c/p\u003e\n","\u003cp\u003eSeries 37- Monuments (arranged chronologically) contains postcards depicting monuments in the Jacksonville area.\u003c/p\u003e\n","\u003cp\u003eSeries 38- Motels (arranged chronologically) contains postcards depicting mid-20th century tourist motels in the Jacksonville area along U.S. Highway 1.\u003c/p\u003e\n","\u003cp\u003eSeries 39- Museums (arranged chronologically) contains postcards depicting artwork from the collections of the Cummer Museum in the Riverside neighborhood of Jacksonville, Florida. \u003c/p\u003e\n","\u003cp\u003eSeries 40- Naval Air Station; Jacksonville, Florida (arranged chronologically) contains postcards depicting structures at Mayport, Cecil Field, and Jacksonville Naval Air stations. \u003c/p\u003e\n","\u003cp\u003eSeries 41- Neptune Beach, Florida (arranged chronologically) contains postcards depicting scenes of beach front at Neptune Beach.\u003c/p\u003e\n","\u003cp\u003eSeries 42- Orange Park, Florida (arranged chronologically) contains postcards depicting structures at Moosehaven Retirement Community located in Orange Park, Florida on the St. Johns River. \u003c/p\u003e\n","\u003cp\u003eSeries 43- Oriental Gardens; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the former tourist attraction located on San Jose Boulevard.\u003c/p\u003e\n","\u003cp\u003eSeries 44- Parks (arranged chronologically) contains postcards depicting historic images of parks in various Jacksonville neighborhoods, including Riverside and Springfield parks. \u003c/p\u003e\n","\u003cp\u003eSeries 45- Persons (arranged chronologically) contains photographic postcards depicting portraits of visitors to Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 46- Ponte Vedra Beach, Florida (arranged chronologically) contains postcards depicting views of structures on the Ponte Vedra Inn and Club.\u003c/p\u003e\n","\u003cp\u003eSeries 47- Post Office Building (arranged chronologically) contains postcards depicting early 20th century Federal Post Office in downtown Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 48- Public Buildings (arranged chronologically) contains postcards depicting various municipal buildings including the original Duval County Courthouse, The Armory, and the Civic Auditorium of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 49- Restaurants (arranged chronologically) contains postcards depicting Jacksonville area restaurants.\u003c/p\u003e\n","\u003cp\u003eSeries 50- St. Augustine, Florida (arranged chronologically) contains postcards depicting businesses, tourist attractions, and historic sites in St. Augustine, Florida\u003c/p\u003e\n","\u003cp\u003eSeries 51- St. Johns River, Florida (arranged chronologically) contains postcards depicting scenes from the St. Johns River, \u003c/p\u003e\n","\u003cp\u003eSeries 52- Sanford, Florida (arranged chronologically) contains postcards depicting a steamer ship in Sanford, Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 53- Schools (arranged chronologically) contains postcards depicting school buildings in the Jacksonville area including Central Grammar School, Duval High School, Edward Waters College.\u003c/p\u003e\n","\u003cp\u003eSeries 54- Silver Springs, Florida (arranged chronologically) contains postcards depicting a scene of glass-bottom boats at the springs. \u003c/p\u003e\n","\u003cp\u003eSeries 55- Souvenir Postcard Booklets (arranged chronologically) contains multi-postcard booklets depicting scenes from Northeast Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 56- Streets (arranged chronologically) contains postcards depicting street views in downtown Jacksonville, and the Riverside and Springfield neighborhoods. \u003c/p\u003e\n","\u003cp\u003eSeries 57- Theaters (arranged chronologically) contains postcards depicting the Palace and New Palace theaters.\u003c/p\u003e\n","\u003cp\u003eSeries 58- Trailer Camps (arranged chronologically) contains postcards depicting scenes of tourist trailer campgrounds near Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 59- Trees (arranged chronologically) contains postcards depicting various species of trees native to Northeast Florida and the famous Treaty Oak live oak tree located in Jesse Ball duPont Park. \u003c/p\u003e\n","\u003cp\u003eSeries 60- Turpentine Industry (arranged chronologically) contains postcards depicting scenes of turpentine camps in Northeast Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 61- Union Station (arranged chronologically) contains postcards depicting various scenes of the historic Union Station in Downtown Jacksonville, now the Prime F. Osborn III Convention Center.\u003c/p\u003e\n","\u003cp\u003eSeries 62- Universities and Colleges (arranged chronologically) contains postcards depicting Jacksonville University, University of North Florida, and Edward Waters College campuses. \u003c/p\u003e\n","\u003cp\u003eSeries 63- Viaducts/Trains (arranged chronologically) contains postcards depicting railroad viaducts and close-up depictions of train engines. \u003c/p\u003e\n","\u003cp\u003eSeries 64- Waterfronts (arranged chronologically) contains postcards depicting various views of the Jacksonville skyline as seen from the St. Johns River. \u003c/p\u003e\n","\u003cp\u003eSeries 65- Waterworks; Jacksonville, Florida (arranged chronologically) contains postcards depicting the historic waterworks located in the Springfield neighborhood of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 66- Zoos (arranged chronologically) contains postcards depicting views from the Jacksonville Zoo during the early and mid-20th century. \u003c/p\u003e\n","\u003cp\u003eSeries 67- Sensitive Content (arranged chronologically) contains postcards depicting content that may be harmful or distressing to viewers. These items are available to review in person only.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. \nSeries in this collection include the following:","Series 1- Advertising Cards (arranged chronologically) contains business advertisement cards from Northeast Florida business and organizations.","Series 2- Agriculture (arranged chronologically) contains postcards depicting the agricultural industry in Northeast Florida","Series 3- Airports (arranged chronologically) contains postcards depicting Jacksonville International Airport and local municipal airports in Northeast Florida.","Series 4- Alligator Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the Alligator farm, an early 20th century tourist attraction in Jacksonville, Florida.","Series 5- Atlantic Beach, Florida (arranged chronologically) contains postcards depicting panoramic views of Atlantic Beach, local hotels, and other tourist attractions.","Series 6- Atlantic Intracoastal Waterway (arranged chronologically) contains postcards depicting steamer ships owned by the Clyde Line, commercial shipping docks, and views of the intracoastal waterway.","Series 7- Bank Buildings (arranged chronologically) contains postcards depicting the Florida National Bank, Atlantic National Bank, Barnett First National Bank, and other local Northeast Florida Bank buildings.","Series 8- Bridges (arranged chronologically) contains postcards depicting local Jacksonville, Florida bridges, including the Fuller Warren Bridge, Main Street Bridge, Matthews Bridge, Napolean Bonaparte Broward Bridge, and Hart Bridge.","Series 9- Buildings (arranged chronologically) contains postcards depicting buildings in downtown Jacksonville, including structures of architectural significance like the St. James Building and the Shriners Temple.","Series 10- Church Buildings (arranged chronologically) contains postcards depicting churches of different denominations, including Catholic, Baptist, Methodist, and Episcopal, in the Northeast Florida area.","Series 11- Clubs (arranged chronologically) contains postcards depicting Jacksonville area athletic and social clubs. Examples include the Seminole Club, Fort George Club, Masonic Temple, and San Jose Golf Club.","Series 12- Cumberland Island, Georgia (arranged chronologically) contains postcards depicting Thomas M. Carnegie's home, Dungeness. ","Series 13- Dixieland Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting early 20th century tourist attraction on the Southbank of Jacksonville. ","Series 14- Docks and Shipping (arranged chronologically) contains postcards depicting scenes of commercial shipping docks and steamer ships on the St Johns River in downtown Jacksonville. ","Series 15- Dwellings (arranged chronologically) contains postcards depicting private residences in the Riverside, Springfield, Mandarin, and Ortega neighborhoods of Jacksonville. ","Series 16- Epping Forest; Jacksonville, Florida (arranged chronologically) contains postcards depicting the mansion of Alfred I. du Pont, now the Epping Forest Yacht Club.","Series 17- Eustis, Florida (arranged chronologically) contains postcards depicting photographic postcard taken in Eustis, Florida.","Series 18- Fernandina Beach, Florida (arranged chronologically) contains postcards depicting businesses, municipal buildings, hotels, private residences, and beach scenes.","Series 19- Florida Ostrich Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting tourist attraction popular in the early 20th century, with scenes of the farm with birds and ostriches racing. ","Series 20- Fort Clinch State Park, Florida (arranged chronologically) contains postcards depicting structures and ruins of the Civil War fort near Amelia Island and Fernandina Beach.","Series 21- Friendship Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting Friendship fountain and the downtown Jacksonville skyline across from the park located on the Southbank. ","Series 22- Gardens (arranged chronologically) contains postcards depicting scenes of plants native to Northeast Florida and Cummer Museum and Gardens. ","Series 23- General (arranged chronologically) contains postcards depicting a variety of scenes of locations in Jacksonville, cards printed by local printer H\u0026WB Drew Company, and cards addressed to Jacksonville addresses.","Series 24- Green Cove Springs, Florida (arranged chronologically) contains postcards depicting Springs, the bathing pavilion, and the Qui-Si-Sana Hotel and Health Spa. ","Series 25- Hemming Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting the grounds and businesses surrounding the park, known today as James Weldon Johnson Park. ","Series 26- Highways (arranged chronologically) contains postcards depicting several multi-lane highways and expressways in Jacksonville. ","Series 27- Hilliard, Florida (arranged chronologically) contains postcards depicting a hotel located in Hilliard, Florida near the Florida/Georgia Border. ","Series 28- Hospitals (arranged chronologically) contains postcards depicting Jacksonville area hospitals, including St. Vincent's Hospital, De Soto Sanatorium, St. Luke's Hospital, and Brewster Hospital. ","Series 29- Hotels (arranged chronologically) contains postcards depicting Jacksonville area hotels, including Hotel Burbridge, Hotel Roosevelt, Aragon Hotel, and Windsor Hotel. ","Series 30- Jacksonville Beach, Florida (arranged chronologically) contains postcards depicting scenes of local businesses, hotels, restaurants, and beaches.","Series 31- Keystone Heights, Florida (arranged chronologically) contains postcards depicting a hotel in Keystone Heights, Florida. ","Series 32- Kingsley Plantation; Fort George Island, Florida (arranged chronologically) contains postcards depicting National Park Kingsley Plantation on Fort George Island. ","Series 33- Library Buildings (arranged chronologically) contains postcards depicting the exteriors of Jacksonville area public library buildings.","Series 34- Marineland, Florida (arranged chronologically) contains postcards depicting aerial views of Marineland Studios, dolphins, and businesses at the historic tourist attraction. ","Series 35- Military Bases (arranged chronologically) contains photographic postcards depicting Camp Foster, founded as a work camp during the Great Depression, Camp Blanding Army Camp, and Camp Joseph E. Johnston.","Series 36- Mining (arranged chronologically) contains postcards depicting phosphate mining in Florida. ","Series 37- Monuments (arranged chronologically) contains postcards depicting monuments in the Jacksonville area.","Series 38- Motels (arranged chronologically) contains postcards depicting mid-20th century tourist motels in the Jacksonville area along U.S. Highway 1.","Series 39- Museums (arranged chronologically) contains postcards depicting artwork from the collections of the Cummer Museum in the Riverside neighborhood of Jacksonville, Florida. ","Series 40- Naval Air Station; Jacksonville, Florida (arranged chronologically) contains postcards depicting structures at Mayport, Cecil Field, and Jacksonville Naval Air stations. ","Series 41- Neptune Beach, Florida (arranged chronologically) contains postcards depicting scenes of beach front at Neptune Beach.","Series 42- Orange Park, Florida (arranged chronologically) contains postcards depicting structures at Moosehaven Retirement Community located in Orange Park, Florida on the St. Johns River. ","Series 43- Oriental Gardens; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the former tourist attraction located on San Jose Boulevard.","Series 44- Parks (arranged chronologically) contains postcards depicting historic images of parks in various Jacksonville neighborhoods, including Riverside and Springfield parks. ","Series 45- Persons (arranged chronologically) contains photographic postcards depicting portraits of visitors to Jacksonville. ","Series 46- Ponte Vedra Beach, Florida (arranged chronologically) contains postcards depicting views of structures on the Ponte Vedra Inn and Club.","Series 47- Post Office Building (arranged chronologically) contains postcards depicting early 20th century Federal Post Office in downtown Jacksonville. ","Series 48- Public Buildings (arranged chronologically) contains postcards depicting various municipal buildings including the original Duval County Courthouse, The Armory, and the Civic Auditorium of Jacksonville. ","Series 49- Restaurants (arranged chronologically) contains postcards depicting Jacksonville area restaurants.","Series 50- St. Augustine, Florida (arranged chronologically) contains postcards depicting businesses, tourist attractions, and historic sites in St. Augustine, Florida","Series 51- St. Johns River, Florida (arranged chronologically) contains postcards depicting scenes from the St. Johns River, ","Series 52- Sanford, Florida (arranged chronologically) contains postcards depicting a steamer ship in Sanford, Florida.","Series 53- Schools (arranged chronologically) contains postcards depicting school buildings in the Jacksonville area including Central Grammar School, Duval High School, Edward Waters College.","Series 54- Silver Springs, Florida (arranged chronologically) contains postcards depicting a scene of glass-bottom boats at the springs. ","Series 55- Souvenir Postcard Booklets (arranged chronologically) contains multi-postcard booklets depicting scenes from Northeast Florida.","Series 56- Streets (arranged chronologically) contains postcards depicting street views in downtown Jacksonville, and the Riverside and Springfield neighborhoods. ","Series 57- Theaters (arranged chronologically) contains postcards depicting the Palace and New Palace theaters.","Series 58- Trailer Camps (arranged chronologically) contains postcards depicting scenes of tourist trailer campgrounds near Jacksonville. ","Series 59- Trees (arranged chronologically) contains postcards depicting various species of trees native to Northeast Florida and the famous Treaty Oak live oak tree located in Jesse Ball duPont Park. ","Series 60- Turpentine Industry (arranged chronologically) contains postcards depicting scenes of turpentine camps in Northeast Florida.","Series 61- Union Station (arranged chronologically) contains postcards depicting various scenes of the historic Union Station in Downtown Jacksonville, now the Prime F. Osborn III Convention Center.","Series 62- Universities and Colleges (arranged chronologically) contains postcards depicting Jacksonville University, University of North Florida, and Edward Waters College campuses. ","Series 63- Viaducts/Trains (arranged chronologically) contains postcards depicting railroad viaducts and close-up depictions of train engines. ","Series 64- Waterfronts (arranged chronologically) contains postcards depicting various views of the Jacksonville skyline as seen from the St. Johns River. ","Series 65- Waterworks; Jacksonville, Florida (arranged chronologically) contains postcards depicting the historic waterworks located in the Springfield neighborhood of Jacksonville. ","Series 66- Zoos (arranged chronologically) contains postcards depicting views from the Jacksonville Zoo during the early and mid-20th century. ","Series 67- Sensitive Content (arranged chronologically) contains postcards depicting content that may be harmful or distressing to viewers. These items are available to review in person only."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":67,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872853597225484288,"_root_":"45807c67f367973431520ee3","timestamp":"2026-08-07T08:46:14.061Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"45807c67f367973431520ee3","title_ssm":["Northeast Florida Regional Postcard Collection"],"title_tesim":["Northeast Florida Regional Postcard Collection"],"ead_ssi":"45807c67f367973431520ee3","unitdate_ssm":["1858-2019"],"unitdate_inclusive_ssm":["1858-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2024.001","/repositories/3/resources/82"],"text":["2024.001","/repositories/3/resources/82","Northeast Florida Regional Postcard Collection, 1858-2019","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","\tIn the United States, the traditional picture postcard rose to popularity in the early 20th century. Postcard history is often divided into eight distinct \"eras\" beginning in the 1850s and continuing through the \"Golden Age of Postcards\" beginning around 1905 and lasting through 1915. In this golden age, millions of cards were printed and sold throughout the entire U.S. and collecting cards became a popular hobby. The Northeast Florida Regional Postcard Collection contains examples from many of the documented eras, including photographic cards popularized in the nineteen teens and twenties. ","\nAdvances in printing and photographic techniques along with faster shipping methods between the U.S. and Europe allowed for the mass production of brightly colored pictorial cards to be quickly manufactured and distributed to sellers. In addition to the printers in major U.S. cities, a network of publishers and photographers allowed many local businesses in small towns across the U.S. to commission postcards of local \"views\" that were cheaply printed in Germany. Many images of small-town life, including municipal architecture, private residences, and street scenes were preserved and are a useful tool for local historians and researchers. These views act as a \"visual record of a town\" and help develop a fuller understanding of the locations represented in the postcards. Additionally, postcards depicted natural disasters, fires, local amusements, and tourist attractions and were important to the souvenir trade of the time.  ","\nAt the height of the industry's popularity, publishers would often share or even steal negatives to create their own postcards and often would change or distort the negative to make them appear different from other printers. Misspellings were common and incorrectly captioned cards were also prevalent. The Northeast Florida Regional Postcard collection has several examples of this business tactic and many examples of misspellings in the captions or titles on the cards. ","\nEnthusiasm for postcard collecting began to wane around 1912 and ended with the start of World War I. Even though the initial craze for postcards diminished, they are still produced and continue to be a useful visual record for researchers and historians of the late 19th and early 20th centuries. The Northeast Florida Regional Postcard Collection supports many of our Florida ephemera or Floridiana collections and is a great resource for the visual history of Jacksonville, St. Augustine, and the other towns of Northeast Florida. ","Sources:\n New York State Library Postcard Collection-Appendix C","Greetings from the Smithsonian: A Postcard History","This collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. \nSeries in this collection include the following:","Series 1- Advertising Cards (arranged chronologically) contains business advertisement cards from Northeast Florida business and organizations.","Series 2- Agriculture (arranged chronologically) contains postcards depicting the agricultural industry in Northeast Florida","Series 3- Airports (arranged chronologically) contains postcards depicting Jacksonville International Airport and local municipal airports in Northeast Florida.","Series 4- Alligator Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the Alligator farm, an early 20th century tourist attraction in Jacksonville, Florida.","Series 5- Atlantic Beach, Florida (arranged chronologically) contains postcards depicting panoramic views of Atlantic Beach, local hotels, and other tourist attractions.","Series 6- Atlantic Intracoastal Waterway (arranged chronologically) contains postcards depicting steamer ships owned by the Clyde Line, commercial shipping docks, and views of the intracoastal waterway.","Series 7- Bank Buildings (arranged chronologically) contains postcards depicting the Florida National Bank, Atlantic National Bank, Barnett First National Bank, and other local Northeast Florida Bank buildings.","Series 8- Bridges (arranged chronologically) contains postcards depicting local Jacksonville, Florida bridges, including the Fuller Warren Bridge, Main Street Bridge, Matthews Bridge, Napolean Bonaparte Broward Bridge, and Hart Bridge.","Series 9- Buildings (arranged chronologically) contains postcards depicting buildings in downtown Jacksonville, including structures of architectural significance like the St. James Building and the Shriners Temple.","Series 10- Church Buildings (arranged chronologically) contains postcards depicting churches of different denominations, including Catholic, Baptist, Methodist, and Episcopal, in the Northeast Florida area.","Series 11- Clubs (arranged chronologically) contains postcards depicting Jacksonville area athletic and social clubs. Examples include the Seminole Club, Fort George Club, Masonic Temple, and San Jose Golf Club.","Series 12- Cumberland Island, Georgia (arranged chronologically) contains postcards depicting Thomas M. Carnegie's home, Dungeness. ","Series 13- Dixieland Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting early 20th century tourist attraction on the Southbank of Jacksonville. ","Series 14- Docks and Shipping (arranged chronologically) contains postcards depicting scenes of commercial shipping docks and steamer ships on the St Johns River in downtown Jacksonville. ","Series 15- Dwellings (arranged chronologically) contains postcards depicting private residences in the Riverside, Springfield, Mandarin, and Ortega neighborhoods of Jacksonville. ","Series 16- Epping Forest; Jacksonville, Florida (arranged chronologically) contains postcards depicting the mansion of Alfred I. du Pont, now the Epping Forest Yacht Club.","Series 17- Eustis, Florida (arranged chronologically) contains postcards depicting photographic postcard taken in Eustis, Florida.","Series 18- Fernandina Beach, Florida (arranged chronologically) contains postcards depicting businesses, municipal buildings, hotels, private residences, and beach scenes.","Series 19- Florida Ostrich Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting tourist attraction popular in the early 20th century, with scenes of the farm with birds and ostriches racing. ","Series 20- Fort Clinch State Park, Florida (arranged chronologically) contains postcards depicting structures and ruins of the Civil War fort near Amelia Island and Fernandina Beach.","Series 21- Friendship Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting Friendship fountain and the downtown Jacksonville skyline across from the park located on the Southbank. ","Series 22- Gardens (arranged chronologically) contains postcards depicting scenes of plants native to Northeast Florida and Cummer Museum and Gardens. ","Series 23- General (arranged chronologically) contains postcards depicting a variety of scenes of locations in Jacksonville, cards printed by local printer H\u0026WB Drew Company, and cards addressed to Jacksonville addresses.","Series 24- Green Cove Springs, Florida (arranged chronologically) contains postcards depicting Springs, the bathing pavilion, and the Qui-Si-Sana Hotel and Health Spa. ","Series 25- Hemming Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting the grounds and businesses surrounding the park, known today as James Weldon Johnson Park. ","Series 26- Highways (arranged chronologically) contains postcards depicting several multi-lane highways and expressways in Jacksonville. ","Series 27- Hilliard, Florida (arranged chronologically) contains postcards depicting a hotel located in Hilliard, Florida near the Florida/Georgia Border. ","Series 28- Hospitals (arranged chronologically) contains postcards depicting Jacksonville area hospitals, including St. Vincent's Hospital, De Soto Sanatorium, St. Luke's Hospital, and Brewster Hospital. ","Series 29- Hotels (arranged chronologically) contains postcards depicting Jacksonville area hotels, including Hotel Burbridge, Hotel Roosevelt, Aragon Hotel, and Windsor Hotel. ","Series 30- Jacksonville Beach, Florida (arranged chronologically) contains postcards depicting scenes of local businesses, hotels, restaurants, and beaches.","Series 31- Keystone Heights, Florida (arranged chronologically) contains postcards depicting a hotel in Keystone Heights, Florida. ","Series 32- Kingsley Plantation; Fort George Island, Florida (arranged chronologically) contains postcards depicting National Park Kingsley Plantation on Fort George Island. ","Series 33- Library Buildings (arranged chronologically) contains postcards depicting the exteriors of Jacksonville area public library buildings.","Series 34- Marineland, Florida (arranged chronologically) contains postcards depicting aerial views of Marineland Studios, dolphins, and businesses at the historic tourist attraction. ","Series 35- Military Bases (arranged chronologically) contains photographic postcards depicting Camp Foster, founded as a work camp during the Great Depression, Camp Blanding Army Camp, and Camp Joseph E. Johnston.","Series 36- Mining (arranged chronologically) contains postcards depicting phosphate mining in Florida. ","Series 37- Monuments (arranged chronologically) contains postcards depicting monuments in the Jacksonville area.","Series 38- Motels (arranged chronologically) contains postcards depicting mid-20th century tourist motels in the Jacksonville area along U.S. Highway 1.","Series 39- Museums (arranged chronologically) contains postcards depicting artwork from the collections of the Cummer Museum in the Riverside neighborhood of Jacksonville, Florida. ","Series 40- Naval Air Station; Jacksonville, Florida (arranged chronologically) contains postcards depicting structures at Mayport, Cecil Field, and Jacksonville Naval Air stations. ","Series 41- Neptune Beach, Florida (arranged chronologically) contains postcards depicting scenes of beach front at Neptune Beach.","Series 42- Orange Park, Florida (arranged chronologically) contains postcards depicting structures at Moosehaven Retirement Community located in Orange Park, Florida on the St. Johns River. ","Series 43- Oriental Gardens; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the former tourist attraction located on San Jose Boulevard.","Series 44- Parks (arranged chronologically) contains postcards depicting historic images of parks in various Jacksonville neighborhoods, including Riverside and Springfield parks. ","Series 45- Persons (arranged chronologically) contains photographic postcards depicting portraits of visitors to Jacksonville. ","Series 46- Ponte Vedra Beach, Florida (arranged chronologically) contains postcards depicting views of structures on the Ponte Vedra Inn and Club.","Series 47- Post Office Building (arranged chronologically) contains postcards depicting early 20th century Federal Post Office in downtown Jacksonville. ","Series 48- Public Buildings (arranged chronologically) contains postcards depicting various municipal buildings including the original Duval County Courthouse, The Armory, and the Civic Auditorium of Jacksonville. ","Series 49- Restaurants (arranged chronologically) contains postcards depicting Jacksonville area restaurants.","Series 50- St. Augustine, Florida (arranged chronologically) contains postcards depicting businesses, tourist attractions, and historic sites in St. Augustine, Florida","Series 51- St. Johns River, Florida (arranged chronologically) contains postcards depicting scenes from the St. Johns River, ","Series 52- Sanford, Florida (arranged chronologically) contains postcards depicting a steamer ship in Sanford, Florida.","Series 53- Schools (arranged chronologically) contains postcards depicting school buildings in the Jacksonville area including Central Grammar School, Duval High School, Edward Waters College.","Series 54- Silver Springs, Florida (arranged chronologically) contains postcards depicting a scene of glass-bottom boats at the springs. ","Series 55- Souvenir Postcard Booklets (arranged chronologically) contains multi-postcard booklets depicting scenes from Northeast Florida.","Series 56- Streets (arranged chronologically) contains postcards depicting street views in downtown Jacksonville, and the Riverside and Springfield neighborhoods. ","Series 57- Theaters (arranged chronologically) contains postcards depicting the Palace and New Palace theaters.","Series 58- Trailer Camps (arranged chronologically) contains postcards depicting scenes of tourist trailer campgrounds near Jacksonville. ","Series 59- Trees (arranged chronologically) contains postcards depicting various species of trees native to Northeast Florida and the famous Treaty Oak live oak tree located in Jesse Ball duPont Park. ","Series 60- Turpentine Industry (arranged chronologically) contains postcards depicting scenes of turpentine camps in Northeast Florida.","Series 61- Union Station (arranged chronologically) contains postcards depicting various scenes of the historic Union Station in Downtown Jacksonville, now the Prime F. Osborn III Convention Center.","Series 62- Universities and Colleges (arranged chronologically) contains postcards depicting Jacksonville University, University of North Florida, and Edward Waters College campuses. ","Series 63- Viaducts/Trains (arranged chronologically) contains postcards depicting railroad viaducts and close-up depictions of train engines. ","Series 64- Waterfronts (arranged chronologically) contains postcards depicting various views of the Jacksonville skyline as seen from the St. Johns River. ","Series 65- Waterworks; Jacksonville, Florida (arranged chronologically) contains postcards depicting the historic waterworks located in the Springfield neighborhood of Jacksonville. ","Series 66- Zoos (arranged chronologically) contains postcards depicting views from the Jacksonville Zoo during the early and mid-20th century. ","Series 67- Sensitive Content (arranged chronologically) contains postcards depicting content that may be harmful or distressing to viewers. These items are available to review in person only.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2024.001","/repositories/3/resources/82"],"normalized_date_ssm":["1858-2019"],"normalized_title_ssm":["Northeast Florida Regional Postcard Collection, 1858-2019"],"collection_title_tesim":["Northeast Florida Regional Postcard Collection, 1858-2019"],"collection_ssim":["Northeast Florida Regional Postcard Collection, 1858-2019"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation."],"has_online_content_ssim":["false"],"extent_ssm":["1.92 Linear Feet"],"extent_tesim":["1.92 Linear Feet"],"date_range_isim":[1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003e\tIn the United States, the traditional picture postcard rose to popularity in the early 20th century. Postcard history is often divided into eight distinct \"eras\" beginning in the 1850s and continuing through the \"Golden Age of Postcards\" beginning around 1905 and lasting through 1915. In this golden age, millions of cards were printed and sold throughout the entire U.S. and collecting cards became a popular hobby. The Northeast Florida Regional Postcard Collection contains examples from many of the documented eras, including photographic cards popularized in the nineteen teens and twenties. \u003c/p\u003e\n","\u003cp\u003e\nAdvances in printing and photographic techniques along with faster shipping methods between the U.S. and Europe allowed for the mass production of brightly colored pictorial cards to be quickly manufactured and distributed to sellers. In addition to the printers in major U.S. cities, a network of publishers and photographers allowed many local businesses in small towns across the U.S. to commission postcards of local \"views\" that were cheaply printed in Germany. Many images of small-town life, including municipal architecture, private residences, and street scenes were preserved and are a useful tool for local historians and researchers. These views act as a \"visual record of a town\" and help develop a fuller understanding of the locations represented in the postcards. Additionally, postcards depicted natural disasters, fires, local amusements, and tourist attractions and were important to the souvenir trade of the time.  \u003c/p\u003e\n","\u003cp\u003e\nAt the height of the industry's popularity, publishers would often share or even steal negatives to create their own postcards and often would change or distort the negative to make them appear different from other printers. Misspellings were common and incorrectly captioned cards were also prevalent. The Northeast Florida Regional Postcard collection has several examples of this business tactic and many examples of misspellings in the captions or titles on the cards. \u003c/p\u003e\n","\u003cp\u003e\nEnthusiasm for postcard collecting began to wane around 1912 and ended with the start of World War I. Even though the initial craze for postcards diminished, they are still produced and continue to be a useful visual record for researchers and historians of the late 19th and early 20th centuries. The Northeast Florida Regional Postcard Collection supports many of our Florida ephemera or Floridiana collections and is a great resource for the visual history of Jacksonville, St. Augustine, and the other towns of Northeast Florida. \u003c/p\u003e\n","\u003cp\u003eSources:\n\u003cextref href=\"https://www.nysl.nysed.gov/msscfa/qc16510ess.htm\"\u003eNew York State Library Postcard Collection-Appendix C\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://siarchives.si.edu/history/featured-topics/postcard/postcard-history\"\u003eGreetings from the Smithsonian: A Postcard History\u003c/extref\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\tIn the United States, the traditional picture postcard rose to popularity in the early 20th century. Postcard history is often divided into eight distinct \"eras\" beginning in the 1850s and continuing through the \"Golden Age of Postcards\" beginning around 1905 and lasting through 1915. In this golden age, millions of cards were printed and sold throughout the entire U.S. and collecting cards became a popular hobby. The Northeast Florida Regional Postcard Collection contains examples from many of the documented eras, including photographic cards popularized in the nineteen teens and twenties. ","\nAdvances in printing and photographic techniques along with faster shipping methods between the U.S. and Europe allowed for the mass production of brightly colored pictorial cards to be quickly manufactured and distributed to sellers. In addition to the printers in major U.S. cities, a network of publishers and photographers allowed many local businesses in small towns across the U.S. to commission postcards of local \"views\" that were cheaply printed in Germany. Many images of small-town life, including municipal architecture, private residences, and street scenes were preserved and are a useful tool for local historians and researchers. These views act as a \"visual record of a town\" and help develop a fuller understanding of the locations represented in the postcards. Additionally, postcards depicted natural disasters, fires, local amusements, and tourist attractions and were important to the souvenir trade of the time.  ","\nAt the height of the industry's popularity, publishers would often share or even steal negatives to create their own postcards and often would change or distort the negative to make them appear different from other printers. Misspellings were common and incorrectly captioned cards were also prevalent. The Northeast Florida Regional Postcard collection has several examples of this business tactic and many examples of misspellings in the captions or titles on the cards. ","\nEnthusiasm for postcard collecting began to wane around 1912 and ended with the start of World War I. Even though the initial craze for postcards diminished, they are still produced and continue to be a useful visual record for researchers and historians of the late 19th and early 20th centuries. The Northeast Florida Regional Postcard Collection supports many of our Florida ephemera or Floridiana collections and is a great resource for the visual history of Jacksonville, St. Augustine, and the other towns of Northeast Florida. ","Sources:\n New York State Library Postcard Collection-Appendix C","Greetings from the Smithsonian: A Postcard History"],"prefercite_html_tesm":["\u003cp\u003eNortheast Florida Regional Postcard Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Northeast Florida Regional Postcard Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. \nSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1- Advertising Cards (arranged chronologically) contains business advertisement cards from Northeast Florida business and organizations.\u003c/p\u003e\n","\u003cp\u003eSeries 2- Agriculture (arranged chronologically) contains postcards depicting the agricultural industry in Northeast Florida\u003c/p\u003e\n","\u003cp\u003eSeries 3- Airports (arranged chronologically) contains postcards depicting Jacksonville International Airport and local municipal airports in Northeast Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 4- Alligator Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the Alligator farm, an early 20th century tourist attraction in Jacksonville, Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 5- Atlantic Beach, Florida (arranged chronologically) contains postcards depicting panoramic views of Atlantic Beach, local hotels, and other tourist attractions.\u003c/p\u003e\n","\u003cp\u003eSeries 6- Atlantic Intracoastal Waterway (arranged chronologically) contains postcards depicting steamer ships owned by the Clyde Line, commercial shipping docks, and views of the intracoastal waterway.\u003c/p\u003e\n","\u003cp\u003eSeries 7- Bank Buildings (arranged chronologically) contains postcards depicting the Florida National Bank, Atlantic National Bank, Barnett First National Bank, and other local Northeast Florida Bank buildings.\u003c/p\u003e\n","\u003cp\u003eSeries 8- Bridges (arranged chronologically) contains postcards depicting local Jacksonville, Florida bridges, including the Fuller Warren Bridge, Main Street Bridge, Matthews Bridge, Napolean Bonaparte Broward Bridge, and Hart Bridge.\u003c/p\u003e\n","\u003cp\u003eSeries 9- Buildings (arranged chronologically) contains postcards depicting buildings in downtown Jacksonville, including structures of architectural significance like the St. James Building and the Shriners Temple.\u003c/p\u003e\n","\u003cp\u003eSeries 10- Church Buildings (arranged chronologically) contains postcards depicting churches of different denominations, including Catholic, Baptist, Methodist, and Episcopal, in the Northeast Florida area.\u003c/p\u003e\n","\u003cp\u003eSeries 11- Clubs (arranged chronologically) contains postcards depicting Jacksonville area athletic and social clubs. Examples include the Seminole Club, Fort George Club, Masonic Temple, and San Jose Golf Club.\u003c/p\u003e\n","\u003cp\u003eSeries 12- Cumberland Island, Georgia (arranged chronologically) contains postcards depicting Thomas M. Carnegie's home, Dungeness. \u003c/p\u003e\n","\u003cp\u003eSeries 13- Dixieland Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting early 20th century tourist attraction on the Southbank of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 14- Docks and Shipping (arranged chronologically) contains postcards depicting scenes of commercial shipping docks and steamer ships on the St Johns River in downtown Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 15- Dwellings (arranged chronologically) contains postcards depicting private residences in the Riverside, Springfield, Mandarin, and Ortega neighborhoods of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 16- Epping Forest; Jacksonville, Florida (arranged chronologically) contains postcards depicting the mansion of Alfred I. du Pont, now the Epping Forest Yacht Club.\u003c/p\u003e\n","\u003cp\u003eSeries 17- Eustis, Florida (arranged chronologically) contains postcards depicting photographic postcard taken in Eustis, Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 18- Fernandina Beach, Florida (arranged chronologically) contains postcards depicting businesses, municipal buildings, hotels, private residences, and beach scenes.\u003c/p\u003e\n","\u003cp\u003eSeries 19- Florida Ostrich Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting tourist attraction popular in the early 20th century, with scenes of the farm with birds and ostriches racing. \u003c/p\u003e\n","\u003cp\u003eSeries 20- Fort Clinch State Park, Florida (arranged chronologically) contains postcards depicting structures and ruins of the Civil War fort near Amelia Island and Fernandina Beach.\u003c/p\u003e\n","\u003cp\u003eSeries 21- Friendship Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting Friendship fountain and the downtown Jacksonville skyline across from the park located on the Southbank. \u003c/p\u003e\n","\u003cp\u003eSeries 22- Gardens (arranged chronologically) contains postcards depicting scenes of plants native to Northeast Florida and Cummer Museum and Gardens. \u003c/p\u003e\n","\u003cp\u003eSeries 23- General (arranged chronologically) contains postcards depicting a variety of scenes of locations in Jacksonville, cards printed by local printer H\u0026amp;WB Drew Company, and cards addressed to Jacksonville addresses.\u003c/p\u003e\n","\u003cp\u003eSeries 24- Green Cove Springs, Florida (arranged chronologically) contains postcards depicting Springs, the bathing pavilion, and the Qui-Si-Sana Hotel and Health Spa. \u003c/p\u003e\n","\u003cp\u003eSeries 25- Hemming Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting the grounds and businesses surrounding the park, known today as James Weldon Johnson Park. \u003c/p\u003e\n","\u003cp\u003eSeries 26- Highways (arranged chronologically) contains postcards depicting several multi-lane highways and expressways in Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 27- Hilliard, Florida (arranged chronologically) contains postcards depicting a hotel located in Hilliard, Florida near the Florida/Georgia Border. \u003c/p\u003e\n","\u003cp\u003eSeries 28- Hospitals (arranged chronologically) contains postcards depicting Jacksonville area hospitals, including St. Vincent's Hospital, De Soto Sanatorium, St. Luke's Hospital, and Brewster Hospital. \u003c/p\u003e\n","\u003cp\u003eSeries 29- Hotels (arranged chronologically) contains postcards depicting Jacksonville area hotels, including Hotel Burbridge, Hotel Roosevelt, Aragon Hotel, and Windsor Hotel. \u003c/p\u003e\n","\u003cp\u003eSeries 30- Jacksonville Beach, Florida (arranged chronologically) contains postcards depicting scenes of local businesses, hotels, restaurants, and beaches.\u003c/p\u003e\n","\u003cp\u003eSeries 31- Keystone Heights, Florida (arranged chronologically) contains postcards depicting a hotel in Keystone Heights, Florida. \u003c/p\u003e\n","\u003cp\u003eSeries 32- Kingsley Plantation; Fort George Island, Florida (arranged chronologically) contains postcards depicting National Park Kingsley Plantation on Fort George Island. \u003c/p\u003e\n","\u003cp\u003eSeries 33- Library Buildings (arranged chronologically) contains postcards depicting the exteriors of Jacksonville area public library buildings.\u003c/p\u003e\n","\u003cp\u003eSeries 34- Marineland, Florida (arranged chronologically) contains postcards depicting aerial views of Marineland Studios, dolphins, and businesses at the historic tourist attraction. \u003c/p\u003e\n","\u003cp\u003eSeries 35- Military Bases (arranged chronologically) contains photographic postcards depicting Camp Foster, founded as a work camp during the Great Depression, Camp Blanding Army Camp, and Camp Joseph E. Johnston.\u003c/p\u003e\n","\u003cp\u003eSeries 36- Mining (arranged chronologically) contains postcards depicting phosphate mining in Florida. \u003c/p\u003e\n","\u003cp\u003eSeries 37- Monuments (arranged chronologically) contains postcards depicting monuments in the Jacksonville area.\u003c/p\u003e\n","\u003cp\u003eSeries 38- Motels (arranged chronologically) contains postcards depicting mid-20th century tourist motels in the Jacksonville area along U.S. Highway 1.\u003c/p\u003e\n","\u003cp\u003eSeries 39- Museums (arranged chronologically) contains postcards depicting artwork from the collections of the Cummer Museum in the Riverside neighborhood of Jacksonville, Florida. \u003c/p\u003e\n","\u003cp\u003eSeries 40- Naval Air Station; Jacksonville, Florida (arranged chronologically) contains postcards depicting structures at Mayport, Cecil Field, and Jacksonville Naval Air stations. \u003c/p\u003e\n","\u003cp\u003eSeries 41- Neptune Beach, Florida (arranged chronologically) contains postcards depicting scenes of beach front at Neptune Beach.\u003c/p\u003e\n","\u003cp\u003eSeries 42- Orange Park, Florida (arranged chronologically) contains postcards depicting structures at Moosehaven Retirement Community located in Orange Park, Florida on the St. Johns River. \u003c/p\u003e\n","\u003cp\u003eSeries 43- Oriental Gardens; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the former tourist attraction located on San Jose Boulevard.\u003c/p\u003e\n","\u003cp\u003eSeries 44- Parks (arranged chronologically) contains postcards depicting historic images of parks in various Jacksonville neighborhoods, including Riverside and Springfield parks. \u003c/p\u003e\n","\u003cp\u003eSeries 45- Persons (arranged chronologically) contains photographic postcards depicting portraits of visitors to Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 46- Ponte Vedra Beach, Florida (arranged chronologically) contains postcards depicting views of structures on the Ponte Vedra Inn and Club.\u003c/p\u003e\n","\u003cp\u003eSeries 47- Post Office Building (arranged chronologically) contains postcards depicting early 20th century Federal Post Office in downtown Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 48- Public Buildings (arranged chronologically) contains postcards depicting various municipal buildings including the original Duval County Courthouse, The Armory, and the Civic Auditorium of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 49- Restaurants (arranged chronologically) contains postcards depicting Jacksonville area restaurants.\u003c/p\u003e\n","\u003cp\u003eSeries 50- St. Augustine, Florida (arranged chronologically) contains postcards depicting businesses, tourist attractions, and historic sites in St. Augustine, Florida\u003c/p\u003e\n","\u003cp\u003eSeries 51- St. Johns River, Florida (arranged chronologically) contains postcards depicting scenes from the St. Johns River, \u003c/p\u003e\n","\u003cp\u003eSeries 52- Sanford, Florida (arranged chronologically) contains postcards depicting a steamer ship in Sanford, Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 53- Schools (arranged chronologically) contains postcards depicting school buildings in the Jacksonville area including Central Grammar School, Duval High School, Edward Waters College.\u003c/p\u003e\n","\u003cp\u003eSeries 54- Silver Springs, Florida (arranged chronologically) contains postcards depicting a scene of glass-bottom boats at the springs. \u003c/p\u003e\n","\u003cp\u003eSeries 55- Souvenir Postcard Booklets (arranged chronologically) contains multi-postcard booklets depicting scenes from Northeast Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 56- Streets (arranged chronologically) contains postcards depicting street views in downtown Jacksonville, and the Riverside and Springfield neighborhoods. \u003c/p\u003e\n","\u003cp\u003eSeries 57- Theaters (arranged chronologically) contains postcards depicting the Palace and New Palace theaters.\u003c/p\u003e\n","\u003cp\u003eSeries 58- Trailer Camps (arranged chronologically) contains postcards depicting scenes of tourist trailer campgrounds near Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 59- Trees (arranged chronologically) contains postcards depicting various species of trees native to Northeast Florida and the famous Treaty Oak live oak tree located in Jesse Ball duPont Park. \u003c/p\u003e\n","\u003cp\u003eSeries 60- Turpentine Industry (arranged chronologically) contains postcards depicting scenes of turpentine camps in Northeast Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 61- Union Station (arranged chronologically) contains postcards depicting various scenes of the historic Union Station in Downtown Jacksonville, now the Prime F. Osborn III Convention Center.\u003c/p\u003e\n","\u003cp\u003eSeries 62- Universities and Colleges (arranged chronologically) contains postcards depicting Jacksonville University, University of North Florida, and Edward Waters College campuses. \u003c/p\u003e\n","\u003cp\u003eSeries 63- Viaducts/Trains (arranged chronologically) contains postcards depicting railroad viaducts and close-up depictions of train engines. \u003c/p\u003e\n","\u003cp\u003eSeries 64- Waterfronts (arranged chronologically) contains postcards depicting various views of the Jacksonville skyline as seen from the St. Johns River. \u003c/p\u003e\n","\u003cp\u003eSeries 65- Waterworks; Jacksonville, Florida (arranged chronologically) contains postcards depicting the historic waterworks located in the Springfield neighborhood of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 66- Zoos (arranged chronologically) contains postcards depicting views from the Jacksonville Zoo during the early and mid-20th century. \u003c/p\u003e\n","\u003cp\u003eSeries 67- Sensitive Content (arranged chronologically) contains postcards depicting content that may be harmful or distressing to viewers. These items are available to review in person only.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. \nSeries in this collection include the following:","Series 1- Advertising Cards (arranged chronologically) contains business advertisement cards from Northeast Florida business and organizations.","Series 2- Agriculture (arranged chronologically) contains postcards depicting the agricultural industry in Northeast Florida","Series 3- Airports (arranged chronologically) contains postcards depicting Jacksonville International Airport and local municipal airports in Northeast Florida.","Series 4- Alligator Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the Alligator farm, an early 20th century tourist attraction in Jacksonville, Florida.","Series 5- Atlantic Beach, Florida (arranged chronologically) contains postcards depicting panoramic views of Atlantic Beach, local hotels, and other tourist attractions.","Series 6- Atlantic Intracoastal Waterway (arranged chronologically) contains postcards depicting steamer ships owned by the Clyde Line, commercial shipping docks, and views of the intracoastal waterway.","Series 7- Bank Buildings (arranged chronologically) contains postcards depicting the Florida National Bank, Atlantic National Bank, Barnett First National Bank, and other local Northeast Florida Bank buildings.","Series 8- Bridges (arranged chronologically) contains postcards depicting local Jacksonville, Florida bridges, including the Fuller Warren Bridge, Main Street Bridge, Matthews Bridge, Napolean Bonaparte Broward Bridge, and Hart Bridge.","Series 9- Buildings (arranged chronologically) contains postcards depicting buildings in downtown Jacksonville, including structures of architectural significance like the St. James Building and the Shriners Temple.","Series 10- Church Buildings (arranged chronologically) contains postcards depicting churches of different denominations, including Catholic, Baptist, Methodist, and Episcopal, in the Northeast Florida area.","Series 11- Clubs (arranged chronologically) contains postcards depicting Jacksonville area athletic and social clubs. Examples include the Seminole Club, Fort George Club, Masonic Temple, and San Jose Golf Club.","Series 12- Cumberland Island, Georgia (arranged chronologically) contains postcards depicting Thomas M. Carnegie's home, Dungeness. ","Series 13- Dixieland Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting early 20th century tourist attraction on the Southbank of Jacksonville. ","Series 14- Docks and Shipping (arranged chronologically) contains postcards depicting scenes of commercial shipping docks and steamer ships on the St Johns River in downtown Jacksonville. ","Series 15- Dwellings (arranged chronologically) contains postcards depicting private residences in the Riverside, Springfield, Mandarin, and Ortega neighborhoods of Jacksonville. ","Series 16- Epping Forest; Jacksonville, Florida (arranged chronologically) contains postcards depicting the mansion of Alfred I. du Pont, now the Epping Forest Yacht Club.","Series 17- Eustis, Florida (arranged chronologically) contains postcards depicting photographic postcard taken in Eustis, Florida.","Series 18- Fernandina Beach, Florida (arranged chronologically) contains postcards depicting businesses, municipal buildings, hotels, private residences, and beach scenes.","Series 19- Florida Ostrich Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting tourist attraction popular in the early 20th century, with scenes of the farm with birds and ostriches racing. ","Series 20- Fort Clinch State Park, Florida (arranged chronologically) contains postcards depicting structures and ruins of the Civil War fort near Amelia Island and Fernandina Beach.","Series 21- Friendship Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting Friendship fountain and the downtown Jacksonville skyline across from the park located on the Southbank. ","Series 22- Gardens (arranged chronologically) contains postcards depicting scenes of plants native to Northeast Florida and Cummer Museum and Gardens. ","Series 23- General (arranged chronologically) contains postcards depicting a variety of scenes of locations in Jacksonville, cards printed by local printer H\u0026WB Drew Company, and cards addressed to Jacksonville addresses.","Series 24- Green Cove Springs, Florida (arranged chronologically) contains postcards depicting Springs, the bathing pavilion, and the Qui-Si-Sana Hotel and Health Spa. ","Series 25- Hemming Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting the grounds and businesses surrounding the park, known today as James Weldon Johnson Park. ","Series 26- Highways (arranged chronologically) contains postcards depicting several multi-lane highways and expressways in Jacksonville. ","Series 27- Hilliard, Florida (arranged chronologically) contains postcards depicting a hotel located in Hilliard, Florida near the Florida/Georgia Border. ","Series 28- Hospitals (arranged chronologically) contains postcards depicting Jacksonville area hospitals, including St. Vincent's Hospital, De Soto Sanatorium, St. Luke's Hospital, and Brewster Hospital. ","Series 29- Hotels (arranged chronologically) contains postcards depicting Jacksonville area hotels, including Hotel Burbridge, Hotel Roosevelt, Aragon Hotel, and Windsor Hotel. ","Series 30- Jacksonville Beach, Florida (arranged chronologically) contains postcards depicting scenes of local businesses, hotels, restaurants, and beaches.","Series 31- Keystone Heights, Florida (arranged chronologically) contains postcards depicting a hotel in Keystone Heights, Florida. ","Series 32- Kingsley Plantation; Fort George Island, Florida (arranged chronologically) contains postcards depicting National Park Kingsley Plantation on Fort George Island. ","Series 33- Library Buildings (arranged chronologically) contains postcards depicting the exteriors of Jacksonville area public library buildings.","Series 34- Marineland, Florida (arranged chronologically) contains postcards depicting aerial views of Marineland Studios, dolphins, and businesses at the historic tourist attraction. ","Series 35- Military Bases (arranged chronologically) contains photographic postcards depicting Camp Foster, founded as a work camp during the Great Depression, Camp Blanding Army Camp, and Camp Joseph E. Johnston.","Series 36- Mining (arranged chronologically) contains postcards depicting phosphate mining in Florida. ","Series 37- Monuments (arranged chronologically) contains postcards depicting monuments in the Jacksonville area.","Series 38- Motels (arranged chronologically) contains postcards depicting mid-20th century tourist motels in the Jacksonville area along U.S. Highway 1.","Series 39- Museums (arranged chronologically) contains postcards depicting artwork from the collections of the Cummer Museum in the Riverside neighborhood of Jacksonville, Florida. ","Series 40- Naval Air Station; Jacksonville, Florida (arranged chronologically) contains postcards depicting structures at Mayport, Cecil Field, and Jacksonville Naval Air stations. ","Series 41- Neptune Beach, Florida (arranged chronologically) contains postcards depicting scenes of beach front at Neptune Beach.","Series 42- Orange Park, Florida (arranged chronologically) contains postcards depicting structures at Moosehaven Retirement Community located in Orange Park, Florida on the St. Johns River. ","Series 43- Oriental Gardens; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the former tourist attraction located on San Jose Boulevard.","Series 44- Parks (arranged chronologically) contains postcards depicting historic images of parks in various Jacksonville neighborhoods, including Riverside and Springfield parks. ","Series 45- Persons (arranged chronologically) contains photographic postcards depicting portraits of visitors to Jacksonville. ","Series 46- Ponte Vedra Beach, Florida (arranged chronologically) contains postcards depicting views of structures on the Ponte Vedra Inn and Club.","Series 47- Post Office Building (arranged chronologically) contains postcards depicting early 20th century Federal Post Office in downtown Jacksonville. ","Series 48- Public Buildings (arranged chronologically) contains postcards depicting various municipal buildings including the original Duval County Courthouse, The Armory, and the Civic Auditorium of Jacksonville. ","Series 49- Restaurants (arranged chronologically) contains postcards depicting Jacksonville area restaurants.","Series 50- St. Augustine, Florida (arranged chronologically) contains postcards depicting businesses, tourist attractions, and historic sites in St. Augustine, Florida","Series 51- St. Johns River, Florida (arranged chronologically) contains postcards depicting scenes from the St. Johns River, ","Series 52- Sanford, Florida (arranged chronologically) contains postcards depicting a steamer ship in Sanford, Florida.","Series 53- Schools (arranged chronologically) contains postcards depicting school buildings in the Jacksonville area including Central Grammar School, Duval High School, Edward Waters College.","Series 54- Silver Springs, Florida (arranged chronologically) contains postcards depicting a scene of glass-bottom boats at the springs. ","Series 55- Souvenir Postcard Booklets (arranged chronologically) contains multi-postcard booklets depicting scenes from Northeast Florida.","Series 56- Streets (arranged chronologically) contains postcards depicting street views in downtown Jacksonville, and the Riverside and Springfield neighborhoods. ","Series 57- Theaters (arranged chronologically) contains postcards depicting the Palace and New Palace theaters.","Series 58- Trailer Camps (arranged chronologically) contains postcards depicting scenes of tourist trailer campgrounds near Jacksonville. ","Series 59- Trees (arranged chronologically) contains postcards depicting various species of trees native to Northeast Florida and the famous Treaty Oak live oak tree located in Jesse Ball duPont Park. ","Series 60- Turpentine Industry (arranged chronologically) contains postcards depicting scenes of turpentine camps in Northeast Florida.","Series 61- Union Station (arranged chronologically) contains postcards depicting various scenes of the historic Union Station in Downtown Jacksonville, now the Prime F. Osborn III Convention Center.","Series 62- Universities and Colleges (arranged chronologically) contains postcards depicting Jacksonville University, University of North Florida, and Edward Waters College campuses. ","Series 63- Viaducts/Trains (arranged chronologically) contains postcards depicting railroad viaducts and close-up depictions of train engines. ","Series 64- Waterfronts (arranged chronologically) contains postcards depicting various views of the Jacksonville skyline as seen from the St. Johns River. ","Series 65- Waterworks; Jacksonville, Florida (arranged chronologically) contains postcards depicting the historic waterworks located in the Springfield neighborhood of Jacksonville. ","Series 66- Zoos (arranged chronologically) contains postcards depicting views from the Jacksonville Zoo during the early and mid-20th century. ","Series 67- Sensitive Content (arranged chronologically) contains postcards depicting content that may be harmful or distressing to viewers. These items are available to review in person only."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":67,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872853597225484288,"_root_":"45807c67f367973431520ee3","timestamp":"2026-08-07T08:46:14.061Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/45807c67f367973431520ee3"}},{"id":"7153ea890b98e25e3994ea20","type":"collection","attributes":{"title":"Norval Vernon Cummings manuscript, 1925-2003, Date acquired: 2017-08-23, bulk 1943-1946","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/7153ea890b98e25e3994ea20#creator","type":"document_value","attributes":{"value":["Cummings, Norval Vernon, 1925-2013"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/7153ea890b98e25e3994ea20#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis manuscript was written by Norval Vernon Cummings (Sergeant) who served with the 35th Combat Engineer Battalion during World War II in the European Theater.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/7153ea890b98e25e3994ea20#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"7153ea890b98e25e3994ea20","title_filing_ssi":"Cummings, Norval Vernon manuscript","title_ssm":["Norval Vernon Cummings manuscript"],"title_tesim":["Norval Vernon Cummings manuscript"],"ead_ssi":"7153ea890b98e25e3994ea20","unitdate_ssm":["1925-2003","1943-1946","Date acquired: 2017-08-23"],"unitdate_bulk_ssim":["1943-1946"],"unitdate_inclusive_ssm":["1925-2003"],"unitdate_other_ssim":["Date acquired: 2017-08-23"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["17.0019","/repositories/10/resources/231"],"text":["17.0019","/repositories/10/resources/231","Norval Vernon Cummings manuscript, 1925-2003, Date acquired: 2017-08-23, bulk 1943-1946","World War, 1939-1945--Campaigns--Europe","United States. Army. Engineer Combat Battalion, 35th","This manuscript is open to all researchers.","\tNorval Vernon Cummings was born in Kurtz, Indiana, on July 25, 1925, one of six children to Roy and Flora Hall Cummings. He graduated from Clearspring High School and Ohio Christian College. Following high school graduation in 1943, he immediately enlisted in the U.S. Army.  The 35th Combat Engineer Battalion, with which Cummings served, arrived in Europe on May 14, 1944, and then served in Northern France, Rhineland, Ardennes-Alsace, and central Europe campaigns of World War II and received a Croix de Guerre from the government of Luxembourg. The battalion returned to the United States in September 1945 and was inactivated on the 17th of that month at Camp Kilmer, New Jersey. Cummings left the service as a sergeant. \n    Norval served in Europe throughout the war returning home in 1946 and marrying Helen Marchetta Fish on May 11, 1946, in Kurtz, Indiana. She passed away in July 2010. Cummings held a variety of jobs after the war. He taught in Clearspring and Tampico and owned and operated Cummings Electric in Brownstown and Free Town. He also taught at Camp Atterbury Job Corps. Norval passed away on October 1, 2013, in Seymour, Indiana, and is buried in Kurtz Cemetery. Cummings also worked for the US Post Office in Washington, D.C. and worked for the state of Indiana, retiringg from the Indiana Department of Rehabilitation. He moved to Florida once he retired. He was also a member of the American Legion and the Veterans of Foreign Wars Honor Guard. ","Cummings's obituary can be found at https://www.legacy.com/amp/obituaries/tribtown/168204139. ","This collection was donated by John Bullard. The collection was acquired by the Institute on World War II and the Human Experience on August 23, 2017.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","This manuscript was written by Norval Vernon Cummings (Sergeant) who served with the 35th Combat Engineer Battalion during World War II in the European Theater.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","United States. Army. 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