{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2016\u0026page=40\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2016\u0026page=39\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2016\u0026page=41\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2016\u0026page=124\u0026view=compact"},"meta":{"pages":{"current_page":40,"next_page":41,"prev_page":39,"total_pages":124,"limit_value":10,"offset_value":390,"total_count":1238,"first_page?":false,"last_page?":false}},"data":[{"id":"d20aa889e8ea8129c93e6502_aspace_d44a78d977838ebd61469f298d413198","type":"Series","attributes":{"title":"Events, 1985-2017","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502_aspace_d44a78d977838ebd61469f298d413198#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_d44a78d977838ebd61469f298d413198","ref_ssm":["aspace_d44a78d977838ebd61469f298d413198","aspace_d44a78d977838ebd61469f298d413198"],"id":"d20aa889e8ea8129c93e6502_aspace_d44a78d977838ebd61469f298d413198","title_filing_ssi":"Events","title_ssm":["Events"],"title_tesim":["Events"],"unitdate_inclusive_ssm":["1985-2017"],"normalized_date_ssm":["1985-2017"],"normalized_title_ssm":["Events, 1985-2017"],"text":["Events, 1985-2017","Nola Perez Papers, 1969-2022","/repositories/3/archival_objects/9224"],"component_level_isim":[1],"parent_ids_ssim":["d20aa889e8ea8129c93e6502"],"parent_unittitles_ssm":["Nola Perez Papers, 1969-2022"],"parent_unittitles_tesim":["Nola Perez Papers, 1969-2022"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/3/archival_objects/9224"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":25,"parent_access_restrict_tesm":["The collection is open for research by appointment only. 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Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"_nest_path_":"/components#4","_nest_parent_":"d20aa889e8ea8129c93e6502","_root_":"d20aa889e8ea8129c93e6502","_version_":1870860591887810560,"timestamp":"2026-07-16T08:48:16.050Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d20aa889e8ea8129c93e6502","title_ssm":["Nola Perez Papers"],"title_tesim":["Nola Perez Papers"],"ead_ssi":"d20aa889e8ea8129c93e6502","unitdate_ssm":["1969-2022"],"unitdate_inclusive_ssm":["1969-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016.006","/repositories/3/resources/78"],"text":["2016.006","/repositories/3/resources/78","Nola Perez Papers, 1969-2022","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. ","This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2016.006","/repositories/3/resources/78"],"normalized_date_ssm":["1969-2022"],"normalized_title_ssm":["Nola Perez Papers, 1969-2022"],"collection_title_tesim":["Nola Perez Papers, 1969-2022"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). 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Perez, 2016-09-06."],"has_online_content_ssim":["false"],"extent_ssm":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"extent_tesim":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eNola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. \u003c/p\u003e\n","\u003cp\u003eDuring her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.\u003c/p\u003e\n","\u003cp\u003eIn the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.\u003c/p\u003e\n","\u003cp\u003eUpon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. "],"prefercite_html_tesm":["\u003cp\u003eNola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Nola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2013; Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2013; Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2013; Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2013; Critiques (arranged chronologically) include critical receptions of Nola Perez's work\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2013; Events (arranged alphabetically by subseries)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Book Signings and Poetry Readings (arranged chronologically) includes information and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"\u003c/p\u003e\n","\u003cp\u003eSeries 6 \u0026#x2013; Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation\u003c/p\u003e\n","\u003cp\u003eSeries 7 \u0026#x2013; Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career\u003c/p\u003e\n","\u003cp\u003eSeries 8 \u0026#x2013; Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Photographs (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Publications (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 5 \u0026#x2013; Workshops (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSeries 9 \u0026#x2013; Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events\u003c/p\u003e\n","\u003cp\u003eSeries 10 \u0026#x2013; Poetry (arranged chronologically) contains a collection of Nola's poetry\u003c/p\u003e\n","\u003cp\u003eSeries 11 \u0026#x2013; Publications (arranged alphabetically by type of publication)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Books (arranged chronologically by publication date; chronological files within each book published)\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Journals (arranged chronologically by publication date)\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website\u003c/p\u003e\n","\u003cp\u003eSeries 12 \u0026#x2013; Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia\u003c/p\u003e\n","\u003cp\u003eSeries 13 \u0026#x2013; Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":231,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860591887810560,"_root_":"d20aa889e8ea8129c93e6502","timestamp":"2026-07-16T08:48:16.050Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502_aspace_d44a78d977838ebd61469f298d413198"}},{"id":"acd92a5aa7d9fcd753e986eb_aspace_7ba178dade041fbd516c16ccbee1a396","type":"File","attributes":{"title":"Events at AARLCC, 2002-2019","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/acd92a5aa7d9fcd753e986eb_aspace_7ba178dade041fbd516c16ccbee1a396#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7ba178dade041fbd516c16ccbee1a396","ref_ssm":["aspace_7ba178dade041fbd516c16ccbee1a396","aspace_7ba178dade041fbd516c16ccbee1a396"],"id":"acd92a5aa7d9fcd753e986eb_aspace_7ba178dade041fbd516c16ccbee1a396","title_filing_ssi":"Events at AARLCC","title_ssm":["Events at AARLCC"],"title_tesim":["Events at AARLCC"],"unitdate_inclusive_ssm":["2002-2019"],"normalized_date_ssm":["2002-2019"],"normalized_title_ssm":["Events at AARLCC, 2002-2019"],"text":["Events at AARLCC, 2002-2019","AARLCC History Collection, 1995-Present","Events, exhibits, and programing","/repositories/2/archival_objects/19969","box 3","folder 27"],"component_level_isim":[2],"parent_ids_ssim":["acd92a5aa7d9fcd753e986eb","acd92a5aa7d9fcd753e986eb_aspace_637024f84095172f8093ecc737280891"],"parent_unittitles_ssm":["AARLCC History Collection, 1995-Present","Events, exhibits, and programing"],"parent_unittitles_tesim":["AARLCC History Collection, 1995-Present","Events, exhibits, and programing"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/19969"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["AARLCC History Collection, 1995-Present"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":74,"parent_access_restrict_tesm":["The AARLCC History Collection is open for research."],"date_range_isim":[2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"containers_ssim":["box 3","folder 27"],"_nest_path_":"/components#2/components#35","_nest_parent_":"acd92a5aa7d9fcd753e986eb_aspace_637024f84095172f8093ecc737280891","_root_":"acd92a5aa7d9fcd753e986eb","_version_":1876455834073956352,"timestamp":"2026-09-16T03:02:14.826Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"acd92a5aa7d9fcd753e986eb","title_filing_ssi":"AARLCC History Collection","title_ssm":["AARLCC History Collection"],"title_tesim":["AARLCC History Collection"],"ead_ssi":"acd92a5aa7d9fcd753e986eb","unitdate_ssm":["1995-Present"],"unitdate_inclusive_ssm":["1995-Present"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2024.1","/repositories/2/resources/377"],"text":["AARLCC.2024.1","/repositories/2/resources/377","AARLCC History Collection, 1995-Present","Broward County Library -- History","Library directors","African American librarians","Libraries and Black people","Public libraries -- Florida -- Fort Lauderdale","The AARLCC History Collection is open for research.","Accruals to the AARLCC History Collection are expected.","Inspired and spearheaded by Samuel Morrison, librarian and thirteen-year director of the Broward County Library system, the African-American Research Library and Cultural Center (AARLCC) opened on October 6, 2002. It replaced the Von D. Mizell Library in the historic Sistrunk neighborhood, Fort Lauderdale's historically Black neighborhood. ","In late 1995 the Broward County Commission pledged funding to build AARLCC, beginning the library's design and construction planning. Over the next 7 years, community fundraising efforts matched and then surpassed the funding allocated by the county, surpassing millions of dollars. The architectural and design firm PAWA Complex International won the contract to design the structure. The building's interior design was completed by Cecil Hayes. Multiple public art projects also went into the original design of the building, including the Harambe Room by Gary Moore, \"The Bridge\" sculpture by George Gadson, and \"The Adinkra Tribute\" by C. J. Lattimore.","Opened as the third public library dedicated to Black research in the United States - along with the Schomburg Center for Research and Black Culture in New York and the Auburn Avenue Research Library in Atlanta - AARLCC distinguished itself by focusing on Caribbean and South American Black history in addition to African-American and African history. To achieve this mission, AARLCC houses the AARLCC Special Collections which continually works to archive and digitize collections for public access. Notable archival collections include the Alex Haley Collection, the Doroty Porter Wesley Collection, and the Niara Sudarkasa Collection. ","In addition to the aforementioned missions, AARLCC serves as a public library branch for the local community, providing patrons with essential resources such as book lending, computer and internet access, reading rooms, and an assortment of programming. The library also has a museum gallery on the first floor featuring large-scale exhibits.","AARLCC's first executive director was Arglenda Friday, who resigned for unforseen personal circumstances in 2001. Easter Wilcher served as the interim director until the library found a replacement. Julie Hunter became the second director, serving from 2002 to 2006 and overseeing the library's grand opening and early programming. She was succeeded by Alicia Antone (2006-January 2008), Elaina Norlin (2009-2019), Makiba Foster (2019-2022), and Dr. Tameka Bradley (2022-present). ","This collection received file level processing and a finding aid was created by Adam Anderson in Feburary 2024. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The AARLCC History Collection documents the history of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. The materials contain information about the inception of the library branch in 1995, its subsequent design and construction, and fundraising efforts. It also contains information about the AARLCC's programming, exhibits, staff, and special events since the grand opening in 2002 to the present. The collection materials include brochures, events, newspaper clippings, correspondence, reports, printed materials, blueprints, photographs, born-digital materials, and audio-visual materials.","The AARLCC History Collection documents the history of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida.","AARLCC Special Collections","African American Research Library and Cultural Center","English"],"unitid_tesim":["AARLCC.2024.1","/repositories/2/resources/377"],"normalized_date_ssm":["1995-Present"],"normalized_title_ssm":["AARLCC History Collection, 1995-Present"],"collection_title_tesim":["AARLCC History Collection, 1995-Present"],"collection_ssim":["AARLCC History Collection, 1995-Present"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"creator_ssm":["African American Research Library and Cultural Center"],"creator_ssim":["African American Research Library and Cultural Center"],"creator_corpname_ssim":["African American Research Library and Cultural Center"],"creators_ssim":["African American Research Library and Cultural Center"],"access_subjects_ssim":["Broward County Library -- History","Library directors","African American librarians","Libraries and Black people","Public libraries -- Florida -- Fort Lauderdale"],"access_subjects_ssm":["Broward County Library -- History","Library directors","African American librarians","Libraries and Black people","Public libraries -- Florida -- Fort Lauderdale"],"has_online_content_ssim":["false"],"extent_ssm":["8 Hollinger Boxes","2 Boxes (irregular size)"],"extent_tesim":["8 Hollinger Boxes","2 Boxes (irregular size)"],"date_range_isim":[1995],"accessrestrict_html_tesm":["\u003cp\u003eThe AARLCC History Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The AARLCC History Collection is open for research."],"accruals_html_tesm":["\u003cp\u003eAccruals to the AARLCC History Collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to the AARLCC History Collection are expected."],"bioghist_html_tesm":["\u003cp\u003eInspired and spearheaded by Samuel Morrison, librarian and thirteen-year director of the Broward County Library system, the African-American Research Library and Cultural Center (AARLCC) opened on October 6, 2002. It replaced the Von D. Mizell Library in the historic Sistrunk neighborhood, Fort Lauderdale's historically Black neighborhood. \u003c/p\u003e\n","\u003cp\u003eIn late 1995 the Broward County Commission pledged funding to build AARLCC, beginning the library's design and construction planning. Over the next 7 years, community fundraising efforts matched and then surpassed the funding allocated by the county, surpassing millions of dollars. The architectural and design firm PAWA Complex International won the contract to design the structure. The building's interior design was completed by Cecil Hayes. Multiple public art projects also went into the original design of the building, including the Harambe Room by Gary Moore, \"The Bridge\" sculpture by George Gadson, and \"The Adinkra Tribute\" by C. J. Lattimore.\u003c/p\u003e\n","\u003cp\u003eOpened as the third public library dedicated to Black research in the United States - along with the Schomburg Center for Research and Black Culture in New York and the Auburn Avenue Research Library in Atlanta - AARLCC distinguished itself by focusing on Caribbean and South American Black history in addition to African-American and African history. To achieve this mission, AARLCC houses the AARLCC Special Collections which continually works to archive and digitize collections for public access. Notable archival collections include the Alex Haley Collection, the Doroty Porter Wesley Collection, and the Niara Sudarkasa Collection. \u003c/p\u003e\n","\u003cp\u003eIn addition to the aforementioned missions, AARLCC serves as a public library branch for the local community, providing patrons with essential resources such as book lending, computer and internet access, reading rooms, and an assortment of programming. The library also has a museum gallery on the first floor featuring large-scale exhibits.\u003c/p\u003e\n","\u003cp\u003eAARLCC's first executive director was Arglenda Friday, who resigned for unforseen personal circumstances in 2001. Easter Wilcher served as the interim director until the library found a replacement. Julie Hunter became the second director, serving from 2002 to 2006 and overseeing the library's grand opening and early programming. She was succeeded by Alicia Antone (2006-January 2008), Elaina Norlin (2009-2019), Makiba Foster (2019-2022), and Dr. Tameka Bradley (2022-present). \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Inspired and spearheaded by Samuel Morrison, librarian and thirteen-year director of the Broward County Library system, the African-American Research Library and Cultural Center (AARLCC) opened on October 6, 2002. It replaced the Von D. Mizell Library in the historic Sistrunk neighborhood, Fort Lauderdale's historically Black neighborhood. ","In late 1995 the Broward County Commission pledged funding to build AARLCC, beginning the library's design and construction planning. Over the next 7 years, community fundraising efforts matched and then surpassed the funding allocated by the county, surpassing millions of dollars. The architectural and design firm PAWA Complex International won the contract to design the structure. The building's interior design was completed by Cecil Hayes. Multiple public art projects also went into the original design of the building, including the Harambe Room by Gary Moore, \"The Bridge\" sculpture by George Gadson, and \"The Adinkra Tribute\" by C. J. Lattimore.","Opened as the third public library dedicated to Black research in the United States - along with the Schomburg Center for Research and Black Culture in New York and the Auburn Avenue Research Library in Atlanta - AARLCC distinguished itself by focusing on Caribbean and South American Black history in addition to African-American and African history. To achieve this mission, AARLCC houses the AARLCC Special Collections which continually works to archive and digitize collections for public access. Notable archival collections include the Alex Haley Collection, the Doroty Porter Wesley Collection, and the Niara Sudarkasa Collection. ","In addition to the aforementioned missions, AARLCC serves as a public library branch for the local community, providing patrons with essential resources such as book lending, computer and internet access, reading rooms, and an assortment of programming. The library also has a museum gallery on the first floor featuring large-scale exhibits.","AARLCC's first executive director was Arglenda Friday, who resigned for unforseen personal circumstances in 2001. Easter Wilcher served as the interim director until the library found a replacement. Julie Hunter became the second director, serving from 2002 to 2006 and overseeing the library's grand opening and early programming. She was succeeded by Alicia Antone (2006-January 2008), Elaina Norlin (2009-2019), Makiba Foster (2019-2022), and Dr. Tameka Bradley (2022-present). "],"prefercite_html_tesm":["\u003cp\u003eAARLCC History Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["AARLCC History Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing and a finding aid was created by Adam Anderson in Feburary 2024. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing and a finding aid was created by Adam Anderson in Feburary 2024. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe AARLCC History Collection documents the history of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. The materials contain information about the inception of the library branch in 1995, its subsequent design and construction, and fundraising efforts. It also contains information about the AARLCC's programming, exhibits, staff, and special events since the grand opening in 2002 to the present. The collection materials include brochures, events, newspaper clippings, correspondence, reports, printed materials, blueprints, photographs, born-digital materials, and audio-visual materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The AARLCC History Collection documents the history of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. The materials contain information about the inception of the library branch in 1995, its subsequent design and construction, and fundraising efforts. It also contains information about the AARLCC's programming, exhibits, staff, and special events since the grand opening in 2002 to the present. The collection materials include brochures, events, newspaper clippings, correspondence, reports, printed materials, blueprints, photographs, born-digital materials, and audio-visual materials."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3c826a2397e08456847b304e6464edf0\"\u003eThe AARLCC History Collection documents the history of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida.\u003c/abstract\u003e"],"abstract_tesim":["The AARLCC History Collection documents the history of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida."],"names_ssim":["AARLCC Special Collections","African American Research Library and Cultural Center"],"corpname_ssim":["AARLCC Special Collections","African American Research Library and Cultural Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":150,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455834073956352,"_root_":"acd92a5aa7d9fcd753e986eb","timestamp":"2026-09-16T03:02:14.826Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/acd92a5aa7d9fcd753e986eb_aspace_7ba178dade041fbd516c16ccbee1a396"}},{"id":"df332f44c4d173b64458b513_aspace_d64af6aa0b184eeea774f69516b1610a","type":"File","attributes":{"title":"Examining Teacher Instructional Practices Used in Classrooms with High Achieving African American Students by Ambra Green, Ph.D., 2015","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/df332f44c4d173b64458b513_aspace_d64af6aa0b184eeea774f69516b1610a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_d64af6aa0b184eeea774f69516b1610a","ref_ssm":["aspace_d64af6aa0b184eeea774f69516b1610a","aspace_d64af6aa0b184eeea774f69516b1610a"],"id":"df332f44c4d173b64458b513_aspace_d64af6aa0b184eeea774f69516b1610a","title_filing_ssi":"Examining Teacher Instructional Practices Used in Classrooms with High Achieving African American Students by Ambra Green, Ph.D.","title_ssm":["Examining Teacher Instructional Practices Used in Classrooms with High Achieving African American Students by Ambra Green, Ph.D."],"title_tesim":["Examining Teacher Instructional Practices Used in Classrooms with High Achieving African American Students by Ambra Green, Ph.D."],"unitdate_inclusive_ssm":["2015"],"normalized_date_ssm":["2015"],"normalized_title_ssm":["Examining Teacher Instructional Practices Used in Classrooms with High Achieving African American Students by Ambra Green, Ph.D., 2015"],"text":["Examining Teacher Instructional Practices Used in Classrooms with High Achieving African American Students by Ambra Green, Ph.D., 2015","African American Success Foundation Collection, 1999-2020","Lydia Donaldson Tutts Jones Memorial grantees and research papers","/repositories/2/archival_objects/1709","box 8","folder 115"],"component_level_isim":[2],"parent_ids_ssim":["df332f44c4d173b64458b513","df332f44c4d173b64458b513_aspace_8d2b03d4c6c27e88b50ff9e0ac140a4e"],"parent_unittitles_ssm":["African American Success Foundation Collection, 1999-2020","Lydia Donaldson Tutts Jones Memorial grantees and research papers"],"parent_unittitles_tesim":["African American Success Foundation Collection, 1999-2020","Lydia Donaldson Tutts Jones Memorial grantees and research papers"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/1709"],"repository_ssim":["AARLCC 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Photographs, Series III. Printed Materials, Series IV. LYDIA Donaldson Tutts Jones Memorial grantees and research papers, Series V. Awards, and Series VI. Ephemera.","The African American Success Foundation (AASF) was founded in 1997 and operated as a not-for-profit, 501 (c)(3) tax exempt organization until 2020, governed by a Board of Directors composed of community leaders, scholars, professionals and business people who volunteered their time because of their dedication to AASF's mission — Promoting the Positive Image of African Americans. The work of the organization was conducted through committees of the Board with the help of additional volunteers throughout the country, enabling AASF to successfully fund scientific research and disseminate information that will inform the public about the success attitudes and behaviors of African American high achievers.","Founded by Dr. E. Carol Webster, President/CEO Emerita of the African American Success Foundation — the think tank whose mission for 20 years until its successful completion in 2020 was to provide research grants to scholars to study Black success instead of the usual focus on Black deficits, failings, and dysfunctions and to broadly disseminate this information to promote the positive image of African Americans.","View a selection of digitized materials from the African American Success Foundation Collection in the Broward County Library Digital Archives.","The African American Success Foundation (AASF) collection contains administrative files, photographs, awards and printed materials documenting the operation and history of the organization. The collection also includes Board of Directors agendas and minutes, by-laws, articles of incorporation, Lydia Donaldson Tutts Jones Memorial research papers, photographs of the AASF summits, journals, newsletters, newspaper clippings, audio-visual materials, awards, and ephemera.","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2020.22","/repositories/2/resources/30"],"normalized_date_ssm":["1999-2020"],"normalized_title_ssm":["African American Success Foundation Collection, 1999-2020"],"collection_title_tesim":["African American Success Foundation Collection, 1999-2020"],"collection_ssim":["African American Success Foundation Collection, 1999-2020"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["The African American Success Foundation (AASF) collection was donated by founder, president and CEO D. E. Carol and Charles Webster."],"access_subjects_ssim":["Education -- Research grants","Nonprofit organizations","Correspondence","minutes (administrative records)","research (documents)","Photographs","Clippings","Ephemera"],"access_subjects_ssm":["Education -- Research grants","Nonprofit organizations","Correspondence","minutes (administrative records)","research (documents)","Photographs","Clippings","Ephemera"],"has_online_content_ssim":["false"],"extent_ssm":["11 Hollinger Boxes"],"extent_tesim":["11 Hollinger Boxes"],"genreform_ssim":["Correspondence","minutes (administrative records)","research (documents)","Photographs","Clippings","Ephemera"],"date_range_isim":[1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eAfrican American Success Foundation Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["African American Success Foundation Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into six series: Series I: Administrative Documents, Series II. Photographs, Series III. Printed Materials, Series IV. LYDIA Donaldson Tutts Jones Memorial grantees and research papers, Series V. Awards, and Series VI. Ephemera.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into six series: Series I: Administrative Documents, Series II. Photographs, Series III. Printed Materials, Series IV. LYDIA Donaldson Tutts Jones Memorial grantees and research papers, Series V. Awards, and Series VI. Ephemera."],"bioghist_html_tesm":["\u003cp\u003eThe African American Success Foundation (AASF) was founded in 1997 and operated as a not-for-profit, 501 (c)(3) tax exempt organization until 2020, governed by a Board of Directors composed of community leaders, scholars, professionals and business people who volunteered their time because of their dedication to AASF's mission \u0026#x2014; Promoting the Positive Image of African Americans. The work of the organization was conducted through committees of the Board with the help of additional volunteers throughout the country, enabling AASF to successfully fund scientific research and disseminate information that will inform the public about the success attitudes and behaviors of African American high achievers.\u003c/p\u003e\n","\u003cp\u003eFounded by Dr. E. Carol Webster, President/CEO Emerita of the African American Success Foundation \u0026#x2014; the think tank whose mission for 20 years until its successful completion in 2020 was to provide research grants to scholars to study Black success instead of the usual focus on Black deficits, failings, and dysfunctions and to broadly disseminate this information to promote the positive image of African Americans.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The African American Success Foundation (AASF) was founded in 1997 and operated as a not-for-profit, 501 (c)(3) tax exempt organization until 2020, governed by a Board of Directors composed of community leaders, scholars, professionals and business people who volunteered their time because of their dedication to AASF's mission — Promoting the Positive Image of African Americans. The work of the organization was conducted through committees of the Board with the help of additional volunteers throughout the country, enabling AASF to successfully fund scientific research and disseminate information that will inform the public about the success attitudes and behaviors of African American high achievers.","Founded by Dr. E. Carol Webster, President/CEO Emerita of the African American Success Foundation — the think tank whose mission for 20 years until its successful completion in 2020 was to provide research grants to scholars to study Black success instead of the usual focus on Black deficits, failings, and dysfunctions and to broadly disseminate this information to promote the positive image of African Americans."],"prefercite_html_tesm":["\u003cp\u003eThe African American Success Foundation Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The African American Success Foundation Collection, African American Research Library and Cultural Center, Broward County Library."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll39/search\" target=\"_blank\"\u003eView a selection of digitized materials from the African American Success Foundation Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the African American Success Foundation Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe African American Success Foundation (AASF) collection contains administrative files, photographs, awards and printed materials documenting the operation and history of the organization. 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The collection also includes Board of Directors agendas and minutes, by-laws, articles of incorporation, Lydia Donaldson Tutts Jones Memorial research papers, photographs of the AASF summits, journals, newsletters, newspaper clippings, audio-visual materials, awards, and ephemera."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"total_component_count_is":152,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455832083759104,"_root_":"df332f44c4d173b64458b513","timestamp":"2026-09-16T03:02:12.928Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/df332f44c4d173b64458b513_aspace_d64af6aa0b184eeea774f69516b1610a"}},{"id":"b1453870beef516d654c01ec_aspace_f0c983c025e98d7e694ad008543d5278","type":"Series","attributes":{"title":"Exhibition Catalogues, bulk 2005-2022","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b1453870beef516d654c01ec_aspace_f0c983c025e98d7e694ad008543d5278#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_f0c983c025e98d7e694ad008543d5278","ref_ssm":["aspace_f0c983c025e98d7e694ad008543d5278","aspace_f0c983c025e98d7e694ad008543d5278"],"id":"b1453870beef516d654c01ec_aspace_f0c983c025e98d7e694ad008543d5278","title_filing_ssi":"Exhibition Catalogues","title_ssm":["Exhibition Catalogues"],"title_tesim":["Exhibition Catalogues"],"unitdate_bulk_ssim":["2005-2022"],"normalized_date_ssm":["bulk 2005-2022"],"normalized_title_ssm":["Exhibition Catalogues, bulk 2005-2022"],"text":["Exhibition Catalogues, bulk 2005-2022","FAU University Galleries, 1973-2023, 1973-2023","/repositories/2/archival_objects/81881"],"component_level_isim":[1],"parent_ids_ssim":["b1453870beef516d654c01ec"],"parent_unittitles_ssm":["FAU University Galleries, 1973-2023, 1973-2023"],"parent_unittitles_tesim":["FAU University Galleries, 1973-2023, 1973-2023"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/81881"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["FAU University Galleries, 1973-2023, 1973-2023"],"has_online_content_ssim":["false"],"child_component_count_isi":38,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":140,"date_range_isim":[2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"_nest_path_":"/components#6","_nest_parent_":"b1453870beef516d654c01ec","_root_":"b1453870beef516d654c01ec","_version_":1870841804578881536,"timestamp":"2026-07-16T03:49:39.084Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b1453870beef516d654c01ec","title_ssm":["FAU University Galleries, 1973-2023"],"title_tesim":["FAU University Galleries, 1973-2023"],"ead_ssi":"b1453870beef516d654c01ec","unitdate_ssm":["1973-2023"],"unitdate_inclusive_ssm":["1973-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA00026","/repositories/2/resources/182"],"text":["UA00026","/repositories/2/resources/182","FAU University Galleries, 1973-2023, 1973-2023","Florida","Art, Modern -- 20th century","Florida Atlantic University -- History","The University Galleries-FAU Collection documents the activities of the Ritter Gallery and the Schmidt Center Gallery between 1973 and 2009. 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