{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2016\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=14","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2016\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=13","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2016\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=15","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2016\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=22"},"meta":{"pages":{"current_page":14,"next_page":15,"prev_page":13,"total_pages":22,"limit_value":10,"offset_value":130,"total_count":220,"first_page?":false,"last_page?":false}},"data":[{"id":"d0c0ec0d01fac02c27f7a38e","type":"collection","attributes":{"title":"Melodie Moorehead Papers, 1970-2021","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d0c0ec0d01fac02c27f7a38e#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe materials in this collection reflect the subject's participation in Lesbian, Gay, Bisexual, Transgender (LGBT) activism and interest in psychotherapy for the LGBT community. The bulk of the collection contains correspondence, news clippings, interviews with Moorehead, autobiographical information, and photos.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d0c0ec0d01fac02c27f7a38e#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"d0c0ec0d01fac02c27f7a38e","title_ssm":["Melodie Moorehead Papers"],"title_tesim":["Melodie Moorehead Papers"],"ead_ssi":"d0c0ec0d01fac02c27f7a38e","unitdate_ssm":["1970-2021"],"unitdate_inclusive_ssm":["1970-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9015","/repositories/2/resources/111"],"text":["SPC9015","/repositories/2/resources/111","Melodie Moorehead Papers, 1970-2021","Lesbian Activists","Lesbians","LGBT community centers","Sexual minorities","Gay activists","Gay liberation movement","Gay rights","Gay community","Gay counselors","Gay press publications","Gay psychologists","Gay social workers","Lesbian Community","Lesbian Culture","South Florida Gay Community","Lesbian psychotherapists","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials in this collection are arranged as follows:","Personal Mementos\nCorrespondence Between Moorehead, Kunst, Rockway, and Others\nGraduate Seminar (Compiled by Moorehead)\nPublicity\n1970s-1980s Gay Rights Activism \nBiography\nTransperience and Mental Health Advocacy \nPhotography\nNewspapers\nMagazines\nNewspaper Clippings\nAudio\nEphemera","Dr. Melodie Kay Moorehead, born on Father's Day, June 19, 1949 in Utica, NY, was reared in Miami-Dade County, Florida where she began kindergarten. Subsequentially, she graduated from Miami Central High School, where she was a Silver Knight nominee in music and went on to become a professional musician working her way through school from the age of 18 until 1983, when she completed her PhD from the Union Institute. Following licensure as a psychologist she later became a Fellow and Board Certified, in Clinical Health Psychology, by the American Board of Professional Psychology (ABPP). She is a lifetime member of the American Psychological Association (APA), American Society for Metabolic and Bariatric Surgery (ASMBS), Internation Federation for the Surgery of Obesity and Metabolic Disorders (IFSO) and holds membership in Daughters of the American Revolution (DAR). Melodie also graduated from, Miami Dade Junior College – North Campus, and Florida Atlantic University (FAU), with a double major, completing that coursework in 1971.  ","Before her involvement with Human Rights work, she had many high-profile musical engagements as a drummer and vocalist. She contracted with a show band called Your Father's Mustache and played the \"Washboard\" and other percussion instruments at the age of 18 at the Hilton Plaza, Miami Beach. During her 1968 and 69 engagement there, the space also hosted Jackie Gleason's weekly television show, as well as the Headquarters for Richard Nixon's 1968 National Convention. Nightly, Nixon's staff were in front row attendance for the nightclub show and would send the young Melodie cold milk to the stage as they sent alcoholic beverages to other members of the band. When he won the election, Nixon's head writer invited Melodie to attend the Inaugural Ball, which she attended with her mother, Laura Joyce Gillett Moorehead Williams. Later Melodie, still an undergraduate, received an invitation from President Nixon's staff to transfer to Georgetown University and study law as a proper introduction to Washington politics. She humbly state: \"I want to become a doctor and help people.\"   ","Returning to her intentioned life's mission, she completed the MA degree, in Psychology, from Lone Mountain College  (today, University of San Francisco), in 1977. It was at this period of time she petitioned FAU to confer her undergraduate degree. It had been withheld by the institution due to administrative rules. She won her petition, which helps explains why her MA diploma was conferred a year before her BA. The irony here perhaps was that Dr. Shwartz, who headed the Department of Sociology at FAU, had offered her a full scholarship to the MA program and to a prestigious doctoral program in return for her teaching at FAU for 5 years. Again, she humbly and politely declined. ","Instead, Melodie toured with another musical group, which ultimately led to her coming to terms with her same-sex feelings, which had amounted to a lifetime of tumult. Following her own personal paradigmatic shift and owning her sense of \"gay identity,\" Melodie entered psychotherapy with Dr. Theodore Aidman, the first president and founder of the Dade County Psychological Association (Dr. Aidman ultimately served as mentor throughout Melodie's MA and PhD programs; her MA thesis was based on Dr. Adman's work, \"Transcending One's Self-Fulfilling Prophecy.\"). Melodie soon committed herself to a new career in the field of psychology working within the gay community. ","Dr. Alan Rockway, Mr. Robert \"Bob\" Kunst, and Mr. Bob Basker co-authored the 1976 Miami Gay Rights Ordinance. This Ordinance was repealed through the efforts of Anita Bryant and others the following year.  Before the 1976 Ordinance was repealed and before meeting the authors, Melodie was invited to be interview by Channel 10 News WPLG anchored by Ann Bishop, a popular local journalist. A news crew came to Melodie's Coconut Grove studio apartment, rented monthly for $175.00, to help put a face on what \"Gay\" looked like and to introduce that face to the community. People were expected to soon go to the polls to vote \"For\" or \"Against\" the repeal of the ordinance after the new law was on record for a few months without incident. The news crew stayed inside Melodie's apartment for 4 hours attempting to learn how she felt discriminated against. At the time, she could not come up with a direct sense of discrimination to report. Melodie is first to say, \"I was very naïve.\"","By 1977, Melodie had contributed a chapter in a volume titled Now What? to help parents understand their gay child; Dr. Virginia Pendergrass, a clinical psychologist at FIU, was also among the contributors and she, with the Center for Dialog, often put workshops together where Melodie also presented. ","It was during her Master's level training with the Gestalt Institute of Miami, Dr. Calvin Leonard, then Dean of the University of Miami School of Continuing Education, suggested that she meet directly with Dr. Rockway and Mr. Kunst of the Transperience Center. It was at this meeting when Melodie learned the Transperience Center was only a few doors down from where she lived. The two men began telling her of the $55,000 grant they had written through the federal Comprehensive Employment and Training Act (CETA) to fund five positions at the Transperience Center. They asked her to take a position as the Community Outreach Coordinator and Mental Health Counselor for the Transperience Center that they directed. She accepted the position after securing her credentials. The Transperience Center was a community health center for people living in alternative lifestyles. The grant was awarded and, following the repeal of the \"Gay Rights Ordinance,\" the grant was terminated following protests from ultra conservative groups. The trio Moorehead, Rockway, and Kunst then created a new organization, Congress United for Rights and Equality (CURE), and they filed a lawsuit through the Department of Labor for the grant's termination. Going to Federal Court twice without a judge discharging the case, the trio did not have the necessary funds to continue this fight. The gay community, even on the national scale, had not yet mobilized enough to assist. The trio ended up on food stamps for six months and Melodie conducted her last counseling session on the floor of the Transperience Center, as their rented furniture had been repossessed. ","It was during this downtrodden time that Melodie came to better understand  the many faces of discrimination. Kunst even asked Moorehead, \"Do you feel discrimination now?\" She replied \"Yes!,\" and then he asked: \"Are you ready to collect signatures?\" She then committed to collecting 18,000 of the  needed signatures to place an offensive effort to get Human Rights (Gay Rights) on the November 1978 ballot. The trio worked together to get certified registered voters' signatures to place three new ordinances onto the Dade County ballot that banned discrimination in housing, employment, transportation, and support equality for gays and others living alternative lifestyles, including heterosexuals. Throughout the late 1970s and early 1980s, the trio organized to pass equality ordinances and promote media awareness to protect individual rights.  ","Melodie relocated to Fort Lauderdale and began her PhD program in 1980. This relocation was picked up by the local press as Melodie met with every County Commissioner in Broward County regarding Gay Rights. It was not until the passage of the Eckart Bill, which called for the Privacy Rights of citizens in Florida, that Melodie shifted her focus to fully establishing herself in healthcare. By this time, she had learned the great need for culturally sensitive service in the mental health and medical field. Melodie routinely provided services for HTLV-3, later known as AIDS services, to individuals in and out of hospital settings. ","With unanticipated turn of events, by the mid-1980s the then Dr. Moorehead began working with other groups of very often discriminated people struggling with the disease of morbid and super obesity. Her talents and training were recognized and her work evolved to lecturing both nationally and internationally as an invited speaker while maintaining a longstanding private practice and holding staff privileges and responsivities for decades in Broward's hospital system. In 2002 Dr. Moorehead was awarded the Golden Circle of Excellence Award from what now is called ASMBS. She was the first woman and non-surgeon to receive this honor.","During the height of her career, a then-hospitalized Dr. John Graves, who served as the Board of Trustees President of what is today the Stonewall National Museum, Archives, and Library, asked her to serve as president of the decades-old organization. Knowing that this lovely, generous man was terminally ill, she agreed to his request. By 2004 she was at the helm of Stonewall and personally funded a trip to Washington, D.C., where, among her achievements as president, she signed a contract with the United States Holocaust Memorial Museum to bring its historic exhibition, \"Nazi Persecution of the Homosexual 1933-45,\" to South Florida. The exhibition was presented at the Fort Lauderdale main library. ","Finally, Dr. Moorehead closed her Professional Association and successfully retired her South Florida 50-year career in mental health. She did so only after providing two years of face-to-face isolation protocol support during the Covid-19 pandemic and lockdown in a long-term care facility.  Residents were mandated to remain in their closed rooms while family visitation was prohibited. As of Fall 2025, she retains her licensure and board certification and remains active in licensing professionals and programs worldwide in the use of The Bariatric Analysis and Reporting Outcome System (BAROS) and the Moorehead-Ardelt Quality of Life Questionnaire II (MAII) of which she holds copyright.","Dr. Moorehead encourages all who visit this bio sketch to enjoy the archives and share what you learn with others so that history does not have to repeat itself again. Biography compiled by Dr. Melodie Kay Moorehead","LANGUAGE WARNING: Some personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present.","The materials in this collection reflect the subject's participation in Lesbian, Gay, Bisexual, Transgender (LGBT) activism and interest in psychotherapy for the LGBT community. The bulk of the collection contains correspondence, news clippings, interviews with Moorehead, autobiographical information, and photos.","Please note: this collection includes some images that portray nudity in both sexual and non-sexual contexts.","The Melodie Moorehead Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English"],"unitid_tesim":["SPC9015","/repositories/2/resources/111"],"normalized_date_ssm":["1970-2021"],"normalized_title_ssm":["Melodie Moorehead Papers, 1970-2021"],"collection_title_tesim":["Melodie Moorehead Papers, 1970-2021"],"collection_ssim":["Melodie Moorehead Papers, 1970-2021"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Lesbian Activists","Lesbians","LGBT community centers","Sexual minorities","Gay activists","Gay liberation movement","Gay rights","Gay community","Gay counselors","Gay press publications","Gay psychologists","Gay social workers"],"geogname_ssim":["Lesbian Activists","Lesbians","LGBT community centers","Sexual minorities","Gay activists","Gay liberation movement","Gay rights","Gay community","Gay counselors","Gay press publications","Gay psychologists","Gay social workers"],"places_ssim":["Lesbian Activists","Lesbians","LGBT community centers","Sexual minorities","Gay activists","Gay liberation movement","Gay rights","Gay community","Gay counselors","Gay press publications","Gay psychologists","Gay social workers"],"access_terms_ssm":["The Melodie Moorehead Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by the Melodie Moorehead Archives"],"access_subjects_ssim":["Lesbian Community","Lesbian Culture","South Florida Gay Community","Lesbian psychotherapists"],"access_subjects_ssm":["Lesbian Community","Lesbian Culture","South Florida Gay Community","Lesbian psychotherapists"],"has_online_content_ssim":["false"],"extent_ssm":["1 boxes 1 Legal Size Document Case 1 Large Flat Newspaper Box"],"extent_tesim":["1 boxes 1 Legal Size Document Case 1 Large Flat Newspaper Box"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged as follows:\u003c/p\u003e\n","\u003cp\u003ePersonal Mementos\nCorrespondence Between Moorehead, Kunst, Rockway, and Others\nGraduate Seminar (Compiled by Moorehead)\nPublicity\n1970s-1980s Gay Rights Activism \nBiography\nTransperience and Mental Health Advocacy \nPhotography\nNewspapers\nMagazines\nNewspaper Clippings\nAudio\nEphemera\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection are arranged as follows:","Personal Mementos\nCorrespondence Between Moorehead, Kunst, Rockway, and Others\nGraduate Seminar (Compiled by Moorehead)\nPublicity\n1970s-1980s Gay Rights Activism \nBiography\nTransperience and Mental Health Advocacy \nPhotography\nNewspapers\nMagazines\nNewspaper Clippings\nAudio\nEphemera"],"bioghist_html_tesm":["\u003cp\u003eDr. Melodie Kay Moorehead, born on Father's Day, June 19, 1949 in Utica, NY, was reared in Miami-Dade County, Florida where she began kindergarten. Subsequentially, she graduated from Miami Central High School, where she was a Silver Knight nominee in music and went on to become a professional musician working her way through school from the age of 18 until 1983, when she completed her PhD from the Union Institute. Following licensure as a psychologist she later became a Fellow and Board Certified, in Clinical Health Psychology, by the American Board of Professional Psychology (ABPP). She is a lifetime member of the American Psychological Association (APA), American Society for Metabolic and Bariatric Surgery (ASMBS), Internation Federation for the Surgery of Obesity and Metabolic Disorders (IFSO) and holds membership in Daughters of the American Revolution (DAR). Melodie also graduated from, Miami Dade Junior College \u0026#x2013; North Campus, and Florida Atlantic University (FAU), with a double major, completing that coursework in 1971.  \u003c/p\u003e\n","\u003cp\u003eBefore her involvement with Human Rights work, she had many high-profile musical engagements as a drummer and vocalist. She contracted with a show band called Your Father's Mustache and played the \"Washboard\" and other percussion instruments at the age of 18 at the Hilton Plaza, Miami Beach. During her 1968 and 69 engagement there, the space also hosted Jackie Gleason's weekly television show, as well as the Headquarters for Richard Nixon's 1968 National Convention. Nightly, Nixon's staff were in front row attendance for the nightclub show and would send the young Melodie cold milk to the stage as they sent alcoholic beverages to other members of the band. When he won the election, Nixon's head writer invited Melodie to attend the Inaugural Ball, which she attended with her mother, Laura Joyce Gillett Moorehead Williams. Later Melodie, still an undergraduate, received an invitation from President Nixon's staff to transfer to Georgetown University and study law as a proper introduction to Washington politics. She humbly state: \"I want to become a doctor and help people.\"   \u003c/p\u003e\n","\u003cp\u003eReturning to her intentioned life's mission, she completed the MA degree, in Psychology, from Lone Mountain College  (today, University of San Francisco), in 1977. It was at this period of time she petitioned FAU to confer her undergraduate degree. It had been withheld by the institution due to administrative rules. She won her petition, which helps explains why her MA diploma was conferred a year before her BA. The irony here perhaps was that Dr. Shwartz, who headed the Department of Sociology at FAU, had offered her a full scholarship to the MA program and to a prestigious doctoral program in return for her teaching at FAU for 5 years. Again, she humbly and politely declined. \u003c/p\u003e\n","\u003cp\u003eInstead, Melodie toured with another musical group, which ultimately led to her coming to terms with her same-sex feelings, which had amounted to a lifetime of tumult. Following her own personal paradigmatic shift and owning her sense of \"gay identity,\" Melodie entered psychotherapy with Dr. Theodore Aidman, the first president and founder of the Dade County Psychological Association (Dr. Aidman ultimately served as mentor throughout Melodie's MA and PhD programs; her MA thesis was based on Dr. Adman's work, \"Transcending One's Self-Fulfilling Prophecy.\"). Melodie soon committed herself to a new career in the field of psychology working within the gay community. \u003c/p\u003e\n","\u003cp\u003eDr. Alan Rockway, Mr. Robert \"Bob\" Kunst, and Mr. Bob Basker co-authored the 1976 Miami Gay Rights Ordinance. This Ordinance was repealed through the efforts of Anita Bryant and others the following year.  Before the 1976 Ordinance was repealed and before meeting the authors, Melodie was invited to be interview by Channel 10 News WPLG anchored by Ann Bishop, a popular local journalist. A news crew came to Melodie's Coconut Grove studio apartment, rented monthly for $175.00, to help put a face on what \"Gay\" looked like and to introduce that face to the community. People were expected to soon go to the polls to vote \"For\" or \"Against\" the repeal of the ordinance after the new law was on record for a few months without incident. The news crew stayed inside Melodie's apartment for 4 hours attempting to learn how she felt discriminated against. At the time, she could not come up with a direct sense of discrimination to report. Melodie is first to say, \"I was very na\u0026#xEF;ve.\"\u003c/p\u003e\n","\u003cp\u003eBy 1977, Melodie had contributed a chapter in a volume titled Now What? to help parents understand their gay child; Dr. Virginia Pendergrass, a clinical psychologist at FIU, was also among the contributors and she, with the Center for Dialog, often put workshops together where Melodie also presented. \u003c/p\u003e\n","\u003cp\u003eIt was during her Master's level training with the Gestalt Institute of Miami, Dr. Calvin Leonard, then Dean of the University of Miami School of Continuing Education, suggested that she meet directly with Dr. Rockway and Mr. Kunst of the Transperience Center. It was at this meeting when Melodie learned the Transperience Center was only a few doors down from where she lived. The two men began telling her of the $55,000 grant they had written through the federal Comprehensive Employment and Training Act (CETA) to fund five positions at the Transperience Center. They asked her to take a position as the Community Outreach Coordinator and Mental Health Counselor for the Transperience Center that they directed. She accepted the position after securing her credentials. The Transperience Center was a community health center for people living in alternative lifestyles. The grant was awarded and, following the repeal of the \"Gay Rights Ordinance,\" the grant was terminated following protests from ultra conservative groups. The trio Moorehead, Rockway, and Kunst then created a new organization, Congress United for Rights and Equality (CURE), and they filed a lawsuit through the Department of Labor for the grant's termination. Going to Federal Court twice without a judge discharging the case, the trio did not have the necessary funds to continue this fight. The gay community, even on the national scale, had not yet mobilized enough to assist. The trio ended up on food stamps for six months and Melodie conducted her last counseling session on the floor of the Transperience Center, as their rented furniture had been repossessed. \u003c/p\u003e\n","\u003cp\u003eIt was during this downtrodden time that Melodie came to better understand  the many faces of discrimination. Kunst even asked Moorehead, \"Do you feel discrimination now?\" She replied \"Yes!,\" and then he asked: \"Are you ready to collect signatures?\" She then committed to collecting 18,000 of the  needed signatures to place an offensive effort to get Human Rights (Gay Rights) on the November 1978 ballot. The trio worked together to get certified registered voters' signatures to place three new ordinances onto the Dade County ballot that banned discrimination in housing, employment, transportation, and support equality for gays and others living alternative lifestyles, including heterosexuals. Throughout the late 1970s and early 1980s, the trio organized to pass equality ordinances and promote media awareness to protect individual rights.  \u003c/p\u003e\n","\u003cp\u003eMelodie relocated to Fort Lauderdale and began her PhD program in 1980. This relocation was picked up by the local press as Melodie met with every County Commissioner in Broward County regarding Gay Rights. It was not until the passage of the Eckart Bill, which called for the Privacy Rights of citizens in Florida, that Melodie shifted her focus to fully establishing herself in healthcare. By this time, she had learned the great need for culturally sensitive service in the mental health and medical field. Melodie routinely provided services for HTLV-3, later known as AIDS services, to individuals in and out of hospital settings. \u003c/p\u003e\n","\u003cp\u003eWith unanticipated turn of events, by the mid-1980s the then Dr. Moorehead began working with other groups of very often discriminated people struggling with the disease of morbid and super obesity. Her talents and training were recognized and her work evolved to lecturing both nationally and internationally as an invited speaker while maintaining a longstanding private practice and holding staff privileges and responsivities for decades in Broward's hospital system. In 2002 Dr. Moorehead was awarded the Golden Circle of Excellence Award from what now is called ASMBS. She was the first woman and non-surgeon to receive this honor.\u003c/p\u003e\n","\u003cp\u003eDuring the height of her career, a then-hospitalized Dr. John Graves, who served as the Board of Trustees President of what is today the Stonewall National Museum, Archives, and Library, asked her to serve as president of the decades-old organization. Knowing that this lovely, generous man was terminally ill, she agreed to his request. By 2004 she was at the helm of Stonewall and personally funded a trip to Washington, D.C., where, among her achievements as president, she signed a contract with the United States Holocaust Memorial Museum to bring its historic exhibition, \"Nazi Persecution of the Homosexual 1933-45,\" to South Florida. The exhibition was presented at the Fort Lauderdale main library. \u003c/p\u003e\n","\u003cp\u003eFinally, Dr. Moorehead closed her Professional Association and successfully retired her South Florida 50-year career in mental health. She did so only after providing two years of face-to-face isolation protocol support during the Covid-19 pandemic and lockdown in a long-term care facility.  Residents were mandated to remain in their closed rooms while family visitation was prohibited. As of Fall 2025, she retains her licensure and board certification and remains active in licensing professionals and programs worldwide in the use of The Bariatric Analysis and Reporting Outcome System (BAROS) and the Moorehead-Ardelt Quality of Life Questionnaire II (MAII) of which she holds copyright.\u003c/p\u003e\n","\u003cp\u003eDr. Moorehead encourages all who visit this bio sketch to enjoy the archives and share what you learn with others so that history does not have to repeat itself again. Biography compiled by Dr. Melodie Kay Moorehead\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Melodie Kay Moorehead, born on Father's Day, June 19, 1949 in Utica, NY, was reared in Miami-Dade County, Florida where she began kindergarten. Subsequentially, she graduated from Miami Central High School, where she was a Silver Knight nominee in music and went on to become a professional musician working her way through school from the age of 18 until 1983, when she completed her PhD from the Union Institute. Following licensure as a psychologist she later became a Fellow and Board Certified, in Clinical Health Psychology, by the American Board of Professional Psychology (ABPP). She is a lifetime member of the American Psychological Association (APA), American Society for Metabolic and Bariatric Surgery (ASMBS), Internation Federation for the Surgery of Obesity and Metabolic Disorders (IFSO) and holds membership in Daughters of the American Revolution (DAR). Melodie also graduated from, Miami Dade Junior College – North Campus, and Florida Atlantic University (FAU), with a double major, completing that coursework in 1971.  ","Before her involvement with Human Rights work, she had many high-profile musical engagements as a drummer and vocalist. She contracted with a show band called Your Father's Mustache and played the \"Washboard\" and other percussion instruments at the age of 18 at the Hilton Plaza, Miami Beach. During her 1968 and 69 engagement there, the space also hosted Jackie Gleason's weekly television show, as well as the Headquarters for Richard Nixon's 1968 National Convention. Nightly, Nixon's staff were in front row attendance for the nightclub show and would send the young Melodie cold milk to the stage as they sent alcoholic beverages to other members of the band. When he won the election, Nixon's head writer invited Melodie to attend the Inaugural Ball, which she attended with her mother, Laura Joyce Gillett Moorehead Williams. Later Melodie, still an undergraduate, received an invitation from President Nixon's staff to transfer to Georgetown University and study law as a proper introduction to Washington politics. She humbly state: \"I want to become a doctor and help people.\"   ","Returning to her intentioned life's mission, she completed the MA degree, in Psychology, from Lone Mountain College  (today, University of San Francisco), in 1977. It was at this period of time she petitioned FAU to confer her undergraduate degree. It had been withheld by the institution due to administrative rules. She won her petition, which helps explains why her MA diploma was conferred a year before her BA. The irony here perhaps was that Dr. Shwartz, who headed the Department of Sociology at FAU, had offered her a full scholarship to the MA program and to a prestigious doctoral program in return for her teaching at FAU for 5 years. Again, she humbly and politely declined. ","Instead, Melodie toured with another musical group, which ultimately led to her coming to terms with her same-sex feelings, which had amounted to a lifetime of tumult. Following her own personal paradigmatic shift and owning her sense of \"gay identity,\" Melodie entered psychotherapy with Dr. Theodore Aidman, the first president and founder of the Dade County Psychological Association (Dr. Aidman ultimately served as mentor throughout Melodie's MA and PhD programs; her MA thesis was based on Dr. Adman's work, \"Transcending One's Self-Fulfilling Prophecy.\"). Melodie soon committed herself to a new career in the field of psychology working within the gay community. ","Dr. Alan Rockway, Mr. Robert \"Bob\" Kunst, and Mr. Bob Basker co-authored the 1976 Miami Gay Rights Ordinance. This Ordinance was repealed through the efforts of Anita Bryant and others the following year.  Before the 1976 Ordinance was repealed and before meeting the authors, Melodie was invited to be interview by Channel 10 News WPLG anchored by Ann Bishop, a popular local journalist. A news crew came to Melodie's Coconut Grove studio apartment, rented monthly for $175.00, to help put a face on what \"Gay\" looked like and to introduce that face to the community. People were expected to soon go to the polls to vote \"For\" or \"Against\" the repeal of the ordinance after the new law was on record for a few months without incident. The news crew stayed inside Melodie's apartment for 4 hours attempting to learn how she felt discriminated against. At the time, she could not come up with a direct sense of discrimination to report. Melodie is first to say, \"I was very naïve.\"","By 1977, Melodie had contributed a chapter in a volume titled Now What? to help parents understand their gay child; Dr. Virginia Pendergrass, a clinical psychologist at FIU, was also among the contributors and she, with the Center for Dialog, often put workshops together where Melodie also presented. ","It was during her Master's level training with the Gestalt Institute of Miami, Dr. Calvin Leonard, then Dean of the University of Miami School of Continuing Education, suggested that she meet directly with Dr. Rockway and Mr. Kunst of the Transperience Center. It was at this meeting when Melodie learned the Transperience Center was only a few doors down from where she lived. The two men began telling her of the $55,000 grant they had written through the federal Comprehensive Employment and Training Act (CETA) to fund five positions at the Transperience Center. They asked her to take a position as the Community Outreach Coordinator and Mental Health Counselor for the Transperience Center that they directed. She accepted the position after securing her credentials. The Transperience Center was a community health center for people living in alternative lifestyles. The grant was awarded and, following the repeal of the \"Gay Rights Ordinance,\" the grant was terminated following protests from ultra conservative groups. The trio Moorehead, Rockway, and Kunst then created a new organization, Congress United for Rights and Equality (CURE), and they filed a lawsuit through the Department of Labor for the grant's termination. Going to Federal Court twice without a judge discharging the case, the trio did not have the necessary funds to continue this fight. The gay community, even on the national scale, had not yet mobilized enough to assist. The trio ended up on food stamps for six months and Melodie conducted her last counseling session on the floor of the Transperience Center, as their rented furniture had been repossessed. ","It was during this downtrodden time that Melodie came to better understand  the many faces of discrimination. Kunst even asked Moorehead, \"Do you feel discrimination now?\" She replied \"Yes!,\" and then he asked: \"Are you ready to collect signatures?\" She then committed to collecting 18,000 of the  needed signatures to place an offensive effort to get Human Rights (Gay Rights) on the November 1978 ballot. The trio worked together to get certified registered voters' signatures to place three new ordinances onto the Dade County ballot that banned discrimination in housing, employment, transportation, and support equality for gays and others living alternative lifestyles, including heterosexuals. Throughout the late 1970s and early 1980s, the trio organized to pass equality ordinances and promote media awareness to protect individual rights.  ","Melodie relocated to Fort Lauderdale and began her PhD program in 1980. This relocation was picked up by the local press as Melodie met with every County Commissioner in Broward County regarding Gay Rights. It was not until the passage of the Eckart Bill, which called for the Privacy Rights of citizens in Florida, that Melodie shifted her focus to fully establishing herself in healthcare. By this time, she had learned the great need for culturally sensitive service in the mental health and medical field. Melodie routinely provided services for HTLV-3, later known as AIDS services, to individuals in and out of hospital settings. ","With unanticipated turn of events, by the mid-1980s the then Dr. Moorehead began working with other groups of very often discriminated people struggling with the disease of morbid and super obesity. Her talents and training were recognized and her work evolved to lecturing both nationally and internationally as an invited speaker while maintaining a longstanding private practice and holding staff privileges and responsivities for decades in Broward's hospital system. In 2002 Dr. Moorehead was awarded the Golden Circle of Excellence Award from what now is called ASMBS. She was the first woman and non-surgeon to receive this honor.","During the height of her career, a then-hospitalized Dr. John Graves, who served as the Board of Trustees President of what is today the Stonewall National Museum, Archives, and Library, asked her to serve as president of the decades-old organization. Knowing that this lovely, generous man was terminally ill, she agreed to his request. By 2004 she was at the helm of Stonewall and personally funded a trip to Washington, D.C., where, among her achievements as president, she signed a contract with the United States Holocaust Memorial Museum to bring its historic exhibition, \"Nazi Persecution of the Homosexual 1933-45,\" to South Florida. The exhibition was presented at the Fort Lauderdale main library. ","Finally, Dr. Moorehead closed her Professional Association and successfully retired her South Florida 50-year career in mental health. She did so only after providing two years of face-to-face isolation protocol support during the Covid-19 pandemic and lockdown in a long-term care facility.  Residents were mandated to remain in their closed rooms while family visitation was prohibited. As of Fall 2025, she retains her licensure and board certification and remains active in licensing professionals and programs worldwide in the use of The Bariatric Analysis and Reporting Outcome System (BAROS) and the Moorehead-Ardelt Quality of Life Questionnaire II (MAII) of which she holds copyright.","Dr. Moorehead encourages all who visit this bio sketch to enjoy the archives and share what you learn with others so that history does not have to repeat itself again. Biography compiled by Dr. Melodie Kay Moorehead"],"odd_html_tesm":["\u003cp\u003eLANGUAGE WARNING: Some personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["LANGUAGE WARNING: Some personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect the subject's participation in Lesbian, Gay, Bisexual, Transgender (LGBT) activism and interest in psychotherapy for the LGBT community. The bulk of the collection contains correspondence, news clippings, interviews with Moorehead, autobiographical information, and photos.\u003c/p\u003e\n","\u003cp\u003ePlease note: this collection includes some images that portray nudity in both sexual and non-sexual contexts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect the subject's participation in Lesbian, Gay, Bisexual, Transgender (LGBT) activism and interest in psychotherapy for the LGBT community. The bulk of the collection contains correspondence, news clippings, interviews with Moorehead, autobiographical information, and photos.","Please note: this collection includes some images that portray nudity in both sexual and non-sexual contexts."],"userestrict_html_tesm":["\u003cp\u003eThe Melodie Moorehead Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Melodie Moorehead Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":15,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879179292500295680,"_root_":"d0c0ec0d01fac02c27f7a38e","timestamp":"2026-10-16T04:30:27.180Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d0c0ec0d01fac02c27f7a38e","title_ssm":["Melodie Moorehead Papers"],"title_tesim":["Melodie Moorehead Papers"],"ead_ssi":"d0c0ec0d01fac02c27f7a38e","unitdate_ssm":["1970-2021"],"unitdate_inclusive_ssm":["1970-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC9015","/repositories/2/resources/111"],"text":["SPC9015","/repositories/2/resources/111","Melodie Moorehead Papers, 1970-2021","Lesbian Activists","Lesbians","LGBT community centers","Sexual minorities","Gay activists","Gay liberation movement","Gay rights","Gay community","Gay counselors","Gay press publications","Gay psychologists","Gay social workers","Lesbian Community","Lesbian Culture","South Florida Gay Community","Lesbian psychotherapists","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials in this collection are arranged as follows:","Personal Mementos\nCorrespondence Between Moorehead, Kunst, Rockway, and Others\nGraduate Seminar (Compiled by Moorehead)\nPublicity\n1970s-1980s Gay Rights Activism \nBiography\nTransperience and Mental Health Advocacy \nPhotography\nNewspapers\nMagazines\nNewspaper Clippings\nAudio\nEphemera","Dr. Melodie Kay Moorehead, born on Father's Day, June 19, 1949 in Utica, NY, was reared in Miami-Dade County, Florida where she began kindergarten. Subsequentially, she graduated from Miami Central High School, where she was a Silver Knight nominee in music and went on to become a professional musician working her way through school from the age of 18 until 1983, when she completed her PhD from the Union Institute. Following licensure as a psychologist she later became a Fellow and Board Certified, in Clinical Health Psychology, by the American Board of Professional Psychology (ABPP). She is a lifetime member of the American Psychological Association (APA), American Society for Metabolic and Bariatric Surgery (ASMBS), Internation Federation for the Surgery of Obesity and Metabolic Disorders (IFSO) and holds membership in Daughters of the American Revolution (DAR). Melodie also graduated from, Miami Dade Junior College – North Campus, and Florida Atlantic University (FAU), with a double major, completing that coursework in 1971.  ","Before her involvement with Human Rights work, she had many high-profile musical engagements as a drummer and vocalist. She contracted with a show band called Your Father's Mustache and played the \"Washboard\" and other percussion instruments at the age of 18 at the Hilton Plaza, Miami Beach. During her 1968 and 69 engagement there, the space also hosted Jackie Gleason's weekly television show, as well as the Headquarters for Richard Nixon's 1968 National Convention. Nightly, Nixon's staff were in front row attendance for the nightclub show and would send the young Melodie cold milk to the stage as they sent alcoholic beverages to other members of the band. When he won the election, Nixon's head writer invited Melodie to attend the Inaugural Ball, which she attended with her mother, Laura Joyce Gillett Moorehead Williams. Later Melodie, still an undergraduate, received an invitation from President Nixon's staff to transfer to Georgetown University and study law as a proper introduction to Washington politics. She humbly state: \"I want to become a doctor and help people.\"   ","Returning to her intentioned life's mission, she completed the MA degree, in Psychology, from Lone Mountain College  (today, University of San Francisco), in 1977. It was at this period of time she petitioned FAU to confer her undergraduate degree. It had been withheld by the institution due to administrative rules. She won her petition, which helps explains why her MA diploma was conferred a year before her BA. The irony here perhaps was that Dr. Shwartz, who headed the Department of Sociology at FAU, had offered her a full scholarship to the MA program and to a prestigious doctoral program in return for her teaching at FAU for 5 years. Again, she humbly and politely declined. ","Instead, Melodie toured with another musical group, which ultimately led to her coming to terms with her same-sex feelings, which had amounted to a lifetime of tumult. Following her own personal paradigmatic shift and owning her sense of \"gay identity,\" Melodie entered psychotherapy with Dr. Theodore Aidman, the first president and founder of the Dade County Psychological Association (Dr. Aidman ultimately served as mentor throughout Melodie's MA and PhD programs; her MA thesis was based on Dr. Adman's work, \"Transcending One's Self-Fulfilling Prophecy.\"). Melodie soon committed herself to a new career in the field of psychology working within the gay community. ","Dr. Alan Rockway, Mr. Robert \"Bob\" Kunst, and Mr. Bob Basker co-authored the 1976 Miami Gay Rights Ordinance. This Ordinance was repealed through the efforts of Anita Bryant and others the following year.  Before the 1976 Ordinance was repealed and before meeting the authors, Melodie was invited to be interview by Channel 10 News WPLG anchored by Ann Bishop, a popular local journalist. A news crew came to Melodie's Coconut Grove studio apartment, rented monthly for $175.00, to help put a face on what \"Gay\" looked like and to introduce that face to the community. People were expected to soon go to the polls to vote \"For\" or \"Against\" the repeal of the ordinance after the new law was on record for a few months without incident. The news crew stayed inside Melodie's apartment for 4 hours attempting to learn how she felt discriminated against. At the time, she could not come up with a direct sense of discrimination to report. Melodie is first to say, \"I was very naïve.\"","By 1977, Melodie had contributed a chapter in a volume titled Now What? to help parents understand their gay child; Dr. Virginia Pendergrass, a clinical psychologist at FIU, was also among the contributors and she, with the Center for Dialog, often put workshops together where Melodie also presented. ","It was during her Master's level training with the Gestalt Institute of Miami, Dr. Calvin Leonard, then Dean of the University of Miami School of Continuing Education, suggested that she meet directly with Dr. Rockway and Mr. Kunst of the Transperience Center. It was at this meeting when Melodie learned the Transperience Center was only a few doors down from where she lived. The two men began telling her of the $55,000 grant they had written through the federal Comprehensive Employment and Training Act (CETA) to fund five positions at the Transperience Center. They asked her to take a position as the Community Outreach Coordinator and Mental Health Counselor for the Transperience Center that they directed. She accepted the position after securing her credentials. The Transperience Center was a community health center for people living in alternative lifestyles. The grant was awarded and, following the repeal of the \"Gay Rights Ordinance,\" the grant was terminated following protests from ultra conservative groups. The trio Moorehead, Rockway, and Kunst then created a new organization, Congress United for Rights and Equality (CURE), and they filed a lawsuit through the Department of Labor for the grant's termination. Going to Federal Court twice without a judge discharging the case, the trio did not have the necessary funds to continue this fight. The gay community, even on the national scale, had not yet mobilized enough to assist. The trio ended up on food stamps for six months and Melodie conducted her last counseling session on the floor of the Transperience Center, as their rented furniture had been repossessed. ","It was during this downtrodden time that Melodie came to better understand  the many faces of discrimination. Kunst even asked Moorehead, \"Do you feel discrimination now?\" She replied \"Yes!,\" and then he asked: \"Are you ready to collect signatures?\" She then committed to collecting 18,000 of the  needed signatures to place an offensive effort to get Human Rights (Gay Rights) on the November 1978 ballot. The trio worked together to get certified registered voters' signatures to place three new ordinances onto the Dade County ballot that banned discrimination in housing, employment, transportation, and support equality for gays and others living alternative lifestyles, including heterosexuals. Throughout the late 1970s and early 1980s, the trio organized to pass equality ordinances and promote media awareness to protect individual rights.  ","Melodie relocated to Fort Lauderdale and began her PhD program in 1980. This relocation was picked up by the local press as Melodie met with every County Commissioner in Broward County regarding Gay Rights. It was not until the passage of the Eckart Bill, which called for the Privacy Rights of citizens in Florida, that Melodie shifted her focus to fully establishing herself in healthcare. By this time, she had learned the great need for culturally sensitive service in the mental health and medical field. Melodie routinely provided services for HTLV-3, later known as AIDS services, to individuals in and out of hospital settings. ","With unanticipated turn of events, by the mid-1980s the then Dr. Moorehead began working with other groups of very often discriminated people struggling with the disease of morbid and super obesity. Her talents and training were recognized and her work evolved to lecturing both nationally and internationally as an invited speaker while maintaining a longstanding private practice and holding staff privileges and responsivities for decades in Broward's hospital system. In 2002 Dr. Moorehead was awarded the Golden Circle of Excellence Award from what now is called ASMBS. She was the first woman and non-surgeon to receive this honor.","During the height of her career, a then-hospitalized Dr. John Graves, who served as the Board of Trustees President of what is today the Stonewall National Museum, Archives, and Library, asked her to serve as president of the decades-old organization. Knowing that this lovely, generous man was terminally ill, she agreed to his request. By 2004 she was at the helm of Stonewall and personally funded a trip to Washington, D.C., where, among her achievements as president, she signed a contract with the United States Holocaust Memorial Museum to bring its historic exhibition, \"Nazi Persecution of the Homosexual 1933-45,\" to South Florida. The exhibition was presented at the Fort Lauderdale main library. ","Finally, Dr. Moorehead closed her Professional Association and successfully retired her South Florida 50-year career in mental health. She did so only after providing two years of face-to-face isolation protocol support during the Covid-19 pandemic and lockdown in a long-term care facility.  Residents were mandated to remain in their closed rooms while family visitation was prohibited. As of Fall 2025, she retains her licensure and board certification and remains active in licensing professionals and programs worldwide in the use of The Bariatric Analysis and Reporting Outcome System (BAROS) and the Moorehead-Ardelt Quality of Life Questionnaire II (MAII) of which she holds copyright.","Dr. Moorehead encourages all who visit this bio sketch to enjoy the archives and share what you learn with others so that history does not have to repeat itself again. Biography compiled by Dr. Melodie Kay Moorehead","LANGUAGE WARNING: Some personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present.","The materials in this collection reflect the subject's participation in Lesbian, Gay, Bisexual, Transgender (LGBT) activism and interest in psychotherapy for the LGBT community. The bulk of the collection contains correspondence, news clippings, interviews with Moorehead, autobiographical information, and photos.","Please note: this collection includes some images that portray nudity in both sexual and non-sexual contexts.","The Melodie Moorehead Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English"],"unitid_tesim":["SPC9015","/repositories/2/resources/111"],"normalized_date_ssm":["1970-2021"],"normalized_title_ssm":["Melodie Moorehead Papers, 1970-2021"],"collection_title_tesim":["Melodie Moorehead Papers, 1970-2021"],"collection_ssim":["Melodie Moorehead Papers, 1970-2021"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Lesbian Activists","Lesbians","LGBT community centers","Sexual minorities","Gay activists","Gay liberation movement","Gay rights","Gay community","Gay counselors","Gay press publications","Gay psychologists","Gay social workers"],"geogname_ssim":["Lesbian Activists","Lesbians","LGBT community centers","Sexual minorities","Gay activists","Gay liberation movement","Gay rights","Gay community","Gay counselors","Gay press publications","Gay psychologists","Gay social workers"],"places_ssim":["Lesbian Activists","Lesbians","LGBT community centers","Sexual minorities","Gay activists","Gay liberation movement","Gay rights","Gay community","Gay counselors","Gay press publications","Gay psychologists","Gay social workers"],"access_terms_ssm":["The Melodie Moorehead Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by the Melodie Moorehead Archives"],"access_subjects_ssim":["Lesbian Community","Lesbian Culture","South Florida Gay Community","Lesbian psychotherapists"],"access_subjects_ssm":["Lesbian Community","Lesbian Culture","South Florida Gay Community","Lesbian psychotherapists"],"has_online_content_ssim":["false"],"extent_ssm":["1 boxes 1 Legal Size Document Case 1 Large Flat Newspaper Box"],"extent_tesim":["1 boxes 1 Legal Size Document Case 1 Large Flat Newspaper Box"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged as follows:\u003c/p\u003e\n","\u003cp\u003ePersonal Mementos\nCorrespondence Between Moorehead, Kunst, Rockway, and Others\nGraduate Seminar (Compiled by Moorehead)\nPublicity\n1970s-1980s Gay Rights Activism \nBiography\nTransperience and Mental Health Advocacy \nPhotography\nNewspapers\nMagazines\nNewspaper Clippings\nAudio\nEphemera\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection are arranged as follows:","Personal Mementos\nCorrespondence Between Moorehead, Kunst, Rockway, and Others\nGraduate Seminar (Compiled by Moorehead)\nPublicity\n1970s-1980s Gay Rights Activism \nBiography\nTransperience and Mental Health Advocacy \nPhotography\nNewspapers\nMagazines\nNewspaper Clippings\nAudio\nEphemera"],"bioghist_html_tesm":["\u003cp\u003eDr. Melodie Kay Moorehead, born on Father's Day, June 19, 1949 in Utica, NY, was reared in Miami-Dade County, Florida where she began kindergarten. Subsequentially, she graduated from Miami Central High School, where she was a Silver Knight nominee in music and went on to become a professional musician working her way through school from the age of 18 until 1983, when she completed her PhD from the Union Institute. Following licensure as a psychologist she later became a Fellow and Board Certified, in Clinical Health Psychology, by the American Board of Professional Psychology (ABPP). She is a lifetime member of the American Psychological Association (APA), American Society for Metabolic and Bariatric Surgery (ASMBS), Internation Federation for the Surgery of Obesity and Metabolic Disorders (IFSO) and holds membership in Daughters of the American Revolution (DAR). Melodie also graduated from, Miami Dade Junior College \u0026#x2013; North Campus, and Florida Atlantic University (FAU), with a double major, completing that coursework in 1971.  \u003c/p\u003e\n","\u003cp\u003eBefore her involvement with Human Rights work, she had many high-profile musical engagements as a drummer and vocalist. She contracted with a show band called Your Father's Mustache and played the \"Washboard\" and other percussion instruments at the age of 18 at the Hilton Plaza, Miami Beach. During her 1968 and 69 engagement there, the space also hosted Jackie Gleason's weekly television show, as well as the Headquarters for Richard Nixon's 1968 National Convention. Nightly, Nixon's staff were in front row attendance for the nightclub show and would send the young Melodie cold milk to the stage as they sent alcoholic beverages to other members of the band. When he won the election, Nixon's head writer invited Melodie to attend the Inaugural Ball, which she attended with her mother, Laura Joyce Gillett Moorehead Williams. Later Melodie, still an undergraduate, received an invitation from President Nixon's staff to transfer to Georgetown University and study law as a proper introduction to Washington politics. She humbly state: \"I want to become a doctor and help people.\"   \u003c/p\u003e\n","\u003cp\u003eReturning to her intentioned life's mission, she completed the MA degree, in Psychology, from Lone Mountain College  (today, University of San Francisco), in 1977. It was at this period of time she petitioned FAU to confer her undergraduate degree. It had been withheld by the institution due to administrative rules. She won her petition, which helps explains why her MA diploma was conferred a year before her BA. The irony here perhaps was that Dr. Shwartz, who headed the Department of Sociology at FAU, had offered her a full scholarship to the MA program and to a prestigious doctoral program in return for her teaching at FAU for 5 years. Again, she humbly and politely declined. \u003c/p\u003e\n","\u003cp\u003eInstead, Melodie toured with another musical group, which ultimately led to her coming to terms with her same-sex feelings, which had amounted to a lifetime of tumult. Following her own personal paradigmatic shift and owning her sense of \"gay identity,\" Melodie entered psychotherapy with Dr. Theodore Aidman, the first president and founder of the Dade County Psychological Association (Dr. Aidman ultimately served as mentor throughout Melodie's MA and PhD programs; her MA thesis was based on Dr. Adman's work, \"Transcending One's Self-Fulfilling Prophecy.\"). Melodie soon committed herself to a new career in the field of psychology working within the gay community. \u003c/p\u003e\n","\u003cp\u003eDr. Alan Rockway, Mr. Robert \"Bob\" Kunst, and Mr. Bob Basker co-authored the 1976 Miami Gay Rights Ordinance. This Ordinance was repealed through the efforts of Anita Bryant and others the following year.  Before the 1976 Ordinance was repealed and before meeting the authors, Melodie was invited to be interview by Channel 10 News WPLG anchored by Ann Bishop, a popular local journalist. A news crew came to Melodie's Coconut Grove studio apartment, rented monthly for $175.00, to help put a face on what \"Gay\" looked like and to introduce that face to the community. People were expected to soon go to the polls to vote \"For\" or \"Against\" the repeal of the ordinance after the new law was on record for a few months without incident. The news crew stayed inside Melodie's apartment for 4 hours attempting to learn how she felt discriminated against. At the time, she could not come up with a direct sense of discrimination to report. Melodie is first to say, \"I was very na\u0026#xEF;ve.\"\u003c/p\u003e\n","\u003cp\u003eBy 1977, Melodie had contributed a chapter in a volume titled Now What? to help parents understand their gay child; Dr. Virginia Pendergrass, a clinical psychologist at FIU, was also among the contributors and she, with the Center for Dialog, often put workshops together where Melodie also presented. \u003c/p\u003e\n","\u003cp\u003eIt was during her Master's level training with the Gestalt Institute of Miami, Dr. Calvin Leonard, then Dean of the University of Miami School of Continuing Education, suggested that she meet directly with Dr. Rockway and Mr. Kunst of the Transperience Center. It was at this meeting when Melodie learned the Transperience Center was only a few doors down from where she lived. The two men began telling her of the $55,000 grant they had written through the federal Comprehensive Employment and Training Act (CETA) to fund five positions at the Transperience Center. They asked her to take a position as the Community Outreach Coordinator and Mental Health Counselor for the Transperience Center that they directed. She accepted the position after securing her credentials. The Transperience Center was a community health center for people living in alternative lifestyles. The grant was awarded and, following the repeal of the \"Gay Rights Ordinance,\" the grant was terminated following protests from ultra conservative groups. The trio Moorehead, Rockway, and Kunst then created a new organization, Congress United for Rights and Equality (CURE), and they filed a lawsuit through the Department of Labor for the grant's termination. Going to Federal Court twice without a judge discharging the case, the trio did not have the necessary funds to continue this fight. The gay community, even on the national scale, had not yet mobilized enough to assist. The trio ended up on food stamps for six months and Melodie conducted her last counseling session on the floor of the Transperience Center, as their rented furniture had been repossessed. \u003c/p\u003e\n","\u003cp\u003eIt was during this downtrodden time that Melodie came to better understand  the many faces of discrimination. Kunst even asked Moorehead, \"Do you feel discrimination now?\" She replied \"Yes!,\" and then he asked: \"Are you ready to collect signatures?\" She then committed to collecting 18,000 of the  needed signatures to place an offensive effort to get Human Rights (Gay Rights) on the November 1978 ballot. The trio worked together to get certified registered voters' signatures to place three new ordinances onto the Dade County ballot that banned discrimination in housing, employment, transportation, and support equality for gays and others living alternative lifestyles, including heterosexuals. Throughout the late 1970s and early 1980s, the trio organized to pass equality ordinances and promote media awareness to protect individual rights.  \u003c/p\u003e\n","\u003cp\u003eMelodie relocated to Fort Lauderdale and began her PhD program in 1980. This relocation was picked up by the local press as Melodie met with every County Commissioner in Broward County regarding Gay Rights. It was not until the passage of the Eckart Bill, which called for the Privacy Rights of citizens in Florida, that Melodie shifted her focus to fully establishing herself in healthcare. By this time, she had learned the great need for culturally sensitive service in the mental health and medical field. Melodie routinely provided services for HTLV-3, later known as AIDS services, to individuals in and out of hospital settings. \u003c/p\u003e\n","\u003cp\u003eWith unanticipated turn of events, by the mid-1980s the then Dr. Moorehead began working with other groups of very often discriminated people struggling with the disease of morbid and super obesity. Her talents and training were recognized and her work evolved to lecturing both nationally and internationally as an invited speaker while maintaining a longstanding private practice and holding staff privileges and responsivities for decades in Broward's hospital system. In 2002 Dr. Moorehead was awarded the Golden Circle of Excellence Award from what now is called ASMBS. She was the first woman and non-surgeon to receive this honor.\u003c/p\u003e\n","\u003cp\u003eDuring the height of her career, a then-hospitalized Dr. John Graves, who served as the Board of Trustees President of what is today the Stonewall National Museum, Archives, and Library, asked her to serve as president of the decades-old organization. Knowing that this lovely, generous man was terminally ill, she agreed to his request. By 2004 she was at the helm of Stonewall and personally funded a trip to Washington, D.C., where, among her achievements as president, she signed a contract with the United States Holocaust Memorial Museum to bring its historic exhibition, \"Nazi Persecution of the Homosexual 1933-45,\" to South Florida. The exhibition was presented at the Fort Lauderdale main library. \u003c/p\u003e\n","\u003cp\u003eFinally, Dr. Moorehead closed her Professional Association and successfully retired her South Florida 50-year career in mental health. She did so only after providing two years of face-to-face isolation protocol support during the Covid-19 pandemic and lockdown in a long-term care facility.  Residents were mandated to remain in their closed rooms while family visitation was prohibited. As of Fall 2025, she retains her licensure and board certification and remains active in licensing professionals and programs worldwide in the use of The Bariatric Analysis and Reporting Outcome System (BAROS) and the Moorehead-Ardelt Quality of Life Questionnaire II (MAII) of which she holds copyright.\u003c/p\u003e\n","\u003cp\u003eDr. Moorehead encourages all who visit this bio sketch to enjoy the archives and share what you learn with others so that history does not have to repeat itself again. Biography compiled by Dr. Melodie Kay Moorehead\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Melodie Kay Moorehead, born on Father's Day, June 19, 1949 in Utica, NY, was reared in Miami-Dade County, Florida where she began kindergarten. Subsequentially, she graduated from Miami Central High School, where she was a Silver Knight nominee in music and went on to become a professional musician working her way through school from the age of 18 until 1983, when she completed her PhD from the Union Institute. Following licensure as a psychologist she later became a Fellow and Board Certified, in Clinical Health Psychology, by the American Board of Professional Psychology (ABPP). She is a lifetime member of the American Psychological Association (APA), American Society for Metabolic and Bariatric Surgery (ASMBS), Internation Federation for the Surgery of Obesity and Metabolic Disorders (IFSO) and holds membership in Daughters of the American Revolution (DAR). Melodie also graduated from, Miami Dade Junior College – North Campus, and Florida Atlantic University (FAU), with a double major, completing that coursework in 1971.  ","Before her involvement with Human Rights work, she had many high-profile musical engagements as a drummer and vocalist. She contracted with a show band called Your Father's Mustache and played the \"Washboard\" and other percussion instruments at the age of 18 at the Hilton Plaza, Miami Beach. During her 1968 and 69 engagement there, the space also hosted Jackie Gleason's weekly television show, as well as the Headquarters for Richard Nixon's 1968 National Convention. Nightly, Nixon's staff were in front row attendance for the nightclub show and would send the young Melodie cold milk to the stage as they sent alcoholic beverages to other members of the band. When he won the election, Nixon's head writer invited Melodie to attend the Inaugural Ball, which she attended with her mother, Laura Joyce Gillett Moorehead Williams. Later Melodie, still an undergraduate, received an invitation from President Nixon's staff to transfer to Georgetown University and study law as a proper introduction to Washington politics. She humbly state: \"I want to become a doctor and help people.\"   ","Returning to her intentioned life's mission, she completed the MA degree, in Psychology, from Lone Mountain College  (today, University of San Francisco), in 1977. It was at this period of time she petitioned FAU to confer her undergraduate degree. It had been withheld by the institution due to administrative rules. She won her petition, which helps explains why her MA diploma was conferred a year before her BA. The irony here perhaps was that Dr. Shwartz, who headed the Department of Sociology at FAU, had offered her a full scholarship to the MA program and to a prestigious doctoral program in return for her teaching at FAU for 5 years. Again, she humbly and politely declined. ","Instead, Melodie toured with another musical group, which ultimately led to her coming to terms with her same-sex feelings, which had amounted to a lifetime of tumult. Following her own personal paradigmatic shift and owning her sense of \"gay identity,\" Melodie entered psychotherapy with Dr. Theodore Aidman, the first president and founder of the Dade County Psychological Association (Dr. Aidman ultimately served as mentor throughout Melodie's MA and PhD programs; her MA thesis was based on Dr. Adman's work, \"Transcending One's Self-Fulfilling Prophecy.\"). Melodie soon committed herself to a new career in the field of psychology working within the gay community. ","Dr. Alan Rockway, Mr. Robert \"Bob\" Kunst, and Mr. Bob Basker co-authored the 1976 Miami Gay Rights Ordinance. This Ordinance was repealed through the efforts of Anita Bryant and others the following year.  Before the 1976 Ordinance was repealed and before meeting the authors, Melodie was invited to be interview by Channel 10 News WPLG anchored by Ann Bishop, a popular local journalist. A news crew came to Melodie's Coconut Grove studio apartment, rented monthly for $175.00, to help put a face on what \"Gay\" looked like and to introduce that face to the community. People were expected to soon go to the polls to vote \"For\" or \"Against\" the repeal of the ordinance after the new law was on record for a few months without incident. The news crew stayed inside Melodie's apartment for 4 hours attempting to learn how she felt discriminated against. At the time, she could not come up with a direct sense of discrimination to report. Melodie is first to say, \"I was very naïve.\"","By 1977, Melodie had contributed a chapter in a volume titled Now What? to help parents understand their gay child; Dr. Virginia Pendergrass, a clinical psychologist at FIU, was also among the contributors and she, with the Center for Dialog, often put workshops together where Melodie also presented. ","It was during her Master's level training with the Gestalt Institute of Miami, Dr. Calvin Leonard, then Dean of the University of Miami School of Continuing Education, suggested that she meet directly with Dr. Rockway and Mr. Kunst of the Transperience Center. It was at this meeting when Melodie learned the Transperience Center was only a few doors down from where she lived. The two men began telling her of the $55,000 grant they had written through the federal Comprehensive Employment and Training Act (CETA) to fund five positions at the Transperience Center. They asked her to take a position as the Community Outreach Coordinator and Mental Health Counselor for the Transperience Center that they directed. She accepted the position after securing her credentials. The Transperience Center was a community health center for people living in alternative lifestyles. The grant was awarded and, following the repeal of the \"Gay Rights Ordinance,\" the grant was terminated following protests from ultra conservative groups. The trio Moorehead, Rockway, and Kunst then created a new organization, Congress United for Rights and Equality (CURE), and they filed a lawsuit through the Department of Labor for the grant's termination. Going to Federal Court twice without a judge discharging the case, the trio did not have the necessary funds to continue this fight. The gay community, even on the national scale, had not yet mobilized enough to assist. The trio ended up on food stamps for six months and Melodie conducted her last counseling session on the floor of the Transperience Center, as their rented furniture had been repossessed. ","It was during this downtrodden time that Melodie came to better understand  the many faces of discrimination. Kunst even asked Moorehead, \"Do you feel discrimination now?\" She replied \"Yes!,\" and then he asked: \"Are you ready to collect signatures?\" She then committed to collecting 18,000 of the  needed signatures to place an offensive effort to get Human Rights (Gay Rights) on the November 1978 ballot. The trio worked together to get certified registered voters' signatures to place three new ordinances onto the Dade County ballot that banned discrimination in housing, employment, transportation, and support equality for gays and others living alternative lifestyles, including heterosexuals. Throughout the late 1970s and early 1980s, the trio organized to pass equality ordinances and promote media awareness to protect individual rights.  ","Melodie relocated to Fort Lauderdale and began her PhD program in 1980. This relocation was picked up by the local press as Melodie met with every County Commissioner in Broward County regarding Gay Rights. It was not until the passage of the Eckart Bill, which called for the Privacy Rights of citizens in Florida, that Melodie shifted her focus to fully establishing herself in healthcare. By this time, she had learned the great need for culturally sensitive service in the mental health and medical field. Melodie routinely provided services for HTLV-3, later known as AIDS services, to individuals in and out of hospital settings. ","With unanticipated turn of events, by the mid-1980s the then Dr. Moorehead began working with other groups of very often discriminated people struggling with the disease of morbid and super obesity. Her talents and training were recognized and her work evolved to lecturing both nationally and internationally as an invited speaker while maintaining a longstanding private practice and holding staff privileges and responsivities for decades in Broward's hospital system. In 2002 Dr. Moorehead was awarded the Golden Circle of Excellence Award from what now is called ASMBS. She was the first woman and non-surgeon to receive this honor.","During the height of her career, a then-hospitalized Dr. John Graves, who served as the Board of Trustees President of what is today the Stonewall National Museum, Archives, and Library, asked her to serve as president of the decades-old organization. Knowing that this lovely, generous man was terminally ill, she agreed to his request. By 2004 she was at the helm of Stonewall and personally funded a trip to Washington, D.C., where, among her achievements as president, she signed a contract with the United States Holocaust Memorial Museum to bring its historic exhibition, \"Nazi Persecution of the Homosexual 1933-45,\" to South Florida. The exhibition was presented at the Fort Lauderdale main library. ","Finally, Dr. Moorehead closed her Professional Association and successfully retired her South Florida 50-year career in mental health. She did so only after providing two years of face-to-face isolation protocol support during the Covid-19 pandemic and lockdown in a long-term care facility.  Residents were mandated to remain in their closed rooms while family visitation was prohibited. As of Fall 2025, she retains her licensure and board certification and remains active in licensing professionals and programs worldwide in the use of The Bariatric Analysis and Reporting Outcome System (BAROS) and the Moorehead-Ardelt Quality of Life Questionnaire II (MAII) of which she holds copyright.","Dr. Moorehead encourages all who visit this bio sketch to enjoy the archives and share what you learn with others so that history does not have to repeat itself again. Biography compiled by Dr. Melodie Kay Moorehead"],"odd_html_tesm":["\u003cp\u003eLANGUAGE WARNING: Some personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["LANGUAGE WARNING: Some personal correspondence and newspaper articles contain language that was common in the United States during the late-20th century. Outdated language and other terms that may be considered harmful or offensive are present."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect the subject's participation in Lesbian, Gay, Bisexual, Transgender (LGBT) activism and interest in psychotherapy for the LGBT community. The bulk of the collection contains correspondence, news clippings, interviews with Moorehead, autobiographical information, and photos.\u003c/p\u003e\n","\u003cp\u003ePlease note: this collection includes some images that portray nudity in both sexual and non-sexual contexts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect the subject's participation in Lesbian, Gay, Bisexual, Transgender (LGBT) activism and interest in psychotherapy for the LGBT community. The bulk of the collection contains correspondence, news clippings, interviews with Moorehead, autobiographical information, and photos.","Please note: this collection includes some images that portray nudity in both sexual and non-sexual contexts."],"userestrict_html_tesm":["\u003cp\u003eThe Melodie Moorehead Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Melodie Moorehead Papers are owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":15,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879179292500295680,"_root_":"d0c0ec0d01fac02c27f7a38e","timestamp":"2026-10-16T04:30:27.180Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d0c0ec0d01fac02c27f7a38e"}},{"id":"27042ff94da8b6656844ba6a","type":"collection","attributes":{"title":"Monte Allen U.S.S. 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Kwajalein, an aircraft carrier, as well as various visual and auditory artifact materials relating to the work and lives of its crewmen. \u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/27042ff94da8b6656844ba6a#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"27042ff94da8b6656844ba6a","title_filing_ssi":"Allen, Monte U.S.S Kwajalein collection","title_ssm":["Monte Allen U.S.S. Kwajalein collection"],"title_tesim":["Monte Allen U.S.S. 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Navy--History--20th century","World War, 1939-1945--Campaigns--Pacific Ocean","World War, 1939-1945","Aircraft carriers--Pacific Area--History--20th century","World War, 1939-1945--Campaigns--Philippines","World War, 1939-1945--Philippines","This collection is open to all researchers.","Creator","Monte Allen served aboard the U.S.S. Kwajalein from its commissioning in June 1944 until November 1945.","This collection was donated by Monte Allen. The collection was acquired by the Institute on World War II and the Human Experience on August 3, 2016.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","The Monte Allen U.S.S. Kwajalein (CVE-98) collection contains comprehensive records pertaining to officially recorded, declassified daily life aboard the Casablanca Class Escort Carrier U.S.S. Kwajalein, an aircraft carrier, as well as various visual and auditory artifact materials relating to the work and lives of its crewmen. ","The collection specifically regards the life of U.S. Navy sailor Monte Allen, information he was able to preserve, and the first-hand observations he deemed important. Allen authored the collection himself. The collection contains detailed photocopies of and notes on ship records, including war diaries, daily logs, muster rolls, and reports of changes amongst the crew and aboard the ship. Direct annotations from Monte Allen within the photocopies provide notes on such things as the living status of crewmen at the time of his writing. Other materials include miscellaneous photographs, copies of photographs, film recordings, naval sheet music, and related publications. These publications describe the lives of sailors postwar and the status of destroyed marine vessels. The image of collection author Monte Allen is featured prominently in the photographs, as well as his perspective in the form of added photograph captions.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Allen, Monte","English"],"unitid_tesim":["16.0019","/repositories/10/resources/446"],"normalized_date_ssm":["1944-2009, Date acquired: 2016-08-03, Date accessioned: 2020-05-13, bulk 1945"],"normalized_title_ssm":["Monte Allen U.S.S. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["World War, 1939-1945--Naval operations","United States. Navy--History--20th century","World War, 1939-1945--Campaigns--Pacific Ocean","World War, 1939-1945","Aircraft carriers--Pacific Area--History--20th century","World War, 1939-1945--Campaigns--Philippines","World War, 1939-1945--Philippines"],"access_subjects_ssm":["World War, 1939-1945--Naval operations","United States. 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The collection was acquired by the Institute on World War II and the Human Experience on August 3, 2016.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Monte Allen U.S.S. Kwajalein collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_16_0019\"\u003ehttp://purl.fcla.edu/fsu/WWII_16_0019\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Monte Allen U.S.S. Kwajalein collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_16_0019 ."],"scopecontent_html_tesm":["\u003cp\u003eThe Monte Allen U.S.S. Kwajalein (CVE-98) collection contains comprehensive records pertaining to officially recorded, declassified daily life aboard the Casablanca Class Escort Carrier U.S.S. Kwajalein, an aircraft carrier, as well as various visual and auditory artifact materials relating to the work and lives of its crewmen. \u003c/p\u003e\n","\u003cp\u003eThe collection specifically regards the life of U.S. Navy sailor Monte Allen, information he was able to preserve, and the first-hand observations he deemed important. Allen authored the collection himself. The collection contains detailed photocopies of and notes on ship records, including war diaries, daily logs, muster rolls, and reports of changes amongst the crew and aboard the ship. Direct annotations from Monte Allen within the photocopies provide notes on such things as the living status of crewmen at the time of his writing. Other materials include miscellaneous photographs, copies of photographs, film recordings, naval sheet music, and related publications. These publications describe the lives of sailors postwar and the status of destroyed marine vessels. The image of collection author Monte Allen is featured prominently in the photographs, as well as his perspective in the form of added photograph captions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Monte Allen U.S.S. Kwajalein (CVE-98) collection contains comprehensive records pertaining to officially recorded, declassified daily life aboard the Casablanca Class Escort Carrier U.S.S. Kwajalein, an aircraft carrier, as well as various visual and auditory artifact materials relating to the work and lives of its crewmen. ","The collection specifically regards the life of U.S. Navy sailor Monte Allen, information he was able to preserve, and the first-hand observations he deemed important. Allen authored the collection himself. The collection contains detailed photocopies of and notes on ship records, including war diaries, daily logs, muster rolls, and reports of changes amongst the crew and aboard the ship. Direct annotations from Monte Allen within the photocopies provide notes on such things as the living status of crewmen at the time of his writing. Other materials include miscellaneous photographs, copies of photographs, film recordings, naval sheet music, and related publications. These publications describe the lives of sailors postwar and the status of destroyed marine vessels. The image of collection author Monte Allen is featured prominently in the photographs, as well as his perspective in the form of added photograph captions."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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Kwajalein collection"],"ead_ssi":"27042ff94da8b6656844ba6a","unitdate_ssm":["1944-2009","1945","Date acquired: 2016-08-03","Date accessioned: 2020-05-13"],"unitdate_bulk_ssim":["1945"],"unitdate_inclusive_ssm":["1944-2009"],"unitdate_other_ssim":["Date acquired: 2016-08-03","Date accessioned: 2020-05-13"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["16.0019","/repositories/10/resources/446"],"text":["16.0019","/repositories/10/resources/446","Monte Allen U.S.S. Kwajalein collection, 1944-2009, Date acquired: 2016-08-03, Date accessioned: 2020-05-13, bulk 1945","San Pedro, Calif.","World War, 1939-1945--Naval operations","United States. Navy--History--20th century","World War, 1939-1945--Campaigns--Pacific Ocean","World War, 1939-1945","Aircraft carriers--Pacific Area--History--20th century","World War, 1939-1945--Campaigns--Philippines","World War, 1939-1945--Philippines","This collection is open to all researchers.","Creator","Monte Allen served aboard the U.S.S. Kwajalein from its commissioning in June 1944 until November 1945.","This collection was donated by Monte Allen. The collection was acquired by the Institute on World War II and the Human Experience on August 3, 2016.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","The Monte Allen U.S.S. Kwajalein (CVE-98) collection contains comprehensive records pertaining to officially recorded, declassified daily life aboard the Casablanca Class Escort Carrier U.S.S. Kwajalein, an aircraft carrier, as well as various visual and auditory artifact materials relating to the work and lives of its crewmen. ","The collection specifically regards the life of U.S. Navy sailor Monte Allen, information he was able to preserve, and the first-hand observations he deemed important. Allen authored the collection himself. The collection contains detailed photocopies of and notes on ship records, including war diaries, daily logs, muster rolls, and reports of changes amongst the crew and aboard the ship. Direct annotations from Monte Allen within the photocopies provide notes on such things as the living status of crewmen at the time of his writing. Other materials include miscellaneous photographs, copies of photographs, film recordings, naval sheet music, and related publications. These publications describe the lives of sailors postwar and the status of destroyed marine vessels. 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Horowitz collection, 1944-1946, Date acquired: 2016-09-08, Date accessioned: 2020-04-28","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/5e8e32e98d2d286928c3148b#creator","type":"document_value","attributes":{"value":["Horowitz, Morris L., 1924-"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/5e8e32e98d2d286928c3148b#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection relates to Morris L. Horowitz who served in the U.S. Army with the 669th Military Police Escort Guard Company during World War II in Europe. He was a Jewish-American soldier. 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Army--History--World War, 1939-1945","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","World War, 1939-1945","World War, 1939-1945--Germany","Jewish soldiers--United States","Concentration camps--Germany","World War, 1939-1945--Concentration camps","World War, 1939-1945--Germany--Nuremberg","This collection is open to all researchers.","Morris L. Horowitz was born in Brooklyn, New York, on November 18th, 1924. His parents emigrated from Poland to the United States just before he was born, and he had two sisters who were born in Poland. While he was studying to become a veterinarian, he received his draft notice in 1944 and continued his tour of duty until 1946. He proceeded with basic training in Texas, and later traveled to various other camps, where usually he was one of the very few Jews in the unit. His outfit, the 1st Tank Destroyer Brigade, spent considerable time in Germany following the liberation. He specifically served in Nuremberg in the War Crimes Commission investigating former SS officers during the German occupation and also scouting out and capturing officers in hiding. Among the medals he received are: The World War II victory medal, the European Theater Medal, the American Campaign Medal, the Army of Occupation Medal, the Good Conduct medal, and the European-African-Middle Eastern Campaign Medal. Horowitz providied an oral interview to the Veterans History Project, which is available at http://memory.loc.gov/diglib/vhp/story/loc.natlib.afc2001001.03627/transcript?ID=sr0001. Additionally, an article published by WPTV West Palm Beach recounts a story of Horowitz reuniting with Carl Wilner, a man who he had given his chocolate ration when liberating a concentration camp. They met by a chance encounter, both members of a book club at a senior living facility. 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Additionally, an article published by WPTV West Palm Beach recounts a story of Horowitz reuniting with Carl Wilner, a man who he had given his chocolate ration when liberating a concentration camp. They met by a chance encounter, both members of a book club at a senior living facility. The story can be found at https://www.wptv.com/news/region-c-palm-beach-county/west-palm-beach/a-soldier-learns-his-kindness-saved-a-life-decades-ago.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Morris L. Horowitz was born in Brooklyn, New York, on November 18th, 1924. His parents emigrated from Poland to the United States just before he was born, and he had two sisters who were born in Poland. While he was studying to become a veterinarian, he received his draft notice in 1944 and continued his tour of duty until 1946. 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The story can be found at https://www.wptv.com/news/region-c-palm-beach-county/west-palm-beach/a-soldier-learns-his-kindness-saved-a-life-decades-ago.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Created 09/21/2016 by Christina Armes","Link to Library of Congress World War II Veterans History Project Interview of Morris Horowitz:  http://memory.loc.gov/diglib/vhp/story/loc.natlib.afc2001001.03627/transcript?ID=sr0001","This collection relates to Morris L. Horowitz who served in the U.S. Army with the 669th Military Police Escort Guard Company during World War II in Europe. He was a Jewish-American soldier. The collection contains two unit group photographs.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Horowitz, Morris L., 1924-","English"],"unitid_tesim":["16.0025","/repositories/10/resources/461"],"normalized_date_ssm":["1944-1946, Date acquired: 2016-09-08, Date accessioned: 2020-04-28"],"normalized_title_ssm":["Morris L. Horowitz collection, 1944-1946, Date acquired: 2016-09-08, Date accessioned: 2020-04-28"],"collection_title_tesim":["Morris L. Horowitz collection, 1944-1946, Date acquired: 2016-09-08, Date accessioned: 2020-04-28"],"collection_ssim":["Morris L. Horowitz collection, 1944-1946, Date acquired: 2016-09-08, Date accessioned: 2020-04-28"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Nuremberg (Germany)"],"geogname_ssim":["Nuremberg (Germany)"],"creator_ssm":["Horowitz, Morris L., 1924-"],"creator_ssim":["Horowitz, Morris L., 1924-"],"creator_persname_ssim":["Horowitz, Morris L., 1924-"],"creators_ssim":["Horowitz, Morris L., 1924-"],"places_ssim":["Nuremberg (Germany)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["This collection was donated by Robert M. Schwartz. This collection was acquired by the Institute on World War II and the Human Experience on September 8, 2016."],"access_subjects_ssim":["United States. Army--History--World War, 1939-1945","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","World War, 1939-1945","World War, 1939-1945--Germany","Jewish soldiers--United States","Concentration camps--Germany","World War, 1939-1945--Concentration camps","World War, 1939-1945--Germany--Nuremberg"],"access_subjects_ssm":["United States. Army--History--World War, 1939-1945","Nuremberg War Crime Trials, Nuremberg, Germany, 1946-1949","World War, 1939-1945","World War, 1939-1945--Germany","Jewish soldiers--United States","Concentration camps--Germany","World War, 1939-1945--Concentration camps","World War, 1939-1945--Germany--Nuremberg"],"has_online_content_ssim":["false"],"extent_ssm":["1 folders"],"extent_tesim":["1 folders"],"date_range_isim":[1944,1945,1946,2016],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003eMorris L. Horowitz was born in Brooklyn, New York, on November 18th, 1924. His parents emigrated from Poland to the United States just before he was born, and he had two sisters who were born in Poland. While he was studying to become a veterinarian, he received his draft notice in 1944 and continued his tour of duty until 1946. He proceeded with basic training in Texas, and later traveled to various other camps, where usually he was one of the very few Jews in the unit. His outfit, the 1st Tank Destroyer Brigade, spent considerable time in Germany following the liberation. He specifically served in Nuremberg in the War Crimes Commission investigating former SS officers during the German occupation and also scouting out and capturing officers in hiding. Among the medals he received are: The World War II victory medal, the European Theater Medal, the American Campaign Medal, the Army of Occupation Medal, the Good Conduct medal, and the European-African-Middle Eastern Campaign Medal. Horowitz providied an oral interview to the Veterans History Project, which is available at http://memory.loc.gov/diglib/vhp/story/loc.natlib.afc2001001.03627/transcript?ID=sr0001. Additionally, an article published by WPTV West Palm Beach recounts a story of Horowitz reuniting with Carl Wilner, a man who he had given his chocolate ration when liberating a concentration camp. They met by a chance encounter, both members of a book club at a senior living facility. The story can be found at https://www.wptv.com/news/region-c-palm-beach-county/west-palm-beach/a-soldier-learns-his-kindness-saved-a-life-decades-ago.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Morris L. Horowitz was born in Brooklyn, New York, on November 18th, 1924. His parents emigrated from Poland to the United States just before he was born, and he had two sisters who were born in Poland. While he was studying to become a veterinarian, he received his draft notice in 1944 and continued his tour of duty until 1946. He proceeded with basic training in Texas, and later traveled to various other camps, where usually he was one of the very few Jews in the unit. His outfit, the 1st Tank Destroyer Brigade, spent considerable time in Germany following the liberation. He specifically served in Nuremberg in the War Crimes Commission investigating former SS officers during the German occupation and also scouting out and capturing officers in hiding. Among the medals he received are: The World War II victory medal, the European Theater Medal, the American Campaign Medal, the Army of Occupation Medal, the Good Conduct medal, and the European-African-Middle Eastern Campaign Medal. Horowitz providied an oral interview to the Veterans History Project, which is available at http://memory.loc.gov/diglib/vhp/story/loc.natlib.afc2001001.03627/transcript?ID=sr0001. Additionally, an article published by WPTV West Palm Beach recounts a story of Horowitz reuniting with Carl Wilner, a man who he had given his chocolate ration when liberating a concentration camp. They met by a chance encounter, both members of a book club at a senior living facility. The story can be found at https://www.wptv.com/news/region-c-palm-beach-county/west-palm-beach/a-soldier-learns-his-kindness-saved-a-life-decades-ago."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Morris L. Horowitz collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-16-2025\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Morris L. Horowitz collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-16-2025"],"processinfo_html_tesm":["\u003cp\u003eCreated 09/21/2016 by Christina Armes\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Created 09/21/2016 by Christina Armes"],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cemph render=\"italic\"\u003e\u003cemph render=\"bold\"\u003eLink to Library of Congress World War II Veterans History Project Interview of Morris Horowitz: \u003c/emph\u003e\u003c/emph\u003e\u003cextref href=\"http://memory.loc.gov/diglib/vhp/story/loc.natlib.afc2001001.03627/transcript?ID=sr0001\"\u003ehttp://memory.loc.gov/diglib/vhp/story/loc.natlib.afc2001001.03627/transcript?ID=sr0001\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Link to Library of Congress World War II Veterans History Project Interview of Morris Horowitz:  http://memory.loc.gov/diglib/vhp/story/loc.natlib.afc2001001.03627/transcript?ID=sr0001"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Morris L. Horowitz who served in the U.S. Army with the 669th Military Police Escort Guard Company during World War II in Europe. He was a Jewish-American soldier. The collection contains two unit group photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection relates to Morris L. Horowitz who served in the U.S. Army with the 669th Military Police Escort Guard Company during World War II in Europe. He was a Jewish-American soldier. The collection contains two unit group photographs."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"d20aa889e8ea8129c93e6502","title_ssm":["Nola Perez Papers"],"title_tesim":["Nola Perez Papers"],"ead_ssi":"d20aa889e8ea8129c93e6502","unitdate_ssm":["1969-2022"],"unitdate_inclusive_ssm":["1969-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016.006","/repositories/3/resources/78"],"text":["2016.006","/repositories/3/resources/78","Nola Perez Papers, 1969-2022","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. ","This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2016.006","/repositories/3/resources/78"],"normalized_date_ssm":["1969-2022"],"normalized_title_ssm":["Nola Perez Papers, 1969-2022"],"collection_title_tesim":["Nola Perez Papers, 1969-2022"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Nola B. Perez, 2016-09-06."],"has_online_content_ssim":["false"],"extent_ssm":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"extent_tesim":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eNola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. \u003c/p\u003e\n","\u003cp\u003eDuring her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.\u003c/p\u003e\n","\u003cp\u003eIn the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.\u003c/p\u003e\n","\u003cp\u003eUpon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. "],"prefercite_html_tesm":["\u003cp\u003eNola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Nola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2013; Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2013; Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2013; Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2013; Critiques (arranged chronologically) include critical receptions of Nola Perez's work\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2013; Events (arranged alphabetically by subseries)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Book Signings and Poetry Readings (arranged chronologically) includes information and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"\u003c/p\u003e\n","\u003cp\u003eSeries 6 \u0026#x2013; Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation\u003c/p\u003e\n","\u003cp\u003eSeries 7 \u0026#x2013; Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career\u003c/p\u003e\n","\u003cp\u003eSeries 8 \u0026#x2013; Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Photographs (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Publications (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 5 \u0026#x2013; Workshops (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSeries 9 \u0026#x2013; Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events\u003c/p\u003e\n","\u003cp\u003eSeries 10 \u0026#x2013; Poetry (arranged chronologically) contains a collection of Nola's poetry\u003c/p\u003e\n","\u003cp\u003eSeries 11 \u0026#x2013; Publications (arranged alphabetically by type of publication)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Books (arranged chronologically by publication date; chronological files within each book published)\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Journals (arranged chronologically by publication date)\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website\u003c/p\u003e\n","\u003cp\u003eSeries 12 \u0026#x2013; Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia\u003c/p\u003e\n","\u003cp\u003eSeries 13 \u0026#x2013; Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":231,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860591887810560,"_root_":"d20aa889e8ea8129c93e6502","timestamp":"2026-07-16T08:48:16.050Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d20aa889e8ea8129c93e6502","title_ssm":["Nola Perez Papers"],"title_tesim":["Nola Perez Papers"],"ead_ssi":"d20aa889e8ea8129c93e6502","unitdate_ssm":["1969-2022"],"unitdate_inclusive_ssm":["1969-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016.006","/repositories/3/resources/78"],"text":["2016.006","/repositories/3/resources/78","Nola Perez Papers, 1969-2022","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. ","This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2016.006","/repositories/3/resources/78"],"normalized_date_ssm":["1969-2022"],"normalized_title_ssm":["Nola Perez Papers, 1969-2022"],"collection_title_tesim":["Nola Perez Papers, 1969-2022"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Nola B. Perez, 2016-09-06."],"has_online_content_ssim":["false"],"extent_ssm":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"extent_tesim":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eNola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. \u003c/p\u003e\n","\u003cp\u003eDuring her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.\u003c/p\u003e\n","\u003cp\u003eIn the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.\u003c/p\u003e\n","\u003cp\u003eUpon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. "],"prefercite_html_tesm":["\u003cp\u003eNola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Nola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2013; Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2013; Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2013; Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2013; Critiques (arranged chronologically) include critical receptions of Nola Perez's work\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2013; Events (arranged alphabetically by subseries)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Book Signings and Poetry Readings (arranged chronologically) includes information and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"\u003c/p\u003e\n","\u003cp\u003eSeries 6 \u0026#x2013; Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation\u003c/p\u003e\n","\u003cp\u003eSeries 7 \u0026#x2013; Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career\u003c/p\u003e\n","\u003cp\u003eSeries 8 \u0026#x2013; Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Photographs (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Publications (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 5 \u0026#x2013; Workshops (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSeries 9 \u0026#x2013; Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events\u003c/p\u003e\n","\u003cp\u003eSeries 10 \u0026#x2013; Poetry (arranged chronologically) contains a collection of Nola's poetry\u003c/p\u003e\n","\u003cp\u003eSeries 11 \u0026#x2013; Publications (arranged alphabetically by type of publication)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Books (arranged chronologically by publication date; chronological files within each book published)\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Journals (arranged chronologically by publication date)\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website\u003c/p\u003e\n","\u003cp\u003eSeries 12 \u0026#x2013; Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia\u003c/p\u003e\n","\u003cp\u003eSeries 13 \u0026#x2013; Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":231,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860591887810560,"_root_":"d20aa889e8ea8129c93e6502","timestamp":"2026-07-16T08:48:16.050Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502"}},{"id":"45807c67f367973431520ee3","type":"collection","attributes":{"title":"Northeast Florida Regional Postcard Collection, 1858-2019","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/45807c67f367973431520ee3#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. Series in this collection include the following:\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/45807c67f367973431520ee3#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"45807c67f367973431520ee3","title_ssm":["Northeast Florida Regional Postcard Collection"],"title_tesim":["Northeast Florida Regional Postcard Collection"],"ead_ssi":"45807c67f367973431520ee3","unitdate_ssm":["1858-2019"],"unitdate_inclusive_ssm":["1858-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2024.001","/repositories/3/resources/82"],"text":["2024.001","/repositories/3/resources/82","Northeast Florida Regional Postcard Collection, 1858-2019","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","\tIn the United States, the traditional picture postcard rose to popularity in the early 20th century. Postcard history is often divided into eight distinct \"eras\" beginning in the 1850s and continuing through the \"Golden Age of Postcards\" beginning around 1905 and lasting through 1915. In this golden age, millions of cards were printed and sold throughout the entire U.S. and collecting cards became a popular hobby. The Northeast Florida Regional Postcard Collection contains examples from many of the documented eras, including photographic cards popularized in the nineteen teens and twenties. ","\nAdvances in printing and photographic techniques along with faster shipping methods between the U.S. and Europe allowed for the mass production of brightly colored pictorial cards to be quickly manufactured and distributed to sellers. In addition to the printers in major U.S. cities, a network of publishers and photographers allowed many local businesses in small towns across the U.S. to commission postcards of local \"views\" that were cheaply printed in Germany. Many images of small-town life, including municipal architecture, private residences, and street scenes were preserved and are a useful tool for local historians and researchers. These views act as a \"visual record of a town\" and help develop a fuller understanding of the locations represented in the postcards. Additionally, postcards depicted natural disasters, fires, local amusements, and tourist attractions and were important to the souvenir trade of the time.  ","\nAt the height of the industry's popularity, publishers would often share or even steal negatives to create their own postcards and often would change or distort the negative to make them appear different from other printers. Misspellings were common and incorrectly captioned cards were also prevalent. The Northeast Florida Regional Postcard collection has several examples of this business tactic and many examples of misspellings in the captions or titles on the cards. ","\nEnthusiasm for postcard collecting began to wane around 1912 and ended with the start of World War I. Even though the initial craze for postcards diminished, they are still produced and continue to be a useful visual record for researchers and historians of the late 19th and early 20th centuries. The Northeast Florida Regional Postcard Collection supports many of our Florida ephemera or Floridiana collections and is a great resource for the visual history of Jacksonville, St. Augustine, and the other towns of Northeast Florida. ","Sources:\n New York State Library Postcard Collection-Appendix C","Greetings from the Smithsonian: A Postcard History","This collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. \nSeries in this collection include the following:","Series 1- Advertising Cards (arranged chronologically) contains business advertisement cards from Northeast Florida business and organizations.","Series 2- Agriculture (arranged chronologically) contains postcards depicting the agricultural industry in Northeast Florida","Series 3- Airports (arranged chronologically) contains postcards depicting Jacksonville International Airport and local municipal airports in Northeast Florida.","Series 4- Alligator Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the Alligator farm, an early 20th century tourist attraction in Jacksonville, Florida.","Series 5- Atlantic Beach, Florida (arranged chronologically) contains postcards depicting panoramic views of Atlantic Beach, local hotels, and other tourist attractions.","Series 6- Atlantic Intracoastal Waterway (arranged chronologically) contains postcards depicting steamer ships owned by the Clyde Line, commercial shipping docks, and views of the intracoastal waterway.","Series 7- Bank Buildings (arranged chronologically) contains postcards depicting the Florida National Bank, Atlantic National Bank, Barnett First National Bank, and other local Northeast Florida Bank buildings.","Series 8- Bridges (arranged chronologically) contains postcards depicting local Jacksonville, Florida bridges, including the Fuller Warren Bridge, Main Street Bridge, Matthews Bridge, Napolean Bonaparte Broward Bridge, and Hart Bridge.","Series 9- Buildings (arranged chronologically) contains postcards depicting buildings in downtown Jacksonville, including structures of architectural significance like the St. James Building and the Shriners Temple.","Series 10- Church Buildings (arranged chronologically) contains postcards depicting churches of different denominations, including Catholic, Baptist, Methodist, and Episcopal, in the Northeast Florida area.","Series 11- Clubs (arranged chronologically) contains postcards depicting Jacksonville area athletic and social clubs. Examples include the Seminole Club, Fort George Club, Masonic Temple, and San Jose Golf Club.","Series 12- Cumberland Island, Georgia (arranged chronologically) contains postcards depicting Thomas M. Carnegie's home, Dungeness. ","Series 13- Dixieland Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting early 20th century tourist attraction on the Southbank of Jacksonville. ","Series 14- Docks and Shipping (arranged chronologically) contains postcards depicting scenes of commercial shipping docks and steamer ships on the St Johns River in downtown Jacksonville. ","Series 15- Dwellings (arranged chronologically) contains postcards depicting private residences in the Riverside, Springfield, Mandarin, and Ortega neighborhoods of Jacksonville. ","Series 16- Epping Forest; Jacksonville, Florida (arranged chronologically) contains postcards depicting the mansion of Alfred I. du Pont, now the Epping Forest Yacht Club.","Series 17- Eustis, Florida (arranged chronologically) contains postcards depicting photographic postcard taken in Eustis, Florida.","Series 18- Fernandina Beach, Florida (arranged chronologically) contains postcards depicting businesses, municipal buildings, hotels, private residences, and beach scenes.","Series 19- Florida Ostrich Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting tourist attraction popular in the early 20th century, with scenes of the farm with birds and ostriches racing. ","Series 20- Fort Clinch State Park, Florida (arranged chronologically) contains postcards depicting structures and ruins of the Civil War fort near Amelia Island and Fernandina Beach.","Series 21- Friendship Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting Friendship fountain and the downtown Jacksonville skyline across from the park located on the Southbank. ","Series 22- Gardens (arranged chronologically) contains postcards depicting scenes of plants native to Northeast Florida and Cummer Museum and Gardens. ","Series 23- General (arranged chronologically) contains postcards depicting a variety of scenes of locations in Jacksonville, cards printed by local printer H\u0026WB Drew Company, and cards addressed to Jacksonville addresses.","Series 24- Green Cove Springs, Florida (arranged chronologically) contains postcards depicting Springs, the bathing pavilion, and the Qui-Si-Sana Hotel and Health Spa. ","Series 25- Hemming Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting the grounds and businesses surrounding the park, known today as James Weldon Johnson Park. ","Series 26- Highways (arranged chronologically) contains postcards depicting several multi-lane highways and expressways in Jacksonville. ","Series 27- Hilliard, Florida (arranged chronologically) contains postcards depicting a hotel located in Hilliard, Florida near the Florida/Georgia Border. ","Series 28- Hospitals (arranged chronologically) contains postcards depicting Jacksonville area hospitals, including St. Vincent's Hospital, De Soto Sanatorium, St. Luke's Hospital, and Brewster Hospital. ","Series 29- Hotels (arranged chronologically) contains postcards depicting Jacksonville area hotels, including Hotel Burbridge, Hotel Roosevelt, Aragon Hotel, and Windsor Hotel. ","Series 30- Jacksonville Beach, Florida (arranged chronologically) contains postcards depicting scenes of local businesses, hotels, restaurants, and beaches.","Series 31- Keystone Heights, Florida (arranged chronologically) contains postcards depicting a hotel in Keystone Heights, Florida. ","Series 32- Kingsley Plantation; Fort George Island, Florida (arranged chronologically) contains postcards depicting National Park Kingsley Plantation on Fort George Island. ","Series 33- Library Buildings (arranged chronologically) contains postcards depicting the exteriors of Jacksonville area public library buildings.","Series 34- Marineland, Florida (arranged chronologically) contains postcards depicting aerial views of Marineland Studios, dolphins, and businesses at the historic tourist attraction. ","Series 35- Military Bases (arranged chronologically) contains photographic postcards depicting Camp Foster, founded as a work camp during the Great Depression, Camp Blanding Army Camp, and Camp Joseph E. Johnston.","Series 36- Mining (arranged chronologically) contains postcards depicting phosphate mining in Florida. ","Series 37- Monuments (arranged chronologically) contains postcards depicting monuments in the Jacksonville area.","Series 38- Motels (arranged chronologically) contains postcards depicting mid-20th century tourist motels in the Jacksonville area along U.S. Highway 1.","Series 39- Museums (arranged chronologically) contains postcards depicting artwork from the collections of the Cummer Museum in the Riverside neighborhood of Jacksonville, Florida. ","Series 40- Naval Air Station; Jacksonville, Florida (arranged chronologically) contains postcards depicting structures at Mayport, Cecil Field, and Jacksonville Naval Air stations. ","Series 41- Neptune Beach, Florida (arranged chronologically) contains postcards depicting scenes of beach front at Neptune Beach.","Series 42- Orange Park, Florida (arranged chronologically) contains postcards depicting structures at Moosehaven Retirement Community located in Orange Park, Florida on the St. Johns River. ","Series 43- Oriental Gardens; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the former tourist attraction located on San Jose Boulevard.","Series 44- Parks (arranged chronologically) contains postcards depicting historic images of parks in various Jacksonville neighborhoods, including Riverside and Springfield parks. ","Series 45- Persons (arranged chronologically) contains photographic postcards depicting portraits of visitors to Jacksonville. ","Series 46- Ponte Vedra Beach, Florida (arranged chronologically) contains postcards depicting views of structures on the Ponte Vedra Inn and Club.","Series 47- Post Office Building (arranged chronologically) contains postcards depicting early 20th century Federal Post Office in downtown Jacksonville. ","Series 48- Public Buildings (arranged chronologically) contains postcards depicting various municipal buildings including the original Duval County Courthouse, The Armory, and the Civic Auditorium of Jacksonville. ","Series 49- Restaurants (arranged chronologically) contains postcards depicting Jacksonville area restaurants.","Series 50- St. Augustine, Florida (arranged chronologically) contains postcards depicting businesses, tourist attractions, and historic sites in St. Augustine, Florida","Series 51- St. Johns River, Florida (arranged chronologically) contains postcards depicting scenes from the St. Johns River, ","Series 52- Sanford, Florida (arranged chronologically) contains postcards depicting a steamer ship in Sanford, Florida.","Series 53- Schools (arranged chronologically) contains postcards depicting school buildings in the Jacksonville area including Central Grammar School, Duval High School, Edward Waters College.","Series 54- Silver Springs, Florida (arranged chronologically) contains postcards depicting a scene of glass-bottom boats at the springs. ","Series 55- Souvenir Postcard Booklets (arranged chronologically) contains multi-postcard booklets depicting scenes from Northeast Florida.","Series 56- Streets (arranged chronologically) contains postcards depicting street views in downtown Jacksonville, and the Riverside and Springfield neighborhoods. ","Series 57- Theaters (arranged chronologically) contains postcards depicting the Palace and New Palace theaters.","Series 58- Trailer Camps (arranged chronologically) contains postcards depicting scenes of tourist trailer campgrounds near Jacksonville. ","Series 59- Trees (arranged chronologically) contains postcards depicting various species of trees native to Northeast Florida and the famous Treaty Oak live oak tree located in Jesse Ball duPont Park. ","Series 60- Turpentine Industry (arranged chronologically) contains postcards depicting scenes of turpentine camps in Northeast Florida.","Series 61- Union Station (arranged chronologically) contains postcards depicting various scenes of the historic Union Station in Downtown Jacksonville, now the Prime F. Osborn III Convention Center.","Series 62- Universities and Colleges (arranged chronologically) contains postcards depicting Jacksonville University, University of North Florida, and Edward Waters College campuses. ","Series 63- Viaducts/Trains (arranged chronologically) contains postcards depicting railroad viaducts and close-up depictions of train engines. ","Series 64- Waterfronts (arranged chronologically) contains postcards depicting various views of the Jacksonville skyline as seen from the St. Johns River. ","Series 65- Waterworks; Jacksonville, Florida (arranged chronologically) contains postcards depicting the historic waterworks located in the Springfield neighborhood of Jacksonville. ","Series 66- Zoos (arranged chronologically) contains postcards depicting views from the Jacksonville Zoo during the early and mid-20th century. ","Series 67- Sensitive Content (arranged chronologically) contains postcards depicting content that may be harmful or distressing to viewers. These items are available to review in person only.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2024.001","/repositories/3/resources/82"],"normalized_date_ssm":["1858-2019"],"normalized_title_ssm":["Northeast Florida Regional Postcard Collection, 1858-2019"],"collection_title_tesim":["Northeast Florida Regional Postcard Collection, 1858-2019"],"collection_ssim":["Northeast Florida Regional Postcard Collection, 1858-2019"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation."],"has_online_content_ssim":["false"],"extent_ssm":["1.92 Linear Feet"],"extent_tesim":["1.92 Linear Feet"],"date_range_isim":[1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003e\tIn the United States, the traditional picture postcard rose to popularity in the early 20th century. Postcard history is often divided into eight distinct \"eras\" beginning in the 1850s and continuing through the \"Golden Age of Postcards\" beginning around 1905 and lasting through 1915. In this golden age, millions of cards were printed and sold throughout the entire U.S. and collecting cards became a popular hobby. The Northeast Florida Regional Postcard Collection contains examples from many of the documented eras, including photographic cards popularized in the nineteen teens and twenties. \u003c/p\u003e\n","\u003cp\u003e\nAdvances in printing and photographic techniques along with faster shipping methods between the U.S. and Europe allowed for the mass production of brightly colored pictorial cards to be quickly manufactured and distributed to sellers. In addition to the printers in major U.S. cities, a network of publishers and photographers allowed many local businesses in small towns across the U.S. to commission postcards of local \"views\" that were cheaply printed in Germany. Many images of small-town life, including municipal architecture, private residences, and street scenes were preserved and are a useful tool for local historians and researchers. These views act as a \"visual record of a town\" and help develop a fuller understanding of the locations represented in the postcards. Additionally, postcards depicted natural disasters, fires, local amusements, and tourist attractions and were important to the souvenir trade of the time.  \u003c/p\u003e\n","\u003cp\u003e\nAt the height of the industry's popularity, publishers would often share or even steal negatives to create their own postcards and often would change or distort the negative to make them appear different from other printers. Misspellings were common and incorrectly captioned cards were also prevalent. The Northeast Florida Regional Postcard collection has several examples of this business tactic and many examples of misspellings in the captions or titles on the cards. \u003c/p\u003e\n","\u003cp\u003e\nEnthusiasm for postcard collecting began to wane around 1912 and ended with the start of World War I. Even though the initial craze for postcards diminished, they are still produced and continue to be a useful visual record for researchers and historians of the late 19th and early 20th centuries. The Northeast Florida Regional Postcard Collection supports many of our Florida ephemera or Floridiana collections and is a great resource for the visual history of Jacksonville, St. Augustine, and the other towns of Northeast Florida. \u003c/p\u003e\n","\u003cp\u003eSources:\n\u003cextref href=\"https://www.nysl.nysed.gov/msscfa/qc16510ess.htm\"\u003eNew York State Library Postcard Collection-Appendix C\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://siarchives.si.edu/history/featured-topics/postcard/postcard-history\"\u003eGreetings from the Smithsonian: A Postcard History\u003c/extref\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\tIn the United States, the traditional picture postcard rose to popularity in the early 20th century. Postcard history is often divided into eight distinct \"eras\" beginning in the 1850s and continuing through the \"Golden Age of Postcards\" beginning around 1905 and lasting through 1915. In this golden age, millions of cards were printed and sold throughout the entire U.S. and collecting cards became a popular hobby. The Northeast Florida Regional Postcard Collection contains examples from many of the documented eras, including photographic cards popularized in the nineteen teens and twenties. ","\nAdvances in printing and photographic techniques along with faster shipping methods between the U.S. and Europe allowed for the mass production of brightly colored pictorial cards to be quickly manufactured and distributed to sellers. In addition to the printers in major U.S. cities, a network of publishers and photographers allowed many local businesses in small towns across the U.S. to commission postcards of local \"views\" that were cheaply printed in Germany. Many images of small-town life, including municipal architecture, private residences, and street scenes were preserved and are a useful tool for local historians and researchers. These views act as a \"visual record of a town\" and help develop a fuller understanding of the locations represented in the postcards. Additionally, postcards depicted natural disasters, fires, local amusements, and tourist attractions and were important to the souvenir trade of the time.  ","\nAt the height of the industry's popularity, publishers would often share or even steal negatives to create their own postcards and often would change or distort the negative to make them appear different from other printers. Misspellings were common and incorrectly captioned cards were also prevalent. The Northeast Florida Regional Postcard collection has several examples of this business tactic and many examples of misspellings in the captions or titles on the cards. ","\nEnthusiasm for postcard collecting began to wane around 1912 and ended with the start of World War I. Even though the initial craze for postcards diminished, they are still produced and continue to be a useful visual record for researchers and historians of the late 19th and early 20th centuries. The Northeast Florida Regional Postcard Collection supports many of our Florida ephemera or Floridiana collections and is a great resource for the visual history of Jacksonville, St. Augustine, and the other towns of Northeast Florida. ","Sources:\n New York State Library Postcard Collection-Appendix C","Greetings from the Smithsonian: A Postcard History"],"prefercite_html_tesm":["\u003cp\u003eNortheast Florida Regional Postcard Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Northeast Florida Regional Postcard Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. \nSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1- Advertising Cards (arranged chronologically) contains business advertisement cards from Northeast Florida business and organizations.\u003c/p\u003e\n","\u003cp\u003eSeries 2- Agriculture (arranged chronologically) contains postcards depicting the agricultural industry in Northeast Florida\u003c/p\u003e\n","\u003cp\u003eSeries 3- Airports (arranged chronologically) contains postcards depicting Jacksonville International Airport and local municipal airports in Northeast Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 4- Alligator Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the Alligator farm, an early 20th century tourist attraction in Jacksonville, Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 5- Atlantic Beach, Florida (arranged chronologically) contains postcards depicting panoramic views of Atlantic Beach, local hotels, and other tourist attractions.\u003c/p\u003e\n","\u003cp\u003eSeries 6- Atlantic Intracoastal Waterway (arranged chronologically) contains postcards depicting steamer ships owned by the Clyde Line, commercial shipping docks, and views of the intracoastal waterway.\u003c/p\u003e\n","\u003cp\u003eSeries 7- Bank Buildings (arranged chronologically) contains postcards depicting the Florida National Bank, Atlantic National Bank, Barnett First National Bank, and other local Northeast Florida Bank buildings.\u003c/p\u003e\n","\u003cp\u003eSeries 8- Bridges (arranged chronologically) contains postcards depicting local Jacksonville, Florida bridges, including the Fuller Warren Bridge, Main Street Bridge, Matthews Bridge, Napolean Bonaparte Broward Bridge, and Hart Bridge.\u003c/p\u003e\n","\u003cp\u003eSeries 9- Buildings (arranged chronologically) contains postcards depicting buildings in downtown Jacksonville, including structures of architectural significance like the St. James Building and the Shriners Temple.\u003c/p\u003e\n","\u003cp\u003eSeries 10- Church Buildings (arranged chronologically) contains postcards depicting churches of different denominations, including Catholic, Baptist, Methodist, and Episcopal, in the Northeast Florida area.\u003c/p\u003e\n","\u003cp\u003eSeries 11- Clubs (arranged chronologically) contains postcards depicting Jacksonville area athletic and social clubs. Examples include the Seminole Club, Fort George Club, Masonic Temple, and San Jose Golf Club.\u003c/p\u003e\n","\u003cp\u003eSeries 12- Cumberland Island, Georgia (arranged chronologically) contains postcards depicting Thomas M. Carnegie's home, Dungeness. \u003c/p\u003e\n","\u003cp\u003eSeries 13- Dixieland Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting early 20th century tourist attraction on the Southbank of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 14- Docks and Shipping (arranged chronologically) contains postcards depicting scenes of commercial shipping docks and steamer ships on the St Johns River in downtown Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 15- Dwellings (arranged chronologically) contains postcards depicting private residences in the Riverside, Springfield, Mandarin, and Ortega neighborhoods of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 16- Epping Forest; Jacksonville, Florida (arranged chronologically) contains postcards depicting the mansion of Alfred I. du Pont, now the Epping Forest Yacht Club.\u003c/p\u003e\n","\u003cp\u003eSeries 17- Eustis, Florida (arranged chronologically) contains postcards depicting photographic postcard taken in Eustis, Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 18- Fernandina Beach, Florida (arranged chronologically) contains postcards depicting businesses, municipal buildings, hotels, private residences, and beach scenes.\u003c/p\u003e\n","\u003cp\u003eSeries 19- Florida Ostrich Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting tourist attraction popular in the early 20th century, with scenes of the farm with birds and ostriches racing. \u003c/p\u003e\n","\u003cp\u003eSeries 20- Fort Clinch State Park, Florida (arranged chronologically) contains postcards depicting structures and ruins of the Civil War fort near Amelia Island and Fernandina Beach.\u003c/p\u003e\n","\u003cp\u003eSeries 21- Friendship Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting Friendship fountain and the downtown Jacksonville skyline across from the park located on the Southbank. \u003c/p\u003e\n","\u003cp\u003eSeries 22- Gardens (arranged chronologically) contains postcards depicting scenes of plants native to Northeast Florida and Cummer Museum and Gardens. \u003c/p\u003e\n","\u003cp\u003eSeries 23- General (arranged chronologically) contains postcards depicting a variety of scenes of locations in Jacksonville, cards printed by local printer H\u0026amp;WB Drew Company, and cards addressed to Jacksonville addresses.\u003c/p\u003e\n","\u003cp\u003eSeries 24- Green Cove Springs, Florida (arranged chronologically) contains postcards depicting Springs, the bathing pavilion, and the Qui-Si-Sana Hotel and Health Spa. \u003c/p\u003e\n","\u003cp\u003eSeries 25- Hemming Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting the grounds and businesses surrounding the park, known today as James Weldon Johnson Park. \u003c/p\u003e\n","\u003cp\u003eSeries 26- Highways (arranged chronologically) contains postcards depicting several multi-lane highways and expressways in Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 27- Hilliard, Florida (arranged chronologically) contains postcards depicting a hotel located in Hilliard, Florida near the Florida/Georgia Border. \u003c/p\u003e\n","\u003cp\u003eSeries 28- Hospitals (arranged chronologically) contains postcards depicting Jacksonville area hospitals, including St. Vincent's Hospital, De Soto Sanatorium, St. Luke's Hospital, and Brewster Hospital. \u003c/p\u003e\n","\u003cp\u003eSeries 29- Hotels (arranged chronologically) contains postcards depicting Jacksonville area hotels, including Hotel Burbridge, Hotel Roosevelt, Aragon Hotel, and Windsor Hotel. \u003c/p\u003e\n","\u003cp\u003eSeries 30- Jacksonville Beach, Florida (arranged chronologically) contains postcards depicting scenes of local businesses, hotels, restaurants, and beaches.\u003c/p\u003e\n","\u003cp\u003eSeries 31- Keystone Heights, Florida (arranged chronologically) contains postcards depicting a hotel in Keystone Heights, Florida. \u003c/p\u003e\n","\u003cp\u003eSeries 32- Kingsley Plantation; Fort George Island, Florida (arranged chronologically) contains postcards depicting National Park Kingsley Plantation on Fort George Island. \u003c/p\u003e\n","\u003cp\u003eSeries 33- Library Buildings (arranged chronologically) contains postcards depicting the exteriors of Jacksonville area public library buildings.\u003c/p\u003e\n","\u003cp\u003eSeries 34- Marineland, Florida (arranged chronologically) contains postcards depicting aerial views of Marineland Studios, dolphins, and businesses at the historic tourist attraction. \u003c/p\u003e\n","\u003cp\u003eSeries 35- Military Bases (arranged chronologically) contains photographic postcards depicting Camp Foster, founded as a work camp during the Great Depression, Camp Blanding Army Camp, and Camp Joseph E. Johnston.\u003c/p\u003e\n","\u003cp\u003eSeries 36- Mining (arranged chronologically) contains postcards depicting phosphate mining in Florida. \u003c/p\u003e\n","\u003cp\u003eSeries 37- Monuments (arranged chronologically) contains postcards depicting monuments in the Jacksonville area.\u003c/p\u003e\n","\u003cp\u003eSeries 38- Motels (arranged chronologically) contains postcards depicting mid-20th century tourist motels in the Jacksonville area along U.S. Highway 1.\u003c/p\u003e\n","\u003cp\u003eSeries 39- Museums (arranged chronologically) contains postcards depicting artwork from the collections of the Cummer Museum in the Riverside neighborhood of Jacksonville, Florida. \u003c/p\u003e\n","\u003cp\u003eSeries 40- Naval Air Station; Jacksonville, Florida (arranged chronologically) contains postcards depicting structures at Mayport, Cecil Field, and Jacksonville Naval Air stations. \u003c/p\u003e\n","\u003cp\u003eSeries 41- Neptune Beach, Florida (arranged chronologically) contains postcards depicting scenes of beach front at Neptune Beach.\u003c/p\u003e\n","\u003cp\u003eSeries 42- Orange Park, Florida (arranged chronologically) contains postcards depicting structures at Moosehaven Retirement Community located in Orange Park, Florida on the St. Johns River. \u003c/p\u003e\n","\u003cp\u003eSeries 43- Oriental Gardens; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the former tourist attraction located on San Jose Boulevard.\u003c/p\u003e\n","\u003cp\u003eSeries 44- Parks (arranged chronologically) contains postcards depicting historic images of parks in various Jacksonville neighborhoods, including Riverside and Springfield parks. \u003c/p\u003e\n","\u003cp\u003eSeries 45- Persons (arranged chronologically) contains photographic postcards depicting portraits of visitors to Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 46- Ponte Vedra Beach, Florida (arranged chronologically) contains postcards depicting views of structures on the Ponte Vedra Inn and Club.\u003c/p\u003e\n","\u003cp\u003eSeries 47- Post Office Building (arranged chronologically) contains postcards depicting early 20th century Federal Post Office in downtown Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 48- Public Buildings (arranged chronologically) contains postcards depicting various municipal buildings including the original Duval County Courthouse, The Armory, and the Civic Auditorium of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 49- Restaurants (arranged chronologically) contains postcards depicting Jacksonville area restaurants.\u003c/p\u003e\n","\u003cp\u003eSeries 50- St. Augustine, Florida (arranged chronologically) contains postcards depicting businesses, tourist attractions, and historic sites in St. Augustine, Florida\u003c/p\u003e\n","\u003cp\u003eSeries 51- St. Johns River, Florida (arranged chronologically) contains postcards depicting scenes from the St. Johns River, \u003c/p\u003e\n","\u003cp\u003eSeries 52- Sanford, Florida (arranged chronologically) contains postcards depicting a steamer ship in Sanford, Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 53- Schools (arranged chronologically) contains postcards depicting school buildings in the Jacksonville area including Central Grammar School, Duval High School, Edward Waters College.\u003c/p\u003e\n","\u003cp\u003eSeries 54- Silver Springs, Florida (arranged chronologically) contains postcards depicting a scene of glass-bottom boats at the springs. \u003c/p\u003e\n","\u003cp\u003eSeries 55- Souvenir Postcard Booklets (arranged chronologically) contains multi-postcard booklets depicting scenes from Northeast Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 56- Streets (arranged chronologically) contains postcards depicting street views in downtown Jacksonville, and the Riverside and Springfield neighborhoods. \u003c/p\u003e\n","\u003cp\u003eSeries 57- Theaters (arranged chronologically) contains postcards depicting the Palace and New Palace theaters.\u003c/p\u003e\n","\u003cp\u003eSeries 58- Trailer Camps (arranged chronologically) contains postcards depicting scenes of tourist trailer campgrounds near Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 59- Trees (arranged chronologically) contains postcards depicting various species of trees native to Northeast Florida and the famous Treaty Oak live oak tree located in Jesse Ball duPont Park. \u003c/p\u003e\n","\u003cp\u003eSeries 60- Turpentine Industry (arranged chronologically) contains postcards depicting scenes of turpentine camps in Northeast Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 61- Union Station (arranged chronologically) contains postcards depicting various scenes of the historic Union Station in Downtown Jacksonville, now the Prime F. Osborn III Convention Center.\u003c/p\u003e\n","\u003cp\u003eSeries 62- Universities and Colleges (arranged chronologically) contains postcards depicting Jacksonville University, University of North Florida, and Edward Waters College campuses. \u003c/p\u003e\n","\u003cp\u003eSeries 63- Viaducts/Trains (arranged chronologically) contains postcards depicting railroad viaducts and close-up depictions of train engines. \u003c/p\u003e\n","\u003cp\u003eSeries 64- Waterfronts (arranged chronologically) contains postcards depicting various views of the Jacksonville skyline as seen from the St. Johns River. \u003c/p\u003e\n","\u003cp\u003eSeries 65- Waterworks; Jacksonville, Florida (arranged chronologically) contains postcards depicting the historic waterworks located in the Springfield neighborhood of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 66- Zoos (arranged chronologically) contains postcards depicting views from the Jacksonville Zoo during the early and mid-20th century. \u003c/p\u003e\n","\u003cp\u003eSeries 67- Sensitive Content (arranged chronologically) contains postcards depicting content that may be harmful or distressing to viewers. These items are available to review in person only.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. \nSeries in this collection include the following:","Series 1- Advertising Cards (arranged chronologically) contains business advertisement cards from Northeast Florida business and organizations.","Series 2- Agriculture (arranged chronologically) contains postcards depicting the agricultural industry in Northeast Florida","Series 3- Airports (arranged chronologically) contains postcards depicting Jacksonville International Airport and local municipal airports in Northeast Florida.","Series 4- Alligator Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the Alligator farm, an early 20th century tourist attraction in Jacksonville, Florida.","Series 5- Atlantic Beach, Florida (arranged chronologically) contains postcards depicting panoramic views of Atlantic Beach, local hotels, and other tourist attractions.","Series 6- Atlantic Intracoastal Waterway (arranged chronologically) contains postcards depicting steamer ships owned by the Clyde Line, commercial shipping docks, and views of the intracoastal waterway.","Series 7- Bank Buildings (arranged chronologically) contains postcards depicting the Florida National Bank, Atlantic National Bank, Barnett First National Bank, and other local Northeast Florida Bank buildings.","Series 8- Bridges (arranged chronologically) contains postcards depicting local Jacksonville, Florida bridges, including the Fuller Warren Bridge, Main Street Bridge, Matthews Bridge, Napolean Bonaparte Broward Bridge, and Hart Bridge.","Series 9- Buildings (arranged chronologically) contains postcards depicting buildings in downtown Jacksonville, including structures of architectural significance like the St. James Building and the Shriners Temple.","Series 10- Church Buildings (arranged chronologically) contains postcards depicting churches of different denominations, including Catholic, Baptist, Methodist, and Episcopal, in the Northeast Florida area.","Series 11- Clubs (arranged chronologically) contains postcards depicting Jacksonville area athletic and social clubs. Examples include the Seminole Club, Fort George Club, Masonic Temple, and San Jose Golf Club.","Series 12- Cumberland Island, Georgia (arranged chronologically) contains postcards depicting Thomas M. Carnegie's home, Dungeness. ","Series 13- Dixieland Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting early 20th century tourist attraction on the Southbank of Jacksonville. ","Series 14- Docks and Shipping (arranged chronologically) contains postcards depicting scenes of commercial shipping docks and steamer ships on the St Johns River in downtown Jacksonville. ","Series 15- Dwellings (arranged chronologically) contains postcards depicting private residences in the Riverside, Springfield, Mandarin, and Ortega neighborhoods of Jacksonville. ","Series 16- Epping Forest; Jacksonville, Florida (arranged chronologically) contains postcards depicting the mansion of Alfred I. du Pont, now the Epping Forest Yacht Club.","Series 17- Eustis, Florida (arranged chronologically) contains postcards depicting photographic postcard taken in Eustis, Florida.","Series 18- Fernandina Beach, Florida (arranged chronologically) contains postcards depicting businesses, municipal buildings, hotels, private residences, and beach scenes.","Series 19- Florida Ostrich Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting tourist attraction popular in the early 20th century, with scenes of the farm with birds and ostriches racing. ","Series 20- Fort Clinch State Park, Florida (arranged chronologically) contains postcards depicting structures and ruins of the Civil War fort near Amelia Island and Fernandina Beach.","Series 21- Friendship Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting Friendship fountain and the downtown Jacksonville skyline across from the park located on the Southbank. ","Series 22- Gardens (arranged chronologically) contains postcards depicting scenes of plants native to Northeast Florida and Cummer Museum and Gardens. ","Series 23- General (arranged chronologically) contains postcards depicting a variety of scenes of locations in Jacksonville, cards printed by local printer H\u0026WB Drew Company, and cards addressed to Jacksonville addresses.","Series 24- Green Cove Springs, Florida (arranged chronologically) contains postcards depicting Springs, the bathing pavilion, and the Qui-Si-Sana Hotel and Health Spa. ","Series 25- Hemming Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting the grounds and businesses surrounding the park, known today as James Weldon Johnson Park. ","Series 26- Highways (arranged chronologically) contains postcards depicting several multi-lane highways and expressways in Jacksonville. ","Series 27- Hilliard, Florida (arranged chronologically) contains postcards depicting a hotel located in Hilliard, Florida near the Florida/Georgia Border. ","Series 28- Hospitals (arranged chronologically) contains postcards depicting Jacksonville area hospitals, including St. Vincent's Hospital, De Soto Sanatorium, St. Luke's Hospital, and Brewster Hospital. ","Series 29- Hotels (arranged chronologically) contains postcards depicting Jacksonville area hotels, including Hotel Burbridge, Hotel Roosevelt, Aragon Hotel, and Windsor Hotel. ","Series 30- Jacksonville Beach, Florida (arranged chronologically) contains postcards depicting scenes of local businesses, hotels, restaurants, and beaches.","Series 31- Keystone Heights, Florida (arranged chronologically) contains postcards depicting a hotel in Keystone Heights, Florida. ","Series 32- Kingsley Plantation; Fort George Island, Florida (arranged chronologically) contains postcards depicting National Park Kingsley Plantation on Fort George Island. ","Series 33- Library Buildings (arranged chronologically) contains postcards depicting the exteriors of Jacksonville area public library buildings.","Series 34- Marineland, Florida (arranged chronologically) contains postcards depicting aerial views of Marineland Studios, dolphins, and businesses at the historic tourist attraction. ","Series 35- Military Bases (arranged chronologically) contains photographic postcards depicting Camp Foster, founded as a work camp during the Great Depression, Camp Blanding Army Camp, and Camp Joseph E. Johnston.","Series 36- Mining (arranged chronologically) contains postcards depicting phosphate mining in Florida. ","Series 37- Monuments (arranged chronologically) contains postcards depicting monuments in the Jacksonville area.","Series 38- Motels (arranged chronologically) contains postcards depicting mid-20th century tourist motels in the Jacksonville area along U.S. Highway 1.","Series 39- Museums (arranged chronologically) contains postcards depicting artwork from the collections of the Cummer Museum in the Riverside neighborhood of Jacksonville, Florida. ","Series 40- Naval Air Station; Jacksonville, Florida (arranged chronologically) contains postcards depicting structures at Mayport, Cecil Field, and Jacksonville Naval Air stations. ","Series 41- Neptune Beach, Florida (arranged chronologically) contains postcards depicting scenes of beach front at Neptune Beach.","Series 42- Orange Park, Florida (arranged chronologically) contains postcards depicting structures at Moosehaven Retirement Community located in Orange Park, Florida on the St. Johns River. ","Series 43- Oriental Gardens; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the former tourist attraction located on San Jose Boulevard.","Series 44- Parks (arranged chronologically) contains postcards depicting historic images of parks in various Jacksonville neighborhoods, including Riverside and Springfield parks. ","Series 45- Persons (arranged chronologically) contains photographic postcards depicting portraits of visitors to Jacksonville. ","Series 46- Ponte Vedra Beach, Florida (arranged chronologically) contains postcards depicting views of structures on the Ponte Vedra Inn and Club.","Series 47- Post Office Building (arranged chronologically) contains postcards depicting early 20th century Federal Post Office in downtown Jacksonville. ","Series 48- Public Buildings (arranged chronologically) contains postcards depicting various municipal buildings including the original Duval County Courthouse, The Armory, and the Civic Auditorium of Jacksonville. ","Series 49- Restaurants (arranged chronologically) contains postcards depicting Jacksonville area restaurants.","Series 50- St. Augustine, Florida (arranged chronologically) contains postcards depicting businesses, tourist attractions, and historic sites in St. Augustine, Florida","Series 51- St. Johns River, Florida (arranged chronologically) contains postcards depicting scenes from the St. Johns River, ","Series 52- Sanford, Florida (arranged chronologically) contains postcards depicting a steamer ship in Sanford, Florida.","Series 53- Schools (arranged chronologically) contains postcards depicting school buildings in the Jacksonville area including Central Grammar School, Duval High School, Edward Waters College.","Series 54- Silver Springs, Florida (arranged chronologically) contains postcards depicting a scene of glass-bottom boats at the springs. ","Series 55- Souvenir Postcard Booklets (arranged chronologically) contains multi-postcard booklets depicting scenes from Northeast Florida.","Series 56- Streets (arranged chronologically) contains postcards depicting street views in downtown Jacksonville, and the Riverside and Springfield neighborhoods. ","Series 57- Theaters (arranged chronologically) contains postcards depicting the Palace and New Palace theaters.","Series 58- Trailer Camps (arranged chronologically) contains postcards depicting scenes of tourist trailer campgrounds near Jacksonville. ","Series 59- Trees (arranged chronologically) contains postcards depicting various species of trees native to Northeast Florida and the famous Treaty Oak live oak tree located in Jesse Ball duPont Park. ","Series 60- Turpentine Industry (arranged chronologically) contains postcards depicting scenes of turpentine camps in Northeast Florida.","Series 61- Union Station (arranged chronologically) contains postcards depicting various scenes of the historic Union Station in Downtown Jacksonville, now the Prime F. Osborn III Convention Center.","Series 62- Universities and Colleges (arranged chronologically) contains postcards depicting Jacksonville University, University of North Florida, and Edward Waters College campuses. ","Series 63- Viaducts/Trains (arranged chronologically) contains postcards depicting railroad viaducts and close-up depictions of train engines. ","Series 64- Waterfronts (arranged chronologically) contains postcards depicting various views of the Jacksonville skyline as seen from the St. Johns River. ","Series 65- Waterworks; Jacksonville, Florida (arranged chronologically) contains postcards depicting the historic waterworks located in the Springfield neighborhood of Jacksonville. ","Series 66- Zoos (arranged chronologically) contains postcards depicting views from the Jacksonville Zoo during the early and mid-20th century. ","Series 67- Sensitive Content (arranged chronologically) contains postcards depicting content that may be harmful or distressing to viewers. These items are available to review in person only."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":67,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872853597225484288,"_root_":"45807c67f367973431520ee3","timestamp":"2026-08-07T08:46:14.061Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"45807c67f367973431520ee3","title_ssm":["Northeast Florida Regional Postcard Collection"],"title_tesim":["Northeast Florida Regional Postcard Collection"],"ead_ssi":"45807c67f367973431520ee3","unitdate_ssm":["1858-2019"],"unitdate_inclusive_ssm":["1858-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2024.001","/repositories/3/resources/82"],"text":["2024.001","/repositories/3/resources/82","Northeast Florida Regional Postcard Collection, 1858-2019","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","\tIn the United States, the traditional picture postcard rose to popularity in the early 20th century. Postcard history is often divided into eight distinct \"eras\" beginning in the 1850s and continuing through the \"Golden Age of Postcards\" beginning around 1905 and lasting through 1915. In this golden age, millions of cards were printed and sold throughout the entire U.S. and collecting cards became a popular hobby. The Northeast Florida Regional Postcard Collection contains examples from many of the documented eras, including photographic cards popularized in the nineteen teens and twenties. ","\nAdvances in printing and photographic techniques along with faster shipping methods between the U.S. and Europe allowed for the mass production of brightly colored pictorial cards to be quickly manufactured and distributed to sellers. In addition to the printers in major U.S. cities, a network of publishers and photographers allowed many local businesses in small towns across the U.S. to commission postcards of local \"views\" that were cheaply printed in Germany. Many images of small-town life, including municipal architecture, private residences, and street scenes were preserved and are a useful tool for local historians and researchers. These views act as a \"visual record of a town\" and help develop a fuller understanding of the locations represented in the postcards. Additionally, postcards depicted natural disasters, fires, local amusements, and tourist attractions and were important to the souvenir trade of the time.  ","\nAt the height of the industry's popularity, publishers would often share or even steal negatives to create their own postcards and often would change or distort the negative to make them appear different from other printers. Misspellings were common and incorrectly captioned cards were also prevalent. The Northeast Florida Regional Postcard collection has several examples of this business tactic and many examples of misspellings in the captions or titles on the cards. ","\nEnthusiasm for postcard collecting began to wane around 1912 and ended with the start of World War I. Even though the initial craze for postcards diminished, they are still produced and continue to be a useful visual record for researchers and historians of the late 19th and early 20th centuries. The Northeast Florida Regional Postcard Collection supports many of our Florida ephemera or Floridiana collections and is a great resource for the visual history of Jacksonville, St. Augustine, and the other towns of Northeast Florida. ","Sources:\n New York State Library Postcard Collection-Appendix C","Greetings from the Smithsonian: A Postcard History","This collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. \nSeries in this collection include the following:","Series 1- Advertising Cards (arranged chronologically) contains business advertisement cards from Northeast Florida business and organizations.","Series 2- Agriculture (arranged chronologically) contains postcards depicting the agricultural industry in Northeast Florida","Series 3- Airports (arranged chronologically) contains postcards depicting Jacksonville International Airport and local municipal airports in Northeast Florida.","Series 4- Alligator Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the Alligator farm, an early 20th century tourist attraction in Jacksonville, Florida.","Series 5- Atlantic Beach, Florida (arranged chronologically) contains postcards depicting panoramic views of Atlantic Beach, local hotels, and other tourist attractions.","Series 6- Atlantic Intracoastal Waterway (arranged chronologically) contains postcards depicting steamer ships owned by the Clyde Line, commercial shipping docks, and views of the intracoastal waterway.","Series 7- Bank Buildings (arranged chronologically) contains postcards depicting the Florida National Bank, Atlantic National Bank, Barnett First National Bank, and other local Northeast Florida Bank buildings.","Series 8- Bridges (arranged chronologically) contains postcards depicting local Jacksonville, Florida bridges, including the Fuller Warren Bridge, Main Street Bridge, Matthews Bridge, Napolean Bonaparte Broward Bridge, and Hart Bridge.","Series 9- Buildings (arranged chronologically) contains postcards depicting buildings in downtown Jacksonville, including structures of architectural significance like the St. James Building and the Shriners Temple.","Series 10- Church Buildings (arranged chronologically) contains postcards depicting churches of different denominations, including Catholic, Baptist, Methodist, and Episcopal, in the Northeast Florida area.","Series 11- Clubs (arranged chronologically) contains postcards depicting Jacksonville area athletic and social clubs. Examples include the Seminole Club, Fort George Club, Masonic Temple, and San Jose Golf Club.","Series 12- Cumberland Island, Georgia (arranged chronologically) contains postcards depicting Thomas M. Carnegie's home, Dungeness. ","Series 13- Dixieland Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting early 20th century tourist attraction on the Southbank of Jacksonville. ","Series 14- Docks and Shipping (arranged chronologically) contains postcards depicting scenes of commercial shipping docks and steamer ships on the St Johns River in downtown Jacksonville. ","Series 15- Dwellings (arranged chronologically) contains postcards depicting private residences in the Riverside, Springfield, Mandarin, and Ortega neighborhoods of Jacksonville. ","Series 16- Epping Forest; Jacksonville, Florida (arranged chronologically) contains postcards depicting the mansion of Alfred I. du Pont, now the Epping Forest Yacht Club.","Series 17- Eustis, Florida (arranged chronologically) contains postcards depicting photographic postcard taken in Eustis, Florida.","Series 18- Fernandina Beach, Florida (arranged chronologically) contains postcards depicting businesses, municipal buildings, hotels, private residences, and beach scenes.","Series 19- Florida Ostrich Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting tourist attraction popular in the early 20th century, with scenes of the farm with birds and ostriches racing. ","Series 20- Fort Clinch State Park, Florida (arranged chronologically) contains postcards depicting structures and ruins of the Civil War fort near Amelia Island and Fernandina Beach.","Series 21- Friendship Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting Friendship fountain and the downtown Jacksonville skyline across from the park located on the Southbank. ","Series 22- Gardens (arranged chronologically) contains postcards depicting scenes of plants native to Northeast Florida and Cummer Museum and Gardens. ","Series 23- General (arranged chronologically) contains postcards depicting a variety of scenes of locations in Jacksonville, cards printed by local printer H\u0026WB Drew Company, and cards addressed to Jacksonville addresses.","Series 24- Green Cove Springs, Florida (arranged chronologically) contains postcards depicting Springs, the bathing pavilion, and the Qui-Si-Sana Hotel and Health Spa. ","Series 25- Hemming Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting the grounds and businesses surrounding the park, known today as James Weldon Johnson Park. ","Series 26- Highways (arranged chronologically) contains postcards depicting several multi-lane highways and expressways in Jacksonville. ","Series 27- Hilliard, Florida (arranged chronologically) contains postcards depicting a hotel located in Hilliard, Florida near the Florida/Georgia Border. ","Series 28- Hospitals (arranged chronologically) contains postcards depicting Jacksonville area hospitals, including St. Vincent's Hospital, De Soto Sanatorium, St. Luke's Hospital, and Brewster Hospital. ","Series 29- Hotels (arranged chronologically) contains postcards depicting Jacksonville area hotels, including Hotel Burbridge, Hotel Roosevelt, Aragon Hotel, and Windsor Hotel. ","Series 30- Jacksonville Beach, Florida (arranged chronologically) contains postcards depicting scenes of local businesses, hotels, restaurants, and beaches.","Series 31- Keystone Heights, Florida (arranged chronologically) contains postcards depicting a hotel in Keystone Heights, Florida. ","Series 32- Kingsley Plantation; Fort George Island, Florida (arranged chronologically) contains postcards depicting National Park Kingsley Plantation on Fort George Island. ","Series 33- Library Buildings (arranged chronologically) contains postcards depicting the exteriors of Jacksonville area public library buildings.","Series 34- Marineland, Florida (arranged chronologically) contains postcards depicting aerial views of Marineland Studios, dolphins, and businesses at the historic tourist attraction. ","Series 35- Military Bases (arranged chronologically) contains photographic postcards depicting Camp Foster, founded as a work camp during the Great Depression, Camp Blanding Army Camp, and Camp Joseph E. Johnston.","Series 36- Mining (arranged chronologically) contains postcards depicting phosphate mining in Florida. ","Series 37- Monuments (arranged chronologically) contains postcards depicting monuments in the Jacksonville area.","Series 38- Motels (arranged chronologically) contains postcards depicting mid-20th century tourist motels in the Jacksonville area along U.S. Highway 1.","Series 39- Museums (arranged chronologically) contains postcards depicting artwork from the collections of the Cummer Museum in the Riverside neighborhood of Jacksonville, Florida. ","Series 40- Naval Air Station; Jacksonville, Florida (arranged chronologically) contains postcards depicting structures at Mayport, Cecil Field, and Jacksonville Naval Air stations. ","Series 41- Neptune Beach, Florida (arranged chronologically) contains postcards depicting scenes of beach front at Neptune Beach.","Series 42- Orange Park, Florida (arranged chronologically) contains postcards depicting structures at Moosehaven Retirement Community located in Orange Park, Florida on the St. Johns River. ","Series 43- Oriental Gardens; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the former tourist attraction located on San Jose Boulevard.","Series 44- Parks (arranged chronologically) contains postcards depicting historic images of parks in various Jacksonville neighborhoods, including Riverside and Springfield parks. ","Series 45- Persons (arranged chronologically) contains photographic postcards depicting portraits of visitors to Jacksonville. ","Series 46- Ponte Vedra Beach, Florida (arranged chronologically) contains postcards depicting views of structures on the Ponte Vedra Inn and Club.","Series 47- Post Office Building (arranged chronologically) contains postcards depicting early 20th century Federal Post Office in downtown Jacksonville. ","Series 48- Public Buildings (arranged chronologically) contains postcards depicting various municipal buildings including the original Duval County Courthouse, The Armory, and the Civic Auditorium of Jacksonville. ","Series 49- Restaurants (arranged chronologically) contains postcards depicting Jacksonville area restaurants.","Series 50- St. Augustine, Florida (arranged chronologically) contains postcards depicting businesses, tourist attractions, and historic sites in St. Augustine, Florida","Series 51- St. Johns River, Florida (arranged chronologically) contains postcards depicting scenes from the St. Johns River, ","Series 52- Sanford, Florida (arranged chronologically) contains postcards depicting a steamer ship in Sanford, Florida.","Series 53- Schools (arranged chronologically) contains postcards depicting school buildings in the Jacksonville area including Central Grammar School, Duval High School, Edward Waters College.","Series 54- Silver Springs, Florida (arranged chronologically) contains postcards depicting a scene of glass-bottom boats at the springs. ","Series 55- Souvenir Postcard Booklets (arranged chronologically) contains multi-postcard booklets depicting scenes from Northeast Florida.","Series 56- Streets (arranged chronologically) contains postcards depicting street views in downtown Jacksonville, and the Riverside and Springfield neighborhoods. ","Series 57- Theaters (arranged chronologically) contains postcards depicting the Palace and New Palace theaters.","Series 58- Trailer Camps (arranged chronologically) contains postcards depicting scenes of tourist trailer campgrounds near Jacksonville. ","Series 59- Trees (arranged chronologically) contains postcards depicting various species of trees native to Northeast Florida and the famous Treaty Oak live oak tree located in Jesse Ball duPont Park. ","Series 60- Turpentine Industry (arranged chronologically) contains postcards depicting scenes of turpentine camps in Northeast Florida.","Series 61- Union Station (arranged chronologically) contains postcards depicting various scenes of the historic Union Station in Downtown Jacksonville, now the Prime F. Osborn III Convention Center.","Series 62- Universities and Colleges (arranged chronologically) contains postcards depicting Jacksonville University, University of North Florida, and Edward Waters College campuses. ","Series 63- Viaducts/Trains (arranged chronologically) contains postcards depicting railroad viaducts and close-up depictions of train engines. ","Series 64- Waterfronts (arranged chronologically) contains postcards depicting various views of the Jacksonville skyline as seen from the St. Johns River. ","Series 65- Waterworks; Jacksonville, Florida (arranged chronologically) contains postcards depicting the historic waterworks located in the Springfield neighborhood of Jacksonville. ","Series 66- Zoos (arranged chronologically) contains postcards depicting views from the Jacksonville Zoo during the early and mid-20th century. ","Series 67- Sensitive Content (arranged chronologically) contains postcards depicting content that may be harmful or distressing to viewers. These items are available to review in person only.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2024.001","/repositories/3/resources/82"],"normalized_date_ssm":["1858-2019"],"normalized_title_ssm":["Northeast Florida Regional Postcard Collection, 1858-2019"],"collection_title_tesim":["Northeast Florida Regional Postcard Collection, 1858-2019"],"collection_ssim":["Northeast Florida Regional Postcard Collection, 1858-2019"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation."],"has_online_content_ssim":["false"],"extent_ssm":["1.92 Linear Feet"],"extent_tesim":["1.92 Linear Feet"],"date_range_isim":[1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003e\tIn the United States, the traditional picture postcard rose to popularity in the early 20th century. Postcard history is often divided into eight distinct \"eras\" beginning in the 1850s and continuing through the \"Golden Age of Postcards\" beginning around 1905 and lasting through 1915. In this golden age, millions of cards were printed and sold throughout the entire U.S. and collecting cards became a popular hobby. The Northeast Florida Regional Postcard Collection contains examples from many of the documented eras, including photographic cards popularized in the nineteen teens and twenties. \u003c/p\u003e\n","\u003cp\u003e\nAdvances in printing and photographic techniques along with faster shipping methods between the U.S. and Europe allowed for the mass production of brightly colored pictorial cards to be quickly manufactured and distributed to sellers. In addition to the printers in major U.S. cities, a network of publishers and photographers allowed many local businesses in small towns across the U.S. to commission postcards of local \"views\" that were cheaply printed in Germany. Many images of small-town life, including municipal architecture, private residences, and street scenes were preserved and are a useful tool for local historians and researchers. These views act as a \"visual record of a town\" and help develop a fuller understanding of the locations represented in the postcards. Additionally, postcards depicted natural disasters, fires, local amusements, and tourist attractions and were important to the souvenir trade of the time.  \u003c/p\u003e\n","\u003cp\u003e\nAt the height of the industry's popularity, publishers would often share or even steal negatives to create their own postcards and often would change or distort the negative to make them appear different from other printers. Misspellings were common and incorrectly captioned cards were also prevalent. The Northeast Florida Regional Postcard collection has several examples of this business tactic and many examples of misspellings in the captions or titles on the cards. \u003c/p\u003e\n","\u003cp\u003e\nEnthusiasm for postcard collecting began to wane around 1912 and ended with the start of World War I. Even though the initial craze for postcards diminished, they are still produced and continue to be a useful visual record for researchers and historians of the late 19th and early 20th centuries. The Northeast Florida Regional Postcard Collection supports many of our Florida ephemera or Floridiana collections and is a great resource for the visual history of Jacksonville, St. Augustine, and the other towns of Northeast Florida. \u003c/p\u003e\n","\u003cp\u003eSources:\n\u003cextref href=\"https://www.nysl.nysed.gov/msscfa/qc16510ess.htm\"\u003eNew York State Library Postcard Collection-Appendix C\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://siarchives.si.edu/history/featured-topics/postcard/postcard-history\"\u003eGreetings from the Smithsonian: A Postcard History\u003c/extref\u003e\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\tIn the United States, the traditional picture postcard rose to popularity in the early 20th century. Postcard history is often divided into eight distinct \"eras\" beginning in the 1850s and continuing through the \"Golden Age of Postcards\" beginning around 1905 and lasting through 1915. In this golden age, millions of cards were printed and sold throughout the entire U.S. and collecting cards became a popular hobby. The Northeast Florida Regional Postcard Collection contains examples from many of the documented eras, including photographic cards popularized in the nineteen teens and twenties. ","\nAdvances in printing and photographic techniques along with faster shipping methods between the U.S. and Europe allowed for the mass production of brightly colored pictorial cards to be quickly manufactured and distributed to sellers. In addition to the printers in major U.S. cities, a network of publishers and photographers allowed many local businesses in small towns across the U.S. to commission postcards of local \"views\" that were cheaply printed in Germany. Many images of small-town life, including municipal architecture, private residences, and street scenes were preserved and are a useful tool for local historians and researchers. These views act as a \"visual record of a town\" and help develop a fuller understanding of the locations represented in the postcards. Additionally, postcards depicted natural disasters, fires, local amusements, and tourist attractions and were important to the souvenir trade of the time.  ","\nAt the height of the industry's popularity, publishers would often share or even steal negatives to create their own postcards and often would change or distort the negative to make them appear different from other printers. Misspellings were common and incorrectly captioned cards were also prevalent. The Northeast Florida Regional Postcard collection has several examples of this business tactic and many examples of misspellings in the captions or titles on the cards. ","\nEnthusiasm for postcard collecting began to wane around 1912 and ended with the start of World War I. Even though the initial craze for postcards diminished, they are still produced and continue to be a useful visual record for researchers and historians of the late 19th and early 20th centuries. The Northeast Florida Regional Postcard Collection supports many of our Florida ephemera or Floridiana collections and is a great resource for the visual history of Jacksonville, St. Augustine, and the other towns of Northeast Florida. ","Sources:\n New York State Library Postcard Collection-Appendix C","Greetings from the Smithsonian: A Postcard History"],"prefercite_html_tesm":["\u003cp\u003eNortheast Florida Regional Postcard Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Northeast Florida Regional Postcard Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. \nSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1- Advertising Cards (arranged chronologically) contains business advertisement cards from Northeast Florida business and organizations.\u003c/p\u003e\n","\u003cp\u003eSeries 2- Agriculture (arranged chronologically) contains postcards depicting the agricultural industry in Northeast Florida\u003c/p\u003e\n","\u003cp\u003eSeries 3- Airports (arranged chronologically) contains postcards depicting Jacksonville International Airport and local municipal airports in Northeast Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 4- Alligator Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the Alligator farm, an early 20th century tourist attraction in Jacksonville, Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 5- Atlantic Beach, Florida (arranged chronologically) contains postcards depicting panoramic views of Atlantic Beach, local hotels, and other tourist attractions.\u003c/p\u003e\n","\u003cp\u003eSeries 6- Atlantic Intracoastal Waterway (arranged chronologically) contains postcards depicting steamer ships owned by the Clyde Line, commercial shipping docks, and views of the intracoastal waterway.\u003c/p\u003e\n","\u003cp\u003eSeries 7- Bank Buildings (arranged chronologically) contains postcards depicting the Florida National Bank, Atlantic National Bank, Barnett First National Bank, and other local Northeast Florida Bank buildings.\u003c/p\u003e\n","\u003cp\u003eSeries 8- Bridges (arranged chronologically) contains postcards depicting local Jacksonville, Florida bridges, including the Fuller Warren Bridge, Main Street Bridge, Matthews Bridge, Napolean Bonaparte Broward Bridge, and Hart Bridge.\u003c/p\u003e\n","\u003cp\u003eSeries 9- Buildings (arranged chronologically) contains postcards depicting buildings in downtown Jacksonville, including structures of architectural significance like the St. James Building and the Shriners Temple.\u003c/p\u003e\n","\u003cp\u003eSeries 10- Church Buildings (arranged chronologically) contains postcards depicting churches of different denominations, including Catholic, Baptist, Methodist, and Episcopal, in the Northeast Florida area.\u003c/p\u003e\n","\u003cp\u003eSeries 11- Clubs (arranged chronologically) contains postcards depicting Jacksonville area athletic and social clubs. Examples include the Seminole Club, Fort George Club, Masonic Temple, and San Jose Golf Club.\u003c/p\u003e\n","\u003cp\u003eSeries 12- Cumberland Island, Georgia (arranged chronologically) contains postcards depicting Thomas M. Carnegie's home, Dungeness. \u003c/p\u003e\n","\u003cp\u003eSeries 13- Dixieland Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting early 20th century tourist attraction on the Southbank of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 14- Docks and Shipping (arranged chronologically) contains postcards depicting scenes of commercial shipping docks and steamer ships on the St Johns River in downtown Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 15- Dwellings (arranged chronologically) contains postcards depicting private residences in the Riverside, Springfield, Mandarin, and Ortega neighborhoods of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 16- Epping Forest; Jacksonville, Florida (arranged chronologically) contains postcards depicting the mansion of Alfred I. du Pont, now the Epping Forest Yacht Club.\u003c/p\u003e\n","\u003cp\u003eSeries 17- Eustis, Florida (arranged chronologically) contains postcards depicting photographic postcard taken in Eustis, Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 18- Fernandina Beach, Florida (arranged chronologically) contains postcards depicting businesses, municipal buildings, hotels, private residences, and beach scenes.\u003c/p\u003e\n","\u003cp\u003eSeries 19- Florida Ostrich Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting tourist attraction popular in the early 20th century, with scenes of the farm with birds and ostriches racing. \u003c/p\u003e\n","\u003cp\u003eSeries 20- Fort Clinch State Park, Florida (arranged chronologically) contains postcards depicting structures and ruins of the Civil War fort near Amelia Island and Fernandina Beach.\u003c/p\u003e\n","\u003cp\u003eSeries 21- Friendship Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting Friendship fountain and the downtown Jacksonville skyline across from the park located on the Southbank. \u003c/p\u003e\n","\u003cp\u003eSeries 22- Gardens (arranged chronologically) contains postcards depicting scenes of plants native to Northeast Florida and Cummer Museum and Gardens. \u003c/p\u003e\n","\u003cp\u003eSeries 23- General (arranged chronologically) contains postcards depicting a variety of scenes of locations in Jacksonville, cards printed by local printer H\u0026amp;WB Drew Company, and cards addressed to Jacksonville addresses.\u003c/p\u003e\n","\u003cp\u003eSeries 24- Green Cove Springs, Florida (arranged chronologically) contains postcards depicting Springs, the bathing pavilion, and the Qui-Si-Sana Hotel and Health Spa. \u003c/p\u003e\n","\u003cp\u003eSeries 25- Hemming Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting the grounds and businesses surrounding the park, known today as James Weldon Johnson Park. \u003c/p\u003e\n","\u003cp\u003eSeries 26- Highways (arranged chronologically) contains postcards depicting several multi-lane highways and expressways in Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 27- Hilliard, Florida (arranged chronologically) contains postcards depicting a hotel located in Hilliard, Florida near the Florida/Georgia Border. \u003c/p\u003e\n","\u003cp\u003eSeries 28- Hospitals (arranged chronologically) contains postcards depicting Jacksonville area hospitals, including St. Vincent's Hospital, De Soto Sanatorium, St. Luke's Hospital, and Brewster Hospital. \u003c/p\u003e\n","\u003cp\u003eSeries 29- Hotels (arranged chronologically) contains postcards depicting Jacksonville area hotels, including Hotel Burbridge, Hotel Roosevelt, Aragon Hotel, and Windsor Hotel. \u003c/p\u003e\n","\u003cp\u003eSeries 30- Jacksonville Beach, Florida (arranged chronologically) contains postcards depicting scenes of local businesses, hotels, restaurants, and beaches.\u003c/p\u003e\n","\u003cp\u003eSeries 31- Keystone Heights, Florida (arranged chronologically) contains postcards depicting a hotel in Keystone Heights, Florida. \u003c/p\u003e\n","\u003cp\u003eSeries 32- Kingsley Plantation; Fort George Island, Florida (arranged chronologically) contains postcards depicting National Park Kingsley Plantation on Fort George Island. \u003c/p\u003e\n","\u003cp\u003eSeries 33- Library Buildings (arranged chronologically) contains postcards depicting the exteriors of Jacksonville area public library buildings.\u003c/p\u003e\n","\u003cp\u003eSeries 34- Marineland, Florida (arranged chronologically) contains postcards depicting aerial views of Marineland Studios, dolphins, and businesses at the historic tourist attraction. \u003c/p\u003e\n","\u003cp\u003eSeries 35- Military Bases (arranged chronologically) contains photographic postcards depicting Camp Foster, founded as a work camp during the Great Depression, Camp Blanding Army Camp, and Camp Joseph E. Johnston.\u003c/p\u003e\n","\u003cp\u003eSeries 36- Mining (arranged chronologically) contains postcards depicting phosphate mining in Florida. \u003c/p\u003e\n","\u003cp\u003eSeries 37- Monuments (arranged chronologically) contains postcards depicting monuments in the Jacksonville area.\u003c/p\u003e\n","\u003cp\u003eSeries 38- Motels (arranged chronologically) contains postcards depicting mid-20th century tourist motels in the Jacksonville area along U.S. Highway 1.\u003c/p\u003e\n","\u003cp\u003eSeries 39- Museums (arranged chronologically) contains postcards depicting artwork from the collections of the Cummer Museum in the Riverside neighborhood of Jacksonville, Florida. \u003c/p\u003e\n","\u003cp\u003eSeries 40- Naval Air Station; Jacksonville, Florida (arranged chronologically) contains postcards depicting structures at Mayport, Cecil Field, and Jacksonville Naval Air stations. \u003c/p\u003e\n","\u003cp\u003eSeries 41- Neptune Beach, Florida (arranged chronologically) contains postcards depicting scenes of beach front at Neptune Beach.\u003c/p\u003e\n","\u003cp\u003eSeries 42- Orange Park, Florida (arranged chronologically) contains postcards depicting structures at Moosehaven Retirement Community located in Orange Park, Florida on the St. Johns River. \u003c/p\u003e\n","\u003cp\u003eSeries 43- Oriental Gardens; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the former tourist attraction located on San Jose Boulevard.\u003c/p\u003e\n","\u003cp\u003eSeries 44- Parks (arranged chronologically) contains postcards depicting historic images of parks in various Jacksonville neighborhoods, including Riverside and Springfield parks. \u003c/p\u003e\n","\u003cp\u003eSeries 45- Persons (arranged chronologically) contains photographic postcards depicting portraits of visitors to Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 46- Ponte Vedra Beach, Florida (arranged chronologically) contains postcards depicting views of structures on the Ponte Vedra Inn and Club.\u003c/p\u003e\n","\u003cp\u003eSeries 47- Post Office Building (arranged chronologically) contains postcards depicting early 20th century Federal Post Office in downtown Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 48- Public Buildings (arranged chronologically) contains postcards depicting various municipal buildings including the original Duval County Courthouse, The Armory, and the Civic Auditorium of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 49- Restaurants (arranged chronologically) contains postcards depicting Jacksonville area restaurants.\u003c/p\u003e\n","\u003cp\u003eSeries 50- St. Augustine, Florida (arranged chronologically) contains postcards depicting businesses, tourist attractions, and historic sites in St. Augustine, Florida\u003c/p\u003e\n","\u003cp\u003eSeries 51- St. Johns River, Florida (arranged chronologically) contains postcards depicting scenes from the St. Johns River, \u003c/p\u003e\n","\u003cp\u003eSeries 52- Sanford, Florida (arranged chronologically) contains postcards depicting a steamer ship in Sanford, Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 53- Schools (arranged chronologically) contains postcards depicting school buildings in the Jacksonville area including Central Grammar School, Duval High School, Edward Waters College.\u003c/p\u003e\n","\u003cp\u003eSeries 54- Silver Springs, Florida (arranged chronologically) contains postcards depicting a scene of glass-bottom boats at the springs. \u003c/p\u003e\n","\u003cp\u003eSeries 55- Souvenir Postcard Booklets (arranged chronologically) contains multi-postcard booklets depicting scenes from Northeast Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 56- Streets (arranged chronologically) contains postcards depicting street views in downtown Jacksonville, and the Riverside and Springfield neighborhoods. \u003c/p\u003e\n","\u003cp\u003eSeries 57- Theaters (arranged chronologically) contains postcards depicting the Palace and New Palace theaters.\u003c/p\u003e\n","\u003cp\u003eSeries 58- Trailer Camps (arranged chronologically) contains postcards depicting scenes of tourist trailer campgrounds near Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 59- Trees (arranged chronologically) contains postcards depicting various species of trees native to Northeast Florida and the famous Treaty Oak live oak tree located in Jesse Ball duPont Park. \u003c/p\u003e\n","\u003cp\u003eSeries 60- Turpentine Industry (arranged chronologically) contains postcards depicting scenes of turpentine camps in Northeast Florida.\u003c/p\u003e\n","\u003cp\u003eSeries 61- Union Station (arranged chronologically) contains postcards depicting various scenes of the historic Union Station in Downtown Jacksonville, now the Prime F. Osborn III Convention Center.\u003c/p\u003e\n","\u003cp\u003eSeries 62- Universities and Colleges (arranged chronologically) contains postcards depicting Jacksonville University, University of North Florida, and Edward Waters College campuses. \u003c/p\u003e\n","\u003cp\u003eSeries 63- Viaducts/Trains (arranged chronologically) contains postcards depicting railroad viaducts and close-up depictions of train engines. \u003c/p\u003e\n","\u003cp\u003eSeries 64- Waterfronts (arranged chronologically) contains postcards depicting various views of the Jacksonville skyline as seen from the St. Johns River. \u003c/p\u003e\n","\u003cp\u003eSeries 65- Waterworks; Jacksonville, Florida (arranged chronologically) contains postcards depicting the historic waterworks located in the Springfield neighborhood of Jacksonville. \u003c/p\u003e\n","\u003cp\u003eSeries 66- Zoos (arranged chronologically) contains postcards depicting views from the Jacksonville Zoo during the early and mid-20th century. \u003c/p\u003e\n","\u003cp\u003eSeries 67- Sensitive Content (arranged chronologically) contains postcards depicting content that may be harmful or distressing to viewers. These items are available to review in person only.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains postcards related to Northeast Florida's agricultural, shipping, manufacturing, and tourism industries and is part of a larger ephemera collection related to region. The collection was donated over several years by UNF library staff. Postcards range in date from the late 19th century through the late 20th century, with the bulk dates falling between 1900 and 1950. The collection is arranged alphabetically by series and chronologically within each series. \nSeries in this collection include the following:","Series 1- Advertising Cards (arranged chronologically) contains business advertisement cards from Northeast Florida business and organizations.","Series 2- Agriculture (arranged chronologically) contains postcards depicting the agricultural industry in Northeast Florida","Series 3- Airports (arranged chronologically) contains postcards depicting Jacksonville International Airport and local municipal airports in Northeast Florida.","Series 4- Alligator Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the Alligator farm, an early 20th century tourist attraction in Jacksonville, Florida.","Series 5- Atlantic Beach, Florida (arranged chronologically) contains postcards depicting panoramic views of Atlantic Beach, local hotels, and other tourist attractions.","Series 6- Atlantic Intracoastal Waterway (arranged chronologically) contains postcards depicting steamer ships owned by the Clyde Line, commercial shipping docks, and views of the intracoastal waterway.","Series 7- Bank Buildings (arranged chronologically) contains postcards depicting the Florida National Bank, Atlantic National Bank, Barnett First National Bank, and other local Northeast Florida Bank buildings.","Series 8- Bridges (arranged chronologically) contains postcards depicting local Jacksonville, Florida bridges, including the Fuller Warren Bridge, Main Street Bridge, Matthews Bridge, Napolean Bonaparte Broward Bridge, and Hart Bridge.","Series 9- Buildings (arranged chronologically) contains postcards depicting buildings in downtown Jacksonville, including structures of architectural significance like the St. James Building and the Shriners Temple.","Series 10- Church Buildings (arranged chronologically) contains postcards depicting churches of different denominations, including Catholic, Baptist, Methodist, and Episcopal, in the Northeast Florida area.","Series 11- Clubs (arranged chronologically) contains postcards depicting Jacksonville area athletic and social clubs. Examples include the Seminole Club, Fort George Club, Masonic Temple, and San Jose Golf Club.","Series 12- Cumberland Island, Georgia (arranged chronologically) contains postcards depicting Thomas M. Carnegie's home, Dungeness. ","Series 13- Dixieland Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting early 20th century tourist attraction on the Southbank of Jacksonville. ","Series 14- Docks and Shipping (arranged chronologically) contains postcards depicting scenes of commercial shipping docks and steamer ships on the St Johns River in downtown Jacksonville. ","Series 15- Dwellings (arranged chronologically) contains postcards depicting private residences in the Riverside, Springfield, Mandarin, and Ortega neighborhoods of Jacksonville. ","Series 16- Epping Forest; Jacksonville, Florida (arranged chronologically) contains postcards depicting the mansion of Alfred I. du Pont, now the Epping Forest Yacht Club.","Series 17- Eustis, Florida (arranged chronologically) contains postcards depicting photographic postcard taken in Eustis, Florida.","Series 18- Fernandina Beach, Florida (arranged chronologically) contains postcards depicting businesses, municipal buildings, hotels, private residences, and beach scenes.","Series 19- Florida Ostrich Farm; Jacksonville, Florida (arranged chronologically) contains postcards depicting tourist attraction popular in the early 20th century, with scenes of the farm with birds and ostriches racing. ","Series 20- Fort Clinch State Park, Florida (arranged chronologically) contains postcards depicting structures and ruins of the Civil War fort near Amelia Island and Fernandina Beach.","Series 21- Friendship Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting Friendship fountain and the downtown Jacksonville skyline across from the park located on the Southbank. ","Series 22- Gardens (arranged chronologically) contains postcards depicting scenes of plants native to Northeast Florida and Cummer Museum and Gardens. ","Series 23- General (arranged chronologically) contains postcards depicting a variety of scenes of locations in Jacksonville, cards printed by local printer H\u0026WB Drew Company, and cards addressed to Jacksonville addresses.","Series 24- Green Cove Springs, Florida (arranged chronologically) contains postcards depicting Springs, the bathing pavilion, and the Qui-Si-Sana Hotel and Health Spa. ","Series 25- Hemming Park; Jacksonville, Florida (arranged chronologically) contains postcards depicting the grounds and businesses surrounding the park, known today as James Weldon Johnson Park. ","Series 26- Highways (arranged chronologically) contains postcards depicting several multi-lane highways and expressways in Jacksonville. ","Series 27- Hilliard, Florida (arranged chronologically) contains postcards depicting a hotel located in Hilliard, Florida near the Florida/Georgia Border. ","Series 28- Hospitals (arranged chronologically) contains postcards depicting Jacksonville area hospitals, including St. Vincent's Hospital, De Soto Sanatorium, St. Luke's Hospital, and Brewster Hospital. ","Series 29- Hotels (arranged chronologically) contains postcards depicting Jacksonville area hotels, including Hotel Burbridge, Hotel Roosevelt, Aragon Hotel, and Windsor Hotel. ","Series 30- Jacksonville Beach, Florida (arranged chronologically) contains postcards depicting scenes of local businesses, hotels, restaurants, and beaches.","Series 31- Keystone Heights, Florida (arranged chronologically) contains postcards depicting a hotel in Keystone Heights, Florida. ","Series 32- Kingsley Plantation; Fort George Island, Florida (arranged chronologically) contains postcards depicting National Park Kingsley Plantation on Fort George Island. ","Series 33- Library Buildings (arranged chronologically) contains postcards depicting the exteriors of Jacksonville area public library buildings.","Series 34- Marineland, Florida (arranged chronologically) contains postcards depicting aerial views of Marineland Studios, dolphins, and businesses at the historic tourist attraction. ","Series 35- Military Bases (arranged chronologically) contains photographic postcards depicting Camp Foster, founded as a work camp during the Great Depression, Camp Blanding Army Camp, and Camp Joseph E. Johnston.","Series 36- Mining (arranged chronologically) contains postcards depicting phosphate mining in Florida. ","Series 37- Monuments (arranged chronologically) contains postcards depicting monuments in the Jacksonville area.","Series 38- Motels (arranged chronologically) contains postcards depicting mid-20th century tourist motels in the Jacksonville area along U.S. Highway 1.","Series 39- Museums (arranged chronologically) contains postcards depicting artwork from the collections of the Cummer Museum in the Riverside neighborhood of Jacksonville, Florida. ","Series 40- Naval Air Station; Jacksonville, Florida (arranged chronologically) contains postcards depicting structures at Mayport, Cecil Field, and Jacksonville Naval Air stations. ","Series 41- Neptune Beach, Florida (arranged chronologically) contains postcards depicting scenes of beach front at Neptune Beach.","Series 42- Orange Park, Florida (arranged chronologically) contains postcards depicting structures at Moosehaven Retirement Community located in Orange Park, Florida on the St. Johns River. ","Series 43- Oriental Gardens; Jacksonville, Florida (arranged chronologically) contains postcards depicting scenes from the former tourist attraction located on San Jose Boulevard.","Series 44- Parks (arranged chronologically) contains postcards depicting historic images of parks in various Jacksonville neighborhoods, including Riverside and Springfield parks. ","Series 45- Persons (arranged chronologically) contains photographic postcards depicting portraits of visitors to Jacksonville. ","Series 46- Ponte Vedra Beach, Florida (arranged chronologically) contains postcards depicting views of structures on the Ponte Vedra Inn and Club.","Series 47- Post Office Building (arranged chronologically) contains postcards depicting early 20th century Federal Post Office in downtown Jacksonville. ","Series 48- Public Buildings (arranged chronologically) contains postcards depicting various municipal buildings including the original Duval County Courthouse, The Armory, and the Civic Auditorium of Jacksonville. ","Series 49- Restaurants (arranged chronologically) contains postcards depicting Jacksonville area restaurants.","Series 50- St. Augustine, Florida (arranged chronologically) contains postcards depicting businesses, tourist attractions, and historic sites in St. Augustine, Florida","Series 51- St. Johns River, Florida (arranged chronologically) contains postcards depicting scenes from the St. Johns River, ","Series 52- Sanford, Florida (arranged chronologically) contains postcards depicting a steamer ship in Sanford, Florida.","Series 53- Schools (arranged chronologically) contains postcards depicting school buildings in the Jacksonville area including Central Grammar School, Duval High School, Edward Waters College.","Series 54- Silver Springs, Florida (arranged chronologically) contains postcards depicting a scene of glass-bottom boats at the springs. ","Series 55- Souvenir Postcard Booklets (arranged chronologically) contains multi-postcard booklets depicting scenes from Northeast Florida.","Series 56- Streets (arranged chronologically) contains postcards depicting street views in downtown Jacksonville, and the Riverside and Springfield neighborhoods. ","Series 57- Theaters (arranged chronologically) contains postcards depicting the Palace and New Palace theaters.","Series 58- Trailer Camps (arranged chronologically) contains postcards depicting scenes of tourist trailer campgrounds near Jacksonville. ","Series 59- Trees (arranged chronologically) contains postcards depicting various species of trees native to Northeast Florida and the famous Treaty Oak live oak tree located in Jesse Ball duPont Park. ","Series 60- Turpentine Industry (arranged chronologically) contains postcards depicting scenes of turpentine camps in Northeast Florida.","Series 61- Union Station (arranged chronologically) contains postcards depicting various scenes of the historic Union Station in Downtown Jacksonville, now the Prime F. Osborn III Convention Center.","Series 62- Universities and Colleges (arranged chronologically) contains postcards depicting Jacksonville University, University of North Florida, and Edward Waters College campuses. ","Series 63- Viaducts/Trains (arranged chronologically) contains postcards depicting railroad viaducts and close-up depictions of train engines. ","Series 64- Waterfronts (arranged chronologically) contains postcards depicting various views of the Jacksonville skyline as seen from the St. Johns River. ","Series 65- Waterworks; Jacksonville, Florida (arranged chronologically) contains postcards depicting the historic waterworks located in the Springfield neighborhood of Jacksonville. ","Series 66- Zoos (arranged chronologically) contains postcards depicting views from the Jacksonville Zoo during the early and mid-20th century. ","Series 67- Sensitive Content (arranged chronologically) contains postcards depicting content that may be harmful or distressing to viewers. These items are available to review in person only."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. 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David Armstrong, Jr.), 1972–2019, 1957–2019 (bulk Armstrong presidency 2007–2018; historical materials extend before/after)","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/87a487f3f781b00b22df77ad#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection documents the activities, milestones, and external engagements of President Armstrong's office and includes earlier and later presidential files that provide historical context for the presidency. Contents are a mix of resolutions, proclamations, Board of Trustees materials, college and international partnerships, awards and recognitions, photographs, event programs, speeches, press clippings, and special reports. 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David Armstrong, Jr. served as the sixth president of Broward College from July 2007 to June 2018, following prior service as Chancellor of Florida's Division of Community Colleges. His 11-year tenure marked significant expansion in academic programs, campus infrastructure, and international partnerships. Armstrong oversaw the introduction of Broward's baccalaureate degrees, spearheaded national award-winning initiatives in student success and workforce development, and guided the institution through key rebranding and accreditation milestones. Under his leadership, Broward College was repeatedly recognized among America's top community colleges, notably as a finalist in the Aspen Institute Prize for Community College Excellence. 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Armstrong oversaw the introduction of Broward's baccalaureate degrees, spearheaded national award-winning initiatives in student success and workforce development, and guided the institution through key rebranding and accreditation milestones. Under his leadership, Broward College was repeatedly recognized among America's top community colleges, notably as a finalist in the Aspen Institute Prize for Community College Excellence. Armstrong's efforts included modernizing college operations, advancing Pathways@BC for guided student achievement, and expanding access to higher education across the South Florida region and internationally.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["J. David Armstrong, Jr. served as the sixth president of Broward College from July 2007 to June 2018, following prior service as Chancellor of Florida's Division of Community Colleges. His 11-year tenure marked significant expansion in academic programs, campus infrastructure, and international partnerships. Armstrong oversaw the introduction of Broward's baccalaureate degrees, spearheaded national award-winning initiatives in student success and workforce development, and guided the institution through key rebranding and accreditation milestones. Under his leadership, Broward College was repeatedly recognized among America's top community colleges, notably as a finalist in the Aspen Institute Prize for Community College Excellence. Armstrong's efforts included modernizing college operations, advancing Pathways@BC for guided student achievement, and expanding access to higher education across the South Florida region and internationally."],"prefercite_html_tesm":["\u003cp\u003eRecord Group 842, Office of the President (J. David Armstrong, Jr.), 1972\u0026#x2013;2019, Broward College Archives.\u003c/p\u003e"],"prefercite_tesim":["Record Group 842, Office of the President (J. David Armstrong, Jr.), 1972–2019, Broward College Archives."],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the activities, milestones, and external engagements of President Armstrong's office and includes earlier and later presidential files that provide historical context for the presidency. Contents are a mix of resolutions, proclamations, Board of Trustees materials, college and international partnerships, awards and recognitions, photographs, event programs, speeches, press clippings, and special reports. Highlights include documentation on facility dedications, pivotal college initiatives (e.g., Pathways, international programs), major celebrations, and community relationships.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the activities, milestones, and external engagements of President Armstrong's office and includes earlier and later presidential files that provide historical context for the presidency. Contents are a mix of resolutions, proclamations, Board of Trustees materials, college and international partnerships, awards and recognitions, photographs, event programs, speeches, press clippings, and special reports. Highlights include documentation on facility dedications, pivotal college initiatives (e.g., Pathways, international programs), major celebrations, and community relationships."],"userestrict_html_tesm":["\u003cp\u003eResponsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Responsibility for securing copyright permission rests with the researcher. 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Beginning in May 2022, University Archives received several large accesions from various offices that are part of University Advancement (Speecial Events, Marketing, etc.). Based on these new accessions separate, more discrete collections were created, but this legacy collection was maintained.","Record Group consists of documents, photographs, and ephemera regarding Advancement and Communications and Marketing,  1997  to  2020 .  The record group consists of 3 series, Promotion and Event Materials, Departments, and Press. 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Based on these new accessions separate, more discrete collections were created, but this legacy collection was maintained."],"scopecontent_html_tesm":["\u003cp\u003eRecord Group consists of documents, photographs, and ephemera regarding Advancement and Communications and Marketing, \u003cdate\u003e1997\u003c/date\u003e to \u003cdate\u003e2020\u003c/date\u003e.\u0026#xA0; The record group consists of 3 series, Promotion and Event Materials, Departments, and Press. Each series is arranged alphabetically by subject and chronologically therein.\u0026#xA0; Large, oversized materials are at the end of each series.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Record Group consists of documents, photographs, and ephemera regarding Advancement and Communications and Marketing,  1997  to  2020 .  The record group consists of 3 series, Promotion and Event Materials, Departments, and Press. Each series is arranged alphabetically by subject and chronologically therein.  Large, oversized materials are at the end of each series."],"names_ssim":["Florida Gulf Coast University Archives","University Advancement","U.S. Campus Guide "],"corpname_ssim":["Florida Gulf Coast University Archives","University Advancement","U.S. Campus Guide "],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":620,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8595e72f4b93e2df8a45e590","timestamp":"2026-07-09T02:06:51.174Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8595e72f4b93e2df8a45e590","title_filing_ssi":"Office of University Advancement","title_ssm":["Office of University Advancement"],"title_tesim":["Office of University Advancement"],"ead_ssi":"8595e72f4b93e2df8a45e590","unitdate_ssm":["1975-2020"],"unitdate_inclusive_ssm":["1975-2020"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["01.04.01","/repositories/3/resources/9"],"text":["01.04.01","/repositories/3/resources/9","Office of University Advancement, 1975-2020","Office of Advancement","Communications.","Marketing.","This collection is open for research.","This portion of the Office of University Advancement Record Group (01-04) existed prior to 2022. Beginning in May 2022, University Archives received several large accesions from various offices that are part of University Advancement (Speecial Events, Marketing, etc.). Based on these new accessions separate, more discrete collections were created, but this legacy collection was maintained.","Record Group consists of documents, photographs, and ephemera regarding Advancement and Communications and Marketing,  1997  to  2020 .  The record group consists of 3 series, Promotion and Event Materials, Departments, and Press. Each series is arranged alphabetically by subject and chronologically therein.  Large, oversized materials are at the end of each series.","Florida Gulf Coast University Archives","University Advancement","U.S. Campus Guide ","English"],"unitid_tesim":["01.04.01","/repositories/3/resources/9"],"normalized_date_ssm":["1975-2020"],"normalized_title_ssm":["Office of University Advancement, 1975-2020"],"collection_title_tesim":["Office of University Advancement, 1975-2020"],"collection_ssim":["Office of University Advancement, 1975-2020"],"repository_ssm":["Florida Gulf Coast University Archives"],"repository_ssim":["Florida Gulf Coast University Archives"],"creator_ssm":["University Advancement"],"creator_ssim":["University Advancement"],"creator_corpname_ssim":["University Advancement"],"creators_ssim":["University Advancement"],"access_subjects_ssim":["Office of Advancement","Communications.","Marketing."],"access_subjects_ssm":["Office of Advancement","Communications.","Marketing."],"has_online_content_ssim":["false"],"extent_ssm":["22 Linear Feet"],"extent_tesim":["22 Linear Feet"],"date_range_isim":[1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"processinfo_html_tesm":["\u003cp\u003eThis portion of the Office of University Advancement Record Group (01-04) existed prior to 2022. Beginning in May 2022, University Archives received several large accesions from various offices that are part of University Advancement (Speecial Events, Marketing, etc.). Based on these new accessions separate, more discrete collections were created, but this legacy collection was maintained.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This portion of the Office of University Advancement Record Group (01-04) existed prior to 2022. Beginning in May 2022, University Archives received several large accesions from various offices that are part of University Advancement (Speecial Events, Marketing, etc.). Based on these new accessions separate, more discrete collections were created, but this legacy collection was maintained."],"scopecontent_html_tesm":["\u003cp\u003eRecord Group consists of documents, photographs, and ephemera regarding Advancement and Communications and Marketing, \u003cdate\u003e1997\u003c/date\u003e to \u003cdate\u003e2020\u003c/date\u003e.\u0026#xA0; The record group consists of 3 series, Promotion and Event Materials, Departments, and Press. Each series is arranged alphabetically by subject and chronologically therein.\u0026#xA0; Large, oversized materials are at the end of each series.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Record Group consists of documents, photographs, and ephemera regarding Advancement and Communications and Marketing,  1997  to  2020 .  The record group consists of 3 series, Promotion and Event Materials, Departments, and Press. Each series is arranged alphabetically by subject and chronologically therein.  Large, oversized materials are at the end of each series."],"names_ssim":["Florida Gulf Coast University Archives","University Advancement","U.S. Campus Guide "],"corpname_ssim":["Florida Gulf Coast University Archives","University Advancement","U.S. Campus Guide "],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":620,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"8595e72f4b93e2df8a45e590","timestamp":"2026-07-09T02:06:51.174Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8595e72f4b93e2df8a45e590"}},{"id":"fe40d3f0e3c6126a7e5c1df3","type":"collection","attributes":{"title":"Orlando Gay Chorus collection, 1990-2018","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/fe40d3f0e3c6126a7e5c1df3#creator","type":"document_value","attributes":{"value":["Orlando Gay Chorus"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/fe40d3f0e3c6126a7e5c1df3#abstract_or_scope","type":"document_value","attributes":{"value":["The Orlando Gay Chorus collection, 1990-2018, contains articles, awards, membership files, newspapers, photographs, posters, and programs pertaining to the Orlando Gay Chorus, a non-profit organization and one of the largest mixed LGBTQ choruses in the United States. There are also similar materials pertaining to the Gala Chorus, an organization the Orlando Gay Chorus is a member of. The collection also includes audio cassettes, books, CDs, ephemeras, maps, and pamphlets. The Orlando Gay Chorus was founded on February 14, 1990. As of 2023, the organization has over one hundred members. In addition to the full choruses, it has four ensembles that perform at annual events, cabarets, community, and pride events. The chorus also contributes to many humanitarian efforts. Each November, the Orlando Gay Chorus partners with the Children's Home Society of Florida to sponsor families in need for Thanksgiving Day meal baskets. US Marine Corps Reserve Toys for Tots is the longest campaign hosted by the Orlando Gay Chorus in Central Florida. The organization gifts toys and a monetary donation to the marines each year during their holiday concerts. Over time the chorus has received several awards, such as the Lifetime Achievement Award, for their thirty plus years of service. After a brief hiatus during the COVID-19 pandemic, the Orlando Gay Chorus resumed activities and continue to perform today."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/fe40d3f0e3c6126a7e5c1df3#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"fe40d3f0e3c6126a7e5c1df3","title_ssm":["Orlando Gay Chorus collection"],"title_tesim":["Orlando Gay Chorus collection"],"ead_ssi":"fe40d3f0e3c6126a7e5c1df3","unitdate_ssm":["1990-2018"],"unitdate_inclusive_ssm":["1990-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 150","/repositories/4/resources/272"],"text":["SC 150","/repositories/4/resources/272","Orlando Gay Chorus collection, 1990-2018","Music -- Performance -- Florida","Nonprofit organizations -- Management","programs (documents)"," LGBTQ+ magazines","CD-ROMs","video recordings (physical artifacts)","The entire collection is open for research except for the following:\n Boxes 3-5: Fragile AV material. No access copies are currently available. For further information, please contact Special Collections \u0026 University Archives.","This collection is arranged in six series. \n I. Photographs, 2001-2002, 2008, 2013 II. In-House Publications, 1990-2008 III. Performances, 1990-2018 IV. Publicity, 1990-2015 V. Administration Files, 1990-2006 VI. Awards, 1996-2015","The Orlando Gay Chorus is a non-profit organization committed to creating a diverse community through the arts. Founded on February 14, 1990, the Orlando Gay Chorus remains one of the largest mixed LGBTQ choruses in the country. As of 2023, the organization has over one hundred members. In addition to the full choruses, it has four ensembles that perform at annual events, cabarets, and community and pride events. The chorus also contributes to many humanitarian efforts. Each November, the Orlando Gay Chorus partners with the Children's Home Society of Florida to sponsor families in need for Thanksgiving Day meal baskets. US Marine Corps Reserve Toys for Tots is the longest campaign hosted by the Orlando Gay Chorus in Central Florida. The organization gifts toys and a monetary donation to the marines each year during their holiday concerts. Over time the chorus has received several awards, such as a Lifetime Achievement Award by the LGBT+ Center in Orlando for  their thirty plus years of service. After a brief hiatus during the COVID-19 pandemic, the Orlando Gay Chorus resumed activities and continue to perform today.","Collection processed by Kat Reynolds and Elisabeth Jimenez in 2022. Finding aid prepared by Elisabeth Jimenez in 2023. Original folders replaced with acid-free folders and materials housed in acid-free boxes.","This collection forms part of the LGBTQ History Museum of Central Florida Collection (CFM2021_22). Please see  The LGBTQ History Museum of Central Florida  for additional information.","Photographs, 2001-2002, 2008, 2013 and undated, (Series I) contain photos of performances, group pictures, photos of their annual retreat, social gatherings, and behind the scenes ","In–House Publications, 1990-1993,1996-1997, 2000-2008, (Series II) contain performances, informational news, and about their members ","Performances, 1990-2018 and undated, (Series III) contain programs, flyers, posters, postcards, event calendars, scripts, and recordings (moving image and audio) of their performances. Some of the posters are specially signed by the members of the Chorus. There are books about the Gala Chorus, an organization the Orlando Gay Chorus is a member of, and about other chorus performances. There are a few Artfest newspapers of the Orlando Gay Chorus continuous performances for several years. There are also a few miscellaneous items such as a wedding performance and program notes. ","Publicity, 1990-2015 and undated, (Series IV) contain events, printed online news articles, newspaper articles and magazines all pertaining to the Orlando Gay Chorus. There are also banners promoting both Orlando Gay Chorus and Gala Chorus. ","Administration Files, 1990-2006 and undated, (Series V) contains membership information such as forms, rosters of both the Orlando Gay Chorus and Gala Chorus, policies and procedures. There are also documents of their meetings and budgets throughout the years as well as their annual retreat. There also contains cookbooks, Christmas cards, and other documents of fundraiser the Orlando Gay Chorus have done. Lastly there are also some miscellaneous items such as laminated pages printed red saying \"We paint red for Marriage Equality.\" ","Awards, 1991-2015 and undated, (Series VI) contain letters thanking ad recognizing their performances. There are also articles and programs about a particular award called the Spectrum award that they have won for several years. Also, there are several certificates and other awards that they have won. Some examples include; a Toys for Tots certificate and a Wave award. Lastly there is an award program stating all the awards that the Orlando Gay Chorus has won throughout the years. ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Orlando Gay Chorus collection, 1990-2018, contains articles, awards, membership files, newspapers, photographs, posters, and programs pertaining to the Orlando Gay Chorus, a non-profit organization and one of the largest mixed LGBTQ choruses in the United States. There are also similar materials pertaining to the Gala Chorus, an organization the Orlando Gay Chorus is a member of. The collection also includes audio cassettes, books, CDs, ephemeras, maps, and pamphlets.\n\nThe Orlando Gay Chorus was founded on February 14, 1990.  As of 2023, the organization has over one hundred members. In addition to the full choruses, it has four ensembles that perform at annual events, cabarets, community, and pride events. The chorus also contributes to many humanitarian efforts. Each November, the Orlando Gay Chorus partners with the Children's Home Society of Florida to sponsor families in need for Thanksgiving Day meal baskets. US Marine Corps Reserve Toys for Tots is the longest campaign hosted by the Orlando Gay Chorus in Central Florida. The organization gifts toys and a monetary donation to the marines each year during their holiday concerts. Over time the chorus has received several awards, such as the Lifetime Achievement Award, for their thirty plus years of service. After a brief hiatus during the COVID-19 pandemic, the Orlando Gay Chorus resumed activities and continue to perform today.","UCF Special Collections","Orlando Gay Chorus","English"],"unitid_tesim":["SC 150","/repositories/4/resources/272"],"normalized_date_ssm":["1990-2018"],"normalized_title_ssm":["Orlando Gay Chorus collection, 1990-2018"],"collection_title_tesim":["Orlando Gay Chorus collection, 1990-2018"],"collection_ssim":["Orlando Gay Chorus collection, 1990-2018"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Orlando Gay Chorus"],"creator_ssim":["Orlando Gay Chorus"],"creator_corpname_ssim":["Orlando Gay Chorus"],"creators_ssim":["Orlando Gay Chorus"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of The LGBTQ History Museum of Central Florida, 2021 (Accession no. CFM2021_22)."],"access_subjects_ssim":["Music -- Performance -- Florida","Nonprofit organizations -- Management","programs (documents)"," LGBTQ+ magazines","CD-ROMs","video recordings (physical artifacts)"],"access_subjects_ssm":["Music -- Performance -- Florida","Nonprofit organizations -- Management","programs (documents)"," LGBTQ+ magazines","CD-ROMs","video recordings (physical artifacts)"],"has_online_content_ssim":["false"],"extent_ssm":["16.5 Linear Feet 14 boxes, 1 flat file, 1 rolled banner"],"extent_tesim":["16.5 Linear Feet 14 boxes, 1 flat file, 1 rolled banner"],"genreform_ssim":["programs (documents)"," LGBTQ+ magazines","CD-ROMs","video recordings (physical artifacts)"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research except for the following:\n\u003cul style=\"list-style-type: none\"\u003e\n   \u003cli\u003eBoxes 3-5: Fragile AV material. No access copies are currently available. For further information, please contact Special Collections \u0026amp; University Archives.\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research except for the following:\n Boxes 3-5: Fragile AV material. No access copies are currently available. For further information, please contact Special Collections \u0026 University Archives."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in six series. \n\u003cul style=\"list-style-type: none\"\u003e\n   \u003cli\u003eI. Photographs, 2001-2002, 2008, 2013\u003c/li\u003e\n   \u003cli\u003eII. In-House Publications, 1990-2008\u003c/li\u003e\n   \u003cli\u003eIII. Performances, 1990-2018\u003c/li\u003e\n   \u003cli\u003eIV. Publicity, 1990-2015\u003c/li\u003e\n   \u003cli\u003eV. Administration Files, 1990-2006\u003c/li\u003e\n   \u003cli\u003eVI. Awards, 1996-2015\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in six series. \n I. Photographs, 2001-2002, 2008, 2013 II. In-House Publications, 1990-2008 III. Performances, 1990-2018 IV. Publicity, 1990-2015 V. Administration Files, 1990-2006 VI. Awards, 1996-2015"],"bioghist_html_tesm":["\u003cp\u003eThe Orlando Gay Chorus is a non-profit organization committed to creating a diverse community through the arts. Founded on February 14, 1990, the Orlando Gay Chorus remains one of the largest mixed LGBTQ choruses in the country. As of 2023, the organization has over one hundred members. In addition to the full choruses, it has four ensembles that perform at annual events, cabarets, and community and pride events. The chorus also contributes to many humanitarian efforts. Each November, the Orlando Gay Chorus partners with the Children's Home Society of Florida to sponsor families in need for Thanksgiving Day meal baskets. US Marine Corps Reserve Toys for Tots is the longest campaign hosted by the Orlando Gay Chorus in Central Florida. The organization gifts toys and a monetary donation to the marines each year during their holiday concerts. Over time the chorus has received several awards, such as a Lifetime Achievement Award by the LGBT+ Center in Orlando for  their thirty plus years of service. After a brief hiatus during the COVID-19 pandemic, the Orlando Gay Chorus resumed activities and continue to perform today.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Orlando Gay Chorus is a non-profit organization committed to creating a diverse community through the arts. Founded on February 14, 1990, the Orlando Gay Chorus remains one of the largest mixed LGBTQ choruses in the country. As of 2023, the organization has over one hundred members. In addition to the full choruses, it has four ensembles that perform at annual events, cabarets, and community and pride events. The chorus also contributes to many humanitarian efforts. Each November, the Orlando Gay Chorus partners with the Children's Home Society of Florida to sponsor families in need for Thanksgiving Day meal baskets. US Marine Corps Reserve Toys for Tots is the longest campaign hosted by the Orlando Gay Chorus in Central Florida. The organization gifts toys and a monetary donation to the marines each year during their holiday concerts. Over time the chorus has received several awards, such as a Lifetime Achievement Award by the LGBT+ Center in Orlando for  their thirty plus years of service. After a brief hiatus during the COVID-19 pandemic, the Orlando Gay Chorus resumed activities and continue to perform today."],"prefercite_html_tesm":["\u003cp\u003eOrlando Gay Chorus collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Orlando Gay Chorus collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Kat Reynolds and Elisabeth Jimenez in 2022. Finding aid prepared by Elisabeth Jimenez in 2023. Original folders replaced with acid-free folders and materials housed in acid-free boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Kat Reynolds and Elisabeth Jimenez in 2022. Finding aid prepared by Elisabeth Jimenez in 2023. Original folders replaced with acid-free folders and materials housed in acid-free boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection forms part of the LGBTQ History Museum of Central Florida Collection (CFM2021_22). Please see \u003ca href=\"https://floridalgbtqmuseum.org/\"\u003eThe LGBTQ History Museum of Central Florida\u003c/a\u003e for additional information.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection forms part of the LGBTQ History Museum of Central Florida Collection (CFM2021_22). Please see  The LGBTQ History Museum of Central Florida  for additional information."],"scopecontent_html_tesm":["\u003cp\u003ePhotographs, 2001-2002, 2008, 2013 and undated, (Series I) contain photos of performances, group pictures, photos of their annual retreat, social gatherings, and behind the scenes \u003c/p\u003e\n","\u003cp\u003eIn\u0026#x2013;House Publications, 1990-1993,1996-1997, 2000-2008, (Series II) contain performances, informational news, and about their members \u003c/p\u003e\n","\u003cp\u003ePerformances, 1990-2018 and undated, (Series III) contain programs, flyers, posters, postcards, event calendars, scripts, and recordings (moving image and audio) of their performances. Some of the posters are specially signed by the members of the Chorus. There are books about the Gala Chorus, an organization the Orlando Gay Chorus is a member of, and about other chorus performances. There are a few Artfest newspapers of the Orlando Gay Chorus continuous performances for several years. There are also a few miscellaneous items such as a wedding performance and program notes. \u003c/p\u003e\n","\u003cp\u003ePublicity, 1990-2015 and undated, (Series IV) contain events, printed online news articles, newspaper articles and magazines all pertaining to the Orlando Gay Chorus. There are also banners promoting both Orlando Gay Chorus and Gala Chorus. \u003c/p\u003e\n","\u003cp\u003eAdministration Files, 1990-2006 and undated, (Series V) contains membership information such as forms, rosters of both the Orlando Gay Chorus and Gala Chorus, policies and procedures. There are also documents of their meetings and budgets throughout the years as well as their annual retreat. There also contains cookbooks, Christmas cards, and other documents of fundraiser the Orlando Gay Chorus have done. Lastly there are also some miscellaneous items such as laminated pages printed red saying \"We paint red for Marriage Equality.\" \u003c/p\u003e\n","\u003cp\u003eAwards, 1991-2015 and undated, (Series VI) contain letters thanking ad recognizing their performances. There are also articles and programs about a particular award called the Spectrum award that they have won for several years. Also, there are several certificates and other awards that they have won. Some examples include; a Toys for Tots certificate and a Wave award. Lastly there is an award program stating all the awards that the Orlando Gay Chorus has won throughout the years. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Photographs, 2001-2002, 2008, 2013 and undated, (Series I) contain photos of performances, group pictures, photos of their annual retreat, social gatherings, and behind the scenes ","In–House Publications, 1990-1993,1996-1997, 2000-2008, (Series II) contain performances, informational news, and about their members ","Performances, 1990-2018 and undated, (Series III) contain programs, flyers, posters, postcards, event calendars, scripts, and recordings (moving image and audio) of their performances. Some of the posters are specially signed by the members of the Chorus. There are books about the Gala Chorus, an organization the Orlando Gay Chorus is a member of, and about other chorus performances. There are a few Artfest newspapers of the Orlando Gay Chorus continuous performances for several years. There are also a few miscellaneous items such as a wedding performance and program notes. ","Publicity, 1990-2015 and undated, (Series IV) contain events, printed online news articles, newspaper articles and magazines all pertaining to the Orlando Gay Chorus. There are also banners promoting both Orlando Gay Chorus and Gala Chorus. ","Administration Files, 1990-2006 and undated, (Series V) contains membership information such as forms, rosters of both the Orlando Gay Chorus and Gala Chorus, policies and procedures. There are also documents of their meetings and budgets throughout the years as well as their annual retreat. There also contains cookbooks, Christmas cards, and other documents of fundraiser the Orlando Gay Chorus have done. Lastly there are also some miscellaneous items such as laminated pages printed red saying \"We paint red for Marriage Equality.\" ","Awards, 1991-2015 and undated, (Series VI) contain letters thanking ad recognizing their performances. There are also articles and programs about a particular award called the Spectrum award that they have won for several years. Also, there are several certificates and other awards that they have won. Some examples include; a Toys for Tots certificate and a Wave award. Lastly there is an award program stating all the awards that the Orlando Gay Chorus has won throughout the years. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_aea3e4892f0e727e6b70fc82a72309ce\" label=\"Abstract\"\u003eThe Orlando Gay Chorus collection, 1990-2018, contains articles, awards, membership files, newspapers, photographs, posters, and programs pertaining to the Orlando Gay Chorus, a non-profit organization and one of the largest mixed LGBTQ choruses in the United States. There are also similar materials pertaining to the Gala Chorus, an organization the Orlando Gay Chorus is a member of. The collection also includes audio cassettes, books, CDs, ephemeras, maps, and pamphlets.\n\nThe Orlando Gay Chorus was founded on February 14, 1990.  As of 2023, the organization has over one hundred members. In addition to the full choruses, it has four ensembles that perform at annual events, cabarets, community, and pride events. The chorus also contributes to many humanitarian efforts. Each November, the Orlando Gay Chorus partners with the Children's Home Society of Florida to sponsor families in need for Thanksgiving Day meal baskets. US Marine Corps Reserve Toys for Tots is the longest campaign hosted by the Orlando Gay Chorus in Central Florida. The organization gifts toys and a monetary donation to the marines each year during their holiday concerts. Over time the chorus has received several awards, such as the Lifetime Achievement Award, for their thirty plus years of service. After a brief hiatus during the COVID-19 pandemic, the Orlando Gay Chorus resumed activities and continue to perform today.\u003c/abstract\u003e"],"abstract_tesim":["The Orlando Gay Chorus collection, 1990-2018, contains articles, awards, membership files, newspapers, photographs, posters, and programs pertaining to the Orlando Gay Chorus, a non-profit organization and one of the largest mixed LGBTQ choruses in the United States. There are also similar materials pertaining to the Gala Chorus, an organization the Orlando Gay Chorus is a member of. The collection also includes audio cassettes, books, CDs, ephemeras, maps, and pamphlets.\n\nThe Orlando Gay Chorus was founded on February 14, 1990.  As of 2023, the organization has over one hundred members. In addition to the full choruses, it has four ensembles that perform at annual events, cabarets, community, and pride events. The chorus also contributes to many humanitarian efforts. Each November, the Orlando Gay Chorus partners with the Children's Home Society of Florida to sponsor families in need for Thanksgiving Day meal baskets. US Marine Corps Reserve Toys for Tots is the longest campaign hosted by the Orlando Gay Chorus in Central Florida. The organization gifts toys and a monetary donation to the marines each year during their holiday concerts. Over time the chorus has received several awards, such as the Lifetime Achievement Award, for their thirty plus years of service. After a brief hiatus during the COVID-19 pandemic, the Orlando Gay Chorus resumed activities and continue to perform today."],"names_ssim":["UCF Special Collections","Orlando Gay Chorus"],"corpname_ssim":["UCF Special Collections","Orlando Gay Chorus"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":42,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857864988327936,"_root_":"fe40d3f0e3c6126a7e5c1df3","timestamp":"2026-07-16T08:04:55.485Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"fe40d3f0e3c6126a7e5c1df3","title_ssm":["Orlando Gay Chorus collection"],"title_tesim":["Orlando Gay Chorus collection"],"ead_ssi":"fe40d3f0e3c6126a7e5c1df3","unitdate_ssm":["1990-2018"],"unitdate_inclusive_ssm":["1990-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 150","/repositories/4/resources/272"],"text":["SC 150","/repositories/4/resources/272","Orlando Gay Chorus collection, 1990-2018","Music -- Performance -- Florida","Nonprofit organizations -- Management","programs (documents)"," LGBTQ+ magazines","CD-ROMs","video recordings (physical artifacts)","The entire collection is open for research except for the following:\n Boxes 3-5: Fragile AV material. No access copies are currently available. For further information, please contact Special Collections \u0026 University Archives.","This collection is arranged in six series. \n I. Photographs, 2001-2002, 2008, 2013 II. In-House Publications, 1990-2008 III. Performances, 1990-2018 IV. Publicity, 1990-2015 V. Administration Files, 1990-2006 VI. Awards, 1996-2015","The Orlando Gay Chorus is a non-profit organization committed to creating a diverse community through the arts. Founded on February 14, 1990, the Orlando Gay Chorus remains one of the largest mixed LGBTQ choruses in the country. As of 2023, the organization has over one hundred members. In addition to the full choruses, it has four ensembles that perform at annual events, cabarets, and community and pride events. The chorus also contributes to many humanitarian efforts. Each November, the Orlando Gay Chorus partners with the Children's Home Society of Florida to sponsor families in need for Thanksgiving Day meal baskets. US Marine Corps Reserve Toys for Tots is the longest campaign hosted by the Orlando Gay Chorus in Central Florida. The organization gifts toys and a monetary donation to the marines each year during their holiday concerts. Over time the chorus has received several awards, such as a Lifetime Achievement Award by the LGBT+ Center in Orlando for  their thirty plus years of service. After a brief hiatus during the COVID-19 pandemic, the Orlando Gay Chorus resumed activities and continue to perform today.","Collection processed by Kat Reynolds and Elisabeth Jimenez in 2022. Finding aid prepared by Elisabeth Jimenez in 2023. Original folders replaced with acid-free folders and materials housed in acid-free boxes.","This collection forms part of the LGBTQ History Museum of Central Florida Collection (CFM2021_22). Please see  The LGBTQ History Museum of Central Florida  for additional information.","Photographs, 2001-2002, 2008, 2013 and undated, (Series I) contain photos of performances, group pictures, photos of their annual retreat, social gatherings, and behind the scenes ","In–House Publications, 1990-1993,1996-1997, 2000-2008, (Series II) contain performances, informational news, and about their members ","Performances, 1990-2018 and undated, (Series III) contain programs, flyers, posters, postcards, event calendars, scripts, and recordings (moving image and audio) of their performances. Some of the posters are specially signed by the members of the Chorus. There are books about the Gala Chorus, an organization the Orlando Gay Chorus is a member of, and about other chorus performances. There are a few Artfest newspapers of the Orlando Gay Chorus continuous performances for several years. There are also a few miscellaneous items such as a wedding performance and program notes. ","Publicity, 1990-2015 and undated, (Series IV) contain events, printed online news articles, newspaper articles and magazines all pertaining to the Orlando Gay Chorus. There are also banners promoting both Orlando Gay Chorus and Gala Chorus. ","Administration Files, 1990-2006 and undated, (Series V) contains membership information such as forms, rosters of both the Orlando Gay Chorus and Gala Chorus, policies and procedures. There are also documents of their meetings and budgets throughout the years as well as their annual retreat. There also contains cookbooks, Christmas cards, and other documents of fundraiser the Orlando Gay Chorus have done. Lastly there are also some miscellaneous items such as laminated pages printed red saying \"We paint red for Marriage Equality.\" ","Awards, 1991-2015 and undated, (Series VI) contain letters thanking ad recognizing their performances. There are also articles and programs about a particular award called the Spectrum award that they have won for several years. Also, there are several certificates and other awards that they have won. Some examples include; a Toys for Tots certificate and a Wave award. Lastly there is an award program stating all the awards that the Orlando Gay Chorus has won throughout the years. ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Orlando Gay Chorus collection, 1990-2018, contains articles, awards, membership files, newspapers, photographs, posters, and programs pertaining to the Orlando Gay Chorus, a non-profit organization and one of the largest mixed LGBTQ choruses in the United States. There are also similar materials pertaining to the Gala Chorus, an organization the Orlando Gay Chorus is a member of. The collection also includes audio cassettes, books, CDs, ephemeras, maps, and pamphlets.\n\nThe Orlando Gay Chorus was founded on February 14, 1990.  As of 2023, the organization has over one hundred members. In addition to the full choruses, it has four ensembles that perform at annual events, cabarets, community, and pride events. The chorus also contributes to many humanitarian efforts. Each November, the Orlando Gay Chorus partners with the Children's Home Society of Florida to sponsor families in need for Thanksgiving Day meal baskets. US Marine Corps Reserve Toys for Tots is the longest campaign hosted by the Orlando Gay Chorus in Central Florida. The organization gifts toys and a monetary donation to the marines each year during their holiday concerts. Over time the chorus has received several awards, such as the Lifetime Achievement Award, for their thirty plus years of service. After a brief hiatus during the COVID-19 pandemic, the Orlando Gay Chorus resumed activities and continue to perform today.","UCF Special Collections","Orlando Gay Chorus","English"],"unitid_tesim":["SC 150","/repositories/4/resources/272"],"normalized_date_ssm":["1990-2018"],"normalized_title_ssm":["Orlando Gay Chorus collection, 1990-2018"],"collection_title_tesim":["Orlando Gay Chorus collection, 1990-2018"],"collection_ssim":["Orlando Gay Chorus collection, 1990-2018"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Orlando Gay Chorus"],"creator_ssim":["Orlando Gay Chorus"],"creator_corpname_ssim":["Orlando Gay Chorus"],"creators_ssim":["Orlando Gay Chorus"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of The LGBTQ History Museum of Central Florida, 2021 (Accession no. CFM2021_22)."],"access_subjects_ssim":["Music -- Performance -- Florida","Nonprofit organizations -- Management","programs (documents)"," LGBTQ+ magazines","CD-ROMs","video recordings (physical artifacts)"],"access_subjects_ssm":["Music -- Performance -- Florida","Nonprofit organizations -- Management","programs (documents)"," LGBTQ+ magazines","CD-ROMs","video recordings (physical artifacts)"],"has_online_content_ssim":["false"],"extent_ssm":["16.5 Linear Feet 14 boxes, 1 flat file, 1 rolled banner"],"extent_tesim":["16.5 Linear Feet 14 boxes, 1 flat file, 1 rolled banner"],"genreform_ssim":["programs (documents)"," LGBTQ+ magazines","CD-ROMs","video recordings (physical artifacts)"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research except for the following:\n\u003cul style=\"list-style-type: none\"\u003e\n   \u003cli\u003eBoxes 3-5: Fragile AV material. No access copies are currently available. For further information, please contact Special Collections \u0026amp; University Archives.\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research except for the following:\n Boxes 3-5: Fragile AV material. No access copies are currently available. For further information, please contact Special Collections \u0026 University Archives."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in six series. \n\u003cul style=\"list-style-type: none\"\u003e\n   \u003cli\u003eI. Photographs, 2001-2002, 2008, 2013\u003c/li\u003e\n   \u003cli\u003eII. In-House Publications, 1990-2008\u003c/li\u003e\n   \u003cli\u003eIII. Performances, 1990-2018\u003c/li\u003e\n   \u003cli\u003eIV. Publicity, 1990-2015\u003c/li\u003e\n   \u003cli\u003eV. Administration Files, 1990-2006\u003c/li\u003e\n   \u003cli\u003eVI. Awards, 1996-2015\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in six series. \n I. Photographs, 2001-2002, 2008, 2013 II. In-House Publications, 1990-2008 III. Performances, 1990-2018 IV. Publicity, 1990-2015 V. Administration Files, 1990-2006 VI. Awards, 1996-2015"],"bioghist_html_tesm":["\u003cp\u003eThe Orlando Gay Chorus is a non-profit organization committed to creating a diverse community through the arts. Founded on February 14, 1990, the Orlando Gay Chorus remains one of the largest mixed LGBTQ choruses in the country. As of 2023, the organization has over one hundred members. In addition to the full choruses, it has four ensembles that perform at annual events, cabarets, and community and pride events. The chorus also contributes to many humanitarian efforts. Each November, the Orlando Gay Chorus partners with the Children's Home Society of Florida to sponsor families in need for Thanksgiving Day meal baskets. US Marine Corps Reserve Toys for Tots is the longest campaign hosted by the Orlando Gay Chorus in Central Florida. The organization gifts toys and a monetary donation to the marines each year during their holiday concerts. Over time the chorus has received several awards, such as a Lifetime Achievement Award by the LGBT+ Center in Orlando for  their thirty plus years of service. After a brief hiatus during the COVID-19 pandemic, the Orlando Gay Chorus resumed activities and continue to perform today.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Orlando Gay Chorus is a non-profit organization committed to creating a diverse community through the arts. Founded on February 14, 1990, the Orlando Gay Chorus remains one of the largest mixed LGBTQ choruses in the country. As of 2023, the organization has over one hundred members. In addition to the full choruses, it has four ensembles that perform at annual events, cabarets, and community and pride events. The chorus also contributes to many humanitarian efforts. Each November, the Orlando Gay Chorus partners with the Children's Home Society of Florida to sponsor families in need for Thanksgiving Day meal baskets. US Marine Corps Reserve Toys for Tots is the longest campaign hosted by the Orlando Gay Chorus in Central Florida. The organization gifts toys and a monetary donation to the marines each year during their holiday concerts. Over time the chorus has received several awards, such as a Lifetime Achievement Award by the LGBT+ Center in Orlando for  their thirty plus years of service. After a brief hiatus during the COVID-19 pandemic, the Orlando Gay Chorus resumed activities and continue to perform today."],"prefercite_html_tesm":["\u003cp\u003eOrlando Gay Chorus collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Orlando Gay Chorus collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Kat Reynolds and Elisabeth Jimenez in 2022. Finding aid prepared by Elisabeth Jimenez in 2023. Original folders replaced with acid-free folders and materials housed in acid-free boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Kat Reynolds and Elisabeth Jimenez in 2022. Finding aid prepared by Elisabeth Jimenez in 2023. Original folders replaced with acid-free folders and materials housed in acid-free boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection forms part of the LGBTQ History Museum of Central Florida Collection (CFM2021_22). Please see \u003ca href=\"https://floridalgbtqmuseum.org/\"\u003eThe LGBTQ History Museum of Central Florida\u003c/a\u003e for additional information.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection forms part of the LGBTQ History Museum of Central Florida Collection (CFM2021_22). Please see  The LGBTQ History Museum of Central Florida  for additional information."],"scopecontent_html_tesm":["\u003cp\u003ePhotographs, 2001-2002, 2008, 2013 and undated, (Series I) contain photos of performances, group pictures, photos of their annual retreat, social gatherings, and behind the scenes \u003c/p\u003e\n","\u003cp\u003eIn\u0026#x2013;House Publications, 1990-1993,1996-1997, 2000-2008, (Series II) contain performances, informational news, and about their members \u003c/p\u003e\n","\u003cp\u003ePerformances, 1990-2018 and undated, (Series III) contain programs, flyers, posters, postcards, event calendars, scripts, and recordings (moving image and audio) of their performances. Some of the posters are specially signed by the members of the Chorus. There are books about the Gala Chorus, an organization the Orlando Gay Chorus is a member of, and about other chorus performances. There are a few Artfest newspapers of the Orlando Gay Chorus continuous performances for several years. There are also a few miscellaneous items such as a wedding performance and program notes. \u003c/p\u003e\n","\u003cp\u003ePublicity, 1990-2015 and undated, (Series IV) contain events, printed online news articles, newspaper articles and magazines all pertaining to the Orlando Gay Chorus. There are also banners promoting both Orlando Gay Chorus and Gala Chorus. \u003c/p\u003e\n","\u003cp\u003eAdministration Files, 1990-2006 and undated, (Series V) contains membership information such as forms, rosters of both the Orlando Gay Chorus and Gala Chorus, policies and procedures. There are also documents of their meetings and budgets throughout the years as well as their annual retreat. There also contains cookbooks, Christmas cards, and other documents of fundraiser the Orlando Gay Chorus have done. Lastly there are also some miscellaneous items such as laminated pages printed red saying \"We paint red for Marriage Equality.\" \u003c/p\u003e\n","\u003cp\u003eAwards, 1991-2015 and undated, (Series VI) contain letters thanking ad recognizing their performances. There are also articles and programs about a particular award called the Spectrum award that they have won for several years. Also, there are several certificates and other awards that they have won. Some examples include; a Toys for Tots certificate and a Wave award. Lastly there is an award program stating all the awards that the Orlando Gay Chorus has won throughout the years. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Photographs, 2001-2002, 2008, 2013 and undated, (Series I) contain photos of performances, group pictures, photos of their annual retreat, social gatherings, and behind the scenes ","In–House Publications, 1990-1993,1996-1997, 2000-2008, (Series II) contain performances, informational news, and about their members ","Performances, 1990-2018 and undated, (Series III) contain programs, flyers, posters, postcards, event calendars, scripts, and recordings (moving image and audio) of their performances. Some of the posters are specially signed by the members of the Chorus. There are books about the Gala Chorus, an organization the Orlando Gay Chorus is a member of, and about other chorus performances. There are a few Artfest newspapers of the Orlando Gay Chorus continuous performances for several years. There are also a few miscellaneous items such as a wedding performance and program notes. ","Publicity, 1990-2015 and undated, (Series IV) contain events, printed online news articles, newspaper articles and magazines all pertaining to the Orlando Gay Chorus. There are also banners promoting both Orlando Gay Chorus and Gala Chorus. ","Administration Files, 1990-2006 and undated, (Series V) contains membership information such as forms, rosters of both the Orlando Gay Chorus and Gala Chorus, policies and procedures. There are also documents of their meetings and budgets throughout the years as well as their annual retreat. There also contains cookbooks, Christmas cards, and other documents of fundraiser the Orlando Gay Chorus have done. Lastly there are also some miscellaneous items such as laminated pages printed red saying \"We paint red for Marriage Equality.\" ","Awards, 1991-2015 and undated, (Series VI) contain letters thanking ad recognizing their performances. There are also articles and programs about a particular award called the Spectrum award that they have won for several years. Also, there are several certificates and other awards that they have won. Some examples include; a Toys for Tots certificate and a Wave award. Lastly there is an award program stating all the awards that the Orlando Gay Chorus has won throughout the years. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_aea3e4892f0e727e6b70fc82a72309ce\" label=\"Abstract\"\u003eThe Orlando Gay Chorus collection, 1990-2018, contains articles, awards, membership files, newspapers, photographs, posters, and programs pertaining to the Orlando Gay Chorus, a non-profit organization and one of the largest mixed LGBTQ choruses in the United States. There are also similar materials pertaining to the Gala Chorus, an organization the Orlando Gay Chorus is a member of. The collection also includes audio cassettes, books, CDs, ephemeras, maps, and pamphlets.\n\nThe Orlando Gay Chorus was founded on February 14, 1990.  As of 2023, the organization has over one hundred members. In addition to the full choruses, it has four ensembles that perform at annual events, cabarets, community, and pride events. The chorus also contributes to many humanitarian efforts. Each November, the Orlando Gay Chorus partners with the Children's Home Society of Florida to sponsor families in need for Thanksgiving Day meal baskets. US Marine Corps Reserve Toys for Tots is the longest campaign hosted by the Orlando Gay Chorus in Central Florida. The organization gifts toys and a monetary donation to the marines each year during their holiday concerts. Over time the chorus has received several awards, such as the Lifetime Achievement Award, for their thirty plus years of service. After a brief hiatus during the COVID-19 pandemic, the Orlando Gay Chorus resumed activities and continue to perform today.\u003c/abstract\u003e"],"abstract_tesim":["The Orlando Gay Chorus collection, 1990-2018, contains articles, awards, membership files, newspapers, photographs, posters, and programs pertaining to the Orlando Gay Chorus, a non-profit organization and one of the largest mixed LGBTQ choruses in the United States. There are also similar materials pertaining to the Gala Chorus, an organization the Orlando Gay Chorus is a member of. The collection also includes audio cassettes, books, CDs, ephemeras, maps, and pamphlets.\n\nThe Orlando Gay Chorus was founded on February 14, 1990.  As of 2023, the organization has over one hundred members. In addition to the full choruses, it has four ensembles that perform at annual events, cabarets, community, and pride events. The chorus also contributes to many humanitarian efforts. Each November, the Orlando Gay Chorus partners with the Children's Home Society of Florida to sponsor families in need for Thanksgiving Day meal baskets. US Marine Corps Reserve Toys for Tots is the longest campaign hosted by the Orlando Gay Chorus in Central Florida. The organization gifts toys and a monetary donation to the marines each year during their holiday concerts. Over time the chorus has received several awards, such as the Lifetime Achievement Award, for their thirty plus years of service. After a brief hiatus during the COVID-19 pandemic, the Orlando Gay Chorus resumed activities and continue to perform today."],"names_ssim":["UCF Special Collections","Orlando Gay Chorus"],"corpname_ssim":["UCF Special Collections","Orlando Gay Chorus"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":42,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857864988327936,"_root_":"fe40d3f0e3c6126a7e5c1df3","timestamp":"2026-07-16T08:04:55.485Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/fe40d3f0e3c6126a7e5c1df3"}},{"id":"d2f857b674c8d3bf1af99e27","type":"collection","attributes":{"title":"Orlando Modern Quilt Guild Pulse quilt, 2016","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/d2f857b674c8d3bf1af99e27#creator","type":"document_value","attributes":{"value":["Orlando Modern Quilt Guild "],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d2f857b674c8d3bf1af99e27#abstract_or_scope","type":"document_value","attributes":{"value":["This collection consists of a quilt made by the Orlando Modern Quilt Guild in 2016. The quilt is a product of the Quilts for Pulse project, an initiative led by the Orlando Modern Quilt Guild in response to the shooting at Pulse Nightclub on June 12, 2016, in Orlando, Florida. The Orlando Modern Quilt Guild launched a charity drive with the goal of making and collecting 102 quilts for the victims of the Pulse Nightclub shooting and their families. The response on social media was overwhelming and over 1,800 quilts were collected. The quilts incorporated rainbow hearts in their designs as a reference to the PRIDE Flag and to show love and support for those affected by the tragic event. Quilts were numbered to track them through the process of creating them and were distributed to those impacted by the shooting such as survivors, family members, healthcare workers, and emergency response workers."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d2f857b674c8d3bf1af99e27#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"d2f857b674c8d3bf1af99e27","title_ssm":["Orlando Modern Quilt Guild Pulse quilt"],"title_tesim":["Orlando Modern Quilt Guild Pulse quilt"],"ead_ssi":"d2f857b674c8d3bf1af99e27","unitdate_ssm":["2016"],"unitdate_other_ssim":["2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 143","/repositories/4/resources/283"],"text":["SC 143","/repositories/4/resources/283","Orlando Modern Quilt Guild Pulse quilt, 2016","Orlando (Fla.) -- History","Equality -- Florida -- Orlando","Florida -- Orlando","Central Florida","Pulse Nightclub Shooting, Orlando, Fla., 2016","quilts ","Memorabilia","The entire collection is open for research.","This quilt is a product of the Quilts for Pulse project, an initiative led by the Orlando Modern Quilt Guild in response to the shooting at Pulse Nightclub on June 12, 2016, in Orlando, Florida. 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The quilt is a product of the Quilts for Pulse project, an initiative led by the Orlando Modern Quilt Guild in response to the shooting at Pulse Nightclub on June 12, 2016, in Orlando, Florida.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","This collection consists of a quilt made by the Orlando Modern Quilt Guild in 2016. The quilt is a product of the Quilts for Pulse project, an initiative led by the Orlando Modern Quilt Guild in response to the shooting at Pulse Nightclub on June 12, 2016, in Orlando, Florida.\n\nThe Orlando Modern Quilt Guild launched a charity drive with the goal of making and collecting 102 quilts for the victims of the Pulse Nightclub shooting and their families. The response on social media was overwhelming and over 1,800 quilts were collected. The quilts incorporated rainbow hearts in their designs as a reference to the PRIDE Flag and to show love and support for those affected by the tragic event. Quilts were numbered to track them through the process of creating them and were distributed to those impacted by the shooting such as survivors, family members, healthcare workers, and emergency response workers.","UCF Special Collections","Orlando Modern Quilt Guild ","Modern Quilt Guild -- Florida","English"],"unitid_tesim":["SC 143","/repositories/4/resources/283"],"normalized_date_ssm":["2016"],"normalized_title_ssm":["Orlando Modern Quilt Guild Pulse quilt, 2016"],"collection_title_tesim":["Orlando Modern Quilt Guild Pulse quilt, 2016"],"collection_ssim":["Orlando Modern Quilt Guild Pulse quilt, 2016"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Orlando (Fla.) -- History"],"geogname_ssim":["Orlando (Fla.) -- History"],"creator_ssm":["Orlando Modern Quilt Guild "],"creator_ssim":["Orlando Modern Quilt Guild "],"creator_corpname_ssim":["Orlando Modern Quilt Guild "],"creators_ssim":["Orlando Modern Quilt Guild "],"places_ssim":["Orlando (Fla.) -- History"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of The LGBTQ History Museum of Central Florida, 2021 (Accession no. CFM2021_22)."],"access_subjects_ssim":["Equality -- Florida -- Orlando","Florida -- Orlando","Central Florida","Pulse Nightclub Shooting, Orlando, Fla., 2016","quilts ","Memorabilia"],"access_subjects_ssm":["Equality -- Florida -- Orlando","Florida -- Orlando","Central Florida","Pulse Nightclub Shooting, Orlando, Fla., 2016","quilts ","Memorabilia"],"has_online_content_ssim":["false"],"extent_ssm":["2.7 Linear Feet 1 box"],"extent_tesim":["2.7 Linear Feet 1 box"],"genreform_ssim":["quilts ","Memorabilia"],"date_range_isim":[2016],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eThis quilt is a product of the Quilts for Pulse project, an initiative led by the Orlando Modern Quilt Guild in response to the shooting at Pulse Nightclub on June 12, 2016, in Orlando, Florida. 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Quilts were numbered to track them through the process of creating them and were distributed to those impacted by the shooting such as survivors, family members, healthcare workers, and emergency response workers."],"prefercite_html_tesm":["\u003cp\u003eOrlando Modern Quilt Guild Pulse quilt, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Orlando Modern Quilt Guild Pulse quilt, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed and finding aid prepared by Asmara Cortes-Caba in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed and finding aid prepared by Asmara Cortes-Caba in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection forms part of the LGBTQ History Museum of Central Florida Collection (CFM2021_22). Please see \u003ca href=\"https://floridalgbtqmuseum.org/\"\u003eThe LGBTQ History Museum of Central Florida\u003c/a\u003e for additional information.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection forms part of the LGBTQ History Museum of Central Florida Collection (CFM2021_22). Please see  The LGBTQ History Museum of Central Florida  for additional information."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of a quilt made by the Orlando Modern Quilt Guild in 2016. The quilt is a product of the Quilts for Pulse project, an initiative led by the Orlando Modern Quilt Guild in response to the shooting at Pulse Nightclub on June 12, 2016, in Orlando, Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of a quilt made by the Orlando Modern Quilt Guild in 2016. The quilt is a product of the Quilts for Pulse project, an initiative led by the Orlando Modern Quilt Guild in response to the shooting at Pulse Nightclub on June 12, 2016, in Orlando, Florida."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_33bbc574752f02ce90cf83efce6e01b9\"\u003eThis collection consists of a quilt made by the Orlando Modern Quilt Guild in 2016. The quilt is a product of the Quilts for Pulse project, an initiative led by the Orlando Modern Quilt Guild in response to the shooting at Pulse Nightclub on June 12, 2016, in Orlando, Florida.\n\nThe Orlando Modern Quilt Guild launched a charity drive with the goal of making and collecting 102 quilts for the victims of the Pulse Nightclub shooting and their families. The response on social media was overwhelming and over 1,800 quilts were collected. The quilts incorporated rainbow hearts in their designs as a reference to the PRIDE Flag and to show love and support for those affected by the tragic event. Quilts were numbered to track them through the process of creating them and were distributed to those impacted by the shooting such as survivors, family members, healthcare workers, and emergency response workers.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of a quilt made by the Orlando Modern Quilt Guild in 2016. 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Quilts were numbered to track them through the process of creating them and were distributed to those impacted by the shooting such as survivors, family members, healthcare workers, and emergency response workers."],"names_coll_ssim":["Modern Quilt Guild -- Florida"],"names_ssim":["UCF Special Collections","Orlando Modern Quilt Guild ","Modern Quilt Guild -- Florida"],"corpname_ssim":["UCF Special Collections","Orlando Modern Quilt Guild ","Modern Quilt Guild -- Florida"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"d2f857b674c8d3bf1af99e27","timestamp":"2026-04-21T03:30:58.908Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d2f857b674c8d3bf1af99e27","title_ssm":["Orlando Modern Quilt Guild Pulse quilt"],"title_tesim":["Orlando Modern Quilt Guild Pulse quilt"],"ead_ssi":"d2f857b674c8d3bf1af99e27","unitdate_ssm":["2016"],"unitdate_other_ssim":["2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 143","/repositories/4/resources/283"],"text":["SC 143","/repositories/4/resources/283","Orlando Modern Quilt Guild Pulse quilt, 2016","Orlando (Fla.) -- History","Equality -- Florida -- Orlando","Florida -- Orlando","Central Florida","Pulse Nightclub Shooting, Orlando, Fla., 2016","quilts ","Memorabilia","The entire collection is open for research.","This quilt is a product of the Quilts for Pulse project, an initiative led by the Orlando Modern Quilt Guild in response to the shooting at Pulse Nightclub on June 12, 2016, in Orlando, Florida. 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The quilt is a product of the Quilts for Pulse project, an initiative led by the Orlando Modern Quilt Guild in response to the shooting at Pulse Nightclub on June 12, 2016, in Orlando, Florida.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","This collection consists of a quilt made by the Orlando Modern Quilt Guild in 2016. The quilt is a product of the Quilts for Pulse project, an initiative led by the Orlando Modern Quilt Guild in response to the shooting at Pulse Nightclub on June 12, 2016, in Orlando, Florida.\n\nThe Orlando Modern Quilt Guild launched a charity drive with the goal of making and collecting 102 quilts for the victims of the Pulse Nightclub shooting and their families. The response on social media was overwhelming and over 1,800 quilts were collected. 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Quilts were numbered to track them through the process of creating them and were distributed to those impacted by the shooting such as survivors, family members, healthcare workers, and emergency response workers."],"prefercite_html_tesm":["\u003cp\u003eOrlando Modern Quilt Guild Pulse quilt, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Orlando Modern Quilt Guild Pulse quilt, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed and finding aid prepared by Asmara Cortes-Caba in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed and finding aid prepared by Asmara Cortes-Caba in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection forms part of the LGBTQ History Museum of Central Florida Collection (CFM2021_22). 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