{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=96\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=95\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=97\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=126\u0026view=compact"},"meta":{"pages":{"current_page":96,"next_page":97,"prev_page":95,"total_pages":126,"limit_value":10,"offset_value":950,"total_count":1260,"first_page?":false,"last_page?":false}},"data":[{"id":"6f3b5db6405c2d66149b5875_aspace_67982","type":"File","attributes":{"title":"Quarterly Reports, 2014-2016","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6f3b5db6405c2d66149b5875_aspace_67982#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_67982","ref_ssm":["aspace_67982","aspace_67982"],"id":"6f3b5db6405c2d66149b5875_aspace_67982","title_filing_ssi":"Quarterly Reports","title_ssm":["Quarterly Reports"],"title_tesim":["Quarterly Reports"],"unitdate_inclusive_ssm":["2014-2016"],"normalized_date_ssm":["2014-2016"],"normalized_title_ssm":["Quarterly Reports, 2014-2016"],"text":["Quarterly Reports, 2014-2016","Democratic Women's Club of Florida, Inc. Collection, 1945-2023","Collection Additions, 1945-2023","2017 Addition (1), 1958-2017","Region IX, 1987-2016, Undated","Folder 16","/repositories/4/archival_objects/6964","box 30","folder 16"],"component_level_isim":[4],"parent_ids_ssim":["6f3b5db6405c2d66149b5875","6f3b5db6405c2d66149b5875_aspace_62781","6f3b5db6405c2d66149b5875_aspace_67866","6f3b5db6405c2d66149b5875_aspace_67958"],"parent_unittitles_ssm":["Democratic Women's Club of Florida, Inc. Collection, 1945-2023","Collection Additions, 1945-2023","2017 Addition (1), 1958-2017","Region IX, 1987-2016, Undated"],"parent_unittitles_tesim":["Democratic Women's Club of Florida, Inc. Collection, 1945-2023","Collection Additions, 1945-2023","2017 Addition (1), 1958-2017","Region IX, 1987-2016, Undated"],"parent_levels_ssm":["collection","Series","Subseries","Subseries"],"unitid_ssm":["Folder 16","/repositories/4/archival_objects/6964"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Democratic Women's Club of Florida, Inc. Collection, 1945-2023"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":437,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[2014,2015,2016],"containers_ssim":["box 30","folder 16"],"_nest_path_":"/components#9/components#1/components#9/components#12","_nest_parent_":"6f3b5db6405c2d66149b5875_aspace_67958","_root_":"6f3b5db6405c2d66149b5875","_version_":1870857995672354816,"timestamp":"2026-07-16T08:07:00.081Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6f3b5db6405c2d66149b5875","title_ssm":["Democratic Women's Club of Florida, Inc. Collection"],"title_tesim":["Democratic Women's Club of Florida, Inc. Collection"],"ead_ssi":"6f3b5db6405c2d66149b5875","unitdate_ssm":["1945-2023"],"unitdate_inclusive_ssm":["1945-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 081","/repositories/4/resources/36"],"text":["SC 081","/repositories/4/resources/36","Democratic Women's Club of Florida, Inc. Collection, 1945-2023","Charlotte County (Fla.)","Florida","Women -- Political activity","Women -- Societies and clubs","Political campaigns -- United States","Political participation","Political clubs","administrative reports","The entire collection is open for research.","The collection is arranged in ten series by administrative unit, from state level, to region level, down to club level. The files are arranged alphabetically within each series. Additions to the collection are processed with same arrangement starting over. beginning with the next consecutive box.","The Democratic Women's Club of Florida, Inc., (DWCF) began in 1956 as an organization for women to cooperate together in electing Democrats to local, state, and federal offices. The DWCF started as a small organization with a handful of members, but experienced large growth in the 1970s and 1980s. In 1972, the DWCF received its charter, qualifying it as a corporation. Today, the organization supports almost forty clubs throughout Florida and has been affiliated with the National Federation of Democratic Women (NFDW) since 1980. Florida is recognized as a Full Member State under the NFDW because it has a statewide Democratic Women's club organization; however, the NFDW does not directly influence the DWCF in its operations.","\nThe DWCF has a Board of Directors consisting of a president, secretary, treasurer, and supporting officers overseeing nine regions. These regions have changed in number and composition over time, but they are led by Councils consisting of a Chair, Vice Chair, Secretary/Treasurer and Immediate Past Chair. These regional councils support the local clubs who campaign for Democratic representatives at all levels of government and encourage voter registration and qualified Democratic women to run for public office. The Clubs elect their own president, secretary, treasurer, and supporting officers.","Collecton processed by Heather K. Black, Suphi Burak Ogreten, and John Settle; finding aid prepared by Heather K. Black, Suphi Burak Ogreten, and John Settle.","Documents were removed from original folders and placed in acid-free folders. Photographs were placed in polyester sleeves. Four large scrapbooks were wrapped and tied in acid-free paper.","2022 addition processed by Adam Hunt.","2023 addition processed by Asmara Cortes-Caba.  ","Other collections concerning women and politics include the  Beatrice B. Ettinger Papers, Phyllis J. Hudson Collection  and the  Lynda Van Scoyoc Women's Political Caucus Collection.","Series I: State, 1957-2006 contains materials on the operations of the Democratic Women's Club of Florida, Inc. The materials include quarterly reports, annual convention information, chronological files detailing the procedures of the club, meeting minutes, club handbooks, photographs, and scrapbooks.","\nSeries II: Region IV, 1983-1985 contains one scrapbook documenting two years of this region's activities.","\nSeries III: Region V, 1974-2002 contains correspondence, bylaws, files of the regional chair, quarterly reports from each individual club in the region, regional reports, \"The Democratic Woman\" newsletter, meeting minutes, newspaper clippings, and treasury reports.","\nSeries IV: Region VI, 1971-1995 contains club and region quarterly reports, meeting minutes, membership lists, newsletters, correspondence, one president's files, and treasury and secretary files and reports.","\nSeries V: Region VII, 1977-1994 contains materials on the administration of the DWCF, such as the function of its special committees, guidelines for creating budgets and new clubs, and the importance of membership. This series also contains meeting minutes, correspondence, and treasurer's information.","\nSeries VI: Boca-Delray-Boynton Club, 1996-2000 contains convention planning information, a grievance folder, meeting minutes, and the treasurer's report.","\nSeries VII: Charlotte County Club, includes chronological files, minutes and meeting information, photographs, scrapbooks and information on Florida House in Washington D.C., which provides hospitality to Floridians visiting the capital.","\nSeries VIII: Santa Rosa County Club, 1976 holds the club charter from 1976.","\nSeries IX: St. Lucie County Club, 1997-2001 contains meeting minutes and supplemental materials.","\nSeries X: Collection Additions, 1945-2023 contains additional materials received from Democratic Women's Club of Florida Inc. in 2012, 2014, 2015, 2016, 2017, 2018, 2020, 2022, and 2023. The addition received in 2023 primarily consists of quarterly reports from state officers, committee chairs, and club presidents from all thirteen regions. Additional materials also include programs for state conferences and county club events, state president reports as well as state budgets, plans, and proposals, documents and newspaper clippings collected by multiple county clubs, memorabilia relating to the 2020 presidential campaign and the Democratic Party collected by clubs, and a club scrapbook for the St. John's County club.   ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Democratic Women's Club of Florida, Inc. campaigns for Democratic representatives at all levels of government and encourages voter registration and qualified Democratic women to run for public office. This collection of bylaws, campaign items, correspondence, meeting minutes, newsletters, newspaper clippings, photographs, and scrapbooks documents the organization's activities, policies, and procedures.","UCF Special Collections","Democratic Women's Club of Florida","Florida House (Washington, D.C.)","English"],"unitid_tesim":["SC 081","/repositories/4/resources/36"],"normalized_date_ssm":["1945-2023"],"normalized_title_ssm":["Democratic Women's Club of Florida, Inc. Collection, 1945-2023"],"collection_title_tesim":["Democratic Women's Club of Florida, Inc. Collection, 1945-2023"],"collection_ssim":["Democratic Women's Club of Florida, Inc. Collection, 1945-2023"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Charlotte County (Fla.)","Florida"],"geogname_ssim":["Charlotte County (Fla.)","Florida"],"creator_ssm":["Democratic Women's Club of Florida"],"creator_ssim":["Democratic Women's Club of Florida"],"creator_corpname_ssim":["Democratic Women's Club of Florida"],"creators_ssim":["Democratic Women's Club of Florida"],"places_ssim":["Charlotte County (Fla.)","Florida"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Democratic Women's Club of Florida, Inc., donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2008 (CFM2008_05). Additional materials were donated in 2012 (CFM2012_05), 2014 (CFM2014_06, CFM2014_10), 2015 (CFM2015_07), 2016 (CFM2016_08), 2017 (CFM2017_03), 2017 (CFM2017_14), 2018 (CFM2018_17), 2020 (CFM2020_04), 2022 (CFM2022_10), and 2023 (CFM2023_03)."],"access_subjects_ssim":["Women -- Political activity","Women -- Societies and clubs","Political campaigns -- United States","Political participation","Political clubs","administrative reports"],"access_subjects_ssm":["Women -- Political activity","Women -- Societies and clubs","Political campaigns -- United States","Political participation","Political clubs","administrative reports"],"has_online_content_ssim":["false"],"extent_ssm":["45.48 Linear Feet 48 Boxes, 38 Scrapbooks, 1 Flat File","776 Megabytes 2 flash drives"],"extent_tesim":["45.48 Linear Feet 48 Boxes, 38 Scrapbooks, 1 Flat File","776 Megabytes 2 flash drives"],"genreform_ssim":["administrative reports"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in ten series by administrative unit, from state level, to region level, down to club level. The files are arranged alphabetically within each series. Additions to the collection are processed with same arrangement starting over. beginning with the next consecutive box.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged in ten series by administrative unit, from state level, to region level, down to club level. The files are arranged alphabetically within each series. Additions to the collection are processed with same arrangement starting over. beginning with the next consecutive box."],"bioghist_html_tesm":["\u003cp\u003eThe Democratic Women's Club of Florida, Inc., (DWCF) began in 1956 as an organization for women to cooperate together in electing Democrats to local, state, and federal offices. The DWCF started as a small organization with a handful of members, but experienced large growth in the 1970s and 1980s. In 1972, the DWCF received its charter, qualifying it as a corporation. Today, the organization supports almost forty clubs throughout Florida and has been affiliated with the National Federation of Democratic Women (NFDW) since 1980. Florida is recognized as a Full Member State under the NFDW because it has a statewide Democratic Women's club organization; however, the NFDW does not directly influence the DWCF in its operations.\u003c/p\u003e\n","\u003cp\u003e\nThe DWCF has a Board of Directors consisting of a president, secretary, treasurer, and supporting officers overseeing nine regions. These regions have changed in number and composition over time, but they are led by Councils consisting of a Chair, Vice Chair, Secretary/Treasurer and Immediate Past Chair. These regional councils support the local clubs who campaign for Democratic representatives at all levels of government and encourage voter registration and qualified Democratic women to run for public office. The Clubs elect their own president, secretary, treasurer, and supporting officers.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Democratic Women's Club of Florida, Inc., (DWCF) began in 1956 as an organization for women to cooperate together in electing Democrats to local, state, and federal offices. The DWCF started as a small organization with a handful of members, but experienced large growth in the 1970s and 1980s. In 1972, the DWCF received its charter, qualifying it as a corporation. Today, the organization supports almost forty clubs throughout Florida and has been affiliated with the National Federation of Democratic Women (NFDW) since 1980. Florida is recognized as a Full Member State under the NFDW because it has a statewide Democratic Women's club organization; however, the NFDW does not directly influence the DWCF in its operations.","\nThe DWCF has a Board of Directors consisting of a president, secretary, treasurer, and supporting officers overseeing nine regions. These regions have changed in number and composition over time, but they are led by Councils consisting of a Chair, Vice Chair, Secretary/Treasurer and Immediate Past Chair. These regional councils support the local clubs who campaign for Democratic representatives at all levels of government and encourage voter registration and qualified Democratic women to run for public office. The Clubs elect their own president, secretary, treasurer, and supporting officers."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Democratic Women's Club of Florida, Inc. collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Democratic Women's Club of Florida, Inc. collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollecton processed by Heather K. Black, Suphi Burak Ogreten, and John Settle; finding aid prepared by Heather K. Black, Suphi Burak Ogreten, and John Settle.\u003c/p\u003e","\u003cp\u003eDocuments were removed from original folders and placed in acid-free folders. Photographs were placed in polyester sleeves. Four large scrapbooks were wrapped and tied in acid-free paper.\u003c/p\u003e","\u003cp\u003e2022 addition processed by Adam Hunt.\u003c/p\u003e","\u003cp\u003e2023 addition processed by Asmara Cortes-Caba.  \u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collecton processed by Heather K. Black, Suphi Burak Ogreten, and John Settle; finding aid prepared by Heather K. Black, Suphi Burak Ogreten, and John Settle.","Documents were removed from original folders and placed in acid-free folders. Photographs were placed in polyester sleeves. Four large scrapbooks were wrapped and tied in acid-free paper.","2022 addition processed by Adam Hunt.","2023 addition processed by Asmara Cortes-Caba.  "],"relatedmaterial_html_tesm":["\u003cp\u003eOther collections concerning women and politics include the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2002-02\"\u003eBeatrice B. Ettinger Papers,\u003c/extref\u003e \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-02\"\u003ePhyllis J. Hudson Collection\u003c/extref\u003e and the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-15\"\u003eLynda Van Scoyoc Women's Political Caucus Collection.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other collections concerning women and politics include the  Beatrice B. Ettinger Papers, Phyllis J. Hudson Collection  and the  Lynda Van Scoyoc Women's Political Caucus Collection."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: State, 1957-2006 contains materials on the operations of the Democratic Women's Club of Florida, Inc. The materials include quarterly reports, annual convention information, chronological files detailing the procedures of the club, meeting minutes, club handbooks, photographs, and scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Region IV, 1983-1985 contains one scrapbook documenting two years of this region's activities.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Region V, 1974-2002 contains correspondence, bylaws, files of the regional chair, quarterly reports from each individual club in the region, regional reports, \"The Democratic Woman\" newsletter, meeting minutes, newspaper clippings, and treasury reports.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Region VI, 1971-1995 contains club and region quarterly reports, meeting minutes, membership lists, newsletters, correspondence, one president's files, and treasury and secretary files and reports.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Region VII, 1977-1994 contains materials on the administration of the DWCF, such as the function of its special committees, guidelines for creating budgets and new clubs, and the importance of membership. This series also contains meeting minutes, correspondence, and treasurer's information.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Boca-Delray-Boynton Club, 1996-2000 contains convention planning information, a grievance folder, meeting minutes, and the treasurer's report.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Charlotte County Club, includes chronological files, minutes and meeting information, photographs, scrapbooks and information on Florida House in Washington D.C., which provides hospitality to Floridians visiting the capital.\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Santa Rosa County Club, 1976 holds the club charter from 1976.\u003c/p\u003e\n","\u003cp\u003e\nSeries IX: St. Lucie County Club, 1997-2001 contains meeting minutes and supplemental materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries X: Collection Additions, 1945-2023 contains additional materials received from Democratic Women's Club of Florida Inc. in 2012, 2014, 2015, 2016, 2017, 2018, 2020, 2022, and 2023. The addition received in 2023 primarily consists of quarterly reports from state officers, committee chairs, and club presidents from all thirteen regions. Additional materials also include programs for state conferences and county club events, state president reports as well as state budgets, plans, and proposals, documents and newspaper clippings collected by multiple county clubs, memorabilia relating to the 2020 presidential campaign and the Democratic Party collected by clubs, and a club scrapbook for the St. John's County club.   \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: State, 1957-2006 contains materials on the operations of the Democratic Women's Club of Florida, Inc. The materials include quarterly reports, annual convention information, chronological files detailing the procedures of the club, meeting minutes, club handbooks, photographs, and scrapbooks.","\nSeries II: Region IV, 1983-1985 contains one scrapbook documenting two years of this region's activities.","\nSeries III: Region V, 1974-2002 contains correspondence, bylaws, files of the regional chair, quarterly reports from each individual club in the region, regional reports, \"The Democratic Woman\" newsletter, meeting minutes, newspaper clippings, and treasury reports.","\nSeries IV: Region VI, 1971-1995 contains club and region quarterly reports, meeting minutes, membership lists, newsletters, correspondence, one president's files, and treasury and secretary files and reports.","\nSeries V: Region VII, 1977-1994 contains materials on the administration of the DWCF, such as the function of its special committees, guidelines for creating budgets and new clubs, and the importance of membership. This series also contains meeting minutes, correspondence, and treasurer's information.","\nSeries VI: Boca-Delray-Boynton Club, 1996-2000 contains convention planning information, a grievance folder, meeting minutes, and the treasurer's report.","\nSeries VII: Charlotte County Club, includes chronological files, minutes and meeting information, photographs, scrapbooks and information on Florida House in Washington D.C., which provides hospitality to Floridians visiting the capital.","\nSeries VIII: Santa Rosa County Club, 1976 holds the club charter from 1976.","\nSeries IX: St. Lucie County Club, 1997-2001 contains meeting minutes and supplemental materials.","\nSeries X: Collection Additions, 1945-2023 contains additional materials received from Democratic Women's Club of Florida Inc. in 2012, 2014, 2015, 2016, 2017, 2018, 2020, 2022, and 2023. The addition received in 2023 primarily consists of quarterly reports from state officers, committee chairs, and club presidents from all thirteen regions. Additional materials also include programs for state conferences and county club events, state president reports as well as state budgets, plans, and proposals, documents and newspaper clippings collected by multiple county clubs, memorabilia relating to the 2020 presidential campaign and the Democratic Party collected by clubs, and a club scrapbook for the St. John's County club.   "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_34aa931c9ed01cb6aacb26122c584d31\" label=\"Abstract\"\u003eThe Democratic Women's Club of Florida, Inc. campaigns for Democratic representatives at all levels of government and encourages voter registration and qualified Democratic women to run for public office. This collection of bylaws, campaign items, correspondence, meeting minutes, newsletters, newspaper clippings, photographs, and scrapbooks documents the organization's activities, policies, and procedures.\u003c/abstract\u003e"],"abstract_tesim":["The Democratic Women's Club of Florida, Inc. campaigns for Democratic representatives at all levels of government and encourages voter registration and qualified Democratic women to run for public office. This collection of bylaws, campaign items, correspondence, meeting minutes, newsletters, newspaper clippings, photographs, and scrapbooks documents the organization's activities, policies, and procedures."],"names_coll_ssim":["Florida House (Washington, D.C.)"],"names_ssim":["UCF Special Collections","Democratic Women's Club of Florida","Florida House (Washington, D.C.)"],"corpname_ssim":["UCF Special Collections","Democratic Women's Club of Florida","Florida House (Washington, D.C.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":744,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857995672354816,"_root_":"6f3b5db6405c2d66149b5875","timestamp":"2026-07-16T08:07:00.081Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6f3b5db6405c2d66149b5875_aspace_67982"}},{"id":"41b814a832004607f7226632_aspace_05e355f2561dbe1279eff05d563d319a","type":"Item","attributes":{"title":"QX Gay London no.1040, 2015-02-12","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/41b814a832004607f7226632_aspace_05e355f2561dbe1279eff05d563d319a#abstract_or_scope","type":"document_value","attributes":{"value":["Copyright in the UK and worldwide, of the publishers Firststar Limited, Qx. QX is published every Wednesday. Suitable only for persons of 18 years and over."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/41b814a832004607f7226632_aspace_05e355f2561dbe1279eff05d563d319a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_05e355f2561dbe1279eff05d563d319a","ref_ssm":["aspace_05e355f2561dbe1279eff05d563d319a","aspace_05e355f2561dbe1279eff05d563d319a"],"id":"41b814a832004607f7226632_aspace_05e355f2561dbe1279eff05d563d319a","title_filing_ssi":"QX Gay London no.1040","title_ssm":["QX Gay London no.1040"],"title_tesim":["QX Gay London no.1040"],"unitdate_other_ssim":["2015-02-12"],"normalized_date_ssm":["2015-02-12"],"normalized_title_ssm":["QX Gay London no.1040, 2015-02-12"],"text":["QX Gay London no.1040, 2015-02-12","Andrew W. Manly collection, 1973-2015","Magazines (18+): OG-QX Men July 2010","/repositories/2/archival_objects/179932","box 10","object 26","Copyright in the UK and worldwide, of the publishers Firststar Limited, Qx. QX is published every Wednesday. Suitable only for persons of 18 years and over."],"component_level_isim":[2],"parent_ids_ssim":["41b814a832004607f7226632","41b814a832004607f7226632_aspace_12f9530235c56f41e6710adb38802205"],"parent_unittitles_ssm":["Andrew W. Manly collection, 1973-2015","Magazines (18+): OG-QX Men July 2010"],"parent_unittitles_tesim":["Andrew W. Manly collection, 1973-2015","Magazines (18+): OG-QX Men July 2010"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/2/archival_objects/179932"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Andrew W. Manly collection, 1973-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":247,"parent_access_restrict_tesm":["Age Restriction. Select material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material."],"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2015],"containers_ssim":["box 10","object 26"],"abstract_html_tesm":["\u003cabstract id=\"aspace_57b851e09ff58c8647ad07376cd0eea4\"\u003eCopyright in the UK and worldwide, of the publishers Firststar Limited, Qx. QX is published every Wednesday. Suitable only for persons of 18 years and over.\u003c/abstract\u003e"],"abstract_tesim":["Copyright in the UK and worldwide, of the publishers Firststar Limited, Qx. QX is published every Wednesday. Suitable only for persons of 18 years and over."],"_nest_path_":"/components#9/components#24","_nest_parent_":"41b814a832004607f7226632_aspace_12f9530235c56f41e6710adb38802205","_root_":"41b814a832004607f7226632","timestamp":"2026-07-08T05:38:13.171Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"41b814a832004607f7226632","title_ssm":["Andrew W. Manly collection"],"title_tesim":["Andrew W. Manly collection"],"ead_ssi":"41b814a832004607f7226632","unitdate_ssm":["1973-2015"],"unitdate_inclusive_ssm":["1973-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2023-15","/repositories/2/resources/637"],"text":["MS-2023-15","/repositories/2/resources/637","Andrew W. Manly collection, 1973-2015","HIV/AIDS Epidemic","Queer identity ","Queer community ","Queer culture","Queer experience","Gay men","Queer men","Pornographic films","Pornography","Photography, Erotic","Photography of the nude","Leather community","LGBTQ+ bars","Queer bars","Drag performers","Age Restriction. Select material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material.","Materials are separated according to audience for publications: those that are general culture and lifestyle magazines and publications that are intended for an adult 18+ audience. Within these groupings, items are arranged according to alphabetical order and enumeration.","The Andrew W. Manly collection consists of LGBTQ+ publications and media, with a focus on gay and/or queer men. Included are periodicals and serials, VHS, travel maps, novels, non-fiction, and photography books.","Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Andrew W. Manly collection includes LGBTQ+ publications and media, with a focus on British and American publishing firms. Material in the collection ranges from 1973-2015. Topics of interest include: Pride events, the HIV/AIDS epidemic and its impact on the LGBTQ+ community, LGBTQ+ pornography and erotica, queer club and bar culture, drag performers, sexuality, gender identity, LGBTQ+ films and literature, the leather community, safer sex practices, photography of the nude, LGBTQ+ friendly travel, cruising, and subcultures. Some material is designated for adult audiences and only available to patrons 18+. Please see the \"Conditions Governing Access\" note of this finding aid for more information.","USF Libraries - Tampa Special Collections","Manly, Andrew W.","English"],"unitid_tesim":["MS-2023-15","/repositories/2/resources/637"],"normalized_date_ssm":["1973-2015"],"normalized_title_ssm":["Andrew W. Manly collection, 1973-2015"],"collection_title_tesim":["Andrew W. Manly collection, 1973-2015"],"collection_ssim":["Andrew W. Manly collection, 1973-2015"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["HIV/AIDS Epidemic"],"geogname_ssim":["HIV/AIDS Epidemic"],"creator_ssm":["Manly, Andrew W."],"creator_ssim":["Manly, Andrew W."],"creator_persname_ssim":["Manly, Andrew W."],"creators_ssim":["Manly, Andrew W."],"places_ssim":["HIV/AIDS Epidemic"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Queer identity ","Queer community ","Queer culture","Queer experience","Gay men","Queer men","Pornographic films","Pornography","Photography, Erotic","Photography of the nude","Leather community","LGBTQ+ bars","Queer bars","Drag performers"],"access_subjects_ssm":["Queer identity ","Queer community ","Queer culture","Queer experience","Gay men","Queer men","Pornographic films","Pornography","Photography, Erotic","Photography of the nude","Leather community","LGBTQ+ bars","Queer bars","Drag performers"],"has_online_content_ssim":["false"],"extent_ssm":["11 boxes"],"extent_tesim":["11 boxes"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eAge Restriction. Select material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Age Restriction. Select material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material."],"arrangement_html_tesm":["\u003cp\u003eMaterials are separated according to audience for publications: those that are general culture and lifestyle magazines and publications that are intended for an adult 18+ audience. Within these groupings, items are arranged according to alphabetical order and enumeration.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are separated according to audience for publications: those that are general culture and lifestyle magazines and publications that are intended for an adult 18+ audience. Within these groupings, items are arranged according to alphabetical order and enumeration."],"prefercite_html_tesm":["\u003cp\u003eAndrew W. Manly collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Andrew W. Manly collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe Andrew W. Manly collection consists of LGBTQ+ publications and media, with a focus on gay and/or queer men. Included are periodicals and serials, VHS, travel maps, novels, non-fiction, and photography books.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Andrew W. Manly collection consists of LGBTQ+ publications and media, with a focus on gay and/or queer men. Included are periodicals and serials, VHS, travel maps, novels, non-fiction, and photography books."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_10b7c61b37da8561d761f6c57700947f\"\u003eThe Andrew W. Manly collection includes LGBTQ+ publications and media, with a focus on British and American publishing firms. Material in the collection ranges from 1973-2015. Topics of interest include: Pride events, the HIV/AIDS epidemic and its impact on the LGBTQ+ community, LGBTQ+ pornography and erotica, queer club and bar culture, drag performers, sexuality, gender identity, LGBTQ+ films and literature, the leather community, safer sex practices, photography of the nude, LGBTQ+ friendly travel, cruising, and subcultures. Some material is designated for adult audiences and only available to patrons 18+. Please see the \"Conditions Governing Access\" note of this finding aid for more information.\u003c/abstract\u003e"],"abstract_tesim":["The Andrew W. Manly collection includes LGBTQ+ publications and media, with a focus on British and American publishing firms. Material in the collection ranges from 1973-2015. Topics of interest include: Pride events, the HIV/AIDS epidemic and its impact on the LGBTQ+ community, LGBTQ+ pornography and erotica, queer club and bar culture, drag performers, sexuality, gender identity, LGBTQ+ films and literature, the leather community, safer sex practices, photography of the nude, LGBTQ+ friendly travel, cruising, and subcultures. Some material is designated for adult audiences and only available to patrons 18+. Please see the \"Conditions Governing Access\" note of this finding aid for more information."],"names_ssim":["USF Libraries - Tampa Special Collections","Manly, Andrew W."],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Manly, Andrew W."],"language_ssim":["English"],"total_component_count_is":291,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"41b814a832004607f7226632","timestamp":"2026-07-08T05:38:13.171Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/41b814a832004607f7226632_aspace_05e355f2561dbe1279eff05d563d319a"}},{"id":"a00ac4456d001c4f5b29b5b6_aspace_b3d66a29216695c8290c3327b44ec7d7","type":"Series","attributes":{"title":"Race and Change Oral History Project, Circa 1999-2016","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a00ac4456d001c4f5b29b5b6_aspace_b3d66a29216695c8290c3327b44ec7d7#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Race and Change Project series contains multiple interviews with African-Americans, Whites and immigrants regarding their memories growing up in Broward County, the United States, and other countries. Subjects also include family and community lifestyle, race relations and societal change from the late 1920's through the aftermath of the Civil Rights Act of 1964 and desegregation.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a00ac4456d001c4f5b29b5b6_aspace_b3d66a29216695c8290c3327b44ec7d7#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b3d66a29216695c8290c3327b44ec7d7","ref_ssm":["aspace_b3d66a29216695c8290c3327b44ec7d7","aspace_b3d66a29216695c8290c3327b44ec7d7"],"id":"a00ac4456d001c4f5b29b5b6_aspace_b3d66a29216695c8290c3327b44ec7d7","title_filing_ssi":"Race and Change Oral History Project","title_ssm":["Race and Change Oral History Project"],"title_tesim":["Race and Change Oral History Project"],"unitdate_inclusive_ssm":["Circa 1999-2016"],"normalized_date_ssm":["Circa 1999-2016"],"normalized_title_ssm":["Race and Change Oral History Project, Circa 1999-2016"],"text":["Race and Change Oral History Project, Circa 1999-2016","Kitty Oliver Collection, Circa 1969-2016","/repositories/2/archival_objects/7462","The Race and Change Project series contains multiple interviews with African-Americans, Whites and immigrants regarding their memories growing up in Broward County, the United States, and other countries. Subjects also include family and community lifestyle, race relations and societal change from the late 1920's through the aftermath of the Civil Rights Act of 1964 and desegregation.","The series contains audio and visual content of participants from the Race and Change Project including research composed by students Kitty Olver taught, and an essay written by Deborah Works: Historical Sketches and Rare Glimpses of the North Fork of the New River: a history of its natural and human environments (2001). Majority of Dr. Oliver's questionnaires, transcripts and interviews consists of ongoing research study of race and ethnic relations, geographical history and social change through the collection of oral histories of Whites, Blacks/African-Americans and immigrants of various Hispanic/Latinx, Caribbean and Asian backgrounds. Research sites includes the South Florida cities of Hollywood, Fort Lauderdale, West Palm Beach, Miami, Opa-locka, Delray Beach and Boca Raton; North Fork and Liberia – historically significant Black/African-American communities; towns along Florida's landmark Lake Okeechobee; Stranahan High School in Fort Lauderdale; and Ghana, West Africa – where women who have experienced America's racial climate shared their stories.","The series is organized into six sub-series: Race and Change Project, Stranahan High School, New River Cultural Environmental Survey, Ghanaian Women, Notes and Materials, and Race and Change Project: Hollywood, Florida Oral Histories (Cassette Tape Interviews)."],"component_level_isim":[1],"parent_ids_ssim":["a00ac4456d001c4f5b29b5b6"],"parent_unittitles_ssm":["Kitty Oliver Collection, Circa 1969-2016"],"parent_unittitles_tesim":["Kitty Oliver Collection, Circa 1969-2016"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/7462"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Kitty Oliver Collection, Circa 1969-2016"],"has_online_content_ssim":["false"],"child_component_count_isi":6,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":163,"parent_access_restrict_tesm":["The Kitty Oliver Collection is open for research."],"date_range_isim":[1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"scopecontent_html_tesm":["\u003cp\u003eThe Race and Change Project series contains multiple interviews with African-Americans, Whites and immigrants regarding their memories growing up in Broward County, the United States, and other countries. Subjects also include family and community lifestyle, race relations and societal change from the late 1920's through the aftermath of the Civil Rights Act of 1964 and desegregation.\u003c/p\u003e","\u003cp\u003eThe series contains audio and visual content of participants from the Race and Change Project including research composed by students Kitty Olver taught, and an essay written by Deborah Works: Historical Sketches and Rare Glimpses of the North Fork of the New River: a history of its natural and human environments (2001). Majority of Dr. Oliver's questionnaires, transcripts and interviews consists of ongoing research study of race and ethnic relations, geographical history and social change through the collection of oral histories of Whites, Blacks/African-Americans and immigrants of various Hispanic/Latinx, Caribbean and Asian backgrounds. Research sites includes the South Florida cities of Hollywood, Fort Lauderdale, West Palm Beach, Miami, Opa-locka, Delray Beach and Boca Raton; North Fork and Liberia \u0026#x2013; historically significant Black/African-American communities; towns along Florida's landmark Lake Okeechobee; Stranahan High School in Fort Lauderdale; and Ghana, West Africa \u0026#x2013; where women who have experienced America's racial climate shared their stories.\u003c/p\u003e","\u003cp\u003eThe series is organized into six sub-series: Race and Change Project, Stranahan High School, New River Cultural Environmental Survey, Ghanaian Women, Notes and Materials, and Race and Change Project: Hollywood, Florida Oral Histories (Cassette Tape Interviews).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Race and Change Project series contains multiple interviews with African-Americans, Whites and immigrants regarding their memories growing up in Broward County, the United States, and other countries. Subjects also include family and community lifestyle, race relations and societal change from the late 1920's through the aftermath of the Civil Rights Act of 1964 and desegregation.","The series contains audio and visual content of participants from the Race and Change Project including research composed by students Kitty Olver taught, and an essay written by Deborah Works: Historical Sketches and Rare Glimpses of the North Fork of the New River: a history of its natural and human environments (2001). Majority of Dr. Oliver's questionnaires, transcripts and interviews consists of ongoing research study of race and ethnic relations, geographical history and social change through the collection of oral histories of Whites, Blacks/African-Americans and immigrants of various Hispanic/Latinx, Caribbean and Asian backgrounds. Research sites includes the South Florida cities of Hollywood, Fort Lauderdale, West Palm Beach, Miami, Opa-locka, Delray Beach and Boca Raton; North Fork and Liberia – historically significant Black/African-American communities; towns along Florida's landmark Lake Okeechobee; Stranahan High School in Fort Lauderdale; and Ghana, West Africa – where women who have experienced America's racial climate shared their stories.","The series is organized into six sub-series: Race and Change Project, Stranahan High School, New River Cultural Environmental Survey, Ghanaian Women, Notes and Materials, and Race and Change Project: Hollywood, Florida Oral Histories (Cassette Tape Interviews)."],"_nest_path_":"/components#7","_nest_parent_":"a00ac4456d001c4f5b29b5b6","_root_":"a00ac4456d001c4f5b29b5b6","_version_":1876455827155451904,"timestamp":"2026-09-16T03:02:08.218Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a00ac4456d001c4f5b29b5b6","title_filing_ssi":"Oliver, Kitty Collection","title_ssm":["Kitty Oliver Collection"],"title_tesim":["Kitty Oliver Collection"],"ead_ssi":"a00ac4456d001c4f5b29b5b6","unitdate_ssm":["Circa 1969-2016"],"unitdate_inclusive_ssm":["Circa 1969-2016"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2004.1","/repositories/2/resources/22"],"text":["AARLCC.2004.1","/repositories/2/resources/22","Kitty Oliver Collection, Circa 1969-2016","African American women journalists -- Florida -- Miami-Dade County","University of Florida -- Alumni and alumnae","African Americans -- Race relations","African Americans -- Civil Rights -- Florida -- Broward County -- History","Correspondence","Oral histories","Photographs","Certificates","Clippings","The Kitty Oliver Collection is open for research.","The Kitty Oliver Collection contains eight series including: Series I. Correspondence, Series II: Personal Papers, Series III: Professional Papers, Series IV: Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Audio-Visual Materials, and Series VIII: Race and Change Project, 1999-2005.","Dr. Eloise \"Kitty\" Oliver is a veteran South Florida journalist, professor of creative nonfiction, memoir writing, oral history, and ethnic communication, and a professional jazz singer. Since the 1980s, she has produced landmark work as a cultural diversity researcher, documenting growing sociocultural conversions and multiculturalism that has become a reflection of contemporary American society.","Dr. Oliver was born on December 16, 1947 in Jacksonville, Florida. In 1965, Kitty Oliver was one of the first five Black freshmen to enroll at the University of Florida and live on campus after the passage of the Civil Rights Act of 1965. She graduated in 1969 with a Bachelor of Arts in English. During college, she met her Richard \"Ricky\" C. Oliver, Jr., who she married in 1969, and together they started a folk-rock musical group.","In 1971, Kitty Oliver started working one of the first Black reporters and columnists for the Miami Herald, covering Broward and Miami-Dade County. She chronicled the history of the Black community in South Florida, including Provident Hospital, Dr. Von Mizell and Dr. James Sistrunk, Eula Johnson, and Samuel Morrison.","Oliver left the Miami Herald in 1990 to pursue a Master of Fine Arts degree in Creative Writing at Florida International University and graduated in 1994. This led to her writing \"Multicolored Memories of a Black Southern Girl,\" a collection autobiographical essays about coming of age with integration and cultural diversity in Jacksonville and attending the University of Florida, working in South Florida, and her international travel.  ","After earning her M.A., she began the Race and Change Oral History Project, collecting oral histories of minority groups in Hollywood, Florida. She worked as a fulltime professor of Creative Writing and Multicultural Literature, Oral History Writing, and Ethnic Communication at Florida International University from 1994 to 1996 and at Florida Atlantic University's Broward Campuses from 1996 to 2006. During that time, she developed the Race and Change oral history methodology for cross-cultural research by students and communities. The work includes the Race and Change Project, the Kitty Oliver Oral Histories Archive, and the multimedia audio, webcast radio and television Race and Change Initiative with intergenerational stories. She donated her collection of 125 interviews to the African American Research Library and Cultural Center Special collections in 2004.","Oliver completed a Ph.D. in Comparative Studies from Florida Atlantic University in 2009, focusing on race and ethnic communication. Her degree included the creation of the 10-part public television documentary series \"Crossing Cultures, Changing Lives\" featuring  archival Race and Change Oral Histories narrators.","Dr. Kitty Oliver also specializes in books, television documentaries and literary performances which explore race and ethnic issues. Dr. Oliver conducts community oral history field work and is a member of the Oral History Association (OHA). Additionally, she serves as president of Kitty O. Enterprises, Inc. – which aids as a cultural diversity consulting firm located in Fort Lauderdale, Florida (Broward County).","Her major public television and video productions include the PBS documentary series \"Celebrate...the Cultural Connections\" and a 10-part series, \"Crossing Cultures/Changing Lives\", which premiered in Florida, Spring, 2008 on WBEC-TV (Beacon-TV). Dr. Oliver's contemporary work includes ongoing lecture series detailing her Race and Change project. Additionally, she produced a book entitled \"Race and Change in Hollywood, Florida (Voices of America)\" in 2000.","Dr. Kitty Oliver married Ricky Oliver in 1969, and they had two children, Kali and Brian Oliver. They divorced in 1989. Kitty Oliver married Arthur I. Musson, Jr. in 2018.","The Kitty Oliver Collection is open for research.","This collection received file level processing. This finding-aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Kitty Oliver Collection in the Broward County Library Digital Archives.","The Kitty Oliver Collection consists of correspondence, personal and professional papers, photographs, newspaper clippings, printed materials, and awards of South Florida journalist and educator Kitty Oliver. ","The collection also contains the Race and Change Project, a group of multiple oral history interviews with African-Americans, European-Americans, and immigrants regarding their memories growing up in Broward County, the United States, and other countries. Subjects include family and community lifestyle, race relations and societal change from the late 1920's through the aftermath of the Civil Rights Act of 1964 and desegregation. The collection contains audio and visual content of participants from the Race and Change Project including research composed by students taught by Kitty Oliver, and an essay written by Deborah Works entitled \"Historical Sketches and Rare Glimpses of the North Fork of the New River: a history of its natural and human environment\" (2001). The majority of Dr. Oliver's questionnaires, transcripts and interviews consist of ongoing research study of race and ethnic relations, geographical history and social change through the collection of oral histories of Whites, Blacks/African-Americans and immigrants of various Hispanic/Latinx, Caribbean and Asian backgrounds. Research sites include the South Florida cities of Hollywood, Fort Lauderdale, West Palm Beach, Miami, Opa-locka, Delray Beach and Boca Raton; North Fork and Liberia – historically significant Black/African-American communities; towns along Florida's landmark Lake Okeechobee; Stranahan High School in Fort Lauderdale; and Ghana, West Africa – where women who have experienced America's racial climate shared their stories.","Some materials from this collection were cataloged in the Broward County Library catalog with the prefix \"OLI\".","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2004.1","/repositories/2/resources/22"],"normalized_date_ssm":["Circa 1969-2016"],"normalized_title_ssm":["Kitty Oliver Collection, Circa 1969-2016"],"collection_title_tesim":["Kitty Oliver Collection, Circa 1969-2016"],"collection_ssim":["Kitty Oliver Collection, Circa 1969-2016"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["Dr. Kitty Oliver donated the materials to AARLCC Special Collections on January 29, 2004 (Accession AARLCC-2004.1). Accruals were made in 2005 (Accession AARLCC-2005.1) and on July 29, 2021 (Accession AARLCC-2021.13). An additional accrual was transferred from the Broward County Historical Archives to AARLCC Special Collections on August 28, 2024 (Accession AARLCC-2024.10)."],"access_subjects_ssim":["African American women journalists -- Florida -- Miami-Dade County","University of Florida -- Alumni and alumnae","African Americans -- Race relations","African Americans -- Civil Rights -- Florida -- Broward County -- History","Correspondence","Oral histories","Photographs","Certificates","Clippings"],"access_subjects_ssm":["African American women journalists -- Florida -- Miami-Dade County","University of Florida -- Alumni and alumnae","African Americans -- Race relations","African Americans -- Civil Rights -- Florida -- Broward County -- History","Correspondence","Oral histories","Photographs","Certificates","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["39 Hollinger Boxes"],"extent_tesim":["39 Hollinger Boxes"],"genreform_ssim":["Correspondence","Oral histories","Photographs","Certificates","Clippings"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe Kitty Oliver Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Kitty Oliver Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Kitty Oliver Collection contains eight series including: Series I. Correspondence, Series II: Personal Papers, Series III: Professional Papers, Series IV: Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Audio-Visual Materials, and Series VIII: Race and Change Project, 1999-2005.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Kitty Oliver Collection contains eight series including: Series I. Correspondence, Series II: Personal Papers, Series III: Professional Papers, Series IV: Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Audio-Visual Materials, and Series VIII: Race and Change Project, 1999-2005."],"bioghist_html_tesm":["\u003cp\u003eDr. Eloise \"Kitty\" Oliver is a veteran South Florida journalist, professor of creative nonfiction, memoir writing, oral history, and ethnic communication, and a professional jazz singer. Since the 1980s, she has produced landmark work as a cultural diversity researcher, documenting growing sociocultural conversions and multiculturalism that has become a reflection of contemporary American society.\u003c/p\u003e\n","\u003cp\u003eDr. Oliver was born on December 16, 1947 in Jacksonville, Florida. In 1965, Kitty Oliver was one of the first five Black freshmen to enroll at the University of Florida and live on campus after the passage of the Civil Rights Act of 1965. She graduated in 1969 with a Bachelor of Arts in English. During college, she met her Richard \"Ricky\" C. Oliver, Jr., who she married in 1969, and together they started a folk-rock musical group.\u003c/p\u003e\n","\u003cp\u003eIn 1971, Kitty Oliver started working one of the first Black reporters and columnists for the Miami Herald, covering Broward and Miami-Dade County. She chronicled the history of the Black community in South Florida, including Provident Hospital, Dr. Von Mizell and Dr. James Sistrunk, Eula Johnson, and Samuel Morrison.\u003c/p\u003e\n","\u003cp\u003eOliver left the Miami Herald in 1990 to pursue a Master of Fine Arts degree in Creative Writing at Florida International University and graduated in 1994. This led to her writing \"Multicolored Memories of a Black Southern Girl,\" a collection autobiographical essays about coming of age with integration and cultural diversity in Jacksonville and attending the University of Florida, working in South Florida, and her international travel.  \u003c/p\u003e\n","\u003cp\u003eAfter earning her M.A., she began the Race and Change Oral History Project, collecting oral histories of minority groups in Hollywood, Florida. She worked as a fulltime professor of Creative Writing and Multicultural Literature, Oral History Writing, and Ethnic Communication at Florida International University from 1994 to 1996 and at Florida Atlantic University's Broward Campuses from 1996 to 2006. During that time, she developed the Race and Change oral history methodology for cross-cultural research by students and communities. The work includes the Race and Change Project, the Kitty Oliver Oral Histories Archive, and the multimedia audio, webcast radio and television Race and Change Initiative with intergenerational stories. She donated her collection of 125 interviews to the African American Research Library and Cultural Center Special collections in 2004.\u003c/p\u003e\n","\u003cp\u003eOliver completed a Ph.D. in Comparative Studies from Florida Atlantic University in 2009, focusing on race and ethnic communication. Her degree included the creation of the 10-part public television documentary series \"Crossing Cultures, Changing Lives\" featuring  archival Race and Change Oral Histories narrators.\u003c/p\u003e\n","\u003cp\u003eDr. Kitty Oliver also specializes in books, television documentaries and literary performances which explore race and ethnic issues. Dr. Oliver conducts community oral history field work and is a member of the Oral History Association (OHA). Additionally, she serves as president of Kitty O. Enterprises, Inc. \u0026#x2013; which aids as a cultural diversity consulting firm located in Fort Lauderdale, Florida (Broward County).\u003c/p\u003e\n","\u003cp\u003eHer major public television and video productions include the PBS documentary series \"Celebrate...the Cultural Connections\" and a 10-part series, \"Crossing Cultures/Changing Lives\", which premiered in Florida, Spring, 2008 on WBEC-TV (Beacon-TV). Dr. Oliver's contemporary work includes ongoing lecture series detailing her Race and Change project. Additionally, she produced a book entitled \"Race and Change in Hollywood, Florida (Voices of America)\" in 2000.\u003c/p\u003e\n","\u003cp\u003eDr. Kitty Oliver married Ricky Oliver in 1969, and they had two children, Kali and Brian Oliver. They divorced in 1989. Kitty Oliver married Arthur I. Musson, Jr. in 2018.\u003c/p\u003e\n","\u003cp\u003eThe Kitty Oliver Collection is open for research.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Eloise \"Kitty\" Oliver is a veteran South Florida journalist, professor of creative nonfiction, memoir writing, oral history, and ethnic communication, and a professional jazz singer. Since the 1980s, she has produced landmark work as a cultural diversity researcher, documenting growing sociocultural conversions and multiculturalism that has become a reflection of contemporary American society.","Dr. Oliver was born on December 16, 1947 in Jacksonville, Florida. In 1965, Kitty Oliver was one of the first five Black freshmen to enroll at the University of Florida and live on campus after the passage of the Civil Rights Act of 1965. She graduated in 1969 with a Bachelor of Arts in English. During college, she met her Richard \"Ricky\" C. Oliver, Jr., who she married in 1969, and together they started a folk-rock musical group.","In 1971, Kitty Oliver started working one of the first Black reporters and columnists for the Miami Herald, covering Broward and Miami-Dade County. She chronicled the history of the Black community in South Florida, including Provident Hospital, Dr. Von Mizell and Dr. James Sistrunk, Eula Johnson, and Samuel Morrison.","Oliver left the Miami Herald in 1990 to pursue a Master of Fine Arts degree in Creative Writing at Florida International University and graduated in 1994. This led to her writing \"Multicolored Memories of a Black Southern Girl,\" a collection autobiographical essays about coming of age with integration and cultural diversity in Jacksonville and attending the University of Florida, working in South Florida, and her international travel.  ","After earning her M.A., she began the Race and Change Oral History Project, collecting oral histories of minority groups in Hollywood, Florida. She worked as a fulltime professor of Creative Writing and Multicultural Literature, Oral History Writing, and Ethnic Communication at Florida International University from 1994 to 1996 and at Florida Atlantic University's Broward Campuses from 1996 to 2006. During that time, she developed the Race and Change oral history methodology for cross-cultural research by students and communities. The work includes the Race and Change Project, the Kitty Oliver Oral Histories Archive, and the multimedia audio, webcast radio and television Race and Change Initiative with intergenerational stories. She donated her collection of 125 interviews to the African American Research Library and Cultural Center Special collections in 2004.","Oliver completed a Ph.D. in Comparative Studies from Florida Atlantic University in 2009, focusing on race and ethnic communication. Her degree included the creation of the 10-part public television documentary series \"Crossing Cultures, Changing Lives\" featuring  archival Race and Change Oral Histories narrators.","Dr. Kitty Oliver also specializes in books, television documentaries and literary performances which explore race and ethnic issues. Dr. Oliver conducts community oral history field work and is a member of the Oral History Association (OHA). Additionally, she serves as president of Kitty O. Enterprises, Inc. – which aids as a cultural diversity consulting firm located in Fort Lauderdale, Florida (Broward County).","Her major public television and video productions include the PBS documentary series \"Celebrate...the Cultural Connections\" and a 10-part series, \"Crossing Cultures/Changing Lives\", which premiered in Florida, Spring, 2008 on WBEC-TV (Beacon-TV). Dr. Oliver's contemporary work includes ongoing lecture series detailing her Race and Change project. Additionally, she produced a book entitled \"Race and Change in Hollywood, Florida (Voices of America)\" in 2000.","Dr. Kitty Oliver married Ricky Oliver in 1969, and they had two children, Kali and Brian Oliver. They divorced in 1989. Kitty Oliver married Arthur I. Musson, Jr. in 2018.","The Kitty Oliver Collection is open for research."],"prefercite_html_tesm":["\u003cp\u003eKitty Oliver Collection (AARLCC-2004.1), AALRCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Kitty Oliver Collection (AARLCC-2004.1), AALRCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding-aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding-aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/k-oliver1/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Kitty Oliver Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Kitty Oliver Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Kitty Oliver Collection consists of correspondence, personal and professional papers, photographs, newspaper clippings, printed materials, and awards of South Florida journalist and educator Kitty Oliver. \u003c/p\u003e\n","\u003cp\u003eThe collection also contains the Race and Change Project, a group of multiple oral history interviews with African-Americans, European-Americans, and immigrants regarding their memories growing up in Broward County, the United States, and other countries. Subjects include family and community lifestyle, race relations and societal change from the late 1920's through the aftermath of the Civil Rights Act of 1964 and desegregation. The collection contains audio and visual content of participants from the Race and Change Project including research composed by students taught by Kitty Oliver, and an essay written by Deborah Works entitled \"Historical Sketches and Rare Glimpses of the North Fork of the New River: a history of its natural and human environment\" (2001). The majority of Dr. Oliver's questionnaires, transcripts and interviews consist of ongoing research study of race and ethnic relations, geographical history and social change through the collection of oral histories of Whites, Blacks/African-Americans and immigrants of various Hispanic/Latinx, Caribbean and Asian backgrounds. Research sites include the South Florida cities of Hollywood, Fort Lauderdale, West Palm Beach, Miami, Opa-locka, Delray Beach and Boca Raton; North Fork and Liberia \u0026#x2013; historically significant Black/African-American communities; towns along Florida's landmark Lake Okeechobee; Stranahan High School in Fort Lauderdale; and Ghana, West Africa \u0026#x2013; where women who have experienced America's racial climate shared their stories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Kitty Oliver Collection consists of correspondence, personal and professional papers, photographs, newspaper clippings, printed materials, and awards of South Florida journalist and educator Kitty Oliver. ","The collection also contains the Race and Change Project, a group of multiple oral history interviews with African-Americans, European-Americans, and immigrants regarding their memories growing up in Broward County, the United States, and other countries. Subjects include family and community lifestyle, race relations and societal change from the late 1920's through the aftermath of the Civil Rights Act of 1964 and desegregation. The collection contains audio and visual content of participants from the Race and Change Project including research composed by students taught by Kitty Oliver, and an essay written by Deborah Works entitled \"Historical Sketches and Rare Glimpses of the North Fork of the New River: a history of its natural and human environment\" (2001). The majority of Dr. Oliver's questionnaires, transcripts and interviews consist of ongoing research study of race and ethnic relations, geographical history and social change through the collection of oral histories of Whites, Blacks/African-Americans and immigrants of various Hispanic/Latinx, Caribbean and Asian backgrounds. Research sites include the South Florida cities of Hollywood, Fort Lauderdale, West Palm Beach, Miami, Opa-locka, Delray Beach and Boca Raton; North Fork and Liberia – historically significant Black/African-American communities; towns along Florida's landmark Lake Okeechobee; Stranahan High School in Fort Lauderdale; and Ghana, West Africa – where women who have experienced America's racial climate shared their stories."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default\" target=\"_blank\"\u003eSome materials from this collection were cataloged in the Broward County Library catalog with the prefix \"OLI\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Some materials from this collection were cataloged in the Broward County Library catalog with the prefix \"OLI\"."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":418,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455827155451904,"_root_":"a00ac4456d001c4f5b29b5b6","timestamp":"2026-09-16T03:02:08.218Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a00ac4456d001c4f5b29b5b6_aspace_b3d66a29216695c8290c3327b44ec7d7"}},{"id":"1ac4ca82cbf9f71c689e9408","type":"collection","attributes":{"title":"Randy Jones Digital Dreams, 2013-2017, Date acquired: 00/00/2017, bulk 2017","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/1ac4ca82cbf9f71c689e9408#creator","type":"document_value","attributes":{"value":["Jones, Randy"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/1ac4ca82cbf9f71c689e9408#abstract_or_scope","type":"document_value","attributes":{"value":["This collection consists of digital artwork and poetry from artist Randy Jones, who provides the following statement about the work featured in the Digital Dreams collection: \"My digital paintings reflect what I respond to. There is joy in the arrangement and design elements and colors within a composition. And there is beauty of varied shape and form. Familiar, comfortable objects like fruit or books express the fragility of the moment, but also becomes something eternal and timeless frozen forever in the picture. \"Durability,\" \"immortality.\" And symbolism. Things I respond to--all objects have significance. Personal and profound symbols. The more we look, the more we see. Most importantly we see that transient beauty can become transformed consciously and subconsciously. It is awareness of response: what do objects on a shelf become for us? Symbols, memories, expressions, feelings. Together with the highest level of my ability the still-life objects in my paintings make my work meaningful. Most of all, my work is therapy for me and an essential part of my recovery. Whoever you may be reading my poems and viewing my pictures I want to thank you, and I hope you will be pleased and find something worth learning and considering. Much of this new art was created when my life partner, Wilbur T., was diagnosed with lung cancer, ultimately passing away in February of this year after a lengthy nursing center stay. My work covers a range of topics: love, loss, art, memories and finally, hope. Perhaps, you too may find a bit of yourself here.\""],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1ac4ca82cbf9f71c689e9408#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"1ac4ca82cbf9f71c689e9408","title_ssm":["Randy Jones Digital Dreams"],"title_tesim":["Randy Jones Digital Dreams"],"ead_ssi":"1ac4ca82cbf9f71c689e9408","unitdate_ssm":["2013-2017","2017","Date acquired: 00/00/2017"],"unitdate_bulk_ssim":["2017"],"unitdate_inclusive_ssm":["2013-2017"],"unitdate_other_ssim":["Date acquired: 00/00/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2017-03","/repositories/2/resources/46"],"text":["MS-2017-03","/repositories/2/resources/46","Randy Jones Digital Dreams, 2013-2017, Date acquired: 00/00/2017, bulk 2017","Photography -- Digital techniques","Poetry","Gay culture","Gay men's writings, American","Artists","These items are bound collections maintained in the original arrangment.","Randy Jones was born and grew up in Columbus, Ohio, and has been making art all of his life. After receiving a B.F.A. from the Columbus College of Art \u0026 Design, Jones worked for a number of years as an advertising artist. As a fine artist, he chaired and organized \"A Digital Salon\" in Columbus, participated in the Collectors Gallery at the Columbus Museum of Art, NewCAT in Cleveland, an art auction, several private galleries, a card shop, and four solo exhibits in a library. He participated in several galleries locally in Ohio, and his work was shown by Eovia Inc at the Apple Computer Expo in Paris, France. After many years developing his own digital art style on a Macintosh computer and coming up with a name for himself (Digital Dream Studios), Jones is currently seeking the best market for his work--whether through continued gallery representation or publishing. He has been a digital artist for twenty three years.","Note written by Randy Jones","published","processed","This collection consists of a digital art portfolio and poetry collection by Randy Jones. Additional artist information can be found in the abstract and artist's statement portions of this finding aid.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection consists of digital artwork and poetry from artist Randy Jones, who provides the following statement about the work featured in the Digital Dreams collection:\n\t\"My digital paintings reflect what I respond to. There is joy in the arrangement and design elements and colors within a composition. And there is beauty of varied shape and form. Familiar, comfortable objects like fruit or books express the fragility of the moment, but also becomes something eternal and timeless frozen forever in the picture. \"Durability,\" \"immortality.\" And symbolism. Things I respond to--all objects have significance. Personal and profound symbols. The more we look, the more we see. Most importantly we see that transient beauty can become transformed consciously and subconsciously. It is awareness of response: what do objects on a shelf become for us? Symbols, memories, expressions, feelings. Together with the highest level of my ability the still-life objects in my paintings make my work meaningful. Most of all, my work is therapy for me and an essential part of my recovery.\n\tWhoever you may be reading my poems and viewing my pictures I want to thank you, and I hope you will be pleased and find something worth learning and considering. Much of this new art was created when my life partner, Wilbur T., was diagnosed with lung cancer, ultimately passing away in February of this year after a lengthy nursing center stay. My work covers a range of topics: love, loss, art, memories and finally, hope. Perhaps, you too may find a bit of yourself here.\"","USF Libraries - Tampa Special Collections","Jones, Randy","English"],"unitid_tesim":["MS-2017-03","/repositories/2/resources/46"],"normalized_date_ssm":["2013-2017, Date acquired: 00/00/2017, bulk 2017"],"normalized_title_ssm":["Randy Jones Digital Dreams, 2013-2017, Date acquired: 00/00/2017, bulk 2017"],"collection_title_tesim":["Randy Jones Digital Dreams, 2013-2017, Date acquired: 00/00/2017, bulk 2017"],"collection_ssim":["Randy Jones Digital Dreams, 2013-2017, Date acquired: 00/00/2017, bulk 2017"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Jones, Randy"],"creator_ssim":["Jones, Randy"],"creator_persname_ssim":["Jones, Randy"],"creators_ssim":["Jones, Randy"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Randy Jones","Donation."],"access_subjects_ssim":["Photography -- Digital techniques","Poetry","Gay culture","Gay men's writings, American","Artists"],"access_subjects_ssm":["Photography -- Digital techniques","Poetry","Gay culture","Gay men's writings, American","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["0.21 Linear Feet","1 boxes"],"extent_tesim":["0.21 Linear Feet","1 boxes"],"date_range_isim":[2013,2014,2015,2016,2017],"arrangement_html_tesm":["\u003cp\u003eThese items are bound collections maintained in the original arrangment.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["These items are bound collections maintained in the original arrangment."],"bioghist_html_tesm":["\u003cp\u003eRandy Jones was born and grew up in Columbus, Ohio, and has been making art all of his life. After receiving a B.F.A. from the Columbus College of Art \u0026amp; Design, Jones worked for a number of years as an advertising artist. As a fine artist, he chaired and organized \"A Digital Salon\" in Columbus, participated in the Collectors Gallery at the Columbus Museum of Art, NewCAT in Cleveland, an art auction, several private galleries, a card shop, and four solo exhibits in a library. He participated in several galleries locally in Ohio, and his work was shown by Eovia Inc at the Apple Computer Expo in Paris, France. After many years developing his own digital art style on a Macintosh computer and coming up with a name for himself (Digital Dream Studios), Jones is currently seeking the best market for his work--whether through continued gallery representation or publishing. He has been a digital artist for twenty three years.\u003c/p\u003e\n","\u003cp\u003eNote written by Randy Jones\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Randy Jones was born and grew up in Columbus, Ohio, and has been making art all of his life. After receiving a B.F.A. from the Columbus College of Art \u0026 Design, Jones worked for a number of years as an advertising artist. As a fine artist, he chaired and organized \"A Digital Salon\" in Columbus, participated in the Collectors Gallery at the Columbus Museum of Art, NewCAT in Cleveland, an art auction, several private galleries, a card shop, and four solo exhibits in a library. He participated in several galleries locally in Ohio, and his work was shown by Eovia Inc at the Apple Computer Expo in Paris, France. After many years developing his own digital art style on a Macintosh computer and coming up with a name for himself (Digital Dream Studios), Jones is currently seeking the best market for his work--whether through continued gallery representation or publishing. He has been a digital artist for twenty three years.","Note written by Randy Jones"],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"processinfo_html_tesm":["\u003cp\u003eprocessed\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["processed"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of a digital art portfolio and poetry collection by Randy Jones. Additional artist information can be found in the abstract and artist's statement portions of this finding aid.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of a digital art portfolio and poetry collection by Randy Jones. Additional artist information can be found in the abstract and artist's statement portions of this finding aid."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_afb433d2040bf3f2d68e9fd799b1a54f\" label=\"Abstract\"\u003eThis collection consists of digital artwork and poetry from artist Randy Jones, who provides the following statement about the work featured in the Digital Dreams collection:\n\t\"My digital paintings reflect what I respond to. There is joy in the arrangement and design elements and colors within a composition. And there is beauty of varied shape and form. Familiar, comfortable objects like fruit or books express the fragility of the moment, but also becomes something eternal and timeless frozen forever in the picture. \"Durability,\" \"immortality.\" And symbolism. Things I respond to--all objects have significance. Personal and profound symbols. The more we look, the more we see. Most importantly we see that transient beauty can become transformed consciously and subconsciously. It is awareness of response: what do objects on a shelf become for us? Symbols, memories, expressions, feelings. Together with the highest level of my ability the still-life objects in my paintings make my work meaningful. Most of all, my work is therapy for me and an essential part of my recovery.\n\tWhoever you may be reading my poems and viewing my pictures I want to thank you, and I hope you will be pleased and find something worth learning and considering. Much of this new art was created when my life partner, Wilbur T., was diagnosed with lung cancer, ultimately passing away in February of this year after a lengthy nursing center stay. My work covers a range of topics: love, loss, art, memories and finally, hope. Perhaps, you too may find a bit of yourself here.\"\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of digital artwork and poetry from artist Randy Jones, who provides the following statement about the work featured in the Digital Dreams collection:\n\t\"My digital paintings reflect what I respond to. There is joy in the arrangement and design elements and colors within a composition. And there is beauty of varied shape and form. Familiar, comfortable objects like fruit or books express the fragility of the moment, but also becomes something eternal and timeless frozen forever in the picture. \"Durability,\" \"immortality.\" And symbolism. Things I respond to--all objects have significance. Personal and profound symbols. The more we look, the more we see. Most importantly we see that transient beauty can become transformed consciously and subconsciously. It is awareness of response: what do objects on a shelf become for us? Symbols, memories, expressions, feelings. Together with the highest level of my ability the still-life objects in my paintings make my work meaningful. Most of all, my work is therapy for me and an essential part of my recovery.\n\tWhoever you may be reading my poems and viewing my pictures I want to thank you, and I hope you will be pleased and find something worth learning and considering. Much of this new art was created when my life partner, Wilbur T., was diagnosed with lung cancer, ultimately passing away in February of this year after a lengthy nursing center stay. My work covers a range of topics: love, loss, art, memories and finally, hope. Perhaps, you too may find a bit of yourself here.\""],"names_ssim":["USF Libraries - Tampa Special Collections","Jones, Randy"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Jones, Randy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":157,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"1ac4ca82cbf9f71c689e9408","timestamp":"2026-07-10T04:34:20.107Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1ac4ca82cbf9f71c689e9408","title_ssm":["Randy Jones Digital Dreams"],"title_tesim":["Randy Jones Digital Dreams"],"ead_ssi":"1ac4ca82cbf9f71c689e9408","unitdate_ssm":["2013-2017","2017","Date acquired: 00/00/2017"],"unitdate_bulk_ssim":["2017"],"unitdate_inclusive_ssm":["2013-2017"],"unitdate_other_ssim":["Date acquired: 00/00/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2017-03","/repositories/2/resources/46"],"text":["MS-2017-03","/repositories/2/resources/46","Randy Jones Digital Dreams, 2013-2017, Date acquired: 00/00/2017, bulk 2017","Photography -- Digital techniques","Poetry","Gay culture","Gay men's writings, American","Artists","These items are bound collections maintained in the original arrangment.","Randy Jones was born and grew up in Columbus, Ohio, and has been making art all of his life. After receiving a B.F.A. from the Columbus College of Art \u0026 Design, Jones worked for a number of years as an advertising artist. As a fine artist, he chaired and organized \"A Digital Salon\" in Columbus, participated in the Collectors Gallery at the Columbus Museum of Art, NewCAT in Cleveland, an art auction, several private galleries, a card shop, and four solo exhibits in a library. He participated in several galleries locally in Ohio, and his work was shown by Eovia Inc at the Apple Computer Expo in Paris, France. After many years developing his own digital art style on a Macintosh computer and coming up with a name for himself (Digital Dream Studios), Jones is currently seeking the best market for his work--whether through continued gallery representation or publishing. He has been a digital artist for twenty three years.","Note written by Randy Jones","published","processed","This collection consists of a digital art portfolio and poetry collection by Randy Jones. Additional artist information can be found in the abstract and artist's statement portions of this finding aid.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection consists of digital artwork and poetry from artist Randy Jones, who provides the following statement about the work featured in the Digital Dreams collection:\n\t\"My digital paintings reflect what I respond to. There is joy in the arrangement and design elements and colors within a composition. And there is beauty of varied shape and form. Familiar, comfortable objects like fruit or books express the fragility of the moment, but also becomes something eternal and timeless frozen forever in the picture. \"Durability,\" \"immortality.\" And symbolism. Things I respond to--all objects have significance. Personal and profound symbols. The more we look, the more we see. Most importantly we see that transient beauty can become transformed consciously and subconsciously. It is awareness of response: what do objects on a shelf become for us? Symbols, memories, expressions, feelings. Together with the highest level of my ability the still-life objects in my paintings make my work meaningful. Most of all, my work is therapy for me and an essential part of my recovery.\n\tWhoever you may be reading my poems and viewing my pictures I want to thank you, and I hope you will be pleased and find something worth learning and considering. Much of this new art was created when my life partner, Wilbur T., was diagnosed with lung cancer, ultimately passing away in February of this year after a lengthy nursing center stay. My work covers a range of topics: love, loss, art, memories and finally, hope. Perhaps, you too may find a bit of yourself here.\"","USF Libraries - Tampa Special Collections","Jones, Randy","English"],"unitid_tesim":["MS-2017-03","/repositories/2/resources/46"],"normalized_date_ssm":["2013-2017, Date acquired: 00/00/2017, bulk 2017"],"normalized_title_ssm":["Randy Jones Digital Dreams, 2013-2017, Date acquired: 00/00/2017, bulk 2017"],"collection_title_tesim":["Randy Jones Digital Dreams, 2013-2017, Date acquired: 00/00/2017, bulk 2017"],"collection_ssim":["Randy Jones Digital Dreams, 2013-2017, Date acquired: 00/00/2017, bulk 2017"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Jones, Randy"],"creator_ssim":["Jones, Randy"],"creator_persname_ssim":["Jones, Randy"],"creators_ssim":["Jones, Randy"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Randy Jones","Donation."],"access_subjects_ssim":["Photography -- Digital techniques","Poetry","Gay culture","Gay men's writings, American","Artists"],"access_subjects_ssm":["Photography -- Digital techniques","Poetry","Gay culture","Gay men's writings, American","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["0.21 Linear Feet","1 boxes"],"extent_tesim":["0.21 Linear Feet","1 boxes"],"date_range_isim":[2013,2014,2015,2016,2017],"arrangement_html_tesm":["\u003cp\u003eThese items are bound collections maintained in the original arrangment.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["These items are bound collections maintained in the original arrangment."],"bioghist_html_tesm":["\u003cp\u003eRandy Jones was born and grew up in Columbus, Ohio, and has been making art all of his life. After receiving a B.F.A. from the Columbus College of Art \u0026amp; Design, Jones worked for a number of years as an advertising artist. As a fine artist, he chaired and organized \"A Digital Salon\" in Columbus, participated in the Collectors Gallery at the Columbus Museum of Art, NewCAT in Cleveland, an art auction, several private galleries, a card shop, and four solo exhibits in a library. He participated in several galleries locally in Ohio, and his work was shown by Eovia Inc at the Apple Computer Expo in Paris, France. After many years developing his own digital art style on a Macintosh computer and coming up with a name for himself (Digital Dream Studios), Jones is currently seeking the best market for his work--whether through continued gallery representation or publishing. He has been a digital artist for twenty three years.\u003c/p\u003e\n","\u003cp\u003eNote written by Randy Jones\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Randy Jones was born and grew up in Columbus, Ohio, and has been making art all of his life. After receiving a B.F.A. from the Columbus College of Art \u0026 Design, Jones worked for a number of years as an advertising artist. As a fine artist, he chaired and organized \"A Digital Salon\" in Columbus, participated in the Collectors Gallery at the Columbus Museum of Art, NewCAT in Cleveland, an art auction, several private galleries, a card shop, and four solo exhibits in a library. He participated in several galleries locally in Ohio, and his work was shown by Eovia Inc at the Apple Computer Expo in Paris, France. After many years developing his own digital art style on a Macintosh computer and coming up with a name for himself (Digital Dream Studios), Jones is currently seeking the best market for his work--whether through continued gallery representation or publishing. He has been a digital artist for twenty three years.","Note written by Randy Jones"],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"processinfo_html_tesm":["\u003cp\u003eprocessed\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["processed"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of a digital art portfolio and poetry collection by Randy Jones. Additional artist information can be found in the abstract and artist's statement portions of this finding aid.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of a digital art portfolio and poetry collection by Randy Jones. Additional artist information can be found in the abstract and artist's statement portions of this finding aid."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_afb433d2040bf3f2d68e9fd799b1a54f\" label=\"Abstract\"\u003eThis collection consists of digital artwork and poetry from artist Randy Jones, who provides the following statement about the work featured in the Digital Dreams collection:\n\t\"My digital paintings reflect what I respond to. There is joy in the arrangement and design elements and colors within a composition. And there is beauty of varied shape and form. Familiar, comfortable objects like fruit or books express the fragility of the moment, but also becomes something eternal and timeless frozen forever in the picture. \"Durability,\" \"immortality.\" And symbolism. Things I respond to--all objects have significance. Personal and profound symbols. The more we look, the more we see. Most importantly we see that transient beauty can become transformed consciously and subconsciously. It is awareness of response: what do objects on a shelf become for us? Symbols, memories, expressions, feelings. Together with the highest level of my ability the still-life objects in my paintings make my work meaningful. Most of all, my work is therapy for me and an essential part of my recovery.\n\tWhoever you may be reading my poems and viewing my pictures I want to thank you, and I hope you will be pleased and find something worth learning and considering. Much of this new art was created when my life partner, Wilbur T., was diagnosed with lung cancer, ultimately passing away in February of this year after a lengthy nursing center stay. My work covers a range of topics: love, loss, art, memories and finally, hope. Perhaps, you too may find a bit of yourself here.\"\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of digital artwork and poetry from artist Randy Jones, who provides the following statement about the work featured in the Digital Dreams collection:\n\t\"My digital paintings reflect what I respond to. There is joy in the arrangement and design elements and colors within a composition. And there is beauty of varied shape and form. Familiar, comfortable objects like fruit or books express the fragility of the moment, but also becomes something eternal and timeless frozen forever in the picture. \"Durability,\" \"immortality.\" And symbolism. Things I respond to--all objects have significance. Personal and profound symbols. The more we look, the more we see. Most importantly we see that transient beauty can become transformed consciously and subconsciously. It is awareness of response: what do objects on a shelf become for us? Symbols, memories, expressions, feelings. Together with the highest level of my ability the still-life objects in my paintings make my work meaningful. Most of all, my work is therapy for me and an essential part of my recovery.\n\tWhoever you may be reading my poems and viewing my pictures I want to thank you, and I hope you will be pleased and find something worth learning and considering. Much of this new art was created when my life partner, Wilbur T., was diagnosed with lung cancer, ultimately passing away in February of this year after a lengthy nursing center stay. My work covers a range of topics: love, loss, art, memories and finally, hope. Perhaps, you too may find a bit of yourself here.\""],"names_ssim":["USF Libraries - Tampa Special Collections","Jones, Randy"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Jones, Randy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":157,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"1ac4ca82cbf9f71c689e9408","timestamp":"2026-07-10T04:34:20.107Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1ac4ca82cbf9f71c689e9408"}},{"id":"62cf9c40c169076db3e3e358","type":"collection","attributes":{"title":"Raymond Lucitt collection, 1941-1947, Date acquired: 2015-08-28, Date accessioned: 2020-06-07, bulk 1942-1945","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/62cf9c40c169076db3e3e358#creator","type":"document_value","attributes":{"value":["Lucitt, Raymond"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/62cf9c40c169076db3e3e358#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection is related to Raymond Lucitt. The collection contains booklets: Air Raid Warden Manual, Newark Defense Council, Red Cross First Aid Book, 1941 War Department Soldier's Manual, 1917 Soldier's French Course Book. In addition to Lucitt's Selective Service papers, this collection includes content about what a GI might have carried on a daily basis. Well-worn papers include a Soldiers' Deposit Receipt, Notice of Classification, Army Exchange Service Ration Card European Theater of Operation United States Army (ETOUSA), leave permission slip, Army Exchange Ration Card, Meal Ticket, pay stub, United States Army 16 mm Projection Operators Permit. Also included are an air raid warden's pocket \"Summary of Chemical Warfare Agents,\" and \"Pocket Notes on Identification of German Units\" dated January 1941, and an Individual Equipment List from Fort McClellan.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/62cf9c40c169076db3e3e358#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"62cf9c40c169076db3e3e358","title_filing_ssi":"Lucitt, Raymond collection","title_ssm":["Raymond Lucitt collection"],"title_tesim":["Raymond Lucitt collection"],"ead_ssi":"62cf9c40c169076db3e3e358","unitdate_ssm":["1941-1947","1942-1945","Date acquired: 2015-08-28","Date accessioned: 2020-06-07"],"unitdate_bulk_ssim":["1942-1945"],"unitdate_inclusive_ssm":["1941-1947"],"unitdate_other_ssim":["Date acquired: 2015-08-28","Date accessioned: 2020-06-07"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["15.0034","/repositories/10/resources/338"],"text":["15.0034","/repositories/10/resources/338","Raymond Lucitt collection, 1941-1947, Date acquired: 2015-08-28, Date accessioned: 2020-06-07, bulk 1942-1945","Fort McClellan (Ala.)","Draft--United States","Chemical warfare.","World War, 1939-1945--Logistics--United States","This collection is open to all researchers.","Arranged by creator.","Raymond Lucitt (1912-1970) enlisted March 21, 1942, at Fort Dix and trained at Fort McClellan, AL, and served in France in 1944-1945.","The collection was gifted by Monmouth County Historical Association. 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The collection was acquired on August 28, 2015.\u003c/p\u003e","\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History","Custodial History"],"custodhist_tesim":["The collection was gifted by Monmouth County Historical Association. The collection was acquired on August 28, 2015.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Raymond Lucitt collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_15_0034\"\u003ehttp://purl.fcla.edu/fsu/WWII_15_0034\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Raymond Lucitt collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_15_0034"],"scopecontent_html_tesm":["\u003cp\u003eThis collection is related to Raymond Lucitt. The collection contains booklets: Air Raid Warden Manual, Newark Defense Council, Red Cross First Aid Book, 1941 War Department Soldier's Manual, 1917 Soldier's French Course Book. In addition to Lucitt's Selective Service papers, this collection includes content about what a GI might have carried on a daily basis. Well-worn papers include a Soldiers' Deposit Receipt, Notice of Classification, Army Exchange Service Ration Card European Theater of Operation United States Army (ETOUSA), leave permission slip, Army Exchange Ration Card, Meal Ticket, pay stub, United States Army 16 mm Projection Operators Permit. Also included are an air raid warden's pocket \"Summary of Chemical Warfare Agents,\" and \"Pocket Notes on Identification of German Units\" dated January 1941, and an Individual Equipment List from Fort McClellan.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is related to Raymond Lucitt. 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Also included are an air raid warden's pocket \"Summary of Chemical Warfare Agents,\" and \"Pocket Notes on Identification of German Units\" dated January 1941, and an Individual Equipment List from Fort McClellan."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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Also included are an air raid warden's pocket \"Summary of Chemical Warfare Agents,\" and \"Pocket Notes on Identification of German Units\" dated January 1941, and an Individual Equipment List from Fort McClellan.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","United States. 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The collection was acquired on August 28, 2015.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Raymond Lucitt collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_15_0034\"\u003ehttp://purl.fcla.edu/fsu/WWII_15_0034\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Raymond Lucitt collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_15_0034"],"scopecontent_html_tesm":["\u003cp\u003eThis collection is related to Raymond Lucitt. The collection contains booklets: Air Raid Warden Manual, Newark Defense Council, Red Cross First Aid Book, 1941 War Department Soldier's Manual, 1917 Soldier's French Course Book. In addition to Lucitt's Selective Service papers, this collection includes content about what a GI might have carried on a daily basis. Well-worn papers include a Soldiers' Deposit Receipt, Notice of Classification, Army Exchange Service Ration Card European Theater of Operation United States Army (ETOUSA), leave permission slip, Army Exchange Ration Card, Meal Ticket, pay stub, United States Army 16 mm Projection Operators Permit. Also included are an air raid warden's pocket \"Summary of Chemical Warfare Agents,\" and \"Pocket Notes on Identification of German Units\" dated January 1941, and an Individual Equipment List from Fort McClellan.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is related to Raymond Lucitt. The collection contains booklets: Air Raid Warden Manual, Newark Defense Council, Red Cross First Aid Book, 1941 War Department Soldier's Manual, 1917 Soldier's French Course Book. In addition to Lucitt's Selective Service papers, this collection includes content about what a GI might have carried on a daily basis. Well-worn papers include a Soldiers' Deposit Receipt, Notice of Classification, Army Exchange Service Ration Card European Theater of Operation United States Army (ETOUSA), leave permission slip, Army Exchange Ration Card, Meal Ticket, pay stub, United States Army 16 mm Projection Operators Permit. 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