{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=42","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=41","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=43","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=126"},"meta":{"pages":{"current_page":42,"next_page":43,"prev_page":41,"total_pages":126,"limit_value":10,"offset_value":410,"total_count":1260,"first_page?":false,"last_page?":false}},"data":[{"id":"6a8ca297c8d957a918dee02d","type":"collection","attributes":{"title":"Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/6a8ca297c8d957a918dee02d#creator","type":"document_value","attributes":{"value":["Daly, Edith (1937-)"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/6a8ca297c8d957a918dee02d#abstract_or_scope","type":"document_value","attributes":{"value":["The papers of Edith Daly, a lesbian activist who co-founded the Women's Energy Bank, a group based in Pinellas County that supported progressive political causes and published the monthly newsletter \u003cem\u003eWomyn's Words\u003c/em\u003e."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6a8ca297c8d957a918dee02d#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"6a8ca297c8d957a918dee02d","title_ssm":["Edith \"Edie\" Daly / Women's Energy Bank collection"],"title_tesim":["Edith \"Edie\" Daly / Women's Energy Bank collection"],"ead_ssi":"6a8ca297c8d957a918dee02d","unitdate_ssm":["1973-2014","1990-1998","Date acquired: 2006"],"unitdate_bulk_ssim":["1990-1998"],"unitdate_inclusive_ssm":["1973-2014"],"unitdate_other_ssim":["Date acquired: 2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2006-08","/repositories/2/resources/442"],"text":["MS-2006-08","/repositories/2/resources/442","Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998","Tampa (Fla.)","Women's studies","Lesbian feminist theory","Lesbian activism","Queer studies","Organized alphabetically within series and subjects.","In 1974, Edith \"Edie\" Daly \"came out\" as both an activist and lesbian.  In 1981, she returned to her home state of Florida where she opened a women's bookstore on Madeira Beach.  Within a year, she co-founded the lesbian, feminist organization Women's Energy Bank (WEB), which hosts monthly meetings (\"Salons\") for its female membership and produces the monthly publication  Womyn's Words . As a member of a number of activist organizations, including Old Lesbians Organizing for Change (OLOC), Southerners on New Ground (SONG), and Women in Black, Daly's work towards world peace has taken her to Europe, Asia, and beyond. Edie Daly also served on the University of South Florida's Women's Studies Advisory Board. She and her wife, Jackie Mirkin, were together for 26 years, and they worked for peace and justice in Gulfport, Florida and around the world until Mirkin's passing in 2023. Daly currently lives in Asheville, NC with her partner and continues her activism through OLOC and SONG.","Learn more about Daly's life at https://storymaps.arcgis.com/stories/0682fc7d8a1349d38a9faf7987ba10d2.","Note written by CBW. Edited by CC, 2026.","Materials related to the Women's Energy Bank's political and cultural activities in war resistance, gay and lesbian rights, environmental activism, and feminism.  Items include periodicals, pamphlets, leaflets, manuals, publications, newspaper clippings, programs, and personal correspondence.","Womyn's Words (newsletters)\nMichigan Womyn's Music Festival (programs)","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The papers of Edith Daly, a lesbian activist who co-founded the Women's Energy Bank, a group based in Pinellas County that supported progressive political causes and published the monthly newsletter  Womyn's Words .","USF Libraries - Tampa Special Collections","Daly, Edith (1937-)","English Croatian"],"unitid_tesim":["MS-2006-08","/repositories/2/resources/442"],"normalized_date_ssm":["1973-2014, Date acquired: 2006, bulk 1990-1998"],"normalized_title_ssm":["Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998"],"collection_title_tesim":["Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998"],"collection_ssim":["Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.)"],"geogname_ssim":["Tampa (Fla.)"],"creator_ssm":["Daly, Edith (1937-)"],"creator_ssim":["Daly, Edith (1937-)"],"creator_persname_ssim":["Daly, Edith (1937-)"],"creators_ssim":["Daly, Edith (1937-)"],"places_ssim":["Tampa (Fla.)"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Edith Daly","Donation"],"access_subjects_ssim":["Women's studies","Lesbian feminist theory","Lesbian activism","Queer studies"],"access_subjects_ssm":["Women's studies","Lesbian feminist theory","Lesbian activism","Queer studies"],"has_online_content_ssim":["false"],"extent_ssm":["17 Linear Feet","27 boxes"],"extent_tesim":["17 Linear Feet","27 boxes"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"arrangement_html_tesm":["\u003cp\u003eOrganized alphabetically within series and subjects.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized alphabetically within series and subjects."],"bioghist_html_tesm":["\u003cp\u003eIn 1974, Edith \"Edie\" Daly \"came out\" as both an activist and lesbian.  In 1981, she returned to her home state of Florida where she opened a women's bookstore on Madeira Beach.  Within a year, she co-founded the lesbian, feminist organization Women's Energy Bank (WEB), which hosts monthly meetings (\"Salons\") for its female membership and produces the monthly publication \u003cemph render=\"italic\"\u003eWomyn's Words\u003c/emph\u003e. As a member of a number of activist organizations, including Old Lesbians Organizing for Change (OLOC), Southerners on New Ground (SONG), and Women in Black, Daly's work towards world peace has taken her to Europe, Asia, and beyond. Edie Daly also served on the University of South Florida's Women's Studies Advisory Board. She and her wife, Jackie Mirkin, were together for 26 years, and they worked for peace and justice in Gulfport, Florida and around the world until Mirkin's passing in 2023. Daly currently lives in Asheville, NC with her partner and continues her activism through OLOC and SONG.\u003c/p\u003e\n","\u003cp\u003eLearn more about Daly's life at https://storymaps.arcgis.com/stories/0682fc7d8a1349d38a9faf7987ba10d2.\u003c/p\u003e\n","\u003cp\u003eNote written by CBW. Edited by CC, 2026.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["In 1974, Edith \"Edie\" Daly \"came out\" as both an activist and lesbian.  In 1981, she returned to her home state of Florida where she opened a women's bookstore on Madeira Beach.  Within a year, she co-founded the lesbian, feminist organization Women's Energy Bank (WEB), which hosts monthly meetings (\"Salons\") for its female membership and produces the monthly publication  Womyn's Words . As a member of a number of activist organizations, including Old Lesbians Organizing for Change (OLOC), Southerners on New Ground (SONG), and Women in Black, Daly's work towards world peace has taken her to Europe, Asia, and beyond. Edie Daly also served on the University of South Florida's Women's Studies Advisory Board. She and her wife, Jackie Mirkin, were together for 26 years, and they worked for peace and justice in Gulfport, Florida and around the world until Mirkin's passing in 2023. Daly currently lives in Asheville, NC with her partner and continues her activism through OLOC and SONG.","Learn more about Daly's life at https://storymaps.arcgis.com/stories/0682fc7d8a1349d38a9faf7987ba10d2.","Note written by CBW. Edited by CC, 2026."],"prefercite_html_tesm":["\u003cp\u003eEdith Daly / Women's Energy Bank collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Edith Daly / Women's Energy Bank collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eMaterials related to the Women's Energy Bank's political and cultural activities in war resistance, gay and lesbian rights, environmental activism, and feminism.\u0026#xA0; Items include periodicals, pamphlets, leaflets, manuals, publications, newspaper clippings, programs, and personal correspondence.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials related to the Women's Energy Bank's political and cultural activities in war resistance, gay and lesbian rights, environmental activism, and feminism.  Items include periodicals, pamphlets, leaflets, manuals, publications, newspaper clippings, programs, and personal correspondence."],"separatedmaterial_html_tesm":["\u003cp\u003eWomyn's Words (newsletters)\nMichigan Womyn's Music Festival (programs)\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Womyn's Words (newsletters)\nMichigan Womyn's Music Festival (programs)"],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_035d6fc98144dc90e3c384ced17a9893\"\u003eThe papers of Edith Daly, a lesbian activist who co-founded the Women's Energy Bank, a group based in Pinellas County that supported progressive political causes and published the monthly newsletter \u003cemph render=\"italic\"\u003eWomyn's Words\u003c/emph\u003e.\u003c/abstract\u003e"],"abstract_tesim":["The papers of Edith Daly, a lesbian activist who co-founded the Women's Energy Bank, a group based in Pinellas County that supported progressive political causes and published the monthly newsletter  Womyn's Words ."],"names_ssim":["USF Libraries - Tampa Special Collections","Daly, Edith (1937-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Daly, Edith (1937-)"],"language_ssim":["English Croatian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1323,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871496586827137024,"_root_":"6a8ca297c8d957a918dee02d","timestamp":"2026-07-23T09:17:07.992Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6a8ca297c8d957a918dee02d","title_ssm":["Edith \"Edie\" Daly / Women's Energy Bank collection"],"title_tesim":["Edith \"Edie\" Daly / Women's Energy Bank collection"],"ead_ssi":"6a8ca297c8d957a918dee02d","unitdate_ssm":["1973-2014","1990-1998","Date acquired: 2006"],"unitdate_bulk_ssim":["1990-1998"],"unitdate_inclusive_ssm":["1973-2014"],"unitdate_other_ssim":["Date acquired: 2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2006-08","/repositories/2/resources/442"],"text":["MS-2006-08","/repositories/2/resources/442","Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998","Tampa (Fla.)","Women's studies","Lesbian feminist theory","Lesbian activism","Queer studies","Organized alphabetically within series and subjects.","In 1974, Edith \"Edie\" Daly \"came out\" as both an activist and lesbian.  In 1981, she returned to her home state of Florida where she opened a women's bookstore on Madeira Beach.  Within a year, she co-founded the lesbian, feminist organization Women's Energy Bank (WEB), which hosts monthly meetings (\"Salons\") for its female membership and produces the monthly publication  Womyn's Words . As a member of a number of activist organizations, including Old Lesbians Organizing for Change (OLOC), Southerners on New Ground (SONG), and Women in Black, Daly's work towards world peace has taken her to Europe, Asia, and beyond. Edie Daly also served on the University of South Florida's Women's Studies Advisory Board. She and her wife, Jackie Mirkin, were together for 26 years, and they worked for peace and justice in Gulfport, Florida and around the world until Mirkin's passing in 2023. Daly currently lives in Asheville, NC with her partner and continues her activism through OLOC and SONG.","Learn more about Daly's life at https://storymaps.arcgis.com/stories/0682fc7d8a1349d38a9faf7987ba10d2.","Note written by CBW. Edited by CC, 2026.","Materials related to the Women's Energy Bank's political and cultural activities in war resistance, gay and lesbian rights, environmental activism, and feminism.  Items include periodicals, pamphlets, leaflets, manuals, publications, newspaper clippings, programs, and personal correspondence.","Womyn's Words (newsletters)\nMichigan Womyn's Music Festival (programs)","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The papers of Edith Daly, a lesbian activist who co-founded the Women's Energy Bank, a group based in Pinellas County that supported progressive political causes and published the monthly newsletter  Womyn's Words .","USF Libraries - Tampa Special Collections","Daly, Edith (1937-)","English Croatian"],"unitid_tesim":["MS-2006-08","/repositories/2/resources/442"],"normalized_date_ssm":["1973-2014, Date acquired: 2006, bulk 1990-1998"],"normalized_title_ssm":["Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998"],"collection_title_tesim":["Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998"],"collection_ssim":["Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.)"],"geogname_ssim":["Tampa (Fla.)"],"creator_ssm":["Daly, Edith (1937-)"],"creator_ssim":["Daly, Edith (1937-)"],"creator_persname_ssim":["Daly, Edith (1937-)"],"creators_ssim":["Daly, Edith (1937-)"],"places_ssim":["Tampa (Fla.)"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Edith Daly","Donation"],"access_subjects_ssim":["Women's studies","Lesbian feminist theory","Lesbian activism","Queer studies"],"access_subjects_ssm":["Women's studies","Lesbian feminist theory","Lesbian activism","Queer studies"],"has_online_content_ssim":["false"],"extent_ssm":["17 Linear Feet","27 boxes"],"extent_tesim":["17 Linear Feet","27 boxes"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"arrangement_html_tesm":["\u003cp\u003eOrganized alphabetically within series and subjects.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized alphabetically within series and subjects."],"bioghist_html_tesm":["\u003cp\u003eIn 1974, Edith \"Edie\" Daly \"came out\" as both an activist and lesbian.  In 1981, she returned to her home state of Florida where she opened a women's bookstore on Madeira Beach.  Within a year, she co-founded the lesbian, feminist organization Women's Energy Bank (WEB), which hosts monthly meetings (\"Salons\") for its female membership and produces the monthly publication \u003cemph render=\"italic\"\u003eWomyn's Words\u003c/emph\u003e. As a member of a number of activist organizations, including Old Lesbians Organizing for Change (OLOC), Southerners on New Ground (SONG), and Women in Black, Daly's work towards world peace has taken her to Europe, Asia, and beyond. Edie Daly also served on the University of South Florida's Women's Studies Advisory Board. She and her wife, Jackie Mirkin, were together for 26 years, and they worked for peace and justice in Gulfport, Florida and around the world until Mirkin's passing in 2023. Daly currently lives in Asheville, NC with her partner and continues her activism through OLOC and SONG.\u003c/p\u003e\n","\u003cp\u003eLearn more about Daly's life at https://storymaps.arcgis.com/stories/0682fc7d8a1349d38a9faf7987ba10d2.\u003c/p\u003e\n","\u003cp\u003eNote written by CBW. Edited by CC, 2026.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["In 1974, Edith \"Edie\" Daly \"came out\" as both an activist and lesbian.  In 1981, she returned to her home state of Florida where she opened a women's bookstore on Madeira Beach.  Within a year, she co-founded the lesbian, feminist organization Women's Energy Bank (WEB), which hosts monthly meetings (\"Salons\") for its female membership and produces the monthly publication  Womyn's Words . As a member of a number of activist organizations, including Old Lesbians Organizing for Change (OLOC), Southerners on New Ground (SONG), and Women in Black, Daly's work towards world peace has taken her to Europe, Asia, and beyond. Edie Daly also served on the University of South Florida's Women's Studies Advisory Board. She and her wife, Jackie Mirkin, were together for 26 years, and they worked for peace and justice in Gulfport, Florida and around the world until Mirkin's passing in 2023. Daly currently lives in Asheville, NC with her partner and continues her activism through OLOC and SONG.","Learn more about Daly's life at https://storymaps.arcgis.com/stories/0682fc7d8a1349d38a9faf7987ba10d2.","Note written by CBW. Edited by CC, 2026."],"prefercite_html_tesm":["\u003cp\u003eEdith Daly / Women's Energy Bank collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Edith Daly / Women's Energy Bank collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eMaterials related to the Women's Energy Bank's political and cultural activities in war resistance, gay and lesbian rights, environmental activism, and feminism.\u0026#xA0; Items include periodicals, pamphlets, leaflets, manuals, publications, newspaper clippings, programs, and personal correspondence.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials related to the Women's Energy Bank's political and cultural activities in war resistance, gay and lesbian rights, environmental activism, and feminism.  Items include periodicals, pamphlets, leaflets, manuals, publications, newspaper clippings, programs, and personal correspondence."],"separatedmaterial_html_tesm":["\u003cp\u003eWomyn's Words (newsletters)\nMichigan Womyn's Music Festival (programs)\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Womyn's Words (newsletters)\nMichigan Womyn's Music Festival (programs)"],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_035d6fc98144dc90e3c384ced17a9893\"\u003eThe papers of Edith Daly, a lesbian activist who co-founded the Women's Energy Bank, a group based in Pinellas County that supported progressive political causes and published the monthly newsletter \u003cemph render=\"italic\"\u003eWomyn's Words\u003c/emph\u003e.\u003c/abstract\u003e"],"abstract_tesim":["The papers of Edith Daly, a lesbian activist who co-founded the Women's Energy Bank, a group based in Pinellas County that supported progressive political causes and published the monthly newsletter  Womyn's Words ."],"names_ssim":["USF Libraries - Tampa Special Collections","Daly, Edith (1937-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Daly, Edith (1937-)"],"language_ssim":["English Croatian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1323,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871496586827137024,"_root_":"6a8ca297c8d957a918dee02d","timestamp":"2026-07-23T09:17:07.992Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6a8ca297c8d957a918dee02d"}},{"id":"be6ce791bcd745e39261598f","type":"collection","attributes":{"title":"Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f#abstract_or_scope","type":"document_value","attributes":{"value":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career. Her involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"be6ce791bcd745e39261598f","title_ssm":["Eleanor Merritt [Darlington] Collection"],"title_tesim":["Eleanor Merritt [Darlington] Collection"],"ead_ssi":"be6ce791bcd745e39261598f","unitdate_ssm":["1950-2019","1990-2019"],"unitdate_bulk_ssim":["1990-2019"],"unitdate_inclusive_ssm":["1950-2019"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["A.2022.0004","/repositories/11/resources/1933"],"text":["A.2022.0004","/repositories/11/resources/1933","Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting.","This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.","The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.","All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.","The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.","The John and Mable Ringling Museum of Art Archives","English"],"unitid_tesim":["A.2022.0004","/repositories/11/resources/1933"],"normalized_date_ssm":["1950-2019, bulk 1990-2019"],"normalized_title_ssm":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_title_tesim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_ssim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"repository_ssm":["The John and Mable Ringling Museum of Art Archives"],"repository_ssim":["The John and Mable Ringling Museum of Art Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"access_subjects_ssim":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"access_subjects_ssm":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"has_online_content_ssim":["false"],"extent_ssm":["5.3 Linear Feet 17 Boxes"],"extent_tesim":["5.3 Linear Feet 17 Boxes"],"genreform_ssim":["Painting."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals."],"prefercite_html_tesm":["\u003cp\u003eThe John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019.\u003c/p\u003e"],"prefercite_tesim":["The John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019."],"scopecontent_html_tesm":["\u003cp\u003eThe Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged by subject in chronological order spanning from 1950 \u0026#x2013; 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. \u003c/p\u003e\n","\u003cp\u003eMerritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0d3e798eb2a8cee06c3eebf554d917ee\"\u003eThe Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.\u003c/abstract\u003e"],"abstract_tesim":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"names_ssim":["The John and Mable Ringling Museum of Art Archives"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"be6ce791bcd745e39261598f","timestamp":"2026-04-21T02:41:46.838Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"be6ce791bcd745e39261598f","title_ssm":["Eleanor Merritt [Darlington] Collection"],"title_tesim":["Eleanor Merritt [Darlington] Collection"],"ead_ssi":"be6ce791bcd745e39261598f","unitdate_ssm":["1950-2019","1990-2019"],"unitdate_bulk_ssim":["1990-2019"],"unitdate_inclusive_ssm":["1950-2019"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["A.2022.0004","/repositories/11/resources/1933"],"text":["A.2022.0004","/repositories/11/resources/1933","Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting.","This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.","The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.","All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.","The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.","The John and Mable Ringling Museum of Art Archives","English"],"unitid_tesim":["A.2022.0004","/repositories/11/resources/1933"],"normalized_date_ssm":["1950-2019, bulk 1990-2019"],"normalized_title_ssm":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_title_tesim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_ssim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"repository_ssm":["The John and Mable Ringling Museum of Art Archives"],"repository_ssim":["The John and Mable Ringling Museum of Art Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"access_subjects_ssim":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"access_subjects_ssm":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"has_online_content_ssim":["false"],"extent_ssm":["5.3 Linear Feet 17 Boxes"],"extent_tesim":["5.3 Linear Feet 17 Boxes"],"genreform_ssim":["Painting."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals."],"prefercite_html_tesm":["\u003cp\u003eThe John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019.\u003c/p\u003e"],"prefercite_tesim":["The John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019."],"scopecontent_html_tesm":["\u003cp\u003eThe Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged by subject in chronological order spanning from 1950 \u0026#x2013; 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. \u003c/p\u003e\n","\u003cp\u003eMerritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0d3e798eb2a8cee06c3eebf554d917ee\"\u003eThe Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.\u003c/abstract\u003e"],"abstract_tesim":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"names_ssim":["The John and Mable Ringling Museum of Art Archives"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"be6ce791bcd745e39261598f","timestamp":"2026-04-21T02:41:46.838Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f"}},{"id":"cbc2a7b19233380ee50dea36","type":"collection","attributes":{"title":"Elizabeth Lee Barron collection of children's literature prints, 1922-2016, Date acquired: 04/05/2018","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/cbc2a7b19233380ee50dea36#creator","type":"document_value","attributes":{"value":["Barron, Elizabeth Lee"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/cbc2a7b19233380ee50dea36#abstract_or_scope","type":"document_value","attributes":{"value":["This collection includes four color prints collected and donated by Elizabeth Lee Barron, a librarian employed by the University of Tampa. The framed prints in the collection are reproductions of illustrations from 20th and 21st century children's literature books. Two of the prints are signed by the artist. This collection was donated as a gift in honor of William Edwards Lee III."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cbc2a7b19233380ee50dea36#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"cbc2a7b19233380ee50dea36","title_ssm":["Elizabeth Lee Barron collection of children's literature prints"],"title_tesim":["Elizabeth Lee Barron collection of children's literature prints"],"ead_ssi":"cbc2a7b19233380ee50dea36","unitdate_ssm":["1922-2016","Date acquired: 04/05/2018"],"unitdate_inclusive_ssm":["1922-2016"],"unitdate_other_ssim":["Date acquired: 04/05/2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2018-01","/repositories/2/resources/59"],"text":["MS-2018-01","/repositories/2/resources/59","Elizabeth Lee Barron collection of children's literature prints, 1922-2016, Date acquired: 04/05/2018","Children's literature","Prints -- Limited editions","Prints","Children's literature -- Illustrations","Prints remain in original frames and are arranged by size.","Elizabeth Lee Barron studied at the University of North Carolina at Chapel Hill, graduating with a Master of Library and Information Science degree in 1988. As a Reference Librarian at the University of Tampa (FL), Barron's responsibilities included the acquisition of educational materials for the library, as well as materials on the topics of criminology and nursing.","published","Childrens Literature Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.","This collection consists of seven color prints with illustrations from works of children's literature.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection includes four color prints collected and donated by Elizabeth Lee Barron, a librarian employed by the University of Tampa. The framed prints in the collection are reproductions of illustrations from 20th and 21st century children's literature books. Two of the prints are signed by the artist. This collection was donated as a gift in honor of William Edwards Lee III.","USF Libraries - Tampa Special Collections","Barron, Elizabeth Lee","Robinson, Christian (1986-)","Rylant, Cynthia (1954-)","Lofting, Hugh (1886-1947)","Steig, William (1907-2003)","Sís, Peter (1949-)","English"],"unitid_tesim":["MS-2018-01","/repositories/2/resources/59"],"normalized_date_ssm":["1922-2016, Date acquired: 04/05/2018"],"normalized_title_ssm":["Elizabeth Lee Barron collection of children's literature prints, 1922-2016, Date acquired: 04/05/2018"],"collection_title_tesim":["Elizabeth Lee Barron collection of children's literature prints, 1922-2016, Date acquired: 04/05/2018"],"collection_ssim":["Elizabeth Lee Barron collection of children's literature prints, 1922-2016, Date acquired: 04/05/2018"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Barron, Elizabeth Lee","Barron, Elizabeth Lee"],"creator_ssim":["Barron, Elizabeth Lee","Barron, Elizabeth Lee"],"creator_persname_ssim":["Barron, Elizabeth Lee","Barron, Elizabeth Lee"],"creators_ssim":["Barron, Elizabeth Lee","Barron, Elizabeth Lee"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Elizabeth Lee Barron. 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"],"prefercite_html_tesm":["\u003cp\u003eEllen Hopkins collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Ellen Hopkins collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of book proposals, promotional and publishing materials, research files, royalty statements, contracts and licensing agreements, and other documents related to the career of young adult and children's author Ellen Hopkins.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of book proposals, promotional and publishing materials, research files, royalty statements, contracts and licensing agreements, and other documents related to the career of young adult and children's author Ellen Hopkins."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a5fe165276609c1a2d52361a1c4355b9\"\u003eThe Ellen Hopkins collection consists of archival materials, typescripts, and published materials donated by Hopkins, a children's and young adult author. 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Within a series, materials are arranged by type.","Life-long resident of Tampa and University of South Florida Alumni, Pierre Mathurin was an employee and ambassador for Busch Gardens in Tampa for over 30 years. His dedication to the Anheuser- Busch property allowed him to document the history of the park and write the manuscript: \"The History of Busch Gardens.\" Mathurin also had a passion for trains and travel which led him to be a longtime member of both the Citizens Advisory Committee of the Metropolitan Planning Organization and the Consumers Advisory Board of the Hillsborough Area Regional Transportation Authority (HART).","Materials in this collection include personal papers, newsletters, pamphlets, corporate documents, newspaper clippings, periodicals, maps, photos, ephemera, post cards, and various artifacts related to Anheuser-Busch Brewing Company and the Anheuser-Busch Amuseument Park properties (Busch Gardens).","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-2020-09","/repositories/2/resources/619"],"normalized_date_ssm":["Date Acquired: 2020-02-05"],"normalized_title_ssm":["Pierre Mathurin collection, Date Acquired: 2020-02-05"],"collection_title_tesim":["Pierre Mathurin collection, Date Acquired: 2020-02-05"],"collection_ssim":["Pierre Mathurin collection, Date Acquired: 2020-02-05"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.) -- History -- 20th century","Tampa (Fla.) -- History"],"geogname_ssim":["Tampa (Fla.) -- History -- 20th century","Tampa (Fla.) -- History"],"places_ssim":["Tampa (Fla.) -- History -- 20th century","Tampa (Fla.) -- History"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Andre Mathurin","Donation"],"access_subjects_ssim":["Transportation","Busch Gardens -- Florida -- Tampa  ","Anheuser-Busch, Inc.","Brewing"],"access_subjects_ssm":["Transportation","Busch Gardens -- Florida -- Tampa  ","Anheuser-Busch, Inc.","Brewing"],"has_online_content_ssim":["false"],"extent_ssm":["15 Linear Feet","22 boxes"],"extent_tesim":["15 Linear Feet","22 boxes"],"date_range_isim":[2020],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged in a series by subject. Within a series, materials are arranged by type.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged in a series by subject. Within a series, materials are arranged by type."],"bioghist_html_tesm":["\u003cp\u003eLife-long resident of Tampa and University of South Florida Alumni, Pierre Mathurin was an employee and ambassador for Busch Gardens in Tampa for over 30 years. His dedication to the Anheuser- Busch property allowed him to document the history of the park and write the manuscript: \"The History of Busch Gardens.\" Mathurin also had a passion for trains and travel which led him to be a longtime member of both the Citizens Advisory Committee of the Metropolitan Planning Organization and the Consumers Advisory Board of the Hillsborough Area Regional Transportation Authority (HART).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Life-long resident of Tampa and University of South Florida Alumni, Pierre Mathurin was an employee and ambassador for Busch Gardens in Tampa for over 30 years. His dedication to the Anheuser- Busch property allowed him to document the history of the park and write the manuscript: \"The History of Busch Gardens.\" Mathurin also had a passion for trains and travel which led him to be a longtime member of both the Citizens Advisory Committee of the Metropolitan Planning Organization and the Consumers Advisory Board of the Hillsborough Area Regional Transportation Authority (HART)."],"scopecontent_html_tesm":["\u003cp\u003eMaterials in this collection include personal papers, newsletters, pamphlets, corporate documents, newspaper clippings, periodicals, maps, photos, ephemera, post cards, and various artifacts related to Anheuser-Busch Brewing Company and the Anheuser-Busch Amuseument Park properties (Busch Gardens).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials in this collection include personal papers, newsletters, pamphlets, corporate documents, newspaper clippings, periodicals, maps, photos, ephemera, post cards, and various artifacts related to Anheuser-Busch Brewing Company and the Anheuser-Busch Amuseument Park properties (Busch Gardens)."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":147,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f48cf0a85007cff24b74e9a5","timestamp":"2026-07-11T04:48:11.661Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f48cf0a85007cff24b74e9a5_aspace_f3884db6554d4bcbdaebeb0cea4727d6"}},{"id":"3dd629d1fe105b982d9cb96f_aspace_36214e152e0dafa4374ff429e9d6d76e","type":"File","attributes":{"title":"Emerging Technologies Institute and Innovation Hub Planning Correspondence and Materials, 2010-2015","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3dd629d1fe105b982d9cb96f_aspace_36214e152e0dafa4374ff429e9d6d76e#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_36214e152e0dafa4374ff429e9d6d76e","ref_ssm":["aspace_36214e152e0dafa4374ff429e9d6d76e","aspace_36214e152e0dafa4374ff429e9d6d76e"],"id":"3dd629d1fe105b982d9cb96f_aspace_36214e152e0dafa4374ff429e9d6d76e","title_filing_ssi":"Emerging Technologies Institute and Innovation Hub Planning Correspondence and Materials","title_ssm":["Emerging Technologies Institute and Innovation Hub Planning Correspondence and Materials"],"title_tesim":["Emerging Technologies Institute and Innovation Hub Planning Correspondence and Materials"],"unitdate_inclusive_ssm":["2010-2015"],"normalized_date_ssm":["2010-2015"],"normalized_title_ssm":["Emerging Technologies Institute and Innovation Hub Planning Correspondence and Materials, 2010-2015"],"text":["Emerging Technologies Institute and Innovation Hub Planning Correspondence and Materials, 2010-2015","President Wilson G. Bradshaw, 2007-2017","Office Administration, 2007- Present","/repositories/3/archival_objects/41756","English","box 79","folder 31"],"component_level_isim":[2],"parent_ids_ssim":["3dd629d1fe105b982d9cb96f","3dd629d1fe105b982d9cb96f_aspace_2032"],"parent_unittitles_ssm":["President Wilson G. Bradshaw, 2007-2017","Office Administration, 2007- Present"],"parent_unittitles_tesim":["President Wilson G. Bradshaw, 2007-2017","Office Administration, 2007- Present"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/41756"],"repository_ssim":["Florida Gulf Coast University Archives"],"collection_ssim":["President Wilson G. Bradshaw, 2007-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":122,"parent_access_restrict_tesm":["The collection contains some restricted files. Contact the University Archivist for details."],"date_range_isim":[2010,2011,2012,2013,2014,2015],"language_ssim":["English"],"containers_ssim":["box 79","folder 31"],"_nest_path_":"/components#2/components#94","_nest_parent_":"3dd629d1fe105b982d9cb96f_aspace_2032","_root_":"3dd629d1fe105b982d9cb96f","timestamp":"2026-05-05T01:52:49.385Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3dd629d1fe105b982d9cb96f","title_filing_ssi":"President's Office: Wilson G. Bradshaw","title_ssm":["President Wilson G. Bradshaw"],"title_tesim":["President Wilson G. Bradshaw"],"ead_ssi":"3dd629d1fe105b982d9cb96f","unitdate_ssm":["2007-2017"],"unitdate_inclusive_ssm":["2007-2017"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["01.01.08","/repositories/3/resources/87"],"text":["01.01.08","/repositories/3/resources/87","President Wilson G. Bradshaw, 2007-2017","The collection contains some restricted files. Contact the University Archivist for details.","This collection contains materials related to the university's third official president, Dr. Wilson G. Bradshaw. It is made up of three sub-series including Correspondences, documentation regarding the expansion and growth of FGCU, and Office Administration. The first part of the sub-series, Correspondences, is arranged chronologically, followed by Expansion, which is also arranged chronologically. The last part of the sub-series, Office Administration, is arranged alphabetically by subject, and chronologically within the subjects. All large scale ephemera is located at the end of the sub-series.","Florida Gulf Coast University Archives","English"],"unitid_tesim":["01.01.08","/repositories/3/resources/87"],"normalized_date_ssm":["2007-2017"],"normalized_title_ssm":["President Wilson G. Bradshaw, 2007-2017"],"collection_title_tesim":["President Wilson G. Bradshaw, 2007-2017"],"collection_ssim":["President Wilson G. Bradshaw, 2007-2017"],"repository_ssm":["Florida Gulf Coast University Archives"],"repository_ssim":["Florida Gulf Coast University Archives"],"has_online_content_ssim":["false"],"extent_ssm":["5 Linear Feet"],"extent_tesim":["5 Linear Feet"],"date_range_isim":[2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe collection contains some restricted files. Contact the University Archivist for details.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection contains some restricted files. Contact the University Archivist for details."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials related to the university's third official president, Dr. Wilson G. Bradshaw. It is made up of three sub-series including Correspondences, documentation regarding the expansion and growth of FGCU, and Office Administration. The first part of the sub-series, Correspondences, is arranged chronologically, followed by Expansion, which is also arranged chronologically. The last part of the sub-series, Office Administration, is arranged alphabetically by subject, and chronologically within the subjects. All large scale ephemera is located at the end of the sub-series.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains materials related to the university's third official president, Dr. Wilson G. Bradshaw. It is made up of three sub-series including Correspondences, documentation regarding the expansion and growth of FGCU, and Office Administration. The first part of the sub-series, Correspondences, is arranged chronologically, followed by Expansion, which is also arranged chronologically. The last part of the sub-series, Office Administration, is arranged alphabetically by subject, and chronologically within the subjects. All large scale ephemera is located at the end of the sub-series."],"names_ssim":["Florida Gulf Coast University Archives"],"corpname_ssim":["Florida Gulf Coast University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":126,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3dd629d1fe105b982d9cb96f","timestamp":"2026-05-05T01:52:49.385Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3dd629d1fe105b982d9cb96f_aspace_36214e152e0dafa4374ff429e9d6d76e"}},{"id":"328cb1ddb2eba00ca03f2172","type":"collection","attributes":{"title":"Emmanuel George Collection, 1962-2023","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/328cb1ddb2eba00ca03f2172#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Emmanuel George Collection contains correspondence, photographs, printed materials, certificates, short videos and artwork related to African Americans in Broward County, Florida. Correspondence contains cards written to Emmanuel George about his internships with Encore and the Lake Wales Public Library African American Archives Project. Crispus Attucks High School materials include a yearbook, student report cards, commencement programs, and class reunions. Photographs display African American individual and group portraits in Broward County. Printed materials include newspaper articles about African American neighborhoods in Broward County, specifically Hollywood, an African American Research Library and Cultural Center brochure, signed Legacy of Broward trading cards, funeral programs, and a magazine article featuring Emmanuel George at Sistrunk-A-Fair. Awards includes a certificate from the City of Miami awarded to Emmanuel George for his participation as a featured artist in the \"Reimagine the Neighborhood\" campaign in April 2022. Paintings of African Americans include the following: Tamara James, Attucks High School alumni (30 x 30), Kitty Oliver (36 x 36), Cannonball Adderley, Dr. James Sistrunk, and Esther Rolle.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/328cb1ddb2eba00ca03f2172#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"328cb1ddb2eba00ca03f2172","title_filing_ssi":"George, Emmanuel Collection","title_ssm":["Emmanuel George Collection"],"title_tesim":["Emmanuel George Collection"],"ead_ssi":"328cb1ddb2eba00ca03f2172","unitdate_ssm":["1962-2023"],"unitdate_inclusive_ssm":["1962-2023"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2021.11","/repositories/2/resources/105"],"text":["AARLCC.2021.11","/repositories/2/resources/105","Emmanuel George Collection, 1962-2023","Paintings","Art","The Emmanuel George Collection is open for research.","The collection is arranged into 6 series: Series I. Correspondence, Series II. Attucks High School, Series III. Photographs, Series IV. Printed Materials, Series V. Awards, and Series VI. Artwork.","Emmanuel George is a Dominican- American archivist, film maker and arts organizer based in Hollywood, Florida. Emmanuel's love of history began in childhood when his father Emanuel George Sr. would teach him Black history in efforts to highlight what he thought Emmanuel would not be taught in public school. Emmanuel credits his father's teachings to his ability to seek out overlooked narratives.","In 2015, after taking a leave of absence from pursuing his Bachelors in Film from Full Sail University, Emmanuel found himself joining a group of local activists in Miami -Dade County who were advocating on behalf of its residents to fight displacement. During this time, Emmanuel spoke with local residents and learned about the history of Black Miami. This curiosity led Emmanuel to begin submerging himself in learning the Black history of his home community, Broward County. ","In 2016, Emmanuel George produced his first film under the Black Broward Film Project, entitled A Tale of Sibling Communities; Danie and Liberia a documentary about the shared relationship between two Black communities in Broward County. The film featured oral interviews of local pioneers and historical landmarks that are staples to the community. Emmanuel followed this up with his 2021 film entitled Stories from our Ancestors: An Ode to Attucks High School; a film focusing on how the closing of a historically Black High school impacted the community of Liberia and its neighboring communities: Danie, Carver Ranches, Hallandale, Ojus, and Davie. ","In 2021, under the mentorship of esteemed historian Kitty Oliver, Emmanuel landed a fellowship with Lake Wales Museum where he interviewed and archived stories of residents from the historic Lincoln Avenue community. From there, Emmanuel would complete a fellowship with Cogenerators (formerly Encore) and work with Florida International University's Wolfson Public Humanities Lab, the Delray Beach Historical Society, the African American Research Library and the Old Dillard Museum, further expanding the ways he shares and preserves local Black history. Most recently, Emmanuel completed a fellowship with Temple University, serving as the Community Archivist for the Association for the Study of African American Life and History (ASALH). \nCurrently, Emmanuel founded and runs the Black Orchid Foundation, a non-profit centered on preserving the stories of Black high schools in the south that were phased out after the supreme court case of Brown vs. Board of Education, ruling that separating children in public schools on the basis of race was unconstitutional. Emmanuel is also the youngest person in Broward County to have his own special collections archive, the Emmanuel George Collection at the African American Research Library, where he actively collects physical and digitally archived data on the history of Attucks High School. ","Emmanuel's goal is to continue bridging the generational divide by connecting the youth from the rising Black Student Union populations in Broward County with the pioneers from the Historic Black High Schools (Attucks, Dillard, and Blanche Ely) through an Oral History workshop, in hopes to inspire young archivists to narrate their own stories and preserve their history at the African American Research Library and Cultural Center.","This collection received file processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Emmanuel George Collection in the Broward County Library Digital Archives.","The Emmanuel George Collection contains correspondence, photographs, printed materials, certificates, short videos and artwork related to African Americans in Broward County, Florida. Correspondence contains cards written to Emmanuel George about his internships with Encore and the Lake Wales Public Library African American Archives Project. Crispus Attucks High School materials include a yearbook, student report cards, commencement programs, and class reunions. Photographs display African American individual and group portraits in Broward County. Printed materials include newspaper articles about African American neighborhoods in Broward County, specifically Hollywood, an African American Research Library and Cultural Center brochure, signed Legacy of Broward trading cards, funeral programs, and a magazine article featuring Emmanuel George at Sistrunk-A-Fair. Awards includes a certificate from the City of Miami awarded to Emmanuel George for his participation as a featured artist in the \"Reimagine the Neighborhood\" campaign in April 2022. Paintings of African Americans include the following: Tamara James, Attucks High School alumni (30 x 30), Kitty Oliver (36 x 36), Cannonball Adderley, Dr. James Sistrunk, and Esther Rolle.","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2021.11","/repositories/2/resources/105"],"normalized_date_ssm":["1962-2023"],"normalized_title_ssm":["Emmanuel George Collection, 1962-2023"],"collection_title_tesim":["Emmanuel George Collection, 1962-2023"],"collection_ssim":["Emmanuel George Collection, 1962-2023"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"access_subjects_ssim":["Paintings","Art"],"access_subjects_ssm":["Paintings","Art"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Hollinger Box 1 and a half Hollinger boxes and 6 paintings."],"extent_tesim":["1.5 Hollinger Box 1 and a half Hollinger boxes and 6 paintings."],"genreform_ssim":["Paintings","Art"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThe Emmanuel George Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Emmanuel George Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 6 series: Series I. Correspondence, Series II. Attucks High School, Series III. Photographs, Series IV. Printed Materials, Series V. Awards, and Series VI. Artwork.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 6 series: Series I. Correspondence, Series II. Attucks High School, Series III. Photographs, Series IV. Printed Materials, Series V. Awards, and Series VI. Artwork."],"bioghist_html_tesm":["\u003cp\u003eEmmanuel George is a Dominican- American archivist, film maker and arts organizer based in Hollywood, Florida. Emmanuel's love of history began in childhood when his father Emanuel George Sr. would teach him Black history in efforts to highlight what he thought Emmanuel would not be taught in public school. Emmanuel credits his father's teachings to his ability to seek out overlooked narratives.\u003c/p\u003e\n","\u003cp\u003eIn 2015, after taking a leave of absence from pursuing his Bachelors in Film from Full Sail University, Emmanuel found himself joining a group of local activists in Miami -Dade County who were advocating on behalf of its residents to fight displacement. During this time, Emmanuel spoke with local residents and learned about the history of Black Miami. This curiosity led Emmanuel to begin submerging himself in learning the Black history of his home community, Broward County. \u003c/p\u003e\n","\u003cp\u003eIn 2016, Emmanuel George produced his first film under the Black Broward Film Project, entitled A Tale of Sibling Communities; Danie and Liberia a documentary about the shared relationship between two Black communities in Broward County. The film featured oral interviews of local pioneers and historical landmarks that are staples to the community. Emmanuel followed this up with his 2021 film entitled Stories from our Ancestors: An Ode to Attucks High School; a film focusing on how the closing of a historically Black High school impacted the community of Liberia and its neighboring communities: Danie, Carver Ranches, Hallandale, Ojus, and Davie. \u003c/p\u003e\n","\u003cp\u003eIn 2021, under the mentorship of esteemed historian Kitty Oliver, Emmanuel landed a fellowship with Lake Wales Museum where he interviewed and archived stories of residents from the historic Lincoln Avenue community. From there, Emmanuel would complete a fellowship with Cogenerators (formerly Encore) and work with Florida International University's Wolfson Public Humanities Lab, the Delray Beach Historical Society, the African American Research Library and the Old Dillard Museum, further expanding the ways he shares and preserves local Black history. Most recently, Emmanuel completed a fellowship with Temple University, serving as the Community Archivist for the Association for the Study of African American Life and History (ASALH). \nCurrently, Emmanuel founded and runs the Black Orchid Foundation, a non-profit centered on preserving the stories of Black high schools in the south that were phased out after the supreme court case of Brown vs. Board of Education, ruling that separating children in public schools on the basis of race was unconstitutional. Emmanuel is also the youngest person in Broward County to have his own special collections archive, the Emmanuel George Collection at the African American Research Library, where he actively collects physical and digitally archived data on the history of Attucks High School. \u003c/p\u003e\n","\u003cp\u003eEmmanuel's goal is to continue bridging the generational divide by connecting the youth from the rising Black Student Union populations in Broward County with the pioneers from the Historic Black High Schools (Attucks, Dillard, and Blanche Ely) through an Oral History workshop, in hopes to inspire young archivists to narrate their own stories and preserve their history at the African American Research Library and Cultural Center.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Emmanuel George is a Dominican- American archivist, film maker and arts organizer based in Hollywood, Florida. Emmanuel's love of history began in childhood when his father Emanuel George Sr. would teach him Black history in efforts to highlight what he thought Emmanuel would not be taught in public school. Emmanuel credits his father's teachings to his ability to seek out overlooked narratives.","In 2015, after taking a leave of absence from pursuing his Bachelors in Film from Full Sail University, Emmanuel found himself joining a group of local activists in Miami -Dade County who were advocating on behalf of its residents to fight displacement. During this time, Emmanuel spoke with local residents and learned about the history of Black Miami. This curiosity led Emmanuel to begin submerging himself in learning the Black history of his home community, Broward County. ","In 2016, Emmanuel George produced his first film under the Black Broward Film Project, entitled A Tale of Sibling Communities; Danie and Liberia a documentary about the shared relationship between two Black communities in Broward County. The film featured oral interviews of local pioneers and historical landmarks that are staples to the community. Emmanuel followed this up with his 2021 film entitled Stories from our Ancestors: An Ode to Attucks High School; a film focusing on how the closing of a historically Black High school impacted the community of Liberia and its neighboring communities: Danie, Carver Ranches, Hallandale, Ojus, and Davie. ","In 2021, under the mentorship of esteemed historian Kitty Oliver, Emmanuel landed a fellowship with Lake Wales Museum where he interviewed and archived stories of residents from the historic Lincoln Avenue community. From there, Emmanuel would complete a fellowship with Cogenerators (formerly Encore) and work with Florida International University's Wolfson Public Humanities Lab, the Delray Beach Historical Society, the African American Research Library and the Old Dillard Museum, further expanding the ways he shares and preserves local Black history. Most recently, Emmanuel completed a fellowship with Temple University, serving as the Community Archivist for the Association for the Study of African American Life and History (ASALH). \nCurrently, Emmanuel founded and runs the Black Orchid Foundation, a non-profit centered on preserving the stories of Black high schools in the south that were phased out after the supreme court case of Brown vs. Board of Education, ruling that separating children in public schools on the basis of race was unconstitutional. Emmanuel is also the youngest person in Broward County to have his own special collections archive, the Emmanuel George Collection at the African American Research Library, where he actively collects physical and digitally archived data on the history of Attucks High School. ","Emmanuel's goal is to continue bridging the generational divide by connecting the youth from the rising Black Student Union populations in Broward County with the pioneers from the Historic Black High Schools (Attucks, Dillard, and Blanche Ely) through an Oral History workshop, in hopes to inspire young archivists to narrate their own stories and preserve their history at the African American Research Library and Cultural Center."],"prefercite_html_tesm":["\u003cp\u003eThe Emmanuel George Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Emmanuel George Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll31/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Emmanuel George Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Emmanuel George Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Emmanuel George Collection contains correspondence, photographs, printed materials, certificates, short videos and artwork related to African Americans in Broward County, Florida. Correspondence contains cards written to Emmanuel George about his internships with Encore and the Lake Wales Public Library African American Archives Project. Crispus Attucks High School materials include a yearbook, student report cards, commencement programs, and class reunions. Photographs display African American individual and group portraits in Broward County. Printed materials include newspaper articles about African American neighborhoods in Broward County, specifically Hollywood, an African American Research Library and Cultural Center brochure, signed Legacy of Broward trading cards, funeral programs, and a magazine article featuring Emmanuel George at Sistrunk-A-Fair. Awards includes a certificate from the City of Miami awarded to Emmanuel George for his participation as a featured artist in the \"Reimagine the Neighborhood\" campaign in April 2022. Paintings of African Americans include the following: Tamara James, Attucks High School alumni (30 x 30), Kitty Oliver (36 x 36), Cannonball Adderley, Dr. James Sistrunk, and Esther Rolle.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Emmanuel George Collection contains correspondence, photographs, printed materials, certificates, short videos and artwork related to African Americans in Broward County, Florida. Correspondence contains cards written to Emmanuel George about his internships with Encore and the Lake Wales Public Library African American Archives Project. Crispus Attucks High School materials include a yearbook, student report cards, commencement programs, and class reunions. Photographs display African American individual and group portraits in Broward County. Printed materials include newspaper articles about African American neighborhoods in Broward County, specifically Hollywood, an African American Research Library and Cultural Center brochure, signed Legacy of Broward trading cards, funeral programs, and a magazine article featuring Emmanuel George at Sistrunk-A-Fair. Awards includes a certificate from the City of Miami awarded to Emmanuel George for his participation as a featured artist in the \"Reimagine the Neighborhood\" campaign in April 2022. Paintings of African Americans include the following: Tamara James, Attucks High School alumni (30 x 30), Kitty Oliver (36 x 36), Cannonball Adderley, Dr. James Sistrunk, and Esther Rolle."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":45,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563559323828224,"_root_":"328cb1ddb2eba00ca03f2172","timestamp":"2026-07-24T03:01:38.048Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"328cb1ddb2eba00ca03f2172","title_filing_ssi":"George, Emmanuel Collection","title_ssm":["Emmanuel George Collection"],"title_tesim":["Emmanuel George Collection"],"ead_ssi":"328cb1ddb2eba00ca03f2172","unitdate_ssm":["1962-2023"],"unitdate_inclusive_ssm":["1962-2023"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2021.11","/repositories/2/resources/105"],"text":["AARLCC.2021.11","/repositories/2/resources/105","Emmanuel George Collection, 1962-2023","Paintings","Art","The Emmanuel George Collection is open for research.","The collection is arranged into 6 series: Series I. Correspondence, Series II. Attucks High School, Series III. Photographs, Series IV. Printed Materials, Series V. Awards, and Series VI. Artwork.","Emmanuel George is a Dominican- American archivist, film maker and arts organizer based in Hollywood, Florida. Emmanuel's love of history began in childhood when his father Emanuel George Sr. would teach him Black history in efforts to highlight what he thought Emmanuel would not be taught in public school. Emmanuel credits his father's teachings to his ability to seek out overlooked narratives.","In 2015, after taking a leave of absence from pursuing his Bachelors in Film from Full Sail University, Emmanuel found himself joining a group of local activists in Miami -Dade County who were advocating on behalf of its residents to fight displacement. During this time, Emmanuel spoke with local residents and learned about the history of Black Miami. This curiosity led Emmanuel to begin submerging himself in learning the Black history of his home community, Broward County. ","In 2016, Emmanuel George produced his first film under the Black Broward Film Project, entitled A Tale of Sibling Communities; Danie and Liberia a documentary about the shared relationship between two Black communities in Broward County. The film featured oral interviews of local pioneers and historical landmarks that are staples to the community. Emmanuel followed this up with his 2021 film entitled Stories from our Ancestors: An Ode to Attucks High School; a film focusing on how the closing of a historically Black High school impacted the community of Liberia and its neighboring communities: Danie, Carver Ranches, Hallandale, Ojus, and Davie. ","In 2021, under the mentorship of esteemed historian Kitty Oliver, Emmanuel landed a fellowship with Lake Wales Museum where he interviewed and archived stories of residents from the historic Lincoln Avenue community. From there, Emmanuel would complete a fellowship with Cogenerators (formerly Encore) and work with Florida International University's Wolfson Public Humanities Lab, the Delray Beach Historical Society, the African American Research Library and the Old Dillard Museum, further expanding the ways he shares and preserves local Black history. Most recently, Emmanuel completed a fellowship with Temple University, serving as the Community Archivist for the Association for the Study of African American Life and History (ASALH). \nCurrently, Emmanuel founded and runs the Black Orchid Foundation, a non-profit centered on preserving the stories of Black high schools in the south that were phased out after the supreme court case of Brown vs. Board of Education, ruling that separating children in public schools on the basis of race was unconstitutional. Emmanuel is also the youngest person in Broward County to have his own special collections archive, the Emmanuel George Collection at the African American Research Library, where he actively collects physical and digitally archived data on the history of Attucks High School. ","Emmanuel's goal is to continue bridging the generational divide by connecting the youth from the rising Black Student Union populations in Broward County with the pioneers from the Historic Black High Schools (Attucks, Dillard, and Blanche Ely) through an Oral History workshop, in hopes to inspire young archivists to narrate their own stories and preserve their history at the African American Research Library and Cultural Center.","This collection received file processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Emmanuel George Collection in the Broward County Library Digital Archives.","The Emmanuel George Collection contains correspondence, photographs, printed materials, certificates, short videos and artwork related to African Americans in Broward County, Florida. Correspondence contains cards written to Emmanuel George about his internships with Encore and the Lake Wales Public Library African American Archives Project. Crispus Attucks High School materials include a yearbook, student report cards, commencement programs, and class reunions. Photographs display African American individual and group portraits in Broward County. Printed materials include newspaper articles about African American neighborhoods in Broward County, specifically Hollywood, an African American Research Library and Cultural Center brochure, signed Legacy of Broward trading cards, funeral programs, and a magazine article featuring Emmanuel George at Sistrunk-A-Fair. Awards includes a certificate from the City of Miami awarded to Emmanuel George for his participation as a featured artist in the \"Reimagine the Neighborhood\" campaign in April 2022. Paintings of African Americans include the following: Tamara James, Attucks High School alumni (30 x 30), Kitty Oliver (36 x 36), Cannonball Adderley, Dr. James Sistrunk, and Esther Rolle.","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2021.11","/repositories/2/resources/105"],"normalized_date_ssm":["1962-2023"],"normalized_title_ssm":["Emmanuel George Collection, 1962-2023"],"collection_title_tesim":["Emmanuel George Collection, 1962-2023"],"collection_ssim":["Emmanuel George Collection, 1962-2023"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"access_subjects_ssim":["Paintings","Art"],"access_subjects_ssm":["Paintings","Art"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Hollinger Box 1 and a half Hollinger boxes and 6 paintings."],"extent_tesim":["1.5 Hollinger Box 1 and a half Hollinger boxes and 6 paintings."],"genreform_ssim":["Paintings","Art"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThe Emmanuel George Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Emmanuel George Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 6 series: Series I. Correspondence, Series II. Attucks High School, Series III. Photographs, Series IV. Printed Materials, Series V. Awards, and Series VI. Artwork.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 6 series: Series I. Correspondence, Series II. Attucks High School, Series III. Photographs, Series IV. Printed Materials, Series V. Awards, and Series VI. Artwork."],"bioghist_html_tesm":["\u003cp\u003eEmmanuel George is a Dominican- American archivist, film maker and arts organizer based in Hollywood, Florida. Emmanuel's love of history began in childhood when his father Emanuel George Sr. would teach him Black history in efforts to highlight what he thought Emmanuel would not be taught in public school. Emmanuel credits his father's teachings to his ability to seek out overlooked narratives.\u003c/p\u003e\n","\u003cp\u003eIn 2015, after taking a leave of absence from pursuing his Bachelors in Film from Full Sail University, Emmanuel found himself joining a group of local activists in Miami -Dade County who were advocating on behalf of its residents to fight displacement. During this time, Emmanuel spoke with local residents and learned about the history of Black Miami. This curiosity led Emmanuel to begin submerging himself in learning the Black history of his home community, Broward County. \u003c/p\u003e\n","\u003cp\u003eIn 2016, Emmanuel George produced his first film under the Black Broward Film Project, entitled A Tale of Sibling Communities; Danie and Liberia a documentary about the shared relationship between two Black communities in Broward County. The film featured oral interviews of local pioneers and historical landmarks that are staples to the community. Emmanuel followed this up with his 2021 film entitled Stories from our Ancestors: An Ode to Attucks High School; a film focusing on how the closing of a historically Black High school impacted the community of Liberia and its neighboring communities: Danie, Carver Ranches, Hallandale, Ojus, and Davie. \u003c/p\u003e\n","\u003cp\u003eIn 2021, under the mentorship of esteemed historian Kitty Oliver, Emmanuel landed a fellowship with Lake Wales Museum where he interviewed and archived stories of residents from the historic Lincoln Avenue community. From there, Emmanuel would complete a fellowship with Cogenerators (formerly Encore) and work with Florida International University's Wolfson Public Humanities Lab, the Delray Beach Historical Society, the African American Research Library and the Old Dillard Museum, further expanding the ways he shares and preserves local Black history. Most recently, Emmanuel completed a fellowship with Temple University, serving as the Community Archivist for the Association for the Study of African American Life and History (ASALH). \nCurrently, Emmanuel founded and runs the Black Orchid Foundation, a non-profit centered on preserving the stories of Black high schools in the south that were phased out after the supreme court case of Brown vs. Board of Education, ruling that separating children in public schools on the basis of race was unconstitutional. Emmanuel is also the youngest person in Broward County to have his own special collections archive, the Emmanuel George Collection at the African American Research Library, where he actively collects physical and digitally archived data on the history of Attucks High School. \u003c/p\u003e\n","\u003cp\u003eEmmanuel's goal is to continue bridging the generational divide by connecting the youth from the rising Black Student Union populations in Broward County with the pioneers from the Historic Black High Schools (Attucks, Dillard, and Blanche Ely) through an Oral History workshop, in hopes to inspire young archivists to narrate their own stories and preserve their history at the African American Research Library and Cultural Center.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Emmanuel George is a Dominican- American archivist, film maker and arts organizer based in Hollywood, Florida. Emmanuel's love of history began in childhood when his father Emanuel George Sr. would teach him Black history in efforts to highlight what he thought Emmanuel would not be taught in public school. Emmanuel credits his father's teachings to his ability to seek out overlooked narratives.","In 2015, after taking a leave of absence from pursuing his Bachelors in Film from Full Sail University, Emmanuel found himself joining a group of local activists in Miami -Dade County who were advocating on behalf of its residents to fight displacement. During this time, Emmanuel spoke with local residents and learned about the history of Black Miami. This curiosity led Emmanuel to begin submerging himself in learning the Black history of his home community, Broward County. ","In 2016, Emmanuel George produced his first film under the Black Broward Film Project, entitled A Tale of Sibling Communities; Danie and Liberia a documentary about the shared relationship between two Black communities in Broward County. The film featured oral interviews of local pioneers and historical landmarks that are staples to the community. Emmanuel followed this up with his 2021 film entitled Stories from our Ancestors: An Ode to Attucks High School; a film focusing on how the closing of a historically Black High school impacted the community of Liberia and its neighboring communities: Danie, Carver Ranches, Hallandale, Ojus, and Davie. ","In 2021, under the mentorship of esteemed historian Kitty Oliver, Emmanuel landed a fellowship with Lake Wales Museum where he interviewed and archived stories of residents from the historic Lincoln Avenue community. From there, Emmanuel would complete a fellowship with Cogenerators (formerly Encore) and work with Florida International University's Wolfson Public Humanities Lab, the Delray Beach Historical Society, the African American Research Library and the Old Dillard Museum, further expanding the ways he shares and preserves local Black history. Most recently, Emmanuel completed a fellowship with Temple University, serving as the Community Archivist for the Association for the Study of African American Life and History (ASALH). \nCurrently, Emmanuel founded and runs the Black Orchid Foundation, a non-profit centered on preserving the stories of Black high schools in the south that were phased out after the supreme court case of Brown vs. Board of Education, ruling that separating children in public schools on the basis of race was unconstitutional. Emmanuel is also the youngest person in Broward County to have his own special collections archive, the Emmanuel George Collection at the African American Research Library, where he actively collects physical and digitally archived data on the history of Attucks High School. ","Emmanuel's goal is to continue bridging the generational divide by connecting the youth from the rising Black Student Union populations in Broward County with the pioneers from the Historic Black High Schools (Attucks, Dillard, and Blanche Ely) through an Oral History workshop, in hopes to inspire young archivists to narrate their own stories and preserve their history at the African American Research Library and Cultural Center."],"prefercite_html_tesm":["\u003cp\u003eThe Emmanuel George Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Emmanuel George Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll31/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Emmanuel George Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Emmanuel George Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Emmanuel George Collection contains correspondence, photographs, printed materials, certificates, short videos and artwork related to African Americans in Broward County, Florida. Correspondence contains cards written to Emmanuel George about his internships with Encore and the Lake Wales Public Library African American Archives Project. Crispus Attucks High School materials include a yearbook, student report cards, commencement programs, and class reunions. Photographs display African American individual and group portraits in Broward County. Printed materials include newspaper articles about African American neighborhoods in Broward County, specifically Hollywood, an African American Research Library and Cultural Center brochure, signed Legacy of Broward trading cards, funeral programs, and a magazine article featuring Emmanuel George at Sistrunk-A-Fair. Awards includes a certificate from the City of Miami awarded to Emmanuel George for his participation as a featured artist in the \"Reimagine the Neighborhood\" campaign in April 2022. Paintings of African Americans include the following: Tamara James, Attucks High School alumni (30 x 30), Kitty Oliver (36 x 36), Cannonball Adderley, Dr. James Sistrunk, and Esther Rolle.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Emmanuel George Collection contains correspondence, photographs, printed materials, certificates, short videos and artwork related to African Americans in Broward County, Florida. Correspondence contains cards written to Emmanuel George about his internships with Encore and the Lake Wales Public Library African American Archives Project. Crispus Attucks High School materials include a yearbook, student report cards, commencement programs, and class reunions. Photographs display African American individual and group portraits in Broward County. 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