{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=35\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=34\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=36\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=126\u0026view=compact"},"meta":{"pages":{"current_page":35,"next_page":36,"prev_page":34,"total_pages":126,"limit_value":10,"offset_value":340,"total_count":1260,"first_page?":false,"last_page?":false}},"data":[{"id":"d20aa889e8ea8129c93e6502_aspace_440bd7266cd36878f6c073b247548fa9","type":"File","attributes":{"title":"Correspondence, 2011-2015","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502_aspace_440bd7266cd36878f6c073b247548fa9#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_440bd7266cd36878f6c073b247548fa9","ref_ssm":["aspace_440bd7266cd36878f6c073b247548fa9","aspace_440bd7266cd36878f6c073b247548fa9"],"id":"d20aa889e8ea8129c93e6502_aspace_440bd7266cd36878f6c073b247548fa9","title_filing_ssi":"Correspondence","title_ssm":["Correspondence"],"title_tesim":["Correspondence"],"unitdate_inclusive_ssm":["2011-2015"],"normalized_date_ssm":["2011-2015"],"normalized_title_ssm":["Correspondence, 2011-2015"],"text":["Correspondence, 2011-2015","Nola Perez Papers, 1969-2022","Correspondence, 1980-2020","/repositories/3/archival_objects/9295","box 1","folder 15"],"component_level_isim":[2],"parent_ids_ssim":["d20aa889e8ea8129c93e6502","d20aa889e8ea8129c93e6502_aspace_46433b2af50fcd4a03b2fb0d69ca763a"],"parent_unittitles_ssm":["Nola Perez Papers, 1969-2022","Correspondence, 1980-2020"],"parent_unittitles_tesim":["Nola Perez Papers, 1969-2022","Correspondence, 1980-2020"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/9295"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":21,"parent_access_restrict_tesm":["The collection is open for research by appointment only. 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Please contact lib-special@unf.edu to schedule an appointment.","Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. 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Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. 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She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.\u003c/p\u003e\n","\u003cp\u003eUpon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. 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Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. "],"prefercite_html_tesm":["\u003cp\u003eNola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Nola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2013; Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2013; Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2013; Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2013; Critiques (arranged chronologically) include critical receptions of Nola Perez's work\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2013; Events (arranged alphabetically by subseries)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Book Signings and Poetry Readings (arranged chronologically) includes information and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"\u003c/p\u003e\n","\u003cp\u003eSeries 6 \u0026#x2013; Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation\u003c/p\u003e\n","\u003cp\u003eSeries 7 \u0026#x2013; Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career\u003c/p\u003e\n","\u003cp\u003eSeries 8 \u0026#x2013; Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Photographs (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Publications (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 5 \u0026#x2013; Workshops (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSeries 9 \u0026#x2013; Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events\u003c/p\u003e\n","\u003cp\u003eSeries 10 \u0026#x2013; Poetry (arranged chronologically) contains a collection of Nola's poetry\u003c/p\u003e\n","\u003cp\u003eSeries 11 \u0026#x2013; Publications (arranged alphabetically by type of publication)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Books (arranged chronologically by publication date; chronological files within each book published)\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Journals (arranged chronologically by publication date)\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website\u003c/p\u003e\n","\u003cp\u003eSeries 12 \u0026#x2013; Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia\u003c/p\u003e\n","\u003cp\u003eSeries 13 \u0026#x2013; Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. 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Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"_nest_path_":"/components#3","_nest_parent_":"d20aa889e8ea8129c93e6502","_root_":"d20aa889e8ea8129c93e6502","_version_":1870860591887810560,"timestamp":"2026-07-16T08:48:16.050Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d20aa889e8ea8129c93e6502","title_ssm":["Nola Perez Papers"],"title_tesim":["Nola Perez Papers"],"ead_ssi":"d20aa889e8ea8129c93e6502","unitdate_ssm":["1969-2022"],"unitdate_inclusive_ssm":["1969-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016.006","/repositories/3/resources/78"],"text":["2016.006","/repositories/3/resources/78","Nola Perez Papers, 1969-2022","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. ","This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2016.006","/repositories/3/resources/78"],"normalized_date_ssm":["1969-2022"],"normalized_title_ssm":["Nola Perez Papers, 1969-2022"],"collection_title_tesim":["Nola Perez Papers, 1969-2022"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Nola B. Perez, 2016-09-06."],"has_online_content_ssim":["false"],"extent_ssm":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"extent_tesim":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eNola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. \u003c/p\u003e\n","\u003cp\u003eDuring her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.\u003c/p\u003e\n","\u003cp\u003eIn the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.\u003c/p\u003e\n","\u003cp\u003eUpon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. "],"prefercite_html_tesm":["\u003cp\u003eNola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Nola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2013; Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2013; Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2013; Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2013; Critiques (arranged chronologically) include critical receptions of Nola Perez's work\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2013; Events (arranged alphabetically by subseries)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Book Signings and Poetry Readings (arranged chronologically) includes information and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"\u003c/p\u003e\n","\u003cp\u003eSeries 6 \u0026#x2013; Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation\u003c/p\u003e\n","\u003cp\u003eSeries 7 \u0026#x2013; Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career\u003c/p\u003e\n","\u003cp\u003eSeries 8 \u0026#x2013; Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Photographs (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Publications (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 5 \u0026#x2013; Workshops (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSeries 9 \u0026#x2013; Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events\u003c/p\u003e\n","\u003cp\u003eSeries 10 \u0026#x2013; Poetry (arranged chronologically) contains a collection of Nola's poetry\u003c/p\u003e\n","\u003cp\u003eSeries 11 \u0026#x2013; Publications (arranged alphabetically by type of publication)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Books (arranged chronologically by publication date; chronological files within each book published)\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Journals (arranged chronologically by publication date)\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website\u003c/p\u003e\n","\u003cp\u003eSeries 12 \u0026#x2013; Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia\u003c/p\u003e\n","\u003cp\u003eSeries 13 \u0026#x2013; Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":231,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860591887810560,"_root_":"d20aa889e8ea8129c93e6502","timestamp":"2026-07-16T08:48:16.050Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502_aspace_3e9adfd289fd95c4e543db68e1c81d8f"}},{"id":"ec0d65981df646e0f1a8b1b3_aspace_2586f7fb40515c6cd6a04eca78abb551","type":"Item","attributes":{"title":"Crown Circle: Lauren Avinoam, October 2-10, 2015","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_2586f7fb40515c6cd6a04eca78abb551#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_2586f7fb40515c6cd6a04eca78abb551","ref_ssm":["aspace_2586f7fb40515c6cd6a04eca78abb551","aspace_2586f7fb40515c6cd6a04eca78abb551"],"id":"ec0d65981df646e0f1a8b1b3_aspace_2586f7fb40515c6cd6a04eca78abb551","title_filing_ssi":"Crown Circle: Lauren Avinoam","title_ssm":["Crown Circle: Lauren Avinoam"],"title_tesim":["Crown Circle: Lauren Avinoam"],"unitdate_inclusive_ssm":["October 2-10, 2015"],"normalized_date_ssm":["October 2-10, 2015"],"normalized_title_ssm":["Crown Circle: Lauren Avinoam, October 2-10, 2015"],"text":["Crown Circle: Lauren Avinoam, October 2-10, 2015","Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","Realia","Volunteer Lanyard Badges","/repositories/2/archival_objects/184651","box 6","folder 7","object 2"],"component_level_isim":[3],"parent_ids_ssim":["ec0d65981df646e0f1a8b1b3","ec0d65981df646e0f1a8b1b3_aspace_6a2266f37052f9fcd509d5e6bf71e096","ec0d65981df646e0f1a8b1b3_aspace_bee62dbf2118fa5f60cf8b4b0fe575a0"],"parent_unittitles_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","Realia","Volunteer Lanyard Badges"],"parent_unittitles_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","Realia","Volunteer Lanyard Badges"],"parent_levels_ssm":["collection","Box","File"],"unitid_ssm":["/repositories/2/archival_objects/184651"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":281,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2015],"containers_ssim":["box 6","folder 7","object 2"],"_nest_path_":"/components#5/components#6/components#1","_nest_parent_":"ec0d65981df646e0f1a8b1b3_aspace_bee62dbf2118fa5f60cf8b4b0fe575a0","_root_":"ec0d65981df646e0f1a8b1b3","_version_":1871043586387083264,"timestamp":"2026-07-18T09:16:53.209Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ec0d65981df646e0f1a8b1b3","title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection"],"title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection"],"ead_ssi":"ec0d65981df646e0f1a8b1b3","unitdate_ssm":["1990-2024"],"unitdate_inclusive_ssm":["1990-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2024-01","/repositories/2/resources/641"],"text":["MS-2024-01","/repositories/2/resources/641","Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)","Materials are arranged according to type, with attention to chronology within series.","\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.","Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.","USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival","English"],"unitid_tesim":["MS-2024-01","/repositories/2/resources/641"],"normalized_date_ssm":["1990-2024"],"normalized_title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Tampa International Gay and Lesbian Film Festival"],"creator_ssim":["Tampa International Gay and Lesbian Film Festival"],"creator_corpname_ssim":["Tampa International Gay and Lesbian Film Festival"],"creators_ssim":["Tampa International Gay and Lesbian Film Festival"],"access_terms_ssm":["None. 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Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"access_subjects_ssm":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"has_online_content_ssim":["false"],"extent_ssm":["9 boxes","9 Linear Feet"],"extent_tesim":["9 boxes","9 Linear Feet"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged according to type, with attention to chronology within series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged according to type, with attention to chronology within series."],"bioghist_html_tesm":["\u003cp\u003e\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  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This is true no matter which era or which producing organization we're talking about.\u003c/p\u003e\n","\u003cp\u003eFounders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.\u003c/p\u003e\n","\u003cp\u003eTampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.\u003c/p\u003e\n","\u003cp\u003eAfter two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.\u003c/p\u003e\n","\u003cp\u003eThat first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.\u003c/p\u003e\n","\u003cp\u003e\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/"],"scopecontent_html_tesm":["\u003cp\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7fd2447780ec58fc96b7d52c2b93a93a\"\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.\u003c/abstract\u003e"],"abstract_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF."],"names_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"language_ssim":["English"],"total_component_count_is":365,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871043586387083264,"_root_":"ec0d65981df646e0f1a8b1b3","timestamp":"2026-07-18T09:16:53.209Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_2586f7fb40515c6cd6a04eca78abb551"}},{"id":"92cae14ddf8b8b2b398c1c91_aspace_dd142968c28e004533b540d55014fdbb","type":"Item","attributes":{"title":"Curriculum Team Meeting Agenda/Minutes, December 2015","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/92cae14ddf8b8b2b398c1c91_aspace_dd142968c28e004533b540d55014fdbb#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_dd142968c28e004533b540d55014fdbb","ref_ssm":["aspace_dd142968c28e004533b540d55014fdbb","aspace_dd142968c28e004533b540d55014fdbb"],"id":"92cae14ddf8b8b2b398c1c91_aspace_dd142968c28e004533b540d55014fdbb","title_filing_ssi":"Curriculum Team Meeting Agenda/Minutes","title_ssm":["Curriculum Team Meeting Agenda/Minutes"],"title_tesim":["Curriculum Team Meeting Agenda/Minutes"],"unitdate_other_ssim":["December 2015"],"normalized_date_ssm":["December 2015"],"normalized_title_ssm":["Curriculum Team Meeting Agenda/Minutes, December 2015"],"text":["Curriculum Team Meeting Agenda/Minutes, December 2015","FGCU Faculty Senate, 1997-2018","Series 2 - Digital Objects","Curriculum Team Documents","/repositories/3/archival_objects/30500","English"],"component_level_isim":[3],"parent_ids_ssim":["92cae14ddf8b8b2b398c1c91","92cae14ddf8b8b2b398c1c91_aspace_c59f8744dfa8f84096be0202c0df88de","92cae14ddf8b8b2b398c1c91_aspace_b3fa853e7751ecf8d0bfd976a550385a"],"parent_unittitles_ssm":["FGCU Faculty Senate, 1997-2018","Series 2 - Digital Objects","Curriculum Team Documents"],"parent_unittitles_tesim":["FGCU Faculty Senate, 1997-2018","Series 2 - Digital Objects","Curriculum Team Documents"],"parent_levels_ssm":["collection","Series","Series"],"unitid_ssm":["/repositories/3/archival_objects/30500"],"repository_ssim":["Florida Gulf Coast University Archives"],"collection_ssim":["FGCU Faculty Senate, 1997-2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":112,"parent_access_restrict_tesm":["This collection is open for research use."],"date_range_isim":[2015],"language_ssim":["English"],"_nest_path_":"/components#1/components#10/components#32","_nest_parent_":"92cae14ddf8b8b2b398c1c91_aspace_b3fa853e7751ecf8d0bfd976a550385a","_root_":"92cae14ddf8b8b2b398c1c91","_version_":1878996249889210368,"timestamp":"2026-10-14T04:01:04.128Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"92cae14ddf8b8b2b398c1c91","title_ssm":["FGCU Faculty Senate"],"title_tesim":["FGCU Faculty Senate"],"ead_ssi":"92cae14ddf8b8b2b398c1c91","unitdate_ssm":["1997-2018"],"unitdate_inclusive_ssm":["1997-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01.06.01","/repositories/3/resources/43"],"text":["01.06.01","/repositories/3/resources/43","FGCU Faculty Senate, 1997-2018","Universities and colleges -- United States -- Faculty","Faculty Senate","This collection is open for research use.","This collection is arranged in two series: Physical Materials and Digital Objects. 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