{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=126\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=125\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=126\u0026view=compact"},"meta":{"pages":{"current_page":126,"next_page":null,"prev_page":125,"total_pages":126,"limit_value":10,"offset_value":1250,"total_count":1260,"first_page?":false,"last_page?":true}},"data":[{"id":"5704cc28d5311ad5f4edd43f_aspace_6438bed999d4edc19426e8a82dca09c5","type":"File","attributes":{"title":"Women's Soccer, 1995-2015","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5704cc28d5311ad5f4edd43f_aspace_6438bed999d4edc19426e8a82dca09c5#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_6438bed999d4edc19426e8a82dca09c5","ref_ssm":["aspace_6438bed999d4edc19426e8a82dca09c5","aspace_6438bed999d4edc19426e8a82dca09c5"],"id":"5704cc28d5311ad5f4edd43f_aspace_6438bed999d4edc19426e8a82dca09c5","title_filing_ssi":"Women's Soccer","title_ssm":["Women's Soccer"],"title_tesim":["Women's Soccer"],"unitdate_inclusive_ssm":["1995-2015"],"normalized_date_ssm":["1995-2015"],"normalized_title_ssm":["Women's Soccer, 1995-2015"],"text":["Women's Soccer, 1995-2015","USF Athletics collection, bulk 1956-Present","Ephemera \u0026 Realia","Box 188","Folder 8","/repositories/2/archival_objects/199833","box 188","folder 8"],"component_level_isim":[3],"parent_ids_ssim":["5704cc28d5311ad5f4edd43f","5704cc28d5311ad5f4edd43f_aspace_04c8a51091807a21077884709d744614","5704cc28d5311ad5f4edd43f_aspace_f6f479d461182757c3ccf180631cdb24"],"parent_unittitles_ssm":["USF Athletics collection, bulk 1956-Present","Ephemera \u0026 Realia","Box 188"],"parent_unittitles_tesim":["USF Athletics collection, bulk 1956-Present","Ephemera \u0026 Realia","Box 188"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Folder 8","/repositories/2/archival_objects/199833"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["USF Athletics collection, bulk 1956-Present"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3188,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"containers_ssim":["box 188","folder 8"],"_nest_path_":"/components#2/components#8/components#7","_nest_parent_":"5704cc28d5311ad5f4edd43f_aspace_f6f479d461182757c3ccf180631cdb24","_root_":"5704cc28d5311ad5f4edd43f","_version_":1870863599522545664,"timestamp":"2026-07-16T09:36:04.168Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5704cc28d5311ad5f4edd43f","title_ssm":["USF Athletics collection"],"title_tesim":["USF Athletics collection"],"ead_ssi":"5704cc28d5311ad5f4edd43f","unitdate_ssm":["1956-Present"],"unitdate_bulk_ssim":["1956-Present"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2021-05","/repositories/2/resources/593"],"text":["MS-2021-05","/repositories/2/resources/593","USF Athletics collection, bulk 1956-Present","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-2021-05","/repositories/2/resources/593"],"normalized_date_ssm":["bulk 1956-Present"],"normalized_title_ssm":["USF Athletics collection, bulk 1956-Present"],"collection_title_tesim":["USF Athletics collection, bulk 1956-Present"],"collection_ssim":["USF Athletics collection, bulk 1956-Present"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"has_online_content_ssim":["false"],"extent_ssm":["122.74 Linear Feet","232 boxes"],"extent_tesim":["122.74 Linear Feet","232 boxes"],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"total_component_count_is":3281,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863599522545664,"_root_":"5704cc28d5311ad5f4edd43f","timestamp":"2026-07-16T09:36:04.168Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5704cc28d5311ad5f4edd43f_aspace_6438bed999d4edc19426e8a82dca09c5"}},{"id":"c3e46b40c834f9335c7da81e_aspace_02ac4e87f2a361d85ab67d9ce9968402","type":"Series","attributes":{"title":"Works about Laura Riding Jackson, 1963–2017","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c3e46b40c834f9335c7da81e_aspace_02ac4e87f2a361d85ab67d9ce9968402#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_02ac4e87f2a361d85ab67d9ce9968402","ref_ssm":["aspace_02ac4e87f2a361d85ab67d9ce9968402","aspace_02ac4e87f2a361d85ab67d9ce9968402"],"id":"c3e46b40c834f9335c7da81e_aspace_02ac4e87f2a361d85ab67d9ce9968402","title_filing_ssi":"Works about Laura Riding Jackson","title_ssm":["Works about Laura Riding Jackson"],"title_tesim":["Works about Laura Riding Jackson"],"unitdate_inclusive_ssm":["1963–2017"],"normalized_date_ssm":["1963–2017"],"normalized_title_ssm":["Works about Laura Riding Jackson, 1963–2017"],"text":["Works about Laura Riding Jackson, 1963–2017","The Marie Stiefel Laura Riding Jackson collection, 1925-2024","1","/repositories/4/archival_objects/83451"],"component_level_isim":[1],"parent_ids_ssim":["c3e46b40c834f9335c7da81e"],"parent_unittitles_ssm":["The Marie Stiefel Laura Riding Jackson collection, 1925-2024"],"parent_unittitles_tesim":["The Marie Stiefel Laura Riding Jackson collection, 1925-2024"],"parent_levels_ssm":["collection"],"unitid_ssm":["1","/repositories/4/archival_objects/83451"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["The Marie Stiefel Laura Riding Jackson collection, 1925-2024"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"_nest_path_":"/components#0","_nest_parent_":"c3e46b40c834f9335c7da81e","_root_":"c3e46b40c834f9335c7da81e","_version_":1874753292505972736,"timestamp":"2026-08-28T08:01:04.660Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"c3e46b40c834f9335c7da81e","title_ssm":["The Marie Stiefel Laura Riding Jackson collection"],"title_tesim":["The Marie Stiefel Laura Riding Jackson collection"],"ead_ssi":"c3e46b40c834f9335c7da81e","unitdate_ssm":["1925-2024"],"unitdate_inclusive_ssm":["1925-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC175","/repositories/4/resources/340"],"text":["SC175","/repositories/4/resources/340","The Marie Stiefel Laura Riding Jackson collection, 1925-2024","Indian River County (Fla.)","Women poets, American","Poets, American -- 20th Century -- correspondence","Women authors, American","manuscripts (documents)","articles","The entire collection is open for research.","This collection is arranged in five series as follows:\nWorks about Laura Riding Jackson, 1963–2017\t\nWorks by Laura Riding Jackson, 1935–1984\t\t\nCorrespondence, 1941–1993\t\nMaterials from Laura's Kitchen, undated\t\nBooks 1925-2024","Laura Riding Jackson, best known as Laura Riding, an American poet and author was born on January 16, 1901 in New York City, NY and died on September 2, 1991 in Wabasso, Florida. She was born Laura Reichenthal and began publishing under her married name, Gottschalk. Riding Jackson graduated Cornell University in 1921 and published her first poem in 1923 in the literary magazine  The Fugitive  and her first collection of poetry,  The Close Chaplet  in 1926. After her divorce in 1925, she assumed the surname Riding and moved to England to live with Robert Graves and his wife, Nancy Nicholson. She remained in Europe for 14 years, mainly England and Majorca, Spain, where Riding Jackson and Graves founded Seizin Press in 1927. In 1939, Riding and Graves left Europe for New Hope, Pennsylvania. In 1941, Riding Jackson married Schuyler B. Jackson and they moved to Wabasso, Florida, where she lived until her death in 1991. The Jackson's posthumously published a dictionary titled  Rational Meaning: A New Foundation for the Definition of World and Supplementary Essays  in 1997. Laura Riding's Florida house has been preserved by the Laura Riding Jackson Foundation and now sits at the Vero Beach campus of Indian River State College. The Foundation supports the legacy of Riding by offering educational events and workshops for writers of all ages, as well as preserving her home.","Processed by and finding aid prepared by Chloe Lanham in 2025.","The Marie Stiefel Laura Riding Jackson collection, 1925-2024 contains materials created by and relating to poet and author, Laura Riding Jackson and Seizin Press including books, articles, manuscripts, and correspondence. This collection also includes materials created by Robert Graves, Shuyler Jackson, and Susan Morris, Riding Jackson's secretary. These materials are useful to historical, biographical, and literary research into the life and work of Laura Riding Jackson and Seizin Press.","Series I: Works about Laura Riding Jackson, 1963–2017\t\nSeries II: Works by Laura Riding Jackson, 1935–1984\t\t\nSeries III: Correspondence, 1941–1993\t\nSeries IV: Materials from Laura's Kitchen, undated\t\nSeries V: Books, 1925-2024","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Marie Stiefel Laura Riding Jackson collection 1925-2024 contains materials created by and relating to poet and author, Laura Riding Jackson and Seizin Press including books, articles, manuscripts, and correspondence. This collection also includes materials created by Robert Graves, Shuyler Jackson, and Susan Morris, Riding Jackson's secretary. These materials are useful to historical, biographical, and literary research into the life and work of Laura Riding Jackson and Seizin Press. The collection is divided into five series as follows: \nWorks about Laura Riding Jackson, 1963–2017\t\nWorks by Laura Riding Jackson, 1935–1984\t\t\nCorrespondence, 1941–1993\t\nMaterials from Laura's Kitchen, undated\t\nBooks 1925-2024\n\nLaura Riding Jackson, best known as Laura Riding, an American poet and author was born on January 16, 1901 in New York City, NY and died on September 2, 1991 in Wabasso, Florida. She was born Laura Reichenthal and began publishing under her married name, Gottschalk. Riding Jackson graduated Cornell University in 1921 and published her first poem in 1923 in the literary magazine  The Fugitive  and her first collection of poetry,  The Close Chaplet  in 1926. After her divorce in 1925, she assumed the surname Riding and moved to England to live with Robert Graves and his wife, Nancy Nicholson. She remained in Europe for 14 years, mainly England and Majorca, Spain, where Riding Jackson and Graves founded Seizin Press in 1927. In 1939, Riding and Graves left Europe for New Hope, Pennsylvania. In 1941, Riding Jackson married Schuyler B. Jackson and they moved to Wabasso, Florida, where she lived until her death in 1991. The Jackson's posthumously published a dictionary titled  Rational Meaning: A New Foundation for the Definition of World and Supplementary Essays  in 1997. Laura Riding's Florida house has been preserved by the Laura Riding Jackson Foundation and now sits at the Vero Beach campus of Indian River State College. The Foundation supports the legacy of Riding by offering educational events and workshops for writers of all ages, as well as preserving her home.","UCF Special Collections","Seizin Press","Laura Riding Jackson Foundation","Jackson, Laura (Riding), 1901-1991","Graves, Robert, 1895-1985","Jackson, Schuyler B.","Morris, Susan","Stiefel, Marie","English"],"unitid_tesim":["SC175","/repositories/4/resources/340"],"normalized_date_ssm":["1925-2024"],"normalized_title_ssm":["The Marie Stiefel Laura Riding Jackson collection, 1925-2024"],"collection_title_tesim":["The Marie Stiefel Laura Riding Jackson collection, 1925-2024"],"collection_ssim":["The Marie Stiefel Laura Riding Jackson collection, 1925-2024"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Indian River County (Fla.)"],"geogname_ssim":["Indian River County (Fla.)"],"creator_ssm":["Jackson, Laura (Riding), 1901-1991","Graves, Robert, 1895-1985","Seizin Press","Laura Riding Jackson Foundation","Jackson, Schuyler B.","Morris, Susan","Stiefel, Marie"],"creator_ssim":["Jackson, Laura (Riding), 1901-1991","Graves, Robert, 1895-1985","Seizin Press","Laura Riding Jackson Foundation","Jackson, Schuyler B.","Morris, Susan","Stiefel, Marie"],"creator_persname_ssim":["Jackson, Laura (Riding), 1901-1991","Graves, Robert, 1895-1985","Jackson, Schuyler B.","Morris, Susan","Stiefel, Marie"],"creator_corpname_ssim":["Seizin Press","Laura Riding Jackson Foundation"],"creators_ssim":["Jackson, Laura (Riding), 1901-1991","Graves, Robert, 1895-1985","Jackson, Schuyler B.","Morris, Susan","Stiefel, Marie","Seizin Press","Laura Riding Jackson Foundation"],"places_ssim":["Indian River County (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of Marie Stiefel in 2025 (Accession no. CFM2025_01)."],"access_subjects_ssim":["Women poets, American","Poets, American -- 20th Century -- correspondence","Women authors, American","manuscripts (documents)","articles"],"access_subjects_ssm":["Women poets, American","Poets, American -- 20th Century -- correspondence","Women authors, American","manuscripts (documents)","articles"],"has_online_content_ssim":["false"],"extent_ssm":["0.6 Linear Feet 1 box"],"extent_tesim":["0.6 Linear Feet 1 box"],"genreform_ssim":["manuscripts (documents)","articles"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in five series as follows:\nWorks about Laura Riding Jackson, 1963\u0026#x2013;2017\t\nWorks by Laura Riding Jackson, 1935\u0026#x2013;1984\t\t\nCorrespondence, 1941\u0026#x2013;1993\t\nMaterials from Laura's Kitchen, undated\t\nBooks 1925-2024\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in five series as follows:\nWorks about Laura Riding Jackson, 1963–2017\t\nWorks by Laura Riding Jackson, 1935–1984\t\t\nCorrespondence, 1941–1993\t\nMaterials from Laura's Kitchen, undated\t\nBooks 1925-2024"],"bioghist_html_tesm":["\u003cp\u003eLaura Riding Jackson, best known as Laura Riding, an American poet and author was born on January 16, 1901 in New York City, NY and died on September 2, 1991 in Wabasso, Florida. She was born Laura Reichenthal and began publishing under her married name, Gottschalk. Riding Jackson graduated Cornell University in 1921 and published her first poem in 1923 in the literary magazine \u003cemph render=\"italic\"\u003eThe Fugitive\u003c/emph\u003e and her first collection of poetry, \u003cemph render=\"italic\"\u003eThe Close Chaplet\u003c/emph\u003e in 1926. After her divorce in 1925, she assumed the surname Riding and moved to England to live with Robert Graves and his wife, Nancy Nicholson. She remained in Europe for 14 years, mainly England and Majorca, Spain, where Riding Jackson and Graves founded Seizin Press in 1927. In 1939, Riding and Graves left Europe for New Hope, Pennsylvania. In 1941, Riding Jackson married Schuyler B. Jackson and they moved to Wabasso, Florida, where she lived until her death in 1991. The Jackson's posthumously published a dictionary titled \u003cemph render=\"italic\"\u003eRational Meaning: A New Foundation for the Definition of World and Supplementary Essays\u003c/emph\u003e in 1997. Laura Riding's Florida house has been preserved by the Laura Riding Jackson Foundation and now sits at the Vero Beach campus of Indian River State College. The Foundation supports the legacy of Riding by offering educational events and workshops for writers of all ages, as well as preserving her home.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Laura Riding Jackson, best known as Laura Riding, an American poet and author was born on January 16, 1901 in New York City, NY and died on September 2, 1991 in Wabasso, Florida. She was born Laura Reichenthal and began publishing under her married name, Gottschalk. Riding Jackson graduated Cornell University in 1921 and published her first poem in 1923 in the literary magazine  The Fugitive  and her first collection of poetry,  The Close Chaplet  in 1926. After her divorce in 1925, she assumed the surname Riding and moved to England to live with Robert Graves and his wife, Nancy Nicholson. She remained in Europe for 14 years, mainly England and Majorca, Spain, where Riding Jackson and Graves founded Seizin Press in 1927. In 1939, Riding and Graves left Europe for New Hope, Pennsylvania. In 1941, Riding Jackson married Schuyler B. Jackson and they moved to Wabasso, Florida, where she lived until her death in 1991. The Jackson's posthumously published a dictionary titled  Rational Meaning: A New Foundation for the Definition of World and Supplementary Essays  in 1997. Laura Riding's Florida house has been preserved by the Laura Riding Jackson Foundation and now sits at the Vero Beach campus of Indian River State College. The Foundation supports the legacy of Riding by offering educational events and workshops for writers of all ages, as well as preserving her home."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], The Marie Stiefel Laura Riding Jackson collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], The Marie Stiefel Laura Riding Jackson collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Chloe Lanham in 2025."],"scopecontent_html_tesm":["\u003cp\u003eThe Marie Stiefel Laura Riding Jackson collection, 1925-2024 contains materials created by and relating to poet and author, Laura Riding Jackson and Seizin Press including books, articles, manuscripts, and correspondence. This collection also includes materials created by Robert Graves, Shuyler Jackson, and Susan Morris, Riding Jackson's secretary. These materials are useful to historical, biographical, and literary research into the life and work of Laura Riding Jackson and Seizin Press.\u003c/p\u003e\n","\u003cp\u003eSeries I: Works about Laura Riding Jackson, 1963\u0026#x2013;2017\t\nSeries II: Works by Laura Riding Jackson, 1935\u0026#x2013;1984\t\t\nSeries III: Correspondence, 1941\u0026#x2013;1993\t\nSeries IV: Materials from Laura's Kitchen, undated\t\nSeries V: Books, 1925-2024\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Marie Stiefel Laura Riding Jackson collection, 1925-2024 contains materials created by and relating to poet and author, Laura Riding Jackson and Seizin Press including books, articles, manuscripts, and correspondence. This collection also includes materials created by Robert Graves, Shuyler Jackson, and Susan Morris, Riding Jackson's secretary. These materials are useful to historical, biographical, and literary research into the life and work of Laura Riding Jackson and Seizin Press.","Series I: Works about Laura Riding Jackson, 1963–2017\t\nSeries II: Works by Laura Riding Jackson, 1935–1984\t\t\nSeries III: Correspondence, 1941–1993\t\nSeries IV: Materials from Laura's Kitchen, undated\t\nSeries V: Books, 1925-2024"],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d95650411a414e3e87abaf4901c0fcd8\" label=\"Abstract\"\u003eThe Marie Stiefel Laura Riding Jackson collection 1925-2024 contains materials created by and relating to poet and author, Laura Riding Jackson and Seizin Press including books, articles, manuscripts, and correspondence. This collection also includes materials created by Robert Graves, Shuyler Jackson, and Susan Morris, Riding Jackson's secretary. These materials are useful to historical, biographical, and literary research into the life and work of Laura Riding Jackson and Seizin Press. The collection is divided into five series as follows: \nWorks about Laura Riding Jackson, 1963\u0026#x2013;2017\t\nWorks by Laura Riding Jackson, 1935\u0026#x2013;1984\t\t\nCorrespondence, 1941\u0026#x2013;1993\t\nMaterials from Laura's Kitchen, undated\t\nBooks 1925-2024\n\nLaura Riding Jackson, best known as Laura Riding, an American poet and author was born on January 16, 1901 in New York City, NY and died on September 2, 1991 in Wabasso, Florida. She was born Laura Reichenthal and began publishing under her married name, Gottschalk. Riding Jackson graduated Cornell University in 1921 and published her first poem in 1923 in the literary magazine \u003cemph render=\"italic\"\u003eThe Fugitive\u003c/emph\u003e and her first collection of poetry, \u003cemph render=\"italic\"\u003eThe Close Chaplet\u003c/emph\u003e in 1926. After her divorce in 1925, she assumed the surname Riding and moved to England to live with Robert Graves and his wife, Nancy Nicholson. She remained in Europe for 14 years, mainly England and Majorca, Spain, where Riding Jackson and Graves founded Seizin Press in 1927. In 1939, Riding and Graves left Europe for New Hope, Pennsylvania. In 1941, Riding Jackson married Schuyler B. Jackson and they moved to Wabasso, Florida, where she lived until her death in 1991. The Jackson's posthumously published a dictionary titled \u003cemph render=\"italic\"\u003eRational Meaning: A New Foundation for the Definition of World and Supplementary Essays\u003c/emph\u003e in 1997. Laura Riding's Florida house has been preserved by the Laura Riding Jackson Foundation and now sits at the Vero Beach campus of Indian River State College. The Foundation supports the legacy of Riding by offering educational events and workshops for writers of all ages, as well as preserving her home.\u003c/abstract\u003e"],"abstract_tesim":["The Marie Stiefel Laura Riding Jackson collection 1925-2024 contains materials created by and relating to poet and author, Laura Riding Jackson and Seizin Press including books, articles, manuscripts, and correspondence. This collection also includes materials created by Robert Graves, Shuyler Jackson, and Susan Morris, Riding Jackson's secretary. These materials are useful to historical, biographical, and literary research into the life and work of Laura Riding Jackson and Seizin Press. The collection is divided into five series as follows: \nWorks about Laura Riding Jackson, 1963–2017\t\nWorks by Laura Riding Jackson, 1935–1984\t\t\nCorrespondence, 1941–1993\t\nMaterials from Laura's Kitchen, undated\t\nBooks 1925-2024\n\nLaura Riding Jackson, best known as Laura Riding, an American poet and author was born on January 16, 1901 in New York City, NY and died on September 2, 1991 in Wabasso, Florida. She was born Laura Reichenthal and began publishing under her married name, Gottschalk. Riding Jackson graduated Cornell University in 1921 and published her first poem in 1923 in the literary magazine  The Fugitive  and her first collection of poetry,  The Close Chaplet  in 1926. After her divorce in 1925, she assumed the surname Riding and moved to England to live with Robert Graves and his wife, Nancy Nicholson. She remained in Europe for 14 years, mainly England and Majorca, Spain, where Riding Jackson and Graves founded Seizin Press in 1927. In 1939, Riding and Graves left Europe for New Hope, Pennsylvania. In 1941, Riding Jackson married Schuyler B. Jackson and they moved to Wabasso, Florida, where she lived until her death in 1991. The Jackson's posthumously published a dictionary titled  Rational Meaning: A New Foundation for the Definition of World and Supplementary Essays  in 1997. Laura Riding's Florida house has been preserved by the Laura Riding Jackson Foundation and now sits at the Vero Beach campus of Indian River State College. The Foundation supports the legacy of Riding by offering educational events and workshops for writers of all ages, as well as preserving her home."],"names_coll_ssim":["Seizin Press","Jackson, Laura (Riding), 1901-1991","Jackson, Schuyler B.","Graves, Robert, 1895-1985","Stiefel, Marie"],"names_ssim":["UCF Special Collections","Seizin Press","Laura Riding Jackson Foundation","Jackson, Laura (Riding), 1901-1991","Graves, Robert, 1895-1985","Jackson, Schuyler B.","Morris, Susan","Stiefel, Marie"],"corpname_ssim":["UCF Special Collections","Seizin Press","Laura Riding Jackson Foundation"],"persname_ssim":["Jackson, Laura (Riding), 1901-1991","Graves, Robert, 1895-1985","Jackson, Schuyler B.","Morris, Susan","Stiefel, Marie"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":71,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1874753292505972736,"_root_":"c3e46b40c834f9335c7da81e","timestamp":"2026-08-28T08:01:04.660Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/c3e46b40c834f9335c7da81e_aspace_02ac4e87f2a361d85ab67d9ce9968402"}},{"id":"c990fec7845513555013b9f9_aspace_6563e106911a0c1ef7302b3465766bd6","type":"File","attributes":{"title":"(Works by Scott Rose \u0026 Wiliam Ruler) Thresholds, 2015-11-19","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c990fec7845513555013b9f9_aspace_6563e106911a0c1ef7302b3465766bd6#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_6563e106911a0c1ef7302b3465766bd6","ref_ssm":["aspace_6563e106911a0c1ef7302b3465766bd6","aspace_6563e106911a0c1ef7302b3465766bd6"],"id":"c990fec7845513555013b9f9_aspace_6563e106911a0c1ef7302b3465766bd6","title_filing_ssi":"(Works by Scott Rose \u0026 Wiliam Ruler) Thresholds","title_ssm":["(Works by Scott Rose \u0026 Wiliam Ruler) Thresholds"],"title_tesim":["(Works by Scott Rose \u0026 Wiliam Ruler) Thresholds"],"unitdate_other_ssim":["2015-11-19"],"normalized_date_ssm":["2015-11-19"],"normalized_title_ssm":["(Works by Scott Rose \u0026 Wiliam Ruler) Thresholds, 2015-11-19"],"text":["(Works by Scott Rose \u0026 Wiliam Ruler) Thresholds, 2015-11-19","Visual \u0026 Performing Arts (V\u0026P Arts): Posters and Programs, 2008–2015 (some undated)","RG 102 004/8.5","/repositories/2/archival_objects/1035","English","box 8","folder 5"],"component_level_isim":[1],"parent_ids_ssim":["c990fec7845513555013b9f9"],"parent_unittitles_ssm":["Visual \u0026 Performing Arts (V\u0026P Arts): Posters and Programs, 2008–2015 (some undated)"],"parent_unittitles_tesim":["Visual \u0026 Performing Arts (V\u0026P Arts): Posters and Programs, 2008–2015 (some undated)"],"parent_levels_ssm":["collection"],"unitid_ssm":["RG 102 004/8.5","/repositories/2/archival_objects/1035"],"repository_ssim":["Broward College Archives and Special Collections"],"collection_ssim":["Visual \u0026 Performing Arts (V\u0026P Arts): Posters and Programs, 2008–2015 (some undated)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":123,"parent_access_restrict_tesm":["Open for research. Certain materials may have restrictions due to fragility or privacy."],"parent_access_terms_tesm":["Responsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy."],"date_range_isim":[2015],"language_ssim":["English"],"containers_ssim":["box 8","folder 5"],"_nest_path_":"/components#122","_nest_parent_":"c990fec7845513555013b9f9","_root_":"c990fec7845513555013b9f9","timestamp":"2026-07-11T01:26:54.472Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"c990fec7845513555013b9f9","title_ssm":["Visual \u0026 Performing Arts (V\u0026P Arts): Posters and Programs"],"title_tesim":["Visual \u0026 Performing Arts (V\u0026P Arts): Posters and Programs"],"ead_ssi":"c990fec7845513555013b9f9","unitdate_ssm":["2008–2015 (some undated)"],"unitdate_inclusive_ssm":["2008–2015 (some undated)"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG 102 004","/repositories/2/resources/12"],"text":["RG 102 004","/repositories/2/resources/12","Visual \u0026 Performing Arts (V\u0026P Arts): Posters and Programs, 2008–2015 (some undated)","Broward College — Cultural events","Performing arts—Florida—Fort Lauderdale","Musicals","Theatre production","College theater—Florida—Broward County","Dance--Florida--Fort Lauderdale","Music--Performance","Music--Instruction and study","Choirs (Music)","Open for research. Certain materials may have restrictions due to fragility or privacy.","Arranged chronologically and by event type within eight boxes, with folders or items listed individually by date and description.","Since its inception in 1960, the Visual and Performing Arts (V and PA) Department has been a cornerstone of Broward College's academic and cultural identity. The V and PA program includes concentrations in architecture, dance, film, production, graphic design, music, music technology, theatre, and the visual arts. The department annually produces a full season of performances and exhibitions in the College's world-class facilities, contributing to South Florida's vibrant arts landscape and offering students professional training and public performance experience.","This collection comprises posters, programs, flyers, and promotional materials documenting performances, concerts, exhibitions, festivals, and special events produced by the Visual and Performing Arts Department from 2008 to 2015. Included are materials for faculty and student recitals, concert and jazz band performances, choral concerts, theatrical productions, dance festivals, annual exhibitions, and guest artist presentations. The collection visually represents the breadth and diversity of V and PA programming, as well as the evolution of graphic design in event promotion at Broward College.","Responsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy.","Broward College Archives and Special Collections ","English"],"unitid_tesim":["RG 102 004","/repositories/2/resources/12"],"normalized_date_ssm":["2008–2015 (some undated)"],"normalized_title_ssm":["Visual \u0026 Performing Arts (V\u0026P Arts): Posters and Programs, 2008–2015 (some undated)"],"collection_title_tesim":["Visual \u0026 Performing Arts (V\u0026P Arts): Posters and Programs, 2008–2015 (some undated)"],"collection_ssim":["Visual \u0026 Performing Arts (V\u0026P Arts): Posters and Programs, 2008–2015 (some undated)"],"repository_ssm":["Broward College Archives and Special Collections"],"repository_ssim":["Broward College Archives and Special Collections"],"access_terms_ssm":["Responsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy."],"access_subjects_ssim":["Broward College — Cultural events","Performing arts—Florida—Fort Lauderdale","Musicals","Theatre production","College theater—Florida—Broward County","Dance--Florida--Fort Lauderdale","Music--Performance","Music--Instruction and study","Choirs (Music)"],"access_subjects_ssm":["Broward College — Cultural events","Performing arts—Florida—Fort Lauderdale","Musicals","Theatre production","College theater—Florida—Broward County","Dance--Florida--Fort Lauderdale","Music--Performance","Music--Instruction and study","Choirs (Music)"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet 8 boxes: various posters and programs"],"extent_tesim":["1 Linear Feet 8 boxes: various posters and programs"],"date_range_isim":[2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eOpen for research. Certain materials may have restrictions due to fragility or privacy.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open for research. Certain materials may have restrictions due to fragility or privacy."],"arrangement_html_tesm":["\u003cp\u003eArranged chronologically and by event type within eight boxes, with folders or items listed individually by date and description.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged chronologically and by event type within eight boxes, with folders or items listed individually by date and description."],"bioghist_html_tesm":["\u003cp\u003eSince its inception in 1960, the Visual and Performing Arts (V and PA) Department has been a cornerstone of Broward College's academic and cultural identity. The V and PA program includes concentrations in architecture, dance, film, production, graphic design, music, music technology, theatre, and the visual arts. The department annually produces a full season of performances and exhibitions in the College's world-class facilities, contributing to South Florida's vibrant arts landscape and offering students professional training and public performance experience.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Since its inception in 1960, the Visual and Performing Arts (V and PA) Department has been a cornerstone of Broward College's academic and cultural identity. The V and PA program includes concentrations in architecture, dance, film, production, graphic design, music, music technology, theatre, and the visual arts. The department annually produces a full season of performances and exhibitions in the College's world-class facilities, contributing to South Florida's vibrant arts landscape and offering students professional training and public performance experience."],"prefercite_html_tesm":["\u003cp\u003eRecord Group 102-004, Visual and Performing Arts: Posters and Programs, Broward College Archives.\u003c/p\u003e"],"prefercite_tesim":["Record Group 102-004, Visual and Performing Arts: Posters and Programs, Broward College Archives."],"scopecontent_html_tesm":["\u003cp\u003eThis collection comprises posters, programs, flyers, and promotional materials documenting performances, concerts, exhibitions, festivals, and special events produced by the Visual and Performing Arts Department from 2008 to 2015. Included are materials for faculty and student recitals, concert and jazz band performances, choral concerts, theatrical productions, dance festivals, annual exhibitions, and guest artist presentations. The collection visually represents the breadth and diversity of V and PA programming, as well as the evolution of graphic design in event promotion at Broward College.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection comprises posters, programs, flyers, and promotional materials documenting performances, concerts, exhibitions, festivals, and special events produced by the Visual and Performing Arts Department from 2008 to 2015. Included are materials for faculty and student recitals, concert and jazz band performances, choral concerts, theatrical productions, dance festivals, annual exhibitions, and guest artist presentations. The collection visually represents the breadth and diversity of V and PA programming, as well as the evolution of graphic design in event promotion at Broward College."],"userestrict_html_tesm":["\u003cp\u003eResponsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Responsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy."],"names_ssim":["Broward College Archives and Special Collections "],"corpname_ssim":["Broward College Archives and Special Collections "],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":132,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"c990fec7845513555013b9f9","timestamp":"2026-07-11T01:26:54.472Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/c990fec7845513555013b9f9_aspace_6563e106911a0c1ef7302b3465766bd6"}},{"id":"dab9f8ee7c3e25ebbcdba437_aspace_a5e0518c07e53bd692bac43df40a4098","type":"Item","attributes":{"title":"Writing Radar: Using Your Journal to Scoop Out and Craft Great Stories, 2015-2017","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/dab9f8ee7c3e25ebbcdba437_aspace_a5e0518c07e53bd692bac43df40a4098#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_a5e0518c07e53bd692bac43df40a4098","ref_ssm":["aspace_a5e0518c07e53bd692bac43df40a4098","aspace_a5e0518c07e53bd692bac43df40a4098"],"id":"dab9f8ee7c3e25ebbcdba437_aspace_a5e0518c07e53bd692bac43df40a4098","title_filing_ssi":"Writing Radar: Using Your Journal to Scoop Out and Craft Great Stories","title_ssm":["Writing Radar: Using Your Journal to Scoop Out and Craft Great Stories"],"title_tesim":["Writing Radar: Using Your Journal to Scoop Out and Craft Great Stories"],"unitdate_inclusive_ssm":["2015-2017"],"normalized_date_ssm":["2015-2017"],"normalized_title_ssm":["Writing Radar: Using Your Journal to Scoop Out and Craft Great Stories, 2015-2017"],"text":["Writing Radar: Using Your Journal to Scoop Out and Craft Great Stories, 2015-2017","Jack Gantos collection, 2002-2018","Cataloged Manuscripts","/repositories/2/archival_objects/145456","object HIPL PN159 .G36 2017","Go To Catalog Record","Collection includes five typescripts and five galley proofs for Jack Gantos's young adult novel, Writing Radar. The typescript and galley proofs bear handwritten editorial annotations. Included are both first pass proof pages and a copy of second pass proof pages, a marketing plan, and assorted notes."],"component_level_isim":[2],"parent_ids_ssim":["dab9f8ee7c3e25ebbcdba437","dab9f8ee7c3e25ebbcdba437_aspace_3c1397138aafca913dc277a581667f19"],"parent_unittitles_ssm":["Jack Gantos collection, 2002-2018","Cataloged Manuscripts"],"parent_unittitles_tesim":["Jack Gantos collection, 2002-2018","Cataloged Manuscripts"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/145456"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Jack Gantos collection, 2002-2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":92,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2015,2016,2017],"containers_ssim":["object HIPL PN159 .G36 2017"],"bibliography_html_tesm":["\u003cp\u003e\n\u003ca href=\"https://usf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_USF/1amem1q/alma99380122068906599\"\u003eGo To Catalog Record\u003c/a\u003e\n\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Go To Catalog Record"],"odd_html_tesm":["\u003cp\u003eCollection includes five typescripts and five galley proofs for Jack Gantos's young adult novel, Writing Radar. The typescript and galley proofs bear handwritten editorial annotations. Included are both first pass proof pages and a copy of second pass proof pages, a marketing plan, and assorted notes.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Collection includes five typescripts and five galley proofs for Jack Gantos's young adult novel, Writing Radar. The typescript and galley proofs bear handwritten editorial annotations. Included are both first pass proof pages and a copy of second pass proof pages, a marketing plan, and assorted notes."],"_nest_path_":"/components#3/components#10","_nest_parent_":"dab9f8ee7c3e25ebbcdba437_aspace_3c1397138aafca913dc277a581667f19","_root_":"dab9f8ee7c3e25ebbcdba437","_version_":1873217881431343104,"timestamp":"2026-08-11T09:16:22.552Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"dab9f8ee7c3e25ebbcdba437","title_ssm":["Jack Gantos collection"],"title_tesim":["Jack Gantos collection"],"ead_ssi":"dab9f8ee7c3e25ebbcdba437","unitdate_ssm":["2002-2018"],"unitdate_inclusive_ssm":["2002-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2019-05","/repositories/2/resources/604"],"text":["MS-2019-05","/repositories/2/resources/604","Jack Gantos collection, 2002-2018","Young adult fiction -- Publishing -- United States","Children -- Books and reading","Children's literature, American","Children's stories","Material is arranged according to format.","Jack Gantos has written books for readers of all ages, from picture books and middle-grade fiction to novels for young adults and adults. His works include Hole in My Life, a memoir that won the Michael L. Printz and Robert F. Sibert honors; Joey Pigza Swallowed the Key, a National Book Award Finalist, Joey Pigza Loses Control, a Newbery Honor book, and Dead End in Norvelt, the 2012 Newbery Medal Winner, and the Scott O'Dell Award Winner for Best Historic Fiction. [Biographical note taken from author's website: https://jackgantos.com/]","This collection consists of typescripts, working notes, promotional and publishing materials, fan letters and works, event programs, ephemera, clippings, and realia related to the career of young adult and children's author Jack Gantos.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Jack Gantos collection consists of archival materials, typescripts, and published materials donated by Gantos, a children's and young adult author. Cataloged materials, including books, advanced reader copies, and audiobooks are hyperlinked to records available in the USF Libraries catalog.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-2019-05","/repositories/2/resources/604"],"normalized_date_ssm":["2002-2018"],"normalized_title_ssm":["Jack Gantos collection, 2002-2018"],"collection_title_tesim":["Jack Gantos collection, 2002-2018"],"collection_ssim":["Jack Gantos collection, 2002-2018"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Young adult fiction -- Publishing -- United States","Children -- Books and reading","Children's literature, American","Children's stories"],"access_subjects_ssm":["Young adult fiction -- Publishing -- United States","Children -- Books and reading","Children's literature, American","Children's stories"],"has_online_content_ssim":["false"],"extent_ssm":["2 boxes"],"extent_tesim":["2 boxes"],"date_range_isim":[2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"arrangement_html_tesm":["\u003cp\u003eMaterial is arranged according to format.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Material is arranged according to format."],"bioghist_html_tesm":["\u003cp\u003eJack Gantos has written books for readers of all ages, from picture books and middle-grade fiction to novels for young adults and adults. His works include Hole in My Life, a memoir that won the Michael L. Printz and Robert F. Sibert honors; Joey Pigza Swallowed the Key, a National Book Award Finalist, Joey Pigza Loses Control, a Newbery Honor book, and Dead End in Norvelt, the 2012 Newbery Medal Winner, and the Scott O'Dell Award Winner for Best Historic Fiction. [Biographical note taken from author's website: https://jackgantos.com/]\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Jack Gantos has written books for readers of all ages, from picture books and middle-grade fiction to novels for young adults and adults. His works include Hole in My Life, a memoir that won the Michael L. Printz and Robert F. Sibert honors; Joey Pigza Swallowed the Key, a National Book Award Finalist, Joey Pigza Loses Control, a Newbery Honor book, and Dead End in Norvelt, the 2012 Newbery Medal Winner, and the Scott O'Dell Award Winner for Best Historic Fiction. [Biographical note taken from author's website: https://jackgantos.com/]"],"prefercite_html_tesm":["\u003cp\u003eJack Gantos collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Jack Gantos collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of typescripts, working notes, promotional and publishing materials, fan letters and works, event programs, ephemera, clippings, and realia related to the career of young adult and children's author Jack Gantos.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of typescripts, working notes, promotional and publishing materials, fan letters and works, event programs, ephemera, clippings, and realia related to the career of young adult and children's author Jack Gantos."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3a13606b5b3ab36cde4736589f7ad4d0\"\u003eThe Jack Gantos collection consists of archival materials, typescripts, and published materials donated by Gantos, a children's and young adult author. Cataloged materials, including books, advanced reader copies, and audiobooks are hyperlinked to records available in the USF Libraries catalog.\u003c/abstract\u003e"],"abstract_tesim":["The Jack Gantos collection consists of archival materials, typescripts, and published materials donated by Gantos, a children's and young adult author. 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The Club formed on that day continues as a vibrant social, cultural, and charitable volunteer organization with over 100 members."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eUSF Women's Club records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["USF Women's Club records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"processinfo_html_tesm":["\u003cp\u003eprocessed\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["processed"],"scopecontent_html_tesm":["\u003cp\u003ePrimarily consists of records generated by the Club's President (\"President's Book\"), and included meeting minutes, reports, and event information. Also includes scrapbooks and ephemera.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Primarily consists of records generated by the Club's President (\"President's Book\"), and included meeting minutes, reports, and event information. Also includes scrapbooks and ephemera."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1be5ce27a6b442d6aec8abfd5d387cbe\" label=\"Abstract\"\u003eThis collection represents the records of the USF Women's Club.\u003c/abstract\u003e"],"abstract_tesim":["This collection represents the records of the USF Women's Club."],"names_coll_ssim":["USF Women's Club"],"names_ssim":["USF Libraries - Tampa Special Collections","USF Women's Club"],"corpname_ssim":["USF Libraries - Tampa Special Collections","USF Women's Club"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":637,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1873308493474168832,"_root_":"cf48ed4297bae054e1b95148","timestamp":"2026-08-12T09:16:36.923Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cf48ed4297bae054e1b95148_aspace_123974"}},{"id":"c990fec7845513555013b9f9_aspace_60426f30a527bf2df9cdd65cd917fa80","type":"File","attributes":{"title":"You Can Only Get There from Here, 2015-01-29","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c990fec7845513555013b9f9_aspace_60426f30a527bf2df9cdd65cd917fa80#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_60426f30a527bf2df9cdd65cd917fa80","ref_ssm":["aspace_60426f30a527bf2df9cdd65cd917fa80","aspace_60426f30a527bf2df9cdd65cd917fa80"],"id":"c990fec7845513555013b9f9_aspace_60426f30a527bf2df9cdd65cd917fa80","title_filing_ssi":"You Can Only Get There from Here","title_ssm":["You Can Only Get There from Here"],"title_tesim":["You Can Only Get There from Here"],"unitdate_other_ssim":["2015-01-29"],"normalized_date_ssm":["2015-01-29"],"normalized_title_ssm":["You Can Only Get There from Here, 2015-01-29"],"text":["You Can Only Get There from Here, 2015-01-29","Visual \u0026 Performing Arts (V\u0026P Arts): Posters and Programs, 2008–2015 (some undated)","RG 102 004/7.3","/repositories/2/archival_objects/1021","English","box 7","folder 3"],"component_level_isim":[1],"parent_ids_ssim":["c990fec7845513555013b9f9"],"parent_unittitles_ssm":["Visual \u0026 Performing Arts (V\u0026P Arts): Posters and Programs, 2008–2015 (some undated)"],"parent_unittitles_tesim":["Visual \u0026 Performing Arts (V\u0026P Arts): Posters and Programs, 2008–2015 (some undated)"],"parent_levels_ssm":["collection"],"unitid_ssm":["RG 102 004/7.3","/repositories/2/archival_objects/1021"],"repository_ssim":["Broward College Archives and Special Collections"],"collection_ssim":["Visual \u0026 Performing Arts (V\u0026P Arts): Posters and Programs, 2008–2015 (some undated)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":109,"parent_access_restrict_tesm":["Open for research. 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The department annually produces a full season of performances and exhibitions in the College's world-class facilities, contributing to South Florida's vibrant arts landscape and offering students professional training and public performance experience."],"prefercite_html_tesm":["\u003cp\u003eRecord Group 102-004, Visual and Performing Arts: Posters and Programs, Broward College Archives.\u003c/p\u003e"],"prefercite_tesim":["Record Group 102-004, Visual and Performing Arts: Posters and Programs, Broward College Archives."],"scopecontent_html_tesm":["\u003cp\u003eThis collection comprises posters, programs, flyers, and promotional materials documenting performances, concerts, exhibitions, festivals, and special events produced by the Visual and Performing Arts Department from 2008 to 2015. 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Her films have won national awards and screened in film festivals all over the world. https://communication.ucf.edu/person/lisa-mills/"," Collection processed by and finding aid prepared by Elisabeth Jimenez in 2022. Staples and paper clips were removed from documents and replaced with plastic clips. All materials were placed into acid free folders and in an acid free box. At least three versions of publications were kept, and all additional copies were recycled. The department does not currently house the proper equipment to read any of the mini DVs, thus no further historical context can be made from them other than the title provided.","Series I: Project Documents, 2001-2012 includes documents surrounding Lisa Mill's films. Some folders are specific to individual projects. This series also contains newspapers that topics relating to Mills's films. ","Series II: Media, 1992- 2010 contains media such as Mini DVs of interviews, rehearsals, home videos and events. Within this series are two UCF Metro VHS tapes.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Lisa Mills collection houses several of Dr. Mills's work on several films throughout her career. This collection contains documents such as licensing agreements, interviews, and correspondence. There are also mini DVs that contain interviews, rehearsals, and recordings of live events and competitions.","UCF Special Collections","English"],"unitid_tesim":["SC.148","/repositories/4/resources/245"],"normalized_date_ssm":["1992-2012"],"normalized_title_ssm":["Lisa Mills collection, 1992-2012"],"collection_title_tesim":["Lisa Mills collection, 1992-2012"],"collection_ssim":["Lisa Mills collection, 1992-2012"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Lisa Mills in 2021 (Accession no. CFM2021_12)."],"access_subjects_ssim":["Universities and colleges -- Florida","University of Central Florida","compact discs","documentary film","interviews","manuscripts (documents)","short subjects","video recordings (physical artifacts)"],"access_subjects_ssm":["Universities and colleges -- Florida","University of Central Florida","compact discs","documentary film","interviews","manuscripts (documents)","short subjects","video recordings (physical artifacts)"],"has_online_content_ssim":["false"],"extent_ssm":["3.5 Linear Feet 7 boxes"],"extent_tesim":["3.5 Linear Feet 7 boxes"],"genreform_ssim":["compact discs","documentary film","interviews","manuscripts (documents)","short subjects","video recordings (physical artifacts)"],"date_range_isim":[1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eConsent must be obtained to use interviews with documentary subjects in future films or videos. Lisa Mills and the University of Central Florida must be credited in future films or videos.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["Consent must be obtained to use interviews with documentary subjects in future films or videos. Lisa Mills and the University of Central Florida must be credited in future films or videos."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in two series. Series I contains documents relating to the several projects that Lisa Mills had a part in creating. Series II contains media such as Mini DVs of interviews, rehearsals, workshops and events.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in two series. Series I contains documents relating to the several projects that Lisa Mills had a part in creating. Series II contains media such as Mini DVs of interviews, rehearsals, workshops and events."],"bioghist_html_tesm":["\u003cp\u003eFrom Faculty \u0026amp; Staff Nicholson School of Comm. \u0026amp; Media- Lisa Mills is a Professor and Assistant Director of Film and Mass Media at the University of Central Florida. Lisa Mills was born in Jacksonville and received her BA in English from Jacksonville University (1983), her MA in Mass Communication from the University of Central Florida (1999) and her PhD in Political Communication from the University of Florida (2005). Before entering academia in 1999 she was a broadcast journalist for 25 years at several television stations in the Southeast. Dr. Mills has directed or co-directed four feature length documentaries and 12 shorts.  Her films have won national awards and screened in film festivals all over the world. https://communication.ucf.edu/person/lisa-mills/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Note"],"bioghist_tesim":["From Faculty \u0026 Staff Nicholson School of Comm. \u0026 Media- Lisa Mills is a Professor and Assistant Director of Film and Mass Media at the University of Central Florida. Lisa Mills was born in Jacksonville and received her BA in English from Jacksonville University (1983), her MA in Mass Communication from the University of Central Florida (1999) and her PhD in Political Communication from the University of Florida (2005). Before entering academia in 1999 she was a broadcast journalist for 25 years at several television stations in the Southeast. Dr. Mills has directed or co-directed four feature length documentaries and 12 shorts.  Her films have won national awards and screened in film festivals all over the world. https://communication.ucf.edu/person/lisa-mills/"],"prefercite_html_tesm":["\u003cp\u003eLisa Mills Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Lisa Mills Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003e\u0026#x202F;Collection processed by and finding aid prepared by Elisabeth Jimenez in 2022. Staples and paper clips were removed from documents and replaced with plastic clips. All materials were placed into acid free folders and in an acid free box. At least three versions of publications were kept, and all additional copies were recycled. The department does not currently house the proper equipment to read any of the mini DVs, thus no further historical context can be made from them other than the title provided.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information "],"processinfo_tesim":[" Collection processed by and finding aid prepared by Elisabeth Jimenez in 2022. Staples and paper clips were removed from documents and replaced with plastic clips. All materials were placed into acid free folders and in an acid free box. At least three versions of publications were kept, and all additional copies were recycled. The department does not currently house the proper equipment to read any of the mini DVs, thus no further historical context can be made from them other than the title provided."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Project Documents, 2001-2012 includes documents surrounding Lisa Mill's films. Some folders are specific to individual projects. This series also contains newspapers that topics relating to Mills's films. \u003c/p\u003e\n","\u003cp\u003eSeries II: Media, 1992- 2010 contains media such as Mini DVs of interviews, rehearsals, home videos and events. Within this series are two UCF Metro VHS tapes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Project Documents, 2001-2012 includes documents surrounding Lisa Mill's films. Some folders are specific to individual projects. This series also contains newspapers that topics relating to Mills's films. ","Series II: Media, 1992- 2010 contains media such as Mini DVs of interviews, rehearsals, home videos and events. Within this series are two UCF Metro VHS tapes."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d8d754c951278ee6666538abd5f8fe8b\" label=\"Abstract\"\u003eThe Lisa Mills collection houses several of Dr. Mills's work on several films throughout her career. This collection contains documents such as licensing agreements, interviews, and correspondence. There are also mini DVs that contain interviews, rehearsals, and recordings of live events and competitions.\u003c/abstract\u003e"],"abstract_tesim":["The Lisa Mills collection houses several of Dr. Mills's work on several films throughout her career. This collection contains documents such as licensing agreements, interviews, and correspondence. There are also mini DVs that contain interviews, rehearsals, and recordings of live events and competitions."],"names_ssim":["UCF Special Collections"],"corpname_ssim":["UCF Special Collections"],"language_ssim":["English"],"total_component_count_is":308,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f632a32cd4f534c5e8722489","timestamp":"2026-05-22T02:50:56.760Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f632a32cd4f534c5e8722489_aspace_1e86ec8a9be3a0c907766046c54f5935"}},{"id":"a571badcbb0eed97f6997bb8_aspace_d2d33396dce289ea8a9f236491b2192a","type":"File","attributes":{"title":"Youth Leadership Summit, 2015","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a571badcbb0eed97f6997bb8_aspace_d2d33396dce289ea8a9f236491b2192a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_d2d33396dce289ea8a9f236491b2192a","ref_ssm":["aspace_d2d33396dce289ea8a9f236491b2192a","aspace_d2d33396dce289ea8a9f236491b2192a"],"id":"a571badcbb0eed97f6997bb8_aspace_d2d33396dce289ea8a9f236491b2192a","title_filing_ssi":"Youth Leadership Summit","title_ssm":["Youth Leadership Summit"],"title_tesim":["Youth Leadership Summit"],"unitdate_other_ssim":["2015"],"normalized_date_ssm":["2015"],"normalized_title_ssm":["Youth Leadership Summit, 2015"],"text":["Youth Leadership Summit, 2015","Urban League of Broward County Collection, 1992-2015","Events, 1993-2015","/repositories/2/archival_objects/17460","box 2","folder 15"],"component_level_isim":[2],"parent_ids_ssim":["a571badcbb0eed97f6997bb8","a571badcbb0eed97f6997bb8_aspace_34e2412a9b3f215522c41051f0f30e3c"],"parent_unittitles_ssm":["Urban League of Broward County Collection, 1992-2015","Events, 1993-2015"],"parent_unittitles_tesim":["Urban League of Broward County Collection, 1992-2015","Events, 1993-2015"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/17460"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Urban League of Broward County Collection, 1992-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":47,"parent_access_restrict_tesm":["The Urban League of Broward County Collection is open for research."],"date_range_isim":[2015],"containers_ssim":["box 2","folder 15"],"_nest_path_":"/components#1/components#25","_nest_parent_":"a571badcbb0eed97f6997bb8_aspace_34e2412a9b3f215522c41051f0f30e3c","_root_":"a571badcbb0eed97f6997bb8","_version_":1876455800101142528,"timestamp":"2026-09-16T03:01:42.427Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a571badcbb0eed97f6997bb8","title_filing_ssi":"Urban League of Broward County Collection","title_ssm":["Urban League of Broward County Collection"],"title_tesim":["Urban League of Broward County Collection"],"ead_ssi":"a571badcbb0eed97f6997bb8","unitdate_ssm":["1992-2015"],"unitdate_inclusive_ssm":["1992-2015"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2004.5","/repositories/2/resources/251"],"text":["AARLCC.2004.5","/repositories/2/resources/251","Urban League of Broward County Collection, 1992-2015","Broward County (Fla.)","Fort Lauderdale (Fla.)","Nonprofit organizations","annual reports","Newsletters","videotapes","Ephemera","The Urban League of Broward County Collection is open for research.","The collection is organized in four series: Series I. Administration Files, Series II. Events, Series III. Publications, and Series IV. VHS Tapes.","The Urban League of Broward County is a non-profit community-based organization founded in 1975 by the National Urban League. The Urban League of Broward County empowers historically underserved communities through education, business, housing, employment, justice, and health. Signature efforts and events hosted by the Urban League include the Equal Opportunity Day Award Dinner, Salute to Scholars, and Education and Youth Leadership summits. The opening of the Community Empowerment Center in 2012 in Fort Lauderdale, Florida provided a new dedicated space for administration offices, workshops, tutoring, and other activities hosted by the Urban League of Broward County.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The Urban League of Broward County Collection includes annual reports, brochures, newsletters, VHS tapes, one poster, and printed ephemera dating from 1992 to 2015 about the Urban League of Broward County and the organization's activities to improve the community in Fort Lauderdale, Florida.","AARLCC Special Collections","Urban League of Broward County","English"],"unitid_tesim":["AARLCC.2004.5","/repositories/2/resources/251"],"normalized_date_ssm":["1992-2015"],"normalized_title_ssm":["Urban League of Broward County Collection, 1992-2015"],"collection_title_tesim":["Urban League of Broward County Collection, 1992-2015"],"collection_ssim":["Urban League of Broward County Collection, 1992-2015"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Broward County (Fla.)","Fort Lauderdale (Fla.)"],"geogname_ssim":["Broward County (Fla.)","Fort Lauderdale (Fla.)"],"places_ssim":["Broward County (Fla.)","Fort Lauderdale (Fla.)"],"acqinfo_ssim":["The Urban League of Broward County donated the materials to AARLCC Special Collections on July 19, 2004 (Accession AARLCC-2004.5). Accruals were made through 2015. Additional accruals are expected."],"access_subjects_ssim":["Nonprofit organizations","annual reports","Newsletters","videotapes","Ephemera"],"access_subjects_ssm":["Nonprofit organizations","annual reports","Newsletters","videotapes","Ephemera"],"has_online_content_ssim":["false"],"extent_ssm":["4 Hollinger Boxes"],"extent_tesim":["4 Hollinger Boxes"],"physfacet_tesim":["4 Hollinger boxes and 1 oversized poster"],"genreform_ssim":["annual reports","Newsletters","videotapes","Ephemera"],"date_range_isim":[1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe Urban League of Broward County Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Urban League of Broward County Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized in four series: Series I. Administration Files, Series II. Events, Series III. Publications, and Series IV. VHS Tapes.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized in four series: Series I. Administration Files, Series II. Events, Series III. Publications, and Series IV. VHS Tapes."],"bioghist_html_tesm":["\u003cp\u003eThe Urban League of Broward County is a non-profit community-based organization founded in 1975 by the National Urban League. The Urban League of Broward County empowers historically underserved communities through education, business, housing, employment, justice, and health. Signature efforts and events hosted by the Urban League include the Equal Opportunity Day Award Dinner, Salute to Scholars, and Education and Youth Leadership summits. The opening of the Community Empowerment Center in 2012 in Fort Lauderdale, Florida provided a new dedicated space for administration offices, workshops, tutoring, and other activities hosted by the Urban League of Broward County.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Urban League of Broward County is a non-profit community-based organization founded in 1975 by the National Urban League. The Urban League of Broward County empowers historically underserved communities through education, business, housing, employment, justice, and health. Signature efforts and events hosted by the Urban League include the Equal Opportunity Day Award Dinner, Salute to Scholars, and Education and Youth Leadership summits. The opening of the Community Empowerment Center in 2012 in Fort Lauderdale, Florida provided a new dedicated space for administration offices, workshops, tutoring, and other activities hosted by the Urban League of Broward County."],"prefercite_html_tesm":["\u003cp\u003eUrban League of Broward County Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Urban League of Broward County Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Urban League of Broward County Collection includes annual reports, brochures, newsletters, VHS tapes, one poster, and printed ephemera dating from 1992 to 2015 about the Urban League of Broward County and the organization's activities to improve the community in Fort Lauderdale, Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Urban League of Broward County Collection includes annual reports, brochures, newsletters, VHS tapes, one poster, and printed ephemera dating from 1992 to 2015 about the Urban League of Broward County and the organization's activities to improve the community in Fort Lauderdale, Florida."],"names_coll_ssim":["Urban League of Broward County"],"names_ssim":["AARLCC Special Collections","Urban League of Broward County"],"corpname_ssim":["AARLCC Special Collections","Urban League of Broward County"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":83,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455800101142528,"_root_":"a571badcbb0eed97f6997bb8","timestamp":"2026-09-16T03:01:42.427Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a571badcbb0eed97f6997bb8_aspace_d2d33396dce289ea8a9f236491b2192a"}},{"id":"256e771e3cc0782aac349f80","type":"collection","attributes":{"title":"Zine Collection, 1973-2019","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80#abstract_or_scope","type":"document_value","attributes":{"value":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"256e771e3cc0782aac349f80","title_ssm":["Zine Collection"],"title_tesim":["Zine Collection"],"ead_ssi":"256e771e3cc0782aac349f80","unitdate_ssm":["1973-2019"],"unitdate_inclusive_ssm":["1973-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/26","/repositories/2/resources/6"],"text":["02/01/26","/repositories/2/resources/6","Zine Collection, 1973-2019","Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art","The collection is open for use.","Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.","The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.","Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.","Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe","English"],"unitid_tesim":["02/01/26","/repositories/2/resources/6"],"normalized_date_ssm":["1973-2019"],"normalized_title_ssm":["Zine Collection, 1973-2019"],"collection_title_tesim":["Zine Collection, 1973-2019"],"collection_ssim":["Zine Collection, 1973-2019"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"geogname_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"places_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for use."],"arrangement_html_tesm":["\u003cp\u003eOrganized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5a0de4e8fb6224cb231f2eecf1aee4f4\" label=\"Abstract and Language Disclaimer\"\u003eZines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.\u003c/abstract\u003e"],"abstract_tesim":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"names_ssim":["Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Corley, Madison","Lewis, Chloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":447,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843569479090176,"_root_":"256e771e3cc0782aac349f80","timestamp":"2026-07-16T04:17:42.144Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"256e771e3cc0782aac349f80","title_ssm":["Zine Collection"],"title_tesim":["Zine Collection"],"ead_ssi":"256e771e3cc0782aac349f80","unitdate_ssm":["1973-2019"],"unitdate_inclusive_ssm":["1973-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/26","/repositories/2/resources/6"],"text":["02/01/26","/repositories/2/resources/6","Zine Collection, 1973-2019","Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art","The collection is open for use.","Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.","The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.","Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.","Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe","English"],"unitid_tesim":["02/01/26","/repositories/2/resources/6"],"normalized_date_ssm":["1973-2019"],"normalized_title_ssm":["Zine Collection, 1973-2019"],"collection_title_tesim":["Zine Collection, 1973-2019"],"collection_ssim":["Zine Collection, 1973-2019"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"geogname_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"places_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for use."],"arrangement_html_tesm":["\u003cp\u003eOrganized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5a0de4e8fb6224cb231f2eecf1aee4f4\" label=\"Abstract and Language Disclaimer\"\u003eZines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.\u003c/abstract\u003e"],"abstract_tesim":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"names_ssim":["Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Corley, Madison","Lewis, Chloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":447,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843569479090176,"_root_":"256e771e3cc0782aac349f80","timestamp":"2026-07-16T04:17:42.144Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80"}},{"id":"2b8ea8f68f63cb8d721464d3","type":"collection","attributes":{"title":"Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/2b8ea8f68f63cb8d721464d3#creator","type":"document_value","attributes":{"value":["Zoo Miami and Zoo Miami Foundation"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2b8ea8f68f63cb8d721464d3#abstract_or_scope","type":"document_value","attributes":{"value":["Miami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2b8ea8f68f63cb8d721464d3#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"2b8ea8f68f63cb8d721464d3","title_ssm":["Zoo Miami Collection"],"title_tesim":["Zoo Miami Collection"],"ead_ssi":"2b8ea8f68f63cb8d721464d3","unitdate_ssm":["1967-2017","1980-2006","Date acquired: 05/26/2017"],"unitdate_bulk_ssim":["1980-2006"],"unitdate_inclusive_ssm":["1967-2017"],"unitdate_other_ssim":["Date acquired: 05/26/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SFC1701","/repositories/2/resources/15"],"text":["SFC1701","/repositories/2/resources/15","Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006","The collection is open for research. Newsletters, most of the ephemeral materials and photographs are available through the  Zoo Miami Digital Collection","The Zoo Miami Collection is organized and housed in 12 boxes. The collection is arranged in four series determined by materiality: I. Publications, II. Ephemeral Materials, III. Promotional Materials, and IV. Photographic Materials. Contents in series I. include newsletters, corporate reports, and special newspaper supplements. Series II. include coloring books, guidebook, 45' vinyl record; Series III. include brochures and press kits; Series IV. include b\u0026w and color photographs, and slides.","The beginnings of Zoo Miami trail back to 1948, when a traveling show traded two spider monkeys, a chimpanzee, two black bears, and a goat to Miami-Dade County for the amount of $270 they needed to repair its truck. The six animals were the first of over 1,000 to be housed at the Crandon Park Zoological Gardens in Key Biscayne. The investment proved successful, as the Zoo gained momentum within its community and housed the first successful captive birth of an Aardvark in North America.","After Hurricane Betsy hit Miami in 1965, over 200 animals met their unfortunate demise and prompted the zoo officials, alongside the Zoological Society of Florida, to propose a relocation of the Zoo in order to prevent future casualties of zoo residents. In 1972, through the \"Item Nine\" referendum, Miami-Dade County approved the relocation of Crandon Park Zoo from Key Biscayne to its current home in South Miami. Construction took almost a decade to complete, and in 1980, the doors opened to the new Miami Metrozoo.","Since opening its doors in 1980, Miami Metrozoo has had 800,000 annual visitors, and has reached over 15 million people of all ages. Their conservation programs are alive not just locally, but on a global level, with over 30 programs on six continents. Their new rebranding as the Miami-Dade Zoological Park and Gardens, known on a day to day basis as Zoo Miami, keeps and maintains conservation on the forefront of any and all decision making processes.","Note written by ","Collection was processed by Ana D. Rodriguez. Finding aid was written by Ana D. Rodriguez and Melissa Cuadra.","The Zoo Miami Collection dates from 1967 to 2017, with bulk dates ranging from 1981 to 2006. The collection includes newsletters, ephemeral objects, promotional materials, and photographic material. The newsletters highlight early efforts from Crandon Park Zoo alongside the Zoological Society of Florida to spark public interest in zoological activities including conservation efforts, welcoming new residents and in-home captive births, and raising public funding necessary for zoological maintenance. The collection also contains a large amount of photographs taken by zoo keepers and staff members, focusing on showcasing the residents of the Zoo through the years. The Zoo Miami Collection offers an intellectual value for studies of history of South Florida between 1967-2017; history of zoological gardens and conservation; conservation of subtropical flora and fauna.","Copyright restrictions may apply.","Miami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials","Green Library, Goverment Resources and Information Department,\nGL 214\nContact Staff for Access\nat 305-348-3135","FIU Special Collections","Zoo Miami and Zoo Miami Foundation","Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami","English"],"unitid_tesim":["SFC1701","/repositories/2/resources/15"],"normalized_date_ssm":["1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"normalized_title_ssm":["Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"collection_title_tesim":["Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"collection_ssim":["Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Zoo Miami and Zoo Miami Foundation"],"creator_ssim":["Zoo Miami and Zoo Miami Foundation"],"creator_corpname_ssim":["Zoo Miami and Zoo Miami Foundation"],"creators_ssim":["Zoo Miami and Zoo Miami Foundation"],"access_terms_ssm":["Copyright restrictions may apply."],"acqinfo_ssim":["Zoo Miami and Zoo Miami Foundation","Donation"],"has_online_content_ssim":["false"],"extent_ssm":["12.00 boxes"],"extent_tesim":["12.00 boxes"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. Newsletters, most of the ephemeral materials and photographs are available through the \u003cextref href=\"http://dpanther.fiu.edu/dPanther/collections/zoo\"\u003eZoo Miami Digital Collection\u003c/extref\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. Newsletters, most of the ephemeral materials and photographs are available through the  Zoo Miami Digital Collection"],"arrangement_html_tesm":["\u003cp\u003eThe Zoo Miami Collection is organized and housed in 12 boxes. The collection is arranged in four series determined by materiality: I. Publications, II. Ephemeral Materials, III. Promotional Materials, and IV. Photographic Materials. Contents in series I. include newsletters, corporate reports, and special newspaper supplements. Series II. include coloring books, guidebook, 45' vinyl record; Series III. include brochures and press kits; Series IV. include b\u0026amp;w and color photographs, and slides.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Zoo Miami Collection is organized and housed in 12 boxes. The collection is arranged in four series determined by materiality: I. Publications, II. Ephemeral Materials, III. Promotional Materials, and IV. Photographic Materials. Contents in series I. include newsletters, corporate reports, and special newspaper supplements. Series II. include coloring books, guidebook, 45' vinyl record; Series III. include brochures and press kits; Series IV. include b\u0026w and color photographs, and slides."],"bioghist_html_tesm":["\u003cp\u003eThe beginnings of Zoo Miami trail back to 1948, when a traveling show traded two spider monkeys, a chimpanzee, two black bears, and a goat to Miami-Dade County for the amount of $270 they needed to repair its truck. The six animals were the first of over 1,000 to be housed at the Crandon Park Zoological Gardens in Key Biscayne. The investment proved successful, as the Zoo gained momentum within its community and housed the first successful captive birth of an Aardvark in North America.\u003c/p\u003e\n","\u003cp\u003eAfter Hurricane Betsy hit Miami in 1965, over 200 animals met their unfortunate demise and prompted the zoo officials, alongside the Zoological Society of Florida, to propose a relocation of the Zoo in order to prevent future casualties of zoo residents. In 1972, through the \"Item Nine\" referendum, Miami-Dade County approved the relocation of Crandon Park Zoo from Key Biscayne to its current home in South Miami. Construction took almost a decade to complete, and in 1980, the doors opened to the new Miami Metrozoo.\u003c/p\u003e\n","\u003cp\u003eSince opening its doors in 1980, Miami Metrozoo has had 800,000 annual visitors, and has reached over 15 million people of all ages. Their conservation programs are alive not just locally, but on a global level, with over 30 programs on six continents. Their new rebranding as the Miami-Dade Zoological Park and Gardens, known on a day to day basis as Zoo Miami, keeps and maintains conservation on the forefront of any and all decision making processes.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical "],"bioghist_tesim":["The beginnings of Zoo Miami trail back to 1948, when a traveling show traded two spider monkeys, a chimpanzee, two black bears, and a goat to Miami-Dade County for the amount of $270 they needed to repair its truck. The six animals were the first of over 1,000 to be housed at the Crandon Park Zoological Gardens in Key Biscayne. The investment proved successful, as the Zoo gained momentum within its community and housed the first successful captive birth of an Aardvark in North America.","After Hurricane Betsy hit Miami in 1965, over 200 animals met their unfortunate demise and prompted the zoo officials, alongside the Zoological Society of Florida, to propose a relocation of the Zoo in order to prevent future casualties of zoo residents. In 1972, through the \"Item Nine\" referendum, Miami-Dade County approved the relocation of Crandon Park Zoo from Key Biscayne to its current home in South Miami. Construction took almost a decade to complete, and in 1980, the doors opened to the new Miami Metrozoo.","Since opening its doors in 1980, Miami Metrozoo has had 800,000 annual visitors, and has reached over 15 million people of all ages. Their conservation programs are alive not just locally, but on a global level, with over 30 programs on six continents. Their new rebranding as the Miami-Dade Zoological Park and Gardens, known on a day to day basis as Zoo Miami, keeps and maintains conservation on the forefront of any and all decision making processes.","Note written by "],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by Ana D. Rodriguez. Finding aid was written by Ana D. Rodriguez and Melissa Cuadra.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by Ana D. Rodriguez. Finding aid was written by Ana D. Rodriguez and Melissa Cuadra."],"scopecontent_html_tesm":["\u003cp\u003eThe Zoo Miami Collection dates from 1967 to 2017, with bulk dates ranging from 1981 to 2006. The collection includes newsletters, ephemeral objects, promotional materials, and photographic material. The newsletters highlight early efforts from Crandon Park Zoo alongside the Zoological Society of Florida to spark public interest in zoological activities including conservation efforts, welcoming new residents and in-home captive births, and raising public funding necessary for zoological maintenance. The collection also contains a large amount of photographs taken by zoo keepers and staff members, focusing on showcasing the residents of the Zoo through the years. The Zoo Miami Collection offers an intellectual value for studies of history of South Florida between 1967-2017; history of zoological gardens and conservation; conservation of subtropical flora and fauna.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zoo Miami Collection dates from 1967 to 2017, with bulk dates ranging from 1981 to 2006. The collection includes newsletters, ephemeral objects, promotional materials, and photographic material. The newsletters highlight early efforts from Crandon Park Zoo alongside the Zoological Society of Florida to spark public interest in zoological activities including conservation efforts, welcoming new residents and in-home captive births, and raising public funding necessary for zoological maintenance. The collection also contains a large amount of photographs taken by zoo keepers and staff members, focusing on showcasing the residents of the Zoo through the years. The Zoo Miami Collection offers an intellectual value for studies of history of South Florida between 1967-2017; history of zoological gardens and conservation; conservation of subtropical flora and fauna."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply."],"abstract_html_tesm":["\u003cabstract id=\"aspace_98d93a047aa83afe872c25f21d3ec3c0\" label=\"Abstract\"\u003eMiami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials\u003c/abstract\u003e"],"abstract_tesim":["Miami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials"],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a24244a19994cc0d2c82168599de7bb3\" label=\"Physical Location\"\u003eGreen Library, Goverment Resources and Information Department,\nGL 214\nContact Staff for Access\nat 305-348-3135\u003c/physloc\u003e"],"physloc_tesim":["Green Library, Goverment Resources and Information Department,\nGL 214\nContact Staff for Access\nat 305-348-3135"],"names_coll_ssim":["Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami"],"names_ssim":["FIU Special Collections","Zoo Miami and Zoo Miami Foundation","Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami"],"corpname_ssim":["FIU Special Collections","Zoo Miami and Zoo Miami Foundation","Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"2b8ea8f68f63cb8d721464d3","timestamp":"2026-04-21T02:12:11.955Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2b8ea8f68f63cb8d721464d3","title_ssm":["Zoo Miami Collection"],"title_tesim":["Zoo Miami Collection"],"ead_ssi":"2b8ea8f68f63cb8d721464d3","unitdate_ssm":["1967-2017","1980-2006","Date acquired: 05/26/2017"],"unitdate_bulk_ssim":["1980-2006"],"unitdate_inclusive_ssm":["1967-2017"],"unitdate_other_ssim":["Date acquired: 05/26/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SFC1701","/repositories/2/resources/15"],"text":["SFC1701","/repositories/2/resources/15","Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006","The collection is open for research. Newsletters, most of the ephemeral materials and photographs are available through the  Zoo Miami Digital Collection","The Zoo Miami Collection is organized and housed in 12 boxes. The collection is arranged in four series determined by materiality: I. Publications, II. Ephemeral Materials, III. Promotional Materials, and IV. Photographic Materials. Contents in series I. include newsletters, corporate reports, and special newspaper supplements. Series II. include coloring books, guidebook, 45' vinyl record; Series III. include brochures and press kits; Series IV. include b\u0026w and color photographs, and slides.","The beginnings of Zoo Miami trail back to 1948, when a traveling show traded two spider monkeys, a chimpanzee, two black bears, and a goat to Miami-Dade County for the amount of $270 they needed to repair its truck. The six animals were the first of over 1,000 to be housed at the Crandon Park Zoological Gardens in Key Biscayne. The investment proved successful, as the Zoo gained momentum within its community and housed the first successful captive birth of an Aardvark in North America.","After Hurricane Betsy hit Miami in 1965, over 200 animals met their unfortunate demise and prompted the zoo officials, alongside the Zoological Society of Florida, to propose a relocation of the Zoo in order to prevent future casualties of zoo residents. In 1972, through the \"Item Nine\" referendum, Miami-Dade County approved the relocation of Crandon Park Zoo from Key Biscayne to its current home in South Miami. Construction took almost a decade to complete, and in 1980, the doors opened to the new Miami Metrozoo.","Since opening its doors in 1980, Miami Metrozoo has had 800,000 annual visitors, and has reached over 15 million people of all ages. Their conservation programs are alive not just locally, but on a global level, with over 30 programs on six continents. Their new rebranding as the Miami-Dade Zoological Park and Gardens, known on a day to day basis as Zoo Miami, keeps and maintains conservation on the forefront of any and all decision making processes.","Note written by ","Collection was processed by Ana D. Rodriguez. Finding aid was written by Ana D. Rodriguez and Melissa Cuadra.","The Zoo Miami Collection dates from 1967 to 2017, with bulk dates ranging from 1981 to 2006. The collection includes newsletters, ephemeral objects, promotional materials, and photographic material. The newsletters highlight early efforts from Crandon Park Zoo alongside the Zoological Society of Florida to spark public interest in zoological activities including conservation efforts, welcoming new residents and in-home captive births, and raising public funding necessary for zoological maintenance. The collection also contains a large amount of photographs taken by zoo keepers and staff members, focusing on showcasing the residents of the Zoo through the years. The Zoo Miami Collection offers an intellectual value for studies of history of South Florida between 1967-2017; history of zoological gardens and conservation; conservation of subtropical flora and fauna.","Copyright restrictions may apply.","Miami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials","Green Library, Goverment Resources and Information Department,\nGL 214\nContact Staff for Access\nat 305-348-3135","FIU Special Collections","Zoo Miami and Zoo Miami Foundation","Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami","English"],"unitid_tesim":["SFC1701","/repositories/2/resources/15"],"normalized_date_ssm":["1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"normalized_title_ssm":["Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"collection_title_tesim":["Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"collection_ssim":["Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Zoo Miami and Zoo Miami Foundation"],"creator_ssim":["Zoo Miami and Zoo Miami Foundation"],"creator_corpname_ssim":["Zoo Miami and Zoo Miami Foundation"],"creators_ssim":["Zoo Miami and Zoo Miami Foundation"],"access_terms_ssm":["Copyright restrictions may apply."],"acqinfo_ssim":["Zoo Miami and Zoo Miami Foundation","Donation"],"has_online_content_ssim":["false"],"extent_ssm":["12.00 boxes"],"extent_tesim":["12.00 boxes"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. Newsletters, most of the ephemeral materials and photographs are available through the \u003cextref href=\"http://dpanther.fiu.edu/dPanther/collections/zoo\"\u003eZoo Miami Digital Collection\u003c/extref\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. Newsletters, most of the ephemeral materials and photographs are available through the  Zoo Miami Digital Collection"],"arrangement_html_tesm":["\u003cp\u003eThe Zoo Miami Collection is organized and housed in 12 boxes. The collection is arranged in four series determined by materiality: I. Publications, II. Ephemeral Materials, III. Promotional Materials, and IV. Photographic Materials. Contents in series I. include newsletters, corporate reports, and special newspaper supplements. Series II. include coloring books, guidebook, 45' vinyl record; Series III. include brochures and press kits; Series IV. include b\u0026amp;w and color photographs, and slides.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Zoo Miami Collection is organized and housed in 12 boxes. The collection is arranged in four series determined by materiality: I. Publications, II. Ephemeral Materials, III. Promotional Materials, and IV. Photographic Materials. Contents in series I. include newsletters, corporate reports, and special newspaper supplements. Series II. include coloring books, guidebook, 45' vinyl record; Series III. include brochures and press kits; Series IV. include b\u0026w and color photographs, and slides."],"bioghist_html_tesm":["\u003cp\u003eThe beginnings of Zoo Miami trail back to 1948, when a traveling show traded two spider monkeys, a chimpanzee, two black bears, and a goat to Miami-Dade County for the amount of $270 they needed to repair its truck. The six animals were the first of over 1,000 to be housed at the Crandon Park Zoological Gardens in Key Biscayne. The investment proved successful, as the Zoo gained momentum within its community and housed the first successful captive birth of an Aardvark in North America.\u003c/p\u003e\n","\u003cp\u003eAfter Hurricane Betsy hit Miami in 1965, over 200 animals met their unfortunate demise and prompted the zoo officials, alongside the Zoological Society of Florida, to propose a relocation of the Zoo in order to prevent future casualties of zoo residents. In 1972, through the \"Item Nine\" referendum, Miami-Dade County approved the relocation of Crandon Park Zoo from Key Biscayne to its current home in South Miami. Construction took almost a decade to complete, and in 1980, the doors opened to the new Miami Metrozoo.\u003c/p\u003e\n","\u003cp\u003eSince opening its doors in 1980, Miami Metrozoo has had 800,000 annual visitors, and has reached over 15 million people of all ages. Their conservation programs are alive not just locally, but on a global level, with over 30 programs on six continents. Their new rebranding as the Miami-Dade Zoological Park and Gardens, known on a day to day basis as Zoo Miami, keeps and maintains conservation on the forefront of any and all decision making processes.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical "],"bioghist_tesim":["The beginnings of Zoo Miami trail back to 1948, when a traveling show traded two spider monkeys, a chimpanzee, two black bears, and a goat to Miami-Dade County for the amount of $270 they needed to repair its truck. The six animals were the first of over 1,000 to be housed at the Crandon Park Zoological Gardens in Key Biscayne. The investment proved successful, as the Zoo gained momentum within its community and housed the first successful captive birth of an Aardvark in North America.","After Hurricane Betsy hit Miami in 1965, over 200 animals met their unfortunate demise and prompted the zoo officials, alongside the Zoological Society of Florida, to propose a relocation of the Zoo in order to prevent future casualties of zoo residents. In 1972, through the \"Item Nine\" referendum, Miami-Dade County approved the relocation of Crandon Park Zoo from Key Biscayne to its current home in South Miami. Construction took almost a decade to complete, and in 1980, the doors opened to the new Miami Metrozoo.","Since opening its doors in 1980, Miami Metrozoo has had 800,000 annual visitors, and has reached over 15 million people of all ages. Their conservation programs are alive not just locally, but on a global level, with over 30 programs on six continents. Their new rebranding as the Miami-Dade Zoological Park and Gardens, known on a day to day basis as Zoo Miami, keeps and maintains conservation on the forefront of any and all decision making processes.","Note written by "],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by Ana D. Rodriguez. Finding aid was written by Ana D. Rodriguez and Melissa Cuadra.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by Ana D. Rodriguez. Finding aid was written by Ana D. Rodriguez and Melissa Cuadra."],"scopecontent_html_tesm":["\u003cp\u003eThe Zoo Miami Collection dates from 1967 to 2017, with bulk dates ranging from 1981 to 2006. The collection includes newsletters, ephemeral objects, promotional materials, and photographic material. The newsletters highlight early efforts from Crandon Park Zoo alongside the Zoological Society of Florida to spark public interest in zoological activities including conservation efforts, welcoming new residents and in-home captive births, and raising public funding necessary for zoological maintenance. The collection also contains a large amount of photographs taken by zoo keepers and staff members, focusing on showcasing the residents of the Zoo through the years. The Zoo Miami Collection offers an intellectual value for studies of history of South Florida between 1967-2017; history of zoological gardens and conservation; conservation of subtropical flora and fauna.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zoo Miami Collection dates from 1967 to 2017, with bulk dates ranging from 1981 to 2006. The collection includes newsletters, ephemeral objects, promotional materials, and photographic material. The newsletters highlight early efforts from Crandon Park Zoo alongside the Zoological Society of Florida to spark public interest in zoological activities including conservation efforts, welcoming new residents and in-home captive births, and raising public funding necessary for zoological maintenance. The collection also contains a large amount of photographs taken by zoo keepers and staff members, focusing on showcasing the residents of the Zoo through the years. The Zoo Miami Collection offers an intellectual value for studies of history of South Florida between 1967-2017; history of zoological gardens and conservation; conservation of subtropical flora and fauna."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply."],"abstract_html_tesm":["\u003cabstract id=\"aspace_98d93a047aa83afe872c25f21d3ec3c0\" label=\"Abstract\"\u003eMiami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials\u003c/abstract\u003e"],"abstract_tesim":["Miami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials"],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a24244a19994cc0d2c82168599de7bb3\" label=\"Physical Location\"\u003eGreen Library, Goverment Resources and Information Department,\nGL 214\nContact Staff for Access\nat 305-348-3135\u003c/physloc\u003e"],"physloc_tesim":["Green Library, Goverment Resources and Information Department,\nGL 214\nContact Staff for Access\nat 305-348-3135"],"names_coll_ssim":["Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami"],"names_ssim":["FIU Special Collections","Zoo Miami and Zoo Miami Foundation","Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami"],"corpname_ssim":["FIU Special Collections","Zoo Miami and Zoo Miami Foundation","Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"2b8ea8f68f63cb8d721464d3","timestamp":"2026-04-21T02:12:11.955Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2b8ea8f68f63cb8d721464d3"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Democratic Women's Club of Florida, Inc. 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