{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=123\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=122\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=124\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026page=126\u0026view=compact"},"meta":{"pages":{"current_page":123,"next_page":124,"prev_page":122,"total_pages":126,"limit_value":10,"offset_value":1220,"total_count":1260,"first_page?":false,"last_page?":false}},"data":[{"id":"3b651bebb556d00cec8728df","type":"collection","attributes":{"title":"Walter and Dorothy Donnelly family papers, 1887-2021","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/3b651bebb556d00cec8728df#creator","type":"document_value","attributes":{"value":["Donnelly, Walter"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/3b651bebb556d00cec8728df#abstract_or_scope","type":"document_value","attributes":{"value":["The materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3b651bebb556d00cec8728df#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"3b651bebb556d00cec8728df","title_ssm":["Walter and Dorothy Donnelly family papers"],"title_tesim":["Walter and Dorothy Donnelly family papers"],"ead_ssi":"3b651bebb556d00cec8728df","unitdate_ssm":["1887-2021"],"unitdate_inclusive_ssm":["1887-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.33","/repositories/4/resources/35"],"text":["SC.33","/repositories/4/resources/35","Walter and Dorothy Donnelly family papers, 1887-2021","Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems","The entire collection is open for research.","Walter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.","\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"","\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.","\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today.","Collection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023.","Patrick Boland collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","The collection is arranged in three series, Family Papers, Typophiles and Additional Materials. ","Series I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.","\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. "," \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured.","Books donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.","The papers of Patrick Boland were separated into their own collection. ","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books.","UCF Special Collections","Donnelly, Walter","Donnelly, Dorothy, 1903-1994","English"],"unitid_tesim":["SC.33","/repositories/4/resources/35"],"normalized_date_ssm":["1887-2021"],"normalized_title_ssm":["Walter and Dorothy Donnelly family papers, 1887-2021"],"collection_title_tesim":["Walter and Dorothy Donnelly family papers, 1887-2021"],"collection_ssim":["Walter and Dorothy Donnelly family papers, 1887-2021"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creator_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creator_persname_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creators_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Donnelly sons donated their parents' collection to the University of Central Florida Library in 1999 (CFM1999_08). Additional materials received from Jerome Donnelly in 2020 (CFM2020_06; CFM2020_10), 2021 (CFM2021_21), and 2022 (CFM2022_05)."],"access_subjects_ssim":["Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems"],"access_subjects_ssm":["Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems"],"has_online_content_ssim":["false"],"extent_ssm":["7.5 Linear Feet 15 Boxes, 1 Flat File"],"extent_tesim":["7.5 Linear Feet 15 Boxes, 1 Flat File"],"genreform_ssim":["diaries","poems"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eWalter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.\u003c/p\u003e\n","\u003cp\u003e\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"\u003c/p\u003e\n","\u003cp\u003e\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.\u003c/p\u003e\n","\u003cp\u003e\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Walter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.","\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"","\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.","\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today."],"prefercite_html_tesm":["\u003cp\u003eWalter and Dorothy Donnelly Family Papers, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Walter and Dorothy Donnelly Family Papers, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/289\"\u003ePatrick Boland collection\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Patrick Boland collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is arranged in three series, Family Papers, Typophiles and Additional Materials. \u003c/p\u003e\n","\u003cp\u003eSeries I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.\u003c/p\u003e\n","\u003cp\u003e\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. \u003c/p\u003e\n","\u003cp\u003e \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is arranged in three series, Family Papers, Typophiles and Additional Materials. ","Series I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.","\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. "," \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.\u003c/p\u003e\n","\u003cp\u003eThe papers of Patrick Boland were separated into their own collection.\u0026#xA0;\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.","The papers of Patrick Boland were separated into their own collection. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_58a62762084b860db899b0bb6eea27dd\" label=\"Abstract\"\u003eThe materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books.\u003c/abstract\u003e"],"abstract_tesim":["The materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books."],"names_ssim":["UCF Special Collections","Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":255,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3b651bebb556d00cec8728df","timestamp":"2026-06-03T02:50:58.042Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3b651bebb556d00cec8728df","title_ssm":["Walter and Dorothy Donnelly family papers"],"title_tesim":["Walter and Dorothy Donnelly family papers"],"ead_ssi":"3b651bebb556d00cec8728df","unitdate_ssm":["1887-2021"],"unitdate_inclusive_ssm":["1887-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.33","/repositories/4/resources/35"],"text":["SC.33","/repositories/4/resources/35","Walter and Dorothy Donnelly family papers, 1887-2021","Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems","The entire collection is open for research.","Walter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.","\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"","\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.","\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today.","Collection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023.","Patrick Boland collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","The collection is arranged in three series, Family Papers, Typophiles and Additional Materials. ","Series I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.","\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. "," \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured.","Books donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.","The papers of Patrick Boland were separated into their own collection. ","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books.","UCF Special Collections","Donnelly, Walter","Donnelly, Dorothy, 1903-1994","English"],"unitid_tesim":["SC.33","/repositories/4/resources/35"],"normalized_date_ssm":["1887-2021"],"normalized_title_ssm":["Walter and Dorothy Donnelly family papers, 1887-2021"],"collection_title_tesim":["Walter and Dorothy Donnelly family papers, 1887-2021"],"collection_ssim":["Walter and Dorothy Donnelly family papers, 1887-2021"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creator_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creator_persname_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"creators_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"access_terms_ssm":["Unpublished records are protected by copyright. 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Additional materials received from Jerome Donnelly in 2020 (CFM2020_06; CFM2020_10), 2021 (CFM2021_21), and 2022 (CFM2022_05)."],"access_subjects_ssim":["Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems"],"access_subjects_ssm":["Women poets, American","Poets, American -- 20th Century -- correspondence","diaries","poems"],"has_online_content_ssim":["false"],"extent_ssm":["7.5 Linear Feet 15 Boxes, 1 Flat File"],"extent_tesim":["7.5 Linear Feet 15 Boxes, 1 Flat File"],"genreform_ssim":["diaries","poems"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eWalter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.\u003c/p\u003e\n","\u003cp\u003e\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"\u003c/p\u003e\n","\u003cp\u003e\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.\u003c/p\u003e\n","\u003cp\u003e\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Walter Donnelly and Dorothy Boillotat Donnelly collected thousands of fine books between 1920-1994, for their family library at 612 Lawrence Street, Ann Arbor, Michigan. Walter (1900-1981) was Editor of the University of Michigan Press when he retired in 1970. Dorothy (1903-1994) was an award-winning poet. They have three sons, Jerome, Stephen, and Denis.","\nIn 1931 Dorothy and Walter were married, Dorothy completed her Master's Degree from the University of Michigan, and she won the Avery Hopwood Contest. The $1,500 prize enabled the couple to live in France and Italy for a time. Dorothy wrote several acclaimed books of poetry as well as numerous articles for the magazine transition (always spelled in the lower case), publishing work by writers such as Hart Crane, Ernest Hemingway and Carl Jung. Eugene Jolas, the French editor of transition, wrote Dorothy in 1931, \"You are the only one in America whose writing seems to me to be going in the right direction.\"","\nWalter also published some poetry and wrote plays with playwright and screenwriter Paul Osborn when the two were in college at the University of Michigan. After living in Greenwich Village and Paris, he returned to Ann Arbor to accept a position at the University of Michigan editing Museum Publications as well as doing editorial work for the Press.","\nThe Donnelly's had a keen interest in the printing arts. Collected materials include examples from the best paper-makers, type designers, typographers, book binders, and printers as well as those artists involved in book illustrations. Notable in the collection are numerous publications of The Typophiles, a small group of graphic arts professionals based in New York, including luminaries like Bruce Rogers and Frederic W. Goudy. The Typophiles, who began meeting around 1932, are still meeting and publishing today."],"prefercite_html_tesm":["\u003cp\u003eWalter and Dorothy Donnelly Family Papers, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Walter and Dorothy Donnelly Family Papers, Special Collections and University Archives, University of Central Florida Libraries, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadine Helm and Elizabeth Konzak; finding aid created by Nadine Helm and Elizabeth Konzak. The materials were organized and foldered. Some materials have water damage and were freeze dried in August 2006. Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021.  Ria Heising and Suphi Burak Ogreten added addional materials received from Jerome Donnelly in 2021. Addition processed and finding aid updated by Amelia Cuttle in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/289\"\u003ePatrick Boland collection\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Patrick Boland collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is arranged in three series, Family Papers, Typophiles and Additional Materials. \u003c/p\u003e\n","\u003cp\u003eSeries I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.\u003c/p\u003e\n","\u003cp\u003e\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. \u003c/p\u003e\n","\u003cp\u003e \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is arranged in three series, Family Papers, Typophiles and Additional Materials. ","Series I, Family Papers, 1887-1979, Undated, contains family photographs, memorabilia, poetry, and collected information on printers, printing and typography.","\nSeries II, Typophiles, 1941-1969, Undated, consists of materials collected by the Donnellys as members of the organization of printers, typographers and appreciators of bookmaking. Materials include Chap Book Commentaries, fine press published information about the typophiles as a group, similar to an organizational newsletter that includes a colophon. Keepsakes were items created for an event such as Christmas to exhibit typographic skills. The Monographs are small examples of printing that exemplify the best of design, typography, and technique. "," \nSeries III, Additional Materials, 1909-2021, Undated, consists of seven boxes of card catalogs Walter and Dorothy Donnelly created to keep track of their inventory of the book collection. Various incoming and outgoing letters to the Donnellys, newspaper clippings, articles, poetry, and unpublished and published writings by the Donnellys can be found in the series. The personal books of Dorothy Donnelly, including her daily missal and reading and diary journals, are also featured."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.\u003c/p\u003e\n","\u003cp\u003eThe papers of Patrick Boland were separated into their own collection.\u0026#xA0;\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books donated with the Walter and Dorothy Donnelly Family Papers have been cataloged individually. Please search the Library Catalog using the series Walter and Dorothy Donnelly Collection.","The papers of Patrick Boland were separated into their own collection. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_58a62762084b860db899b0bb6eea27dd\" label=\"Abstract\"\u003eThe materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books.\u003c/abstract\u003e"],"abstract_tesim":["The materials show the Donnellys' diverse and far-reaching interests, primarily in the humanities. A majority of the materials are about typography and typophiles, including monographs and chap books."],"names_ssim":["UCF Special Collections","Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Donnelly, Walter","Donnelly, Dorothy, 1903-1994"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":255,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3b651bebb556d00cec8728df","timestamp":"2026-06-03T02:50:58.042Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3b651bebb556d00cec8728df"}},{"id":"ec0d65981df646e0f1a8b1b3_aspace_6b26c0843fa729d4a2882164ce21bbae","type":"Item","attributes":{"title":"Watermark (Orlando, Fla.), 1997-2015","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_6b26c0843fa729d4a2882164ce21bbae#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eIncludes: v.4:no.19 (1997:Sept.18/Oct.1), v.9:no.20(2002:Sept.26/Oct.9), v.11:no.16 (2004:July29/Aug.11)- v.11:no.17 (2004:Aug.11/25), v.11:no.19 (2004:Sept.9/22), v.11:no.21 (2004:Oct. 7/20), v.12:no.16(2005:Aug.11/24), v.16:no.19 (2009:Sept.17/30), v.17:no.19 (2010:Sept.16/29), v.17:no.21(2010:Oct.14/27), v.18:no.19 (2011:Sept.15/28), v.19:no.2 (2012:Feb.1), v.19:no.19 (2012:Sept.26), v.19:no.23 (2012:Nov. 8/20), v.20:no.19 (2013:Sept.25), v.20:no.23 (2013:Nov.7/20), v.21:no.20 (2014:Sept.25/Oct.8), v.22:no.14 (2015:July2/15), v.22:no.19 (2015:10/23), SUPPL: 1997:Sept.18/Oct.1 Waterfront: A Complete Guide to Bars \u0026amp;#38; Nightlife in Central Florida, SUPPL:v.11:no.16 (2004:July29/Aug.11) Watermark's Movers \u0026amp;#38; Shakers, SUPPL:v.11:no.17 (2004:Aug.12/25) Watermark Fashion Issue, SUPPL:v.11:no.20 (2004:Sept.23/Oct.6) Watermark's Guide to the Tampa International Gay \u0026amp;#38; Lesbian Film Festival, SUPPL:v.11:no.21 (2004:Oct.7/20) Fall Guide to Gay Real Estate, SUPPL: v.20:no.16 (2005:Aug.11/24) Watermark's Fashion Issue.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_6b26c0843fa729d4a2882164ce21bbae#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_6b26c0843fa729d4a2882164ce21bbae","ref_ssm":["aspace_6b26c0843fa729d4a2882164ce21bbae","aspace_6b26c0843fa729d4a2882164ce21bbae"],"id":"ec0d65981df646e0f1a8b1b3_aspace_6b26c0843fa729d4a2882164ce21bbae","title_filing_ssi":"Watermark (Orlando, Fla.)\n","title_ssm":["Watermark (Orlando, Fla.)\n"],"title_tesim":["Watermark (Orlando, Fla.)\n"],"unitdate_inclusive_ssm":["1997-2015"],"normalized_date_ssm":["1997-2015"],"normalized_title_ssm":["Watermark (Orlando, Fla.), 1997-2015"],"text":["Watermark (Orlando, Fla.), 1997-2015","Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","Cataloged Material","/repositories/2/archival_objects/184769","object QLIT HQ76.8.F6 W38","Go To Catalog Record","Includes: v.4:no.19 (1997:Sept.18/Oct.1), v.9:no.20(2002:Sept.26/Oct.9), v.11:no.16 (2004:July29/Aug.11)- v.11:no.17 (2004:Aug.11/25), v.11:no.19 (2004:Sept.9/22), v.11:no.21 (2004:Oct. 7/20), v.12:no.16(2005:Aug.11/24), v.16:no.19 (2009:Sept.17/30), v.17:no.19 (2010:Sept.16/29), v.17:no.21(2010:Oct.14/27), v.18:no.19 (2011:Sept.15/28), v.19:no.2 (2012:Feb.1), v.19:no.19 (2012:Sept.26), v.19:no.23 (2012:Nov. 8/20), v.20:no.19 (2013:Sept.25), v.20:no.23 (2013:Nov.7/20), v.21:no.20 (2014:Sept.25/Oct.8), v.22:no.14 (2015:July2/15), v.22:no.19 (2015:10/23), SUPPL: 1997:Sept.18/Oct.1 Waterfront: A Complete Guide to Bars \u0026#38; Nightlife in Central Florida, SUPPL:v.11:no.16 (2004:July29/Aug.11) Watermark's Movers \u0026#38; Shakers, SUPPL:v.11:no.17 (2004:Aug.12/25) Watermark Fashion Issue, SUPPL:v.11:no.20 (2004:Sept.23/Oct.6) Watermark's Guide to the Tampa International Gay \u0026#38; Lesbian Film Festival, SUPPL:v.11:no.21 (2004:Oct.7/20) Fall Guide to Gay Real Estate, SUPPL: v.20:no.16 (2005:Aug.11/24) Watermark's Fashion Issue."],"component_level_isim":[2],"parent_ids_ssim":["ec0d65981df646e0f1a8b1b3","ec0d65981df646e0f1a8b1b3_aspace_31a99536b38871ab8b7a1517391a8a83"],"parent_unittitles_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","Cataloged Material"],"parent_unittitles_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","Cataloged Material"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/184769"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":365,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"containers_ssim":["object QLIT HQ76.8.F6 W38"],"bibliography_html_tesm":["\u003cp\u003e \n\u003ca href=\"https://usf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_USF/1amem1q/alma99379643727506599\"\u003eGo To Catalog Record\u003c/a\u003e\n\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Go To Catalog Record"],"scopecontent_html_tesm":["\u003cp\u003eIncludes: v.4:no.19 (1997:Sept.18/Oct.1), v.9:no.20(2002:Sept.26/Oct.9), v.11:no.16 (2004:July29/Aug.11)- v.11:no.17 (2004:Aug.11/25), v.11:no.19 (2004:Sept.9/22), v.11:no.21 (2004:Oct. 7/20), v.12:no.16(2005:Aug.11/24), v.16:no.19 (2009:Sept.17/30), v.17:no.19 (2010:Sept.16/29), v.17:no.21(2010:Oct.14/27), v.18:no.19 (2011:Sept.15/28), v.19:no.2 (2012:Feb.1), v.19:no.19 (2012:Sept.26), v.19:no.23 (2012:Nov. 8/20), v.20:no.19 (2013:Sept.25), v.20:no.23 (2013:Nov.7/20), v.21:no.20 (2014:Sept.25/Oct.8), v.22:no.14 (2015:July2/15), v.22:no.19 (2015:10/23), SUPPL: 1997:Sept.18/Oct.1 Waterfront: A Complete Guide to Bars \u0026amp;#38; Nightlife in Central Florida, SUPPL:v.11:no.16 (2004:July29/Aug.11) Watermark's Movers \u0026amp;#38; Shakers, SUPPL:v.11:no.17 (2004:Aug.12/25) Watermark Fashion Issue, SUPPL:v.11:no.20 (2004:Sept.23/Oct.6) Watermark's Guide to the Tampa International Gay \u0026amp;#38; Lesbian Film Festival, SUPPL:v.11:no.21 (2004:Oct.7/20) Fall Guide to Gay Real Estate, SUPPL: v.20:no.16 (2005:Aug.11/24) Watermark's Fashion Issue.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Includes: v.4:no.19 (1997:Sept.18/Oct.1), v.9:no.20(2002:Sept.26/Oct.9), v.11:no.16 (2004:July29/Aug.11)- v.11:no.17 (2004:Aug.11/25), v.11:no.19 (2004:Sept.9/22), v.11:no.21 (2004:Oct. 7/20), v.12:no.16(2005:Aug.11/24), v.16:no.19 (2009:Sept.17/30), v.17:no.19 (2010:Sept.16/29), v.17:no.21(2010:Oct.14/27), v.18:no.19 (2011:Sept.15/28), v.19:no.2 (2012:Feb.1), v.19:no.19 (2012:Sept.26), v.19:no.23 (2012:Nov. 8/20), v.20:no.19 (2013:Sept.25), v.20:no.23 (2013:Nov.7/20), v.21:no.20 (2014:Sept.25/Oct.8), v.22:no.14 (2015:July2/15), v.22:no.19 (2015:10/23), SUPPL: 1997:Sept.18/Oct.1 Waterfront: A Complete Guide to Bars \u0026#38; Nightlife in Central Florida, SUPPL:v.11:no.16 (2004:July29/Aug.11) Watermark's Movers \u0026#38; Shakers, SUPPL:v.11:no.17 (2004:Aug.12/25) Watermark Fashion Issue, SUPPL:v.11:no.20 (2004:Sept.23/Oct.6) Watermark's Guide to the Tampa International Gay \u0026#38; Lesbian Film Festival, SUPPL:v.11:no.21 (2004:Oct.7/20) Fall Guide to Gay Real Estate, SUPPL: v.20:no.16 (2005:Aug.11/24) Watermark's Fashion Issue."],"_nest_path_":"/components#9/components#8","_nest_parent_":"ec0d65981df646e0f1a8b1b3_aspace_31a99536b38871ab8b7a1517391a8a83","_root_":"ec0d65981df646e0f1a8b1b3","_version_":1871043586387083264,"timestamp":"2026-07-18T09:16:53.209Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ec0d65981df646e0f1a8b1b3","title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection"],"title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection"],"ead_ssi":"ec0d65981df646e0f1a8b1b3","unitdate_ssm":["1990-2024"],"unitdate_inclusive_ssm":["1990-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2024-01","/repositories/2/resources/641"],"text":["MS-2024-01","/repositories/2/resources/641","Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)","Materials are arranged according to type, with attention to chronology within series.","\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.","Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.","USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival","English"],"unitid_tesim":["MS-2024-01","/repositories/2/resources/641"],"normalized_date_ssm":["1990-2024"],"normalized_title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Tampa International Gay and Lesbian Film Festival"],"creator_ssim":["Tampa International Gay and Lesbian Film Festival"],"creator_corpname_ssim":["Tampa International Gay and Lesbian Film Festival"],"creators_ssim":["Tampa International Gay and Lesbian Film Festival"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"access_subjects_ssm":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"has_online_content_ssim":["false"],"extent_ssm":["9 boxes","9 Linear Feet"],"extent_tesim":["9 boxes","9 Linear Feet"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged according to type, with attention to chronology within series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged according to type, with attention to chronology within series."],"bioghist_html_tesm":["\u003cp\u003e\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.\u003c/p\u003e\n","\u003cp\u003eDorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.\u003c/p\u003e\n","\u003cp\u003eAt every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.\u003c/p\u003e\n","\u003cp\u003eFounders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.\u003c/p\u003e\n","\u003cp\u003eTampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.\u003c/p\u003e\n","\u003cp\u003eAfter two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.\u003c/p\u003e\n","\u003cp\u003eThat first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.\u003c/p\u003e\n","\u003cp\u003e\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/"],"scopecontent_html_tesm":["\u003cp\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7fd2447780ec58fc96b7d52c2b93a93a\"\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.\u003c/abstract\u003e"],"abstract_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF."],"names_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"language_ssim":["English"],"total_component_count_is":365,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871043586387083264,"_root_":"ec0d65981df646e0f1a8b1b3","timestamp":"2026-07-18T09:16:53.209Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_6b26c0843fa729d4a2882164ce21bbae"}},{"id":"51793d0a63083e99e5c1d40e_aspace_522412ee8b85f237e7f77bf6b345089e","type":"File","attributes":{"title":"Week of Welcome Flyer, August 15-23, 2015","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/51793d0a63083e99e5c1d40e_aspace_522412ee8b85f237e7f77bf6b345089e#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_522412ee8b85f237e7f77bf6b345089e","ref_ssm":["aspace_522412ee8b85f237e7f77bf6b345089e","aspace_522412ee8b85f237e7f77bf6b345089e"],"id":"51793d0a63083e99e5c1d40e_aspace_522412ee8b85f237e7f77bf6b345089e","title_filing_ssi":"Week of Welcome Flyer","title_ssm":["Week of Welcome Flyer"],"title_tesim":["Week of Welcome Flyer"],"unitdate_inclusive_ssm":["August 15-23, 2015"],"normalized_date_ssm":["August 15-23, 2015"],"normalized_title_ssm":["Week of Welcome Flyer, August 15-23, 2015"],"text":["Week of Welcome Flyer, August 15-23, 2015","Special Events, 1995-2022","Week of Welcome, 2010 -","/repositories/3/archival_objects/33625","FGCU Alumni Association","English","box 28","folder 22"],"component_level_isim":[2],"parent_ids_ssim":["51793d0a63083e99e5c1d40e","51793d0a63083e99e5c1d40e_aspace_52937b4b7543ff26a1356ceec70541fb"],"parent_unittitles_ssm":["Special Events, 1995-2022","Week of Welcome, 2010 -"],"parent_unittitles_tesim":["Special Events, 1995-2022","Week of Welcome, 2010 -"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/33625"],"repository_ssim":["Florida Gulf Coast University Archives"],"collection_ssim":["Special Events, 1995-2022"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":319,"parent_access_restrict_tesm":["This collection is open for research."],"date_range_isim":[2015],"access_subjects_ssim":["FGCU Alumni Association"],"access_subjects_ssm":["FGCU Alumni Association"],"language_ssim":["English"],"containers_ssim":["box 28","folder 22"],"_nest_path_":"/components#69/components#5","_nest_parent_":"51793d0a63083e99e5c1d40e_aspace_52937b4b7543ff26a1356ceec70541fb","_root_":"51793d0a63083e99e5c1d40e","_version_":1870842629364645888,"timestamp":"2026-07-16T04:02:45.655Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"51793d0a63083e99e5c1d40e","title_filing_ssi":"Office of University Advancement: Special Events","title_ssm":["Special Events"],"title_tesim":["Special Events"],"ead_ssi":"51793d0a63083e99e5c1d40e","unitdate_ssm":["1995-2022"],"unitdate_inclusive_ssm":["1995-2022"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["01.04.06","/repositories/3/resources/79"],"text":["01.04.06","/repositories/3/resources/79","Special Events, 1995-2022","This collection is open for research.","This collection is arranged chronologically.","This collection contains planning documents and promotional materials related to events put on by FGCU's Office of University Advancement.","Florida Gulf Coast University Archives","University Advancement","English"],"unitid_tesim":["01.04.06","/repositories/3/resources/79"],"normalized_date_ssm":["1995-2022"],"normalized_title_ssm":["Special Events, 1995-2022"],"collection_title_tesim":["Special Events, 1995-2022"],"collection_ssim":["Special Events, 1995-2022"],"repository_ssm":["Florida Gulf Coast University Archives"],"repository_ssim":["Florida Gulf Coast University Archives"],"creator_ssm":["University Advancement"],"creator_ssim":["University Advancement"],"creator_corpname_ssim":["University Advancement"],"creators_ssim":["University Advancement"],"has_online_content_ssim":["false"],"extent_ssm":["6 Linear Feet"],"extent_tesim":["6 Linear Feet"],"date_range_isim":[1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged chronologically."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains planning documents and promotional materials related to events put on by FGCU's Office of University Advancement.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains planning documents and promotional materials related to events put on by FGCU's Office of University Advancement."],"names_ssim":["Florida Gulf Coast University Archives","University Advancement"],"corpname_ssim":["Florida Gulf Coast University Archives","University Advancement"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":433,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842629364645888,"_root_":"51793d0a63083e99e5c1d40e","timestamp":"2026-07-16T04:02:45.655Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/51793d0a63083e99e5c1d40e_aspace_522412ee8b85f237e7f77bf6b345089e"}},{"id":"d386688d8bf20548ba99ac5f_aspace_3c8cece3337fe7afa12578eebb31512a","type":"File","attributes":{"title":"Weeks of Welcome, 2012, 2015","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d386688d8bf20548ba99ac5f_aspace_3c8cece3337fe7afa12578eebb31512a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_3c8cece3337fe7afa12578eebb31512a","ref_ssm":["aspace_3c8cece3337fe7afa12578eebb31512a","aspace_3c8cece3337fe7afa12578eebb31512a"],"id":"d386688d8bf20548ba99ac5f_aspace_3c8cece3337fe7afa12578eebb31512a","title_filing_ssi":"Weeks of Welcome","title_ssm":["Weeks of Welcome"],"title_tesim":["Weeks of Welcome"],"unitdate_other_ssim":["2012","2015"],"normalized_date_ssm":["2012, 2015"],"normalized_title_ssm":["Weeks of Welcome, 2012, 2015"],"text":["Weeks of Welcome, 2012, 2015","General Campus Events, 1921-2018","Social","/repositories/4/archival_objects/24386","box 4","folder 24"],"component_level_isim":[2],"parent_ids_ssim":["d386688d8bf20548ba99ac5f","d386688d8bf20548ba99ac5f_aspace_e875b9b432905b9acb90686637453b5b"],"parent_unittitles_ssm":["General Campus Events, 1921-2018","Social"],"parent_unittitles_tesim":["General Campus Events, 1921-2018","Social"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/4/archival_objects/24386"],"repository_ssim":["The Florida Southern College Archives"],"collection_ssim":["General Campus Events, 1921-2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":118,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["This collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu"],"date_range_isim":[2012,2015],"containers_ssim":["box 4","folder 24"],"_nest_path_":"/components#12/components#13","_nest_parent_":"d386688d8bf20548ba99ac5f_aspace_e875b9b432905b9acb90686637453b5b","_root_":"d386688d8bf20548ba99ac5f","_version_":1870846316165201920,"timestamp":"2026-07-16T05:01:21.668Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d386688d8bf20548ba99ac5f","title_ssm":["General Campus Events"],"title_tesim":["General Campus Events"],"ead_ssi":"d386688d8bf20548ba99ac5f","unitdate_ssm":["1921-2018"],"unitdate_inclusive_ssm":["1921-2018"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["CA9000","/repositories/4/resources/124"],"text":["CA9000","/repositories/4/resources/124","General Campus Events, 1921-2018","College speakers--Florida--Lakeland--Archives.","Florida Southern College--Music","Florida Southern College--Students.","Florida Southern College—History","Fine arts","Performing arts","Florida Southern College--Faculty.","Concert programs—Florida—Lakeland.","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.","This collection is divided into series that reflect different types of events. The series are Academic Events; Awards Programs; Community Service; Concerts; Cultural Events; Fine Arts; Filming on Campus; Health; Lakeland Community; Miscellaneous/General; Pageants; Religious Events; and Social Events. Series and materials with the series are arranged alphabetically.","Throughout the years, Florida Southern College has developed or hosted events designed to enhance the cultural, intellectual, and spiritual life of the college community. Orientation programs, concerts, blood drives, etc. all work to bring the community together and demonstrate that we can all be part of something bigger than ourselves, if only for an afternoon or evening. ","\nThis collection highlights many of the events that have taken place on or around the FSC campus since the 1920s. These are events that do not fit into a specific or larger program, such as commencement, the Festival of Fine Arts, or Founders' Week. While it is nowhere near exhaustive, this collection provides a sense of what life outside the classroom could involve. Of special note are concerts from world renowned groups such as Dave Matthews Band, FSC's role as a filming location in The Waterboy, hosting the Remnant Trust series of historic works, and community service events. ","This collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record.","The materials in this record group cover a time period from the 1920s through 2010s. The amount of material varies by event, as some may have several documents, photos, etc., while others may only have a single brochure or program.","This collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). ","Please inquire if you have questions - archives@flsouthern.edu","The Florida Southern College Archives","Florida Southern College","English"],"unitid_tesim":["CA9000","/repositories/4/resources/124"],"normalized_date_ssm":["1921-2018"],"normalized_title_ssm":["General Campus Events, 1921-2018"],"collection_title_tesim":["General Campus Events, 1921-2018"],"collection_ssim":["General Campus Events, 1921-2018"],"repository_ssm":["The Florida Southern College Archives"],"repository_ssim":["The Florida Southern College Archives"],"geogname_ssm":["College speakers--Florida--Lakeland--Archives."],"geogname_ssim":["College speakers--Florida--Lakeland--Archives."],"creator_ssm":["Florida Southern College"],"creator_ssim":["Florida Southern College"],"creator_corpname_ssim":["Florida Southern College"],"creators_ssim":["Florida Southern College"],"places_ssim":["College speakers--Florida--Lakeland--Archives."],"access_terms_ssm":["This collection is owned by Florida Southern College. 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","Please inquire if you have questions - archives@flsouthern.edu"],"acqinfo_ssim":["These materials were generated by the college and transferred to the archives upon completion of their active status.\nThis is an active record group and new materials are added periodically."],"access_subjects_ssim":["Florida Southern College--Music","Florida Southern College--Students.","Florida Southern College—History","Fine arts","Performing arts","Florida Southern College--Faculty.","Concert programs—Florida—Lakeland."],"access_subjects_ssm":["Florida Southern College--Music","Florida Southern College--Students.","Florida Southern College—History","Fine arts","Performing arts","Florida Southern College--Faculty.","Concert programs—Florida—Lakeland."],"has_online_content_ssim":["false"],"extent_ssm":["1.67 Linear Feet 4 5 Inch Legal Standard Archival Containers"],"extent_tesim":["1.67 Linear Feet 4 5 Inch Legal Standard Archival Containers"],"genreform_ssim":["Concert programs—Florida—Lakeland."],"date_range_isim":[1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into series that reflect different types of events. 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Orientation programs, concerts, blood drives, etc. all work to bring the community together and demonstrate that we can all be part of something bigger than ourselves, if only for an afternoon or evening. \u003c/p\u003e\n","\u003cp\u003e\nThis collection highlights many of the events that have taken place on or around the FSC campus since the 1920s. These are events that do not fit into a specific or larger program, such as commencement, the Festival of Fine Arts, or Founders' Week. While it is nowhere near exhaustive, this collection provides a sense of what life outside the classroom could involve. 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While it is nowhere near exhaustive, this collection provides a sense of what life outside the classroom could involve. Of special note are concerts from world renowned groups such as Dave Matthews Band, FSC's role as a filming location in The Waterboy, hosting the Remnant Trust series of historic works, and community service events. "],"odd_html_tesm":["\u003cp\u003eThis collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["This collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this record group cover a time period from the 1920s through 2010s. The amount of material varies by event, as some may have several documents, photos, etc., while others may only have a single brochure or program.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this record group cover a time period from the 1920s through 2010s. The amount of material varies by event, as some may have several documents, photos, etc., while others may only have a single brochure or program."],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College. This collection is protected by copyright and/or related rights. 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