{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=7","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=6","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=8","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=25"},"meta":{"pages":{"current_page":7,"next_page":8,"prev_page":6,"total_pages":25,"limit_value":10,"offset_value":60,"total_count":248,"first_page?":false,"last_page?":false}},"data":[{"id":"39d86b0070ffec365e6f15cd","type":"collection","attributes":{"title":"Dr. Charles S. Mahan papers, 1949-2023, Date acquired: 01/10/2010, bulk 1982-2001","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/39d86b0070ffec365e6f15cd#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe papers of Dr. Charles S. Mahan primarily consist of correspondence (memoranda, letters, and emails), grey literature, data sets, administrative documents, publications, and newspaper clippings. The bulk of the collection reflects Mahan's various professional roles in reducing Florida's infant mortality rate, increasing access to proper nutrition for mothers and infants, and educating public health professionals and midwives. 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Mahan papers, 1949-2023, Date acquired: 01/10/2010, bulk 1982-2001","Obstetrics","Gynecology, Osteopathic","The materials contained in Box 70 are restricted from general public use.  Researchers with a documented need to access these materials must request approval prior to visiting the Library.  Formal requests may be made to the University of South Florida Tampa- Special Collections Library at (813) 974-2729.\nMaterials protected by HIPAA, FERPA and other privacy laws have been identified and discarded in accordance with archival best practices.\nNewspaper clippings and other print materials determined to be accessible via electronic or print means have been weeded from the collection.  A reference list is included with the print finding aid.","Additional accrual received in Spring 2011 and Spring 2015. New additions from FMHI were added in 2019-2020. Last accural recieved to Special Collections- Tampa in 2023.","Chronological","Charles S. Mahan, M.D., Professor and Dean Emeritus, USF College of Public and The Lawton and Rhea Chiles Center for Healthy Mothers and Babies is Dean and Professor Emeritus in the College of Public Health at the University of South Florida and The Lawton and Rhea Chiles Center for Healthy Mothers and Babies.  He holds a joint appointment as Professor, Department of Obstetrics and Gynecology in the USF College of Medicine and currently serves as Interim President of the National Board of Public Health Examiners.  Dr. Mahan received his MD degree from Northwestern University and did his residency training at the University of Minnesota where he returned to join the faculty. He moved to Florida in 1974 to be Professor of Obstetrics and Gynecology and Director of Ambulatory Services for Women at the University of Florida and Director of the North Central Florida Maternal and Infant Care Program. From 1988 to 1995 he directed the State Health Department in Florida, and he was Dean of the College of Public Health at the University of South Florida from 1995 to 2002.  He is Past President of the Association of State and Territorial Health Officials and Chair of the Advisory Committee to the Director of the Centers for Disease Control and Prevention from 1997-2003.  He is on the Board of Directors of the Frontier Nursing Service, the National Perinatal Information Center and The Ounce of Prevention Fund of Florida. Dr. Mahan served as founding statewide chairperson for the March of Dimes Florida Prematurity Prevention Campaign.  He also chaired the selection committee for the Blue Foundation's annual Sapphire Award and is also on the National HPV Vaccine Advisory Board for the Merck Company.","Note written by ","National Commission to Prevent Infant Mortality papers, Florida Mental Health Institute Research Library, USF Libraries, Tampa, FL.","The papers of Dr. Charles S. 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He holds a joint appointment as Professor, Department of Obstetrics and Gynecology in the USF College of Medicine and currently serves as Interim President of the National Board of Public Health Examiners.  Dr. Mahan received his MD degree from Northwestern University and did his residency training at the University of Minnesota where he returned to join the faculty. He moved to Florida in 1974 to be Professor of Obstetrics and Gynecology and Director of Ambulatory Services for Women at the University of Florida and Director of the North Central Florida Maternal and Infant Care Program. From 1988 to 1995 he directed the State Health Department in Florida, and he was Dean of the College of Public Health at the University of South Florida from 1995 to 2002.  He is Past President of the Association of State and Territorial Health Officials and Chair of the Advisory Committee to the Director of the Centers for Disease Control and Prevention from 1997-2003.  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He is on the Board of Directors of the Frontier Nursing Service, the National Perinatal Information Center and The Ounce of Prevention Fund of Florida. Dr. Mahan served as founding statewide chairperson for the March of Dimes Florida Prematurity Prevention Campaign.  He also chaired the selection committee for the Blue Foundation's annual Sapphire Award and is also on the National HPV Vaccine Advisory Board for the Merck Company.","Note written by "],"prefercite_html_tesm":["\u003cp\u003eDr. Charles S. Mahan papers, Special Collections, Tampa Library, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Dr. Charles S. 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Mahan papers, 1949-2023, Date acquired: 01/10/2010, bulk 1982-2001","Obstetrics","Gynecology, Osteopathic","The materials contained in Box 70 are restricted from general public use.  Researchers with a documented need to access these materials must request approval prior to visiting the Library.  Formal requests may be made to the University of South Florida Tampa- Special Collections Library at (813) 974-2729.\nMaterials protected by HIPAA, FERPA and other privacy laws have been identified and discarded in accordance with archival best practices.\nNewspaper clippings and other print materials determined to be accessible via electronic or print means have been weeded from the collection.  A reference list is included with the print finding aid.","Additional accrual received in Spring 2011 and Spring 2015. New additions from FMHI were added in 2019-2020. Last accural recieved to Special Collections- Tampa in 2023.","Chronological","Charles S. Mahan, M.D., Professor and Dean Emeritus, USF College of Public and The Lawton and Rhea Chiles Center for Healthy Mothers and Babies is Dean and Professor Emeritus in the College of Public Health at the University of South Florida and The Lawton and Rhea Chiles Center for Healthy Mothers and Babies.  He holds a joint appointment as Professor, Department of Obstetrics and Gynecology in the USF College of Medicine and currently serves as Interim President of the National Board of Public Health Examiners.  Dr. Mahan received his MD degree from Northwestern University and did his residency training at the University of Minnesota where he returned to join the faculty. He moved to Florida in 1974 to be Professor of Obstetrics and Gynecology and Director of Ambulatory Services for Women at the University of Florida and Director of the North Central Florida Maternal and Infant Care Program. From 1988 to 1995 he directed the State Health Department in Florida, and he was Dean of the College of Public Health at the University of South Florida from 1995 to 2002.  He is Past President of the Association of State and Territorial Health Officials and Chair of the Advisory Committee to the Director of the Centers for Disease Control and Prevention from 1997-2003.  He is on the Board of Directors of the Frontier Nursing Service, the National Perinatal Information Center and The Ounce of Prevention Fund of Florida. Dr. Mahan served as founding statewide chairperson for the March of Dimes Florida Prematurity Prevention Campaign.  He also chaired the selection committee for the Blue Foundation's annual Sapphire Award and is also on the National HPV Vaccine Advisory Board for the Merck Company.","Note written by ","National Commission to Prevent Infant Mortality papers, Florida Mental Health Institute Research Library, USF Libraries, Tampa, FL.","The papers of Dr. Charles S. Mahan primarily consist of correspondence (memoranda, letters, and emails), grey literature, data sets, administrative documents, publications, and newspaper clippings. The bulk of the collection reflects Mahan's various professional roles in reducing Florida's infant mortality rate, increasing access to proper nutrition for mothers and infants, and educating public health professionals and midwives. Other documents emphasize his tenure at the Florida Department of Health and Rehabilitative Services (now, Florida Department of Health), the University of Florida, and the University of South Florida.","The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information.","USF Libraries - Tampa Special Collections","Florida. Department of Health and Rehabilitative Services","Lawton and Rhea Chiles Center for Healthy Mothers and Babies","USF Health","University of Florida. 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He holds a joint appointment as Professor, Department of Obstetrics and Gynecology in the USF College of Medicine and currently serves as Interim President of the National Board of Public Health Examiners.  Dr. Mahan received his MD degree from Northwestern University and did his residency training at the University of Minnesota where he returned to join the faculty. He moved to Florida in 1974 to be Professor of Obstetrics and Gynecology and Director of Ambulatory Services for Women at the University of Florida and Director of the North Central Florida Maternal and Infant Care Program. From 1988 to 1995 he directed the State Health Department in Florida, and he was Dean of the College of Public Health at the University of South Florida from 1995 to 2002.  He is Past President of the Association of State and Territorial Health Officials and Chair of the Advisory Committee to the Director of the Centers for Disease Control and Prevention from 1997-2003.  He is on the Board of Directors of the Frontier Nursing Service, the National Perinatal Information Center and The Ounce of Prevention Fund of Florida. Dr. Mahan served as founding statewide chairperson for the March of Dimes Florida Prematurity Prevention Campaign.  He also chaired the selection committee for the Blue Foundation's annual Sapphire Award and is also on the National HPV Vaccine Advisory Board for the Merck Company.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Charles S. Mahan, M.D., Professor and Dean Emeritus, USF College of Public and The Lawton and Rhea Chiles Center for Healthy Mothers and Babies is Dean and Professor Emeritus in the College of Public Health at the University of South Florida and The Lawton and Rhea Chiles Center for Healthy Mothers and Babies.  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He is on the Board of Directors of the Frontier Nursing Service, the National Perinatal Information Center and The Ounce of Prevention Fund of Florida. Dr. Mahan served as founding statewide chairperson for the March of Dimes Florida Prematurity Prevention Campaign.  He also chaired the selection committee for the Blue Foundation's annual Sapphire Award and is also on the National HPV Vaccine Advisory Board for the Merck Company.","Note written by "],"prefercite_html_tesm":["\u003cp\u003eDr. Charles S. Mahan papers, Special Collections, Tampa Library, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Dr. Charles S. 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Other documents emphasize his tenure at the Florida Department of Health and Rehabilitative Services (now, Florida Department of Health), the University of Florida, and the University of South Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The papers of Dr. Charles S. Mahan primarily consist of correspondence (memoranda, letters, and emails), grey literature, data sets, administrative documents, publications, and newspaper clippings. The bulk of the collection reflects Mahan's various professional roles in reducing Florida's infant mortality rate, increasing access to proper nutrition for mothers and infants, and educating public health professionals and midwives. Other documents emphasize his tenure at the Florida Department of Health and Rehabilitative Services (now, Florida Department of Health), the University of Florida, and the University of South Florida."],"userestrict_html_tesm":["\u003cp\u003eThe contents of this collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/%20\"\u003ehttp://www.copyright.gov/\u003c/extref\u003efor more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/ for more information."],"names_coll_ssim":["Florida. Department of Health and Rehabilitative Services","Lawton and Rhea Chiles Center for Healthy Mothers and Babies","USF Health","University of Florida. College of Medicine","University of Florida. Shands Hospital","University of South Florida. College of Public Health","Mahan, Charles S. (1938-)"],"names_ssim":["USF Libraries - Tampa Special Collections","Florida. Department of Health and Rehabilitative Services","Lawton and Rhea Chiles Center for Healthy Mothers and Babies","USF Health","University of Florida. College of Medicine","University of Florida. Shands Hospital","University of South Florida. College of Public Health","Mahan, Charles S. (1938-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Florida. Department of Health and Rehabilitative Services","Lawton and Rhea Chiles Center for Healthy Mothers and Babies","USF Health","University of Florida. College of Medicine","University of Florida. Shands Hospital","University of South Florida. College of Public Health"],"persname_ssim":["Mahan, Charles S. (1938-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1444,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862516150599680,"_root_":"39d86b0070ffec365e6f15cd","timestamp":"2026-07-16T09:18:51.077Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/39d86b0070ffec365e6f15cd"}},{"id":"0515fefdb4b0640fd50dbccc","type":"collection","attributes":{"title":"Dr. Jane Caputi Collection--Political Sideshow, 2015-2016, bulk 2016","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/0515fefdb4b0640fd50dbccc#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe collections Political Circus and Political Sideshow focuses on the Presidential Campaigns of 2008 and 2016 where identity has played a part in the rhetoric of some candidates, but more so in some of the general public's response to various candidates. 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Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Processed in 2018 by Simone Clunie","https://archives.library.fau.edu/repositories/2/resources/56","The collections Political Circus and Political Sideshow focuses on the Presidential Campaigns of 2008 and 2016 where identity has played a part in the rhetoric of some candidates, but more so in some of the general public's response to various candidates. Through the acquisition of popular consumer items produced for the Presidential campaigns, Caputi organized two exhibitions teasing out issues to do with gender, racism, identity, class, sexuality. ","The Political Sideshow Collection consists of commercial paraphernalia produced during the 2016 USA Presidential Campaign cycle. Items include traditional campaign memorabilia such as buttons and posters, to more contemporary objects (realia) like sponge squeeze toys and a figurative nut- cracker. These pieces were central components of the exhibition, Political Sideshow: From \"Bitch\" to (Big) \"Nuts\" and Beyond that ran from October 14 – December 3, 2016 at Florida Atlantic University's Ritter Gallery. The exhibition examined stereotypes and prejudices in politics through a collection of everyday consumer objects that became propaganda items to compliment or critique candidates. The collection's items interrogate issues like misogyny, feminism, gender, patriotism, sexism, class, violence, and ageism.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["UAFP0010","/repositories/2/resources/57"],"normalized_date_ssm":["2015-2016, bulk 2016"],"normalized_title_ssm":["Dr. Jane Caputi Collection--Political Sideshow, 2015-2016, bulk 2016"],"collection_title_tesim":["Dr. Jane Caputi Collection--Political Sideshow, 2015-2016, bulk 2016"],"collection_ssim":["Dr. Jane Caputi Collection--Political Sideshow, 2015-2016, bulk 2016"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"access_subjects_ssim":["Florida Atlantic University -- History","University Archives","University Archives -- Faculty Papers","U.S. states -- Politics and government","Gender matters in U.S. politics"],"access_subjects_ssm":["Florida Atlantic University -- History","University Archives","University Archives -- Faculty Papers","U.S. states -- Politics and government","Gender matters in U.S. politics"],"has_online_content_ssim":["false"],"extent_ssm":["0.00 Linear Feet","19 boxes; 13 items in map case other_unmapped"],"extent_tesim":["0.00 Linear Feet","19 boxes; 13 items in map case other_unmapped"],"date_range_isim":[2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. 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Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed in 2018 by Simone Clunie\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in 2018 by Simone Clunie"],"relatedmaterial_html_tesm":["\u003cp\u003ehttps://archives.library.fau.edu/repositories/2/resources/56\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["https://archives.library.fau.edu/repositories/2/resources/56"],"scopecontent_html_tesm":["\u003cp\u003eThe collections Political Circus and Political Sideshow focuses on the Presidential Campaigns of 2008 and 2016 where identity has played a part in the rhetoric of some candidates, but more so in some of the general public's response to various candidates. Through the acquisition of popular consumer items produced for the Presidential campaigns, Caputi organized two exhibitions teasing out issues to do with gender, racism, identity, class, sexuality. \u003c/p\u003e\n","\u003cp\u003eThe Political Sideshow Collection consists of commercial paraphernalia produced during the 2016 USA Presidential Campaign cycle. Items include traditional campaign memorabilia such as buttons and posters, to more contemporary objects (realia) like sponge squeeze toys and a figurative nut- cracker. These pieces were central components of the exhibition, Political Sideshow: From \"Bitch\" to (Big) \"Nuts\" and Beyond that ran from October 14 \u0026#x2013; December 3, 2016 at Florida Atlantic University's Ritter Gallery. The exhibition examined stereotypes and prejudices in politics through a collection of everyday consumer objects that became propaganda items to compliment or critique candidates. The collection's items interrogate issues like misogyny, feminism, gender, patriotism, sexism, class, violence, and ageism.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collections Political Circus and Political Sideshow focuses on the Presidential Campaigns of 2008 and 2016 where identity has played a part in the rhetoric of some candidates, but more so in some of the general public's response to various candidates. Through the acquisition of popular consumer items produced for the Presidential campaigns, Caputi organized two exhibitions teasing out issues to do with gender, racism, identity, class, sexuality. ","The Political Sideshow Collection consists of commercial paraphernalia produced during the 2016 USA Presidential Campaign cycle. Items include traditional campaign memorabilia such as buttons and posters, to more contemporary objects (realia) like sponge squeeze toys and a figurative nut- cracker. These pieces were central components of the exhibition, Political Sideshow: From \"Bitch\" to (Big) \"Nuts\" and Beyond that ran from October 14 – December 3, 2016 at Florida Atlantic University's Ritter Gallery. The exhibition examined stereotypes and prejudices in politics through a collection of everyday consumer objects that became propaganda items to compliment or critique candidates. The collection's items interrogate issues like misogyny, feminism, gender, patriotism, sexism, class, violence, and ageism."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":201,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842037147795456,"_root_":"0515fefdb4b0640fd50dbccc","timestamp":"2026-07-16T03:53:20.876Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"0515fefdb4b0640fd50dbccc","title_ssm":["Dr. Jane Caputi Collection--Political Sideshow"],"title_tesim":["Dr. Jane Caputi Collection--Political Sideshow"],"ead_ssi":"0515fefdb4b0640fd50dbccc","unitdate_ssm":["2015-2016","2016"],"unitdate_bulk_ssim":["2016"],"unitdate_inclusive_ssm":["2015-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UAFP0010","/repositories/2/resources/57"],"text":["UAFP0010","/repositories/2/resources/57","Dr. Jane Caputi Collection--Political Sideshow, 2015-2016, bulk 2016","Florida Atlantic University -- History","University Archives","University Archives -- Faculty Papers","U.S. states -- Politics and government","Gender matters in U.S. politics","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","Processed in 2018 by Simone Clunie","https://archives.library.fau.edu/repositories/2/resources/56","The collections Political Circus and Political Sideshow focuses on the Presidential Campaigns of 2008 and 2016 where identity has played a part in the rhetoric of some candidates, but more so in some of the general public's response to various candidates. Through the acquisition of popular consumer items produced for the Presidential campaigns, Caputi organized two exhibitions teasing out issues to do with gender, racism, identity, class, sexuality. 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FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.","Florida Atlantic University Libraries","English"],"unitid_tesim":["UAFP0010","/repositories/2/resources/57"],"normalized_date_ssm":["2015-2016, bulk 2016"],"normalized_title_ssm":["Dr. Jane Caputi Collection--Political Sideshow, 2015-2016, bulk 2016"],"collection_title_tesim":["Dr. Jane Caputi Collection--Political Sideshow, 2015-2016, bulk 2016"],"collection_ssim":["Dr. Jane Caputi Collection--Political Sideshow, 2015-2016, bulk 2016"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"access_subjects_ssim":["Florida Atlantic University -- History","University Archives","University Archives -- Faculty Papers","U.S. states -- Politics and government","Gender matters in U.S. politics"],"access_subjects_ssm":["Florida Atlantic University -- History","University Archives","University Archives -- Faculty Papers","U.S. states -- Politics and government","Gender matters in U.S. politics"],"has_online_content_ssim":["false"],"extent_ssm":["0.00 Linear Feet","19 boxes; 13 items in map case other_unmapped"],"extent_tesim":["0.00 Linear Feet","19 boxes; 13 items in map case other_unmapped"],"date_range_isim":[2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. 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Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed in 2018 by Simone Clunie\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed in 2018 by Simone Clunie"],"relatedmaterial_html_tesm":["\u003cp\u003ehttps://archives.library.fau.edu/repositories/2/resources/56\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["https://archives.library.fau.edu/repositories/2/resources/56"],"scopecontent_html_tesm":["\u003cp\u003eThe collections Political Circus and Political Sideshow focuses on the Presidential Campaigns of 2008 and 2016 where identity has played a part in the rhetoric of some candidates, but more so in some of the general public's response to various candidates. Through the acquisition of popular consumer items produced for the Presidential campaigns, Caputi organized two exhibitions teasing out issues to do with gender, racism, identity, class, sexuality. \u003c/p\u003e\n","\u003cp\u003eThe Political Sideshow Collection consists of commercial paraphernalia produced during the 2016 USA Presidential Campaign cycle. Items include traditional campaign memorabilia such as buttons and posters, to more contemporary objects (realia) like sponge squeeze toys and a figurative nut- cracker. These pieces were central components of the exhibition, Political Sideshow: From \"Bitch\" to (Big) \"Nuts\" and Beyond that ran from October 14 \u0026#x2013; December 3, 2016 at Florida Atlantic University's Ritter Gallery. The exhibition examined stereotypes and prejudices in politics through a collection of everyday consumer objects that became propaganda items to compliment or critique candidates. The collection's items interrogate issues like misogyny, feminism, gender, patriotism, sexism, class, violence, and ageism.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collections Political Circus and Political Sideshow focuses on the Presidential Campaigns of 2008 and 2016 where identity has played a part in the rhetoric of some candidates, but more so in some of the general public's response to various candidates. Through the acquisition of popular consumer items produced for the Presidential campaigns, Caputi organized two exhibitions teasing out issues to do with gender, racism, identity, class, sexuality. ","The Political Sideshow Collection consists of commercial paraphernalia produced during the 2016 USA Presidential Campaign cycle. Items include traditional campaign memorabilia such as buttons and posters, to more contemporary objects (realia) like sponge squeeze toys and a figurative nut- cracker. These pieces were central components of the exhibition, Political Sideshow: From \"Bitch\" to (Big) \"Nuts\" and Beyond that ran from October 14 – December 3, 2016 at Florida Atlantic University's Ritter Gallery. The exhibition examined stereotypes and prejudices in politics through a collection of everyday consumer objects that became propaganda items to compliment or critique candidates. The collection's items interrogate issues like misogyny, feminism, gender, patriotism, sexism, class, violence, and ageism."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact Special Collections."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":201,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842037147795456,"_root_":"0515fefdb4b0640fd50dbccc","timestamp":"2026-07-16T03:53:20.876Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/0515fefdb4b0640fd50dbccc"}},{"id":"1c49ec639145a3c53d910952","type":"collection","attributes":{"title":"Dr. Richard \"Rick\" D. Garrity papers, 1978-2026","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/1c49ec639145a3c53d910952#creator","type":"document_value","attributes":{"value":["Garrity, Rick"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/1c49ec639145a3c53d910952#abstract_or_scope","type":"document_value","attributes":{"value":["This collection consists of the professional records of Dr. Richard D. Garrity, including those from his tenure with the Environmental Protection Commission of Hillsborough County (EPC), Florida Department of Environmental Protection (DEP), and City of Tampa."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1c49ec639145a3c53d910952#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"1c49ec639145a3c53d910952","title_ssm":["Dr. Richard \"Rick\" D. Garrity papers"],"title_tesim":["Dr. Richard \"Rick\" D. Garrity papers"],"ead_ssi":"1c49ec639145a3c53d910952","unitdate_ssm":["1978-2026"],"unitdate_inclusive_ssm":["1978-2026"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2026-11","/repositories/2/resources/780"],"text":["MS-2026-11","/repositories/2/resources/780","Dr. Richard \"Rick\" D. Garrity papers, 1978-2026","Environmental protection -- Florida -- Tampa Bay","Environmental policy","Ecology -- Florida -- Tampa Bay","Water quality management","Conservationists -- Florida","This collection is arranged according to material type and alphabetically within these groupings. When available, the original folder names and organization of the donor were maintained.","Dr. Richard D. Garrity was born and raised in Boston, Massachusetts. He has lived in Florida since 1967 and presently resides in Lakeland. He received his B.S. in Biological Science from Boston University, M.S. in Biological Science from Northeastern University, and Ph.D. in Biological Science from Florida State University.","Dr. Garrity recently retired as the Executive Director of the Environmental Protection Commission of Hillsborough County (EPC) Florida and had held this position since the year 2000. He was responsible for the overall direction of the agency, which staffs over 130 scientists, engineers and attorneys with the mission of protection of the natural resources, environment, and quality of life in Hillsborough County.","Dr. Garrity has also held the position of Adjunct Associate Professor, College of Public health, University of South Florida from 2003-2008. ","Prior to working at EPC, Dr. Garrity held a number of executive level positions. From 1999-2000, he was Water Resource Team Administrator for Hillsborough County where he was responsible for coordinating review of all water supply projects proposed for Hillsborough County. From 1984-1999, Dr. Garrity was Director of District Management for the Florida Department of Environmental Protection's Southwest District office in Tampa serving under four gubernatorial administrations. From 1977-1984, he was the Urban Environmental coordinator for the City of Tampa. Dr. Garrity also worked in the private sector as a consultant for Conservation Consultants Inc. from 1974 to 1977. In addition he served as a National Teaching Fellow at FAMU from 1972-74.","The Dr. Richard \"Rick\" D. 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He was responsible for the overall direction of the agency, which staffs over 130 scientists, engineers and attorneys with the mission of protection of the natural resources, environment, and quality of life in Hillsborough County.","Dr. Garrity has also held the position of Adjunct Associate Professor, College of Public health, University of South Florida from 2003-2008. ","Prior to working at EPC, Dr. Garrity held a number of executive level positions. From 1999-2000, he was Water Resource Team Administrator for Hillsborough County where he was responsible for coordinating review of all water supply projects proposed for Hillsborough County. From 1984-1999, Dr. Garrity was Director of District Management for the Florida Department of Environmental Protection's Southwest District office in Tampa serving under four gubernatorial administrations. From 1977-1984, he was the Urban Environmental coordinator for the City of Tampa. Dr. Garrity also worked in the private sector as a consultant for Conservation Consultants Inc. from 1974 to 1977. In addition he served as a National Teaching Fellow at FAMU from 1972-74."],"prefercite_html_tesm":["\u003cp\u003eDr. Richard \"Rick\" D. Garrity papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Dr. Richard \"Rick\" D. Garrity papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe Dr. Richard \"Rick\" D. Garrity papers are comprised of documents, reports, presentations, photographs, newspaper clippings, certificates, awards, planners, CD-ROMs, VHS, correspondence, publications, and programs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dr. Richard \"Rick\" D. Garrity papers are comprised of documents, reports, presentations, photographs, newspaper clippings, certificates, awards, planners, CD-ROMs, VHS, correspondence, publications, and programs."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Environmnet and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books related to the archival collection are cataloged individually and shelved in the Environmnet and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5699e12311f37e5e994d59b45f3d5d45\"\u003eThis collection consists of the professional records of Dr. Richard D. Garrity, including those from his tenure with the Environmental Protection Commission of Hillsborough County (EPC), Florida Department of Environmental Protection (DEP), and City of Tampa.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of the professional records of Dr. Richard D. Garrity, including those from his tenure with the Environmental Protection Commission of Hillsborough County (EPC), Florida Department of Environmental Protection (DEP), and City of Tampa."],"names_ssim":["USF Libraries - Tampa Special Collections","Garrity, Rick"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Garrity, Rick"],"persname_ssim":["Garrity, Rick"],"language_ssim":["English"],"total_component_count_is":124,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876388804946821120,"_root_":"1c49ec639145a3c53d910952","timestamp":"2026-09-15T09:16:50.867Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1c49ec639145a3c53d910952","title_ssm":["Dr. Richard \"Rick\" D. Garrity papers"],"title_tesim":["Dr. Richard \"Rick\" D. Garrity papers"],"ead_ssi":"1c49ec639145a3c53d910952","unitdate_ssm":["1978-2026"],"unitdate_inclusive_ssm":["1978-2026"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2026-11","/repositories/2/resources/780"],"text":["MS-2026-11","/repositories/2/resources/780","Dr. Richard \"Rick\" D. Garrity papers, 1978-2026","Environmental protection -- Florida -- Tampa Bay","Environmental policy","Ecology -- Florida -- Tampa Bay","Water quality management","Conservationists -- Florida","This collection is arranged according to material type and alphabetically within these groupings. When available, the original folder names and organization of the donor were maintained.","Dr. Richard D. Garrity was born and raised in Boston, Massachusetts. He has lived in Florida since 1967 and presently resides in Lakeland. He received his B.S. in Biological Science from Boston University, M.S. in Biological Science from Northeastern University, and Ph.D. in Biological Science from Florida State University.","Dr. Garrity recently retired as the Executive Director of the Environmental Protection Commission of Hillsborough County (EPC) Florida and had held this position since the year 2000. He was responsible for the overall direction of the agency, which staffs over 130 scientists, engineers and attorneys with the mission of protection of the natural resources, environment, and quality of life in Hillsborough County.","Dr. Garrity has also held the position of Adjunct Associate Professor, College of Public health, University of South Florida from 2003-2008. ","Prior to working at EPC, Dr. Garrity held a number of executive level positions. From 1999-2000, he was Water Resource Team Administrator for Hillsborough County where he was responsible for coordinating review of all water supply projects proposed for Hillsborough County. From 1984-1999, Dr. Garrity was Director of District Management for the Florida Department of Environmental Protection's Southwest District office in Tampa serving under four gubernatorial administrations. From 1977-1984, he was the Urban Environmental coordinator for the City of Tampa. Dr. Garrity also worked in the private sector as a consultant for Conservation Consultants Inc. from 1974 to 1977. In addition he served as a National Teaching Fellow at FAMU from 1972-74.","The Dr. Richard \"Rick\" D. Garrity papers are comprised of documents, reports, presentations, photographs, newspaper clippings, certificates, awards, planners, CD-ROMs, VHS, correspondence, publications, and programs.","Books related to the archival collection are cataloged individually and shelved in the Environmnet and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection consists of the professional records of Dr. Richard D. 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When available, the original folder names and organization of the donor were maintained.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged according to material type and alphabetically within these groupings. When available, the original folder names and organization of the donor were maintained."],"bioghist_html_tesm":["\u003cp\u003eDr. Richard D. Garrity was born and raised in Boston, Massachusetts. He has lived in Florida since 1967 and presently resides in Lakeland. He received his B.S. in Biological Science from Boston University, M.S. in Biological Science from Northeastern University, and Ph.D. in Biological Science from Florida State University.\u003c/p\u003e\n","\u003cp\u003eDr. Garrity recently retired as the Executive Director of the Environmental Protection Commission of Hillsborough County (EPC) Florida and had held this position since the year 2000. He was responsible for the overall direction of the agency, which staffs over 130 scientists, engineers and attorneys with the mission of protection of the natural resources, environment, and quality of life in Hillsborough County.\u003c/p\u003e\n","\u003cp\u003eDr. Garrity has also held the position of Adjunct Associate Professor, College of Public health, University of South Florida from 2003-2008. \u003c/p\u003e\n","\u003cp\u003ePrior to working at EPC, Dr. Garrity held a number of executive level positions. From 1999-2000, he was Water Resource Team Administrator for Hillsborough County where he was responsible for coordinating review of all water supply projects proposed for Hillsborough County. From 1984-1999, Dr. Garrity was Director of District Management for the Florida Department of Environmental Protection's Southwest District office in Tampa serving under four gubernatorial administrations. From 1977-1984, he was the Urban Environmental coordinator for the City of Tampa. Dr. Garrity also worked in the private sector as a consultant for Conservation Consultants Inc. from 1974 to 1977. In addition he served as a National Teaching Fellow at FAMU from 1972-74.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Richard D. Garrity was born and raised in Boston, Massachusetts. He has lived in Florida since 1967 and presently resides in Lakeland. He received his B.S. in Biological Science from Boston University, M.S. in Biological Science from Northeastern University, and Ph.D. in Biological Science from Florida State University.","Dr. Garrity recently retired as the Executive Director of the Environmental Protection Commission of Hillsborough County (EPC) Florida and had held this position since the year 2000. He was responsible for the overall direction of the agency, which staffs over 130 scientists, engineers and attorneys with the mission of protection of the natural resources, environment, and quality of life in Hillsborough County.","Dr. Garrity has also held the position of Adjunct Associate Professor, College of Public health, University of South Florida from 2003-2008. ","Prior to working at EPC, Dr. Garrity held a number of executive level positions. From 1999-2000, he was Water Resource Team Administrator for Hillsborough County where he was responsible for coordinating review of all water supply projects proposed for Hillsborough County. From 1984-1999, Dr. Garrity was Director of District Management for the Florida Department of Environmental Protection's Southwest District office in Tampa serving under four gubernatorial administrations. From 1977-1984, he was the Urban Environmental coordinator for the City of Tampa. Dr. Garrity also worked in the private sector as a consultant for Conservation Consultants Inc. from 1974 to 1977. In addition he served as a National Teaching Fellow at FAMU from 1972-74."],"prefercite_html_tesm":["\u003cp\u003eDr. Richard \"Rick\" D. Garrity papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Dr. Richard \"Rick\" D. Garrity papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe Dr. Richard \"Rick\" D. Garrity papers are comprised of documents, reports, presentations, photographs, newspaper clippings, certificates, awards, planners, CD-ROMs, VHS, correspondence, publications, and programs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dr. Richard \"Rick\" D. 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Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5699e12311f37e5e994d59b45f3d5d45\"\u003eThis collection consists of the professional records of Dr. Richard D. 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In 1981, she returned to her home state of Florida where she opened a women's bookstore on Madeira Beach.  Within a year, she co-founded the lesbian, feminist organization Women's Energy Bank (WEB), which hosts monthly meetings (\"Salons\") for its female membership and produces the monthly publication  Womyn's Words . As a member of a number of activist organizations, including Old Lesbians Organizing for Change (OLOC), Southerners on New Ground (SONG), and Women in Black, Daly's work towards world peace has taken her to Europe, Asia, and beyond. Edie Daly also served on the University of South Florida's Women's Studies Advisory Board. She and her wife, Jackie Mirkin, were together for 26 years, and they worked for peace and justice in Gulfport, Florida and around the world until Mirkin's passing in 2023. Daly currently lives in Asheville, NC with her partner and continues her activism through OLOC and SONG.","Learn more about Daly's life at https://storymaps.arcgis.com/stories/0682fc7d8a1349d38a9faf7987ba10d2.","Note written by CBW. Edited by CC, 2026.","Materials related to the Women's Energy Bank's political and cultural activities in war resistance, gay and lesbian rights, environmental activism, and feminism.  Items include periodicals, pamphlets, leaflets, manuals, publications, newspaper clippings, programs, and personal correspondence.","Womyn's Words (newsletters)\nMichigan Womyn's Music Festival (programs)","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The papers of Edith Daly, a lesbian activist who co-founded the Women's Energy Bank, a group based in Pinellas County that supported progressive political causes and published the monthly newsletter  Womyn's Words .","USF Libraries - Tampa Special Collections","Daly, Edith (1937-)","English Croatian"],"unitid_tesim":["MS-2006-08","/repositories/2/resources/442"],"normalized_date_ssm":["1973-2014, Date acquired: 2006, bulk 1990-1998"],"normalized_title_ssm":["Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998"],"collection_title_tesim":["Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998"],"collection_ssim":["Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.)"],"geogname_ssim":["Tampa (Fla.)"],"creator_ssm":["Daly, Edith (1937-)"],"creator_ssim":["Daly, Edith (1937-)"],"creator_persname_ssim":["Daly, Edith (1937-)"],"creators_ssim":["Daly, Edith (1937-)"],"places_ssim":["Tampa (Fla.)"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Edith Daly","Donation"],"access_subjects_ssim":["Women's studies","Lesbian feminist theory","Lesbian activism","Queer studies"],"access_subjects_ssm":["Women's studies","Lesbian feminist theory","Lesbian activism","Queer studies"],"has_online_content_ssim":["false"],"extent_ssm":["17 Linear Feet","27 boxes"],"extent_tesim":["17 Linear Feet","27 boxes"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"arrangement_html_tesm":["\u003cp\u003eOrganized alphabetically within series and subjects.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized alphabetically within series and subjects."],"bioghist_html_tesm":["\u003cp\u003eIn 1974, Edith \"Edie\" Daly \"came out\" as both an activist and lesbian.  In 1981, she returned to her home state of Florida where she opened a women's bookstore on Madeira Beach.  Within a year, she co-founded the lesbian, feminist organization Women's Energy Bank (WEB), which hosts monthly meetings (\"Salons\") for its female membership and produces the monthly publication \u003cemph render=\"italic\"\u003eWomyn's Words\u003c/emph\u003e. As a member of a number of activist organizations, including Old Lesbians Organizing for Change (OLOC), Southerners on New Ground (SONG), and Women in Black, Daly's work towards world peace has taken her to Europe, Asia, and beyond. Edie Daly also served on the University of South Florida's Women's Studies Advisory Board. She and her wife, Jackie Mirkin, were together for 26 years, and they worked for peace and justice in Gulfport, Florida and around the world until Mirkin's passing in 2023. Daly currently lives in Asheville, NC with her partner and continues her activism through OLOC and SONG.\u003c/p\u003e\n","\u003cp\u003eLearn more about Daly's life at https://storymaps.arcgis.com/stories/0682fc7d8a1349d38a9faf7987ba10d2.\u003c/p\u003e\n","\u003cp\u003eNote written by CBW. Edited by CC, 2026.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["In 1974, Edith \"Edie\" Daly \"came out\" as both an activist and lesbian.  In 1981, she returned to her home state of Florida where she opened a women's bookstore on Madeira Beach.  Within a year, she co-founded the lesbian, feminist organization Women's Energy Bank (WEB), which hosts monthly meetings (\"Salons\") for its female membership and produces the monthly publication  Womyn's Words . As a member of a number of activist organizations, including Old Lesbians Organizing for Change (OLOC), Southerners on New Ground (SONG), and Women in Black, Daly's work towards world peace has taken her to Europe, Asia, and beyond. Edie Daly also served on the University of South Florida's Women's Studies Advisory Board. She and her wife, Jackie Mirkin, were together for 26 years, and they worked for peace and justice in Gulfport, Florida and around the world until Mirkin's passing in 2023. Daly currently lives in Asheville, NC with her partner and continues her activism through OLOC and SONG.","Learn more about Daly's life at https://storymaps.arcgis.com/stories/0682fc7d8a1349d38a9faf7987ba10d2.","Note written by CBW. Edited by CC, 2026."],"prefercite_html_tesm":["\u003cp\u003eEdith Daly / Women's Energy Bank collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Edith Daly / Women's Energy Bank collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eMaterials related to the Women's Energy Bank's political and cultural activities in war resistance, gay and lesbian rights, environmental activism, and feminism.\u0026#xA0; Items include periodicals, pamphlets, leaflets, manuals, publications, newspaper clippings, programs, and personal correspondence.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials related to the Women's Energy Bank's political and cultural activities in war resistance, gay and lesbian rights, environmental activism, and feminism.  Items include periodicals, pamphlets, leaflets, manuals, publications, newspaper clippings, programs, and personal correspondence."],"separatedmaterial_html_tesm":["\u003cp\u003eWomyn's Words (newsletters)\nMichigan Womyn's Music Festival (programs)\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Womyn's Words (newsletters)\nMichigan Womyn's Music Festival (programs)"],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_035d6fc98144dc90e3c384ced17a9893\"\u003eThe papers of Edith Daly, a lesbian activist who co-founded the Women's Energy Bank, a group based in Pinellas County that supported progressive political causes and published the monthly newsletter \u003cemph render=\"italic\"\u003eWomyn's Words\u003c/emph\u003e.\u003c/abstract\u003e"],"abstract_tesim":["The papers of Edith Daly, a lesbian activist who co-founded the Women's Energy Bank, a group based in Pinellas County that supported progressive political causes and published the monthly newsletter  Womyn's Words ."],"names_ssim":["USF Libraries - Tampa Special Collections","Daly, Edith (1937-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Daly, Edith (1937-)"],"language_ssim":["English Croatian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1323,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871496586827137024,"_root_":"6a8ca297c8d957a918dee02d","timestamp":"2026-07-23T09:17:07.992Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6a8ca297c8d957a918dee02d","title_ssm":["Edith \"Edie\" Daly / Women's Energy Bank collection"],"title_tesim":["Edith \"Edie\" Daly / Women's Energy Bank collection"],"ead_ssi":"6a8ca297c8d957a918dee02d","unitdate_ssm":["1973-2014","1990-1998","Date acquired: 2006"],"unitdate_bulk_ssim":["1990-1998"],"unitdate_inclusive_ssm":["1973-2014"],"unitdate_other_ssim":["Date acquired: 2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2006-08","/repositories/2/resources/442"],"text":["MS-2006-08","/repositories/2/resources/442","Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998","Tampa (Fla.)","Women's studies","Lesbian feminist theory","Lesbian activism","Queer studies","Organized alphabetically within series and subjects.","In 1974, Edith \"Edie\" Daly \"came out\" as both an activist and lesbian.  In 1981, she returned to her home state of Florida where she opened a women's bookstore on Madeira Beach.  Within a year, she co-founded the lesbian, feminist organization Women's Energy Bank (WEB), which hosts monthly meetings (\"Salons\") for its female membership and produces the monthly publication  Womyn's Words . As a member of a number of activist organizations, including Old Lesbians Organizing for Change (OLOC), Southerners on New Ground (SONG), and Women in Black, Daly's work towards world peace has taken her to Europe, Asia, and beyond. Edie Daly also served on the University of South Florida's Women's Studies Advisory Board. She and her wife, Jackie Mirkin, were together for 26 years, and they worked for peace and justice in Gulfport, Florida and around the world until Mirkin's passing in 2023. Daly currently lives in Asheville, NC with her partner and continues her activism through OLOC and SONG.","Learn more about Daly's life at https://storymaps.arcgis.com/stories/0682fc7d8a1349d38a9faf7987ba10d2.","Note written by CBW. Edited by CC, 2026.","Materials related to the Women's Energy Bank's political and cultural activities in war resistance, gay and lesbian rights, environmental activism, and feminism.  Items include periodicals, pamphlets, leaflets, manuals, publications, newspaper clippings, programs, and personal correspondence.","Womyn's Words (newsletters)\nMichigan Womyn's Music Festival (programs)","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The papers of Edith Daly, a lesbian activist who co-founded the Women's Energy Bank, a group based in Pinellas County that supported progressive political causes and published the monthly newsletter  Womyn's Words .","USF Libraries - Tampa Special Collections","Daly, Edith (1937-)","English Croatian"],"unitid_tesim":["MS-2006-08","/repositories/2/resources/442"],"normalized_date_ssm":["1973-2014, Date acquired: 2006, bulk 1990-1998"],"normalized_title_ssm":["Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998"],"collection_title_tesim":["Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998"],"collection_ssim":["Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.)"],"geogname_ssim":["Tampa (Fla.)"],"creator_ssm":["Daly, Edith (1937-)"],"creator_ssim":["Daly, Edith (1937-)"],"creator_persname_ssim":["Daly, Edith (1937-)"],"creators_ssim":["Daly, Edith (1937-)"],"places_ssim":["Tampa (Fla.)"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Edith Daly","Donation"],"access_subjects_ssim":["Women's studies","Lesbian feminist theory","Lesbian activism","Queer studies"],"access_subjects_ssm":["Women's studies","Lesbian feminist theory","Lesbian activism","Queer studies"],"has_online_content_ssim":["false"],"extent_ssm":["17 Linear Feet","27 boxes"],"extent_tesim":["17 Linear Feet","27 boxes"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"arrangement_html_tesm":["\u003cp\u003eOrganized alphabetically within series and subjects.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized alphabetically within series and subjects."],"bioghist_html_tesm":["\u003cp\u003eIn 1974, Edith \"Edie\" Daly \"came out\" as both an activist and lesbian.  In 1981, she returned to her home state of Florida where she opened a women's bookstore on Madeira Beach.  Within a year, she co-founded the lesbian, feminist organization Women's Energy Bank (WEB), which hosts monthly meetings (\"Salons\") for its female membership and produces the monthly publication \u003cemph render=\"italic\"\u003eWomyn's Words\u003c/emph\u003e. As a member of a number of activist organizations, including Old Lesbians Organizing for Change (OLOC), Southerners on New Ground (SONG), and Women in Black, Daly's work towards world peace has taken her to Europe, Asia, and beyond. Edie Daly also served on the University of South Florida's Women's Studies Advisory Board. She and her wife, Jackie Mirkin, were together for 26 years, and they worked for peace and justice in Gulfport, Florida and around the world until Mirkin's passing in 2023. Daly currently lives in Asheville, NC with her partner and continues her activism through OLOC and SONG.\u003c/p\u003e\n","\u003cp\u003eLearn more about Daly's life at https://storymaps.arcgis.com/stories/0682fc7d8a1349d38a9faf7987ba10d2.\u003c/p\u003e\n","\u003cp\u003eNote written by CBW. Edited by CC, 2026.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["In 1974, Edith \"Edie\" Daly \"came out\" as both an activist and lesbian.  In 1981, she returned to her home state of Florida where she opened a women's bookstore on Madeira Beach.  Within a year, she co-founded the lesbian, feminist organization Women's Energy Bank (WEB), which hosts monthly meetings (\"Salons\") for its female membership and produces the monthly publication  Womyn's Words . As a member of a number of activist organizations, including Old Lesbians Organizing for Change (OLOC), Southerners on New Ground (SONG), and Women in Black, Daly's work towards world peace has taken her to Europe, Asia, and beyond. Edie Daly also served on the University of South Florida's Women's Studies Advisory Board. She and her wife, Jackie Mirkin, were together for 26 years, and they worked for peace and justice in Gulfport, Florida and around the world until Mirkin's passing in 2023. Daly currently lives in Asheville, NC with her partner and continues her activism through OLOC and SONG.","Learn more about Daly's life at https://storymaps.arcgis.com/stories/0682fc7d8a1349d38a9faf7987ba10d2.","Note written by CBW. Edited by CC, 2026."],"prefercite_html_tesm":["\u003cp\u003eEdith Daly / Women's Energy Bank collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Edith Daly / Women's Energy Bank collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eMaterials related to the Women's Energy Bank's political and cultural activities in war resistance, gay and lesbian rights, environmental activism, and feminism.\u0026#xA0; Items include periodicals, pamphlets, leaflets, manuals, publications, newspaper clippings, programs, and personal correspondence.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials related to the Women's Energy Bank's political and cultural activities in war resistance, gay and lesbian rights, environmental activism, and feminism.  Items include periodicals, pamphlets, leaflets, manuals, publications, newspaper clippings, programs, and personal correspondence."],"separatedmaterial_html_tesm":["\u003cp\u003eWomyn's Words (newsletters)\nMichigan Womyn's Music Festival (programs)\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Womyn's Words (newsletters)\nMichigan Womyn's Music Festival (programs)"],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_035d6fc98144dc90e3c384ced17a9893\"\u003eThe papers of Edith Daly, a lesbian activist who co-founded the Women's Energy Bank, a group based in Pinellas County that supported progressive political causes and published the monthly newsletter \u003cemph render=\"italic\"\u003eWomyn's Words\u003c/emph\u003e.\u003c/abstract\u003e"],"abstract_tesim":["The papers of Edith Daly, a lesbian activist who co-founded the Women's Energy Bank, a group based in Pinellas County that supported progressive political causes and published the monthly newsletter  Womyn's Words ."],"names_ssim":["USF Libraries - Tampa Special Collections","Daly, Edith (1937-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Daly, Edith (1937-)"],"language_ssim":["English Croatian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1323,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871496586827137024,"_root_":"6a8ca297c8d957a918dee02d","timestamp":"2026-07-23T09:17:07.992Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6a8ca297c8d957a918dee02d"}},{"id":"be6ce791bcd745e39261598f","type":"collection","attributes":{"title":"Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f#abstract_or_scope","type":"document_value","attributes":{"value":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career. Her involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"be6ce791bcd745e39261598f","title_ssm":["Eleanor Merritt [Darlington] Collection"],"title_tesim":["Eleanor Merritt [Darlington] Collection"],"ead_ssi":"be6ce791bcd745e39261598f","unitdate_ssm":["1950-2019","1990-2019"],"unitdate_bulk_ssim":["1990-2019"],"unitdate_inclusive_ssm":["1950-2019"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["A.2022.0004","/repositories/11/resources/1933"],"text":["A.2022.0004","/repositories/11/resources/1933","Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting.","This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.","The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.","All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.","The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.","The John and Mable Ringling Museum of Art Archives","English"],"unitid_tesim":["A.2022.0004","/repositories/11/resources/1933"],"normalized_date_ssm":["1950-2019, bulk 1990-2019"],"normalized_title_ssm":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_title_tesim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_ssim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"repository_ssm":["The John and Mable Ringling Museum of Art Archives"],"repository_ssim":["The John and Mable Ringling Museum of Art Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"access_subjects_ssim":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"access_subjects_ssm":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"has_online_content_ssim":["false"],"extent_ssm":["5.3 Linear Feet 17 Boxes"],"extent_tesim":["5.3 Linear Feet 17 Boxes"],"genreform_ssim":["Painting."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals."],"prefercite_html_tesm":["\u003cp\u003eThe John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019.\u003c/p\u003e"],"prefercite_tesim":["The John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019."],"scopecontent_html_tesm":["\u003cp\u003eThe Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged by subject in chronological order spanning from 1950 \u0026#x2013; 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. \u003c/p\u003e\n","\u003cp\u003eMerritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0d3e798eb2a8cee06c3eebf554d917ee\"\u003eThe Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.\u003c/abstract\u003e"],"abstract_tesim":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"names_ssim":["The John and Mable Ringling Museum of Art Archives"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"be6ce791bcd745e39261598f","timestamp":"2026-04-21T02:41:46.838Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"be6ce791bcd745e39261598f","title_ssm":["Eleanor Merritt [Darlington] Collection"],"title_tesim":["Eleanor Merritt [Darlington] Collection"],"ead_ssi":"be6ce791bcd745e39261598f","unitdate_ssm":["1950-2019","1990-2019"],"unitdate_bulk_ssim":["1990-2019"],"unitdate_inclusive_ssm":["1950-2019"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["A.2022.0004","/repositories/11/resources/1933"],"text":["A.2022.0004","/repositories/11/resources/1933","Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting.","This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.","The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.","All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.","The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.","The John and Mable Ringling Museum of Art Archives","English"],"unitid_tesim":["A.2022.0004","/repositories/11/resources/1933"],"normalized_date_ssm":["1950-2019, bulk 1990-2019"],"normalized_title_ssm":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_title_tesim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_ssim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"repository_ssm":["The John and Mable Ringling Museum of Art Archives"],"repository_ssim":["The John and Mable Ringling Museum of Art Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"access_subjects_ssim":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"access_subjects_ssm":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"has_online_content_ssim":["false"],"extent_ssm":["5.3 Linear Feet 17 Boxes"],"extent_tesim":["5.3 Linear Feet 17 Boxes"],"genreform_ssim":["Painting."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals."],"prefercite_html_tesm":["\u003cp\u003eThe John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019.\u003c/p\u003e"],"prefercite_tesim":["The John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019."],"scopecontent_html_tesm":["\u003cp\u003eThe Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged by subject in chronological order spanning from 1950 \u0026#x2013; 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. \u003c/p\u003e\n","\u003cp\u003eMerritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0d3e798eb2a8cee06c3eebf554d917ee\"\u003eThe Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.\u003c/abstract\u003e"],"abstract_tesim":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"names_ssim":["The John and Mable Ringling Museum of Art Archives"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"be6ce791bcd745e39261598f","timestamp":"2026-04-21T02:41:46.838Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f"}},{"id":"cbc2a7b19233380ee50dea36","type":"collection","attributes":{"title":"Elizabeth Lee Barron collection of children's literature prints, 1922-2016, Date acquired: 04/05/2018","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/cbc2a7b19233380ee50dea36#creator","type":"document_value","attributes":{"value":["Barron, Elizabeth Lee"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/cbc2a7b19233380ee50dea36#abstract_or_scope","type":"document_value","attributes":{"value":["This collection includes four color prints collected and donated by Elizabeth Lee Barron, a librarian employed by the University of Tampa. The framed prints in the collection are reproductions of illustrations from 20th and 21st century children's literature books. Two of the prints are signed by the artist. This collection was donated as a gift in honor of William Edwards Lee III."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cbc2a7b19233380ee50dea36#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"cbc2a7b19233380ee50dea36","title_ssm":["Elizabeth Lee Barron collection of children's literature prints"],"title_tesim":["Elizabeth Lee Barron collection of children's literature prints"],"ead_ssi":"cbc2a7b19233380ee50dea36","unitdate_ssm":["1922-2016","Date acquired: 04/05/2018"],"unitdate_inclusive_ssm":["1922-2016"],"unitdate_other_ssim":["Date acquired: 04/05/2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2018-01","/repositories/2/resources/59"],"text":["MS-2018-01","/repositories/2/resources/59","Elizabeth Lee Barron collection of children's literature prints, 1922-2016, Date acquired: 04/05/2018","Children's literature","Prints -- Limited editions","Prints","Children's literature -- Illustrations","Prints remain in original frames and are arranged by size.","Elizabeth Lee Barron studied at the University of North Carolina at Chapel Hill, graduating with a Master of Library and Information Science degree in 1988. As a Reference Librarian at the University of Tampa (FL), Barron's responsibilities included the acquisition of educational materials for the library, as well as materials on the topics of criminology and nursing.","published","Childrens Literature Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.","This collection consists of seven color prints with illustrations from works of children's literature.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection includes four color prints collected and donated by Elizabeth Lee Barron, a librarian employed by the University of Tampa. The framed prints in the collection are reproductions of illustrations from 20th and 21st century children's literature books. Two of the prints are signed by the artist. This collection was donated as a gift in honor of William Edwards Lee III.","USF Libraries - Tampa Special Collections","Barron, Elizabeth Lee","Robinson, Christian (1986-)","Rylant, Cynthia (1954-)","Lofting, Hugh (1886-1947)","Steig, William (1907-2003)","Sís, Peter (1949-)","English"],"unitid_tesim":["MS-2018-01","/repositories/2/resources/59"],"normalized_date_ssm":["1922-2016, Date acquired: 04/05/2018"],"normalized_title_ssm":["Elizabeth Lee Barron collection of children's literature prints, 1922-2016, Date acquired: 04/05/2018"],"collection_title_tesim":["Elizabeth Lee Barron collection of children's literature prints, 1922-2016, Date acquired: 04/05/2018"],"collection_ssim":["Elizabeth Lee Barron collection of children's literature prints, 1922-2016, Date acquired: 04/05/2018"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Barron, Elizabeth Lee","Barron, Elizabeth Lee"],"creator_ssim":["Barron, Elizabeth Lee","Barron, Elizabeth Lee"],"creator_persname_ssim":["Barron, Elizabeth Lee","Barron, Elizabeth Lee"],"creators_ssim":["Barron, Elizabeth Lee","Barron, Elizabeth Lee"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Elizabeth Lee Barron. A gift in honor of William Edwards Lee III.","Donation."],"access_subjects_ssim":["Children's literature","Prints -- Limited editions","Prints","Children's literature -- Illustrations"],"access_subjects_ssm":["Children's literature","Prints -- Limited editions","Prints","Children's literature -- Illustrations"],"has_online_content_ssim":["false"],"extent_ssm":["1.74 Linear Feet","1  boxes"],"extent_tesim":["1.74 Linear Feet","1  boxes"],"genreform_ssim":["Children's literature -- Illustrations"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2018],"arrangement_html_tesm":["\u003cp\u003ePrints remain in original frames and are arranged by size.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Prints remain in original frames and are arranged by size."],"bioghist_html_tesm":["\u003cp\u003eElizabeth Lee Barron studied at the University of North Carolina at Chapel Hill, graduating with a Master of Library and Information Science degree in 1988. As a Reference Librarian at the University of Tampa (FL), Barron's responsibilities included the acquisition of educational materials for the library, as well as materials on the topics of criminology and nursing.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Elizabeth Lee Barron studied at the University of North Carolina at Chapel Hill, graduating with a Master of Library and Information Science degree in 1988. 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The framed prints in the collection are reproductions of illustrations from 20th and 21st century children's literature books. Two of the prints are signed by the artist. This collection was donated as a gift in honor of William Edwards Lee III.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes four color prints collected and donated by Elizabeth Lee Barron, a librarian employed by the University of Tampa. The framed prints in the collection are reproductions of illustrations from 20th and 21st century children's literature books. Two of the prints are signed by the artist. 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"],"prefercite_html_tesm":["\u003cp\u003eEllen Hopkins collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Ellen Hopkins collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of book proposals, promotional and publishing materials, research files, royalty statements, contracts and licensing agreements, and other documents related to the career of young adult and children's author Ellen Hopkins.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of book proposals, promotional and publishing materials, research files, royalty statements, contracts and licensing agreements, and other documents related to the career of young adult and children's author Ellen Hopkins."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a5fe165276609c1a2d52361a1c4355b9\"\u003eThe Ellen Hopkins collection consists of archival materials, typescripts, and published materials donated by Hopkins, a children's and young adult author. 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"],"prefercite_html_tesm":["\u003cp\u003eEllen Hopkins collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Ellen Hopkins collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of book proposals, promotional and publishing materials, research files, royalty statements, contracts and licensing agreements, and other documents related to the career of young adult and children's author Ellen Hopkins.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of book proposals, promotional and publishing materials, research files, royalty statements, contracts and licensing agreements, and other documents related to the career of young adult and children's author Ellen Hopkins."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a5fe165276609c1a2d52361a1c4355b9\"\u003eThe Ellen Hopkins collection consists of archival materials, typescripts, and published materials donated by Hopkins, a children's and young adult author. 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Also included are projector slides, Sierra Club awards, an energy map of Southwest Florida, posters, bumper stickers, Happehatchee flyers, and pictures of her Florida home, which later became a part of Happehatchee. 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From traveling across the country on a bike in her twenties to becoming a staunch environmentalists later in life, she cemented her legacy in the creation of the Happehatchee Center in Estero, Florida to inspire peace and healing. Ellen was heavily involved with saving Fisheating Creek in Florida, and continued to raise awareness about climate change and the environment until her parting.","This collection includes the scrapbook and journal from her bike trip, family photos, and correspondence from various stages of her life. Also included are projector slides, Sierra Club awards, an energy map of Southwest Florida, posters, bumper stickers, Happehatchee flyers, and pictures of her Florida home, which later became a part of Happehatchee. The largest part of this collection is the newspapers documenting her effort to save the planet.","Range: 8B, Section: 3, Shelf: 1-3","Florida Gulf Coast University Special Collections","Peterson, Ellen","English"],"unitid_tesim":["02/01/14","/repositories/2/resources/25"],"normalized_date_ssm":["1923-2018"],"normalized_title_ssm":["Ellen Peterson Legacy Collection, 1923-2018"],"collection_title_tesim":["Ellen Peterson Legacy Collection, 1923-2018"],"collection_ssim":["Ellen Peterson Legacy Collection, 1923-2018"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Estero (Fla.)","Sierra Club"],"geogname_ssim":["Estero (Fla.)","Sierra Club"],"places_ssim":["Estero (Fla.)","Sierra Club"],"access_subjects_ssim":["Environment","Activists","Women's Rights Advocates","Social science.","Environmental science.","Political science.","Entrepreneurship."],"access_subjects_ssm":["Environment","Activists","Women's Rights Advocates","Social science.","Environmental science.","Political science.","Entrepreneurship."],"has_online_content_ssim":["false"],"extent_ssm":["9.00 Linear Feet"],"extent_tesim":["9.00 Linear Feet"],"genreform_ssim":["Social science.","Environmental science.","Political science.","Entrepreneurship."],"date_range_isim":[1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eOrganized in five series: Series 1, Ellen Peterson Materials; Series 2, Happehatchee Papers; Series 3, Audiovisual Materials; Series 4, Ephemera; Series 5, Photos.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in five series: Series 1, Ellen Peterson Materials; Series 2, Happehatchee Papers; Series 3, Audiovisual Materials; Series 4, Ephemera; Series 5, Photos."],"bioghist_html_tesm":["\u003cp\u003eEllen Peterson, formerly Ellen Salisbury and Ellen Welch, was a woman before her time. From traveling across the country on a bike in her twenties to becoming a staunch environmentalists later in life, she cemented her legacy in the creation of the Happehatchee Center in Estero, Florida to inspire peace and healing. Ellen was heavily involved with saving Fisheating Creek in Florida, and continued to raise awareness about climate change and the environment until her parting.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ellen Peterson, formerly Ellen Salisbury and Ellen Welch, was a woman before her time. From traveling across the country on a bike in her twenties to becoming a staunch environmentalists later in life, she cemented her legacy in the creation of the Happehatchee Center in Estero, Florida to inspire peace and healing. Ellen was heavily involved with saving Fisheating Creek in Florida, and continued to raise awareness about climate change and the environment until her parting."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes the scrapbook and journal from her bike trip, family photos, and correspondence from various stages of her life. Also included are projector slides, Sierra Club awards, an energy map of Southwest Florida, posters, bumper stickers, Happehatchee flyers, and pictures of her Florida home, which later became a part of Happehatchee. The largest part of this collection is the newspapers documenting her effort to save the planet.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes the scrapbook and journal from her bike trip, family photos, and correspondence from various stages of her life. 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From traveling across the country on a bike in her twenties to becoming a staunch environmentalists later in life, she cemented her legacy in the creation of the Happehatchee Center in Estero, Florida to inspire peace and healing. Ellen was heavily involved with saving Fisheating Creek in Florida, and continued to raise awareness about climate change and the environment until her parting.","This collection includes the scrapbook and journal from her bike trip, family photos, and correspondence from various stages of her life. Also included are projector slides, Sierra Club awards, an energy map of Southwest Florida, posters, bumper stickers, Happehatchee flyers, and pictures of her Florida home, which later became a part of Happehatchee. 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Ellen was heavily involved with saving Fisheating Creek in Florida, and continued to raise awareness about climate change and the environment until her parting."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes the scrapbook and journal from her bike trip, family photos, and correspondence from various stages of her life. Also included are projector slides, Sierra Club awards, an energy map of Southwest Florida, posters, bumper stickers, Happehatchee flyers, and pictures of her Florida home, which later became a part of Happehatchee. The largest part of this collection is the newspapers documenting her effort to save the planet.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes the scrapbook and journal from her bike trip, family photos, and correspondence from various stages of her life. 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Correspondence contains cards written to Emmanuel George about his internships with Encore and the Lake Wales Public Library African American Archives Project. Crispus Attucks High School materials include a yearbook, student report cards, commencement programs, and class reunions. Photographs display African American individual and group portraits in Broward County. Printed materials include newspaper articles about African American neighborhoods in Broward County, specifically Hollywood, an African American Research Library and Cultural Center brochure, signed Legacy of Broward trading cards, funeral programs, and a magazine article featuring Emmanuel George at Sistrunk-A-Fair. Awards includes a certificate from the City of Miami awarded to Emmanuel George for his participation as a featured artist in the \"Reimagine the Neighborhood\" campaign in April 2022. Paintings of African Americans include the following: Tamara James, Attucks High School alumni (30 x 30), Kitty Oliver (36 x 36), Cannonball Adderley, Dr. James Sistrunk, and Esther Rolle.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/328cb1ddb2eba00ca03f2172#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"328cb1ddb2eba00ca03f2172","title_filing_ssi":"George, Emmanuel Collection","title_ssm":["Emmanuel George Collection"],"title_tesim":["Emmanuel George Collection"],"ead_ssi":"328cb1ddb2eba00ca03f2172","unitdate_ssm":["1962-2023"],"unitdate_inclusive_ssm":["1962-2023"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2021.11","/repositories/2/resources/105"],"text":["AARLCC.2021.11","/repositories/2/resources/105","Emmanuel George Collection, 1962-2023","Paintings","Art","The Emmanuel George Collection is open for research.","The collection is arranged into 6 series: Series I. Correspondence, Series II. Attucks High School, Series III. Photographs, Series IV. Printed Materials, Series V. Awards, and Series VI. Artwork.","Emmanuel George is a Dominican- American archivist, film maker and arts organizer based in Hollywood, Florida. Emmanuel's love of history began in childhood when his father Emanuel George Sr. would teach him Black history in efforts to highlight what he thought Emmanuel would not be taught in public school. Emmanuel credits his father's teachings to his ability to seek out overlooked narratives.","In 2015, after taking a leave of absence from pursuing his Bachelors in Film from Full Sail University, Emmanuel found himself joining a group of local activists in Miami -Dade County who were advocating on behalf of its residents to fight displacement. During this time, Emmanuel spoke with local residents and learned about the history of Black Miami. This curiosity led Emmanuel to begin submerging himself in learning the Black history of his home community, Broward County. ","In 2016, Emmanuel George produced his first film under the Black Broward Film Project, entitled A Tale of Sibling Communities; Danie and Liberia a documentary about the shared relationship between two Black communities in Broward County. The film featured oral interviews of local pioneers and historical landmarks that are staples to the community. Emmanuel followed this up with his 2021 film entitled Stories from our Ancestors: An Ode to Attucks High School; a film focusing on how the closing of a historically Black High school impacted the community of Liberia and its neighboring communities: Danie, Carver Ranches, Hallandale, Ojus, and Davie. ","In 2021, under the mentorship of esteemed historian Kitty Oliver, Emmanuel landed a fellowship with Lake Wales Museum where he interviewed and archived stories of residents from the historic Lincoln Avenue community. From there, Emmanuel would complete a fellowship with Cogenerators (formerly Encore) and work with Florida International University's Wolfson Public Humanities Lab, the Delray Beach Historical Society, the African American Research Library and the Old Dillard Museum, further expanding the ways he shares and preserves local Black history. Most recently, Emmanuel completed a fellowship with Temple University, serving as the Community Archivist for the Association for the Study of African American Life and History (ASALH). \nCurrently, Emmanuel founded and runs the Black Orchid Foundation, a non-profit centered on preserving the stories of Black high schools in the south that were phased out after the supreme court case of Brown vs. Board of Education, ruling that separating children in public schools on the basis of race was unconstitutional. Emmanuel is also the youngest person in Broward County to have his own special collections archive, the Emmanuel George Collection at the African American Research Library, where he actively collects physical and digitally archived data on the history of Attucks High School. ","Emmanuel's goal is to continue bridging the generational divide by connecting the youth from the rising Black Student Union populations in Broward County with the pioneers from the Historic Black High Schools (Attucks, Dillard, and Blanche Ely) through an Oral History workshop, in hopes to inspire young archivists to narrate their own stories and preserve their history at the African American Research Library and Cultural Center.","This collection received file processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Emmanuel George Collection in the Broward County Library Digital Archives.","The Emmanuel George Collection contains correspondence, photographs, printed materials, certificates, short videos and artwork related to African Americans in Broward County, Florida. Correspondence contains cards written to Emmanuel George about his internships with Encore and the Lake Wales Public Library African American Archives Project. Crispus Attucks High School materials include a yearbook, student report cards, commencement programs, and class reunions. Photographs display African American individual and group portraits in Broward County. Printed materials include newspaper articles about African American neighborhoods in Broward County, specifically Hollywood, an African American Research Library and Cultural Center brochure, signed Legacy of Broward trading cards, funeral programs, and a magazine article featuring Emmanuel George at Sistrunk-A-Fair. Awards includes a certificate from the City of Miami awarded to Emmanuel George for his participation as a featured artist in the \"Reimagine the Neighborhood\" campaign in April 2022. Paintings of African Americans include the following: Tamara James, Attucks High School alumni (30 x 30), Kitty Oliver (36 x 36), Cannonball Adderley, Dr. James Sistrunk, and Esther Rolle.","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2021.11","/repositories/2/resources/105"],"normalized_date_ssm":["1962-2023"],"normalized_title_ssm":["Emmanuel George Collection, 1962-2023"],"collection_title_tesim":["Emmanuel George Collection, 1962-2023"],"collection_ssim":["Emmanuel George Collection, 1962-2023"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"access_subjects_ssim":["Paintings","Art"],"access_subjects_ssm":["Paintings","Art"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Hollinger Box 1 and a half Hollinger boxes and 6 paintings."],"extent_tesim":["1.5 Hollinger Box 1 and a half Hollinger boxes and 6 paintings."],"genreform_ssim":["Paintings","Art"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThe Emmanuel George Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Emmanuel George Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 6 series: Series I. Correspondence, Series II. Attucks High School, Series III. Photographs, Series IV. Printed Materials, Series V. Awards, and Series VI. Artwork.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 6 series: Series I. Correspondence, Series II. Attucks High School, Series III. Photographs, Series IV. Printed Materials, Series V. Awards, and Series VI. Artwork."],"bioghist_html_tesm":["\u003cp\u003eEmmanuel George is a Dominican- American archivist, film maker and arts organizer based in Hollywood, Florida. Emmanuel's love of history began in childhood when his father Emanuel George Sr. would teach him Black history in efforts to highlight what he thought Emmanuel would not be taught in public school. Emmanuel credits his father's teachings to his ability to seek out overlooked narratives.\u003c/p\u003e\n","\u003cp\u003eIn 2015, after taking a leave of absence from pursuing his Bachelors in Film from Full Sail University, Emmanuel found himself joining a group of local activists in Miami -Dade County who were advocating on behalf of its residents to fight displacement. During this time, Emmanuel spoke with local residents and learned about the history of Black Miami. This curiosity led Emmanuel to begin submerging himself in learning the Black history of his home community, Broward County. \u003c/p\u003e\n","\u003cp\u003eIn 2016, Emmanuel George produced his first film under the Black Broward Film Project, entitled A Tale of Sibling Communities; Danie and Liberia a documentary about the shared relationship between two Black communities in Broward County. The film featured oral interviews of local pioneers and historical landmarks that are staples to the community. Emmanuel followed this up with his 2021 film entitled Stories from our Ancestors: An Ode to Attucks High School; a film focusing on how the closing of a historically Black High school impacted the community of Liberia and its neighboring communities: Danie, Carver Ranches, Hallandale, Ojus, and Davie. \u003c/p\u003e\n","\u003cp\u003eIn 2021, under the mentorship of esteemed historian Kitty Oliver, Emmanuel landed a fellowship with Lake Wales Museum where he interviewed and archived stories of residents from the historic Lincoln Avenue community. From there, Emmanuel would complete a fellowship with Cogenerators (formerly Encore) and work with Florida International University's Wolfson Public Humanities Lab, the Delray Beach Historical Society, the African American Research Library and the Old Dillard Museum, further expanding the ways he shares and preserves local Black history. Most recently, Emmanuel completed a fellowship with Temple University, serving as the Community Archivist for the Association for the Study of African American Life and History (ASALH). \nCurrently, Emmanuel founded and runs the Black Orchid Foundation, a non-profit centered on preserving the stories of Black high schools in the south that were phased out after the supreme court case of Brown vs. Board of Education, ruling that separating children in public schools on the basis of race was unconstitutional. Emmanuel is also the youngest person in Broward County to have his own special collections archive, the Emmanuel George Collection at the African American Research Library, where he actively collects physical and digitally archived data on the history of Attucks High School. \u003c/p\u003e\n","\u003cp\u003eEmmanuel's goal is to continue bridging the generational divide by connecting the youth from the rising Black Student Union populations in Broward County with the pioneers from the Historic Black High Schools (Attucks, Dillard, and Blanche Ely) through an Oral History workshop, in hopes to inspire young archivists to narrate their own stories and preserve their history at the African American Research Library and Cultural Center.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Emmanuel George is a Dominican- American archivist, film maker and arts organizer based in Hollywood, Florida. Emmanuel's love of history began in childhood when his father Emanuel George Sr. would teach him Black history in efforts to highlight what he thought Emmanuel would not be taught in public school. Emmanuel credits his father's teachings to his ability to seek out overlooked narratives.","In 2015, after taking a leave of absence from pursuing his Bachelors in Film from Full Sail University, Emmanuel found himself joining a group of local activists in Miami -Dade County who were advocating on behalf of its residents to fight displacement. During this time, Emmanuel spoke with local residents and learned about the history of Black Miami. This curiosity led Emmanuel to begin submerging himself in learning the Black history of his home community, Broward County. ","In 2016, Emmanuel George produced his first film under the Black Broward Film Project, entitled A Tale of Sibling Communities; Danie and Liberia a documentary about the shared relationship between two Black communities in Broward County. The film featured oral interviews of local pioneers and historical landmarks that are staples to the community. Emmanuel followed this up with his 2021 film entitled Stories from our Ancestors: An Ode to Attucks High School; a film focusing on how the closing of a historically Black High school impacted the community of Liberia and its neighboring communities: Danie, Carver Ranches, Hallandale, Ojus, and Davie. ","In 2021, under the mentorship of esteemed historian Kitty Oliver, Emmanuel landed a fellowship with Lake Wales Museum where he interviewed and archived stories of residents from the historic Lincoln Avenue community. From there, Emmanuel would complete a fellowship with Cogenerators (formerly Encore) and work with Florida International University's Wolfson Public Humanities Lab, the Delray Beach Historical Society, the African American Research Library and the Old Dillard Museum, further expanding the ways he shares and preserves local Black history. Most recently, Emmanuel completed a fellowship with Temple University, serving as the Community Archivist for the Association for the Study of African American Life and History (ASALH). \nCurrently, Emmanuel founded and runs the Black Orchid Foundation, a non-profit centered on preserving the stories of Black high schools in the south that were phased out after the supreme court case of Brown vs. Board of Education, ruling that separating children in public schools on the basis of race was unconstitutional. Emmanuel is also the youngest person in Broward County to have his own special collections archive, the Emmanuel George Collection at the African American Research Library, where he actively collects physical and digitally archived data on the history of Attucks High School. ","Emmanuel's goal is to continue bridging the generational divide by connecting the youth from the rising Black Student Union populations in Broward County with the pioneers from the Historic Black High Schools (Attucks, Dillard, and Blanche Ely) through an Oral History workshop, in hopes to inspire young archivists to narrate their own stories and preserve their history at the African American Research Library and Cultural Center."],"prefercite_html_tesm":["\u003cp\u003eThe Emmanuel George Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Emmanuel George Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll31/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Emmanuel George Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Emmanuel George Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Emmanuel George Collection contains correspondence, photographs, printed materials, certificates, short videos and artwork related to African Americans in Broward County, Florida. Correspondence contains cards written to Emmanuel George about his internships with Encore and the Lake Wales Public Library African American Archives Project. Crispus Attucks High School materials include a yearbook, student report cards, commencement programs, and class reunions. Photographs display African American individual and group portraits in Broward County. Printed materials include newspaper articles about African American neighborhoods in Broward County, specifically Hollywood, an African American Research Library and Cultural Center brochure, signed Legacy of Broward trading cards, funeral programs, and a magazine article featuring Emmanuel George at Sistrunk-A-Fair. Awards includes a certificate from the City of Miami awarded to Emmanuel George for his participation as a featured artist in the \"Reimagine the Neighborhood\" campaign in April 2022. Paintings of African Americans include the following: Tamara James, Attucks High School alumni (30 x 30), Kitty Oliver (36 x 36), Cannonball Adderley, Dr. James Sistrunk, and Esther Rolle.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Emmanuel George Collection contains correspondence, photographs, printed materials, certificates, short videos and artwork related to African Americans in Broward County, Florida. Correspondence contains cards written to Emmanuel George about his internships with Encore and the Lake Wales Public Library African American Archives Project. Crispus Attucks High School materials include a yearbook, student report cards, commencement programs, and class reunions. Photographs display African American individual and group portraits in Broward County. Printed materials include newspaper articles about African American neighborhoods in Broward County, specifically Hollywood, an African American Research Library and Cultural Center brochure, signed Legacy of Broward trading cards, funeral programs, and a magazine article featuring Emmanuel George at Sistrunk-A-Fair. Awards includes a certificate from the City of Miami awarded to Emmanuel George for his participation as a featured artist in the \"Reimagine the Neighborhood\" campaign in April 2022. Paintings of African Americans include the following: Tamara James, Attucks High School alumni (30 x 30), Kitty Oliver (36 x 36), Cannonball Adderley, Dr. James Sistrunk, and Esther Rolle."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":45,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563559323828224,"_root_":"328cb1ddb2eba00ca03f2172","timestamp":"2026-07-24T03:01:38.048Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"328cb1ddb2eba00ca03f2172","title_filing_ssi":"George, Emmanuel Collection","title_ssm":["Emmanuel George Collection"],"title_tesim":["Emmanuel George Collection"],"ead_ssi":"328cb1ddb2eba00ca03f2172","unitdate_ssm":["1962-2023"],"unitdate_inclusive_ssm":["1962-2023"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2021.11","/repositories/2/resources/105"],"text":["AARLCC.2021.11","/repositories/2/resources/105","Emmanuel George Collection, 1962-2023","Paintings","Art","The Emmanuel George Collection is open for research.","The collection is arranged into 6 series: Series I. Correspondence, Series II. Attucks High School, Series III. Photographs, Series IV. Printed Materials, Series V. Awards, and Series VI. Artwork.","Emmanuel George is a Dominican- American archivist, film maker and arts organizer based in Hollywood, Florida. Emmanuel's love of history began in childhood when his father Emanuel George Sr. would teach him Black history in efforts to highlight what he thought Emmanuel would not be taught in public school. Emmanuel credits his father's teachings to his ability to seek out overlooked narratives.","In 2015, after taking a leave of absence from pursuing his Bachelors in Film from Full Sail University, Emmanuel found himself joining a group of local activists in Miami -Dade County who were advocating on behalf of its residents to fight displacement. During this time, Emmanuel spoke with local residents and learned about the history of Black Miami. This curiosity led Emmanuel to begin submerging himself in learning the Black history of his home community, Broward County. ","In 2016, Emmanuel George produced his first film under the Black Broward Film Project, entitled A Tale of Sibling Communities; Danie and Liberia a documentary about the shared relationship between two Black communities in Broward County. The film featured oral interviews of local pioneers and historical landmarks that are staples to the community. Emmanuel followed this up with his 2021 film entitled Stories from our Ancestors: An Ode to Attucks High School; a film focusing on how the closing of a historically Black High school impacted the community of Liberia and its neighboring communities: Danie, Carver Ranches, Hallandale, Ojus, and Davie. ","In 2021, under the mentorship of esteemed historian Kitty Oliver, Emmanuel landed a fellowship with Lake Wales Museum where he interviewed and archived stories of residents from the historic Lincoln Avenue community. From there, Emmanuel would complete a fellowship with Cogenerators (formerly Encore) and work with Florida International University's Wolfson Public Humanities Lab, the Delray Beach Historical Society, the African American Research Library and the Old Dillard Museum, further expanding the ways he shares and preserves local Black history. Most recently, Emmanuel completed a fellowship with Temple University, serving as the Community Archivist for the Association for the Study of African American Life and History (ASALH). \nCurrently, Emmanuel founded and runs the Black Orchid Foundation, a non-profit centered on preserving the stories of Black high schools in the south that were phased out after the supreme court case of Brown vs. Board of Education, ruling that separating children in public schools on the basis of race was unconstitutional. Emmanuel is also the youngest person in Broward County to have his own special collections archive, the Emmanuel George Collection at the African American Research Library, where he actively collects physical and digitally archived data on the history of Attucks High School. ","Emmanuel's goal is to continue bridging the generational divide by connecting the youth from the rising Black Student Union populations in Broward County with the pioneers from the Historic Black High Schools (Attucks, Dillard, and Blanche Ely) through an Oral History workshop, in hopes to inspire young archivists to narrate their own stories and preserve their history at the African American Research Library and Cultural Center.","This collection received file processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Emmanuel George Collection in the Broward County Library Digital Archives.","The Emmanuel George Collection contains correspondence, photographs, printed materials, certificates, short videos and artwork related to African Americans in Broward County, Florida. Correspondence contains cards written to Emmanuel George about his internships with Encore and the Lake Wales Public Library African American Archives Project. Crispus Attucks High School materials include a yearbook, student report cards, commencement programs, and class reunions. Photographs display African American individual and group portraits in Broward County. Printed materials include newspaper articles about African American neighborhoods in Broward County, specifically Hollywood, an African American Research Library and Cultural Center brochure, signed Legacy of Broward trading cards, funeral programs, and a magazine article featuring Emmanuel George at Sistrunk-A-Fair. Awards includes a certificate from the City of Miami awarded to Emmanuel George for his participation as a featured artist in the \"Reimagine the Neighborhood\" campaign in April 2022. Paintings of African Americans include the following: Tamara James, Attucks High School alumni (30 x 30), Kitty Oliver (36 x 36), Cannonball Adderley, Dr. James Sistrunk, and Esther Rolle.","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2021.11","/repositories/2/resources/105"],"normalized_date_ssm":["1962-2023"],"normalized_title_ssm":["Emmanuel George Collection, 1962-2023"],"collection_title_tesim":["Emmanuel George Collection, 1962-2023"],"collection_ssim":["Emmanuel George Collection, 1962-2023"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"access_subjects_ssim":["Paintings","Art"],"access_subjects_ssm":["Paintings","Art"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Hollinger Box 1 and a half Hollinger boxes and 6 paintings."],"extent_tesim":["1.5 Hollinger Box 1 and a half Hollinger boxes and 6 paintings."],"genreform_ssim":["Paintings","Art"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThe Emmanuel George Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Emmanuel George Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 6 series: Series I. Correspondence, Series II. Attucks High School, Series III. Photographs, Series IV. Printed Materials, Series V. Awards, and Series VI. Artwork.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 6 series: Series I. Correspondence, Series II. Attucks High School, Series III. Photographs, Series IV. Printed Materials, Series V. Awards, and Series VI. Artwork."],"bioghist_html_tesm":["\u003cp\u003eEmmanuel George is a Dominican- American archivist, film maker and arts organizer based in Hollywood, Florida. Emmanuel's love of history began in childhood when his father Emanuel George Sr. would teach him Black history in efforts to highlight what he thought Emmanuel would not be taught in public school. Emmanuel credits his father's teachings to his ability to seek out overlooked narratives.\u003c/p\u003e\n","\u003cp\u003eIn 2015, after taking a leave of absence from pursuing his Bachelors in Film from Full Sail University, Emmanuel found himself joining a group of local activists in Miami -Dade County who were advocating on behalf of its residents to fight displacement. During this time, Emmanuel spoke with local residents and learned about the history of Black Miami. This curiosity led Emmanuel to begin submerging himself in learning the Black history of his home community, Broward County. \u003c/p\u003e\n","\u003cp\u003eIn 2016, Emmanuel George produced his first film under the Black Broward Film Project, entitled A Tale of Sibling Communities; Danie and Liberia a documentary about the shared relationship between two Black communities in Broward County. The film featured oral interviews of local pioneers and historical landmarks that are staples to the community. Emmanuel followed this up with his 2021 film entitled Stories from our Ancestors: An Ode to Attucks High School; a film focusing on how the closing of a historically Black High school impacted the community of Liberia and its neighboring communities: Danie, Carver Ranches, Hallandale, Ojus, and Davie. \u003c/p\u003e\n","\u003cp\u003eIn 2021, under the mentorship of esteemed historian Kitty Oliver, Emmanuel landed a fellowship with Lake Wales Museum where he interviewed and archived stories of residents from the historic Lincoln Avenue community. From there, Emmanuel would complete a fellowship with Cogenerators (formerly Encore) and work with Florida International University's Wolfson Public Humanities Lab, the Delray Beach Historical Society, the African American Research Library and the Old Dillard Museum, further expanding the ways he shares and preserves local Black history. Most recently, Emmanuel completed a fellowship with Temple University, serving as the Community Archivist for the Association for the Study of African American Life and History (ASALH). \nCurrently, Emmanuel founded and runs the Black Orchid Foundation, a non-profit centered on preserving the stories of Black high schools in the south that were phased out after the supreme court case of Brown vs. Board of Education, ruling that separating children in public schools on the basis of race was unconstitutional. Emmanuel is also the youngest person in Broward County to have his own special collections archive, the Emmanuel George Collection at the African American Research Library, where he actively collects physical and digitally archived data on the history of Attucks High School. \u003c/p\u003e\n","\u003cp\u003eEmmanuel's goal is to continue bridging the generational divide by connecting the youth from the rising Black Student Union populations in Broward County with the pioneers from the Historic Black High Schools (Attucks, Dillard, and Blanche Ely) through an Oral History workshop, in hopes to inspire young archivists to narrate their own stories and preserve their history at the African American Research Library and Cultural Center.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Emmanuel George is a Dominican- American archivist, film maker and arts organizer based in Hollywood, Florida. Emmanuel's love of history began in childhood when his father Emanuel George Sr. would teach him Black history in efforts to highlight what he thought Emmanuel would not be taught in public school. Emmanuel credits his father's teachings to his ability to seek out overlooked narratives.","In 2015, after taking a leave of absence from pursuing his Bachelors in Film from Full Sail University, Emmanuel found himself joining a group of local activists in Miami -Dade County who were advocating on behalf of its residents to fight displacement. During this time, Emmanuel spoke with local residents and learned about the history of Black Miami. This curiosity led Emmanuel to begin submerging himself in learning the Black history of his home community, Broward County. ","In 2016, Emmanuel George produced his first film under the Black Broward Film Project, entitled A Tale of Sibling Communities; Danie and Liberia a documentary about the shared relationship between two Black communities in Broward County. The film featured oral interviews of local pioneers and historical landmarks that are staples to the community. Emmanuel followed this up with his 2021 film entitled Stories from our Ancestors: An Ode to Attucks High School; a film focusing on how the closing of a historically Black High school impacted the community of Liberia and its neighboring communities: Danie, Carver Ranches, Hallandale, Ojus, and Davie. ","In 2021, under the mentorship of esteemed historian Kitty Oliver, Emmanuel landed a fellowship with Lake Wales Museum where he interviewed and archived stories of residents from the historic Lincoln Avenue community. From there, Emmanuel would complete a fellowship with Cogenerators (formerly Encore) and work with Florida International University's Wolfson Public Humanities Lab, the Delray Beach Historical Society, the African American Research Library and the Old Dillard Museum, further expanding the ways he shares and preserves local Black history. Most recently, Emmanuel completed a fellowship with Temple University, serving as the Community Archivist for the Association for the Study of African American Life and History (ASALH). \nCurrently, Emmanuel founded and runs the Black Orchid Foundation, a non-profit centered on preserving the stories of Black high schools in the south that were phased out after the supreme court case of Brown vs. Board of Education, ruling that separating children in public schools on the basis of race was unconstitutional. Emmanuel is also the youngest person in Broward County to have his own special collections archive, the Emmanuel George Collection at the African American Research Library, where he actively collects physical and digitally archived data on the history of Attucks High School. ","Emmanuel's goal is to continue bridging the generational divide by connecting the youth from the rising Black Student Union populations in Broward County with the pioneers from the Historic Black High Schools (Attucks, Dillard, and Blanche Ely) through an Oral History workshop, in hopes to inspire young archivists to narrate their own stories and preserve their history at the African American Research Library and Cultural Center."],"prefercite_html_tesm":["\u003cp\u003eThe Emmanuel George Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Emmanuel George Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll31/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Emmanuel George Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Emmanuel George Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Emmanuel George Collection contains correspondence, photographs, printed materials, certificates, short videos and artwork related to African Americans in Broward County, Florida. Correspondence contains cards written to Emmanuel George about his internships with Encore and the Lake Wales Public Library African American Archives Project. Crispus Attucks High School materials include a yearbook, student report cards, commencement programs, and class reunions. Photographs display African American individual and group portraits in Broward County. Printed materials include newspaper articles about African American neighborhoods in Broward County, specifically Hollywood, an African American Research Library and Cultural Center brochure, signed Legacy of Broward trading cards, funeral programs, and a magazine article featuring Emmanuel George at Sistrunk-A-Fair. Awards includes a certificate from the City of Miami awarded to Emmanuel George for his participation as a featured artist in the \"Reimagine the Neighborhood\" campaign in April 2022. Paintings of African Americans include the following: Tamara James, Attucks High School alumni (30 x 30), Kitty Oliver (36 x 36), Cannonball Adderley, Dr. James Sistrunk, and Esther Rolle.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Emmanuel George Collection contains correspondence, photographs, printed materials, certificates, short videos and artwork related to African Americans in Broward County, Florida. Correspondence contains cards written to Emmanuel George about his internships with Encore and the Lake Wales Public Library African American Archives Project. Crispus Attucks High School materials include a yearbook, student report cards, commencement programs, and class reunions. Photographs display African American individual and group portraits in Broward County. Printed materials include newspaper articles about African American neighborhoods in Broward County, specifically Hollywood, an African American Research Library and Cultural Center brochure, signed Legacy of Broward trading cards, funeral programs, and a magazine article featuring Emmanuel George at Sistrunk-A-Fair. Awards includes a certificate from the City of Miami awarded to Emmanuel George for his participation as a featured artist in the \"Reimagine the Neighborhood\" campaign in April 2022. Paintings of African Americans include the following: Tamara James, Attucks High School alumni (30 x 30), Kitty Oliver (36 x 36), Cannonball Adderley, Dr. James Sistrunk, and Esther Rolle."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":45,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563559323828224,"_root_":"328cb1ddb2eba00ca03f2172","timestamp":"2026-07-24T03:01:38.048Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/328cb1ddb2eba00ca03f2172"}},{"id":"944d4ca2b955dd0c74c468b7","type":"collection","attributes":{"title":"Enoch Johnston Meekins, Jr. collection, 1930-2017, Date acquired: 12/18/2017, bulk 1941-1945","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/944d4ca2b955dd0c74c468b7#creator","type":"document_value","attributes":{"value":["Meekins, Enoch Johnston, Jr."],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/944d4ca2b955dd0c74c468b7#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection relates to Master Sergeant Enoch Johnston Meekins, Jr. who served as a Sergeant Pilot and ground crew with the 10th Air Force in North Africa, India, Burma, and China during World War II. The collection contains a Chinese color lithograph print and oral history interview transcript.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/944d4ca2b955dd0c74c468b7#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"944d4ca2b955dd0c74c468b7","title_filing_ssi":"Meekins, Enoch Johnston, Jr. collection","title_ssm":["Enoch Johnston Meekins, Jr. collection"],"title_tesim":["Enoch Johnston Meekins, Jr. collection"],"ead_ssi":"944d4ca2b955dd0c74c468b7","unitdate_ssm":["1930-2017","1941-1945","Date acquired: 12/18/2017"],"unitdate_bulk_ssim":["1941-1945"],"unitdate_inclusive_ssm":["1930-2017"],"unitdate_other_ssim":["Date acquired: 12/18/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["17.0034","/repositories/10/resources/767"],"text":["17.0034","/repositories/10/resources/767","Enoch Johnston Meekins, Jr. collection, 1930-2017, Date acquired: 12/18/2017, bulk 1941-1945","World War, 1939-1945--China","World War, 1939-1945--Campaigns--Burma","World War, 1939-1945--India","World War, 1939-1945--Campaigns--Africa, North","United States. Army Air Forces. Air Force, 10th","This collection is open to all researchers.","Enoch Johnston Meekins, Jr. was born on December 27, 1920, in Florence, SC.  On the day of December 7, 1941, he was working on bridge construction in Fredericksburg, VA, where he also lived in a boarding house.  Meekins, Jr. enlisted in the U.S. Army Air Corps on December 29, 1941, and received basic training at Ft. Jackson, SC where he qualified for the enlisted pilot program.  In spring 1942, he attended basic Army Air Corps training for five months at Shepherd Field, TX.  Afterwards, Meekins, Jr. transferred to the Army Air Corps Cadet training at Kelly Field, San Antonio, TX. for two months, then returned back to Shepherd Field. He received additional training at English Field, Amarillo, TX, Chanute Field, IL, OSS Power Plant Specialist School, Wright Field, Dayton, OH, Camp Campbell, TN, Aiken, SC Army Air Corps Field, Key Field, Meridian, MS, and Kerns, Utah for weapons training.\n Meekins, Jr. was transferred overseas in the fall of 1943 to the North African Campaign for five months before being transferred to Alipore Air Base in India as part of the 10th Air Force.  Here he flew PBY-5A Catalinas for air-sea rescue.  Meekins, Jr. then transferred to Assam, India, for four months. In late 1944 to early 1945, he transferred to Myitkyina Base in Burma for six months, and then Bhamo, Burma.  While stationed at Bhamo during a Japanese siege, Meekins, Jr. discovered the Japanese lithograph print of a woman in a former Japanese military dugout.  He was last assigned to Kunming, China, for three months in late 1945. Meekins, Jr. returned to the U.S. in December 1945 and was discharged.\n After the war, Meekins became a pioneer highway contractor for the State of South Carolina for more than 30 years, while working on the State's primary highway system. He was the owner of Swain Construction Company in Kingstree and St. Matthews, SC.  Meekins, Jr. passed away on January 17, 2017.  He was married for 41 years to Delores Gwen Mitchum Meekins.\n The author of the painting discovered by Meekins, Jin Meisheng (1902-1989), was a well known Chinese artist, who was a native from Shanghai. From 1920 onward, he painted calendar posters exclusively for the Commercial Press in Shanghai. In 1930, he established his own studio. Together with Jin Xuechen and Li Mubai, he was known as one of the \"Three Pillars of Calendar Posters.\"  From the 1950s onward, Jin was attached to the Shanghai People's Fine Arts Publishing House. Jin was able to assimilate Chinese traditional painting and Western watercolor in his works despite their separate and unique styles. After 1949, Jin joined the Chinese Artists Association; he became a member of the Standing Council and art advisor of the Shanghai Branch of the Association. His works, for which he won prizes during national competitions, have been included in a number of national collections.","Note written by Johnette D. Meekins (Daughter of Enoch Johnston Meekins, Jr.)","This collection was donated by Johnette D. Meekins, daughter of Enoch Johnston Meekins, Jr. The collection was acquired by the Institute on World War II and the Human Experience on December 18, 2017.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Link to Find A Grave cemetery record for Enoch Johnston Meekins, Jr.: Find A Grave","This collection relates to Master Sergeant Enoch Johnston Meekins, Jr. who served as a Sergeant Pilot and ground crew with the 10th Air Force in North Africa, India, Burma, and China during World War II.  The collection contains a Chinese color lithograph print and oral history interview transcript.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Meekins, Enoch Johnston, Jr.","Meekins, Johnette D.","Meisheng, Jin","English"],"unitid_tesim":["17.0034","/repositories/10/resources/767"],"normalized_date_ssm":["1930-2017, Date acquired: 12/18/2017, bulk 1941-1945"],"normalized_title_ssm":["Enoch Johnston Meekins, Jr. collection, 1930-2017, Date acquired: 12/18/2017, bulk 1941-1945"],"collection_title_tesim":["Enoch Johnston Meekins, Jr. collection, 1930-2017, Date acquired: 12/18/2017, bulk 1941-1945"],"collection_ssim":["Enoch Johnston Meekins, Jr. collection, 1930-2017, Date acquired: 12/18/2017, bulk 1941-1945"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["World War, 1939-1945--China"],"geogname_ssim":["World War, 1939-1945--China"],"creator_ssm":["Meekins, Enoch Johnston, Jr.","Meekins, Johnette D."],"creator_ssim":["Meekins, Enoch Johnston, Jr.","Meekins, Johnette D."],"creator_persname_ssim":["Meekins, Enoch Johnston, Jr.","Meekins, Johnette D."],"creators_ssim":["Meekins, Enoch Johnston, Jr.","Meekins, Johnette D."],"places_ssim":["World War, 1939-1945--China"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["World War, 1939-1945--Campaigns--Burma","World War, 1939-1945--India","World War, 1939-1945--Campaigns--Africa, North","United States. Army Air Forces. Air Force, 10th"],"access_subjects_ssm":["World War, 1939-1945--Campaigns--Burma","World War, 1939-1945--India","World War, 1939-1945--Campaigns--Africa, North","United States. Army Air Forces. Air Force, 10th"],"has_online_content_ssim":["false"],"extent_ssm":["2 items"],"extent_tesim":["2 items"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003eEnoch Johnston Meekins, Jr. was born on December 27, 1920, in Florence, SC.  On the day of December 7, 1941, he was working on bridge construction in Fredericksburg, VA, where he also lived in a boarding house.  Meekins, Jr. enlisted in the U.S. Army Air Corps on December 29, 1941, and received basic training at Ft. Jackson, SC where he qualified for the enlisted pilot program.  In spring 1942, he attended basic Army Air Corps training for five months at Shepherd Field, TX.  Afterwards, Meekins, Jr. transferred to the Army Air Corps Cadet training at Kelly Field, San Antonio, TX. for two months, then returned back to Shepherd Field. He received additional training at English Field, Amarillo, TX, Chanute Field, IL, OSS Power Plant Specialist School, Wright Field, Dayton, OH, Camp Campbell, TN, Aiken, SC Army Air Corps Field, Key Field, Meridian, MS, and Kerns, Utah for weapons training.\n\u003cbr\u003e\u003cbr\u003eMeekins, Jr. was transferred overseas in the fall of 1943 to the North African Campaign for five months before being transferred to Alipore Air Base in India as part of the 10th Air Force.  Here he flew PBY-5A Catalinas for air-sea rescue.  Meekins, Jr. then transferred to Assam, India, for four months. In late 1944 to early 1945, he transferred to Myitkyina Base in Burma for six months, and then Bhamo, Burma.  While stationed at Bhamo during a Japanese siege, Meekins, Jr. discovered the Japanese lithograph print of a woman in a former Japanese military dugout.  He was last assigned to Kunming, China, for three months in late 1945. Meekins, Jr. returned to the U.S. in December 1945 and was discharged.\n\u003cbr\u003e\u003cbr\u003eAfter the war, Meekins became a pioneer highway contractor for the State of South Carolina for more than 30 years, while working on the State's primary highway system. He was the owner of Swain Construction Company in Kingstree and St. Matthews, SC.  Meekins, Jr. passed away on January 17, 2017.  He was married for 41 years to Delores Gwen Mitchum Meekins.\n\u003cbr\u003e\u003cbr\u003eThe author of the painting discovered by Meekins, Jin Meisheng (1902-1989), was a well known Chinese artist, who was a native from Shanghai. From 1920 onward, he painted calendar posters exclusively for the Commercial Press in Shanghai. In 1930, he established his own studio. Together with Jin Xuechen and Li Mubai, he was known as one of the \"Three Pillars of Calendar Posters.\"  From the 1950s onward, Jin was attached to the Shanghai People's Fine Arts Publishing House. Jin was able to assimilate Chinese traditional painting and Western watercolor in his works despite their separate and unique styles. After 1949, Jin joined the Chinese Artists Association; he became a member of the Standing Council and art advisor of the Shanghai Branch of the Association. His works, for which he won prizes during national competitions, have been included in a number of national collections.\u003c/p\u003e\n","\u003cp\u003eNote written by Johnette D. Meekins (Daughter of Enoch Johnston Meekins, Jr.)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Enoch Johnston Meekins, Jr. was born on December 27, 1920, in Florence, SC.  On the day of December 7, 1941, he was working on bridge construction in Fredericksburg, VA, where he also lived in a boarding house.  Meekins, Jr. enlisted in the U.S. Army Air Corps on December 29, 1941, and received basic training at Ft. Jackson, SC where he qualified for the enlisted pilot program.  In spring 1942, he attended basic Army Air Corps training for five months at Shepherd Field, TX.  Afterwards, Meekins, Jr. transferred to the Army Air Corps Cadet training at Kelly Field, San Antonio, TX. for two months, then returned back to Shepherd Field. He received additional training at English Field, Amarillo, TX, Chanute Field, IL, OSS Power Plant Specialist School, Wright Field, Dayton, OH, Camp Campbell, TN, Aiken, SC Army Air Corps Field, Key Field, Meridian, MS, and Kerns, Utah for weapons training.\n Meekins, Jr. was transferred overseas in the fall of 1943 to the North African Campaign for five months before being transferred to Alipore Air Base in India as part of the 10th Air Force.  Here he flew PBY-5A Catalinas for air-sea rescue.  Meekins, Jr. then transferred to Assam, India, for four months. In late 1944 to early 1945, he transferred to Myitkyina Base in Burma for six months, and then Bhamo, Burma.  While stationed at Bhamo during a Japanese siege, Meekins, Jr. discovered the Japanese lithograph print of a woman in a former Japanese military dugout.  He was last assigned to Kunming, China, for three months in late 1945. Meekins, Jr. returned to the U.S. in December 1945 and was discharged.\n After the war, Meekins became a pioneer highway contractor for the State of South Carolina for more than 30 years, while working on the State's primary highway system. He was the owner of Swain Construction Company in Kingstree and St. Matthews, SC.  Meekins, Jr. passed away on January 17, 2017.  He was married for 41 years to Delores Gwen Mitchum Meekins.\n The author of the painting discovered by Meekins, Jin Meisheng (1902-1989), was a well known Chinese artist, who was a native from Shanghai. From 1920 onward, he painted calendar posters exclusively for the Commercial Press in Shanghai. In 1930, he established his own studio. Together with Jin Xuechen and Li Mubai, he was known as one of the \"Three Pillars of Calendar Posters.\"  From the 1950s onward, Jin was attached to the Shanghai People's Fine Arts Publishing House. Jin was able to assimilate Chinese traditional painting and Western watercolor in his works despite their separate and unique styles. After 1949, Jin joined the Chinese Artists Association; he became a member of the Standing Council and art advisor of the Shanghai Branch of the Association. His works, for which he won prizes during national competitions, have been included in a number of national collections.","Note written by Johnette D. Meekins (Daughter of Enoch Johnston Meekins, Jr.)"],"custodhist_html_tesm":["\u003cp\u003eThis collection was donated by Johnette D. Meekins, daughter of Enoch Johnston Meekins, Jr. The collection was acquired by the Institute on World War II and the Human Experience on December 18, 2017.\u003c/p\u003e","\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History","Custodial History"],"custodhist_tesim":["This collection was donated by Johnette D. Meekins, daughter of Enoch Johnston Meekins, Jr. The collection was acquired by the Institute on World War II and the Human Experience on December 18, 2017.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Enoch Johnston Meekins, Jr. collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_17_0034\"\u003eMeekins, Enoch Johnston, Jr., collection\u003c/extref\u003e. https://purl.lib.fsu.edu/fa/02-17-1934\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Enoch Johnston Meekins, Jr. collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  Meekins, Enoch Johnston, Jr., collection . https://purl.lib.fsu.edu/fa/02-17-1934"],"relatedmaterial_html_tesm":["\u003cp\u003eLink to Find A Grave cemetery record for Enoch Johnston Meekins, Jr.:\u003cextref href=\"https://www.findagrave.com/memorial/175441220/enoch-johnston-meekins\"\u003eFind A Grave\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Link to Find A Grave cemetery record for Enoch Johnston Meekins, Jr.: Find A Grave"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Master Sergeant Enoch Johnston Meekins, Jr. who served as a Sergeant Pilot and ground crew with the 10th Air Force in North Africa, India, Burma, and China during World War II.  The collection contains a Chinese color lithograph print and oral history interview transcript.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection relates to Master Sergeant Enoch Johnston Meekins, Jr. who served as a Sergeant Pilot and ground crew with the 10th Air Force in North Africa, India, Burma, and China during World War II.  The collection contains a Chinese color lithograph print and oral history interview transcript."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Meekins, Enoch Johnston, Jr.","Meekins, Johnette D.","Meisheng, Jin"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Meekins, Johnette D.","Meisheng, Jin"],"persname_ssim":["Meekins, Enoch Johnston, Jr.","Meekins, Johnette D.","Meisheng, Jin"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870859398529679360,"_root_":"944d4ca2b955dd0c74c468b7","timestamp":"2026-07-16T08:29:17.985Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"944d4ca2b955dd0c74c468b7","title_filing_ssi":"Meekins, Enoch Johnston, Jr. collection","title_ssm":["Enoch Johnston Meekins, Jr. collection"],"title_tesim":["Enoch Johnston Meekins, Jr. collection"],"ead_ssi":"944d4ca2b955dd0c74c468b7","unitdate_ssm":["1930-2017","1941-1945","Date acquired: 12/18/2017"],"unitdate_bulk_ssim":["1941-1945"],"unitdate_inclusive_ssm":["1930-2017"],"unitdate_other_ssim":["Date acquired: 12/18/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["17.0034","/repositories/10/resources/767"],"text":["17.0034","/repositories/10/resources/767","Enoch Johnston Meekins, Jr. collection, 1930-2017, Date acquired: 12/18/2017, bulk 1941-1945","World War, 1939-1945--China","World War, 1939-1945--Campaigns--Burma","World War, 1939-1945--India","World War, 1939-1945--Campaigns--Africa, North","United States. Army Air Forces. Air Force, 10th","This collection is open to all researchers.","Enoch Johnston Meekins, Jr. was born on December 27, 1920, in Florence, SC.  On the day of December 7, 1941, he was working on bridge construction in Fredericksburg, VA, where he also lived in a boarding house.  Meekins, Jr. enlisted in the U.S. Army Air Corps on December 29, 1941, and received basic training at Ft. Jackson, SC where he qualified for the enlisted pilot program.  In spring 1942, he attended basic Army Air Corps training for five months at Shepherd Field, TX.  Afterwards, Meekins, Jr. transferred to the Army Air Corps Cadet training at Kelly Field, San Antonio, TX. for two months, then returned back to Shepherd Field. He received additional training at English Field, Amarillo, TX, Chanute Field, IL, OSS Power Plant Specialist School, Wright Field, Dayton, OH, Camp Campbell, TN, Aiken, SC Army Air Corps Field, Key Field, Meridian, MS, and Kerns, Utah for weapons training.\n Meekins, Jr. was transferred overseas in the fall of 1943 to the North African Campaign for five months before being transferred to Alipore Air Base in India as part of the 10th Air Force.  Here he flew PBY-5A Catalinas for air-sea rescue.  Meekins, Jr. then transferred to Assam, India, for four months. In late 1944 to early 1945, he transferred to Myitkyina Base in Burma for six months, and then Bhamo, Burma.  While stationed at Bhamo during a Japanese siege, Meekins, Jr. discovered the Japanese lithograph print of a woman in a former Japanese military dugout.  He was last assigned to Kunming, China, for three months in late 1945. Meekins, Jr. returned to the U.S. in December 1945 and was discharged.\n After the war, Meekins became a pioneer highway contractor for the State of South Carolina for more than 30 years, while working on the State's primary highway system. He was the owner of Swain Construction Company in Kingstree and St. Matthews, SC.  Meekins, Jr. passed away on January 17, 2017.  He was married for 41 years to Delores Gwen Mitchum Meekins.\n The author of the painting discovered by Meekins, Jin Meisheng (1902-1989), was a well known Chinese artist, who was a native from Shanghai. From 1920 onward, he painted calendar posters exclusively for the Commercial Press in Shanghai. In 1930, he established his own studio. Together with Jin Xuechen and Li Mubai, he was known as one of the \"Three Pillars of Calendar Posters.\"  From the 1950s onward, Jin was attached to the Shanghai People's Fine Arts Publishing House. Jin was able to assimilate Chinese traditional painting and Western watercolor in his works despite their separate and unique styles. After 1949, Jin joined the Chinese Artists Association; he became a member of the Standing Council and art advisor of the Shanghai Branch of the Association. His works, for which he won prizes during national competitions, have been included in a number of national collections.","Note written by Johnette D. Meekins (Daughter of Enoch Johnston Meekins, Jr.)","This collection was donated by Johnette D. Meekins, daughter of Enoch Johnston Meekins, Jr. The collection was acquired by the Institute on World War II and the Human Experience on December 18, 2017.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Link to Find A Grave cemetery record for Enoch Johnston Meekins, Jr.: Find A Grave","This collection relates to Master Sergeant Enoch Johnston Meekins, Jr. who served as a Sergeant Pilot and ground crew with the 10th Air Force in North Africa, India, Burma, and China during World War II.  The collection contains a Chinese color lithograph print and oral history interview transcript.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Meekins, Enoch Johnston, Jr.","Meekins, Johnette D.","Meisheng, Jin","English"],"unitid_tesim":["17.0034","/repositories/10/resources/767"],"normalized_date_ssm":["1930-2017, Date acquired: 12/18/2017, bulk 1941-1945"],"normalized_title_ssm":["Enoch Johnston Meekins, Jr. collection, 1930-2017, Date acquired: 12/18/2017, bulk 1941-1945"],"collection_title_tesim":["Enoch Johnston Meekins, Jr. collection, 1930-2017, Date acquired: 12/18/2017, bulk 1941-1945"],"collection_ssim":["Enoch Johnston Meekins, Jr. collection, 1930-2017, Date acquired: 12/18/2017, bulk 1941-1945"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["World War, 1939-1945--China"],"geogname_ssim":["World War, 1939-1945--China"],"creator_ssm":["Meekins, Enoch Johnston, Jr.","Meekins, Johnette D."],"creator_ssim":["Meekins, Enoch Johnston, Jr.","Meekins, Johnette D."],"creator_persname_ssim":["Meekins, Enoch Johnston, Jr.","Meekins, Johnette D."],"creators_ssim":["Meekins, Enoch Johnston, Jr.","Meekins, Johnette D."],"places_ssim":["World War, 1939-1945--China"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["World War, 1939-1945--Campaigns--Burma","World War, 1939-1945--India","World War, 1939-1945--Campaigns--Africa, North","United States. Army Air Forces. Air Force, 10th"],"access_subjects_ssm":["World War, 1939-1945--Campaigns--Burma","World War, 1939-1945--India","World War, 1939-1945--Campaigns--Africa, North","United States. Army Air Forces. Air Force, 10th"],"has_online_content_ssim":["false"],"extent_ssm":["2 items"],"extent_tesim":["2 items"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003eEnoch Johnston Meekins, Jr. was born on December 27, 1920, in Florence, SC.  On the day of December 7, 1941, he was working on bridge construction in Fredericksburg, VA, where he also lived in a boarding house.  Meekins, Jr. enlisted in the U.S. Army Air Corps on December 29, 1941, and received basic training at Ft. Jackson, SC where he qualified for the enlisted pilot program.  In spring 1942, he attended basic Army Air Corps training for five months at Shepherd Field, TX.  Afterwards, Meekins, Jr. transferred to the Army Air Corps Cadet training at Kelly Field, San Antonio, TX. for two months, then returned back to Shepherd Field. He received additional training at English Field, Amarillo, TX, Chanute Field, IL, OSS Power Plant Specialist School, Wright Field, Dayton, OH, Camp Campbell, TN, Aiken, SC Army Air Corps Field, Key Field, Meridian, MS, and Kerns, Utah for weapons training.\n\u003cbr\u003e\u003cbr\u003eMeekins, Jr. was transferred overseas in the fall of 1943 to the North African Campaign for five months before being transferred to Alipore Air Base in India as part of the 10th Air Force.  Here he flew PBY-5A Catalinas for air-sea rescue.  Meekins, Jr. then transferred to Assam, India, for four months. In late 1944 to early 1945, he transferred to Myitkyina Base in Burma for six months, and then Bhamo, Burma.  While stationed at Bhamo during a Japanese siege, Meekins, Jr. discovered the Japanese lithograph print of a woman in a former Japanese military dugout.  He was last assigned to Kunming, China, for three months in late 1945. Meekins, Jr. returned to the U.S. in December 1945 and was discharged.\n\u003cbr\u003e\u003cbr\u003eAfter the war, Meekins became a pioneer highway contractor for the State of South Carolina for more than 30 years, while working on the State's primary highway system. He was the owner of Swain Construction Company in Kingstree and St. Matthews, SC.  Meekins, Jr. passed away on January 17, 2017.  He was married for 41 years to Delores Gwen Mitchum Meekins.\n\u003cbr\u003e\u003cbr\u003eThe author of the painting discovered by Meekins, Jin Meisheng (1902-1989), was a well known Chinese artist, who was a native from Shanghai. From 1920 onward, he painted calendar posters exclusively for the Commercial Press in Shanghai. In 1930, he established his own studio. Together with Jin Xuechen and Li Mubai, he was known as one of the \"Three Pillars of Calendar Posters.\"  From the 1950s onward, Jin was attached to the Shanghai People's Fine Arts Publishing House. Jin was able to assimilate Chinese traditional painting and Western watercolor in his works despite their separate and unique styles. After 1949, Jin joined the Chinese Artists Association; he became a member of the Standing Council and art advisor of the Shanghai Branch of the Association. His works, for which he won prizes during national competitions, have been included in a number of national collections.\u003c/p\u003e\n","\u003cp\u003eNote written by Johnette D. Meekins (Daughter of Enoch Johnston Meekins, Jr.)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Enoch Johnston Meekins, Jr. was born on December 27, 1920, in Florence, SC.  On the day of December 7, 1941, he was working on bridge construction in Fredericksburg, VA, where he also lived in a boarding house.  Meekins, Jr. enlisted in the U.S. Army Air Corps on December 29, 1941, and received basic training at Ft. Jackson, SC where he qualified for the enlisted pilot program.  In spring 1942, he attended basic Army Air Corps training for five months at Shepherd Field, TX.  Afterwards, Meekins, Jr. transferred to the Army Air Corps Cadet training at Kelly Field, San Antonio, TX. for two months, then returned back to Shepherd Field. He received additional training at English Field, Amarillo, TX, Chanute Field, IL, OSS Power Plant Specialist School, Wright Field, Dayton, OH, Camp Campbell, TN, Aiken, SC Army Air Corps Field, Key Field, Meridian, MS, and Kerns, Utah for weapons training.\n Meekins, Jr. was transferred overseas in the fall of 1943 to the North African Campaign for five months before being transferred to Alipore Air Base in India as part of the 10th Air Force.  Here he flew PBY-5A Catalinas for air-sea rescue.  Meekins, Jr. then transferred to Assam, India, for four months. In late 1944 to early 1945, he transferred to Myitkyina Base in Burma for six months, and then Bhamo, Burma.  While stationed at Bhamo during a Japanese siege, Meekins, Jr. discovered the Japanese lithograph print of a woman in a former Japanese military dugout.  He was last assigned to Kunming, China, for three months in late 1945. Meekins, Jr. returned to the U.S. in December 1945 and was discharged.\n After the war, Meekins became a pioneer highway contractor for the State of South Carolina for more than 30 years, while working on the State's primary highway system. He was the owner of Swain Construction Company in Kingstree and St. Matthews, SC.  Meekins, Jr. passed away on January 17, 2017.  He was married for 41 years to Delores Gwen Mitchum Meekins.\n The author of the painting discovered by Meekins, Jin Meisheng (1902-1989), was a well known Chinese artist, who was a native from Shanghai. From 1920 onward, he painted calendar posters exclusively for the Commercial Press in Shanghai. In 1930, he established his own studio. Together with Jin Xuechen and Li Mubai, he was known as one of the \"Three Pillars of Calendar Posters.\"  From the 1950s onward, Jin was attached to the Shanghai People's Fine Arts Publishing House. Jin was able to assimilate Chinese traditional painting and Western watercolor in his works despite their separate and unique styles. After 1949, Jin joined the Chinese Artists Association; he became a member of the Standing Council and art advisor of the Shanghai Branch of the Association. His works, for which he won prizes during national competitions, have been included in a number of national collections.","Note written by Johnette D. Meekins (Daughter of Enoch Johnston Meekins, Jr.)"],"custodhist_html_tesm":["\u003cp\u003eThis collection was donated by Johnette D. Meekins, daughter of Enoch Johnston Meekins, Jr. The collection was acquired by the Institute on World War II and the Human Experience on December 18, 2017.\u003c/p\u003e","\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History","Custodial History"],"custodhist_tesim":["This collection was donated by Johnette D. Meekins, daughter of Enoch Johnston Meekins, Jr. The collection was acquired by the Institute on World War II and the Human Experience on December 18, 2017.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Enoch Johnston Meekins, Jr. collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_17_0034\"\u003eMeekins, Enoch Johnston, Jr., collection\u003c/extref\u003e. https://purl.lib.fsu.edu/fa/02-17-1934\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Enoch Johnston Meekins, Jr. collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  Meekins, Enoch Johnston, Jr., collection . https://purl.lib.fsu.edu/fa/02-17-1934"],"relatedmaterial_html_tesm":["\u003cp\u003eLink to Find A Grave cemetery record for Enoch Johnston Meekins, Jr.:\u003cextref href=\"https://www.findagrave.com/memorial/175441220/enoch-johnston-meekins\"\u003eFind A Grave\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Link to Find A Grave cemetery record for Enoch Johnston Meekins, Jr.: Find A Grave"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Master Sergeant Enoch Johnston Meekins, Jr. who served as a Sergeant Pilot and ground crew with the 10th Air Force in North Africa, India, Burma, and China during World War II.  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