{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=14","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=13","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=15","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2015\u0026f%5Blevel%5D%5B%5D=Collection\u0026page=25"},"meta":{"pages":{"current_page":14,"next_page":15,"prev_page":13,"total_pages":25,"limit_value":10,"offset_value":130,"total_count":248,"first_page?":false,"last_page?":false}},"data":[{"id":"236a3c88b766327883b2e155","type":"collection","attributes":{"title":"Joy Postle papers, 1910-2015","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155#creator","type":"document_value","attributes":{"value":["Postle, Joy"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155#abstract_or_scope","type":"document_value","attributes":{"value":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration. Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155"}},{"id":"ae4e9efba5260571ede19734","type":"collection","attributes":{"title":"Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/ae4e9efba5260571ede19734#creator","type":"document_value","attributes":{"value":["Kaplan, Judith"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/ae4e9efba5260571ede19734#abstract_or_scope","type":"document_value","attributes":{"value":["Created by Judith and Warren Kaplan, the collection contains a wide variety of materials related to Women's History, with special emphasis on stamps, suffrage, and women of achievement in United States history."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ae4e9efba5260571ede19734#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"ae4e9efba5260571ede19734","title_ssm":["Judith and Warren Kaplan Collection, Women's and Gender Studies"],"title_tesim":["Judith and Warren Kaplan Collection, Women's and Gender Studies"],"ead_ssi":"ae4e9efba5260571ede19734","unitdate_ssm":["1792-2016","1900-2000"],"unitdate_bulk_ssim":["1900-2000"],"unitdate_inclusive_ssm":["1792-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 100","/repositories/4/resources/8"],"text":["SC 100","/repositories/4/resources/8","Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000","Stamp collecting","Suffrage","first day covers","The entire collection is open for research except for Box 34, which is closed until 2042.","The collection is divided into six series and is organized by type of materials, all of which relate to Women in History, both in the United States and around the world.","Judith \"Judy\" Kaplan was born on July 20, 1938, in Bronx, New York. She lived there until her marriage to Warren Kaplan in 1958 when they moved to Jackson Heights, Queens New York. She attended Hunter College, earning her BA in Psychology in 1960. Her working career included positions as life Insurance Agent, stock broker (NYSE), venture capital/private placements, starting TIPEX, Inc., in partnership with Warren, which became the largest dealer in an aspect of philately (stamp collecting) called First Day Covers. Judith joined the National Organization for Women (NOW) in the late 1960s, was active in NOW-NY, the founding chapter of NOW, and acted as fundraiser and treasurer. In the late 1970s Judy started Action Packets, later named Action Products International. From 1976-1980 she designed, produced and marketed the Women'’s History Series of First Day Covers by NOW-NY. In 1985 Judith became one of the first women to bring the company she founded public via an IPO on NASDAQ. Judy had started collecting first day covers about women's achievements and then added almost anything documenting women in history: postcards, books, autographed letters, original documents, and ephemera. Judith Kaplan passed away on May 4, 2024.","Collection was processed by John Settle and Nadeen Kiwan; finding aid was prepared by John Settle.\nFolder contents were kept intact, while some rearrangement of folders was conducted to group similar materials together. All paper materials have been placed in acid free pH neutral folders and stored in archival containers. Larger artwork and posters were also placed in acid free folders but are stored in archival flat files. Paper clips and staples have been removed and replaced with plastic clips. Photographs, First Day Covers, and postcards have been individually sleeved. Inventory revised by Asmara Cortes-Caba in 2024.","Judith and Warren Kaplan books can also be found by searching the series \"Judith and Warren Kaplan Collection\" in the UCF Library  Online Catalog.  \nOther collections concerning women and politics include  Beatrice B. Ettinger Papers ,  Phyllis J. Hudson Political Papers ,  Lynda Van Scoyoc Women's Political Caucus Collection ,  Democratic Women's Club of Florida, Inc. Collection , and  League of Women Voters of Volusia County.","Series I: Judith Kaplan Papers, 1960-2016, contains the personal files of Kaplan related to her business ventures and collecting efforts. Materials include academic files, business documents, correspondence, photographs, books, articles, speeches, event flyers, and promotional materials.","\nSeries II: Research Files, 1913-2016, contains materials compiled by Kaplan related to her research of Women's History, including articles, pamphlets, newspaper clippings, magazines, newsletters, artwork, and bookmarks.","\nSeries III: Postal Series, 1884-1997, contains a large number of stamps, First Day Covers, and postcards, allfeaturing women in history.","\nSeries IV: Women in History, 1792-2016, contains subject files related to various individual women in United States history.","\nSeries V: Artwork, ca. 1976-2013, contains original paintings and various artwork.","\nSeries VI: Memorabilia, 1915-2008, contains a wide variety of souvenirs and collectibles, including a large number of pins and buttons.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Created by Judith and Warren Kaplan, the collection contains a wide variety of materials related to Women's History, with special emphasis on stamps, suffrage, and women of achievement in United States history.","UCF Special Collections","National Organization for Women","National Organization for Women. New York Chapter","National Women's History Museum (U.S.)","Kaplan, Judith","English"],"unitid_tesim":["SC 100","/repositories/4/resources/8"],"normalized_date_ssm":["1792-2016, bulk 1900-2000"],"normalized_title_ssm":["Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000"],"collection_title_tesim":["Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000"],"collection_ssim":["Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Kaplan, Judith"],"creator_ssim":["Kaplan, Judith"],"creator_persname_ssim":["Kaplan, Judith"],"creators_ssim":["Kaplan, Judith"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Judith and Warren Kaplan donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2015 (CFM2015_01). Additional materials were donated in 2016 (CFM2016_11) and 2017 (CFM2017_01)."],"access_subjects_ssim":["Stamp collecting","Suffrage","first day covers"],"access_subjects_ssm":["Stamp collecting","Suffrage","first day covers"],"has_online_content_ssim":["false"],"extent_ssm":["25.1 Linear Feet 34 boxes, 1 flat file, 1 object"],"extent_tesim":["25.1 Linear Feet 34 boxes, 1 flat file, 1 object"],"genreform_ssim":["first day covers"],"date_range_isim":[1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research except for Box 34, which is closed until 2042.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research except for Box 34, which is closed until 2042."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into six series and is organized by type of materials, all of which relate to Women in History, both in the United States and around the world.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into six series and is organized by type of materials, all of which relate to Women in History, both in the United States and around the world."],"bioghist_html_tesm":["\u003cp\u003eJudith \"Judy\" Kaplan was born on July 20, 1938, in Bronx, New York. She lived there until her marriage to Warren Kaplan in 1958 when they moved to Jackson Heights, Queens New York. She attended Hunter College, earning her BA in Psychology in 1960. Her working career included positions as life Insurance Agent, stock broker (NYSE), venture capital/private placements, starting TIPEX, Inc., in partnership with Warren, which became the largest dealer in an aspect of philately (stamp collecting) called First Day Covers. Judith joined the National Organization for Women (NOW) in the late 1960s, was active in NOW-NY, the founding chapter of NOW, and acted as fundraiser and treasurer. In the late 1970s Judy started Action Packets, later named Action Products International. From 1976-1980 she designed, produced and marketed the Women'\u0026#x92;s History Series of First Day Covers by NOW-NY. In 1985 Judith became one of the first women to bring the company she founded public via an IPO on NASDAQ. Judy had started collecting first day covers about women's achievements and then added almost anything documenting women in history: postcards, books, autographed letters, original documents, and ephemera. Judith Kaplan passed away on May 4, 2024.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Judith \"Judy\" Kaplan was born on July 20, 1938, in Bronx, New York. She lived there until her marriage to Warren Kaplan in 1958 when they moved to Jackson Heights, Queens New York. She attended Hunter College, earning her BA in Psychology in 1960. Her working career included positions as life Insurance Agent, stock broker (NYSE), venture capital/private placements, starting TIPEX, Inc., in partnership with Warren, which became the largest dealer in an aspect of philately (stamp collecting) called First Day Covers. Judith joined the National Organization for Women (NOW) in the late 1960s, was active in NOW-NY, the founding chapter of NOW, and acted as fundraiser and treasurer. In the late 1970s Judy started Action Packets, later named Action Products International. From 1976-1980 she designed, produced and marketed the Women'’s History Series of First Day Covers by NOW-NY. In 1985 Judith became one of the first women to bring the company she founded public via an IPO on NASDAQ. Judy had started collecting first day covers about women's achievements and then added almost anything documenting women in history: postcards, books, autographed letters, original documents, and ephemera. Judith Kaplan passed away on May 4, 2024."],"prefercite_html_tesm":["\u003cp\u003eThe Judith and Warren Kaplan Collection, Women's and Gender Studies, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["The Judith and Warren Kaplan Collection, Women's and Gender Studies, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by John Settle and Nadeen Kiwan; finding aid was prepared by John Settle.\nFolder contents were kept intact, while some rearrangement of folders was conducted to group similar materials together. All paper materials have been placed in acid free pH neutral folders and stored in archival containers. Larger artwork and posters were also placed in acid free folders but are stored in archival flat files. Paper clips and staples have been removed and replaced with plastic clips. Photographs, First Day Covers, and postcards have been individually sleeved. Inventory revised by Asmara Cortes-Caba in 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by John Settle and Nadeen Kiwan; finding aid was prepared by John Settle.\nFolder contents were kept intact, while some rearrangement of folders was conducted to group similar materials together. All paper materials have been placed in acid free pH neutral folders and stored in archival containers. Larger artwork and posters were also placed in acid free folders but are stored in archival flat files. Paper clips and staples have been removed and replaced with plastic clips. Photographs, First Day Covers, and postcards have been individually sleeved. Inventory revised by Asmara Cortes-Caba in 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eJudith and Warren Kaplan books can also be found by searching the series \"Judith and Warren Kaplan Collection\" in the UCF Library \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog.\u003c/extref\u003e \nOther collections concerning women and politics include \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2002-02\"\u003eBeatrice B. Ettinger Papers\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-02\"\u003ePhyllis J. Hudson Political Papers\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-15\"\u003eLynda Van Scoyoc Women's Political Caucus Collection\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2008-05\"\u003eDemocratic Women's Club of Florida, Inc. Collection\u003c/extref\u003e, and \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2010-02\"\u003eLeague of Women Voters of Volusia County.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Judith and Warren Kaplan books can also be found by searching the series \"Judith and Warren Kaplan Collection\" in the UCF Library  Online Catalog.  \nOther collections concerning women and politics include  Beatrice B. Ettinger Papers ,  Phyllis J. Hudson Political Papers ,  Lynda Van Scoyoc Women's Political Caucus Collection ,  Democratic Women's Club of Florida, Inc. Collection , and  League of Women Voters of Volusia County."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Judith Kaplan Papers, 1960-2016, contains the personal files of Kaplan related to her business ventures and collecting efforts. Materials include academic files, business documents, correspondence, photographs, books, articles, speeches, event flyers, and promotional materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1913-2016, contains materials compiled by Kaplan related to her research of Women's History, including articles, pamphlets, newspaper clippings, magazines, newsletters, artwork, and bookmarks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Postal Series, 1884-1997, contains a large number of stamps, First Day Covers, and postcards, allfeaturing women in history.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Women in History, 1792-2016, contains subject files related to various individual women in United States history.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Artwork, ca. 1976-2013, contains original paintings and various artwork.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1915-2008, contains a wide variety of souvenirs and collectibles, including a large number of pins and buttons.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Judith Kaplan Papers, 1960-2016, contains the personal files of Kaplan related to her business ventures and collecting efforts. Materials include academic files, business documents, correspondence, photographs, books, articles, speeches, event flyers, and promotional materials.","\nSeries II: Research Files, 1913-2016, contains materials compiled by Kaplan related to her research of Women's History, including articles, pamphlets, newspaper clippings, magazines, newsletters, artwork, and bookmarks.","\nSeries III: Postal Series, 1884-1997, contains a large number of stamps, First Day Covers, and postcards, allfeaturing women in history.","\nSeries IV: Women in History, 1792-2016, contains subject files related to various individual women in United States history.","\nSeries V: Artwork, ca. 1976-2013, contains original paintings and various artwork.","\nSeries VI: Memorabilia, 1915-2008, contains a wide variety of souvenirs and collectibles, including a large number of pins and buttons."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5765cfec293662f410013f49a81ec804\" label=\"Abstract\"\u003eCreated by Judith and Warren Kaplan, the collection contains a wide variety of materials related to Women's History, with special emphasis on stamps, suffrage, and women of achievement in United States history.\u003c/abstract\u003e"],"abstract_tesim":["Created by Judith and Warren Kaplan, the collection contains a wide variety of materials related to Women's History, with special emphasis on stamps, suffrage, and women of achievement in United States history."],"names_coll_ssim":["National Organization for Women","National Organization for Women. New York Chapter","National Women's History Museum (U.S.)"],"names_ssim":["UCF Special Collections","National Organization for Women","National Organization for Women. New York Chapter","National Women's History Museum (U.S.)","Kaplan, Judith"],"corpname_ssim":["UCF Special Collections","National Organization for Women","National Organization for Women. New York Chapter","National Women's History Museum (U.S.)"],"persname_ssim":["Kaplan, Judith"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":929,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"ae4e9efba5260571ede19734","timestamp":"2026-04-21T03:49:14.837Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ae4e9efba5260571ede19734","title_ssm":["Judith and Warren Kaplan Collection, Women's and Gender Studies"],"title_tesim":["Judith and Warren Kaplan Collection, Women's and Gender Studies"],"ead_ssi":"ae4e9efba5260571ede19734","unitdate_ssm":["1792-2016","1900-2000"],"unitdate_bulk_ssim":["1900-2000"],"unitdate_inclusive_ssm":["1792-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 100","/repositories/4/resources/8"],"text":["SC 100","/repositories/4/resources/8","Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000","Stamp collecting","Suffrage","first day covers","The entire collection is open for research except for Box 34, which is closed until 2042.","The collection is divided into six series and is organized by type of materials, all of which relate to Women in History, both in the United States and around the world.","Judith \"Judy\" Kaplan was born on July 20, 1938, in Bronx, New York. She lived there until her marriage to Warren Kaplan in 1958 when they moved to Jackson Heights, Queens New York. She attended Hunter College, earning her BA in Psychology in 1960. Her working career included positions as life Insurance Agent, stock broker (NYSE), venture capital/private placements, starting TIPEX, Inc., in partnership with Warren, which became the largest dealer in an aspect of philately (stamp collecting) called First Day Covers. Judith joined the National Organization for Women (NOW) in the late 1960s, was active in NOW-NY, the founding chapter of NOW, and acted as fundraiser and treasurer. In the late 1970s Judy started Action Packets, later named Action Products International. From 1976-1980 she designed, produced and marketed the Women'’s History Series of First Day Covers by NOW-NY. In 1985 Judith became one of the first women to bring the company she founded public via an IPO on NASDAQ. Judy had started collecting first day covers about women's achievements and then added almost anything documenting women in history: postcards, books, autographed letters, original documents, and ephemera. Judith Kaplan passed away on May 4, 2024.","Collection was processed by John Settle and Nadeen Kiwan; finding aid was prepared by John Settle.\nFolder contents were kept intact, while some rearrangement of folders was conducted to group similar materials together. All paper materials have been placed in acid free pH neutral folders and stored in archival containers. Larger artwork and posters were also placed in acid free folders but are stored in archival flat files. Paper clips and staples have been removed and replaced with plastic clips. Photographs, First Day Covers, and postcards have been individually sleeved. Inventory revised by Asmara Cortes-Caba in 2024.","Judith and Warren Kaplan books can also be found by searching the series \"Judith and Warren Kaplan Collection\" in the UCF Library  Online Catalog.  \nOther collections concerning women and politics include  Beatrice B. Ettinger Papers ,  Phyllis J. Hudson Political Papers ,  Lynda Van Scoyoc Women's Political Caucus Collection ,  Democratic Women's Club of Florida, Inc. Collection , and  League of Women Voters of Volusia County.","Series I: Judith Kaplan Papers, 1960-2016, contains the personal files of Kaplan related to her business ventures and collecting efforts. Materials include academic files, business documents, correspondence, photographs, books, articles, speeches, event flyers, and promotional materials.","\nSeries II: Research Files, 1913-2016, contains materials compiled by Kaplan related to her research of Women's History, including articles, pamphlets, newspaper clippings, magazines, newsletters, artwork, and bookmarks.","\nSeries III: Postal Series, 1884-1997, contains a large number of stamps, First Day Covers, and postcards, allfeaturing women in history.","\nSeries IV: Women in History, 1792-2016, contains subject files related to various individual women in United States history.","\nSeries V: Artwork, ca. 1976-2013, contains original paintings and various artwork.","\nSeries VI: Memorabilia, 1915-2008, contains a wide variety of souvenirs and collectibles, including a large number of pins and buttons.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Created by Judith and Warren Kaplan, the collection contains a wide variety of materials related to Women's History, with special emphasis on stamps, suffrage, and women of achievement in United States history.","UCF Special Collections","National Organization for Women","National Organization for Women. New York Chapter","National Women's History Museum (U.S.)","Kaplan, Judith","English"],"unitid_tesim":["SC 100","/repositories/4/resources/8"],"normalized_date_ssm":["1792-2016, bulk 1900-2000"],"normalized_title_ssm":["Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000"],"collection_title_tesim":["Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000"],"collection_ssim":["Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Kaplan, Judith"],"creator_ssim":["Kaplan, Judith"],"creator_persname_ssim":["Kaplan, Judith"],"creators_ssim":["Kaplan, Judith"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Judith and Warren Kaplan donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2015 (CFM2015_01). Additional materials were donated in 2016 (CFM2016_11) and 2017 (CFM2017_01)."],"access_subjects_ssim":["Stamp collecting","Suffrage","first day covers"],"access_subjects_ssm":["Stamp collecting","Suffrage","first day covers"],"has_online_content_ssim":["false"],"extent_ssm":["25.1 Linear Feet 34 boxes, 1 flat file, 1 object"],"extent_tesim":["25.1 Linear Feet 34 boxes, 1 flat file, 1 object"],"genreform_ssim":["first day covers"],"date_range_isim":[1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research except for Box 34, which is closed until 2042.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research except for Box 34, which is closed until 2042."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into six series and is organized by type of materials, all of which relate to Women in History, both in the United States and around the world.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into six series and is organized by type of materials, all of which relate to Women in History, both in the United States and around the world."],"bioghist_html_tesm":["\u003cp\u003eJudith \"Judy\" Kaplan was born on July 20, 1938, in Bronx, New York. She lived there until her marriage to Warren Kaplan in 1958 when they moved to Jackson Heights, Queens New York. She attended Hunter College, earning her BA in Psychology in 1960. Her working career included positions as life Insurance Agent, stock broker (NYSE), venture capital/private placements, starting TIPEX, Inc., in partnership with Warren, which became the largest dealer in an aspect of philately (stamp collecting) called First Day Covers. Judith joined the National Organization for Women (NOW) in the late 1960s, was active in NOW-NY, the founding chapter of NOW, and acted as fundraiser and treasurer. In the late 1970s Judy started Action Packets, later named Action Products International. From 1976-1980 she designed, produced and marketed the Women'\u0026#x92;s History Series of First Day Covers by NOW-NY. In 1985 Judith became one of the first women to bring the company she founded public via an IPO on NASDAQ. Judy had started collecting first day covers about women's achievements and then added almost anything documenting women in history: postcards, books, autographed letters, original documents, and ephemera. Judith Kaplan passed away on May 4, 2024.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Judith \"Judy\" Kaplan was born on July 20, 1938, in Bronx, New York. She lived there until her marriage to Warren Kaplan in 1958 when they moved to Jackson Heights, Queens New York. She attended Hunter College, earning her BA in Psychology in 1960. Her working career included positions as life Insurance Agent, stock broker (NYSE), venture capital/private placements, starting TIPEX, Inc., in partnership with Warren, which became the largest dealer in an aspect of philately (stamp collecting) called First Day Covers. Judith joined the National Organization for Women (NOW) in the late 1960s, was active in NOW-NY, the founding chapter of NOW, and acted as fundraiser and treasurer. In the late 1970s Judy started Action Packets, later named Action Products International. From 1976-1980 she designed, produced and marketed the Women'’s History Series of First Day Covers by NOW-NY. In 1985 Judith became one of the first women to bring the company she founded public via an IPO on NASDAQ. Judy had started collecting first day covers about women's achievements and then added almost anything documenting women in history: postcards, books, autographed letters, original documents, and ephemera. Judith Kaplan passed away on May 4, 2024."],"prefercite_html_tesm":["\u003cp\u003eThe Judith and Warren Kaplan Collection, Women's and Gender Studies, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["The Judith and Warren Kaplan Collection, Women's and Gender Studies, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by John Settle and Nadeen Kiwan; finding aid was prepared by John Settle.\nFolder contents were kept intact, while some rearrangement of folders was conducted to group similar materials together. All paper materials have been placed in acid free pH neutral folders and stored in archival containers. Larger artwork and posters were also placed in acid free folders but are stored in archival flat files. Paper clips and staples have been removed and replaced with plastic clips. Photographs, First Day Covers, and postcards have been individually sleeved. Inventory revised by Asmara Cortes-Caba in 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by John Settle and Nadeen Kiwan; finding aid was prepared by John Settle.\nFolder contents were kept intact, while some rearrangement of folders was conducted to group similar materials together. All paper materials have been placed in acid free pH neutral folders and stored in archival containers. Larger artwork and posters were also placed in acid free folders but are stored in archival flat files. Paper clips and staples have been removed and replaced with plastic clips. Photographs, First Day Covers, and postcards have been individually sleeved. Inventory revised by Asmara Cortes-Caba in 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eJudith and Warren Kaplan books can also be found by searching the series \"Judith and Warren Kaplan Collection\" in the UCF Library \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog.\u003c/extref\u003e \nOther collections concerning women and politics include \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2002-02\"\u003eBeatrice B. Ettinger Papers\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-02\"\u003ePhyllis J. Hudson Political Papers\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-15\"\u003eLynda Van Scoyoc Women's Political Caucus Collection\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2008-05\"\u003eDemocratic Women's Club of Florida, Inc. Collection\u003c/extref\u003e, and \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2010-02\"\u003eLeague of Women Voters of Volusia County.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Judith and Warren Kaplan books can also be found by searching the series \"Judith and Warren Kaplan Collection\" in the UCF Library  Online Catalog.  \nOther collections concerning women and politics include  Beatrice B. Ettinger Papers ,  Phyllis J. Hudson Political Papers ,  Lynda Van Scoyoc Women's Political Caucus Collection ,  Democratic Women's Club of Florida, Inc. Collection , and  League of Women Voters of Volusia County."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Judith Kaplan Papers, 1960-2016, contains the personal files of Kaplan related to her business ventures and collecting efforts. Materials include academic files, business documents, correspondence, photographs, books, articles, speeches, event flyers, and promotional materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1913-2016, contains materials compiled by Kaplan related to her research of Women's History, including articles, pamphlets, newspaper clippings, magazines, newsletters, artwork, and bookmarks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Postal Series, 1884-1997, contains a large number of stamps, First Day Covers, and postcards, allfeaturing women in history.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Women in History, 1792-2016, contains subject files related to various individual women in United States history.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Artwork, ca. 1976-2013, contains original paintings and various artwork.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1915-2008, contains a wide variety of souvenirs and collectibles, including a large number of pins and buttons.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Judith Kaplan Papers, 1960-2016, contains the personal files of Kaplan related to her business ventures and collecting efforts. Materials include academic files, business documents, correspondence, photographs, books, articles, speeches, event flyers, and promotional materials.","\nSeries II: Research Files, 1913-2016, contains materials compiled by Kaplan related to her research of Women's History, including articles, pamphlets, newspaper clippings, magazines, newsletters, artwork, and bookmarks.","\nSeries III: Postal Series, 1884-1997, contains a large number of stamps, First Day Covers, and postcards, allfeaturing women in history.","\nSeries IV: Women in History, 1792-2016, contains subject files related to various individual women in United States history.","\nSeries V: Artwork, ca. 1976-2013, contains original paintings and various artwork.","\nSeries VI: Memorabilia, 1915-2008, contains a wide variety of souvenirs and collectibles, including a large number of pins and buttons."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5765cfec293662f410013f49a81ec804\" label=\"Abstract\"\u003eCreated by Judith and Warren Kaplan, the collection contains a wide variety of materials related to Women's History, with special emphasis on stamps, suffrage, and women of achievement in United States history.\u003c/abstract\u003e"],"abstract_tesim":["Created by Judith and Warren Kaplan, the collection contains a wide variety of materials related to Women's History, with special emphasis on stamps, suffrage, and women of achievement in United States history."],"names_coll_ssim":["National Organization for Women","National Organization for Women. New York Chapter","National Women's History Museum (U.S.)"],"names_ssim":["UCF Special Collections","National Organization for Women","National Organization for Women. New York Chapter","National Women's History Museum (U.S.)","Kaplan, Judith"],"corpname_ssim":["UCF Special Collections","National Organization for Women","National Organization for Women. New York Chapter","National Women's History Museum (U.S.)"],"persname_ssim":["Kaplan, Judith"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":929,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"ae4e9efba5260571ede19734","timestamp":"2026-04-21T03:49:14.837Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ae4e9efba5260571ede19734"}},{"id":"83d5a5ce1d016fce045a8af0","type":"collection","attributes":{"title":"Julie Hunter Collection, 1961-2022","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/83d5a5ce1d016fce045a8af0#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe collection contains personal and professional papers of Julie Hunter. Materials include correspondence to and from Julie Hunter, professional papers documenting her career at the Atlanta-Fulton Public Library, African American Research Library and Cultural Center, and Broward County Library, photographs, notes, certificates, plaques, newspaper clippings, audio-visual materials, and one framed poster.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/83d5a5ce1d016fce045a8af0#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"83d5a5ce1d016fce045a8af0","title_filing_ssi":"Hunter, Julie Collection","title_ssm":["Julie Hunter Collection"],"title_tesim":["Julie Hunter Collection"],"ead_ssi":"83d5a5ce1d016fce045a8af0","unitdate_ssm":["1961-2022"],"unitdate_inclusive_ssm":["1961-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2021.16","/repositories/2/resources/182"],"text":["AARLCC.2021.16","/repositories/2/resources/182","Julie Hunter Collection, 1961-2022","Fort Lauderdale (Fla.)","Broward County (Fla.)","African American librarians","African American women","Hunter, Julie, 1937-2022 -- Correspondence","Library directors","Public libraries -- Florida -- Fort Lauderdale","Libraries and Black people","African American librarians","Photographs","Clippings","Programs","minutes (administrative records)","plaques (flat objects)","Certificates","Oral histories","Julie Hunter Collection is open for research.","The collection is arranged into 8 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs, Series V. Printed Materials, Series VI. Audio-Visual Materials, Series VII. Awards, and Series VIII. Poster.","Julie Varner Hunter, a leader within the field of librarianship and civil rights, was born on April 5, 1937 in Summerville, South Carolina to parents John Varner, welder and grocery store owner, and Mildred Collins, a homemaker. She was one of eight children. Hunter experienced racism and Ku Klux Klan activities as a young girl such as cross burnings in neighborhood yards and KKK parades through town. She earned her Bachelor's degree in Mathematics with a minor in English from Claflin College (now Claflin University) in Orangeburg, South Carolina, graduating summa cum laude. She joined the student chapter of the National Association for the Advancement of Colored People (NAACP) and served as president. After college, she worked as a Field Director for the NAACP and organized youth groups in the South from 1960 to 1963. In 1964, Mrs. Hunter attended library school at Atlanta University (now known as Clark Atlanta University). In Atlanta, she met Roy Hunter a professor of Biology at Morehouse College. They married in 1966.","Julie worked as the director of Atlanta University's Trevor Arnett Library after receiving her Masters degree in library science. She furthered her leadership in librarianship by working as the deputy/acting Director of the Robert W. Woodruff Library of Atlanta University in Atlanta, Georgia; Assistant Director of DeKalb County Public Library system in Decatur, Georgia; and the first Director of the Auburn Avenue Research Library on African American Culture and History at the Atlanta-Fulton Public Library. In 1996, she was promoted to Director of the Atlanta-Fulton Public Library.","Based on her prior experiences at the Auburn Avenue Research Library, Samuel Morrison recruited Julie to become the second director of the African American Research Library and Cultural Center (AARLCC). Her appointment began in September 2002. Julie strengthened AARLCC's collections and programs, championing the preservation and access of Black history and culture in South Florida. She coordinated the Ashley Bryan Art Series Conference with children's book illustrator Ashley Bryan and librarian and educator, Dr. Henrietta M. Smith. The conference hosts an illustrator of African descent each year and the artist donates an illustration to AARLCC. Julie also oversaw the acquisition of archival collections such as the Esther Rolle Collection in 2005 which contains actress Esther Rolle's photographs, playbills, and an Emmy Award. She later worked as Assistant Library Director for Broward County Library system until 2013. ","After her retirement in 2013, Julie remained active in the community and libraries by serving in the Friends of AARLCC. She received the 2014 Lifetime Achievement Award from the Florida Library Association, honoring her 47 years of library service. Through her work in the NAACP and in librarianship, Julie Hunter championed the spread of knowledge to dismantle ignorance and promote well-being in American society. She passed away on July 13, 2022.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Julie Hunter Collection in the Broward County Library Digital Archives.","The collection contains personal and professional papers of Julie Hunter. Materials include correspondence to and from Julie Hunter, professional papers documenting her career at the Atlanta-Fulton Public Library, African American Research Library and Cultural Center, and Broward County Library, photographs, notes, certificates, plaques, newspaper clippings, audio-visual materials, and one framed poster.","AARLCC Special Collections","African American Research Library and Cultural Center","Broward County Library","Auburn Avenue Research Library on African-American Culture and History","Atlanta-Fulton Public Library","National Association for the Advancement of Colored People","English"],"unitid_tesim":["AARLCC.2021.16","/repositories/2/resources/182"],"normalized_date_ssm":["1961-2022"],"normalized_title_ssm":["Julie Hunter Collection, 1961-2022"],"collection_title_tesim":["Julie Hunter Collection, 1961-2022"],"collection_ssim":["Julie Hunter Collection, 1961-2022"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"geogname_ssim":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"places_ssim":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"access_subjects_ssim":["African American librarians","African American women","Hunter, Julie, 1937-2022 -- Correspondence","Library directors","Public libraries -- Florida -- Fort Lauderdale","Libraries and Black people","African American librarians","Photographs","Clippings","Programs","minutes (administrative records)","plaques (flat objects)","Certificates","Oral histories"],"access_subjects_ssm":["African American librarians","African American women","Hunter, Julie, 1937-2022 -- Correspondence","Library directors","Public libraries -- Florida -- Fort Lauderdale","Libraries and Black people","African American librarians","Photographs","Clippings","Programs","minutes (administrative records)","plaques (flat objects)","Certificates","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["9 Hollinger Boxes","2 Boxes (irregular size)"],"extent_tesim":["9 Hollinger Boxes","2 Boxes (irregular size)"],"genreform_ssim":["Photographs","Clippings","Programs","minutes (administrative records)","plaques (flat objects)","Certificates","Oral histories"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eJulie Hunter Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Julie Hunter Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 8 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs, Series V. Printed Materials, Series VI. Audio-Visual Materials, Series VII. Awards, and Series VIII. Poster.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 8 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs, Series V. Printed Materials, Series VI. Audio-Visual Materials, Series VII. Awards, and Series VIII. Poster."],"bioghist_html_tesm":["\u003cp\u003eJulie Varner Hunter, a leader within the field of librarianship and civil rights, was born on April 5, 1937 in Summerville, South Carolina to parents John Varner, welder and grocery store owner, and Mildred Collins, a homemaker. She was one of eight children. Hunter experienced racism and Ku Klux Klan activities as a young girl such as cross burnings in neighborhood yards and KKK parades through town. She earned her Bachelor's degree in Mathematics with a minor in English from Claflin College (now Claflin University) in Orangeburg, South Carolina, graduating summa cum laude. She joined the student chapter of the National Association for the Advancement of Colored People (NAACP) and served as president. After college, she worked as a Field Director for the NAACP and organized youth groups in the South from 1960 to 1963. In 1964, Mrs. Hunter attended library school at Atlanta University (now known as Clark Atlanta University). In Atlanta, she met Roy Hunter a professor of Biology at Morehouse College. They married in 1966.\u003c/p\u003e\n","\u003cp\u003eJulie worked as the director of Atlanta University's Trevor Arnett Library after receiving her Masters degree in library science. She furthered her leadership in librarianship by working as the deputy/acting Director of the Robert W. Woodruff Library of Atlanta University in Atlanta, Georgia; Assistant Director of DeKalb County Public Library system in Decatur, Georgia; and the first Director of the Auburn Avenue Research Library on African American Culture and History at the Atlanta-Fulton Public Library. In 1996, she was promoted to Director of the Atlanta-Fulton Public Library.\u003c/p\u003e\n","\u003cp\u003eBased on her prior experiences at the Auburn Avenue Research Library, Samuel Morrison recruited Julie to become the second director of the African American Research Library and Cultural Center (AARLCC). Her appointment began in September 2002. Julie strengthened AARLCC's collections and programs, championing the preservation and access of Black history and culture in South Florida. She coordinated the Ashley Bryan Art Series Conference with children's book illustrator Ashley Bryan and librarian and educator, Dr. Henrietta M. Smith. The conference hosts an illustrator of African descent each year and the artist donates an illustration to AARLCC. Julie also oversaw the acquisition of archival collections such as the Esther Rolle Collection in 2005 which contains actress Esther Rolle's photographs, playbills, and an Emmy Award. She later worked as Assistant Library Director for Broward County Library system until 2013. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement in 2013, Julie remained active in the community and libraries by serving in the Friends of AARLCC. She received the 2014 Lifetime Achievement Award from the Florida Library Association, honoring her 47 years of library service. Through her work in the NAACP and in librarianship, Julie Hunter championed the spread of knowledge to dismantle ignorance and promote well-being in American society. She passed away on July 13, 2022.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Julie Varner Hunter, a leader within the field of librarianship and civil rights, was born on April 5, 1937 in Summerville, South Carolina to parents John Varner, welder and grocery store owner, and Mildred Collins, a homemaker. She was one of eight children. Hunter experienced racism and Ku Klux Klan activities as a young girl such as cross burnings in neighborhood yards and KKK parades through town. She earned her Bachelor's degree in Mathematics with a minor in English from Claflin College (now Claflin University) in Orangeburg, South Carolina, graduating summa cum laude. She joined the student chapter of the National Association for the Advancement of Colored People (NAACP) and served as president. After college, she worked as a Field Director for the NAACP and organized youth groups in the South from 1960 to 1963. In 1964, Mrs. Hunter attended library school at Atlanta University (now known as Clark Atlanta University). In Atlanta, she met Roy Hunter a professor of Biology at Morehouse College. They married in 1966.","Julie worked as the director of Atlanta University's Trevor Arnett Library after receiving her Masters degree in library science. She furthered her leadership in librarianship by working as the deputy/acting Director of the Robert W. Woodruff Library of Atlanta University in Atlanta, Georgia; Assistant Director of DeKalb County Public Library system in Decatur, Georgia; and the first Director of the Auburn Avenue Research Library on African American Culture and History at the Atlanta-Fulton Public Library. In 1996, she was promoted to Director of the Atlanta-Fulton Public Library.","Based on her prior experiences at the Auburn Avenue Research Library, Samuel Morrison recruited Julie to become the second director of the African American Research Library and Cultural Center (AARLCC). Her appointment began in September 2002. Julie strengthened AARLCC's collections and programs, championing the preservation and access of Black history and culture in South Florida. She coordinated the Ashley Bryan Art Series Conference with children's book illustrator Ashley Bryan and librarian and educator, Dr. Henrietta M. Smith. The conference hosts an illustrator of African descent each year and the artist donates an illustration to AARLCC. Julie also oversaw the acquisition of archival collections such as the Esther Rolle Collection in 2005 which contains actress Esther Rolle's photographs, playbills, and an Emmy Award. She later worked as Assistant Library Director for Broward County Library system until 2013. ","After her retirement in 2013, Julie remained active in the community and libraries by serving in the Friends of AARLCC. She received the 2014 Lifetime Achievement Award from the Florida Library Association, honoring her 47 years of library service. Through her work in the NAACP and in librarianship, Julie Hunter championed the spread of knowledge to dismantle ignorance and promote well-being in American society. She passed away on July 13, 2022."],"prefercite_html_tesm":["\u003cp\u003eJulie Hunter Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Julie Hunter Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll44\" target=\"_blank\"\u003eView a selection of digitized materials from the Julie Hunter Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Julie Hunter Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains personal and professional papers of Julie Hunter. Materials include correspondence to and from Julie Hunter, professional papers documenting her career at the Atlanta-Fulton Public Library, African American Research Library and Cultural Center, and Broward County Library, photographs, notes, certificates, plaques, newspaper clippings, audio-visual materials, and one framed poster.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains personal and professional papers of Julie Hunter. 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Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs, Series V. Printed Materials, Series VI. Audio-Visual Materials, Series VII. Awards, and Series VIII. Poster.","Julie Varner Hunter, a leader within the field of librarianship and civil rights, was born on April 5, 1937 in Summerville, South Carolina to parents John Varner, welder and grocery store owner, and Mildred Collins, a homemaker. She was one of eight children. Hunter experienced racism and Ku Klux Klan activities as a young girl such as cross burnings in neighborhood yards and KKK parades through town. She earned her Bachelor's degree in Mathematics with a minor in English from Claflin College (now Claflin University) in Orangeburg, South Carolina, graduating summa cum laude. She joined the student chapter of the National Association for the Advancement of Colored People (NAACP) and served as president. After college, she worked as a Field Director for the NAACP and organized youth groups in the South from 1960 to 1963. In 1964, Mrs. Hunter attended library school at Atlanta University (now known as Clark Atlanta University). In Atlanta, she met Roy Hunter a professor of Biology at Morehouse College. They married in 1966.","Julie worked as the director of Atlanta University's Trevor Arnett Library after receiving her Masters degree in library science. She furthered her leadership in librarianship by working as the deputy/acting Director of the Robert W. Woodruff Library of Atlanta University in Atlanta, Georgia; Assistant Director of DeKalb County Public Library system in Decatur, Georgia; and the first Director of the Auburn Avenue Research Library on African American Culture and History at the Atlanta-Fulton Public Library. In 1996, she was promoted to Director of the Atlanta-Fulton Public Library.","Based on her prior experiences at the Auburn Avenue Research Library, Samuel Morrison recruited Julie to become the second director of the African American Research Library and Cultural Center (AARLCC). Her appointment began in September 2002. Julie strengthened AARLCC's collections and programs, championing the preservation and access of Black history and culture in South Florida. She coordinated the Ashley Bryan Art Series Conference with children's book illustrator Ashley Bryan and librarian and educator, Dr. Henrietta M. Smith. The conference hosts an illustrator of African descent each year and the artist donates an illustration to AARLCC. Julie also oversaw the acquisition of archival collections such as the Esther Rolle Collection in 2005 which contains actress Esther Rolle's photographs, playbills, and an Emmy Award. She later worked as Assistant Library Director for Broward County Library system until 2013. ","After her retirement in 2013, Julie remained active in the community and libraries by serving in the Friends of AARLCC. She received the 2014 Lifetime Achievement Award from the Florida Library Association, honoring her 47 years of library service. Through her work in the NAACP and in librarianship, Julie Hunter championed the spread of knowledge to dismantle ignorance and promote well-being in American society. She passed away on July 13, 2022.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Julie Hunter Collection in the Broward County Library Digital Archives.","The collection contains personal and professional papers of Julie Hunter. Materials include correspondence to and from Julie Hunter, professional papers documenting her career at the Atlanta-Fulton Public Library, African American Research Library and Cultural Center, and Broward County Library, photographs, notes, certificates, plaques, newspaper clippings, audio-visual materials, and one framed poster.","AARLCC Special Collections","African American Research Library and Cultural Center","Broward County Library","Auburn Avenue Research Library on African-American Culture and History","Atlanta-Fulton Public Library","National Association for the Advancement of Colored People","English"],"unitid_tesim":["AARLCC.2021.16","/repositories/2/resources/182"],"normalized_date_ssm":["1961-2022"],"normalized_title_ssm":["Julie Hunter Collection, 1961-2022"],"collection_title_tesim":["Julie Hunter Collection, 1961-2022"],"collection_ssim":["Julie Hunter Collection, 1961-2022"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"geogname_ssim":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"places_ssim":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"access_subjects_ssim":["African American librarians","African American women","Hunter, Julie, 1937-2022 -- Correspondence","Library directors","Public libraries -- Florida -- Fort Lauderdale","Libraries and Black people","African American librarians","Photographs","Clippings","Programs","minutes (administrative records)","plaques (flat objects)","Certificates","Oral histories"],"access_subjects_ssm":["African American librarians","African American women","Hunter, Julie, 1937-2022 -- Correspondence","Library directors","Public libraries -- Florida -- Fort Lauderdale","Libraries and Black people","African American librarians","Photographs","Clippings","Programs","minutes (administrative records)","plaques (flat objects)","Certificates","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["9 Hollinger Boxes","2 Boxes (irregular size)"],"extent_tesim":["9 Hollinger Boxes","2 Boxes (irregular size)"],"genreform_ssim":["Photographs","Clippings","Programs","minutes (administrative records)","plaques (flat objects)","Certificates","Oral histories"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eJulie Hunter Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Julie Hunter Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 8 series: Series I. 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She earned her Bachelor's degree in Mathematics with a minor in English from Claflin College (now Claflin University) in Orangeburg, South Carolina, graduating summa cum laude. She joined the student chapter of the National Association for the Advancement of Colored People (NAACP) and served as president. After college, she worked as a Field Director for the NAACP and organized youth groups in the South from 1960 to 1963. In 1964, Mrs. Hunter attended library school at Atlanta University (now known as Clark Atlanta University). In Atlanta, she met Roy Hunter a professor of Biology at Morehouse College. They married in 1966.\u003c/p\u003e\n","\u003cp\u003eJulie worked as the director of Atlanta University's Trevor Arnett Library after receiving her Masters degree in library science. She furthered her leadership in librarianship by working as the deputy/acting Director of the Robert W. Woodruff Library of Atlanta University in Atlanta, Georgia; Assistant Director of DeKalb County Public Library system in Decatur, Georgia; and the first Director of the Auburn Avenue Research Library on African American Culture and History at the Atlanta-Fulton Public Library. In 1996, she was promoted to Director of the Atlanta-Fulton Public Library.\u003c/p\u003e\n","\u003cp\u003eBased on her prior experiences at the Auburn Avenue Research Library, Samuel Morrison recruited Julie to become the second director of the African American Research Library and Cultural Center (AARLCC). Her appointment began in September 2002. Julie strengthened AARLCC's collections and programs, championing the preservation and access of Black history and culture in South Florida. She coordinated the Ashley Bryan Art Series Conference with children's book illustrator Ashley Bryan and librarian and educator, Dr. Henrietta M. Smith. The conference hosts an illustrator of African descent each year and the artist donates an illustration to AARLCC. Julie also oversaw the acquisition of archival collections such as the Esther Rolle Collection in 2005 which contains actress Esther Rolle's photographs, playbills, and an Emmy Award. She later worked as Assistant Library Director for Broward County Library system until 2013. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement in 2013, Julie remained active in the community and libraries by serving in the Friends of AARLCC. She received the 2014 Lifetime Achievement Award from the Florida Library Association, honoring her 47 years of library service. Through her work in the NAACP and in librarianship, Julie Hunter championed the spread of knowledge to dismantle ignorance and promote well-being in American society. She passed away on July 13, 2022.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Julie Varner Hunter, a leader within the field of librarianship and civil rights, was born on April 5, 1937 in Summerville, South Carolina to parents John Varner, welder and grocery store owner, and Mildred Collins, a homemaker. She was one of eight children. Hunter experienced racism and Ku Klux Klan activities as a young girl such as cross burnings in neighborhood yards and KKK parades through town. She earned her Bachelor's degree in Mathematics with a minor in English from Claflin College (now Claflin University) in Orangeburg, South Carolina, graduating summa cum laude. She joined the student chapter of the National Association for the Advancement of Colored People (NAACP) and served as president. After college, she worked as a Field Director for the NAACP and organized youth groups in the South from 1960 to 1963. In 1964, Mrs. Hunter attended library school at Atlanta University (now known as Clark Atlanta University). In Atlanta, she met Roy Hunter a professor of Biology at Morehouse College. They married in 1966.","Julie worked as the director of Atlanta University's Trevor Arnett Library after receiving her Masters degree in library science. She furthered her leadership in librarianship by working as the deputy/acting Director of the Robert W. Woodruff Library of Atlanta University in Atlanta, Georgia; Assistant Director of DeKalb County Public Library system in Decatur, Georgia; and the first Director of the Auburn Avenue Research Library on African American Culture and History at the Atlanta-Fulton Public Library. In 1996, she was promoted to Director of the Atlanta-Fulton Public Library.","Based on her prior experiences at the Auburn Avenue Research Library, Samuel Morrison recruited Julie to become the second director of the African American Research Library and Cultural Center (AARLCC). Her appointment began in September 2002. Julie strengthened AARLCC's collections and programs, championing the preservation and access of Black history and culture in South Florida. She coordinated the Ashley Bryan Art Series Conference with children's book illustrator Ashley Bryan and librarian and educator, Dr. Henrietta M. Smith. The conference hosts an illustrator of African descent each year and the artist donates an illustration to AARLCC. Julie also oversaw the acquisition of archival collections such as the Esther Rolle Collection in 2005 which contains actress Esther Rolle's photographs, playbills, and an Emmy Award. She later worked as Assistant Library Director for Broward County Library system until 2013. ","After her retirement in 2013, Julie remained active in the community and libraries by serving in the Friends of AARLCC. She received the 2014 Lifetime Achievement Award from the Florida Library Association, honoring her 47 years of library service. Through her work in the NAACP and in librarianship, Julie Hunter championed the spread of knowledge to dismantle ignorance and promote well-being in American society. She passed away on July 13, 2022."],"prefercite_html_tesm":["\u003cp\u003eJulie Hunter Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Julie Hunter Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll44\" target=\"_blank\"\u003eView a selection of digitized materials from the Julie Hunter Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Julie Hunter Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains personal and professional papers of Julie Hunter. 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Fred Lewis Florida Supreme Court Papers, 1998-2018","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/a6eb24dbb19ecc8f4b074d11#creator","type":"document_value","attributes":{"value":["Lewis, R. Fred, Justice "],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a6eb24dbb19ecc8f4b074d11#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Justice R. Fred Lewis Florida Supreme Court Papers highlight his career on the Florida Supreme Court from 1998 to 2018 when he retired. The collection consists of the following series arranged chronologically and then alphabetically: 2000 Election, 2004 Election, Case Logs, Committees, Correspondence, Financial, Florida Court Education Council, Opinions, and Personal Artefacts. The latter category includes awards Justice Lewis received. Correspondence and court documents provide an insight into the day-to-day operations of a state supreme court. Of special interest are the files, newspapers articles, and correspondence surrounding the 2000 presidential election, ballot recounts, Florida Supreme Court Rulings, and the U.S. Supreme Court ruling. Additional documents highlight Justice Lewis's activities with the Justice Teaching Institute, the Florida Board of Bar Examiners, several professional organizations, and his dedication to making court access equitable for people with disabilities.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a6eb24dbb19ecc8f4b074d11#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"a6eb24dbb19ecc8f4b074d11","title_ssm":["Justice R. Fred Lewis Florida Supreme Court Papers"],"title_tesim":["Justice R. 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Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.","This collection is arranged in the following series:\n2000 Election;\n2000 Election Newspaper Articles;\n2004 Election;\nCase Logs;\nCommittees;\nCorrespondence;\nFinancial;\nFlorida Court Education Council;\nOpinions","Richard Fred Lewis (born December 14, 1947) was appointed to the Supreme Court of Florida on December 7, 1998. From 2006-2008, he served as Chief Justice, and then again as Justice until his retirement in 2019. Notable during his tenure was the Florida Supreme Court's involvement in the 2000 presidential election. While serving as Chief Justice, Lewis founded Justice Teaching, an organization that has over 4,000 volunteer lawyers and judges placed with and active in all Florida public schools. The organization's goal is to enhance civic and law-related education through active programs in all levels of Florida schools. Lewis was born in Beckley, West Virginia and graduated in 1969 from Florida Southern College. He then attended the University of Miami School of Law, where he graduated third in his class, cum laude, in 1972. Justice R. Fred Lewis is a veteran of the United States Army, and practiced law in Miami until his appointment to the Florida Supreme Court. After retirement from the Supreme Court Lewis moved to Lakeland and now serves as the Eminent Professor of Law and Letters at Florida Southern College. He is the founder of Justice Teaching which is also now at Florida Southern and relocated to the Justice Teaching Center for Civic Learning.","Correspondence was separated and arranged as \"official\" and \"personal,\" with an error towards professional as the subject was a public figure.","The Justice R. Fred Lewis Florida Supreme Court Papers highlight his career on the Florida Supreme Court from 1998 to 2018 when he retired. The collection consists of the following series arranged chronologically and then alphabetically: 2000 Election, 2004 Election, Case\nLogs, Committees, Correspondence, Financial, Florida Court Education Council, Opinions, and Personal Artefacts. The latter category includes awards Justice Lewis received. Correspondence and court documents provide an insight into the day-to-day operations of a state supreme court. Of special interest are the files, newspapers articles, and correspondence surrounding the 2000 presidential election, ballot recounts, Florida Supreme Court Rulings,\nand the U.S. Supreme Court ruling. Additional documents highlight Justice Lewis's activities with the Justice Teaching Institute, the Florida Board of Bar Examiners, several professional organizations, and his dedication to making court access equitable for people with disabilities.","The Justice R. Fred Lewis Florida Supreme Court Papers are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions - archives@flsouthern.edu.","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Lewis, R. Fred, Justice ","English"],"unitid_tesim":["MS1050","/repositories/2/resources/19"],"normalized_date_ssm":["1998-2018"],"normalized_title_ssm":["Justice R. 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Fred Lewis Florida Supreme Court Papers highlight his career on the Florida Supreme Court from 1998 to 2018 when he retired. The collection consists of the following series arranged chronologically and then alphabetically: 2000 Election, 2004 Election, Case\nLogs, Committees, Correspondence, Financial, Florida Court Education Council, Opinions, and Personal Artefacts. The latter category includes awards Justice Lewis received. Correspondence and court documents provide an insight into the day-to-day operations of a state supreme court. Of special interest are the files, newspapers articles, and correspondence surrounding the 2000 presidential election, ballot recounts, Florida Supreme Court Rulings,\nand the U.S. Supreme Court ruling. 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Fred Lewis Florida Supreme Court Papers highlight his career on the Florida Supreme Court from 1998 to 2018 when he retired. The collection consists of the following series arranged chronologically and then alphabetically: 2000 Election, 2004 Election, Case\nLogs, Committees, Correspondence, Financial, Florida Court Education Council, Opinions, and Personal Artefacts. The latter category includes awards Justice Lewis received. Correspondence and court documents provide an insight into the day-to-day operations of a state supreme court. Of special interest are the files, newspapers articles, and correspondence surrounding the 2000 presidential election, ballot recounts, Florida Supreme Court Rulings,\nand the U.S. Supreme Court ruling. 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Fred, Justice "],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":542,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870851057048879104,"_root_":"a6eb24dbb19ecc8f4b074d11","timestamp":"2026-07-16T06:16:42.841Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a6eb24dbb19ecc8f4b074d11"}},{"id":"e9eaf4a71ed24268b4e2d743","type":"collection","attributes":{"title":"Keith Beauchamp Papers, 1950, 1955, 2001-2006, 2015, 2018, bulk 2001-2006","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/e9eaf4a71ed24268b4e2d743#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eAudiovisual recordings, newspaper and magazine clippings, and other documentation of the work of Keith Beauchamp, especially regarding Emmett Till and the 2005 motion picture \u003cem\u003eThe Untold Story of Emmett Louis Till\u003c/em\u003e.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/e9eaf4a71ed24268b4e2d743#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"e9eaf4a71ed24268b4e2d743","title_ssm":["Keith Beauchamp Papers"],"title_tesim":["Keith Beauchamp Papers"],"ead_ssi":"e9eaf4a71ed24268b4e2d743","unitdate_ssm":["1950, 1955, 2001-2006, 2015, 2018","2001-2006"],"unitdate_bulk_ssim":["2001-2006"],"unitdate_inclusive_ssm":["1950, 1955, 2001-2006, 2015, 2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2015-016","/repositories/10/resources/992"],"text":["MSS 2015-016","/repositories/10/resources/992","Keith Beauchamp Papers, 1950, 1955, 2001-2006, 2015, 2018, bulk 2001-2006","Documentary films","Motion pictures.","Videocassettes.","Except where otherwise noted, this collection is open to all researchers.","Access to video content in Box 1-3 is restricted by donor agreement. Please contact Special Collections \u0026 Archives staff for more information on access to these materials.  https://www.lib.fsu.edu/specialcollections/","Users may access this collection at the Claude Pepper Library.","Keith A. Beauchamp is an African American filmmaker and lecturer. He is known for his creative work and activism regarding African American civil rights, and especially for work related to the 1955 lynching of Emmett Till.","Beauchamp was born in 1972 near Augusta, Georgia, and grew up in Louisiana. He studied Criminal Justice at Southern University in Baton Rouge, Louisiana. In 1999, Beauchamp founded Till Freedom Come Productions and began traveling among New York City, Chicago, and locations in Mississippi, investigating the murder of Emmett Till. On May 10th, 2004, the United States Department of Justice re-opened the Emmett Till murder case, citing Beauchamp's documentary  The Untold Story of Emmett Louis Till  as a factor in their decision and the starting point for their investigation.","In 2007, Beauchamp begin his collaboration with the FBI's Civil Rights Cold Case Initiative, producing documentaries on unsolved civil rights murders. Other works by Till Freedom Come Productions include  Wanted Justice: Johnnie Mae Chappell  (2009);  If I Die Tonight  (2009); and the BET Her series  Exceptional Black Women  (2019). Beauchamp also served as executive producer and host of Investigation Discovery's crime reality series  The Injustice Files  (2011-2014), and screenwriter and producer of the feature film  Till  (2022).","Sources","Jackson, Angelique. \"Whoopi Goldberg, Danielle Deadwyler to Star in Movie About Emmett Till's Mother Directed by Chinonye Chukwu.\" Variety online. July 23, 2021.  https://variety.com/2021/film/news/whoopi-goldberg-emmett-till-movie-danielle-deadwyler-1235026380/","Till Freedom Come Productions. \"Production Portfolio,\" accessed November 22, 2021.  https://www.tillfreedomcome.com/","Authors: Rory Grennan and Haley McGuyre","Content on videocassette is not immediately available for use in Special Collections \u0026 Archives reading rooms. Please contact staff at (850) 644-3271 or lib-specialcollections@fsu.edu for more information about viewing and using audiovisual recordings from archival collections.","Keith Beauchamp (director). (2005).  The Untold Story of Emmett Louis Till  [motion picture]. USA: Velocity/Thinkfilm.  https://youtu.be/bvijYSJtkQk","Emmett Till Project. \"Conversations.\"  http://www.emmetttillproject.com/conversations","Audiovisual recordings, newspaper and magazine clippings, and other documentation of the work of Keith Beauchamp, especially regarding Emmett Till and the 2005 motion picture  The Untold Story of Emmett Louis Till .","Some material from the Beauchamp Papers is available through the  FSU Digital Library","This collection includes historical and primary sources documenting racism and violence against children. Some content may be traumatic to researchers and difficult to view. We provide access to these materials to preserve the historical record and support research and instruction on difficult topics. See our full Statement on Potentially Harmful Content here:  https://repository.lib.fsu.edu/potentially-harmful-content-statement","Copyrights in works by Keith Beauchamp in this collection are held by Florida State University. For permission to re-use content beyond Fair Use, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","Copyright restrictions may apply to other works in this collection. Re-use or copying beyond Fair Use may require permission from rights-holders. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","Till, Emmett, 1941-1955","English"],"unitid_tesim":["MSS 2015-016","/repositories/10/resources/992"],"normalized_date_ssm":["1950, 1955, 2001-2006, 2015, 2018, bulk 2001-2006"],"normalized_title_ssm":["Keith Beauchamp Papers, 1950, 1955, 2001-2006, 2015, 2018, bulk 2001-2006"],"collection_title_tesim":["Keith Beauchamp Papers, 1950, 1955, 2001-2006, 2015, 2018, bulk 2001-2006"],"collection_ssim":["Keith Beauchamp Papers, 1950, 1955, 2001-2006, 2015, 2018, bulk 2001-2006"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyrights in works by Keith Beauchamp in this collection are held by Florida State University. For permission to re-use content beyond Fair Use, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","Copyright restrictions may apply to other works in this collection. Re-use or copying beyond Fair Use may require permission from rights-holders. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["Keith A. Beauchamp (creator)","Donation. Deed of Gift executed October 2015. Acquired on February 24, 2017. Additional materials donated in February 2018."],"access_subjects_ssim":["Documentary films","Motion pictures.","Videocassettes."],"access_subjects_ssm":["Documentary films","Motion pictures.","Videocassettes."],"has_online_content_ssim":["false"],"extent_ssm":["4 Linear Feet","175 Gigabytes"],"extent_tesim":["4 Linear Feet","175 Gigabytes"],"genreform_ssim":["Documentary films","Motion pictures.","Videocassettes."],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eExcept where otherwise noted, this collection is open to all researchers.\u003c/p\u003e\n","\u003cp\u003eAccess to video content in Box 1-3 is restricted by donor agreement. Please contact Special Collections \u0026amp; Archives staff for more information on access to these materials. \u003cextref href=\"https://www.lib.fsu.edu/specialcollections\"\u003ehttps://www.lib.fsu.edu/specialcollections/\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eUsers may access this collection at the Claude Pepper Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Except where otherwise noted, this collection is open to all researchers.","Access to video content in Box 1-3 is restricted by donor agreement. Please contact Special Collections \u0026 Archives staff for more information on access to these materials.  https://www.lib.fsu.edu/specialcollections/","Users may access this collection at the Claude Pepper Library."],"bioghist_html_tesm":["\u003cp\u003eKeith A. Beauchamp is an African American filmmaker and lecturer. He is known for his creative work and activism regarding African American civil rights, and especially for work related to the 1955 lynching of Emmett Till.\u003c/p\u003e\n","\u003cp\u003eBeauchamp was born in 1972 near Augusta, Georgia, and grew up in Louisiana. He studied Criminal Justice at Southern University in Baton Rouge, Louisiana. In 1999, Beauchamp founded Till Freedom Come Productions and began traveling among New York City, Chicago, and locations in Mississippi, investigating the murder of Emmett Till. On May 10th, 2004, the United States Department of Justice re-opened the Emmett Till murder case, citing Beauchamp's documentary \u003cemph render=\"italic\"\u003eThe Untold Story of Emmett Louis Till\u003c/emph\u003e as a factor in their decision and the starting point for their investigation.\u003c/p\u003e\n","\u003cp\u003eIn 2007, Beauchamp begin his collaboration with the FBI's Civil Rights Cold Case Initiative, producing documentaries on unsolved civil rights murders. Other works by Till Freedom Come Productions include \u003cemph render=\"italic\"\u003eWanted Justice: Johnnie Mae Chappell\u003c/emph\u003e (2009); \u003cemph render=\"italic\"\u003eIf I Die Tonight\u003c/emph\u003e (2009); and the BET Her series \u003cemph render=\"italic\"\u003eExceptional Black Women\u003c/emph\u003e (2019). Beauchamp also served as executive producer and host of Investigation Discovery's crime reality series \u003cemph render=\"italic\"\u003eThe Injustice Files\u003c/emph\u003e (2011-2014), and screenwriter and producer of the feature film \u003cemph render=\"italic\"\u003eTill\u003c/emph\u003e (2022).\u003c/p\u003e\n","\u003cp\u003eSources\u003c/p\u003e\n","\u003cp\u003eJackson, Angelique. \"Whoopi Goldberg, Danielle Deadwyler to Star in Movie About Emmett Till's Mother Directed by Chinonye Chukwu.\" Variety online. July 23, 2021. \u003cextref href=\"https://variety.com/2021/film/news/whoopi-goldberg-emmett-till-movie-danielle-deadwyler-1235026380/\"\u003ehttps://variety.com/2021/film/news/whoopi-goldberg-emmett-till-movie-danielle-deadwyler-1235026380/\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eTill Freedom Come Productions. \"Production Portfolio,\" accessed November 22, 2021. \u003cextref href=\"https://www.tillfreedomcome.com/\"\u003ehttps://www.tillfreedomcome.com/\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eAuthors: Rory Grennan and Haley McGuyre\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Keith A. Beauchamp is an African American filmmaker and lecturer. He is known for his creative work and activism regarding African American civil rights, and especially for work related to the 1955 lynching of Emmett Till.","Beauchamp was born in 1972 near Augusta, Georgia, and grew up in Louisiana. He studied Criminal Justice at Southern University in Baton Rouge, Louisiana. In 1999, Beauchamp founded Till Freedom Come Productions and began traveling among New York City, Chicago, and locations in Mississippi, investigating the murder of Emmett Till. On May 10th, 2004, the United States Department of Justice re-opened the Emmett Till murder case, citing Beauchamp's documentary  The Untold Story of Emmett Louis Till  as a factor in their decision and the starting point for their investigation.","In 2007, Beauchamp begin his collaboration with the FBI's Civil Rights Cold Case Initiative, producing documentaries on unsolved civil rights murders. Other works by Till Freedom Come Productions include  Wanted Justice: Johnnie Mae Chappell  (2009);  If I Die Tonight  (2009); and the BET Her series  Exceptional Black Women  (2019). Beauchamp also served as executive producer and host of Investigation Discovery's crime reality series  The Injustice Files  (2011-2014), and screenwriter and producer of the feature film  Till  (2022).","Sources","Jackson, Angelique. \"Whoopi Goldberg, Danielle Deadwyler to Star in Movie About Emmett Till's Mother Directed by Chinonye Chukwu.\" Variety online. July 23, 2021.  https://variety.com/2021/film/news/whoopi-goldberg-emmett-till-movie-danielle-deadwyler-1235026380/","Till Freedom Come Productions. \"Production Portfolio,\" accessed November 22, 2021.  https://www.tillfreedomcome.com/","Authors: Rory Grennan and Haley McGuyre"],"phystech_html_tesm":["\u003cp\u003eContent on videocassette is not immediately available for use in Special Collections \u0026amp; Archives reading rooms. Please contact staff at (850) 644-3271 or lib-specialcollections@fsu.edu for more information about viewing and using audiovisual recordings from archival collections.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Access Requirements"],"phystech_tesim":["Content on videocassette is not immediately available for use in Special Collections \u0026 Archives reading rooms. Please contact staff at (850) 644-3271 or lib-specialcollections@fsu.edu for more information about viewing and using audiovisual recordings from archival collections."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], Keith Beauchamp Papers, MSS 2015-016, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS_2015-016\"\u003ehttp://purl.fcla.edu/fsu/MSS_2015-016\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], Keith Beauchamp Papers, MSS 2015-016, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_2015-016"],"relatedmaterial_html_tesm":["\u003cp\u003eKeith Beauchamp (director). (2005). \u003cemph render=\"italic\"\u003eThe Untold Story of Emmett Louis Till\u003c/emph\u003e [motion picture]. USA: Velocity/Thinkfilm. \u003cextref href=\"https://youtu.be/bvijYSJtkQk\"\u003ehttps://youtu.be/bvijYSJtkQk\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eEmmett Till Project. \"Conversations.\" \u003cextref href=\"http://www.emmetttillproject.com/conversations\"\u003ehttp://www.emmetttillproject.com/conversations\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Resources"],"relatedmaterial_tesim":["Keith Beauchamp (director). (2005).  The Untold Story of Emmett Louis Till  [motion picture]. USA: Velocity/Thinkfilm.  https://youtu.be/bvijYSJtkQk","Emmett Till Project. \"Conversations.\"  http://www.emmetttillproject.com/conversations"],"scopecontent_html_tesm":["\u003cp\u003eAudiovisual recordings, newspaper and magazine clippings, and other documentation of the work of Keith Beauchamp, especially regarding Emmett Till and the 2005 motion picture \u003cemph render=\"italic\"\u003eThe Untold Story of Emmett Louis Till\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003eSome material from the Beauchamp Papers is available through the \u003cextref href=\"https://diginole.lib.fsu.edu/islandora/object/fsu:beauchampaudiovisualrecordings\"\u003eFSU Digital Library\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003eThis collection includes historical and primary sources documenting racism and violence against children. Some content may be traumatic to researchers and difficult to view. We provide access to these materials to preserve the historical record and support research and instruction on difficult topics. See our full Statement on Potentially Harmful Content here: \u003cextref href=\"https://repository.lib.fsu.edu/potentially-harmful-content-statement\"\u003ehttps://repository.lib.fsu.edu/potentially-harmful-content-statement\u003c/extref\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available","Potentially Harmful Content"],"scopecontent_tesim":["Audiovisual recordings, newspaper and magazine clippings, and other documentation of the work of Keith Beauchamp, especially regarding Emmett Till and the 2005 motion picture  The Untold Story of Emmett Louis Till .","Some material from the Beauchamp Papers is available through the  FSU Digital Library","This collection includes historical and primary sources documenting racism and violence against children. Some content may be traumatic to researchers and difficult to view. We provide access to these materials to preserve the historical record and support research and instruction on difficult topics. See our full Statement on Potentially Harmful Content here:  https://repository.lib.fsu.edu/potentially-harmful-content-statement"],"userestrict_html_tesm":["\u003cp\u003eCopyrights in works by Keith Beauchamp in this collection are held by Florida State University. For permission to re-use content beyond Fair Use, contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e\n","\u003cp\u003eCopyright restrictions may apply to other works in this collection. Re-use or copying beyond Fair Use may require permission from rights-holders. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyrights in works by Keith Beauchamp in this collection are held by Florida State University. For permission to re-use content beyond Fair Use, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","Copyright restrictions may apply to other works in this collection. Re-use or copying beyond Fair Use may require permission from rights-holders. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives","Till, Emmett, 1941-1955"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Till, Emmett, 1941-1955"],"persname_ssim":["Till, Emmett, 1941-1955"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":112,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"e9eaf4a71ed24268b4e2d743","timestamp":"2026-07-10T09:40:39.676Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"e9eaf4a71ed24268b4e2d743","title_ssm":["Keith Beauchamp Papers"],"title_tesim":["Keith Beauchamp Papers"],"ead_ssi":"e9eaf4a71ed24268b4e2d743","unitdate_ssm":["1950, 1955, 2001-2006, 2015, 2018","2001-2006"],"unitdate_bulk_ssim":["2001-2006"],"unitdate_inclusive_ssm":["1950, 1955, 2001-2006, 2015, 2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 2015-016","/repositories/10/resources/992"],"text":["MSS 2015-016","/repositories/10/resources/992","Keith Beauchamp Papers, 1950, 1955, 2001-2006, 2015, 2018, bulk 2001-2006","Documentary films","Motion pictures.","Videocassettes.","Except where otherwise noted, this collection is open to all researchers.","Access to video content in Box 1-3 is restricted by donor agreement. Please contact Special Collections \u0026 Archives staff for more information on access to these materials.  https://www.lib.fsu.edu/specialcollections/","Users may access this collection at the Claude Pepper Library.","Keith A. Beauchamp is an African American filmmaker and lecturer. He is known for his creative work and activism regarding African American civil rights, and especially for work related to the 1955 lynching of Emmett Till.","Beauchamp was born in 1972 near Augusta, Georgia, and grew up in Louisiana. He studied Criminal Justice at Southern University in Baton Rouge, Louisiana. In 1999, Beauchamp founded Till Freedom Come Productions and began traveling among New York City, Chicago, and locations in Mississippi, investigating the murder of Emmett Till. On May 10th, 2004, the United States Department of Justice re-opened the Emmett Till murder case, citing Beauchamp's documentary  The Untold Story of Emmett Louis Till  as a factor in their decision and the starting point for their investigation.","In 2007, Beauchamp begin his collaboration with the FBI's Civil Rights Cold Case Initiative, producing documentaries on unsolved civil rights murders. Other works by Till Freedom Come Productions include  Wanted Justice: Johnnie Mae Chappell  (2009);  If I Die Tonight  (2009); and the BET Her series  Exceptional Black Women  (2019). Beauchamp also served as executive producer and host of Investigation Discovery's crime reality series  The Injustice Files  (2011-2014), and screenwriter and producer of the feature film  Till  (2022).","Sources","Jackson, Angelique. \"Whoopi Goldberg, Danielle Deadwyler to Star in Movie About Emmett Till's Mother Directed by Chinonye Chukwu.\" Variety online. July 23, 2021.  https://variety.com/2021/film/news/whoopi-goldberg-emmett-till-movie-danielle-deadwyler-1235026380/","Till Freedom Come Productions. \"Production Portfolio,\" accessed November 22, 2021.  https://www.tillfreedomcome.com/","Authors: Rory Grennan and Haley McGuyre","Content on videocassette is not immediately available for use in Special Collections \u0026 Archives reading rooms. Please contact staff at (850) 644-3271 or lib-specialcollections@fsu.edu for more information about viewing and using audiovisual recordings from archival collections.","Keith Beauchamp (director). (2005).  The Untold Story of Emmett Louis Till  [motion picture]. USA: Velocity/Thinkfilm.  https://youtu.be/bvijYSJtkQk","Emmett Till Project. \"Conversations.\"  http://www.emmetttillproject.com/conversations","Audiovisual recordings, newspaper and magazine clippings, and other documentation of the work of Keith Beauchamp, especially regarding Emmett Till and the 2005 motion picture  The Untold Story of Emmett Louis Till .","Some material from the Beauchamp Papers is available through the  FSU Digital Library","This collection includes historical and primary sources documenting racism and violence against children. Some content may be traumatic to researchers and difficult to view. We provide access to these materials to preserve the historical record and support research and instruction on difficult topics. See our full Statement on Potentially Harmful Content here:  https://repository.lib.fsu.edu/potentially-harmful-content-statement","Copyrights in works by Keith Beauchamp in this collection are held by Florida State University. For permission to re-use content beyond Fair Use, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","Copyright restrictions may apply to other works in this collection. Re-use or copying beyond Fair Use may require permission from rights-holders. Please contact lib-specialcollections@fsu.edu for more information.","FSU Special Collections \u0026 Archives","Till, Emmett, 1941-1955","English"],"unitid_tesim":["MSS 2015-016","/repositories/10/resources/992"],"normalized_date_ssm":["1950, 1955, 2001-2006, 2015, 2018, bulk 2001-2006"],"normalized_title_ssm":["Keith Beauchamp Papers, 1950, 1955, 2001-2006, 2015, 2018, bulk 2001-2006"],"collection_title_tesim":["Keith Beauchamp Papers, 1950, 1955, 2001-2006, 2015, 2018, bulk 2001-2006"],"collection_ssim":["Keith Beauchamp Papers, 1950, 1955, 2001-2006, 2015, 2018, bulk 2001-2006"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"access_terms_ssm":["Copyrights in works by Keith Beauchamp in this collection are held by Florida State University. For permission to re-use content beyond Fair Use, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","Copyright restrictions may apply to other works in this collection. Re-use or copying beyond Fair Use may require permission from rights-holders. Please contact lib-specialcollections@fsu.edu for more information."],"acqinfo_ssim":["Keith A. Beauchamp (creator)","Donation. Deed of Gift executed October 2015. Acquired on February 24, 2017. Additional materials donated in February 2018."],"access_subjects_ssim":["Documentary films","Motion pictures.","Videocassettes."],"access_subjects_ssm":["Documentary films","Motion pictures.","Videocassettes."],"has_online_content_ssim":["false"],"extent_ssm":["4 Linear Feet","175 Gigabytes"],"extent_tesim":["4 Linear Feet","175 Gigabytes"],"genreform_ssim":["Documentary films","Motion pictures.","Videocassettes."],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eExcept where otherwise noted, this collection is open to all researchers.\u003c/p\u003e\n","\u003cp\u003eAccess to video content in Box 1-3 is restricted by donor agreement. Please contact Special Collections \u0026amp; Archives staff for more information on access to these materials. \u003cextref href=\"https://www.lib.fsu.edu/specialcollections\"\u003ehttps://www.lib.fsu.edu/specialcollections/\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eUsers may access this collection at the Claude Pepper Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Except where otherwise noted, this collection is open to all researchers.","Access to video content in Box 1-3 is restricted by donor agreement. Please contact Special Collections \u0026 Archives staff for more information on access to these materials.  https://www.lib.fsu.edu/specialcollections/","Users may access this collection at the Claude Pepper Library."],"bioghist_html_tesm":["\u003cp\u003eKeith A. Beauchamp is an African American filmmaker and lecturer. He is known for his creative work and activism regarding African American civil rights, and especially for work related to the 1955 lynching of Emmett Till.\u003c/p\u003e\n","\u003cp\u003eBeauchamp was born in 1972 near Augusta, Georgia, and grew up in Louisiana. He studied Criminal Justice at Southern University in Baton Rouge, Louisiana. In 1999, Beauchamp founded Till Freedom Come Productions and began traveling among New York City, Chicago, and locations in Mississippi, investigating the murder of Emmett Till. On May 10th, 2004, the United States Department of Justice re-opened the Emmett Till murder case, citing Beauchamp's documentary \u003cemph render=\"italic\"\u003eThe Untold Story of Emmett Louis Till\u003c/emph\u003e as a factor in their decision and the starting point for their investigation.\u003c/p\u003e\n","\u003cp\u003eIn 2007, Beauchamp begin his collaboration with the FBI's Civil Rights Cold Case Initiative, producing documentaries on unsolved civil rights murders. Other works by Till Freedom Come Productions include \u003cemph render=\"italic\"\u003eWanted Justice: Johnnie Mae Chappell\u003c/emph\u003e (2009); \u003cemph render=\"italic\"\u003eIf I Die Tonight\u003c/emph\u003e (2009); and the BET Her series \u003cemph render=\"italic\"\u003eExceptional Black Women\u003c/emph\u003e (2019). Beauchamp also served as executive producer and host of Investigation Discovery's crime reality series \u003cemph render=\"italic\"\u003eThe Injustice Files\u003c/emph\u003e (2011-2014), and screenwriter and producer of the feature film \u003cemph render=\"italic\"\u003eTill\u003c/emph\u003e (2022).\u003c/p\u003e\n","\u003cp\u003eSources\u003c/p\u003e\n","\u003cp\u003eJackson, Angelique. \"Whoopi Goldberg, Danielle Deadwyler to Star in Movie About Emmett Till's Mother Directed by Chinonye Chukwu.\" Variety online. July 23, 2021. \u003cextref href=\"https://variety.com/2021/film/news/whoopi-goldberg-emmett-till-movie-danielle-deadwyler-1235026380/\"\u003ehttps://variety.com/2021/film/news/whoopi-goldberg-emmett-till-movie-danielle-deadwyler-1235026380/\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eTill Freedom Come Productions. \"Production Portfolio,\" accessed November 22, 2021. \u003cextref href=\"https://www.tillfreedomcome.com/\"\u003ehttps://www.tillfreedomcome.com/\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eAuthors: Rory Grennan and Haley McGuyre\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Keith A. Beauchamp is an African American filmmaker and lecturer. He is known for his creative work and activism regarding African American civil rights, and especially for work related to the 1955 lynching of Emmett Till.","Beauchamp was born in 1972 near Augusta, Georgia, and grew up in Louisiana. He studied Criminal Justice at Southern University in Baton Rouge, Louisiana. In 1999, Beauchamp founded Till Freedom Come Productions and began traveling among New York City, Chicago, and locations in Mississippi, investigating the murder of Emmett Till. On May 10th, 2004, the United States Department of Justice re-opened the Emmett Till murder case, citing Beauchamp's documentary  The Untold Story of Emmett Louis Till  as a factor in their decision and the starting point for their investigation.","In 2007, Beauchamp begin his collaboration with the FBI's Civil Rights Cold Case Initiative, producing documentaries on unsolved civil rights murders. Other works by Till Freedom Come Productions include  Wanted Justice: Johnnie Mae Chappell  (2009);  If I Die Tonight  (2009); and the BET Her series  Exceptional Black Women  (2019). Beauchamp also served as executive producer and host of Investigation Discovery's crime reality series  The Injustice Files  (2011-2014), and screenwriter and producer of the feature film  Till  (2022).","Sources","Jackson, Angelique. \"Whoopi Goldberg, Danielle Deadwyler to Star in Movie About Emmett Till's Mother Directed by Chinonye Chukwu.\" Variety online. July 23, 2021.  https://variety.com/2021/film/news/whoopi-goldberg-emmett-till-movie-danielle-deadwyler-1235026380/","Till Freedom Come Productions. \"Production Portfolio,\" accessed November 22, 2021.  https://www.tillfreedomcome.com/","Authors: Rory Grennan and Haley McGuyre"],"phystech_html_tesm":["\u003cp\u003eContent on videocassette is not immediately available for use in Special Collections \u0026amp; Archives reading rooms. Please contact staff at (850) 644-3271 or lib-specialcollections@fsu.edu for more information about viewing and using audiovisual recordings from archival collections.\u003c/p\u003e"],"phystech_heading_ssm":["Technical Access Requirements"],"phystech_tesim":["Content on videocassette is not immediately available for use in Special Collections \u0026 Archives reading rooms. Please contact staff at (850) 644-3271 or lib-specialcollections@fsu.edu for more information about viewing and using audiovisual recordings from archival collections."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], Keith Beauchamp Papers, MSS 2015-016, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/MSS_2015-016\"\u003ehttp://purl.fcla.edu/fsu/MSS_2015-016\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], Keith Beauchamp Papers, MSS 2015-016, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/MSS_2015-016"],"relatedmaterial_html_tesm":["\u003cp\u003eKeith Beauchamp (director). (2005). \u003cemph render=\"italic\"\u003eThe Untold Story of Emmett Louis Till\u003c/emph\u003e [motion picture]. USA: Velocity/Thinkfilm. \u003cextref href=\"https://youtu.be/bvijYSJtkQk\"\u003ehttps://youtu.be/bvijYSJtkQk\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003eEmmett Till Project. \"Conversations.\" \u003cextref href=\"http://www.emmetttillproject.com/conversations\"\u003ehttp://www.emmetttillproject.com/conversations\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Resources"],"relatedmaterial_tesim":["Keith Beauchamp (director). (2005).  The Untold Story of Emmett Louis Till  [motion picture]. USA: Velocity/Thinkfilm.  https://youtu.be/bvijYSJtkQk","Emmett Till Project. \"Conversations.\"  http://www.emmetttillproject.com/conversations"],"scopecontent_html_tesm":["\u003cp\u003eAudiovisual recordings, newspaper and magazine clippings, and other documentation of the work of Keith Beauchamp, especially regarding Emmett Till and the 2005 motion picture \u003cemph render=\"italic\"\u003eThe Untold Story of Emmett Louis Till\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003eSome material from the Beauchamp Papers is available through the \u003cextref href=\"https://diginole.lib.fsu.edu/islandora/object/fsu:beauchampaudiovisualrecordings\"\u003eFSU Digital Library\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003eThis collection includes historical and primary sources documenting racism and violence against children. Some content may be traumatic to researchers and difficult to view. We provide access to these materials to preserve the historical record and support research and instruction on difficult topics. See our full Statement on Potentially Harmful Content here: \u003cextref href=\"https://repository.lib.fsu.edu/potentially-harmful-content-statement\"\u003ehttps://repository.lib.fsu.edu/potentially-harmful-content-statement\u003c/extref\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Online Copies Available","Potentially Harmful Content"],"scopecontent_tesim":["Audiovisual recordings, newspaper and magazine clippings, and other documentation of the work of Keith Beauchamp, especially regarding Emmett Till and the 2005 motion picture  The Untold Story of Emmett Louis Till .","Some material from the Beauchamp Papers is available through the  FSU Digital Library","This collection includes historical and primary sources documenting racism and violence against children. Some content may be traumatic to researchers and difficult to view. We provide access to these materials to preserve the historical record and support research and instruction on difficult topics. See our full Statement on Potentially Harmful Content here:  https://repository.lib.fsu.edu/potentially-harmful-content-statement"],"userestrict_html_tesm":["\u003cp\u003eCopyrights in works by Keith Beauchamp in this collection are held by Florida State University. For permission to re-use content beyond Fair Use, contact Special Collections \u0026amp; Archives staff at lib-specialcollections@fsu.edu.\u003c/p\u003e\n","\u003cp\u003eCopyright restrictions may apply to other works in this collection. Re-use or copying beyond Fair Use may require permission from rights-holders. Please contact lib-specialcollections@fsu.edu for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyrights in works by Keith Beauchamp in this collection are held by Florida State University. For permission to re-use content beyond Fair Use, contact Special Collections \u0026 Archives staff at lib-specialcollections@fsu.edu.","Copyright restrictions may apply to other works in this collection. Re-use or copying beyond Fair Use may require permission from rights-holders. Please contact lib-specialcollections@fsu.edu for more information."],"names_ssim":["FSU Special Collections \u0026 Archives","Till, Emmett, 1941-1955"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Till, Emmett, 1941-1955"],"persname_ssim":["Till, Emmett, 1941-1955"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":112,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"e9eaf4a71ed24268b4e2d743","timestamp":"2026-07-10T09:40:39.676Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/e9eaf4a71ed24268b4e2d743"}},{"id":"301371aa93329e85c418cf3f","type":"collection","attributes":{"title":"Kenneth M. Roberts collection, 1945-1945, Date acquired: 09/25/2015, bulk 1945","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/301371aa93329e85c418cf3f#creator","type":"document_value","attributes":{"value":["Roberts, Kenneth M."],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/301371aa93329e85c418cf3f#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection related to Kenneth M. Roberts. The collection contains negatives of photographs from an officer who served in the U.S. Army Corps of Engineers with the 42nd Engineer Construction Battalion.  The photographs show scenes in Luzon, Philippines, of US Army housing, social life, and construction, as well as local agriculture and architecture. The collection contains a set of 68 negatives that document Kenneth M. Roberts' service in the Philippines in 1945.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/301371aa93329e85c418cf3f#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"301371aa93329e85c418cf3f","title_filing_ssi":"Roberts, Kenneth M. collection","title_ssm":["Kenneth M. Roberts collection"],"title_tesim":["Kenneth M. Roberts collection"],"ead_ssi":"301371aa93329e85c418cf3f","unitdate_ssm":["1945-1945","1945","Date acquired: 09/25/2015"],"unitdate_bulk_ssim":["1945"],"unitdate_inclusive_ssm":["1945-1945"],"unitdate_other_ssim":["Date acquired: 09/25/2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["15.0035","/repositories/10/resources/1175"],"text":["15.0035","/repositories/10/resources/1175","Kenneth M. Roberts collection, 1945-1945, Date acquired: 09/25/2015, bulk 1945","United States. Army--Military life","United States. Army Ground Forces","United States. Army--History","World War, 1939-1945--Campaigns--Philippines","United States. Army--History--World War, 1939-1945","United States. Army. Engineer Construction Battalion.","This collection is open to all researchers.","Contained in one box with locations \"Manilla\" or \"Philippines\" written on envelope.","Kenneth M. Roberts was born in Sandy, Oregon, on January 9, 1920. He earned a Bachelor of Science in Civil Engineering from Oregon State College. From July 25, 1942 until April 3, 1946, he served in the U.S. Army Corps of Engineers in the 42nd Engineer Construction Battalion. He was stationed in both Alaska and the Philippines during the Aleutian Isalnd and the Luzon Campaigns, achieving the rank as captain. Mr. Roberts passed away on March 31, 2008.","Note written with information provided by Jolene Kennah, William E. Davis, Anchorage Museum at Rasmuson Center","This collection was donated by Kenneth M. Roberts. The collection was acquired on September 25, 2015.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","The Anchorage Musuem at the Rasmuson Center, 625 C. Street., Anchorage, AK 99501 has 105 photographs from Kenneth M. Roberts' service in Alaska during the Aleutian Island Campaign.","This collection related to Kenneth M. Roberts. The collection contains negatives of photographs from an officer who served in the U.S. Army Corps of Engineers with the 42nd Engineer Construction Battalion.  The photographs show scenes in Luzon, Philippines, of US Army housing, social life, and construction, as well as local agriculture and architecture. The collection contains a set of 68 negatives that document Kenneth M. Roberts' service in the Philippines in 1945.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","United States. Army","United States. Army. Corps of Engineers","Roberts, Kenneth M.","English"],"unitid_tesim":["15.0035","/repositories/10/resources/1175"],"normalized_date_ssm":["1945-1945, Date acquired: 09/25/2015, bulk 1945"],"normalized_title_ssm":["Kenneth M. Roberts collection, 1945-1945, Date acquired: 09/25/2015, bulk 1945"],"collection_title_tesim":["Kenneth M. Roberts collection, 1945-1945, Date acquired: 09/25/2015, bulk 1945"],"collection_ssim":["Kenneth M. Roberts collection, 1945-1945, Date acquired: 09/25/2015, bulk 1945"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Roberts, Kenneth M.","Roberts, Kenneth M."],"creator_ssim":["Roberts, Kenneth M.","Roberts, Kenneth M."],"creator_persname_ssim":["Roberts, Kenneth M.","Roberts, Kenneth M."],"creators_ssim":["Roberts, Kenneth M.","Roberts, Kenneth M."],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["United States. Army--Military life","United States. Army Ground Forces","United States. Army--History","World War, 1939-1945--Campaigns--Philippines","United States. Army--History--World War, 1939-1945","United States. Army. Engineer Construction Battalion."],"access_subjects_ssm":["United States. Army--Military life","United States. Army Ground Forces","United States. Army--History","World War, 1939-1945--Campaigns--Philippines","United States. Army--History--World War, 1939-1945","United States. Army. Engineer Construction Battalion."],"has_online_content_ssim":["false"],"extent_ssm":["1 folders"],"extent_tesim":["1 folders"],"date_range_isim":[1945,2015],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"arrangement_html_tesm":["\u003cp\u003eContained in one box with locations \"Manilla\" or \"Philippines\" written on envelope.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Contained in one box with locations \"Manilla\" or \"Philippines\" written on envelope."],"bioghist_html_tesm":["\u003cp\u003eKenneth M. Roberts was born in Sandy, Oregon, on January 9, 1920. He earned a Bachelor of Science in Civil Engineering from Oregon State College. From July 25, 1942 until April 3, 1946, he served in the U.S. Army Corps of Engineers in the 42nd Engineer Construction Battalion. He was stationed in both Alaska and the Philippines during the Aleutian Isalnd and the Luzon Campaigns, achieving the rank as captain. Mr. Roberts passed away on March 31, 2008.\u003c/p\u003e\n","\u003cp\u003eNote written with information provided by Jolene Kennah, William E. Davis, Anchorage Museum at Rasmuson Center\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Kenneth M. Roberts was born in Sandy, Oregon, on January 9, 1920. He earned a Bachelor of Science in Civil Engineering from Oregon State College. From July 25, 1942 until April 3, 1946, he served in the U.S. Army Corps of Engineers in the 42nd Engineer Construction Battalion. He was stationed in both Alaska and the Philippines during the Aleutian Isalnd and the Luzon Campaigns, achieving the rank as captain. Mr. Roberts passed away on March 31, 2008.","Note written with information provided by Jolene Kennah, William E. Davis, Anchorage Museum at Rasmuson Center"],"custodhist_html_tesm":["\u003cp\u003eThis collection was donated by Kenneth M. Roberts. The collection was acquired on September 25, 2015.\u003c/p\u003e","\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History","Custodial History"],"custodhist_tesim":["This collection was donated by Kenneth M. Roberts. The collection was acquired on September 25, 2015.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Kenneth M. 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Roberts' service in Alaska during the Aleutian Island Campaign."],"scopecontent_html_tesm":["\u003cp\u003eThis collection related to Kenneth M. Roberts. The collection contains negatives of photographs from an officer who served in the U.S. Army Corps of Engineers with the 42nd Engineer Construction Battalion.\u0026#xA0; The photographs show scenes in Luzon, Philippines, of US Army housing, social life, and construction, as well as local agriculture and architecture. The collection contains a set of 68 negatives that document Kenneth M. Roberts' service in the Philippines in 1945.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection related to Kenneth M. Roberts. The collection contains negatives of photographs from an officer who served in the U.S. Army Corps of Engineers with the 42nd Engineer Construction Battalion.  The photographs show scenes in Luzon, Philippines, of US Army housing, social life, and construction, as well as local agriculture and architecture. The collection contains a set of 68 negatives that document Kenneth M. Roberts' service in the Philippines in 1945."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["United States. Army","United States. Army. Corps of Engineers","Roberts, Kenneth M."],"names_ssim":["FSU Special Collections \u0026 Archives","United States. Army","United States. Army. 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He earned a Bachelor of Science in Civil Engineering from Oregon State College. From July 25, 1942 until April 3, 1946, he served in the U.S. Army Corps of Engineers in the 42nd Engineer Construction Battalion. He was stationed in both Alaska and the Philippines during the Aleutian Isalnd and the Luzon Campaigns, achieving the rank as captain. Mr. Roberts passed away on March 31, 2008.","Note written with information provided by Jolene Kennah, William E. Davis, Anchorage Museum at Rasmuson Center","This collection was donated by Kenneth M. Roberts. The collection was acquired on September 25, 2015.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","The Anchorage Musuem at the Rasmuson Center, 625 C. Street., Anchorage, AK 99501 has 105 photographs from Kenneth M. Roberts' service in Alaska during the Aleutian Island Campaign.","This collection related to Kenneth M. Roberts. The collection contains negatives of photographs from an officer who served in the U.S. Army Corps of Engineers with the 42nd Engineer Construction Battalion.  The photographs show scenes in Luzon, Philippines, of US Army housing, social life, and construction, as well as local agriculture and architecture. The collection contains a set of 68 negatives that document Kenneth M. Roberts' service in the Philippines in 1945.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","United States. Army","United States. Army. 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Engineer Construction Battalion."],"has_online_content_ssim":["false"],"extent_ssm":["1 folders"],"extent_tesim":["1 folders"],"date_range_isim":[1945,2015],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"arrangement_html_tesm":["\u003cp\u003eContained in one box with locations \"Manilla\" or \"Philippines\" written on envelope.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Contained in one box with locations \"Manilla\" or \"Philippines\" written on envelope."],"bioghist_html_tesm":["\u003cp\u003eKenneth M. Roberts was born in Sandy, Oregon, on January 9, 1920. He earned a Bachelor of Science in Civil Engineering from Oregon State College. From July 25, 1942 until April 3, 1946, he served in the U.S. Army Corps of Engineers in the 42nd Engineer Construction Battalion. He was stationed in both Alaska and the Philippines during the Aleutian Isalnd and the Luzon Campaigns, achieving the rank as captain. Mr. Roberts passed away on March 31, 2008.\u003c/p\u003e\n","\u003cp\u003eNote written with information provided by Jolene Kennah, William E. Davis, Anchorage Museum at Rasmuson Center\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Kenneth M. Roberts was born in Sandy, Oregon, on January 9, 1920. He earned a Bachelor of Science in Civil Engineering from Oregon State College. From July 25, 1942 until April 3, 1946, he served in the U.S. Army Corps of Engineers in the 42nd Engineer Construction Battalion. He was stationed in both Alaska and the Philippines during the Aleutian Isalnd and the Luzon Campaigns, achieving the rank as captain. Mr. Roberts passed away on March 31, 2008.","Note written with information provided by Jolene Kennah, William E. Davis, Anchorage Museum at Rasmuson Center"],"custodhist_html_tesm":["\u003cp\u003eThis collection was donated by Kenneth M. Roberts. The collection was acquired on September 25, 2015.\u003c/p\u003e","\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History","Custodial History"],"custodhist_tesim":["This collection was donated by Kenneth M. Roberts. The collection was acquired on September 25, 2015.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Kenneth M. Roberts collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_15_0035\"\u003ehttp://purl.fcla.edu/fsu/WWII_15_0035\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Kenneth M. Roberts collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_15_0035"],"relatedmaterial_html_tesm":["\u003cp\u003eThe Anchorage Musuem at the Rasmuson Center, 625 C. Street., Anchorage, AK 99501 has 105 photographs from Kenneth M. Roberts' service in Alaska during the Aleutian Island Campaign.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Anchorage Musuem at the Rasmuson Center, 625 C. Street., Anchorage, AK 99501 has 105 photographs from Kenneth M. Roberts' service in Alaska during the Aleutian Island Campaign."],"scopecontent_html_tesm":["\u003cp\u003eThis collection related to Kenneth M. Roberts. The collection contains negatives of photographs from an officer who served in the U.S. Army Corps of Engineers with the 42nd Engineer Construction Battalion.\u0026#xA0; The photographs show scenes in Luzon, Philippines, of US Army housing, social life, and construction, as well as local agriculture and architecture. The collection contains a set of 68 negatives that document Kenneth M. Roberts' service in the Philippines in 1945.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection related to Kenneth M. Roberts. The collection contains negatives of photographs from an officer who served in the U.S. Army Corps of Engineers with the 42nd Engineer Construction Battalion.  The photographs show scenes in Luzon, Philippines, of US Army housing, social life, and construction, as well as local agriculture and architecture. The collection contains a set of 68 negatives that document Kenneth M. Roberts' service in the Philippines in 1945."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["United States. Army","United States. Army. Corps of Engineers","Roberts, Kenneth M."],"names_ssim":["FSU Special Collections \u0026 Archives","United States. Army","United States. Army. Corps of Engineers","Roberts, Kenneth M."],"corpname_ssim":["FSU Special Collections \u0026 Archives","United States. Army","United States. Army. Corps of Engineers"],"persname_ssim":["Roberts, Kenneth M."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"301371aa93329e85c418cf3f","timestamp":"2026-07-10T03:37:42.156Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/301371aa93329e85c418cf3f"}},{"id":"a00ac4456d001c4f5b29b5b6","type":"collection","attributes":{"title":"Kitty Oliver Collection, Circa 1969-2016","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a00ac4456d001c4f5b29b5b6#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Kitty Oliver Collection consists of correspondence, personal and professional papers, photographs, newspaper clippings, printed materials, and awards of South Florida journalist and educator Kitty Oliver. \u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a00ac4456d001c4f5b29b5b6#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"a00ac4456d001c4f5b29b5b6","title_filing_ssi":"Oliver, Kitty Collection","title_ssm":["Kitty Oliver Collection"],"title_tesim":["Kitty Oliver Collection"],"ead_ssi":"a00ac4456d001c4f5b29b5b6","unitdate_ssm":["Circa 1969-2016"],"unitdate_inclusive_ssm":["Circa 1969-2016"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2004.1","/repositories/2/resources/22"],"text":["AARLCC.2004.1","/repositories/2/resources/22","Kitty Oliver Collection, Circa 1969-2016","African American women journalists -- Florida -- Miami-Dade County","University of Florida -- Alumni and alumnae","African Americans -- Race relations","African Americans -- Civil Rights -- Florida -- Broward County -- History","Correspondence","Oral histories","Photographs","Certificates","Clippings","The Kitty Oliver Collection is open for research.","The Kitty Oliver Collection contains eight series including: Series I. Correspondence, Series II: Personal Papers, Series III: Professional Papers, Series IV: Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Audio-Visual Materials, and Series VIII: Race and Change Project, 1999-2005.","Dr. Eloise \"Kitty\" Oliver is a veteran South Florida journalist, professor of creative nonfiction, memoir writing, oral history, and ethnic communication, and a professional jazz singer. Since the 1980s, she has produced landmark work as a cultural diversity researcher, documenting growing sociocultural conversions and multiculturalism that has become a reflection of contemporary American society.","Dr. Oliver was born on December 16, 1947 in Jacksonville, Florida. In 1965, Kitty Oliver was one of the first five Black freshmen to enroll at the University of Florida and live on campus after the passage of the Civil Rights Act of 1965. She graduated in 1969 with a Bachelor of Arts in English. During college, she met her Richard \"Ricky\" C. Oliver, Jr., who she married in 1969, and together they started a folk-rock musical group.","In 1971, Kitty Oliver started working one of the first Black reporters and columnists for the Miami Herald, covering Broward and Miami-Dade County. She chronicled the history of the Black community in South Florida, including Provident Hospital, Dr. Von Mizell and Dr. James Sistrunk, Eula Johnson, and Samuel Morrison.","Oliver left the Miami Herald in 1990 to pursue a Master of Fine Arts degree in Creative Writing at Florida International University and graduated in 1994. This led to her writing \"Multicolored Memories of a Black Southern Girl,\" a collection autobiographical essays about coming of age with integration and cultural diversity in Jacksonville and attending the University of Florida, working in South Florida, and her international travel.  ","After earning her M.A., she began the Race and Change Oral History Project, collecting oral histories of minority groups in Hollywood, Florida. She worked as a fulltime professor of Creative Writing and Multicultural Literature, Oral History Writing, and Ethnic Communication at Florida International University from 1994 to 1996 and at Florida Atlantic University's Broward Campuses from 1996 to 2006. During that time, she developed the Race and Change oral history methodology for cross-cultural research by students and communities. The work includes the Race and Change Project, the Kitty Oliver Oral Histories Archive, and the multimedia audio, webcast radio and television Race and Change Initiative with intergenerational stories. She donated her collection of 125 interviews to the African American Research Library and Cultural Center Special collections in 2004.","Oliver completed a Ph.D. in Comparative Studies from Florida Atlantic University in 2009, focusing on race and ethnic communication. Her degree included the creation of the 10-part public television documentary series \"Crossing Cultures, Changing Lives\" featuring  archival Race and Change Oral Histories narrators.","Dr. Kitty Oliver also specializes in books, television documentaries and literary performances which explore race and ethnic issues. Dr. Oliver conducts community oral history field work and is a member of the Oral History Association (OHA). Additionally, she serves as president of Kitty O. Enterprises, Inc. – which aids as a cultural diversity consulting firm located in Fort Lauderdale, Florida (Broward County).","Her major public television and video productions include the PBS documentary series \"Celebrate...the Cultural Connections\" and a 10-part series, \"Crossing Cultures/Changing Lives\", which premiered in Florida, Spring, 2008 on WBEC-TV (Beacon-TV). Dr. Oliver's contemporary work includes ongoing lecture series detailing her Race and Change project. Additionally, she produced a book entitled \"Race and Change in Hollywood, Florida (Voices of America)\" in 2000.","Dr. Kitty Oliver married Ricky Oliver in 1969, and they had two children, Kali and Brian Oliver. They divorced in 1989. Kitty Oliver married Arthur I. Musson, Jr. in 2018.","The Kitty Oliver Collection is open for research.","This collection received file level processing. This finding-aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Kitty Oliver Collection in the Broward County Library Digital Archives.","The Kitty Oliver Collection consists of correspondence, personal and professional papers, photographs, newspaper clippings, printed materials, and awards of South Florida journalist and educator Kitty Oliver. ","The collection also contains the Race and Change Project, a group of multiple oral history interviews with African-Americans, European-Americans, and immigrants regarding their memories growing up in Broward County, the United States, and other countries. Subjects include family and community lifestyle, race relations and societal change from the late 1920's through the aftermath of the Civil Rights Act of 1964 and desegregation. The collection contains audio and visual content of participants from the Race and Change Project including research composed by students taught by Kitty Oliver, and an essay written by Deborah Works entitled \"Historical Sketches and Rare Glimpses of the North Fork of the New River: a history of its natural and human environment\" (2001). The majority of Dr. Oliver's questionnaires, transcripts and interviews consist of ongoing research study of race and ethnic relations, geographical history and social change through the collection of oral histories of Whites, Blacks/African-Americans and immigrants of various Hispanic/Latinx, Caribbean and Asian backgrounds. Research sites include the South Florida cities of Hollywood, Fort Lauderdale, West Palm Beach, Miami, Opa-locka, Delray Beach and Boca Raton; North Fork and Liberia – historically significant Black/African-American communities; towns along Florida's landmark Lake Okeechobee; Stranahan High School in Fort Lauderdale; and Ghana, West Africa – where women who have experienced America's racial climate shared their stories.","Some materials from this collection were cataloged in the Broward County Library catalog with the prefix \"OLI\".","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2004.1","/repositories/2/resources/22"],"normalized_date_ssm":["Circa 1969-2016"],"normalized_title_ssm":["Kitty Oliver Collection, Circa 1969-2016"],"collection_title_tesim":["Kitty Oliver Collection, Circa 1969-2016"],"collection_ssim":["Kitty Oliver Collection, Circa 1969-2016"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["Dr. Kitty Oliver donated the materials to AARLCC Special Collections on January 29, 2004 (Accession AARLCC-2004.1). Accruals were made in 2005 (Accession AARLCC-2005.1) and on July 29, 2021 (Accession AARLCC-2021.13). An additional accrual was transferred from the Broward County Historical Archives to AARLCC Special Collections on August 28, 2024 (Accession AARLCC-2024.10)."],"access_subjects_ssim":["African American women journalists -- Florida -- Miami-Dade County","University of Florida -- Alumni and alumnae","African Americans -- Race relations","African Americans -- Civil Rights -- Florida -- Broward County -- History","Correspondence","Oral histories","Photographs","Certificates","Clippings"],"access_subjects_ssm":["African American women journalists -- Florida -- Miami-Dade County","University of Florida -- Alumni and alumnae","African Americans -- Race relations","African Americans -- Civil Rights -- Florida -- Broward County -- History","Correspondence","Oral histories","Photographs","Certificates","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["39 Hollinger Boxes"],"extent_tesim":["39 Hollinger Boxes"],"genreform_ssim":["Correspondence","Oral histories","Photographs","Certificates","Clippings"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe Kitty Oliver Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Kitty Oliver Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Kitty Oliver Collection contains eight series including: Series I. Correspondence, Series II: Personal Papers, Series III: Professional Papers, Series IV: Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Audio-Visual Materials, and Series VIII: Race and Change Project, 1999-2005.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Kitty Oliver Collection contains eight series including: Series I. Correspondence, Series II: Personal Papers, Series III: Professional Papers, Series IV: Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Audio-Visual Materials, and Series VIII: Race and Change Project, 1999-2005."],"bioghist_html_tesm":["\u003cp\u003eDr. Eloise \"Kitty\" Oliver is a veteran South Florida journalist, professor of creative nonfiction, memoir writing, oral history, and ethnic communication, and a professional jazz singer. Since the 1980s, she has produced landmark work as a cultural diversity researcher, documenting growing sociocultural conversions and multiculturalism that has become a reflection of contemporary American society.\u003c/p\u003e\n","\u003cp\u003eDr. Oliver was born on December 16, 1947 in Jacksonville, Florida. In 1965, Kitty Oliver was one of the first five Black freshmen to enroll at the University of Florida and live on campus after the passage of the Civil Rights Act of 1965. She graduated in 1969 with a Bachelor of Arts in English. During college, she met her Richard \"Ricky\" C. Oliver, Jr., who she married in 1969, and together they started a folk-rock musical group.\u003c/p\u003e\n","\u003cp\u003eIn 1971, Kitty Oliver started working one of the first Black reporters and columnists for the Miami Herald, covering Broward and Miami-Dade County. She chronicled the history of the Black community in South Florida, including Provident Hospital, Dr. Von Mizell and Dr. James Sistrunk, Eula Johnson, and Samuel Morrison.\u003c/p\u003e\n","\u003cp\u003eOliver left the Miami Herald in 1990 to pursue a Master of Fine Arts degree in Creative Writing at Florida International University and graduated in 1994. This led to her writing \"Multicolored Memories of a Black Southern Girl,\" a collection autobiographical essays about coming of age with integration and cultural diversity in Jacksonville and attending the University of Florida, working in South Florida, and her international travel.  \u003c/p\u003e\n","\u003cp\u003eAfter earning her M.A., she began the Race and Change Oral History Project, collecting oral histories of minority groups in Hollywood, Florida. She worked as a fulltime professor of Creative Writing and Multicultural Literature, Oral History Writing, and Ethnic Communication at Florida International University from 1994 to 1996 and at Florida Atlantic University's Broward Campuses from 1996 to 2006. During that time, she developed the Race and Change oral history methodology for cross-cultural research by students and communities. The work includes the Race and Change Project, the Kitty Oliver Oral Histories Archive, and the multimedia audio, webcast radio and television Race and Change Initiative with intergenerational stories. She donated her collection of 125 interviews to the African American Research Library and Cultural Center Special collections in 2004.\u003c/p\u003e\n","\u003cp\u003eOliver completed a Ph.D. in Comparative Studies from Florida Atlantic University in 2009, focusing on race and ethnic communication. Her degree included the creation of the 10-part public television documentary series \"Crossing Cultures, Changing Lives\" featuring  archival Race and Change Oral Histories narrators.\u003c/p\u003e\n","\u003cp\u003eDr. Kitty Oliver also specializes in books, television documentaries and literary performances which explore race and ethnic issues. Dr. Oliver conducts community oral history field work and is a member of the Oral History Association (OHA). Additionally, she serves as president of Kitty O. Enterprises, Inc. \u0026#x2013; which aids as a cultural diversity consulting firm located in Fort Lauderdale, Florida (Broward County).\u003c/p\u003e\n","\u003cp\u003eHer major public television and video productions include the PBS documentary series \"Celebrate...the Cultural Connections\" and a 10-part series, \"Crossing Cultures/Changing Lives\", which premiered in Florida, Spring, 2008 on WBEC-TV (Beacon-TV). Dr. Oliver's contemporary work includes ongoing lecture series detailing her Race and Change project. Additionally, she produced a book entitled \"Race and Change in Hollywood, Florida (Voices of America)\" in 2000.\u003c/p\u003e\n","\u003cp\u003eDr. Kitty Oliver married Ricky Oliver in 1969, and they had two children, Kali and Brian Oliver. They divorced in 1989. Kitty Oliver married Arthur I. Musson, Jr. in 2018.\u003c/p\u003e\n","\u003cp\u003eThe Kitty Oliver Collection is open for research.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Eloise \"Kitty\" Oliver is a veteran South Florida journalist, professor of creative nonfiction, memoir writing, oral history, and ethnic communication, and a professional jazz singer. Since the 1980s, she has produced landmark work as a cultural diversity researcher, documenting growing sociocultural conversions and multiculturalism that has become a reflection of contemporary American society.","Dr. Oliver was born on December 16, 1947 in Jacksonville, Florida. In 1965, Kitty Oliver was one of the first five Black freshmen to enroll at the University of Florida and live on campus after the passage of the Civil Rights Act of 1965. She graduated in 1969 with a Bachelor of Arts in English. During college, she met her Richard \"Ricky\" C. Oliver, Jr., who she married in 1969, and together they started a folk-rock musical group.","In 1971, Kitty Oliver started working one of the first Black reporters and columnists for the Miami Herald, covering Broward and Miami-Dade County. She chronicled the history of the Black community in South Florida, including Provident Hospital, Dr. Von Mizell and Dr. James Sistrunk, Eula Johnson, and Samuel Morrison.","Oliver left the Miami Herald in 1990 to pursue a Master of Fine Arts degree in Creative Writing at Florida International University and graduated in 1994. This led to her writing \"Multicolored Memories of a Black Southern Girl,\" a collection autobiographical essays about coming of age with integration and cultural diversity in Jacksonville and attending the University of Florida, working in South Florida, and her international travel.  ","After earning her M.A., she began the Race and Change Oral History Project, collecting oral histories of minority groups in Hollywood, Florida. She worked as a fulltime professor of Creative Writing and Multicultural Literature, Oral History Writing, and Ethnic Communication at Florida International University from 1994 to 1996 and at Florida Atlantic University's Broward Campuses from 1996 to 2006. During that time, she developed the Race and Change oral history methodology for cross-cultural research by students and communities. The work includes the Race and Change Project, the Kitty Oliver Oral Histories Archive, and the multimedia audio, webcast radio and television Race and Change Initiative with intergenerational stories. She donated her collection of 125 interviews to the African American Research Library and Cultural Center Special collections in 2004.","Oliver completed a Ph.D. in Comparative Studies from Florida Atlantic University in 2009, focusing on race and ethnic communication. Her degree included the creation of the 10-part public television documentary series \"Crossing Cultures, Changing Lives\" featuring  archival Race and Change Oral Histories narrators.","Dr. Kitty Oliver also specializes in books, television documentaries and literary performances which explore race and ethnic issues. Dr. Oliver conducts community oral history field work and is a member of the Oral History Association (OHA). Additionally, she serves as president of Kitty O. Enterprises, Inc. – which aids as a cultural diversity consulting firm located in Fort Lauderdale, Florida (Broward County).","Her major public television and video productions include the PBS documentary series \"Celebrate...the Cultural Connections\" and a 10-part series, \"Crossing Cultures/Changing Lives\", which premiered in Florida, Spring, 2008 on WBEC-TV (Beacon-TV). Dr. Oliver's contemporary work includes ongoing lecture series detailing her Race and Change project. Additionally, she produced a book entitled \"Race and Change in Hollywood, Florida (Voices of America)\" in 2000.","Dr. Kitty Oliver married Ricky Oliver in 1969, and they had two children, Kali and Brian Oliver. They divorced in 1989. Kitty Oliver married Arthur I. Musson, Jr. in 2018.","The Kitty Oliver Collection is open for research."],"prefercite_html_tesm":["\u003cp\u003eKitty Oliver Collection (AARLCC-2004.1), AALRCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Kitty Oliver Collection (AARLCC-2004.1), AALRCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding-aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding-aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/k-oliver1/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Kitty Oliver Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Kitty Oliver Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Kitty Oliver Collection consists of correspondence, personal and professional papers, photographs, newspaper clippings, printed materials, and awards of South Florida journalist and educator Kitty Oliver. \u003c/p\u003e\n","\u003cp\u003eThe collection also contains the Race and Change Project, a group of multiple oral history interviews with African-Americans, European-Americans, and immigrants regarding their memories growing up in Broward County, the United States, and other countries. Subjects include family and community lifestyle, race relations and societal change from the late 1920's through the aftermath of the Civil Rights Act of 1964 and desegregation. The collection contains audio and visual content of participants from the Race and Change Project including research composed by students taught by Kitty Oliver, and an essay written by Deborah Works entitled \"Historical Sketches and Rare Glimpses of the North Fork of the New River: a history of its natural and human environment\" (2001). The majority of Dr. Oliver's questionnaires, transcripts and interviews consist of ongoing research study of race and ethnic relations, geographical history and social change through the collection of oral histories of Whites, Blacks/African-Americans and immigrants of various Hispanic/Latinx, Caribbean and Asian backgrounds. Research sites include the South Florida cities of Hollywood, Fort Lauderdale, West Palm Beach, Miami, Opa-locka, Delray Beach and Boca Raton; North Fork and Liberia \u0026#x2013; historically significant Black/African-American communities; towns along Florida's landmark Lake Okeechobee; Stranahan High School in Fort Lauderdale; and Ghana, West Africa \u0026#x2013; where women who have experienced America's racial climate shared their stories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Kitty Oliver Collection consists of correspondence, personal and professional papers, photographs, newspaper clippings, printed materials, and awards of South Florida journalist and educator Kitty Oliver. ","The collection also contains the Race and Change Project, a group of multiple oral history interviews with African-Americans, European-Americans, and immigrants regarding their memories growing up in Broward County, the United States, and other countries. Subjects include family and community lifestyle, race relations and societal change from the late 1920's through the aftermath of the Civil Rights Act of 1964 and desegregation. The collection contains audio and visual content of participants from the Race and Change Project including research composed by students taught by Kitty Oliver, and an essay written by Deborah Works entitled \"Historical Sketches and Rare Glimpses of the North Fork of the New River: a history of its natural and human environment\" (2001). The majority of Dr. Oliver's questionnaires, transcripts and interviews consist of ongoing research study of race and ethnic relations, geographical history and social change through the collection of oral histories of Whites, Blacks/African-Americans and immigrants of various Hispanic/Latinx, Caribbean and Asian backgrounds. Research sites include the South Florida cities of Hollywood, Fort Lauderdale, West Palm Beach, Miami, Opa-locka, Delray Beach and Boca Raton; North Fork and Liberia – historically significant Black/African-American communities; towns along Florida's landmark Lake Okeechobee; Stranahan High School in Fort Lauderdale; and Ghana, West Africa – where women who have experienced America's racial climate shared their stories."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default\" target=\"_blank\"\u003eSome materials from this collection were cataloged in the Broward County Library catalog with the prefix \"OLI\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Some materials from this collection were cataloged in the Broward County Library catalog with the prefix \"OLI\"."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":418,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455827155451904,"_root_":"a00ac4456d001c4f5b29b5b6","timestamp":"2026-09-16T03:02:08.218Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a00ac4456d001c4f5b29b5b6","title_filing_ssi":"Oliver, Kitty Collection","title_ssm":["Kitty Oliver Collection"],"title_tesim":["Kitty Oliver Collection"],"ead_ssi":"a00ac4456d001c4f5b29b5b6","unitdate_ssm":["Circa 1969-2016"],"unitdate_inclusive_ssm":["Circa 1969-2016"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2004.1","/repositories/2/resources/22"],"text":["AARLCC.2004.1","/repositories/2/resources/22","Kitty Oliver Collection, Circa 1969-2016","African American women journalists -- Florida -- Miami-Dade County","University of Florida -- Alumni and alumnae","African Americans -- Race relations","African Americans -- Civil Rights -- Florida -- Broward County -- History","Correspondence","Oral histories","Photographs","Certificates","Clippings","The Kitty Oliver Collection is open for research.","The Kitty Oliver Collection contains eight series including: Series I. Correspondence, Series II: Personal Papers, Series III: Professional Papers, Series IV: Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Audio-Visual Materials, and Series VIII: Race and Change Project, 1999-2005.","Dr. Eloise \"Kitty\" Oliver is a veteran South Florida journalist, professor of creative nonfiction, memoir writing, oral history, and ethnic communication, and a professional jazz singer. Since the 1980s, she has produced landmark work as a cultural diversity researcher, documenting growing sociocultural conversions and multiculturalism that has become a reflection of contemporary American society.","Dr. Oliver was born on December 16, 1947 in Jacksonville, Florida. In 1965, Kitty Oliver was one of the first five Black freshmen to enroll at the University of Florida and live on campus after the passage of the Civil Rights Act of 1965. She graduated in 1969 with a Bachelor of Arts in English. During college, she met her Richard \"Ricky\" C. Oliver, Jr., who she married in 1969, and together they started a folk-rock musical group.","In 1971, Kitty Oliver started working one of the first Black reporters and columnists for the Miami Herald, covering Broward and Miami-Dade County. She chronicled the history of the Black community in South Florida, including Provident Hospital, Dr. Von Mizell and Dr. James Sistrunk, Eula Johnson, and Samuel Morrison.","Oliver left the Miami Herald in 1990 to pursue a Master of Fine Arts degree in Creative Writing at Florida International University and graduated in 1994. This led to her writing \"Multicolored Memories of a Black Southern Girl,\" a collection autobiographical essays about coming of age with integration and cultural diversity in Jacksonville and attending the University of Florida, working in South Florida, and her international travel.  ","After earning her M.A., she began the Race and Change Oral History Project, collecting oral histories of minority groups in Hollywood, Florida. She worked as a fulltime professor of Creative Writing and Multicultural Literature, Oral History Writing, and Ethnic Communication at Florida International University from 1994 to 1996 and at Florida Atlantic University's Broward Campuses from 1996 to 2006. During that time, she developed the Race and Change oral history methodology for cross-cultural research by students and communities. The work includes the Race and Change Project, the Kitty Oliver Oral Histories Archive, and the multimedia audio, webcast radio and television Race and Change Initiative with intergenerational stories. She donated her collection of 125 interviews to the African American Research Library and Cultural Center Special collections in 2004.","Oliver completed a Ph.D. in Comparative Studies from Florida Atlantic University in 2009, focusing on race and ethnic communication. Her degree included the creation of the 10-part public television documentary series \"Crossing Cultures, Changing Lives\" featuring  archival Race and Change Oral Histories narrators.","Dr. Kitty Oliver also specializes in books, television documentaries and literary performances which explore race and ethnic issues. Dr. Oliver conducts community oral history field work and is a member of the Oral History Association (OHA). Additionally, she serves as president of Kitty O. Enterprises, Inc. – which aids as a cultural diversity consulting firm located in Fort Lauderdale, Florida (Broward County).","Her major public television and video productions include the PBS documentary series \"Celebrate...the Cultural Connections\" and a 10-part series, \"Crossing Cultures/Changing Lives\", which premiered in Florida, Spring, 2008 on WBEC-TV (Beacon-TV). Dr. Oliver's contemporary work includes ongoing lecture series detailing her Race and Change project. Additionally, she produced a book entitled \"Race and Change in Hollywood, Florida (Voices of America)\" in 2000.","Dr. Kitty Oliver married Ricky Oliver in 1969, and they had two children, Kali and Brian Oliver. They divorced in 1989. Kitty Oliver married Arthur I. Musson, Jr. in 2018.","The Kitty Oliver Collection is open for research.","This collection received file level processing. This finding-aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Kitty Oliver Collection in the Broward County Library Digital Archives.","The Kitty Oliver Collection consists of correspondence, personal and professional papers, photographs, newspaper clippings, printed materials, and awards of South Florida journalist and educator Kitty Oliver. ","The collection also contains the Race and Change Project, a group of multiple oral history interviews with African-Americans, European-Americans, and immigrants regarding their memories growing up in Broward County, the United States, and other countries. Subjects include family and community lifestyle, race relations and societal change from the late 1920's through the aftermath of the Civil Rights Act of 1964 and desegregation. The collection contains audio and visual content of participants from the Race and Change Project including research composed by students taught by Kitty Oliver, and an essay written by Deborah Works entitled \"Historical Sketches and Rare Glimpses of the North Fork of the New River: a history of its natural and human environment\" (2001). The majority of Dr. Oliver's questionnaires, transcripts and interviews consist of ongoing research study of race and ethnic relations, geographical history and social change through the collection of oral histories of Whites, Blacks/African-Americans and immigrants of various Hispanic/Latinx, Caribbean and Asian backgrounds. Research sites include the South Florida cities of Hollywood, Fort Lauderdale, West Palm Beach, Miami, Opa-locka, Delray Beach and Boca Raton; North Fork and Liberia – historically significant Black/African-American communities; towns along Florida's landmark Lake Okeechobee; Stranahan High School in Fort Lauderdale; and Ghana, West Africa – where women who have experienced America's racial climate shared their stories.","Some materials from this collection were cataloged in the Broward County Library catalog with the prefix \"OLI\".","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2004.1","/repositories/2/resources/22"],"normalized_date_ssm":["Circa 1969-2016"],"normalized_title_ssm":["Kitty Oliver Collection, Circa 1969-2016"],"collection_title_tesim":["Kitty Oliver Collection, Circa 1969-2016"],"collection_ssim":["Kitty Oliver Collection, Circa 1969-2016"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["Dr. Kitty Oliver donated the materials to AARLCC Special Collections on January 29, 2004 (Accession AARLCC-2004.1). Accruals were made in 2005 (Accession AARLCC-2005.1) and on July 29, 2021 (Accession AARLCC-2021.13). An additional accrual was transferred from the Broward County Historical Archives to AARLCC Special Collections on August 28, 2024 (Accession AARLCC-2024.10)."],"access_subjects_ssim":["African American women journalists -- Florida -- Miami-Dade County","University of Florida -- Alumni and alumnae","African Americans -- Race relations","African Americans -- Civil Rights -- Florida -- Broward County -- History","Correspondence","Oral histories","Photographs","Certificates","Clippings"],"access_subjects_ssm":["African American women journalists -- Florida -- Miami-Dade County","University of Florida -- Alumni and alumnae","African Americans -- Race relations","African Americans -- Civil Rights -- Florida -- Broward County -- History","Correspondence","Oral histories","Photographs","Certificates","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["39 Hollinger Boxes"],"extent_tesim":["39 Hollinger Boxes"],"genreform_ssim":["Correspondence","Oral histories","Photographs","Certificates","Clippings"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe Kitty Oliver Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Kitty Oliver Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Kitty Oliver Collection contains eight series including: Series I. Correspondence, Series II: Personal Papers, Series III: Professional Papers, Series IV: Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Audio-Visual Materials, and Series VIII: Race and Change Project, 1999-2005.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Kitty Oliver Collection contains eight series including: Series I. Correspondence, Series II: Personal Papers, Series III: Professional Papers, Series IV: Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Audio-Visual Materials, and Series VIII: Race and Change Project, 1999-2005."],"bioghist_html_tesm":["\u003cp\u003eDr. Eloise \"Kitty\" Oliver is a veteran South Florida journalist, professor of creative nonfiction, memoir writing, oral history, and ethnic communication, and a professional jazz singer. Since the 1980s, she has produced landmark work as a cultural diversity researcher, documenting growing sociocultural conversions and multiculturalism that has become a reflection of contemporary American society.\u003c/p\u003e\n","\u003cp\u003eDr. Oliver was born on December 16, 1947 in Jacksonville, Florida. In 1965, Kitty Oliver was one of the first five Black freshmen to enroll at the University of Florida and live on campus after the passage of the Civil Rights Act of 1965. She graduated in 1969 with a Bachelor of Arts in English. During college, she met her Richard \"Ricky\" C. Oliver, Jr., who she married in 1969, and together they started a folk-rock musical group.\u003c/p\u003e\n","\u003cp\u003eIn 1971, Kitty Oliver started working one of the first Black reporters and columnists for the Miami Herald, covering Broward and Miami-Dade County. She chronicled the history of the Black community in South Florida, including Provident Hospital, Dr. Von Mizell and Dr. James Sistrunk, Eula Johnson, and Samuel Morrison.\u003c/p\u003e\n","\u003cp\u003eOliver left the Miami Herald in 1990 to pursue a Master of Fine Arts degree in Creative Writing at Florida International University and graduated in 1994. This led to her writing \"Multicolored Memories of a Black Southern Girl,\" a collection autobiographical essays about coming of age with integration and cultural diversity in Jacksonville and attending the University of Florida, working in South Florida, and her international travel.  \u003c/p\u003e\n","\u003cp\u003eAfter earning her M.A., she began the Race and Change Oral History Project, collecting oral histories of minority groups in Hollywood, Florida. She worked as a fulltime professor of Creative Writing and Multicultural Literature, Oral History Writing, and Ethnic Communication at Florida International University from 1994 to 1996 and at Florida Atlantic University's Broward Campuses from 1996 to 2006. During that time, she developed the Race and Change oral history methodology for cross-cultural research by students and communities. The work includes the Race and Change Project, the Kitty Oliver Oral Histories Archive, and the multimedia audio, webcast radio and television Race and Change Initiative with intergenerational stories. She donated her collection of 125 interviews to the African American Research Library and Cultural Center Special collections in 2004.\u003c/p\u003e\n","\u003cp\u003eOliver completed a Ph.D. in Comparative Studies from Florida Atlantic University in 2009, focusing on race and ethnic communication. Her degree included the creation of the 10-part public television documentary series \"Crossing Cultures, Changing Lives\" featuring  archival Race and Change Oral Histories narrators.\u003c/p\u003e\n","\u003cp\u003eDr. Kitty Oliver also specializes in books, television documentaries and literary performances which explore race and ethnic issues. Dr. Oliver conducts community oral history field work and is a member of the Oral History Association (OHA). Additionally, she serves as president of Kitty O. Enterprises, Inc. \u0026#x2013; which aids as a cultural diversity consulting firm located in Fort Lauderdale, Florida (Broward County).\u003c/p\u003e\n","\u003cp\u003eHer major public television and video productions include the PBS documentary series \"Celebrate...the Cultural Connections\" and a 10-part series, \"Crossing Cultures/Changing Lives\", which premiered in Florida, Spring, 2008 on WBEC-TV (Beacon-TV). Dr. Oliver's contemporary work includes ongoing lecture series detailing her Race and Change project. Additionally, she produced a book entitled \"Race and Change in Hollywood, Florida (Voices of America)\" in 2000.\u003c/p\u003e\n","\u003cp\u003eDr. Kitty Oliver married Ricky Oliver in 1969, and they had two children, Kali and Brian Oliver. They divorced in 1989. Kitty Oliver married Arthur I. Musson, Jr. in 2018.\u003c/p\u003e\n","\u003cp\u003eThe Kitty Oliver Collection is open for research.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Eloise \"Kitty\" Oliver is a veteran South Florida journalist, professor of creative nonfiction, memoir writing, oral history, and ethnic communication, and a professional jazz singer. Since the 1980s, she has produced landmark work as a cultural diversity researcher, documenting growing sociocultural conversions and multiculturalism that has become a reflection of contemporary American society.","Dr. Oliver was born on December 16, 1947 in Jacksonville, Florida. In 1965, Kitty Oliver was one of the first five Black freshmen to enroll at the University of Florida and live on campus after the passage of the Civil Rights Act of 1965. She graduated in 1969 with a Bachelor of Arts in English. During college, she met her Richard \"Ricky\" C. Oliver, Jr., who she married in 1969, and together they started a folk-rock musical group.","In 1971, Kitty Oliver started working one of the first Black reporters and columnists for the Miami Herald, covering Broward and Miami-Dade County. She chronicled the history of the Black community in South Florida, including Provident Hospital, Dr. Von Mizell and Dr. James Sistrunk, Eula Johnson, and Samuel Morrison.","Oliver left the Miami Herald in 1990 to pursue a Master of Fine Arts degree in Creative Writing at Florida International University and graduated in 1994. This led to her writing \"Multicolored Memories of a Black Southern Girl,\" a collection autobiographical essays about coming of age with integration and cultural diversity in Jacksonville and attending the University of Florida, working in South Florida, and her international travel.  ","After earning her M.A., she began the Race and Change Oral History Project, collecting oral histories of minority groups in Hollywood, Florida. She worked as a fulltime professor of Creative Writing and Multicultural Literature, Oral History Writing, and Ethnic Communication at Florida International University from 1994 to 1996 and at Florida Atlantic University's Broward Campuses from 1996 to 2006. During that time, she developed the Race and Change oral history methodology for cross-cultural research by students and communities. The work includes the Race and Change Project, the Kitty Oliver Oral Histories Archive, and the multimedia audio, webcast radio and television Race and Change Initiative with intergenerational stories. She donated her collection of 125 interviews to the African American Research Library and Cultural Center Special collections in 2004.","Oliver completed a Ph.D. in Comparative Studies from Florida Atlantic University in 2009, focusing on race and ethnic communication. Her degree included the creation of the 10-part public television documentary series \"Crossing Cultures, Changing Lives\" featuring  archival Race and Change Oral Histories narrators.","Dr. Kitty Oliver also specializes in books, television documentaries and literary performances which explore race and ethnic issues. Dr. Oliver conducts community oral history field work and is a member of the Oral History Association (OHA). Additionally, she serves as president of Kitty O. Enterprises, Inc. – which aids as a cultural diversity consulting firm located in Fort Lauderdale, Florida (Broward County).","Her major public television and video productions include the PBS documentary series \"Celebrate...the Cultural Connections\" and a 10-part series, \"Crossing Cultures/Changing Lives\", which premiered in Florida, Spring, 2008 on WBEC-TV (Beacon-TV). Dr. Oliver's contemporary work includes ongoing lecture series detailing her Race and Change project. Additionally, she produced a book entitled \"Race and Change in Hollywood, Florida (Voices of America)\" in 2000.","Dr. Kitty Oliver married Ricky Oliver in 1969, and they had two children, Kali and Brian Oliver. They divorced in 1989. Kitty Oliver married Arthur I. Musson, Jr. in 2018.","The Kitty Oliver Collection is open for research."],"prefercite_html_tesm":["\u003cp\u003eKitty Oliver Collection (AARLCC-2004.1), AALRCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Kitty Oliver Collection (AARLCC-2004.1), AALRCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding-aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding-aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/k-oliver1/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Kitty Oliver Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Kitty Oliver Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Kitty Oliver Collection consists of correspondence, personal and professional papers, photographs, newspaper clippings, printed materials, and awards of South Florida journalist and educator Kitty Oliver. \u003c/p\u003e\n","\u003cp\u003eThe collection also contains the Race and Change Project, a group of multiple oral history interviews with African-Americans, European-Americans, and immigrants regarding their memories growing up in Broward County, the United States, and other countries. Subjects include family and community lifestyle, race relations and societal change from the late 1920's through the aftermath of the Civil Rights Act of 1964 and desegregation. The collection contains audio and visual content of participants from the Race and Change Project including research composed by students taught by Kitty Oliver, and an essay written by Deborah Works entitled \"Historical Sketches and Rare Glimpses of the North Fork of the New River: a history of its natural and human environment\" (2001). The majority of Dr. Oliver's questionnaires, transcripts and interviews consist of ongoing research study of race and ethnic relations, geographical history and social change through the collection of oral histories of Whites, Blacks/African-Americans and immigrants of various Hispanic/Latinx, Caribbean and Asian backgrounds. Research sites include the South Florida cities of Hollywood, Fort Lauderdale, West Palm Beach, Miami, Opa-locka, Delray Beach and Boca Raton; North Fork and Liberia \u0026#x2013; historically significant Black/African-American communities; towns along Florida's landmark Lake Okeechobee; Stranahan High School in Fort Lauderdale; and Ghana, West Africa \u0026#x2013; where women who have experienced America's racial climate shared their stories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Kitty Oliver Collection consists of correspondence, personal and professional papers, photographs, newspaper clippings, printed materials, and awards of South Florida journalist and educator Kitty Oliver. ","The collection also contains the Race and Change Project, a group of multiple oral history interviews with African-Americans, European-Americans, and immigrants regarding their memories growing up in Broward County, the United States, and other countries. Subjects include family and community lifestyle, race relations and societal change from the late 1920's through the aftermath of the Civil Rights Act of 1964 and desegregation. The collection contains audio and visual content of participants from the Race and Change Project including research composed by students taught by Kitty Oliver, and an essay written by Deborah Works entitled \"Historical Sketches and Rare Glimpses of the North Fork of the New River: a history of its natural and human environment\" (2001). The majority of Dr. Oliver's questionnaires, transcripts and interviews consist of ongoing research study of race and ethnic relations, geographical history and social change through the collection of oral histories of Whites, Blacks/African-Americans and immigrants of various Hispanic/Latinx, Caribbean and Asian backgrounds. Research sites include the South Florida cities of Hollywood, Fort Lauderdale, West Palm Beach, Miami, Opa-locka, Delray Beach and Boca Raton; North Fork and Liberia – historically significant Black/African-American communities; towns along Florida's landmark Lake Okeechobee; Stranahan High School in Fort Lauderdale; and Ghana, West Africa – where women who have experienced America's racial climate shared their stories."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default\" target=\"_blank\"\u003eSome materials from this collection were cataloged in the Broward County Library catalog with the prefix \"OLI\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Some materials from this collection were cataloged in the Broward County Library catalog with the prefix \"OLI\"."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":418,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455827155451904,"_root_":"a00ac4456d001c4f5b29b5b6","timestamp":"2026-09-16T03:02:08.218Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a00ac4456d001c4f5b29b5b6"}},{"id":"d978d57b21795c04f445fe4c","type":"collection","attributes":{"title":"Knights Racing collection, 1972-2021","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/d978d57b21795c04f445fe4c#creator","type":"document_value","attributes":{"value":["University of Central Florida. Knights Racing"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d978d57b21795c04f445fe4c#abstract_or_scope","type":"document_value","attributes":{"value":["This collection contains materials related to the Knights Racing program, which spawned from the American Society of Mechanical Engineers (ASME) chapter at Florida Technological University, now University of Central Florida. Materials found in this collection include newspaper clippings, chapter documents, photographs, plaques, racing car designs, and more. This collection provides insight into the Knights Racing program at Florida Technological University (University of Central Florida) and the groups involved. The Knights Racing Program has been a staple of the University of Central Florida since the creation of the FTU chapter of the American Society of Mechanical Engineers (ASME) in 1972. Before the program became widely known as \"Knights Racing,\" the racing teams were simply referred to as simply the members of the ASME chapter. The program's name, \"Knights Racing,\" originated with UCF's mascot change in 2007 which shortened the UCF's mascot from \"The Golden Knights\" to \"The Knights.\" The Mini Baja Competition was coined under the Society of Automotive Engineers (SAE), who began to hold competitions for the Baja carts. This competition consists of students designing, building, and operating a recreational offroading vehicle. At the time of their creation, the Baja Racing Team and the Formula SAE team were one team; however, they separated in 2019 due to Student Government Association funding limitations. Since their divorce in 2019, the teams compete, design, and build their cars independently. As of 2021, the Formula SAE and Baja Racing Teams remain under the umbrella of the \"Knights Racing Program\" though they act independently."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d978d57b21795c04f445fe4c#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"d978d57b21795c04f445fe4c","title_ssm":["Knights Racing collection"],"title_tesim":["Knights Racing collection"],"ead_ssi":"d978d57b21795c04f445fe4c","unitdate_ssm":["1972-2021"],"unitdate_inclusive_ssm":["1972-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA22D","/repositories/2/resources/237"],"text":["UA22D","/repositories/2/resources/237","Knights Racing collection, 1972-2021","Universities and colleges -- Florida","Clubs","Student Government","Memorabilia","CD-ROMs","photographs","sketches","financial records","charts (graphic documents)","This collection is arranged in three series all of which are arranged chronologically and if they are undated, they are arranged by like-item.","The Knights Racing Program has been a staple of the University of Central Florida since the creation of the FTU chapter of the American Society of Mechanical Engineers (ASME) in 1972. Before the program became widely known as \"Knights Racing,\" the racing teams were simply referred to as simply the members of the ASME chapter. The program's name, \"Knights Racing,\" originated with UCF's mascot change in 2007 which shortened the UCF's mascot from \"The Golden Knights\" to \"The Knights.\" Much of the history surrounding the Knights Racing Program is unknown; however, the Knights Racing Program launched an unofficial effort to recover some of its history in 2021.","The Mini Baja Competition was coined under the Society of Automotive Engineers (SAE), who began to hold competitions for the Baja carts. This competition consists of students designing, building, and operating a recreational offroading vehicle. The first Mini Baja SAE Competition that UCF, then Florida Technological University (FTU), attended was the Mini Baja competition at the University of Southwestern Louisiana. As of 2021, these vehicles are tested on an off-road track where the car must survive a series of obstacles and a four-hour endurance race. According to the Knights Racing website, UCF has been a part of the SAE Baja competition from the humble beginnings of the competition. It was hosted on the FTU campus first in 1978, and again several times through to 1996. Since 1996, UCF has entered at least one car into the competition per year. According to the SAE website, there are three Baja competitions held per year: the West, East, and Central Competitions. The UCF Baja Racing Team attempts to compete in two out of the three competitions held annually. ","The Formula SAE Team was developed later on in UCF's history. According to the 2021 president of the Formula SAE Team, Rebecca Vollmann, the Formula competitions began in 1981, but UCF did not begin to compete until 2000. As of 2021, SAE holds two Formula SAE competitions: the West Coast and the East Coast Competitions. The West Coast Competition is typically held in the California-Nevada region, whereas the East Coast Competitions is typically held in Michigan. The Formula SAE Team attempts to attend at least the East Coast Competition annually. ","At the time of their creation, the Baja Racing Team and the Formula SAE team were one team; however, they separated in 2019 due to Student Government Association funding limitations. Since their divorce in 2019, the teams compete, design, and build their cars independently. As of 2021, the Formula SAE and Baja Racing Teams remain under the umbrella of the \"Knights Racing Program\" though they act independently.","For more information on university archives, please see our website. Further information about the Knights Racing Program can be found on their  wesbite .","This collection contains materials related to the Knights Racing program, which spawned from the American Society of Mechanical Engineers (ASME) chapter at Florida Technological University, now University of Central Florida. Materials found in this collection include newspaper clippings, chapter documents, photographs, plaques, racing car designs, and more. This collection provides insight into the Knights Racing program at Florida Technological University (University of Central Florida) and the groups involved.","Series I: Knights Racing, 1972-2017, undated, contains documents, newspaper clippings, negatives, slides, photographs, and award plaques relating to the general Knights Racing SAE program at UCF. The newspapers featured in the collection include the Seminole Outlook, Orlando Sentinel, Central Florida Future, The Planter, Outlook, Apopka Planter, Citizens’ Outlook, and the Winter Garden Times. The corresponding film for the photographs in the \"Developed Photos\" folder in Box 7 is also included within Box 7.","Series II: Baja Racing Team, 1979-2017, undated contains documents, reports, calculations, scoring sheets, designs, media, photographs, and award plaques relating to the Baja SAE Racing Team under the Knights Racing Program. ","Series III: Formula Racing Team, 1996-2021, undated contains documents, photographs, data analyses, a CD, and a USB drive relating to the Formula SAE Racing Team under the Knights Racing Program. The USB drive containing a copy of the FSAEM 2017 Cost Report was burned onto a CD and placed with the folder.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","This collection contains materials related to the Knights Racing program, which spawned from the American Society of Mechanical Engineers (ASME) chapter at Florida Technological University, now University of Central Florida. Materials found in this collection include newspaper clippings, chapter documents, photographs, plaques, racing car designs, and more. This collection provides insight into the Knights Racing program at Florida Technological University (University of Central Florida) and the groups involved. \n\nThe Knights Racing Program has been a staple of the University of Central Florida since the creation of the FTU chapter of the American Society of Mechanical Engineers (ASME) in 1972. Before the program became widely known as \"Knights Racing,\" the racing teams were simply referred to as simply the members of the ASME chapter. The program's name, \"Knights Racing,\" originated with UCF's mascot change in 2007 which shortened the UCF's mascot from \"The Golden Knights\" to \"The Knights.\" The Mini Baja Competition was coined under the Society of Automotive Engineers (SAE), who began to hold competitions for the Baja carts. This competition consists of students designing, building, and operating a recreational offroading vehicle. At the time of their creation, the Baja Racing Team and the Formula SAE team were one team; however, they separated in 2019 due to Student Government Association funding limitations. Since their divorce in 2019, the teams compete, design, and build their cars independently. As of 2021, the Formula SAE and Baja Racing Teams remain under the umbrella of the \"Knights Racing Program\" though they act independently.","UCF University Archives","University of Central Florida. Knights Racing","Florida Technological University","University of Central Florida","Society of Automotive Engineers","Elgohary, Tarek","English"],"unitid_tesim":["UA22D","/repositories/2/resources/237"],"normalized_date_ssm":["1972-2021"],"normalized_title_ssm":["Knights Racing collection, 1972-2021"],"collection_title_tesim":["Knights Racing collection, 1972-2021"],"collection_ssim":["Knights Racing collection, 1972-2021"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["University of Central Florida. Knights Racing","Elgohary, Tarek"],"creator_ssim":["University of Central Florida. Knights Racing","Elgohary, Tarek"],"creator_persname_ssim":["Elgohary, Tarek"],"creator_corpname_ssim":["University of Central Florida. Knights Racing"],"creators_ssim":["Elgohary, Tarek","University of Central Florida. Knights Racing"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Dr. Tarek Elgohary transferred these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (Accession no. CFU2018_28)."],"access_subjects_ssim":["Universities and colleges -- Florida","Clubs","Student Government","Memorabilia","CD-ROMs","photographs","sketches","financial records","charts (graphic documents)"],"access_subjects_ssm":["Universities and colleges -- Florida","Clubs","Student Government","Memorabilia","CD-ROMs","photographs","sketches","financial records","charts (graphic documents)"],"has_online_content_ssim":["false"],"extent_ssm":["5 Linear Feet 9 boxes"],"extent_tesim":["5 Linear Feet 9 boxes"],"genreform_ssim":["Memorabilia","CD-ROMs","photographs","sketches","financial records","charts (graphic documents)"],"date_range_isim":[1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in three series all of which are arranged chronologically and if they are undated, they are arranged by like-item.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in three series all of which are arranged chronologically and if they are undated, they are arranged by like-item."],"bioghist_html_tesm":["\u003cp\u003eThe Knights Racing Program has been a staple of the University of Central Florida since the creation of the FTU chapter of the American Society of Mechanical Engineers (ASME) in 1972. Before the program became widely known as \"Knights Racing,\" the racing teams were simply referred to as simply the members of the ASME chapter. The program's name, \"Knights Racing,\" originated with UCF's mascot change in 2007 which shortened the UCF's mascot from \"The Golden Knights\" to \"The Knights.\" Much of the history surrounding the Knights Racing Program is unknown; however, the Knights Racing Program launched an unofficial effort to recover some of its history in 2021.\u003c/p\u003e\n","\u003cp\u003eThe Mini Baja Competition was coined under the Society of Automotive Engineers (SAE), who began to hold competitions for the Baja carts. This competition consists of students designing, building, and operating a recreational offroading vehicle. The first Mini Baja SAE Competition that UCF, then Florida Technological University (FTU), attended was the Mini Baja competition at the University of Southwestern Louisiana. As of 2021, these vehicles are tested on an off-road track where the car must survive a series of obstacles and a four-hour endurance race. According to the Knights Racing website, UCF has been a part of the SAE Baja competition from the humble beginnings of the competition. It was hosted on the FTU campus first in 1978, and again several times through to 1996. Since 1996, UCF has entered at least one car into the competition per year. According to the SAE website, there are three Baja competitions held per year: the West, East, and Central Competitions. The UCF Baja Racing Team attempts to compete in two out of the three competitions held annually. \u003c/p\u003e\n","\u003cp\u003eThe Formula SAE Team was developed later on in UCF's history. According to the 2021 president of the Formula SAE Team, Rebecca Vollmann, the Formula competitions began in 1981, but UCF did not begin to compete until 2000. As of 2021, SAE holds two Formula SAE competitions: the West Coast and the East Coast Competitions. The West Coast Competition is typically held in the California-Nevada region, whereas the East Coast Competitions is typically held in Michigan. The Formula SAE Team attempts to attend at least the East Coast Competition annually. \u003c/p\u003e\n","\u003cp\u003eAt the time of their creation, the Baja Racing Team and the Formula SAE team were one team; however, they separated in 2019 due to Student Government Association funding limitations. Since their divorce in 2019, the teams compete, design, and build their cars independently. As of 2021, the Formula SAE and Baja Racing Teams remain under the umbrella of the \"Knights Racing Program\" though they act independently.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Knights Racing Program has been a staple of the University of Central Florida since the creation of the FTU chapter of the American Society of Mechanical Engineers (ASME) in 1972. Before the program became widely known as \"Knights Racing,\" the racing teams were simply referred to as simply the members of the ASME chapter. The program's name, \"Knights Racing,\" originated with UCF's mascot change in 2007 which shortened the UCF's mascot from \"The Golden Knights\" to \"The Knights.\" Much of the history surrounding the Knights Racing Program is unknown; however, the Knights Racing Program launched an unofficial effort to recover some of its history in 2021.","The Mini Baja Competition was coined under the Society of Automotive Engineers (SAE), who began to hold competitions for the Baja carts. This competition consists of students designing, building, and operating a recreational offroading vehicle. The first Mini Baja SAE Competition that UCF, then Florida Technological University (FTU), attended was the Mini Baja competition at the University of Southwestern Louisiana. As of 2021, these vehicles are tested on an off-road track where the car must survive a series of obstacles and a four-hour endurance race. According to the Knights Racing website, UCF has been a part of the SAE Baja competition from the humble beginnings of the competition. It was hosted on the FTU campus first in 1978, and again several times through to 1996. Since 1996, UCF has entered at least one car into the competition per year. According to the SAE website, there are three Baja competitions held per year: the West, East, and Central Competitions. The UCF Baja Racing Team attempts to compete in two out of the three competitions held annually. ","The Formula SAE Team was developed later on in UCF's history. According to the 2021 president of the Formula SAE Team, Rebecca Vollmann, the Formula competitions began in 1981, but UCF did not begin to compete until 2000. As of 2021, SAE holds two Formula SAE competitions: the West Coast and the East Coast Competitions. The West Coast Competition is typically held in the California-Nevada region, whereas the East Coast Competitions is typically held in Michigan. The Formula SAE Team attempts to attend at least the East Coast Competition annually. ","At the time of their creation, the Baja Racing Team and the Formula SAE team were one team; however, they separated in 2019 due to Student Government Association funding limitations. Since their divorce in 2019, the teams compete, design, and build their cars independently. As of 2021, the Formula SAE and Baja Racing Teams remain under the umbrella of the \"Knights Racing Program\" though they act independently."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item], Knights Racing collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item], Knights Racing collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on university archives, please see our website. Further information about the Knights Racing Program can be found on their \u003cextref href=\"https://knightsracing.cecs.ucf.edu/\"\u003ewesbite\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["For more information on university archives, please see our website. Further information about the Knights Racing Program can be found on their  wesbite ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials related to the Knights Racing program, which spawned from the American Society of Mechanical Engineers (ASME) chapter at Florida Technological University, now University of Central Florida. Materials found in this collection include newspaper clippings, chapter documents, photographs, plaques, racing car designs, and more. This collection provides insight into the Knights Racing program at Florida Technological University (University of Central Florida) and the groups involved.\u003c/p\u003e\n","\u003cp\u003eSeries I: Knights Racing, 1972-2017, undated, contains documents, newspaper clippings, negatives, slides, photographs, and award plaques relating to the general Knights Racing SAE program at UCF. The newspapers featured in the collection include the Seminole Outlook, Orlando Sentinel, Central Florida Future, The Planter, Outlook, Apopka Planter, Citizens\u0026#x92; Outlook, and the Winter Garden Times. The corresponding film for the photographs in the \"Developed Photos\" folder in Box 7 is also included within Box 7.\u003c/p\u003e\n","\u003cp\u003eSeries II: Baja Racing Team, 1979-2017, undated contains documents, reports, calculations, scoring sheets, designs, media, photographs, and award plaques relating to the Baja SAE Racing Team under the Knights Racing Program. \u003c/p\u003e\n","\u003cp\u003eSeries III: Formula Racing Team, 1996-2021, undated contains documents, photographs, data analyses, a CD, and a USB drive relating to the Formula SAE Racing Team under the Knights Racing Program. The USB drive containing a copy of the FSAEM 2017 Cost Report was burned onto a CD and placed with the folder.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains materials related to the Knights Racing program, which spawned from the American Society of Mechanical Engineers (ASME) chapter at Florida Technological University, now University of Central Florida. Materials found in this collection include newspaper clippings, chapter documents, photographs, plaques, racing car designs, and more. This collection provides insight into the Knights Racing program at Florida Technological University (University of Central Florida) and the groups involved.","Series I: Knights Racing, 1972-2017, undated, contains documents, newspaper clippings, negatives, slides, photographs, and award plaques relating to the general Knights Racing SAE program at UCF. The newspapers featured in the collection include the Seminole Outlook, Orlando Sentinel, Central Florida Future, The Planter, Outlook, Apopka Planter, Citizens’ Outlook, and the Winter Garden Times. The corresponding film for the photographs in the \"Developed Photos\" folder in Box 7 is also included within Box 7.","Series II: Baja Racing Team, 1979-2017, undated contains documents, reports, calculations, scoring sheets, designs, media, photographs, and award plaques relating to the Baja SAE Racing Team under the Knights Racing Program. ","Series III: Formula Racing Team, 1996-2021, undated contains documents, photographs, data analyses, a CD, and a USB drive relating to the Formula SAE Racing Team under the Knights Racing Program. The USB drive containing a copy of the FSAEM 2017 Cost Report was burned onto a CD and placed with the folder."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8f4f49c0aca04d704d23ed90546d3e30\" label=\"Abstract\"\u003eThis collection contains materials related to the Knights Racing program, which spawned from the American Society of Mechanical Engineers (ASME) chapter at Florida Technological University, now University of Central Florida. Materials found in this collection include newspaper clippings, chapter documents, photographs, plaques, racing car designs, and more. This collection provides insight into the Knights Racing program at Florida Technological University (University of Central Florida) and the groups involved. \n\nThe Knights Racing Program has been a staple of the University of Central Florida since the creation of the FTU chapter of the American Society of Mechanical Engineers (ASME) in 1972. Before the program became widely known as \"Knights Racing,\" the racing teams were simply referred to as simply the members of the ASME chapter. The program's name, \"Knights Racing,\" originated with UCF's mascot change in 2007 which shortened the UCF's mascot from \"The Golden Knights\" to \"The Knights.\" The Mini Baja Competition was coined under the Society of Automotive Engineers (SAE), who began to hold competitions for the Baja carts. This competition consists of students designing, building, and operating a recreational offroading vehicle. At the time of their creation, the Baja Racing Team and the Formula SAE team were one team; however, they separated in 2019 due to Student Government Association funding limitations. Since their divorce in 2019, the teams compete, design, and build their cars independently. As of 2021, the Formula SAE and Baja Racing Teams remain under the umbrella of the \"Knights Racing Program\" though they act independently.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials related to the Knights Racing program, which spawned from the American Society of Mechanical Engineers (ASME) chapter at Florida Technological University, now University of Central Florida. Materials found in this collection include newspaper clippings, chapter documents, photographs, plaques, racing car designs, and more. This collection provides insight into the Knights Racing program at Florida Technological University (University of Central Florida) and the groups involved. \n\nThe Knights Racing Program has been a staple of the University of Central Florida since the creation of the FTU chapter of the American Society of Mechanical Engineers (ASME) in 1972. Before the program became widely known as \"Knights Racing,\" the racing teams were simply referred to as simply the members of the ASME chapter. The program's name, \"Knights Racing,\" originated with UCF's mascot change in 2007 which shortened the UCF's mascot from \"The Golden Knights\" to \"The Knights.\" The Mini Baja Competition was coined under the Society of Automotive Engineers (SAE), who began to hold competitions for the Baja carts. This competition consists of students designing, building, and operating a recreational offroading vehicle. At the time of their creation, the Baja Racing Team and the Formula SAE team were one team; however, they separated in 2019 due to Student Government Association funding limitations. Since their divorce in 2019, the teams compete, design, and build their cars independently. As of 2021, the Formula SAE and Baja Racing Teams remain under the umbrella of the \"Knights Racing Program\" though they act independently."],"names_coll_ssim":["Florida Technological University","University of Central Florida","Society of Automotive Engineers"],"names_ssim":["UCF University Archives","University of Central Florida. Knights Racing","Florida Technological University","University of Central Florida","Society of Automotive Engineers","Elgohary, Tarek"],"corpname_ssim":["UCF University Archives","University of Central Florida. Knights Racing","Florida Technological University","University of Central Florida","Society of Automotive Engineers"],"persname_ssim":["Elgohary, Tarek"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":123,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858690893971456,"_root_":"d978d57b21795c04f445fe4c","timestamp":"2026-07-16T08:18:03.129Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d978d57b21795c04f445fe4c","title_ssm":["Knights Racing collection"],"title_tesim":["Knights Racing collection"],"ead_ssi":"d978d57b21795c04f445fe4c","unitdate_ssm":["1972-2021"],"unitdate_inclusive_ssm":["1972-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA22D","/repositories/2/resources/237"],"text":["UA22D","/repositories/2/resources/237","Knights Racing collection, 1972-2021","Universities and colleges -- Florida","Clubs","Student Government","Memorabilia","CD-ROMs","photographs","sketches","financial records","charts (graphic documents)","This collection is arranged in three series all of which are arranged chronologically and if they are undated, they are arranged by like-item.","The Knights Racing Program has been a staple of the University of Central Florida since the creation of the FTU chapter of the American Society of Mechanical Engineers (ASME) in 1972. Before the program became widely known as \"Knights Racing,\" the racing teams were simply referred to as simply the members of the ASME chapter. The program's name, \"Knights Racing,\" originated with UCF's mascot change in 2007 which shortened the UCF's mascot from \"The Golden Knights\" to \"The Knights.\" Much of the history surrounding the Knights Racing Program is unknown; however, the Knights Racing Program launched an unofficial effort to recover some of its history in 2021.","The Mini Baja Competition was coined under the Society of Automotive Engineers (SAE), who began to hold competitions for the Baja carts. This competition consists of students designing, building, and operating a recreational offroading vehicle. The first Mini Baja SAE Competition that UCF, then Florida Technological University (FTU), attended was the Mini Baja competition at the University of Southwestern Louisiana. As of 2021, these vehicles are tested on an off-road track where the car must survive a series of obstacles and a four-hour endurance race. According to the Knights Racing website, UCF has been a part of the SAE Baja competition from the humble beginnings of the competition. It was hosted on the FTU campus first in 1978, and again several times through to 1996. Since 1996, UCF has entered at least one car into the competition per year. According to the SAE website, there are three Baja competitions held per year: the West, East, and Central Competitions. The UCF Baja Racing Team attempts to compete in two out of the three competitions held annually. ","The Formula SAE Team was developed later on in UCF's history. According to the 2021 president of the Formula SAE Team, Rebecca Vollmann, the Formula competitions began in 1981, but UCF did not begin to compete until 2000. As of 2021, SAE holds two Formula SAE competitions: the West Coast and the East Coast Competitions. The West Coast Competition is typically held in the California-Nevada region, whereas the East Coast Competitions is typically held in Michigan. The Formula SAE Team attempts to attend at least the East Coast Competition annually. ","At the time of their creation, the Baja Racing Team and the Formula SAE team were one team; however, they separated in 2019 due to Student Government Association funding limitations. Since their divorce in 2019, the teams compete, design, and build their cars independently. As of 2021, the Formula SAE and Baja Racing Teams remain under the umbrella of the \"Knights Racing Program\" though they act independently.","For more information on university archives, please see our website. Further information about the Knights Racing Program can be found on their  wesbite .","This collection contains materials related to the Knights Racing program, which spawned from the American Society of Mechanical Engineers (ASME) chapter at Florida Technological University, now University of Central Florida. Materials found in this collection include newspaper clippings, chapter documents, photographs, plaques, racing car designs, and more. This collection provides insight into the Knights Racing program at Florida Technological University (University of Central Florida) and the groups involved.","Series I: Knights Racing, 1972-2017, undated, contains documents, newspaper clippings, negatives, slides, photographs, and award plaques relating to the general Knights Racing SAE program at UCF. The newspapers featured in the collection include the Seminole Outlook, Orlando Sentinel, Central Florida Future, The Planter, Outlook, Apopka Planter, Citizens’ Outlook, and the Winter Garden Times. The corresponding film for the photographs in the \"Developed Photos\" folder in Box 7 is also included within Box 7.","Series II: Baja Racing Team, 1979-2017, undated contains documents, reports, calculations, scoring sheets, designs, media, photographs, and award plaques relating to the Baja SAE Racing Team under the Knights Racing Program. ","Series III: Formula Racing Team, 1996-2021, undated contains documents, photographs, data analyses, a CD, and a USB drive relating to the Formula SAE Racing Team under the Knights Racing Program. The USB drive containing a copy of the FSAEM 2017 Cost Report was burned onto a CD and placed with the folder.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","This collection contains materials related to the Knights Racing program, which spawned from the American Society of Mechanical Engineers (ASME) chapter at Florida Technological University, now University of Central Florida. Materials found in this collection include newspaper clippings, chapter documents, photographs, plaques, racing car designs, and more. This collection provides insight into the Knights Racing program at Florida Technological University (University of Central Florida) and the groups involved. \n\nThe Knights Racing Program has been a staple of the University of Central Florida since the creation of the FTU chapter of the American Society of Mechanical Engineers (ASME) in 1972. Before the program became widely known as \"Knights Racing,\" the racing teams were simply referred to as simply the members of the ASME chapter. The program's name, \"Knights Racing,\" originated with UCF's mascot change in 2007 which shortened the UCF's mascot from \"The Golden Knights\" to \"The Knights.\" The Mini Baja Competition was coined under the Society of Automotive Engineers (SAE), who began to hold competitions for the Baja carts. This competition consists of students designing, building, and operating a recreational offroading vehicle. At the time of their creation, the Baja Racing Team and the Formula SAE team were one team; however, they separated in 2019 due to Student Government Association funding limitations. Since their divorce in 2019, the teams compete, design, and build their cars independently. As of 2021, the Formula SAE and Baja Racing Teams remain under the umbrella of the \"Knights Racing Program\" though they act independently.","UCF University Archives","University of Central Florida. Knights Racing","Florida Technological University","University of Central Florida","Society of Automotive Engineers","Elgohary, Tarek","English"],"unitid_tesim":["UA22D","/repositories/2/resources/237"],"normalized_date_ssm":["1972-2021"],"normalized_title_ssm":["Knights Racing collection, 1972-2021"],"collection_title_tesim":["Knights Racing collection, 1972-2021"],"collection_ssim":["Knights Racing collection, 1972-2021"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["University of Central Florida. Knights Racing","Elgohary, Tarek"],"creator_ssim":["University of Central Florida. Knights Racing","Elgohary, Tarek"],"creator_persname_ssim":["Elgohary, Tarek"],"creator_corpname_ssim":["University of Central Florida. Knights Racing"],"creators_ssim":["Elgohary, Tarek","University of Central Florida. Knights Racing"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Dr. Tarek Elgohary transferred these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (Accession no. CFU2018_28)."],"access_subjects_ssim":["Universities and colleges -- Florida","Clubs","Student Government","Memorabilia","CD-ROMs","photographs","sketches","financial records","charts (graphic documents)"],"access_subjects_ssm":["Universities and colleges -- Florida","Clubs","Student Government","Memorabilia","CD-ROMs","photographs","sketches","financial records","charts (graphic documents)"],"has_online_content_ssim":["false"],"extent_ssm":["5 Linear Feet 9 boxes"],"extent_tesim":["5 Linear Feet 9 boxes"],"genreform_ssim":["Memorabilia","CD-ROMs","photographs","sketches","financial records","charts (graphic documents)"],"date_range_isim":[1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in three series all of which are arranged chronologically and if they are undated, they are arranged by like-item.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in three series all of which are arranged chronologically and if they are undated, they are arranged by like-item."],"bioghist_html_tesm":["\u003cp\u003eThe Knights Racing Program has been a staple of the University of Central Florida since the creation of the FTU chapter of the American Society of Mechanical Engineers (ASME) in 1972. Before the program became widely known as \"Knights Racing,\" the racing teams were simply referred to as simply the members of the ASME chapter. The program's name, \"Knights Racing,\" originated with UCF's mascot change in 2007 which shortened the UCF's mascot from \"The Golden Knights\" to \"The Knights.\" Much of the history surrounding the Knights Racing Program is unknown; however, the Knights Racing Program launched an unofficial effort to recover some of its history in 2021.\u003c/p\u003e\n","\u003cp\u003eThe Mini Baja Competition was coined under the Society of Automotive Engineers (SAE), who began to hold competitions for the Baja carts. This competition consists of students designing, building, and operating a recreational offroading vehicle. The first Mini Baja SAE Competition that UCF, then Florida Technological University (FTU), attended was the Mini Baja competition at the University of Southwestern Louisiana. As of 2021, these vehicles are tested on an off-road track where the car must survive a series of obstacles and a four-hour endurance race. According to the Knights Racing website, UCF has been a part of the SAE Baja competition from the humble beginnings of the competition. It was hosted on the FTU campus first in 1978, and again several times through to 1996. Since 1996, UCF has entered at least one car into the competition per year. According to the SAE website, there are three Baja competitions held per year: the West, East, and Central Competitions. The UCF Baja Racing Team attempts to compete in two out of the three competitions held annually. \u003c/p\u003e\n","\u003cp\u003eThe Formula SAE Team was developed later on in UCF's history. According to the 2021 president of the Formula SAE Team, Rebecca Vollmann, the Formula competitions began in 1981, but UCF did not begin to compete until 2000. As of 2021, SAE holds two Formula SAE competitions: the West Coast and the East Coast Competitions. The West Coast Competition is typically held in the California-Nevada region, whereas the East Coast Competitions is typically held in Michigan. The Formula SAE Team attempts to attend at least the East Coast Competition annually. \u003c/p\u003e\n","\u003cp\u003eAt the time of their creation, the Baja Racing Team and the Formula SAE team were one team; however, they separated in 2019 due to Student Government Association funding limitations. Since their divorce in 2019, the teams compete, design, and build their cars independently. As of 2021, the Formula SAE and Baja Racing Teams remain under the umbrella of the \"Knights Racing Program\" though they act independently.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Knights Racing Program has been a staple of the University of Central Florida since the creation of the FTU chapter of the American Society of Mechanical Engineers (ASME) in 1972. Before the program became widely known as \"Knights Racing,\" the racing teams were simply referred to as simply the members of the ASME chapter. The program's name, \"Knights Racing,\" originated with UCF's mascot change in 2007 which shortened the UCF's mascot from \"The Golden Knights\" to \"The Knights.\" Much of the history surrounding the Knights Racing Program is unknown; however, the Knights Racing Program launched an unofficial effort to recover some of its history in 2021.","The Mini Baja Competition was coined under the Society of Automotive Engineers (SAE), who began to hold competitions for the Baja carts. This competition consists of students designing, building, and operating a recreational offroading vehicle. The first Mini Baja SAE Competition that UCF, then Florida Technological University (FTU), attended was the Mini Baja competition at the University of Southwestern Louisiana. As of 2021, these vehicles are tested on an off-road track where the car must survive a series of obstacles and a four-hour endurance race. According to the Knights Racing website, UCF has been a part of the SAE Baja competition from the humble beginnings of the competition. It was hosted on the FTU campus first in 1978, and again several times through to 1996. Since 1996, UCF has entered at least one car into the competition per year. According to the SAE website, there are three Baja competitions held per year: the West, East, and Central Competitions. The UCF Baja Racing Team attempts to compete in two out of the three competitions held annually. ","The Formula SAE Team was developed later on in UCF's history. According to the 2021 president of the Formula SAE Team, Rebecca Vollmann, the Formula competitions began in 1981, but UCF did not begin to compete until 2000. As of 2021, SAE holds two Formula SAE competitions: the West Coast and the East Coast Competitions. The West Coast Competition is typically held in the California-Nevada region, whereas the East Coast Competitions is typically held in Michigan. The Formula SAE Team attempts to attend at least the East Coast Competition annually. ","At the time of their creation, the Baja Racing Team and the Formula SAE team were one team; however, they separated in 2019 due to Student Government Association funding limitations. Since their divorce in 2019, the teams compete, design, and build their cars independently. As of 2021, the Formula SAE and Baja Racing Teams remain under the umbrella of the \"Knights Racing Program\" though they act independently."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item], Knights Racing collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item], Knights Racing collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on university archives, please see our website. Further information about the Knights Racing Program can be found on their \u003cextref href=\"https://knightsracing.cecs.ucf.edu/\"\u003ewesbite\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["For more information on university archives, please see our website. Further information about the Knights Racing Program can be found on their  wesbite ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials related to the Knights Racing program, which spawned from the American Society of Mechanical Engineers (ASME) chapter at Florida Technological University, now University of Central Florida. Materials found in this collection include newspaper clippings, chapter documents, photographs, plaques, racing car designs, and more. This collection provides insight into the Knights Racing program at Florida Technological University (University of Central Florida) and the groups involved.\u003c/p\u003e\n","\u003cp\u003eSeries I: Knights Racing, 1972-2017, undated, contains documents, newspaper clippings, negatives, slides, photographs, and award plaques relating to the general Knights Racing SAE program at UCF. The newspapers featured in the collection include the Seminole Outlook, Orlando Sentinel, Central Florida Future, The Planter, Outlook, Apopka Planter, Citizens\u0026#x92; Outlook, and the Winter Garden Times. The corresponding film for the photographs in the \"Developed Photos\" folder in Box 7 is also included within Box 7.\u003c/p\u003e\n","\u003cp\u003eSeries II: Baja Racing Team, 1979-2017, undated contains documents, reports, calculations, scoring sheets, designs, media, photographs, and award plaques relating to the Baja SAE Racing Team under the Knights Racing Program. \u003c/p\u003e\n","\u003cp\u003eSeries III: Formula Racing Team, 1996-2021, undated contains documents, photographs, data analyses, a CD, and a USB drive relating to the Formula SAE Racing Team under the Knights Racing Program. The USB drive containing a copy of the FSAEM 2017 Cost Report was burned onto a CD and placed with the folder.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains materials related to the Knights Racing program, which spawned from the American Society of Mechanical Engineers (ASME) chapter at Florida Technological University, now University of Central Florida. Materials found in this collection include newspaper clippings, chapter documents, photographs, plaques, racing car designs, and more. This collection provides insight into the Knights Racing program at Florida Technological University (University of Central Florida) and the groups involved.","Series I: Knights Racing, 1972-2017, undated, contains documents, newspaper clippings, negatives, slides, photographs, and award plaques relating to the general Knights Racing SAE program at UCF. The newspapers featured in the collection include the Seminole Outlook, Orlando Sentinel, Central Florida Future, The Planter, Outlook, Apopka Planter, Citizens’ Outlook, and the Winter Garden Times. The corresponding film for the photographs in the \"Developed Photos\" folder in Box 7 is also included within Box 7.","Series II: Baja Racing Team, 1979-2017, undated contains documents, reports, calculations, scoring sheets, designs, media, photographs, and award plaques relating to the Baja SAE Racing Team under the Knights Racing Program. ","Series III: Formula Racing Team, 1996-2021, undated contains documents, photographs, data analyses, a CD, and a USB drive relating to the Formula SAE Racing Team under the Knights Racing Program. The USB drive containing a copy of the FSAEM 2017 Cost Report was burned onto a CD and placed with the folder."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8f4f49c0aca04d704d23ed90546d3e30\" label=\"Abstract\"\u003eThis collection contains materials related to the Knights Racing program, which spawned from the American Society of Mechanical Engineers (ASME) chapter at Florida Technological University, now University of Central Florida. Materials found in this collection include newspaper clippings, chapter documents, photographs, plaques, racing car designs, and more. This collection provides insight into the Knights Racing program at Florida Technological University (University of Central Florida) and the groups involved. \n\nThe Knights Racing Program has been a staple of the University of Central Florida since the creation of the FTU chapter of the American Society of Mechanical Engineers (ASME) in 1972. Before the program became widely known as \"Knights Racing,\" the racing teams were simply referred to as simply the members of the ASME chapter. The program's name, \"Knights Racing,\" originated with UCF's mascot change in 2007 which shortened the UCF's mascot from \"The Golden Knights\" to \"The Knights.\" The Mini Baja Competition was coined under the Society of Automotive Engineers (SAE), who began to hold competitions for the Baja carts. This competition consists of students designing, building, and operating a recreational offroading vehicle. At the time of their creation, the Baja Racing Team and the Formula SAE team were one team; however, they separated in 2019 due to Student Government Association funding limitations. Since their divorce in 2019, the teams compete, design, and build their cars independently. As of 2021, the Formula SAE and Baja Racing Teams remain under the umbrella of the \"Knights Racing Program\" though they act independently.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials related to the Knights Racing program, which spawned from the American Society of Mechanical Engineers (ASME) chapter at Florida Technological University, now University of Central Florida. Materials found in this collection include newspaper clippings, chapter documents, photographs, plaques, racing car designs, and more. This collection provides insight into the Knights Racing program at Florida Technological University (University of Central Florida) and the groups involved. \n\nThe Knights Racing Program has been a staple of the University of Central Florida since the creation of the FTU chapter of the American Society of Mechanical Engineers (ASME) in 1972. Before the program became widely known as \"Knights Racing,\" the racing teams were simply referred to as simply the members of the ASME chapter. The program's name, \"Knights Racing,\" originated with UCF's mascot change in 2007 which shortened the UCF's mascot from \"The Golden Knights\" to \"The Knights.\" The Mini Baja Competition was coined under the Society of Automotive Engineers (SAE), who began to hold competitions for the Baja carts. This competition consists of students designing, building, and operating a recreational offroading vehicle. At the time of their creation, the Baja Racing Team and the Formula SAE team were one team; however, they separated in 2019 due to Student Government Association funding limitations. Since their divorce in 2019, the teams compete, design, and build their cars independently. As of 2021, the Formula SAE and Baja Racing Teams remain under the umbrella of the \"Knights Racing Program\" though they act independently."],"names_coll_ssim":["Florida Technological University","University of Central Florida","Society of Automotive Engineers"],"names_ssim":["UCF University Archives","University of Central Florida. Knights Racing","Florida Technological University","University of Central Florida","Society of Automotive Engineers","Elgohary, Tarek"],"corpname_ssim":["UCF University Archives","University of Central Florida. Knights Racing","Florida Technological University","University of Central Florida","Society of Automotive Engineers"],"persname_ssim":["Elgohary, Tarek"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":123,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858690893971456,"_root_":"d978d57b21795c04f445fe4c","timestamp":"2026-07-16T08:18:03.129Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d978d57b21795c04f445fe4c"}},{"id":"01e4f1868bc801a6a451b66a","type":"collection","attributes":{"title":"Latino Legacy at UCF: Dr. Cyndia Morales Muñiz's Collection, 2006-2018, bulk 2017-2018","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/01e4f1868bc801a6a451b66a#creator","type":"document_value","attributes":{"value":["Morales Muñiz, Cyndia"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/01e4f1868bc801a6a451b66a#abstract_or_scope","type":"document_value","attributes":{"value":["Dr. Cyndia Morales Muñiz is a UCF Alumna who works as UCF's Director of HSI Culture and Partnerships. Her collection contains information regarding several organizations, programs, and events tailored towards the Latino and Hispanic population at the University of Central Florida."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/01e4f1868bc801a6a451b66a#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"01e4f1868bc801a6a451b66a","title_ssm":["Latino Legacy at UCF: Dr. Cyndia Morales Muñiz's Collection"],"title_tesim":["Latino Legacy at UCF: Dr. Cyndia Morales Muñiz's Collection"],"ead_ssi":"01e4f1868bc801a6a451b66a","unitdate_ssm":["2006-2018","2017-2018"],"unitdate_bulk_ssim":["2017-2018"],"unitdate_inclusive_ssm":["2006-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA21C","/repositories/2/resources/77"],"text":["UA21C","/repositories/2/resources/77","Latino Legacy at UCF: Dr. Cyndia Morales Muñiz's Collection, 2006-2018, bulk 2017-2018","Equality -- Florida -- Orlando","Hispanic Heritage Month","Minorities -- Education (Higher) -- Florida -- Orlando","Multicultural education -- Florida -- Orlando","Multiculturalism -- Florida -- Orlando","Student activities -- Florida -- Orlando","Universities and colleges -- Florida","Universities and colleges -- Florida -- Orlando","University of Central Florida","University of Central Florida -- Division of Student Development","University of Central Florida -- Latin American Student Association","University of Central Florida --  Latino Faculty \u0026 Staff Association","University of Central Florida -- Puerto Rican Student Association","Hispanic-serving institutions","The entire collection is open for research.","Previous Collection Identifier: CFU2018_45","This collection is arranged in a single series alphabetically by subject then chronologically.","Dr. Cyndia M. Muñiz earned a bachelor's degree in sociology at Binghamton University and a master's degree in sociology at St. John's University before embarking on a new adventure as a doctoral student at the University of Central Florida in 2008. Dr. Muñiz received her Ed.D. in Educational Leadership in 2013 with support from the McKnight Doctoral Fellowship program and the Ronald E. McNair Post-Baccalaureate Program. Both programs are designed to prepare students from low-income, first-generation and traditionally underrepresented groups for doctoral studies.","Dr. Muñiz, who grew up in  Bedford-Stuyvesant, Brooklyn, is the daughter of Puerto Rican parents, who migrated to New York in search of a better life. It is through her experience growing up in a low-income, Black and Puerto Rican community that nurtured her strong connection to her roots and her  dedicated personality in ensuring minoritized groups are properly represented. These traits have propelled Dr. Muñiz's successful career in advocating for the Latino community at UCF. She is also the first in her family to earn a college degree.","Since her arrival at UCF, Dr. Muñiz has worked as a Graduate Assistant (2008-2011), Graduate Research Associate (2011-2012),  Adjunct Faculty (2012-2016),  Assistant Director of Multicultural Academic and Support Services in the Division of Student Development and Enrollment Services (2012-2017), Assistant Director of Hispanic Initiatives in the Office of Diversity and Inclusion (2017-2019), and most recently, UCF Director (at large) of HSI Culture and Partnerships. Dr. Muñiz's efforts and accomplishments have been celebrated by UCF, the Hispanic Chamber of Commerce of Metro Orlando, the Puerto Rican Chamber of Central Florida, La Prensa Newspaper, the Orlando Business Journal, the Women's Executive Council of Orlando, the Council for Latino Workplace Equity, and the College Board.","The University of Central Florida has strived to build an inclusive culture for all students, faculty and staff. In 1985, the Latin American Student Association (formerly known as the Hispanic American Student Association from 1985-2014) was established. LASA's goal is to promote Latin American culture at UCF as well as in Central Florida. The organization coordinates socials, forums, workshops, movie and game nights, and many of the various Hispanic Heritage Month events. These events are to help facilitate their mission of providing knowledge of Latino cultures and assisting minoritized students in achieving academic excellence. In the years following LASA's creation, UCF has made other triumphant steps in establishing a more solid and equal footing for those who are a part of or wish to learn about the Hispanic/Latino community. In 2006, UCF hired their first Hispanic (Cuban) dean, José Fernández (who retired in 2018), and offered the first Parent Orientation in Spanish. In 2011, the Latin American Studies Major was launched followed by the launching of Knightly Latino, a Spanish-language newscast in 2012.","Since 2015, many positive and larger steps have been taken by UCF to elevate the visibility of the Latino community. These efforts include the creation of the CREAR (College REadiness, Achievement and Retention) Futuros Mentoring Program, the addition of a Latino subgroup category in the Entering Student Survey, the establishment of the Hispanic Serving Institution Exploratory Committee (later Hispanic Serving Institution Task Force and now Hispanic Serving Institution Council), UCF being invited by the Excellence in Education to participate in several national projects and joining their Presidents for Latino Student Success Network, and the establishment of the Latino Faculty and Staff Association (LaFaSA).","LaFaSA was founded in 2015 under the tutelage of Dr. Muñiz. As the founding president of the organization, Dr. Muñiz along with the assistance of then vice president Cristina Luna and then outreach officer Justin Andrade developed LaFaSA's constitution and bylaws. LaFaSA is dedicated to raising awareness and advocating for the needs and goals of the Latino faculty and staff at UCF as well as bringing the Latino community together to support the fastest growing student population. A part of their mission is to seek advanced education and work opportunities that would enhance the status of Latinos/as within the university community. In 2016, LaFaSA hosted the Inaugural Broche de Oro (Gold Brooch) faculty/staff recognition dinner and Charla (Chat) con (with) LaFaSA (a Spanish debrief orientation session). In 2017, LaFaSA along with LASA and CREAR hosted UCF's inaugural Latino Graduation Celebration called, Nuestra Graduación, to recognize Latino/Hispanic graduates and their families. Another highly active Latino Organization at UCF (established in 2017) is the Puerto Rican Student Association (PRSA). PRSA serves as liaison between UCF and the Puerto Rican community to support and unite Puerto Rican students on campus. PRSA's goal is to help and support each other throughout their educational journey at UCF. This goal was most recognizably seen following Hurricane Maria in 2017. PRSA rallied behind their fellow Puerto Ricans to ensure they received the best support for their personal and educational needs. PRSA worked with UCF to establish multiple relief events as well as granting those who lived on the island to attend UCF at an in-state tuition cost through 2023. All 20+ Latino based student organizations are united under the Juntos – the Latino Leadership Council. This Council represents the importance of highlighting the unique nationalities of Latin America, while promoting collaboration and unity. ","UCF continues to grow and expand its boundaries to be successful in its goal to be the most inclusive university. As of 2018, the population of Latino students at UCF exceeds twenty-seven percent (16,191) of undergraduate enrollment and continues to grow.","Collection processed by and finding aid prepared by Kryslynn Collazo in 2018. Staples and paperclips were removed from documents and replaced with plastic clips. All material was placed into acid free folders and in an acid free box.","Related Material For more information on university archives, please see our website. For further information regarding the University of Central Florida's Hispanic Serving Institution efforts please consult their [url=https://diversity.ucf.edu/hsi-homepage/]website.[/url].","Series I: CFU2018_45 contains the records gathered by Dr. Cyndia Morales Muñiz, who served as Assistant Director of Multicultural Academic and Support Services in the Division of Student Development and Enrollment Services, Assistant Director of Hispanic Initiatives in the Office of Diversity and Inclusion, and Director (at large) of HSI Culture and Partnerships at the University of Central Florida. The series contains organization documents such as mission statements, constitutions, meeting minutes, agendas, correspondence and flyers.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Dr. Cyndia Morales Muñiz is a UCF Alumna who works as UCF's Director of HSI Culture and Partnerships. Her collection contains information regarding several organizations, programs, and events tailored towards the Latino and Hispanic population at the University of Central Florida.","UCF University Archives","Morales Muñiz, Cyndia","Hitt, John C.","English"],"unitid_tesim":["UA21C","/repositories/2/resources/77"],"normalized_date_ssm":["2006-2018, bulk 2017-2018"],"normalized_title_ssm":["Latino Legacy at UCF: Dr. Cyndia Morales Muñiz's Collection, 2006-2018, bulk 2017-2018"],"collection_title_tesim":["Latino Legacy at UCF: Dr. Cyndia Morales Muñiz's Collection, 2006-2018, bulk 2017-2018"],"collection_ssim":["Latino Legacy at UCF: Dr. Cyndia Morales Muñiz's Collection, 2006-2018, bulk 2017-2018"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["Morales Muñiz, Cyndia"],"creator_ssim":["Morales Muñiz, Cyndia"],"creator_persname_ssim":["Morales Muñiz, Cyndia"],"creators_ssim":["Morales Muñiz, Cyndia"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Dr. Cyndia M. Muñiz transferred these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFU2018_45)."],"access_subjects_ssim":["Equality -- Florida -- Orlando","Hispanic Heritage Month","Minorities -- Education (Higher) -- Florida -- Orlando","Multicultural education -- Florida -- Orlando","Multiculturalism -- Florida -- Orlando","Student activities -- Florida -- Orlando","Universities and colleges -- Florida","Universities and colleges -- Florida -- Orlando","University of Central Florida","University of Central Florida -- Division of Student Development","University of Central Florida -- Latin American Student Association","University of Central Florida --  Latino Faculty \u0026 Staff Association","University of Central Florida -- Puerto Rican Student Association","Hispanic-serving institutions"],"access_subjects_ssm":["Equality -- Florida -- Orlando","Hispanic Heritage Month","Minorities -- Education (Higher) -- Florida -- Orlando","Multicultural education -- Florida -- Orlando","Multiculturalism -- Florida -- Orlando","Student activities -- Florida -- Orlando","Universities and colleges -- Florida","Universities and colleges -- Florida -- Orlando","University of Central Florida","University of Central Florida -- Division of Student Development","University of Central Florida -- Latin American Student Association","University of Central Florida --  Latino Faculty \u0026 Staff Association","University of Central Florida -- Puerto Rican Student Association","Hispanic-serving institutions"],"has_online_content_ssim":["false"],"extent_ssm":["1 boxes 0.50 Linear Feet"],"extent_tesim":["1 boxes 0.50 Linear Feet"],"date_range_isim":[2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"accruals_html_tesm":["\u003cp\u003ePrevious Collection Identifier: CFU2018_45\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Previous Collection Identifier: CFU2018_45"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in a single series alphabetically by subject then chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in a single series alphabetically by subject then chronologically."],"bioghist_html_tesm":["\u003cp\u003eDr. Cyndia M. Mu\u0026#xF1;iz earned a bachelor's degree in sociology at Binghamton University and a master's degree in sociology at St. John's University before embarking on a new adventure as a doctoral student at the University of Central Florida in 2008. Dr. Mu\u0026#xF1;iz received her Ed.D. in Educational Leadership in 2013 with support from the McKnight Doctoral Fellowship program and the Ronald E. McNair Post-Baccalaureate Program. Both programs are designed to prepare students from low-income, first-generation and traditionally underrepresented groups for doctoral studies.\u003c/p\u003e\n","\u003cp\u003eDr. Mu\u0026#xF1;iz, who grew up in  Bedford-Stuyvesant, Brooklyn, is the daughter of Puerto Rican parents, who migrated to New York in search of a better life. It is through her experience growing up in a low-income, Black and Puerto Rican community that nurtured her strong connection to her roots and her  dedicated personality in ensuring minoritized groups are properly represented. These traits have propelled Dr. Mu\u0026#xF1;iz's successful career in advocating for the Latino community at UCF. She is also the first in her family to earn a college degree.\u003c/p\u003e\n","\u003cp\u003eSince her arrival at UCF, Dr. Mu\u0026#xF1;iz has worked as a Graduate Assistant (2008-2011), Graduate Research Associate (2011-2012),  Adjunct Faculty (2012-2016),  Assistant Director of Multicultural Academic and Support Services in the Division of Student Development and Enrollment Services (2012-2017), Assistant Director of Hispanic Initiatives in the Office of Diversity and Inclusion (2017-2019), and most recently, UCF Director (at large) of HSI Culture and Partnerships. Dr. Mu\u0026#xF1;iz's efforts and accomplishments have been celebrated by UCF, the Hispanic Chamber of Commerce of Metro Orlando, the Puerto Rican Chamber of Central Florida, La Prensa Newspaper, the Orlando Business Journal, the Women's Executive Council of Orlando, the Council for Latino Workplace Equity, and the College Board.\u003c/p\u003e\n","\u003cp\u003eThe University of Central Florida has strived to build an inclusive culture for all students, faculty and staff. In 1985, the Latin American Student Association (formerly known as the Hispanic American Student Association from 1985-2014) was established. LASA's goal is to promote Latin American culture at UCF as well as in Central Florida. The organization coordinates socials, forums, workshops, movie and game nights, and many of the various Hispanic Heritage Month events. These events are to help facilitate their mission of providing knowledge of Latino cultures and assisting minoritized students in achieving academic excellence. In the years following LASA's creation, UCF has made other triumphant steps in establishing a more solid and equal footing for those who are a part of or wish to learn about the Hispanic/Latino community. In 2006, UCF hired their first Hispanic (Cuban) dean, Jos\u0026#xE9; Fern\u0026#xE1;ndez (who retired in 2018), and offered the first Parent Orientation in Spanish. In 2011, the Latin American Studies Major was launched followed by the launching of Knightly Latino, a Spanish-language newscast in 2012.\u003c/p\u003e\n","\u003cp\u003eSince 2015, many positive and larger steps have been taken by UCF to elevate the visibility of the Latino community. These efforts include the creation of the CREAR (College REadiness, Achievement and Retention) Futuros Mentoring Program, the addition of a Latino subgroup category in the Entering Student Survey, the establishment of the Hispanic Serving Institution Exploratory Committee (later Hispanic Serving Institution Task Force and now Hispanic Serving Institution Council), UCF being invited by the Excellence in Education to participate in several national projects and joining their Presidents for Latino Student Success Network, and the establishment of the Latino Faculty and Staff Association (LaFaSA).\u003c/p\u003e\n","\u003cp\u003eLaFaSA was founded in 2015 under the tutelage of Dr. Mu\u0026#xF1;iz. As the founding president of the organization, Dr. Mu\u0026#xF1;iz along with the assistance of then vice president Cristina Luna and then outreach officer Justin Andrade developed LaFaSA's constitution and bylaws. LaFaSA is dedicated to raising awareness and advocating for the needs and goals of the Latino faculty and staff at UCF as well as bringing the Latino community together to support the fastest growing student population. A part of their mission is to seek advanced education and work opportunities that would enhance the status of Latinos/as within the university community. In 2016, LaFaSA hosted the Inaugural Broche de Oro (Gold Brooch) faculty/staff recognition dinner and Charla (Chat) con (with) LaFaSA (a Spanish debrief orientation session). In 2017, LaFaSA along with LASA and CREAR hosted UCF's inaugural Latino Graduation Celebration called, Nuestra Graduaci\u0026#xF3;n, to recognize Latino/Hispanic graduates and their families. Another highly active Latino Organization at UCF (established in 2017) is the Puerto Rican Student Association (PRSA). PRSA serves as liaison between UCF and the Puerto Rican community to support and unite Puerto Rican students on campus. PRSA's goal is to help and support each other throughout their educational journey at UCF. This goal was most recognizably seen following Hurricane Maria in 2017. PRSA rallied behind their fellow Puerto Ricans to ensure they received the best support for their personal and educational needs. PRSA worked with UCF to establish multiple relief events as well as granting those who lived on the island to attend UCF at an in-state tuition cost through 2023. All 20+ Latino based student organizations are united under the Juntos \u0026#x2013; the Latino Leadership Council. This Council represents the importance of highlighting the unique nationalities of Latin America, while promoting collaboration and unity. \u003c/p\u003e\n","\u003cp\u003eUCF continues to grow and expand its boundaries to be successful in its goal to be the most inclusive university. As of 2018, the population of Latino students at UCF exceeds twenty-seven percent (16,191) of undergraduate enrollment and continues to grow.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Dr. Cyndia M. Muñiz earned a bachelor's degree in sociology at Binghamton University and a master's degree in sociology at St. John's University before embarking on a new adventure as a doctoral student at the University of Central Florida in 2008. Dr. Muñiz received her Ed.D. in Educational Leadership in 2013 with support from the McKnight Doctoral Fellowship program and the Ronald E. McNair Post-Baccalaureate Program. Both programs are designed to prepare students from low-income, first-generation and traditionally underrepresented groups for doctoral studies.","Dr. Muñiz, who grew up in  Bedford-Stuyvesant, Brooklyn, is the daughter of Puerto Rican parents, who migrated to New York in search of a better life. It is through her experience growing up in a low-income, Black and Puerto Rican community that nurtured her strong connection to her roots and her  dedicated personality in ensuring minoritized groups are properly represented. These traits have propelled Dr. Muñiz's successful career in advocating for the Latino community at UCF. She is also the first in her family to earn a college degree.","Since her arrival at UCF, Dr. Muñiz has worked as a Graduate Assistant (2008-2011), Graduate Research Associate (2011-2012),  Adjunct Faculty (2012-2016),  Assistant Director of Multicultural Academic and Support Services in the Division of Student Development and Enrollment Services (2012-2017), Assistant Director of Hispanic Initiatives in the Office of Diversity and Inclusion (2017-2019), and most recently, UCF Director (at large) of HSI Culture and Partnerships. Dr. Muñiz's efforts and accomplishments have been celebrated by UCF, the Hispanic Chamber of Commerce of Metro Orlando, the Puerto Rican Chamber of Central Florida, La Prensa Newspaper, the Orlando Business Journal, the Women's Executive Council of Orlando, the Council for Latino Workplace Equity, and the College Board.","The University of Central Florida has strived to build an inclusive culture for all students, faculty and staff. In 1985, the Latin American Student Association (formerly known as the Hispanic American Student Association from 1985-2014) was established. LASA's goal is to promote Latin American culture at UCF as well as in Central Florida. The organization coordinates socials, forums, workshops, movie and game nights, and many of the various Hispanic Heritage Month events. These events are to help facilitate their mission of providing knowledge of Latino cultures and assisting minoritized students in achieving academic excellence. In the years following LASA's creation, UCF has made other triumphant steps in establishing a more solid and equal footing for those who are a part of or wish to learn about the Hispanic/Latino community. In 2006, UCF hired their first Hispanic (Cuban) dean, José Fernández (who retired in 2018), and offered the first Parent Orientation in Spanish. In 2011, the Latin American Studies Major was launched followed by the launching of Knightly Latino, a Spanish-language newscast in 2012.","Since 2015, many positive and larger steps have been taken by UCF to elevate the visibility of the Latino community. These efforts include the creation of the CREAR (College REadiness, Achievement and Retention) Futuros Mentoring Program, the addition of a Latino subgroup category in the Entering Student Survey, the establishment of the Hispanic Serving Institution Exploratory Committee (later Hispanic Serving Institution Task Force and now Hispanic Serving Institution Council), UCF being invited by the Excellence in Education to participate in several national projects and joining their Presidents for Latino Student Success Network, and the establishment of the Latino Faculty and Staff Association (LaFaSA).","LaFaSA was founded in 2015 under the tutelage of Dr. Muñiz. As the founding president of the organization, Dr. Muñiz along with the assistance of then vice president Cristina Luna and then outreach officer Justin Andrade developed LaFaSA's constitution and bylaws. LaFaSA is dedicated to raising awareness and advocating for the needs and goals of the Latino faculty and staff at UCF as well as bringing the Latino community together to support the fastest growing student population. A part of their mission is to seek advanced education and work opportunities that would enhance the status of Latinos/as within the university community. In 2016, LaFaSA hosted the Inaugural Broche de Oro (Gold Brooch) faculty/staff recognition dinner and Charla (Chat) con (with) LaFaSA (a Spanish debrief orientation session). In 2017, LaFaSA along with LASA and CREAR hosted UCF's inaugural Latino Graduation Celebration called, Nuestra Graduación, to recognize Latino/Hispanic graduates and their families. Another highly active Latino Organization at UCF (established in 2017) is the Puerto Rican Student Association (PRSA). PRSA serves as liaison between UCF and the Puerto Rican community to support and unite Puerto Rican students on campus. PRSA's goal is to help and support each other throughout their educational journey at UCF. This goal was most recognizably seen following Hurricane Maria in 2017. PRSA rallied behind their fellow Puerto Ricans to ensure they received the best support for their personal and educational needs. PRSA worked with UCF to establish multiple relief events as well as granting those who lived on the island to attend UCF at an in-state tuition cost through 2023. All 20+ Latino based student organizations are united under the Juntos – the Latino Leadership Council. This Council represents the importance of highlighting the unique nationalities of Latin America, while promoting collaboration and unity. ","UCF continues to grow and expand its boundaries to be successful in its goal to be the most inclusive university. As of 2018, the population of Latino students at UCF exceeds twenty-seven percent (16,191) of undergraduate enrollment and continues to grow."],"prefercite_html_tesm":["\u003cp\u003eLatino Legacy at UCF: Dr. Cyndia Morales Mu\u0026#xF1;iz's Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Latino Legacy at UCF: Dr. Cyndia Morales Muñiz's Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by and finding aid prepared by Kryslynn Collazo in 2018. Staples and paperclips were removed from documents and replaced with plastic clips. All material was placed into acid free folders and in an acid free box.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by and finding aid prepared by Kryslynn Collazo in 2018. Staples and paperclips were removed from documents and replaced with plastic clips. All material was placed into acid free folders and in an acid free box."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated Material For more information on university archives, please see our website. For further information regarding the University of Central Florida's Hispanic Serving Institution efforts please consult their [url=https://diversity.ucf.edu/hsi-homepage/]website.[/url].\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related Material For more information on university archives, please see our website. For further information regarding the University of Central Florida's Hispanic Serving Institution efforts please consult their [url=https://diversity.ucf.edu/hsi-homepage/]website.[/url]."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: CFU2018_45 contains the records gathered by Dr. Cyndia Morales Mu\u0026#xF1;iz, who served as Assistant Director of Multicultural Academic and Support Services in the Division of Student Development and Enrollment Services, Assistant Director of Hispanic Initiatives in the Office of Diversity and Inclusion, and Director (at large) of HSI Culture and Partnerships at the University of Central Florida. The series contains organization documents such as mission statements, constitutions, meeting minutes, agendas, correspondence and flyers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: CFU2018_45 contains the records gathered by Dr. Cyndia Morales Muñiz, who served as Assistant Director of Multicultural Academic and Support Services in the Division of Student Development and Enrollment Services, Assistant Director of Hispanic Initiatives in the Office of Diversity and Inclusion, and Director (at large) of HSI Culture and Partnerships at the University of Central Florida. The series contains organization documents such as mission statements, constitutions, meeting minutes, agendas, correspondence and flyers."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1d16b23042db3872862796cf39f29949\" label=\"Abstract\"\u003eDr. Cyndia Morales Mu\u0026#xF1;iz is a UCF Alumna who works as UCF's Director of HSI Culture and Partnerships. Her collection contains information regarding several organizations, programs, and events tailored towards the Latino and Hispanic population at the University of Central Florida.\u003c/abstract\u003e"],"abstract_tesim":["Dr. Cyndia Morales Muñiz is a UCF Alumna who works as UCF's Director of HSI Culture and Partnerships. Her collection contains information regarding several organizations, programs, and events tailored towards the Latino and Hispanic population at the University of Central Florida."],"names_ssim":["UCF University Archives","Morales Muñiz, Cyndia","Hitt, John C."],"corpname_ssim":["UCF University Archives"],"names_coll_ssim":["Hitt, John C.","Morales Muñiz, Cyndia"],"persname_ssim":["Morales Muñiz, Cyndia","Hitt, John C."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":17,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858791883374592,"_root_":"01e4f1868bc801a6a451b66a","timestamp":"2026-07-16T08:19:39.442Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"01e4f1868bc801a6a451b66a","title_ssm":["Latino Legacy at UCF: Dr. Cyndia Morales Muñiz's Collection"],"title_tesim":["Latino Legacy at UCF: Dr. Cyndia Morales Muñiz's Collection"],"ead_ssi":"01e4f1868bc801a6a451b66a","unitdate_ssm":["2006-2018","2017-2018"],"unitdate_bulk_ssim":["2017-2018"],"unitdate_inclusive_ssm":["2006-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA21C","/repositories/2/resources/77"],"text":["UA21C","/repositories/2/resources/77","Latino Legacy at UCF: Dr. Cyndia Morales Muñiz's Collection, 2006-2018, bulk 2017-2018","Equality -- Florida -- Orlando","Hispanic Heritage Month","Minorities -- Education (Higher) -- Florida -- Orlando","Multicultural education -- Florida -- Orlando","Multiculturalism -- Florida -- Orlando","Student activities -- Florida -- Orlando","Universities and colleges -- Florida","Universities and colleges -- Florida -- Orlando","University of Central Florida","University of Central Florida -- Division of Student Development","University of Central Florida -- Latin American Student Association","University of Central Florida --  Latino Faculty \u0026 Staff Association","University of Central Florida -- Puerto Rican Student Association","Hispanic-serving institutions","The entire collection is open for research.","Previous Collection Identifier: CFU2018_45","This collection is arranged in a single series alphabetically by subject then chronologically.","Dr. Cyndia M. Muñiz earned a bachelor's degree in sociology at Binghamton University and a master's degree in sociology at St. John's University before embarking on a new adventure as a doctoral student at the University of Central Florida in 2008. Dr. Muñiz received her Ed.D. in Educational Leadership in 2013 with support from the McKnight Doctoral Fellowship program and the Ronald E. McNair Post-Baccalaureate Program. Both programs are designed to prepare students from low-income, first-generation and traditionally underrepresented groups for doctoral studies.","Dr. Muñiz, who grew up in  Bedford-Stuyvesant, Brooklyn, is the daughter of Puerto Rican parents, who migrated to New York in search of a better life. It is through her experience growing up in a low-income, Black and Puerto Rican community that nurtured her strong connection to her roots and her  dedicated personality in ensuring minoritized groups are properly represented. These traits have propelled Dr. Muñiz's successful career in advocating for the Latino community at UCF. She is also the first in her family to earn a college degree.","Since her arrival at UCF, Dr. Muñiz has worked as a Graduate Assistant (2008-2011), Graduate Research Associate (2011-2012),  Adjunct Faculty (2012-2016),  Assistant Director of Multicultural Academic and Support Services in the Division of Student Development and Enrollment Services (2012-2017), Assistant Director of Hispanic Initiatives in the Office of Diversity and Inclusion (2017-2019), and most recently, UCF Director (at large) of HSI Culture and Partnerships. Dr. Muñiz's efforts and accomplishments have been celebrated by UCF, the Hispanic Chamber of Commerce of Metro Orlando, the Puerto Rican Chamber of Central Florida, La Prensa Newspaper, the Orlando Business Journal, the Women's Executive Council of Orlando, the Council for Latino Workplace Equity, and the College Board.","The University of Central Florida has strived to build an inclusive culture for all students, faculty and staff. In 1985, the Latin American Student Association (formerly known as the Hispanic American Student Association from 1985-2014) was established. LASA's goal is to promote Latin American culture at UCF as well as in Central Florida. The organization coordinates socials, forums, workshops, movie and game nights, and many of the various Hispanic Heritage Month events. These events are to help facilitate their mission of providing knowledge of Latino cultures and assisting minoritized students in achieving academic excellence. In the years following LASA's creation, UCF has made other triumphant steps in establishing a more solid and equal footing for those who are a part of or wish to learn about the Hispanic/Latino community. In 2006, UCF hired their first Hispanic (Cuban) dean, José Fernández (who retired in 2018), and offered the first Parent Orientation in Spanish. In 2011, the Latin American Studies Major was launched followed by the launching of Knightly Latino, a Spanish-language newscast in 2012.","Since 2015, many positive and larger steps have been taken by UCF to elevate the visibility of the Latino community. These efforts include the creation of the CREAR (College REadiness, Achievement and Retention) Futuros Mentoring Program, the addition of a Latino subgroup category in the Entering Student Survey, the establishment of the Hispanic Serving Institution Exploratory Committee (later Hispanic Serving Institution Task Force and now Hispanic Serving Institution Council), UCF being invited by the Excellence in Education to participate in several national projects and joining their Presidents for Latino Student Success Network, and the establishment of the Latino Faculty and Staff Association (LaFaSA).","LaFaSA was founded in 2015 under the tutelage of Dr. Muñiz. As the founding president of the organization, Dr. Muñiz along with the assistance of then vice president Cristina Luna and then outreach officer Justin Andrade developed LaFaSA's constitution and bylaws. LaFaSA is dedicated to raising awareness and advocating for the needs and goals of the Latino faculty and staff at UCF as well as bringing the Latino community together to support the fastest growing student population. A part of their mission is to seek advanced education and work opportunities that would enhance the status of Latinos/as within the university community. In 2016, LaFaSA hosted the Inaugural Broche de Oro (Gold Brooch) faculty/staff recognition dinner and Charla (Chat) con (with) LaFaSA (a Spanish debrief orientation session). In 2017, LaFaSA along with LASA and CREAR hosted UCF's inaugural Latino Graduation Celebration called, Nuestra Graduación, to recognize Latino/Hispanic graduates and their families. Another highly active Latino Organization at UCF (established in 2017) is the Puerto Rican Student Association (PRSA). PRSA serves as liaison between UCF and the Puerto Rican community to support and unite Puerto Rican students on campus. PRSA's goal is to help and support each other throughout their educational journey at UCF. This goal was most recognizably seen following Hurricane Maria in 2017. PRSA rallied behind their fellow Puerto Ricans to ensure they received the best support for their personal and educational needs. PRSA worked with UCF to establish multiple relief events as well as granting those who lived on the island to attend UCF at an in-state tuition cost through 2023. All 20+ Latino based student organizations are united under the Juntos – the Latino Leadership Council. This Council represents the importance of highlighting the unique nationalities of Latin America, while promoting collaboration and unity. ","UCF continues to grow and expand its boundaries to be successful in its goal to be the most inclusive university. As of 2018, the population of Latino students at UCF exceeds twenty-seven percent (16,191) of undergraduate enrollment and continues to grow.","Collection processed by and finding aid prepared by Kryslynn Collazo in 2018. Staples and paperclips were removed from documents and replaced with plastic clips. All material was placed into acid free folders and in an acid free box.","Related Material For more information on university archives, please see our website. For further information regarding the University of Central Florida's Hispanic Serving Institution efforts please consult their [url=https://diversity.ucf.edu/hsi-homepage/]website.[/url].","Series I: CFU2018_45 contains the records gathered by Dr. Cyndia Morales Muñiz, who served as Assistant Director of Multicultural Academic and Support Services in the Division of Student Development and Enrollment Services, Assistant Director of Hispanic Initiatives in the Office of Diversity and Inclusion, and Director (at large) of HSI Culture and Partnerships at the University of Central Florida. The series contains organization documents such as mission statements, constitutions, meeting minutes, agendas, correspondence and flyers.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Dr. Cyndia Morales Muñiz is a UCF Alumna who works as UCF's Director of HSI Culture and Partnerships. Her collection contains information regarding several organizations, programs, and events tailored towards the Latino and Hispanic population at the University of Central Florida.","UCF University Archives","Morales Muñiz, Cyndia","Hitt, John C.","English"],"unitid_tesim":["UA21C","/repositories/2/resources/77"],"normalized_date_ssm":["2006-2018, bulk 2017-2018"],"normalized_title_ssm":["Latino Legacy at UCF: Dr. Cyndia Morales Muñiz's Collection, 2006-2018, bulk 2017-2018"],"collection_title_tesim":["Latino Legacy at UCF: Dr. Cyndia Morales Muñiz's Collection, 2006-2018, bulk 2017-2018"],"collection_ssim":["Latino Legacy at UCF: Dr. Cyndia Morales Muñiz's Collection, 2006-2018, bulk 2017-2018"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["Morales Muñiz, Cyndia"],"creator_ssim":["Morales Muñiz, Cyndia"],"creator_persname_ssim":["Morales Muñiz, Cyndia"],"creators_ssim":["Morales Muñiz, Cyndia"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Dr. Cyndia M. Muñiz transferred these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018 (CFU2018_45)."],"access_subjects_ssim":["Equality -- Florida -- Orlando","Hispanic Heritage Month","Minorities -- Education (Higher) -- Florida -- Orlando","Multicultural education -- Florida -- Orlando","Multiculturalism -- Florida -- Orlando","Student activities -- Florida -- Orlando","Universities and colleges -- Florida","Universities and colleges -- Florida -- Orlando","University of Central Florida","University of Central Florida -- Division of Student Development","University of Central Florida -- Latin American Student Association","University of Central Florida --  Latino Faculty \u0026 Staff Association","University of Central Florida -- Puerto Rican Student Association","Hispanic-serving institutions"],"access_subjects_ssm":["Equality -- Florida -- Orlando","Hispanic Heritage Month","Minorities -- Education (Higher) -- Florida -- Orlando","Multicultural education -- Florida -- Orlando","Multiculturalism -- Florida -- Orlando","Student activities -- Florida -- Orlando","Universities and colleges -- Florida","Universities and colleges -- Florida -- Orlando","University of Central Florida","University of Central Florida -- Division of Student Development","University of Central Florida -- Latin American Student Association","University of Central Florida --  Latino Faculty \u0026 Staff Association","University of Central Florida -- Puerto Rican Student Association","Hispanic-serving institutions"],"has_online_content_ssim":["false"],"extent_ssm":["1 boxes 0.50 Linear Feet"],"extent_tesim":["1 boxes 0.50 Linear Feet"],"date_range_isim":[2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"accruals_html_tesm":["\u003cp\u003ePrevious Collection Identifier: CFU2018_45\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Previous Collection Identifier: CFU2018_45"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in a single series alphabetically by subject then chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in a single series alphabetically by subject then chronologically."],"bioghist_html_tesm":["\u003cp\u003eDr. Cyndia M. Mu\u0026#xF1;iz earned a bachelor's degree in sociology at Binghamton University and a master's degree in sociology at St. John's University before embarking on a new adventure as a doctoral student at the University of Central Florida in 2008. Dr. Mu\u0026#xF1;iz received her Ed.D. in Educational Leadership in 2013 with support from the McKnight Doctoral Fellowship program and the Ronald E. McNair Post-Baccalaureate Program. Both programs are designed to prepare students from low-income, first-generation and traditionally underrepresented groups for doctoral studies.\u003c/p\u003e\n","\u003cp\u003eDr. Mu\u0026#xF1;iz, who grew up in  Bedford-Stuyvesant, Brooklyn, is the daughter of Puerto Rican parents, who migrated to New York in search of a better life. It is through her experience growing up in a low-income, Black and Puerto Rican community that nurtured her strong connection to her roots and her  dedicated personality in ensuring minoritized groups are properly represented. These traits have propelled Dr. Mu\u0026#xF1;iz's successful career in advocating for the Latino community at UCF. She is also the first in her family to earn a college degree.\u003c/p\u003e\n","\u003cp\u003eSince her arrival at UCF, Dr. Mu\u0026#xF1;iz has worked as a Graduate Assistant (2008-2011), Graduate Research Associate (2011-2012),  Adjunct Faculty (2012-2016),  Assistant Director of Multicultural Academic and Support Services in the Division of Student Development and Enrollment Services (2012-2017), Assistant Director of Hispanic Initiatives in the Office of Diversity and Inclusion (2017-2019), and most recently, UCF Director (at large) of HSI Culture and Partnerships. Dr. Mu\u0026#xF1;iz's efforts and accomplishments have been celebrated by UCF, the Hispanic Chamber of Commerce of Metro Orlando, the Puerto Rican Chamber of Central Florida, La Prensa Newspaper, the Orlando Business Journal, the Women's Executive Council of Orlando, the Council for Latino Workplace Equity, and the College Board.\u003c/p\u003e\n","\u003cp\u003eThe University of Central Florida has strived to build an inclusive culture for all students, faculty and staff. In 1985, the Latin American Student Association (formerly known as the Hispanic American Student Association from 1985-2014) was established. LASA's goal is to promote Latin American culture at UCF as well as in Central Florida. The organization coordinates socials, forums, workshops, movie and game nights, and many of the various Hispanic Heritage Month events. These events are to help facilitate their mission of providing knowledge of Latino cultures and assisting minoritized students in achieving academic excellence. In the years following LASA's creation, UCF has made other triumphant steps in establishing a more solid and equal footing for those who are a part of or wish to learn about the Hispanic/Latino community. In 2006, UCF hired their first Hispanic (Cuban) dean, Jos\u0026#xE9; Fern\u0026#xE1;ndez (who retired in 2018), and offered the first Parent Orientation in Spanish. In 2011, the Latin American Studies Major was launched followed by the launching of Knightly Latino, a Spanish-language newscast in 2012.\u003c/p\u003e\n","\u003cp\u003eSince 2015, many positive and larger steps have been taken by UCF to elevate the visibility of the Latino community. These efforts include the creation of the CREAR (College REadiness, Achievement and Retention) Futuros Mentoring Program, the addition of a Latino subgroup category in the Entering Student Survey, the establishment of the Hispanic Serving Institution Exploratory Committee (later Hispanic Serving Institution Task Force and now Hispanic Serving Institution Council), UCF being invited by the Excellence in Education to participate in several national projects and joining their Presidents for Latino Student Success Network, and the establishment of the Latino Faculty and Staff Association (LaFaSA).\u003c/p\u003e\n","\u003cp\u003eLaFaSA was founded in 2015 under the tutelage of Dr. Mu\u0026#xF1;iz. As the founding president of the organization, Dr. Mu\u0026#xF1;iz along with the assistance of then vice president Cristina Luna and then outreach officer Justin Andrade developed LaFaSA's constitution and bylaws. LaFaSA is dedicated to raising awareness and advocating for the needs and goals of the Latino faculty and staff at UCF as well as bringing the Latino community together to support the fastest growing student population. A part of their mission is to seek advanced education and work opportunities that would enhance the status of Latinos/as within the university community. In 2016, LaFaSA hosted the Inaugural Broche de Oro (Gold Brooch) faculty/staff recognition dinner and Charla (Chat) con (with) LaFaSA (a Spanish debrief orientation session). In 2017, LaFaSA along with LASA and CREAR hosted UCF's inaugural Latino Graduation Celebration called, Nuestra Graduaci\u0026#xF3;n, to recognize Latino/Hispanic graduates and their families. Another highly active Latino Organization at UCF (established in 2017) is the Puerto Rican Student Association (PRSA). PRSA serves as liaison between UCF and the Puerto Rican community to support and unite Puerto Rican students on campus. PRSA's goal is to help and support each other throughout their educational journey at UCF. This goal was most recognizably seen following Hurricane Maria in 2017. PRSA rallied behind their fellow Puerto Ricans to ensure they received the best support for their personal and educational needs. PRSA worked with UCF to establish multiple relief events as well as granting those who lived on the island to attend UCF at an in-state tuition cost through 2023. All 20+ Latino based student organizations are united under the Juntos \u0026#x2013; the Latino Leadership Council. This Council represents the importance of highlighting the unique nationalities of Latin America, while promoting collaboration and unity. \u003c/p\u003e\n","\u003cp\u003eUCF continues to grow and expand its boundaries to be successful in its goal to be the most inclusive university. As of 2018, the population of Latino students at UCF exceeds twenty-seven percent (16,191) of undergraduate enrollment and continues to grow.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Dr. Cyndia M. Muñiz earned a bachelor's degree in sociology at Binghamton University and a master's degree in sociology at St. John's University before embarking on a new adventure as a doctoral student at the University of Central Florida in 2008. Dr. Muñiz received her Ed.D. in Educational Leadership in 2013 with support from the McKnight Doctoral Fellowship program and the Ronald E. McNair Post-Baccalaureate Program. Both programs are designed to prepare students from low-income, first-generation and traditionally underrepresented groups for doctoral studies.","Dr. Muñiz, who grew up in  Bedford-Stuyvesant, Brooklyn, is the daughter of Puerto Rican parents, who migrated to New York in search of a better life. It is through her experience growing up in a low-income, Black and Puerto Rican community that nurtured her strong connection to her roots and her  dedicated personality in ensuring minoritized groups are properly represented. These traits have propelled Dr. Muñiz's successful career in advocating for the Latino community at UCF. She is also the first in her family to earn a college degree.","Since her arrival at UCF, Dr. Muñiz has worked as a Graduate Assistant (2008-2011), Graduate Research Associate (2011-2012),  Adjunct Faculty (2012-2016),  Assistant Director of Multicultural Academic and Support Services in the Division of Student Development and Enrollment Services (2012-2017), Assistant Director of Hispanic Initiatives in the Office of Diversity and Inclusion (2017-2019), and most recently, UCF Director (at large) of HSI Culture and Partnerships. Dr. Muñiz's efforts and accomplishments have been celebrated by UCF, the Hispanic Chamber of Commerce of Metro Orlando, the Puerto Rican Chamber of Central Florida, La Prensa Newspaper, the Orlando Business Journal, the Women's Executive Council of Orlando, the Council for Latino Workplace Equity, and the College Board.","The University of Central Florida has strived to build an inclusive culture for all students, faculty and staff. In 1985, the Latin American Student Association (formerly known as the Hispanic American Student Association from 1985-2014) was established. LASA's goal is to promote Latin American culture at UCF as well as in Central Florida. The organization coordinates socials, forums, workshops, movie and game nights, and many of the various Hispanic Heritage Month events. These events are to help facilitate their mission of providing knowledge of Latino cultures and assisting minoritized students in achieving academic excellence. In the years following LASA's creation, UCF has made other triumphant steps in establishing a more solid and equal footing for those who are a part of or wish to learn about the Hispanic/Latino community. In 2006, UCF hired their first Hispanic (Cuban) dean, José Fernández (who retired in 2018), and offered the first Parent Orientation in Spanish. In 2011, the Latin American Studies Major was launched followed by the launching of Knightly Latino, a Spanish-language newscast in 2012.","Since 2015, many positive and larger steps have been taken by UCF to elevate the visibility of the Latino community. These efforts include the creation of the CREAR (College REadiness, Achievement and Retention) Futuros Mentoring Program, the addition of a Latino subgroup category in the Entering Student Survey, the establishment of the Hispanic Serving Institution Exploratory Committee (later Hispanic Serving Institution Task Force and now Hispanic Serving Institution Council), UCF being invited by the Excellence in Education to participate in several national projects and joining their Presidents for Latino Student Success Network, and the establishment of the Latino Faculty and Staff Association (LaFaSA).","LaFaSA was founded in 2015 under the tutelage of Dr. Muñiz. As the founding president of the organization, Dr. Muñiz along with the assistance of then vice president Cristina Luna and then outreach officer Justin Andrade developed LaFaSA's constitution and bylaws. LaFaSA is dedicated to raising awareness and advocating for the needs and goals of the Latino faculty and staff at UCF as well as bringing the Latino community together to support the fastest growing student population. A part of their mission is to seek advanced education and work opportunities that would enhance the status of Latinos/as within the university community. In 2016, LaFaSA hosted the Inaugural Broche de Oro (Gold Brooch) faculty/staff recognition dinner and Charla (Chat) con (with) LaFaSA (a Spanish debrief orientation session). In 2017, LaFaSA along with LASA and CREAR hosted UCF's inaugural Latino Graduation Celebration called, Nuestra Graduación, to recognize Latino/Hispanic graduates and their families. Another highly active Latino Organization at UCF (established in 2017) is the Puerto Rican Student Association (PRSA). PRSA serves as liaison between UCF and the Puerto Rican community to support and unite Puerto Rican students on campus. PRSA's goal is to help and support each other throughout their educational journey at UCF. This goal was most recognizably seen following Hurricane Maria in 2017. PRSA rallied behind their fellow Puerto Ricans to ensure they received the best support for their personal and educational needs. PRSA worked with UCF to establish multiple relief events as well as granting those who lived on the island to attend UCF at an in-state tuition cost through 2023. All 20+ Latino based student organizations are united under the Juntos – the Latino Leadership Council. This Council represents the importance of highlighting the unique nationalities of Latin America, while promoting collaboration and unity. ","UCF continues to grow and expand its boundaries to be successful in its goal to be the most inclusive university. As of 2018, the population of Latino students at UCF exceeds twenty-seven percent (16,191) of undergraduate enrollment and continues to grow."],"prefercite_html_tesm":["\u003cp\u003eLatino Legacy at UCF: Dr. Cyndia Morales Mu\u0026#xF1;iz's Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Latino Legacy at UCF: Dr. Cyndia Morales Muñiz's Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by and finding aid prepared by Kryslynn Collazo in 2018. Staples and paperclips were removed from documents and replaced with plastic clips. All material was placed into acid free folders and in an acid free box.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by and finding aid prepared by Kryslynn Collazo in 2018. Staples and paperclips were removed from documents and replaced with plastic clips. All material was placed into acid free folders and in an acid free box."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated Material For more information on university archives, please see our website. For further information regarding the University of Central Florida's Hispanic Serving Institution efforts please consult their [url=https://diversity.ucf.edu/hsi-homepage/]website.[/url].\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related Material For more information on university archives, please see our website. For further information regarding the University of Central Florida's Hispanic Serving Institution efforts please consult their [url=https://diversity.ucf.edu/hsi-homepage/]website.[/url]."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: CFU2018_45 contains the records gathered by Dr. Cyndia Morales Mu\u0026#xF1;iz, who served as Assistant Director of Multicultural Academic and Support Services in the Division of Student Development and Enrollment Services, Assistant Director of Hispanic Initiatives in the Office of Diversity and Inclusion, and Director (at large) of HSI Culture and Partnerships at the University of Central Florida. The series contains organization documents such as mission statements, constitutions, meeting minutes, agendas, correspondence and flyers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: CFU2018_45 contains the records gathered by Dr. Cyndia Morales Muñiz, who served as Assistant Director of Multicultural Academic and Support Services in the Division of Student Development and Enrollment Services, Assistant Director of Hispanic Initiatives in the Office of Diversity and Inclusion, and Director (at large) of HSI Culture and Partnerships at the University of Central Florida. The series contains organization documents such as mission statements, constitutions, meeting minutes, agendas, correspondence and flyers."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1d16b23042db3872862796cf39f29949\" label=\"Abstract\"\u003eDr. Cyndia Morales Mu\u0026#xF1;iz is a UCF Alumna who works as UCF's Director of HSI Culture and Partnerships. Her collection contains information regarding several organizations, programs, and events tailored towards the Latino and Hispanic population at the University of Central Florida.\u003c/abstract\u003e"],"abstract_tesim":["Dr. Cyndia Morales Muñiz is a UCF Alumna who works as UCF's Director of HSI Culture and Partnerships. Her collection contains information regarding several organizations, programs, and events tailored towards the Latino and Hispanic population at the University of Central Florida."],"names_ssim":["UCF University Archives","Morales Muñiz, Cyndia","Hitt, John C."],"corpname_ssim":["UCF University Archives"],"names_coll_ssim":["Hitt, John C.","Morales Muñiz, Cyndia"],"persname_ssim":["Morales Muñiz, Cyndia","Hitt, John C."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":17,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858791883374592,"_root_":"01e4f1868bc801a6a451b66a","timestamp":"2026-07-16T08:19:39.442Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/01e4f1868bc801a6a451b66a"}},{"id":"7d6c61fa05619f3ea6956f68","type":"collection","attributes":{"title":"Laura Elizabeth Smith Hiott scrapbook, 1942-1945, Date acquired: 10/29/2015, Date accessioned: 2020-06-04, bulk 1942-1945","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/7d6c61fa05619f3ea6956f68#creator","type":"document_value","attributes":{"value":["Hiott, Laura Elizabeth Smith"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/7d6c61fa05619f3ea6956f68#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection is related to Laura Elizabeth Smith Hiott. 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