{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2014\u0026f%5Blevel%5D%5B%5D=File\u0026page=41","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2014\u0026f%5Blevel%5D%5B%5D=File\u0026page=40","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2014\u0026f%5Blevel%5D%5B%5D=File\u0026page=42","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2014\u0026f%5Blevel%5D%5B%5D=File\u0026page=67"},"meta":{"pages":{"current_page":41,"next_page":42,"prev_page":40,"total_pages":67,"limit_value":10,"offset_value":400,"total_count":668,"first_page?":false,"last_page?":false}},"data":[{"id":"110f96e930660839ef16aac1_aspace_02574dbf749d0a6e8d845e2faa932ee9","type":"File","attributes":{"title":"Miscellaneous Ephemera, 1943-2014, bulk 1943-1945","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/110f96e930660839ef16aac1_aspace_02574dbf749d0a6e8d845e2faa932ee9#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains various ephemera papers inluding military information booklets, membership cards, advertising card, base newsletters, and a menu.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/110f96e930660839ef16aac1_aspace_02574dbf749d0a6e8d845e2faa932ee9#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_02574dbf749d0a6e8d845e2faa932ee9","ref_ssm":["aspace_02574dbf749d0a6e8d845e2faa932ee9","aspace_02574dbf749d0a6e8d845e2faa932ee9"],"id":"110f96e930660839ef16aac1_aspace_02574dbf749d0a6e8d845e2faa932ee9","title_filing_ssi":"Miscellaneous Ephemera","title_ssm":["Miscellaneous Ephemera"],"title_tesim":["Miscellaneous Ephemera"],"unitdate_bulk_ssim":["1943-1945"],"unitdate_inclusive_ssm":["1943-2014"],"normalized_date_ssm":["1943-2014, bulk 1943-1945"],"normalized_title_ssm":["Miscellaneous Ephemera, 1943-2014, bulk 1943-1945"],"text":["Miscellaneous Ephemera, 1943-2014, bulk 1943-1945","William Edward McKee Sr. collection, 1942-1996, Date acquired: 2020-12-05, Date accessioned: 2020-12-09, bulk 1943-1945","/repositories/10/archival_objects/191060","20.0010 - Box 6","folder 008","This folder contains various ephemera papers inluding military information booklets, membership cards, advertising card, base newsletters, and a menu."],"component_level_isim":[1],"parent_ids_ssim":["110f96e930660839ef16aac1"],"parent_unittitles_ssm":["William Edward McKee Sr. collection, 1942-1996, Date acquired: 2020-12-05, Date accessioned: 2020-12-09, bulk 1943-1945"],"parent_unittitles_tesim":["William Edward McKee Sr. collection, 1942-1996, Date acquired: 2020-12-05, Date accessioned: 2020-12-09, bulk 1943-1945"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/10/archival_objects/191060"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["William Edward McKee Sr. collection, 1942-1996, Date acquired: 2020-12-05, Date accessioned: 2020-12-09, bulk 1943-1945"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":68,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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Army Air Forces. Bomber Command, 8th","World War, 1939-1945--England","World War, 1939-1945--Aerial operations","World War, 1939-1945--Campaigns--Europe","Prisoners of war--Germany","Knit goods--Handbooks, manuals, etc","Knitting -- Patterns","Holocaust survivors","This collection is open to all researchers.","William Edward McKee Sr. was born on February 18, 1924 in New Rochelle, NY. He graduated New Rochelle High School.  Prior to joining the U.S. Army, he worked as a civilian courier for the U.S. Army.  He entered service with the U.S. Army Air Corps on February 16, 1943 and attended Basic training in Miami Beach, FL, Armament training at Buckley and Lowry Fields in Colorado, and gunnery school at Kingman Field, AZ. Mckee Sr. was assigned to the 324th Squadron, 91st Bombardment Group, and was sent to England on December 31, 1943.  The B-17 on which McKee Sr. served was combat damaged and crashed into the North Sea on March 29, 1944 on Mckee Sr's seven mission.  The entire crew was rescued by the German Navy.  McKee Sr. became as prisoner of war at Luft Stalag 17B near Krems, Austria. He was liberated in Bramall, Bavaria on May 3, 1945 by the 13th U.S. Armored Division and returned to the U.S. on June 12, 1945.  After the war, Mckee Sr. worked as a civilian fireman at Fr. Slocum, NY. He devoted the remainder of his life to lobbying for recognition and compensation of former U.S. prisoners of war.","Mckee Sr. passed away on January 16, 1996 and is buried in Arlington National Cemetery, Arlington, VA.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","This collection relates to William Edward McKee Sr. who served as a sergeant with the 324th Squadron, 91st Heavy Bombardment Group, 8th Air Force in Europe during World War II.   McKee Sr. was shot down along with the crew of the B-17 bomber on March 29, 1944.  The entire crew survived and then became German prisoners of war at Luft Stalag 17B. Mckee Sr. received the Air Medal and Purple Heart Medal. This collection includes letters, documents, photographs, prisoner of war memorabilia, and memoirs.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","United States. Army Air Forces. Air Force, 8th","United States. Army Air Forces. 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He graduated New Rochelle High School.  Prior to joining the U.S. Army, he worked as a civilian courier for the U.S. Army.  He entered service with the U.S. Army Air Corps on February 16, 1943 and attended Basic training in Miami Beach, FL, Armament training at Buckley and Lowry Fields in Colorado, and gunnery school at Kingman Field, AZ. Mckee Sr. was assigned to the 324th Squadron, 91st Bombardment Group, and was sent to England on December 31, 1943.  The B-17 on which McKee Sr. served was combat damaged and crashed into the North Sea on March 29, 1944 on Mckee Sr's seven mission.  The entire crew was rescued by the German Navy.  McKee Sr. became as prisoner of war at Luft Stalag 17B near Krems, Austria. He was liberated in Bramall, Bavaria on May 3, 1945 by the 13th U.S. Armored Division and returned to the U.S. on June 12, 1945.  After the war, Mckee Sr. worked as a civilian fireman at Fr. Slocum, NY. 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The B-17 on which McKee Sr. served was combat damaged and crashed into the North Sea on March 29, 1944 on Mckee Sr's seven mission.  The entire crew was rescued by the German Navy.  McKee Sr. became as prisoner of war at Luft Stalag 17B near Krems, Austria. He was liberated in Bramall, Bavaria on May 3, 1945 by the 13th U.S. Armored Division and returned to the U.S. on June 12, 1945.  After the war, Mckee Sr. worked as a civilian fireman at Fr. Slocum, NY. He devoted the remainder of his life to lobbying for recognition and compensation of former U.S. prisoners of war.","Mckee Sr. passed away on January 16, 1996 and is buried in Arlington National Cemetery, Arlington, VA."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], William Edward McKee Sr. collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-20-2010\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], William Edward McKee Sr. collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-20-2010"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to William Edward McKee Sr. who served as a sergeant with the 324th Squadron, 91st Heavy Bombardment Group, 8th Air Force in Europe during World War II.   McKee Sr. was shot down along with the crew of the B-17 bomber on March 29, 1944.  The entire crew survived and then became German prisoners of war at Luft Stalag 17B. Mckee Sr. received the Air Medal and Purple Heart Medal. This collection includes letters, documents, photographs, prisoner of war memorabilia, and memoirs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection relates to William Edward McKee Sr. who served as a sergeant with the 324th Squadron, 91st Heavy Bombardment Group, 8th Air Force in Europe during World War II.   McKee Sr. was shot down along with the crew of the B-17 bomber on March 29, 1944.  The entire crew survived and then became German prisoners of war at Luft Stalag 17B. Mckee Sr. received the Air Medal and Purple Heart Medal. This collection includes letters, documents, photographs, prisoner of war memorabilia, and memoirs."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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When able, the donor's original order and file level labels were maintained.","Dianora Niccolini was born in Florence, Italy, but moved to the United States at the age of nine. Niccolini relocated to New York City to study art, but moved from the realm of dance to photography after meeting the noted photographer Weegee. Niccolini's first exhibit was a 1974 study of female nudes, followed by a Sunday New York Times-reviewed show of the male nude the following year. Niccolini is considered a pioneering female photographer in the realm of photographing the male nude and her images of the male nude pre-date those of body builders popularized by Robert Mapplethorpe. Her photographs have been featured in several anthologies of nude figurative photography. Niccolini was the first president of Professional Women Photographers (PWP), serving 1979-1984, under which PWP became the leading professional organization of its kind. Niccolini has taught photography at the Germain school of photography, The New York Institute of photography, The New York Institute of Technology and, The Learning Annex.","This collection includes original silver gelatin photographs and chemomonoprints by photographer Dianora Niccolini, as well as a poster and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, periodicals that include Niccolini's photographs, correspondence, exhibition files, biographical material, and related research materials.","Oversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection is comprised of a series of original photographs and supporting documents tracing the career of Dianora Niccolini, an Italian-born American photographer. Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Niccolini's photographs. Cataloged alongside the archival materials are a series of books featuring Niccolini's photographs, as well as select catalogs of exhibits.","USF Libraries - Tampa Special Collections","Niccolini, Dianora ","English"],"unitid_tesim":["MS-2022-05","/repositories/2/resources/608"],"normalized_date_ssm":["1973-2022"],"normalized_title_ssm":["Dianora Niccolini collection, 1973-2022"],"collection_title_tesim":["Dianora Niccolini collection, 1973-2022"],"collection_ssim":["Dianora Niccolini collection, 1973-2022"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Photography","Photography, Erotic","Photography of the nude","Artists"],"access_subjects_ssm":["Photography","Photography, Erotic","Photography of the nude","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes","1.25 Linear Feet"],"extent_tesim":["3 boxes","1.25 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained."],"bioghist_html_tesm":["\u003cp\u003eDianora Niccolini was born in Florence, Italy, but moved to the United States at the age of nine. Niccolini relocated to New York City to study art, but moved from the realm of dance to photography after meeting the noted photographer Weegee. Niccolini's first exhibit was a 1974 study of female nudes, followed by a Sunday New York Times-reviewed show of the male nude the following year. Niccolini is considered a pioneering female photographer in the realm of photographing the male nude and her images of the male nude pre-date those of body builders popularized by Robert Mapplethorpe. Her photographs have been featured in several anthologies of nude figurative photography. Niccolini was the first president of Professional Women Photographers (PWP), serving 1979-1984, under which PWP became the leading professional organization of its kind. Niccolini has taught photography at the Germain school of photography, The New York Institute of photography, The New York Institute of Technology and, The Learning Annex.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dianora Niccolini was born in Florence, Italy, but moved to the United States at the age of nine. Niccolini relocated to New York City to study art, but moved from the realm of dance to photography after meeting the noted photographer Weegee. Niccolini's first exhibit was a 1974 study of female nudes, followed by a Sunday New York Times-reviewed show of the male nude the following year. Niccolini is considered a pioneering female photographer in the realm of photographing the male nude and her images of the male nude pre-date those of body builders popularized by Robert Mapplethorpe. Her photographs have been featured in several anthologies of nude figurative photography. Niccolini was the first president of Professional Women Photographers (PWP), serving 1979-1984, under which PWP became the leading professional organization of its kind. Niccolini has taught photography at the Germain school of photography, The New York Institute of photography, The New York Institute of Technology and, The Learning Annex."],"prefercite_html_tesm":["\u003cp\u003eDianora Niccolini collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Dianora Niccolini collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes original silver gelatin photographs and chemomonoprints by photographer Dianora Niccolini, as well as a poster and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, periodicals that include Niccolini's photographs, correspondence, exhibition files, biographical material, and related research materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes original silver gelatin photographs and chemomonoprints by photographer Dianora Niccolini, as well as a poster and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, periodicals that include Niccolini's photographs, correspondence, exhibition files, biographical material, and related research materials."],"separatedmaterial_html_tesm":["\u003cp\u003eOversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Oversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_57ad22ca8489716342852fe09c92f8e2\"\u003eThis collection is comprised of a series of original photographs and supporting documents tracing the career of Dianora Niccolini, an Italian-born American photographer. Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Niccolini's photographs. Cataloged alongside the archival materials are a series of books featuring Niccolini's photographs, as well as select catalogs of exhibits.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of a series of original photographs and supporting documents tracing the career of Dianora Niccolini, an Italian-born American photographer. Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Niccolini's photographs. Cataloged alongside the archival materials are a series of books featuring Niccolini's photographs, as well as select catalogs of exhibits."],"names_ssim":["USF Libraries - Tampa Special Collections","Niccolini, Dianora "],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Niccolini, Dianora "],"persname_ssim":["Niccolini, Dianora "],"language_ssim":["English"],"total_component_count_is":92,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"ec636735327499b3b8a45f21","timestamp":"2026-04-21T05:36:10.799Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ec636735327499b3b8a45f21_aspace_ffce693e201247e2c308007cf75b4fdf"}},{"id":"14bcb2243a8e439b7fa35feb_aspace_67410975f5f1784ec1fbd36aff98d5cc","type":"File","attributes":{"title":"Monthly Reports, 2013-2014","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/14bcb2243a8e439b7fa35feb_aspace_67410975f5f1784ec1fbd36aff98d5cc#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_67410975f5f1784ec1fbd36aff98d5cc","ref_ssm":["aspace_67410975f5f1784ec1fbd36aff98d5cc","aspace_67410975f5f1784ec1fbd36aff98d5cc"],"id":"14bcb2243a8e439b7fa35feb_aspace_67410975f5f1784ec1fbd36aff98d5cc","title_filing_ssi":"Monthly Reports","title_ssm":["Monthly Reports"],"title_tesim":["Monthly Reports"],"unitdate_inclusive_ssm":["2013-2014"],"normalized_date_ssm":["2013-2014"],"normalized_title_ssm":["Monthly Reports, 2013-2014"],"text":["Monthly Reports, 2013-2014","Al Davis papers, 1960-2011, Date acquired: 08/01/2016","Planning and Development","Community Redevelopment Agency (CRA), Pt. 2","Folder 9","/repositories/2/archival_objects/213177","box 40","folder 9"],"component_level_isim":[3],"parent_ids_ssim":["14bcb2243a8e439b7fa35feb","14bcb2243a8e439b7fa35feb_aspace_44d4c71e6766f824149df551e33901e0","14bcb2243a8e439b7fa35feb_aspace_c1580e14a7a56a4961b2bf9e7abfe319"],"parent_unittitles_ssm":["Al Davis papers, 1960-2011, Date acquired: 08/01/2016","Planning and Development","Community Redevelopment Agency (CRA), Pt. 2"],"parent_unittitles_tesim":["Al Davis papers, 1960-2011, Date acquired: 08/01/2016","Planning and Development","Community Redevelopment Agency (CRA), Pt. 2"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Folder 9","/repositories/2/archival_objects/213177"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Al Davis papers, 1960-2011, Date acquired: 08/01/2016"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":440,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2013,2014],"containers_ssim":["box 40","folder 9"],"_nest_path_":"/components#5/components#1/components#8","_nest_parent_":"14bcb2243a8e439b7fa35feb_aspace_c1580e14a7a56a4961b2bf9e7abfe319","_root_":"14bcb2243a8e439b7fa35feb","_version_":1870863012755144704,"timestamp":"2026-07-16T09:26:44.769Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"14bcb2243a8e439b7fa35feb","title_ssm":["Al Davis papers"],"title_tesim":["Al Davis papers"],"ead_ssi":"14bcb2243a8e439b7fa35feb","unitdate_ssm":["1960-2011","Date acquired: 08/01/2016"],"unitdate_inclusive_ssm":["1960-2011"],"unitdate_other_ssim":["Date acquired: 08/01/2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2016-03","/repositories/2/resources/40"],"text":["MS-2016-03","/repositories/2/resources/40","Al Davis papers, 1960-2011, Date acquired: 08/01/2016","Hillsborough County (Fla.) -- Politics and government.","Tampa (Fla.) -- History -- 20th century","African Americans -- Civil rights -- Florida -- Tampa -- History","National Association for the Advancement of Colored People -- Florida -- Tampa -- History -- 20th century","African Americans -- Education","African Americans -- Florida -- Social Conditions -- 20th century","Civil rights","Additional accrual received in 2020.","Arranged by topic.","Albert \"Al\" Davis was born in North Carolina in 1931. 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He enlisted in the United States Air Force\u0026#xA0;in 1949, where he served as a logician. He retired in 1975 in Tampa, FL. Davis attended the University of South Florida, earning a double BA in Political Science and Religious Studies.\u003c/p\u003e\n","\u003cp\u003eMuch of Davis' deepest involvement was with the local chapters of the National Association for the Advancement of Colored People (NAACP), which led to his position on the City of Tampa Bi-Racial Advisory Committee, which supervised and advised the Hillsborough County (FL) School Board on desegregation issues. Davis continued working with the school board outside of the Bi-Racial Advisory Committee until the 2000s.\t\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Albert \"Al\" Davis was born in North Carolina in 1931. He enlisted in the United States Air Force in 1949, where he served as a logician. He retired in 1975 in Tampa, FL. Davis attended the University of South Florida, earning a double BA in Political Science and Religious Studies.","Much of Davis' deepest involvement was with the local chapters of the National Association for the Advancement of Colored People (NAACP), which led to his position on the City of Tampa Bi-Racial Advisory Committee, which supervised and advised the Hillsborough County (FL) School Board on desegregation issues. Davis continued working with the school board outside of the Bi-Racial Advisory Committee until the 2000s.\t"],"prefercite_html_tesm":["\u003cp\u003eAl Davis papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Al Davis papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eThe civil rights papers of Cody Fowler and Steven Lawson, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e\n","\u003cp\u003eRobert Saunders papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The civil rights papers of Cody Fowler and Steven Lawson, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","Robert Saunders papers, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes newspaper clippings, correspondence, drafts and final versions of legal documents, and personal notes. One area of focus\nregards the redistricting of Tampa, FL and how it related to the Voting Rights Act of 1965, as well as African American participation in the voting process.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes newspaper clippings, correspondence, drafts and final versions of legal documents, and personal notes. One area of focus\nregards the redistricting of Tampa, FL and how it related to the Voting Rights Act of 1965, as well as African American participation in the voting process."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_808375e5d88836a9eb45e7348290ebae\" label=\"Abstract\"\u003eThese papers are from Al Davis, a local education and voting rights activist. Included are court and legal documents, minutes from the various organizations he was a part of, and his own personal collection of notes as member in these organization.\u003c/abstract\u003e"],"abstract_tesim":["These papers are from Al Davis, a local education and voting rights activist. 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health."],"language_ssim":["Spanish; Castilian"],"containers_ssim":["Box: 6","folder 29"],"_nest_path_":"/components#5/components#28","_nest_parent_":"256e771e3cc0782aac349f80_aspace_e65bc2b283d16dde4bc7945d86732b48","_root_":"256e771e3cc0782aac349f80","_version_":1870843569479090176,"timestamp":"2026-07-16T04:17:42.144Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"256e771e3cc0782aac349f80","title_ssm":["Zine Collection"],"title_tesim":["Zine Collection"],"ead_ssi":"256e771e3cc0782aac349f80","unitdate_ssm":["1973-2019"],"unitdate_inclusive_ssm":["1973-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/26","/repositories/2/resources/6"],"text":["02/01/26","/repositories/2/resources/6","Zine Collection, 1973-2019","Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art","The collection is open for use.","Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.","The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.","Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.","Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe","English"],"unitid_tesim":["02/01/26","/repositories/2/resources/6"],"normalized_date_ssm":["1973-2019"],"normalized_title_ssm":["Zine Collection, 1973-2019"],"collection_title_tesim":["Zine Collection, 1973-2019"],"collection_ssim":["Zine Collection, 1973-2019"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"geogname_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"places_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for use."],"arrangement_html_tesm":["\u003cp\u003eOrganized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5a0de4e8fb6224cb231f2eecf1aee4f4\" label=\"Abstract and Language Disclaimer\"\u003eZines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.\u003c/abstract\u003e"],"abstract_tesim":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"names_ssim":["Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Corley, Madison","Lewis, Chloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":447,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843569479090176,"_root_":"256e771e3cc0782aac349f80","timestamp":"2026-07-16T04:17:42.144Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_a7e6c4fb160a4b6d807344999ee93541"}},{"id":"ec636735327499b3b8a45f21_aspace_30935f881168cb1148d47b293f6e0d68","type":"File","attributes":{"title":"Museum Collections – Emory University's Carlos Museum – Atlanta, Georgia, 2008-2014","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ec636735327499b3b8a45f21_aspace_30935f881168cb1148d47b293f6e0d68#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_30935f881168cb1148d47b293f6e0d68","ref_ssm":["aspace_30935f881168cb1148d47b293f6e0d68","aspace_30935f881168cb1148d47b293f6e0d68"],"id":"ec636735327499b3b8a45f21_aspace_30935f881168cb1148d47b293f6e0d68","title_filing_ssi":"Museum Collections – Emory University's Carlos Museum – Atlanta, Georgia","title_ssm":["Museum Collections – Emory University's Carlos Museum – Atlanta, Georgia"],"title_tesim":["Museum Collections – Emory University's Carlos Museum – Atlanta, Georgia"],"unitdate_inclusive_ssm":["2008-2014"],"normalized_date_ssm":["2008-2014"],"normalized_title_ssm":["Museum Collections – Emory University's Carlos Museum – Atlanta, Georgia, 2008-2014"],"text":["Museum Collections – Emory University's Carlos Museum – Atlanta, Georgia, 2008-2014","Dianora Niccolini collection, 1973-2022","Museum Files","/repositories/2/archival_objects/147623","box 2","folder 5"],"component_level_isim":[2],"parent_ids_ssim":["ec636735327499b3b8a45f21","ec636735327499b3b8a45f21_aspace_5ae82eb1e3c9a2b019d6329d58839a02"],"parent_unittitles_ssm":["Dianora Niccolini collection, 1973-2022","Museum Files"],"parent_unittitles_tesim":["Dianora Niccolini collection, 1973-2022","Museum Files"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/2/archival_objects/147623"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Dianora Niccolini collection, 1973-2022"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":54,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2008,2009,2010,2011,2012,2013,2014],"containers_ssim":["box 2","folder 5"],"_nest_path_":"/components#1/components#4","_nest_parent_":"ec636735327499b3b8a45f21_aspace_5ae82eb1e3c9a2b019d6329d58839a02","_root_":"ec636735327499b3b8a45f21","timestamp":"2026-04-21T05:36:10.799Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ec636735327499b3b8a45f21","title_ssm":["Dianora Niccolini collection"],"title_tesim":["Dianora Niccolini collection"],"ead_ssi":"ec636735327499b3b8a45f21","unitdate_ssm":["1973-2022"],"unitdate_inclusive_ssm":["1973-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2022-05","/repositories/2/resources/608"],"text":["MS-2022-05","/repositories/2/resources/608","Dianora Niccolini collection, 1973-2022","Photography","Photography, Erotic","Photography of the nude","Artists","Collection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained.","Dianora Niccolini was born in Florence, Italy, but moved to the United States at the age of nine. Niccolini relocated to New York City to study art, but moved from the realm of dance to photography after meeting the noted photographer Weegee. Niccolini's first exhibit was a 1974 study of female nudes, followed by a Sunday New York Times-reviewed show of the male nude the following year. Niccolini is considered a pioneering female photographer in the realm of photographing the male nude and her images of the male nude pre-date those of body builders popularized by Robert Mapplethorpe. Her photographs have been featured in several anthologies of nude figurative photography. Niccolini was the first president of Professional Women Photographers (PWP), serving 1979-1984, under which PWP became the leading professional organization of its kind. Niccolini has taught photography at the Germain school of photography, The New York Institute of photography, The New York Institute of Technology and, The Learning Annex.","This collection includes original silver gelatin photographs and chemomonoprints by photographer Dianora Niccolini, as well as a poster and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, periodicals that include Niccolini's photographs, correspondence, exhibition files, biographical material, and related research materials.","Oversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection is comprised of a series of original photographs and supporting documents tracing the career of Dianora Niccolini, an Italian-born American photographer. Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Niccolini's photographs. Cataloged alongside the archival materials are a series of books featuring Niccolini's photographs, as well as select catalogs of exhibits.","USF Libraries - Tampa Special Collections","Niccolini, Dianora ","English"],"unitid_tesim":["MS-2022-05","/repositories/2/resources/608"],"normalized_date_ssm":["1973-2022"],"normalized_title_ssm":["Dianora Niccolini collection, 1973-2022"],"collection_title_tesim":["Dianora Niccolini collection, 1973-2022"],"collection_ssim":["Dianora Niccolini collection, 1973-2022"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Photography","Photography, Erotic","Photography of the nude","Artists"],"access_subjects_ssm":["Photography","Photography, Erotic","Photography of the nude","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes","1.25 Linear Feet"],"extent_tesim":["3 boxes","1.25 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained."],"bioghist_html_tesm":["\u003cp\u003eDianora Niccolini was born in Florence, Italy, but moved to the United States at the age of nine. Niccolini relocated to New York City to study art, but moved from the realm of dance to photography after meeting the noted photographer Weegee. Niccolini's first exhibit was a 1974 study of female nudes, followed by a Sunday New York Times-reviewed show of the male nude the following year. Niccolini is considered a pioneering female photographer in the realm of photographing the male nude and her images of the male nude pre-date those of body builders popularized by Robert Mapplethorpe. Her photographs have been featured in several anthologies of nude figurative photography. Niccolini was the first president of Professional Women Photographers (PWP), serving 1979-1984, under which PWP became the leading professional organization of its kind. Niccolini has taught photography at the Germain school of photography, The New York Institute of photography, The New York Institute of Technology and, The Learning Annex.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dianora Niccolini was born in Florence, Italy, but moved to the United States at the age of nine. Niccolini relocated to New York City to study art, but moved from the realm of dance to photography after meeting the noted photographer Weegee. Niccolini's first exhibit was a 1974 study of female nudes, followed by a Sunday New York Times-reviewed show of the male nude the following year. Niccolini is considered a pioneering female photographer in the realm of photographing the male nude and her images of the male nude pre-date those of body builders popularized by Robert Mapplethorpe. Her photographs have been featured in several anthologies of nude figurative photography. Niccolini was the first president of Professional Women Photographers (PWP), serving 1979-1984, under which PWP became the leading professional organization of its kind. Niccolini has taught photography at the Germain school of photography, The New York Institute of photography, The New York Institute of Technology and, The Learning Annex."],"prefercite_html_tesm":["\u003cp\u003eDianora Niccolini collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Dianora Niccolini collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes original silver gelatin photographs and chemomonoprints by photographer Dianora Niccolini, as well as a poster and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, periodicals that include Niccolini's photographs, correspondence, exhibition files, biographical material, and related research materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes original silver gelatin photographs and chemomonoprints by photographer Dianora Niccolini, as well as a poster and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, periodicals that include Niccolini's photographs, correspondence, exhibition files, biographical material, and related research materials."],"separatedmaterial_html_tesm":["\u003cp\u003eOversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Oversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_57ad22ca8489716342852fe09c92f8e2\"\u003eThis collection is comprised of a series of original photographs and supporting documents tracing the career of Dianora Niccolini, an Italian-born American photographer. Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Niccolini's photographs. Cataloged alongside the archival materials are a series of books featuring Niccolini's photographs, as well as select catalogs of exhibits.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of a series of original photographs and supporting documents tracing the career of Dianora Niccolini, an Italian-born American photographer. Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Niccolini's photographs. 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Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Niccolini's photographs. Cataloged alongside the archival materials are a series of books featuring Niccolini's photographs, as well as select catalogs of exhibits.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of a series of original photographs and supporting documents tracing the career of Dianora Niccolini, an Italian-born American photographer. Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. 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