{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=88\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=87\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=89\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=175\u0026view=compact"},"meta":{"pages":{"current_page":88,"next_page":89,"prev_page":87,"total_pages":175,"limit_value":10,"offset_value":870,"total_count":1750,"first_page?":false,"last_page?":false}},"data":[{"id":"34ef34a6297dd55b432be819","type":"collection","attributes":{"title":"John W. Senders Working Collection, 1880-2014","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/34ef34a6297dd55b432be819#creator","type":"document_value","attributes":{"value":["Senders, John W., 1920-"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/34ef34a6297dd55b432be819#abstract_or_scope","type":"document_value","attributes":{"value":["John W. Senders Working Collection contains materials on human factors engineering. Senders is one of the pioneers of the field of Engineering Psychology, with a long and influential career spanning six decades as a psychologist and human factors engineer. He was one of the first scientists to apply mathematical models on human behavior in applied settings. Senders collection includes selected reprints representatives of the scientific literature on various topics in Engineering Psychology and Human Factors mainly from circa 1945 to 2013."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/34ef34a6297dd55b432be819#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"34ef34a6297dd55b432be819","title_ssm":["John W. Senders Working Collection"],"title_tesim":["John W. Senders Working Collection"],"ead_ssi":"34ef34a6297dd55b432be819","unitdate_ssm":["1880-2014"],"unitdate_inclusive_ssm":["1880-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.096","/repositories/4/resources/188"],"text":["SC.096","/repositories/4/resources/188","John W. Senders Working Collection, 1880-2014","The entire collection is open for research.","This collection contains four series arranged by type of material. Within the series, files are arranged in chronological order.","John W. Senders was born on February 26, 1920 in Cambridge, Massachusetts. He attended Russell School for eight years prior to high school. After graduating high school, he worked for General Electric's River Works as a test engineer for aircraft generators. Following his employment at General Electric's River Works, he was admitted to Harvard College in 1944 and graduated in June of 1948 with a Bachelor of Arts in Psychology. During his freshman year, he married Virginia (Ginny) Ruth Loftus, and had two children, Warren R. Senders and Stefan J. Senders. Ginny became Associate Professor of Psychology at Antioch College in 1952, doing research for the Army Air Corps. After divorcing Ginny in 1975, he married Ann Crichton-Harris, who had three children from a previous marriage, Daniel, Abigail, and Adam (Sellen). John continued to pursue higher education and received his Ph.D. in Quantitative Psychology from the University of Tilburg in the Netherlands in 1983. Over the course of his long career, he has engaged numerous research, teaching and consulting in the behavioral sciences. He has taught at the University of Minnesota, Brandeis University, Massachusetts Institute of Technology, University of Toronto, University of Maine, and York University. The areas in which he taught include Experimental and Quantitative Psychology, Human Factors Engineering, Man-Machine Systems Analysis, Human Error and Reliability, Statistics, and Law. During the past 20 years, he has, from time to time, consulted with lawyers to provide assistance in proceedings involving trademarks and trade names, as well as other matters. He considered an expert in the study of human perception, and his opinion has been accepted as evidence in a number of Canadian trade mark cases.","\nHis professional experience includes Production Manager to Chief Electronics Engineer, General Control Company, Boston, Massachusetts, 1943-1948; Consulting Engineer in private practice 1948-1950; Chief, Control Section, Psychology Branch, U.S.A.F. Aero Medical Laboratory, Wright-Patterson A.F.B., Ohio, 1950-1956; Head of Department of Psychology, U.S.A.F. Artic Aero Medical Laboratory, Fairbanks, Alaska 1956-1957; Principal Research Scientist, Minneapolis-Honeywell Regulator Co., Minneapolis, Minnesota, 1957-1962; Consultant in Psychology, University of California at Santa Barbara, 1961; Principal Scientist and Manager, Engineering Psychology Department, Bolt, Bernanek and Newman Inc., Cambridge, Massachusetts, 1962-1970; Lecturer and Senior Research Associate in Psychology, Brandeis University, 1965-1972; Senior Lecturer in Mechanical Engineering, Massachusetts Institute of Technology, 1966-1967; President, Senders Associates, Inc., 1968-1973; Visiting Professor, Department of Industrial Engineering, University of Toronto, Canada, 1973; Professor, Department of Industrial Engineering, University of Toronto, Canada, 1974-Present; Senior Research Associate in Psychology, University of California at Santa Barbara, 1979-1980; Adjunct Professor of Engineering and Psychology, University of Maine at Orono, 1981-1988.","\nHe was a Fellow of the American Psychological Association, the American Psychological Society, the Human Factors and Ergonomics Society, and the American Association for the Advancement of Science. He was an advisory member of the Committee on Vision, of the Committee on Hearing, Biomechanics and Bioacoustics, and of the Bioastronautics Committee, all of the National Research Council (U.S.), and many editorial boards of scientific journals. He served as a consultant, advisor, reviewer, and committee member to many government agencies such as the National Science Foundation (U.S.), The National Science and Engineering Research Council (Canada), the United States Postal Service, and Atomic Energy Canada Limited. He published numerous scientific articles on problems of human performance and perception, and he presented many papers at professional and scientific society meetings.","\nHe received Cheers Award from the Institute for Safe Medication Practices with the citation \"Recognizing actions that have set a standard of excellence in the prevention of medication errors\" (2001), Knowledge Media Design Institute (KMDI) Pioneer Award in Electronic Publishing (2008), and Franklin C. Taylor Award for Outstanding Career Contributions to the field (2010).","Complications from pneumonia, two weeks before the 99th birthday, John W. Senders passed away on February 12, 2019. He is survived by his wife, Ann Crichton-Harris, of Toronto, by his first wife, Virginia Loftus Senders, of Amherst, Massachusetts, and by five children. ","Rusty staples and binders removed from the collection; materials were placed in pH neutral folders and archival boxes.","Processed by Suphi Burak Ogreten, Racheile M. Ricklefs and Renata Nagy; finding aid prepared by Suphi Burak Ogreten and Renata Nagy.","Related materials may be found in the UCF Library  Online Catalog .","Series I: Research Files, 1880-2014, Undated, contains published and unpublished papers by John W. Senders and other authors. Series broken down to four subseries and each subseries organized in chronological order from earliest date to the latest. The papers with no date were classified as \"undated\", and are at the end of each subseries.","\nSeries II: Audio-Visual Tapes, Undated, holds thirty-three VHS tapes record lectures on Human Factors delivered by John W. Senders, Richard W. Pew, Tom Sheridan, and Neville Moray. Includes topics such as introduction, quality of data, light and vision, vision and colors, human vision, audition, design using Human Engineering Guide to Equipment Design (HEGED), human engineering data, human informatics processing, error, protocol analysis, models of human performance, human information processing, analysis of performance, learning theory, mental modelling, control room design, human nervous system, complex process control, and summary. The VHS tapes are kept in the original order during processing.","\nSeries III: Photographs, Undated, contains ten images of semicircular canals of animals created by Naval Missile Center, Point Mugu, California. Includes black ape, brush-tailed wallaby, fowl, seal, dog, duckbilled platypus, dugong, horse, indian fruit bat, and man.","\nSeries IV: Personal Documents, 1960-2013, Undated, includes various bibliographical references, notes, correspondence, curriculum vitae of John W. Senders, legal consultations, conference flyer, affidavit for \"More Stuff and Splotch Design\", biographical sketch of John W. Senders, draft copy of an affidavit \"The best fry you'll every try\", speech for friends and relatives, admission tickets for Harvard Alumni Association commencement day and a poem called \"More on the Eye\" by John W. Senders.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","John W. Senders Working Collection contains materials on human factors engineering. Senders is one of the pioneers of the field of Engineering Psychology, with a long and influential career spanning six decades as a psychologist and human factors engineer. He was one of the first scientists to apply mathematical models on human behavior in applied settings. Senders collection includes selected reprints representatives of the scientific literature on various topics in Engineering Psychology and Human Factors mainly from circa 1945 to 2013.","UCF Special Collections","Senders, John W., 1920-","English"],"unitid_tesim":["SC.096","/repositories/4/resources/188"],"normalized_date_ssm":["1880-2014"],"normalized_title_ssm":["John W. Senders Working Collection, 1880-2014"],"collection_title_tesim":["John W. Senders Working Collection, 1880-2014"],"collection_ssim":["John W. Senders Working Collection, 1880-2014"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Senders, John W., 1920-"],"creator_ssim":["Senders, John W., 1920-"],"creator_persname_ssim":["Senders, John W., 1920-"],"creators_ssim":["Senders, John W., 1920-"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["John W. Senders donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2013 (CFM2013_07). Additional materials were donated in 2017 (CFM2017_08)."],"has_online_content_ssim":["false"],"extent_ssm":["25.25 Linear Feet 28 Boxes"],"extent_tesim":["25.25 Linear Feet 28 Boxes"],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection contains four series arranged by type of material. Within the series, files are arranged in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection contains four series arranged by type of material. Within the series, files are arranged in chronological order."],"bioghist_html_tesm":["\u003cp\u003eJohn W. Senders was born on February 26, 1920 in Cambridge, Massachusetts. He attended Russell School for eight years prior to high school. After graduating high school, he worked for General Electric's River Works as a test engineer for aircraft generators. Following his employment at General Electric's River Works, he was admitted to Harvard College in 1944 and graduated in June of 1948 with a Bachelor of Arts in Psychology. During his freshman year, he married Virginia (Ginny) Ruth Loftus, and had two children, Warren R. Senders and Stefan J. Senders. Ginny became Associate Professor of Psychology at Antioch College in 1952, doing research for the Army Air Corps. After divorcing Ginny in 1975, he married Ann Crichton-Harris, who had three children from a previous marriage, Daniel, Abigail, and Adam (Sellen). John continued to pursue higher education and received his Ph.D. in Quantitative Psychology from the University of Tilburg in the Netherlands in 1983. Over the course of his long career, he has engaged numerous research, teaching and consulting in the behavioral sciences. He has taught at the University of Minnesota, Brandeis University, Massachusetts Institute of Technology, University of Toronto, University of Maine, and York University. The areas in which he taught include Experimental and Quantitative Psychology, Human Factors Engineering, Man-Machine Systems Analysis, Human Error and Reliability, Statistics, and Law. During the past 20 years, he has, from time to time, consulted with lawyers to provide assistance in proceedings involving trademarks and trade names, as well as other matters. He considered an expert in the study of human perception, and his opinion has been accepted as evidence in a number of Canadian trade mark cases.\u003c/p\u003e\n","\u003cp\u003e\nHis professional experience includes Production Manager to Chief Electronics Engineer, General Control Company, Boston, Massachusetts, 1943-1948; Consulting Engineer in private practice 1948-1950; Chief, Control Section, Psychology Branch, U.S.A.F. Aero Medical Laboratory, Wright-Patterson A.F.B., Ohio, 1950-1956; Head of Department of Psychology, U.S.A.F. Artic Aero Medical Laboratory, Fairbanks, Alaska 1956-1957; Principal Research Scientist, Minneapolis-Honeywell Regulator Co., Minneapolis, Minnesota, 1957-1962; Consultant in Psychology, University of California at Santa Barbara, 1961; Principal Scientist and Manager, Engineering Psychology Department, Bolt, Bernanek and Newman Inc., Cambridge, Massachusetts, 1962-1970; Lecturer and Senior Research Associate in Psychology, Brandeis University, 1965-1972; Senior Lecturer in Mechanical Engineering, Massachusetts Institute of Technology, 1966-1967; President, Senders Associates, Inc., 1968-1973; Visiting Professor, Department of Industrial Engineering, University of Toronto, Canada, 1973; Professor, Department of Industrial Engineering, University of Toronto, Canada, 1974-Present; Senior Research Associate in Psychology, University of California at Santa Barbara, 1979-1980; Adjunct Professor of Engineering and Psychology, University of Maine at Orono, 1981-1988.\u003c/p\u003e\n","\u003cp\u003e\nHe was a Fellow of the American Psychological Association, the American Psychological Society, the Human Factors and Ergonomics Society, and the American Association for the Advancement of Science. He was an advisory member of the Committee on Vision, of the Committee on Hearing, Biomechanics and Bioacoustics, and of the Bioastronautics Committee, all of the National Research Council (U.S.), and many editorial boards of scientific journals. He served as a consultant, advisor, reviewer, and committee member to many government agencies such as the National Science Foundation (U.S.), The National Science and Engineering Research Council (Canada), the United States Postal Service, and Atomic Energy Canada Limited. He published numerous scientific articles on problems of human performance and perception, and he presented many papers at professional and scientific society meetings.\u003c/p\u003e\n","\u003cp\u003e\nHe received Cheers Award from the Institute for Safe Medication Practices with the citation \"Recognizing actions that have set a standard of excellence in the prevention of medication errors\" (2001), Knowledge Media Design Institute (KMDI) Pioneer Award in Electronic Publishing (2008), and Franklin C. Taylor Award for Outstanding Career Contributions to the field (2010).\u003c/p\u003e\n","\u003cp\u003eComplications from pneumonia, two weeks before the 99th birthday, John W. Senders passed away on February 12, 2019. He is survived by his wife, Ann Crichton-Harris, of Toronto, by his first wife, Virginia Loftus Senders, of Amherst, Massachusetts, and by five children. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["John W. Senders was born on February 26, 1920 in Cambridge, Massachusetts. He attended Russell School for eight years prior to high school. After graduating high school, he worked for General Electric's River Works as a test engineer for aircraft generators. Following his employment at General Electric's River Works, he was admitted to Harvard College in 1944 and graduated in June of 1948 with a Bachelor of Arts in Psychology. During his freshman year, he married Virginia (Ginny) Ruth Loftus, and had two children, Warren R. Senders and Stefan J. Senders. Ginny became Associate Professor of Psychology at Antioch College in 1952, doing research for the Army Air Corps. After divorcing Ginny in 1975, he married Ann Crichton-Harris, who had three children from a previous marriage, Daniel, Abigail, and Adam (Sellen). John continued to pursue higher education and received his Ph.D. in Quantitative Psychology from the University of Tilburg in the Netherlands in 1983. Over the course of his long career, he has engaged numerous research, teaching and consulting in the behavioral sciences. He has taught at the University of Minnesota, Brandeis University, Massachusetts Institute of Technology, University of Toronto, University of Maine, and York University. The areas in which he taught include Experimental and Quantitative Psychology, Human Factors Engineering, Man-Machine Systems Analysis, Human Error and Reliability, Statistics, and Law. During the past 20 years, he has, from time to time, consulted with lawyers to provide assistance in proceedings involving trademarks and trade names, as well as other matters. He considered an expert in the study of human perception, and his opinion has been accepted as evidence in a number of Canadian trade mark cases.","\nHis professional experience includes Production Manager to Chief Electronics Engineer, General Control Company, Boston, Massachusetts, 1943-1948; Consulting Engineer in private practice 1948-1950; Chief, Control Section, Psychology Branch, U.S.A.F. Aero Medical Laboratory, Wright-Patterson A.F.B., Ohio, 1950-1956; Head of Department of Psychology, U.S.A.F. Artic Aero Medical Laboratory, Fairbanks, Alaska 1956-1957; Principal Research Scientist, Minneapolis-Honeywell Regulator Co., Minneapolis, Minnesota, 1957-1962; Consultant in Psychology, University of California at Santa Barbara, 1961; Principal Scientist and Manager, Engineering Psychology Department, Bolt, Bernanek and Newman Inc., Cambridge, Massachusetts, 1962-1970; Lecturer and Senior Research Associate in Psychology, Brandeis University, 1965-1972; Senior Lecturer in Mechanical Engineering, Massachusetts Institute of Technology, 1966-1967; President, Senders Associates, Inc., 1968-1973; Visiting Professor, Department of Industrial Engineering, University of Toronto, Canada, 1973; Professor, Department of Industrial Engineering, University of Toronto, Canada, 1974-Present; Senior Research Associate in Psychology, University of California at Santa Barbara, 1979-1980; Adjunct Professor of Engineering and Psychology, University of Maine at Orono, 1981-1988.","\nHe was a Fellow of the American Psychological Association, the American Psychological Society, the Human Factors and Ergonomics Society, and the American Association for the Advancement of Science. He was an advisory member of the Committee on Vision, of the Committee on Hearing, Biomechanics and Bioacoustics, and of the Bioastronautics Committee, all of the National Research Council (U.S.), and many editorial boards of scientific journals. He served as a consultant, advisor, reviewer, and committee member to many government agencies such as the National Science Foundation (U.S.), The National Science and Engineering Research Council (Canada), the United States Postal Service, and Atomic Energy Canada Limited. He published numerous scientific articles on problems of human performance and perception, and he presented many papers at professional and scientific society meetings.","\nHe received Cheers Award from the Institute for Safe Medication Practices with the citation \"Recognizing actions that have set a standard of excellence in the prevention of medication errors\" (2001), Knowledge Media Design Institute (KMDI) Pioneer Award in Electronic Publishing (2008), and Franklin C. Taylor Award for Outstanding Career Contributions to the field (2010).","Complications from pneumonia, two weeks before the 99th birthday, John W. Senders passed away on February 12, 2019. He is survived by his wife, Ann Crichton-Harris, of Toronto, by his first wife, Virginia Loftus Senders, of Amherst, Massachusetts, and by five children. "],"prefercite_html_tesm":["\u003cp\u003eJohn W. Senders Working Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["John W. Senders Working Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eRusty staples and binders removed from the collection; materials were placed in pH neutral folders and archival boxes.\u003c/p\u003e","\u003cp\u003eProcessed by Suphi Burak Ogreten, Racheile M. Ricklefs and Renata Nagy; finding aid prepared by Suphi Burak Ogreten and Renata Nagy.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Rusty staples and binders removed from the collection; materials were placed in pH neutral folders and archival boxes.","Processed by Suphi Burak Ogreten, Racheile M. Ricklefs and Renata Nagy; finding aid prepared by Suphi Burak Ogreten and Renata Nagy."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated materials may be found in the UCF Library \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related materials may be found in the UCF Library  Online Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Research Files, 1880-2014, Undated, contains published and unpublished papers by John W. Senders and other authors. Series broken down to four subseries and each subseries organized in chronological order from earliest date to the latest. The papers with no date were classified as \"undated\", and are at the end of each subseries.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Audio-Visual Tapes, Undated, holds thirty-three VHS tapes record lectures on Human Factors delivered by John W. Senders, Richard W. Pew, Tom Sheridan, and Neville Moray. Includes topics such as introduction, quality of data, light and vision, vision and colors, human vision, audition, design using Human Engineering Guide to Equipment Design (HEGED), human engineering data, human informatics processing, error, protocol analysis, models of human performance, human information processing, analysis of performance, learning theory, mental modelling, control room design, human nervous system, complex process control, and summary. The VHS tapes are kept in the original order during processing.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Photographs, Undated, contains ten images of semicircular canals of animals created by Naval Missile Center, Point Mugu, California. Includes black ape, brush-tailed wallaby, fowl, seal, dog, duckbilled platypus, dugong, horse, indian fruit bat, and man.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Documents, 1960-2013, Undated, includes various bibliographical references, notes, correspondence, curriculum vitae of John W. Senders, legal consultations, conference flyer, affidavit for \"More Stuff and Splotch Design\", biographical sketch of John W. Senders, draft copy of an affidavit \"The best fry you'll every try\", speech for friends and relatives, admission tickets for Harvard Alumni Association commencement day and a poem called \"More on the Eye\" by John W. Senders.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Research Files, 1880-2014, Undated, contains published and unpublished papers by John W. Senders and other authors. Series broken down to four subseries and each subseries organized in chronological order from earliest date to the latest. The papers with no date were classified as \"undated\", and are at the end of each subseries.","\nSeries II: Audio-Visual Tapes, Undated, holds thirty-three VHS tapes record lectures on Human Factors delivered by John W. Senders, Richard W. Pew, Tom Sheridan, and Neville Moray. Includes topics such as introduction, quality of data, light and vision, vision and colors, human vision, audition, design using Human Engineering Guide to Equipment Design (HEGED), human engineering data, human informatics processing, error, protocol analysis, models of human performance, human information processing, analysis of performance, learning theory, mental modelling, control room design, human nervous system, complex process control, and summary. The VHS tapes are kept in the original order during processing.","\nSeries III: Photographs, Undated, contains ten images of semicircular canals of animals created by Naval Missile Center, Point Mugu, California. Includes black ape, brush-tailed wallaby, fowl, seal, dog, duckbilled platypus, dugong, horse, indian fruit bat, and man.","\nSeries IV: Personal Documents, 1960-2013, Undated, includes various bibliographical references, notes, correspondence, curriculum vitae of John W. Senders, legal consultations, conference flyer, affidavit for \"More Stuff and Splotch Design\", biographical sketch of John W. Senders, draft copy of an affidavit \"The best fry you'll every try\", speech for friends and relatives, admission tickets for Harvard Alumni Association commencement day and a poem called \"More on the Eye\" by John W. Senders."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bddd1759a5977a490b31b5210006a678\" label=\"Abstract\"\u003eJohn W. Senders Working Collection contains materials on human factors engineering. Senders is one of the pioneers of the field of Engineering Psychology, with a long and influential career spanning six decades as a psychologist and human factors engineer. He was one of the first scientists to apply mathematical models on human behavior in applied settings. Senders collection includes selected reprints representatives of the scientific literature on various topics in Engineering Psychology and Human Factors mainly from circa 1945 to 2013.\u003c/abstract\u003e"],"abstract_tesim":["John W. Senders Working Collection contains materials on human factors engineering. Senders is one of the pioneers of the field of Engineering Psychology, with a long and influential career spanning six decades as a psychologist and human factors engineer. He was one of the first scientists to apply mathematical models on human behavior in applied settings. Senders collection includes selected reprints representatives of the scientific literature on various topics in Engineering Psychology and Human Factors mainly from circa 1945 to 2013."],"names_ssim":["UCF Special Collections","Senders, John W., 1920-"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Senders, John W., 1920-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2526,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857920658276352,"_root_":"34ef34a6297dd55b432be819","timestamp":"2026-07-16T08:05:48.372Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"34ef34a6297dd55b432be819","title_ssm":["John W. Senders Working Collection"],"title_tesim":["John W. Senders Working Collection"],"ead_ssi":"34ef34a6297dd55b432be819","unitdate_ssm":["1880-2014"],"unitdate_inclusive_ssm":["1880-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.096","/repositories/4/resources/188"],"text":["SC.096","/repositories/4/resources/188","John W. Senders Working Collection, 1880-2014","The entire collection is open for research.","This collection contains four series arranged by type of material. Within the series, files are arranged in chronological order.","John W. Senders was born on February 26, 1920 in Cambridge, Massachusetts. He attended Russell School for eight years prior to high school. After graduating high school, he worked for General Electric's River Works as a test engineer for aircraft generators. Following his employment at General Electric's River Works, he was admitted to Harvard College in 1944 and graduated in June of 1948 with a Bachelor of Arts in Psychology. During his freshman year, he married Virginia (Ginny) Ruth Loftus, and had two children, Warren R. Senders and Stefan J. Senders. Ginny became Associate Professor of Psychology at Antioch College in 1952, doing research for the Army Air Corps. After divorcing Ginny in 1975, he married Ann Crichton-Harris, who had three children from a previous marriage, Daniel, Abigail, and Adam (Sellen). John continued to pursue higher education and received his Ph.D. in Quantitative Psychology from the University of Tilburg in the Netherlands in 1983. Over the course of his long career, he has engaged numerous research, teaching and consulting in the behavioral sciences. He has taught at the University of Minnesota, Brandeis University, Massachusetts Institute of Technology, University of Toronto, University of Maine, and York University. The areas in which he taught include Experimental and Quantitative Psychology, Human Factors Engineering, Man-Machine Systems Analysis, Human Error and Reliability, Statistics, and Law. During the past 20 years, he has, from time to time, consulted with lawyers to provide assistance in proceedings involving trademarks and trade names, as well as other matters. He considered an expert in the study of human perception, and his opinion has been accepted as evidence in a number of Canadian trade mark cases.","\nHis professional experience includes Production Manager to Chief Electronics Engineer, General Control Company, Boston, Massachusetts, 1943-1948; Consulting Engineer in private practice 1948-1950; Chief, Control Section, Psychology Branch, U.S.A.F. Aero Medical Laboratory, Wright-Patterson A.F.B., Ohio, 1950-1956; Head of Department of Psychology, U.S.A.F. Artic Aero Medical Laboratory, Fairbanks, Alaska 1956-1957; Principal Research Scientist, Minneapolis-Honeywell Regulator Co., Minneapolis, Minnesota, 1957-1962; Consultant in Psychology, University of California at Santa Barbara, 1961; Principal Scientist and Manager, Engineering Psychology Department, Bolt, Bernanek and Newman Inc., Cambridge, Massachusetts, 1962-1970; Lecturer and Senior Research Associate in Psychology, Brandeis University, 1965-1972; Senior Lecturer in Mechanical Engineering, Massachusetts Institute of Technology, 1966-1967; President, Senders Associates, Inc., 1968-1973; Visiting Professor, Department of Industrial Engineering, University of Toronto, Canada, 1973; Professor, Department of Industrial Engineering, University of Toronto, Canada, 1974-Present; Senior Research Associate in Psychology, University of California at Santa Barbara, 1979-1980; Adjunct Professor of Engineering and Psychology, University of Maine at Orono, 1981-1988.","\nHe was a Fellow of the American Psychological Association, the American Psychological Society, the Human Factors and Ergonomics Society, and the American Association for the Advancement of Science. He was an advisory member of the Committee on Vision, of the Committee on Hearing, Biomechanics and Bioacoustics, and of the Bioastronautics Committee, all of the National Research Council (U.S.), and many editorial boards of scientific journals. He served as a consultant, advisor, reviewer, and committee member to many government agencies such as the National Science Foundation (U.S.), The National Science and Engineering Research Council (Canada), the United States Postal Service, and Atomic Energy Canada Limited. He published numerous scientific articles on problems of human performance and perception, and he presented many papers at professional and scientific society meetings.","\nHe received Cheers Award from the Institute for Safe Medication Practices with the citation \"Recognizing actions that have set a standard of excellence in the prevention of medication errors\" (2001), Knowledge Media Design Institute (KMDI) Pioneer Award in Electronic Publishing (2008), and Franklin C. Taylor Award for Outstanding Career Contributions to the field (2010).","Complications from pneumonia, two weeks before the 99th birthday, John W. Senders passed away on February 12, 2019. He is survived by his wife, Ann Crichton-Harris, of Toronto, by his first wife, Virginia Loftus Senders, of Amherst, Massachusetts, and by five children. ","Rusty staples and binders removed from the collection; materials were placed in pH neutral folders and archival boxes.","Processed by Suphi Burak Ogreten, Racheile M. Ricklefs and Renata Nagy; finding aid prepared by Suphi Burak Ogreten and Renata Nagy.","Related materials may be found in the UCF Library  Online Catalog .","Series I: Research Files, 1880-2014, Undated, contains published and unpublished papers by John W. Senders and other authors. Series broken down to four subseries and each subseries organized in chronological order from earliest date to the latest. The papers with no date were classified as \"undated\", and are at the end of each subseries.","\nSeries II: Audio-Visual Tapes, Undated, holds thirty-three VHS tapes record lectures on Human Factors delivered by John W. Senders, Richard W. Pew, Tom Sheridan, and Neville Moray. Includes topics such as introduction, quality of data, light and vision, vision and colors, human vision, audition, design using Human Engineering Guide to Equipment Design (HEGED), human engineering data, human informatics processing, error, protocol analysis, models of human performance, human information processing, analysis of performance, learning theory, mental modelling, control room design, human nervous system, complex process control, and summary. The VHS tapes are kept in the original order during processing.","\nSeries III: Photographs, Undated, contains ten images of semicircular canals of animals created by Naval Missile Center, Point Mugu, California. Includes black ape, brush-tailed wallaby, fowl, seal, dog, duckbilled platypus, dugong, horse, indian fruit bat, and man.","\nSeries IV: Personal Documents, 1960-2013, Undated, includes various bibliographical references, notes, correspondence, curriculum vitae of John W. Senders, legal consultations, conference flyer, affidavit for \"More Stuff and Splotch Design\", biographical sketch of John W. Senders, draft copy of an affidavit \"The best fry you'll every try\", speech for friends and relatives, admission tickets for Harvard Alumni Association commencement day and a poem called \"More on the Eye\" by John W. Senders.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","John W. Senders Working Collection contains materials on human factors engineering. Senders is one of the pioneers of the field of Engineering Psychology, with a long and influential career spanning six decades as a psychologist and human factors engineer. He was one of the first scientists to apply mathematical models on human behavior in applied settings. Senders collection includes selected reprints representatives of the scientific literature on various topics in Engineering Psychology and Human Factors mainly from circa 1945 to 2013.","UCF Special Collections","Senders, John W., 1920-","English"],"unitid_tesim":["SC.096","/repositories/4/resources/188"],"normalized_date_ssm":["1880-2014"],"normalized_title_ssm":["John W. Senders Working Collection, 1880-2014"],"collection_title_tesim":["John W. Senders Working Collection, 1880-2014"],"collection_ssim":["John W. Senders Working Collection, 1880-2014"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Senders, John W., 1920-"],"creator_ssim":["Senders, John W., 1920-"],"creator_persname_ssim":["Senders, John W., 1920-"],"creators_ssim":["Senders, John W., 1920-"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["John W. Senders donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2013 (CFM2013_07). Additional materials were donated in 2017 (CFM2017_08)."],"has_online_content_ssim":["false"],"extent_ssm":["25.25 Linear Feet 28 Boxes"],"extent_tesim":["25.25 Linear Feet 28 Boxes"],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection contains four series arranged by type of material. Within the series, files are arranged in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection contains four series arranged by type of material. Within the series, files are arranged in chronological order."],"bioghist_html_tesm":["\u003cp\u003eJohn W. Senders was born on February 26, 1920 in Cambridge, Massachusetts. He attended Russell School for eight years prior to high school. After graduating high school, he worked for General Electric's River Works as a test engineer for aircraft generators. Following his employment at General Electric's River Works, he was admitted to Harvard College in 1944 and graduated in June of 1948 with a Bachelor of Arts in Psychology. During his freshman year, he married Virginia (Ginny) Ruth Loftus, and had two children, Warren R. Senders and Stefan J. Senders. Ginny became Associate Professor of Psychology at Antioch College in 1952, doing research for the Army Air Corps. After divorcing Ginny in 1975, he married Ann Crichton-Harris, who had three children from a previous marriage, Daniel, Abigail, and Adam (Sellen). John continued to pursue higher education and received his Ph.D. in Quantitative Psychology from the University of Tilburg in the Netherlands in 1983. Over the course of his long career, he has engaged numerous research, teaching and consulting in the behavioral sciences. He has taught at the University of Minnesota, Brandeis University, Massachusetts Institute of Technology, University of Toronto, University of Maine, and York University. The areas in which he taught include Experimental and Quantitative Psychology, Human Factors Engineering, Man-Machine Systems Analysis, Human Error and Reliability, Statistics, and Law. During the past 20 years, he has, from time to time, consulted with lawyers to provide assistance in proceedings involving trademarks and trade names, as well as other matters. He considered an expert in the study of human perception, and his opinion has been accepted as evidence in a number of Canadian trade mark cases.\u003c/p\u003e\n","\u003cp\u003e\nHis professional experience includes Production Manager to Chief Electronics Engineer, General Control Company, Boston, Massachusetts, 1943-1948; Consulting Engineer in private practice 1948-1950; Chief, Control Section, Psychology Branch, U.S.A.F. Aero Medical Laboratory, Wright-Patterson A.F.B., Ohio, 1950-1956; Head of Department of Psychology, U.S.A.F. Artic Aero Medical Laboratory, Fairbanks, Alaska 1956-1957; Principal Research Scientist, Minneapolis-Honeywell Regulator Co., Minneapolis, Minnesota, 1957-1962; Consultant in Psychology, University of California at Santa Barbara, 1961; Principal Scientist and Manager, Engineering Psychology Department, Bolt, Bernanek and Newman Inc., Cambridge, Massachusetts, 1962-1970; Lecturer and Senior Research Associate in Psychology, Brandeis University, 1965-1972; Senior Lecturer in Mechanical Engineering, Massachusetts Institute of Technology, 1966-1967; President, Senders Associates, Inc., 1968-1973; Visiting Professor, Department of Industrial Engineering, University of Toronto, Canada, 1973; Professor, Department of Industrial Engineering, University of Toronto, Canada, 1974-Present; Senior Research Associate in Psychology, University of California at Santa Barbara, 1979-1980; Adjunct Professor of Engineering and Psychology, University of Maine at Orono, 1981-1988.\u003c/p\u003e\n","\u003cp\u003e\nHe was a Fellow of the American Psychological Association, the American Psychological Society, the Human Factors and Ergonomics Society, and the American Association for the Advancement of Science. He was an advisory member of the Committee on Vision, of the Committee on Hearing, Biomechanics and Bioacoustics, and of the Bioastronautics Committee, all of the National Research Council (U.S.), and many editorial boards of scientific journals. He served as a consultant, advisor, reviewer, and committee member to many government agencies such as the National Science Foundation (U.S.), The National Science and Engineering Research Council (Canada), the United States Postal Service, and Atomic Energy Canada Limited. He published numerous scientific articles on problems of human performance and perception, and he presented many papers at professional and scientific society meetings.\u003c/p\u003e\n","\u003cp\u003e\nHe received Cheers Award from the Institute for Safe Medication Practices with the citation \"Recognizing actions that have set a standard of excellence in the prevention of medication errors\" (2001), Knowledge Media Design Institute (KMDI) Pioneer Award in Electronic Publishing (2008), and Franklin C. Taylor Award for Outstanding Career Contributions to the field (2010).\u003c/p\u003e\n","\u003cp\u003eComplications from pneumonia, two weeks before the 99th birthday, John W. Senders passed away on February 12, 2019. He is survived by his wife, Ann Crichton-Harris, of Toronto, by his first wife, Virginia Loftus Senders, of Amherst, Massachusetts, and by five children. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["John W. Senders was born on February 26, 1920 in Cambridge, Massachusetts. He attended Russell School for eight years prior to high school. After graduating high school, he worked for General Electric's River Works as a test engineer for aircraft generators. Following his employment at General Electric's River Works, he was admitted to Harvard College in 1944 and graduated in June of 1948 with a Bachelor of Arts in Psychology. During his freshman year, he married Virginia (Ginny) Ruth Loftus, and had two children, Warren R. Senders and Stefan J. Senders. Ginny became Associate Professor of Psychology at Antioch College in 1952, doing research for the Army Air Corps. After divorcing Ginny in 1975, he married Ann Crichton-Harris, who had three children from a previous marriage, Daniel, Abigail, and Adam (Sellen). John continued to pursue higher education and received his Ph.D. in Quantitative Psychology from the University of Tilburg in the Netherlands in 1983. Over the course of his long career, he has engaged numerous research, teaching and consulting in the behavioral sciences. He has taught at the University of Minnesota, Brandeis University, Massachusetts Institute of Technology, University of Toronto, University of Maine, and York University. The areas in which he taught include Experimental and Quantitative Psychology, Human Factors Engineering, Man-Machine Systems Analysis, Human Error and Reliability, Statistics, and Law. During the past 20 years, he has, from time to time, consulted with lawyers to provide assistance in proceedings involving trademarks and trade names, as well as other matters. He considered an expert in the study of human perception, and his opinion has been accepted as evidence in a number of Canadian trade mark cases.","\nHis professional experience includes Production Manager to Chief Electronics Engineer, General Control Company, Boston, Massachusetts, 1943-1948; Consulting Engineer in private practice 1948-1950; Chief, Control Section, Psychology Branch, U.S.A.F. Aero Medical Laboratory, Wright-Patterson A.F.B., Ohio, 1950-1956; Head of Department of Psychology, U.S.A.F. Artic Aero Medical Laboratory, Fairbanks, Alaska 1956-1957; Principal Research Scientist, Minneapolis-Honeywell Regulator Co., Minneapolis, Minnesota, 1957-1962; Consultant in Psychology, University of California at Santa Barbara, 1961; Principal Scientist and Manager, Engineering Psychology Department, Bolt, Bernanek and Newman Inc., Cambridge, Massachusetts, 1962-1970; Lecturer and Senior Research Associate in Psychology, Brandeis University, 1965-1972; Senior Lecturer in Mechanical Engineering, Massachusetts Institute of Technology, 1966-1967; President, Senders Associates, Inc., 1968-1973; Visiting Professor, Department of Industrial Engineering, University of Toronto, Canada, 1973; Professor, Department of Industrial Engineering, University of Toronto, Canada, 1974-Present; Senior Research Associate in Psychology, University of California at Santa Barbara, 1979-1980; Adjunct Professor of Engineering and Psychology, University of Maine at Orono, 1981-1988.","\nHe was a Fellow of the American Psychological Association, the American Psychological Society, the Human Factors and Ergonomics Society, and the American Association for the Advancement of Science. He was an advisory member of the Committee on Vision, of the Committee on Hearing, Biomechanics and Bioacoustics, and of the Bioastronautics Committee, all of the National Research Council (U.S.), and many editorial boards of scientific journals. He served as a consultant, advisor, reviewer, and committee member to many government agencies such as the National Science Foundation (U.S.), The National Science and Engineering Research Council (Canada), the United States Postal Service, and Atomic Energy Canada Limited. He published numerous scientific articles on problems of human performance and perception, and he presented many papers at professional and scientific society meetings.","\nHe received Cheers Award from the Institute for Safe Medication Practices with the citation \"Recognizing actions that have set a standard of excellence in the prevention of medication errors\" (2001), Knowledge Media Design Institute (KMDI) Pioneer Award in Electronic Publishing (2008), and Franklin C. Taylor Award for Outstanding Career Contributions to the field (2010).","Complications from pneumonia, two weeks before the 99th birthday, John W. Senders passed away on February 12, 2019. He is survived by his wife, Ann Crichton-Harris, of Toronto, by his first wife, Virginia Loftus Senders, of Amherst, Massachusetts, and by five children. "],"prefercite_html_tesm":["\u003cp\u003eJohn W. Senders Working Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["John W. Senders Working Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eRusty staples and binders removed from the collection; materials were placed in pH neutral folders and archival boxes.\u003c/p\u003e","\u003cp\u003eProcessed by Suphi Burak Ogreten, Racheile M. Ricklefs and Renata Nagy; finding aid prepared by Suphi Burak Ogreten and Renata Nagy.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Rusty staples and binders removed from the collection; materials were placed in pH neutral folders and archival boxes.","Processed by Suphi Burak Ogreten, Racheile M. Ricklefs and Renata Nagy; finding aid prepared by Suphi Burak Ogreten and Renata Nagy."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated materials may be found in the UCF Library \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related materials may be found in the UCF Library  Online Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Research Files, 1880-2014, Undated, contains published and unpublished papers by John W. Senders and other authors. Series broken down to four subseries and each subseries organized in chronological order from earliest date to the latest. The papers with no date were classified as \"undated\", and are at the end of each subseries.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Audio-Visual Tapes, Undated, holds thirty-three VHS tapes record lectures on Human Factors delivered by John W. Senders, Richard W. Pew, Tom Sheridan, and Neville Moray. Includes topics such as introduction, quality of data, light and vision, vision and colors, human vision, audition, design using Human Engineering Guide to Equipment Design (HEGED), human engineering data, human informatics processing, error, protocol analysis, models of human performance, human information processing, analysis of performance, learning theory, mental modelling, control room design, human nervous system, complex process control, and summary. The VHS tapes are kept in the original order during processing.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Photographs, Undated, contains ten images of semicircular canals of animals created by Naval Missile Center, Point Mugu, California. Includes black ape, brush-tailed wallaby, fowl, seal, dog, duckbilled platypus, dugong, horse, indian fruit bat, and man.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Documents, 1960-2013, Undated, includes various bibliographical references, notes, correspondence, curriculum vitae of John W. Senders, legal consultations, conference flyer, affidavit for \"More Stuff and Splotch Design\", biographical sketch of John W. Senders, draft copy of an affidavit \"The best fry you'll every try\", speech for friends and relatives, admission tickets for Harvard Alumni Association commencement day and a poem called \"More on the Eye\" by John W. Senders.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Research Files, 1880-2014, Undated, contains published and unpublished papers by John W. Senders and other authors. Series broken down to four subseries and each subseries organized in chronological order from earliest date to the latest. The papers with no date were classified as \"undated\", and are at the end of each subseries.","\nSeries II: Audio-Visual Tapes, Undated, holds thirty-three VHS tapes record lectures on Human Factors delivered by John W. Senders, Richard W. Pew, Tom Sheridan, and Neville Moray. Includes topics such as introduction, quality of data, light and vision, vision and colors, human vision, audition, design using Human Engineering Guide to Equipment Design (HEGED), human engineering data, human informatics processing, error, protocol analysis, models of human performance, human information processing, analysis of performance, learning theory, mental modelling, control room design, human nervous system, complex process control, and summary. The VHS tapes are kept in the original order during processing.","\nSeries III: Photographs, Undated, contains ten images of semicircular canals of animals created by Naval Missile Center, Point Mugu, California. Includes black ape, brush-tailed wallaby, fowl, seal, dog, duckbilled platypus, dugong, horse, indian fruit bat, and man.","\nSeries IV: Personal Documents, 1960-2013, Undated, includes various bibliographical references, notes, correspondence, curriculum vitae of John W. Senders, legal consultations, conference flyer, affidavit for \"More Stuff and Splotch Design\", biographical sketch of John W. Senders, draft copy of an affidavit \"The best fry you'll every try\", speech for friends and relatives, admission tickets for Harvard Alumni Association commencement day and a poem called \"More on the Eye\" by John W. Senders."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bddd1759a5977a490b31b5210006a678\" label=\"Abstract\"\u003eJohn W. Senders Working Collection contains materials on human factors engineering. Senders is one of the pioneers of the field of Engineering Psychology, with a long and influential career spanning six decades as a psychologist and human factors engineer. He was one of the first scientists to apply mathematical models on human behavior in applied settings. Senders collection includes selected reprints representatives of the scientific literature on various topics in Engineering Psychology and Human Factors mainly from circa 1945 to 2013.\u003c/abstract\u003e"],"abstract_tesim":["John W. Senders Working Collection contains materials on human factors engineering. Senders is one of the pioneers of the field of Engineering Psychology, with a long and influential career spanning six decades as a psychologist and human factors engineer. He was one of the first scientists to apply mathematical models on human behavior in applied settings. Senders collection includes selected reprints representatives of the scientific literature on various topics in Engineering Psychology and Human Factors mainly from circa 1945 to 2013."],"names_ssim":["UCF Special Collections","Senders, John W., 1920-"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Senders, John W., 1920-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2526,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857920658276352,"_root_":"34ef34a6297dd55b432be819","timestamp":"2026-07-16T08:05:48.372Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/34ef34a6297dd55b432be819"}},{"id":"d7c06922f0aec8c187bf0ef4","type":"collection","attributes":{"title":"Joseph Caltagirone papers, 1940-2023","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d7c06922f0aec8c187bf0ef4#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"d7c06922f0aec8c187bf0ef4","title_ssm":["Joseph Caltagirone papers"],"title_tesim":["Joseph Caltagirone papers"],"ead_ssi":"d7c06922f0aec8c187bf0ef4","unitdate_ssm":["1940-2023"],"unitdate_inclusive_ssm":["1940-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2023-09","/repositories/2/resources/630"],"text":["MS-2023-09","/repositories/2/resources/630","Joseph Caltagirone papers, 1940-2023","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-2023-09","/repositories/2/resources/630"],"normalized_date_ssm":["1940-2023"],"normalized_title_ssm":["Joseph Caltagirone papers, 1940-2023"],"collection_title_tesim":["Joseph Caltagirone papers, 1940-2023"],"collection_ssim":["Joseph Caltagirone papers, 1940-2023"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes"],"extent_tesim":["3 boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"total_component_count_is":97,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863506617663488,"_root_":"d7c06922f0aec8c187bf0ef4","timestamp":"2026-07-16T09:34:35.762Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d7c06922f0aec8c187bf0ef4","title_ssm":["Joseph Caltagirone papers"],"title_tesim":["Joseph Caltagirone papers"],"ead_ssi":"d7c06922f0aec8c187bf0ef4","unitdate_ssm":["1940-2023"],"unitdate_inclusive_ssm":["1940-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2023-09","/repositories/2/resources/630"],"text":["MS-2023-09","/repositories/2/resources/630","Joseph Caltagirone papers, 1940-2023","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-2023-09","/repositories/2/resources/630"],"normalized_date_ssm":["1940-2023"],"normalized_title_ssm":["Joseph Caltagirone papers, 1940-2023"],"collection_title_tesim":["Joseph Caltagirone papers, 1940-2023"],"collection_ssim":["Joseph Caltagirone papers, 1940-2023"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes"],"extent_tesim":["3 boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"total_component_count_is":97,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863506617663488,"_root_":"d7c06922f0aec8c187bf0ef4","timestamp":"2026-07-16T09:34:35.762Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d7c06922f0aec8c187bf0ef4"}},{"id":"725898a1a41349eb30ec365d","type":"collection","attributes":{"title":"José Guerra Alemán Collection, 1887-2013","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d#creator","type":"document_value","attributes":{"value":["Guerra Alemán, José"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d#abstract_or_scope","type":"document_value","attributes":{"value":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d"}},{"id":"084e8c21ff6211864739672f_aspace_3ec0038a09ac5fda98f0d3c28eec9e94","type":"Item","attributes":{"title":"Journey through Vietnam, 2013","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/084e8c21ff6211864739672f_aspace_3ec0038a09ac5fda98f0d3c28eec9e94#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_3ec0038a09ac5fda98f0d3c28eec9e94","ref_ssm":["aspace_3ec0038a09ac5fda98f0d3c28eec9e94","aspace_3ec0038a09ac5fda98f0d3c28eec9e94"],"id":"084e8c21ff6211864739672f_aspace_3ec0038a09ac5fda98f0d3c28eec9e94","title_filing_ssi":"Journey through Vietnam","title_ssm":["Journey through Vietnam"],"title_tesim":["Journey through Vietnam"],"unitdate_inclusive_ssm":["2013"],"normalized_date_ssm":["2013"],"normalized_title_ssm":["Journey through Vietnam, 2013"],"text":["Journey through Vietnam, 2013","FGCU Academy, 2002-2020","Brochures and Flyers","/repositories/3/archival_objects/34130","Buth, D. G.","English"],"component_level_isim":[2],"parent_ids_ssim":["084e8c21ff6211864739672f","084e8c21ff6211864739672f_aspace_de01f482b6cbb56f26ead482ddbc03fc"],"parent_unittitles_ssm":["FGCU Academy, 2002-2020","Brochures and Flyers"],"parent_unittitles_tesim":["FGCU Academy, 2002-2020","Brochures and Flyers"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/34130"],"repository_ssim":["Florida Gulf Coast University Archives"],"collection_ssim":["FGCU Academy, 2002-2020"],"creator_ssim":["Buth, D. G."],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":25,"parent_access_restrict_tesm":["This collection is open for use."],"date_range_isim":[2013],"names_ssim":["Buth, D. G."],"persname_ssim":["Buth, D. G."],"language_ssim":["English"],"_nest_path_":"/components#0/components#23","_nest_parent_":"084e8c21ff6211864739672f_aspace_de01f482b6cbb56f26ead482ddbc03fc","_root_":"084e8c21ff6211864739672f","_version_":1870842628500619264,"timestamp":"2026-07-16T04:02:44.838Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"084e8c21ff6211864739672f","title_filing_ssi":"Office of University Advancement: FGCU Academy","title_ssm":["FGCU Academy"],"title_tesim":["FGCU Academy"],"ead_ssi":"084e8c21ff6211864739672f","unitdate_ssm":["2002-2020"],"unitdate_inclusive_ssm":["2002-2020"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["01.04.05","/repositories/3/resources/75"],"text":["01.04.05","/repositories/3/resources/75","FGCU Academy, 2002-2020","Adult learning","This collection is open for use.","This collection is arranged alphabetically by material type and chronologically therein.","Founded in  2001 , the FGCU Academy is a continuing education program that offers Southwest Florida residents diverse, non-credit programs to keep them intellectually, creatively and culturally active. In 2021, the academy changed its name from the Renaissance Academy to the FGCU Academy in order to make the program's connection more evident.","This collection primarily contains catalogs of the academy's course offerings. It also includes promotional flyers and brochures for its regular trips and excursions.","Florida Gulf Coast University Archives","Buth, D. G.","Gatewood, Minnie L.","English"],"unitid_tesim":["01.04.05","/repositories/3/resources/75"],"normalized_date_ssm":["2002-2020"],"normalized_title_ssm":["FGCU Academy, 2002-2020"],"collection_title_tesim":["FGCU Academy, 2002-2020"],"collection_ssim":["FGCU Academy, 2002-2020"],"repository_ssm":["Florida Gulf Coast University Archives"],"repository_ssim":["Florida Gulf Coast University Archives"],"access_subjects_ssim":["Adult learning"],"access_subjects_ssm":["Adult learning"],"has_online_content_ssim":["false"],"extent_ssm":[".5 Linear Feet","141.2 Megabytes"],"extent_tesim":[".5 Linear Feet","141.2 Megabytes"],"date_range_isim":[2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for use."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged alphabetically by material type and chronologically therein.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged alphabetically by material type and chronologically therein."],"bioghist_html_tesm":["\u003cp\u003eFounded in \u003cdate\u003e2001\u003c/date\u003e, the FGCU Academy is a continuing education program that offers Southwest Florida residents diverse, non-credit programs to keep them intellectually, creatively and culturally active. In 2021, the academy changed its name from the Renaissance Academy to the FGCU Academy in order to make the program's connection more evident.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Founded in  2001 , the FGCU Academy is a continuing education program that offers Southwest Florida residents diverse, non-credit programs to keep them intellectually, creatively and culturally active. In 2021, the academy changed its name from the Renaissance Academy to the FGCU Academy in order to make the program's connection more evident."],"scopecontent_html_tesm":["\u003cp\u003eThis collection primarily contains catalogs of the academy's course offerings. It also includes promotional flyers and brochures for its regular trips and excursions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection primarily contains catalogs of the academy's course offerings. It also includes promotional flyers and brochures for its regular trips and excursions."],"names_ssim":["Florida Gulf Coast University Archives","Buth, D. G.","Gatewood, Minnie L."],"corpname_ssim":["Florida Gulf Coast University Archives"],"persname_ssim":["Buth, D. G.","Gatewood, Minnie L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":86,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842628500619264,"_root_":"084e8c21ff6211864739672f","timestamp":"2026-07-16T04:02:44.838Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/084e8c21ff6211864739672f_aspace_3ec0038a09ac5fda98f0d3c28eec9e94"}},{"id":"236a3c88b766327883b2e155","type":"collection","attributes":{"title":"Joy Postle papers, 1910-2015","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155#creator","type":"document_value","attributes":{"value":["Postle, Joy"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155#abstract_or_scope","type":"document_value","attributes":{"value":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration. Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155"}},{"id":"a7ef548ebef48a905581682e","type":"collection","attributes":{"title":"Juan Martinez Collection, bulk 1955-2013","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a7ef548ebef48a905581682e#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection contains artistic catalogues from various Latin American and Caribbean artists such as Leonardo Acosta, Luis Cruz Azaceta, Ricardo Benaim, and Margarita Cano. With so many artists and artistic works accumulated, the Juan Martinez Collection helps portray the vast diversity of different artists across the Americas.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a7ef548ebef48a905581682e#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"a7ef548ebef48a905581682e","title_ssm":["Juan Martinez Collection"],"title_tesim":["Juan Martinez Collection"],"ead_ssi":"a7ef548ebef48a905581682e","unitdate_ssm":["1955-2013"],"unitdate_bulk_ssim":["1955-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8020","/repositories/2/resources/9"],"text":["SPC8020","/repositories/2/resources/9","Juan Martinez Collection, bulk 1955-2013","The collection is open for research.","Juan Martínez is a professor and an art historian specializing in European and Cuban modern art at Florida International University. He received his Ph.D. and M.A. in Art History from Florida State University and his B.A. in Art History from the University of Florida. Besides being an expert in art history, he is the author of Cuban Art \u0026 National Identity: The Vanguardia Painters, 1927–1950, María Brito, and Carlos Enríquez: The Painter of Cuban Ballads. Dr. Martínez has also published numerous book chapters and essays in exhibition catalogues. He recently curated the exhibit, Cuban Art \u0026 Identity: 1900–1950, at the Vero Beach Museum of Art on October 24, 2013.","This collection contains artistic catalogues from various Latin American and Caribbean artists such as Leonardo Acosta, Luis Cruz Azaceta, Ricardo Benaim, and Margarita Cano. With so many artists and artistic works accumulated, the Juan Martinez Collection helps portray the vast diversity of different artists across the Americas.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC8020","/repositories/2/resources/9"],"normalized_date_ssm":["bulk 1955-2013"],"normalized_title_ssm":["Juan Martinez Collection, bulk 1955-2013"],"collection_title_tesim":["Juan Martinez Collection, bulk 1955-2013"],"collection_ssim":["Juan Martinez Collection, bulk 1955-2013"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 boxes"],"extent_tesim":["2.00 boxes"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJuan Mart\u0026#xED;nez is a professor and an art historian specializing in European and Cuban modern art at Florida International University. He received his Ph.D. and M.A. in Art History from Florida State University and his B.A. in Art History from the University of Florida. Besides being an expert in art history, he is the author of Cuban Art \u0026amp; National Identity: The Vanguardia Painters, 1927\u0026#x2013;1950, Mar\u0026#xED;a Brito, and Carlos Enr\u0026#xED;quez: The Painter of Cuban Ballads. Dr. Mart\u0026#xED;nez has also published numerous book chapters and essays in exhibition catalogues. He recently curated the exhibit, Cuban Art \u0026amp; Identity: 1900\u0026#x2013;1950, at the Vero Beach Museum of Art on October 24, 2013.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Juan Martínez is a professor and an art historian specializing in European and Cuban modern art at Florida International University. He received his Ph.D. and M.A. in Art History from Florida State University and his B.A. in Art History from the University of Florida. Besides being an expert in art history, he is the author of Cuban Art \u0026 National Identity: The Vanguardia Painters, 1927–1950, María Brito, and Carlos Enríquez: The Painter of Cuban Ballads. Dr. Martínez has also published numerous book chapters and essays in exhibition catalogues. He recently curated the exhibit, Cuban Art \u0026 Identity: 1900–1950, at the Vero Beach Museum of Art on October 24, 2013."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains artistic catalogues from various Latin American and Caribbean artists such as Leonardo Acosta, Luis Cruz Azaceta, Ricardo Benaim, and Margarita Cano. With so many artists and artistic works accumulated, the Juan Martinez Collection helps portray the vast diversity of different artists across the Americas.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains artistic catalogues from various Latin American and Caribbean artists such as Leonardo Acosta, Luis Cruz Azaceta, Ricardo Benaim, and Margarita Cano. With so many artists and artistic works accumulated, the Juan Martinez Collection helps portray the vast diversity of different artists across the Americas."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":529,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844730597703680,"_root_":"a7ef548ebef48a905581682e","timestamp":"2026-07-16T04:36:09.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a7ef548ebef48a905581682e","title_ssm":["Juan Martinez Collection"],"title_tesim":["Juan Martinez Collection"],"ead_ssi":"a7ef548ebef48a905581682e","unitdate_ssm":["1955-2013"],"unitdate_bulk_ssim":["1955-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8020","/repositories/2/resources/9"],"text":["SPC8020","/repositories/2/resources/9","Juan Martinez Collection, bulk 1955-2013","The collection is open for research.","Juan Martínez is a professor and an art historian specializing in European and Cuban modern art at Florida International University. He received his Ph.D. and M.A. in Art History from Florida State University and his B.A. in Art History from the University of Florida. Besides being an expert in art history, he is the author of Cuban Art \u0026 National Identity: The Vanguardia Painters, 1927–1950, María Brito, and Carlos Enríquez: The Painter of Cuban Ballads. Dr. Martínez has also published numerous book chapters and essays in exhibition catalogues. He recently curated the exhibit, Cuban Art \u0026 Identity: 1900–1950, at the Vero Beach Museum of Art on October 24, 2013.","This collection contains artistic catalogues from various Latin American and Caribbean artists such as Leonardo Acosta, Luis Cruz Azaceta, Ricardo Benaim, and Margarita Cano. With so many artists and artistic works accumulated, the Juan Martinez Collection helps portray the vast diversity of different artists across the Americas.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","English Spanish; Castilian"],"unitid_tesim":["SPC8020","/repositories/2/resources/9"],"normalized_date_ssm":["bulk 1955-2013"],"normalized_title_ssm":["Juan Martinez Collection, bulk 1955-2013"],"collection_title_tesim":["Juan Martinez Collection, bulk 1955-2013"],"collection_ssim":["Juan Martinez Collection, bulk 1955-2013"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 boxes"],"extent_tesim":["2.00 boxes"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJuan Mart\u0026#xED;nez is a professor and an art historian specializing in European and Cuban modern art at Florida International University. He received his Ph.D. and M.A. in Art History from Florida State University and his B.A. in Art History from the University of Florida. Besides being an expert in art history, he is the author of Cuban Art \u0026amp; National Identity: The Vanguardia Painters, 1927\u0026#x2013;1950, Mar\u0026#xED;a Brito, and Carlos Enr\u0026#xED;quez: The Painter of Cuban Ballads. Dr. Mart\u0026#xED;nez has also published numerous book chapters and essays in exhibition catalogues. He recently curated the exhibit, Cuban Art \u0026amp; Identity: 1900\u0026#x2013;1950, at the Vero Beach Museum of Art on October 24, 2013.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Juan Martínez is a professor and an art historian specializing in European and Cuban modern art at Florida International University. He received his Ph.D. and M.A. in Art History from Florida State University and his B.A. in Art History from the University of Florida. Besides being an expert in art history, he is the author of Cuban Art \u0026 National Identity: The Vanguardia Painters, 1927–1950, María Brito, and Carlos Enríquez: The Painter of Cuban Ballads. Dr. Martínez has also published numerous book chapters and essays in exhibition catalogues. He recently curated the exhibit, Cuban Art \u0026 Identity: 1900–1950, at the Vero Beach Museum of Art on October 24, 2013."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains artistic catalogues from various Latin American and Caribbean artists such as Leonardo Acosta, Luis Cruz Azaceta, Ricardo Benaim, and Margarita Cano. With so many artists and artistic works accumulated, the Juan Martinez Collection helps portray the vast diversity of different artists across the Americas.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains artistic catalogues from various Latin American and Caribbean artists such as Leonardo Acosta, Luis Cruz Azaceta, Ricardo Benaim, and Margarita Cano. With so many artists and artistic works accumulated, the Juan Martinez Collection helps portray the vast diversity of different artists across the Americas."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections.","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections"],"corpname_ssim":["FIU Special Collections"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":529,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844730597703680,"_root_":"a7ef548ebef48a905581682e","timestamp":"2026-07-16T04:36:09.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a7ef548ebef48a905581682e"}},{"id":"ae4e9efba5260571ede19734","type":"collection","attributes":{"title":"Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/ae4e9efba5260571ede19734#creator","type":"document_value","attributes":{"value":["Kaplan, Judith"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/ae4e9efba5260571ede19734#abstract_or_scope","type":"document_value","attributes":{"value":["Created by Judith and Warren Kaplan, the collection contains a wide variety of materials related to Women's History, with special emphasis on stamps, suffrage, and women of achievement in United States history."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ae4e9efba5260571ede19734#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"ae4e9efba5260571ede19734","title_ssm":["Judith and Warren Kaplan Collection, Women's and Gender Studies"],"title_tesim":["Judith and Warren Kaplan Collection, Women's and Gender Studies"],"ead_ssi":"ae4e9efba5260571ede19734","unitdate_ssm":["1792-2016","1900-2000"],"unitdate_bulk_ssim":["1900-2000"],"unitdate_inclusive_ssm":["1792-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 100","/repositories/4/resources/8"],"text":["SC 100","/repositories/4/resources/8","Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000","Stamp collecting","Suffrage","first day covers","The entire collection is open for research except for Box 34, which is closed until 2042.","The collection is divided into six series and is organized by type of materials, all of which relate to Women in History, both in the United States and around the world.","Judith \"Judy\" Kaplan was born on July 20, 1938, in Bronx, New York. She lived there until her marriage to Warren Kaplan in 1958 when they moved to Jackson Heights, Queens New York. She attended Hunter College, earning her BA in Psychology in 1960. Her working career included positions as life Insurance Agent, stock broker (NYSE), venture capital/private placements, starting TIPEX, Inc., in partnership with Warren, which became the largest dealer in an aspect of philately (stamp collecting) called First Day Covers. Judith joined the National Organization for Women (NOW) in the late 1960s, was active in NOW-NY, the founding chapter of NOW, and acted as fundraiser and treasurer. In the late 1970s Judy started Action Packets, later named Action Products International. From 1976-1980 she designed, produced and marketed the Women'’s History Series of First Day Covers by NOW-NY. In 1985 Judith became one of the first women to bring the company she founded public via an IPO on NASDAQ. Judy had started collecting first day covers about women's achievements and then added almost anything documenting women in history: postcards, books, autographed letters, original documents, and ephemera. Judith Kaplan passed away on May 4, 2024.","Collection was processed by John Settle and Nadeen Kiwan; finding aid was prepared by John Settle.\nFolder contents were kept intact, while some rearrangement of folders was conducted to group similar materials together. All paper materials have been placed in acid free pH neutral folders and stored in archival containers. Larger artwork and posters were also placed in acid free folders but are stored in archival flat files. Paper clips and staples have been removed and replaced with plastic clips. Photographs, First Day Covers, and postcards have been individually sleeved. Inventory revised by Asmara Cortes-Caba in 2024.","Judith and Warren Kaplan books can also be found by searching the series \"Judith and Warren Kaplan Collection\" in the UCF Library  Online Catalog.  \nOther collections concerning women and politics include  Beatrice B. Ettinger Papers ,  Phyllis J. Hudson Political Papers ,  Lynda Van Scoyoc Women's Political Caucus Collection ,  Democratic Women's Club of Florida, Inc. Collection , and  League of Women Voters of Volusia County.","Series I: Judith Kaplan Papers, 1960-2016, contains the personal files of Kaplan related to her business ventures and collecting efforts. Materials include academic files, business documents, correspondence, photographs, books, articles, speeches, event flyers, and promotional materials.","\nSeries II: Research Files, 1913-2016, contains materials compiled by Kaplan related to her research of Women's History, including articles, pamphlets, newspaper clippings, magazines, newsletters, artwork, and bookmarks.","\nSeries III: Postal Series, 1884-1997, contains a large number of stamps, First Day Covers, and postcards, allfeaturing women in history.","\nSeries IV: Women in History, 1792-2016, contains subject files related to various individual women in United States history.","\nSeries V: Artwork, ca. 1976-2013, contains original paintings and various artwork.","\nSeries VI: Memorabilia, 1915-2008, contains a wide variety of souvenirs and collectibles, including a large number of pins and buttons.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Created by Judith and Warren Kaplan, the collection contains a wide variety of materials related to Women's History, with special emphasis on stamps, suffrage, and women of achievement in United States history.","UCF Special Collections","National Organization for Women","National Organization for Women. New York Chapter","National Women's History Museum (U.S.)","Kaplan, Judith","English"],"unitid_tesim":["SC 100","/repositories/4/resources/8"],"normalized_date_ssm":["1792-2016, bulk 1900-2000"],"normalized_title_ssm":["Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000"],"collection_title_tesim":["Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000"],"collection_ssim":["Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Kaplan, Judith"],"creator_ssim":["Kaplan, Judith"],"creator_persname_ssim":["Kaplan, Judith"],"creators_ssim":["Kaplan, Judith"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Judith and Warren Kaplan donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2015 (CFM2015_01). Additional materials were donated in 2016 (CFM2016_11) and 2017 (CFM2017_01)."],"access_subjects_ssim":["Stamp collecting","Suffrage","first day covers"],"access_subjects_ssm":["Stamp collecting","Suffrage","first day covers"],"has_online_content_ssim":["false"],"extent_ssm":["25.1 Linear Feet 34 boxes, 1 flat file, 1 object"],"extent_tesim":["25.1 Linear Feet 34 boxes, 1 flat file, 1 object"],"genreform_ssim":["first day covers"],"date_range_isim":[1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research except for Box 34, which is closed until 2042.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research except for Box 34, which is closed until 2042."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into six series and is organized by type of materials, all of which relate to Women in History, both in the United States and around the world.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into six series and is organized by type of materials, all of which relate to Women in History, both in the United States and around the world."],"bioghist_html_tesm":["\u003cp\u003eJudith \"Judy\" Kaplan was born on July 20, 1938, in Bronx, New York. She lived there until her marriage to Warren Kaplan in 1958 when they moved to Jackson Heights, Queens New York. She attended Hunter College, earning her BA in Psychology in 1960. Her working career included positions as life Insurance Agent, stock broker (NYSE), venture capital/private placements, starting TIPEX, Inc., in partnership with Warren, which became the largest dealer in an aspect of philately (stamp collecting) called First Day Covers. Judith joined the National Organization for Women (NOW) in the late 1960s, was active in NOW-NY, the founding chapter of NOW, and acted as fundraiser and treasurer. In the late 1970s Judy started Action Packets, later named Action Products International. From 1976-1980 she designed, produced and marketed the Women'\u0026#x92;s History Series of First Day Covers by NOW-NY. In 1985 Judith became one of the first women to bring the company she founded public via an IPO on NASDAQ. Judy had started collecting first day covers about women's achievements and then added almost anything documenting women in history: postcards, books, autographed letters, original documents, and ephemera. Judith Kaplan passed away on May 4, 2024.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Judith \"Judy\" Kaplan was born on July 20, 1938, in Bronx, New York. She lived there until her marriage to Warren Kaplan in 1958 when they moved to Jackson Heights, Queens New York. She attended Hunter College, earning her BA in Psychology in 1960. Her working career included positions as life Insurance Agent, stock broker (NYSE), venture capital/private placements, starting TIPEX, Inc., in partnership with Warren, which became the largest dealer in an aspect of philately (stamp collecting) called First Day Covers. Judith joined the National Organization for Women (NOW) in the late 1960s, was active in NOW-NY, the founding chapter of NOW, and acted as fundraiser and treasurer. In the late 1970s Judy started Action Packets, later named Action Products International. From 1976-1980 she designed, produced and marketed the Women'’s History Series of First Day Covers by NOW-NY. In 1985 Judith became one of the first women to bring the company she founded public via an IPO on NASDAQ. Judy had started collecting first day covers about women's achievements and then added almost anything documenting women in history: postcards, books, autographed letters, original documents, and ephemera. Judith Kaplan passed away on May 4, 2024."],"prefercite_html_tesm":["\u003cp\u003eThe Judith and Warren Kaplan Collection, Women's and Gender Studies, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["The Judith and Warren Kaplan Collection, Women's and Gender Studies, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by John Settle and Nadeen Kiwan; finding aid was prepared by John Settle.\nFolder contents were kept intact, while some rearrangement of folders was conducted to group similar materials together. All paper materials have been placed in acid free pH neutral folders and stored in archival containers. Larger artwork and posters were also placed in acid free folders but are stored in archival flat files. Paper clips and staples have been removed and replaced with plastic clips. Photographs, First Day Covers, and postcards have been individually sleeved. Inventory revised by Asmara Cortes-Caba in 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by John Settle and Nadeen Kiwan; finding aid was prepared by John Settle.\nFolder contents were kept intact, while some rearrangement of folders was conducted to group similar materials together. All paper materials have been placed in acid free pH neutral folders and stored in archival containers. Larger artwork and posters were also placed in acid free folders but are stored in archival flat files. Paper clips and staples have been removed and replaced with plastic clips. Photographs, First Day Covers, and postcards have been individually sleeved. Inventory revised by Asmara Cortes-Caba in 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eJudith and Warren Kaplan books can also be found by searching the series \"Judith and Warren Kaplan Collection\" in the UCF Library \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog.\u003c/extref\u003e \nOther collections concerning women and politics include \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2002-02\"\u003eBeatrice B. Ettinger Papers\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-02\"\u003ePhyllis J. Hudson Political Papers\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-15\"\u003eLynda Van Scoyoc Women's Political Caucus Collection\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2008-05\"\u003eDemocratic Women's Club of Florida, Inc. Collection\u003c/extref\u003e, and \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2010-02\"\u003eLeague of Women Voters of Volusia County.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Judith and Warren Kaplan books can also be found by searching the series \"Judith and Warren Kaplan Collection\" in the UCF Library  Online Catalog.  \nOther collections concerning women and politics include  Beatrice B. Ettinger Papers ,  Phyllis J. Hudson Political Papers ,  Lynda Van Scoyoc Women's Political Caucus Collection ,  Democratic Women's Club of Florida, Inc. Collection , and  League of Women Voters of Volusia County."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Judith Kaplan Papers, 1960-2016, contains the personal files of Kaplan related to her business ventures and collecting efforts. Materials include academic files, business documents, correspondence, photographs, books, articles, speeches, event flyers, and promotional materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1913-2016, contains materials compiled by Kaplan related to her research of Women's History, including articles, pamphlets, newspaper clippings, magazines, newsletters, artwork, and bookmarks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Postal Series, 1884-1997, contains a large number of stamps, First Day Covers, and postcards, allfeaturing women in history.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Women in History, 1792-2016, contains subject files related to various individual women in United States history.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Artwork, ca. 1976-2013, contains original paintings and various artwork.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1915-2008, contains a wide variety of souvenirs and collectibles, including a large number of pins and buttons.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Judith Kaplan Papers, 1960-2016, contains the personal files of Kaplan related to her business ventures and collecting efforts. Materials include academic files, business documents, correspondence, photographs, books, articles, speeches, event flyers, and promotional materials.","\nSeries II: Research Files, 1913-2016, contains materials compiled by Kaplan related to her research of Women's History, including articles, pamphlets, newspaper clippings, magazines, newsletters, artwork, and bookmarks.","\nSeries III: Postal Series, 1884-1997, contains a large number of stamps, First Day Covers, and postcards, allfeaturing women in history.","\nSeries IV: Women in History, 1792-2016, contains subject files related to various individual women in United States history.","\nSeries V: Artwork, ca. 1976-2013, contains original paintings and various artwork.","\nSeries VI: Memorabilia, 1915-2008, contains a wide variety of souvenirs and collectibles, including a large number of pins and buttons."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5765cfec293662f410013f49a81ec804\" label=\"Abstract\"\u003eCreated by Judith and Warren Kaplan, the collection contains a wide variety of materials related to Women's History, with special emphasis on stamps, suffrage, and women of achievement in United States history.\u003c/abstract\u003e"],"abstract_tesim":["Created by Judith and Warren Kaplan, the collection contains a wide variety of materials related to Women's History, with special emphasis on stamps, suffrage, and women of achievement in United States history."],"names_coll_ssim":["National Organization for Women","National Organization for Women. New York Chapter","National Women's History Museum (U.S.)"],"names_ssim":["UCF Special Collections","National Organization for Women","National Organization for Women. New York Chapter","National Women's History Museum (U.S.)","Kaplan, Judith"],"corpname_ssim":["UCF Special Collections","National Organization for Women","National Organization for Women. New York Chapter","National Women's History Museum (U.S.)"],"persname_ssim":["Kaplan, Judith"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":929,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"ae4e9efba5260571ede19734","timestamp":"2026-04-21T03:49:14.837Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ae4e9efba5260571ede19734","title_ssm":["Judith and Warren Kaplan Collection, Women's and Gender Studies"],"title_tesim":["Judith and Warren Kaplan Collection, Women's and Gender Studies"],"ead_ssi":"ae4e9efba5260571ede19734","unitdate_ssm":["1792-2016","1900-2000"],"unitdate_bulk_ssim":["1900-2000"],"unitdate_inclusive_ssm":["1792-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 100","/repositories/4/resources/8"],"text":["SC 100","/repositories/4/resources/8","Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000","Stamp collecting","Suffrage","first day covers","The entire collection is open for research except for Box 34, which is closed until 2042.","The collection is divided into six series and is organized by type of materials, all of which relate to Women in History, both in the United States and around the world.","Judith \"Judy\" Kaplan was born on July 20, 1938, in Bronx, New York. She lived there until her marriage to Warren Kaplan in 1958 when they moved to Jackson Heights, Queens New York. She attended Hunter College, earning her BA in Psychology in 1960. Her working career included positions as life Insurance Agent, stock broker (NYSE), venture capital/private placements, starting TIPEX, Inc., in partnership with Warren, which became the largest dealer in an aspect of philately (stamp collecting) called First Day Covers. Judith joined the National Organization for Women (NOW) in the late 1960s, was active in NOW-NY, the founding chapter of NOW, and acted as fundraiser and treasurer. In the late 1970s Judy started Action Packets, later named Action Products International. From 1976-1980 she designed, produced and marketed the Women'’s History Series of First Day Covers by NOW-NY. In 1985 Judith became one of the first women to bring the company she founded public via an IPO on NASDAQ. Judy had started collecting first day covers about women's achievements and then added almost anything documenting women in history: postcards, books, autographed letters, original documents, and ephemera. Judith Kaplan passed away on May 4, 2024.","Collection was processed by John Settle and Nadeen Kiwan; finding aid was prepared by John Settle.\nFolder contents were kept intact, while some rearrangement of folders was conducted to group similar materials together. All paper materials have been placed in acid free pH neutral folders and stored in archival containers. Larger artwork and posters were also placed in acid free folders but are stored in archival flat files. Paper clips and staples have been removed and replaced with plastic clips. Photographs, First Day Covers, and postcards have been individually sleeved. Inventory revised by Asmara Cortes-Caba in 2024.","Judith and Warren Kaplan books can also be found by searching the series \"Judith and Warren Kaplan Collection\" in the UCF Library  Online Catalog.  \nOther collections concerning women and politics include  Beatrice B. Ettinger Papers ,  Phyllis J. Hudson Political Papers ,  Lynda Van Scoyoc Women's Political Caucus Collection ,  Democratic Women's Club of Florida, Inc. Collection , and  League of Women Voters of Volusia County.","Series I: Judith Kaplan Papers, 1960-2016, contains the personal files of Kaplan related to her business ventures and collecting efforts. Materials include academic files, business documents, correspondence, photographs, books, articles, speeches, event flyers, and promotional materials.","\nSeries II: Research Files, 1913-2016, contains materials compiled by Kaplan related to her research of Women's History, including articles, pamphlets, newspaper clippings, magazines, newsletters, artwork, and bookmarks.","\nSeries III: Postal Series, 1884-1997, contains a large number of stamps, First Day Covers, and postcards, allfeaturing women in history.","\nSeries IV: Women in History, 1792-2016, contains subject files related to various individual women in United States history.","\nSeries V: Artwork, ca. 1976-2013, contains original paintings and various artwork.","\nSeries VI: Memorabilia, 1915-2008, contains a wide variety of souvenirs and collectibles, including a large number of pins and buttons.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","Created by Judith and Warren Kaplan, the collection contains a wide variety of materials related to Women's History, with special emphasis on stamps, suffrage, and women of achievement in United States history.","UCF Special Collections","National Organization for Women","National Organization for Women. New York Chapter","National Women's History Museum (U.S.)","Kaplan, Judith","English"],"unitid_tesim":["SC 100","/repositories/4/resources/8"],"normalized_date_ssm":["1792-2016, bulk 1900-2000"],"normalized_title_ssm":["Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000"],"collection_title_tesim":["Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000"],"collection_ssim":["Judith and Warren Kaplan Collection, Women's and Gender Studies, 1792-2016, bulk 1900-2000"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Kaplan, Judith"],"creator_ssim":["Kaplan, Judith"],"creator_persname_ssim":["Kaplan, Judith"],"creators_ssim":["Kaplan, Judith"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Judith and Warren Kaplan donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2015 (CFM2015_01). Additional materials were donated in 2016 (CFM2016_11) and 2017 (CFM2017_01)."],"access_subjects_ssim":["Stamp collecting","Suffrage","first day covers"],"access_subjects_ssm":["Stamp collecting","Suffrage","first day covers"],"has_online_content_ssim":["false"],"extent_ssm":["25.1 Linear Feet 34 boxes, 1 flat file, 1 object"],"extent_tesim":["25.1 Linear Feet 34 boxes, 1 flat file, 1 object"],"genreform_ssim":["first day covers"],"date_range_isim":[1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research except for Box 34, which is closed until 2042.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research except for Box 34, which is closed until 2042."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into six series and is organized by type of materials, all of which relate to Women in History, both in the United States and around the world.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into six series and is organized by type of materials, all of which relate to Women in History, both in the United States and around the world."],"bioghist_html_tesm":["\u003cp\u003eJudith \"Judy\" Kaplan was born on July 20, 1938, in Bronx, New York. She lived there until her marriage to Warren Kaplan in 1958 when they moved to Jackson Heights, Queens New York. She attended Hunter College, earning her BA in Psychology in 1960. Her working career included positions as life Insurance Agent, stock broker (NYSE), venture capital/private placements, starting TIPEX, Inc., in partnership with Warren, which became the largest dealer in an aspect of philately (stamp collecting) called First Day Covers. Judith joined the National Organization for Women (NOW) in the late 1960s, was active in NOW-NY, the founding chapter of NOW, and acted as fundraiser and treasurer. In the late 1970s Judy started Action Packets, later named Action Products International. From 1976-1980 she designed, produced and marketed the Women'\u0026#x92;s History Series of First Day Covers by NOW-NY. In 1985 Judith became one of the first women to bring the company she founded public via an IPO on NASDAQ. Judy had started collecting first day covers about women's achievements and then added almost anything documenting women in history: postcards, books, autographed letters, original documents, and ephemera. Judith Kaplan passed away on May 4, 2024.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Judith \"Judy\" Kaplan was born on July 20, 1938, in Bronx, New York. She lived there until her marriage to Warren Kaplan in 1958 when they moved to Jackson Heights, Queens New York. She attended Hunter College, earning her BA in Psychology in 1960. Her working career included positions as life Insurance Agent, stock broker (NYSE), venture capital/private placements, starting TIPEX, Inc., in partnership with Warren, which became the largest dealer in an aspect of philately (stamp collecting) called First Day Covers. Judith joined the National Organization for Women (NOW) in the late 1960s, was active in NOW-NY, the founding chapter of NOW, and acted as fundraiser and treasurer. In the late 1970s Judy started Action Packets, later named Action Products International. From 1976-1980 she designed, produced and marketed the Women'’s History Series of First Day Covers by NOW-NY. In 1985 Judith became one of the first women to bring the company she founded public via an IPO on NASDAQ. Judy had started collecting first day covers about women's achievements and then added almost anything documenting women in history: postcards, books, autographed letters, original documents, and ephemera. Judith Kaplan passed away on May 4, 2024."],"prefercite_html_tesm":["\u003cp\u003eThe Judith and Warren Kaplan Collection, Women's and Gender Studies, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["The Judith and Warren Kaplan Collection, Women's and Gender Studies, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by John Settle and Nadeen Kiwan; finding aid was prepared by John Settle.\nFolder contents were kept intact, while some rearrangement of folders was conducted to group similar materials together. All paper materials have been placed in acid free pH neutral folders and stored in archival containers. Larger artwork and posters were also placed in acid free folders but are stored in archival flat files. Paper clips and staples have been removed and replaced with plastic clips. Photographs, First Day Covers, and postcards have been individually sleeved. Inventory revised by Asmara Cortes-Caba in 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by John Settle and Nadeen Kiwan; finding aid was prepared by John Settle.\nFolder contents were kept intact, while some rearrangement of folders was conducted to group similar materials together. All paper materials have been placed in acid free pH neutral folders and stored in archival containers. Larger artwork and posters were also placed in acid free folders but are stored in archival flat files. Paper clips and staples have been removed and replaced with plastic clips. Photographs, First Day Covers, and postcards have been individually sleeved. Inventory revised by Asmara Cortes-Caba in 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eJudith and Warren Kaplan books can also be found by searching the series \"Judith and Warren Kaplan Collection\" in the UCF Library \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog.\u003c/extref\u003e \nOther collections concerning women and politics include \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2002-02\"\u003eBeatrice B. Ettinger Papers\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-02\"\u003ePhyllis J. Hudson Political Papers\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-15\"\u003eLynda Van Scoyoc Women's Political Caucus Collection\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2008-05\"\u003eDemocratic Women's Club of Florida, Inc. Collection\u003c/extref\u003e, and \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2010-02\"\u003eLeague of Women Voters of Volusia County.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Judith and Warren Kaplan books can also be found by searching the series \"Judith and Warren Kaplan Collection\" in the UCF Library  Online Catalog.  \nOther collections concerning women and politics include  Beatrice B. Ettinger Papers ,  Phyllis J. Hudson Political Papers ,  Lynda Van Scoyoc Women's Political Caucus Collection ,  Democratic Women's Club of Florida, Inc. Collection , and  League of Women Voters of Volusia County."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Judith Kaplan Papers, 1960-2016, contains the personal files of Kaplan related to her business ventures and collecting efforts. Materials include academic files, business documents, correspondence, photographs, books, articles, speeches, event flyers, and promotional materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1913-2016, contains materials compiled by Kaplan related to her research of Women's History, including articles, pamphlets, newspaper clippings, magazines, newsletters, artwork, and bookmarks.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Postal Series, 1884-1997, contains a large number of stamps, First Day Covers, and postcards, allfeaturing women in history.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Women in History, 1792-2016, contains subject files related to various individual women in United States history.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Artwork, ca. 1976-2013, contains original paintings and various artwork.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1915-2008, contains a wide variety of souvenirs and collectibles, including a large number of pins and buttons.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Judith Kaplan Papers, 1960-2016, contains the personal files of Kaplan related to her business ventures and collecting efforts. Materials include academic files, business documents, correspondence, photographs, books, articles, speeches, event flyers, and promotional materials.","\nSeries II: Research Files, 1913-2016, contains materials compiled by Kaplan related to her research of Women's History, including articles, pamphlets, newspaper clippings, magazines, newsletters, artwork, and bookmarks.","\nSeries III: Postal Series, 1884-1997, contains a large number of stamps, First Day Covers, and postcards, allfeaturing women in history.","\nSeries IV: Women in History, 1792-2016, contains subject files related to various individual women in United States history.","\nSeries V: Artwork, ca. 1976-2013, contains original paintings and various artwork.","\nSeries VI: Memorabilia, 1915-2008, contains a wide variety of souvenirs and collectibles, including a large number of pins and buttons."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5765cfec293662f410013f49a81ec804\" label=\"Abstract\"\u003eCreated by Judith and Warren Kaplan, the collection contains a wide variety of materials related to Women's History, with special emphasis on stamps, suffrage, and women of achievement in United States history.\u003c/abstract\u003e"],"abstract_tesim":["Created by Judith and Warren Kaplan, the collection contains a wide variety of materials related to Women's History, with special emphasis on stamps, suffrage, and women of achievement in United States history."],"names_coll_ssim":["National Organization for Women","National Organization for Women. New York Chapter","National Women's History Museum (U.S.)"],"names_ssim":["UCF Special Collections","National Organization for Women","National Organization for Women. New York Chapter","National Women's History Museum (U.S.)","Kaplan, Judith"],"corpname_ssim":["UCF Special Collections","National Organization for Women","National Organization for Women. New York Chapter","National Women's History Museum (U.S.)"],"persname_ssim":["Kaplan, Judith"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":929,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"ae4e9efba5260571ede19734","timestamp":"2026-04-21T03:49:14.837Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ae4e9efba5260571ede19734"}},{"id":"83d5a5ce1d016fce045a8af0_aspace_ca9a8ce937fc6fcf233ab05d974162ff","type":"File","attributes":{"title":"Julie Hunter biography, Circa 2013","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/83d5a5ce1d016fce045a8af0_aspace_ca9a8ce937fc6fcf233ab05d974162ff#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_ca9a8ce937fc6fcf233ab05d974162ff","ref_ssm":["aspace_ca9a8ce937fc6fcf233ab05d974162ff","aspace_ca9a8ce937fc6fcf233ab05d974162ff"],"id":"83d5a5ce1d016fce045a8af0_aspace_ca9a8ce937fc6fcf233ab05d974162ff","title_filing_ssi":"Julie Hunter biography","title_ssm":["Julie Hunter biography"],"title_tesim":["Julie Hunter biography"],"unitdate_other_ssim":["Circa 2013"],"normalized_date_ssm":["Circa 2013"],"normalized_title_ssm":["Julie Hunter biography, Circa 2013"],"text":["Julie Hunter biography, Circa 2013","Julie Hunter Collection, 1961-2022","Personal Papers","/repositories/2/archival_objects/7969","box 4","folder 72"],"component_level_isim":[2],"parent_ids_ssim":["83d5a5ce1d016fce045a8af0","83d5a5ce1d016fce045a8af0_aspace_af8f8cc7b36daf4e961164bd1a489791"],"parent_unittitles_ssm":["Julie Hunter Collection, 1961-2022","Personal Papers"],"parent_unittitles_tesim":["Julie Hunter Collection, 1961-2022","Personal Papers"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/7969"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Julie Hunter Collection, 1961-2022"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":78,"parent_access_restrict_tesm":["Julie Hunter Collection is open for research."],"date_range_isim":[2013],"containers_ssim":["box 4","folder 72"],"_nest_path_":"/components#2/components#5","_nest_parent_":"83d5a5ce1d016fce045a8af0_aspace_af8f8cc7b36daf4e961164bd1a489791","_root_":"83d5a5ce1d016fce045a8af0","_version_":1876455792462266368,"timestamp":"2026-09-16T03:01:35.141Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"83d5a5ce1d016fce045a8af0","title_filing_ssi":"Hunter, Julie Collection","title_ssm":["Julie Hunter Collection"],"title_tesim":["Julie Hunter Collection"],"ead_ssi":"83d5a5ce1d016fce045a8af0","unitdate_ssm":["1961-2022"],"unitdate_inclusive_ssm":["1961-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2021.16","/repositories/2/resources/182"],"text":["AARLCC.2021.16","/repositories/2/resources/182","Julie Hunter Collection, 1961-2022","Fort Lauderdale (Fla.)","Broward County (Fla.)","African American librarians","African American women","Hunter, Julie, 1937-2022 -- Correspondence","Library directors","Public libraries -- Florida -- Fort Lauderdale","Libraries and Black people","African American librarians","Photographs","Clippings","Programs","minutes (administrative records)","plaques (flat objects)","Certificates","Oral histories","Julie Hunter Collection is open for research.","The collection is arranged into 8 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs, Series V. Printed Materials, Series VI. Audio-Visual Materials, Series VII. Awards, and Series VIII. Poster.","Julie Varner Hunter, a leader within the field of librarianship and civil rights, was born on April 5, 1937 in Summerville, South Carolina to parents John Varner, welder and grocery store owner, and Mildred Collins, a homemaker. She was one of eight children. Hunter experienced racism and Ku Klux Klan activities as a young girl such as cross burnings in neighborhood yards and KKK parades through town. She earned her Bachelor's degree in Mathematics with a minor in English from Claflin College (now Claflin University) in Orangeburg, South Carolina, graduating summa cum laude. She joined the student chapter of the National Association for the Advancement of Colored People (NAACP) and served as president. After college, she worked as a Field Director for the NAACP and organized youth groups in the South from 1960 to 1963. In 1964, Mrs. Hunter attended library school at Atlanta University (now known as Clark Atlanta University). In Atlanta, she met Roy Hunter a professor of Biology at Morehouse College. They married in 1966.","Julie worked as the director of Atlanta University's Trevor Arnett Library after receiving her Masters degree in library science. She furthered her leadership in librarianship by working as the deputy/acting Director of the Robert W. Woodruff Library of Atlanta University in Atlanta, Georgia; Assistant Director of DeKalb County Public Library system in Decatur, Georgia; and the first Director of the Auburn Avenue Research Library on African American Culture and History at the Atlanta-Fulton Public Library. In 1996, she was promoted to Director of the Atlanta-Fulton Public Library.","Based on her prior experiences at the Auburn Avenue Research Library, Samuel Morrison recruited Julie to become the second director of the African American Research Library and Cultural Center (AARLCC). Her appointment began in September 2002. Julie strengthened AARLCC's collections and programs, championing the preservation and access of Black history and culture in South Florida. She coordinated the Ashley Bryan Art Series Conference with children's book illustrator Ashley Bryan and librarian and educator, Dr. Henrietta M. Smith. The conference hosts an illustrator of African descent each year and the artist donates an illustration to AARLCC. Julie also oversaw the acquisition of archival collections such as the Esther Rolle Collection in 2005 which contains actress Esther Rolle's photographs, playbills, and an Emmy Award. She later worked as Assistant Library Director for Broward County Library system until 2013. ","After her retirement in 2013, Julie remained active in the community and libraries by serving in the Friends of AARLCC. She received the 2014 Lifetime Achievement Award from the Florida Library Association, honoring her 47 years of library service. Through her work in the NAACP and in librarianship, Julie Hunter championed the spread of knowledge to dismantle ignorance and promote well-being in American society. She passed away on July 13, 2022.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Julie Hunter Collection in the Broward County Library Digital Archives.","The collection contains personal and professional papers of Julie Hunter. Materials include correspondence to and from Julie Hunter, professional papers documenting her career at the Atlanta-Fulton Public Library, African American Research Library and Cultural Center, and Broward County Library, photographs, notes, certificates, plaques, newspaper clippings, audio-visual materials, and one framed poster.","AARLCC Special Collections","African American Research Library and Cultural Center","Broward County Library","Auburn Avenue Research Library on African-American Culture and History","Atlanta-Fulton Public Library","National Association for the Advancement of Colored People","English"],"unitid_tesim":["AARLCC.2021.16","/repositories/2/resources/182"],"normalized_date_ssm":["1961-2022"],"normalized_title_ssm":["Julie Hunter Collection, 1961-2022"],"collection_title_tesim":["Julie Hunter Collection, 1961-2022"],"collection_ssim":["Julie Hunter Collection, 1961-2022"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"geogname_ssim":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"places_ssim":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"access_subjects_ssim":["African American librarians","African American women","Hunter, Julie, 1937-2022 -- Correspondence","Library directors","Public libraries -- Florida -- Fort Lauderdale","Libraries and Black people","African American librarians","Photographs","Clippings","Programs","minutes (administrative records)","plaques (flat objects)","Certificates","Oral histories"],"access_subjects_ssm":["African American librarians","African American women","Hunter, Julie, 1937-2022 -- Correspondence","Library directors","Public libraries -- Florida -- Fort Lauderdale","Libraries and Black people","African American librarians","Photographs","Clippings","Programs","minutes (administrative records)","plaques (flat objects)","Certificates","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["9 Hollinger Boxes","2 Boxes (irregular size)"],"extent_tesim":["9 Hollinger Boxes","2 Boxes (irregular size)"],"genreform_ssim":["Photographs","Clippings","Programs","minutes (administrative records)","plaques (flat objects)","Certificates","Oral histories"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eJulie Hunter Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Julie Hunter Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 8 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs, Series V. Printed Materials, Series VI. Audio-Visual Materials, Series VII. Awards, and Series VIII. Poster.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 8 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs, Series V. Printed Materials, Series VI. Audio-Visual Materials, Series VII. Awards, and Series VIII. Poster."],"bioghist_html_tesm":["\u003cp\u003eJulie Varner Hunter, a leader within the field of librarianship and civil rights, was born on April 5, 1937 in Summerville, South Carolina to parents John Varner, welder and grocery store owner, and Mildred Collins, a homemaker. She was one of eight children. Hunter experienced racism and Ku Klux Klan activities as a young girl such as cross burnings in neighborhood yards and KKK parades through town. She earned her Bachelor's degree in Mathematics with a minor in English from Claflin College (now Claflin University) in Orangeburg, South Carolina, graduating summa cum laude. She joined the student chapter of the National Association for the Advancement of Colored People (NAACP) and served as president. After college, she worked as a Field Director for the NAACP and organized youth groups in the South from 1960 to 1963. In 1964, Mrs. Hunter attended library school at Atlanta University (now known as Clark Atlanta University). In Atlanta, she met Roy Hunter a professor of Biology at Morehouse College. They married in 1966.\u003c/p\u003e\n","\u003cp\u003eJulie worked as the director of Atlanta University's Trevor Arnett Library after receiving her Masters degree in library science. She furthered her leadership in librarianship by working as the deputy/acting Director of the Robert W. Woodruff Library of Atlanta University in Atlanta, Georgia; Assistant Director of DeKalb County Public Library system in Decatur, Georgia; and the first Director of the Auburn Avenue Research Library on African American Culture and History at the Atlanta-Fulton Public Library. In 1996, she was promoted to Director of the Atlanta-Fulton Public Library.\u003c/p\u003e\n","\u003cp\u003eBased on her prior experiences at the Auburn Avenue Research Library, Samuel Morrison recruited Julie to become the second director of the African American Research Library and Cultural Center (AARLCC). Her appointment began in September 2002. Julie strengthened AARLCC's collections and programs, championing the preservation and access of Black history and culture in South Florida. She coordinated the Ashley Bryan Art Series Conference with children's book illustrator Ashley Bryan and librarian and educator, Dr. Henrietta M. Smith. The conference hosts an illustrator of African descent each year and the artist donates an illustration to AARLCC. Julie also oversaw the acquisition of archival collections such as the Esther Rolle Collection in 2005 which contains actress Esther Rolle's photographs, playbills, and an Emmy Award. She later worked as Assistant Library Director for Broward County Library system until 2013. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement in 2013, Julie remained active in the community and libraries by serving in the Friends of AARLCC. She received the 2014 Lifetime Achievement Award from the Florida Library Association, honoring her 47 years of library service. Through her work in the NAACP and in librarianship, Julie Hunter championed the spread of knowledge to dismantle ignorance and promote well-being in American society. She passed away on July 13, 2022.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Julie Varner Hunter, a leader within the field of librarianship and civil rights, was born on April 5, 1937 in Summerville, South Carolina to parents John Varner, welder and grocery store owner, and Mildred Collins, a homemaker. She was one of eight children. Hunter experienced racism and Ku Klux Klan activities as a young girl such as cross burnings in neighborhood yards and KKK parades through town. She earned her Bachelor's degree in Mathematics with a minor in English from Claflin College (now Claflin University) in Orangeburg, South Carolina, graduating summa cum laude. She joined the student chapter of the National Association for the Advancement of Colored People (NAACP) and served as president. After college, she worked as a Field Director for the NAACP and organized youth groups in the South from 1960 to 1963. In 1964, Mrs. Hunter attended library school at Atlanta University (now known as Clark Atlanta University). In Atlanta, she met Roy Hunter a professor of Biology at Morehouse College. They married in 1966.","Julie worked as the director of Atlanta University's Trevor Arnett Library after receiving her Masters degree in library science. She furthered her leadership in librarianship by working as the deputy/acting Director of the Robert W. Woodruff Library of Atlanta University in Atlanta, Georgia; Assistant Director of DeKalb County Public Library system in Decatur, Georgia; and the first Director of the Auburn Avenue Research Library on African American Culture and History at the Atlanta-Fulton Public Library. In 1996, she was promoted to Director of the Atlanta-Fulton Public Library.","Based on her prior experiences at the Auburn Avenue Research Library, Samuel Morrison recruited Julie to become the second director of the African American Research Library and Cultural Center (AARLCC). Her appointment began in September 2002. Julie strengthened AARLCC's collections and programs, championing the preservation and access of Black history and culture in South Florida. She coordinated the Ashley Bryan Art Series Conference with children's book illustrator Ashley Bryan and librarian and educator, Dr. Henrietta M. Smith. The conference hosts an illustrator of African descent each year and the artist donates an illustration to AARLCC. Julie also oversaw the acquisition of archival collections such as the Esther Rolle Collection in 2005 which contains actress Esther Rolle's photographs, playbills, and an Emmy Award. She later worked as Assistant Library Director for Broward County Library system until 2013. ","After her retirement in 2013, Julie remained active in the community and libraries by serving in the Friends of AARLCC. She received the 2014 Lifetime Achievement Award from the Florida Library Association, honoring her 47 years of library service. Through her work in the NAACP and in librarianship, Julie Hunter championed the spread of knowledge to dismantle ignorance and promote well-being in American society. She passed away on July 13, 2022."],"prefercite_html_tesm":["\u003cp\u003eJulie Hunter Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Julie Hunter Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll44\" target=\"_blank\"\u003eView a selection of digitized materials from the Julie Hunter Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Julie Hunter Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains personal and professional papers of Julie Hunter. Materials include correspondence to and from Julie Hunter, professional papers documenting her career at the Atlanta-Fulton Public Library, African American Research Library and Cultural Center, and Broward County Library, photographs, notes, certificates, plaques, newspaper clippings, audio-visual materials, and one framed poster.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains personal and professional papers of Julie Hunter. Materials include correspondence to and from Julie Hunter, professional papers documenting her career at the Atlanta-Fulton Public Library, African American Research Library and Cultural Center, and Broward County Library, photographs, notes, certificates, plaques, newspaper clippings, audio-visual materials, and one framed poster."],"names_coll_ssim":["African American Research Library and Cultural Center","Broward County Library","Auburn Avenue Research Library on African-American Culture and History","Atlanta-Fulton Public Library","National Association for the Advancement of Colored People"],"names_ssim":["AARLCC Special Collections","African American Research Library and Cultural Center","Broward County Library","Auburn Avenue Research Library on African-American Culture and History","Atlanta-Fulton Public Library","National Association for the Advancement of Colored People"],"corpname_ssim":["AARLCC Special Collections","African American Research Library and Cultural Center","Broward County Library","Auburn Avenue Research Library on African-American Culture and History","Atlanta-Fulton Public Library","National Association for the Advancement of Colored People"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":171,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455792462266368,"_root_":"83d5a5ce1d016fce045a8af0","timestamp":"2026-09-16T03:01:35.141Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/83d5a5ce1d016fce045a8af0_aspace_ca9a8ce937fc6fcf233ab05d974162ff"}},{"id":"83d5a5ce1d016fce045a8af0","type":"collection","attributes":{"title":"Julie Hunter Collection, 1961-2022","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/83d5a5ce1d016fce045a8af0#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe collection contains personal and professional papers of Julie Hunter. Materials include correspondence to and from Julie Hunter, professional papers documenting her career at the Atlanta-Fulton Public Library, African American Research Library and Cultural Center, and Broward County Library, photographs, notes, certificates, plaques, newspaper clippings, audio-visual materials, and one framed poster.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/83d5a5ce1d016fce045a8af0#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"83d5a5ce1d016fce045a8af0","title_filing_ssi":"Hunter, Julie Collection","title_ssm":["Julie Hunter Collection"],"title_tesim":["Julie Hunter Collection"],"ead_ssi":"83d5a5ce1d016fce045a8af0","unitdate_ssm":["1961-2022"],"unitdate_inclusive_ssm":["1961-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2021.16","/repositories/2/resources/182"],"text":["AARLCC.2021.16","/repositories/2/resources/182","Julie Hunter Collection, 1961-2022","Fort Lauderdale (Fla.)","Broward County (Fla.)","African American librarians","African American women","Hunter, Julie, 1937-2022 -- Correspondence","Library directors","Public libraries -- Florida -- Fort Lauderdale","Libraries and Black people","African American librarians","Photographs","Clippings","Programs","minutes (administrative records)","plaques (flat objects)","Certificates","Oral histories","Julie Hunter Collection is open for research.","The collection is arranged into 8 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs, Series V. Printed Materials, Series VI. Audio-Visual Materials, Series VII. Awards, and Series VIII. Poster.","Julie Varner Hunter, a leader within the field of librarianship and civil rights, was born on April 5, 1937 in Summerville, South Carolina to parents John Varner, welder and grocery store owner, and Mildred Collins, a homemaker. She was one of eight children. Hunter experienced racism and Ku Klux Klan activities as a young girl such as cross burnings in neighborhood yards and KKK parades through town. She earned her Bachelor's degree in Mathematics with a minor in English from Claflin College (now Claflin University) in Orangeburg, South Carolina, graduating summa cum laude. She joined the student chapter of the National Association for the Advancement of Colored People (NAACP) and served as president. After college, she worked as a Field Director for the NAACP and organized youth groups in the South from 1960 to 1963. In 1964, Mrs. Hunter attended library school at Atlanta University (now known as Clark Atlanta University). In Atlanta, she met Roy Hunter a professor of Biology at Morehouse College. They married in 1966.","Julie worked as the director of Atlanta University's Trevor Arnett Library after receiving her Masters degree in library science. She furthered her leadership in librarianship by working as the deputy/acting Director of the Robert W. Woodruff Library of Atlanta University in Atlanta, Georgia; Assistant Director of DeKalb County Public Library system in Decatur, Georgia; and the first Director of the Auburn Avenue Research Library on African American Culture and History at the Atlanta-Fulton Public Library. In 1996, she was promoted to Director of the Atlanta-Fulton Public Library.","Based on her prior experiences at the Auburn Avenue Research Library, Samuel Morrison recruited Julie to become the second director of the African American Research Library and Cultural Center (AARLCC). Her appointment began in September 2002. Julie strengthened AARLCC's collections and programs, championing the preservation and access of Black history and culture in South Florida. She coordinated the Ashley Bryan Art Series Conference with children's book illustrator Ashley Bryan and librarian and educator, Dr. Henrietta M. Smith. The conference hosts an illustrator of African descent each year and the artist donates an illustration to AARLCC. Julie also oversaw the acquisition of archival collections such as the Esther Rolle Collection in 2005 which contains actress Esther Rolle's photographs, playbills, and an Emmy Award. She later worked as Assistant Library Director for Broward County Library system until 2013. ","After her retirement in 2013, Julie remained active in the community and libraries by serving in the Friends of AARLCC. She received the 2014 Lifetime Achievement Award from the Florida Library Association, honoring her 47 years of library service. Through her work in the NAACP and in librarianship, Julie Hunter championed the spread of knowledge to dismantle ignorance and promote well-being in American society. She passed away on July 13, 2022.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Julie Hunter Collection in the Broward County Library Digital Archives.","The collection contains personal and professional papers of Julie Hunter. Materials include correspondence to and from Julie Hunter, professional papers documenting her career at the Atlanta-Fulton Public Library, African American Research Library and Cultural Center, and Broward County Library, photographs, notes, certificates, plaques, newspaper clippings, audio-visual materials, and one framed poster.","AARLCC Special Collections","African American Research Library and Cultural Center","Broward County Library","Auburn Avenue Research Library on African-American Culture and History","Atlanta-Fulton Public Library","National Association for the Advancement of Colored People","English"],"unitid_tesim":["AARLCC.2021.16","/repositories/2/resources/182"],"normalized_date_ssm":["1961-2022"],"normalized_title_ssm":["Julie Hunter Collection, 1961-2022"],"collection_title_tesim":["Julie Hunter Collection, 1961-2022"],"collection_ssim":["Julie Hunter Collection, 1961-2022"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"geogname_ssim":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"places_ssim":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"access_subjects_ssim":["African American librarians","African American women","Hunter, Julie, 1937-2022 -- Correspondence","Library directors","Public libraries -- Florida -- Fort Lauderdale","Libraries and Black people","African American librarians","Photographs","Clippings","Programs","minutes (administrative records)","plaques (flat objects)","Certificates","Oral histories"],"access_subjects_ssm":["African American librarians","African American women","Hunter, Julie, 1937-2022 -- Correspondence","Library directors","Public libraries -- Florida -- Fort Lauderdale","Libraries and Black people","African American librarians","Photographs","Clippings","Programs","minutes (administrative records)","plaques (flat objects)","Certificates","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["9 Hollinger Boxes","2 Boxes (irregular size)"],"extent_tesim":["9 Hollinger Boxes","2 Boxes (irregular size)"],"genreform_ssim":["Photographs","Clippings","Programs","minutes (administrative records)","plaques (flat objects)","Certificates","Oral histories"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eJulie Hunter Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Julie Hunter Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 8 series: Series I. 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She earned her Bachelor's degree in Mathematics with a minor in English from Claflin College (now Claflin University) in Orangeburg, South Carolina, graduating summa cum laude. She joined the student chapter of the National Association for the Advancement of Colored People (NAACP) and served as president. After college, she worked as a Field Director for the NAACP and organized youth groups in the South from 1960 to 1963. In 1964, Mrs. Hunter attended library school at Atlanta University (now known as Clark Atlanta University). In Atlanta, she met Roy Hunter a professor of Biology at Morehouse College. They married in 1966.\u003c/p\u003e\n","\u003cp\u003eJulie worked as the director of Atlanta University's Trevor Arnett Library after receiving her Masters degree in library science. She furthered her leadership in librarianship by working as the deputy/acting Director of the Robert W. Woodruff Library of Atlanta University in Atlanta, Georgia; Assistant Director of DeKalb County Public Library system in Decatur, Georgia; and the first Director of the Auburn Avenue Research Library on African American Culture and History at the Atlanta-Fulton Public Library. In 1996, she was promoted to Director of the Atlanta-Fulton Public Library.\u003c/p\u003e\n","\u003cp\u003eBased on her prior experiences at the Auburn Avenue Research Library, Samuel Morrison recruited Julie to become the second director of the African American Research Library and Cultural Center (AARLCC). Her appointment began in September 2002. Julie strengthened AARLCC's collections and programs, championing the preservation and access of Black history and culture in South Florida. She coordinated the Ashley Bryan Art Series Conference with children's book illustrator Ashley Bryan and librarian and educator, Dr. Henrietta M. Smith. The conference hosts an illustrator of African descent each year and the artist donates an illustration to AARLCC. Julie also oversaw the acquisition of archival collections such as the Esther Rolle Collection in 2005 which contains actress Esther Rolle's photographs, playbills, and an Emmy Award. She later worked as Assistant Library Director for Broward County Library system until 2013. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement in 2013, Julie remained active in the community and libraries by serving in the Friends of AARLCC. She received the 2014 Lifetime Achievement Award from the Florida Library Association, honoring her 47 years of library service. Through her work in the NAACP and in librarianship, Julie Hunter championed the spread of knowledge to dismantle ignorance and promote well-being in American society. She passed away on July 13, 2022.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Julie Varner Hunter, a leader within the field of librarianship and civil rights, was born on April 5, 1937 in Summerville, South Carolina to parents John Varner, welder and grocery store owner, and Mildred Collins, a homemaker. She was one of eight children. Hunter experienced racism and Ku Klux Klan activities as a young girl such as cross burnings in neighborhood yards and KKK parades through town. She earned her Bachelor's degree in Mathematics with a minor in English from Claflin College (now Claflin University) in Orangeburg, South Carolina, graduating summa cum laude. She joined the student chapter of the National Association for the Advancement of Colored People (NAACP) and served as president. After college, she worked as a Field Director for the NAACP and organized youth groups in the South from 1960 to 1963. In 1964, Mrs. Hunter attended library school at Atlanta University (now known as Clark Atlanta University). In Atlanta, she met Roy Hunter a professor of Biology at Morehouse College. They married in 1966.","Julie worked as the director of Atlanta University's Trevor Arnett Library after receiving her Masters degree in library science. She furthered her leadership in librarianship by working as the deputy/acting Director of the Robert W. Woodruff Library of Atlanta University in Atlanta, Georgia; Assistant Director of DeKalb County Public Library system in Decatur, Georgia; and the first Director of the Auburn Avenue Research Library on African American Culture and History at the Atlanta-Fulton Public Library. In 1996, she was promoted to Director of the Atlanta-Fulton Public Library.","Based on her prior experiences at the Auburn Avenue Research Library, Samuel Morrison recruited Julie to become the second director of the African American Research Library and Cultural Center (AARLCC). Her appointment began in September 2002. Julie strengthened AARLCC's collections and programs, championing the preservation and access of Black history and culture in South Florida. She coordinated the Ashley Bryan Art Series Conference with children's book illustrator Ashley Bryan and librarian and educator, Dr. Henrietta M. Smith. The conference hosts an illustrator of African descent each year and the artist donates an illustration to AARLCC. Julie also oversaw the acquisition of archival collections such as the Esther Rolle Collection in 2005 which contains actress Esther Rolle's photographs, playbills, and an Emmy Award. She later worked as Assistant Library Director for Broward County Library system until 2013. ","After her retirement in 2013, Julie remained active in the community and libraries by serving in the Friends of AARLCC. She received the 2014 Lifetime Achievement Award from the Florida Library Association, honoring her 47 years of library service. Through her work in the NAACP and in librarianship, Julie Hunter championed the spread of knowledge to dismantle ignorance and promote well-being in American society. She passed away on July 13, 2022."],"prefercite_html_tesm":["\u003cp\u003eJulie Hunter Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Julie Hunter Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll44\" target=\"_blank\"\u003eView a selection of digitized materials from the Julie Hunter Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Julie Hunter Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains personal and professional papers of Julie Hunter. Materials include correspondence to and from Julie Hunter, professional papers documenting her career at the Atlanta-Fulton Public Library, African American Research Library and Cultural Center, and Broward County Library, photographs, notes, certificates, plaques, newspaper clippings, audio-visual materials, and one framed poster.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains personal and professional papers of Julie Hunter. 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Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs, Series V. Printed Materials, Series VI. Audio-Visual Materials, Series VII. Awards, and Series VIII. Poster.","Julie Varner Hunter, a leader within the field of librarianship and civil rights, was born on April 5, 1937 in Summerville, South Carolina to parents John Varner, welder and grocery store owner, and Mildred Collins, a homemaker. She was one of eight children. Hunter experienced racism and Ku Klux Klan activities as a young girl such as cross burnings in neighborhood yards and KKK parades through town. She earned her Bachelor's degree in Mathematics with a minor in English from Claflin College (now Claflin University) in Orangeburg, South Carolina, graduating summa cum laude. She joined the student chapter of the National Association for the Advancement of Colored People (NAACP) and served as president. After college, she worked as a Field Director for the NAACP and organized youth groups in the South from 1960 to 1963. In 1964, Mrs. Hunter attended library school at Atlanta University (now known as Clark Atlanta University). In Atlanta, she met Roy Hunter a professor of Biology at Morehouse College. They married in 1966.","Julie worked as the director of Atlanta University's Trevor Arnett Library after receiving her Masters degree in library science. She furthered her leadership in librarianship by working as the deputy/acting Director of the Robert W. Woodruff Library of Atlanta University in Atlanta, Georgia; Assistant Director of DeKalb County Public Library system in Decatur, Georgia; and the first Director of the Auburn Avenue Research Library on African American Culture and History at the Atlanta-Fulton Public Library. In 1996, she was promoted to Director of the Atlanta-Fulton Public Library.","Based on her prior experiences at the Auburn Avenue Research Library, Samuel Morrison recruited Julie to become the second director of the African American Research Library and Cultural Center (AARLCC). Her appointment began in September 2002. Julie strengthened AARLCC's collections and programs, championing the preservation and access of Black history and culture in South Florida. She coordinated the Ashley Bryan Art Series Conference with children's book illustrator Ashley Bryan and librarian and educator, Dr. Henrietta M. Smith. The conference hosts an illustrator of African descent each year and the artist donates an illustration to AARLCC. Julie also oversaw the acquisition of archival collections such as the Esther Rolle Collection in 2005 which contains actress Esther Rolle's photographs, playbills, and an Emmy Award. She later worked as Assistant Library Director for Broward County Library system until 2013. ","After her retirement in 2013, Julie remained active in the community and libraries by serving in the Friends of AARLCC. She received the 2014 Lifetime Achievement Award from the Florida Library Association, honoring her 47 years of library service. Through her work in the NAACP and in librarianship, Julie Hunter championed the spread of knowledge to dismantle ignorance and promote well-being in American society. She passed away on July 13, 2022.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Julie Hunter Collection in the Broward County Library Digital Archives.","The collection contains personal and professional papers of Julie Hunter. Materials include correspondence to and from Julie Hunter, professional papers documenting her career at the Atlanta-Fulton Public Library, African American Research Library and Cultural Center, and Broward County Library, photographs, notes, certificates, plaques, newspaper clippings, audio-visual materials, and one framed poster.","AARLCC Special Collections","African American Research Library and Cultural Center","Broward County Library","Auburn Avenue Research Library on African-American Culture and History","Atlanta-Fulton Public Library","National Association for the Advancement of Colored People","English"],"unitid_tesim":["AARLCC.2021.16","/repositories/2/resources/182"],"normalized_date_ssm":["1961-2022"],"normalized_title_ssm":["Julie Hunter Collection, 1961-2022"],"collection_title_tesim":["Julie Hunter Collection, 1961-2022"],"collection_ssim":["Julie Hunter Collection, 1961-2022"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"geogname_ssim":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"places_ssim":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"access_subjects_ssim":["African American librarians","African American women","Hunter, Julie, 1937-2022 -- Correspondence","Library directors","Public libraries -- Florida -- Fort Lauderdale","Libraries and Black people","African American librarians","Photographs","Clippings","Programs","minutes (administrative records)","plaques (flat objects)","Certificates","Oral histories"],"access_subjects_ssm":["African American librarians","African American women","Hunter, Julie, 1937-2022 -- Correspondence","Library directors","Public libraries -- Florida -- Fort Lauderdale","Libraries and Black people","African American librarians","Photographs","Clippings","Programs","minutes (administrative records)","plaques (flat objects)","Certificates","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["9 Hollinger Boxes","2 Boxes (irregular size)"],"extent_tesim":["9 Hollinger Boxes","2 Boxes (irregular size)"],"genreform_ssim":["Photographs","Clippings","Programs","minutes (administrative records)","plaques (flat objects)","Certificates","Oral histories"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eJulie Hunter Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Julie Hunter Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 8 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs, Series V. Printed Materials, Series VI. Audio-Visual Materials, Series VII. Awards, and Series VIII. Poster.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 8 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs, Series V. Printed Materials, Series VI. Audio-Visual Materials, Series VII. Awards, and Series VIII. Poster."],"bioghist_html_tesm":["\u003cp\u003eJulie Varner Hunter, a leader within the field of librarianship and civil rights, was born on April 5, 1937 in Summerville, South Carolina to parents John Varner, welder and grocery store owner, and Mildred Collins, a homemaker. She was one of eight children. Hunter experienced racism and Ku Klux Klan activities as a young girl such as cross burnings in neighborhood yards and KKK parades through town. She earned her Bachelor's degree in Mathematics with a minor in English from Claflin College (now Claflin University) in Orangeburg, South Carolina, graduating summa cum laude. She joined the student chapter of the National Association for the Advancement of Colored People (NAACP) and served as president. After college, she worked as a Field Director for the NAACP and organized youth groups in the South from 1960 to 1963. In 1964, Mrs. Hunter attended library school at Atlanta University (now known as Clark Atlanta University). In Atlanta, she met Roy Hunter a professor of Biology at Morehouse College. They married in 1966.\u003c/p\u003e\n","\u003cp\u003eJulie worked as the director of Atlanta University's Trevor Arnett Library after receiving her Masters degree in library science. She furthered her leadership in librarianship by working as the deputy/acting Director of the Robert W. Woodruff Library of Atlanta University in Atlanta, Georgia; Assistant Director of DeKalb County Public Library system in Decatur, Georgia; and the first Director of the Auburn Avenue Research Library on African American Culture and History at the Atlanta-Fulton Public Library. In 1996, she was promoted to Director of the Atlanta-Fulton Public Library.\u003c/p\u003e\n","\u003cp\u003eBased on her prior experiences at the Auburn Avenue Research Library, Samuel Morrison recruited Julie to become the second director of the African American Research Library and Cultural Center (AARLCC). Her appointment began in September 2002. Julie strengthened AARLCC's collections and programs, championing the preservation and access of Black history and culture in South Florida. She coordinated the Ashley Bryan Art Series Conference with children's book illustrator Ashley Bryan and librarian and educator, Dr. Henrietta M. Smith. The conference hosts an illustrator of African descent each year and the artist donates an illustration to AARLCC. Julie also oversaw the acquisition of archival collections such as the Esther Rolle Collection in 2005 which contains actress Esther Rolle's photographs, playbills, and an Emmy Award. She later worked as Assistant Library Director for Broward County Library system until 2013. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement in 2013, Julie remained active in the community and libraries by serving in the Friends of AARLCC. She received the 2014 Lifetime Achievement Award from the Florida Library Association, honoring her 47 years of library service. Through her work in the NAACP and in librarianship, Julie Hunter championed the spread of knowledge to dismantle ignorance and promote well-being in American society. She passed away on July 13, 2022.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Julie Varner Hunter, a leader within the field of librarianship and civil rights, was born on April 5, 1937 in Summerville, South Carolina to parents John Varner, welder and grocery store owner, and Mildred Collins, a homemaker. She was one of eight children. Hunter experienced racism and Ku Klux Klan activities as a young girl such as cross burnings in neighborhood yards and KKK parades through town. She earned her Bachelor's degree in Mathematics with a minor in English from Claflin College (now Claflin University) in Orangeburg, South Carolina, graduating summa cum laude. She joined the student chapter of the National Association for the Advancement of Colored People (NAACP) and served as president. After college, she worked as a Field Director for the NAACP and organized youth groups in the South from 1960 to 1963. In 1964, Mrs. Hunter attended library school at Atlanta University (now known as Clark Atlanta University). In Atlanta, she met Roy Hunter a professor of Biology at Morehouse College. They married in 1966.","Julie worked as the director of Atlanta University's Trevor Arnett Library after receiving her Masters degree in library science. She furthered her leadership in librarianship by working as the deputy/acting Director of the Robert W. Woodruff Library of Atlanta University in Atlanta, Georgia; Assistant Director of DeKalb County Public Library system in Decatur, Georgia; and the first Director of the Auburn Avenue Research Library on African American Culture and History at the Atlanta-Fulton Public Library. In 1996, she was promoted to Director of the Atlanta-Fulton Public Library.","Based on her prior experiences at the Auburn Avenue Research Library, Samuel Morrison recruited Julie to become the second director of the African American Research Library and Cultural Center (AARLCC). Her appointment began in September 2002. Julie strengthened AARLCC's collections and programs, championing the preservation and access of Black history and culture in South Florida. She coordinated the Ashley Bryan Art Series Conference with children's book illustrator Ashley Bryan and librarian and educator, Dr. Henrietta M. Smith. The conference hosts an illustrator of African descent each year and the artist donates an illustration to AARLCC. Julie also oversaw the acquisition of archival collections such as the Esther Rolle Collection in 2005 which contains actress Esther Rolle's photographs, playbills, and an Emmy Award. She later worked as Assistant Library Director for Broward County Library system until 2013. ","After her retirement in 2013, Julie remained active in the community and libraries by serving in the Friends of AARLCC. She received the 2014 Lifetime Achievement Award from the Florida Library Association, honoring her 47 years of library service. Through her work in the NAACP and in librarianship, Julie Hunter championed the spread of knowledge to dismantle ignorance and promote well-being in American society. She passed away on July 13, 2022."],"prefercite_html_tesm":["\u003cp\u003eJulie Hunter Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Julie Hunter Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll44\" target=\"_blank\"\u003eView a selection of digitized materials from the Julie Hunter Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Julie Hunter Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains personal and professional papers of Julie Hunter. Materials include correspondence to and from Julie Hunter, professional papers documenting her career at the Atlanta-Fulton Public Library, African American Research Library and Cultural Center, and Broward County Library, photographs, notes, certificates, plaques, newspaper clippings, audio-visual materials, and one framed poster.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains personal and professional papers of Julie Hunter. 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