{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=51\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=50\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=52\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2013\u0026page=175\u0026view=compact"},"meta":{"pages":{"current_page":51,"next_page":52,"prev_page":50,"total_pages":175,"limit_value":10,"offset_value":500,"total_count":1750,"first_page?":false,"last_page?":false}},"data":[{"id":"91d9cb867489997f3695cd21_aspace_b67f24eab8efae069757e31dae65c208","type":"Item","attributes":{"title":"Eighth Annual Sanibel Island Writers Conference, November 7, 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Lattimore.","Opened as the third public library dedicated to Black research in the United States - along with the Schomburg Center for Research and Black Culture in New York and the Auburn Avenue Research Library in Atlanta - AARLCC distinguished itself by focusing on Caribbean and South American Black history in addition to African-American and African history. To achieve this mission, AARLCC houses the AARLCC Special Collections which continually works to archive and digitize collections for public access. Notable archival collections include the Alex Haley Collection, the Doroty Porter Wesley Collection, and the Niara Sudarkasa Collection. ","In addition to the aforementioned missions, AARLCC serves as a public library branch for the local community, providing patrons with essential resources such as book lending, computer and internet access, reading rooms, and an assortment of programming. The library also has a museum gallery on the first floor featuring large-scale exhibits.","AARLCC's first executive director was Arglenda Friday, who resigned for unforseen personal circumstances in 2001. Easter Wilcher served as the interim director until the library found a replacement. Julie Hunter became the second director, serving from 2002 to 2006 and overseeing the library's grand opening and early programming. She was succeeded by Alicia Antone (2006-January 2008), Elaina Norlin (2009-2019), Makiba Foster (2019-2022), and Dr. Tameka Bradley (2022-present). ","This collection received file level processing and a finding aid was created by Adam Anderson in Feburary 2024. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The AARLCC History Collection documents the history of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. The materials contain information about the inception of the library branch in 1995, its subsequent design and construction, and fundraising efforts. It also contains information about the AARLCC's programming, exhibits, staff, and special events since the grand opening in 2002 to the present. The collection materials include brochures, events, newspaper clippings, correspondence, reports, printed materials, blueprints, photographs, born-digital materials, and audio-visual materials.","The AARLCC History Collection documents the history of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida.","AARLCC Special Collections","African American Research Library and Cultural Center","English"],"unitid_tesim":["AARLCC.2024.1","/repositories/2/resources/377"],"normalized_date_ssm":["1995-Present"],"normalized_title_ssm":["AARLCC History Collection, 1995-Present"],"collection_title_tesim":["AARLCC History Collection, 1995-Present"],"collection_ssim":["AARLCC History Collection, 1995-Present"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"creator_ssm":["African American Research Library and Cultural Center"],"creator_ssim":["African American Research Library and Cultural Center"],"creator_corpname_ssim":["African American Research Library and Cultural Center"],"creators_ssim":["African American Research Library and Cultural Center"],"access_subjects_ssim":["Broward County Library -- History","Library directors","African American librarians","Libraries and Black people","Public libraries -- Florida -- Fort Lauderdale"],"access_subjects_ssm":["Broward County Library -- History","Library directors","African American librarians","Libraries and Black people","Public libraries -- Florida -- Fort Lauderdale"],"has_online_content_ssim":["false"],"extent_ssm":["8 Hollinger Boxes","2 Boxes (irregular size)"],"extent_tesim":["8 Hollinger Boxes","2 Boxes (irregular size)"],"date_range_isim":[1995],"accessrestrict_html_tesm":["\u003cp\u003eThe AARLCC History Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The AARLCC History Collection is open for research."],"accruals_html_tesm":["\u003cp\u003eAccruals to the AARLCC History Collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to the AARLCC History Collection are expected."],"bioghist_html_tesm":["\u003cp\u003eInspired and spearheaded by Samuel Morrison, librarian and thirteen-year director of the Broward County Library system, the African-American Research Library and Cultural Center (AARLCC) opened on October 6, 2002. 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The library also has a museum gallery on the first floor featuring large-scale exhibits.\u003c/p\u003e\n","\u003cp\u003eAARLCC's first executive director was Arglenda Friday, who resigned for unforseen personal circumstances in 2001. Easter Wilcher served as the interim director until the library found a replacement. Julie Hunter became the second director, serving from 2002 to 2006 and overseeing the library's grand opening and early programming. She was succeeded by Alicia Antone (2006-January 2008), Elaina Norlin (2009-2019), Makiba Foster (2019-2022), and Dr. Tameka Bradley (2022-present). \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Inspired and spearheaded by Samuel Morrison, librarian and thirteen-year director of the Broward County Library system, the African-American Research Library and Cultural Center (AARLCC) opened on October 6, 2002. It replaced the Von D. Mizell Library in the historic Sistrunk neighborhood, Fort Lauderdale's historically Black neighborhood. ","In late 1995 the Broward County Commission pledged funding to build AARLCC, beginning the library's design and construction planning. Over the next 7 years, community fundraising efforts matched and then surpassed the funding allocated by the county, surpassing millions of dollars. The architectural and design firm PAWA Complex International won the contract to design the structure. The building's interior design was completed by Cecil Hayes. Multiple public art projects also went into the original design of the building, including the Harambe Room by Gary Moore, \"The Bridge\" sculpture by George Gadson, and \"The Adinkra Tribute\" by C. J. Lattimore.","Opened as the third public library dedicated to Black research in the United States - along with the Schomburg Center for Research and Black Culture in New York and the Auburn Avenue Research Library in Atlanta - AARLCC distinguished itself by focusing on Caribbean and South American Black history in addition to African-American and African history. To achieve this mission, AARLCC houses the AARLCC Special Collections which continually works to archive and digitize collections for public access. Notable archival collections include the Alex Haley Collection, the Doroty Porter Wesley Collection, and the Niara Sudarkasa Collection. ","In addition to the aforementioned missions, AARLCC serves as a public library branch for the local community, providing patrons with essential resources such as book lending, computer and internet access, reading rooms, and an assortment of programming. The library also has a museum gallery on the first floor featuring large-scale exhibits.","AARLCC's first executive director was Arglenda Friday, who resigned for unforseen personal circumstances in 2001. Easter Wilcher served as the interim director until the library found a replacement. Julie Hunter became the second director, serving from 2002 to 2006 and overseeing the library's grand opening and early programming. She was succeeded by Alicia Antone (2006-January 2008), Elaina Norlin (2009-2019), Makiba Foster (2019-2022), and Dr. Tameka Bradley (2022-present). "],"prefercite_html_tesm":["\u003cp\u003eAARLCC History Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["AARLCC History Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing and a finding aid was created by Adam Anderson in Feburary 2024. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing and a finding aid was created by Adam Anderson in Feburary 2024. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe AARLCC History Collection documents the history of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. The materials contain information about the inception of the library branch in 1995, its subsequent design and construction, and fundraising efforts. It also contains information about the AARLCC's programming, exhibits, staff, and special events since the grand opening in 2002 to the present. The collection materials include brochures, events, newspaper clippings, correspondence, reports, printed materials, blueprints, photographs, born-digital materials, and audio-visual materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The AARLCC History Collection documents the history of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. The materials contain information about the inception of the library branch in 1995, its subsequent design and construction, and fundraising efforts. It also contains information about the AARLCC's programming, exhibits, staff, and special events since the grand opening in 2002 to the present. The collection materials include brochures, events, newspaper clippings, correspondence, reports, printed materials, blueprints, photographs, born-digital materials, and audio-visual materials."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3c826a2397e08456847b304e6464edf0\"\u003eThe AARLCC History Collection documents the history of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida.\u003c/abstract\u003e"],"abstract_tesim":["The AARLCC History Collection documents the history of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida."],"names_ssim":["AARLCC Special Collections","African American Research Library and Cultural Center"],"corpname_ssim":["AARLCC Special Collections","African American Research Library and Cultural Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":150,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455834073956352,"_root_":"acd92a5aa7d9fcd753e986eb","timestamp":"2026-09-16T03:02:14.826Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/acd92a5aa7d9fcd753e986eb_aspace_48d468c200f93dab0c93b30a304f973f"}},{"id":"be6ce791bcd745e39261598f","type":"collection","attributes":{"title":"Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f#abstract_or_scope","type":"document_value","attributes":{"value":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career. Her involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"be6ce791bcd745e39261598f","title_ssm":["Eleanor Merritt [Darlington] Collection"],"title_tesim":["Eleanor Merritt [Darlington] Collection"],"ead_ssi":"be6ce791bcd745e39261598f","unitdate_ssm":["1950-2019","1990-2019"],"unitdate_bulk_ssim":["1990-2019"],"unitdate_inclusive_ssm":["1950-2019"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["A.2022.0004","/repositories/11/resources/1933"],"text":["A.2022.0004","/repositories/11/resources/1933","Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting.","This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.","The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.","All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.","The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.","The John and Mable Ringling Museum of Art Archives","English"],"unitid_tesim":["A.2022.0004","/repositories/11/resources/1933"],"normalized_date_ssm":["1950-2019, bulk 1990-2019"],"normalized_title_ssm":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_title_tesim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_ssim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"repository_ssm":["The John and Mable Ringling Museum of Art Archives"],"repository_ssim":["The John and Mable Ringling Museum of Art Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"access_subjects_ssim":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"access_subjects_ssm":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"has_online_content_ssim":["false"],"extent_ssm":["5.3 Linear Feet 17 Boxes"],"extent_tesim":["5.3 Linear Feet 17 Boxes"],"genreform_ssim":["Painting."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals."],"prefercite_html_tesm":["\u003cp\u003eThe John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019.\u003c/p\u003e"],"prefercite_tesim":["The John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019."],"scopecontent_html_tesm":["\u003cp\u003eThe Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged by subject in chronological order spanning from 1950 \u0026#x2013; 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. \u003c/p\u003e\n","\u003cp\u003eMerritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0d3e798eb2a8cee06c3eebf554d917ee\"\u003eThe Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.\u003c/abstract\u003e"],"abstract_tesim":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"names_ssim":["The John and Mable Ringling Museum of Art Archives"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"be6ce791bcd745e39261598f","timestamp":"2026-04-21T02:41:46.838Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"be6ce791bcd745e39261598f","title_ssm":["Eleanor Merritt [Darlington] Collection"],"title_tesim":["Eleanor Merritt [Darlington] Collection"],"ead_ssi":"be6ce791bcd745e39261598f","unitdate_ssm":["1950-2019","1990-2019"],"unitdate_bulk_ssim":["1990-2019"],"unitdate_inclusive_ssm":["1950-2019"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["A.2022.0004","/repositories/11/resources/1933"],"text":["A.2022.0004","/repositories/11/resources/1933","Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting.","This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.","The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.","All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.","The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.","The John and Mable Ringling Museum of Art Archives","English"],"unitid_tesim":["A.2022.0004","/repositories/11/resources/1933"],"normalized_date_ssm":["1950-2019, bulk 1990-2019"],"normalized_title_ssm":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_title_tesim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_ssim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"repository_ssm":["The John and Mable Ringling Museum of Art Archives"],"repository_ssim":["The John and Mable Ringling Museum of Art Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"access_subjects_ssim":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"access_subjects_ssm":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"has_online_content_ssim":["false"],"extent_ssm":["5.3 Linear Feet 17 Boxes"],"extent_tesim":["5.3 Linear Feet 17 Boxes"],"genreform_ssim":["Painting."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals."],"prefercite_html_tesm":["\u003cp\u003eThe John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019.\u003c/p\u003e"],"prefercite_tesim":["The John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019."],"scopecontent_html_tesm":["\u003cp\u003eThe Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged by subject in chronological order spanning from 1950 \u0026#x2013; 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. \u003c/p\u003e\n","\u003cp\u003eMerritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0d3e798eb2a8cee06c3eebf554d917ee\"\u003eThe Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.\u003c/abstract\u003e"],"abstract_tesim":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"names_ssim":["The John and Mable Ringling Museum of Art Archives"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"be6ce791bcd745e39261598f","timestamp":"2026-04-21T02:41:46.838Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f"}},{"id":"d04cab8476f09c07fda6d350_aspace_80a940546d4772bd70a89a0e72cebd29","type":"File","attributes":{"title":"Electra (Poster), 2013-2014","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d04cab8476f09c07fda6d350_aspace_80a940546d4772bd70a89a0e72cebd29#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_80a940546d4772bd70a89a0e72cebd29","ref_ssm":["aspace_80a940546d4772bd70a89a0e72cebd29","aspace_80a940546d4772bd70a89a0e72cebd29"],"id":"d04cab8476f09c07fda6d350_aspace_80a940546d4772bd70a89a0e72cebd29","title_filing_ssi":"Electra (Poster)","title_ssm":["Electra (Poster)"],"title_tesim":["Electra (Poster)"],"unitdate_inclusive_ssm":["2013-2014"],"normalized_date_ssm":["2013-2014"],"normalized_title_ssm":["Electra (Poster), 2013-2014"],"text":["Electra (Poster), 2013-2014","Florida Southern College Vagabonds Records, 1926-2025","Box 15","/repositories/4/archival_objects/5985","object 59"],"component_level_isim":[2],"parent_ids_ssim":["d04cab8476f09c07fda6d350","d04cab8476f09c07fda6d350_aspace_0712873779c6b2937c7d87feadb2097f"],"parent_unittitles_ssm":["Florida Southern College Vagabonds Records, 1926-2025","Box 15"],"parent_unittitles_tesim":["Florida Southern College Vagabonds Records, 1926-2025","Box 15"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/4/archival_objects/5985"],"repository_ssim":["The Florida Southern College Archives"],"collection_ssim":["Florida Southern College Vagabonds Records, 1926-2025"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":361,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Vagabonds Records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions - archives@flsouthern.edu."],"date_range_isim":[2013,2014],"containers_ssim":["object 59"],"_nest_path_":"/components#14/components#59","_nest_parent_":"d04cab8476f09c07fda6d350_aspace_0712873779c6b2937c7d87feadb2097f","_root_":"d04cab8476f09c07fda6d350","_version_":1870846317419298816,"timestamp":"2026-07-16T05:01:22.860Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d04cab8476f09c07fda6d350","title_ssm":["Florida Southern College Vagabonds Records"],"title_tesim":["Florida Southern College Vagabonds Records"],"ead_ssi":"d04cab8476f09c07fda6d350","unitdate_ssm":["1926-2025"],"unitdate_inclusive_ssm":["1926-2025"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["CA8020","/repositories/4/resources/42"],"text":["CA8020","/repositories/4/resources/42","Florida Southern College Vagabonds Records, 1926-2025","College theater","Student organizations","Performing arts","Florida Southern College--Students.","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.","The materials in this collection are arranged alphabetically by name of program/performance.","Vagabonds is a campus organization for those interested in theatre, theatre production, and dance. Vagabonds raises awareness for the performing arts represented on campus. Vagabond members are not limited to just students of the performing arts departments but also to those who enjoy and appreciate the performing arts. The Vagabonds is the oldest student organization on campus. It provides performance opportunities in lab productions, improv, and student cabarets.","This collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record.","The records of the Vagabonds organization contain playbills and other promotional materials; photographs; scripts; newspaper articles; and sketches. While there are materials dating back to the begninnings of the organization in 1926, the bulk of the material is from the 1940s through the prsent day. ","As these are college records, the archives is still actively collecting material at the end of each Vagabonds season. ","The Vagabonds Records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions - archives@flsouthern.edu.","The Florida Southern College Archives","Florida Southern College","English"],"unitid_tesim":["CA8020","/repositories/4/resources/42"],"normalized_date_ssm":["1926-2025"],"normalized_title_ssm":["Florida Southern College Vagabonds Records, 1926-2025"],"collection_title_tesim":["Florida Southern College Vagabonds Records, 1926-2025"],"collection_ssim":["Florida Southern College Vagabonds Records, 1926-2025"],"repository_ssm":["The Florida Southern College Archives"],"repository_ssim":["The Florida Southern College Archives"],"creator_ssm":["Florida Southern College"],"creator_ssim":["Florida Southern College"],"creator_corpname_ssim":["Florida Southern College"],"creators_ssim":["Florida Southern College"],"access_terms_ssm":["The Vagabonds Records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions - archives@flsouthern.edu."],"acqinfo_ssim":["These materials were generated by the college and transferred to the archives upon completion of their active status.\nThis is an active record group and new materials are added periodically."],"access_subjects_ssim":["College theater","Student organizations","Performing arts","Florida Southern College--Students."],"access_subjects_ssm":["College theater","Student organizations","Performing arts","Florida Southern College--Students."],"has_online_content_ssim":["false"],"extent_ssm":["12.9 Linear Feet"],"extent_tesim":["12.9 Linear Feet"],"date_range_isim":[1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged alphabetically by name of program/performance.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection are arranged alphabetically by name of program/performance."],"bioghist_html_tesm":["\u003cp\u003eVagabonds is a campus organization for those interested in theatre, theatre production, and dance. Vagabonds raises awareness for the performing arts represented on campus. Vagabond members are not limited to just students of the performing arts departments but also to those who enjoy and appreciate the performing arts. The Vagabonds is the oldest student organization on campus. It provides performance opportunities in lab productions, improv, and student cabarets.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Vagabonds is a campus organization for those interested in theatre, theatre production, and dance. Vagabonds raises awareness for the performing arts represented on campus. Vagabond members are not limited to just students of the performing arts departments but also to those who enjoy and appreciate the performing arts. The Vagabonds is the oldest student organization on campus. It provides performance opportunities in lab productions, improv, and student cabarets."],"odd_html_tesm":["\u003cp\u003eThis collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["This collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record."],"scopecontent_html_tesm":["\u003cp\u003eThe records of the Vagabonds organization contain playbills and other promotional materials; photographs; scripts; newspaper articles; and sketches. While there are materials dating back to the begninnings of the organization in 1926, the bulk of the material is from the 1940s through the prsent day. \u003c/p\u003e\n","\u003cp\u003eAs these are college records, the archives is still actively collecting material at the end of each Vagabonds season. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The records of the Vagabonds organization contain playbills and other promotional materials; photographs; scripts; newspaper articles; and sketches. While there are materials dating back to the begninnings of the organization in 1926, the bulk of the material is from the 1940s through the prsent day. ","As these are college records, the archives is still actively collecting material at the end of each Vagabonds season. "],"userestrict_html_tesm":["\u003cp\u003eThe Vagabonds Records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions - archives@flsouthern.edu.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Vagabonds Records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions - archives@flsouthern.edu."],"names_ssim":["The Florida Southern College Archives","Florida Southern College"],"corpname_ssim":["The Florida Southern College Archives","Florida Southern College"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":403,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870846317419298816,"_root_":"d04cab8476f09c07fda6d350","timestamp":"2026-07-16T05:01:22.860Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d04cab8476f09c07fda6d350_aspace_80a940546d4772bd70a89a0e72cebd29"}},{"id":"5bfec06960a94373aa1cd96c_aspace_bc939d6d2ea923db4c2e695b121c6efc","type":"File","attributes":{"title":"Elgo art printed materials, 2013","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5bfec06960a94373aa1cd96c_aspace_bc939d6d2ea923db4c2e695b121c6efc#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_bc939d6d2ea923db4c2e695b121c6efc","ref_ssm":["aspace_bc939d6d2ea923db4c2e695b121c6efc","aspace_bc939d6d2ea923db4c2e695b121c6efc"],"id":"5bfec06960a94373aa1cd96c_aspace_bc939d6d2ea923db4c2e695b121c6efc","title_filing_ssi":"Elgo art printed materials","title_ssm":["Elgo art printed materials"],"title_tesim":["Elgo art printed materials"],"unitdate_other_ssim":["2013"],"normalized_date_ssm":["2013"],"normalized_title_ssm":["Elgo art printed materials, 2013"],"text":["Elgo art printed materials, 2013","Samuel F. Morrison Collection, Circa 1936-2021","Printed Materials","General","/repositories/2/archival_objects/3046","box 17","folder 13"],"component_level_isim":[3],"parent_ids_ssim":["5bfec06960a94373aa1cd96c","5bfec06960a94373aa1cd96c_aspace_1df4619bb4b3f9301c74b4946784b4dc","5bfec06960a94373aa1cd96c_aspace_33b40bf218eadac9cc8a2973a3003104"],"parent_unittitles_ssm":["Samuel F. Morrison Collection, Circa 1936-2021","Printed Materials","General"],"parent_unittitles_tesim":["Samuel F. Morrison Collection, Circa 1936-2021","Printed Materials","General"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/3046"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Samuel F. Morrison Collection, Circa 1936-2021"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":394,"parent_access_terms_tesm":["The Samuel F. Morrison Collection is open for research."],"date_range_isim":[2013],"containers_ssim":["box 17","folder 13"],"_nest_path_":"/components#4/components#0/components#26","_nest_parent_":"5bfec06960a94373aa1cd96c_aspace_33b40bf218eadac9cc8a2973a3003104","_root_":"5bfec06960a94373aa1cd96c","_version_":1876455835659403264,"timestamp":"2026-09-16T03:02:16.331Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5bfec06960a94373aa1cd96c","title_filing_ssi":"Morrison, Samuel F. Collection","title_ssm":["Samuel F. Morrison Collection"],"title_tesim":["Samuel F. Morrison Collection"],"ead_ssi":"5bfec06960a94373aa1cd96c","unitdate_ssm":["Circa 1936-2021"],"unitdate_inclusive_ssm":["Circa 1936-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2003.27","/repositories/2/resources/28"],"text":["AARLCC.2003.27","/repositories/2/resources/28","Samuel F. Morrison Collection, Circa 1936-2021","Morrison, Samuel F., 1936- -- Correspondence","African American librarians","Library directors","Public libraries -- Florida -- Fort Lauderdale","Public libraries -- Florida -- Frostproof","Photographs","Certificates","plaques (flat objects)","scrapbooks","Clippings","Ephemera","Periodicals","videocassettes","Sound recordings","The collection is arranged into 9 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs and Scrapbooks, Series V. Printed Materials, Series VI. Awards, Series VII. Ephemera, Series VIII. Artwork, and Series IX. Audio-Visual Materials.","Samuel F. Morrison was born in Flagstaff, Arizona on December 19, 1936 to parents Travis Morrison (1909-1953) and Esther Porter (1919-circa 2000). He had one sister, Pearl Lorraine Morrison Pitts (1938-1964). His father divorced Esther and married his second wife Ruth Swain (1911-1990). Morrison was primarily raised in Phoenix, Arizona. His family moved several times due to his father's job at munitions plants. He graduated from Compton High School in Los Angeles, California in 1952. Morrison earned an associate degree from Compton Junior College in 1955. Morrison entered the United States Air Force and served from 1955 to 1959. For three of those years in the service, he was stationed in Morocco and helped manage the library on the Air Force base. In 1970, he received his bachelor's degree in English from California State University. Morrison earned a Master's degree in Library Science from the University of Illinois at Urbana–Champaign in 1972 and attended the John F. Kennedy School of Government at Harvard University completing coursework in 1989. ","From 1972-1974, Morrison worked as a library director at the Frostproof Living Learning Library Center in Frostproof, Florida. He built a library and initiated outreach services for the African American and Hispanic migrant communities. In 1974, Morrison became the assistant director of Broward County Library in Broward County, Florida and served as deputy director from 1976-1987. He assisted in the growth of Broward County Library from 2 branches to 25 branches during this time. He also managed the formation of the new Main Library branch in downtown Fort Lauderdale, Florida.","Morrison lead in the construction of the Chicago Public Library's Harold Washington Library Center and became the library's chief director from 1987 to 1990. In 1990, Morrison returned to Broward County as director of Broward County Library and worked in that position until his retirement in 2003. Under his leadership, Broward County Library was awarded \"Library of the Year\" in 1996 and grew to 38 branches. During his tenure as director, Morrison fundraised for the creation of the African American Research Library and Cultural Center, which serves as a public library as well as a special collections research center dedicated to the history and culture of the African diaspora. He attended the library's groundbreaking ceremony on October 23, 1999 and opening day on October 26, 2002.","Samuel F. Morrison actively participated in local and national organizations during his career. He served in the Fort Lauderdale Chapter of the NAACP, Urban League of Broward County, Florida Library Association (FLA), and American Library Association (ALA). He was president of the Florida Library Association in 1981. Morrison received awards and recognition including the FLA Lifetime Achievement Award, DEMCO/ALA Black Caucus Award for Excellence in Librarianship, Leadership Foundation Broward \"Leader of the Year\" Award, and the African American Achievers Award.","Morrison married Judith Moore in 1964 and divorced in 1985. He and his former wife had no children.\n ","This collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Samuel F. Morrison Collection in the Broward County Library Digital Archives.","The Samuel F. Morrison Collection is comprised of materials primarily dating from the 1970s to 2010s including correspondence, books, professional and personal papers, photographs, scrapbooks, plaques, ephemera, artwork, vinyl records, and VHS tapes. These materials document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the establishment of the Chicago Public Library's Harold Washington Library Center. The collection also contains materials related to Morrison's roles as director of the Frostproof Living Learning Library Center in Frostproof, Florida from 1972 to 1974, the assistant/deputy director of Broward County Library in Broward County, Florida from 1974 to 1987, the Chicago Public Library's Harold Washington Library Center's chief director from 1987 to 1990, and Director of the Broward County Library from 1990 to 2003. Also included are items related to Morrison's participation and leadership in local and national organizations.","Books from the Morrison collection were cataloged in the Broward County Library catalog with the prefix \"SFM\".","The Samuel F. Morrison Collection is open for research.","The Samuel F. Morrison Collection contains materials primarily dating from the 1970s to 2010s that document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the Chicago Public Library's Harold Washington Library Center.","AARLCC Special Collections","Broward County Library","African American Research Library and Cultural Center","Chicago Public Library. Harold Washington Library Center","Morrison, Samuel F., 1936-","English"],"unitid_tesim":["AARLCC.2003.27","/repositories/2/resources/28"],"normalized_date_ssm":["Circa 1936-2021"],"normalized_title_ssm":["Samuel F. Morrison Collection, Circa 1936-2021"],"collection_title_tesim":["Samuel F. Morrison Collection, Circa 1936-2021"],"collection_ssim":["Samuel F. Morrison Collection, Circa 1936-2021"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"access_terms_ssm":["The Samuel F. Morrison Collection is open for research."],"acqinfo_ssim":["Samuel F. Morrison donated the materials to the AARLCC Special Collections."],"access_subjects_ssim":["Morrison, Samuel F., 1936- -- Correspondence","African American librarians","Library directors","Public libraries -- Florida -- Fort Lauderdale","Public libraries -- Florida -- Frostproof","Photographs","Certificates","plaques (flat objects)","scrapbooks","Clippings","Ephemera","Periodicals","videocassettes","Sound recordings"],"access_subjects_ssm":["Morrison, Samuel F., 1936- -- Correspondence","African American librarians","Library directors","Public libraries -- Florida -- Fort Lauderdale","Public libraries -- Florida -- Frostproof","Photographs","Certificates","plaques (flat objects)","scrapbooks","Clippings","Ephemera","Periodicals","videocassettes","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["67 Hollinger Boxes"],"extent_tesim":["67 Hollinger Boxes"],"genreform_ssim":["Photographs","Certificates","plaques (flat objects)","scrapbooks","Clippings","Ephemera","Periodicals","videocassettes","Sound recordings"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 9 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs and Scrapbooks, Series V. Printed Materials, Series VI. Awards, Series VII. Ephemera, Series VIII. Artwork, and Series IX. Audio-Visual Materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 9 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs and Scrapbooks, Series V. Printed Materials, Series VI. Awards, Series VII. Ephemera, Series VIII. Artwork, and Series IX. Audio-Visual Materials."],"bioghist_html_tesm":["\u003cp\u003eSamuel F. Morrison was born in Flagstaff, Arizona on December 19, 1936 to parents Travis Morrison (1909-1953) and Esther Porter (1919-circa 2000). He had one sister, Pearl Lorraine Morrison Pitts (1938-1964). His father divorced Esther and married his second wife Ruth Swain (1911-1990). Morrison was primarily raised in Phoenix, Arizona. His family moved several times due to his father's job at munitions plants. He graduated from Compton High School in Los Angeles, California in 1952. Morrison earned an associate degree from Compton Junior College in 1955. Morrison entered the United States Air Force and served from 1955 to 1959. For three of those years in the service, he was stationed in Morocco and helped manage the library on the Air Force base. In 1970, he received his bachelor's degree in English from California State University. Morrison earned a Master's degree in Library Science from the University of Illinois at Urbana\u0026#x2013;Champaign in 1972 and attended the John F. Kennedy School of Government at Harvard University completing coursework in 1989. \u003c/p\u003e\n","\u003cp\u003eFrom 1972-1974, Morrison worked as a library director at the Frostproof Living Learning Library Center in Frostproof, Florida. He built a library and initiated outreach services for the African American and Hispanic migrant communities. In 1974, Morrison became the assistant director of Broward County Library in Broward County, Florida and served as deputy director from 1976-1987. He assisted in the growth of Broward County Library from 2 branches to 25 branches during this time. He also managed the formation of the new Main Library branch in downtown Fort Lauderdale, Florida.\u003c/p\u003e\n","\u003cp\u003eMorrison lead in the construction of the Chicago Public Library's Harold Washington Library Center and became the library's chief director from 1987 to 1990. In 1990, Morrison returned to Broward County as director of Broward County Library and worked in that position until his retirement in 2003. Under his leadership, Broward County Library was awarded \"Library of the Year\" in 1996 and grew to 38 branches. During his tenure as director, Morrison fundraised for the creation of the African American Research Library and Cultural Center, which serves as a public library as well as a special collections research center dedicated to the history and culture of the African diaspora. He attended the library's groundbreaking ceremony on October 23, 1999 and opening day on October 26, 2002.\u003c/p\u003e\n","\u003cp\u003eSamuel F. Morrison actively participated in local and national organizations during his career. He served in the Fort Lauderdale Chapter of the NAACP, Urban League of Broward County, Florida Library Association (FLA), and American Library Association (ALA). He was president of the Florida Library Association in 1981. Morrison received awards and recognition including the FLA Lifetime Achievement Award, DEMCO/ALA Black Caucus Award for Excellence in Librarianship, Leadership Foundation Broward \"Leader of the Year\" Award, and the African American Achievers Award.\u003c/p\u003e\n","\u003cp\u003eMorrison married Judith Moore in 1964 and divorced in 1985. He and his former wife had no children.\n \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Samuel F. Morrison was born in Flagstaff, Arizona on December 19, 1936 to parents Travis Morrison (1909-1953) and Esther Porter (1919-circa 2000). He had one sister, Pearl Lorraine Morrison Pitts (1938-1964). His father divorced Esther and married his second wife Ruth Swain (1911-1990). Morrison was primarily raised in Phoenix, Arizona. His family moved several times due to his father's job at munitions plants. He graduated from Compton High School in Los Angeles, California in 1952. Morrison earned an associate degree from Compton Junior College in 1955. Morrison entered the United States Air Force and served from 1955 to 1959. For three of those years in the service, he was stationed in Morocco and helped manage the library on the Air Force base. In 1970, he received his bachelor's degree in English from California State University. Morrison earned a Master's degree in Library Science from the University of Illinois at Urbana–Champaign in 1972 and attended the John F. Kennedy School of Government at Harvard University completing coursework in 1989. ","From 1972-1974, Morrison worked as a library director at the Frostproof Living Learning Library Center in Frostproof, Florida. He built a library and initiated outreach services for the African American and Hispanic migrant communities. In 1974, Morrison became the assistant director of Broward County Library in Broward County, Florida and served as deputy director from 1976-1987. He assisted in the growth of Broward County Library from 2 branches to 25 branches during this time. He also managed the formation of the new Main Library branch in downtown Fort Lauderdale, Florida.","Morrison lead in the construction of the Chicago Public Library's Harold Washington Library Center and became the library's chief director from 1987 to 1990. In 1990, Morrison returned to Broward County as director of Broward County Library and worked in that position until his retirement in 2003. Under his leadership, Broward County Library was awarded \"Library of the Year\" in 1996 and grew to 38 branches. During his tenure as director, Morrison fundraised for the creation of the African American Research Library and Cultural Center, which serves as a public library as well as a special collections research center dedicated to the history and culture of the African diaspora. He attended the library's groundbreaking ceremony on October 23, 1999 and opening day on October 26, 2002.","Samuel F. Morrison actively participated in local and national organizations during his career. He served in the Fort Lauderdale Chapter of the NAACP, Urban League of Broward County, Florida Library Association (FLA), and American Library Association (ALA). He was president of the Florida Library Association in 1981. Morrison received awards and recognition including the FLA Lifetime Achievement Award, DEMCO/ALA Black Caucus Award for Excellence in Librarianship, Leadership Foundation Broward \"Leader of the Year\" Award, and the African American Achievers Award.","Morrison married Judith Moore in 1964 and divorced in 1985. He and his former wife had no children.\n "],"prefercite_html_tesm":["\u003cp\u003eSamuel F. Morrison Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Samuel F. Morrison Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll26/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Samuel F. Morrison Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digitized Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Samuel F. Morrison Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Samuel F. Morrison Collection is comprised of materials primarily dating from the 1970s to 2010s including correspondence, books, professional and personal papers, photographs, scrapbooks, plaques, ephemera, artwork, vinyl records, and VHS tapes. These materials document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the establishment of the Chicago Public Library's Harold Washington Library Center. The collection also contains materials related to Morrison's roles as director of the Frostproof Living Learning Library Center in Frostproof, Florida from 1972 to 1974, the assistant/deputy director of Broward County Library in Broward County, Florida from 1974 to 1987, the Chicago Public Library's Harold Washington Library Center's chief director from 1987 to 1990, and Director of the Broward County Library from 1990 to 2003. Also included are items related to Morrison's participation and leadership in local and national organizations.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Samuel F. Morrison Collection is comprised of materials primarily dating from the 1970s to 2010s including correspondence, books, professional and personal papers, photographs, scrapbooks, plaques, ephemera, artwork, vinyl records, and VHS tapes. These materials document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the establishment of the Chicago Public Library's Harold Washington Library Center. The collection also contains materials related to Morrison's roles as director of the Frostproof Living Learning Library Center in Frostproof, Florida from 1972 to 1974, the assistant/deputy director of Broward County Library in Broward County, Florida from 1974 to 1987, the Chicago Public Library's Harold Washington Library Center's chief director from 1987 to 1990, and Director of the Broward County Library from 1990 to 2003. Also included are items related to Morrison's participation and leadership in local and national organizations."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default\" target=\"_blank\"\u003eBooks from the Morrison collection were cataloged in the Broward County Library catalog with the prefix \"SFM\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books from the Morrison collection were cataloged in the Broward County Library catalog with the prefix \"SFM\"."],"userestrict_html_tesm":["\u003cp\u003eThe Samuel F. Morrison Collection is open for research.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Samuel F. Morrison Collection is open for research."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2606958532f5daaff3ca0844861a4b4\"\u003eThe Samuel F. Morrison Collection contains materials primarily dating from the 1970s to 2010s that document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the Chicago Public Library's Harold Washington Library Center.\u003c/abstract\u003e"],"abstract_tesim":["The Samuel F. Morrison Collection contains materials primarily dating from the 1970s to 2010s that document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the Chicago Public Library's Harold Washington Library Center."],"names_coll_ssim":["Broward County Library","African American Research Library and Cultural Center","Chicago Public Library. Harold Washington Library Center","Morrison, Samuel F., 1936-"],"names_ssim":["AARLCC Special Collections","Broward County Library","African American Research Library and Cultural Center","Chicago Public Library. Harold Washington Library Center","Morrison, Samuel F., 1936-"],"corpname_ssim":["AARLCC Special Collections","Broward County Library","African American Research Library and Cultural Center","Chicago Public Library. Harold Washington Library Center"],"persname_ssim":["Morrison, Samuel F., 1936-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":782,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455835659403264,"_root_":"5bfec06960a94373aa1cd96c","timestamp":"2026-09-16T03:02:16.331Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5bfec06960a94373aa1cd96c_aspace_bc939d6d2ea923db4c2e695b121c6efc"}},{"id":"cbc2a7b19233380ee50dea36","type":"collection","attributes":{"title":"Elizabeth Lee Barron collection of children's literature prints, 1922-2016, Date acquired: 04/05/2018","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/cbc2a7b19233380ee50dea36#creator","type":"document_value","attributes":{"value":["Barron, Elizabeth Lee"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/cbc2a7b19233380ee50dea36#abstract_or_scope","type":"document_value","attributes":{"value":["This collection includes four color prints collected and donated by Elizabeth Lee Barron, a librarian employed by the University of Tampa. The framed prints in the collection are reproductions of illustrations from 20th and 21st century children's literature books. Two of the prints are signed by the artist. 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Cataloged materials, including books, advanced reader copies, and manuscripts are hyperlinked to records available in the USF Libraries catalog.","USF Libraries - Tampa Special Collections","Hopkins, Ellen ","English"],"unitid_tesim":["MS-2023-01","/repositories/2/resources/615"],"normalized_date_ssm":["1992-2022"],"normalized_title_ssm":["Ellen Hopkins collection, 1992-2022"],"collection_title_tesim":["Ellen Hopkins collection, 1992-2022"],"collection_ssim":["Ellen Hopkins collection, 1992-2022"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Hopkins, Ellen "],"creator_ssim":["Hopkins, Ellen "],"creator_persname_ssim":["Hopkins, Ellen "],"creators_ssim":["Hopkins, Ellen "],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Young adult fiction -- Publishing -- United States","Children's literature, American","Children's literature"],"access_subjects_ssm":["Young adult fiction -- Publishing -- United States","Children's literature, American","Children's literature"],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes","1.5 Linear Feet"],"extent_tesim":["3 boxes","1.5 Linear Feet"],"date_range_isim":[1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"arrangement_html_tesm":["\u003cp\u003eMaterial is arranged according to format.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Material is arranged according to format."],"bioghist_html_tesm":["\u003cp\u003e\"Ellen Hopkins is a poet, freelance writer, and the award-winning author of twenty nonfiction titles, three novels for adults, and thirteen NY Times Bestselling novels-in-verse. She has published hundreds of articles on subjects ranging from aviation to child abuse to winegrowing. Ellen is a regular speaker at schools, book festivals and writers conferences across the US, and now throughout the world.\"\u003c/p\u003e\n","\u003cp\u003eBiography courtesy of the author's website: http://www.ellenhopkinsbooks.com/about.html. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"Ellen Hopkins is a poet, freelance writer, and the award-winning author of twenty nonfiction titles, three novels for adults, and thirteen NY Times Bestselling novels-in-verse. She has published hundreds of articles on subjects ranging from aviation to child abuse to winegrowing. Ellen is a regular speaker at schools, book festivals and writers conferences across the US, and now throughout the world.\"","Biography courtesy of the author's website: http://www.ellenhopkinsbooks.com/about.html. "],"prefercite_html_tesm":["\u003cp\u003eEllen Hopkins collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Ellen Hopkins collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of book proposals, promotional and publishing materials, research files, royalty statements, contracts and licensing agreements, and other documents related to the career of young adult and children's author Ellen Hopkins.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of book proposals, promotional and publishing materials, research files, royalty statements, contracts and licensing agreements, and other documents related to the career of young adult and children's author Ellen Hopkins."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a5fe165276609c1a2d52361a1c4355b9\"\u003eThe Ellen Hopkins collection consists of archival materials, typescripts, and published materials donated by Hopkins, a children's and young adult author. Cataloged materials, including books, advanced reader copies, and manuscripts are hyperlinked to records available in the USF Libraries catalog.\u003c/abstract\u003e"],"abstract_tesim":["The Ellen Hopkins collection consists of archival materials, typescripts, and published materials donated by Hopkins, a children's and young adult author. Cataloged materials, including books, advanced reader copies, and manuscripts are hyperlinked to records available in the USF Libraries catalog."],"names_ssim":["USF Libraries - Tampa Special Collections","Hopkins, Ellen "],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Hopkins, Ellen "],"language_ssim":["English"],"total_component_count_is":53,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"b4e09e71e9784c956bc8f51e","timestamp":"2026-07-11T04:48:20.249Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b4e09e71e9784c956bc8f51e"}},{"id":"6a3439ec5b142fcb048b4e8a","type":"collection","attributes":{"title":"Ellen Peterson Legacy Collection, 1923-2018","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/6a3439ec5b142fcb048b4e8a#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection includes the scrapbook and journal from her bike trip, family photos, and correspondence from various stages of her life. Also included are projector slides, Sierra Club awards, an energy map of Southwest Florida, posters, bumper stickers, Happehatchee flyers, and pictures of her Florida home, which later became a part of Happehatchee. The largest part of this collection is the newspapers documenting her effort to save the planet.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6a3439ec5b142fcb048b4e8a#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"6a3439ec5b142fcb048b4e8a","title_ssm":["Ellen Peterson Legacy Collection"],"title_tesim":["Ellen Peterson Legacy Collection"],"ead_ssi":"6a3439ec5b142fcb048b4e8a","unitdate_ssm":["1923-2018"],"unitdate_inclusive_ssm":["1923-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/14","/repositories/2/resources/25"],"text":["02/01/14","/repositories/2/resources/25","Ellen Peterson Legacy Collection, 1923-2018","Estero (Fla.)","Sierra Club","Environment","Activists","Women's Rights Advocates","Social science.","Environmental science.","Political science.","Entrepreneurship.","The collection is open for research.","Organized in five series: Series 1, Ellen Peterson Materials; Series 2, Happehatchee Papers; Series 3, Audiovisual Materials; Series 4, Ephemera; Series 5, Photos.","Ellen Peterson, formerly Ellen Salisbury and Ellen Welch, was a woman before her time. From traveling across the country on a bike in her twenties to becoming a staunch environmentalists later in life, she cemented her legacy in the creation of the Happehatchee Center in Estero, Florida to inspire peace and healing. Ellen was heavily involved with saving Fisheating Creek in Florida, and continued to raise awareness about climate change and the environment until her parting.","This collection includes the scrapbook and journal from her bike trip, family photos, and correspondence from various stages of her life. Also included are projector slides, Sierra Club awards, an energy map of Southwest Florida, posters, bumper stickers, Happehatchee flyers, and pictures of her Florida home, which later became a part of Happehatchee. The largest part of this collection is the newspapers documenting her effort to save the planet.","Range: 8B, Section: 3, Shelf: 1-3","Florida Gulf Coast University Special Collections","Peterson, Ellen","English"],"unitid_tesim":["02/01/14","/repositories/2/resources/25"],"normalized_date_ssm":["1923-2018"],"normalized_title_ssm":["Ellen Peterson Legacy Collection, 1923-2018"],"collection_title_tesim":["Ellen Peterson Legacy Collection, 1923-2018"],"collection_ssim":["Ellen Peterson Legacy Collection, 1923-2018"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Estero (Fla.)","Sierra Club"],"geogname_ssim":["Estero (Fla.)","Sierra Club"],"places_ssim":["Estero (Fla.)","Sierra Club"],"access_subjects_ssim":["Environment","Activists","Women's Rights Advocates","Social science.","Environmental science.","Political science.","Entrepreneurship."],"access_subjects_ssm":["Environment","Activists","Women's Rights Advocates","Social science.","Environmental science.","Political science.","Entrepreneurship."],"has_online_content_ssim":["false"],"extent_ssm":["9.00 Linear Feet"],"extent_tesim":["9.00 Linear Feet"],"genreform_ssim":["Social science.","Environmental science.","Political science.","Entrepreneurship."],"date_range_isim":[1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eOrganized in five series: Series 1, Ellen Peterson Materials; Series 2, Happehatchee Papers; Series 3, Audiovisual Materials; Series 4, Ephemera; Series 5, Photos.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in five series: Series 1, Ellen Peterson Materials; Series 2, Happehatchee Papers; Series 3, Audiovisual Materials; Series 4, Ephemera; Series 5, Photos."],"bioghist_html_tesm":["\u003cp\u003eEllen Peterson, formerly Ellen Salisbury and Ellen Welch, was a woman before her time. From traveling across the country on a bike in her twenties to becoming a staunch environmentalists later in life, she cemented her legacy in the creation of the Happehatchee Center in Estero, Florida to inspire peace and healing. Ellen was heavily involved with saving Fisheating Creek in Florida, and continued to raise awareness about climate change and the environment until her parting.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ellen Peterson, formerly Ellen Salisbury and Ellen Welch, was a woman before her time. From traveling across the country on a bike in her twenties to becoming a staunch environmentalists later in life, she cemented her legacy in the creation of the Happehatchee Center in Estero, Florida to inspire peace and healing. Ellen was heavily involved with saving Fisheating Creek in Florida, and continued to raise awareness about climate change and the environment until her parting."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes the scrapbook and journal from her bike trip, family photos, and correspondence from various stages of her life. Also included are projector slides, Sierra Club awards, an energy map of Southwest Florida, posters, bumper stickers, Happehatchee flyers, and pictures of her Florida home, which later became a part of Happehatchee. The largest part of this collection is the newspapers documenting her effort to save the planet.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes the scrapbook and journal from her bike trip, family photos, and correspondence from various stages of her life. Also included are projector slides, Sierra Club awards, an energy map of Southwest Florida, posters, bumper stickers, Happehatchee flyers, and pictures of her Florida home, which later became a part of Happehatchee. The largest part of this collection is the newspapers documenting her effort to save the planet."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f55c00ea5009819167911e4326a3f251\"\u003eRange: 8B, Section: 3, Shelf: 1-3\u003c/physloc\u003e"],"physloc_tesim":["Range: 8B, Section: 3, Shelf: 1-3"],"names_ssim":["Florida Gulf Coast University Special Collections","Peterson, Ellen"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"names_coll_ssim":["Peterson, Ellen"],"persname_ssim":["Peterson, Ellen"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":278,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877728880174825472,"_root_":"6a3439ec5b142fcb048b4e8a","timestamp":"2026-09-30T04:16:46.193Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6a3439ec5b142fcb048b4e8a","title_ssm":["Ellen Peterson Legacy Collection"],"title_tesim":["Ellen Peterson Legacy Collection"],"ead_ssi":"6a3439ec5b142fcb048b4e8a","unitdate_ssm":["1923-2018"],"unitdate_inclusive_ssm":["1923-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/14","/repositories/2/resources/25"],"text":["02/01/14","/repositories/2/resources/25","Ellen Peterson Legacy Collection, 1923-2018","Estero (Fla.)","Sierra Club","Environment","Activists","Women's Rights Advocates","Social science.","Environmental science.","Political science.","Entrepreneurship.","The collection is open for research.","Organized in five series: Series 1, Ellen Peterson Materials; Series 2, Happehatchee Papers; Series 3, Audiovisual Materials; Series 4, Ephemera; Series 5, Photos.","Ellen Peterson, formerly Ellen Salisbury and Ellen Welch, was a woman before her time. From traveling across the country on a bike in her twenties to becoming a staunch environmentalists later in life, she cemented her legacy in the creation of the Happehatchee Center in Estero, Florida to inspire peace and healing. Ellen was heavily involved with saving Fisheating Creek in Florida, and continued to raise awareness about climate change and the environment until her parting.","This collection includes the scrapbook and journal from her bike trip, family photos, and correspondence from various stages of her life. Also included are projector slides, Sierra Club awards, an energy map of Southwest Florida, posters, bumper stickers, Happehatchee flyers, and pictures of her Florida home, which later became a part of Happehatchee. The largest part of this collection is the newspapers documenting her effort to save the planet.","Range: 8B, Section: 3, Shelf: 1-3","Florida Gulf Coast University Special Collections","Peterson, Ellen","English"],"unitid_tesim":["02/01/14","/repositories/2/resources/25"],"normalized_date_ssm":["1923-2018"],"normalized_title_ssm":["Ellen Peterson Legacy Collection, 1923-2018"],"collection_title_tesim":["Ellen Peterson Legacy Collection, 1923-2018"],"collection_ssim":["Ellen Peterson Legacy Collection, 1923-2018"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Estero (Fla.)","Sierra Club"],"geogname_ssim":["Estero (Fla.)","Sierra Club"],"places_ssim":["Estero (Fla.)","Sierra Club"],"access_subjects_ssim":["Environment","Activists","Women's Rights Advocates","Social science.","Environmental science.","Political science.","Entrepreneurship."],"access_subjects_ssm":["Environment","Activists","Women's Rights Advocates","Social science.","Environmental science.","Political science.","Entrepreneurship."],"has_online_content_ssim":["false"],"extent_ssm":["9.00 Linear Feet"],"extent_tesim":["9.00 Linear Feet"],"genreform_ssim":["Social science.","Environmental science.","Political science.","Entrepreneurship."],"date_range_isim":[1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eOrganized in five series: Series 1, Ellen Peterson Materials; Series 2, Happehatchee Papers; Series 3, Audiovisual Materials; Series 4, Ephemera; Series 5, Photos.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in five series: Series 1, Ellen Peterson Materials; Series 2, Happehatchee Papers; Series 3, Audiovisual Materials; Series 4, Ephemera; Series 5, Photos."],"bioghist_html_tesm":["\u003cp\u003eEllen Peterson, formerly Ellen Salisbury and Ellen Welch, was a woman before her time. 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Ellen was heavily involved with saving Fisheating Creek in Florida, and continued to raise awareness about climate change and the environment until her parting."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes the scrapbook and journal from her bike trip, family photos, and correspondence from various stages of her life. Also included are projector slides, Sierra Club awards, an energy map of Southwest Florida, posters, bumper stickers, Happehatchee flyers, and pictures of her Florida home, which later became a part of Happehatchee. The largest part of this collection is the newspapers documenting her effort to save the planet.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes the scrapbook and journal from her bike trip, family photos, and correspondence from various stages of her life. Also included are projector slides, Sierra Club awards, an energy map of Southwest Florida, posters, bumper stickers, Happehatchee flyers, and pictures of her Florida home, which later became a part of Happehatchee. The largest part of this collection is the newspapers documenting her effort to save the planet."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f55c00ea5009819167911e4326a3f251\"\u003eRange: 8B, Section: 3, Shelf: 1-3\u003c/physloc\u003e"],"physloc_tesim":["Range: 8B, Section: 3, Shelf: 1-3"],"names_ssim":["Florida Gulf Coast University Special Collections","Peterson, Ellen"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"names_coll_ssim":["Peterson, Ellen"],"persname_ssim":["Peterson, Ellen"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":278,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877728880174825472,"_root_":"6a3439ec5b142fcb048b4e8a","timestamp":"2026-09-30T04:16:46.193Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6a3439ec5b142fcb048b4e8a"}},{"id":"f48cf0a85007cff24b74e9a5_aspace_f3884db6554d4bcbdaebeb0cea4727d6","type":"File","attributes":{"title":"Emails, 2010-2017","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f48cf0a85007cff24b74e9a5_aspace_f3884db6554d4bcbdaebeb0cea4727d6#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_f3884db6554d4bcbdaebeb0cea4727d6","ref_ssm":["aspace_f3884db6554d4bcbdaebeb0cea4727d6","aspace_f3884db6554d4bcbdaebeb0cea4727d6"],"id":"f48cf0a85007cff24b74e9a5_aspace_f3884db6554d4bcbdaebeb0cea4727d6","title_filing_ssi":"Emails","title_ssm":["Emails"],"title_tesim":["Emails"],"unitdate_inclusive_ssm":["2010-2017"],"normalized_date_ssm":["2010-2017"],"normalized_title_ssm":["Emails, 2010-2017"],"text":["Emails, 2010-2017","Pierre Mathurin collection, Date Acquired: 2020-02-05","Busch Gardens","Employee Correspondence","Folder 4","/repositories/2/archival_objects/171548","box 10","folder 4"],"component_level_isim":[3],"parent_ids_ssim":["f48cf0a85007cff24b74e9a5","f48cf0a85007cff24b74e9a5_aspace_98ff8b7d1a866f5930f11f9de229bbe0","f48cf0a85007cff24b74e9a5_aspace_da0670a30218b8584c5dfac5dc1dfbe3"],"parent_unittitles_ssm":["Pierre Mathurin collection, Date Acquired: 2020-02-05","Busch Gardens","Employee Correspondence"],"parent_unittitles_tesim":["Pierre Mathurin collection, Date Acquired: 2020-02-05","Busch Gardens","Employee Correspondence"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["Folder 4","/repositories/2/archival_objects/171548"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Pierre Mathurin collection, Date Acquired: 2020-02-05"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":58,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2010,2011,2012,2013,2014,2015,2016,2017],"containers_ssim":["box 10","folder 4"],"_nest_path_":"/components#1/components#5/components#3","_nest_parent_":"f48cf0a85007cff24b74e9a5_aspace_da0670a30218b8584c5dfac5dc1dfbe3","_root_":"f48cf0a85007cff24b74e9a5","timestamp":"2026-07-11T04:48:11.661Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f48cf0a85007cff24b74e9a5","title_ssm":["Pierre Mathurin collection"],"title_tesim":["Pierre Mathurin collection"],"ead_ssi":"f48cf0a85007cff24b74e9a5","unitdate_ssm":["Date Acquired: 2020-02-05"],"unitdate_other_ssim":["Date Acquired: 2020-02-05"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2020-09","/repositories/2/resources/619"],"text":["MS-2020-09","/repositories/2/resources/619","Pierre Mathurin collection, Date Acquired: 2020-02-05","Tampa (Fla.) -- History -- 20th century","Tampa (Fla.) -- History","Transportation","Busch Gardens -- Florida -- Tampa  ","Anheuser-Busch, Inc.","Brewing","Materials are arranged in a series by subject. Within a series, materials are arranged by type.","Life-long resident of Tampa and University of South Florida Alumni, Pierre Mathurin was an employee and ambassador for Busch Gardens in Tampa for over 30 years. His dedication to the Anheuser- Busch property allowed him to document the history of the park and write the manuscript: \"The History of Busch Gardens.\" Mathurin also had a passion for trains and travel which led him to be a longtime member of both the Citizens Advisory Committee of the Metropolitan Planning Organization and the Consumers Advisory Board of the Hillsborough Area Regional Transportation Authority (HART).","Materials in this collection include personal papers, newsletters, pamphlets, corporate documents, newspaper clippings, periodicals, maps, photos, ephemera, post cards, and various artifacts related to Anheuser-Busch Brewing Company and the Anheuser-Busch Amuseument Park properties (Busch Gardens).","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-2020-09","/repositories/2/resources/619"],"normalized_date_ssm":["Date Acquired: 2020-02-05"],"normalized_title_ssm":["Pierre Mathurin collection, Date Acquired: 2020-02-05"],"collection_title_tesim":["Pierre Mathurin collection, Date Acquired: 2020-02-05"],"collection_ssim":["Pierre Mathurin collection, Date Acquired: 2020-02-05"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.) -- History -- 20th century","Tampa (Fla.) -- History"],"geogname_ssim":["Tampa (Fla.) -- History -- 20th century","Tampa (Fla.) -- History"],"places_ssim":["Tampa (Fla.) -- History -- 20th century","Tampa (Fla.) -- History"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Andre Mathurin","Donation"],"access_subjects_ssim":["Transportation","Busch Gardens -- Florida -- Tampa  ","Anheuser-Busch, Inc.","Brewing"],"access_subjects_ssm":["Transportation","Busch Gardens -- Florida -- Tampa  ","Anheuser-Busch, Inc.","Brewing"],"has_online_content_ssim":["false"],"extent_ssm":["15 Linear Feet","22 boxes"],"extent_tesim":["15 Linear Feet","22 boxes"],"date_range_isim":[2020],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged in a series by subject. 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Please contact lib-special@unf.edu to schedule an appointment.","\tRodney L. Hurst Sr., a long time Jacksonville resident, Civil Rights activist and author was born in 1944. After transferring to Isaiah Blocker Junior High School in 1955, at age eleven, his history teacher Rutledge Henry Pearson encouraged him to join the local NAACP Youth Council. By the time he was fifteen, Mr. Hurst was named president of the youth council chapter.","In 1960, Hurst led the lunch counter sit in demonstrations in downtown Jacksonville's shopping districts. The first one began on August 13, 1960. They targeted the Woolworth's counter. In addition, demonstrations were held at Cohen Bros, WT Grant Department Store, Kness Department Store, and McCrory Department Store. \n    \nIn response, the stores closed their lunch counters and thus fueled the tensions that coalesced on August 27 also known as Ax Handle Saturday when 200 segregationists, armed with ax handles and baseball bats attacked 35 members of the NAACP youth council and other Black Americans who happened to be in the area.\n    \nEventually, the police closed off downtown and the sit ins ceased. Then on December 8, 1960, Rodney Hurst was arrested for his part in the demonstrations and charged with instigating a riot.  The charges were dropped after his hearing and was released. By May 16, 1961, all lunch counters in Jacksonville were integrated due to Mr. Hurst and the Youth Council's efforts.\n    \nIn subsequent years, Mr. Hurst sat on the Jacksonville Civil Council and represented District 8 from 1975-1979 and District 10 from 1979-1983. \n    \nLater in 2008, he authored a semi-autobiographical account of his experiences called \"It Was Never About a Hot Dog and a Coke!\" The book garnered recognition at the Sabrina Awards Best Non Fiction and Top Three Pick On July 31st that same year.","In addition, Mr. Hurst received awards for his participation in the 2009 Writer's Digest 16th Annual Self-Published Book awards, the ENAABLE and Blue Cross Blue Shield of Florida Black History Month Celebration. 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