{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2011\u0026page=199\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2011\u0026page=198\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2011\u0026page=199\u0026view=compact"},"meta":{"pages":{"current_page":199,"next_page":null,"prev_page":198,"total_pages":199,"limit_value":10,"offset_value":1980,"total_count":1988,"first_page?":false,"last_page?":true}},"data":[{"id":"cf48ed4297bae054e1b95148_aspace_123974","type":"File","attributes":{"title":"Yearbook, 2011-2023","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cf48ed4297bae054e1b95148_aspace_123974#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_123974","ref_ssm":["aspace_123974","aspace_123974"],"id":"cf48ed4297bae054e1b95148_aspace_123974","title_filing_ssi":"Yearbook","title_ssm":["Yearbook"],"title_tesim":["Yearbook"],"unitdate_inclusive_ssm":["2011-2023"],"normalized_date_ssm":["2011-2023"],"normalized_title_ssm":["Yearbook, 2011-2023"],"text":["Yearbook, 2011-2023","USF Women's Club records, 1960-2023, Date acquired: 00/00/1985","Handbooks \u0026 Yearbooks","Folder 14","/repositories/2/archival_objects/90624","box 1","folder 14"],"component_level_isim":[2],"parent_ids_ssim":["cf48ed4297bae054e1b95148","cf48ed4297bae054e1b95148_aspace_3484"],"parent_unittitles_ssm":["USF Women's Club records, 1960-2023, Date acquired: 00/00/1985","Handbooks \u0026 Yearbooks"],"parent_unittitles_tesim":["USF Women's Club records, 1960-2023, Date acquired: 00/00/1985","Handbooks \u0026 Yearbooks"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Folder 14","/repositories/2/archival_objects/90624"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["USF Women's Club records, 1960-2023, Date acquired: 00/00/1985"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":15,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"containers_ssim":["box 1","folder 14"],"_nest_path_":"/components#0/components#13","_nest_parent_":"cf48ed4297bae054e1b95148_aspace_3484","_root_":"cf48ed4297bae054e1b95148","_version_":1873308493474168832,"timestamp":"2026-08-12T09:16:36.923Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cf48ed4297bae054e1b95148","title_ssm":["USF Women's Club records"],"title_tesim":["USF Women's Club records"],"ead_ssi":"cf48ed4297bae054e1b95148","unitdate_ssm":["1960-2023","Date acquired: 00/00/1985"],"unitdate_inclusive_ssm":["1960-2023"],"unitdate_other_ssim":["Date acquired: 00/00/1985"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1985-07","/repositories/2/resources/411"],"text":["MS-1985-07","/repositories/2/resources/411","USF Women's Club records, 1960-2023, Date acquired: 00/00/1985","Women -- Societies and clubs -- Programs","University of South Florida -- USF Women's Club","Ongoing. 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Metal clips and staples have been removed and replaced with plastic clips."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://www.vcmta.org/\"\u003eVolusia County Music Teachers Association\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1979-01\"\u003eFlorida State Music Teachers Association, 1934-2013\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Volusia County Music Teachers Association","Florida State Music Teachers Association, 1934-2013 ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Organization Files, 1955-2015, consists of files such as correspondence to the organization, meeting notes, minutes, as well as photographs from events and recitals, a few scrapbooks with photographs, news clippings and recital pamphlets, yearbooks dating back to the first year that it was organized.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Organization Files, 1955-2015, consists of files such as correspondence to the organization, meeting notes, minutes, as well as photographs from events and recitals, a few scrapbooks with photographs, news clippings and recital pamphlets, yearbooks dating back to the first year that it was organized."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_cee5a7b39f7e2429e8d9b744c888d3a4\" label=\"Abstract\"\u003eVolusia County Music Teacher Association is an organization that is focused on the enrichment of music studies and opportunities for its members and music students. The collection is comprised of correspondence, meetings, minutes, news clippings, photographs, scrapbooks, and yearbooks from the organization.\u003c/abstract\u003e"],"abstract_tesim":["Volusia County Music Teacher Association is an organization that is focused on the enrichment of music studies and opportunities for its members and music students. The collection is comprised of correspondence, meetings, minutes, news clippings, photographs, scrapbooks, and yearbooks from the organization."],"names_coll_ssim":["Volusia County Music Teachers Association"],"names_ssim":["UCF Special Collections","Volusia County Music Teachers Association"],"corpname_ssim":["UCF Special Collections","Volusia County Music Teachers Association"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":22,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857666918612992,"_root_":"b7cc11bd2ebdc55f95a3022b","timestamp":"2026-07-16T08:01:46.592Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b7cc11bd2ebdc55f95a3022b_aspace_58712"}},{"id":"5bfec06960a94373aa1cd96c_aspace_855b13a4c7f91e0106a3fb07080f9ffb","type":"File","attributes":{"title":"YMCA of Broward County, Circa 2007-2011","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5bfec06960a94373aa1cd96c_aspace_855b13a4c7f91e0106a3fb07080f9ffb#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_855b13a4c7f91e0106a3fb07080f9ffb","ref_ssm":["aspace_855b13a4c7f91e0106a3fb07080f9ffb","aspace_855b13a4c7f91e0106a3fb07080f9ffb"],"id":"5bfec06960a94373aa1cd96c_aspace_855b13a4c7f91e0106a3fb07080f9ffb","title_filing_ssi":"YMCA of Broward County","title_ssm":["YMCA of Broward County"],"title_tesim":["YMCA of Broward County"],"unitdate_inclusive_ssm":["Circa 2007-2011"],"normalized_date_ssm":["Circa 2007-2011"],"normalized_title_ssm":["YMCA of Broward County, Circa 2007-2011"],"text":["YMCA of Broward County, Circa 2007-2011","Samuel F. Morrison Collection, Circa 1936-2021","Correspondence","/repositories/2/archival_objects/2409","box 6","folder 17"],"component_level_isim":[2],"parent_ids_ssim":["5bfec06960a94373aa1cd96c","5bfec06960a94373aa1cd96c_aspace_7b6daf101476f834374f098a005b76d7"],"parent_unittitles_ssm":["Samuel F. Morrison Collection, Circa 1936-2021","Correspondence"],"parent_unittitles_tesim":["Samuel F. Morrison Collection, Circa 1936-2021","Correspondence"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/2409"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Samuel F. Morrison Collection, Circa 1936-2021"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":125,"parent_access_terms_tesm":["The Samuel F. Morrison Collection is open for research."],"date_range_isim":[2007,2008,2009,2010,2011],"containers_ssim":["box 6","folder 17"],"_nest_path_":"/components#0/components#123","_nest_parent_":"5bfec06960a94373aa1cd96c_aspace_7b6daf101476f834374f098a005b76d7","_root_":"5bfec06960a94373aa1cd96c","_version_":1876455835659403264,"timestamp":"2026-09-16T03:02:16.331Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5bfec06960a94373aa1cd96c","title_filing_ssi":"Morrison, Samuel F. Collection","title_ssm":["Samuel F. Morrison Collection"],"title_tesim":["Samuel F. Morrison Collection"],"ead_ssi":"5bfec06960a94373aa1cd96c","unitdate_ssm":["Circa 1936-2021"],"unitdate_inclusive_ssm":["Circa 1936-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2003.27","/repositories/2/resources/28"],"text":["AARLCC.2003.27","/repositories/2/resources/28","Samuel F. Morrison Collection, Circa 1936-2021","Morrison, Samuel F., 1936- -- Correspondence","African American librarians","Library directors","Public libraries -- Florida -- Fort Lauderdale","Public libraries -- Florida -- Frostproof","Photographs","Certificates","plaques (flat objects)","scrapbooks","Clippings","Ephemera","Periodicals","videocassettes","Sound recordings","The collection is arranged into 9 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs and Scrapbooks, Series V. Printed Materials, Series VI. Awards, Series VII. Ephemera, Series VIII. Artwork, and Series IX. Audio-Visual Materials.","Samuel F. Morrison was born in Flagstaff, Arizona on December 19, 1936 to parents Travis Morrison (1909-1953) and Esther Porter (1919-circa 2000). He had one sister, Pearl Lorraine Morrison Pitts (1938-1964). His father divorced Esther and married his second wife Ruth Swain (1911-1990). Morrison was primarily raised in Phoenix, Arizona. His family moved several times due to his father's job at munitions plants. He graduated from Compton High School in Los Angeles, California in 1952. Morrison earned an associate degree from Compton Junior College in 1955. Morrison entered the United States Air Force and served from 1955 to 1959. For three of those years in the service, he was stationed in Morocco and helped manage the library on the Air Force base. In 1970, he received his bachelor's degree in English from California State University. Morrison earned a Master's degree in Library Science from the University of Illinois at Urbana–Champaign in 1972 and attended the John F. Kennedy School of Government at Harvard University completing coursework in 1989. ","From 1972-1974, Morrison worked as a library director at the Frostproof Living Learning Library Center in Frostproof, Florida. He built a library and initiated outreach services for the African American and Hispanic migrant communities. In 1974, Morrison became the assistant director of Broward County Library in Broward County, Florida and served as deputy director from 1976-1987. He assisted in the growth of Broward County Library from 2 branches to 25 branches during this time. He also managed the formation of the new Main Library branch in downtown Fort Lauderdale, Florida.","Morrison lead in the construction of the Chicago Public Library's Harold Washington Library Center and became the library's chief director from 1987 to 1990. In 1990, Morrison returned to Broward County as director of Broward County Library and worked in that position until his retirement in 2003. Under his leadership, Broward County Library was awarded \"Library of the Year\" in 1996 and grew to 38 branches. During his tenure as director, Morrison fundraised for the creation of the African American Research Library and Cultural Center, which serves as a public library as well as a special collections research center dedicated to the history and culture of the African diaspora. He attended the library's groundbreaking ceremony on October 23, 1999 and opening day on October 26, 2002.","Samuel F. Morrison actively participated in local and national organizations during his career. He served in the Fort Lauderdale Chapter of the NAACP, Urban League of Broward County, Florida Library Association (FLA), and American Library Association (ALA). He was president of the Florida Library Association in 1981. Morrison received awards and recognition including the FLA Lifetime Achievement Award, DEMCO/ALA Black Caucus Award for Excellence in Librarianship, Leadership Foundation Broward \"Leader of the Year\" Award, and the African American Achievers Award.","Morrison married Judith Moore in 1964 and divorced in 1985. He and his former wife had no children.\n ","This collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Samuel F. Morrison Collection in the Broward County Library Digital Archives.","The Samuel F. Morrison Collection is comprised of materials primarily dating from the 1970s to 2010s including correspondence, books, professional and personal papers, photographs, scrapbooks, plaques, ephemera, artwork, vinyl records, and VHS tapes. These materials document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the establishment of the Chicago Public Library's Harold Washington Library Center. The collection also contains materials related to Morrison's roles as director of the Frostproof Living Learning Library Center in Frostproof, Florida from 1972 to 1974, the assistant/deputy director of Broward County Library in Broward County, Florida from 1974 to 1987, the Chicago Public Library's Harold Washington Library Center's chief director from 1987 to 1990, and Director of the Broward County Library from 1990 to 2003. Also included are items related to Morrison's participation and leadership in local and national organizations.","Books from the Morrison collection were cataloged in the Broward County Library catalog with the prefix \"SFM\".","The Samuel F. Morrison Collection is open for research.","The Samuel F. Morrison Collection contains materials primarily dating from the 1970s to 2010s that document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the Chicago Public Library's Harold Washington Library Center.","AARLCC Special Collections","Broward County Library","African American Research Library and Cultural Center","Chicago Public Library. Harold Washington Library Center","Morrison, Samuel F., 1936-","English"],"unitid_tesim":["AARLCC.2003.27","/repositories/2/resources/28"],"normalized_date_ssm":["Circa 1936-2021"],"normalized_title_ssm":["Samuel F. Morrison Collection, Circa 1936-2021"],"collection_title_tesim":["Samuel F. Morrison Collection, Circa 1936-2021"],"collection_ssim":["Samuel F. Morrison Collection, Circa 1936-2021"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"access_terms_ssm":["The Samuel F. Morrison Collection is open for research."],"acqinfo_ssim":["Samuel F. Morrison donated the materials to the AARLCC Special Collections."],"access_subjects_ssim":["Morrison, Samuel F., 1936- -- Correspondence","African American librarians","Library directors","Public libraries -- Florida -- Fort Lauderdale","Public libraries -- Florida -- Frostproof","Photographs","Certificates","plaques (flat objects)","scrapbooks","Clippings","Ephemera","Periodicals","videocassettes","Sound recordings"],"access_subjects_ssm":["Morrison, Samuel F., 1936- -- Correspondence","African American librarians","Library directors","Public libraries -- Florida -- Fort Lauderdale","Public libraries -- Florida -- Frostproof","Photographs","Certificates","plaques (flat objects)","scrapbooks","Clippings","Ephemera","Periodicals","videocassettes","Sound recordings"],"has_online_content_ssim":["false"],"extent_ssm":["67 Hollinger Boxes"],"extent_tesim":["67 Hollinger Boxes"],"genreform_ssim":["Photographs","Certificates","plaques (flat objects)","scrapbooks","Clippings","Ephemera","Periodicals","videocassettes","Sound recordings"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 9 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs and Scrapbooks, Series V. Printed Materials, Series VI. Awards, Series VII. Ephemera, Series VIII. Artwork, and Series IX. Audio-Visual Materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 9 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs and Scrapbooks, Series V. Printed Materials, Series VI. Awards, Series VII. Ephemera, Series VIII. Artwork, and Series IX. Audio-Visual Materials."],"bioghist_html_tesm":["\u003cp\u003eSamuel F. Morrison was born in Flagstaff, Arizona on December 19, 1936 to parents Travis Morrison (1909-1953) and Esther Porter (1919-circa 2000). He had one sister, Pearl Lorraine Morrison Pitts (1938-1964). His father divorced Esther and married his second wife Ruth Swain (1911-1990). Morrison was primarily raised in Phoenix, Arizona. His family moved several times due to his father's job at munitions plants. He graduated from Compton High School in Los Angeles, California in 1952. Morrison earned an associate degree from Compton Junior College in 1955. Morrison entered the United States Air Force and served from 1955 to 1959. For three of those years in the service, he was stationed in Morocco and helped manage the library on the Air Force base. In 1970, he received his bachelor's degree in English from California State University. Morrison earned a Master's degree in Library Science from the University of Illinois at Urbana\u0026#x2013;Champaign in 1972 and attended the John F. Kennedy School of Government at Harvard University completing coursework in 1989. \u003c/p\u003e\n","\u003cp\u003eFrom 1972-1974, Morrison worked as a library director at the Frostproof Living Learning Library Center in Frostproof, Florida. He built a library and initiated outreach services for the African American and Hispanic migrant communities. In 1974, Morrison became the assistant director of Broward County Library in Broward County, Florida and served as deputy director from 1976-1987. He assisted in the growth of Broward County Library from 2 branches to 25 branches during this time. He also managed the formation of the new Main Library branch in downtown Fort Lauderdale, Florida.\u003c/p\u003e\n","\u003cp\u003eMorrison lead in the construction of the Chicago Public Library's Harold Washington Library Center and became the library's chief director from 1987 to 1990. In 1990, Morrison returned to Broward County as director of Broward County Library and worked in that position until his retirement in 2003. Under his leadership, Broward County Library was awarded \"Library of the Year\" in 1996 and grew to 38 branches. During his tenure as director, Morrison fundraised for the creation of the African American Research Library and Cultural Center, which serves as a public library as well as a special collections research center dedicated to the history and culture of the African diaspora. He attended the library's groundbreaking ceremony on October 23, 1999 and opening day on October 26, 2002.\u003c/p\u003e\n","\u003cp\u003eSamuel F. Morrison actively participated in local and national organizations during his career. He served in the Fort Lauderdale Chapter of the NAACP, Urban League of Broward County, Florida Library Association (FLA), and American Library Association (ALA). He was president of the Florida Library Association in 1981. Morrison received awards and recognition including the FLA Lifetime Achievement Award, DEMCO/ALA Black Caucus Award for Excellence in Librarianship, Leadership Foundation Broward \"Leader of the Year\" Award, and the African American Achievers Award.\u003c/p\u003e\n","\u003cp\u003eMorrison married Judith Moore in 1964 and divorced in 1985. He and his former wife had no children.\n \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Samuel F. Morrison was born in Flagstaff, Arizona on December 19, 1936 to parents Travis Morrison (1909-1953) and Esther Porter (1919-circa 2000). He had one sister, Pearl Lorraine Morrison Pitts (1938-1964). His father divorced Esther and married his second wife Ruth Swain (1911-1990). Morrison was primarily raised in Phoenix, Arizona. His family moved several times due to his father's job at munitions plants. He graduated from Compton High School in Los Angeles, California in 1952. Morrison earned an associate degree from Compton Junior College in 1955. Morrison entered the United States Air Force and served from 1955 to 1959. For three of those years in the service, he was stationed in Morocco and helped manage the library on the Air Force base. In 1970, he received his bachelor's degree in English from California State University. Morrison earned a Master's degree in Library Science from the University of Illinois at Urbana–Champaign in 1972 and attended the John F. Kennedy School of Government at Harvard University completing coursework in 1989. ","From 1972-1974, Morrison worked as a library director at the Frostproof Living Learning Library Center in Frostproof, Florida. He built a library and initiated outreach services for the African American and Hispanic migrant communities. In 1974, Morrison became the assistant director of Broward County Library in Broward County, Florida and served as deputy director from 1976-1987. He assisted in the growth of Broward County Library from 2 branches to 25 branches during this time. He also managed the formation of the new Main Library branch in downtown Fort Lauderdale, Florida.","Morrison lead in the construction of the Chicago Public Library's Harold Washington Library Center and became the library's chief director from 1987 to 1990. In 1990, Morrison returned to Broward County as director of Broward County Library and worked in that position until his retirement in 2003. Under his leadership, Broward County Library was awarded \"Library of the Year\" in 1996 and grew to 38 branches. During his tenure as director, Morrison fundraised for the creation of the African American Research Library and Cultural Center, which serves as a public library as well as a special collections research center dedicated to the history and culture of the African diaspora. He attended the library's groundbreaking ceremony on October 23, 1999 and opening day on October 26, 2002.","Samuel F. Morrison actively participated in local and national organizations during his career. He served in the Fort Lauderdale Chapter of the NAACP, Urban League of Broward County, Florida Library Association (FLA), and American Library Association (ALA). He was president of the Florida Library Association in 1981. Morrison received awards and recognition including the FLA Lifetime Achievement Award, DEMCO/ALA Black Caucus Award for Excellence in Librarianship, Leadership Foundation Broward \"Leader of the Year\" Award, and the African American Achievers Award.","Morrison married Judith Moore in 1964 and divorced in 1985. He and his former wife had no children.\n "],"prefercite_html_tesm":["\u003cp\u003eSamuel F. Morrison Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Samuel F. Morrison Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll26/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Samuel F. Morrison Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digitized Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Samuel F. Morrison Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Samuel F. Morrison Collection is comprised of materials primarily dating from the 1970s to 2010s including correspondence, books, professional and personal papers, photographs, scrapbooks, plaques, ephemera, artwork, vinyl records, and VHS tapes. These materials document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the establishment of the Chicago Public Library's Harold Washington Library Center. The collection also contains materials related to Morrison's roles as director of the Frostproof Living Learning Library Center in Frostproof, Florida from 1972 to 1974, the assistant/deputy director of Broward County Library in Broward County, Florida from 1974 to 1987, the Chicago Public Library's Harold Washington Library Center's chief director from 1987 to 1990, and Director of the Broward County Library from 1990 to 2003. Also included are items related to Morrison's participation and leadership in local and national organizations.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Samuel F. Morrison Collection is comprised of materials primarily dating from the 1970s to 2010s including correspondence, books, professional and personal papers, photographs, scrapbooks, plaques, ephemera, artwork, vinyl records, and VHS tapes. These materials document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the establishment of the Chicago Public Library's Harold Washington Library Center. The collection also contains materials related to Morrison's roles as director of the Frostproof Living Learning Library Center in Frostproof, Florida from 1972 to 1974, the assistant/deputy director of Broward County Library in Broward County, Florida from 1974 to 1987, the Chicago Public Library's Harold Washington Library Center's chief director from 1987 to 1990, and Director of the Broward County Library from 1990 to 2003. Also included are items related to Morrison's participation and leadership in local and national organizations."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default\" target=\"_blank\"\u003eBooks from the Morrison collection were cataloged in the Broward County Library catalog with the prefix \"SFM\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books from the Morrison collection were cataloged in the Broward County Library catalog with the prefix \"SFM\"."],"userestrict_html_tesm":["\u003cp\u003eThe Samuel F. Morrison Collection is open for research.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Samuel F. Morrison Collection is open for research."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2606958532f5daaff3ca0844861a4b4\"\u003eThe Samuel F. Morrison Collection contains materials primarily dating from the 1970s to 2010s that document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the Chicago Public Library's Harold Washington Library Center.\u003c/abstract\u003e"],"abstract_tesim":["The Samuel F. Morrison Collection contains materials primarily dating from the 1970s to 2010s that document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the Chicago Public Library's Harold Washington Library Center."],"names_coll_ssim":["Broward County Library","African American Research Library and Cultural Center","Chicago Public Library. Harold Washington Library Center","Morrison, Samuel F., 1936-"],"names_ssim":["AARLCC Special Collections","Broward County Library","African American Research Library and Cultural Center","Chicago Public Library. Harold Washington Library Center","Morrison, Samuel F., 1936-"],"corpname_ssim":["AARLCC Special Collections","Broward County Library","African American Research Library and Cultural Center","Chicago Public Library. Harold Washington Library Center"],"persname_ssim":["Morrison, Samuel F., 1936-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":782,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455835659403264,"_root_":"5bfec06960a94373aa1cd96c","timestamp":"2026-09-16T03:02:16.331Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5bfec06960a94373aa1cd96c_aspace_855b13a4c7f91e0106a3fb07080f9ffb"}},{"id":"f632a32cd4f534c5e8722489_aspace_1e86ec8a9be3a0c907766046c54f5935","type":"Folder","attributes":{"title":"\"Young Composers Challenge\" (YCC) Copyright, 2009-2019","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f632a32cd4f534c5e8722489_aspace_1e86ec8a9be3a0c907766046c54f5935#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1e86ec8a9be3a0c907766046c54f5935","ref_ssm":["aspace_1e86ec8a9be3a0c907766046c54f5935","aspace_1e86ec8a9be3a0c907766046c54f5935"],"id":"f632a32cd4f534c5e8722489_aspace_1e86ec8a9be3a0c907766046c54f5935","title_filing_ssi":"\"Young Composers Challenge\" (YCC) Copyright","title_ssm":["\"Young Composers Challenge\" (YCC) Copyright"],"title_tesim":["\"Young Composers Challenge\" (YCC) Copyright"],"unitdate_inclusive_ssm":["2009-2019"],"normalized_date_ssm":["2009-2019"],"normalized_title_ssm":["\"Young Composers Challenge\" (YCC) Copyright, 2009-2019"],"text":["\"Young Composers Challenge\" (YCC) Copyright, 2009-2019","Lisa Mills collection, 1992-2012","Project documents, 2001-2012","Series I","/repositories/4/archival_objects/64185","Box 1"],"component_level_isim":[2],"parent_ids_ssim":["f632a32cd4f534c5e8722489","f632a32cd4f534c5e8722489_aspace_d0ffcfaf5ac46677e43be9c6ef27fffe"],"parent_unittitles_ssm":["Lisa Mills collection, 1992-2012","Project documents, 2001-2012"],"parent_unittitles_tesim":["Lisa Mills collection, 1992-2012","Project documents, 2001-2012"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Series I","/repositories/4/archival_objects/64185"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Lisa Mills collection, 1992-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Folder"],"level_ssim":["Folder"],"sort_isi":22,"parent_access_restrict_tesm":["Consent must be obtained to use interviews with documentary subjects in future films or videos. Lisa Mills and the University of Central Florida must be credited in future films or videos."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"containers_ssim":["Box 1"],"_nest_path_":"/components#0/components#20","_nest_parent_":"f632a32cd4f534c5e8722489_aspace_d0ffcfaf5ac46677e43be9c6ef27fffe","_root_":"f632a32cd4f534c5e8722489","timestamp":"2026-05-22T02:50:56.760Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f632a32cd4f534c5e8722489","title_ssm":["Lisa Mills collection"],"title_tesim":["Lisa Mills collection"],"ead_ssi":"f632a32cd4f534c5e8722489","unitdate_ssm":["1992-2012"],"unitdate_inclusive_ssm":["1992-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.148","/repositories/4/resources/245"],"text":["SC.148","/repositories/4/resources/245","Lisa Mills collection, 1992-2012","Universities and colleges -- Florida","University of Central Florida","compact discs","documentary film","interviews","manuscripts (documents)","short subjects","video recordings (physical artifacts)","Consent must be obtained to use interviews with documentary subjects in future films or videos. Lisa Mills and the University of Central Florida must be credited in future films or videos.","This collection is arranged in two series. Series I contains documents relating to the several projects that Lisa Mills had a part in creating. Series II contains media such as Mini DVs of interviews, rehearsals, workshops and events.","From Faculty \u0026 Staff Nicholson School of Comm. \u0026 Media- Lisa Mills is a Professor and Assistant Director of Film and Mass Media at the University of Central Florida. Lisa Mills was born in Jacksonville and received her BA in English from Jacksonville University (1983), her MA in Mass Communication from the University of Central Florida (1999) and her PhD in Political Communication from the University of Florida (2005). Before entering academia in 1999 she was a broadcast journalist for 25 years at several television stations in the Southeast. Dr. Mills has directed or co-directed four feature length documentaries and 12 shorts.  Her films have won national awards and screened in film festivals all over the world. https://communication.ucf.edu/person/lisa-mills/"," Collection processed by and finding aid prepared by Elisabeth Jimenez in 2022. Staples and paper clips were removed from documents and replaced with plastic clips. All materials were placed into acid free folders and in an acid free box. At least three versions of publications were kept, and all additional copies were recycled. The department does not currently house the proper equipment to read any of the mini DVs, thus no further historical context can be made from them other than the title provided.","Series I: Project Documents, 2001-2012 includes documents surrounding Lisa Mill's films. Some folders are specific to individual projects. This series also contains newspapers that topics relating to Mills's films. ","Series II: Media, 1992- 2010 contains media such as Mini DVs of interviews, rehearsals, home videos and events. Within this series are two UCF Metro VHS tapes.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Lisa Mills collection houses several of Dr. Mills's work on several films throughout her career. This collection contains documents such as licensing agreements, interviews, and correspondence. There are also mini DVs that contain interviews, rehearsals, and recordings of live events and competitions.","UCF Special Collections","English"],"unitid_tesim":["SC.148","/repositories/4/resources/245"],"normalized_date_ssm":["1992-2012"],"normalized_title_ssm":["Lisa Mills collection, 1992-2012"],"collection_title_tesim":["Lisa Mills collection, 1992-2012"],"collection_ssim":["Lisa Mills collection, 1992-2012"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Lisa Mills in 2021 (Accession no. CFM2021_12)."],"access_subjects_ssim":["Universities and colleges -- Florida","University of Central Florida","compact discs","documentary film","interviews","manuscripts (documents)","short subjects","video recordings (physical artifacts)"],"access_subjects_ssm":["Universities and colleges -- Florida","University of Central Florida","compact discs","documentary film","interviews","manuscripts (documents)","short subjects","video recordings (physical artifacts)"],"has_online_content_ssim":["false"],"extent_ssm":["3.5 Linear Feet 7 boxes"],"extent_tesim":["3.5 Linear Feet 7 boxes"],"genreform_ssim":["compact discs","documentary film","interviews","manuscripts (documents)","short subjects","video recordings (physical artifacts)"],"date_range_isim":[1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eConsent must be obtained to use interviews with documentary subjects in future films or videos. Lisa Mills and the University of Central Florida must be credited in future films or videos.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["Consent must be obtained to use interviews with documentary subjects in future films or videos. Lisa Mills and the University of Central Florida must be credited in future films or videos."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in two series. Series I contains documents relating to the several projects that Lisa Mills had a part in creating. Series II contains media such as Mini DVs of interviews, rehearsals, workshops and events.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in two series. Series I contains documents relating to the several projects that Lisa Mills had a part in creating. Series II contains media such as Mini DVs of interviews, rehearsals, workshops and events."],"bioghist_html_tesm":["\u003cp\u003eFrom Faculty \u0026amp; Staff Nicholson School of Comm. \u0026amp; Media- Lisa Mills is a Professor and Assistant Director of Film and Mass Media at the University of Central Florida. Lisa Mills was born in Jacksonville and received her BA in English from Jacksonville University (1983), her MA in Mass Communication from the University of Central Florida (1999) and her PhD in Political Communication from the University of Florida (2005). Before entering academia in 1999 she was a broadcast journalist for 25 years at several television stations in the Southeast. Dr. Mills has directed or co-directed four feature length documentaries and 12 shorts.  Her films have won national awards and screened in film festivals all over the world. https://communication.ucf.edu/person/lisa-mills/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Note"],"bioghist_tesim":["From Faculty \u0026 Staff Nicholson School of Comm. \u0026 Media- Lisa Mills is a Professor and Assistant Director of Film and Mass Media at the University of Central Florida. Lisa Mills was born in Jacksonville and received her BA in English from Jacksonville University (1983), her MA in Mass Communication from the University of Central Florida (1999) and her PhD in Political Communication from the University of Florida (2005). Before entering academia in 1999 she was a broadcast journalist for 25 years at several television stations in the Southeast. Dr. Mills has directed or co-directed four feature length documentaries and 12 shorts.  Her films have won national awards and screened in film festivals all over the world. https://communication.ucf.edu/person/lisa-mills/"],"prefercite_html_tesm":["\u003cp\u003eLisa Mills Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Lisa Mills Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003e\u0026#x202F;Collection processed by and finding aid prepared by Elisabeth Jimenez in 2022. Staples and paper clips were removed from documents and replaced with plastic clips. All materials were placed into acid free folders and in an acid free box. At least three versions of publications were kept, and all additional copies were recycled. The department does not currently house the proper equipment to read any of the mini DVs, thus no further historical context can be made from them other than the title provided.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information "],"processinfo_tesim":[" Collection processed by and finding aid prepared by Elisabeth Jimenez in 2022. Staples and paper clips were removed from documents and replaced with plastic clips. All materials were placed into acid free folders and in an acid free box. At least three versions of publications were kept, and all additional copies were recycled. The department does not currently house the proper equipment to read any of the mini DVs, thus no further historical context can be made from them other than the title provided."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Project Documents, 2001-2012 includes documents surrounding Lisa Mill's films. Some folders are specific to individual projects. This series also contains newspapers that topics relating to Mills's films. \u003c/p\u003e\n","\u003cp\u003eSeries II: Media, 1992- 2010 contains media such as Mini DVs of interviews, rehearsals, home videos and events. Within this series are two UCF Metro VHS tapes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Project Documents, 2001-2012 includes documents surrounding Lisa Mill's films. Some folders are specific to individual projects. This series also contains newspapers that topics relating to Mills's films. ","Series II: Media, 1992- 2010 contains media such as Mini DVs of interviews, rehearsals, home videos and events. Within this series are two UCF Metro VHS tapes."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d8d754c951278ee6666538abd5f8fe8b\" label=\"Abstract\"\u003eThe Lisa Mills collection houses several of Dr. Mills's work on several films throughout her career. This collection contains documents such as licensing agreements, interviews, and correspondence. There are also mini DVs that contain interviews, rehearsals, and recordings of live events and competitions.\u003c/abstract\u003e"],"abstract_tesim":["The Lisa Mills collection houses several of Dr. Mills's work on several films throughout her career. This collection contains documents such as licensing agreements, interviews, and correspondence. There are also mini DVs that contain interviews, rehearsals, and recordings of live events and competitions."],"names_ssim":["UCF Special Collections"],"corpname_ssim":["UCF Special Collections"],"language_ssim":["English"],"total_component_count_is":308,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f632a32cd4f534c5e8722489","timestamp":"2026-05-22T02:50:56.760Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f632a32cd4f534c5e8722489_aspace_1e86ec8a9be3a0c907766046c54f5935"}},{"id":"c9233dab0dc1dc8461a5fdb9","type":"collection","attributes":{"title":"Yves Knafou collection, 2011, Date acquired: 04/14/2011","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/c9233dab0dc1dc8461a5fdb9#creator","type":"document_value","attributes":{"value":["Knafou, Brian"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/c9233dab0dc1dc8461a5fdb9#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection consists of an oral history interview transcript of Yves Knafou, who served in French Algeria and France during World War II. In this extensive interview, Knafou recounts his experiences of the Second World War, but as is made clear by his answers, his memory is fragile and so must be taken with caution. At several points in the interview he contradicts himself and forgets what he had previously said.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c9233dab0dc1dc8461a5fdb9#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"c9233dab0dc1dc8461a5fdb9","title_filing_ssi":"Knafou, Yves collection","title_ssm":["Yves Knafou collection"],"title_tesim":["Yves Knafou collection"],"ead_ssi":"c9233dab0dc1dc8461a5fdb9","unitdate_ssm":["2011","Date acquired: 04/14/2011"],"unitdate_other_ssim":["2011","Date acquired: 04/14/2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["11.0025","/repositories/10/resources/1121"],"text":["11.0025","/repositories/10/resources/1121","Yves Knafou collection, 2011, Date acquired: 04/14/2011","Sidi Bel Abbès (Algeria)","Operation Dragoon, 1944","World War, 1939-1945--Personal narratives","World War, 1939-1945","France--History--20th century","France--History--German occupation, 1940-1945","French--Algeria--History--20th century","Operation Torch, 1942","Ninth United States Army, 1944-1945","This collection is open to all researchers","Yves Knafou was born May 11, 1922 in Sidi Bel Abbès, then a major center of French colonial Algeria as it was the headquarters of the French Foreign Legion. Knafou recounts how his father also served in the military, and was in fact a member of the French detatchment that was sent to the Dardanelles in the British-led Gallipoli campaign in 1915, where he was gassed.","Outside of his military service, he recounts several details of colonial life: how the \"native\" quarter of Sidi Bel Abbès was called the \"Village Negra,\" a legacy of colonial Algeria's heavily spanish roots. He shows incredulity at the name, given that the Algerians were not black, and claims that some of the Berbers in fact had reddish hair. Knafou remembers a close friend of his father's, a wealthy farmer, being murdered by Algerians he calls \"fellahin.\" In Arabic this means peasant, but in French colonial Africa, and particularly during the Algerian war, it was synonymous with \"bandit\", and \"assassin.\"","Before enlisting, Knafou says his family hosted several American soldiers including a Colonel. He enlisted shortly afterwards around 1942, and trained in Aumam, Algeria. But there is significant confusion if this was with the Free French Forces or with the American Army. In colonial North Africa he was part of a transportation unit called the \"Tran\", collecting disused British and American vehicles in Tunisia, Algeria, and Morocco. Knafou then joined the American forces that landed in southern France in Operation Dragoon, and was attatched to the Ninth American Army, where he seemed to fill several roles including interpreter, courier, and reconnaissance. He recalls the destruction of retreating German forces in the Rhône valley, a memory he says that still haunts him. Moving up from the Rhône, he also served in Lorraine, Alsace, and briefly (he says only one or two days) within Germany itself. His only memory of what could be classified as combat was when he spent three days behind enemy lines, when cut off while on reconnaissance. Shortly after the war, he immigrated to the United States, and says he moved to New Jersey, where he had friends, but this contradicts his obituary.","In 1945 Knafou immigrated to the United States, moved to Boston, and married Mary Nutley in 1949, graduating from Boston University in 1951. Working first as a hotelier, eventually becoming Executive Manager, he then began to teach French and Math in New York. Yves retired in 1984, and he and Mary moved to Palm Coast, Florida, where he ultimately passed away on July 19, 2014.","Note written by Daytona Beach News-Journal (biography post-WWII)","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Interview conducted on February 6, 2011.","Yves Knafou's obituary, published by the Daytona Beach News-Journal website:","http://www.legacy.com/obituaries/news-journalonline/obituary.aspx?pid=171920346","This collection consists of an oral history interview transcript of Yves Knafou, who served in French Algeria and France during World War II. In this extensive interview, Knafou recounts his experiences of the Second World War, but as is made clear by his answers, his memory is fragile and so must be taken with caution. At several points in the interview he contradicts himself and forgets what he had previously said.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","France. Office colonial","France libre","Knafou, Brian","De Gaulle, Charles, 1890-1970","Knafou, Yves, 1922-2014","English"],"unitid_tesim":["11.0025","/repositories/10/resources/1121"],"normalized_date_ssm":["2011, Date acquired: 04/14/2011"],"normalized_title_ssm":["Yves Knafou collection, 2011, Date acquired: 04/14/2011"],"collection_title_tesim":["Yves Knafou collection, 2011, Date acquired: 04/14/2011"],"collection_ssim":["Yves Knafou collection, 2011, Date acquired: 04/14/2011"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Sidi Bel Abbès (Algeria)"],"geogname_ssim":["Sidi Bel Abbès (Algeria)"],"creator_ssm":["Knafou, Brian"],"creator_ssim":["Knafou, Brian"],"creator_persname_ssim":["Knafou, Brian"],"creators_ssim":["Knafou, Brian"],"places_ssim":["Sidi Bel Abbès (Algeria)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Brian Knafou","Donation"],"access_subjects_ssim":["Operation Dragoon, 1944","World War, 1939-1945--Personal narratives","World War, 1939-1945","France--History--20th century","France--History--German occupation, 1940-1945","French--Algeria--History--20th century","Operation Torch, 1942","Ninth United States Army, 1944-1945"],"access_subjects_ssm":["Operation Dragoon, 1944","World War, 1939-1945--Personal narratives","World War, 1939-1945","France--History--20th century","France--History--German occupation, 1940-1945","French--Algeria--History--20th century","Operation Torch, 1942","Ninth United States Army, 1944-1945"],"has_online_content_ssim":["false"],"extent_ssm":["1 folders"],"extent_tesim":["1 folders"],"date_range_isim":[2011],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers"],"bioghist_html_tesm":["\u003cp\u003eYves Knafou was born May 11, 1922 in Sidi Bel Abb\u0026#xE8;s, then a major center of French colonial Algeria as it was the headquarters of the French Foreign Legion. Knafou recounts how his father also served in the military, and was in fact a member of the French detatchment that was sent to the Dardanelles in the British-led Gallipoli campaign in 1915, where he was gassed.\u003c/p\u003e\n","\u003cp\u003eOutside of his military service, he recounts several details of colonial life: how the \"native\" quarter of Sidi Bel Abb\u0026#xE8;s was called the \"Village Negra,\" a legacy of colonial Algeria's heavily spanish roots. He shows incredulity at the name, given that the Algerians were not black, and claims that some of the Berbers in fact had reddish hair. 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He recalls the destruction of retreating German forces in the Rh\u0026#xF4;ne valley, a memory he says that still haunts him. Moving up from the Rh\u0026#xF4;ne, he also served in Lorraine, Alsace, and briefly (he says only one or two days) within Germany itself. His only memory of what could be classified as combat was when he spent three days behind enemy lines, when cut off while on reconnaissance. Shortly after the war, he immigrated to the United States, and says he moved to New Jersey, where he had friends, but this contradicts his obituary.\u003c/p\u003e\n","\u003cp\u003eIn 1945 Knafou immigrated to the United States, moved to Boston, and married Mary Nutley in 1949, graduating from Boston University in 1951. Working first as a hotelier, eventually becoming Executive Manager, he then began to teach French and Math in New York. Yves retired in 1984, and he and Mary moved to Palm Coast, Florida, where he ultimately passed away on July 19, 2014.\u003c/p\u003e\n","\u003cp\u003eNote written by Daytona Beach News-Journal (biography post-WWII)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Yves Knafou was born May 11, 1922 in Sidi Bel Abbès, then a major center of French colonial Algeria as it was the headquarters of the French Foreign Legion. Knafou recounts how his father also served in the military, and was in fact a member of the French detatchment that was sent to the Dardanelles in the British-led Gallipoli campaign in 1915, where he was gassed.","Outside of his military service, he recounts several details of colonial life: how the \"native\" quarter of Sidi Bel Abbès was called the \"Village Negra,\" a legacy of colonial Algeria's heavily spanish roots. He shows incredulity at the name, given that the Algerians were not black, and claims that some of the Berbers in fact had reddish hair. Knafou remembers a close friend of his father's, a wealthy farmer, being murdered by Algerians he calls \"fellahin.\" In Arabic this means peasant, but in French colonial Africa, and particularly during the Algerian war, it was synonymous with \"bandit\", and \"assassin.\"","Before enlisting, Knafou says his family hosted several American soldiers including a Colonel. He enlisted shortly afterwards around 1942, and trained in Aumam, Algeria. But there is significant confusion if this was with the Free French Forces or with the American Army. In colonial North Africa he was part of a transportation unit called the \"Tran\", collecting disused British and American vehicles in Tunisia, Algeria, and Morocco. Knafou then joined the American forces that landed in southern France in Operation Dragoon, and was attatched to the Ninth American Army, where he seemed to fill several roles including interpreter, courier, and reconnaissance. He recalls the destruction of retreating German forces in the Rhône valley, a memory he says that still haunts him. Moving up from the Rhône, he also served in Lorraine, Alsace, and briefly (he says only one or two days) within Germany itself. His only memory of what could be classified as combat was when he spent three days behind enemy lines, when cut off while on reconnaissance. Shortly after the war, he immigrated to the United States, and says he moved to New Jersey, where he had friends, but this contradicts his obituary.","In 1945 Knafou immigrated to the United States, moved to Boston, and married Mary Nutley in 1949, graduating from Boston University in 1951. Working first as a hotelier, eventually becoming Executive Manager, he then began to teach French and Math in New York. Yves retired in 1984, and he and Mary moved to Palm Coast, Florida, where he ultimately passed away on July 19, 2014.","Note written by Daytona Beach News-Journal (biography post-WWII)"],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Yves Knafou collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_11_0025\"\u003ehttp://purl.fcla.edu/fsu/WWII_11_0025\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Yves Knafou collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_11_0025 ."],"processinfo_html_tesm":["\u003cp\u003eInterview conducted on February 6, 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Interview conducted on February 6, 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eYves Knafou's obituary, published by the Daytona Beach News-Journal website:\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://www.legacy.com/obituaries/news-journalonline/obituary.aspx?pid=171920346\"\u003ehttp://www.legacy.com/obituaries/news-journalonline/obituary.aspx?pid=171920346\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Yves Knafou's obituary, published by the Daytona Beach News-Journal website:","http://www.legacy.com/obituaries/news-journalonline/obituary.aspx?pid=171920346"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of an oral history interview transcript of Yves Knafou, who served in French Algeria and France during World War II. 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At several points in the interview he contradicts himself and forgets what he had previously said."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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Knafou recounts how his father also served in the military, and was in fact a member of the French detatchment that was sent to the Dardanelles in the British-led Gallipoli campaign in 1915, where he was gassed.","Outside of his military service, he recounts several details of colonial life: how the \"native\" quarter of Sidi Bel Abbès was called the \"Village Negra,\" a legacy of colonial Algeria's heavily spanish roots. He shows incredulity at the name, given that the Algerians were not black, and claims that some of the Berbers in fact had reddish hair. Knafou remembers a close friend of his father's, a wealthy farmer, being murdered by Algerians he calls \"fellahin.\" In Arabic this means peasant, but in French colonial Africa, and particularly during the Algerian war, it was synonymous with \"bandit\", and \"assassin.\"","Before enlisting, Knafou says his family hosted several American soldiers including a Colonel. He enlisted shortly afterwards around 1942, and trained in Aumam, Algeria. But there is significant confusion if this was with the Free French Forces or with the American Army. In colonial North Africa he was part of a transportation unit called the \"Tran\", collecting disused British and American vehicles in Tunisia, Algeria, and Morocco. Knafou then joined the American forces that landed in southern France in Operation Dragoon, and was attatched to the Ninth American Army, where he seemed to fill several roles including interpreter, courier, and reconnaissance. He recalls the destruction of retreating German forces in the Rhône valley, a memory he says that still haunts him. Moving up from the Rhône, he also served in Lorraine, Alsace, and briefly (he says only one or two days) within Germany itself. His only memory of what could be classified as combat was when he spent three days behind enemy lines, when cut off while on reconnaissance. Shortly after the war, he immigrated to the United States, and says he moved to New Jersey, where he had friends, but this contradicts his obituary.","In 1945 Knafou immigrated to the United States, moved to Boston, and married Mary Nutley in 1949, graduating from Boston University in 1951. Working first as a hotelier, eventually becoming Executive Manager, he then began to teach French and Math in New York. Yves retired in 1984, and he and Mary moved to Palm Coast, Florida, where he ultimately passed away on July 19, 2014.","Note written by Daytona Beach News-Journal (biography post-WWII)","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","Interview conducted on February 6, 2011.","Yves Knafou's obituary, published by the Daytona Beach News-Journal website:","http://www.legacy.com/obituaries/news-journalonline/obituary.aspx?pid=171920346","This collection consists of an oral history interview transcript of Yves Knafou, who served in French Algeria and France during World War II. In this extensive interview, Knafou recounts his experiences of the Second World War, but as is made clear by his answers, his memory is fragile and so must be taken with caution. At several points in the interview he contradicts himself and forgets what he had previously said.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","France. Office colonial","France libre","Knafou, Brian","De Gaulle, Charles, 1890-1970","Knafou, Yves, 1922-2014","English"],"unitid_tesim":["11.0025","/repositories/10/resources/1121"],"normalized_date_ssm":["2011, Date acquired: 04/14/2011"],"normalized_title_ssm":["Yves Knafou collection, 2011, Date acquired: 04/14/2011"],"collection_title_tesim":["Yves Knafou collection, 2011, Date acquired: 04/14/2011"],"collection_ssim":["Yves Knafou collection, 2011, Date acquired: 04/14/2011"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Sidi Bel Abbès (Algeria)"],"geogname_ssim":["Sidi Bel Abbès (Algeria)"],"creator_ssm":["Knafou, Brian"],"creator_ssim":["Knafou, Brian"],"creator_persname_ssim":["Knafou, Brian"],"creators_ssim":["Knafou, Brian"],"places_ssim":["Sidi Bel Abbès (Algeria)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["Brian Knafou","Donation"],"access_subjects_ssim":["Operation Dragoon, 1944","World War, 1939-1945--Personal narratives","World War, 1939-1945","France--History--20th century","France--History--German occupation, 1940-1945","French--Algeria--History--20th century","Operation Torch, 1942","Ninth United States Army, 1944-1945"],"access_subjects_ssm":["Operation Dragoon, 1944","World War, 1939-1945--Personal narratives","World War, 1939-1945","France--History--20th century","France--History--German occupation, 1940-1945","French--Algeria--History--20th century","Operation Torch, 1942","Ninth United States Army, 1944-1945"],"has_online_content_ssim":["false"],"extent_ssm":["1 folders"],"extent_tesim":["1 folders"],"date_range_isim":[2011],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers"],"bioghist_html_tesm":["\u003cp\u003eYves Knafou was born May 11, 1922 in Sidi Bel Abb\u0026#xE8;s, then a major center of French colonial Algeria as it was the headquarters of the French Foreign Legion. Knafou recounts how his father also served in the military, and was in fact a member of the French detatchment that was sent to the Dardanelles in the British-led Gallipoli campaign in 1915, where he was gassed.\u003c/p\u003e\n","\u003cp\u003eOutside of his military service, he recounts several details of colonial life: how the \"native\" quarter of Sidi Bel Abb\u0026#xE8;s was called the \"Village Negra,\" a legacy of colonial Algeria's heavily spanish roots. He shows incredulity at the name, given that the Algerians were not black, and claims that some of the Berbers in fact had reddish hair. Knafou remembers a close friend of his father's, a wealthy farmer, being murdered by Algerians he calls \"fellahin.\" In Arabic this means peasant, but in French colonial Africa, and particularly during the Algerian war, it was synonymous with \"bandit\", and \"assassin.\"\u003c/p\u003e\n","\u003cp\u003eBefore enlisting, Knafou says his family hosted several American soldiers including a Colonel. He enlisted shortly afterwards around 1942, and trained in Aumam, Algeria. But there is significant confusion if this was with the Free French Forces or with the American Army. In colonial North Africa he was part of a transportation unit called the \"Tran\", collecting disused British and American vehicles in Tunisia, Algeria, and Morocco. Knafou then joined the American forces that landed in southern France in Operation Dragoon, and was attatched to the Ninth American Army, where he seemed to fill several roles including interpreter, courier, and reconnaissance. He recalls the destruction of retreating German forces in the Rh\u0026#xF4;ne valley, a memory he says that still haunts him. Moving up from the Rh\u0026#xF4;ne, he also served in Lorraine, Alsace, and briefly (he says only one or two days) within Germany itself. His only memory of what could be classified as combat was when he spent three days behind enemy lines, when cut off while on reconnaissance. Shortly after the war, he immigrated to the United States, and says he moved to New Jersey, where he had friends, but this contradicts his obituary.\u003c/p\u003e\n","\u003cp\u003eIn 1945 Knafou immigrated to the United States, moved to Boston, and married Mary Nutley in 1949, graduating from Boston University in 1951. Working first as a hotelier, eventually becoming Executive Manager, he then began to teach French and Math in New York. Yves retired in 1984, and he and Mary moved to Palm Coast, Florida, where he ultimately passed away on July 19, 2014.\u003c/p\u003e\n","\u003cp\u003eNote written by Daytona Beach News-Journal (biography post-WWII)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Yves Knafou was born May 11, 1922 in Sidi Bel Abbès, then a major center of French colonial Algeria as it was the headquarters of the French Foreign Legion. Knafou recounts how his father also served in the military, and was in fact a member of the French detatchment that was sent to the Dardanelles in the British-led Gallipoli campaign in 1915, where he was gassed.","Outside of his military service, he recounts several details of colonial life: how the \"native\" quarter of Sidi Bel Abbès was called the \"Village Negra,\" a legacy of colonial Algeria's heavily spanish roots. He shows incredulity at the name, given that the Algerians were not black, and claims that some of the Berbers in fact had reddish hair. Knafou remembers a close friend of his father's, a wealthy farmer, being murdered by Algerians he calls \"fellahin.\" In Arabic this means peasant, but in French colonial Africa, and particularly during the Algerian war, it was synonymous with \"bandit\", and \"assassin.\"","Before enlisting, Knafou says his family hosted several American soldiers including a Colonel. He enlisted shortly afterwards around 1942, and trained in Aumam, Algeria. But there is significant confusion if this was with the Free French Forces or with the American Army. In colonial North Africa he was part of a transportation unit called the \"Tran\", collecting disused British and American vehicles in Tunisia, Algeria, and Morocco. Knafou then joined the American forces that landed in southern France in Operation Dragoon, and was attatched to the Ninth American Army, where he seemed to fill several roles including interpreter, courier, and reconnaissance. He recalls the destruction of retreating German forces in the Rhône valley, a memory he says that still haunts him. Moving up from the Rhône, he also served in Lorraine, Alsace, and briefly (he says only one or two days) within Germany itself. His only memory of what could be classified as combat was when he spent three days behind enemy lines, when cut off while on reconnaissance. Shortly after the war, he immigrated to the United States, and says he moved to New Jersey, where he had friends, but this contradicts his obituary.","In 1945 Knafou immigrated to the United States, moved to Boston, and married Mary Nutley in 1949, graduating from Boston University in 1951. Working first as a hotelier, eventually becoming Executive Manager, he then began to teach French and Math in New York. Yves retired in 1984, and he and Mary moved to Palm Coast, Florida, where he ultimately passed away on July 19, 2014.","Note written by Daytona Beach News-Journal (biography post-WWII)"],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Yves Knafou collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_11_0025\"\u003ehttp://purl.fcla.edu/fsu/WWII_11_0025\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Yves Knafou collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_11_0025 ."],"processinfo_html_tesm":["\u003cp\u003eInterview conducted on February 6, 2011.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Interview conducted on February 6, 2011."],"relatedmaterial_html_tesm":["\u003cp\u003eYves Knafou's obituary, published by the Daytona Beach News-Journal website:\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://www.legacy.com/obituaries/news-journalonline/obituary.aspx?pid=171920346\"\u003ehttp://www.legacy.com/obituaries/news-journalonline/obituary.aspx?pid=171920346\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Yves Knafou's obituary, published by the Daytona Beach News-Journal website:","http://www.legacy.com/obituaries/news-journalonline/obituary.aspx?pid=171920346"],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of an oral history interview transcript of Yves Knafou, who served in French Algeria and France during World War II. In this extensive interview, Knafou recounts his experiences of the Second World War, but as is made clear by his answers, his memory is fragile and so must be taken with caution. At several points in the interview he contradicts himself and forgets what he had previously said.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of an oral history interview transcript of Yves Knafou, who served in French Algeria and France during World War II. In this extensive interview, Knafou recounts his experiences of the Second World War, but as is made clear by his answers, his memory is fragile and so must be taken with caution. At several points in the interview he contradicts himself and forgets what he had previously said."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_coll_ssim":["France. Office colonial","France libre","De Gaulle, Charles, 1890-1970","Knafou, Yves, 1922-2014"],"names_ssim":["FSU Special Collections \u0026 Archives","France. Office colonial","France libre","Knafou, Brian","De Gaulle, Charles, 1890-1970","Knafou, Yves, 1922-2014"],"corpname_ssim":["FSU Special Collections \u0026 Archives","France. Office colonial","France libre"],"persname_ssim":["Knafou, Brian","De Gaulle, Charles, 1890-1970","Knafou, Yves, 1922-2014"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"c9233dab0dc1dc8461a5fdb9","timestamp":"2026-04-21T03:30:58.658Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/c9233dab0dc1dc8461a5fdb9"}},{"id":"c62033b9da482f42de6f1d29_aspace_5b7d2a970b983876198c9e957fd73f1a","type":"File","attributes":{"title":"Z, 2011","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c62033b9da482f42de6f1d29_aspace_5b7d2a970b983876198c9e957fd73f1a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5b7d2a970b983876198c9e957fd73f1a","ref_ssm":["aspace_5b7d2a970b983876198c9e957fd73f1a","aspace_5b7d2a970b983876198c9e957fd73f1a"],"id":"c62033b9da482f42de6f1d29_aspace_5b7d2a970b983876198c9e957fd73f1a","title_filing_ssi":"Z","title_ssm":["Z"],"title_tesim":["Z"],"unitdate_inclusive_ssm":["2011"],"normalized_date_ssm":["2011"],"normalized_title_ssm":["Z, 2011"],"text":["Z, 2011","Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010","Series I: Florida, 1900–2013","Brochures \u0026 Presskits","/repositories/4/archival_objects/89373","box 59","folder 8"],"component_level_isim":[3],"parent_ids_ssim":["c62033b9da482f42de6f1d29","c62033b9da482f42de6f1d29_aspace_83107027ba2e547fbc24aa88f01d15e8","c62033b9da482f42de6f1d29_aspace_b77e8c2bd63a0bd2de4d7e04b0a26d38"],"parent_unittitles_ssm":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010","Series I: Florida, 1900–2013","Brochures \u0026 Presskits"],"parent_unittitles_tesim":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010","Series I: Florida, 1900–2013","Brochures \u0026 Presskits"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/89373"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":566,"parent_access_restrict_tesm":["The entire collection is open for research. This minimally processed collection may require further processing and is subject to change."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[2011],"containers_ssim":["box 59","folder 8"],"_nest_path_":"/components#0/components#3/components#43","_nest_parent_":"c62033b9da482f42de6f1d29_aspace_b77e8c2bd63a0bd2de4d7e04b0a26d38","_root_":"c62033b9da482f42de6f1d29","_version_":1879011331377463296,"timestamp":"2026-10-14T08:00:46.958Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"c62033b9da482f42de6f1d29","title_ssm":["Robert H. Brown tourism collection"],"title_tesim":["Robert H. Brown tourism collection"],"ead_ssi":"c62033b9da482f42de6f1d29","unitdate_ssm":["1900-2013","1970-2010"],"unitdate_bulk_ssim":["1970-2010"],"unitdate_inclusive_ssm":["1900-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 169","/repositories/4/resources/323"],"text":["SC 169","/repositories/4/resources/323","Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010","Walt Disney World (Fla.) -- Guidebooks","Busch Gardens (Tampa, Fla.)","Disneyland (Calif.)","Walt Disney World (Fla.)","Tourism -- Florida","Amusement parks -- Florida","Amusement parks","Tourism -- United States","Advertising -- Tourism","Resorts -- Florida","brochures","fliers (printed matter)","Guidebooks","picture postcards","postcards","maps (documents)","press kits ","The entire collection is open for research. This minimally processed collection may require further processing and is subject to change.","The collection is arranged into two series: \n I. Florida, 1900-2013  II. United States, 1962-2012 ","Robert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. Of his work on the website, Brown writes, \"Tourist attractions have a way of springing up on the Florida roadside... only to wither and die when they just can't quite sustain the magic. You will find no historical marker to mark their passing, no footnote in the history book, only the occasional exotic plant, or shopping center, or oddly named road.\" His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism.  ","In 1997, Brown created a travel website for The Mining Company (later known as About.com or Dotdash), a digital media company, writing about theme parks around the world and the amusement park industry. As a result, he also collected materials from attractions located across the United States, the United Kingdom, and Germany. Brown worked as an actor in film, television, and theater productions. He was a cast member of Second Thought Improv and On the Edge Improvisational Theatre. As of 2024, Brown is retired and currently resides in Ocoee, Florida. ","Processed by and finding aid prepared by Sofia Arias in 2024. Additional processing by Simone DeLuque in 2025.","Other materials related to theme parks and the tourism industry can be found in the  Disney Ephemera collection , the  George and Anne Millay collection , and the  Al Turner, Splash Magazine collection .","The Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. ","Series I: Florida, 1900-2013, contains postcards, brochures, flyers, presskits, visitor's guides, maps, and other tourist papers related to theme parks and attractions in the state of Florida. Subseries 1 chiefly contains postcards organized alphabetically by city location, then by subject. Subseries 2 contains postcards from established tourist attractions, arranged alphabetically in boxes and binder sleeves as they were originally received. Subseries 3 contains vertical files of various Florida attractions in original order. Subseries 4 contains brochures and presskits, arranged alphabetically. This series does not contain material for the Walt Disney World resort, which can be found in Series II.","Series II: United States, 1962-2012, contains collected postcards, brochures, and tourist papers related to theme parks and attractions outside of the state of Florida. Subseries 1 contains vertical files of various American attractions in original order. Subseries 2 and 3 are arranged by like item, then alphabetically. Also of interest is the Disney subseries, which contains records relating to Walt Disney World and Disneyland, as well as financial reports for the Walt Disney Company. The AAA subseries contains guidebooks for the state of Florida and beyond, as well as a number of Rand McNally guides.","Books donated with the Robert H. Brown tourism collection have been cataloged individually. Please search the Library Catalog using the series Robert H. Brown tourism collection.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. \n\nRobert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism. As of 2024, Brown is retired and currently resides in Ocoee, Florida.","UCF Special Collections","Walt Disney Company","Six Flags Theme Parks Inc","Brown, Robert H. (Robert Hugh)","English"],"unitid_tesim":["SC 169","/repositories/4/resources/323"],"normalized_date_ssm":["1900-2013, bulk 1970-2010"],"normalized_title_ssm":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010"],"collection_title_tesim":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010"],"collection_ssim":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Walt Disney World (Fla.) -- Guidebooks","Busch Gardens (Tampa, Fla.)","Disneyland (Calif.)","Walt Disney World (Fla.)"],"geogname_ssim":["Walt Disney World (Fla.) -- Guidebooks","Busch Gardens (Tampa, Fla.)","Disneyland (Calif.)","Walt Disney World (Fla.)"],"creator_ssm":["Brown, Robert H. (Robert Hugh)"],"creator_ssim":["Brown, Robert H. (Robert Hugh)"],"creator_persname_ssim":["Brown, Robert H. (Robert Hugh)"],"creators_ssim":["Brown, Robert H. (Robert Hugh)"],"places_ssim":["Walt Disney World (Fla.) -- Guidebooks","Busch Gardens (Tampa, Fla.)","Disneyland (Calif.)","Walt Disney World (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of Robert H. Brown in 2023 (Accession no. CFM2023_06)."],"access_subjects_ssim":["Tourism -- Florida","Amusement parks -- Florida","Amusement parks","Tourism -- United States","Advertising -- Tourism","Resorts -- Florida","brochures","fliers (printed matter)","Guidebooks","picture postcards","postcards","maps (documents)","press kits "],"access_subjects_ssm":["Tourism -- Florida","Amusement parks -- Florida","Amusement parks","Tourism -- United States","Advertising -- Tourism","Resorts -- Florida","brochures","fliers (printed matter)","Guidebooks","picture postcards","postcards","maps (documents)","press kits "],"has_online_content_ssim":["false"],"extent_ssm":["39.6 Linear Feet 97 boxes; 2 flat files; 2 flash drives"],"extent_tesim":["39.6 Linear Feet 97 boxes; 2 flat files; 2 flash drives"],"genreform_ssim":["brochures","fliers (printed matter)","Guidebooks","picture postcards","postcards","maps (documents)","press kits "],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research. This minimally processed collection may require further processing and is subject to change.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research. This minimally processed collection may require further processing and is subject to change."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series: \n\u003cul style=\"list-style-type: none\"\u003e\n   \u003cli\u003eI. Florida, 1900-2013 \u003c/li\u003e\n   \u003cli\u003eII. United States, 1962-2012 \u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series: \n I. Florida, 1900-2013  II. United States, 1962-2012 "],"bioghist_html_tesm":["\u003cp\u003eRobert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. Of his work on the website, Brown writes, \"Tourist attractions have a way of springing up on the Florida roadside... only to wither and die when they just can't quite sustain the magic. You will find no historical marker to mark their passing, no footnote in the history book, only the occasional exotic plant, or shopping center, or oddly named road.\" His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism.  \u003c/p\u003e\n","\u003cp\u003eIn 1997, Brown created a travel website for The Mining Company (later known as About.com or Dotdash), a digital media company, writing about theme parks around the world and the amusement park industry. As a result, he also collected materials from attractions located across the United States, the United Kingdom, and Germany. Brown worked as an actor in film, television, and theater productions. He was a cast member of Second Thought Improv and On the Edge Improvisational Theatre. As of 2024, Brown is retired and currently resides in Ocoee, Florida. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Robert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. Of his work on the website, Brown writes, \"Tourist attractions have a way of springing up on the Florida roadside... only to wither and die when they just can't quite sustain the magic. You will find no historical marker to mark their passing, no footnote in the history book, only the occasional exotic plant, or shopping center, or oddly named road.\" His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism.  ","In 1997, Brown created a travel website for The Mining Company (later known as About.com or Dotdash), a digital media company, writing about theme parks around the world and the amusement park industry. As a result, he also collected materials from attractions located across the United States, the United Kingdom, and Germany. Brown worked as an actor in film, television, and theater productions. He was a cast member of Second Thought Improv and On the Edge Improvisational Theatre. As of 2024, Brown is retired and currently resides in Ocoee, Florida. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Robert H. Brown tourism collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Robert H. Brown tourism collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Sofia Arias in 2024. Additional processing by Simone DeLuque in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Sofia Arias in 2024. Additional processing by Simone DeLuque in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eOther materials related to theme parks and the tourism industry can be found in the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/21\"\u003eDisney Ephemera collection\u003c/extref\u003e, the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/154\"\u003eGeorge and Anne Millay collection\u003c/extref\u003e, and the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/9\"\u003eAl Turner, Splash Magazine collection\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other materials related to theme parks and the tourism industry can be found in the  Disney Ephemera collection , the  George and Anne Millay collection , and the  Al Turner, Splash Magazine collection ."],"scopecontent_html_tesm":["\u003cp\u003eThe Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. \u003c/p\u003e\n","\u003cp\u003eSeries I: Florida, 1900-2013, contains postcards, brochures, flyers, presskits, visitor's guides, maps, and other tourist papers related to theme parks and attractions in the state of Florida. Subseries 1 chiefly contains postcards organized alphabetically by city location, then by subject. Subseries 2 contains postcards from established tourist attractions, arranged alphabetically in boxes and binder sleeves as they were originally received. Subseries 3 contains vertical files of various Florida attractions in original order. Subseries 4 contains brochures and presskits, arranged alphabetically. This series does not contain material for the Walt Disney World resort, which can be found in Series II.\u003c/p\u003e\n","\u003cp\u003eSeries II: United States, 1962-2012, contains collected postcards, brochures, and tourist papers related to theme parks and attractions outside of the state of Florida. Subseries 1 contains vertical files of various American attractions in original order. Subseries 2 and 3 are arranged by like item, then alphabetically. Also of interest is the Disney subseries, which contains records relating to Walt Disney World and Disneyland, as well as financial reports for the Walt Disney Company. The AAA subseries contains guidebooks for the state of Florida and beyond, as well as a number of Rand McNally guides.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. ","Series I: Florida, 1900-2013, contains postcards, brochures, flyers, presskits, visitor's guides, maps, and other tourist papers related to theme parks and attractions in the state of Florida. Subseries 1 chiefly contains postcards organized alphabetically by city location, then by subject. Subseries 2 contains postcards from established tourist attractions, arranged alphabetically in boxes and binder sleeves as they were originally received. Subseries 3 contains vertical files of various Florida attractions in original order. Subseries 4 contains brochures and presskits, arranged alphabetically. This series does not contain material for the Walt Disney World resort, which can be found in Series II.","Series II: United States, 1962-2012, contains collected postcards, brochures, and tourist papers related to theme parks and attractions outside of the state of Florida. Subseries 1 contains vertical files of various American attractions in original order. Subseries 2 and 3 are arranged by like item, then alphabetically. Also of interest is the Disney subseries, which contains records relating to Walt Disney World and Disneyland, as well as financial reports for the Walt Disney Company. The AAA subseries contains guidebooks for the state of Florida and beyond, as well as a number of Rand McNally guides."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks donated with the Robert H. Brown tourism collection have been cataloged individually. Please search the Library Catalog using the series Robert H. Brown tourism collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books donated with the Robert H. Brown tourism collection have been cataloged individually. Please search the Library Catalog using the series Robert H. Brown tourism collection."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_21cfff8d77476940979232257b1d9959\"\u003eThe Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. \n\nRobert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism. As of 2024, Brown is retired and currently resides in Ocoee, Florida.\u003c/abstract\u003e"],"abstract_tesim":["The Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. \n\nRobert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism. As of 2024, Brown is retired and currently resides in Ocoee, Florida."],"names_coll_ssim":["Walt Disney Company","Six Flags Theme Parks Inc"],"names_ssim":["UCF Special Collections","Walt Disney Company","Six Flags Theme Parks Inc","Brown, Robert H. (Robert Hugh)"],"corpname_ssim":["UCF Special Collections","Walt Disney Company","Six Flags Theme Parks Inc"],"persname_ssim":["Brown, Robert H. (Robert Hugh)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":922,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879011331377463296,"_root_":"c62033b9da482f42de6f1d29","timestamp":"2026-10-14T08:00:46.958Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/c62033b9da482f42de6f1d29_aspace_5b7d2a970b983876198c9e957fd73f1a"}},{"id":"256e771e3cc0782aac349f80","type":"collection","attributes":{"title":"Zine Collection, 1973-2019","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80#abstract_or_scope","type":"document_value","attributes":{"value":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"256e771e3cc0782aac349f80","title_ssm":["Zine Collection"],"title_tesim":["Zine Collection"],"ead_ssi":"256e771e3cc0782aac349f80","unitdate_ssm":["1973-2019"],"unitdate_inclusive_ssm":["1973-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/26","/repositories/2/resources/6"],"text":["02/01/26","/repositories/2/resources/6","Zine Collection, 1973-2019","Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art","The collection is open for use.","Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.","The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.","Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.","Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe","English"],"unitid_tesim":["02/01/26","/repositories/2/resources/6"],"normalized_date_ssm":["1973-2019"],"normalized_title_ssm":["Zine Collection, 1973-2019"],"collection_title_tesim":["Zine Collection, 1973-2019"],"collection_ssim":["Zine Collection, 1973-2019"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"geogname_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"places_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for use."],"arrangement_html_tesm":["\u003cp\u003eOrganized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5a0de4e8fb6224cb231f2eecf1aee4f4\" label=\"Abstract and Language Disclaimer\"\u003eZines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.\u003c/abstract\u003e"],"abstract_tesim":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"names_ssim":["Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Corley, Madison","Lewis, Chloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":447,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843569479090176,"_root_":"256e771e3cc0782aac349f80","timestamp":"2026-07-16T04:17:42.144Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"256e771e3cc0782aac349f80","title_ssm":["Zine Collection"],"title_tesim":["Zine Collection"],"ead_ssi":"256e771e3cc0782aac349f80","unitdate_ssm":["1973-2019"],"unitdate_inclusive_ssm":["1973-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/26","/repositories/2/resources/6"],"text":["02/01/26","/repositories/2/resources/6","Zine Collection, 1973-2019","Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art","The collection is open for use.","Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.","The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.","Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.","Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe","English"],"unitid_tesim":["02/01/26","/repositories/2/resources/6"],"normalized_date_ssm":["1973-2019"],"normalized_title_ssm":["Zine Collection, 1973-2019"],"collection_title_tesim":["Zine Collection, 1973-2019"],"collection_ssim":["Zine Collection, 1973-2019"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"geogname_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"places_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for use."],"arrangement_html_tesm":["\u003cp\u003eOrganized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5a0de4e8fb6224cb231f2eecf1aee4f4\" label=\"Abstract and Language Disclaimer\"\u003eZines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.\u003c/abstract\u003e"],"abstract_tesim":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"names_ssim":["Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Corley, Madison","Lewis, Chloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":447,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843569479090176,"_root_":"256e771e3cc0782aac349f80","timestamp":"2026-07-16T04:17:42.144Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80"}},{"id":"2b8ea8f68f63cb8d721464d3","type":"collection","attributes":{"title":"Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/2b8ea8f68f63cb8d721464d3#creator","type":"document_value","attributes":{"value":["Zoo Miami and Zoo Miami Foundation"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2b8ea8f68f63cb8d721464d3#abstract_or_scope","type":"document_value","attributes":{"value":["Miami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2b8ea8f68f63cb8d721464d3#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"2b8ea8f68f63cb8d721464d3","title_ssm":["Zoo Miami Collection"],"title_tesim":["Zoo Miami Collection"],"ead_ssi":"2b8ea8f68f63cb8d721464d3","unitdate_ssm":["1967-2017","1980-2006","Date acquired: 05/26/2017"],"unitdate_bulk_ssim":["1980-2006"],"unitdate_inclusive_ssm":["1967-2017"],"unitdate_other_ssim":["Date acquired: 05/26/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SFC1701","/repositories/2/resources/15"],"text":["SFC1701","/repositories/2/resources/15","Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006","The collection is open for research. Newsletters, most of the ephemeral materials and photographs are available through the  Zoo Miami Digital Collection","The Zoo Miami Collection is organized and housed in 12 boxes. The collection is arranged in four series determined by materiality: I. Publications, II. Ephemeral Materials, III. Promotional Materials, and IV. Photographic Materials. Contents in series I. include newsletters, corporate reports, and special newspaper supplements. Series II. include coloring books, guidebook, 45' vinyl record; Series III. include brochures and press kits; Series IV. include b\u0026w and color photographs, and slides.","The beginnings of Zoo Miami trail back to 1948, when a traveling show traded two spider monkeys, a chimpanzee, two black bears, and a goat to Miami-Dade County for the amount of $270 they needed to repair its truck. The six animals were the first of over 1,000 to be housed at the Crandon Park Zoological Gardens in Key Biscayne. The investment proved successful, as the Zoo gained momentum within its community and housed the first successful captive birth of an Aardvark in North America.","After Hurricane Betsy hit Miami in 1965, over 200 animals met their unfortunate demise and prompted the zoo officials, alongside the Zoological Society of Florida, to propose a relocation of the Zoo in order to prevent future casualties of zoo residents. In 1972, through the \"Item Nine\" referendum, Miami-Dade County approved the relocation of Crandon Park Zoo from Key Biscayne to its current home in South Miami. Construction took almost a decade to complete, and in 1980, the doors opened to the new Miami Metrozoo.","Since opening its doors in 1980, Miami Metrozoo has had 800,000 annual visitors, and has reached over 15 million people of all ages. Their conservation programs are alive not just locally, but on a global level, with over 30 programs on six continents. Their new rebranding as the Miami-Dade Zoological Park and Gardens, known on a day to day basis as Zoo Miami, keeps and maintains conservation on the forefront of any and all decision making processes.","Note written by ","Collection was processed by Ana D. Rodriguez. Finding aid was written by Ana D. Rodriguez and Melissa Cuadra.","The Zoo Miami Collection dates from 1967 to 2017, with bulk dates ranging from 1981 to 2006. The collection includes newsletters, ephemeral objects, promotional materials, and photographic material. The newsletters highlight early efforts from Crandon Park Zoo alongside the Zoological Society of Florida to spark public interest in zoological activities including conservation efforts, welcoming new residents and in-home captive births, and raising public funding necessary for zoological maintenance. The collection also contains a large amount of photographs taken by zoo keepers and staff members, focusing on showcasing the residents of the Zoo through the years. The Zoo Miami Collection offers an intellectual value for studies of history of South Florida between 1967-2017; history of zoological gardens and conservation; conservation of subtropical flora and fauna.","Copyright restrictions may apply.","Miami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials","Green Library, Goverment Resources and Information Department,\nGL 214\nContact Staff for Access\nat 305-348-3135","FIU Special Collections","Zoo Miami and Zoo Miami Foundation","Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami","English"],"unitid_tesim":["SFC1701","/repositories/2/resources/15"],"normalized_date_ssm":["1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"normalized_title_ssm":["Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"collection_title_tesim":["Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"collection_ssim":["Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Zoo Miami and Zoo Miami Foundation"],"creator_ssim":["Zoo Miami and Zoo Miami Foundation"],"creator_corpname_ssim":["Zoo Miami and Zoo Miami Foundation"],"creators_ssim":["Zoo Miami and Zoo Miami Foundation"],"access_terms_ssm":["Copyright restrictions may apply."],"acqinfo_ssim":["Zoo Miami and Zoo Miami Foundation","Donation"],"has_online_content_ssim":["false"],"extent_ssm":["12.00 boxes"],"extent_tesim":["12.00 boxes"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. Newsletters, most of the ephemeral materials and photographs are available through the \u003cextref href=\"http://dpanther.fiu.edu/dPanther/collections/zoo\"\u003eZoo Miami Digital Collection\u003c/extref\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. Newsletters, most of the ephemeral materials and photographs are available through the  Zoo Miami Digital Collection"],"arrangement_html_tesm":["\u003cp\u003eThe Zoo Miami Collection is organized and housed in 12 boxes. The collection is arranged in four series determined by materiality: I. Publications, II. Ephemeral Materials, III. Promotional Materials, and IV. Photographic Materials. Contents in series I. include newsletters, corporate reports, and special newspaper supplements. Series II. include coloring books, guidebook, 45' vinyl record; Series III. include brochures and press kits; Series IV. include b\u0026amp;w and color photographs, and slides.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Zoo Miami Collection is organized and housed in 12 boxes. The collection is arranged in four series determined by materiality: I. Publications, II. Ephemeral Materials, III. Promotional Materials, and IV. Photographic Materials. Contents in series I. include newsletters, corporate reports, and special newspaper supplements. Series II. include coloring books, guidebook, 45' vinyl record; Series III. include brochures and press kits; Series IV. include b\u0026w and color photographs, and slides."],"bioghist_html_tesm":["\u003cp\u003eThe beginnings of Zoo Miami trail back to 1948, when a traveling show traded two spider monkeys, a chimpanzee, two black bears, and a goat to Miami-Dade County for the amount of $270 they needed to repair its truck. The six animals were the first of over 1,000 to be housed at the Crandon Park Zoological Gardens in Key Biscayne. The investment proved successful, as the Zoo gained momentum within its community and housed the first successful captive birth of an Aardvark in North America.\u003c/p\u003e\n","\u003cp\u003eAfter Hurricane Betsy hit Miami in 1965, over 200 animals met their unfortunate demise and prompted the zoo officials, alongside the Zoological Society of Florida, to propose a relocation of the Zoo in order to prevent future casualties of zoo residents. In 1972, through the \"Item Nine\" referendum, Miami-Dade County approved the relocation of Crandon Park Zoo from Key Biscayne to its current home in South Miami. Construction took almost a decade to complete, and in 1980, the doors opened to the new Miami Metrozoo.\u003c/p\u003e\n","\u003cp\u003eSince opening its doors in 1980, Miami Metrozoo has had 800,000 annual visitors, and has reached over 15 million people of all ages. Their conservation programs are alive not just locally, but on a global level, with over 30 programs on six continents. Their new rebranding as the Miami-Dade Zoological Park and Gardens, known on a day to day basis as Zoo Miami, keeps and maintains conservation on the forefront of any and all decision making processes.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical "],"bioghist_tesim":["The beginnings of Zoo Miami trail back to 1948, when a traveling show traded two spider monkeys, a chimpanzee, two black bears, and a goat to Miami-Dade County for the amount of $270 they needed to repair its truck. The six animals were the first of over 1,000 to be housed at the Crandon Park Zoological Gardens in Key Biscayne. The investment proved successful, as the Zoo gained momentum within its community and housed the first successful captive birth of an Aardvark in North America.","After Hurricane Betsy hit Miami in 1965, over 200 animals met their unfortunate demise and prompted the zoo officials, alongside the Zoological Society of Florida, to propose a relocation of the Zoo in order to prevent future casualties of zoo residents. In 1972, through the \"Item Nine\" referendum, Miami-Dade County approved the relocation of Crandon Park Zoo from Key Biscayne to its current home in South Miami. Construction took almost a decade to complete, and in 1980, the doors opened to the new Miami Metrozoo.","Since opening its doors in 1980, Miami Metrozoo has had 800,000 annual visitors, and has reached over 15 million people of all ages. Their conservation programs are alive not just locally, but on a global level, with over 30 programs on six continents. Their new rebranding as the Miami-Dade Zoological Park and Gardens, known on a day to day basis as Zoo Miami, keeps and maintains conservation on the forefront of any and all decision making processes.","Note written by "],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by Ana D. Rodriguez. Finding aid was written by Ana D. Rodriguez and Melissa Cuadra.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by Ana D. Rodriguez. Finding aid was written by Ana D. Rodriguez and Melissa Cuadra."],"scopecontent_html_tesm":["\u003cp\u003eThe Zoo Miami Collection dates from 1967 to 2017, with bulk dates ranging from 1981 to 2006. The collection includes newsletters, ephemeral objects, promotional materials, and photographic material. The newsletters highlight early efforts from Crandon Park Zoo alongside the Zoological Society of Florida to spark public interest in zoological activities including conservation efforts, welcoming new residents and in-home captive births, and raising public funding necessary for zoological maintenance. The collection also contains a large amount of photographs taken by zoo keepers and staff members, focusing on showcasing the residents of the Zoo through the years. The Zoo Miami Collection offers an intellectual value for studies of history of South Florida between 1967-2017; history of zoological gardens and conservation; conservation of subtropical flora and fauna.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zoo Miami Collection dates from 1967 to 2017, with bulk dates ranging from 1981 to 2006. The collection includes newsletters, ephemeral objects, promotional materials, and photographic material. The newsletters highlight early efforts from Crandon Park Zoo alongside the Zoological Society of Florida to spark public interest in zoological activities including conservation efforts, welcoming new residents and in-home captive births, and raising public funding necessary for zoological maintenance. The collection also contains a large amount of photographs taken by zoo keepers and staff members, focusing on showcasing the residents of the Zoo through the years. The Zoo Miami Collection offers an intellectual value for studies of history of South Florida between 1967-2017; history of zoological gardens and conservation; conservation of subtropical flora and fauna."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply."],"abstract_html_tesm":["\u003cabstract id=\"aspace_98d93a047aa83afe872c25f21d3ec3c0\" label=\"Abstract\"\u003eMiami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials\u003c/abstract\u003e"],"abstract_tesim":["Miami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials"],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a24244a19994cc0d2c82168599de7bb3\" label=\"Physical Location\"\u003eGreen Library, Goverment Resources and Information Department,\nGL 214\nContact Staff for Access\nat 305-348-3135\u003c/physloc\u003e"],"physloc_tesim":["Green Library, Goverment Resources and Information Department,\nGL 214\nContact Staff for Access\nat 305-348-3135"],"names_coll_ssim":["Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami"],"names_ssim":["FIU Special Collections","Zoo Miami and Zoo Miami Foundation","Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami"],"corpname_ssim":["FIU Special Collections","Zoo Miami and Zoo Miami Foundation","Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"2b8ea8f68f63cb8d721464d3","timestamp":"2026-04-21T02:12:11.955Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2b8ea8f68f63cb8d721464d3","title_ssm":["Zoo Miami Collection"],"title_tesim":["Zoo Miami Collection"],"ead_ssi":"2b8ea8f68f63cb8d721464d3","unitdate_ssm":["1967-2017","1980-2006","Date acquired: 05/26/2017"],"unitdate_bulk_ssim":["1980-2006"],"unitdate_inclusive_ssm":["1967-2017"],"unitdate_other_ssim":["Date acquired: 05/26/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SFC1701","/repositories/2/resources/15"],"text":["SFC1701","/repositories/2/resources/15","Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006","The collection is open for research. Newsletters, most of the ephemeral materials and photographs are available through the  Zoo Miami Digital Collection","The Zoo Miami Collection is organized and housed in 12 boxes. The collection is arranged in four series determined by materiality: I. Publications, II. Ephemeral Materials, III. Promotional Materials, and IV. Photographic Materials. Contents in series I. include newsletters, corporate reports, and special newspaper supplements. Series II. include coloring books, guidebook, 45' vinyl record; Series III. include brochures and press kits; Series IV. include b\u0026w and color photographs, and slides.","The beginnings of Zoo Miami trail back to 1948, when a traveling show traded two spider monkeys, a chimpanzee, two black bears, and a goat to Miami-Dade County for the amount of $270 they needed to repair its truck. The six animals were the first of over 1,000 to be housed at the Crandon Park Zoological Gardens in Key Biscayne. The investment proved successful, as the Zoo gained momentum within its community and housed the first successful captive birth of an Aardvark in North America.","After Hurricane Betsy hit Miami in 1965, over 200 animals met their unfortunate demise and prompted the zoo officials, alongside the Zoological Society of Florida, to propose a relocation of the Zoo in order to prevent future casualties of zoo residents. In 1972, through the \"Item Nine\" referendum, Miami-Dade County approved the relocation of Crandon Park Zoo from Key Biscayne to its current home in South Miami. Construction took almost a decade to complete, and in 1980, the doors opened to the new Miami Metrozoo.","Since opening its doors in 1980, Miami Metrozoo has had 800,000 annual visitors, and has reached over 15 million people of all ages. Their conservation programs are alive not just locally, but on a global level, with over 30 programs on six continents. Their new rebranding as the Miami-Dade Zoological Park and Gardens, known on a day to day basis as Zoo Miami, keeps and maintains conservation on the forefront of any and all decision making processes.","Note written by ","Collection was processed by Ana D. Rodriguez. Finding aid was written by Ana D. Rodriguez and Melissa Cuadra.","The Zoo Miami Collection dates from 1967 to 2017, with bulk dates ranging from 1981 to 2006. The collection includes newsletters, ephemeral objects, promotional materials, and photographic material. The newsletters highlight early efforts from Crandon Park Zoo alongside the Zoological Society of Florida to spark public interest in zoological activities including conservation efforts, welcoming new residents and in-home captive births, and raising public funding necessary for zoological maintenance. The collection also contains a large amount of photographs taken by zoo keepers and staff members, focusing on showcasing the residents of the Zoo through the years. The Zoo Miami Collection offers an intellectual value for studies of history of South Florida between 1967-2017; history of zoological gardens and conservation; conservation of subtropical flora and fauna.","Copyright restrictions may apply.","Miami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials","Green Library, Goverment Resources and Information Department,\nGL 214\nContact Staff for Access\nat 305-348-3135","FIU Special Collections","Zoo Miami and Zoo Miami Foundation","Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami","English"],"unitid_tesim":["SFC1701","/repositories/2/resources/15"],"normalized_date_ssm":["1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"normalized_title_ssm":["Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"collection_title_tesim":["Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"collection_ssim":["Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Zoo Miami and Zoo Miami Foundation"],"creator_ssim":["Zoo Miami and Zoo Miami Foundation"],"creator_corpname_ssim":["Zoo Miami and Zoo Miami Foundation"],"creators_ssim":["Zoo Miami and Zoo Miami Foundation"],"access_terms_ssm":["Copyright restrictions may apply."],"acqinfo_ssim":["Zoo Miami and Zoo Miami Foundation","Donation"],"has_online_content_ssim":["false"],"extent_ssm":["12.00 boxes"],"extent_tesim":["12.00 boxes"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. Newsletters, most of the ephemeral materials and photographs are available through the \u003cextref href=\"http://dpanther.fiu.edu/dPanther/collections/zoo\"\u003eZoo Miami Digital Collection\u003c/extref\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. Newsletters, most of the ephemeral materials and photographs are available through the  Zoo Miami Digital Collection"],"arrangement_html_tesm":["\u003cp\u003eThe Zoo Miami Collection is organized and housed in 12 boxes. The collection is arranged in four series determined by materiality: I. Publications, II. Ephemeral Materials, III. Promotional Materials, and IV. Photographic Materials. Contents in series I. include newsletters, corporate reports, and special newspaper supplements. Series II. include coloring books, guidebook, 45' vinyl record; Series III. include brochures and press kits; Series IV. include b\u0026amp;w and color photographs, and slides.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Zoo Miami Collection is organized and housed in 12 boxes. The collection is arranged in four series determined by materiality: I. Publications, II. Ephemeral Materials, III. Promotional Materials, and IV. Photographic Materials. Contents in series I. include newsletters, corporate reports, and special newspaper supplements. Series II. include coloring books, guidebook, 45' vinyl record; Series III. include brochures and press kits; Series IV. include b\u0026w and color photographs, and slides."],"bioghist_html_tesm":["\u003cp\u003eThe beginnings of Zoo Miami trail back to 1948, when a traveling show traded two spider monkeys, a chimpanzee, two black bears, and a goat to Miami-Dade County for the amount of $270 they needed to repair its truck. The six animals were the first of over 1,000 to be housed at the Crandon Park Zoological Gardens in Key Biscayne. The investment proved successful, as the Zoo gained momentum within its community and housed the first successful captive birth of an Aardvark in North America.\u003c/p\u003e\n","\u003cp\u003eAfter Hurricane Betsy hit Miami in 1965, over 200 animals met their unfortunate demise and prompted the zoo officials, alongside the Zoological Society of Florida, to propose a relocation of the Zoo in order to prevent future casualties of zoo residents. In 1972, through the \"Item Nine\" referendum, Miami-Dade County approved the relocation of Crandon Park Zoo from Key Biscayne to its current home in South Miami. Construction took almost a decade to complete, and in 1980, the doors opened to the new Miami Metrozoo.\u003c/p\u003e\n","\u003cp\u003eSince opening its doors in 1980, Miami Metrozoo has had 800,000 annual visitors, and has reached over 15 million people of all ages. Their conservation programs are alive not just locally, but on a global level, with over 30 programs on six continents. Their new rebranding as the Miami-Dade Zoological Park and Gardens, known on a day to day basis as Zoo Miami, keeps and maintains conservation on the forefront of any and all decision making processes.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical "],"bioghist_tesim":["The beginnings of Zoo Miami trail back to 1948, when a traveling show traded two spider monkeys, a chimpanzee, two black bears, and a goat to Miami-Dade County for the amount of $270 they needed to repair its truck. The six animals were the first of over 1,000 to be housed at the Crandon Park Zoological Gardens in Key Biscayne. The investment proved successful, as the Zoo gained momentum within its community and housed the first successful captive birth of an Aardvark in North America.","After Hurricane Betsy hit Miami in 1965, over 200 animals met their unfortunate demise and prompted the zoo officials, alongside the Zoological Society of Florida, to propose a relocation of the Zoo in order to prevent future casualties of zoo residents. In 1972, through the \"Item Nine\" referendum, Miami-Dade County approved the relocation of Crandon Park Zoo from Key Biscayne to its current home in South Miami. Construction took almost a decade to complete, and in 1980, the doors opened to the new Miami Metrozoo.","Since opening its doors in 1980, Miami Metrozoo has had 800,000 annual visitors, and has reached over 15 million people of all ages. Their conservation programs are alive not just locally, but on a global level, with over 30 programs on six continents. Their new rebranding as the Miami-Dade Zoological Park and Gardens, known on a day to day basis as Zoo Miami, keeps and maintains conservation on the forefront of any and all decision making processes.","Note written by "],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by Ana D. Rodriguez. Finding aid was written by Ana D. Rodriguez and Melissa Cuadra.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by Ana D. Rodriguez. Finding aid was written by Ana D. Rodriguez and Melissa Cuadra."],"scopecontent_html_tesm":["\u003cp\u003eThe Zoo Miami Collection dates from 1967 to 2017, with bulk dates ranging from 1981 to 2006. The collection includes newsletters, ephemeral objects, promotional materials, and photographic material. The newsletters highlight early efforts from Crandon Park Zoo alongside the Zoological Society of Florida to spark public interest in zoological activities including conservation efforts, welcoming new residents and in-home captive births, and raising public funding necessary for zoological maintenance. The collection also contains a large amount of photographs taken by zoo keepers and staff members, focusing on showcasing the residents of the Zoo through the years. The Zoo Miami Collection offers an intellectual value for studies of history of South Florida between 1967-2017; history of zoological gardens and conservation; conservation of subtropical flora and fauna.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zoo Miami Collection dates from 1967 to 2017, with bulk dates ranging from 1981 to 2006. The collection includes newsletters, ephemeral objects, promotional materials, and photographic material. The newsletters highlight early efforts from Crandon Park Zoo alongside the Zoological Society of Florida to spark public interest in zoological activities including conservation efforts, welcoming new residents and in-home captive births, and raising public funding necessary for zoological maintenance. The collection also contains a large amount of photographs taken by zoo keepers and staff members, focusing on showcasing the residents of the Zoo through the years. The Zoo Miami Collection offers an intellectual value for studies of history of South Florida between 1967-2017; history of zoological gardens and conservation; conservation of subtropical flora and fauna."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply."],"abstract_html_tesm":["\u003cabstract id=\"aspace_98d93a047aa83afe872c25f21d3ec3c0\" label=\"Abstract\"\u003eMiami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. 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