{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2011\u0026page=139","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2011\u0026page=138","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2011\u0026page=140","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2011\u0026page=199"},"meta":{"pages":{"current_page":139,"next_page":140,"prev_page":138,"total_pages":199,"limit_value":10,"offset_value":1380,"total_count":1988,"first_page?":false,"last_page?":false}},"data":[{"id":"725898a1a41349eb30ec365d_aspace_65c14964c404730e716ecc3656fa690b","type":"Series","attributes":{"title":"Personal Files, 1887-2011, Undated","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_65c14964c404730e716ecc3656fa690b#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe series provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Alemán's genealogy and his work ethic.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_65c14964c404730e716ecc3656fa690b#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_65c14964c404730e716ecc3656fa690b","ref_ssm":["aspace_65c14964c404730e716ecc3656fa690b","aspace_65c14964c404730e716ecc3656fa690b"],"id":"725898a1a41349eb30ec365d_aspace_65c14964c404730e716ecc3656fa690b","title_filing_ssi":"Personal Files","title_ssm":["Personal Files"],"title_tesim":["Personal Files"],"unitdate_inclusive_ssm":["1887-2011, Undated"],"normalized_date_ssm":["1887-2011, Undated"],"normalized_title_ssm":["Personal Files, 1887-2011, Undated"],"text":["Personal Files, 1887-2011, Undated","José Guerra Alemán Collection, 1887-2013","4","/repositories/4/archival_objects/54093","The series provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Alemán's genealogy and his work ethic."],"component_level_isim":[1],"parent_ids_ssim":["725898a1a41349eb30ec365d"],"parent_unittitles_ssm":["José Guerra Alemán Collection, 1887-2013"],"parent_unittitles_tesim":["José Guerra Alemán Collection, 1887-2013"],"parent_levels_ssm":["collection"],"unitid_ssm":["4","/repositories/4/archival_objects/54093"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":17,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":214,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"scopecontent_html_tesm":["\u003cp\u003eThe series provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Alem\u0026#xE1;n's genealogy and his work ethic.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The series provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Alemán's genealogy and his work ethic."],"_nest_path_":"/components#3","_nest_parent_":"725898a1a41349eb30ec365d","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_65c14964c404730e716ecc3656fa690b"}},{"id":"236a3c88b766327883b2e155_aspace_5dbb28d34a5754be60933b8120ba5670","type":"Series","attributes":{"title":"Personal Files, 1910–2015","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_5dbb28d34a5754be60933b8120ba5670#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_5dbb28d34a5754be60933b8120ba5670#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5dbb28d34a5754be60933b8120ba5670","ref_ssm":["aspace_5dbb28d34a5754be60933b8120ba5670","aspace_5dbb28d34a5754be60933b8120ba5670"],"id":"236a3c88b766327883b2e155_aspace_5dbb28d34a5754be60933b8120ba5670","title_filing_ssi":"Personal Files","title_ssm":["Personal Files"],"title_tesim":["Personal Files"],"unitdate_inclusive_ssm":["1910–2015"],"normalized_date_ssm":["1910–2015"],"normalized_title_ssm":["Personal Files, 1910–2015"],"text":["Personal Files, 1910–2015","Joy Postle papers, 1910-2015","/repositories/4/archival_objects/87634","/repositories/4/archival_objects/91131","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"component_level_isim":[1],"parent_ids_ssim":["236a3c88b766327883b2e155"],"parent_unittitles_ssm":["Joy Postle papers, 1910-2015"],"parent_unittitles_tesim":["Joy Postle papers, 1910-2015"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/4/archival_objects/87634","/repositories/4/archival_objects/91131"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Joy Postle papers, 1910-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":11,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":394,"parent_access_restrict_tesm":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"scopecontent_html_tesm":["\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"_nest_path_":"/components#3","_nest_parent_":"236a3c88b766327883b2e155","_root_":"236a3c88b766327883b2e155","_version_":1881008257660616704,"timestamp":"2026-11-05T09:01:04.268Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"236a3c88b766327883b2e155","title_ssm":["Joy Postle papers"],"title_tesim":["Joy Postle papers"],"ead_ssi":"236a3c88b766327883b2e155","unitdate_ssm":["1910-2015"],"unitdate_inclusive_ssm":["1910-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC066","/repositories/4/resources/185"],"text":["SC066","/repositories/4/resources/185","Joy Postle papers, 1910-2015","Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)","The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.","Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.","Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.","Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.","Joy Postle's publications have been cataloged and may be found in the  university's online catalog .","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.","UCF Special Collections","Postle, Joy","English"],"unitid_tesim":["SC066","/repositories/4/resources/185"],"normalized_date_ssm":["1910-2015"],"normalized_title_ssm":["Joy Postle papers, 1910-2015"],"collection_title_tesim":["Joy Postle papers, 1910-2015"],"collection_ssim":["Joy Postle papers, 1910-2015"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Postle, Joy"],"creator_ssim":["Postle, Joy"],"creator_persname_ssim":["Postle, Joy"],"creators_ssim":["Postle, Joy"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gifted by Denise Hall in 2005, Judy Johnson in 2013 (CFM2013_03), Pam Bennett in 2015 (CFM2015_10), and Douglas Wesson in 2016 (CFM2016_04), 2017 (CFM2017_04), and 2021 (CFM2021_02).","Purchased from Mike Caruso in 2006 (CFM2006_07), John Goodlin and Gloria Ellis in 2008 (CFM2008_04), and Judy Johnson in 2011 (CFM2011_04)."],"access_subjects_ssim":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"access_subjects_ssm":["Art, American -- Florida","Artists -- Biography","Birds in art","Natural history -- Florida","Wildlife Artists -- United States -- Biography","Women artists","drawings","paintings (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"extent_tesim":["9.25 Linear Feet 11 Boxes, 96 Art Pieces, 13 Murals, 1 Easel"],"genreform_ssim":["drawings","paintings (visual works)"],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research, although framed paintings are in storage so may only be seen in photographs.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research, although framed paintings are in storage so may only be seen in photographs."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Materials are arranged by format. Titles in quotation marks are quoted from the art piece and are not an indication of a formal title."],"bioghist_html_tesm":["\u003cp\u003eKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.\u003c/p\u003e\n","\u003cp\u003ePostle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Alb\u0026#xED;n Polasek, Guy Beatty, and Andre Smith.\u003c/p\u003e\n","\u003cp\u003eBlackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Katherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living in a modified Model-T Ford truck nicknamed Brownie House. Postle painted the surrounding landscapes selling her work as they traveled. Hotels, restaurants, banks, and private clients also commissioned her to design and paint murals, a popular decorating technique at the time. Blackstone served as her publicist and manager. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942.","Postle painted her subjects in their natural environment. Waiting patiently, often days, despite insects, reptiles, and weather extremes, she captured her subject using a variety of media including watercolor, gouache, and pen and ink. In addition to painting and drawing, Postle wrote poetry; authored several books including Fine Feathers (1941), Glamour Birds of the Americas (1944), Drawing Animals (1953), and Drawing Birds (1963); and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation. \"Glamour Birds\" was performed for local civic and women's organizations and private groups. Notable personalities who saw her perform included members of the DuPont family, Carl Sandburg, Albín Polasek, Guy Beatty, and Andre Smith.","Blackstone died in 1968 in a fire that destroyed their Lake Rose home. It took Postle two years to recover from the burns she suffered trying to save Blackstone. Of her husband, Postle said, \"he rowed the boat,\" allowing her to be a fulltime artist. After her recovery, Postle continued to paint, perform, and teach. She died in 1989. Her ashes were spread on Lake Rose."],"prefercite_html_tesm":["\u003cp\u003e[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of Item],Joy Postle papers, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Nadeen Kiwan and finding aid prepared by Suphi Burak Ogreten in 2016.The materials were placed in pH neutral folders and boxes, and photographs were weeded to reduce the number of insignificant snapshots in the collection. Finding aid revised for consistency by Chloe Lanham in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eJoy Postle's publications have been cataloged and may be found in the \u003cextref href=\"https://library.ucf.edu/\"\u003euniversity's online catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joy Postle's publications have been cataloged and may be found in the  university's online catalog ."],"scopecontent_html_tesm":["\u003cp\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\u003c/p\u003e\n","\u003cp\u003eSeries I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.\u003c/p\u003e\n","\u003cp\u003eSeries II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.","Series I: Art, 1921-1988, Undated, contains examples of her work in a variety of media. Includes her pencil sketches, pen and ink illustrations, watercolors, color pencil, oil paintings, mixed media, watercolors with acrylic, block prints, offset prints, and murals.","Series II: Writing and Composition, 1944-1976, Undated, holds materials including her manuscripts \"Glamour Birds\", \"Tar and Snow\", \"Haunted Trails of Great Smoky Mountains\", \"A Lamb Named Emmeline\", \"Secrets of the Everglades\", and \"Let's Paint Glamour Birds\". Series also includes Joy's \"Poetry and Prose\" and Sheet Music.","Series III: Photographs, 1912-1988, Undated, divided into subseries, People, Places, Art Work, Animals, Murals, slides, and Negatives.","Series IV: Personal Files, 1910-2015, Undated, artworks created by others, biographical documents, correspondence, exhibits and performances, memorabilia, memorial, miscellaneous items, news clippings, publications, and sound recordings."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement "],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f14f0b1d750943f8b3e1b6c34b411fce\" label=\"Abstract\"\u003eJoy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation.\u003c/abstract\u003e"],"abstract_tesim":["Joy Postle papers, 1910-2015 contains books, manuscript material, and fine art by and about Joy Postle documents her work and her legacy as an artist, muralist, naturalist, poet, writer, and entertainer. These papers contain correspondence, news clippings, drawings, paintings, a scrapbook and many photographs documenting Joy Postle's life and work, providing insight into her personal life and creative process. Most of the collection is devoted to her art in all its forms and images that she used for inspiration.\n\nKatherine Joy Postle was born in Chicago, Illinois in 1896. She studied music and art at the Art Institute of Chicago. Upon graduation in the 1920s, Postle moved to the Snake River Canyon area of Idaho establishing herself as an artist and interior decorator. In Idaho, she met her husband, journalist Robert Blackstone. The couple traveled throughout the West, Southwest, and South living. Arriving in Florida in 1934, the couple continued their nomadic lifestyle until purchasing a small home on Lake Rose, near Orlando, in 1942. In addition to painting and drawing, Postle wrote poetry and worked for the WPA Florida Art Project. Around 1937, Postle and Blackstone conceived \"Glamour Birds,\" a unique entertainment show combining recorded bird songs and music with Postle singing, painting birds, and teaching her audience about wildlife and conservation."],"names_ssim":["UCF Special Collections","Postle, Joy"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Postle, Joy"],"persname_ssim":["Postle, Joy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":432,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1881008257660616704,"_root_":"236a3c88b766327883b2e155","timestamp":"2026-11-05T09:01:04.268Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/236a3c88b766327883b2e155_aspace_5dbb28d34a5754be60933b8120ba5670"}},{"id":"1bd2b3a5aa54c3d8f9586e86_aspace_seriesI","type":"Series","attributes":{"title":"Personal Files, 1990-2013, Undated.","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/1bd2b3a5aa54c3d8f9586e86_aspace_seriesI#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003ePersonal Files include identification cards, business cards, correspondences, as well as newspaper clippings. Within this collection also exists the \"Doris Leeper Collection - Art Services 2000 Research,\" these folders do also contain quite a bit of photographs.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1bd2b3a5aa54c3d8f9586e86_aspace_seriesI#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_seriesI","ref_ssm":["aspace_seriesI","aspace_seriesI"],"id":"1bd2b3a5aa54c3d8f9586e86_aspace_seriesI","title_filing_ssi":"Personal Files","title_ssm":["Personal Files"],"title_tesim":["Personal Files"],"unitdate_inclusive_ssm":["1990-2013, Undated."],"normalized_date_ssm":["1990-2013, Undated."],"normalized_title_ssm":["Personal Files, 1990-2013, Undated."],"text":["Personal Files, 1990-2013, Undated.","Beth Urban Collection on Doris Leeper, Circa 1930-2013","Series 1","/repositories/4/archival_objects/55762","Personal Files include identification cards, business cards, correspondences, as well as newspaper clippings. Within this collection also exists the \"Doris Leeper Collection - Art Services 2000 Research,\" these folders do also contain quite a bit of photographs."],"component_level_isim":[1],"parent_ids_ssim":["1bd2b3a5aa54c3d8f9586e86"],"parent_unittitles_ssm":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"parent_unittitles_tesim":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"parent_levels_ssm":["collection"],"unitid_ssm":["Series 1","/repositories/4/archival_objects/55762"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":10,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"scopecontent_html_tesm":["\u003cp\u003ePersonal Files include identification cards, business cards, correspondences, as well as newspaper clippings. Within this collection also exists the \"Doris Leeper Collection - Art Services 2000 Research,\" these folders do also contain quite a bit of photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Personal Files include identification cards, business cards, correspondences, as well as newspaper clippings. Within this collection also exists the \"Doris Leeper Collection - Art Services 2000 Research,\" these folders do also contain quite a bit of photographs."],"_nest_path_":"/components#0","_nest_parent_":"1bd2b3a5aa54c3d8f9586e86","_root_":"1bd2b3a5aa54c3d8f9586e86","_version_":1870857766114951168,"timestamp":"2026-07-16T08:03:21.192Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1bd2b3a5aa54c3d8f9586e86","title_ssm":["Beth Urban Collection on Doris Leeper"],"title_tesim":["Beth Urban Collection on Doris Leeper"],"ead_ssi":"1bd2b3a5aa54c3d8f9586e86","unitdate_ssm":["Circa 1930-2013"],"unitdate_inclusive_ssm":["Circa 1930-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.117","/repositories/4/resources/217"],"text":["SC.117","/repositories/4/resources/217","Beth Urban Collection on Doris Leeper, Circa 1930-2013","Art -- Exhibitions","Art -- Florida","Artists -- Florida -- Biography","correspondence","newsletters","Pamphlets","photographs","videodiscs (video recording disks)","newspapers","portraits","The entire collection is open for research.","Doris \"Doc\" Leeper was an internationally known artist and environmental activist. Leeper was the founder of the Atlantic Center of the Arts, which resides in New Smyrna Beach, FL, and she was also crucial to the creation of Canaveral National Seashore and the Spruce Creek Preserve. In 1999, Doris Leeper was inducted into the Florida Artists Hall of Fame; like artists Tennessee Williams and Ernest Hemingway.","Leeper was born on April 4th, 1929 in Charlotte, North Carolina. She grew up in Charlotte where she graduated from high school with an honors degree in 1947. This led to her admittance to Duke University for a pre-med track - this is where Leeper acquired the nickname \"Doc\". After some push from mentor and professor Charles Sibley, Leeper switched her major to Art History, which she graduated with honors in 1951. Post-graduation, Leeper moved to Atlanta to work in screen printing and work on her art during off-time.","Leeper moved to Eldora, Florida in 1960 after visiting a few years prior and falling in love with naturalistic aesthetic of the area. Once in Eldora, Leeper really began her push for environmental change; starting with voting \"no\" for the addition of a paved road in Eldora. She continued to push for environmental action to happen along the coast - pushing for the creation of the Canaveral National Seashore. After a long fight, where President Richard Nixon refused to sign into law any more National Parks, President Gerald Ford signed the Canaveral National Seashore into law on January 1st, 1975.","Leeper then moved her focus on the idea of creating an Interdisciplinary Artist Residency. She created the Atlantic Center of the Arts in 1977 - where artists from all backgrounds came to mentor other artists. During the build, her focus on environmentalism was still front and center. Leeper told friend and architect Will Miller to cut down as few trees and to disrupt as little nature as possible. Miller did exactly that, creating a haven for artists to feel connected to nature and themselves. Leeper's art was one-of-a-kind, focusing on using spray paints instead of acrylic or oil, or the use of conventional brushes. Most of her art work is so unique it is not able to be restored due to the process of her art style. She, later in her career, migrated more towards sculptures, focusing on harsh-dramatic lines.","Leeper received an Honorary Doctorate in Humanities from Stetson University on May 11th, 1997. She also received an Honorary Doctorate in Fine Arts from her Alma Mater, Duke University, on May 18th, 1997. A few years later in 1999, Leeper was placed in the Florida Artists Hall of Fame - with artists like Ray Charles and Ernest Hemingway. In 1990, Leeper discovered a lump in her breast that quickly disappeared before obtaining a biopsy. In 1993, that lump returned, and it was confirmed to be cancerous. Leeper pushed on throughout the rest of her life, ensuring that she wouldn't let cancer bring her down. Leeper died just after her 71st birthday on April 11th, 2000.","Doris Leeper: A Retrospective, 1995","The First Decade: Atlantic Center for the Arts, 1987","The Second Decade: 1987-1997, [199?]","Doris Leeper Papers","Series I: Personal Files, 1990-2010, Undated, contains identification cards, business cards, awards, and correspondence. This collection also houses newspaper clippings describing Leeper's artwork and remembering her after her death. There is also a sub-series; Doris Leeper Collection - Art Services 2000 Research, which is art research documents, documenting her art and appraisal values.","Series II: Publications, 1975-2013, Undated, holds various publications that tie to Doris Leeper's artwork as well as her awards. There is a sub-series; Atlantic Center for the Arts, which houses brochures for events, celebrations, and memberships, as well as a lecture.","Series III: Photographs, Circa 1930-1998, Undated, this series houses photographs that range from Doris Leeper's youth up until just a few years prior to her death. There are professional portraits, photographs of Leeper's artwork, as well as home photographs.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Beth Urban Collection on Doris Leeper consists of personal files, publications and photographs that highlight Leeper's artwork, the Atlantic Center for the Arts, as well as her personal life. This collection highlights Leeper's life from a very early age through her continued impact many years after her passing.","UCF Special Collections","Atlantic Center for the Arts (New Smyrna Beach, Fla.)","Leeper, Doris, 1929-2000","The materials are written in English"],"unitid_tesim":["SC.117","/repositories/4/resources/217"],"normalized_date_ssm":["Circa 1930-2013"],"normalized_title_ssm":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"collection_title_tesim":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"collection_ssim":["Beth Urban Collection on Doris Leeper, Circa 1930-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Beth Urban donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2019 (CFM2019_09)."],"access_subjects_ssim":["Art -- Exhibitions","Art -- Florida","Artists -- Florida -- Biography","correspondence","newsletters","Pamphlets","photographs","videodiscs (video recording disks)","newspapers","portraits"],"access_subjects_ssm":["Art -- Exhibitions","Art -- Florida","Artists -- Florida -- Biography","correspondence","newsletters","Pamphlets","photographs","videodiscs (video recording disks)","newspapers","portraits"],"has_online_content_ssim":["false"],"extent_ssm":["1.75 Linear Feet 4 Boxes"],"extent_tesim":["1.75 Linear Feet 4 Boxes"],"genreform_ssim":["correspondence","newsletters","Pamphlets","photographs","videodiscs (video recording disks)","newspapers","portraits"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eDoris \"Doc\" Leeper was an internationally known artist and environmental activist. Leeper was the founder of the Atlantic Center of the Arts, which resides in New Smyrna Beach, FL, and she was also crucial to the creation of Canaveral National Seashore and the Spruce Creek Preserve. In 1999, Doris Leeper was inducted into the Florida Artists Hall of Fame; like artists Tennessee Williams and Ernest Hemingway.\u003c/p\u003e\n","\u003cp\u003eLeeper was born on April 4th, 1929 in Charlotte, North Carolina. She grew up in Charlotte where she graduated from high school with an honors degree in 1947. This led to her admittance to Duke University for a pre-med track - this is where Leeper acquired the nickname \"Doc\". After some push from mentor and professor Charles Sibley, Leeper switched her major to Art History, which she graduated with honors in 1951. Post-graduation, Leeper moved to Atlanta to work in screen printing and work on her art during off-time.\u003c/p\u003e\n","\u003cp\u003eLeeper moved to Eldora, Florida in 1960 after visiting a few years prior and falling in love with naturalistic aesthetic of the area. Once in Eldora, Leeper really began her push for environmental change; starting with voting \"no\" for the addition of a paved road in Eldora. She continued to push for environmental action to happen along the coast - pushing for the creation of the Canaveral National Seashore. After a long fight, where President Richard Nixon refused to sign into law any more National Parks, President Gerald Ford signed the Canaveral National Seashore into law on January 1st, 1975.\u003c/p\u003e\n","\u003cp\u003eLeeper then moved her focus on the idea of creating an Interdisciplinary Artist Residency. She created the Atlantic Center of the Arts in 1977 - where artists from all backgrounds came to mentor other artists. During the build, her focus on environmentalism was still front and center. Leeper told friend and architect Will Miller to cut down as few trees and to disrupt as little nature as possible. Miller did exactly that, creating a haven for artists to feel connected to nature and themselves. Leeper's art was one-of-a-kind, focusing on using spray paints instead of acrylic or oil, or the use of conventional brushes. Most of her art work is so unique it is not able to be restored due to the process of her art style. She, later in her career, migrated more towards sculptures, focusing on harsh-dramatic lines.\u003c/p\u003e\n","\u003cp\u003eLeeper received an Honorary Doctorate in Humanities from Stetson University on May 11th, 1997. She also received an Honorary Doctorate in Fine Arts from her Alma Mater, Duke University, on May 18th, 1997. A few years later in 1999, Leeper was placed in the Florida Artists Hall of Fame - with artists like Ray Charles and Ernest Hemingway. In 1990, Leeper discovered a lump in her breast that quickly disappeared before obtaining a biopsy. In 1993, that lump returned, and it was confirmed to be cancerous. Leeper pushed on throughout the rest of her life, ensuring that she wouldn't let cancer bring her down. Leeper died just after her 71st birthday on April 11th, 2000.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Doris \"Doc\" Leeper was an internationally known artist and environmental activist. Leeper was the founder of the Atlantic Center of the Arts, which resides in New Smyrna Beach, FL, and she was also crucial to the creation of Canaveral National Seashore and the Spruce Creek Preserve. In 1999, Doris Leeper was inducted into the Florida Artists Hall of Fame; like artists Tennessee Williams and Ernest Hemingway.","Leeper was born on April 4th, 1929 in Charlotte, North Carolina. She grew up in Charlotte where she graduated from high school with an honors degree in 1947. This led to her admittance to Duke University for a pre-med track - this is where Leeper acquired the nickname \"Doc\". After some push from mentor and professor Charles Sibley, Leeper switched her major to Art History, which she graduated with honors in 1951. Post-graduation, Leeper moved to Atlanta to work in screen printing and work on her art during off-time.","Leeper moved to Eldora, Florida in 1960 after visiting a few years prior and falling in love with naturalistic aesthetic of the area. Once in Eldora, Leeper really began her push for environmental change; starting with voting \"no\" for the addition of a paved road in Eldora. She continued to push for environmental action to happen along the coast - pushing for the creation of the Canaveral National Seashore. After a long fight, where President Richard Nixon refused to sign into law any more National Parks, President Gerald Ford signed the Canaveral National Seashore into law on January 1st, 1975.","Leeper then moved her focus on the idea of creating an Interdisciplinary Artist Residency. She created the Atlantic Center of the Arts in 1977 - where artists from all backgrounds came to mentor other artists. During the build, her focus on environmentalism was still front and center. Leeper told friend and architect Will Miller to cut down as few trees and to disrupt as little nature as possible. Miller did exactly that, creating a haven for artists to feel connected to nature and themselves. Leeper's art was one-of-a-kind, focusing on using spray paints instead of acrylic or oil, or the use of conventional brushes. Most of her art work is so unique it is not able to be restored due to the process of her art style. She, later in her career, migrated more towards sculptures, focusing on harsh-dramatic lines.","Leeper received an Honorary Doctorate in Humanities from Stetson University on May 11th, 1997. She also received an Honorary Doctorate in Fine Arts from her Alma Mater, Duke University, on May 18th, 1997. A few years later in 1999, Leeper was placed in the Florida Artists Hall of Fame - with artists like Ray Charles and Ernest Hemingway. In 1990, Leeper discovered a lump in her breast that quickly disappeared before obtaining a biopsy. In 1993, that lump returned, and it was confirmed to be cancerous. Leeper pushed on throughout the rest of her life, ensuring that she wouldn't let cancer bring her down. Leeper died just after her 71st birthday on April 11th, 2000."],"prefercite_html_tesm":["\u003cp\u003eBeth Urban Collection on Doris Leeper, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Beth Urban Collection on Doris Leeper, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990258927300306596\" show=\"new\"\u003eDoris Leeper: A Retrospective, 1995\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990289293970306596\" show=\"new\"\u003eThe First Decade: Atlantic Center for the Arts, 1987\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990299590550306596\" show=\"new\"\u003eThe Second Decade: 1987-1997, [199?]\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2003-04\" show=\"new\"\u003eDoris Leeper Papers\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Doris Leeper: A Retrospective, 1995","The First Decade: Atlantic Center for the Arts, 1987","The Second Decade: 1987-1997, [199?]","Doris Leeper Papers"],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Personal Files, 1990-2010, Undated, contains identification cards, business cards, awards, and correspondence. This collection also houses newspaper clippings describing Leeper's artwork and remembering her after her death. There is also a sub-series; Doris Leeper Collection - Art Services 2000 Research, which is art research documents, documenting her art and appraisal values.\u003c/p\u003e\n","\u003cp\u003eSeries II: Publications, 1975-2013, Undated, holds various publications that tie to Doris Leeper's artwork as well as her awards. There is a sub-series; Atlantic Center for the Arts, which houses brochures for events, celebrations, and memberships, as well as a lecture.\u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, Circa 1930-1998, Undated, this series houses photographs that range from Doris Leeper's youth up until just a few years prior to her death. There are professional portraits, photographs of Leeper's artwork, as well as home photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Collection Scope and Content"],"scopecontent_tesim":["Series I: Personal Files, 1990-2010, Undated, contains identification cards, business cards, awards, and correspondence. This collection also houses newspaper clippings describing Leeper's artwork and remembering her after her death. There is also a sub-series; Doris Leeper Collection - Art Services 2000 Research, which is art research documents, documenting her art and appraisal values.","Series II: Publications, 1975-2013, Undated, holds various publications that tie to Doris Leeper's artwork as well as her awards. There is a sub-series; Atlantic Center for the Arts, which houses brochures for events, celebrations, and memberships, as well as a lecture.","Series III: Photographs, Circa 1930-1998, Undated, this series houses photographs that range from Doris Leeper's youth up until just a few years prior to her death. There are professional portraits, photographs of Leeper's artwork, as well as home photographs."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e91330cd1bdee9022869c5487bfc88aa\"\u003eThe Beth Urban Collection on Doris Leeper consists of personal files, publications and photographs that highlight Leeper's artwork, the Atlantic Center for the Arts, as well as her personal life. This collection highlights Leeper's life from a very early age through her continued impact many years after her passing.\u003c/abstract\u003e"],"abstract_tesim":["The Beth Urban Collection on Doris Leeper consists of personal files, publications and photographs that highlight Leeper's artwork, the Atlantic Center for the Arts, as well as her personal life. This collection highlights Leeper's life from a very early age through her continued impact many years after her passing."],"names_coll_ssim":["Atlantic Center for the Arts (New Smyrna Beach, Fla.)","Leeper, Doris, 1929-2000"],"names_ssim":["UCF Special Collections","Atlantic Center for the Arts (New Smyrna Beach, Fla.)","Leeper, Doris, 1929-2000"],"corpname_ssim":["UCF Special Collections","Atlantic Center for the Arts (New Smyrna Beach, Fla.)"],"persname_ssim":["Leeper, Doris, 1929-2000"],"language_ssim":["The materials are written in English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":32,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857766114951168,"_root_":"1bd2b3a5aa54c3d8f9586e86","timestamp":"2026-07-16T08:03:21.192Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1bd2b3a5aa54c3d8f9586e86_aspace_seriesI"}},{"id":"a168e145e77387fd63ad1b60_aspace_0aaf0cec5a1de0cc87f8e02e2e37011b","type":"Item","attributes":{"title":"Personal Scrapbook, \"One Man's Family\" Book 1, 1800-2022","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a168e145e77387fd63ad1b60_aspace_0aaf0cec5a1de0cc87f8e02e2e37011b#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_0aaf0cec5a1de0cc87f8e02e2e37011b","ref_ssm":["aspace_0aaf0cec5a1de0cc87f8e02e2e37011b","aspace_0aaf0cec5a1de0cc87f8e02e2e37011b"],"id":"a168e145e77387fd63ad1b60_aspace_0aaf0cec5a1de0cc87f8e02e2e37011b","title_filing_ssi":"Personal Scrapbook, \"One Man's Family\" Book 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His activism since the 1970s has contributed to the preservation of many historic sites in St. Petersburg and the designation of historic districts throughout the city and beyond."],"prefercite_html_tesm":["\u003cp\u003ePeter Belmont Preserve the 'Burg Collection, Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL.\u003c/p\u003e"],"prefercite_tesim":["Peter Belmont Preserve the 'Burg Collection, Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL."],"scopecontent_html_tesm":["\u003cp\u003eThe Peter Belmont Preserve the 'Burg Collection documents Peter Belmont's historic preservation activities in St. Petersburg, FL, between 1980 to 2020. The collection consists of materials related to Preserve the 'Burg's activities and governance, historic preservation activities (including legal proceedings and other documentation) for historic districts and individual properties, clippings, ephemera, photos, media, and blueprints. The collection also contains documents related to other St. Petersburg historic preservation organizations and publications related to historic preservation in St. Petersburg and Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Peter Belmont Preserve the 'Burg Collection documents Peter Belmont's historic preservation activities in St. Petersburg, FL, between 1980 to 2020. The collection consists of materials related to Preserve the 'Burg's activities and governance, historic preservation activities (including legal proceedings and other documentation) for historic districts and individual properties, clippings, ephemera, photos, media, and blueprints. The collection also contains documents related to other St. Petersburg historic preservation organizations and publications related to historic preservation in St. Petersburg and Florida."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_290155d8840605edb85852b5d68f125f\"\u003eThis collection contains materials produced by Peter Belmont during his career as a lawyer and his activities as a historic preservation and environmental activist.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials produced by Peter Belmont during his career as a lawyer and his activities as a historic preservation and environmental activist."],"names_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives","Preserve the 'Burg","Belmont, Peter Branum"],"corpname_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives","Preserve the 'Burg"],"persname_ssim":["Belmont, Peter Branum"],"language_ssim":["English"],"total_component_count_is":291,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"6810fe60d5846b47341dccda","timestamp":"2026-07-11T03:31:51.982Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6810fe60d5846b47341dccda","title_ssm":["Peter Belmont Preserve the 'Burg Collection"],"title_tesim":["Peter Belmont Preserve the 'Burg Collection"],"ead_ssi":"6810fe60d5846b47341dccda","unitdate_ssm":["1980-2020"],"unitdate_bulk_ssim":["1980-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SP-MS-2022-001","/repositories/3/resources/750"],"text":["SP-MS-2022-001","/repositories/3/resources/750","Peter Belmont Preserve the 'Burg Collection, bulk 1980-2020","Pinellas County (Fla.)","Historic preservation","Architecture -- Conservation and restoration -- Florida","Historic buildings -- Florida","National Register of Historic Places","Community development","City planning -- Florida","Land Use - Florida - Tampa Bay - Region - Planning","The materials in Box 1, Folders 2 and 15 are restricted from general use in accordance with the deed of gift. Contact the Curator of University Archives to request more information.","Peter Branum Belmont was born on May 4, 1957 in Ridgewood, NJ. Peter's childhood was greatly influenced by the outdoors, and his family ties to St. Petersburg led him to dedicate his life and career to environmental activism in Florida. He attended Florida Presbyterian College (and graduated from the newly renamed Eckerd College) with a bachelor's degree in political science and attended Stetson Law and Florida State University College of Law. Peter completed an internship with the Public Defender's office in Bradenton, FL, leading to a permanent position as a trial lawyer for the Manatee County Public Defender's Office. Throughout his time as a trial lawyer, Peter remained involved in environmental and historic preservation efforts locally and in Florida. Peter helped form historic preservation organizations in St. Petersburg including Booker Creek Preservation, Save Our St. Petersburg (SOS), and St. Petersburg Preservation, Inc. (SPP), now known as Preserve the 'Burg (PTB). His activism since the 1970s has contributed to the preservation of many historic sites in St. Petersburg and the designation of historic districts throughout the city and beyond.","The Peter Belmont Preserve the 'Burg Collection documents Peter Belmont's historic preservation activities in St. Petersburg, FL, between 1980 to 2020. The collection consists of materials related to Preserve the 'Burg's activities and governance, historic preservation activities (including legal proceedings and other documentation) for historic districts and individual properties, clippings, ephemera, photos, media, and blueprints. The collection also contains documents related to other St. Petersburg historic preservation organizations and publications related to historic preservation in St. Petersburg and Florida.","None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","This collection contains materials produced by Peter Belmont during his career as a lawyer and his activities as a historic preservation and environmental activist.","USF Libraries - St. Petersburg Special Collections \u0026 University Archives","Preserve the 'Burg","Belmont, Peter Branum","English"],"unitid_tesim":["SP-MS-2022-001","/repositories/3/resources/750"],"normalized_date_ssm":["bulk 1980-2020"],"normalized_title_ssm":["Peter Belmont Preserve the 'Burg Collection, bulk 1980-2020"],"collection_title_tesim":["Peter Belmont Preserve the 'Burg Collection, bulk 1980-2020"],"collection_ssim":["Peter Belmont Preserve the 'Burg Collection, bulk 1980-2020"],"repository_ssm":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"repository_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"geogname_ssm":["Pinellas County (Fla.)"],"geogname_ssim":["Pinellas County (Fla.)"],"creator_ssm":["Belmont, Peter Branum","Preserve the 'Burg"],"creator_ssim":["Belmont, Peter Branum","Preserve the 'Burg"],"creator_persname_ssim":["Belmont, Peter Branum"],"creator_corpname_ssim":["Preserve the 'Burg"],"creators_ssim":["Belmont, Peter Branum","Preserve the 'Burg"],"places_ssim":["Pinellas County (Fla.)"],"access_terms_ssm":["None. 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Peter completed an internship with the Public Defender's office in Bradenton, FL, leading to a permanent position as a trial lawyer for the Manatee County Public Defender's Office. Throughout his time as a trial lawyer, Peter remained involved in environmental and historic preservation efforts locally and in Florida. Peter helped form historic preservation organizations in St. Petersburg including Booker Creek Preservation, Save Our St. Petersburg (SOS), and St. Petersburg Preservation, Inc. (SPP), now known as Preserve the 'Burg (PTB). His activism since the 1970s has contributed to the preservation of many historic sites in St. Petersburg and the designation of historic districts throughout the city and beyond.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Peter Branum Belmont was born on May 4, 1957 in Ridgewood, NJ. Peter's childhood was greatly influenced by the outdoors, and his family ties to St. Petersburg led him to dedicate his life and career to environmental activism in Florida. He attended Florida Presbyterian College (and graduated from the newly renamed Eckerd College) with a bachelor's degree in political science and attended Stetson Law and Florida State University College of Law. Peter completed an internship with the Public Defender's office in Bradenton, FL, leading to a permanent position as a trial lawyer for the Manatee County Public Defender's Office. Throughout his time as a trial lawyer, Peter remained involved in environmental and historic preservation efforts locally and in Florida. Peter helped form historic preservation organizations in St. Petersburg including Booker Creek Preservation, Save Our St. Petersburg (SOS), and St. Petersburg Preservation, Inc. (SPP), now known as Preserve the 'Burg (PTB). 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The collection also contains documents related to other St. Petersburg historic preservation organizations and publications related to historic preservation in St. Petersburg and Florida."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright. 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This collection contains a significant volume of materials related to Tampa Pride, the group which organizes the annual Tampa Pride Festival, both from PFLAG's involvement with the festival and John and Nancy Desmond's time as board members for the organization. Materials in this collection include organizational documents, promotional materials, community resources, and events ephemera and realia."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/dca89ca9ec915ee938e95922#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"dca89ca9ec915ee938e95922","title_ssm":["PFLAG Tampa collection"],"title_tesim":["PFLAG Tampa collection"],"ead_ssi":"dca89ca9ec915ee938e95922","unitdate_ssm":["2010-2023","Date acquired: 2025-12-11"],"unitdate_inclusive_ssm":["2010-2023"],"unitdate_other_ssim":["Date acquired: 2025-12-11"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.2025.06","/repositories/2/resources/760"],"text":["MS.2025.06","/repositories/2/resources/760","PFLAG Tampa collection, 2010-2023, Date acquired: 2025-12-11","LGBTQ+","LGBTQ+ activism","LGBTQ+ advocacy","LGBTQ+ clubs and organizations","LGBTQ+ communities","LGBTQ+ History","Queer activism","Queer community ","Civil rights movements -- Florida -- Tampa -- History","None.","10/2026: Additional materials integrated into collection. CC","This collection is arranged topically by organization and alphabetically within organizations.","John \"Lefty\" and Nancy Desmond founded PFLAG Tampa in 2011 after the coming out of their son, JP. Through PFLAG and JP's church community at Metropolitan Community Church, they became involved in other local LGBTQ+ organizations, including the GaYBOR District Coalition, the LGBT Roundtable at The Spring, the LBGT Roundtable at the Hillsborough Homeless Coalition, Metro Wellness, and Equality Florida. The Desmonds later founded PFLAG St. Petersburg in 2018. ","John Desmond served on the Hillsborough County Board of County Commissioners Human Rights Board and aided in the crafting of the Human Rights Ordinance which added protections for sexual orientation and gender identity and lifted a ban on Pride parades. The year after the ordinance's passing, the Desmonds served as founding board members for the inaugural Tampa Pride Festival in 2015. 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Issues 22.23 (11/5-18/2015), 22.27 (12/31/2015-1/13/2016), 23.06 (3/24/2016-4/6/2016), 24.25 (12/14-27/2017, Tampa Bay Edition), 25.01 (1/11-24/2018), 26.25 (12/12-25/2019), and 2022 Spring Arts Guide (HQ 76.8 F6 W38 suppl.).","None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","The PFLAG Tampa collection includes materials related to the Tampa chapter of PFLAG, a national LGBTQ+ advocacy organization, as well as materials related to organizations with which PFLAG Tampa and its founders, John and Nancy Desmond, collaborated. This collection contains a significant volume of materials related to Tampa Pride, the group which organizes the annual Tampa Pride Festival, both from PFLAG's involvement with the festival and John and Nancy Desmond's time as board members for the organization. Materials in this collection include organizational documents, promotional materials, community resources, and events ephemera and realia.","USF Libraries - Tampa Special Collections","Equality Florida","Metropolitan Community Church of Tampa","Desmond, John","Desmond, Nancy","Metro Wellness Health","English"],"unitid_tesim":["MS.2025.06","/repositories/2/resources/760"],"normalized_date_ssm":["2010-2023, Date acquired: 2025-12-11"],"normalized_title_ssm":["PFLAG Tampa collection, 2010-2023, Date acquired: 2025-12-11"],"collection_title_tesim":["PFLAG Tampa collection, 2010-2023, Date acquired: 2025-12-11"],"collection_ssim":["PFLAG Tampa collection, 2010-2023, Date acquired: 2025-12-11"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Desmond, John","Desmond, Nancy"],"creator_ssim":["Desmond, John","Desmond, Nancy"],"creator_persname_ssim":["Desmond, John","Desmond, Nancy"],"creators_ssim":["Desmond, John","Desmond, Nancy"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["John Desmond","Donation"],"access_subjects_ssim":["LGBTQ+","LGBTQ+ activism","LGBTQ+ advocacy","LGBTQ+ clubs and organizations","LGBTQ+ communities","LGBTQ+ History","Queer activism","Queer community ","Civil rights movements -- Florida -- Tampa -- History"],"access_subjects_ssm":["LGBTQ+","LGBTQ+ activism","LGBTQ+ advocacy","LGBTQ+ clubs and organizations","LGBTQ+ communities","LGBTQ+ History","Queer activism","Queer community ","Civil rights movements -- Florida -- Tampa -- History"],"has_online_content_ssim":["false"],"extent_ssm":["7 boxes","5.42 Linear Feet"],"extent_tesim":["7 boxes","5.42 Linear Feet"],"date_range_isim":[2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eNone.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["None."],"accruals_html_tesm":["\u003cp\u003e10/2026: Additional materials integrated into collection. CC\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["10/2026: Additional materials integrated into collection. CC"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged topically by organization and alphabetically within organizations.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged topically by organization and alphabetically within organizations."],"bioghist_html_tesm":["\u003cp\u003eJohn \"Lefty\" and Nancy Desmond founded PFLAG Tampa in 2011 after the coming out of their son, JP. Through PFLAG and JP's church community at Metropolitan Community Church, they became involved in other local LGBTQ+ organizations, including the GaYBOR District Coalition, the LGBT Roundtable at The Spring, the LBGT Roundtable at the Hillsborough Homeless Coalition, Metro Wellness, and Equality Florida. 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","Information taken from \"Why We March\" speech held in collection."],"prefercite_html_tesm":["\u003cp\u003ePFLAG Tampa collection, USF Libraries \u0026#x2013; Tampa Special Collections, University of South Florida,\nTampa, FL\u003c/p\u003e"],"prefercite_tesim":["PFLAG Tampa collection, USF Libraries – Tampa Special Collections, University of South Florida,\nTampa, FL"],"relatedmaterial_html_tesm":["\u003cp\u003eEquality Florida records, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eMetro Wellness collection of photographs, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Equality Florida records, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Metro Wellness collection of photographs, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe PFLAG Tampa collection primarily consists of organizational documents (presentation materials, resources, and meeting materials), publications, and ephemera (events flyers, brochures, pamphlets, and business cards). Most materials pertain to PFLAG Tampa and its collaboration with other Tampa Bay LGBTQ+ organizations. Also included are materials related to John Desmond's time on the Hillsborough County Board of County Commissioners Human Rights Board and Tampa Pride organizational documents. Materials span from 2010 to 2023.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The PFLAG Tampa collection primarily consists of organizational documents (presentation materials, resources, and meeting materials), publications, and ephemera (events flyers, brochures, pamphlets, and business cards). Most materials pertain to PFLAG Tampa and its collaboration with other Tampa Bay LGBTQ+ organizations. Also included are materials related to John Desmond's time on the Hillsborough County Board of County Commissioners Human Rights Board and Tampa Pride organizational documents. Materials span from 2010 to 2023."],"separatedmaterial_html_tesm":["\u003cp\u003eIssues of Watermark integrated into catalogued collection (HQ 76.8 F6 W38). Issues 22.23 (11/5-18/2015), 22.27 (12/31/2015-1/13/2016), 23.06 (3/24/2016-4/6/2016), 24.25 (12/14-27/2017, Tampa Bay Edition), 25.01 (1/11-24/2018), 26.25 (12/12-25/2019), and 2022 Spring Arts Guide (HQ 76.8 F6 W38 suppl.).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Issues of Watermark integrated into catalogued collection (HQ 76.8 F6 W38). Issues 22.23 (11/5-18/2015), 22.27 (12/31/2015-1/13/2016), 23.06 (3/24/2016-4/6/2016), 24.25 (12/14-27/2017, Tampa Bay Edition), 25.01 (1/11-24/2018), 26.25 (12/12-25/2019), and 2022 Spring Arts Guide (HQ 76.8 F6 W38 suppl.)."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b2f6c39937255d6c0f02ed93ebc14d55\"\u003eThe PFLAG Tampa collection includes materials related to the Tampa chapter of PFLAG, a national LGBTQ+ advocacy organization, as well as materials related to organizations with which PFLAG Tampa and its founders, John and Nancy Desmond, collaborated. This collection contains a significant volume of materials related to Tampa Pride, the group which organizes the annual Tampa Pride Festival, both from PFLAG's involvement with the festival and John and Nancy Desmond's time as board members for the organization. Materials in this collection include organizational documents, promotional materials, community resources, and events ephemera and realia.\u003c/abstract\u003e"],"abstract_tesim":["The PFLAG Tampa collection includes materials related to the Tampa chapter of PFLAG, a national LGBTQ+ advocacy organization, as well as materials related to organizations with which PFLAG Tampa and its founders, John and Nancy Desmond, collaborated. This collection contains a significant volume of materials related to Tampa Pride, the group which organizes the annual Tampa Pride Festival, both from PFLAG's involvement with the festival and John and Nancy Desmond's time as board members for the organization. Materials in this collection include organizational documents, promotional materials, community resources, and events ephemera and realia."],"names_coll_ssim":["Equality Florida","Metropolitan Community Church of Tampa","Metro Wellness Health"],"names_ssim":["USF Libraries - Tampa Special Collections","Equality Florida","Metropolitan Community Church of Tampa","Desmond, John","Desmond, Nancy","Metro Wellness Health"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Equality Florida","Metropolitan Community Church of Tampa"],"persname_ssim":["Desmond, John","Desmond, Nancy","Metro Wellness Health"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":70,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1878019535937732608,"_root_":"dca89ca9ec915ee938e95922","timestamp":"2026-10-03T09:16:37.133Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"dca89ca9ec915ee938e95922","title_ssm":["PFLAG Tampa collection"],"title_tesim":["PFLAG Tampa collection"],"ead_ssi":"dca89ca9ec915ee938e95922","unitdate_ssm":["2010-2023","Date acquired: 2025-12-11"],"unitdate_inclusive_ssm":["2010-2023"],"unitdate_other_ssim":["Date acquired: 2025-12-11"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.2025.06","/repositories/2/resources/760"],"text":["MS.2025.06","/repositories/2/resources/760","PFLAG Tampa collection, 2010-2023, Date acquired: 2025-12-11","LGBTQ+","LGBTQ+ activism","LGBTQ+ advocacy","LGBTQ+ clubs and organizations","LGBTQ+ communities","LGBTQ+ History","Queer activism","Queer community ","Civil rights movements -- Florida -- Tampa -- History","None.","10/2026: Additional materials integrated into collection. CC","This collection is arranged topically by organization and alphabetically within organizations.","John \"Lefty\" and Nancy Desmond founded PFLAG Tampa in 2011 after the coming out of their son, JP. Through PFLAG and JP's church community at Metropolitan Community Church, they became involved in other local LGBTQ+ organizations, including the GaYBOR District Coalition, the LGBT Roundtable at The Spring, the LBGT Roundtable at the Hillsborough Homeless Coalition, Metro Wellness, and Equality Florida. The Desmonds later founded PFLAG St. Petersburg in 2018. ","John Desmond served on the Hillsborough County Board of County Commissioners Human Rights Board and aided in the crafting of the Human Rights Ordinance which added protections for sexual orientation and gender identity and lifted a ban on Pride parades. The year after the ordinance's passing, the Desmonds served as founding board members for the inaugural Tampa Pride Festival in 2015. ","Information taken from \"Why We March\" speech held in collection.","Equality Florida records, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Metro Wellness collection of photographs, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","The PFLAG Tampa collection primarily consists of organizational documents (presentation materials, resources, and meeting materials), publications, and ephemera (events flyers, brochures, pamphlets, and business cards). Most materials pertain to PFLAG Tampa and its collaboration with other Tampa Bay LGBTQ+ organizations. Also included are materials related to John Desmond's time on the Hillsborough County Board of County Commissioners Human Rights Board and Tampa Pride organizational documents. Materials span from 2010 to 2023.","Issues of Watermark integrated into catalogued collection (HQ 76.8 F6 W38). Issues 22.23 (11/5-18/2015), 22.27 (12/31/2015-1/13/2016), 23.06 (3/24/2016-4/6/2016), 24.25 (12/14-27/2017, Tampa Bay Edition), 25.01 (1/11-24/2018), 26.25 (12/12-25/2019), and 2022 Spring Arts Guide (HQ 76.8 F6 W38 suppl.).","None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","The PFLAG Tampa collection includes materials related to the Tampa chapter of PFLAG, a national LGBTQ+ advocacy organization, as well as materials related to organizations with which PFLAG Tampa and its founders, John and Nancy Desmond, collaborated. This collection contains a significant volume of materials related to Tampa Pride, the group which organizes the annual Tampa Pride Festival, both from PFLAG's involvement with the festival and John and Nancy Desmond's time as board members for the organization. Materials in this collection include organizational documents, promotional materials, community resources, and events ephemera and realia.","USF Libraries - Tampa Special Collections","Equality Florida","Metropolitan Community Church of Tampa","Desmond, John","Desmond, Nancy","Metro Wellness Health","English"],"unitid_tesim":["MS.2025.06","/repositories/2/resources/760"],"normalized_date_ssm":["2010-2023, Date acquired: 2025-12-11"],"normalized_title_ssm":["PFLAG Tampa collection, 2010-2023, Date acquired: 2025-12-11"],"collection_title_tesim":["PFLAG Tampa collection, 2010-2023, Date acquired: 2025-12-11"],"collection_ssim":["PFLAG Tampa collection, 2010-2023, Date acquired: 2025-12-11"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Desmond, John","Desmond, Nancy"],"creator_ssim":["Desmond, John","Desmond, Nancy"],"creator_persname_ssim":["Desmond, John","Desmond, Nancy"],"creators_ssim":["Desmond, John","Desmond, Nancy"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["John Desmond","Donation"],"access_subjects_ssim":["LGBTQ+","LGBTQ+ activism","LGBTQ+ advocacy","LGBTQ+ clubs and organizations","LGBTQ+ communities","LGBTQ+ History","Queer activism","Queer community ","Civil rights movements -- Florida -- Tampa -- History"],"access_subjects_ssm":["LGBTQ+","LGBTQ+ activism","LGBTQ+ advocacy","LGBTQ+ clubs and organizations","LGBTQ+ communities","LGBTQ+ History","Queer activism","Queer community ","Civil rights movements -- Florida -- Tampa -- History"],"has_online_content_ssim":["false"],"extent_ssm":["7 boxes","5.42 Linear Feet"],"extent_tesim":["7 boxes","5.42 Linear Feet"],"date_range_isim":[2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eNone.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["None."],"accruals_html_tesm":["\u003cp\u003e10/2026: Additional materials integrated into collection. CC\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["10/2026: Additional materials integrated into collection. CC"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged topically by organization and alphabetically within organizations.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged topically by organization and alphabetically within organizations."],"bioghist_html_tesm":["\u003cp\u003eJohn \"Lefty\" and Nancy Desmond founded PFLAG Tampa in 2011 after the coming out of their son, JP. Through PFLAG and JP's church community at Metropolitan Community Church, they became involved in other local LGBTQ+ organizations, including the GaYBOR District Coalition, the LGBT Roundtable at The Spring, the LBGT Roundtable at the Hillsborough Homeless Coalition, Metro Wellness, and Equality Florida. The Desmonds later founded PFLAG St. Petersburg in 2018. \u003c/p\u003e\n","\u003cp\u003eJohn Desmond served on the Hillsborough County Board of County Commissioners Human Rights Board and aided in the crafting of the Human Rights Ordinance which added protections for sexual orientation and gender identity and lifted a ban on Pride parades. The year after the ordinance's passing, the Desmonds served as founding board members for the inaugural Tampa Pride Festival in 2015. \u003c/p\u003e\n","\u003cp\u003eInformation taken from \"Why We March\" speech held in collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["John \"Lefty\" and Nancy Desmond founded PFLAG Tampa in 2011 after the coming out of their son, JP. Through PFLAG and JP's church community at Metropolitan Community Church, they became involved in other local LGBTQ+ organizations, including the GaYBOR District Coalition, the LGBT Roundtable at The Spring, the LBGT Roundtable at the Hillsborough Homeless Coalition, Metro Wellness, and Equality Florida. The Desmonds later founded PFLAG St. Petersburg in 2018. ","John Desmond served on the Hillsborough County Board of County Commissioners Human Rights Board and aided in the crafting of the Human Rights Ordinance which added protections for sexual orientation and gender identity and lifted a ban on Pride parades. The year after the ordinance's passing, the Desmonds served as founding board members for the inaugural Tampa Pride Festival in 2015. ","Information taken from \"Why We March\" speech held in collection."],"prefercite_html_tesm":["\u003cp\u003ePFLAG Tampa collection, USF Libraries \u0026#x2013; Tampa Special Collections, University of South Florida,\nTampa, FL\u003c/p\u003e"],"prefercite_tesim":["PFLAG Tampa collection, USF Libraries – Tampa Special Collections, University of South Florida,\nTampa, FL"],"relatedmaterial_html_tesm":["\u003cp\u003eEquality Florida records, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003eMetro Wellness collection of photographs, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Equality Florida records, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","Metro Wellness collection of photographs, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe PFLAG Tampa collection primarily consists of organizational documents (presentation materials, resources, and meeting materials), publications, and ephemera (events flyers, brochures, pamphlets, and business cards). Most materials pertain to PFLAG Tampa and its collaboration with other Tampa Bay LGBTQ+ organizations. Also included are materials related to John Desmond's time on the Hillsborough County Board of County Commissioners Human Rights Board and Tampa Pride organizational documents. Materials span from 2010 to 2023.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The PFLAG Tampa collection primarily consists of organizational documents (presentation materials, resources, and meeting materials), publications, and ephemera (events flyers, brochures, pamphlets, and business cards). Most materials pertain to PFLAG Tampa and its collaboration with other Tampa Bay LGBTQ+ organizations. Also included are materials related to John Desmond's time on the Hillsborough County Board of County Commissioners Human Rights Board and Tampa Pride organizational documents. Materials span from 2010 to 2023."],"separatedmaterial_html_tesm":["\u003cp\u003eIssues of Watermark integrated into catalogued collection (HQ 76.8 F6 W38). Issues 22.23 (11/5-18/2015), 22.27 (12/31/2015-1/13/2016), 23.06 (3/24/2016-4/6/2016), 24.25 (12/14-27/2017, Tampa Bay Edition), 25.01 (1/11-24/2018), 26.25 (12/12-25/2019), and 2022 Spring Arts Guide (HQ 76.8 F6 W38 suppl.).\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Issues of Watermark integrated into catalogued collection (HQ 76.8 F6 W38). Issues 22.23 (11/5-18/2015), 22.27 (12/31/2015-1/13/2016), 23.06 (3/24/2016-4/6/2016), 24.25 (12/14-27/2017, Tampa Bay Edition), 25.01 (1/11-24/2018), 26.25 (12/12-25/2019), and 2022 Spring Arts Guide (HQ 76.8 F6 W38 suppl.)."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b2f6c39937255d6c0f02ed93ebc14d55\"\u003eThe PFLAG Tampa collection includes materials related to the Tampa chapter of PFLAG, a national LGBTQ+ advocacy organization, as well as materials related to organizations with which PFLAG Tampa and its founders, John and Nancy Desmond, collaborated. This collection contains a significant volume of materials related to Tampa Pride, the group which organizes the annual Tampa Pride Festival, both from PFLAG's involvement with the festival and John and Nancy Desmond's time as board members for the organization. Materials in this collection include organizational documents, promotional materials, community resources, and events ephemera and realia.\u003c/abstract\u003e"],"abstract_tesim":["The PFLAG Tampa collection includes materials related to the Tampa chapter of PFLAG, a national LGBTQ+ advocacy organization, as well as materials related to organizations with which PFLAG Tampa and its founders, John and Nancy Desmond, collaborated. This collection contains a significant volume of materials related to Tampa Pride, the group which organizes the annual Tampa Pride Festival, both from PFLAG's involvement with the festival and John and Nancy Desmond's time as board members for the organization. Materials in this collection include organizational documents, promotional materials, community resources, and events ephemera and realia."],"names_coll_ssim":["Equality Florida","Metropolitan Community Church of Tampa","Metro Wellness Health"],"names_ssim":["USF Libraries - Tampa Special Collections","Equality Florida","Metropolitan Community Church of Tampa","Desmond, John","Desmond, Nancy","Metro Wellness Health"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Equality Florida","Metropolitan Community Church of Tampa"],"persname_ssim":["Desmond, John","Desmond, Nancy","Metro Wellness Health"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":70,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1878019535937732608,"_root_":"dca89ca9ec915ee938e95922","timestamp":"2026-10-03T09:16:37.133Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/dca89ca9ec915ee938e95922"}},{"id":"e2000508767dfc5088ad7637_aspace_7a54c1b9c0fa2290c994559b37f5343e","type":"File","attributes":{"title":"Phi Alpha Delta Pre-Law (Pi Sigma Alpha Rho Pi), 1998-2011","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/e2000508767dfc5088ad7637_aspace_7a54c1b9c0fa2290c994559b37f5343e#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7a54c1b9c0fa2290c994559b37f5343e","ref_ssm":["aspace_7a54c1b9c0fa2290c994559b37f5343e","aspace_7a54c1b9c0fa2290c994559b37f5343e"],"id":"e2000508767dfc5088ad7637_aspace_7a54c1b9c0fa2290c994559b37f5343e","title_filing_ssi":"Phi Alpha Delta Pre-Law (Pi Sigma Alpha Rho Pi)","title_ssm":["Phi Alpha Delta Pre-Law (Pi Sigma Alpha Rho Pi)"],"title_tesim":["Phi Alpha Delta Pre-Law (Pi Sigma Alpha Rho Pi)"],"unitdate_inclusive_ssm":["1998-2011"],"normalized_date_ssm":["1998-2011"],"normalized_title_ssm":["Phi Alpha Delta Pre-Law (Pi Sigma Alpha Rho Pi), 1998-2011"],"text":["Phi Alpha Delta Pre-Law (Pi Sigma Alpha Rho Pi), 1998-2011","University of West Florida. University Commons and Student Activities.  Student Organizations., 1968-2017","Box 3","M2017-05, Box 3, Folder 46","/repositories/2/archival_objects/14569"],"component_level_isim":[2],"parent_ids_ssim":["e2000508767dfc5088ad7637","e2000508767dfc5088ad7637_aspace_48d892e180c164f3dfd60ce8363908d2"],"parent_unittitles_ssm":["University of West Florida. University Commons and Student Activities.  Student Organizations., 1968-2017","Box 3"],"parent_unittitles_tesim":["University of West Florida. University Commons and Student Activities.  Student Organizations., 1968-2017","Box 3"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["M2017-05, Box 3, Folder 46","/repositories/2/archival_objects/14569"],"repository_ssim":["UWF University Archives and West Florida History Center"],"collection_ssim":["University of West Florida. University Commons and Student Activities.  Student Organizations., 1968-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":164,"date_range_isim":[1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"_nest_path_":"/components#6/components#44","_nest_parent_":"e2000508767dfc5088ad7637_aspace_48d892e180c164f3dfd60ce8363908d2","_root_":"e2000508767dfc5088ad7637","timestamp":"2026-04-21T05:01:07.356Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"e2000508767dfc5088ad7637","title_ssm":["University of West Florida. University Commons and Student Activities.  Student Organizations."],"title_tesim":["University of West Florida. University Commons and Student Activities.  Student Organizations."],"ead_ssi":"e2000508767dfc5088ad7637","unitdate_ssm":["1968-2017"],"unitdate_inclusive_ssm":["1968-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M2017-05","/repositories/2/resources/379"],"text":["M2017-05","/repositories/2/resources/379","University of West Florida. University Commons and Student Activities.  Student Organizations., 1968-2017","University of West Florida--Building 22--Commons","UWF--STUDENT LIFE--ORGANIZATIONS--FRATERNITIES AND SORORITIES","University of West Florida--University Commons and Student Activities","University of West Florida--Students--Organizations","For inventory purposes, each folder has been numbered in order to preserve the original order of the records which themselves may not be strictly alphabetical.  These folder numbers do not appear on the original records but will help staff to retrive the files. In addition, as received, the original files had been organized into series (e.g. Academic, Honor, etc.); we have retained these headings but only when they appeared in the records as a tab folder.   Note that there are duplicate folders for organizations scattered in the collection and that terms for searching may need to be expanded by the user (e.g. Blacks, African-American, NAACP, etc.)","Records, 1968-2017, of the University of West Florida, University Commons and Student Activities, consisting of files on student organizations including honor societies, religious, fraternal, professional, special interest, and academic student groups.  Records include charters, bylaws, membership and officer lists, organization activities, and annual filings.","UWF University Archives and West Florida History Center","English"],"unitid_tesim":["M2017-05","/repositories/2/resources/379"],"normalized_date_ssm":["1968-2017"],"normalized_title_ssm":["University of West Florida. University Commons and Student Activities.  Student Organizations., 1968-2017"],"collection_title_tesim":["University of West Florida. University Commons and Student Activities.  Student Organizations., 1968-2017"],"collection_ssim":["University of West Florida. University Commons and Student Activities.  Student Organizations., 1968-2017"],"repository_ssm":["UWF University Archives and West Florida History Center"],"repository_ssim":["UWF University Archives and West Florida History Center"],"access_subjects_ssim":["University of West Florida--Building 22--Commons","UWF--STUDENT LIFE--ORGANIZATIONS--FRATERNITIES AND SORORITIES","University of West Florida--University Commons and Student Activities","University of West Florida--Students--Organizations"],"access_subjects_ssm":["University of West Florida--Building 22--Commons","UWF--STUDENT LIFE--ORGANIZATIONS--FRATERNITIES AND SORORITIES","University of West Florida--University Commons and Student Activities","University of West Florida--Students--Organizations"],"has_online_content_ssim":["false"],"extent_ssm":["5 Cubic Feet 5 cubic foot Hollinger boxes; 276 folders, estimated 8,280 pieces."],"extent_tesim":["5 Cubic Feet 5 cubic foot Hollinger boxes; 276 folders, estimated 8,280 pieces."],"processinfo_html_tesm":["\u003cp\u003eFor inventory purposes, each folder has been numbered in order to preserve the original order of the records which themselves may not be strictly alphabetical.  These folder numbers do not appear on the original records but will help staff to retrive the files. In addition, as received, the original files had been organized into series (e.g. Academic, Honor, etc.); we have retained these headings but only when they appeared in the records as a tab folder.   Note that there are duplicate folders for organizations scattered in the collection and that terms for searching may need to be expanded by the user (e.g. Blacks, African-American, NAACP, etc.)\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["For inventory purposes, each folder has been numbered in order to preserve the original order of the records which themselves may not be strictly alphabetical.  These folder numbers do not appear on the original records but will help staff to retrive the files. In addition, as received, the original files had been organized into series (e.g. Academic, Honor, etc.); we have retained these headings but only when they appeared in the records as a tab folder.   Note that there are duplicate folders for organizations scattered in the collection and that terms for searching may need to be expanded by the user (e.g. Blacks, African-American, NAACP, etc.)"],"scopecontent_html_tesm":["\u003cp\u003eRecords, 1968-2017, of the University of West Florida, University Commons and Student Activities, consisting of files on student organizations including honor societies, religious, fraternal, professional, special interest, and academic student groups.  Records include charters, bylaws, membership and officer lists, organization activities, and annual filings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Records, 1968-2017, of the University of West Florida, University Commons and Student Activities, consisting of files on student organizations including honor societies, religious, fraternal, professional, special interest, and academic student groups.  Records include charters, bylaws, membership and officer lists, organization activities, and annual filings."],"names_ssim":["UWF University Archives and West Florida History Center"],"corpname_ssim":["UWF University Archives and West Florida History Center"],"language_ssim":["English"],"total_component_count_is":280,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"e2000508767dfc5088ad7637","timestamp":"2026-04-21T05:01:07.356Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/e2000508767dfc5088ad7637_aspace_7a54c1b9c0fa2290c994559b37f5343e"}},{"id":"3018d7acc866cce1e2f00be2_aspace_82ff340937f62a3af2b95ae1843808cf","type":"File","attributes":{"title":"Philharmonic Center for the Arts (Naples), 2000-2015","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3018d7acc866cce1e2f00be2_aspace_82ff340937f62a3af2b95ae1843808cf#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_82ff340937f62a3af2b95ae1843808cf","ref_ssm":["aspace_82ff340937f62a3af2b95ae1843808cf","aspace_82ff340937f62a3af2b95ae1843808cf"],"id":"3018d7acc866cce1e2f00be2_aspace_82ff340937f62a3af2b95ae1843808cf","title_filing_ssi":"Philharmonic Center for the Arts (Naples)","title_ssm":["Philharmonic Center for the Arts (Naples)"],"title_tesim":["Philharmonic Center for the Arts (Naples)"],"unitdate_inclusive_ssm":["2000-2015"],"normalized_date_ssm":["2000-2015"],"normalized_title_ssm":["Philharmonic Center for the Arts (Naples), 2000-2015"],"text":["Philharmonic Center for the Arts (Naples), 2000-2015","Mickey Wolfson Theater Collection, 1946-2015","Box 40","U.S. Arts","Arts in Florida","/repositories/2/archival_objects/75119","box 40","folder 18"],"component_level_isim":[4],"parent_ids_ssim":["3018d7acc866cce1e2f00be2","3018d7acc866cce1e2f00be2_aspace_09b4555f36bef860adbeabd778447ebe","3018d7acc866cce1e2f00be2_aspace_8dfa71c8d999a06d956a77e2a312d96a","3018d7acc866cce1e2f00be2_aspace_96a6a738da40ebf6c7c942b1599e1849"],"parent_unittitles_ssm":["Mickey Wolfson Theater Collection, 1946-2015","Box 40","U.S. Arts","Arts in Florida"],"parent_unittitles_tesim":["Mickey Wolfson Theater Collection, 1946-2015","Box 40","U.S. Arts","Arts in Florida"],"parent_levels_ssm":["collection","Other level","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/75119"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Mickey Wolfson Theater Collection, 1946-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1221,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"date_range_isim":[2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"containers_ssim":["box 40","folder 18"],"_nest_path_":"/components#39/components#0/components#0/components#17","_nest_parent_":"3018d7acc866cce1e2f00be2_aspace_96a6a738da40ebf6c7c942b1599e1849","_root_":"3018d7acc866cce1e2f00be2","timestamp":"2026-04-29T02:04:07.331Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3018d7acc866cce1e2f00be2","title_ssm":["Mickey Wolfson Theater Collection"],"title_tesim":["Mickey Wolfson Theater Collection"],"ead_ssi":"3018d7acc866cce1e2f00be2","unitdate_ssm":["1946-2015"],"unitdate_inclusive_ssm":["1946-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8095","/repositories/2/resources/80"],"text":["SPC8095","/repositories/2/resources/80","Mickey Wolfson Theater Collection, 1946-2015","Ballet","Ballet companies","Opera","Performing arts","Performing arts--Festivals","Performing arts--Public relations","Theater","Theatrical publication","Playbills","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. ","There is one sub-series under U.S. Arts entitled Arts in Florida.","Materials are in alphabetical and date order.","Mitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906– May 9, 1980) and Mitchell Wolfson (1900–1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963–1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. ","Collector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. ","In 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. 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Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. ","Collector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. ","In 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. 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