{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2010\u0026page=164","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2010\u0026page=163","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2010\u0026page=165","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2010\u0026page=250"},"meta":{"pages":{"current_page":164,"next_page":165,"prev_page":163,"total_pages":250,"limit_value":10,"offset_value":1630,"total_count":2491,"first_page?":false,"last_page?":false}},"data":[{"id":"f994df9f0cf637bbac8c8436_aspace_030c50edb40e87cb50ba7f4c3a2ebfe1","type":"File","attributes":{"title":"Newspaper, Unit History, 1945, 2015","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/f994df9f0cf637bbac8c8436_aspace_030c50edb40e87cb50ba7f4c3a2ebfe1#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection includes a single issue (incomplete) of the \u003cem\u003e Naples Daily News\u003c/em\u003efrom June 5, 2015 and the \u003cem\u003e Banner \u003c/em\u003e from June 6, 2015. 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This collection consists of a single  issue (incomplete) of the  Naples Daily News , June 5, 2015 and  The Banner , June 6, 2015 featuring stories related to the war-time service of Kannette.  It also contains a photocopy of  APO 424 , a unit history of the 33rd General Hospital in World War II.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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Eunice Brierley Kannette died on February 1, 2016 in Estero, Florida."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Eunice Brierly Kannette collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-12-1955\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Eunice Brierly Kannette collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-12-1955"],"scopecontent_html_tesm":["\u003cp\u003eThe collection relates to the service of Eunice Brierley Kannette who served as U.S. Army nurse in North Africa and Italy.  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It also contains a photocopy of  APO 424 , a unit history of the 33rd General Hospital in World War II."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Public Relations records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["The Florida Southern College Archives","Florida Southern College"],"corpname_ssim":["The Florida Southern College Archives","Florida Southern College"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1332,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"028f3ba81a755744d614ce0a","timestamp":"2026-07-10T02:17:33.904Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/028f3ba81a755744d614ce0a_aspace_e1b163f0212a849bea8635a1755b1752"}},{"id":"7a810d7561261a3999010a98_aspace_a31fbfeea26d9807860c0ccb14ea30cc","type":"Subseries","attributes":{"title":"News Supplements and Oversized Articles, 2010","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/7a810d7561261a3999010a98_aspace_a31fbfeea26d9807860c0ccb14ea30cc#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_a31fbfeea26d9807860c0ccb14ea30cc","ref_ssm":["aspace_a31fbfeea26d9807860c0ccb14ea30cc","aspace_a31fbfeea26d9807860c0ccb14ea30cc"],"id":"7a810d7561261a3999010a98_aspace_a31fbfeea26d9807860c0ccb14ea30cc","title_filing_ssi":"News Supplements and Oversized Articles\n","title_ssm":["News Supplements and Oversized Articles\n"],"title_tesim":["News Supplements and Oversized Articles\n"],"unitdate_other_ssim":["2010"],"normalized_date_ssm":["2010"],"normalized_title_ssm":["News Supplements and Oversized Articles, 2010"],"text":["News Supplements and Oversized Articles, 2010","Jacksonville [FL] Jazz Festival Collection, 1981-2014","News Articles and Supplements","/repositories/3/archival_objects/8395","box 3","folder 6"],"component_level_isim":[2],"parent_ids_ssim":["7a810d7561261a3999010a98","7a810d7561261a3999010a98_aspace_febbfee5da99578ed724cbaa05175e04"],"parent_unittitles_ssm":["Jacksonville [FL] Jazz Festival Collection, 1981-2014","News Articles and Supplements"],"parent_unittitles_tesim":["Jacksonville [FL] Jazz Festival Collection, 1981-2014","News Articles and Supplements"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/8395"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Jacksonville [FL] Jazz Festival Collection, 1981-2014"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":66,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[2010],"containers_ssim":["box 3","folder 6"],"_nest_path_":"/components#4/components#14","_nest_parent_":"7a810d7561261a3999010a98_aspace_febbfee5da99578ed724cbaa05175e04","_root_":"7a810d7561261a3999010a98","_version_":1870860570070089728,"timestamp":"2026-07-16T08:47:55.250Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"7a810d7561261a3999010a98","title_ssm":["Jacksonville [FL] Jazz Festival Collection"],"title_tesim":["Jacksonville [FL] Jazz Festival Collection"],"ead_ssi":"7a810d7561261a3999010a98","unitdate_ssm":["1981-2014"],"unitdate_inclusive_ssm":["1981-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2007.001","/repositories/3/resources/52"],"text":["2007.001","/repositories/3/resources/52","Jacksonville [FL] Jazz Festival Collection, 1981-2014","Mayport and All That Jazz Festival (1981 : Jacksonville, Fla.)","Jazz--Florida--Jacksonville","Jazz festivals--Florida--Jacksonville","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","The Jacksonville Jazz Festival is a popular musical event held annually in Jacksonville, Florida that has grown into a major event with attendance in excess of 10,000. The Festival has featured a variety of local, national, and international performers over the years including jazz legends Dizzy Gillespie (1981), Miles Davis (1986), Tony Bennett (2003), Natalie Cole (2011), Patti Austin (2012), and Sonny Rollins (2012). ","The first Festival, Mayport and all that Jazz, was held in 1980, named after the fishing village of Mayport near Jacksonville Beach. It was a one-day celebration featuring music and seafood, and sponsored by the City of Jacksonville. After its second year, the venue was moved to Metropolitan Park in downtown Jacksonville and was co-sponsored by the local public broadcasting affiliate WJCT. In 1983, the Great American Jazz Piano Competition was added as the Festival's opening event. After the 1984 concert the Festival was solely produced by WJCT and became known officially as the Jacksonville Jazz Festival. After a hiatus in 2001 and 2002 the City of Jacksonville once again sponsored the Festival in 2003 and has continued since. Over the years the event has included a piano competition, 5 km run, educational activities, talks, jazz jams, and multi-location concerts at various downtown venues. In 2020, due to the COVID-19 pandemic, the Festival was canceled.\n   ","The collection consists of the following series: ","Brochures/fliers, including promotional pamphlets, booklets, and flyers.","General Admission tickets.","Invitations to events during the Jacksonville Jazz Festival.","Media packets which include schedules, musician biographies, and musician photographs.","Newspaper articles/supplements about the Jacksonville Jazz Festival.","Official Stationery of the Jacksonville Jazz Festival with the logo.","Parking Passes for the Jacksonville Jazz Festival.","Photographs of events at the Jacksonville Jazz Festival.","Postcards with images from the commemorative posters.","Posters including the official commemorative posters and promotional posters with musician and venue information.","Programs, which are divided into two subseries: the Offical Programs with schedules and musician information, and the annual Jazz Piano Competion Programs.","Souvenirs and memorabilia, which are divided into subseries: Apparel (tee shirts and hats), Buttons/Pins, Cups/Cup Holders, Gift Bags, and   Lanyards (some with attached admission passes).","The series are arranged alphabetically; chronologically within each series/folder. ","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","Jacksonville Jazz Festival","English"],"unitid_tesim":["2007.001","/repositories/3/resources/52"],"normalized_date_ssm":["1981-2014"],"normalized_title_ssm":["Jacksonville [FL] Jazz Festival Collection, 1981-2014"],"collection_title_tesim":["Jacksonville [FL] Jazz Festival Collection, 1981-2014"],"collection_ssim":["Jacksonville [FL] Jazz Festival Collection, 1981-2014"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"creator_ssm":["Jacksonville Jazz Festival"],"creator_ssim":["Jacksonville Jazz Festival"],"creator_corpname_ssim":["Jacksonville Jazz Festival"],"creators_ssim":["Jacksonville Jazz Festival"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Jacksonville Jazz Festival sponsors, WJCT, and City of Jacksonville beginning in 1981"],"access_subjects_ssim":["Mayport and All That Jazz Festival (1981 : Jacksonville, Fla.)","Jazz--Florida--Jacksonville","Jazz festivals--Florida--Jacksonville"],"access_subjects_ssm":["Mayport and All That Jazz Festival (1981 : Jacksonville, Fla.)","Jazz--Florida--Jacksonville","Jazz festivals--Florida--Jacksonville"],"has_online_content_ssim":["false"],"extent_ssm":["3.00 Linear Feet"],"extent_tesim":["3.00 Linear Feet"],"date_range_isim":[1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eThe Jacksonville Jazz Festival is a popular musical event held annually in Jacksonville, Florida that has grown into a major event with attendance in excess of 10,000. The Festival has featured a variety of local, national, and international performers over the years including jazz legends Dizzy Gillespie (1981), Miles Davis (1986), Tony Bennett (2003), Natalie Cole (2011), Patti Austin (2012), and Sonny Rollins (2012). \u003c/p\u003e\n","\u003cp\u003eThe first Festival, Mayport and all that Jazz, was held in 1980, named after the fishing village of Mayport near Jacksonville Beach. It was a one-day celebration featuring music and seafood, and sponsored by the City of Jacksonville. After its second year, the venue was moved to Metropolitan Park in downtown Jacksonville and was co-sponsored by the local public broadcasting affiliate WJCT. In 1983, the Great American Jazz Piano Competition was added as the Festival's opening event. After the 1984 concert the Festival was solely produced by WJCT and became known officially as the Jacksonville Jazz Festival. After a hiatus in 2001 and 2002 the City of Jacksonville once again sponsored the Festival in 2003 and has continued since. Over the years the event has included a piano competition, 5 km run, educational activities, talks, jazz jams, and multi-location concerts at various downtown venues. In 2020, due to the COVID-19 pandemic, the Festival was canceled.\n   \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Jacksonville Jazz Festival is a popular musical event held annually in Jacksonville, Florida that has grown into a major event with attendance in excess of 10,000. The Festival has featured a variety of local, national, and international performers over the years including jazz legends Dizzy Gillespie (1981), Miles Davis (1986), Tony Bennett (2003), Natalie Cole (2011), Patti Austin (2012), and Sonny Rollins (2012). ","The first Festival, Mayport and all that Jazz, was held in 1980, named after the fishing village of Mayport near Jacksonville Beach. It was a one-day celebration featuring music and seafood, and sponsored by the City of Jacksonville. After its second year, the venue was moved to Metropolitan Park in downtown Jacksonville and was co-sponsored by the local public broadcasting affiliate WJCT. In 1983, the Great American Jazz Piano Competition was added as the Festival's opening event. After the 1984 concert the Festival was solely produced by WJCT and became known officially as the Jacksonville Jazz Festival. After a hiatus in 2001 and 2002 the City of Jacksonville once again sponsored the Festival in 2003 and has continued since. Over the years the event has included a piano competition, 5 km run, educational activities, talks, jazz jams, and multi-location concerts at various downtown venues. In 2020, due to the COVID-19 pandemic, the Festival was canceled.\n   "],"prefercite_html_tesm":["\u003cp\u003eJacksonville Jazz Festival Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Jacksonville Jazz Festival Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of the following series: \u003c/p\u003e\n","\u003cp\u003eBrochures/fliers, including promotional pamphlets, booklets, and flyers.\u003c/p\u003e\n","\u003cp\u003eGeneral Admission tickets.\u003c/p\u003e\n","\u003cp\u003eInvitations to events during the Jacksonville Jazz Festival.\u003c/p\u003e\n","\u003cp\u003eMedia packets which include schedules, musician biographies, and musician photographs.\u003c/p\u003e\n","\u003cp\u003eNewspaper articles/supplements about the Jacksonville Jazz Festival.\u003c/p\u003e\n","\u003cp\u003eOfficial Stationery of the Jacksonville Jazz Festival with the logo.\u003c/p\u003e\n","\u003cp\u003eParking Passes for the Jacksonville Jazz Festival.\u003c/p\u003e\n","\u003cp\u003ePhotographs of events at the Jacksonville Jazz Festival.\u003c/p\u003e\n","\u003cp\u003ePostcards with images from the commemorative posters.\u003c/p\u003e\n","\u003cp\u003ePosters including the official commemorative posters and promotional posters with musician and venue information.\u003c/p\u003e\n","\u003cp\u003ePrograms, which are divided into two subseries: the Offical Programs with schedules and musician information, and the annual Jazz Piano Competion Programs.\u003c/p\u003e\n","\u003cp\u003eSouvenirs and memorabilia, which are divided into subseries: Apparel (tee shirts and hats), Buttons/Pins, Cups/Cup Holders, Gift Bags, and   Lanyards (some with attached admission passes).\u003c/p\u003e\n","\u003cp\u003eThe series are arranged alphabetically; chronologically within each series/folder. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of the following series: ","Brochures/fliers, including promotional pamphlets, booklets, and flyers.","General Admission tickets.","Invitations to events during the Jacksonville Jazz Festival.","Media packets which include schedules, musician biographies, and musician photographs.","Newspaper articles/supplements about the Jacksonville Jazz Festival.","Official Stationery of the Jacksonville Jazz Festival with the logo.","Parking Passes for the Jacksonville Jazz Festival.","Photographs of events at the Jacksonville Jazz Festival.","Postcards with images from the commemorative posters.","Posters including the official commemorative posters and promotional posters with musician and venue information.","Programs, which are divided into two subseries: the Offical Programs with schedules and musician information, and the annual Jazz Piano Competion Programs.","Souvenirs and memorabilia, which are divided into subseries: Apparel (tee shirts and hats), Buttons/Pins, Cups/Cup Holders, Gift Bags, and   Lanyards (some with attached admission passes).","The series are arranged alphabetically; chronologically within each series/folder. "],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives","Jacksonville Jazz Festival"],"corpname_ssim":["UNF Library Special Collections and University Archives","Jacksonville Jazz Festival"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":209,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860570070089728,"_root_":"7a810d7561261a3999010a98","timestamp":"2026-07-16T08:47:55.250Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/7a810d7561261a3999010a98_aspace_a31fbfeea26d9807860c0ccb14ea30cc"}},{"id":"771510205c264cd181e5b2d3_aspace_7304","type":"File","attributes":{"title":"New Student-Athlete Orientation Notes, Rules, and Regulations, 2008-2011","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/771510205c264cd181e5b2d3_aspace_7304#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7304","ref_ssm":["aspace_7304","aspace_7304"],"id":"771510205c264cd181e5b2d3_aspace_7304","title_filing_ssi":"New Student-Athlete Orientation Notes, Rules, and Regulations ","title_ssm":["New Student-Athlete Orientation Notes, Rules, and Regulations "],"title_tesim":["New Student-Athlete Orientation Notes, Rules, and Regulations "],"unitdate_inclusive_ssm":["2008-2011"],"normalized_date_ssm":["2008-2011"],"normalized_title_ssm":["New Student-Athlete Orientation Notes, Rules, and Regulations, 2008-2011"],"text":["New Student-Athlete Orientation Notes, Rules, and Regulations, 2008-2011","Athletics, 2001-current","Policies and Procedures","NCAA Division I Certification Meetings and Agendas","Folder 76","/repositories/3/archival_objects/9148","box 2","folder 76"],"component_level_isim":[3],"parent_ids_ssim":["771510205c264cd181e5b2d3","771510205c264cd181e5b2d3_aspace_7103","771510205c264cd181e5b2d3_aspace_7218"],"parent_unittitles_ssm":["Athletics, 2001-current","Policies and Procedures","NCAA Division I Certification Meetings and Agendas"],"parent_unittitles_tesim":["Athletics, 2001-current","Policies and Procedures","NCAA Division I Certification Meetings and Agendas"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 76","/repositories/3/archival_objects/9148"],"repository_ssim":["Florida Gulf Coast University Archives"],"collection_ssim":["Athletics, 2001-current"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":120,"parent_access_restrict_tesm":["This collection contains some rescticted materials."],"date_range_isim":[2008,2009,2010,2011],"containers_ssim":["box 2","folder 76"],"_nest_path_":"/components#0/components#1/components#74","_nest_parent_":"771510205c264cd181e5b2d3_aspace_7218","_root_":"771510205c264cd181e5b2d3","_version_":1870842556269461504,"timestamp":"2026-07-16T04:01:35.951Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"771510205c264cd181e5b2d3","title_ssm":["Athletics"],"title_tesim":["Athletics"],"ead_ssi":"771510205c264cd181e5b2d3","unitdate_ssm":["2001-current"],"unitdate_other_ssim":["2001-current"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01.08","/repositories/3/resources/13"],"text":["01.08","/repositories/3/resources/13","Athletics, 2001-current","Athletics","This collection contains some rescticted materials.","Record Group consists of documents, photographs, and ephemera regarding the policies and procedures and press covereage of Athletics.  The record group consists of 2 series; Athletics: Policies and Procedures and Sports Teams. Each is arranged alphabetically by subject and chronologically therein.","Florida Gulf Coast University Archives","FGCU Task Force on Athletics ","Martin, Michael V., Ph.D.","Enfield, Andy","Fly, Michael","Dooley , Joe ","Sale, Chris","Azul the Eagle, 2008 - Present","English"],"unitid_tesim":["01.08","/repositories/3/resources/13"],"normalized_date_ssm":["2001-current"],"normalized_title_ssm":["Athletics, 2001-current"],"collection_title_tesim":["Athletics, 2001-current"],"collection_ssim":["Athletics, 2001-current"],"repository_ssm":["Florida Gulf Coast University Archives"],"repository_ssim":["Florida Gulf Coast University Archives"],"access_subjects_ssim":["Athletics"],"access_subjects_ssm":["Athletics"],"has_online_content_ssim":["false"],"extent_ssm":["4.50 Linear Feet"],"extent_tesim":["4.50 Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection contains some rescticted materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection contains some rescticted materials."],"scopecontent_html_tesm":["\u003cp\u003eRecord Group consists of documents, photographs, and ephemera regarding the policies and procedures and press covereage of Athletics.  The record group consists of 2 series; Athletics: Policies and Procedures and Sports Teams. Each is arranged alphabetically by subject and chronologically therein.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Record Group consists of documents, photographs, and ephemera regarding the policies and procedures and press covereage of Athletics.  The record group consists of 2 series; Athletics: Policies and Procedures and Sports Teams. Each is arranged alphabetically by subject and chronologically therein."],"names_ssim":["Florida Gulf Coast University Archives","FGCU Task Force on Athletics ","Martin, Michael V., Ph.D.","Enfield, Andy","Fly, Michael","Dooley , Joe ","Sale, Chris","Azul the Eagle, 2008 - Present"],"corpname_ssim":["Florida Gulf Coast University Archives","FGCU Task Force on Athletics "],"persname_ssim":["Martin, Michael V., Ph.D.","Enfield, Andy","Fly, Michael","Dooley , Joe ","Sale, Chris","Azul the Eagle, 2008 - Present"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":267,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842556269461504,"_root_":"771510205c264cd181e5b2d3","timestamp":"2026-07-16T04:01:35.951Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/771510205c264cd181e5b2d3_aspace_7304"}},{"id":"3018d7acc866cce1e2f00be2_aspace_b8aa2b54a12e8a86c4516563593192b3","type":"File","attributes":{"title":"New World Symphony, 2009-2010","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3018d7acc866cce1e2f00be2_aspace_b8aa2b54a12e8a86c4516563593192b3#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b8aa2b54a12e8a86c4516563593192b3","ref_ssm":["aspace_b8aa2b54a12e8a86c4516563593192b3","aspace_b8aa2b54a12e8a86c4516563593192b3"],"id":"3018d7acc866cce1e2f00be2_aspace_b8aa2b54a12e8a86c4516563593192b3","title_filing_ssi":"New World Symphony","title_ssm":["New World Symphony"],"title_tesim":["New World Symphony"],"unitdate_inclusive_ssm":["2009-2010"],"normalized_date_ssm":["2009-2010"],"normalized_title_ssm":["New World Symphony, 2009-2010"],"text":["New World Symphony, 2009-2010","Mickey Wolfson Theater Collection, 1946-2015","Box 39","U.S. Arts","Arts in Florida","/repositories/2/archival_objects/75091","box 39","folder 11"],"component_level_isim":[4],"parent_ids_ssim":["3018d7acc866cce1e2f00be2","3018d7acc866cce1e2f00be2_aspace_b25b507068cc04c8a20908448a5a9e1c","3018d7acc866cce1e2f00be2_aspace_d8d731469ca25f1f732ade4cc11bfb6e","3018d7acc866cce1e2f00be2_aspace_ab3271812e44929c50a3c8a94150e500"],"parent_unittitles_ssm":["Mickey Wolfson Theater Collection, 1946-2015","Box 39","U.S. Arts","Arts in Florida"],"parent_unittitles_tesim":["Mickey Wolfson Theater Collection, 1946-2015","Box 39","U.S. Arts","Arts in Florida"],"parent_levels_ssm":["collection","Other level","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/75091"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Mickey Wolfson Theater Collection, 1946-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1193,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"date_range_isim":[2009,2010],"containers_ssim":["box 39","folder 11"],"_nest_path_":"/components#38/components#0/components#0/components#10","_nest_parent_":"3018d7acc866cce1e2f00be2_aspace_ab3271812e44929c50a3c8a94150e500","_root_":"3018d7acc866cce1e2f00be2","timestamp":"2026-04-29T02:04:07.331Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3018d7acc866cce1e2f00be2","title_ssm":["Mickey Wolfson Theater Collection"],"title_tesim":["Mickey Wolfson Theater Collection"],"ead_ssi":"3018d7acc866cce1e2f00be2","unitdate_ssm":["1946-2015"],"unitdate_inclusive_ssm":["1946-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8095","/repositories/2/resources/80"],"text":["SPC8095","/repositories/2/resources/80","Mickey Wolfson Theater Collection, 1946-2015","Ballet","Ballet companies","Opera","Performing arts","Performing arts--Festivals","Performing arts--Public relations","Theater","Theatrical publication","Playbills","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. ","There is one sub-series under U.S. Arts entitled Arts in Florida.","Materials are in alphabetical and date order.","Mitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906– May 9, 1980) and Mitchell Wolfson (1900–1983). 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Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. ","There is one sub-series under U.S. Arts entitled Arts in Florida.","Materials are in alphabetical and date order.","Mitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906– May 9, 1980) and Mitchell Wolfson (1900–1983). 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In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. ","\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. 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European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. \u003c/p\u003e\n","\u003cp\u003eThere is one sub-series under U.S. Arts entitled Arts in Florida.\u003c/p\u003e\n","\u003cp\u003eMaterials are in alphabetical and date order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. ","There is one sub-series under U.S. Arts entitled Arts in Florida.","Materials are in alphabetical and date order."],"bioghist_html_tesm":["\u003cp\u003eMitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906\u0026#x2013; May 9, 1980) and Mitchell Wolfson (1900\u0026#x2013;1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963\u0026#x2013;1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. \u003c/p\u003e\n","\u003cp\u003eCollector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. \u003c/p\u003e\n","\u003cp\u003eIn 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. \u003c/p\u003e\n","\u003cp\u003e\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts D\u0026#xE9;coratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. \u003c/p\u003e\n","\u003cp\u003e\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Mitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906– May 9, 1980) and Mitchell Wolfson (1900–1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963–1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. ","Collector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. ","In 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. ","\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts Décoratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. ","\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)"],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana."],"userestrict_html_tesm":["\u003cp\u003eThe Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_7e877df1254b1c8344c609e6bb627e19\"\u003eLanguage of materials is in English unless otherwise noted.\u003c/materialspec\u003e"],"materialspec_tesim":["Language of materials is in English unless otherwise noted."],"names_ssim":["FIU Special Collections","Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"language_ssim":["Afrikaans Arabic Bulgarian Chinese Croatian Czech Danish English Finnish French German Italian Japanese Latin Malay Polish Romanian; Moldavian; Moldovan Russian Slovak Swedish"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1292,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3018d7acc866cce1e2f00be2","timestamp":"2026-04-29T02:04:07.331Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3018d7acc866cce1e2f00be2_aspace_e10a64e1806f82aa18dc57e6bacc313c"}},{"id":"83f92d0a0a882d51dcaee274_aspace_165e25022fb420d6fdbd33a67ae8fc21","type":"File","attributes":{"title":"Ninth Amendment DRI Development, 2010","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/83f92d0a0a882d51dcaee274_aspace_165e25022fb420d6fdbd33a67ae8fc21#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_165e25022fb420d6fdbd33a67ae8fc21","ref_ssm":["aspace_165e25022fb420d6fdbd33a67ae8fc21","aspace_165e25022fb420d6fdbd33a67ae8fc21"],"id":"83f92d0a0a882d51dcaee274_aspace_165e25022fb420d6fdbd33a67ae8fc21","title_filing_ssi":"Ninth Amendment DRI Development","title_ssm":["Ninth Amendment DRI Development"],"title_tesim":["Ninth Amendment DRI Development"],"unitdate_other_ssim":["2010"],"normalized_date_ssm":["2010"],"normalized_title_ssm":["Ninth Amendment DRI Development, 2010"],"text":["Ninth Amendment DRI Development, 2010","Southwest Florida Regional Planning Council Collection, 1920-2020","Timberland and Tiburon","Modification, 1985-2018","/repositories/2/archival_objects/41956","Developmental Regional Impact (DRI)","English","box 133","folder 44"],"component_level_isim":[3],"parent_ids_ssim":["83f92d0a0a882d51dcaee274","83f92d0a0a882d51dcaee274_aspace_6ed337a94716ce542c78a51c7806f6f9","83f92d0a0a882d51dcaee274_aspace_701e43de4553eb1d928f28e192c16605"],"parent_unittitles_ssm":["Southwest Florida Regional Planning Council Collection, 1920-2020","Timberland and Tiburon","Modification, 1985-2018"],"parent_unittitles_tesim":["Southwest Florida Regional Planning Council Collection, 1920-2020","Timberland and Tiburon","Modification, 1985-2018"],"parent_levels_ssm":["collection","Series","Subgroup"],"unitid_ssm":["/repositories/2/archival_objects/41956"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Southwest Florida Regional Planning Council Collection, 1920-2020"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":4526,"parent_access_restrict_tesm":["The collection is open for use by the public."],"date_range_isim":[2010],"access_subjects_ssim":["Developmental Regional Impact (DRI)"],"access_subjects_ssm":["Developmental Regional Impact (DRI)"],"language_ssim":["English"],"containers_ssim":["box 133","folder 44"],"_nest_path_":"/components#97/components#2/components#18","_nest_parent_":"83f92d0a0a882d51dcaee274_aspace_701e43de4553eb1d928f28e192c16605","_root_":"83f92d0a0a882d51dcaee274","_version_":1879903291767259136,"timestamp":"2026-10-24T04:18:06.636Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"83f92d0a0a882d51dcaee274","title_ssm":["Southwest Florida Regional Planning Council Collection"],"title_tesim":["Southwest Florida Regional Planning Council Collection"],"ead_ssi":"83f92d0a0a882d51dcaee274","unitdate_ssm":["1920-2020"],"unitdate_inclusive_ssm":["1920-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02.03.11","/repositories/2/resources/69"],"text":["02.03.11","/repositories/2/resources/69","Southwest Florida Regional Planning Council Collection, 1920-2020","Urban Planning","Environmental planning","The collection is open for use by the public.","Oversized maps within the Southwest Regional Planning Council are published and described in the  Southwest Florida Map Collection .","Southwest Florida (SWFL) has a unique environmental ecosystem consisting of preserves, sanctuaries, swamps, estuaries, and coastlines. The Southwest Florida Regional Planning Council Collection offers an extensive array of documents, reports, maps, and materials documenting the development and conservation of the SWFL region from the Southwest Florida Regional Planning Council.","Florida Gulf Coast University Special Collections","Southwest Florida Regional Planning Council","English"],"unitid_tesim":["02.03.11","/repositories/2/resources/69"],"normalized_date_ssm":["1920-2020"],"normalized_title_ssm":["Southwest Florida Regional Planning Council Collection, 1920-2020"],"collection_title_tesim":["Southwest Florida Regional Planning Council Collection, 1920-2020"],"collection_ssim":["Southwest Florida Regional Planning Council Collection, 1920-2020"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Urban Planning"],"geogname_ssim":["Urban Planning"],"creator_ssm":["Southwest Florida Regional Planning Council"],"creator_ssim":["Southwest Florida Regional Planning Council"],"creator_corpname_ssim":["Southwest Florida Regional Planning Council"],"creators_ssim":["Southwest Florida Regional Planning Council"],"places_ssim":["Urban Planning"],"access_subjects_ssim":["Environmental planning"],"access_subjects_ssm":["Environmental planning"],"has_online_content_ssim":["false"],"extent_ssm":["408 Linear Feet"],"extent_tesim":["408 Linear Feet"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use by the public.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for use by the public."],"relatedmaterial_html_tesm":["\u003cp\u003eOversized maps within the Southwest Regional Planning Council are published and described in the \u003ca href=\"https://archives.fgcu.edu/archival_objects/rpcmaps\"\u003eSouthwest Florida Map Collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Oversized maps within the Southwest Regional Planning Council are published and described in the  Southwest Florida Map Collection ."],"scopecontent_html_tesm":["\u003cp\u003eSouthwest Florida (SWFL) has a unique environmental ecosystem consisting of preserves, sanctuaries, swamps, estuaries, and coastlines. 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The Southwest Florida Regional Planning Council Collection offers an extensive array of documents, reports, maps, and materials documenting the development and conservation of the SWFL region from the Southwest Florida Regional Planning Council."],"names_coll_ssim":["Southwest Florida Regional Planning Council"],"names_ssim":["Florida Gulf Coast University Special Collections","Southwest Florida Regional Planning Council"],"corpname_ssim":["Florida Gulf Coast University Special Collections","Southwest Florida Regional Planning Council"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4768,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879903291767259136,"_root_":"83f92d0a0a882d51dcaee274","timestamp":"2026-10-24T04:18:06.636Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/83f92d0a0a882d51dcaee274_aspace_165e25022fb420d6fdbd33a67ae8fc21"}},{"id":"d20aa889e8ea8129c93e6502","type":"collection","attributes":{"title":"Nola Perez Papers, 1969-2022","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"d20aa889e8ea8129c93e6502","title_ssm":["Nola Perez Papers"],"title_tesim":["Nola Perez Papers"],"ead_ssi":"d20aa889e8ea8129c93e6502","unitdate_ssm":["1969-2022"],"unitdate_inclusive_ssm":["1969-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016.006","/repositories/3/resources/78"],"text":["2016.006","/repositories/3/resources/78","Nola Perez Papers, 1969-2022","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. ","This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2016.006","/repositories/3/resources/78"],"normalized_date_ssm":["1969-2022"],"normalized_title_ssm":["Nola Perez Papers, 1969-2022"],"collection_title_tesim":["Nola Perez Papers, 1969-2022"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Nola B. Perez, 2016-09-06."],"has_online_content_ssim":["false"],"extent_ssm":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"extent_tesim":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eNola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. \u003c/p\u003e\n","\u003cp\u003eDuring her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.\u003c/p\u003e\n","\u003cp\u003eIn the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.\u003c/p\u003e\n","\u003cp\u003eUpon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. "],"prefercite_html_tesm":["\u003cp\u003eNola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Nola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2013; Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2013; Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2013; Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2013; Critiques (arranged chronologically) include critical receptions of Nola Perez's work\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2013; Events (arranged alphabetically by subseries)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Book Signings and Poetry Readings (arranged chronologically) includes information and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"\u003c/p\u003e\n","\u003cp\u003eSeries 6 \u0026#x2013; Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation\u003c/p\u003e\n","\u003cp\u003eSeries 7 \u0026#x2013; Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career\u003c/p\u003e\n","\u003cp\u003eSeries 8 \u0026#x2013; Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Photographs (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Publications (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 5 \u0026#x2013; Workshops (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSeries 9 \u0026#x2013; Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events\u003c/p\u003e\n","\u003cp\u003eSeries 10 \u0026#x2013; Poetry (arranged chronologically) contains a collection of Nola's poetry\u003c/p\u003e\n","\u003cp\u003eSeries 11 \u0026#x2013; Publications (arranged alphabetically by type of publication)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Books (arranged chronologically by publication date; chronological files within each book published)\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Journals (arranged chronologically by publication date)\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website\u003c/p\u003e\n","\u003cp\u003eSeries 12 \u0026#x2013; Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia\u003c/p\u003e\n","\u003cp\u003eSeries 13 \u0026#x2013; Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":231,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860591887810560,"_root_":"d20aa889e8ea8129c93e6502","timestamp":"2026-07-16T08:48:16.050Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d20aa889e8ea8129c93e6502","title_ssm":["Nola Perez Papers"],"title_tesim":["Nola Perez Papers"],"ead_ssi":"d20aa889e8ea8129c93e6502","unitdate_ssm":["1969-2022"],"unitdate_inclusive_ssm":["1969-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016.006","/repositories/3/resources/78"],"text":["2016.006","/repositories/3/resources/78","Nola Perez Papers, 1969-2022","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. ","This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2016.006","/repositories/3/resources/78"],"normalized_date_ssm":["1969-2022"],"normalized_title_ssm":["Nola Perez Papers, 1969-2022"],"collection_title_tesim":["Nola Perez Papers, 1969-2022"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Nola B. Perez, 2016-09-06."],"has_online_content_ssim":["false"],"extent_ssm":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"extent_tesim":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eNola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. \u003c/p\u003e\n","\u003cp\u003eDuring her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.\u003c/p\u003e\n","\u003cp\u003eIn the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.\u003c/p\u003e\n","\u003cp\u003eUpon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. "],"prefercite_html_tesm":["\u003cp\u003eNola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Nola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2013; Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2013; Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2013; Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2013; Critiques (arranged chronologically) include critical receptions of Nola Perez's work\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2013; Events (arranged alphabetically by subseries)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Book Signings and Poetry Readings (arranged chronologically) includes information and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"\u003c/p\u003e\n","\u003cp\u003eSeries 6 \u0026#x2013; Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation\u003c/p\u003e\n","\u003cp\u003eSeries 7 \u0026#x2013; Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career\u003c/p\u003e\n","\u003cp\u003eSeries 8 \u0026#x2013; Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Photographs (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Publications (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 5 \u0026#x2013; Workshops (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSeries 9 \u0026#x2013; Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events\u003c/p\u003e\n","\u003cp\u003eSeries 10 \u0026#x2013; Poetry (arranged chronologically) contains a collection of Nola's poetry\u003c/p\u003e\n","\u003cp\u003eSeries 11 \u0026#x2013; Publications (arranged alphabetically by type of publication)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Books (arranged chronologically by publication date; chronological files within each book published)\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Journals (arranged chronologically by publication date)\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website\u003c/p\u003e\n","\u003cp\u003eSeries 12 \u0026#x2013; Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia\u003c/p\u003e\n","\u003cp\u003eSeries 13 \u0026#x2013; Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). 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