{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2010\u0026f%5Blevel%5D%5B%5D=File\u0026page=41","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2010\u0026f%5Blevel%5D%5B%5D=File\u0026page=40","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2010\u0026f%5Blevel%5D%5B%5D=File\u0026page=42","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2010\u0026f%5Blevel%5D%5B%5D=File\u0026page=137"},"meta":{"pages":{"current_page":41,"next_page":42,"prev_page":40,"total_pages":137,"limit_value":10,"offset_value":400,"total_count":1368,"first_page?":false,"last_page?":false}},"data":[{"id":"a0b8dca0cc27e719e79a099f_aspace_53d198ac388433261fd8be9ab8efa0f6","type":"File","attributes":{"title":"Education Programs, 2007-2012","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_53d198ac388433261fd8be9ab8efa0f6#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFolder includes calendars of events, flyers, sign-up sheets, and correspondence.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_53d198ac388433261fd8be9ab8efa0f6#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_53d198ac388433261fd8be9ab8efa0f6","ref_ssm":["aspace_53d198ac388433261fd8be9ab8efa0f6","aspace_53d198ac388433261fd8be9ab8efa0f6"],"id":"a0b8dca0cc27e719e79a099f_aspace_53d198ac388433261fd8be9ab8efa0f6","title_filing_ssi":" Education Programs","title_ssm":[" Education Programs"],"title_tesim":[" Education Programs"],"unitdate_inclusive_ssm":["2007-2012"],"normalized_date_ssm":["2007-2012"],"normalized_title_ssm":["Education Programs, 2007-2012"],"text":["Education Programs, 2007-2012","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Corkscrew Swamp Sanctuary Records","Donations and Fundraising-Endangered and Threatened Flora and Fauna","/repositories/2/archival_objects/198058","box 8","folder 6","Folder includes calendars of events, flyers, sign-up sheets, and correspondence."],"component_level_isim":[3],"parent_ids_ssim":["a0b8dca0cc27e719e79a099f","a0b8dca0cc27e719e79a099f_aspace_e321b62174c707b70994a33f9c213e29","a0b8dca0cc27e719e79a099f_aspace_c0c065f7a7b67daf30377597ea738505"],"parent_unittitles_ssm":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Corkscrew Swamp Sanctuary Records","Donations and Fundraising-Endangered and Threatened Flora and Fauna"],"parent_unittitles_tesim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Corkscrew Swamp Sanctuary Records","Donations and Fundraising-Endangered and Threatened Flora and Fauna"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["/repositories/2/archival_objects/198058"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":163,"parent_access_restrict_tesm":["Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2007,2008,2009,2010,2011,2012],"containers_ssim":["box 8","folder 6"],"scopecontent_html_tesm":["\u003cp\u003eFolder includes calendars of events, flyers, sign-up sheets, and correspondence.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Folder includes calendars of events, flyers, sign-up sheets, and correspondence."],"_nest_path_":"/components#0/components#7/components#5","_nest_parent_":"a0b8dca0cc27e719e79a099f_aspace_c0c065f7a7b67daf30377597ea738505","_root_":"a0b8dca0cc27e719e79a099f","_version_":1872946110924849152,"timestamp":"2026-08-08T09:16:41.949Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a0b8dca0cc27e719e79a099f","title_ssm":["Audubon Society Corkscrew Swamp Sanctuary records"],"title_tesim":["Audubon Society Corkscrew Swamp Sanctuary records"],"ead_ssi":"a0b8dca0cc27e719e79a099f","unitdate_ssm":["1937-2019"],"unitdate_inclusive_ssm":["1937-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2020-03","/repositories/2/resources/583"],"text":["MS-2020-03","/repositories/2/resources/583","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration","Good.","Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society.","This collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.","Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.","The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.","This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.","Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River.","USF Libraries - Tampa Special Collections","Ed Carlson","English"],"unitid_tesim":["MS-2020-03","/repositories/2/resources/583"],"normalized_date_ssm":["1937-2019"],"normalized_title_ssm":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"collection_title_tesim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"collection_ssim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Ed Carlson"],"creator_ssim":["Ed Carlson"],"creator_persname_ssim":["Ed Carlson"],"creators_ssim":["Ed Carlson"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration"],"access_subjects_ssm":["Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good."],"extent_ssm":["51 Linear Feet","96 boxes"],"extent_tesim":["51 Linear Feet","96 boxes"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eUntil 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eAudubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.\u003c/p\u003e"],"bioghist_heading_ssm":["Content Description"],"bioghist_tesim":["Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns."],"odd_html_tesm":["\u003cp\u003eThe Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.\u003c/p\u003e"],"odd_heading_ssm":["Cataloged Publications"],"odd_tesim":["The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings."],"separatedmaterial_html_tesm":["\u003cp\u003eMaps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bf60a5a83f90c49360b71829ac95b658\"\u003eThe Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River.\u003c/abstract\u003e"],"abstract_tesim":["The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River."],"names_ssim":["USF Libraries - Tampa Special Collections","Ed Carlson"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Ed Carlson"],"language_ssim":["English"],"total_component_count_is":2704,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872946110924849152,"_root_":"a0b8dca0cc27e719e79a099f","timestamp":"2026-08-08T09:16:41.949Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_53d198ac388433261fd8be9ab8efa0f6"}},{"id":"c2389e305009a3bbfdb140b3_aspace_604c7db4ab6da0afbb615b11b0bd47ef","type":"File","attributes":{"title":"Edward Rizo (Guitar) in Senior Recital, 2010-04-20","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c2389e305009a3bbfdb140b3_aspace_604c7db4ab6da0afbb615b11b0bd47ef#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_604c7db4ab6da0afbb615b11b0bd47ef","ref_ssm":["aspace_604c7db4ab6da0afbb615b11b0bd47ef","aspace_604c7db4ab6da0afbb615b11b0bd47ef"],"id":"c2389e305009a3bbfdb140b3_aspace_604c7db4ab6da0afbb615b11b0bd47ef","title_filing_ssi":"Edward Rizo (Guitar) in Senior Recital","title_ssm":["Edward Rizo (Guitar) in Senior Recital"],"title_tesim":["Edward Rizo (Guitar) in Senior Recital"],"unitdate_other_ssim":["2010-04-20"],"normalized_date_ssm":["2010-04-20"],"normalized_title_ssm":["Edward Rizo (Guitar) in Senior Recital, 2010-04-20"],"text":["Edward Rizo (Guitar) in Senior Recital, 2010-04-20","Bower School of Music Recitals, 2005-2011","/repositories/3/archival_objects/41266","Includes a program and an audio recording of the performance."],"component_level_isim":[1],"parent_ids_ssim":["c2389e305009a3bbfdb140b3"],"parent_unittitles_ssm":["Bower School of Music Recitals, 2005-2011"],"parent_unittitles_tesim":["Bower School of Music Recitals, 2005-2011"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/3/archival_objects/41266"],"repository_ssim":["Florida Gulf Coast University Archives"],"collection_ssim":["Bower School of Music Recitals, 2005-2011"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":29,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":[" In Copyright - Non-Commercial Use Permitted"],"date_range_isim":[2010],"odd_html_tesm":["\u003cp\u003eIncludes a program and an audio recording of the performance.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Includes a program and an audio recording of the performance."],"_nest_path_":"/components#28","_nest_parent_":"c2389e305009a3bbfdb140b3","_root_":"c2389e305009a3bbfdb140b3","_version_":1874738196441464832,"timestamp":"2026-08-28T04:01:07.931Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"c2389e305009a3bbfdb140b3","title_ssm":["Bower School of Music Recitals"],"title_tesim":["Bower School of Music Recitals"],"ead_ssi":"c2389e305009a3bbfdb140b3","unitdate_ssm":["2005-2011"],"unitdate_inclusive_ssm":["2005-2011"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["01.02.14","/repositories/3/resources/82"],"text":["01.02.14","/repositories/3/resources/82","Bower School of Music Recitals, 2005-2011","Music.","The collection is open for research.","The Bower School of Music Recitals collection is a digital collection of performances by FGCU's Bower School of Music students and faculty and include instrumental chambers, symphonic bands, piano recitals, etc."," In Copyright - Non-Commercial Use Permitted","Florida Gulf Coast University Archives","Votapek, Paul","Baron, Michael, D.M.A.","English"],"unitid_tesim":["01.02.14","/repositories/3/resources/82"],"normalized_date_ssm":["2005-2011"],"normalized_title_ssm":["Bower School of Music Recitals, 2005-2011"],"collection_title_tesim":["Bower School of Music Recitals, 2005-2011"],"collection_ssim":["Bower School of Music Recitals, 2005-2011"],"repository_ssm":["Florida Gulf Coast University Archives"],"repository_ssim":["Florida Gulf Coast University Archives"],"access_terms_ssm":[" In Copyright - Non-Commercial Use Permitted"],"access_subjects_ssim":["Music."],"access_subjects_ssm":["Music."],"has_online_content_ssim":["false"],"extent_ssm":["27.11 Gigabytes"],"extent_tesim":["27.11 Gigabytes"],"date_range_isim":[2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"scopecontent_html_tesm":["\u003cp\u003eThe Bower School of Music Recitals collection is a digital collection of performances by FGCU's Bower School of Music students and faculty and include instrumental chambers, symphonic bands, piano recitals, etc.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Bower School of Music Recitals collection is a digital collection of performances by FGCU's Bower School of Music students and faculty and include instrumental chambers, symphonic bands, piano recitals, etc."],"userestrict_html_tesm":["\u003cp\u003e\u003cimg src=\"https://rightsstatements.org/files/icons/InC.Icon-Only.dark.svg\" height=\"15\" width=\"15\" alt=\"In Copyright - Non-Commercial Use Permitted\"\u003e\u003ca href=\"http://rightsstatements.org/vocab/InC-NC/1.0/\"\u003e In Copyright - Non-Commercial Use Permitted\u003c/a\u003e\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":[" In Copyright - Non-Commercial Use Permitted"],"names_ssim":["Florida Gulf Coast University Archives","Votapek, Paul","Baron, Michael, D.M.A."],"corpname_ssim":["Florida Gulf Coast University Archives"],"persname_ssim":["Votapek, Paul","Baron, Michael, D.M.A."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":96,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1874738196441464832,"_root_":"c2389e305009a3bbfdb140b3","timestamp":"2026-08-28T04:01:07.931Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/c2389e305009a3bbfdb140b3_aspace_604c7db4ab6da0afbb615b11b0bd47ef"}},{"id":"be6ce791bcd745e39261598f","type":"collection","attributes":{"title":"Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f#abstract_or_scope","type":"document_value","attributes":{"value":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career. Her involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"be6ce791bcd745e39261598f","title_ssm":["Eleanor Merritt [Darlington] Collection"],"title_tesim":["Eleanor Merritt [Darlington] Collection"],"ead_ssi":"be6ce791bcd745e39261598f","unitdate_ssm":["1950-2019","1990-2019"],"unitdate_bulk_ssim":["1990-2019"],"unitdate_inclusive_ssm":["1950-2019"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["A.2022.0004","/repositories/11/resources/1933"],"text":["A.2022.0004","/repositories/11/resources/1933","Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting.","This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.","The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.","All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.","The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.","The John and Mable Ringling Museum of Art Archives","English"],"unitid_tesim":["A.2022.0004","/repositories/11/resources/1933"],"normalized_date_ssm":["1950-2019, bulk 1990-2019"],"normalized_title_ssm":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_title_tesim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_ssim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"repository_ssm":["The John and Mable Ringling Museum of Art Archives"],"repository_ssim":["The John and Mable Ringling Museum of Art Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"access_subjects_ssim":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"access_subjects_ssm":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"has_online_content_ssim":["false"],"extent_ssm":["5.3 Linear Feet 17 Boxes"],"extent_tesim":["5.3 Linear Feet 17 Boxes"],"genreform_ssim":["Painting."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals."],"prefercite_html_tesm":["\u003cp\u003eThe John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019.\u003c/p\u003e"],"prefercite_tesim":["The John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019."],"scopecontent_html_tesm":["\u003cp\u003eThe Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged by subject in chronological order spanning from 1950 \u0026#x2013; 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. \u003c/p\u003e\n","\u003cp\u003eMerritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0d3e798eb2a8cee06c3eebf554d917ee\"\u003eThe Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.\u003c/abstract\u003e"],"abstract_tesim":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"names_ssim":["The John and Mable Ringling Museum of Art Archives"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"be6ce791bcd745e39261598f","timestamp":"2026-04-21T02:41:46.838Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"be6ce791bcd745e39261598f","title_ssm":["Eleanor Merritt [Darlington] Collection"],"title_tesim":["Eleanor Merritt [Darlington] Collection"],"ead_ssi":"be6ce791bcd745e39261598f","unitdate_ssm":["1950-2019","1990-2019"],"unitdate_bulk_ssim":["1990-2019"],"unitdate_inclusive_ssm":["1950-2019"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["A.2022.0004","/repositories/11/resources/1933"],"text":["A.2022.0004","/repositories/11/resources/1933","Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting.","This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.","The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.","All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.","The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.","The John and Mable Ringling Museum of Art Archives","English"],"unitid_tesim":["A.2022.0004","/repositories/11/resources/1933"],"normalized_date_ssm":["1950-2019, bulk 1990-2019"],"normalized_title_ssm":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_title_tesim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_ssim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"repository_ssm":["The John and Mable Ringling Museum of Art Archives"],"repository_ssim":["The John and Mable Ringling Museum of Art Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"access_subjects_ssim":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"access_subjects_ssm":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"has_online_content_ssim":["false"],"extent_ssm":["5.3 Linear Feet 17 Boxes"],"extent_tesim":["5.3 Linear Feet 17 Boxes"],"genreform_ssim":["Painting."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals."],"prefercite_html_tesm":["\u003cp\u003eThe John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019.\u003c/p\u003e"],"prefercite_tesim":["The John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019."],"scopecontent_html_tesm":["\u003cp\u003eThe Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged by subject in chronological order spanning from 1950 \u0026#x2013; 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. \u003c/p\u003e\n","\u003cp\u003eMerritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0d3e798eb2a8cee06c3eebf554d917ee\"\u003eThe Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.\u003c/abstract\u003e"],"abstract_tesim":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"names_ssim":["The John and Mable Ringling Museum of Art Archives"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"be6ce791bcd745e39261598f","timestamp":"2026-04-21T02:41:46.838Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f"}},{"id":"325db0428d96a28c17456b3d","type":"collection","attributes":{"title":"Ellyn F. Walters Collection, Circa 1950-2012","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/325db0428d96a28c17456b3d#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Ellyn F. Walters Collection contains correspondence, professional papers, programs, photographs, awards, objects, and a scrapbook belonging to Ellyn F. Walters of Fort Lauderdale, Florida during her service as a teacher, fundraiser, and community leader.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/325db0428d96a28c17456b3d#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"325db0428d96a28c17456b3d","title_filing_ssi":"Walters, Ellyn F. Collection","title_ssm":["Ellyn F. Walters Collection"],"title_tesim":["Ellyn F. Walters Collection"],"ead_ssi":"325db0428d96a28c17456b3d","unitdate_ssm":["Circa 1950-2012"],"unitdate_inclusive_ssm":["Circa 1950-2012"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2008.4","/repositories/2/resources/254"],"text":["AARLCC.2008.4","/repositories/2/resources/254","Ellyn F. Walters Collection, Circa 1950-2012","Florida Agricultural and Mechanical University -- Alumnae and alumni","Teachers -- Florida -- Broward County","Elementary schools -- Florida -- Broward County","Fund raising","Public libraries -- Florida -- Fort Lauderdale","Correspondence","Photographs","Programs","plaques (flat objects)","Certificates","Clippings","scrapbooks","Ellyn F. Walters Collection is open for research.","The Ellyn F. Walters Collection is arranged into five series: Series I. Professional Papers, Series II. Photographs, Series III. Awards, Series IV. Correspondence, and Series V. Objects.","Ellyn Ferguson Walters was born on December 26, 1926 to parents Joseph Ferguson, Sr. and Rosetta Baskin Ferguson in Alachua County, Florida. Ellyn moved to Broward County at the age of four to join her extended family after her mother passed away. She was raised by her aunt, Ethel Warren, in Deerfield Beach. Ellyn Walters attended Dillard High School in Fort Lauderdale, Florida. She graduated from Florida Agricultural and Mechanical University (FAMU) with a Bachelor's degree in Elementary Education, and completed a graduate level Early Childhood Education certificate from Florida Atlantic University. After graduating from FAMU, Ellyn returned to her childhood church, St. John United Methodist Church. She served on the trustee board and chaired the Administrative Council. She held many positions such as Secretary of Charge Conference, Chairwoman of the Pastor Parish Relations, Historian, Lay Leader for special programs and youth activities. She was a charter member of the Delta Eta Zeta Chapter of Zeta Phi Beta Sorority, Inc, and past President of the local chapter, co-sponsor of the first African American Debutante Cotillion in Broward County, Charter Member and Past President of the National Association of Negro Business and Professionals Women's Clubs, and past President of the Northwest Democratic Club. Ellyn Walters was a teacher in the Broward County Public School system for 41 years until her retirement in 1992. She taught at Dillard Elementary School and Northside Elementary School in Fort Lauderdale, Florida.","Ellyn participated in the Friends of the Von D. Mizell Library since 1976. She became president in 1981 and served until 2002. As the Executive Chair of the Community Fundraising Committee, Ellyn led a volunteer group of community leaders to achieve a contribution of over $700,000 toward the construction of the African American Research Library and Cultural Center (AARLCC) in 2002. The Ellyn F. Walters Conference Room at AARLCC was dedicated in her honor in 2004. ","She married Matthew \"Bud\" Walters, Sr. (1918-1991). They were married for 39 years and had two children, Karen W. Blount and Matthew J. Walters, Jr. Ellyn passed away on September 8, 2012 after suffering from an unknown illness.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Ellyn F. Walters Collection in the Broward County Library Digital Archives.","The Ellyn F. Walters Collection contains correspondence, professional papers, programs, photographs, awards, objects, and a scrapbook  belonging to Ellyn F. Walters of Fort Lauderdale, Florida during her service as a teacher, fundraiser, and community leader.","AARLCC Special Collections","St. John United Methodist Church (Fort Lauderdale, Fla.)","Walters, Ellyn F. (Ellyn Ferguson), 1926-2012","English"],"unitid_tesim":["AARLCC.2008.4","/repositories/2/resources/254"],"normalized_date_ssm":["Circa 1950-2012"],"normalized_title_ssm":["Ellyn F. Walters Collection, Circa 1950-2012"],"collection_title_tesim":["Ellyn F. Walters Collection, Circa 1950-2012"],"collection_ssim":["Ellyn F. Walters Collection, Circa 1950-2012"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"access_subjects_ssim":["Florida Agricultural and Mechanical University -- Alumnae and alumni","Teachers -- Florida -- Broward County","Elementary schools -- Florida -- Broward County","Fund raising","Public libraries -- Florida -- Fort Lauderdale","Correspondence","Photographs","Programs","plaques (flat objects)","Certificates","Clippings","scrapbooks"],"access_subjects_ssm":["Florida Agricultural and Mechanical University -- Alumnae and alumni","Teachers -- Florida -- Broward County","Elementary schools -- Florida -- Broward County","Fund raising","Public libraries -- Florida -- Fort Lauderdale","Correspondence","Photographs","Programs","plaques (flat objects)","Certificates","Clippings","scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["6 Hollinger Boxes"],"extent_tesim":["6 Hollinger Boxes"],"genreform_ssim":["Correspondence","Photographs","Programs","plaques (flat objects)","Certificates","Clippings","scrapbooks"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eEllyn F. Walters Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Ellyn F. Walters Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Ellyn F. Walters Collection is arranged into five series: Series I. Professional Papers, Series II. Photographs, Series III. Awards, Series IV. Correspondence, and Series V. Objects.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Ellyn F. Walters Collection is arranged into five series: Series I. Professional Papers, Series II. Photographs, Series III. Awards, Series IV. Correspondence, and Series V. Objects."],"bioghist_html_tesm":["\u003cp\u003eEllyn Ferguson Walters was born on December 26, 1926 to parents Joseph Ferguson, Sr. and Rosetta Baskin Ferguson in Alachua County, Florida. Ellyn moved to Broward County at the age of four to join her extended family after her mother passed away. She was raised by her aunt, Ethel Warren, in Deerfield Beach. Ellyn Walters attended Dillard High School in Fort Lauderdale, Florida. She graduated from Florida Agricultural and Mechanical University (FAMU) with a Bachelor's degree in Elementary Education, and completed a graduate level Early Childhood Education certificate from Florida Atlantic University. After graduating from FAMU, Ellyn returned to her childhood church, St. John United Methodist Church. She served on the trustee board and chaired the Administrative Council. She held many positions such as Secretary of Charge Conference, Chairwoman of the Pastor Parish Relations, Historian, Lay Leader for special programs and youth activities. She was a charter member of the Delta Eta Zeta Chapter of Zeta Phi Beta Sorority, Inc, and past President of the local chapter, co-sponsor of the first African American Debutante Cotillion in Broward County, Charter Member and Past President of the National Association of Negro Business and Professionals Women's Clubs, and past President of the Northwest Democratic Club. Ellyn Walters was a teacher in the Broward County Public School system for 41 years until her retirement in 1992. She taught at Dillard Elementary School and Northside Elementary School in Fort Lauderdale, Florida.\u003c/p\u003e\n","\u003cp\u003eEllyn participated in the Friends of the Von D. Mizell Library since 1976. She became president in 1981 and served until 2002. As the Executive Chair of the Community Fundraising Committee, Ellyn led a volunteer group of community leaders to achieve a contribution of over $700,000 toward the construction of the African American Research Library and Cultural Center (AARLCC) in 2002. The Ellyn F. Walters Conference Room at AARLCC was dedicated in her honor in 2004. \u003c/p\u003e\n","\u003cp\u003eShe married Matthew \"Bud\" Walters, Sr. (1918-1991). They were married for 39 years and had two children, Karen W. Blount and Matthew J. Walters, Jr. Ellyn passed away on September 8, 2012 after suffering from an unknown illness.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ellyn Ferguson Walters was born on December 26, 1926 to parents Joseph Ferguson, Sr. and Rosetta Baskin Ferguson in Alachua County, Florida. Ellyn moved to Broward County at the age of four to join her extended family after her mother passed away. She was raised by her aunt, Ethel Warren, in Deerfield Beach. Ellyn Walters attended Dillard High School in Fort Lauderdale, Florida. She graduated from Florida Agricultural and Mechanical University (FAMU) with a Bachelor's degree in Elementary Education, and completed a graduate level Early Childhood Education certificate from Florida Atlantic University. After graduating from FAMU, Ellyn returned to her childhood church, St. John United Methodist Church. She served on the trustee board and chaired the Administrative Council. She held many positions such as Secretary of Charge Conference, Chairwoman of the Pastor Parish Relations, Historian, Lay Leader for special programs and youth activities. She was a charter member of the Delta Eta Zeta Chapter of Zeta Phi Beta Sorority, Inc, and past President of the local chapter, co-sponsor of the first African American Debutante Cotillion in Broward County, Charter Member and Past President of the National Association of Negro Business and Professionals Women's Clubs, and past President of the Northwest Democratic Club. Ellyn Walters was a teacher in the Broward County Public School system for 41 years until her retirement in 1992. She taught at Dillard Elementary School and Northside Elementary School in Fort Lauderdale, Florida.","Ellyn participated in the Friends of the Von D. Mizell Library since 1976. She became president in 1981 and served until 2002. As the Executive Chair of the Community Fundraising Committee, Ellyn led a volunteer group of community leaders to achieve a contribution of over $700,000 toward the construction of the African American Research Library and Cultural Center (AARLCC) in 2002. The Ellyn F. Walters Conference Room at AARLCC was dedicated in her honor in 2004. ","She married Matthew \"Bud\" Walters, Sr. (1918-1991). They were married for 39 years and had two children, Karen W. Blount and Matthew J. Walters, Jr. Ellyn passed away on September 8, 2012 after suffering from an unknown illness."],"prefercite_html_tesm":["\u003cp\u003eEllyn F. Walters Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Ellyn F. Walters Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll53\" target=\"_blank\"\u003eView a selection of digitized materials from the Ellyn F. Walters Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Ellyn F. Walters Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Ellyn F. Walters Collection contains correspondence, professional papers, programs, photographs, awards, objects, and a scrapbook  belonging to Ellyn F. Walters of Fort Lauderdale, Florida during her service as a teacher, fundraiser, and community leader.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Ellyn F. Walters Collection contains correspondence, professional papers, programs, photographs, awards, objects, and a scrapbook  belonging to Ellyn F. Walters of Fort Lauderdale, Florida during her service as a teacher, fundraiser, and community leader."],"names_coll_ssim":["St. John United Methodist Church (Fort Lauderdale, Fla.)","Walters, Ellyn F. (Ellyn Ferguson), 1926-2012"],"names_ssim":["AARLCC Special Collections","St. John United Methodist Church (Fort Lauderdale, Fla.)","Walters, Ellyn F. (Ellyn Ferguson), 1926-2012"],"corpname_ssim":["AARLCC Special Collections","St. John United Methodist Church (Fort Lauderdale, Fla.)"],"persname_ssim":["Walters, Ellyn F. (Ellyn Ferguson), 1926-2012"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":90,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455803761721344,"_root_":"325db0428d96a28c17456b3d","timestamp":"2026-09-16T03:01:45.918Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"325db0428d96a28c17456b3d","title_filing_ssi":"Walters, Ellyn F. Collection","title_ssm":["Ellyn F. Walters Collection"],"title_tesim":["Ellyn F. Walters Collection"],"ead_ssi":"325db0428d96a28c17456b3d","unitdate_ssm":["Circa 1950-2012"],"unitdate_inclusive_ssm":["Circa 1950-2012"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2008.4","/repositories/2/resources/254"],"text":["AARLCC.2008.4","/repositories/2/resources/254","Ellyn F. Walters Collection, Circa 1950-2012","Florida Agricultural and Mechanical University -- Alumnae and alumni","Teachers -- Florida -- Broward County","Elementary schools -- Florida -- Broward County","Fund raising","Public libraries -- Florida -- Fort Lauderdale","Correspondence","Photographs","Programs","plaques (flat objects)","Certificates","Clippings","scrapbooks","Ellyn F. Walters Collection is open for research.","The Ellyn F. Walters Collection is arranged into five series: Series I. Professional Papers, Series II. Photographs, Series III. Awards, Series IV. Correspondence, and Series V. Objects.","Ellyn Ferguson Walters was born on December 26, 1926 to parents Joseph Ferguson, Sr. and Rosetta Baskin Ferguson in Alachua County, Florida. Ellyn moved to Broward County at the age of four to join her extended family after her mother passed away. She was raised by her aunt, Ethel Warren, in Deerfield Beach. Ellyn Walters attended Dillard High School in Fort Lauderdale, Florida. She graduated from Florida Agricultural and Mechanical University (FAMU) with a Bachelor's degree in Elementary Education, and completed a graduate level Early Childhood Education certificate from Florida Atlantic University. After graduating from FAMU, Ellyn returned to her childhood church, St. John United Methodist Church. She served on the trustee board and chaired the Administrative Council. She held many positions such as Secretary of Charge Conference, Chairwoman of the Pastor Parish Relations, Historian, Lay Leader for special programs and youth activities. She was a charter member of the Delta Eta Zeta Chapter of Zeta Phi Beta Sorority, Inc, and past President of the local chapter, co-sponsor of the first African American Debutante Cotillion in Broward County, Charter Member and Past President of the National Association of Negro Business and Professionals Women's Clubs, and past President of the Northwest Democratic Club. Ellyn Walters was a teacher in the Broward County Public School system for 41 years until her retirement in 1992. She taught at Dillard Elementary School and Northside Elementary School in Fort Lauderdale, Florida.","Ellyn participated in the Friends of the Von D. Mizell Library since 1976. She became president in 1981 and served until 2002. As the Executive Chair of the Community Fundraising Committee, Ellyn led a volunteer group of community leaders to achieve a contribution of over $700,000 toward the construction of the African American Research Library and Cultural Center (AARLCC) in 2002. The Ellyn F. Walters Conference Room at AARLCC was dedicated in her honor in 2004. ","She married Matthew \"Bud\" Walters, Sr. (1918-1991). They were married for 39 years and had two children, Karen W. Blount and Matthew J. Walters, Jr. Ellyn passed away on September 8, 2012 after suffering from an unknown illness.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Ellyn F. Walters Collection in the Broward County Library Digital Archives.","The Ellyn F. Walters Collection contains correspondence, professional papers, programs, photographs, awards, objects, and a scrapbook  belonging to Ellyn F. Walters of Fort Lauderdale, Florida during her service as a teacher, fundraiser, and community leader.","AARLCC Special Collections","St. John United Methodist Church (Fort Lauderdale, Fla.)","Walters, Ellyn F. (Ellyn Ferguson), 1926-2012","English"],"unitid_tesim":["AARLCC.2008.4","/repositories/2/resources/254"],"normalized_date_ssm":["Circa 1950-2012"],"normalized_title_ssm":["Ellyn F. Walters Collection, Circa 1950-2012"],"collection_title_tesim":["Ellyn F. Walters Collection, Circa 1950-2012"],"collection_ssim":["Ellyn F. Walters Collection, Circa 1950-2012"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"access_subjects_ssim":["Florida Agricultural and Mechanical University -- Alumnae and alumni","Teachers -- Florida -- Broward County","Elementary schools -- Florida -- Broward County","Fund raising","Public libraries -- Florida -- Fort Lauderdale","Correspondence","Photographs","Programs","plaques (flat objects)","Certificates","Clippings","scrapbooks"],"access_subjects_ssm":["Florida Agricultural and Mechanical University -- Alumnae and alumni","Teachers -- Florida -- Broward County","Elementary schools -- Florida -- Broward County","Fund raising","Public libraries -- Florida -- Fort Lauderdale","Correspondence","Photographs","Programs","plaques (flat objects)","Certificates","Clippings","scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["6 Hollinger Boxes"],"extent_tesim":["6 Hollinger Boxes"],"genreform_ssim":["Correspondence","Photographs","Programs","plaques (flat objects)","Certificates","Clippings","scrapbooks"],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eEllyn F. 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She was raised by her aunt, Ethel Warren, in Deerfield Beach. Ellyn Walters attended Dillard High School in Fort Lauderdale, Florida. She graduated from Florida Agricultural and Mechanical University (FAMU) with a Bachelor's degree in Elementary Education, and completed a graduate level Early Childhood Education certificate from Florida Atlantic University. After graduating from FAMU, Ellyn returned to her childhood church, St. John United Methodist Church. She served on the trustee board and chaired the Administrative Council. She held many positions such as Secretary of Charge Conference, Chairwoman of the Pastor Parish Relations, Historian, Lay Leader for special programs and youth activities. She was a charter member of the Delta Eta Zeta Chapter of Zeta Phi Beta Sorority, Inc, and past President of the local chapter, co-sponsor of the first African American Debutante Cotillion in Broward County, Charter Member and Past President of the National Association of Negro Business and Professionals Women's Clubs, and past President of the Northwest Democratic Club. Ellyn Walters was a teacher in the Broward County Public School system for 41 years until her retirement in 1992. She taught at Dillard Elementary School and Northside Elementary School in Fort Lauderdale, Florida.\u003c/p\u003e\n","\u003cp\u003eEllyn participated in the Friends of the Von D. Mizell Library since 1976. She became president in 1981 and served until 2002. As the Executive Chair of the Community Fundraising Committee, Ellyn led a volunteer group of community leaders to achieve a contribution of over $700,000 toward the construction of the African American Research Library and Cultural Center (AARLCC) in 2002. The Ellyn F. Walters Conference Room at AARLCC was dedicated in her honor in 2004. \u003c/p\u003e\n","\u003cp\u003eShe married Matthew \"Bud\" Walters, Sr. (1918-1991). They were married for 39 years and had two children, Karen W. Blount and Matthew J. Walters, Jr. Ellyn passed away on September 8, 2012 after suffering from an unknown illness.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ellyn Ferguson Walters was born on December 26, 1926 to parents Joseph Ferguson, Sr. and Rosetta Baskin Ferguson in Alachua County, Florida. Ellyn moved to Broward County at the age of four to join her extended family after her mother passed away. She was raised by her aunt, Ethel Warren, in Deerfield Beach. Ellyn Walters attended Dillard High School in Fort Lauderdale, Florida. She graduated from Florida Agricultural and Mechanical University (FAMU) with a Bachelor's degree in Elementary Education, and completed a graduate level Early Childhood Education certificate from Florida Atlantic University. After graduating from FAMU, Ellyn returned to her childhood church, St. John United Methodist Church. She served on the trustee board and chaired the Administrative Council. She held many positions such as Secretary of Charge Conference, Chairwoman of the Pastor Parish Relations, Historian, Lay Leader for special programs and youth activities. She was a charter member of the Delta Eta Zeta Chapter of Zeta Phi Beta Sorority, Inc, and past President of the local chapter, co-sponsor of the first African American Debutante Cotillion in Broward County, Charter Member and Past President of the National Association of Negro Business and Professionals Women's Clubs, and past President of the Northwest Democratic Club. Ellyn Walters was a teacher in the Broward County Public School system for 41 years until her retirement in 1992. She taught at Dillard Elementary School and Northside Elementary School in Fort Lauderdale, Florida.","Ellyn participated in the Friends of the Von D. Mizell Library since 1976. She became president in 1981 and served until 2002. As the Executive Chair of the Community Fundraising Committee, Ellyn led a volunteer group of community leaders to achieve a contribution of over $700,000 toward the construction of the African American Research Library and Cultural Center (AARLCC) in 2002. The Ellyn F. Walters Conference Room at AARLCC was dedicated in her honor in 2004. ","She married Matthew \"Bud\" Walters, Sr. (1918-1991). They were married for 39 years and had two children, Karen W. Blount and Matthew J. Walters, Jr. Ellyn passed away on September 8, 2012 after suffering from an unknown illness."],"prefercite_html_tesm":["\u003cp\u003eEllyn F. Walters Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Ellyn F. Walters Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll53\" target=\"_blank\"\u003eView a selection of digitized materials from the Ellyn F. Walters Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Ellyn F. Walters Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Ellyn F. Walters Collection contains correspondence, professional papers, programs, photographs, awards, objects, and a scrapbook  belonging to Ellyn F. 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Sidote collection, 1942-1946, Date acquired: 04/10/2000, bulk 1943-1945","001","/repositories/10/archival_objects/43309","00.0350 - Box 3","folder 001","This folder includes email correspondence between Sidote and Joan Denman regarding relationships to people and his correspondence with them and a written list of relations"],"component_level_isim":[1],"parent_ids_ssim":["e77d1dccc629f3254b657328"],"parent_unittitles_ssm":["Edward J. Sidote collection, 1942-1946, Date acquired: 04/10/2000, bulk 1943-1945"],"parent_unittitles_tesim":["Edward J. Sidote collection, 1942-1946, Date acquired: 04/10/2000, bulk 1943-1945"],"parent_levels_ssm":["collection"],"unitid_ssm":["001","/repositories/10/archival_objects/43309"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Edward J. 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Sidote collection"],"title_tesim":["Edward J. Sidote collection"],"ead_ssi":"e77d1dccc629f3254b657328","unitdate_ssm":["1942-1946","1943-1945","Date acquired: 04/10/2000"],"unitdate_bulk_ssim":["1943-1945"],"unitdate_inclusive_ssm":["1942-1946"],"unitdate_other_ssim":["Date acquired: 04/10/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["00.0350","/repositories/10/resources/341"],"text":["00.0350","/repositories/10/resources/341","Edward J. Sidote collection, 1942-1946, Date acquired: 04/10/2000, bulk 1943-1945","Fort Lewis (Wash.)","Fort Dix (N.J.)","Fort Benjamin Harrison (Ind.)","Camden (N.J.)","United States. Army. Medical Service Corps--History.","World War, 1939-1945--Campaigns--Philippines","World War, 1939-1945--Philippines","World War, 1939-1945--Campaigns--Pacific Ocean","United States. Army--Military life","World War, 1939-1945--Equipment and supplies","World War, 1939-1945--Japan","World War, 1939-1945--Campaigns--Philippines--Manila","This collection is open to all researchers.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","This collection contains letters, documents, ephemera, and memorabilia from Edward J. Sidote who served as a Master Sergeant in the United States Army Medical Corps during World War II as an X-ray techician and medical suppy clerk. In May of 1945,  he was assigned to the 9th Medical Depot,  attached to the 6th U.S. Army in Manila, Phillipine Islands, and then Occupied Japan.  In 1946,  Sidote was  honorably discharged with the rank of Master Sergeant in the Army.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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Army--Military life","World War, 1939-1945--Equipment and supplies","World War, 1939-1945--Japan","World War, 1939-1945--Campaigns--Philippines--Manila"],"has_online_content_ssim":["false"],"extent_ssm":["10 boxes"],"extent_tesim":["10 boxes"],"date_range_isim":[1942,1943,1944,1945,1946,2000],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Edward J. 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In May of 1945,\u0026#xA0; he was assigned to the 9th Medical Depot,\u0026#xA0; attached to the 6th U.S. Army in Manila, Phillipine Islands, and then Occupied Japan.\u0026#xA0; In 1946,\u0026#xA0; Sidote was\u0026#xA0; honorably discharged with the rank of Master Sergeant in the Army.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains letters, documents, ephemera, and memorabilia from Edward J. Sidote who served as a Master Sergeant in the United States Army Medical Corps during World War II as an X-ray techician and medical suppy clerk. In May of 1945,  he was assigned to the 9th Medical Depot,  attached to the 6th U.S. Army in Manila, Phillipine Islands, and then Occupied Japan.  In 1946,  Sidote was  honorably discharged with the rank of Master Sergeant in the Army."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. 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Within a series, materials are arranged by type.","Life-long resident of Tampa and University of South Florida Alumni, Pierre Mathurin was an employee and ambassador for Busch Gardens in Tampa for over 30 years. His dedication to the Anheuser- Busch property allowed him to document the history of the park and write the manuscript: \"The History of Busch Gardens.\" Mathurin also had a passion for trains and travel which led him to be a longtime member of both the Citizens Advisory Committee of the Metropolitan Planning Organization and the Consumers Advisory Board of the Hillsborough Area Regional Transportation Authority (HART).","Materials in this collection include personal papers, newsletters, pamphlets, corporate documents, newspaper clippings, periodicals, maps, photos, ephemera, post cards, and various artifacts related to Anheuser-Busch Brewing Company and the Anheuser-Busch Amuseument Park properties (Busch Gardens).","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","USF Libraries - Tampa Special Collections","English"],"unitid_tesim":["MS-2020-09","/repositories/2/resources/619"],"normalized_date_ssm":["Date Acquired: 2020-02-05"],"normalized_title_ssm":["Pierre Mathurin collection, Date Acquired: 2020-02-05"],"collection_title_tesim":["Pierre Mathurin collection, Date Acquired: 2020-02-05"],"collection_ssim":["Pierre Mathurin collection, Date Acquired: 2020-02-05"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.) -- History -- 20th century","Tampa (Fla.) -- History"],"geogname_ssim":["Tampa (Fla.) -- History -- 20th century","Tampa (Fla.) -- History"],"places_ssim":["Tampa (Fla.) -- History -- 20th century","Tampa (Fla.) -- History"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Andre Mathurin","Donation"],"access_subjects_ssim":["Transportation","Busch Gardens -- Florida -- Tampa  ","Anheuser-Busch, Inc.","Brewing"],"access_subjects_ssm":["Transportation","Busch Gardens -- Florida -- Tampa  ","Anheuser-Busch, Inc.","Brewing"],"has_online_content_ssim":["false"],"extent_ssm":["15 Linear Feet","22 boxes"],"extent_tesim":["15 Linear Feet","22 boxes"],"date_range_isim":[2020],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged in a series by subject. Within a series, materials are arranged by type.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged in a series by subject. Within a series, materials are arranged by type."],"bioghist_html_tesm":["\u003cp\u003eLife-long resident of Tampa and University of South Florida Alumni, Pierre Mathurin was an employee and ambassador for Busch Gardens in Tampa for over 30 years. 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His dedication to the Anheuser- Busch property allowed him to document the history of the park and write the manuscript: \"The History of Busch Gardens.\" Mathurin also had a passion for trains and travel which led him to be a longtime member of both the Citizens Advisory Committee of the Metropolitan Planning Organization and the Consumers Advisory Board of the Hillsborough Area Regional Transportation Authority (HART)."],"scopecontent_html_tesm":["\u003cp\u003eMaterials in this collection include personal papers, newsletters, pamphlets, corporate documents, newspaper clippings, periodicals, maps, photos, ephemera, post cards, and various artifacts related to Anheuser-Busch Brewing Company and the Anheuser-Busch Amuseument Park properties (Busch Gardens).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials in this collection include personal papers, newsletters, pamphlets, corporate documents, newspaper clippings, periodicals, maps, photos, ephemera, post cards, and various artifacts related to Anheuser-Busch Brewing Company and the Anheuser-Busch Amuseument Park properties (Busch Gardens)."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":147,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f48cf0a85007cff24b74e9a5","timestamp":"2026-07-11T04:48:11.661Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f48cf0a85007cff24b74e9a5_aspace_f3884db6554d4bcbdaebeb0cea4727d6"}},{"id":"d20aa889e8ea8129c93e6502_aspace_63481d7041dea7a76c1f0c9e6c7c5cfa","type":"File","attributes":{"title":"Embry-Riddle Aeronautical University, 2010-03-09","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502_aspace_63481d7041dea7a76c1f0c9e6c7c5cfa#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_63481d7041dea7a76c1f0c9e6c7c5cfa","ref_ssm":["aspace_63481d7041dea7a76c1f0c9e6c7c5cfa","aspace_63481d7041dea7a76c1f0c9e6c7c5cfa"],"id":"d20aa889e8ea8129c93e6502_aspace_63481d7041dea7a76c1f0c9e6c7c5cfa","title_filing_ssi":"Embry-Riddle Aeronautical University","title_ssm":["Embry-Riddle Aeronautical University"],"title_tesim":["Embry-Riddle Aeronautical University"],"unitdate_other_ssim":["2010-03-09"],"normalized_date_ssm":["2010-03-09"],"normalized_title_ssm":["Embry-Riddle Aeronautical University, 2010-03-09"],"text":["Embry-Riddle Aeronautical University, 2010-03-09","Nola Perez Papers, 1969-2022","Events, 1985-2017","Book Signings and Poetry Readings, 1985-2017-10-26","/repositories/3/archival_objects/9323","box 2","folder 23"],"component_level_isim":[3],"parent_ids_ssim":["d20aa889e8ea8129c93e6502","d20aa889e8ea8129c93e6502_aspace_d44a78d977838ebd61469f298d413198","d20aa889e8ea8129c93e6502_aspace_72e74820f3cbb00d8f84f3008f8a5bef"],"parent_unittitles_ssm":["Nola Perez Papers, 1969-2022","Events, 1985-2017","Book Signings and Poetry Readings, 1985-2017-10-26"],"parent_unittitles_tesim":["Nola Perez Papers, 1969-2022","Events, 1985-2017","Book Signings and Poetry Readings, 1985-2017-10-26"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/3/archival_objects/9323"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":53,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. 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Please contact lib-special@unf.edu to schedule an appointment.","Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. ","This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2016.006","/repositories/3/resources/78"],"normalized_date_ssm":["1969-2022"],"normalized_title_ssm":["Nola Perez Papers, 1969-2022"],"collection_title_tesim":["Nola Perez Papers, 1969-2022"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Nola B. Perez, 2016-09-06."],"has_online_content_ssim":["false"],"extent_ssm":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"extent_tesim":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eNola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. \u003c/p\u003e\n","\u003cp\u003eDuring her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.\u003c/p\u003e\n","\u003cp\u003eIn the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.\u003c/p\u003e\n","\u003cp\u003eUpon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. "],"prefercite_html_tesm":["\u003cp\u003eNola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Nola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2013; Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2013; Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2013; Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2013; Critiques (arranged chronologically) include critical receptions of Nola Perez's work\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2013; Events (arranged alphabetically by subseries)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Book Signings and Poetry Readings (arranged chronologically) includes information and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"\u003c/p\u003e\n","\u003cp\u003eSeries 6 \u0026#x2013; Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation\u003c/p\u003e\n","\u003cp\u003eSeries 7 \u0026#x2013; Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career\u003c/p\u003e\n","\u003cp\u003eSeries 8 \u0026#x2013; Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Photographs (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Publications (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 5 \u0026#x2013; Workshops (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSeries 9 \u0026#x2013; Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events\u003c/p\u003e\n","\u003cp\u003eSeries 10 \u0026#x2013; Poetry (arranged chronologically) contains a collection of Nola's poetry\u003c/p\u003e\n","\u003cp\u003eSeries 11 \u0026#x2013; Publications (arranged alphabetically by type of publication)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Books (arranged chronologically by publication date; chronological files within each book published)\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Journals (arranged chronologically by publication date)\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website\u003c/p\u003e\n","\u003cp\u003eSeries 12 \u0026#x2013; Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia\u003c/p\u003e\n","\u003cp\u003eSeries 13 \u0026#x2013; Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":231,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860591887810560,"_root_":"d20aa889e8ea8129c93e6502","timestamp":"2026-07-16T08:48:16.050Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502_aspace_63481d7041dea7a76c1f0c9e6c7c5cfa"}},{"id":"3dd629d1fe105b982d9cb96f_aspace_36214e152e0dafa4374ff429e9d6d76e","type":"File","attributes":{"title":"Emerging Technologies Institute and Innovation Hub Planning Correspondence and Materials, 2010-2015","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3dd629d1fe105b982d9cb96f_aspace_36214e152e0dafa4374ff429e9d6d76e#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_36214e152e0dafa4374ff429e9d6d76e","ref_ssm":["aspace_36214e152e0dafa4374ff429e9d6d76e","aspace_36214e152e0dafa4374ff429e9d6d76e"],"id":"3dd629d1fe105b982d9cb96f_aspace_36214e152e0dafa4374ff429e9d6d76e","title_filing_ssi":"Emerging Technologies Institute and Innovation Hub Planning Correspondence and Materials","title_ssm":["Emerging Technologies Institute and Innovation Hub Planning Correspondence and Materials"],"title_tesim":["Emerging Technologies Institute and Innovation Hub Planning Correspondence and Materials"],"unitdate_inclusive_ssm":["2010-2015"],"normalized_date_ssm":["2010-2015"],"normalized_title_ssm":["Emerging Technologies Institute and Innovation Hub Planning Correspondence and Materials, 2010-2015"],"text":["Emerging Technologies Institute and Innovation Hub Planning Correspondence and Materials, 2010-2015","President Wilson G. Bradshaw, 2007-2017","Office Administration, 2007- Present","/repositories/3/archival_objects/41756","English","box 79","folder 31"],"component_level_isim":[2],"parent_ids_ssim":["3dd629d1fe105b982d9cb96f","3dd629d1fe105b982d9cb96f_aspace_2032"],"parent_unittitles_ssm":["President Wilson G. Bradshaw, 2007-2017","Office Administration, 2007- Present"],"parent_unittitles_tesim":["President Wilson G. Bradshaw, 2007-2017","Office Administration, 2007- Present"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/41756"],"repository_ssim":["Florida Gulf Coast University Archives"],"collection_ssim":["President Wilson G. Bradshaw, 2007-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":122,"parent_access_restrict_tesm":["The collection contains some restricted files. Contact the University Archivist for details."],"date_range_isim":[2010,2011,2012,2013,2014,2015],"language_ssim":["English"],"containers_ssim":["box 79","folder 31"],"_nest_path_":"/components#2/components#94","_nest_parent_":"3dd629d1fe105b982d9cb96f_aspace_2032","_root_":"3dd629d1fe105b982d9cb96f","timestamp":"2026-05-05T01:52:49.385Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3dd629d1fe105b982d9cb96f","title_filing_ssi":"President's Office: Wilson G. Bradshaw","title_ssm":["President Wilson G. Bradshaw"],"title_tesim":["President Wilson G. Bradshaw"],"ead_ssi":"3dd629d1fe105b982d9cb96f","unitdate_ssm":["2007-2017"],"unitdate_inclusive_ssm":["2007-2017"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["01.01.08","/repositories/3/resources/87"],"text":["01.01.08","/repositories/3/resources/87","President Wilson G. Bradshaw, 2007-2017","The collection contains some restricted files. Contact the University Archivist for details.","This collection contains materials related to the university's third official president, Dr. Wilson G. Bradshaw. It is made up of three sub-series including Correspondences, documentation regarding the expansion and growth of FGCU, and Office Administration. The first part of the sub-series, Correspondences, is arranged chronologically, followed by Expansion, which is also arranged chronologically. The last part of the sub-series, Office Administration, is arranged alphabetically by subject, and chronologically within the subjects. All large scale ephemera is located at the end of the sub-series.","Florida Gulf Coast University Archives","English"],"unitid_tesim":["01.01.08","/repositories/3/resources/87"],"normalized_date_ssm":["2007-2017"],"normalized_title_ssm":["President Wilson G. Bradshaw, 2007-2017"],"collection_title_tesim":["President Wilson G. Bradshaw, 2007-2017"],"collection_ssim":["President Wilson G. Bradshaw, 2007-2017"],"repository_ssm":["Florida Gulf Coast University Archives"],"repository_ssim":["Florida Gulf Coast University Archives"],"has_online_content_ssim":["false"],"extent_ssm":["5 Linear Feet"],"extent_tesim":["5 Linear Feet"],"date_range_isim":[2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe collection contains some restricted files. Contact the University Archivist for details.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection contains some restricted files. Contact the University Archivist for details."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials related to the university's third official president, Dr. Wilson G. Bradshaw. It is made up of three sub-series including Correspondences, documentation regarding the expansion and growth of FGCU, and Office Administration. The first part of the sub-series, Correspondences, is arranged chronologically, followed by Expansion, which is also arranged chronologically. The last part of the sub-series, Office Administration, is arranged alphabetically by subject, and chronologically within the subjects. All large scale ephemera is located at the end of the sub-series.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains materials related to the university's third official president, Dr. Wilson G. Bradshaw. It is made up of three sub-series including Correspondences, documentation regarding the expansion and growth of FGCU, and Office Administration. The first part of the sub-series, Correspondences, is arranged chronologically, followed by Expansion, which is also arranged chronologically. The last part of the sub-series, Office Administration, is arranged alphabetically by subject, and chronologically within the subjects. All large scale ephemera is located at the end of the sub-series."],"names_ssim":["Florida Gulf Coast University Archives"],"corpname_ssim":["Florida Gulf Coast University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":126,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3dd629d1fe105b982d9cb96f","timestamp":"2026-05-05T01:52:49.385Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3dd629d1fe105b982d9cb96f_aspace_36214e152e0dafa4374ff429e9d6d76e"}},{"id":"328cb1ddb2eba00ca03f2172","type":"collection","attributes":{"title":"Emmanuel George Collection, 1962-2023","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/328cb1ddb2eba00ca03f2172#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Emmanuel George Collection contains correspondence, photographs, printed materials, certificates, short videos and artwork related to African Americans in Broward County, Florida. Correspondence contains cards written to Emmanuel George about his internships with Encore and the Lake Wales Public Library African American Archives Project. Crispus Attucks High School materials include a yearbook, student report cards, commencement programs, and class reunions. Photographs display African American individual and group portraits in Broward County. Printed materials include newspaper articles about African American neighborhoods in Broward County, specifically Hollywood, an African American Research Library and Cultural Center brochure, signed Legacy of Broward trading cards, funeral programs, and a magazine article featuring Emmanuel George at Sistrunk-A-Fair. Awards includes a certificate from the City of Miami awarded to Emmanuel George for his participation as a featured artist in the \"Reimagine the Neighborhood\" campaign in April 2022. Paintings of African Americans include the following: Tamara James, Attucks High School alumni (30 x 30), Kitty Oliver (36 x 36), Cannonball Adderley, Dr. James Sistrunk, and Esther Rolle.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/328cb1ddb2eba00ca03f2172#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"328cb1ddb2eba00ca03f2172","title_filing_ssi":"George, Emmanuel Collection","title_ssm":["Emmanuel George Collection"],"title_tesim":["Emmanuel George Collection"],"ead_ssi":"328cb1ddb2eba00ca03f2172","unitdate_ssm":["1962-2023"],"unitdate_inclusive_ssm":["1962-2023"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2021.11","/repositories/2/resources/105"],"text":["AARLCC.2021.11","/repositories/2/resources/105","Emmanuel George Collection, 1962-2023","Paintings","Art","The Emmanuel George Collection is open for research.","The collection is arranged into 6 series: Series I. Correspondence, Series II. Attucks High School, Series III. Photographs, Series IV. Printed Materials, Series V. Awards, and Series VI. Artwork.","Emmanuel George is a Dominican- American archivist, film maker and arts organizer based in Hollywood, Florida. Emmanuel's love of history began in childhood when his father Emanuel George Sr. would teach him Black history in efforts to highlight what he thought Emmanuel would not be taught in public school. Emmanuel credits his father's teachings to his ability to seek out overlooked narratives.","In 2015, after taking a leave of absence from pursuing his Bachelors in Film from Full Sail University, Emmanuel found himself joining a group of local activists in Miami -Dade County who were advocating on behalf of its residents to fight displacement. During this time, Emmanuel spoke with local residents and learned about the history of Black Miami. This curiosity led Emmanuel to begin submerging himself in learning the Black history of his home community, Broward County. ","In 2016, Emmanuel George produced his first film under the Black Broward Film Project, entitled A Tale of Sibling Communities; Danie and Liberia a documentary about the shared relationship between two Black communities in Broward County. The film featured oral interviews of local pioneers and historical landmarks that are staples to the community. Emmanuel followed this up with his 2021 film entitled Stories from our Ancestors: An Ode to Attucks High School; a film focusing on how the closing of a historically Black High school impacted the community of Liberia and its neighboring communities: Danie, Carver Ranches, Hallandale, Ojus, and Davie. ","In 2021, under the mentorship of esteemed historian Kitty Oliver, Emmanuel landed a fellowship with Lake Wales Museum where he interviewed and archived stories of residents from the historic Lincoln Avenue community. From there, Emmanuel would complete a fellowship with Cogenerators (formerly Encore) and work with Florida International University's Wolfson Public Humanities Lab, the Delray Beach Historical Society, the African American Research Library and the Old Dillard Museum, further expanding the ways he shares and preserves local Black history. Most recently, Emmanuel completed a fellowship with Temple University, serving as the Community Archivist for the Association for the Study of African American Life and History (ASALH). \nCurrently, Emmanuel founded and runs the Black Orchid Foundation, a non-profit centered on preserving the stories of Black high schools in the south that were phased out after the supreme court case of Brown vs. Board of Education, ruling that separating children in public schools on the basis of race was unconstitutional. Emmanuel is also the youngest person in Broward County to have his own special collections archive, the Emmanuel George Collection at the African American Research Library, where he actively collects physical and digitally archived data on the history of Attucks High School. ","Emmanuel's goal is to continue bridging the generational divide by connecting the youth from the rising Black Student Union populations in Broward County with the pioneers from the Historic Black High Schools (Attucks, Dillard, and Blanche Ely) through an Oral History workshop, in hopes to inspire young archivists to narrate their own stories and preserve their history at the African American Research Library and Cultural Center.","This collection received file processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Emmanuel George Collection in the Broward County Library Digital Archives.","The Emmanuel George Collection contains correspondence, photographs, printed materials, certificates, short videos and artwork related to African Americans in Broward County, Florida. Correspondence contains cards written to Emmanuel George about his internships with Encore and the Lake Wales Public Library African American Archives Project. Crispus Attucks High School materials include a yearbook, student report cards, commencement programs, and class reunions. Photographs display African American individual and group portraits in Broward County. Printed materials include newspaper articles about African American neighborhoods in Broward County, specifically Hollywood, an African American Research Library and Cultural Center brochure, signed Legacy of Broward trading cards, funeral programs, and a magazine article featuring Emmanuel George at Sistrunk-A-Fair. Awards includes a certificate from the City of Miami awarded to Emmanuel George for his participation as a featured artist in the \"Reimagine the Neighborhood\" campaign in April 2022. Paintings of African Americans include the following: Tamara James, Attucks High School alumni (30 x 30), Kitty Oliver (36 x 36), Cannonball Adderley, Dr. James Sistrunk, and Esther Rolle.","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2021.11","/repositories/2/resources/105"],"normalized_date_ssm":["1962-2023"],"normalized_title_ssm":["Emmanuel George Collection, 1962-2023"],"collection_title_tesim":["Emmanuel George Collection, 1962-2023"],"collection_ssim":["Emmanuel George Collection, 1962-2023"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"access_subjects_ssim":["Paintings","Art"],"access_subjects_ssm":["Paintings","Art"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Hollinger Box 1 and a half Hollinger boxes and 6 paintings."],"extent_tesim":["1.5 Hollinger Box 1 and a half Hollinger boxes and 6 paintings."],"genreform_ssim":["Paintings","Art"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eThe Emmanuel George Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Emmanuel George Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 6 series: Series I. Correspondence, Series II. Attucks High School, Series III. Photographs, Series IV. Printed Materials, Series V. Awards, and Series VI. Artwork.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 6 series: Series I. Correspondence, Series II. Attucks High School, Series III. Photographs, Series IV. Printed Materials, Series V. Awards, and Series VI. Artwork."],"bioghist_html_tesm":["\u003cp\u003eEmmanuel George is a Dominican- American archivist, film maker and arts organizer based in Hollywood, Florida. Emmanuel's love of history began in childhood when his father Emanuel George Sr. would teach him Black history in efforts to highlight what he thought Emmanuel would not be taught in public school. Emmanuel credits his father's teachings to his ability to seek out overlooked narratives.\u003c/p\u003e\n","\u003cp\u003eIn 2015, after taking a leave of absence from pursuing his Bachelors in Film from Full Sail University, Emmanuel found himself joining a group of local activists in Miami -Dade County who were advocating on behalf of its residents to fight displacement. During this time, Emmanuel spoke with local residents and learned about the history of Black Miami. This curiosity led Emmanuel to begin submerging himself in learning the Black history of his home community, Broward County. \u003c/p\u003e\n","\u003cp\u003eIn 2016, Emmanuel George produced his first film under the Black Broward Film Project, entitled A Tale of Sibling Communities; Danie and Liberia a documentary about the shared relationship between two Black communities in Broward County. The film featured oral interviews of local pioneers and historical landmarks that are staples to the community. Emmanuel followed this up with his 2021 film entitled Stories from our Ancestors: An Ode to Attucks High School; a film focusing on how the closing of a historically Black High school impacted the community of Liberia and its neighboring communities: Danie, Carver Ranches, Hallandale, Ojus, and Davie. \u003c/p\u003e\n","\u003cp\u003eIn 2021, under the mentorship of esteemed historian Kitty Oliver, Emmanuel landed a fellowship with Lake Wales Museum where he interviewed and archived stories of residents from the historic Lincoln Avenue community. From there, Emmanuel would complete a fellowship with Cogenerators (formerly Encore) and work with Florida International University's Wolfson Public Humanities Lab, the Delray Beach Historical Society, the African American Research Library and the Old Dillard Museum, further expanding the ways he shares and preserves local Black history. Most recently, Emmanuel completed a fellowship with Temple University, serving as the Community Archivist for the Association for the Study of African American Life and History (ASALH). \nCurrently, Emmanuel founded and runs the Black Orchid Foundation, a non-profit centered on preserving the stories of Black high schools in the south that were phased out after the supreme court case of Brown vs. Board of Education, ruling that separating children in public schools on the basis of race was unconstitutional. Emmanuel is also the youngest person in Broward County to have his own special collections archive, the Emmanuel George Collection at the African American Research Library, where he actively collects physical and digitally archived data on the history of Attucks High School. \u003c/p\u003e\n","\u003cp\u003eEmmanuel's goal is to continue bridging the generational divide by connecting the youth from the rising Black Student Union populations in Broward County with the pioneers from the Historic Black High Schools (Attucks, Dillard, and Blanche Ely) through an Oral History workshop, in hopes to inspire young archivists to narrate their own stories and preserve their history at the African American Research Library and Cultural Center.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Emmanuel George is a Dominican- American archivist, film maker and arts organizer based in Hollywood, Florida. Emmanuel's love of history began in childhood when his father Emanuel George Sr. would teach him Black history in efforts to highlight what he thought Emmanuel would not be taught in public school. Emmanuel credits his father's teachings to his ability to seek out overlooked narratives.","In 2015, after taking a leave of absence from pursuing his Bachelors in Film from Full Sail University, Emmanuel found himself joining a group of local activists in Miami -Dade County who were advocating on behalf of its residents to fight displacement. During this time, Emmanuel spoke with local residents and learned about the history of Black Miami. This curiosity led Emmanuel to begin submerging himself in learning the Black history of his home community, Broward County. ","In 2016, Emmanuel George produced his first film under the Black Broward Film Project, entitled A Tale of Sibling Communities; Danie and Liberia a documentary about the shared relationship between two Black communities in Broward County. The film featured oral interviews of local pioneers and historical landmarks that are staples to the community. Emmanuel followed this up with his 2021 film entitled Stories from our Ancestors: An Ode to Attucks High School; a film focusing on how the closing of a historically Black High school impacted the community of Liberia and its neighboring communities: Danie, Carver Ranches, Hallandale, Ojus, and Davie. ","In 2021, under the mentorship of esteemed historian Kitty Oliver, Emmanuel landed a fellowship with Lake Wales Museum where he interviewed and archived stories of residents from the historic Lincoln Avenue community. From there, Emmanuel would complete a fellowship with Cogenerators (formerly Encore) and work with Florida International University's Wolfson Public Humanities Lab, the Delray Beach Historical Society, the African American Research Library and the Old Dillard Museum, further expanding the ways he shares and preserves local Black history. Most recently, Emmanuel completed a fellowship with Temple University, serving as the Community Archivist for the Association for the Study of African American Life and History (ASALH). \nCurrently, Emmanuel founded and runs the Black Orchid Foundation, a non-profit centered on preserving the stories of Black high schools in the south that were phased out after the supreme court case of Brown vs. Board of Education, ruling that separating children in public schools on the basis of race was unconstitutional. Emmanuel is also the youngest person in Broward County to have his own special collections archive, the Emmanuel George Collection at the African American Research Library, where he actively collects physical and digitally archived data on the history of Attucks High School. ","Emmanuel's goal is to continue bridging the generational divide by connecting the youth from the rising Black Student Union populations in Broward County with the pioneers from the Historic Black High Schools (Attucks, Dillard, and Blanche Ely) through an Oral History workshop, in hopes to inspire young archivists to narrate their own stories and preserve their history at the African American Research Library and Cultural Center."],"prefercite_html_tesm":["\u003cp\u003eThe Emmanuel George Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Emmanuel George Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll31/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Emmanuel George Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Emmanuel George Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Emmanuel George Collection contains correspondence, photographs, printed materials, certificates, short videos and artwork related to African Americans in Broward County, Florida. Correspondence contains cards written to Emmanuel George about his internships with Encore and the Lake Wales Public Library African American Archives Project. Crispus Attucks High School materials include a yearbook, student report cards, commencement programs, and class reunions. Photographs display African American individual and group portraits in Broward County. Printed materials include newspaper articles about African American neighborhoods in Broward County, specifically Hollywood, an African American Research Library and Cultural Center brochure, signed Legacy of Broward trading cards, funeral programs, and a magazine article featuring Emmanuel George at Sistrunk-A-Fair. Awards includes a certificate from the City of Miami awarded to Emmanuel George for his participation as a featured artist in the \"Reimagine the Neighborhood\" campaign in April 2022. Paintings of African Americans include the following: Tamara James, Attucks High School alumni (30 x 30), Kitty Oliver (36 x 36), Cannonball Adderley, Dr. James Sistrunk, and Esther Rolle.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Emmanuel George Collection contains correspondence, photographs, printed materials, certificates, short videos and artwork related to African Americans in Broward County, Florida. Correspondence contains cards written to Emmanuel George about his internships with Encore and the Lake Wales Public Library African American Archives Project. Crispus Attucks High School materials include a yearbook, student report cards, commencement programs, and class reunions. Photographs display African American individual and group portraits in Broward County. Printed materials include newspaper articles about African American neighborhoods in Broward County, specifically Hollywood, an African American Research Library and Cultural Center brochure, signed Legacy of Broward trading cards, funeral programs, and a magazine article featuring Emmanuel George at Sistrunk-A-Fair. Awards includes a certificate from the City of Miami awarded to Emmanuel George for his participation as a featured artist in the \"Reimagine the Neighborhood\" campaign in April 2022. Paintings of African Americans include the following: Tamara James, Attucks High School alumni (30 x 30), Kitty Oliver (36 x 36), Cannonball Adderley, Dr. James Sistrunk, and Esther Rolle."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":45,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563559323828224,"_root_":"328cb1ddb2eba00ca03f2172","timestamp":"2026-07-24T03:01:38.048Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"328cb1ddb2eba00ca03f2172","title_filing_ssi":"George, Emmanuel Collection","title_ssm":["Emmanuel George Collection"],"title_tesim":["Emmanuel George Collection"],"ead_ssi":"328cb1ddb2eba00ca03f2172","unitdate_ssm":["1962-2023"],"unitdate_inclusive_ssm":["1962-2023"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2021.11","/repositories/2/resources/105"],"text":["AARLCC.2021.11","/repositories/2/resources/105","Emmanuel George Collection, 1962-2023","Paintings","Art","The Emmanuel George Collection is open for research.","The collection is arranged into 6 series: Series I. Correspondence, Series II. Attucks High School, Series III. Photographs, Series IV. Printed Materials, Series V. Awards, and Series VI. Artwork.","Emmanuel George is a Dominican- American archivist, film maker and arts organizer based in Hollywood, Florida. Emmanuel's love of history began in childhood when his father Emanuel George Sr. would teach him Black history in efforts to highlight what he thought Emmanuel would not be taught in public school. Emmanuel credits his father's teachings to his ability to seek out overlooked narratives.","In 2015, after taking a leave of absence from pursuing his Bachelors in Film from Full Sail University, Emmanuel found himself joining a group of local activists in Miami -Dade County who were advocating on behalf of its residents to fight displacement. During this time, Emmanuel spoke with local residents and learned about the history of Black Miami. This curiosity led Emmanuel to begin submerging himself in learning the Black history of his home community, Broward County. ","In 2016, Emmanuel George produced his first film under the Black Broward Film Project, entitled A Tale of Sibling Communities; Danie and Liberia a documentary about the shared relationship between two Black communities in Broward County. The film featured oral interviews of local pioneers and historical landmarks that are staples to the community. Emmanuel followed this up with his 2021 film entitled Stories from our Ancestors: An Ode to Attucks High School; a film focusing on how the closing of a historically Black High school impacted the community of Liberia and its neighboring communities: Danie, Carver Ranches, Hallandale, Ojus, and Davie. ","In 2021, under the mentorship of esteemed historian Kitty Oliver, Emmanuel landed a fellowship with Lake Wales Museum where he interviewed and archived stories of residents from the historic Lincoln Avenue community. From there, Emmanuel would complete a fellowship with Cogenerators (formerly Encore) and work with Florida International University's Wolfson Public Humanities Lab, the Delray Beach Historical Society, the African American Research Library and the Old Dillard Museum, further expanding the ways he shares and preserves local Black history. Most recently, Emmanuel completed a fellowship with Temple University, serving as the Community Archivist for the Association for the Study of African American Life and History (ASALH). \nCurrently, Emmanuel founded and runs the Black Orchid Foundation, a non-profit centered on preserving the stories of Black high schools in the south that were phased out after the supreme court case of Brown vs. Board of Education, ruling that separating children in public schools on the basis of race was unconstitutional. Emmanuel is also the youngest person in Broward County to have his own special collections archive, the Emmanuel George Collection at the African American Research Library, where he actively collects physical and digitally archived data on the history of Attucks High School. ","Emmanuel's goal is to continue bridging the generational divide by connecting the youth from the rising Black Student Union populations in Broward County with the pioneers from the Historic Black High Schools (Attucks, Dillard, and Blanche Ely) through an Oral History workshop, in hopes to inspire young archivists to narrate their own stories and preserve their history at the African American Research Library and Cultural Center.","This collection received file processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Emmanuel George Collection in the Broward County Library Digital Archives.","The Emmanuel George Collection contains correspondence, photographs, printed materials, certificates, short videos and artwork related to African Americans in Broward County, Florida. Correspondence contains cards written to Emmanuel George about his internships with Encore and the Lake Wales Public Library African American Archives Project. Crispus Attucks High School materials include a yearbook, student report cards, commencement programs, and class reunions. Photographs display African American individual and group portraits in Broward County. Printed materials include newspaper articles about African American neighborhoods in Broward County, specifically Hollywood, an African American Research Library and Cultural Center brochure, signed Legacy of Broward trading cards, funeral programs, and a magazine article featuring Emmanuel George at Sistrunk-A-Fair. Awards includes a certificate from the City of Miami awarded to Emmanuel George for his participation as a featured artist in the \"Reimagine the Neighborhood\" campaign in April 2022. 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Correspondence, Series II. Attucks High School, Series III. Photographs, Series IV. Printed Materials, Series V. Awards, and Series VI. Artwork.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 6 series: Series I. Correspondence, Series II. Attucks High School, Series III. Photographs, Series IV. Printed Materials, Series V. Awards, and Series VI. Artwork."],"bioghist_html_tesm":["\u003cp\u003eEmmanuel George is a Dominican- American archivist, film maker and arts organizer based in Hollywood, Florida. Emmanuel's love of history began in childhood when his father Emanuel George Sr. would teach him Black history in efforts to highlight what he thought Emmanuel would not be taught in public school. Emmanuel credits his father's teachings to his ability to seek out overlooked narratives.\u003c/p\u003e\n","\u003cp\u003eIn 2015, after taking a leave of absence from pursuing his Bachelors in Film from Full Sail University, Emmanuel found himself joining a group of local activists in Miami -Dade County who were advocating on behalf of its residents to fight displacement. During this time, Emmanuel spoke with local residents and learned about the history of Black Miami. This curiosity led Emmanuel to begin submerging himself in learning the Black history of his home community, Broward County. \u003c/p\u003e\n","\u003cp\u003eIn 2016, Emmanuel George produced his first film under the Black Broward Film Project, entitled A Tale of Sibling Communities; Danie and Liberia a documentary about the shared relationship between two Black communities in Broward County. The film featured oral interviews of local pioneers and historical landmarks that are staples to the community. Emmanuel followed this up with his 2021 film entitled Stories from our Ancestors: An Ode to Attucks High School; a film focusing on how the closing of a historically Black High school impacted the community of Liberia and its neighboring communities: Danie, Carver Ranches, Hallandale, Ojus, and Davie. \u003c/p\u003e\n","\u003cp\u003eIn 2021, under the mentorship of esteemed historian Kitty Oliver, Emmanuel landed a fellowship with Lake Wales Museum where he interviewed and archived stories of residents from the historic Lincoln Avenue community. From there, Emmanuel would complete a fellowship with Cogenerators (formerly Encore) and work with Florida International University's Wolfson Public Humanities Lab, the Delray Beach Historical Society, the African American Research Library and the Old Dillard Museum, further expanding the ways he shares and preserves local Black history. Most recently, Emmanuel completed a fellowship with Temple University, serving as the Community Archivist for the Association for the Study of African American Life and History (ASALH). \nCurrently, Emmanuel founded and runs the Black Orchid Foundation, a non-profit centered on preserving the stories of Black high schools in the south that were phased out after the supreme court case of Brown vs. Board of Education, ruling that separating children in public schools on the basis of race was unconstitutional. Emmanuel is also the youngest person in Broward County to have his own special collections archive, the Emmanuel George Collection at the African American Research Library, where he actively collects physical and digitally archived data on the history of Attucks High School. \u003c/p\u003e\n","\u003cp\u003eEmmanuel's goal is to continue bridging the generational divide by connecting the youth from the rising Black Student Union populations in Broward County with the pioneers from the Historic Black High Schools (Attucks, Dillard, and Blanche Ely) through an Oral History workshop, in hopes to inspire young archivists to narrate their own stories and preserve their history at the African American Research Library and Cultural Center.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Emmanuel George is a Dominican- American archivist, film maker and arts organizer based in Hollywood, Florida. Emmanuel's love of history began in childhood when his father Emanuel George Sr. would teach him Black history in efforts to highlight what he thought Emmanuel would not be taught in public school. Emmanuel credits his father's teachings to his ability to seek out overlooked narratives.","In 2015, after taking a leave of absence from pursuing his Bachelors in Film from Full Sail University, Emmanuel found himself joining a group of local activists in Miami -Dade County who were advocating on behalf of its residents to fight displacement. During this time, Emmanuel spoke with local residents and learned about the history of Black Miami. This curiosity led Emmanuel to begin submerging himself in learning the Black history of his home community, Broward County. ","In 2016, Emmanuel George produced his first film under the Black Broward Film Project, entitled A Tale of Sibling Communities; Danie and Liberia a documentary about the shared relationship between two Black communities in Broward County. The film featured oral interviews of local pioneers and historical landmarks that are staples to the community. Emmanuel followed this up with his 2021 film entitled Stories from our Ancestors: An Ode to Attucks High School; a film focusing on how the closing of a historically Black High school impacted the community of Liberia and its neighboring communities: Danie, Carver Ranches, Hallandale, Ojus, and Davie. ","In 2021, under the mentorship of esteemed historian Kitty Oliver, Emmanuel landed a fellowship with Lake Wales Museum where he interviewed and archived stories of residents from the historic Lincoln Avenue community. From there, Emmanuel would complete a fellowship with Cogenerators (formerly Encore) and work with Florida International University's Wolfson Public Humanities Lab, the Delray Beach Historical Society, the African American Research Library and the Old Dillard Museum, further expanding the ways he shares and preserves local Black history. Most recently, Emmanuel completed a fellowship with Temple University, serving as the Community Archivist for the Association for the Study of African American Life and History (ASALH). \nCurrently, Emmanuel founded and runs the Black Orchid Foundation, a non-profit centered on preserving the stories of Black high schools in the south that were phased out after the supreme court case of Brown vs. Board of Education, ruling that separating children in public schools on the basis of race was unconstitutional. Emmanuel is also the youngest person in Broward County to have his own special collections archive, the Emmanuel George Collection at the African American Research Library, where he actively collects physical and digitally archived data on the history of Attucks High School. ","Emmanuel's goal is to continue bridging the generational divide by connecting the youth from the rising Black Student Union populations in Broward County with the pioneers from the Historic Black High Schools (Attucks, Dillard, and Blanche Ely) through an Oral History workshop, in hopes to inspire young archivists to narrate their own stories and preserve their history at the African American Research Library and Cultural Center."],"prefercite_html_tesm":["\u003cp\u003eThe Emmanuel George Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Emmanuel George Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll31/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Emmanuel George Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Emmanuel George Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Emmanuel George Collection contains correspondence, photographs, printed materials, certificates, short videos and artwork related to African Americans in Broward County, Florida. Correspondence contains cards written to Emmanuel George about his internships with Encore and the Lake Wales Public Library African American Archives Project. Crispus Attucks High School materials include a yearbook, student report cards, commencement programs, and class reunions. Photographs display African American individual and group portraits in Broward County. Printed materials include newspaper articles about African American neighborhoods in Broward County, specifically Hollywood, an African American Research Library and Cultural Center brochure, signed Legacy of Broward trading cards, funeral programs, and a magazine article featuring Emmanuel George at Sistrunk-A-Fair. Awards includes a certificate from the City of Miami awarded to Emmanuel George for his participation as a featured artist in the \"Reimagine the Neighborhood\" campaign in April 2022. 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