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He was editorial cartoonist for the Nashville Banner in Nashville, Tennessee, from 1972 to 1980 and for the Florida Times-Union in Jacksonville, Florida, from 1980 to 2010.","In addition to appearing in magazines and newspapers, Gamble's cartoons are permanently displayed at the Texas Depository in Dallas, Texas, and at the Ford, Carter, Nixon, Reagan, and Bush Presidential Museums. His work has also been featured in several books: A Peek at the Great Society, 1965; A Cartoon History of the Reagan Years, 1988; and You Get Two for the Price of One, 1995. The Gambles currently reside in the Mandarin area of Jacksonville, Florida."],"prefercite_html_tesm":["\u003cp\u003eEdward H. Gamble Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Edward H. Gamble Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains original political cartoons, personal letters, and ephemera. The majority of the cartoon collection relates to Florida and Jacksonville and were published in the Florida Times-Union Newspaper.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains original political cartoons, personal letters, and ephemera. The majority of the cartoon collection relates to Florida and Jacksonville and were published in the Florida Times-Union Newspaper."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"names_coll_ssim":["Florida Times-Union."],"names_ssim":["UNF Library Special Collections and University Archives","Florida Times-Union."],"corpname_ssim":["UNF Library Special Collections and University Archives","Florida Times-Union."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":68,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860561902731264,"_root_":"4cad6a8e1fb73ffc7f9b49f0","timestamp":"2026-07-16T08:47:47.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4cad6a8e1fb73ffc7f9b49f0_aspace_6d1b801eee9a6b121230f53f1e3dc6b5"}},{"id":"a0b8dca0cc27e719e79a099f_aspace_53d198ac388433261fd8be9ab8efa0f6","type":"File","attributes":{"title":"Education Programs, 2007-2012","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_53d198ac388433261fd8be9ab8efa0f6#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFolder includes calendars of events, flyers, sign-up sheets, and correspondence.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_53d198ac388433261fd8be9ab8efa0f6#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_53d198ac388433261fd8be9ab8efa0f6","ref_ssm":["aspace_53d198ac388433261fd8be9ab8efa0f6","aspace_53d198ac388433261fd8be9ab8efa0f6"],"id":"a0b8dca0cc27e719e79a099f_aspace_53d198ac388433261fd8be9ab8efa0f6","title_filing_ssi":" Education Programs","title_ssm":[" Education Programs"],"title_tesim":[" Education Programs"],"unitdate_inclusive_ssm":["2007-2012"],"normalized_date_ssm":["2007-2012"],"normalized_title_ssm":["Education Programs, 2007-2012"],"text":["Education Programs, 2007-2012","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Corkscrew Swamp Sanctuary Records","Donations and Fundraising-Endangered and Threatened Flora and Fauna","/repositories/2/archival_objects/198058","box 8","folder 6","Folder includes calendars of events, flyers, sign-up sheets, and correspondence."],"component_level_isim":[3],"parent_ids_ssim":["a0b8dca0cc27e719e79a099f","a0b8dca0cc27e719e79a099f_aspace_e321b62174c707b70994a33f9c213e29","a0b8dca0cc27e719e79a099f_aspace_c0c065f7a7b67daf30377597ea738505"],"parent_unittitles_ssm":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Corkscrew Swamp Sanctuary Records","Donations and Fundraising-Endangered and Threatened Flora and Fauna"],"parent_unittitles_tesim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Corkscrew Swamp Sanctuary Records","Donations and Fundraising-Endangered and Threatened Flora and Fauna"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["/repositories/2/archival_objects/198058"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":163,"parent_access_restrict_tesm":["Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2007,2008,2009,2010,2011,2012],"containers_ssim":["box 8","folder 6"],"scopecontent_html_tesm":["\u003cp\u003eFolder includes calendars of events, flyers, sign-up sheets, and correspondence.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Folder includes calendars of events, flyers, sign-up sheets, and correspondence."],"_nest_path_":"/components#0/components#7/components#5","_nest_parent_":"a0b8dca0cc27e719e79a099f_aspace_c0c065f7a7b67daf30377597ea738505","_root_":"a0b8dca0cc27e719e79a099f","_version_":1872946110924849152,"timestamp":"2026-08-08T09:16:41.949Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a0b8dca0cc27e719e79a099f","title_ssm":["Audubon Society Corkscrew Swamp Sanctuary records"],"title_tesim":["Audubon Society Corkscrew Swamp Sanctuary records"],"ead_ssi":"a0b8dca0cc27e719e79a099f","unitdate_ssm":["1937-2019"],"unitdate_inclusive_ssm":["1937-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2020-03","/repositories/2/resources/583"],"text":["MS-2020-03","/repositories/2/resources/583","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration","Good.","Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society.","This collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.","Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.","The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.","This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.","Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. 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It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.\u003c/p\u003e"],"bioghist_heading_ssm":["Content Description"],"bioghist_tesim":["Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. 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Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bf60a5a83f90c49360b71829ac95b658\"\u003eThe Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River.\u003c/abstract\u003e"],"abstract_tesim":["The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. 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Bradshaw, 2007-2017","Office Administration, 2007- Present","/repositories/3/archival_objects/37011","English","box 78","folder 19"],"component_level_isim":[2],"parent_ids_ssim":["3dd629d1fe105b982d9cb96f","3dd629d1fe105b982d9cb96f_aspace_2032"],"parent_unittitles_ssm":["President Wilson G. Bradshaw, 2007-2017","Office Administration, 2007- Present"],"parent_unittitles_tesim":["President Wilson G. Bradshaw, 2007-2017","Office Administration, 2007- Present"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/37011"],"repository_ssim":["Florida Gulf Coast University Archives"],"collection_ssim":["President Wilson G. Bradshaw, 2007-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":91,"parent_access_restrict_tesm":["The collection contains some restricted files. 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Contact the University Archivist for details.","This collection contains materials related to the university's third official president, Dr. Wilson G. Bradshaw. It is made up of three sub-series including Correspondences, documentation regarding the expansion and growth of FGCU, and Office Administration. The first part of the sub-series, Correspondences, is arranged chronologically, followed by Expansion, which is also arranged chronologically. The last part of the sub-series, Office Administration, is arranged alphabetically by subject, and chronologically within the subjects. All large scale ephemera is located at the end of the sub-series.","Florida Gulf Coast University Archives","English"],"unitid_tesim":["01.01.08","/repositories/3/resources/87"],"normalized_date_ssm":["2007-2017"],"normalized_title_ssm":["President Wilson G. Bradshaw, 2007-2017"],"collection_title_tesim":["President Wilson G. Bradshaw, 2007-2017"],"collection_ssim":["President Wilson G. Bradshaw, 2007-2017"],"repository_ssm":["Florida Gulf Coast University Archives"],"repository_ssim":["Florida Gulf Coast University Archives"],"has_online_content_ssim":["false"],"extent_ssm":["5 Linear Feet"],"extent_tesim":["5 Linear Feet"],"date_range_isim":[2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe collection contains some restricted files. Contact the University Archivist for details.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection contains some restricted files. Contact the University Archivist for details."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials related to the university's third official president, Dr. Wilson G. Bradshaw. It is made up of three sub-series including Correspondences, documentation regarding the expansion and growth of FGCU, and Office Administration. The first part of the sub-series, Correspondences, is arranged chronologically, followed by Expansion, which is also arranged chronologically. The last part of the sub-series, Office Administration, is arranged alphabetically by subject, and chronologically within the subjects. All large scale ephemera is located at the end of the sub-series.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains materials related to the university's third official president, Dr. Wilson G. Bradshaw. It is made up of three sub-series including Correspondences, documentation regarding the expansion and growth of FGCU, and Office Administration. The first part of the sub-series, Correspondences, is arranged chronologically, followed by Expansion, which is also arranged chronologically. The last part of the sub-series, Office Administration, is arranged alphabetically by subject, and chronologically within the subjects. All large scale ephemera is located at the end of the sub-series."],"names_ssim":["Florida Gulf Coast University Archives"],"corpname_ssim":["Florida Gulf Coast University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":126,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3dd629d1fe105b982d9cb96f","timestamp":"2026-05-05T01:52:49.385Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3dd629d1fe105b982d9cb96f_aspace_1d0b2bf6ce3841fa312c8698a8f9166d"}},{"id":"09828ae20f62ecd4053afda2","type":"collection","attributes":{"title":"Edward Davis Wynot collection, 1917-2009, Date acquired: 07/04/2016, Date accessioned: 2020-05-18","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/09828ae20f62ecd4053afda2#creator","type":"document_value","attributes":{"value":["Wynot, Edward Davis"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/09828ae20f62ecd4053afda2#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection relates to former Florida State University History professor Edward Davis Wynot, items are from his personal collection. The collection contains multi-media items about World War II including VHS sets and DVDs.  This collection also includes a World War I helmet. \u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/09828ae20f62ecd4053afda2#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"09828ae20f62ecd4053afda2","title_filing_ssi":"Wynot, Edward Davis collection","title_ssm":["Edward Davis Wynot collection"],"title_tesim":["Edward Davis Wynot collection"],"ead_ssi":"09828ae20f62ecd4053afda2","unitdate_ssm":["1917-2009","Date acquired: 07/04/2016","Date accessioned: 2020-05-18"],"unitdate_inclusive_ssm":["1917-2009"],"unitdate_other_ssim":["Date acquired: 07/04/2016","Date accessioned: 2020-05-18"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["16.0017","/repositories/10/resources/426"],"text":["16.0017","/repositories/10/resources/426","Edward Davis Wynot collection, 1917-2009, Date acquired: 07/04/2016, Date accessioned: 2020-05-18","World War, 1939-1945--Campaigns--Soviet Union","World War, 1939-1945--Campaigns","World War, 1914-1918--United States","World War, 1939-1945","This collection is open to all researchers.","Edward Davis Wynot is a former faculty member of Florida State University's Department of History. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"acqinfo_ssim":["This collection was donated by Edward Wynot, Jr. The collection was acquired by the Institute on World War II and the Human Experience on July 4, 2016."],"access_subjects_ssim":["World War, 1939-1945--Campaigns--Soviet Union","World War, 1939-1945--Campaigns","World War, 1914-1918--United States","World War, 1939-1945"],"access_subjects_ssm":["World War, 1939-1945--Campaigns--Soviet Union","World War, 1939-1945--Campaigns","World War, 1914-1918--United States","World War, 1939-1945"],"has_online_content_ssim":["false"],"extent_ssm":["1 boxes 8 VHS/DVD tapes","1 items 1 helmet"],"extent_tesim":["1 boxes 8 VHS/DVD tapes","1 items 1 helmet"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2016],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003eEdward Davis Wynot is a former faculty member of Florida State University's Department of History. After graduating from Dartmouth College (B.A., 1965), Edward D. Wynot earned his M.A. and Ph.D. degrees from Indiana University in 1967 and 1970 respectively. An authority on eastern Europe, particularly Poland, he has written or edited four books:\u003cemph render=\"italic\"\u003ePolish Politics in Transition: The Camp of National Unity and the Struggle for Power, 1935-1939\u003c/emph\u003e (Georgia, 1974); \u003cemph render=\"italic\"\u003ePoland and the Coming of the Second World War: The Diplomatic Papers of Anthony Drexel Biddle, Jr., 1937-1939\u003c/emph\u003e by Philip V. Cannistraro and T. Kovaleff (Ohio State, 1976); \u003cemph render=\"italic\"\u003eWarsaw Between the World Wars: Profile of the Capital City in a Developing Land, 1918-1939\u003c/emph\u003e(East European Quarterly and Columbia University Press, 1983); and \u003cemph render=\"italic\"\u003eCaldron of Conflict Eastern Europe, 1918-1945\u003c/emph\u003e(Harlan Davidson, 1998). 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The collection contains multi-media items about World War II including VHS sets and DVDs.\u0026#xA0; This collection also includes a World War I helmet.\u0026#xA0;\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection relates to former Florida State University History professor Edward Davis Wynot, items are from his personal collection. The collection contains multi-media items about World War II including VHS sets and DVDs.  This collection also includes a World War I helmet. "],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. 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After graduating from Dartmouth College (B.A., 1965), Edward D. Wynot earned his M.A. and Ph.D. degrees from Indiana University in 1967 and 1970 respectively. An authority on eastern Europe, particularly Poland, he has written or edited four books: Polish Politics in Transition: The Camp of National Unity and the Struggle for Power, 1935-1939  (Georgia, 1974);  Poland and the Coming of the Second World War: The Diplomatic Papers of Anthony Drexel Biddle, Jr., 1937-1939  by Philip V. Cannistraro and T. Kovaleff (Ohio State, 1976);  Warsaw Between the World Wars: Profile of the Capital City in a Developing Land, 1918-1939 (East European Quarterly and Columbia University Press, 1983); and  Caldron of Conflict Eastern Europe, 1918-1945 (Harlan Davidson, 1998). 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Gamble Collection, 1980-2010","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/4cad6a8e1fb73ffc7f9b49f0#creator","type":"document_value","attributes":{"value":["Florida Times-Union."],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/4cad6a8e1fb73ffc7f9b49f0#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe collection contains original political cartoons, personal letters, and ephemera. The majority of the cartoon collection relates to Florida and Jacksonville and were published in the Florida Times-Union Newspaper.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4cad6a8e1fb73ffc7f9b49f0#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"4cad6a8e1fb73ffc7f9b49f0","title_ssm":["Edward H. Gamble Collection"],"title_tesim":["Edward H. Gamble Collection"],"ead_ssi":"4cad6a8e1fb73ffc7f9b49f0","unitdate_ssm":["1980-2010"],"unitdate_inclusive_ssm":["1980-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2014.001","/repositories/3/resources/67"],"text":["2014.001","/repositories/3/resources/67","Edward H. Gamble Collection, 1980-2010","United States -- Politics and Government -- 20th century -- Caricatures and Cartoons","United States -- Politics and Government -- 21st century -- Caricatures and Cartoons","United States -- Social Life and Customs -- Caricatures and Cartoons","Cartoonists -- Tennessee -- Morristown -- Archives","Political Satire, American -- History -- 20th century -- Caricatures and Cartoons","Political Satire, American -- History -- 21st century -- Caricatures and Cartoons","Newspapers -- Caricatures and Cartoons","Political Cartoons","Politicians -- United States -- Caricatures and Cartoons","Wit and Humor, Pictorial","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Ed Gamble is a nationally syndicated political cartoonist whose work has appeared in numerous national and international publications, including the New York Times, the Washington Post, the Los Angeles Times, LeMonde (France), Der Spiegel (Germany), and the Independent (England). Born on May 12, 1943, in Morristown, Tennessee, his father, James Vernon Gamble, had a political career, while his mother, Anna Hill, was a newspaper columnist. Gamble was married to Saundra Lancaster on June 28, 1964.","Gamble was awarded a bachelor's degree in political science from the University of South Florida in 1970 and did graduate work at the University of Tennessee between 1971 and 1972. His professional career includes work as a reporter, sports editor, sports cartoonist, and political cartoonist. He was editorial cartoonist for the Nashville Banner in Nashville, Tennessee, from 1972 to 1980 and for the Florida Times-Union in Jacksonville, Florida, from 1980 to 2010.","In addition to appearing in magazines and newspapers, Gamble's cartoons are permanently displayed at the Texas Depository in Dallas, Texas, and at the Ford, Carter, Nixon, Reagan, and Bush Presidential Museums. His work has also been featured in several books: A Peek at the Great Society, 1965; A Cartoon History of the Reagan Years, 1988; and You Get Two for the Price of One, 1995. The Gambles currently reside in the Mandarin area of Jacksonville, Florida.","The collection contains original political cartoons, personal letters, and ephemera. The majority of the cartoon collection relates to Florida and Jacksonville and were published in the Florida Times-Union Newspaper.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information.","UNF Library Special Collections and University Archives","Florida Times-Union.","English"],"unitid_tesim":["2014.001","/repositories/3/resources/67"],"normalized_date_ssm":["1980-2010"],"normalized_title_ssm":["Edward H. Gamble Collection, 1980-2010"],"collection_title_tesim":["Edward H. Gamble Collection, 1980-2010"],"collection_ssim":["Edward H. Gamble Collection, 1980-2010"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"geogname_ssm":["United States -- Politics and Government -- 20th century -- Caricatures and Cartoons","United States -- Politics and Government -- 21st century -- Caricatures and Cartoons","United States -- Social Life and Customs -- Caricatures and Cartoons"],"geogname_ssim":["United States -- Politics and Government -- 20th century -- Caricatures and Cartoons","United States -- Politics and Government -- 21st century -- Caricatures and Cartoons","United States -- Social Life and Customs -- Caricatures and Cartoons"],"creator_ssm":["Florida Times-Union."],"creator_ssim":["Florida Times-Union."],"creator_corpname_ssim":["Florida Times-Union."],"creators_ssim":["Florida Times-Union."],"places_ssim":["United States -- Politics and Government -- 20th century -- Caricatures and Cartoons","United States -- Politics and Government -- 21st century -- Caricatures and Cartoons","United States -- Social Life and Customs -- Caricatures and Cartoons"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"acqinfo_ssim":["The collection was acquired through donation from Edward H. Gamble, February 2014."],"access_subjects_ssim":["Cartoonists -- Tennessee -- Morristown -- Archives","Political Satire, American -- History -- 20th century -- Caricatures and Cartoons","Political Satire, American -- History -- 21st century -- Caricatures and Cartoons","Newspapers -- Caricatures and Cartoons","Political Cartoons","Politicians -- United States -- Caricatures and Cartoons","Wit and Humor, Pictorial"],"access_subjects_ssm":["Cartoonists -- Tennessee -- Morristown -- Archives","Political Satire, American -- History -- 20th century -- Caricatures and Cartoons","Political Satire, American -- History -- 21st century -- Caricatures and Cartoons","Newspapers -- Caricatures and Cartoons","Political Cartoons","Politicians -- United States -- Caricatures and Cartoons","Wit and Humor, Pictorial"],"has_online_content_ssim":["false"],"extent_ssm":["9.00 Linear Feet"],"extent_tesim":["9.00 Linear Feet"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eEd Gamble is a nationally syndicated political cartoonist whose work has appeared in numerous national and international publications, including the New York Times, the Washington Post, the Los Angeles Times, LeMonde (France), Der Spiegel (Germany), and the Independent (England). Born on May 12, 1943, in Morristown, Tennessee, his father, James Vernon Gamble, had a political career, while his mother, Anna Hill, was a newspaper columnist. Gamble was married to Saundra Lancaster on June 28, 1964.\u003c/p\u003e\n","\u003cp\u003eGamble was awarded a bachelor's degree in political science from the University of South Florida in 1970 and did graduate work at the University of Tennessee between 1971 and 1972. His professional career includes work as a reporter, sports editor, sports cartoonist, and political cartoonist. He was editorial cartoonist for the Nashville Banner in Nashville, Tennessee, from 1972 to 1980 and for the Florida Times-Union in Jacksonville, Florida, from 1980 to 2010.\u003c/p\u003e\n","\u003cp\u003eIn addition to appearing in magazines and newspapers, Gamble's cartoons are permanently displayed at the Texas Depository in Dallas, Texas, and at the Ford, Carter, Nixon, Reagan, and Bush Presidential Museums. His work has also been featured in several books: A Peek at the Great Society, 1965; A Cartoon History of the Reagan Years, 1988; and You Get Two for the Price of One, 1995. The Gambles currently reside in the Mandarin area of Jacksonville, Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ed Gamble is a nationally syndicated political cartoonist whose work has appeared in numerous national and international publications, including the New York Times, the Washington Post, the Los Angeles Times, LeMonde (France), Der Spiegel (Germany), and the Independent (England). Born on May 12, 1943, in Morristown, Tennessee, his father, James Vernon Gamble, had a political career, while his mother, Anna Hill, was a newspaper columnist. Gamble was married to Saundra Lancaster on June 28, 1964.","Gamble was awarded a bachelor's degree in political science from the University of South Florida in 1970 and did graduate work at the University of Tennessee between 1971 and 1972. His professional career includes work as a reporter, sports editor, sports cartoonist, and political cartoonist. He was editorial cartoonist for the Nashville Banner in Nashville, Tennessee, from 1972 to 1980 and for the Florida Times-Union in Jacksonville, Florida, from 1980 to 2010.","In addition to appearing in magazines and newspapers, Gamble's cartoons are permanently displayed at the Texas Depository in Dallas, Texas, and at the Ford, Carter, Nixon, Reagan, and Bush Presidential Museums. His work has also been featured in several books: A Peek at the Great Society, 1965; A Cartoon History of the Reagan Years, 1988; and You Get Two for the Price of One, 1995. The Gambles currently reside in the Mandarin area of Jacksonville, Florida."],"prefercite_html_tesm":["\u003cp\u003eEdward H. Gamble Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Edward H. Gamble Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains original political cartoons, personal letters, and ephemera. The majority of the cartoon collection relates to Florida and Jacksonville and were published in the Florida Times-Union Newspaper.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains original political cartoons, personal letters, and ephemera. The majority of the cartoon collection relates to Florida and Jacksonville and were published in the Florida Times-Union Newspaper."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"names_coll_ssim":["Florida Times-Union."],"names_ssim":["UNF Library Special Collections and University Archives","Florida Times-Union."],"corpname_ssim":["UNF Library Special Collections and University Archives","Florida Times-Union."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":68,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860561902731264,"_root_":"4cad6a8e1fb73ffc7f9b49f0","timestamp":"2026-07-16T08:47:47.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4cad6a8e1fb73ffc7f9b49f0","title_ssm":["Edward H. Gamble Collection"],"title_tesim":["Edward H. Gamble Collection"],"ead_ssi":"4cad6a8e1fb73ffc7f9b49f0","unitdate_ssm":["1980-2010"],"unitdate_inclusive_ssm":["1980-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2014.001","/repositories/3/resources/67"],"text":["2014.001","/repositories/3/resources/67","Edward H. Gamble Collection, 1980-2010","United States -- Politics and Government -- 20th century -- Caricatures and Cartoons","United States -- Politics and Government -- 21st century -- Caricatures and Cartoons","United States -- Social Life and Customs -- Caricatures and Cartoons","Cartoonists -- Tennessee -- Morristown -- Archives","Political Satire, American -- History -- 20th century -- Caricatures and Cartoons","Political Satire, American -- History -- 21st century -- Caricatures and Cartoons","Newspapers -- Caricatures and Cartoons","Political Cartoons","Politicians -- United States -- Caricatures and Cartoons","Wit and Humor, Pictorial","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Ed Gamble is a nationally syndicated political cartoonist whose work has appeared in numerous national and international publications, including the New York Times, the Washington Post, the Los Angeles Times, LeMonde (France), Der Spiegel (Germany), and the Independent (England). Born on May 12, 1943, in Morristown, Tennessee, his father, James Vernon Gamble, had a political career, while his mother, Anna Hill, was a newspaper columnist. Gamble was married to Saundra Lancaster on June 28, 1964.","Gamble was awarded a bachelor's degree in political science from the University of South Florida in 1970 and did graduate work at the University of Tennessee between 1971 and 1972. His professional career includes work as a reporter, sports editor, sports cartoonist, and political cartoonist. He was editorial cartoonist for the Nashville Banner in Nashville, Tennessee, from 1972 to 1980 and for the Florida Times-Union in Jacksonville, Florida, from 1980 to 2010.","In addition to appearing in magazines and newspapers, Gamble's cartoons are permanently displayed at the Texas Depository in Dallas, Texas, and at the Ford, Carter, Nixon, Reagan, and Bush Presidential Museums. His work has also been featured in several books: A Peek at the Great Society, 1965; A Cartoon History of the Reagan Years, 1988; and You Get Two for the Price of One, 1995. The Gambles currently reside in the Mandarin area of Jacksonville, Florida.","The collection contains original political cartoons, personal letters, and ephemera. The majority of the cartoon collection relates to Florida and Jacksonville and were published in the Florida Times-Union Newspaper.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information.","UNF Library Special Collections and University Archives","Florida Times-Union.","English"],"unitid_tesim":["2014.001","/repositories/3/resources/67"],"normalized_date_ssm":["1980-2010"],"normalized_title_ssm":["Edward H. Gamble Collection, 1980-2010"],"collection_title_tesim":["Edward H. Gamble Collection, 1980-2010"],"collection_ssim":["Edward H. 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Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"acqinfo_ssim":["The collection was acquired through donation from Edward H. 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Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eEd Gamble is a nationally syndicated political cartoonist whose work has appeared in numerous national and international publications, including the New York Times, the Washington Post, the Los Angeles Times, LeMonde (France), Der Spiegel (Germany), and the Independent (England). Born on May 12, 1943, in Morristown, Tennessee, his father, James Vernon Gamble, had a political career, while his mother, Anna Hill, was a newspaper columnist. Gamble was married to Saundra Lancaster on June 28, 1964.\u003c/p\u003e\n","\u003cp\u003eGamble was awarded a bachelor's degree in political science from the University of South Florida in 1970 and did graduate work at the University of Tennessee between 1971 and 1972. His professional career includes work as a reporter, sports editor, sports cartoonist, and political cartoonist. He was editorial cartoonist for the Nashville Banner in Nashville, Tennessee, from 1972 to 1980 and for the Florida Times-Union in Jacksonville, Florida, from 1980 to 2010.\u003c/p\u003e\n","\u003cp\u003eIn addition to appearing in magazines and newspapers, Gamble's cartoons are permanently displayed at the Texas Depository in Dallas, Texas, and at the Ford, Carter, Nixon, Reagan, and Bush Presidential Museums. His work has also been featured in several books: A Peek at the Great Society, 1965; A Cartoon History of the Reagan Years, 1988; and You Get Two for the Price of One, 1995. The Gambles currently reside in the Mandarin area of Jacksonville, Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ed Gamble is a nationally syndicated political cartoonist whose work has appeared in numerous national and international publications, including the New York Times, the Washington Post, the Los Angeles Times, LeMonde (France), Der Spiegel (Germany), and the Independent (England). Born on May 12, 1943, in Morristown, Tennessee, his father, James Vernon Gamble, had a political career, while his mother, Anna Hill, was a newspaper columnist. Gamble was married to Saundra Lancaster on June 28, 1964.","Gamble was awarded a bachelor's degree in political science from the University of South Florida in 1970 and did graduate work at the University of Tennessee between 1971 and 1972. His professional career includes work as a reporter, sports editor, sports cartoonist, and political cartoonist. He was editorial cartoonist for the Nashville Banner in Nashville, Tennessee, from 1972 to 1980 and for the Florida Times-Union in Jacksonville, Florida, from 1980 to 2010.","In addition to appearing in magazines and newspapers, Gamble's cartoons are permanently displayed at the Texas Depository in Dallas, Texas, and at the Ford, Carter, Nixon, Reagan, and Bush Presidential Museums. His work has also been featured in several books: A Peek at the Great Society, 1965; A Cartoon History of the Reagan Years, 1988; and You Get Two for the Price of One, 1995. The Gambles currently reside in the Mandarin area of Jacksonville, Florida."],"prefercite_html_tesm":["\u003cp\u003eEdward H. Gamble Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Edward H. Gamble Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains original political cartoons, personal letters, and ephemera. The majority of the cartoon collection relates to Florida and Jacksonville and were published in the Florida Times-Union Newspaper.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains original political cartoons, personal letters, and ephemera. The majority of the cartoon collection relates to Florida and Jacksonville and were published in the Florida Times-Union Newspaper."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"names_coll_ssim":["Florida Times-Union."],"names_ssim":["UNF Library Special Collections and University Archives","Florida Times-Union."],"corpname_ssim":["UNF Library Special Collections and University Archives","Florida Times-Union."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":68,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860561902731264,"_root_":"4cad6a8e1fb73ffc7f9b49f0","timestamp":"2026-07-16T08:47:47.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4cad6a8e1fb73ffc7f9b49f0"}},{"id":"be6ce791bcd745e39261598f","type":"collection","attributes":{"title":"Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f#abstract_or_scope","type":"document_value","attributes":{"value":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career. Her involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"be6ce791bcd745e39261598f","title_ssm":["Eleanor Merritt [Darlington] Collection"],"title_tesim":["Eleanor Merritt [Darlington] Collection"],"ead_ssi":"be6ce791bcd745e39261598f","unitdate_ssm":["1950-2019","1990-2019"],"unitdate_bulk_ssim":["1990-2019"],"unitdate_inclusive_ssm":["1950-2019"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["A.2022.0004","/repositories/11/resources/1933"],"text":["A.2022.0004","/repositories/11/resources/1933","Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting.","This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.","The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.","All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.","The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.","The John and Mable Ringling Museum of Art Archives","English"],"unitid_tesim":["A.2022.0004","/repositories/11/resources/1933"],"normalized_date_ssm":["1950-2019, bulk 1990-2019"],"normalized_title_ssm":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_title_tesim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_ssim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"repository_ssm":["The John and Mable Ringling Museum of Art Archives"],"repository_ssim":["The John and Mable Ringling Museum of Art Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"access_subjects_ssim":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"access_subjects_ssm":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"has_online_content_ssim":["false"],"extent_ssm":["5.3 Linear Feet 17 Boxes"],"extent_tesim":["5.3 Linear Feet 17 Boxes"],"genreform_ssim":["Painting."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals."],"prefercite_html_tesm":["\u003cp\u003eThe John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019.\u003c/p\u003e"],"prefercite_tesim":["The John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019."],"scopecontent_html_tesm":["\u003cp\u003eThe Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged by subject in chronological order spanning from 1950 \u0026#x2013; 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. \u003c/p\u003e\n","\u003cp\u003eMerritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0d3e798eb2a8cee06c3eebf554d917ee\"\u003eThe Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.\u003c/abstract\u003e"],"abstract_tesim":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"names_ssim":["The John and Mable Ringling Museum of Art Archives"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"be6ce791bcd745e39261598f","timestamp":"2026-04-21T02:41:46.838Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"be6ce791bcd745e39261598f","title_ssm":["Eleanor Merritt [Darlington] Collection"],"title_tesim":["Eleanor Merritt [Darlington] Collection"],"ead_ssi":"be6ce791bcd745e39261598f","unitdate_ssm":["1950-2019","1990-2019"],"unitdate_bulk_ssim":["1990-2019"],"unitdate_inclusive_ssm":["1950-2019"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["A.2022.0004","/repositories/11/resources/1933"],"text":["A.2022.0004","/repositories/11/resources/1933","Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting.","This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.","The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.","All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.","The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.","The John and Mable Ringling Museum of Art Archives","English"],"unitid_tesim":["A.2022.0004","/repositories/11/resources/1933"],"normalized_date_ssm":["1950-2019, bulk 1990-2019"],"normalized_title_ssm":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_title_tesim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_ssim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"repository_ssm":["The John and Mable Ringling Museum of Art Archives"],"repository_ssim":["The John and Mable Ringling Museum of Art Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"access_subjects_ssim":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"access_subjects_ssm":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"has_online_content_ssim":["false"],"extent_ssm":["5.3 Linear Feet 17 Boxes"],"extent_tesim":["5.3 Linear Feet 17 Boxes"],"genreform_ssim":["Painting."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals."],"prefercite_html_tesm":["\u003cp\u003eThe John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019.\u003c/p\u003e"],"prefercite_tesim":["The John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019."],"scopecontent_html_tesm":["\u003cp\u003eThe Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged by subject in chronological order spanning from 1950 \u0026#x2013; 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. \u003c/p\u003e\n","\u003cp\u003eMerritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0d3e798eb2a8cee06c3eebf554d917ee\"\u003eThe Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.\u003c/abstract\u003e"],"abstract_tesim":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"names_ssim":["The John and Mable Ringling Museum of Art Archives"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"be6ce791bcd745e39261598f","timestamp":"2026-04-21T02:41:46.838Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f"}},{"id":"4cad6a8e1fb73ffc7f9b49f0_aspace_b1f3047aae7b38e05ac70395908a436a","type":"Sub-sub-series","attributes":{"title":"Elections, 1986-2010","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4cad6a8e1fb73ffc7f9b49f0_aspace_b1f3047aae7b38e05ac70395908a436a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b1f3047aae7b38e05ac70395908a436a","ref_ssm":["aspace_b1f3047aae7b38e05ac70395908a436a","aspace_b1f3047aae7b38e05ac70395908a436a"],"id":"4cad6a8e1fb73ffc7f9b49f0_aspace_b1f3047aae7b38e05ac70395908a436a","title_filing_ssi":"Elections","title_ssm":["Elections"],"title_tesim":["Elections"],"unitdate_inclusive_ssm":["1986-2010"],"normalized_date_ssm":["1986-2010"],"normalized_title_ssm":["Elections, 1986-2010"],"text":["Elections, 1986-2010","Edward H. Gamble Collection, 1980-2010","Newspaper Editorial Cartoons, 1980-2010","National Subjects (United States), 1981-2010","/repositories/3/archival_objects/7716","box 12","folder 5"],"component_level_isim":[3],"parent_ids_ssim":["4cad6a8e1fb73ffc7f9b49f0","4cad6a8e1fb73ffc7f9b49f0_aspace_4447b31a9198230292609fb2ec67bf88","4cad6a8e1fb73ffc7f9b49f0_aspace_72998891586a16ef628ee754704041e9"],"parent_unittitles_ssm":["Edward H. Gamble Collection, 1980-2010","Newspaper Editorial Cartoons, 1980-2010","National Subjects (United States), 1981-2010"],"parent_unittitles_tesim":["Edward H. Gamble Collection, 1980-2010","Newspaper Editorial Cartoons, 1980-2010","National Subjects (United States), 1981-2010"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/3/archival_objects/7716"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Edward H. Gamble Collection, 1980-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Sub-sub-series"],"level_ssim":["Sub-sub-series"],"sort_isi":60,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"date_range_isim":[1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"containers_ssim":["box 12","folder 5"],"_nest_path_":"/components#0/components#4/components#2","_nest_parent_":"4cad6a8e1fb73ffc7f9b49f0_aspace_72998891586a16ef628ee754704041e9","_root_":"4cad6a8e1fb73ffc7f9b49f0","_version_":1870860561902731264,"timestamp":"2026-07-16T08:47:47.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4cad6a8e1fb73ffc7f9b49f0","title_ssm":["Edward H. Gamble Collection"],"title_tesim":["Edward H. Gamble Collection"],"ead_ssi":"4cad6a8e1fb73ffc7f9b49f0","unitdate_ssm":["1980-2010"],"unitdate_inclusive_ssm":["1980-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2014.001","/repositories/3/resources/67"],"text":["2014.001","/repositories/3/resources/67","Edward H. Gamble Collection, 1980-2010","United States -- Politics and Government -- 20th century -- Caricatures and Cartoons","United States -- Politics and Government -- 21st century -- Caricatures and Cartoons","United States -- Social Life and Customs -- Caricatures and Cartoons","Cartoonists -- Tennessee -- Morristown -- Archives","Political Satire, American -- History -- 20th century -- Caricatures and Cartoons","Political Satire, American -- History -- 21st century -- Caricatures and Cartoons","Newspapers -- Caricatures and Cartoons","Political Cartoons","Politicians -- United States -- Caricatures and Cartoons","Wit and Humor, Pictorial","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Ed Gamble is a nationally syndicated political cartoonist whose work has appeared in numerous national and international publications, including the New York Times, the Washington Post, the Los Angeles Times, LeMonde (France), Der Spiegel (Germany), and the Independent (England). Born on May 12, 1943, in Morristown, Tennessee, his father, James Vernon Gamble, had a political career, while his mother, Anna Hill, was a newspaper columnist. Gamble was married to Saundra Lancaster on June 28, 1964.","Gamble was awarded a bachelor's degree in political science from the University of South Florida in 1970 and did graduate work at the University of Tennessee between 1971 and 1972. His professional career includes work as a reporter, sports editor, sports cartoonist, and political cartoonist. He was editorial cartoonist for the Nashville Banner in Nashville, Tennessee, from 1972 to 1980 and for the Florida Times-Union in Jacksonville, Florida, from 1980 to 2010.","In addition to appearing in magazines and newspapers, Gamble's cartoons are permanently displayed at the Texas Depository in Dallas, Texas, and at the Ford, Carter, Nixon, Reagan, and Bush Presidential Museums. His work has also been featured in several books: A Peek at the Great Society, 1965; A Cartoon History of the Reagan Years, 1988; and You Get Two for the Price of One, 1995. The Gambles currently reside in the Mandarin area of Jacksonville, Florida.","The collection contains original political cartoons, personal letters, and ephemera. The majority of the cartoon collection relates to Florida and Jacksonville and were published in the Florida Times-Union Newspaper.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information.","UNF Library Special Collections and University Archives","Florida Times-Union.","English"],"unitid_tesim":["2014.001","/repositories/3/resources/67"],"normalized_date_ssm":["1980-2010"],"normalized_title_ssm":["Edward H. Gamble Collection, 1980-2010"],"collection_title_tesim":["Edward H. Gamble Collection, 1980-2010"],"collection_ssim":["Edward H. 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The Gambles currently reside in the Mandarin area of Jacksonville, Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ed Gamble is a nationally syndicated political cartoonist whose work has appeared in numerous national and international publications, including the New York Times, the Washington Post, the Los Angeles Times, LeMonde (France), Der Spiegel (Germany), and the Independent (England). Born on May 12, 1943, in Morristown, Tennessee, his father, James Vernon Gamble, had a political career, while his mother, Anna Hill, was a newspaper columnist. Gamble was married to Saundra Lancaster on June 28, 1964.","Gamble was awarded a bachelor's degree in political science from the University of South Florida in 1970 and did graduate work at the University of Tennessee between 1971 and 1972. His professional career includes work as a reporter, sports editor, sports cartoonist, and political cartoonist. 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As a Reference Librarian at the University of Tampa (FL), Barron's responsibilities included the acquisition of educational materials for the library, as well as materials on the topics of criminology and nursing."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eElizabeth Lee Barron collection of children's literature prints, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Elizabeth Lee Barron collection of children's literature prints, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eChildrens Literature Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Childrens Literature Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of seven color prints with illustrations from works of children's literature.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of seven color prints with illustrations from works of children's literature."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_43e53b9de1d165d9abfafe5c42ba3503\" label=\"Abstract\"\u003eThis collection includes four color prints collected and donated by Elizabeth Lee Barron, a librarian employed by the University of Tampa. 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