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Each series is arranged alphabetically by subject and chronologically therein.  Student Services contains all documentation regarding the Celebration of Excellence.","Florida Gulf Coast University Archives","Office of Student Affairs","English"],"unitid_tesim":["01.05.01","/repositories/3/resources/3"],"normalized_date_ssm":["1993 - current"],"normalized_title_ssm":["Student Affairs, 1993 - current"],"collection_title_tesim":["Student Affairs, 1993 - current"],"collection_ssim":["Student Affairs, 1993 - current"],"repository_ssm":["Florida Gulf Coast University Archives"],"repository_ssim":["Florida Gulf Coast University Archives"],"geogname_ssm":["Photography."],"geogname_ssim":["Photography."],"creator_ssm":["Office of Student Affairs"],"creator_ssim":["Office of Student Affairs"],"creator_corpname_ssim":["Office of Student Affairs"],"creators_ssim":["Office of Student Affairs"],"places_ssim":["Photography."],"access_subjects_ssim":["Student affairs administrators"],"access_subjects_ssm":["Student affairs administrators"],"has_online_content_ssim":["false"],"extent_ssm":["18.00 Linear Feet"],"extent_tesim":["18.00 Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"scopecontent_html_tesm":["\u003cp\u003eRecord Group consists of documents, photographs, and ephemera regarding the developement and organization of Student Affairs, 1993 - current.\u0026#xA0; The record group consists of 3 series, Adminstration, Student Services, and Institutional Affairs. 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Each series is arranged alphabetically by subject and chronologically therein.  Student Services contains all documentation regarding the Celebration of Excellence."],"names_ssim":["Florida Gulf Coast University Archives","Office of Student Affairs"],"corpname_ssim":["Florida Gulf Coast University Archives","Office of Student Affairs"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":472,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842588770074624,"_root_":"306e4bcf7d22c581de5a47ee","timestamp":"2026-07-16T04:02:06.943Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/306e4bcf7d22c581de5a47ee_aspace_2de8e5b8bbb0dad1d4b4df9356c8fe36"}},{"id":"e2000508767dfc5088ad7637_aspace_8219d602c294ef15105db8295bd48a7a","type":"File","attributes":{"title":"ECE/PHY Student Mentor Program, 2008-2009","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/e2000508767dfc5088ad7637_aspace_8219d602c294ef15105db8295bd48a7a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_8219d602c294ef15105db8295bd48a7a","ref_ssm":["aspace_8219d602c294ef15105db8295bd48a7a","aspace_8219d602c294ef15105db8295bd48a7a"],"id":"e2000508767dfc5088ad7637_aspace_8219d602c294ef15105db8295bd48a7a","title_filing_ssi":"ECE/PHY Student Mentor Program","title_ssm":["ECE/PHY Student Mentor Program"],"title_tesim":["ECE/PHY Student Mentor Program"],"unitdate_inclusive_ssm":["2008-2009"],"normalized_date_ssm":["2008-2009"],"normalized_title_ssm":["ECE/PHY Student Mentor Program, 2008-2009"],"text":["ECE/PHY Student Mentor Program, 2008-2009","University of West Florida. University Commons and Student Activities.  Student Organizations., 1968-2017","Box 3","M2017-05, Box 3, Folder 40","/repositories/2/archival_objects/14563"],"component_level_isim":[2],"parent_ids_ssim":["e2000508767dfc5088ad7637","e2000508767dfc5088ad7637_aspace_48d892e180c164f3dfd60ce8363908d2"],"parent_unittitles_ssm":["University of West Florida. University Commons and Student Activities.  Student Organizations., 1968-2017","Box 3"],"parent_unittitles_tesim":["University of West Florida. University Commons and Student Activities.  Student Organizations., 1968-2017","Box 3"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["M2017-05, Box 3, Folder 40","/repositories/2/archival_objects/14563"],"repository_ssim":["UWF University Archives and West Florida History Center"],"collection_ssim":["University of West Florida. University Commons and Student Activities.  Student Organizations., 1968-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":158,"date_range_isim":[2008,2009],"_nest_path_":"/components#6/components#38","_nest_parent_":"e2000508767dfc5088ad7637_aspace_48d892e180c164f3dfd60ce8363908d2","_root_":"e2000508767dfc5088ad7637","timestamp":"2026-04-21T05:01:07.356Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"e2000508767dfc5088ad7637","title_ssm":["University of West Florida. University Commons and Student Activities.  Student Organizations."],"title_tesim":["University of West Florida. University Commons and Student Activities.  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In addition, as received, the original files had been organized into series (e.g. Academic, Honor, etc.); we have retained these headings but only when they appeared in the records as a tab folder.   Note that there are duplicate folders for organizations scattered in the collection and that terms for searching may need to be expanded by the user (e.g. Blacks, African-American, NAACP, etc.)","Records, 1968-2017, of the University of West Florida, University Commons and Student Activities, consisting of files on student organizations including honor societies, religious, fraternal, professional, special interest, and academic student groups.  Records include charters, bylaws, membership and officer lists, organization activities, and annual filings.","UWF University Archives and West Florida History Center","English"],"unitid_tesim":["M2017-05","/repositories/2/resources/379"],"normalized_date_ssm":["1968-2017"],"normalized_title_ssm":["University of West Florida. 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These folder numbers do not appear on the original records but will help staff to retrive the files. In addition, as received, the original files had been organized into series (e.g. Academic, Honor, etc.); we have retained these headings but only when they appeared in the records as a tab folder.   Note that there are duplicate folders for organizations scattered in the collection and that terms for searching may need to be expanded by the user (e.g. Blacks, African-American, NAACP, etc.)\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["For inventory purposes, each folder has been numbered in order to preserve the original order of the records which themselves may not be strictly alphabetical.  These folder numbers do not appear on the original records but will help staff to retrive the files. In addition, as received, the original files had been organized into series (e.g. Academic, Honor, etc.); we have retained these headings but only when they appeared in the records as a tab folder.   Note that there are duplicate folders for organizations scattered in the collection and that terms for searching may need to be expanded by the user (e.g. Blacks, African-American, NAACP, etc.)"],"scopecontent_html_tesm":["\u003cp\u003eRecords, 1968-2017, of the University of West Florida, University Commons and Student Activities, consisting of files on student organizations including honor societies, religious, fraternal, professional, special interest, and academic student groups.  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The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.","Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.","The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.","This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.","Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. 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It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. 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Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bf60a5a83f90c49360b71829ac95b658\"\u003eThe Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River.\u003c/abstract\u003e"],"abstract_tesim":["The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River."],"names_ssim":["USF Libraries - Tampa Special Collections","Ed Carlson"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Ed Carlson"],"language_ssim":["English"],"total_component_count_is":2704,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872946110924849152,"_root_":"a0b8dca0cc27e719e79a099f","timestamp":"2026-08-08T09:16:41.949Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_53d198ac388433261fd8be9ab8efa0f6"}},{"id":"3dd629d1fe105b982d9cb96f_aspace_1d0b2bf6ce3841fa312c8698a8f9166d","type":"File","attributes":{"title":"Education Programs Correspondence, 2007-2008","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3dd629d1fe105b982d9cb96f_aspace_1d0b2bf6ce3841fa312c8698a8f9166d#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_1d0b2bf6ce3841fa312c8698a8f9166d","ref_ssm":["aspace_1d0b2bf6ce3841fa312c8698a8f9166d","aspace_1d0b2bf6ce3841fa312c8698a8f9166d"],"id":"3dd629d1fe105b982d9cb96f_aspace_1d0b2bf6ce3841fa312c8698a8f9166d","title_filing_ssi":"Education Programs Correspondence","title_ssm":["Education Programs Correspondence"],"title_tesim":["Education Programs Correspondence"],"unitdate_inclusive_ssm":["2007-2008"],"normalized_date_ssm":["2007-2008"],"normalized_title_ssm":["Education Programs Correspondence, 2007-2008"],"text":["Education Programs Correspondence, 2007-2008","President Wilson G. Bradshaw, 2007-2017","Office Administration, 2007- Present","/repositories/3/archival_objects/37011","English","box 78","folder 19"],"component_level_isim":[2],"parent_ids_ssim":["3dd629d1fe105b982d9cb96f","3dd629d1fe105b982d9cb96f_aspace_2032"],"parent_unittitles_ssm":["President Wilson G. Bradshaw, 2007-2017","Office Administration, 2007- Present"],"parent_unittitles_tesim":["President Wilson G. Bradshaw, 2007-2017","Office Administration, 2007- Present"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/37011"],"repository_ssim":["Florida Gulf Coast University Archives"],"collection_ssim":["President Wilson G. Bradshaw, 2007-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":91,"parent_access_restrict_tesm":["The collection contains some restricted files. Contact the University Archivist for details."],"date_range_isim":[2007,2008],"language_ssim":["English"],"containers_ssim":["box 78","folder 19"],"_nest_path_":"/components#2/components#63","_nest_parent_":"3dd629d1fe105b982d9cb96f_aspace_2032","_root_":"3dd629d1fe105b982d9cb96f","timestamp":"2026-05-05T01:52:49.385Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3dd629d1fe105b982d9cb96f","title_filing_ssi":"President's Office: Wilson G. Bradshaw","title_ssm":["President Wilson G. Bradshaw"],"title_tesim":["President Wilson G. Bradshaw"],"ead_ssi":"3dd629d1fe105b982d9cb96f","unitdate_ssm":["2007-2017"],"unitdate_inclusive_ssm":["2007-2017"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["01.01.08","/repositories/3/resources/87"],"text":["01.01.08","/repositories/3/resources/87","President Wilson G. Bradshaw, 2007-2017","The collection contains some restricted files. Contact the University Archivist for details.","This collection contains materials related to the university's third official president, Dr. Wilson G. Bradshaw. It is made up of three sub-series including Correspondences, documentation regarding the expansion and growth of FGCU, and Office Administration. The first part of the sub-series, Correspondences, is arranged chronologically, followed by Expansion, which is also arranged chronologically. The last part of the sub-series, Office Administration, is arranged alphabetically by subject, and chronologically within the subjects. All large scale ephemera is located at the end of the sub-series.","Florida Gulf Coast University Archives","English"],"unitid_tesim":["01.01.08","/repositories/3/resources/87"],"normalized_date_ssm":["2007-2017"],"normalized_title_ssm":["President Wilson G. Bradshaw, 2007-2017"],"collection_title_tesim":["President Wilson G. Bradshaw, 2007-2017"],"collection_ssim":["President Wilson G. Bradshaw, 2007-2017"],"repository_ssm":["Florida Gulf Coast University Archives"],"repository_ssim":["Florida Gulf Coast University Archives"],"has_online_content_ssim":["false"],"extent_ssm":["5 Linear Feet"],"extent_tesim":["5 Linear Feet"],"date_range_isim":[2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe collection contains some restricted files. Contact the University Archivist for details.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection contains some restricted files. Contact the University Archivist for details."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials related to the university's third official president, Dr. Wilson G. Bradshaw. It is made up of three sub-series including Correspondences, documentation regarding the expansion and growth of FGCU, and Office Administration. The first part of the sub-series, Correspondences, is arranged chronologically, followed by Expansion, which is also arranged chronologically. The last part of the sub-series, Office Administration, is arranged alphabetically by subject, and chronologically within the subjects. All large scale ephemera is located at the end of the sub-series.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains materials related to the university's third official president, Dr. Wilson G. Bradshaw. It is made up of three sub-series including Correspondences, documentation regarding the expansion and growth of FGCU, and Office Administration. The first part of the sub-series, Correspondences, is arranged chronologically, followed by Expansion, which is also arranged chronologically. The last part of the sub-series, Office Administration, is arranged alphabetically by subject, and chronologically within the subjects. All large scale ephemera is located at the end of the sub-series."],"names_ssim":["Florida Gulf Coast University Archives"],"corpname_ssim":["Florida Gulf Coast University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":126,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"3dd629d1fe105b982d9cb96f","timestamp":"2026-05-05T01:52:49.385Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3dd629d1fe105b982d9cb96f_aspace_1d0b2bf6ce3841fa312c8698a8f9166d"}},{"id":"be6ce791bcd745e39261598f","type":"collection","attributes":{"title":"Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f#abstract_or_scope","type":"document_value","attributes":{"value":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career. Her involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"be6ce791bcd745e39261598f","title_ssm":["Eleanor Merritt [Darlington] Collection"],"title_tesim":["Eleanor Merritt [Darlington] Collection"],"ead_ssi":"be6ce791bcd745e39261598f","unitdate_ssm":["1950-2019","1990-2019"],"unitdate_bulk_ssim":["1990-2019"],"unitdate_inclusive_ssm":["1950-2019"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["A.2022.0004","/repositories/11/resources/1933"],"text":["A.2022.0004","/repositories/11/resources/1933","Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting.","This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.","The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.","All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.","The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. 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Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"access_subjects_ssim":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"access_subjects_ssm":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"has_online_content_ssim":["false"],"extent_ssm":["5.3 Linear Feet 17 Boxes"],"extent_tesim":["5.3 Linear Feet 17 Boxes"],"genreform_ssim":["Painting."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals."],"prefercite_html_tesm":["\u003cp\u003eThe John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019.\u003c/p\u003e"],"prefercite_tesim":["The John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019."],"scopecontent_html_tesm":["\u003cp\u003eThe Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged by subject in chronological order spanning from 1950 \u0026#x2013; 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. \u003c/p\u003e\n","\u003cp\u003eMerritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0d3e798eb2a8cee06c3eebf554d917ee\"\u003eThe Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.\u003c/abstract\u003e"],"abstract_tesim":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"names_ssim":["The John and Mable Ringling Museum of Art Archives"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"be6ce791bcd745e39261598f","timestamp":"2026-04-21T02:41:46.838Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"be6ce791bcd745e39261598f","title_ssm":["Eleanor Merritt [Darlington] Collection"],"title_tesim":["Eleanor Merritt [Darlington] Collection"],"ead_ssi":"be6ce791bcd745e39261598f","unitdate_ssm":["1950-2019","1990-2019"],"unitdate_bulk_ssim":["1990-2019"],"unitdate_inclusive_ssm":["1950-2019"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["A.2022.0004","/repositories/11/resources/1933"],"text":["A.2022.0004","/repositories/11/resources/1933","Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting.","This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.","The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.","All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.","The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.","The John and Mable Ringling Museum of Art Archives","English"],"unitid_tesim":["A.2022.0004","/repositories/11/resources/1933"],"normalized_date_ssm":["1950-2019, bulk 1990-2019"],"normalized_title_ssm":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_title_tesim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_ssim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"repository_ssm":["The John and Mable Ringling Museum of Art Archives"],"repository_ssim":["The John and Mable Ringling Museum of Art Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"access_subjects_ssim":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"access_subjects_ssm":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"has_online_content_ssim":["false"],"extent_ssm":["5.3 Linear Feet 17 Boxes"],"extent_tesim":["5.3 Linear Feet 17 Boxes"],"genreform_ssim":["Painting."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals."],"prefercite_html_tesm":["\u003cp\u003eThe John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019.\u003c/p\u003e"],"prefercite_tesim":["The John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019."],"scopecontent_html_tesm":["\u003cp\u003eThe Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged by subject in chronological order spanning from 1950 \u0026#x2013; 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. \u003c/p\u003e\n","\u003cp\u003eMerritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0d3e798eb2a8cee06c3eebf554d917ee\"\u003eThe Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.\u003c/abstract\u003e"],"abstract_tesim":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"names_ssim":["The John and Mable Ringling Museum of Art Archives"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"be6ce791bcd745e39261598f","timestamp":"2026-04-21T02:41:46.838Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Southwest Florida Regional Planning Council Collection, 1920-2020","value":"Southwest Florida Regional Planning Council Collection, 1920-2020","hits":190},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Southwest+Florida+Regional+Planning+Council+Collection%2C+1920-2020\u0026f%5Bdate_range%5D%5B%5D=2008\u0026f%5Blevel%5D%5B%5D=File"}},{"attributes":{"label":"University of West Florida. 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