{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2007\u0026page=255","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2007\u0026page=254","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2007\u0026page=256","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2007\u0026page=363"},"meta":{"pages":{"current_page":255,"next_page":256,"prev_page":254,"total_pages":363,"limit_value":10,"offset_value":2540,"total_count":3627,"first_page?":false,"last_page?":false}},"data":[{"id":"3590e990d26f42a3d9da5878","type":"collection","attributes":{"title":"Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/3590e990d26f42a3d9da5878#creator","type":"document_value","attributes":{"value":["University of Central Florida. Department of Theatre"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/3590e990d26f42a3d9da5878#abstract_or_scope","type":"document_value","attributes":{"value":["The Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3590e990d26f42a3d9da5878#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"3590e990d26f42a3d9da5878","title_ssm":["Orlando Shakespeare Theater Collection"],"title_tesim":["Orlando Shakespeare Theater Collection"],"ead_ssi":"3590e990d26f42a3d9da5878","unitdate_ssm":["1974-2013","1986-2009"],"unitdate_bulk_ssim":["1986-2009"],"unitdate_inclusive_ssm":["1974-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA24D","/repositories/2/resources/26"],"text":["UA24D","/repositories/2/resources/26","Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009","Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)","The entire collection is open for research.","Collection Identifier: CFU2016_38","This collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST.","According to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.","The Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.","Both the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.","On December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.","According to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.","Following the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.","The Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni.","The materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.","For more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in  The UCF Report, Vol. 20 No. 21, May 15, 1998 ; \"Shakespeare troupe strives to create art awareness\" in the  Central Florida Future, Vol. 08 No. 05, October 24, 1975 ; \"Shakespearean program to expand\" in the  Central Florida Future, Vol. 11 No. 25, March 30, 1979 ; and \"Shakespeare Festival turns 10 years old\" in  The UCF Report, Vol. 21 No. 11, December 18, 1998 . For further information regarding to the Orlando Shakespeare Theater please consult their  website.","Series I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.","Series II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.","Series III: Audiovisuals, 1979-1994, \u0026 undated contains reel-to-reel audiotapes and audiocassette tapes.","Series IV: Photographs, 1976-1980, \u0026 undated contains negatives and stock images of productions created by OST as well as other events attended by the group.","Series V: Partnerships, 1974-2009, \u0026 undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.","Series VI: Posters, 1995-1999 \u0026 undated contains posters relating to various OST productions.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991.","UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616","English"],"unitid_tesim":["UA24D","/repositories/2/resources/26"],"normalized_date_ssm":["1974-2013, bulk 1986-2009"],"normalized_title_ssm":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"collection_title_tesim":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"collection_ssim":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creator_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creator_corpname_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creators_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Rick Schell transferred these materials to the University of Central Florida Libraries, Special Collection and University Archives in 2016 (CFU2016_38)."],"access_subjects_ssim":["Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"access_subjects_ssm":["Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["6 boxes 3.33 Linear Feet"],"extent_tesim":["6 boxes 3.33 Linear Feet"],"genreform_ssim":["slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"accruals_html_tesm":["\u003cp\u003eCollection Identifier: CFU2016_38\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Collection Identifier: CFU2016_38"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST."],"bioghist_html_tesm":["\u003cp\u003eAccording to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.\u003c/p\u003e\n","\u003cp\u003eThe Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.\u003c/p\u003e\n","\u003cp\u003eBoth the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.\u003c/p\u003e\n","\u003cp\u003eOn December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.\u003c/p\u003e\n","\u003cp\u003eAccording to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.\u003c/p\u003e\n","\u003cp\u003eFollowing the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.\u003c/p\u003e\n","\u003cp\u003eThe Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["According to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.","The Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.","Both the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.","On December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.","According to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.","Following the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.","The Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni."],"prefercite_html_tesm":["\u003cp\u003eOrlando Shakespeare Theater Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Orlando Shakespeare Theater Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eThe materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in \u003cextref href=\"http://stars.library.ucf.edu/ucfreport/568/\"\u003eThe UCF Report, Vol. 20 No. 21, May 15, 1998\u003c/extref\u003e; \"Shakespeare troupe strives to create art awareness\" in the \u003cextref href=\"http://stars.library.ucf.edu/centralfloridafuture/239/\"\u003eCentral Florida Future, Vol. 08 No. 05, October 24, 1975\u003c/extref\u003e; \"Shakespearean program to expand\" in the \u003cextref href=\"http://stars.library.ucf.edu/centralfloridafuture/357/\"\u003eCentral Florida Future, Vol. 11 No. 25, March 30, 1979\u003c/extref\u003e; and \"Shakespeare Festival turns 10 years old\" in \u003cextref href=\"http://stars.library.ucf.edu/ucfreport/581/\"\u003eThe UCF Report, Vol. 21 No. 11, December 18, 1998\u003c/extref\u003e. For further information regarding to the Orlando Shakespeare Theater please consult their \u003cextref href=\"http://orlandoshakes.org/\"\u003ewebsite.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in  The UCF Report, Vol. 20 No. 21, May 15, 1998 ; \"Shakespeare troupe strives to create art awareness\" in the  Central Florida Future, Vol. 08 No. 05, October 24, 1975 ; \"Shakespearean program to expand\" in the  Central Florida Future, Vol. 11 No. 25, March 30, 1979 ; and \"Shakespeare Festival turns 10 years old\" in  The UCF Report, Vol. 21 No. 11, December 18, 1998 . For further information regarding to the Orlando Shakespeare Theater please consult their  website."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.\u003c/p\u003e\n","\u003cp\u003eSeries II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.\u003c/p\u003e\n","\u003cp\u003eSeries III: Audiovisuals, 1979-1994, \u0026amp; undated contains reel-to-reel audiotapes and audiocassette tapes.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Photographs, 1976-1980, \u0026amp; undated contains negatives and stock images of productions created by OST as well as other events attended by the group.\u003c/p\u003e\n","\u003cp\u003eSeries V: Partnerships, 1974-2009, \u0026amp; undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.\u003c/p\u003e\n","\u003cp\u003eSeries VI: Posters, 1995-1999 \u0026amp; undated contains posters relating to various OST productions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.","Series II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.","Series III: Audiovisuals, 1979-1994, \u0026 undated contains reel-to-reel audiotapes and audiocassette tapes.","Series IV: Photographs, 1976-1980, \u0026 undated contains negatives and stock images of productions created by OST as well as other events attended by the group.","Series V: Partnerships, 1974-2009, \u0026 undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.","Series VI: Posters, 1995-1999 \u0026 undated contains posters relating to various OST productions."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5f89e53d54d3ac96618ffc8e992924f9\" label=\"Abstract\"\u003eThe Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991.\u003c/abstract\u003e"],"abstract_tesim":["The Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991."],"names_coll_ssim":["National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"names_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"corpname_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida"],"persname_ssim":["Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":206,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858696351809536,"_root_":"3590e990d26f42a3d9da5878","timestamp":"2026-07-16T08:18:08.333Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3590e990d26f42a3d9da5878","title_ssm":["Orlando Shakespeare Theater Collection"],"title_tesim":["Orlando Shakespeare Theater Collection"],"ead_ssi":"3590e990d26f42a3d9da5878","unitdate_ssm":["1974-2013","1986-2009"],"unitdate_bulk_ssim":["1986-2009"],"unitdate_inclusive_ssm":["1974-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA24D","/repositories/2/resources/26"],"text":["UA24D","/repositories/2/resources/26","Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009","Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)","The entire collection is open for research.","Collection Identifier: CFU2016_38","This collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST.","According to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.","The Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.","Both the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.","On December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.","According to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.","Following the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.","The Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni.","The materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.","For more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in  The UCF Report, Vol. 20 No. 21, May 15, 1998 ; \"Shakespeare troupe strives to create art awareness\" in the  Central Florida Future, Vol. 08 No. 05, October 24, 1975 ; \"Shakespearean program to expand\" in the  Central Florida Future, Vol. 11 No. 25, March 30, 1979 ; and \"Shakespeare Festival turns 10 years old\" in  The UCF Report, Vol. 21 No. 11, December 18, 1998 . For further information regarding to the Orlando Shakespeare Theater please consult their  website.","Series I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.","Series II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.","Series III: Audiovisuals, 1979-1994, \u0026 undated contains reel-to-reel audiotapes and audiocassette tapes.","Series IV: Photographs, 1976-1980, \u0026 undated contains negatives and stock images of productions created by OST as well as other events attended by the group.","Series V: Partnerships, 1974-2009, \u0026 undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.","Series VI: Posters, 1995-1999 \u0026 undated contains posters relating to various OST productions.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991.","UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616","English"],"unitid_tesim":["UA24D","/repositories/2/resources/26"],"normalized_date_ssm":["1974-2013, bulk 1986-2009"],"normalized_title_ssm":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"collection_title_tesim":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"collection_ssim":["Orlando Shakespeare Theater Collection, 1974-2013, bulk 1986-2009"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creator_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creator_corpname_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"creators_ssim":["University of Central Florida. Department of Theatre","Orlando Shakespeare Theater"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Rick Schell transferred these materials to the University of Central Florida Libraries, Special Collection and University Archives in 2016 (CFU2016_38)."],"access_subjects_ssim":["Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"access_subjects_ssm":["Children's Theater","College Theater","Education, Higher -- United States","Performance art -- United States","Radio Programs","Theater","Universities and colleges -- Florida","Posters","Theater -- Florida -- Orlando","Universities and colleges -- Florida -- Orlando","slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["6 boxes 3.33 Linear Feet"],"extent_tesim":["6 boxes 3.33 Linear Feet"],"genreform_ssim":["slides (photographs)","Audiotapes","letters (correspondence)","negatives (photographs)","newspaper clippings","photographs","programs (documents)"],"date_range_isim":[1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"accruals_html_tesm":["\u003cp\u003eCollection Identifier: CFU2016_38\u003c/p\u003e"],"accruals_heading_ssm":["Accruals and Additions"],"accruals_tesim":["Collection Identifier: CFU2016_38"],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in six series. Series I contains documents relating to OST performances and is arranged chronologically. Series II contains documents relating to the publicity of all aspects of OST and is arranged by subject then chronologically. Series III contains media relating to programs hosted by OST and is arranged by subject. Series IV contains photographs relating to performances and activities by OST and is arranged by subject then chronologically. Series V contains documents regarding the different partnerships OST has and is arranged by subject then chronologically. Series VI posters relating to the productions of OST."],"bioghist_html_tesm":["\u003cp\u003eAccording to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.\u003c/p\u003e\n","\u003cp\u003eThe Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.\u003c/p\u003e\n","\u003cp\u003eBoth the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.\u003c/p\u003e\n","\u003cp\u003eOn December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.\u003c/p\u003e\n","\u003cp\u003eAccording to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.\u003c/p\u003e\n","\u003cp\u003eFollowing the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.\u003c/p\u003e\n","\u003cp\u003eThe Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["According to The UCF Report May 15, 1998 issue, the Orlando-UCF Shakespeare Festival has its beginnings in 1974 when UCF English professor, Dr. Stuart Omans offered his students a chance to get out of writing term papers if they participated in reading scenes from Shakespeare to area junior and senior high schools. Though the group had missteps, they committed themselves to learning dialogue, practicing scenes and taking the show out of the classroom.","The Future October 24, 1975 issue explains how following the success of their performances the group was invited to perform throughout Florida and Georgia. This dedication brought upon the group's decision to attempt to increase their audience. With the guidance of Omans, the students wrote a grant proposal to the FTU Student Government to seek funding for their \"Simply Shakespeare\" company. FTU allocated nearly $3,000 to the group who referred to themselves as ambassadors of the community and area schools. This troupe would be Central Florida's first Shakespearean troupe.","Both the FTU News, March 14, 1979 issue and The Future issue from March 30, 1979 reported that a grant of $77,000 from the National Endowment for the Humanities and Fine Arts was given towards Omans, UCF Music professor Bruce Whisler, and UCF English professor Gerald Schiffhorst. The trio's objective was to create a Summer Institute to give Central Florida school teachers upgraded skills to teach Shakespeare through performance in English, Drama, and Humanities. Along with the funding, the Simply Shakespeare Troupe performances helped support the Summer Institute, charities and their own performances.","On December 18, 1998 the UCF Report published an interview with Omans discussing the establishment of the Orlando-UCF Shakespeare Festival. According to Omans, in 1987 he decided to create and support a professional classical theater through the Project for the Humanities and Fine Arts. With the support from then Orlando Mayor Bill Frederick and then UCF President Trevor Colbourn, Omans announced the establishment of the Orlando Shakespeare Festival in 1988. The inaugural season in 1989 brought to life the tales of Taming of the Shrew and Tempest.","According to the Orlando Shakespeare Theater Inc. Report, the Orlando-UCF Shakespeare Festival held their first performances at the Walt Disney Amphitheater of Lake Eola Park in downtown Orlando. In 1995 the group opened their performances up to non-Shakespeare plays and began staging plays in rented places throughout the area. The Orlando-UCF Shakespeare Festival is now based out of the John and Rita Lowndes Shakespeare Center and performs out of Margeson and Goldman Theaters as well.","Following the success of the Orlando-UCF Festival, Dr. Omans wanted to create a program tailored towards education and academic support of the next generation of actors, actresses, and theater enthusiasts. This program would become known as The Young Company. For the past twenty-six years, local high school students have auditioned, rehearsed and performed one play a year during the months of April through July.","The Orlando-UCF Shakespeare Festival has continued the legacy started by Omans and his students, while also growing into a nationally recognized theater and the only professional classical theater company in Central Florida. In 2007 the name was officially changed to the Orlando Shakespeare Theater (OST) to better reflect their year round activities which include performing seven Signature Series productions, three Children's Series productions, being part of a weekend festival of new plays titled PlayFest, annual summer camps, classes, workshops, and offering internships and independent studies for UCF Theater majors and alumni."],"prefercite_html_tesm":["\u003cp\u003eOrlando Shakespeare Theater Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Orlando Shakespeare Theater Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eThe materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The materials in the Orlando Shakespeare Theater Collection were separated from the UCF Theater Collection that was assembled by Kelly Clemens, Cheryl Mahan, Ellen Anderson, and Dr. Stuart Omans. The collection was processed by and the finding aid was prepared by Kryslynn Collazo in 2018. All materials were placed into acid free folders and in an acid free box. Copies of media including Floppy Disks were made. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 2."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in \u003cextref href=\"http://stars.library.ucf.edu/ucfreport/568/\"\u003eThe UCF Report, Vol. 20 No. 21, May 15, 1998\u003c/extref\u003e; \"Shakespeare troupe strives to create art awareness\" in the \u003cextref href=\"http://stars.library.ucf.edu/centralfloridafuture/239/\"\u003eCentral Florida Future, Vol. 08 No. 05, October 24, 1975\u003c/extref\u003e; \"Shakespearean program to expand\" in the \u003cextref href=\"http://stars.library.ucf.edu/centralfloridafuture/357/\"\u003eCentral Florida Future, Vol. 11 No. 25, March 30, 1979\u003c/extref\u003e; and \"Shakespeare Festival turns 10 years old\" in \u003cextref href=\"http://stars.library.ucf.edu/ucfreport/581/\"\u003eThe UCF Report, Vol. 21 No. 11, December 18, 1998\u003c/extref\u003e. For further information regarding to the Orlando Shakespeare Theater please consult their \u003cextref href=\"http://orlandoshakes.org/\"\u003ewebsite.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on university archives, please see our website. Further information about the UCF Theater Department may be found in the University of Central Florida Theater Program Collection. Additionally, information contributing to the Biographical/Historical Note can be found in these articles \"1975: The show goes on\" in  The UCF Report, Vol. 20 No. 21, May 15, 1998 ; \"Shakespeare troupe strives to create art awareness\" in the  Central Florida Future, Vol. 08 No. 05, October 24, 1975 ; \"Shakespearean program to expand\" in the  Central Florida Future, Vol. 11 No. 25, March 30, 1979 ; and \"Shakespeare Festival turns 10 years old\" in  The UCF Report, Vol. 21 No. 11, December 18, 1998 . For further information regarding to the Orlando Shakespeare Theater please consult their  website."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.\u003c/p\u003e\n","\u003cp\u003eSeries II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.\u003c/p\u003e\n","\u003cp\u003eSeries III: Audiovisuals, 1979-1994, \u0026amp; undated contains reel-to-reel audiotapes and audiocassette tapes.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Photographs, 1976-1980, \u0026amp; undated contains negatives and stock images of productions created by OST as well as other events attended by the group.\u003c/p\u003e\n","\u003cp\u003eSeries V: Partnerships, 1974-2009, \u0026amp; undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.\u003c/p\u003e\n","\u003cp\u003eSeries VI: Posters, 1995-1999 \u0026amp; undated contains posters relating to various OST productions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Performances, 1989-2012 contains programs, playbills, tickets stubs, brochures, pamphlets, newsletters, and other ephemera.","Series II: Publicity, 1986-2013 contains reviews, newspaper clippings, and newsletters.","Series III: Audiovisuals, 1979-1994, \u0026 undated contains reel-to-reel audiotapes and audiocassette tapes.","Series IV: Photographs, 1976-1980, \u0026 undated contains negatives and stock images of productions created by OST as well as other events attended by the group.","Series V: Partnerships, 1974-2009, \u0026 undated contains documents relating to different organizations partnerships with OST including news clippings, photocopies of letters, advance notices and advertisements for current and future productions.","Series VI: Posters, 1995-1999 \u0026 undated contains posters relating to various OST productions."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5f89e53d54d3ac96618ffc8e992924f9\" label=\"Abstract\"\u003eThe Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991.\u003c/abstract\u003e"],"abstract_tesim":["The Orlando Shakespeare Theater Collection contains playbills, programs, reviews, newspaper clippings, films, cassettes, reels, and schedules. It also includes items relating to the Orlando-UCF Shakespeare Festival Partnership (OSF) such as Simply Shakespeare, Central Florida's first Shakespearean troupe, and the UCF Shakespeare Summer Institute as well as the NEH grant funded faculty study project \"Hamlet: Exploring the Renaissance Mind in Action\" which was presented in the Summer 1991."],"names_coll_ssim":["National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"names_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida","Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"corpname_ssim":["UCF University Archives","University of Central Florida. Department of Theatre","Orlando Shakespeare Theater","National Endowment for the Humanities","Florida Technological University","University of Central Florida"],"persname_ssim":["Astro, Richard, 1941-","Frederick, Bill","Omans, Stuart E., 1940-","Schiffhorst, Gerald J.","Colbourn, H. Trevor (1927)","Whisler, Bruce","Shakespeare, William, 1564-1616"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":206,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858696351809536,"_root_":"3590e990d26f42a3d9da5878","timestamp":"2026-07-16T08:18:08.333Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/3590e990d26f42a3d9da5878"}},{"id":"d20aa889e8ea8129c93e6502_aspace_4afa6860145253235ca6d47ff602ab7a","type":"Subseries","attributes":{"title":"Other, 2005-2015","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502_aspace_4afa6860145253235ca6d47ff602ab7a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_4afa6860145253235ca6d47ff602ab7a","ref_ssm":["aspace_4afa6860145253235ca6d47ff602ab7a","aspace_4afa6860145253235ca6d47ff602ab7a"],"id":"d20aa889e8ea8129c93e6502_aspace_4afa6860145253235ca6d47ff602ab7a","title_filing_ssi":"Other","title_ssm":["Other"],"title_tesim":["Other"],"unitdate_inclusive_ssm":["2005-2015"],"normalized_date_ssm":["2005-2015"],"normalized_title_ssm":["Other, 2005-2015"],"text":["Other, 2005-2015","Nola Perez Papers, 1969-2022","Publications, 1969-2017","/repositories/3/archival_objects/9240"],"component_level_isim":[2],"parent_ids_ssim":["d20aa889e8ea8129c93e6502","d20aa889e8ea8129c93e6502_aspace_d61075a7466461ada34b0e4a618c87fe"],"parent_unittitles_ssm":["Nola Perez Papers, 1969-2022","Publications, 1969-2017"],"parent_unittitles_tesim":["Nola Perez Papers, 1969-2022","Publications, 1969-2017"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/9240"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"has_online_content_ssim":["false"],"child_component_count_isi":9,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":190,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"_nest_path_":"/components#10/components#1","_nest_parent_":"d20aa889e8ea8129c93e6502_aspace_d61075a7466461ada34b0e4a618c87fe","_root_":"d20aa889e8ea8129c93e6502","_version_":1870860591887810560,"timestamp":"2026-07-16T08:48:16.050Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d20aa889e8ea8129c93e6502","title_ssm":["Nola Perez Papers"],"title_tesim":["Nola Perez Papers"],"ead_ssi":"d20aa889e8ea8129c93e6502","unitdate_ssm":["1969-2022"],"unitdate_inclusive_ssm":["1969-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016.006","/repositories/3/resources/78"],"text":["2016.006","/repositories/3/resources/78","Nola Perez Papers, 1969-2022","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. ","This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2016.006","/repositories/3/resources/78"],"normalized_date_ssm":["1969-2022"],"normalized_title_ssm":["Nola Perez Papers, 1969-2022"],"collection_title_tesim":["Nola Perez Papers, 1969-2022"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Nola B. Perez, 2016-09-06."],"has_online_content_ssim":["false"],"extent_ssm":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"extent_tesim":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eNola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. \u003c/p\u003e\n","\u003cp\u003eDuring her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.\u003c/p\u003e\n","\u003cp\u003eIn the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.\u003c/p\u003e\n","\u003cp\u003eUpon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. "],"prefercite_html_tesm":["\u003cp\u003eNola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Nola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2013; Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2013; Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2013; Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2013; Critiques (arranged chronologically) include critical receptions of Nola Perez's work\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2013; Events (arranged alphabetically by subseries)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Book Signings and Poetry Readings (arranged chronologically) includes information and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"\u003c/p\u003e\n","\u003cp\u003eSeries 6 \u0026#x2013; Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation\u003c/p\u003e\n","\u003cp\u003eSeries 7 \u0026#x2013; Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career\u003c/p\u003e\n","\u003cp\u003eSeries 8 \u0026#x2013; Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Photographs (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Publications (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 5 \u0026#x2013; Workshops (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSeries 9 \u0026#x2013; Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events\u003c/p\u003e\n","\u003cp\u003eSeries 10 \u0026#x2013; Poetry (arranged chronologically) contains a collection of Nola's poetry\u003c/p\u003e\n","\u003cp\u003eSeries 11 \u0026#x2013; Publications (arranged alphabetically by type of publication)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Books (arranged chronologically by publication date; chronological files within each book published)\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Journals (arranged chronologically by publication date)\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website\u003c/p\u003e\n","\u003cp\u003eSeries 12 \u0026#x2013; Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia\u003c/p\u003e\n","\u003cp\u003eSeries 13 \u0026#x2013; Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":231,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860591887810560,"_root_":"d20aa889e8ea8129c93e6502","timestamp":"2026-07-16T08:48:16.050Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502_aspace_4afa6860145253235ca6d47ff602ab7a"}},{"id":"15a125aee4721d82ca8b1f08","type":"collection","attributes":{"title":"Otis R. Anthony collection, 1977-2009, 2008-11, bulk 1977-1979","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/15a125aee4721d82ca8b1f08#creator","type":"document_value","attributes":{"value":["Anthony, Otis R."],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/15a125aee4721d82ca8b1f08#abstract_or_scope","type":"document_value","attributes":{"value":["The collection includes audio recordings of Otis R. Anthony's poetry, as well as various essays recounting African American history in Tampa, FL. The collection also includes transcripts from the USF Department of Anthropology African Americans in Florida Project in Special Collections."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/15a125aee4721d82ca8b1f08#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"15a125aee4721d82ca8b1f08","title_ssm":["Otis R. Anthony collection"],"title_tesim":["Otis R. 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He also served as diversity management director for the Polk County School District.","published","USF Department of Anthropology African Americans in Florida Project, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.","Includes audio cassettes, audio compact discs (CDs), oral history transcripts, and biographical and historical essays.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The collection includes audio recordings of Otis R. Anthony's poetry, as well as various essays recounting African American history in Tampa, FL. The collection also includes transcripts from the USF Department of Anthropology African Americans in Florida Project in Special Collections.","USF Libraries - Tampa Special Collections","Black History Research Project of Tampa","Anthony, Otis R.","English"],"unitid_tesim":["MS-2008-01","/repositories/2/resources/511"],"normalized_date_ssm":["1977-2009, 2008-11, bulk 1977-1979"],"normalized_title_ssm":["Otis R. Anthony collection, 1977-2009, 2008-11, bulk 1977-1979"],"collection_title_tesim":["Otis R. Anthony collection, 1977-2009, 2008-11, bulk 1977-1979"],"collection_ssim":["Otis R. Anthony collection, 1977-2009, 2008-11, bulk 1977-1979"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Anthony, Otis R.","Anthony, Otis R."],"creator_ssim":["Anthony, Otis R.","Anthony, Otis R."],"creator_persname_ssim":["Anthony, Otis R.","Anthony, Otis R."],"creators_ssim":["Anthony, Otis R.","Anthony, Otis R."],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Otis R. Anthony; Otis R. Anthony estate","Donation."],"access_subjects_ssim":["African American business enterprises","Oral history"],"access_subjects_ssm":["African American business enterprises","Oral history"],"has_online_content_ssim":["false"],"extent_ssm":["0.42 Linear Feet","1 boxes"],"extent_tesim":["0.42 Linear Feet","1 boxes"],"genreform_ssim":["Oral history"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"arrangement_html_tesm":["\u003cp\u003eAlphabetically within series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Alphabetically within series."],"bioghist_html_tesm":["\u003cp\u003eOtis R. Anthony is regarded for his work as a community organizer and activist and as host of a long-standing radio program on WMNF 88.5 FM. He served as executive assistant to Tampa Mayor Sandra \"Sandy\" Freedman. Anthony directed the Comprehensive Employment and Training Act (CETA) Black History of Tampa Project between 1977 and 1978. He also served as diversity management director for the Polk County School District.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Otis R. Anthony is regarded for his work as a community organizer and activist and as host of a long-standing radio program on WMNF 88.5 FM. He served as executive assistant to Tampa Mayor Sandra \"Sandy\" Freedman. Anthony directed the Comprehensive Employment and Training Act (CETA) Black History of Tampa Project between 1977 and 1978. He also served as diversity management director for the Polk County School District."],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eOtis R. Anthony collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Otis R. Anthony collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eUSF Department of Anthropology African Americans in Florida Project, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["USF Department of Anthropology African Americans in Florida Project, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eIncludes audio cassettes, audio compact discs (CDs), oral history transcripts, and biographical and historical essays.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Includes audio cassettes, audio compact discs (CDs), oral history transcripts, and biographical and historical essays."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_846cd6af22871ffe6a85cbd6f632eb74\" label=\"Abstract\"\u003eThe collection includes audio recordings of Otis R. Anthony's poetry, as well as various essays recounting African American history in Tampa, FL. The collection also includes transcripts from the USF Department of Anthropology African Americans in Florida Project in Special Collections.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes audio recordings of Otis R. Anthony's poetry, as well as various essays recounting African American history in Tampa, FL. The collection also includes transcripts from the USF Department of Anthropology African Americans in Florida Project in Special Collections."],"names_coll_ssim":["Black History Research Project of Tampa","Anthony, Otis R."],"names_ssim":["USF Libraries - Tampa Special Collections","Black History Research Project of Tampa","Anthony, Otis R."],"corpname_ssim":["USF Libraries - Tampa Special Collections","Black History Research Project of Tampa"],"persname_ssim":["Anthony, Otis R."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":45,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872583703472898048,"_root_":"15a125aee4721d82ca8b1f08","timestamp":"2026-08-04T09:16:23.323Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"15a125aee4721d82ca8b1f08","title_ssm":["Otis R. Anthony collection"],"title_tesim":["Otis R. 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The collection also includes transcripts from the USF Department of Anthropology African Americans in Florida Project in Special Collections.","USF Libraries - Tampa Special Collections","Black History Research Project of Tampa","Anthony, Otis R.","English"],"unitid_tesim":["MS-2008-01","/repositories/2/resources/511"],"normalized_date_ssm":["1977-2009, 2008-11, bulk 1977-1979"],"normalized_title_ssm":["Otis R. Anthony collection, 1977-2009, 2008-11, bulk 1977-1979"],"collection_title_tesim":["Otis R. Anthony collection, 1977-2009, 2008-11, bulk 1977-1979"],"collection_ssim":["Otis R. Anthony collection, 1977-2009, 2008-11, bulk 1977-1979"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Anthony, Otis R.","Anthony, Otis R."],"creator_ssim":["Anthony, Otis R.","Anthony, Otis R."],"creator_persname_ssim":["Anthony, Otis R.","Anthony, Otis R."],"creators_ssim":["Anthony, Otis R.","Anthony, Otis R."],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Otis R. Anthony; Otis R. 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Anthony collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Otis R. Anthony collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eUSF Department of Anthropology African Americans in Florida Project, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["USF Department of Anthropology African Americans in Florida Project, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eIncludes audio cassettes, audio compact discs (CDs), oral history transcripts, and biographical and historical essays.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Includes audio cassettes, audio compact discs (CDs), oral history transcripts, and biographical and historical essays."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_846cd6af22871ffe6a85cbd6f632eb74\" label=\"Abstract\"\u003eThe collection includes audio recordings of Otis R. Anthony's poetry, as well as various essays recounting African American history in Tampa, FL. The collection also includes transcripts from the USF Department of Anthropology African Americans in Florida Project in Special Collections.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes audio recordings of Otis R. Anthony's poetry, as well as various essays recounting African American history in Tampa, FL. The collection also includes transcripts from the USF Department of Anthropology African Americans in Florida Project in Special Collections."],"names_coll_ssim":["Black History Research Project of Tampa","Anthony, Otis R."],"names_ssim":["USF Libraries - Tampa Special Collections","Black History Research Project of Tampa","Anthony, Otis R."],"corpname_ssim":["USF Libraries - Tampa Special Collections","Black History Research Project of Tampa"],"persname_ssim":["Anthony, Otis R."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":45,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872583703472898048,"_root_":"15a125aee4721d82ca8b1f08","timestamp":"2026-08-04T09:16:23.323Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/15a125aee4721d82ca8b1f08"}},{"id":"ec0d65981df646e0f1a8b1b3_aspace_fdd9b718bf156c98aa37fe96f0f36123","type":"Item","attributes":{"title":"Outing Riley, May 17, 2007","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_fdd9b718bf156c98aa37fe96f0f36123#abstract_or_scope","type":"document_value","attributes":{"value":["A comedy about a man who has finally decided to come out to his Catholic family. 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The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2007],"containers_ssim":["box 7","folder 4","object 15"],"abstract_html_tesm":["\u003cabstract id=\"aspace_595c375bda3c8469e52a879ee64ece4b\"\u003eA comedy about a man who has finally decided to come out to his Catholic family. Muvico Baywalk, Downtown St. Petersburg. Friends of the Festival.\u003c/abstract\u003e"],"abstract_tesim":["A comedy about a man who has finally decided to come out to his Catholic family. Muvico Baywalk, Downtown St. Petersburg. 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Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.","Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.","USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival","English"],"unitid_tesim":["MS-2024-01","/repositories/2/resources/641"],"normalized_date_ssm":["1990-2024"],"normalized_title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Tampa International Gay and Lesbian Film Festival"],"creator_ssim":["Tampa International Gay and Lesbian Film Festival"],"creator_corpname_ssim":["Tampa International Gay and Lesbian Film Festival"],"creators_ssim":["Tampa International Gay and Lesbian Film Festival"],"access_terms_ssm":["None. 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Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"access_subjects_ssm":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"has_online_content_ssim":["false"],"extent_ssm":["9 boxes","9 Linear Feet"],"extent_tesim":["9 boxes","9 Linear Feet"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged according to type, with attention to chronology within series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged according to type, with attention to chronology within series."],"bioghist_html_tesm":["\u003cp\u003e\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  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This is true no matter which era or which producing organization we're talking about.\u003c/p\u003e\n","\u003cp\u003eFounders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.\u003c/p\u003e\n","\u003cp\u003eTampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.\u003c/p\u003e\n","\u003cp\u003eAfter two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.\u003c/p\u003e\n","\u003cp\u003eThat first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.\u003c/p\u003e\n","\u003cp\u003e\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/"],"scopecontent_html_tesm":["\u003cp\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7fd2447780ec58fc96b7d52c2b93a93a\"\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.\u003c/abstract\u003e"],"abstract_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF."],"names_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"language_ssim":["English"],"total_component_count_is":365,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871043586387083264,"_root_":"ec0d65981df646e0f1a8b1b3","timestamp":"2026-07-18T09:16:53.209Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_fdd9b718bf156c98aa37fe96f0f36123"}},{"id":"59e3366295d7475efe4c19d2_aspace_836ad8c3b5d46fe66900721b85a5ed0d","type":"Series","attributes":{"title":"Outreach Materials, 1991–2013","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/59e3366295d7475efe4c19d2_aspace_836ad8c3b5d46fe66900721b85a5ed0d#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_836ad8c3b5d46fe66900721b85a5ed0d","ref_ssm":["aspace_836ad8c3b5d46fe66900721b85a5ed0d","aspace_836ad8c3b5d46fe66900721b85a5ed0d"],"id":"59e3366295d7475efe4c19d2_aspace_836ad8c3b5d46fe66900721b85a5ed0d","title_filing_ssi":"Outreach Materials","title_ssm":["Outreach Materials"],"title_tesim":["Outreach Materials"],"unitdate_inclusive_ssm":["1991–2013"],"normalized_date_ssm":["1991–2013"],"normalized_title_ssm":["Outreach Materials, 1991–2013"],"text":["Outreach Materials, 1991–2013","University of Central Florida Police Department records, 1969-2013","3","/repositories/2/archival_objects/90692"],"component_level_isim":[1],"parent_ids_ssim":["59e3366295d7475efe4c19d2"],"parent_unittitles_ssm":["University of Central Florida Police Department records, 1969-2013"],"parent_unittitles_tesim":["University of Central Florida Police Department records, 1969-2013"],"parent_levels_ssm":["collection"],"unitid_ssm":["3","/repositories/2/archival_objects/90692"],"repository_ssim":["UCF University Archives"],"collection_ssim":["University of Central Florida Police Department records, 1969-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":35,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"_nest_path_":"/components#2","_nest_parent_":"59e3366295d7475efe4c19d2","_root_":"59e3366295d7475efe4c19d2","timestamp":"2026-07-09T03:02:34.654Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"59e3366295d7475efe4c19d2","title_ssm":["University of Central Florida Police Department records"],"title_tesim":["University of Central Florida Police Department records"],"ead_ssi":"59e3366295d7475efe4c19d2","unitdate_ssm":["1969-2013"],"unitdate_inclusive_ssm":["1969-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA04C","/repositories/2/resources/143"],"text":["UA04C","/repositories/2/resources/143","University of Central Florida Police Department records, 1969-2013","Universities and colleges -- Safety measures","Crime Prevention","Universities and colleges -- Florida","Campus police","Florida -- Orlando","Universities and colleges -- Security measures","negatives (photographs)","newspaper clippings","photographs","photocopies","The entire collection is open for research.","This collection is arranged in three series. Series I and III are arranged chronologically, while series II is arranged alphabetically.\n I: Administrative Files, 1977-2012 II: Newspaper Clippings, 1969-2002 III: Outreach Materials, 1991-2013","Established in 1973, the University of Central Florida Police Department (UCFPD) employs approximately 80 sworn law enforcement officers and 6 police dogs (or K-9s) as of 2026. The UCFPD serves the main campus as well as UCF Downtown, the Rosen College of Hospitality and Management, the Health Sciences Campus in Lake Nona, and all UCF-managed housing facilities. The UCFPD serves nearly 68,000 students, 13,000 employees, and thousands of visitors each year. UCFPD has Patrol, Criminal Investigations, Community Partnership, K-9, and Community Service Units, as well as a Communications Center and Records department. As one of the few universities in the country with its own dedicated Communications Center, UCFPD has 24/7 dispatchers. Since their addition in 1995, UCFPD has also managed the Emergency Blue Light Phones across all UCF campuses, which currently number over 260.  ","The UCFPD is led by Chief of Police and Associate Vice President of Public Safety, Robin Griffen-Kitzerow, who became the first woman to assume the role in June 2025. She succeeded Carl Metzger, who held the position from 2018 to 2025, and Richard Beary, who served from 2007 to 2018. ","Collection processed by and finding aid prepared by John Venecek in 2009. Placed documents in acid-free folders, placed negatives in acid-free sleeves, removed staples and paper clips, made copies of newspaper articles. The finding aid was placed into Archon, with adjustments made for Archon and resulting in edition 2, by Mary Rubin in 2015. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 3. Collection re-processed by Ava Botwin in 2026.","Further information related to the UCFPD can be found in the UCF Office of the General Council Records and the UCF Office of the President Records.","The UCF Police Department collection, 1969-2013, includes materials from and about the University of Central Florida Police Department (UCFPD). It consists of news clippings, printed ephemera, officer training materials, and other departmental files relating to the activities of the department and its involvement with the UCF and Central Florida community. This collection offers insight into UCFPD's training practices, its development and role on campus, public attitudes toward the department, and its community engagement efforts. ","Series I: Administrative Files, 1977-2012 consists of internal documents which outline the employment, training, and work of officers at the UCFPD, all related to keeping the campus safe. The series contains reports, pamphlets, memos, maps, and photographs. \n \nSeries II: Newspaper Clippings, 1969-2002 consists of assorted clippings and photocopies of news articles documenting UCFPD activities, such as safety initiatives, responses to campus crime, management of campus parking and traffic, and police staffing for special events.   ","Series III: Outreach Materials, 1991-2013 holds materials related to the UCF Police Departments' relationship with the UCF and Central Florida community.  It features images taken by UCF Marketing of hand-made signs posted on windows by students. The signs thank UCF Police for thwarting a mass shooting at UCF's Tower 1 student-housing complex in 2013. It also includes event programs, a string art piece of the Pegasus mascot, and an invitation.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The UCF Police Department collection, 1969-2012, includes materials from and about the University of Central Florida Police Department (UCFPD). It consists of news clippings, officer training materials and other departmental files, and printed ephemera relating to the activities of the department and its involvement with the UCF and Central Florida community. \n\nEstablished in 1973, the University of Central Florida Police Department (UCFPD) serves the main campus as well as UCF Downtown, the Rosen College of Hospitality and Management, the Health Sciences Campus in Lake Nona, and all UCF-managed housing facilities. The UCFPD serves nearly 68,000 students, 13,000 employees, and thousands of visitors each year. UCFPD has Patrol, Criminal Investigations, Community Partnership, K-9, and Community Service Units, as well as a Communications Center and Records department. As one of the few universities in the country with its own dedicated Communications Center, UCFPD has 24/7 dispatchers.","UCF University Archives","University of Central Florida. Police Department","Florida Technological University. Police Department","University of Central Florida","Florida Technological University","English"],"unitid_tesim":["UA04C","/repositories/2/resources/143"],"normalized_date_ssm":["1969-2013"],"normalized_title_ssm":["University of Central Florida Police Department records, 1969-2013"],"collection_title_tesim":["University of Central Florida Police Department records, 1969-2013"],"collection_ssim":["University of Central Florida Police Department records, 1969-2013"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["University of Central Florida. Police Department","Florida Technological University. Police Department"],"creator_ssim":["University of Central Florida. Police Department","Florida Technological University. Police Department"],"creator_corpname_ssim":["University of Central Florida. Police Department","Florida Technological University. Police Department"],"creators_ssim":["University of Central Florida. Police Department","Florida Technological University. Police Department"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Troy Wiliamson transferred these materials to the University of Central Florida Libraries, Special Collection and University Archives in 2005 (Accession no. CFU2005_33). Additional materials were transferred in 2013 (CFU2013_H) and 2018 (CFU2018_40)."],"access_subjects_ssim":["Universities and colleges -- Safety measures","Crime Prevention","Universities and colleges -- Florida","Campus police","Florida -- Orlando","Universities and colleges -- Security measures","negatives (photographs)","newspaper clippings","photographs","photocopies"],"access_subjects_ssm":["Universities and colleges -- Safety measures","Crime Prevention","Universities and colleges -- Florida","Campus police","Florida -- Orlando","Universities and colleges -- Security measures","negatives (photographs)","newspaper clippings","photographs","photocopies"],"has_online_content_ssim":["false"],"extent_ssm":["2.31 Linear Feet 2 boxes, 2 flat files"],"extent_tesim":["2.31 Linear Feet 2 boxes, 2 flat files"],"genreform_ssim":["negatives (photographs)","newspaper clippings","photographs","photocopies"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in three series. Series I and III are arranged chronologically, while series II is arranged alphabetically.\n\u003cul style=\"list-style-type: none\"\u003e\n \u003cli\u003eI: Administrative Files, 1977-2012\u003c/li\u003e\n \u003cli\u003eII: Newspaper Clippings, 1969-2002\u003c/li\u003e\n \u003cli\u003eIII: Outreach Materials, 1991-2013\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in three series. Series I and III are arranged chronologically, while series II is arranged alphabetically.\n I: Administrative Files, 1977-2012 II: Newspaper Clippings, 1969-2002 III: Outreach Materials, 1991-2013"],"bioghist_html_tesm":["\u003cp\u003eEstablished in 1973, the University of Central Florida Police Department (UCFPD) employs approximately 80 sworn law enforcement officers and 6 police dogs (or K-9s) as of 2026. The UCFPD serves the main campus as well as UCF Downtown, the Rosen College of Hospitality and Management, the Health Sciences Campus in Lake Nona, and all UCF-managed housing facilities. The UCFPD serves nearly 68,000 students, 13,000 employees, and thousands of visitors each year. UCFPD has Patrol, Criminal Investigations, Community Partnership, K-9, and Community Service Units, as well as a Communications Center and Records department. As one of the few universities in the country with its own dedicated Communications Center, UCFPD has 24/7 dispatchers. Since their addition in 1995, UCFPD has also managed the Emergency Blue Light Phones across all UCF campuses, which currently number over 260.  \u003c/p\u003e\n","\u003cp\u003eThe UCFPD is led by Chief of Police and Associate Vice President of Public Safety, Robin Griffen-Kitzerow, who became the first woman to assume the role in June 2025. She succeeded Carl Metzger, who held the position from 2018 to 2025, and Richard Beary, who served from 2007 to 2018. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["Established in 1973, the University of Central Florida Police Department (UCFPD) employs approximately 80 sworn law enforcement officers and 6 police dogs (or K-9s) as of 2026. The UCFPD serves the main campus as well as UCF Downtown, the Rosen College of Hospitality and Management, the Health Sciences Campus in Lake Nona, and all UCF-managed housing facilities. The UCFPD serves nearly 68,000 students, 13,000 employees, and thousands of visitors each year. UCFPD has Patrol, Criminal Investigations, Community Partnership, K-9, and Community Service Units, as well as a Communications Center and Records department. As one of the few universities in the country with its own dedicated Communications Center, UCFPD has 24/7 dispatchers. Since their addition in 1995, UCFPD has also managed the Emergency Blue Light Phones across all UCF campuses, which currently number over 260.  ","The UCFPD is led by Chief of Police and Associate Vice President of Public Safety, Robin Griffen-Kitzerow, who became the first woman to assume the role in June 2025. She succeeded Carl Metzger, who held the position from 2018 to 2025, and Richard Beary, who served from 2007 to 2018. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], University of Central Florida Police Department records, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], University of Central Florida Police Department records, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by and finding aid prepared by John Venecek in 2009. Placed documents in acid-free folders, placed negatives in acid-free sleeves, removed staples and paper clips, made copies of newspaper articles. The finding aid was placed into Archon, with adjustments made for Archon and resulting in edition 2, by Mary Rubin in 2015. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 3. Collection re-processed by Ava Botwin in 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by and finding aid prepared by John Venecek in 2009. Placed documents in acid-free folders, placed negatives in acid-free sleeves, removed staples and paper clips, made copies of newspaper articles. The finding aid was placed into Archon, with adjustments made for Archon and resulting in edition 2, by Mary Rubin in 2015. The acquisition method field and the subjects were updated by Kryslynn Collazo in 2018, resulting in edition 3. Collection re-processed by Ava Botwin in 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eFurther information related to the UCFPD can be found in the UCF Office of the General Council Records and the UCF Office of the President Records.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Further information related to the UCFPD can be found in the UCF Office of the General Council Records and the UCF Office of the President Records."],"scopecontent_html_tesm":["\u003cp\u003eThe UCF Police Department collection, 1969-2013, includes materials from and about the University of Central Florida Police Department (UCFPD). It consists of news clippings, printed ephemera, officer training materials, and other departmental files relating to the activities of the department and its involvement with the UCF and Central Florida community. This collection offers insight into UCFPD's training practices, its development and role on campus, public attitudes toward the department, and its community engagement efforts. \u003c/p\u003e\n","\u003cp\u003eSeries I: Administrative Files, 1977-2012 consists of internal documents which outline the employment, training, and work of officers at the UCFPD, all related to keeping the campus safe. The series contains reports, pamphlets, memos, maps, and photographs. \n \nSeries II: Newspaper Clippings, 1969-2002 consists of assorted clippings and photocopies of news articles documenting UCFPD activities, such as safety initiatives, responses to campus crime, management of campus parking and traffic, and police staffing for special events.   \u003c/p\u003e\n","\u003cp\u003eSeries III: Outreach Materials, 1991-2013 holds materials related to the UCF Police Departments' relationship with the UCF and Central Florida community.  It features images taken by UCF Marketing of hand-made signs posted on windows by students. The signs thank UCF Police for thwarting a mass shooting at UCF's Tower 1 student-housing complex in 2013. It also includes event programs, a string art piece of the Pegasus mascot, and an invitation.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The UCF Police Department collection, 1969-2013, includes materials from and about the University of Central Florida Police Department (UCFPD). It consists of news clippings, printed ephemera, officer training materials, and other departmental files relating to the activities of the department and its involvement with the UCF and Central Florida community. This collection offers insight into UCFPD's training practices, its development and role on campus, public attitudes toward the department, and its community engagement efforts. ","Series I: Administrative Files, 1977-2012 consists of internal documents which outline the employment, training, and work of officers at the UCFPD, all related to keeping the campus safe. The series contains reports, pamphlets, memos, maps, and photographs. \n \nSeries II: Newspaper Clippings, 1969-2002 consists of assorted clippings and photocopies of news articles documenting UCFPD activities, such as safety initiatives, responses to campus crime, management of campus parking and traffic, and police staffing for special events.   ","Series III: Outreach Materials, 1991-2013 holds materials related to the UCF Police Departments' relationship with the UCF and Central Florida community.  It features images taken by UCF Marketing of hand-made signs posted on windows by students. The signs thank UCF Police for thwarting a mass shooting at UCF's Tower 1 student-housing complex in 2013. It also includes event programs, a string art piece of the Pegasus mascot, and an invitation."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0975119bd16ff96d2430c2ae873a995e\" label=\"Abstract\"\u003eThe UCF Police Department collection, 1969-2012, includes materials from and about the University of Central Florida Police Department (UCFPD). It consists of news clippings, officer training materials and other departmental files, and printed ephemera relating to the activities of the department and its involvement with the UCF and Central Florida community. \n\nEstablished in 1973, the University of Central Florida Police Department (UCFPD) serves the main campus as well as UCF Downtown, the Rosen College of Hospitality and Management, the Health Sciences Campus in Lake Nona, and all UCF-managed housing facilities. The UCFPD serves nearly 68,000 students, 13,000 employees, and thousands of visitors each year. UCFPD has Patrol, Criminal Investigations, Community Partnership, K-9, and Community Service Units, as well as a Communications Center and Records department. As one of the few universities in the country with its own dedicated Communications Center, UCFPD has 24/7 dispatchers.\u003c/abstract\u003e"],"abstract_tesim":["The UCF Police Department collection, 1969-2012, includes materials from and about the University of Central Florida Police Department (UCFPD). It consists of news clippings, officer training materials and other departmental files, and printed ephemera relating to the activities of the department and its involvement with the UCF and Central Florida community. \n\nEstablished in 1973, the University of Central Florida Police Department (UCFPD) serves the main campus as well as UCF Downtown, the Rosen College of Hospitality and Management, the Health Sciences Campus in Lake Nona, and all UCF-managed housing facilities. The UCFPD serves nearly 68,000 students, 13,000 employees, and thousands of visitors each year. UCFPD has Patrol, Criminal Investigations, Community Partnership, K-9, and Community Service Units, as well as a Communications Center and Records department. As one of the few universities in the country with its own dedicated Communications Center, UCFPD has 24/7 dispatchers."],"names_coll_ssim":["University of Central Florida","Florida Technological University","University of Central Florida. Police Department","Florida Technological University. Police Department"],"names_ssim":["UCF University Archives","University of Central Florida. Police Department","Florida Technological University. Police Department","University of Central Florida","Florida Technological University"],"corpname_ssim":["UCF University Archives","University of Central Florida. Police Department","Florida Technological University. Police Department","University of Central Florida","Florida Technological University"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":40,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"59e3366295d7475efe4c19d2","timestamp":"2026-07-09T03:02:34.654Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/59e3366295d7475efe4c19d2_aspace_836ad8c3b5d46fe66900721b85a5ed0d"}},{"id":"7ece5dfb4b1b68900e8f89ed_aspace_dc0498e621662cf17c95c8341d4495e4","type":"Item","attributes":{"title":"Outstanding Cultural Event Trophy, 2007-2008","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/7ece5dfb4b1b68900e8f89ed_aspace_dc0498e621662cf17c95c8341d4495e4#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis item is a trophy given for Outstanding Cultural Event for Black Violin, 2007-2008.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/7ece5dfb4b1b68900e8f89ed_aspace_dc0498e621662cf17c95c8341d4495e4#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_dc0498e621662cf17c95c8341d4495e4","ref_ssm":["aspace_dc0498e621662cf17c95c8341d4495e4","aspace_dc0498e621662cf17c95c8341d4495e4"],"id":"7ece5dfb4b1b68900e8f89ed_aspace_dc0498e621662cf17c95c8341d4495e4","title_filing_ssi":"Outstanding Cultural Event Trophy","title_ssm":["Outstanding Cultural Event Trophy"],"title_tesim":["Outstanding Cultural Event Trophy"],"unitdate_inclusive_ssm":["2007-2008"],"normalized_date_ssm":["2007-2008"],"normalized_title_ssm":["Outstanding Cultural Event Trophy, 2007-2008"],"text":["Outstanding Cultural Event Trophy, 2007-2008","The Leadership Experience, 1984-2024","Multicultural Student Development Services, 2006-2008","/repositories/3/archival_objects/57349","English","box 28","This item is a trophy given for Outstanding Cultural Event for Black Violin, 2007-2008."],"component_level_isim":[2],"parent_ids_ssim":["7ece5dfb4b1b68900e8f89ed","7ece5dfb4b1b68900e8f89ed_aspace_f40402135093a3b297cd4a576d7b4d52"],"parent_unittitles_ssm":["The Leadership Experience, 1984-2024","Multicultural Student Development Services, 2006-2008"],"parent_unittitles_tesim":["The Leadership Experience, 1984-2024","Multicultural Student Development Services, 2006-2008"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/57349"],"repository_ssim":["Florida Gulf Coast University Archives"],"collection_ssim":["The Leadership Experience, 1984-2024"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":13,"date_range_isim":[2007,2008],"language_ssim":["English"],"containers_ssim":["box 28"],"scopecontent_html_tesm":["\u003cp\u003eThis item is a trophy given for Outstanding Cultural Event for Black Violin, 2007-2008.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This item is a trophy given for Outstanding Cultural Event for Black Violin, 2007-2008."],"_nest_path_":"/components#2/components#2","_nest_parent_":"7ece5dfb4b1b68900e8f89ed_aspace_f40402135093a3b297cd4a576d7b4d52","_root_":"7ece5dfb4b1b68900e8f89ed","_version_":1876550129781047296,"timestamp":"2026-09-17T04:01:02.219Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"7ece5dfb4b1b68900e8f89ed","title_filing_ssi":"Student Affairs: The Leadership Experience","title_ssm":["The Leadership Experience"],"title_tesim":["The Leadership Experience"],"ead_ssi":"7ece5dfb4b1b68900e8f89ed","unitdate_ssm":["1984-2024"],"unitdate_inclusive_ssm":["1984-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01.05.02","/repositories/3/resources/111"],"text":["01.05.02","/repositories/3/resources/111","The Leadership Experience, 1984-2024","The collection documents the history of the Student Affairs Office, the Leadership Experience, through photos, documents, awards, and publications.","Florida Gulf Coast University Archives","English"],"unitid_tesim":["01.05.02","/repositories/3/resources/111"],"normalized_date_ssm":["1984-2024"],"normalized_title_ssm":["The Leadership Experience, 1984-2024"],"collection_title_tesim":["The Leadership Experience, 1984-2024"],"collection_ssim":["The Leadership Experience, 1984-2024"],"repository_ssm":["Florida Gulf Coast University Archives"],"repository_ssim":["Florida Gulf Coast University Archives"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet"],"extent_tesim":["2 Linear Feet"],"date_range_isim":[1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"scopecontent_html_tesm":["\u003cp\u003eThe collection documents the history of the Student Affairs Office, the Leadership Experience, through photos, documents, awards, and publications.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection documents the history of the Student Affairs Office, the Leadership Experience, through photos, documents, awards, and publications."],"names_ssim":["Florida Gulf Coast University Archives"],"corpname_ssim":["Florida Gulf Coast University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":47,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876550129781047296,"_root_":"7ece5dfb4b1b68900e8f89ed","timestamp":"2026-09-17T04:01:02.219Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/7ece5dfb4b1b68900e8f89ed_aspace_dc0498e621662cf17c95c8341d4495e4"}},{"id":"f98896827f16d52b3168e472_aspace_3464fd8f3aa8a98f477529f144e7b45f","type":"Subseries","attributes":{"title":"Oversize, 2004–2019","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f98896827f16d52b3168e472_aspace_3464fd8f3aa8a98f477529f144e7b45f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_3464fd8f3aa8a98f477529f144e7b45f","ref_ssm":["aspace_3464fd8f3aa8a98f477529f144e7b45f","aspace_3464fd8f3aa8a98f477529f144e7b45f"],"id":"f98896827f16d52b3168e472_aspace_3464fd8f3aa8a98f477529f144e7b45f","title_filing_ssi":"Oversize","title_ssm":["Oversize"],"title_tesim":["Oversize"],"unitdate_inclusive_ssm":["2004–2019"],"normalized_date_ssm":["2004–2019"],"normalized_title_ssm":["Oversize, 2004–2019"],"text":["Oversize, 2004–2019","Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997","Additional Materials, 1862-2019","CFM2021_06","/repositories/4/archival_objects/69179"],"component_level_isim":[3],"parent_ids_ssim":["f98896827f16d52b3168e472","f98896827f16d52b3168e472_aspace_d01fc03ef0ed1a02f20641cd2b6034e3","f98896827f16d52b3168e472_aspace_fc09741199d93afd92b66de643801089"],"parent_unittitles_ssm":["Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997","Additional Materials, 1862-2019","CFM2021_06"],"parent_unittitles_tesim":["Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997","Additional Materials, 1862-2019","CFM2021_06"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/69179"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":1223,"parent_access_restrict_tesm":["The entire collection is open for research.","Photographs and Audio Visual, 1902-1997 (Series IV) and Additional Materials, 1862-2019 (Series VI) contain fragile AV material. No access copies are currently available. For further information, please contact Special Collections \u0026 University Archives."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"_nest_path_":"/components#5/components#4/components#3","_nest_parent_":"f98896827f16d52b3168e472_aspace_fc09741199d93afd92b66de643801089","_root_":"f98896827f16d52b3168e472","_version_":1870857973089173504,"timestamp":"2026-07-16T08:06:38.475Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f98896827f16d52b3168e472","title_ssm":["Children's Home Society of Florida collection"],"title_tesim":["Children's Home Society of Florida collection"],"ead_ssi":"f98896827f16d52b3168e472","unitdate_ssm":["1862-2019","1902-1997"],"unitdate_bulk_ssim":["1902-1997"],"unitdate_inclusive_ssm":["1862-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 054","/repositories/4/resources/294"],"text":["SC 054","/repositories/4/resources/294","Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997","Abandoned Children","Adoption -- Florida","Adoption -- United States -- History","Child welfare -- Florida","Foster children -- United States -- History","Nonprofit organizations -- Finance","Nonprofit organizations -- Management","Nonprofit organizations -- Planning","Poverty","Orphanages -- Florida","The entire collection is open for research.","Photographs and Audio Visual, 1902-1997 (Series IV) and Additional Materials, 1862-2019 (Series VI) contain fragile AV material. No access copies are currently available. For further information, please contact Special Collections \u0026 University Archives.","The Children's Home Society of Florida Collection is arranged into 5 series by types of content as well as by types of materials. The first three series feature personal and office files which show the birth and growth of the organization, sorted at the state and local division levels. The last two series holds audio visual and photographic ephemera as well as scrapbooks created by workers at the society.","To be an orphan in Florida at the turn of the twentieth century was a dangerous prospect. Children were being orphaned due to farm and industrial accidents and numerous poor families had to give up children they could no longer afford. Many children were abused and there were few laws that protected children's rights. Homeless children had little place to go where they could be safe, properly cared for, and loved.","\nIn response to this increasing crisis, the National Children's Home Society was formed in Illinois in 1883 to help place children who had been orphaned in farming and industrial accidents, spreading to several other states over the next decade. The Revered D. W. Comstock came to Jacksonville, Florida in 1902 as a representative of the National Children's Home Society to help organize the state's first child welfare society. On November 17, 1902, with the help of Rev. D. W. Comstock and Jacksonville's city and religious leaders, The Children's Home Society of Florida (CHSFL) was established. The welfare of the child was the society's primary focus, making sure that if the family could not be preserved that the child was placed in a happy and healthy home.","\nThe CHSFL was developed as a non-profit organization, relying solely on donations from the community. Fund-raising efforts began as administrative duties were carried out in private homes around the city. The children were also were being cared for in private residences as there was not yet a home secured for the society to board its charges. The CHSFL committed itself to not only children but to babies who were not accepted until the age of three at state orphanages (Mahoney, 5). Money was tight for the society and within the first few years, the CHSFL found itself in deep debt. By September of 1910, the CHSFL was facing the possibility of ending operations when a new state superintendent for the society entered its doors. Marcus C. Fagg was just 24 when he took control of the CHSFL but within a few short months, he had already obtained funding to start his first appeals drive. Many in the society to this day believe that it was Marcus C. Fagg who saved the CHSFL from closing its doors and built it to the standards that society members and workers adhere to today. Fagg's compassion towards children also did not go unnoticed; from his early years with the CHSFL, many children he helped referred to him as \"Daddy\" Fagg as a token of their appreciation for finding them loving homes.","\nMarcus Fagg brought innovative solutions to a dire financial situation. Using land donated or sold at cost to the society, Fagg either rented or sold land at higher costs to turn a profit. Fagg also helped poor families by renting them homes at drastically reduced rental costs with an option to later buy the homes. Marcus Fagg helped dozens of poor families regain their footing while also helping the CHSFL emerge from a deep hole of financial debt.","\nThough Marcus Fagg began to save the society financially, the society still fell on hard times. The country became entangled in the agony of the Great Depression in the 1930s and the CHSFL suffered with the rest of the nation. The Miami receiving home was lost due to a lack of finances but was thankfully picked up and operated by the Junior League until 1936 when CHSFL was able to once again run the home. Marcus Fagg also made history in 1932 by becoming the first chairman of the new Florida State Welfare Board. Through the 1940s and 1950s, CHSFL was instrumental in securing rights and welfare laws for children nationwide. CHSFL was one of the founding members of the Child Welfare League of America and was one of the only societies in the country to handle state adoptions without the aid of a state agency. The society also saw rapid growth, thanks in part to the massive fund-raising performed by Marcus Fagg; several new division offices opened throughout the state, many of whom offered special services for children. CHSFL also began offering services to unwed mothers, further committing themselves to the family rather than just simply finding homes for children.","\nOne of the saddest moments for the CHSFL was the loss of their mentor and leader, Marcus C. \"Daddy\" Fagg in 1958. After Fagg's passing, newspapers throughout Florida ran headlines announcing the loss of a great state hero. Buried in a simple grave in Jacksonville, Florida, Fagg's life and legacy still serves as a reminder to the CHSFL of their continued effort to help abused and orphaned children in the state of Florida.","\nSegregation and integration played an important role for CHSFL in the 1960s as the society began caring for and adopting out African-American children from their receiving homes. Historically, the society took in mostly white children. As the Civil Rights movement grew in the 1960's, the society re-examined the scope of its adoption policies and began taking in and offering adoption services for the African-American community. This was a significant development both for the society and for the Civil Rights movement; African-American children were being given the same adoption services as white children at a time when the issue of race was dominant in society and politics. As the country rapidly changed, so did the society, offering for the first time services in schools for handicapped, delinquent, and abused children as well children living in racially mixed households. These services would grow and define the society through to the end of the 1990s.","\nJust three years into the new millennium and the society's second century of service, the CHSFL moved its headquarters from its birthplace in Jacksonville to more centrally located offices in Winter Park, Florida. Now over one hundred years old, the CHSFL offers fourteen divisions that serve the entire state of Florida.","Collection processed by Ari Karlene Anderson; finding aid prepared by April Karlene Anderson and Katie Seeler. All paper materials have been placed in acid free folders and stored in archival containers. Some larger paper materials, such as maps and large photographs were also placed in acid free folders but are stored in archival flat files. Paper clips have been removed and replaced with plastic clips. In some cases, rusty staples have also been removed. Post-it notes have been moved to the edges of papers and copies have been made of more fragile materials such as news clippings. Photo blocks have been placed in archival trays, stored in separate bins to prevent them from scraping against one another. Any audio or visual media in cases were kept in their containers but placed collectively in archival boxes. Loose pages and items in the scrapbooks have been secured either with plastic clips or placed in archival folders and the entire book has been wrapped in acid free archival paper. Additional materials processed and integrated into the main collection by Suphi Burak Ogreten. Collection rehoused and container list revised by Asmara Cortes-Caba in 2023.","Blount Family papers , University of West Florida University Archives and West Florida History Center, Pensacola, Florida. ","Adoption Records: This collection does not contain any records on adopted individuals or families from the Children's Home Society of Florida. However, the society does have the CHS Adoptions Archive Unit which is dedicated to the preservation and research of these records. They can be found at  http://www.chsfl.org .","Books:","Georgia Gertrude Ralph,  Elements of Record Keeping for Child-Helping Organizations , (New York: The De Vinne Press, 1915.)","Lawrence Mahoney,  Children and hope : a history of the Children's Home Society of Florida , (Miami: Pickering Press, 1987).","Other Locations:","Pensacola Historical Society's Historical Resource Center, 110 East Church Street, Pensacola, Florida 32502. Phone: (850) 434-5455 Website:  http://www.pensacolahistory.org  (Western Division).","Florida Department of State, State Archives of Florida, R. A. Gray Building 500 South Bronough Street Tallahassee, FL 32399-0250. Website:  https://dos.myflorida.com/library-archives/archives .","The Children's Home Society of Florida Collection contains personal and organizational papers, photographs, audio and visual materials, as well as ledgers and scrapbooks. The collection is arranged by both content and materials types and have been organized into the following series:","\nSeries I: Biographical Files, 1900-1991, contains the files of individuals who were instrumental in the creation and/or the operations of the Children's Home Society of Florida. Correspondence makes up the majority of this series as it show the creation of the society (Comstock, Harkins, Seaton), its resurrection (Fagg), and its continued operations.","\nSeries II: State Organizational Files, 1886-2000, includes files that were used in the operations of the society as a whole. Financial documents, correspondence, reports, as well as the meeting minutes of the various committees that ran the society can be found in this series.","\nSeries III: Division Files, 1921-circa 1995, consists of files for local divisions located throughout the state. Some divisions are no longer in operation, having been closed completely or absorbed into another division. These older divisions can be found here in their original name. Meeting minutes for each division are also located here.","\nSeries IV: Photographs and Audio Visual, 1902-1997, holds both audio and visual media used by the Children's Home Society of Florida in promoting their society as well as raising funds.","\nSeries V: Ledger and Scrapbooks, 1902-1978, includes miscellaneous ledger and scrapbooks created by the Children's Home Society of Florida. The ledger books vary in format but are generally are either inventory or accounting in nature. The scrapbooks are made up of five volumes, all created by workers at the Children's Home Society of Florida. News clippings make up the majority of the scrapbooks contents but some do contain publications made by the Children's Home Society of Florida. There are also four Rose Keller Home scrapbooks made by workers at the Rose Keller Division in Lakeland, Florida. The Rose Keller Home scrapbooks give a brief history of the division as well as chronicle events at the home.","\nSeries VI: Additional Materials, 1862-2012, holds additional materials received from the Children's Home Society of Florida including organizational files, ephemera, photographs and audio/visual materials.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","The Children's Home Society of Florida Collection contains organizational papers and ephemera that document the creation and operations of Florida's oldest non-profit adoption agency. The collection includes organizational papers from its state and local divisions, photographs, news clippings, audio and visual media, scrapbooks, and blueprints of the many receiving homes in the state, but does not contain adoption records. Adoption records remain at the CHSFL Adoption Archive and are available by contacting the society directly.","UCF Special Collections","Children's Home Society of Florida","Florida. Department of Children and Families","Child Welfare League of America","Florida. State Board of Public Welfare","English"],"unitid_tesim":["SC 054","/repositories/4/resources/294"],"normalized_date_ssm":["1862-2019, bulk 1902-1997"],"normalized_title_ssm":["Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997"],"collection_title_tesim":["Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997"],"collection_ssim":["Children's Home Society of Florida collection, 1862-2019, bulk 1902-1997"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Children's Home Society of Florida"],"creator_ssim":["Children's Home Society of Florida"],"creator_corpname_ssim":["Children's Home Society of Florida"],"creators_ssim":["Children's Home Society of Florida"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Children's Home Society of Florida donated these materials to the University of Central Florida Libraries, Special Collections and University Archives Department in 2004 (CFM2004_04). Additional matterials were added in 2015 (CFM2015_06), 2016 (CFM2016_03), 2017 (CFM2017_05), 2020 (CFM2020_11), and 2021 (CFM2021_06)."],"access_subjects_ssim":["Abandoned Children","Adoption -- Florida","Adoption -- United States -- History","Child welfare -- Florida","Foster children -- United States -- History","Nonprofit organizations -- Finance","Nonprofit organizations -- Management","Nonprofit organizations -- Planning","Poverty","Orphanages -- Florida"],"access_subjects_ssm":["Abandoned Children","Adoption -- Florida","Adoption -- United States -- History","Child welfare -- Florida","Foster children -- United States -- History","Nonprofit organizations -- Finance","Nonprofit organizations -- Management","Nonprofit organizations -- Planning","Poverty","Orphanages -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["102.75 Linear Feet 117 boxes, 5 scrapbooks, 13 flat files"],"extent_tesim":["102.75 Linear Feet 117 boxes, 5 scrapbooks, 13 flat files"],"date_range_isim":[1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e\n","\u003cp\u003ePhotographs and Audio Visual, 1902-1997 (Series IV) and Additional Materials, 1862-2019 (Series VI) contain fragile AV material. No access copies are currently available. For further information, please contact Special Collections \u0026amp; University Archives.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research.","Photographs and Audio Visual, 1902-1997 (Series IV) and Additional Materials, 1862-2019 (Series VI) contain fragile AV material. No access copies are currently available. For further information, please contact Special Collections \u0026 University Archives."],"arrangement_html_tesm":["\u003cp\u003eThe Children's Home Society of Florida Collection is arranged into 5 series by types of content as well as by types of materials. The first three series feature personal and office files which show the birth and growth of the organization, sorted at the state and local division levels. The last two series holds audio visual and photographic ephemera as well as scrapbooks created by workers at the society.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Children's Home Society of Florida Collection is arranged into 5 series by types of content as well as by types of materials. The first three series feature personal and office files which show the birth and growth of the organization, sorted at the state and local division levels. The last two series holds audio visual and photographic ephemera as well as scrapbooks created by workers at the society."],"bioghist_html_tesm":["\u003cp\u003eTo be an orphan in Florida at the turn of the twentieth century was a dangerous prospect. Children were being orphaned due to farm and industrial accidents and numerous poor families had to give up children they could no longer afford. Many children were abused and there were few laws that protected children's rights. Homeless children had little place to go where they could be safe, properly cared for, and loved.\u003c/p\u003e\n","\u003cp\u003e\nIn response to this increasing crisis, the National Children's Home Society was formed in Illinois in 1883 to help place children who had been orphaned in farming and industrial accidents, spreading to several other states over the next decade. The Revered D. W. Comstock came to Jacksonville, Florida in 1902 as a representative of the National Children's Home Society to help organize the state's first child welfare society. On November 17, 1902, with the help of Rev. D. W. Comstock and Jacksonville's city and religious leaders, The Children's Home Society of Florida (CHSFL) was established. The welfare of the child was the society's primary focus, making sure that if the family could not be preserved that the child was placed in a happy and healthy home.\u003c/p\u003e\n","\u003cp\u003e\nThe CHSFL was developed as a non-profit organization, relying solely on donations from the community. Fund-raising efforts began as administrative duties were carried out in private homes around the city. The children were also were being cared for in private residences as there was not yet a home secured for the society to board its charges. The CHSFL committed itself to not only children but to babies who were not accepted until the age of three at state orphanages (Mahoney, 5). Money was tight for the society and within the first few years, the CHSFL found itself in deep debt. By September of 1910, the CHSFL was facing the possibility of ending operations when a new state superintendent for the society entered its doors. Marcus C. Fagg was just 24 when he took control of the CHSFL but within a few short months, he had already obtained funding to start his first appeals drive. Many in the society to this day believe that it was Marcus C. Fagg who saved the CHSFL from closing its doors and built it to the standards that society members and workers adhere to today. Fagg's compassion towards children also did not go unnoticed; from his early years with the CHSFL, many children he helped referred to him as \"Daddy\" Fagg as a token of their appreciation for finding them loving homes.\u003c/p\u003e\n","\u003cp\u003e\nMarcus Fagg brought innovative solutions to a dire financial situation. Using land donated or sold at cost to the society, Fagg either rented or sold land at higher costs to turn a profit. Fagg also helped poor families by renting them homes at drastically reduced rental costs with an option to later buy the homes. Marcus Fagg helped dozens of poor families regain their footing while also helping the CHSFL emerge from a deep hole of financial debt.\u003c/p\u003e\n","\u003cp\u003e\nThough Marcus Fagg began to save the society financially, the society still fell on hard times. The country became entangled in the agony of the Great Depression in the 1930s and the CHSFL suffered with the rest of the nation. The Miami receiving home was lost due to a lack of finances but was thankfully picked up and operated by the Junior League until 1936 when CHSFL was able to once again run the home. Marcus Fagg also made history in 1932 by becoming the first chairman of the new Florida State Welfare Board. Through the 1940s and 1950s, CHSFL was instrumental in securing rights and welfare laws for children nationwide. CHSFL was one of the founding members of the Child Welfare League of America and was one of the only societies in the country to handle state adoptions without the aid of a state agency. The society also saw rapid growth, thanks in part to the massive fund-raising performed by Marcus Fagg; several new division offices opened throughout the state, many of whom offered special services for children. CHSFL also began offering services to unwed mothers, further committing themselves to the family rather than just simply finding homes for children.\u003c/p\u003e\n","\u003cp\u003e\nOne of the saddest moments for the CHSFL was the loss of their mentor and leader, Marcus C. \"Daddy\" Fagg in 1958. After Fagg's passing, newspapers throughout Florida ran headlines announcing the loss of a great state hero. Buried in a simple grave in Jacksonville, Florida, Fagg's life and legacy still serves as a reminder to the CHSFL of their continued effort to help abused and orphaned children in the state of Florida.\u003c/p\u003e\n","\u003cp\u003e\nSegregation and integration played an important role for CHSFL in the 1960s as the society began caring for and adopting out African-American children from their receiving homes. Historically, the society took in mostly white children. As the Civil Rights movement grew in the 1960's, the society re-examined the scope of its adoption policies and began taking in and offering adoption services for the African-American community. This was a significant development both for the society and for the Civil Rights movement; African-American children were being given the same adoption services as white children at a time when the issue of race was dominant in society and politics. As the country rapidly changed, so did the society, offering for the first time services in schools for handicapped, delinquent, and abused children as well children living in racially mixed households. These services would grow and define the society through to the end of the 1990s.\u003c/p\u003e\n","\u003cp\u003e\nJust three years into the new millennium and the society's second century of service, the CHSFL moved its headquarters from its birthplace in Jacksonville to more centrally located offices in Winter Park, Florida. Now over one hundred years old, the CHSFL offers fourteen divisions that serve the entire state of Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["To be an orphan in Florida at the turn of the twentieth century was a dangerous prospect. Children were being orphaned due to farm and industrial accidents and numerous poor families had to give up children they could no longer afford. Many children were abused and there were few laws that protected children's rights. Homeless children had little place to go where they could be safe, properly cared for, and loved.","\nIn response to this increasing crisis, the National Children's Home Society was formed in Illinois in 1883 to help place children who had been orphaned in farming and industrial accidents, spreading to several other states over the next decade. The Revered D. W. Comstock came to Jacksonville, Florida in 1902 as a representative of the National Children's Home Society to help organize the state's first child welfare society. On November 17, 1902, with the help of Rev. D. W. Comstock and Jacksonville's city and religious leaders, The Children's Home Society of Florida (CHSFL) was established. The welfare of the child was the society's primary focus, making sure that if the family could not be preserved that the child was placed in a happy and healthy home.","\nThe CHSFL was developed as a non-profit organization, relying solely on donations from the community. Fund-raising efforts began as administrative duties were carried out in private homes around the city. The children were also were being cared for in private residences as there was not yet a home secured for the society to board its charges. The CHSFL committed itself to not only children but to babies who were not accepted until the age of three at state orphanages (Mahoney, 5). Money was tight for the society and within the first few years, the CHSFL found itself in deep debt. By September of 1910, the CHSFL was facing the possibility of ending operations when a new state superintendent for the society entered its doors. Marcus C. Fagg was just 24 when he took control of the CHSFL but within a few short months, he had already obtained funding to start his first appeals drive. Many in the society to this day believe that it was Marcus C. Fagg who saved the CHSFL from closing its doors and built it to the standards that society members and workers adhere to today. Fagg's compassion towards children also did not go unnoticed; from his early years with the CHSFL, many children he helped referred to him as \"Daddy\" Fagg as a token of their appreciation for finding them loving homes.","\nMarcus Fagg brought innovative solutions to a dire financial situation. Using land donated or sold at cost to the society, Fagg either rented or sold land at higher costs to turn a profit. Fagg also helped poor families by renting them homes at drastically reduced rental costs with an option to later buy the homes. Marcus Fagg helped dozens of poor families regain their footing while also helping the CHSFL emerge from a deep hole of financial debt.","\nThough Marcus Fagg began to save the society financially, the society still fell on hard times. The country became entangled in the agony of the Great Depression in the 1930s and the CHSFL suffered with the rest of the nation. The Miami receiving home was lost due to a lack of finances but was thankfully picked up and operated by the Junior League until 1936 when CHSFL was able to once again run the home. Marcus Fagg also made history in 1932 by becoming the first chairman of the new Florida State Welfare Board. Through the 1940s and 1950s, CHSFL was instrumental in securing rights and welfare laws for children nationwide. CHSFL was one of the founding members of the Child Welfare League of America and was one of the only societies in the country to handle state adoptions without the aid of a state agency. The society also saw rapid growth, thanks in part to the massive fund-raising performed by Marcus Fagg; several new division offices opened throughout the state, many of whom offered special services for children. CHSFL also began offering services to unwed mothers, further committing themselves to the family rather than just simply finding homes for children.","\nOne of the saddest moments for the CHSFL was the loss of their mentor and leader, Marcus C. \"Daddy\" Fagg in 1958. After Fagg's passing, newspapers throughout Florida ran headlines announcing the loss of a great state hero. Buried in a simple grave in Jacksonville, Florida, Fagg's life and legacy still serves as a reminder to the CHSFL of their continued effort to help abused and orphaned children in the state of Florida.","\nSegregation and integration played an important role for CHSFL in the 1960s as the society began caring for and adopting out African-American children from their receiving homes. Historically, the society took in mostly white children. As the Civil Rights movement grew in the 1960's, the society re-examined the scope of its adoption policies and began taking in and offering adoption services for the African-American community. This was a significant development both for the society and for the Civil Rights movement; African-American children were being given the same adoption services as white children at a time when the issue of race was dominant in society and politics. As the country rapidly changed, so did the society, offering for the first time services in schools for handicapped, delinquent, and abused children as well children living in racially mixed households. These services would grow and define the society through to the end of the 1990s.","\nJust three years into the new millennium and the society's second century of service, the CHSFL moved its headquarters from its birthplace in Jacksonville to more centrally located offices in Winter Park, Florida. Now over one hundred years old, the CHSFL offers fourteen divisions that serve the entire state of Florida."],"prefercite_html_tesm":["\u003cp\u003eThe Children's Home Society of Florida Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["The Children's Home Society of Florida Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Ari Karlene Anderson; finding aid prepared by April Karlene Anderson and Katie Seeler. All paper materials have been placed in acid free folders and stored in archival containers. Some larger paper materials, such as maps and large photographs were also placed in acid free folders but are stored in archival flat files. Paper clips have been removed and replaced with plastic clips. In some cases, rusty staples have also been removed. Post-it notes have been moved to the edges of papers and copies have been made of more fragile materials such as news clippings. Photo blocks have been placed in archival trays, stored in separate bins to prevent them from scraping against one another. Any audio or visual media in cases were kept in their containers but placed collectively in archival boxes. Loose pages and items in the scrapbooks have been secured either with plastic clips or placed in archival folders and the entire book has been wrapped in acid free archival paper. Additional materials processed and integrated into the main collection by Suphi Burak Ogreten. Collection rehoused and container list revised by Asmara Cortes-Caba in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Ari Karlene Anderson; finding aid prepared by April Karlene Anderson and Katie Seeler. All paper materials have been placed in acid free folders and stored in archival containers. Some larger paper materials, such as maps and large photographs were also placed in acid free folders but are stored in archival flat files. Paper clips have been removed and replaced with plastic clips. In some cases, rusty staples have also been removed. Post-it notes have been moved to the edges of papers and copies have been made of more fragile materials such as news clippings. Photo blocks have been placed in archival trays, stored in separate bins to prevent them from scraping against one another. Any audio or visual media in cases were kept in their containers but placed collectively in archival boxes. Loose pages and items in the scrapbooks have been secured either with plastic clips or placed in archival folders and the entire book has been wrapped in acid free archival paper. Additional materials processed and integrated into the main collection by Suphi Burak Ogreten. Collection rehoused and container list revised by Asmara Cortes-Caba in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://uwf.lyrasistechnology.org/repositories/2/resources/350\"\u003eBlount Family papers\u003c/extref\u003e, University of West Florida University Archives and West Florida History Center, Pensacola, Florida. \u003c/p\u003e\n","\u003cp\u003eAdoption Records: This collection does not contain any records on adopted individuals or families from the Children's Home Society of Florida. However, the society does have the CHS Adoptions Archive Unit which is dedicated to the preservation and research of these records. They can be found at \u003cextref href=\"http://www.chsfl.org\"\u003ehttp://www.chsfl.org\u003c/extref\u003e.\u003c/p\u003e\n","\u003cp\u003eBooks:\u003c/p\u003e\n","\u003cp\u003eGeorgia Gertrude Ralph, \u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990260914050306596\"\u003eElements of Record Keeping for Child-Helping Organizations\u003c/extref\u003e, (New York: The De Vinne Press, 1915.)\u003c/p\u003e\n","\u003cp\u003eLawrence Mahoney, \u003cextref href=\"https://ucf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_UCF/6a1ouu/alma990211238530306596\"\u003eChildren and hope : a history of the Children's Home Society of Florida\u003c/extref\u003e, (Miami: Pickering Press, 1987).\u003c/p\u003e\n","\u003cp\u003eOther Locations:\u003c/p\u003e\n","\u003cp\u003ePensacola Historical Society's Historical Resource Center, 110 East Church Street, Pensacola, Florida 32502. Phone: (850) 434-5455 Website: \u003cextref href=\"http://www.pensacolahistory.org\"\u003ehttp://www.pensacolahistory.org\u003c/extref\u003e (Western Division).\u003c/p\u003e\n","\u003cp\u003eFlorida Department of State, State Archives of Florida, R. A. Gray Building 500 South Bronough Street Tallahassee, FL 32399-0250. Website: \u003cextref href=\"https://dos.myflorida.com/library-archives/archives\"\u003ehttps://dos.myflorida.com/library-archives/archives\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Blount Family papers , University of West Florida University Archives and West Florida History Center, Pensacola, Florida. ","Adoption Records: This collection does not contain any records on adopted individuals or families from the Children's Home Society of Florida. However, the society does have the CHS Adoptions Archive Unit which is dedicated to the preservation and research of these records. They can be found at  http://www.chsfl.org .","Books:","Georgia Gertrude Ralph,  Elements of Record Keeping for Child-Helping Organizations , (New York: The De Vinne Press, 1915.)","Lawrence Mahoney,  Children and hope : a history of the Children's Home Society of Florida , (Miami: Pickering Press, 1987).","Other Locations:","Pensacola Historical Society's Historical Resource Center, 110 East Church Street, Pensacola, Florida 32502. Phone: (850) 434-5455 Website:  http://www.pensacolahistory.org  (Western Division).","Florida Department of State, State Archives of Florida, R. A. Gray Building 500 South Bronough Street Tallahassee, FL 32399-0250. Website:  https://dos.myflorida.com/library-archives/archives ."],"scopecontent_html_tesm":["\u003cp\u003eThe Children's Home Society of Florida Collection contains personal and organizational papers, photographs, audio and visual materials, as well as ledgers and scrapbooks. The collection is arranged by both content and materials types and have been organized into the following series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Biographical Files, 1900-1991, contains the files of individuals who were instrumental in the creation and/or the operations of the Children's Home Society of Florida. Correspondence makes up the majority of this series as it show the creation of the society (Comstock, Harkins, Seaton), its resurrection (Fagg), and its continued operations.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: State Organizational Files, 1886-2000, includes files that were used in the operations of the society as a whole. Financial documents, correspondence, reports, as well as the meeting minutes of the various committees that ran the society can be found in this series.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Division Files, 1921-circa 1995, consists of files for local divisions located throughout the state. Some divisions are no longer in operation, having been closed completely or absorbed into another division. These older divisions can be found here in their original name. Meeting minutes for each division are also located here.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Photographs and Audio Visual, 1902-1997, holds both audio and visual media used by the Children's Home Society of Florida in promoting their society as well as raising funds.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Ledger and Scrapbooks, 1902-1978, includes miscellaneous ledger and scrapbooks created by the Children's Home Society of Florida. The ledger books vary in format but are generally are either inventory or accounting in nature. The scrapbooks are made up of five volumes, all created by workers at the Children's Home Society of Florida. News clippings make up the majority of the scrapbooks contents but some do contain publications made by the Children's Home Society of Florida. There are also four Rose Keller Home scrapbooks made by workers at the Rose Keller Division in Lakeland, Florida. The Rose Keller Home scrapbooks give a brief history of the division as well as chronicle events at the home.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Additional Materials, 1862-2012, holds additional materials received from the Children's Home Society of Florida including organizational files, ephemera, photographs and audio/visual materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Children's Home Society of Florida Collection contains personal and organizational papers, photographs, audio and visual materials, as well as ledgers and scrapbooks. The collection is arranged by both content and materials types and have been organized into the following series:","\nSeries I: Biographical Files, 1900-1991, contains the files of individuals who were instrumental in the creation and/or the operations of the Children's Home Society of Florida. Correspondence makes up the majority of this series as it show the creation of the society (Comstock, Harkins, Seaton), its resurrection (Fagg), and its continued operations.","\nSeries II: State Organizational Files, 1886-2000, includes files that were used in the operations of the society as a whole. Financial documents, correspondence, reports, as well as the meeting minutes of the various committees that ran the society can be found in this series.","\nSeries III: Division Files, 1921-circa 1995, consists of files for local divisions located throughout the state. Some divisions are no longer in operation, having been closed completely or absorbed into another division. These older divisions can be found here in their original name. Meeting minutes for each division are also located here.","\nSeries IV: Photographs and Audio Visual, 1902-1997, holds both audio and visual media used by the Children's Home Society of Florida in promoting their society as well as raising funds.","\nSeries V: Ledger and Scrapbooks, 1902-1978, includes miscellaneous ledger and scrapbooks created by the Children's Home Society of Florida. The ledger books vary in format but are generally are either inventory or accounting in nature. The scrapbooks are made up of five volumes, all created by workers at the Children's Home Society of Florida. News clippings make up the majority of the scrapbooks contents but some do contain publications made by the Children's Home Society of Florida. There are also four Rose Keller Home scrapbooks made by workers at the Rose Keller Division in Lakeland, Florida. The Rose Keller Home scrapbooks give a brief history of the division as well as chronicle events at the home.","\nSeries VI: Additional Materials, 1862-2012, holds additional materials received from the Children's Home Society of Florida including organizational files, ephemera, photographs and audio/visual materials."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_116bbdee47170dbab5d0053b5cc9d529\"\u003eThe Children's Home Society of Florida Collection contains organizational papers and ephemera that document the creation and operations of Florida's oldest non-profit adoption agency. The collection includes organizational papers from its state and local divisions, photographs, news clippings, audio and visual media, scrapbooks, and blueprints of the many receiving homes in the state, but does not contain adoption records. Adoption records remain at the CHSFL Adoption Archive and are available by contacting the society directly.\u003c/abstract\u003e"],"abstract_tesim":["The Children's Home Society of Florida Collection contains organizational papers and ephemera that document the creation and operations of Florida's oldest non-profit adoption agency. The collection includes organizational papers from its state and local divisions, photographs, news clippings, audio and visual media, scrapbooks, and blueprints of the many receiving homes in the state, but does not contain adoption records. Adoption records remain at the CHSFL Adoption Archive and are available by contacting the society directly."],"names_coll_ssim":["Florida. Department of Children and Families","Child Welfare League of America","Florida. State Board of Public Welfare"],"names_ssim":["UCF Special Collections","Children's Home Society of Florida","Florida. Department of Children and Families","Child Welfare League of America","Florida. State Board of Public Welfare"],"corpname_ssim":["UCF Special Collections","Children's Home Society of Florida","Florida. Department of Children and Families","Child Welfare League of America","Florida. State Board of Public Welfare"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1225,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857973089173504,"_root_":"f98896827f16d52b3168e472","timestamp":"2026-07-16T08:06:38.475Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f98896827f16d52b3168e472_aspace_3464fd8f3aa8a98f477529f144e7b45f"}},{"id":"ec0d65981df646e0f1a8b1b3_aspace_303373205f2cca1613ac2aaf161506a8","type":"File","attributes":{"title":"Oversized Clippings, 2000-2010","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_303373205f2cca1613ac2aaf161506a8#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFolder includes clippings sourced from Watermark, Weekly Planet, The Gazette, Womyn's Words, St. Petersburg Times, The Tampa Tribune, and The Weekly News (TWN).\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_303373205f2cca1613ac2aaf161506a8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_303373205f2cca1613ac2aaf161506a8","ref_ssm":["aspace_303373205f2cca1613ac2aaf161506a8","aspace_303373205f2cca1613ac2aaf161506a8"],"id":"ec0d65981df646e0f1a8b1b3_aspace_303373205f2cca1613ac2aaf161506a8","title_filing_ssi":"Oversized Clippings ","title_ssm":["Oversized Clippings "],"title_tesim":["Oversized Clippings "],"unitdate_inclusive_ssm":["2000-2010"],"normalized_date_ssm":["2000-2010"],"normalized_title_ssm":["Oversized Clippings, 2000-2010"],"text":["Oversized Clippings, 2000-2010","Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","Oversized Material - Clippings, Photographs, Posters, Advertisements, Realia","/repositories/2/archival_objects/184603","box 7","folder 1","Folder includes clippings sourced from Watermark, Weekly Planet, The Gazette, Womyn's Words, St. Petersburg Times, The Tampa Tribune, and The Weekly News (TWN)."],"component_level_isim":[2],"parent_ids_ssim":["ec0d65981df646e0f1a8b1b3","ec0d65981df646e0f1a8b1b3_aspace_7bde4d8d0db79a81f83053ddec5bd894"],"parent_unittitles_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","Oversized Material - Clippings, Photographs, Posters, Advertisements, Realia"],"parent_unittitles_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","Oversized Material - Clippings, Photographs, Posters, Advertisements, Realia"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/2/archival_objects/184603"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":289,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"containers_ssim":["box 7","folder 1"],"scopecontent_html_tesm":["\u003cp\u003eFolder includes clippings sourced from Watermark, Weekly Planet, The Gazette, Womyn's Words, St. Petersburg Times, The Tampa Tribune, and The Weekly News (TWN).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Folder includes clippings sourced from Watermark, Weekly Planet, The Gazette, Womyn's Words, St. Petersburg Times, The Tampa Tribune, and The Weekly News (TWN)."],"_nest_path_":"/components#6/components#0","_nest_parent_":"ec0d65981df646e0f1a8b1b3_aspace_7bde4d8d0db79a81f83053ddec5bd894","_root_":"ec0d65981df646e0f1a8b1b3","_version_":1871043586387083264,"timestamp":"2026-07-18T09:16:53.209Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ec0d65981df646e0f1a8b1b3","title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection"],"title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection"],"ead_ssi":"ec0d65981df646e0f1a8b1b3","unitdate_ssm":["1990-2024"],"unitdate_inclusive_ssm":["1990-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2024-01","/repositories/2/resources/641"],"text":["MS-2024-01","/repositories/2/resources/641","Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)","Materials are arranged according to type, with attention to chronology within series.","\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.","Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.","USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival","English"],"unitid_tesim":["MS-2024-01","/repositories/2/resources/641"],"normalized_date_ssm":["1990-2024"],"normalized_title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Tampa International Gay and Lesbian Film Festival"],"creator_ssim":["Tampa International Gay and Lesbian Film Festival"],"creator_corpname_ssim":["Tampa International Gay and Lesbian Film Festival"],"creators_ssim":["Tampa International Gay and Lesbian Film Festival"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"access_subjects_ssm":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"has_online_content_ssim":["false"],"extent_ssm":["9 boxes","9 Linear Feet"],"extent_tesim":["9 boxes","9 Linear Feet"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged according to type, with attention to chronology within series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged according to type, with attention to chronology within series."],"bioghist_html_tesm":["\u003cp\u003e\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.\u003c/p\u003e\n","\u003cp\u003eDorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.\u003c/p\u003e\n","\u003cp\u003eAt every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.\u003c/p\u003e\n","\u003cp\u003eFounders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.\u003c/p\u003e\n","\u003cp\u003eTampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.\u003c/p\u003e\n","\u003cp\u003eAfter two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.\u003c/p\u003e\n","\u003cp\u003eThat first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.\u003c/p\u003e\n","\u003cp\u003e\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/"],"scopecontent_html_tesm":["\u003cp\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7fd2447780ec58fc96b7d52c2b93a93a\"\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.\u003c/abstract\u003e"],"abstract_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF."],"names_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"language_ssim":["English"],"total_component_count_is":365,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871043586387083264,"_root_":"ec0d65981df646e0f1a8b1b3","timestamp":"2026-07-18T09:16:53.209Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_303373205f2cca1613ac2aaf161506a8"}},{"id":"b2a0adb01768daf4c446fcba_aspace_2fbd1a04d8c095a0b4948a307310255a","type":"File","attributes":{"title":"Oversized Photographs, 1942-2008","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/b2a0adb01768daf4c446fcba_aspace_2fbd1a04d8c095a0b4948a307310255a#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder includes oversized photographs from Dorotha Farrell. Included are photographs of her in uniform, a group photograph of the Red Cross in Paris, her with other nurses, and her at age 87.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b2a0adb01768daf4c446fcba_aspace_2fbd1a04d8c095a0b4948a307310255a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_2fbd1a04d8c095a0b4948a307310255a","ref_ssm":["aspace_2fbd1a04d8c095a0b4948a307310255a","aspace_2fbd1a04d8c095a0b4948a307310255a"],"id":"b2a0adb01768daf4c446fcba_aspace_2fbd1a04d8c095a0b4948a307310255a","title_filing_ssi":"Oversized Photographs","title_ssm":["Oversized Photographs"],"title_tesim":["Oversized Photographs"],"unitdate_inclusive_ssm":["1942-2008"],"normalized_date_ssm":["1942-2008"],"normalized_title_ssm":["Oversized Photographs, 1942-2008"],"text":["Oversized Photographs, 1942-2008","Dorotha Farrell collection, Date accessioned: 2019-10-07, bulk 1942-1945","002","/repositories/10/archival_objects/180098","box 08.0080-Box 1","folder 002","This folder includes oversized photographs from Dorotha Farrell. Included are photographs of her in uniform, a group photograph of the Red Cross in Paris, her with other nurses, and her at age 87."],"component_level_isim":[1],"parent_ids_ssim":["b2a0adb01768daf4c446fcba"],"parent_unittitles_ssm":["Dorotha Farrell collection, Date accessioned: 2019-10-07, bulk 1942-1945"],"parent_unittitles_tesim":["Dorotha Farrell collection, Date accessioned: 2019-10-07, bulk 1942-1945"],"parent_levels_ssm":["collection"],"unitid_ssm":["002","/repositories/10/archival_objects/180098"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Dorotha Farrell collection, Date accessioned: 2019-10-07, bulk 1942-1945"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"containers_ssim":["box 08.0080-Box 1","folder 002"],"scopecontent_html_tesm":["\u003cp\u003eThis folder includes oversized photographs from Dorotha Farrell. Included are photographs of her in uniform, a group photograph of the Red Cross in Paris, her with other nurses, and her at age 87.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder includes oversized photographs from Dorotha Farrell. Included are photographs of her in uniform, a group photograph of the Red Cross in Paris, her with other nurses, and her at age 87."],"_nest_path_":"/components#1","_nest_parent_":"b2a0adb01768daf4c446fcba","_root_":"b2a0adb01768daf4c446fcba","_version_":1870857498799374336,"timestamp":"2026-07-16T07:59:06.261Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b2a0adb01768daf4c446fcba","title_filing_ssi":"Farrell, Dorotha collection","title_ssm":["Dorotha Farrell collection"],"title_tesim":["Dorotha Farrell collection"],"ead_ssi":"b2a0adb01768daf4c446fcba","unitdate_ssm":["1942-1945","Date accessioned: 2019-10-07"],"unitdate_bulk_ssim":["1942-1945"],"unitdate_other_ssim":["Date accessioned: 2019-10-07"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["08.0080","/repositories/10/resources/1515"],"text":["08.0080","/repositories/10/resources/1515","Dorotha Farrell collection, Date accessioned: 2019-10-07, bulk 1942-1945","Camp Myles Standish (Taunton, Mass.)","Camp Van Dorn (Miss.)","World War, 1939-1945","World War, 1939-1945--Europe","World War, 1939-1945--Women","Military nursing--United States","Military nursing","Letters--20th century","Military Nursing--United States--Collected Correspondence","World War, 1939-1945--Photography","World War, 1939-1945 -- Photography","Photography, Military","Photography","Newspapers--United States","Magazine covers","Oral history","Interviews.","Clippings (Books, newspapers, etc.)","Newspapers","Photograph albums","Photographs","Documents","This collection is open to all researchers.","Dorotha Farrell was born in Owensville, Indiana on August 8, 1920. She graduated high school in 1938 and attended training school at Deaconess Hospital in Evansville, Indiana from 1938-1941. She completed basic training at Camp Van Dorn, Mississippi from August 1943-February 8, 1944. She served in World War II in England and Germany with the 98th General Hospital from 1944-1945. She passed away on April 21, 2017.","Donated by Dorotha Farrell","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","This collection relates to Dorotha Farrell who served in the U.S. Army Nurse Corps in an orthopedic ward with the 98th General Hospital that served in England and Germany in World War II. This collection contains 72 photographs, oral history interview transcript, one newspaper article clipping, one Life magazine cover, nine letters, and one folder of official documents.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Farrell, Dorotha, 1920-2017","English"],"unitid_tesim":["08.0080","/repositories/10/resources/1515"],"normalized_date_ssm":["Date accessioned: 2019-10-07, bulk 1942-1945"],"normalized_title_ssm":["Dorotha Farrell collection, Date accessioned: 2019-10-07, bulk 1942-1945"],"collection_title_tesim":["Dorotha Farrell collection, Date accessioned: 2019-10-07, bulk 1942-1945"],"collection_ssim":["Dorotha Farrell collection, Date accessioned: 2019-10-07, bulk 1942-1945"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Camp Myles Standish (Taunton, Mass.)","Camp Van Dorn (Miss.)"],"geogname_ssim":["Camp Myles Standish (Taunton, Mass.)","Camp Van Dorn (Miss.)"],"creator_ssm":["Farrell, Dorotha, 1920-2017"],"creator_ssim":["Farrell, Dorotha, 1920-2017"],"creator_persname_ssim":["Farrell, Dorotha, 1920-2017"],"creators_ssim":["Farrell, Dorotha, 1920-2017"],"places_ssim":["Camp Myles Standish (Taunton, Mass.)","Camp Van Dorn (Miss.)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["World War, 1939-1945","World War, 1939-1945--Europe","World War, 1939-1945--Women","Military nursing--United States","Military nursing","Letters--20th century","Military Nursing--United States--Collected Correspondence","World War, 1939-1945--Photography","World War, 1939-1945 -- Photography","Photography, Military","Photography","Newspapers--United States","Magazine covers","Oral history","Interviews.","Clippings (Books, newspapers, etc.)","Newspapers","Photograph albums","Photographs","Documents"],"access_subjects_ssm":["World War, 1939-1945","World War, 1939-1945--Europe","World War, 1939-1945--Women","Military nursing--United States","Military nursing","Letters--20th century","Military Nursing--United States--Collected Correspondence","World War, 1939-1945--Photography","World War, 1939-1945 -- Photography","Photography, Military","Photography","Newspapers--United States","Magazine covers","Oral history","Interviews.","Clippings (Books, newspapers, etc.)","Newspapers","Photograph albums","Photographs","Documents"],"has_online_content_ssim":["false"],"extent_ssm":[".25 Linear Feet"],"extent_tesim":[".25 Linear Feet"],"genreform_ssim":["Clippings (Books, newspapers, etc.)","Newspapers","Photograph albums","Photographs","Documents"],"date_range_isim":[1942,1943,1944,1945],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003eDorotha Farrell was born in Owensville, Indiana on August 8, 1920. She graduated high school in 1938 and attended training school at Deaconess Hospital in Evansville, Indiana from 1938-1941. She completed basic training at Camp Van Dorn, Mississippi from August 1943-February 8, 1944. She served in World War II in England and Germany with the 98th General Hospital from 1944-1945. She passed away on April 21, 2017.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dorotha Farrell was born in Owensville, Indiana on August 8, 1920. She graduated high school in 1938 and attended training school at Deaconess Hospital in Evansville, Indiana from 1938-1941. She completed basic training at Camp Van Dorn, Mississippi from August 1943-February 8, 1944. She served in World War II in England and Germany with the 98th General Hospital from 1944-1945. She passed away on April 21, 2017."],"custodhist_html_tesm":["\u003cp\u003eDonated by Dorotha Farrell\u003c/p\u003e","\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance","Custodial History"],"custodhist_tesim":["Donated by Dorotha Farrell","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Dorotha Farrell collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_08_0080\"\u003ehttp://purl.fcla.edu/fsu/WWII_08_0080\u003c/extref\u003e\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Dorotha Farrell collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_08_0080"],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Dorotha Farrell who served in the U.S. Army Nurse Corps in an orthopedic ward with the 98th General Hospital that served in England and Germany in World War II. This collection contains 72 photographs, oral history interview transcript, one newspaper article clipping, one Life magazine cover, nine letters, and one folder of official documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection relates to Dorotha Farrell who served in the U.S. Army Nurse Corps in an orthopedic ward with the 98th General Hospital that served in England and Germany in World War II. This collection contains 72 photographs, oral history interview transcript, one newspaper article clipping, one Life magazine cover, nine letters, and one folder of official documents."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Farrell, Dorotha, 1920-2017"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"persname_ssim":["Farrell, Dorotha, 1920-2017"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":8,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857498799374336,"_root_":"b2a0adb01768daf4c446fcba","timestamp":"2026-07-16T07:59:06.261Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b2a0adb01768daf4c446fcba_aspace_2fbd1a04d8c095a0b4948a307310255a"}},{"id":"725898a1a41349eb30ec365d_aspace_c6a33029487564f11406131c29faf85c","type":"Series","attributes":{"title":"Oversize Materials, 1951-2008, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_c6a33029487564f11406131c29faf85c#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c6a33029487564f11406131c29faf85c","ref_ssm":["aspace_c6a33029487564f11406131c29faf85c","aspace_c6a33029487564f11406131c29faf85c"],"id":"725898a1a41349eb30ec365d_aspace_c6a33029487564f11406131c29faf85c","title_filing_ssi":"Oversize Materials","title_ssm":["Oversize Materials"],"title_tesim":["Oversize Materials"],"unitdate_inclusive_ssm":["1951-2008, Undated"],"normalized_date_ssm":["1951-2008, Undated"],"normalized_title_ssm":["Oversize Materials, 1951-2008, Undated"],"text":["Oversize Materials, 1951-2008, Undated","José Guerra Alemán Collection, 1887-2013","7","/repositories/4/archival_objects/54209"],"component_level_isim":[1],"parent_ids_ssim":["725898a1a41349eb30ec365d"],"parent_unittitles_ssm":["José Guerra Alemán Collection, 1887-2013"],"parent_unittitles_tesim":["José Guerra Alemán Collection, 1887-2013"],"parent_levels_ssm":["collection"],"unitid_ssm":["7","/repositories/4/archival_objects/54209"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":15,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":267,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"_nest_path_":"/components#6","_nest_parent_":"725898a1a41349eb30ec365d","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_c6a33029487564f11406131c29faf85c"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Southwest Florida Regional Planning Council Collection, 1920-2020","value":"Southwest Florida Regional Planning Council Collection, 1920-2020","hits":306},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Southwest+Florida+Regional+Planning+Council+Collection%2C+1920-2020\u0026f%5Bdate_range%5D%5B%5D=2007"}},{"attributes":{"label":"Facilities Management, bulk 1962-2007","value":"Facilities Management, bulk 1962-2007","hits":130},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Facilities+Management%2C+bulk+1962-2007\u0026f%5Bdate_range%5D%5B%5D=2007"}},{"attributes":{"label":"Democratic Women's Club of Florida, Inc. 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