{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2006\u0026page=317","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2006\u0026page=316","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2006\u0026page=318","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2006\u0026page=361"},"meta":{"pages":{"current_page":317,"next_page":318,"prev_page":316,"total_pages":361,"limit_value":10,"offset_value":3160,"total_count":3607,"first_page?":false,"last_page?":false}},"data":[{"id":"8830243d4b8601d47d20037b","type":"collection","attributes":{"title":"Thomas J. 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Many of the items depict and feature his childhood home in Asheville, North Carolina. Types of items include art prints and illustrations, postcards, brochures, posters, and keepsakes and publications issued by the Thomas Wolfe Society as a part of the Society's annual meeting.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8a098fac9f9af1d0fc7162ad#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"8a098fac9f9af1d0fc7162ad","title_ssm":["Thomas Wolfe Ephemera Collection"],"title_tesim":["Thomas Wolfe Ephemera Collection"],"ead_ssi":"8a098fac9f9af1d0fc7162ad","unitdate_ssm":["1969-2008"],"unitdate_inclusive_ssm":["1969-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2009.003","/repositories/3/resources/46"],"text":["2009.003","/repositories/3/resources/46","Thomas Wolfe Ephemera Collection, 1969-2008","Novelists, American--20th century--Biography.","Historic sites--North Carolina--Asheville--Pictorial works.","Broadsides","Pamphlets","Posters","Printed materials","Souvenirs","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Thomas Clayton Wolfe was born October 3, 1900 in Asheville, North Carolina. He attended local Asheville schools, graduated from high school at age 15, and attended the University of North Carolina at Chapel Hill. As a sophomore at UNC, one of his poems was published in the University of North Carolina Magazine and he became increasingly active in the Carolina Playmakers, a course in playwriting. His first play, entitled The Return of Buck Gavin, was produced by the Playmakers and starred Wolfe in the lead role. After graduating from UNC in 1920, Wolfe studied playwriting at Harvard University, and completed a Master of Arts degree in literature. He moved to New York, where he alternated for the rest of his life between teaching at New York University, writing and publishing, and traveling frequently to Europe. His first novel, Look Homeward, Angel, published in 1929, prominently featured characters and scenes from his boyhood town of Asheville. His next autobiographical novel, Of Time and the River, followed in 1935. He also published numerous short stories, novellas, and plays during his lifetime. His other two novels - The Web and the Rock (1939), and You Can't Go Home Again (1940) - were both published posthumously. He died on September 15, 1938, at age 38, in Baltimore, Maryland.","Note written by ","The collection contains miscellaneous printed materials relating to the life of the major American novelist Thomas Wolfe. Many of the items depict and feature his childhood home in Asheville, North Carolina. Types of items include art prints and illustrations, postcards, brochures, posters, and keepsakes and publications issued by the Thomas Wolfe Society as a part of the Society's annual meeting.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","Thomas Wolfe Society.","Thomas Wolfe Memorial (Asheville, N.C.)--Pictorial works.","Wolfe, Thomas, 1900-1938","Wolfe, Thomas 1900-1938--Portraits.","Wolfe, Thomas 1900-1938--Homes and haunts--Pictorial works.","English"],"unitid_tesim":["2009.003","/repositories/3/resources/46"],"normalized_date_ssm":["1969-2008"],"normalized_title_ssm":["Thomas Wolfe Ephemera Collection, 1969-2008"],"collection_title_tesim":["Thomas Wolfe Ephemera Collection, 1969-2008"],"collection_ssim":["Thomas Wolfe Ephemera Collection, 1969-2008"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"creator_ssm":["Wolfe, Thomas, 1900-1938","Thomas Wolfe Society."],"creator_ssim":["Wolfe, Thomas, 1900-1938","Thomas Wolfe Society."],"creator_persname_ssim":["Wolfe, Thomas, 1900-1938"],"creator_corpname_ssim":["Thomas Wolfe Society."],"creators_ssim":["Wolfe, Thomas, 1900-1938","Thomas Wolfe Society."],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). 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Graham, Jr., 2009"],"access_subjects_ssim":["Novelists, American--20th century--Biography.","Historic sites--North Carolina--Asheville--Pictorial works.","Broadsides","Pamphlets","Posters","Printed materials","Souvenirs"],"access_subjects_ssm":["Novelists, American--20th century--Biography.","Historic sites--North Carolina--Asheville--Pictorial works.","Broadsides","Pamphlets","Posters","Printed materials","Souvenirs"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 Linear Feet"],"extent_tesim":["2.00 Linear Feet"],"genreform_ssim":["Broadsides","Pamphlets","Posters","Printed materials","Souvenirs"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. 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He moved to New York, where he alternated for the rest of his life between teaching at New York University, writing and publishing, and traveling frequently to Europe. His first novel, Look Homeward, Angel, published in 1929, prominently featured characters and scenes from his boyhood town of Asheville. His next autobiographical novel, Of Time and the River, followed in 1935. He also published numerous short stories, novellas, and plays during his lifetime. His other two novels - The Web and the Rock (1939), and You Can't Go Home Again (1940) - were both published posthumously. He died on September 15, 1938, at age 38, in Baltimore, Maryland.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Thomas Clayton Wolfe was born October 3, 1900 in Asheville, North Carolina. He attended local Asheville schools, graduated from high school at age 15, and attended the University of North Carolina at Chapel Hill. 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His other two novels - The Web and the Rock (1939), and You Can't Go Home Again (1940) - were both published posthumously. He died on September 15, 1938, at age 38, in Baltimore, Maryland.","Note written by "],"prefercite_html_tesm":["\u003cp\u003eThomas Wolfe Ephemera Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Thomas Wolfe Ephemera Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains miscellaneous printed materials relating to the life of the major American novelist Thomas Wolfe. Many of the items depict and feature his childhood home in Asheville, North Carolina. 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Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_coll_ssim":["Thomas Wolfe Society.","Thomas Wolfe Memorial (Asheville, N.C.)--Pictorial works.","Wolfe, Thomas 1900-1938--Portraits.","Wolfe, Thomas 1900-1938--Homes and haunts--Pictorial works.","Wolfe, Thomas, 1900-1938"],"names_ssim":["UNF Library Special Collections and University Archives","Thomas Wolfe Society.","Thomas Wolfe Memorial (Asheville, N.C.)--Pictorial works.","Wolfe, Thomas, 1900-1938","Wolfe, Thomas 1900-1938--Portraits.","Wolfe, Thomas 1900-1938--Homes and haunts--Pictorial works."],"corpname_ssim":["UNF Library Special Collections and University Archives","Thomas Wolfe Society.","Thomas Wolfe Memorial (Asheville, N.C.)--Pictorial works."],"persname_ssim":["Wolfe, Thomas, 1900-1938","Wolfe, Thomas 1900-1938--Portraits.","Wolfe, Thomas 1900-1938--Homes and haunts--Pictorial works."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860512196034560,"_root_":"8a098fac9f9af1d0fc7162ad","timestamp":"2026-07-16T08:47:00.060Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8a098fac9f9af1d0fc7162ad","title_ssm":["Thomas Wolfe Ephemera Collection"],"title_tesim":["Thomas Wolfe Ephemera Collection"],"ead_ssi":"8a098fac9f9af1d0fc7162ad","unitdate_ssm":["1969-2008"],"unitdate_inclusive_ssm":["1969-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2009.003","/repositories/3/resources/46"],"text":["2009.003","/repositories/3/resources/46","Thomas Wolfe Ephemera Collection, 1969-2008","Novelists, American--20th century--Biography.","Historic sites--North Carolina--Asheville--Pictorial works.","Broadsides","Pamphlets","Posters","Printed materials","Souvenirs","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Thomas Clayton Wolfe was born October 3, 1900 in Asheville, North Carolina. He attended local Asheville schools, graduated from high school at age 15, and attended the University of North Carolina at Chapel Hill. As a sophomore at UNC, one of his poems was published in the University of North Carolina Magazine and he became increasingly active in the Carolina Playmakers, a course in playwriting. His first play, entitled The Return of Buck Gavin, was produced by the Playmakers and starred Wolfe in the lead role. After graduating from UNC in 1920, Wolfe studied playwriting at Harvard University, and completed a Master of Arts degree in literature. He moved to New York, where he alternated for the rest of his life between teaching at New York University, writing and publishing, and traveling frequently to Europe. His first novel, Look Homeward, Angel, published in 1929, prominently featured characters and scenes from his boyhood town of Asheville. His next autobiographical novel, Of Time and the River, followed in 1935. He also published numerous short stories, novellas, and plays during his lifetime. His other two novels - The Web and the Rock (1939), and You Can't Go Home Again (1940) - were both published posthumously. He died on September 15, 1938, at age 38, in Baltimore, Maryland.","Note written by ","The collection contains miscellaneous printed materials relating to the life of the major American novelist Thomas Wolfe. Many of the items depict and feature his childhood home in Asheville, North Carolina. Types of items include art prints and illustrations, postcards, brochures, posters, and keepsakes and publications issued by the Thomas Wolfe Society as a part of the Society's annual meeting.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","Thomas Wolfe Society.","Thomas Wolfe Memorial (Asheville, N.C.)--Pictorial works.","Wolfe, Thomas, 1900-1938","Wolfe, Thomas 1900-1938--Portraits.","Wolfe, Thomas 1900-1938--Homes and haunts--Pictorial works.","English"],"unitid_tesim":["2009.003","/repositories/3/resources/46"],"normalized_date_ssm":["1969-2008"],"normalized_title_ssm":["Thomas Wolfe Ephemera Collection, 1969-2008"],"collection_title_tesim":["Thomas Wolfe Ephemera Collection, 1969-2008"],"collection_ssim":["Thomas Wolfe Ephemera Collection, 1969-2008"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"creator_ssm":["Wolfe, Thomas, 1900-1938","Thomas Wolfe Society."],"creator_ssim":["Wolfe, Thomas, 1900-1938","Thomas Wolfe Society."],"creator_persname_ssim":["Wolfe, Thomas, 1900-1938"],"creator_corpname_ssim":["Thomas Wolfe Society."],"creators_ssim":["Wolfe, Thomas, 1900-1938","Thomas Wolfe Society."],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Walter R. Graham, Jr., 2009"],"access_subjects_ssim":["Novelists, American--20th century--Biography.","Historic sites--North Carolina--Asheville--Pictorial works.","Broadsides","Pamphlets","Posters","Printed materials","Souvenirs"],"access_subjects_ssm":["Novelists, American--20th century--Biography.","Historic sites--North Carolina--Asheville--Pictorial works.","Broadsides","Pamphlets","Posters","Printed materials","Souvenirs"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 Linear Feet"],"extent_tesim":["2.00 Linear Feet"],"genreform_ssim":["Broadsides","Pamphlets","Posters","Printed materials","Souvenirs"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eThomas Clayton Wolfe was born October 3, 1900 in Asheville, North Carolina. He attended local Asheville schools, graduated from high school at age 15, and attended the University of North Carolina at Chapel Hill. As a sophomore at UNC, one of his poems was published in the University of North Carolina Magazine and he became increasingly active in the Carolina Playmakers, a course in playwriting. His first play, entitled The Return of Buck Gavin, was produced by the Playmakers and starred Wolfe in the lead role. After graduating from UNC in 1920, Wolfe studied playwriting at Harvard University, and completed a Master of Arts degree in literature. He moved to New York, where he alternated for the rest of his life between teaching at New York University, writing and publishing, and traveling frequently to Europe. His first novel, Look Homeward, Angel, published in 1929, prominently featured characters and scenes from his boyhood town of Asheville. His next autobiographical novel, Of Time and the River, followed in 1935. He also published numerous short stories, novellas, and plays during his lifetime. His other two novels - The Web and the Rock (1939), and You Can't Go Home Again (1940) - were both published posthumously. He died on September 15, 1938, at age 38, in Baltimore, Maryland.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Thomas Clayton Wolfe was born October 3, 1900 in Asheville, North Carolina. He attended local Asheville schools, graduated from high school at age 15, and attended the University of North Carolina at Chapel Hill. As a sophomore at UNC, one of his poems was published in the University of North Carolina Magazine and he became increasingly active in the Carolina Playmakers, a course in playwriting. His first play, entitled The Return of Buck Gavin, was produced by the Playmakers and starred Wolfe in the lead role. After graduating from UNC in 1920, Wolfe studied playwriting at Harvard University, and completed a Master of Arts degree in literature. He moved to New York, where he alternated for the rest of his life between teaching at New York University, writing and publishing, and traveling frequently to Europe. His first novel, Look Homeward, Angel, published in 1929, prominently featured characters and scenes from his boyhood town of Asheville. His next autobiographical novel, Of Time and the River, followed in 1935. He also published numerous short stories, novellas, and plays during his lifetime. His other two novels - The Web and the Rock (1939), and You Can't Go Home Again (1940) - were both published posthumously. He died on September 15, 1938, at age 38, in Baltimore, Maryland.","Note written by "],"prefercite_html_tesm":["\u003cp\u003eThomas Wolfe Ephemera Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Thomas Wolfe Ephemera Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains miscellaneous printed materials relating to the life of the major American novelist Thomas Wolfe. Many of the items depict and feature his childhood home in Asheville, North Carolina. Types of items include art prints and illustrations, postcards, brochures, posters, and keepsakes and publications issued by the Thomas Wolfe Society as a part of the Society's annual meeting.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains miscellaneous printed materials relating to the life of the major American novelist Thomas Wolfe. Many of the items depict and feature his childhood home in Asheville, North Carolina. Types of items include art prints and illustrations, postcards, brochures, posters, and keepsakes and publications issued by the Thomas Wolfe Society as a part of the Society's annual meeting."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_coll_ssim":["Thomas Wolfe Society.","Thomas Wolfe Memorial (Asheville, N.C.)--Pictorial works.","Wolfe, Thomas 1900-1938--Portraits.","Wolfe, Thomas 1900-1938--Homes and haunts--Pictorial works.","Wolfe, Thomas, 1900-1938"],"names_ssim":["UNF Library Special Collections and University Archives","Thomas Wolfe Society.","Thomas Wolfe Memorial (Asheville, N.C.)--Pictorial works.","Wolfe, Thomas, 1900-1938","Wolfe, Thomas 1900-1938--Portraits.","Wolfe, Thomas 1900-1938--Homes and haunts--Pictorial works."],"corpname_ssim":["UNF Library Special Collections and University Archives","Thomas Wolfe Society.","Thomas Wolfe Memorial (Asheville, N.C.)--Pictorial works."],"persname_ssim":["Wolfe, Thomas, 1900-1938","Wolfe, Thomas 1900-1938--Portraits.","Wolfe, Thomas 1900-1938--Homes and haunts--Pictorial works."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860512196034560,"_root_":"8a098fac9f9af1d0fc7162ad","timestamp":"2026-07-16T08:47:00.060Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8a098fac9f9af1d0fc7162ad"}},{"id":"ac0c950b1d00eb5ac38a8bff_aspace_060ab1a54b8ca8286ba63e8e5fb7d9cd","type":"File","attributes":{"title":"\"Thoroughly Modern Mary\": Interview with Mary Louise Wiener, 2006","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/ac0c950b1d00eb5ac38a8bff_aspace_060ab1a54b8ca8286ba63e8e5fb7d9cd#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003ePhotocopy of printed interview transcripts \"Thoroughly Modern Mary\" compiled by Dale Paige Talley.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ac0c950b1d00eb5ac38a8bff_aspace_060ab1a54b8ca8286ba63e8e5fb7d9cd#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_060ab1a54b8ca8286ba63e8e5fb7d9cd","ref_ssm":["aspace_060ab1a54b8ca8286ba63e8e5fb7d9cd","aspace_060ab1a54b8ca8286ba63e8e5fb7d9cd"],"id":"ac0c950b1d00eb5ac38a8bff_aspace_060ab1a54b8ca8286ba63e8e5fb7d9cd","title_filing_ssi":"\"Thoroughly Modern Mary\": Interview with Mary Louise Wiener","title_ssm":["\"Thoroughly Modern Mary\": Interview with Mary Louise Wiener"],"title_tesim":["\"Thoroughly Modern Mary\": Interview with Mary Louise Wiener"],"unitdate_other_ssim":["2006"],"normalized_date_ssm":["2006"],"normalized_title_ssm":["\"Thoroughly Modern Mary\": Interview with Mary Louise Wiener, 2006"],"text":["\"Thoroughly Modern Mary\": Interview with Mary Louise Wiener, 2006","Wiener-Hartzog papers, 1930-1950, Date accessioned: 2019-10-23","/repositories/10/archival_objects/187113","11.0002 - Box 1","folder 006","Photocopy of printed interview transcripts \"Thoroughly Modern Mary\" compiled by Dale Paige Talley."],"component_level_isim":[1],"parent_ids_ssim":["ac0c950b1d00eb5ac38a8bff"],"parent_unittitles_ssm":["Wiener-Hartzog papers, 1930-1950, Date accessioned: 2019-10-23"],"parent_unittitles_tesim":["Wiener-Hartzog papers, 1930-1950, Date accessioned: 2019-10-23"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/10/archival_objects/187113"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Wiener-Hartzog papers, 1930-1950, Date accessioned: 2019-10-23"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":6,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"date_range_isim":[2006],"containers_ssim":["11.0002 - Box 1","folder 006"],"scopecontent_html_tesm":["\u003cp\u003ePhotocopy of printed interview transcripts \"Thoroughly Modern Mary\" compiled by Dale Paige Talley.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Photocopy of printed interview transcripts \"Thoroughly Modern Mary\" compiled by Dale Paige Talley."],"_nest_path_":"/components#5","_nest_parent_":"ac0c950b1d00eb5ac38a8bff","_root_":"ac0c950b1d00eb5ac38a8bff","_version_":1870857474368602112,"timestamp":"2026-07-16T07:58:42.961Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ac0c950b1d00eb5ac38a8bff","title_filing_ssi":"Weiner-Hartzog Papers","title_ssm":["Wiener-Hartzog papers"],"title_tesim":["Wiener-Hartzog papers"],"ead_ssi":"ac0c950b1d00eb5ac38a8bff","unitdate_ssm":["1930-1950","Date accessioned: 2019-10-23"],"unitdate_inclusive_ssm":["1930-1950"],"unitdate_other_ssim":["Date accessioned: 2019-10-23"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["11.0002","/repositories/10/resources/1499"],"text":["11.0002","/repositories/10/resources/1499","Wiener-Hartzog papers, 1930-1950, Date accessioned: 2019-10-23","United States. Navy--History--20th century","United States. Navy--History","World War, 1939-1945--Naval operations--Submarine","Submarine warfare--History","World War, 1939-1945","World War, 1939-1945--Campaigns","World War, 1939-1945--Campaigns--Pacific Area","World War, 1939-1945--Pacific Area","World War, 1939-1945--Campaigns--Pacific Ocean","European history","Europe--Description and Travel","World War, 1939-1945--Campaigns--Philippines--Manila","This collection is open to all researchers.","The Wiener and Hartzog papers document several American families from the late nineteenth century until mid-twentieth century. The Hartzogs were from early Bethlehem, Pennsylvania area. Marriage joined the Worsley family from Sweden with the Hartzogs at the turn of the twentieth century. Wieners emigrated from Germany in the mid-nineteenth century to marry into the Wussow and Blatz families of Milwaukee, Wisconsin. The families documented their rise in American business and as strong members of their communities. Herbert J. Hartzog practiced law before the Supreme Court of Pennslyvania. Carl Worsley and Emil Wiener established upscale furniture manufacturing businesses in Pennslyvania and Wisconsin respectively. Their children attended prominent schools including Dartmouth, Wellesley and Pine Manor during the 1930's.\n \nThe families kept journals of their travels in Europe during 1933 just before the advent of World War II providing a last glimpse of the \"old\" Europe before the devastating events of the war. During World War II, John Paul Wiener and his young bride, Margery Anne Hartzog Wiener, were separated for two years while he went through training in Princeton, New Jersey, Miami at the Submarine Chaser School in September 1944, then to Key West and ports in California. Overseas he was aboard the USS Staff in the Pacific. They wrote to each other frequently. Most of the young ensign's letters speak to life aboard a minesweeper in the Pacific. His wife kept up a brave face as she kept the home fires burning in Bethlehem, Pennsylvania. Their letters are prolific and give keen insight into the events of the day on both the battlefront and home front. Postwar letters give a clear understanding of the new spirit in America as the population expanded its horizons and moved into one of the most prosperous times we have known as a Nation.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","This collection contains the personal papers, journals, documents, ephemera, and correspondence of the Weiner-Hartzog families in the years before during, and just after World War II.  Correspondents include both imediate and extended family members, friends, and coworkers of both families.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Wiener, John Paul, 1918-2005","Wiener, Margery Anne , 1916-1998","English"],"unitid_tesim":["11.0002","/repositories/10/resources/1499"],"normalized_date_ssm":["1930-1950, Date accessioned: 2019-10-23"],"normalized_title_ssm":["Wiener-Hartzog papers, 1930-1950, Date accessioned: 2019-10-23"],"collection_title_tesim":["Wiener-Hartzog papers, 1930-1950, Date accessioned: 2019-10-23"],"collection_ssim":["Wiener-Hartzog papers, 1930-1950, Date accessioned: 2019-10-23"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"creator_ssm":["Wiener, John Paul, 1918-2005","Wiener, Margery Anne , 1916-1998"],"creator_ssim":["Wiener, John Paul, 1918-2005","Wiener, Margery Anne , 1916-1998"],"creator_persname_ssim":["Wiener, John Paul, 1918-2005","Wiener, Margery Anne , 1916-1998"],"creators_ssim":["Wiener, John Paul, 1918-2005","Wiener, Margery Anne , 1916-1998"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["United States. Navy--History--20th century","United States. Navy--History","World War, 1939-1945--Naval operations--Submarine","Submarine warfare--History","World War, 1939-1945","World War, 1939-1945--Campaigns","World War, 1939-1945--Campaigns--Pacific Area","World War, 1939-1945--Pacific Area","World War, 1939-1945--Campaigns--Pacific Ocean","European history","Europe--Description and Travel","World War, 1939-1945--Campaigns--Philippines--Manila"],"access_subjects_ssm":["United States. Navy--History--20th century","United States. Navy--History","World War, 1939-1945--Naval operations--Submarine","Submarine warfare--History","World War, 1939-1945","World War, 1939-1945--Campaigns","World War, 1939-1945--Campaigns--Pacific Area","World War, 1939-1945--Pacific Area","World War, 1939-1945--Campaigns--Pacific Ocean","European history","Europe--Description and Travel","World War, 1939-1945--Campaigns--Philippines--Manila"],"has_online_content_ssim":["false"],"extent_ssm":["6 Linear Feet 6 full boxes"],"extent_tesim":["6 Linear Feet 6 full boxes"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003eThe Wiener and Hartzog papers document several American families from the late nineteenth century until mid-twentieth century. The Hartzogs were from early Bethlehem, Pennsylvania area. Marriage joined the Worsley family from Sweden with the Hartzogs at the turn of the twentieth century. Wieners emigrated from Germany in the mid-nineteenth century to marry into the Wussow and Blatz families of Milwaukee, Wisconsin. The families documented their rise in American business and as strong members of their communities. Herbert J. Hartzog practiced law before the Supreme Court of Pennslyvania. Carl Worsley and Emil Wiener established upscale furniture manufacturing businesses in Pennslyvania and Wisconsin respectively. Their children attended prominent schools including Dartmouth, Wellesley and Pine Manor during the 1930's.\n\u003cbr\u003e\u003cbr\u003e\nThe families kept journals of their travels in Europe during 1933 just before the advent of World War II providing a last glimpse of the \"old\" Europe before the devastating events of the war. During World War II, John Paul Wiener and his young bride, Margery Anne Hartzog Wiener, were separated for two years while he went through training in Princeton, New Jersey, Miami at the Submarine Chaser School in September 1944, then to Key West and ports in California. Overseas he was aboard the USS Staff in the Pacific. They wrote to each other frequently. Most of the young ensign's letters speak to life aboard a minesweeper in the Pacific. His wife kept up a brave face as she kept the home fires burning in Bethlehem, Pennsylvania. Their letters are prolific and give keen insight into the events of the day on both the battlefront and home front. Postwar letters give a clear understanding of the new spirit in America as the population expanded its horizons and moved into one of the most prosperous times we have known as a Nation.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Wiener and Hartzog papers document several American families from the late nineteenth century until mid-twentieth century. The Hartzogs were from early Bethlehem, Pennsylvania area. Marriage joined the Worsley family from Sweden with the Hartzogs at the turn of the twentieth century. Wieners emigrated from Germany in the mid-nineteenth century to marry into the Wussow and Blatz families of Milwaukee, Wisconsin. The families documented their rise in American business and as strong members of their communities. Herbert J. Hartzog practiced law before the Supreme Court of Pennslyvania. Carl Worsley and Emil Wiener established upscale furniture manufacturing businesses in Pennslyvania and Wisconsin respectively. Their children attended prominent schools including Dartmouth, Wellesley and Pine Manor during the 1930's.\n \nThe families kept journals of their travels in Europe during 1933 just before the advent of World War II providing a last glimpse of the \"old\" Europe before the devastating events of the war. During World War II, John Paul Wiener and his young bride, Margery Anne Hartzog Wiener, were separated for two years while he went through training in Princeton, New Jersey, Miami at the Submarine Chaser School in September 1944, then to Key West and ports in California. Overseas he was aboard the USS Staff in the Pacific. They wrote to each other frequently. Most of the young ensign's letters speak to life aboard a minesweeper in the Pacific. His wife kept up a brave face as she kept the home fires burning in Bethlehem, Pennsylvania. Their letters are prolific and give keen insight into the events of the day on both the battlefront and home front. Postwar letters give a clear understanding of the new spirit in America as the population expanded its horizons and moved into one of the most prosperous times we have known as a Nation."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Wiener-Hartzog papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-11-2002\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Wiener-Hartzog papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. https://purl.lib.fsu.edu/fa/02-11-2002"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the personal papers, journals, documents, ephemera, and correspondence of the Weiner-Hartzog families in the years before during, and just after World War II.  Correspondents include both imediate and extended family members, friends, and coworkers of both families.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains the personal papers, journals, documents, ephemera, and correspondence of the Weiner-Hartzog families in the years before during, and just after World War II.  Correspondents include both imediate and extended family members, friends, and coworkers of both families."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Wiener, John Paul, 1918-2005","Wiener, Margery Anne , 1916-1998"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"persname_ssim":["Wiener, John Paul, 1918-2005","Wiener, Margery Anne , 1916-1998"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":96,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857474368602112,"_root_":"ac0c950b1d00eb5ac38a8bff","timestamp":"2026-07-16T07:58:42.961Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ac0c950b1d00eb5ac38a8bff_aspace_060ab1a54b8ca8286ba63e8e5fb7d9cd"}},{"id":"ec0d65981df646e0f1a8b1b3_aspace_c44b12f92c6b616ac3fa263a85ec36a8","type":"Item","attributes":{"title":"Tickets, Simons \u0026 Leoni Home Loans Presents, 2006","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_c44b12f92c6b616ac3fa263a85ec36a8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c44b12f92c6b616ac3fa263a85ec36a8","ref_ssm":["aspace_c44b12f92c6b616ac3fa263a85ec36a8","aspace_c44b12f92c6b616ac3fa263a85ec36a8"],"id":"ec0d65981df646e0f1a8b1b3_aspace_c44b12f92c6b616ac3fa263a85ec36a8","title_filing_ssi":"Tickets, Simons \u0026 Leoni Home Loans Presents","title_ssm":["Tickets, Simons \u0026 Leoni Home Loans Presents"],"title_tesim":["Tickets, Simons \u0026 Leoni Home Loans Presents"],"unitdate_other_ssim":["2006"],"normalized_date_ssm":["2006"],"normalized_title_ssm":["Tickets, Simons \u0026 Leoni Home Loans Presents, 2006"],"text":["Tickets, Simons \u0026 Leoni Home Loans Presents, 2006","Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","TIGLFF Annual Files - Part II","17th Annual Tampa International Gay \u0026 Lesbian Film Festival, 2006","/repositories/2/archival_objects/195083","box 2","folder 3","object 4"],"component_level_isim":[3],"parent_ids_ssim":["ec0d65981df646e0f1a8b1b3","ec0d65981df646e0f1a8b1b3_aspace_2fcfbbddfe064894c1f7e2be0f86abe2","ec0d65981df646e0f1a8b1b3_aspace_571381734ef1e95faf05506efe8c3a46"],"parent_unittitles_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","TIGLFF Annual Files - Part II","17th Annual Tampa International Gay \u0026 Lesbian Film Festival, 2006"],"parent_unittitles_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","TIGLFF Annual Files - Part II","17th Annual Tampa International Gay \u0026 Lesbian Film Festival, 2006"],"parent_levels_ssm":["collection","Box","File"],"unitid_ssm":["/repositories/2/archival_objects/195083"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":95,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2006],"containers_ssim":["box 2","folder 3","object 4"],"_nest_path_":"/components#1/components#2/components#3","_nest_parent_":"ec0d65981df646e0f1a8b1b3_aspace_571381734ef1e95faf05506efe8c3a46","_root_":"ec0d65981df646e0f1a8b1b3","_version_":1871043586387083264,"timestamp":"2026-07-18T09:16:53.209Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ec0d65981df646e0f1a8b1b3","title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection"],"title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection"],"ead_ssi":"ec0d65981df646e0f1a8b1b3","unitdate_ssm":["1990-2024"],"unitdate_inclusive_ssm":["1990-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2024-01","/repositories/2/resources/641"],"text":["MS-2024-01","/repositories/2/resources/641","Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)","Materials are arranged according to type, with attention to chronology within series.","\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.","Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.","USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival","English"],"unitid_tesim":["MS-2024-01","/repositories/2/resources/641"],"normalized_date_ssm":["1990-2024"],"normalized_title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Tampa International Gay and Lesbian Film Festival"],"creator_ssim":["Tampa International Gay and Lesbian Film Festival"],"creator_corpname_ssim":["Tampa International Gay and Lesbian Film Festival"],"creators_ssim":["Tampa International Gay and Lesbian Film Festival"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"access_subjects_ssm":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"has_online_content_ssim":["false"],"extent_ssm":["9 boxes","9 Linear Feet"],"extent_tesim":["9 boxes","9 Linear Feet"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged according to type, with attention to chronology within series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged according to type, with attention to chronology within series."],"bioghist_html_tesm":["\u003cp\u003e\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.\u003c/p\u003e\n","\u003cp\u003eDorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.\u003c/p\u003e\n","\u003cp\u003eAt every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.\u003c/p\u003e\n","\u003cp\u003eFounders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.\u003c/p\u003e\n","\u003cp\u003eTampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.\u003c/p\u003e\n","\u003cp\u003eAfter two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.\u003c/p\u003e\n","\u003cp\u003eThat first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.\u003c/p\u003e\n","\u003cp\u003e\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/"],"scopecontent_html_tesm":["\u003cp\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7fd2447780ec58fc96b7d52c2b93a93a\"\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.\u003c/abstract\u003e"],"abstract_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF."],"names_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"language_ssim":["English"],"total_component_count_is":365,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871043586387083264,"_root_":"ec0d65981df646e0f1a8b1b3","timestamp":"2026-07-18T09:16:53.209Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_c44b12f92c6b616ac3fa263a85ec36a8"}},{"id":"b1453870beef516d654c01ec_aspace_247d3e6b2f1153597cdf93d719a55f4e","type":"Item","attributes":{"title":"Tiffany Cant, undefined","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/b1453870beef516d654c01ec_aspace_247d3e6b2f1153597cdf93d719a55f4e#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003e4 sleeves of photographs documenting Cant's paintings; original mini photo album\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b1453870beef516d654c01ec_aspace_247d3e6b2f1153597cdf93d719a55f4e#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_247d3e6b2f1153597cdf93d719a55f4e","ref_ssm":["aspace_247d3e6b2f1153597cdf93d719a55f4e","aspace_247d3e6b2f1153597cdf93d719a55f4e"],"id":"b1453870beef516d654c01ec_aspace_247d3e6b2f1153597cdf93d719a55f4e","title_filing_ssi":"Tiffany Cant","title_ssm":["Tiffany Cant"],"title_tesim":["Tiffany Cant"],"unitdate_inclusive_ssm":["undefined"],"normalized_date_ssm":["undefined"],"normalized_title_ssm":["Tiffany Cant, undefined"],"text":["Tiffany Cant, undefined","FAU University Galleries, 1973-2023, 1973-2023","Artist files","/repositories/2/archival_objects/70145","box 2","folder 27","4 sleeves of photographs documenting Cant's paintings; original mini photo album"],"component_level_isim":[2],"parent_ids_ssim":["b1453870beef516d654c01ec","b1453870beef516d654c01ec_aspace_4b1193892001d1344408814c610fd18b"],"parent_unittitles_ssm":["FAU University Galleries, 1973-2023, 1973-2023","Artist files"],"parent_unittitles_tesim":["FAU University Galleries, 1973-2023, 1973-2023","Artist files"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/70145"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["FAU University Galleries, 1973-2023, 1973-2023"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":108,"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"containers_ssim":["box 2","folder 27"],"scopecontent_html_tesm":["\u003cp\u003e4 sleeves of photographs documenting Cant's paintings; original mini photo album\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["4 sleeves of photographs documenting Cant's paintings; original mini photo album"],"_nest_path_":"/components#2/components#9","_nest_parent_":"b1453870beef516d654c01ec_aspace_4b1193892001d1344408814c610fd18b","_root_":"b1453870beef516d654c01ec","_version_":1870841804578881536,"timestamp":"2026-07-16T03:49:39.084Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b1453870beef516d654c01ec","title_ssm":["FAU University Galleries, 1973-2023"],"title_tesim":["FAU University Galleries, 1973-2023"],"ead_ssi":"b1453870beef516d654c01ec","unitdate_ssm":["1973-2023"],"unitdate_inclusive_ssm":["1973-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA00026","/repositories/2/resources/182"],"text":["UA00026","/repositories/2/resources/182","FAU University Galleries, 1973-2023, 1973-2023","Florida","Art, Modern -- 20th century","Florida Atlantic University -- History","The University Galleries-FAU Collection documents the activities of the Ritter Gallery and the Schmidt Center Gallery between 1973 and 2009. It contains the initial proposal for the creation of the Ritter Gallery and documentation on the later development of the Schmidt Center Gallery. The bulk of the collection centers on the annual exhibition and programming schedule of and for student, faculty and general exhibitions. There is also information on earlier exhibition spaces in the S.E. Wimberly Library. Materials in the collection are a mix of text and images, and includes  correspondence, memoranda, letters, press releases, newspaper clippings, catalogs for faculty, student and general exhibitions, and related printed matter. There is also documentation on campus public art and artist files. 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This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.","Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.","USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival","English"],"unitid_tesim":["MS-2024-01","/repositories/2/resources/641"],"normalized_date_ssm":["1990-2024"],"normalized_title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Tampa International Gay and Lesbian Film Festival"],"creator_ssim":["Tampa International Gay and Lesbian Film Festival"],"creator_corpname_ssim":["Tampa International Gay and Lesbian Film Festival"],"creators_ssim":["Tampa International Gay and Lesbian Film Festival"],"access_terms_ssm":["None. 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Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"access_subjects_ssm":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"has_online_content_ssim":["false"],"extent_ssm":["9 boxes","9 Linear Feet"],"extent_tesim":["9 boxes","9 Linear Feet"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged according to type, with attention to chronology within series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged according to type, with attention to chronology within series."],"bioghist_html_tesm":["\u003cp\u003e\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.\u003c/p\u003e\n","\u003cp\u003eDorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.\u003c/p\u003e\n","\u003cp\u003eAt every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.\u003c/p\u003e\n","\u003cp\u003eFounders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.\u003c/p\u003e\n","\u003cp\u003eTampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.\u003c/p\u003e\n","\u003cp\u003eAfter two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.\u003c/p\u003e\n","\u003cp\u003eThat first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.\u003c/p\u003e\n","\u003cp\u003e\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/"],"scopecontent_html_tesm":["\u003cp\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7fd2447780ec58fc96b7d52c2b93a93a\"\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.\u003c/abstract\u003e"],"abstract_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF."],"names_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"language_ssim":["English"],"total_component_count_is":365,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871043586387083264,"_root_":"ec0d65981df646e0f1a8b1b3","timestamp":"2026-07-18T09:16:53.209Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_2bcd86e15bfd5549903ee09fb5de64cb"}},{"id":"ec0d65981df646e0f1a8b1b3_aspace_b14012656e0b6358e9b9578e1bb9206c","type":"Item","attributes":{"title":"TIGLFF Monthly Film Schedule, July 15, 2006","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_b14012656e0b6358e9b9578e1bb9206c#abstract_or_scope","type":"document_value","attributes":{"value":["50 Ways of Saying Fabulous, Directoed by Stewart Main. 17th Annual Tampa International Gay and Lesbian Film Festival (TIGLFF) October 5-15, 2006."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_b14012656e0b6358e9b9578e1bb9206c#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b14012656e0b6358e9b9578e1bb9206c","ref_ssm":["aspace_b14012656e0b6358e9b9578e1bb9206c","aspace_b14012656e0b6358e9b9578e1bb9206c"],"id":"ec0d65981df646e0f1a8b1b3_aspace_b14012656e0b6358e9b9578e1bb9206c","title_filing_ssi":"TIGLFF Monthly Film Schedule","title_ssm":["TIGLFF Monthly Film Schedule"],"title_tesim":["TIGLFF Monthly Film Schedule"],"unitdate_other_ssim":["July 15, 2006"],"normalized_date_ssm":["July 15, 2006"],"normalized_title_ssm":["TIGLFF Monthly Film Schedule, July 15, 2006"],"text":["TIGLFF Monthly Film Schedule, July 15, 2006","Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","Oversized Material - Matted Photographs and Graphics","/repositories/2/archival_objects/184666","box 8","object 8","50 Ways of Saying Fabulous, Directoed by Stewart Main. 17th Annual Tampa International Gay and Lesbian Film Festival (TIGLFF) October 5-15, 2006."],"component_level_isim":[2],"parent_ids_ssim":["ec0d65981df646e0f1a8b1b3","ec0d65981df646e0f1a8b1b3_aspace_dae1e1dff512474bf3a620267652982d"],"parent_unittitles_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","Oversized Material - Matted Photographs and Graphics"],"parent_unittitles_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","Oversized Material - Matted Photographs and Graphics"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/2/archival_objects/184666"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":329,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  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Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.","Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.","USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival","English"],"unitid_tesim":["MS-2024-01","/repositories/2/resources/641"],"normalized_date_ssm":["1990-2024"],"normalized_title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Tampa International Gay and Lesbian Film Festival"],"creator_ssim":["Tampa International Gay and Lesbian Film Festival"],"creator_corpname_ssim":["Tampa International Gay and Lesbian Film Festival"],"creators_ssim":["Tampa International Gay and Lesbian Film Festival"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"access_subjects_ssm":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"has_online_content_ssim":["false"],"extent_ssm":["9 boxes","9 Linear Feet"],"extent_tesim":["9 boxes","9 Linear Feet"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged according to type, with attention to chronology within series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged according to type, with attention to chronology within series."],"bioghist_html_tesm":["\u003cp\u003e\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.\u003c/p\u003e\n","\u003cp\u003eDorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.\u003c/p\u003e\n","\u003cp\u003eAt every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.\u003c/p\u003e\n","\u003cp\u003eFounders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.\u003c/p\u003e\n","\u003cp\u003eTampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.\u003c/p\u003e\n","\u003cp\u003eAfter two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.\u003c/p\u003e\n","\u003cp\u003eThat first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.\u003c/p\u003e\n","\u003cp\u003e\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/"],"scopecontent_html_tesm":["\u003cp\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7fd2447780ec58fc96b7d52c2b93a93a\"\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. 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Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF."],"names_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"language_ssim":["English"],"total_component_count_is":365,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871043586387083264,"_root_":"ec0d65981df646e0f1a8b1b3","timestamp":"2026-07-18T09:16:53.209Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_b14012656e0b6358e9b9578e1bb9206c"}},{"id":"6a8ca297c8d957a918dee02d_aspace_126457","type":"File","attributes":{"title":"Time Magazine, 1979-2007","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6a8ca297c8d957a918dee02d_aspace_126457#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_126457","ref_ssm":["aspace_126457","aspace_126457"],"id":"6a8ca297c8d957a918dee02d_aspace_126457","title_filing_ssi":"Time Magazine","title_ssm":["Time Magazine"],"title_tesim":["Time Magazine"],"unitdate_inclusive_ssm":["1979-2007"],"normalized_date_ssm":["1979-2007"],"normalized_title_ssm":["Time Magazine, 1979-2007"],"text":["Time Magazine, 1979-2007","Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998","Periodicals - So-Tr","Folder 12","/repositories/2/archival_objects/98559","box 21","folder 11","The Weekly Newsmagazine."],"component_level_isim":[2],"parent_ids_ssim":["6a8ca297c8d957a918dee02d","6a8ca297c8d957a918dee02d_aspace_126426"],"parent_unittitles_ssm":["Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998","Periodicals - So-Tr"],"parent_unittitles_tesim":["Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998","Periodicals - So-Tr"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Folder 12","/repositories/2/archival_objects/98559"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1093,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"containers_ssim":["box 21","folder 11"],"bioghist_html_tesm":["\u003cp\u003eThe Weekly Newsmagazine.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Weekly Newsmagazine."],"_nest_path_":"/components#20/components#10","_nest_parent_":"6a8ca297c8d957a918dee02d_aspace_126426","_root_":"6a8ca297c8d957a918dee02d","_version_":1871496586827137024,"timestamp":"2026-07-23T09:17:07.992Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6a8ca297c8d957a918dee02d","title_ssm":["Edith \"Edie\" Daly / Women's Energy Bank collection"],"title_tesim":["Edith \"Edie\" Daly / Women's Energy Bank collection"],"ead_ssi":"6a8ca297c8d957a918dee02d","unitdate_ssm":["1973-2014","1990-1998","Date acquired: 2006"],"unitdate_bulk_ssim":["1990-1998"],"unitdate_inclusive_ssm":["1973-2014"],"unitdate_other_ssim":["Date acquired: 2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2006-08","/repositories/2/resources/442"],"text":["MS-2006-08","/repositories/2/resources/442","Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998","Tampa (Fla.)","Women's studies","Lesbian feminist theory","Lesbian activism","Queer studies","Organized alphabetically within series and subjects.","In 1974, Edith \"Edie\" Daly \"came out\" as both an activist and lesbian.  In 1981, she returned to her home state of Florida where she opened a women's bookstore on Madeira Beach.  Within a year, she co-founded the lesbian, feminist organization Women's Energy Bank (WEB), which hosts monthly meetings (\"Salons\") for its female membership and produces the monthly publication  Womyn's Words . As a member of a number of activist organizations, including Old Lesbians Organizing for Change (OLOC), Southerners on New Ground (SONG), and Women in Black, Daly's work towards world peace has taken her to Europe, Asia, and beyond. Edie Daly also served on the University of South Florida's Women's Studies Advisory Board. She and her wife, Jackie Mirkin, were together for 26 years, and they worked for peace and justice in Gulfport, Florida and around the world until Mirkin's passing in 2023. Daly currently lives in Asheville, NC with her partner and continues her activism through OLOC and SONG.","Learn more about Daly's life at https://storymaps.arcgis.com/stories/0682fc7d8a1349d38a9faf7987ba10d2.","Note written by CBW. Edited by CC, 2026.","Materials related to the Women's Energy Bank's political and cultural activities in war resistance, gay and lesbian rights, environmental activism, and feminism.  Items include periodicals, pamphlets, leaflets, manuals, publications, newspaper clippings, programs, and personal correspondence.","Womyn's Words (newsletters)\nMichigan Womyn's Music Festival (programs)","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The papers of Edith Daly, a lesbian activist who co-founded the Women's Energy Bank, a group based in Pinellas County that supported progressive political causes and published the monthly newsletter  Womyn's Words .","USF Libraries - Tampa Special Collections","Daly, Edith (1937-)","English Croatian"],"unitid_tesim":["MS-2006-08","/repositories/2/resources/442"],"normalized_date_ssm":["1973-2014, Date acquired: 2006, bulk 1990-1998"],"normalized_title_ssm":["Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998"],"collection_title_tesim":["Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998"],"collection_ssim":["Edith \"Edie\" Daly / Women's Energy Bank collection, 1973-2014, Date acquired: 2006, bulk 1990-1998"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tampa (Fla.)"],"geogname_ssim":["Tampa (Fla.)"],"creator_ssm":["Daly, Edith (1937-)"],"creator_ssim":["Daly, Edith (1937-)"],"creator_persname_ssim":["Daly, Edith (1937-)"],"creators_ssim":["Daly, Edith (1937-)"],"places_ssim":["Tampa (Fla.)"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Edith Daly","Donation"],"access_subjects_ssim":["Women's studies","Lesbian feminist theory","Lesbian activism","Queer studies"],"access_subjects_ssm":["Women's studies","Lesbian feminist theory","Lesbian activism","Queer studies"],"has_online_content_ssim":["false"],"extent_ssm":["17 Linear Feet","27 boxes"],"extent_tesim":["17 Linear Feet","27 boxes"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021],"arrangement_html_tesm":["\u003cp\u003eOrganized alphabetically within series and subjects.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized alphabetically within series and subjects."],"bioghist_html_tesm":["\u003cp\u003eIn 1974, Edith \"Edie\" Daly \"came out\" as both an activist and lesbian.  In 1981, she returned to her home state of Florida where she opened a women's bookstore on Madeira Beach.  Within a year, she co-founded the lesbian, feminist organization Women's Energy Bank (WEB), which hosts monthly meetings (\"Salons\") for its female membership and produces the monthly publication \u003cemph render=\"italic\"\u003eWomyn's Words\u003c/emph\u003e. As a member of a number of activist organizations, including Old Lesbians Organizing for Change (OLOC), Southerners on New Ground (SONG), and Women in Black, Daly's work towards world peace has taken her to Europe, Asia, and beyond. Edie Daly also served on the University of South Florida's Women's Studies Advisory Board. She and her wife, Jackie Mirkin, were together for 26 years, and they worked for peace and justice in Gulfport, Florida and around the world until Mirkin's passing in 2023. Daly currently lives in Asheville, NC with her partner and continues her activism through OLOC and SONG.\u003c/p\u003e\n","\u003cp\u003eLearn more about Daly's life at https://storymaps.arcgis.com/stories/0682fc7d8a1349d38a9faf7987ba10d2.\u003c/p\u003e\n","\u003cp\u003eNote written by CBW. Edited by CC, 2026.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["In 1974, Edith \"Edie\" Daly \"came out\" as both an activist and lesbian.  In 1981, she returned to her home state of Florida where she opened a women's bookstore on Madeira Beach.  Within a year, she co-founded the lesbian, feminist organization Women's Energy Bank (WEB), which hosts monthly meetings (\"Salons\") for its female membership and produces the monthly publication  Womyn's Words . As a member of a number of activist organizations, including Old Lesbians Organizing for Change (OLOC), Southerners on New Ground (SONG), and Women in Black, Daly's work towards world peace has taken her to Europe, Asia, and beyond. Edie Daly also served on the University of South Florida's Women's Studies Advisory Board. She and her wife, Jackie Mirkin, were together for 26 years, and they worked for peace and justice in Gulfport, Florida and around the world until Mirkin's passing in 2023. Daly currently lives in Asheville, NC with her partner and continues her activism through OLOC and SONG.","Learn more about Daly's life at https://storymaps.arcgis.com/stories/0682fc7d8a1349d38a9faf7987ba10d2.","Note written by CBW. Edited by CC, 2026."],"prefercite_html_tesm":["\u003cp\u003eEdith Daly / Women's Energy Bank collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Edith Daly / Women's Energy Bank collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eMaterials related to the Women's Energy Bank's political and cultural activities in war resistance, gay and lesbian rights, environmental activism, and feminism.\u0026#xA0; Items include periodicals, pamphlets, leaflets, manuals, publications, newspaper clippings, programs, and personal correspondence.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials related to the Women's Energy Bank's political and cultural activities in war resistance, gay and lesbian rights, environmental activism, and feminism.  Items include periodicals, pamphlets, leaflets, manuals, publications, newspaper clippings, programs, and personal correspondence."],"separatedmaterial_html_tesm":["\u003cp\u003eWomyn's Words (newsletters)\nMichigan Womyn's Music Festival (programs)\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Womyn's Words (newsletters)\nMichigan Womyn's Music Festival (programs)"],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_035d6fc98144dc90e3c384ced17a9893\"\u003eThe papers of Edith Daly, a lesbian activist who co-founded the Women's Energy Bank, a group based in Pinellas County that supported progressive political causes and published the monthly newsletter \u003cemph render=\"italic\"\u003eWomyn's Words\u003c/emph\u003e.\u003c/abstract\u003e"],"abstract_tesim":["The papers of Edith Daly, a lesbian activist who co-founded the Women's Energy Bank, a group based in Pinellas County that supported progressive political causes and published the monthly newsletter  Womyn's Words ."],"names_ssim":["USF Libraries - Tampa Special Collections","Daly, Edith (1937-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Daly, Edith (1937-)"],"language_ssim":["English Croatian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1323,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871496586827137024,"_root_":"6a8ca297c8d957a918dee02d","timestamp":"2026-07-23T09:17:07.992Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6a8ca297c8d957a918dee02d_aspace_126457"}},{"id":"05176a8238a411947dafe2de_aspace_17090","type":"File","attributes":{"title":"Tim O'Brien Articles, 2006","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/05176a8238a411947dafe2de_aspace_17090#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_17090","ref_ssm":["aspace_17090","aspace_17090"],"id":"05176a8238a411947dafe2de_aspace_17090","title_filing_ssi":"Tim O'Brien Articles","title_ssm":["Tim O'Brien Articles"],"title_tesim":["Tim O'Brien Articles"],"unitdate_other_ssim":["2006"],"normalized_date_ssm":["2006"],"normalized_title_ssm":["Tim O'Brien Articles, 2006"],"text":["Tim O'Brien Articles, 2006","George and Anne Millay Collection, 1959-2006","Personal, 1965-2006","Wave Maker, 1965-2006","Folder 4","/repositories/4/archival_objects/37171","box 12","folder 4"],"component_level_isim":[3],"parent_ids_ssim":["05176a8238a411947dafe2de","05176a8238a411947dafe2de_aspace_16983","05176a8238a411947dafe2de_aspace_17079"],"parent_unittitles_ssm":["George and Anne Millay Collection, 1959-2006","Personal, 1965-2006","Wave Maker, 1965-2006"],"parent_unittitles_tesim":["George and Anne Millay Collection, 1959-2006","Personal, 1965-2006","Wave Maker, 1965-2006"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 4","/repositories/4/archival_objects/37171"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["George and Anne Millay Collection, 1959-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":605,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[2006],"containers_ssim":["box 12","folder 4"],"_nest_path_":"/components#3/components#20/components#6","_nest_parent_":"05176a8238a411947dafe2de_aspace_17079","_root_":"05176a8238a411947dafe2de","timestamp":"2026-07-09T03:02:51.250Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"05176a8238a411947dafe2de","title_ssm":["George and Anne Millay Collection"],"title_tesim":["George and Anne Millay Collection"],"ead_ssi":"05176a8238a411947dafe2de","unitdate_ssm":["1959-2006"],"unitdate_inclusive_ssm":["1959-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.079","/repositories/4/resources/154"],"text":["SC.079","/repositories/4/resources/154","George and Anne Millay Collection, 1959-2006","Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)","Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings","The entire collection is open for research.","The papers are arranged in five series by topic.","George Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.","\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.","\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.","\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.","\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004.","Collection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. ","Materials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes.","Other collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online  Library Catalog .","Series I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.","\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.","\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.","\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.","\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","George Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements.","UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, Anne, 1934-2006","Millay, George","English"],"unitid_tesim":["SC.079","/repositories/4/resources/154"],"normalized_date_ssm":["1959-2006"],"normalized_title_ssm":["George and Anne Millay Collection, 1959-2006"],"collection_title_tesim":["George and Anne Millay Collection, 1959-2006"],"collection_ssim":["George and Anne Millay Collection, 1959-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"geogname_ssim":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"creator_ssm":["Millay, Anne, 1934-2006"],"creator_ssim":["Millay, Anne, 1934-2006"],"creator_persname_ssim":["Millay, Anne, 1934-2006"],"creators_ssim":["Millay, Anne, 1934-2006"],"places_ssim":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Millay family donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2007 (CFM2007_15) and 2010 (CFM2010_04)."],"access_subjects_ssim":["Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"access_subjects_ssm":["Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"has_online_content_ssim":["false"],"extent_ssm":["21.25 Linear Feet 22 Boxes, 8 Flat Files, 5 Framed Items"],"extent_tesim":["21.25 Linear Feet 22 Boxes, 8 Flat Files, 5 Framed Items"],"genreform_ssim":["Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged in five series by topic.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The papers are arranged in five series by topic."],"bioghist_html_tesm":["\u003cp\u003eGeorge Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.\u003c/p\u003e\n","\u003cp\u003e\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.\u003c/p\u003e\n","\u003cp\u003e\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.\u003c/p\u003e\n","\u003cp\u003e\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.\u003c/p\u003e\n","\u003cp\u003e\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["George Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.","\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.","\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.","\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.","\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004."],"prefercite_html_tesm":["\u003cp\u003eGeorge and Anne Millay Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["George and Anne Millay Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. \u003c/p\u003e","\u003cp\u003eMaterials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. ","Materials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eOther collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.","\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.","\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.","\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.","\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2b9aba5ed67fc882ac4591fdb37c3fb\" label=\"Abstract\"\u003eGeorge Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements.\u003c/abstract\u003e"],"abstract_tesim":["George Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements."],"names_coll_ssim":["Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, George","Millay, Anne, 1934-2006"],"names_ssim":["UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, Anne, 1934-2006","Millay, George"],"corpname_ssim":["UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World"],"persname_ssim":["Millay, Anne, 1934-2006","Millay, George"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":680,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"05176a8238a411947dafe2de","timestamp":"2026-07-09T03:02:51.250Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/05176a8238a411947dafe2de_aspace_17090"}},{"id":"15d561ab269a5b61c0dfa233","type":"collection","attributes":{"title":"Tina Bucuvalas collection, 1984-2012","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/15d561ab269a5b61c0dfa233#creator","type":"document_value","attributes":{"value":["Bucuvalas, Tina"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/15d561ab269a5b61c0dfa233#abstract_or_scope","type":"document_value","attributes":{"value":["This collection consists primarily of cassette tapes, MD 80 discs, and publications related to residents and workers in Tarpon Springs, as well as the Greek culture of the area. Also included are oversized plans for fishing vessels."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/15d561ab269a5b61c0dfa233#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"15d561ab269a5b61c0dfa233","title_ssm":["Tina Bucuvalas collection"],"title_tesim":["Tina Bucuvalas collection"],"ead_ssi":"15d561ab269a5b61c0dfa233","unitdate_ssm":["1984-2012"],"unitdate_inclusive_ssm":["1984-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":[" MS.2026.05","/repositories/2/resources/773"],"text":[" MS.2026.05","/repositories/2/resources/773","Tina Bucuvalas collection, 1984-2012","Tarpon Springs (Fla.)","Sponge fisheries -- Florida","Sponge trade","Fishing boats","Greeks","Folk music","Folk songs","Sponge divers","Oral history","Some media items are not able to be played in the reading room.","Arranged by material type.","Tina Bucuvalas earned a master's degree in Folklore and Mythology from the University of California, Los Angeles and a doctorate in Folklore from Indiana University. She began working at the Historical Museum of Southern Florida, now HistoryMiami, where she established the South Florida Folklife Center. She served as State Folklorist for Florida from 1996 to 2009, where she documented Florida's traditional cultures.","Bucuvalas later receieved a Fullbright Scholarship to study public folklife in Greece, which fueled her interest in Florida's Greek community. In 2009, she was hired as the Curator of Arts and Historical Resources for the City of Tarpon Springs. Bucuvalas spearheaded efforts to integrate folklife into historic preservation of the area, resulting in the listing of Eatonville and Rose Hill Cemetaries in the National Register of Historic Places and a traditional cultural designation for Tarpon Springs' Greektown Historic District.","Source: https://dos.fl.gov/cultural/programs/florida-folklife-program/florida-folklife-40th-anniversary/the-people-that-got-us-here/tina-bucuvalas/","Bucuvalas, Tina, et al.  South Florida Folklife . Univ. Press of Mississippi, 1994.","‌Bucuvalas, Tina.  Greeks in Tarpon Springs . Arcadia Publishing, 1 Feb. 2016.","Bucuvalas, Tina, and Steve Frangos. [United States, Indiana and Illinois, Calumet Region and Chicago, Greek Americans, 1984]. https://iucat.iu.edu/catalog/28129, accessed 29 May 2026.","Interview with bouzouki player Spiros Skordiles . 1989-06-25. State Archives of Florida, Florida Memory. https://www.floridamemory.com/items/show/236145, accessed 29 May 2026.","Interview with sponge diving helmet maker Anthony Lerios . 1989-06-25. State Archives of Florida, Florida Memory. https://www.floridamemory.com/items/show/236144, accessed 29 May 2026.","Interview with Greek musician Phil Demas . 1989-06-25. State Archives of Florida, Florida Memory. https://floridamemory.com/items/show/236147, accessed 29 May 2026.","The Tina Bucuvalas collection primarily consists of audio cassette recordings of oral histories from members of the Greek community in Tarpon Springs, as well as recordings of music and events from the community. The collection also contains plans for fishing vessels and relevant publications from Bucuvalas' work in preserving Florida folklife and folk art.","Annual Florida Folk Festival programs separated and catalogued as part of the Floridiana book collection. Resource record can be found here: https://usf-flvc.primo.exlibrisgroup.com/nde/search?vid=01FALSC_USF:NDE_USF\u0026search_scope=MyInst_and_CI\u0026mode=advanced\u0026tab=Everything\u0026query=lds68,exact,Tina%20Bucuvalas%20Collection\u0026offset=0\u0026lang=en","None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","This collection consists primarily of cassette tapes, MD 80 discs, and publications related to residents and workers in Tarpon Springs, as well as the Greek culture of the area. Also included are oversized plans for fishing vessels.","USF Libraries - Tampa Special Collections","Bucuvalas, Tina","English Greek, Modern (1453-)"],"unitid_tesim":[" MS.2026.05","/repositories/2/resources/773"],"normalized_date_ssm":["1984-2012"],"normalized_title_ssm":["Tina Bucuvalas collection, 1984-2012"],"collection_title_tesim":["Tina Bucuvalas collection, 1984-2012"],"collection_ssim":["Tina Bucuvalas collection, 1984-2012"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tarpon Springs (Fla.)"],"geogname_ssim":["Tarpon Springs (Fla.)"],"creator_ssm":["Bucuvalas, Tina"],"creator_ssim":["Bucuvalas, Tina"],"creator_persname_ssim":["Bucuvalas, Tina"],"creators_ssim":["Bucuvalas, Tina"],"places_ssim":["Tarpon Springs (Fla.)"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Tina Bucuvalas","Donation"],"access_subjects_ssim":["Sponge fisheries -- Florida","Sponge trade","Fishing boats","Greeks","Folk music","Folk songs","Sponge divers","Oral history"],"access_subjects_ssm":["Sponge fisheries -- Florida","Sponge trade","Fishing boats","Greeks","Folk music","Folk songs","Sponge divers","Oral history"],"has_online_content_ssim":["false"],"extent_ssm":["1.75 Linear Feet","3 boxes"],"extent_tesim":["1.75 Linear Feet","3 boxes"],"genreform_ssim":["Oral history"],"date_range_isim":[1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eSome media items are not able to be played in the reading room.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Some media items are not able to be played in the reading room."],"arrangement_html_tesm":["\u003cp\u003eArranged by material type.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by material type."],"bioghist_html_tesm":["\u003cp\u003eTina Bucuvalas earned a master's degree in Folklore and Mythology from the University of California, Los Angeles and a doctorate in Folklore from Indiana University. She began working at the Historical Museum of Southern Florida, now HistoryMiami, where she established the South Florida Folklife Center. She served as State Folklorist for Florida from 1996 to 2009, where she documented Florida's traditional cultures.\u003c/p\u003e\n","\u003cp\u003eBucuvalas later receieved a Fullbright Scholarship to study public folklife in Greece, which fueled her interest in Florida's Greek community. In 2009, she was hired as the Curator of Arts and Historical Resources for the City of Tarpon Springs. Bucuvalas spearheaded efforts to integrate folklife into historic preservation of the area, resulting in the listing of Eatonville and Rose Hill Cemetaries in the National Register of Historic Places and a traditional cultural designation for Tarpon Springs' Greektown Historic District.\u003c/p\u003e\n","\u003cp\u003eSource: https://dos.fl.gov/cultural/programs/florida-folklife-program/florida-folklife-40th-anniversary/the-people-that-got-us-here/tina-bucuvalas/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Tina Bucuvalas earned a master's degree in Folklore and Mythology from the University of California, Los Angeles and a doctorate in Folklore from Indiana University. She began working at the Historical Museum of Southern Florida, now HistoryMiami, where she established the South Florida Folklife Center. She served as State Folklorist for Florida from 1996 to 2009, where she documented Florida's traditional cultures.","Bucuvalas later receieved a Fullbright Scholarship to study public folklife in Greece, which fueled her interest in Florida's Greek community. In 2009, she was hired as the Curator of Arts and Historical Resources for the City of Tarpon Springs. Bucuvalas spearheaded efforts to integrate folklife into historic preservation of the area, resulting in the listing of Eatonville and Rose Hill Cemetaries in the National Register of Historic Places and a traditional cultural designation for Tarpon Springs' Greektown Historic District.","Source: https://dos.fl.gov/cultural/programs/florida-folklife-program/florida-folklife-40th-anniversary/the-people-that-got-us-here/tina-bucuvalas/"],"prefercite_html_tesm":["\u003cp\u003eTina Bucuvalas collection, USF Libraries \u0026#x2013; Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Tina Bucuvalas collection, USF Libraries – Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eBucuvalas, Tina, et al. \u003cemph render=\"italic\"\u003eSouth Florida Folklife\u003c/emph\u003e. Univ. Press of Mississippi, 1994.\u003c/p\u003e\n","\u003cp\u003e\u0026#x200C;Bucuvalas, Tina. \u003cemph render=\"italic\"\u003eGreeks in Tarpon Springs\u003c/emph\u003e. Arcadia Publishing, 1 Feb. 2016.\u003c/p\u003e\n","\u003cp\u003eBucuvalas, Tina, and Steve Frangos. [United States, Indiana and Illinois, Calumet Region and Chicago, Greek Americans, 1984]. https://iucat.iu.edu/catalog/28129, accessed 29 May 2026.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eInterview with bouzouki player Spiros Skordiles\u003c/emph\u003e. 1989-06-25. State Archives of Florida, Florida Memory. https://www.floridamemory.com/items/show/236145, accessed 29 May 2026.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eInterview with sponge diving helmet maker Anthony Lerios\u003c/emph\u003e. 1989-06-25. State Archives of Florida, Florida Memory. https://www.floridamemory.com/items/show/236144, accessed 29 May 2026.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eInterview with Greek musician Phil Demas\u003c/emph\u003e. 1989-06-25. State Archives of Florida, Florida Memory. https://floridamemory.com/items/show/236147, accessed 29 May 2026.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Bucuvalas, Tina, et al.  South Florida Folklife . Univ. Press of Mississippi, 1994.","‌Bucuvalas, Tina.  Greeks in Tarpon Springs . Arcadia Publishing, 1 Feb. 2016.","Bucuvalas, Tina, and Steve Frangos. [United States, Indiana and Illinois, Calumet Region and Chicago, Greek Americans, 1984]. https://iucat.iu.edu/catalog/28129, accessed 29 May 2026.","Interview with bouzouki player Spiros Skordiles . 1989-06-25. State Archives of Florida, Florida Memory. https://www.floridamemory.com/items/show/236145, accessed 29 May 2026.","Interview with sponge diving helmet maker Anthony Lerios . 1989-06-25. State Archives of Florida, Florida Memory. https://www.floridamemory.com/items/show/236144, accessed 29 May 2026.","Interview with Greek musician Phil Demas . 1989-06-25. State Archives of Florida, Florida Memory. https://floridamemory.com/items/show/236147, accessed 29 May 2026."],"scopecontent_html_tesm":["\u003cp\u003eThe Tina Bucuvalas collection primarily consists of audio cassette recordings of oral histories from members of the Greek community in Tarpon Springs, as well as recordings of music and events from the community. The collection also contains plans for fishing vessels and relevant publications from Bucuvalas' work in preserving Florida folklife and folk art.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Tina Bucuvalas collection primarily consists of audio cassette recordings of oral histories from members of the Greek community in Tarpon Springs, as well as recordings of music and events from the community. The collection also contains plans for fishing vessels and relevant publications from Bucuvalas' work in preserving Florida folklife and folk art."],"separatedmaterial_html_tesm":["\u003cp\u003eAnnual Florida Folk Festival programs separated and catalogued as part of the Floridiana book collection. Resource record can be found here: https://usf-flvc.primo.exlibrisgroup.com/nde/search?vid=01FALSC_USF:NDE_USF\u0026amp;search_scope=MyInst_and_CI\u0026amp;mode=advanced\u0026amp;tab=Everything\u0026amp;query=lds68,exact,Tina%20Bucuvalas%20Collection\u0026amp;offset=0\u0026amp;lang=en\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Annual Florida Folk Festival programs separated and catalogued as part of the Floridiana book collection. Resource record can be found here: https://usf-flvc.primo.exlibrisgroup.com/nde/search?vid=01FALSC_USF:NDE_USF\u0026search_scope=MyInst_and_CI\u0026mode=advanced\u0026tab=Everything\u0026query=lds68,exact,Tina%20Bucuvalas%20Collection\u0026offset=0\u0026lang=en"],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4297888f7b585353423e0031459217a1\"\u003eThis collection consists primarily of cassette tapes, MD 80 discs, and publications related to residents and workers in Tarpon Springs, as well as the Greek culture of the area. Also included are oversized plans for fishing vessels.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists primarily of cassette tapes, MD 80 discs, and publications related to residents and workers in Tarpon Springs, as well as the Greek culture of the area. Also included are oversized plans for fishing vessels."],"names_ssim":["USF Libraries - Tampa Special Collections","Bucuvalas, Tina"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Bucuvalas, Tina"],"language_ssim":["English Greek, Modern (1453-)"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":86,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877747726777581568,"_root_":"15d561ab269a5b61c0dfa233","timestamp":"2026-09-30T09:16:19.717Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"15d561ab269a5b61c0dfa233","title_ssm":["Tina Bucuvalas collection"],"title_tesim":["Tina Bucuvalas collection"],"ead_ssi":"15d561ab269a5b61c0dfa233","unitdate_ssm":["1984-2012"],"unitdate_inclusive_ssm":["1984-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":[" MS.2026.05","/repositories/2/resources/773"],"text":[" MS.2026.05","/repositories/2/resources/773","Tina Bucuvalas collection, 1984-2012","Tarpon Springs (Fla.)","Sponge fisheries -- Florida","Sponge trade","Fishing boats","Greeks","Folk music","Folk songs","Sponge divers","Oral history","Some media items are not able to be played in the reading room.","Arranged by material type.","Tina Bucuvalas earned a master's degree in Folklore and Mythology from the University of California, Los Angeles and a doctorate in Folklore from Indiana University. She began working at the Historical Museum of Southern Florida, now HistoryMiami, where she established the South Florida Folklife Center. She served as State Folklorist for Florida from 1996 to 2009, where she documented Florida's traditional cultures.","Bucuvalas later receieved a Fullbright Scholarship to study public folklife in Greece, which fueled her interest in Florida's Greek community. In 2009, she was hired as the Curator of Arts and Historical Resources for the City of Tarpon Springs. Bucuvalas spearheaded efforts to integrate folklife into historic preservation of the area, resulting in the listing of Eatonville and Rose Hill Cemetaries in the National Register of Historic Places and a traditional cultural designation for Tarpon Springs' Greektown Historic District.","Source: https://dos.fl.gov/cultural/programs/florida-folklife-program/florida-folklife-40th-anniversary/the-people-that-got-us-here/tina-bucuvalas/","Bucuvalas, Tina, et al.  South Florida Folklife . Univ. Press of Mississippi, 1994.","‌Bucuvalas, Tina.  Greeks in Tarpon Springs . Arcadia Publishing, 1 Feb. 2016.","Bucuvalas, Tina, and Steve Frangos. [United States, Indiana and Illinois, Calumet Region and Chicago, Greek Americans, 1984]. https://iucat.iu.edu/catalog/28129, accessed 29 May 2026.","Interview with bouzouki player Spiros Skordiles . 1989-06-25. State Archives of Florida, Florida Memory. https://www.floridamemory.com/items/show/236145, accessed 29 May 2026.","Interview with sponge diving helmet maker Anthony Lerios . 1989-06-25. State Archives of Florida, Florida Memory. https://www.floridamemory.com/items/show/236144, accessed 29 May 2026.","Interview with Greek musician Phil Demas . 1989-06-25. State Archives of Florida, Florida Memory. https://floridamemory.com/items/show/236147, accessed 29 May 2026.","The Tina Bucuvalas collection primarily consists of audio cassette recordings of oral histories from members of the Greek community in Tarpon Springs, as well as recordings of music and events from the community. The collection also contains plans for fishing vessels and relevant publications from Bucuvalas' work in preserving Florida folklife and folk art.","Annual Florida Folk Festival programs separated and catalogued as part of the Floridiana book collection. Resource record can be found here: https://usf-flvc.primo.exlibrisgroup.com/nde/search?vid=01FALSC_USF:NDE_USF\u0026search_scope=MyInst_and_CI\u0026mode=advanced\u0026tab=Everything\u0026query=lds68,exact,Tina%20Bucuvalas%20Collection\u0026offset=0\u0026lang=en","None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","This collection consists primarily of cassette tapes, MD 80 discs, and publications related to residents and workers in Tarpon Springs, as well as the Greek culture of the area. Also included are oversized plans for fishing vessels.","USF Libraries - Tampa Special Collections","Bucuvalas, Tina","English Greek, Modern (1453-)"],"unitid_tesim":[" MS.2026.05","/repositories/2/resources/773"],"normalized_date_ssm":["1984-2012"],"normalized_title_ssm":["Tina Bucuvalas collection, 1984-2012"],"collection_title_tesim":["Tina Bucuvalas collection, 1984-2012"],"collection_ssim":["Tina Bucuvalas collection, 1984-2012"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Tarpon Springs (Fla.)"],"geogname_ssim":["Tarpon Springs (Fla.)"],"creator_ssm":["Bucuvalas, Tina"],"creator_ssim":["Bucuvalas, Tina"],"creator_persname_ssim":["Bucuvalas, Tina"],"creators_ssim":["Bucuvalas, Tina"],"places_ssim":["Tarpon Springs (Fla.)"],"access_terms_ssm":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Tina Bucuvalas","Donation"],"access_subjects_ssim":["Sponge fisheries -- Florida","Sponge trade","Fishing boats","Greeks","Folk music","Folk songs","Sponge divers","Oral history"],"access_subjects_ssm":["Sponge fisheries -- Florida","Sponge trade","Fishing boats","Greeks","Folk music","Folk songs","Sponge divers","Oral history"],"has_online_content_ssim":["false"],"extent_ssm":["1.75 Linear Feet","3 boxes"],"extent_tesim":["1.75 Linear Feet","3 boxes"],"genreform_ssim":["Oral history"],"date_range_isim":[1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eSome media items are not able to be played in the reading room.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Some media items are not able to be played in the reading room."],"arrangement_html_tesm":["\u003cp\u003eArranged by material type.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by material type."],"bioghist_html_tesm":["\u003cp\u003eTina Bucuvalas earned a master's degree in Folklore and Mythology from the University of California, Los Angeles and a doctorate in Folklore from Indiana University. She began working at the Historical Museum of Southern Florida, now HistoryMiami, where she established the South Florida Folklife Center. She served as State Folklorist for Florida from 1996 to 2009, where she documented Florida's traditional cultures.\u003c/p\u003e\n","\u003cp\u003eBucuvalas later receieved a Fullbright Scholarship to study public folklife in Greece, which fueled her interest in Florida's Greek community. In 2009, she was hired as the Curator of Arts and Historical Resources for the City of Tarpon Springs. Bucuvalas spearheaded efforts to integrate folklife into historic preservation of the area, resulting in the listing of Eatonville and Rose Hill Cemetaries in the National Register of Historic Places and a traditional cultural designation for Tarpon Springs' Greektown Historic District.\u003c/p\u003e\n","\u003cp\u003eSource: https://dos.fl.gov/cultural/programs/florida-folklife-program/florida-folklife-40th-anniversary/the-people-that-got-us-here/tina-bucuvalas/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Tina Bucuvalas earned a master's degree in Folklore and Mythology from the University of California, Los Angeles and a doctorate in Folklore from Indiana University. She began working at the Historical Museum of Southern Florida, now HistoryMiami, where she established the South Florida Folklife Center. She served as State Folklorist for Florida from 1996 to 2009, where she documented Florida's traditional cultures.","Bucuvalas later receieved a Fullbright Scholarship to study public folklife in Greece, which fueled her interest in Florida's Greek community. In 2009, she was hired as the Curator of Arts and Historical Resources for the City of Tarpon Springs. Bucuvalas spearheaded efforts to integrate folklife into historic preservation of the area, resulting in the listing of Eatonville and Rose Hill Cemetaries in the National Register of Historic Places and a traditional cultural designation for Tarpon Springs' Greektown Historic District.","Source: https://dos.fl.gov/cultural/programs/florida-folklife-program/florida-folklife-40th-anniversary/the-people-that-got-us-here/tina-bucuvalas/"],"prefercite_html_tesm":["\u003cp\u003eTina Bucuvalas collection, USF Libraries \u0026#x2013; Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Tina Bucuvalas collection, USF Libraries – Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eBucuvalas, Tina, et al. \u003cemph render=\"italic\"\u003eSouth Florida Folklife\u003c/emph\u003e. Univ. Press of Mississippi, 1994.\u003c/p\u003e\n","\u003cp\u003e\u0026#x200C;Bucuvalas, Tina. \u003cemph render=\"italic\"\u003eGreeks in Tarpon Springs\u003c/emph\u003e. Arcadia Publishing, 1 Feb. 2016.\u003c/p\u003e\n","\u003cp\u003eBucuvalas, Tina, and Steve Frangos. [United States, Indiana and Illinois, Calumet Region and Chicago, Greek Americans, 1984]. https://iucat.iu.edu/catalog/28129, accessed 29 May 2026.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eInterview with bouzouki player Spiros Skordiles\u003c/emph\u003e. 1989-06-25. State Archives of Florida, Florida Memory. https://www.floridamemory.com/items/show/236145, accessed 29 May 2026.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eInterview with sponge diving helmet maker Anthony Lerios\u003c/emph\u003e. 1989-06-25. State Archives of Florida, Florida Memory. https://www.floridamemory.com/items/show/236144, accessed 29 May 2026.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"italic\"\u003eInterview with Greek musician Phil Demas\u003c/emph\u003e. 1989-06-25. State Archives of Florida, Florida Memory. https://floridamemory.com/items/show/236147, accessed 29 May 2026.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Bucuvalas, Tina, et al.  South Florida Folklife . Univ. Press of Mississippi, 1994.","‌Bucuvalas, Tina.  Greeks in Tarpon Springs . Arcadia Publishing, 1 Feb. 2016.","Bucuvalas, Tina, and Steve Frangos. [United States, Indiana and Illinois, Calumet Region and Chicago, Greek Americans, 1984]. https://iucat.iu.edu/catalog/28129, accessed 29 May 2026.","Interview with bouzouki player Spiros Skordiles . 1989-06-25. State Archives of Florida, Florida Memory. https://www.floridamemory.com/items/show/236145, accessed 29 May 2026.","Interview with sponge diving helmet maker Anthony Lerios . 1989-06-25. State Archives of Florida, Florida Memory. https://www.floridamemory.com/items/show/236144, accessed 29 May 2026.","Interview with Greek musician Phil Demas . 1989-06-25. State Archives of Florida, Florida Memory. https://floridamemory.com/items/show/236147, accessed 29 May 2026."],"scopecontent_html_tesm":["\u003cp\u003eThe Tina Bucuvalas collection primarily consists of audio cassette recordings of oral histories from members of the Greek community in Tarpon Springs, as well as recordings of music and events from the community. The collection also contains plans for fishing vessels and relevant publications from Bucuvalas' work in preserving Florida folklife and folk art.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Tina Bucuvalas collection primarily consists of audio cassette recordings of oral histories from members of the Greek community in Tarpon Springs, as well as recordings of music and events from the community. The collection also contains plans for fishing vessels and relevant publications from Bucuvalas' work in preserving Florida folklife and folk art."],"separatedmaterial_html_tesm":["\u003cp\u003eAnnual Florida Folk Festival programs separated and catalogued as part of the Floridiana book collection. Resource record can be found here: https://usf-flvc.primo.exlibrisgroup.com/nde/search?vid=01FALSC_USF:NDE_USF\u0026amp;search_scope=MyInst_and_CI\u0026amp;mode=advanced\u0026amp;tab=Everything\u0026amp;query=lds68,exact,Tina%20Bucuvalas%20Collection\u0026amp;offset=0\u0026amp;lang=en\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Annual Florida Folk Festival programs separated and catalogued as part of the Floridiana book collection. Resource record can be found here: https://usf-flvc.primo.exlibrisgroup.com/nde/search?vid=01FALSC_USF:NDE_USF\u0026search_scope=MyInst_and_CI\u0026mode=advanced\u0026tab=Everything\u0026query=lds68,exact,Tina%20Bucuvalas%20Collection\u0026offset=0\u0026lang=en"],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4297888f7b585353423e0031459217a1\"\u003eThis collection consists primarily of cassette tapes, MD 80 discs, and publications related to residents and workers in Tarpon Springs, as well as the Greek culture of the area. Also included are oversized plans for fishing vessels.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists primarily of cassette tapes, MD 80 discs, and publications related to residents and workers in Tarpon Springs, as well as the Greek culture of the area. Also included are oversized plans for fishing vessels."],"names_ssim":["USF Libraries - Tampa Special Collections","Bucuvalas, Tina"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Bucuvalas, Tina"],"language_ssim":["English Greek, Modern (1453-)"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":86,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877747726777581568,"_root_":"15d561ab269a5b61c0dfa233","timestamp":"2026-09-30T09:16:19.717Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/15d561ab269a5b61c0dfa233"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Southwest Florida Regional Planning Council Collection, 1920-2020","value":"Southwest Florida Regional Planning Council Collection, 1920-2020","hits":310},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Southwest+Florida+Regional+Planning+Council+Collection%2C+1920-2020\u0026f%5Bdate_range%5D%5B%5D=2006"}},{"attributes":{"label":"Democratic Women's Club of Florida, Inc. 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