{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026page=115","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026page=114","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026page=116","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2005\u0026page=367"},"meta":{"pages":{"current_page":115,"next_page":116,"prev_page":114,"total_pages":367,"limit_value":10,"offset_value":1140,"total_count":3664,"first_page?":false,"last_page?":false}},"data":[{"id":"b1453870beef516d654c01ec_aspace_f0c983c025e98d7e694ad008543d5278","type":"Series","attributes":{"title":"Exhibition Catalogues, bulk 2005-2022","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b1453870beef516d654c01ec_aspace_f0c983c025e98d7e694ad008543d5278#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_f0c983c025e98d7e694ad008543d5278","ref_ssm":["aspace_f0c983c025e98d7e694ad008543d5278","aspace_f0c983c025e98d7e694ad008543d5278"],"id":"b1453870beef516d654c01ec_aspace_f0c983c025e98d7e694ad008543d5278","title_filing_ssi":"Exhibition Catalogues","title_ssm":["Exhibition Catalogues"],"title_tesim":["Exhibition Catalogues"],"unitdate_bulk_ssim":["2005-2022"],"normalized_date_ssm":["bulk 2005-2022"],"normalized_title_ssm":["Exhibition Catalogues, bulk 2005-2022"],"text":["Exhibition Catalogues, bulk 2005-2022","FAU University Galleries, 1973-2023, 1973-2023","/repositories/2/archival_objects/81881"],"component_level_isim":[1],"parent_ids_ssim":["b1453870beef516d654c01ec"],"parent_unittitles_ssm":["FAU University Galleries, 1973-2023, 1973-2023"],"parent_unittitles_tesim":["FAU University Galleries, 1973-2023, 1973-2023"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/81881"],"repository_ssim":["Florida Atlantic University Libraries"],"collection_ssim":["FAU University Galleries, 1973-2023, 1973-2023"],"has_online_content_ssim":["false"],"child_component_count_isi":38,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":140,"date_range_isim":[2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"_nest_path_":"/components#6","_nest_parent_":"b1453870beef516d654c01ec","_root_":"b1453870beef516d654c01ec","_version_":1870841804578881536,"timestamp":"2026-07-16T03:49:39.084Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b1453870beef516d654c01ec","title_ssm":["FAU University Galleries, 1973-2023"],"title_tesim":["FAU University Galleries, 1973-2023"],"ead_ssi":"b1453870beef516d654c01ec","unitdate_ssm":["1973-2023"],"unitdate_inclusive_ssm":["1973-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA00026","/repositories/2/resources/182"],"text":["UA00026","/repositories/2/resources/182","FAU University Galleries, 1973-2023, 1973-2023","Florida","Art, Modern -- 20th century","Florida Atlantic University -- History","The University Galleries-FAU Collection documents the activities of the Ritter Gallery and the Schmidt Center Gallery between 1973 and 2009. It contains the initial proposal for the creation of the Ritter Gallery and documentation on the later development of the Schmidt Center Gallery. The bulk of the collection centers on the annual exhibition and programming schedule of and for student, faculty and general exhibitions. There is also information on earlier exhibition spaces in the S.E. Wimberly Library. Materials in the collection are a mix of text and images, and includes  correspondence, memoranda, letters, press releases, newspaper clippings, catalogs for faculty, student and general exhibitions, and related printed matter. There is also documentation on campus public art and artist files. Among other formats scattered throughout the collection are photographs, slides and  negatives.","Florida Atlantic University Libraries","English"],"unitid_tesim":["UA00026","/repositories/2/resources/182"],"normalized_date_ssm":["1973-2023"],"normalized_title_ssm":["FAU University Galleries, 1973-2023, 1973-2023"],"collection_title_tesim":["FAU University Galleries, 1973-2023, 1973-2023"],"collection_ssim":["FAU University Galleries, 1973-2023, 1973-2023"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"geogname_ssm":["Florida"],"geogname_ssim":["Florida"],"places_ssim":["Florida"],"access_subjects_ssim":["Art, Modern -- 20th century","Florida Atlantic University -- History"],"access_subjects_ssm":["Art, Modern -- 20th century","Florida Atlantic University -- History"],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes"],"extent_tesim":["3 boxes"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"scopecontent_html_tesm":["\u003cp\u003eThe University Galleries-FAU Collection documents the activities of the Ritter Gallery and the Schmidt Center Gallery between 1973 and 2009. It contains the initial proposal for the creation of the Ritter Gallery and documentation on the later development of the Schmidt Center Gallery. The bulk of the collection centers on the annual exhibition and programming schedule of and for student, faculty and general exhibitions. There is also information on earlier exhibition spaces in the S.E. Wimberly Library. Materials in the collection are a mix of text and images, and includes  correspondence, memoranda, letters, press releases, newspaper clippings, catalogs for faculty, student and general exhibitions, and related printed matter. There is also documentation on campus public art and artist files. Among other formats scattered throughout the collection are photographs, slides and  negatives.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The University Galleries-FAU Collection documents the activities of the Ritter Gallery and the Schmidt Center Gallery between 1973 and 2009. It contains the initial proposal for the creation of the Ritter Gallery and documentation on the later development of the Schmidt Center Gallery. The bulk of the collection centers on the annual exhibition and programming schedule of and for student, faculty and general exhibitions. There is also information on earlier exhibition spaces in the S.E. Wimberly Library. Materials in the collection are a mix of text and images, and includes  correspondence, memoranda, letters, press releases, newspaper clippings, catalogs for faculty, student and general exhibitions, and related printed matter. There is also documentation on campus public art and artist files. Among other formats scattered throughout the collection are photographs, slides and  negatives."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":178,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870841804578881536,"_root_":"b1453870beef516d654c01ec","timestamp":"2026-07-16T03:49:39.084Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b1453870beef516d654c01ec_aspace_f0c983c025e98d7e694ad008543d5278"}},{"id":"eccf200246c0c0801ef714fb_aspace_47269","type":"File","attributes":{"title":"Exhibitions \u0026 Happenings, Press reactions, reviews, media documents, excerpts, 1999-2009","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/eccf200246c0c0801ef714fb_aspace_47269#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_47269","ref_ssm":["aspace_47269","aspace_47269"],"id":"eccf200246c0c0801ef714fb_aspace_47269","title_filing_ssi":"Exhibitions \u0026 Happenings, Press reactions, reviews, media documents, excerpts","title_ssm":["Exhibitions \u0026 Happenings, Press reactions, reviews, media documents, excerpts"],"title_tesim":["Exhibitions \u0026 Happenings, Press reactions, reviews, media documents, excerpts"],"unitdate_inclusive_ssm":["1999-2009"],"normalized_date_ssm":["1999-2009"],"normalized_title_ssm":["Exhibitions \u0026 Happenings, Press reactions, reviews, media documents, excerpts, 1999-2009"],"text":["Exhibitions \u0026 Happenings, Press reactions, reviews, media documents, excerpts, 1999-2009","Walter Gaudnek Collection, 1945-2009","Portfolios, 1961-2009","Viva Gem: Jubilaum 10 Jahre, Gaudnek Europa Museum, 1999-2009","Portfolio 5","/repositories/4/archival_objects/20003"],"component_level_isim":[3],"parent_ids_ssim":["eccf200246c0c0801ef714fb","eccf200246c0c0801ef714fb_aspace_47259","eccf200246c0c0801ef714fb_aspace_47268"],"parent_unittitles_ssm":["Walter Gaudnek Collection, 1945-2009","Portfolios, 1961-2009","Viva Gem: Jubilaum 10 Jahre, Gaudnek Europa Museum, 1999-2009"],"parent_unittitles_tesim":["Walter Gaudnek Collection, 1945-2009","Portfolios, 1961-2009","Viva Gem: Jubilaum 10 Jahre, Gaudnek Europa Museum, 1999-2009"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Portfolio 5","/repositories/4/archival_objects/20003"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Walter Gaudnek Collection, 1945-2009"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":377,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"_nest_path_":"/components#4/components#4/components#0","_nest_parent_":"eccf200246c0c0801ef714fb_aspace_47268","_root_":"eccf200246c0c0801ef714fb","timestamp":"2026-04-21T03:53:25.929Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"eccf200246c0c0801ef714fb","title_ssm":["Walter Gaudnek Collection"],"title_tesim":["Walter Gaudnek Collection"],"ead_ssi":"eccf200246c0c0801ef714fb","unitdate_ssm":["1945-2009"],"unitdate_inclusive_ssm":["1945-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.053","/repositories/4/resources/88"],"text":["SC.053","/repositories/4/resources/88","Walter Gaudnek Collection, 1945-2009","University of Central Florida","Artists","The collection is open for research.","Walter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altomünster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries.","News clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.","Collection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.","Flying Horse Editions","University of Central Florida Office of the President Records , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","University of Central Florida Photograph Collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Art that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). ","The Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.","\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.","\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.","\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.","\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.","\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.","\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order.","Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.","The Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy.","UCF Special Collections","Gaudnek, Walter, 1931-","English"],"unitid_tesim":["SC.053","/repositories/4/resources/88"],"normalized_date_ssm":["1945-2009"],"normalized_title_ssm":["Walter Gaudnek Collection, 1945-2009"],"collection_title_tesim":["Walter Gaudnek Collection, 1945-2009"],"collection_ssim":["Walter Gaudnek Collection, 1945-2009"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The materials were transferred to the Special Collections and University Archives by Dr. Walter Gaudnek in 2004 (CFM2004_01), 2006, and 2007 (CFM2007_XX)."],"access_subjects_ssim":["University of Central Florida","Artists"],"access_subjects_ssm":["University of Central Florida","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["7.25 Linear Feet 7 Boxes, 6 Portfolios, 1 Flat File"],"extent_tesim":["7.25 Linear Feet 7 Boxes, 6 Portfolios, 1 Flat File"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eWalter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altom\u0026#xFC;nster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Walter Gaudnek, Ph.D., born in 1931 in Czechoslovakia is a self-proclaimed 'rebel artist'. Known for his blending of bold colors with philosophy, labyrinth installations, and personal mixtures of performance and art, Gaudnek has influenced generations with his stark look at world issues through these mediums. Gaudnek continues his work today both as an artist and an educator with the University of Central Florida's Art Department. Gaudnek's work is featured in permanent collections around the world, including the Gaudnek Studio in Altomünster, Germany (now the Gaudnek Museum) and at the University of Central Florida libraries."],"prefercite_html_tesm":["\u003cp\u003eWalter Gaudnek Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Walter Gaudnek Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eNews clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.\u003c/p\u003e","\u003cp\u003eCollection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["News clippings were photocopied onto acid-free paper and metal clips replaced with plastic clips. Some materials were rehoused in acid-free folders while all of the manuscript material is held in boxes. Duplicates were removed and several pieces of art are stored in a climate controlled facility. Additional materials added as receieved.","Collection processed by April Karlene Anderson; finding aid prepared by April Karlene Anderson."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"http://flyinghorse.cah.ucf.edu\"\u003eFlying Horse Editions\u003c/extref\u003e\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"https://library.ucf.edu/about/departments/special-collections-university-archives/university-archives/university-archives-collection-guides/#UniversityPresidentsRecords\"\u003eUniversity of Central Florida Office of the President Records\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003e\u003cextref href=\"http://purl.flvc.org/UCF/ead/UCFPhotographs\"\u003eUniversity of Central Florida Photograph Collection\u003c/extref\u003e, Special Collections \u0026amp; University Archives, University of Central Florida Libraries, Orlando, Florida.\u003c/p\u003e\n","\u003cp\u003eArt that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Flying Horse Editions","University of Central Florida Office of the President Records , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","University of Central Florida Photograph Collection , Special Collections \u0026 University Archives, University of Central Florida Libraries, Orlando, Florida.","Art that can be found in the John C. Hitt Library includes: Science and Humanities (1989) and Mapping the Florida Terrain (1989). "],"scopecontent_html_tesm":["\u003cp\u003eThe Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.\u003c/p\u003e\n","\u003cp\u003e\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Gaudnek Collection includes manuscript materials, exhibition booklets, pamphlets, photographs, news articles, original artwork and posters. The collection is divided into six series.","\nSeries I: Exhibition Booklets, 1980-2005, are five art exhibition books in both English and German that focus on specific exhibitions by the artist. These books are what a patron could purchase or would receive with admission to an art exhibition. Exhibition booklets also appear in multiple bound books found in series III.","\nSeries II: Posters and Photographs, 1969-2007, comprises publicity posters and photographs used to promote various exhibitions.","\nSeries III: Artist Books, 1945-2008, are books that were specially bound by Flying Horse Press at the request of the artist and contains memorabilia either produced by or for the artist. The books are created according to themes and time periods important to the artist. Some compilation books have been created by third parties. The books cover a wide span of time, including Gaudnek's early years as an artist in college through to his more current work at the University of Central Florida.","\nSeries IV: Oversize Artist Books, 1962-2006, are bound by UCF Library contains \"Gaudnek Broadway Drawings\" dating from 1962-1968 and compiled in 2006. \"Elegy to New Orleans\" is another title compiled by Gaudnek which includes art and media photographs from the aftermath of Hurricane Katrina in New Orleans, Louisiana. Series also holds a title \"Walter Gaudnek Introspective Portraits\" compiled by University of Central Florida Professor Jagdish J. Chavda.","\nSeries V: Portfolios, 1961-2009, includes portfolios that are housed in individiual custom constructed from hard archival cover board. Portfolios contain Gaudnek's digital collage prints, signed and dated by the artist.","\nSeries VI: Miscellaneous, 1969-2007, holds various exhibition announcements, articles, news clippings, correspondence, and a photograph related to Gaudnek's work. Items are arranged in chronological order."],"userestrict_html_tesm":["\u003cp\u003eUnpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished records are protected by copyright. Permission to publish quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4f11a3ccc45b185611fc52b134bae889\" label=\"Abstract\"\u003eThe Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy.\u003c/abstract\u003e"],"abstract_tesim":["The Walter Gaudnek Collection comprises manuscript materials, original works, posters, and photographs that chronicle the life and artistic development of Dr. Walter Gaudnek, a University of Central Florida art faculty member. Ranging from 1945 to the present, the collection focuses on the artist and gives voice to Gaudnek's fans and critics alike. World events such as the 1972 Olympic Games, the Holocaust, and the September 11th attacks are featured in the collection through his work both as a commissioned artist who is witness to the event (Munich Games) and as an artist expressing his deep emotions for human tragedy."],"names_ssim":["UCF Special Collections","Gaudnek, Walter, 1931-"],"corpname_ssim":["UCF Special Collections"],"names_coll_ssim":["Gaudnek, Walter, 1931-"],"persname_ssim":["Gaudnek, Walter, 1931-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":412,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"eccf200246c0c0801ef714fb","timestamp":"2026-04-21T03:53:25.929Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/eccf200246c0c0801ef714fb_aspace_47269"}},{"id":"ec636735327499b3b8a45f21_aspace_5af1b80f96b8b6d652c98c5ddb6720d7","type":"File","attributes":{"title":"Exhibitions - New York, 2001-2014","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ec636735327499b3b8a45f21_aspace_5af1b80f96b8b6d652c98c5ddb6720d7#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5af1b80f96b8b6d652c98c5ddb6720d7","ref_ssm":["aspace_5af1b80f96b8b6d652c98c5ddb6720d7","aspace_5af1b80f96b8b6d652c98c5ddb6720d7"],"id":"ec636735327499b3b8a45f21_aspace_5af1b80f96b8b6d652c98c5ddb6720d7","title_filing_ssi":"Exhibitions - New York","title_ssm":["Exhibitions - New York"],"title_tesim":["Exhibitions - New York"],"unitdate_inclusive_ssm":["2001-2014"],"normalized_date_ssm":["2001-2014"],"normalized_title_ssm":["Exhibitions - New York, 2001-2014"],"text":["Exhibitions - New York, 2001-2014","Dianora Niccolini collection, 1973-2022","Museum Files","/repositories/2/archival_objects/147620","box 2","folder 2","Includes gallery postcards and documents for exhibits at the Throckmorton Fine Art and Think Liquid."],"component_level_isim":[2],"parent_ids_ssim":["ec636735327499b3b8a45f21","ec636735327499b3b8a45f21_aspace_5ae82eb1e3c9a2b019d6329d58839a02"],"parent_unittitles_ssm":["Dianora Niccolini collection, 1973-2022","Museum Files"],"parent_unittitles_tesim":["Dianora Niccolini collection, 1973-2022","Museum Files"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/2/archival_objects/147620"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Dianora Niccolini collection, 1973-2022"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":51,"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"containers_ssim":["box 2","folder 2"],"odd_html_tesm":["\u003cp\u003eIncludes gallery postcards and documents for exhibits at the Throckmorton Fine Art and Think Liquid.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Includes gallery postcards and documents for exhibits at the Throckmorton Fine Art and Think Liquid."],"_nest_path_":"/components#1/components#1","_nest_parent_":"ec636735327499b3b8a45f21_aspace_5ae82eb1e3c9a2b019d6329d58839a02","_root_":"ec636735327499b3b8a45f21","timestamp":"2026-04-21T05:36:10.799Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ec636735327499b3b8a45f21","title_ssm":["Dianora Niccolini collection"],"title_tesim":["Dianora Niccolini collection"],"ead_ssi":"ec636735327499b3b8a45f21","unitdate_ssm":["1973-2022"],"unitdate_inclusive_ssm":["1973-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2022-05","/repositories/2/resources/608"],"text":["MS-2022-05","/repositories/2/resources/608","Dianora Niccolini collection, 1973-2022","Photography","Photography, Erotic","Photography of the nude","Artists","Collection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained.","Dianora Niccolini was born in Florence, Italy, but moved to the United States at the age of nine. Niccolini relocated to New York City to study art, but moved from the realm of dance to photography after meeting the noted photographer Weegee. Niccolini's first exhibit was a 1974 study of female nudes, followed by a Sunday New York Times-reviewed show of the male nude the following year. Niccolini is considered a pioneering female photographer in the realm of photographing the male nude and her images of the male nude pre-date those of body builders popularized by Robert Mapplethorpe. Her photographs have been featured in several anthologies of nude figurative photography. Niccolini was the first president of Professional Women Photographers (PWP), serving 1979-1984, under which PWP became the leading professional organization of its kind. Niccolini has taught photography at the Germain school of photography, The New York Institute of photography, The New York Institute of Technology and, The Learning Annex.","This collection includes original silver gelatin photographs and chemomonoprints by photographer Dianora Niccolini, as well as a poster and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, periodicals that include Niccolini's photographs, correspondence, exhibition files, biographical material, and related research materials.","Oversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection is comprised of a series of original photographs and supporting documents tracing the career of Dianora Niccolini, an Italian-born American photographer. Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Niccolini's photographs. Cataloged alongside the archival materials are a series of books featuring Niccolini's photographs, as well as select catalogs of exhibits.","USF Libraries - Tampa Special Collections","Niccolini, Dianora ","English"],"unitid_tesim":["MS-2022-05","/repositories/2/resources/608"],"normalized_date_ssm":["1973-2022"],"normalized_title_ssm":["Dianora Niccolini collection, 1973-2022"],"collection_title_tesim":["Dianora Niccolini collection, 1973-2022"],"collection_ssim":["Dianora Niccolini collection, 1973-2022"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Photography","Photography, Erotic","Photography of the nude","Artists"],"access_subjects_ssm":["Photography","Photography, Erotic","Photography of the nude","Artists"],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes","1.25 Linear Feet"],"extent_tesim":["3 boxes","1.25 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained."],"bioghist_html_tesm":["\u003cp\u003eDianora Niccolini was born in Florence, Italy, but moved to the United States at the age of nine. Niccolini relocated to New York City to study art, but moved from the realm of dance to photography after meeting the noted photographer Weegee. Niccolini's first exhibit was a 1974 study of female nudes, followed by a Sunday New York Times-reviewed show of the male nude the following year. Niccolini is considered a pioneering female photographer in the realm of photographing the male nude and her images of the male nude pre-date those of body builders popularized by Robert Mapplethorpe. Her photographs have been featured in several anthologies of nude figurative photography. Niccolini was the first president of Professional Women Photographers (PWP), serving 1979-1984, under which PWP became the leading professional organization of its kind. Niccolini has taught photography at the Germain school of photography, The New York Institute of photography, The New York Institute of Technology and, The Learning Annex.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dianora Niccolini was born in Florence, Italy, but moved to the United States at the age of nine. Niccolini relocated to New York City to study art, but moved from the realm of dance to photography after meeting the noted photographer Weegee. Niccolini's first exhibit was a 1974 study of female nudes, followed by a Sunday New York Times-reviewed show of the male nude the following year. Niccolini is considered a pioneering female photographer in the realm of photographing the male nude and her images of the male nude pre-date those of body builders popularized by Robert Mapplethorpe. Her photographs have been featured in several anthologies of nude figurative photography. Niccolini was the first president of Professional Women Photographers (PWP), serving 1979-1984, under which PWP became the leading professional organization of its kind. Niccolini has taught photography at the Germain school of photography, The New York Institute of photography, The New York Institute of Technology and, The Learning Annex."],"prefercite_html_tesm":["\u003cp\u003eDianora Niccolini collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Dianora Niccolini collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes original silver gelatin photographs and chemomonoprints by photographer Dianora Niccolini, as well as a poster and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, periodicals that include Niccolini's photographs, correspondence, exhibition files, biographical material, and related research materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes original silver gelatin photographs and chemomonoprints by photographer Dianora Niccolini, as well as a poster and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, periodicals that include Niccolini's photographs, correspondence, exhibition files, biographical material, and related research materials."],"separatedmaterial_html_tesm":["\u003cp\u003eOversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Oversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_57ad22ca8489716342852fe09c92f8e2\"\u003eThis collection is comprised of a series of original photographs and supporting documents tracing the career of Dianora Niccolini, an Italian-born American photographer. Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Niccolini's photographs. Cataloged alongside the archival materials are a series of books featuring Niccolini's photographs, as well as select catalogs of exhibits.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of a series of original photographs and supporting documents tracing the career of Dianora Niccolini, an Italian-born American photographer. Included are documents related to Niccolini's photographic exhibitions across galleries and museums of the United States. Clippings and periodicals showcase the use of Niccolini's photography in photographic anthologies of the nude and museum exhibitions. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Niccolini's photographs. Cataloged alongside the archival materials are a series of books featuring Niccolini's photographs, as well as select catalogs of exhibits."],"names_ssim":["USF Libraries - Tampa Special Collections","Niccolini, Dianora "],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Niccolini, Dianora "],"persname_ssim":["Niccolini, Dianora "],"language_ssim":["English"],"total_component_count_is":92,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"ec636735327499b3b8a45f21","timestamp":"2026-04-21T05:36:10.799Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ec636735327499b3b8a45f21_aspace_5af1b80f96b8b6d652c98c5ddb6720d7"}},{"id":"1591d8e7ee24b2059ada233f_aspace_9fe66348c6ded4eef671f72ffa1e271d","type":"File","attributes":{"title":"Exhibitions – Tampa Museum of Art, 1992-2013","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1591d8e7ee24b2059ada233f_aspace_9fe66348c6ded4eef671f72ffa1e271d#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9fe66348c6ded4eef671f72ffa1e271d","ref_ssm":["aspace_9fe66348c6ded4eef671f72ffa1e271d","aspace_9fe66348c6ded4eef671f72ffa1e271d"],"id":"1591d8e7ee24b2059ada233f_aspace_9fe66348c6ded4eef671f72ffa1e271d","title_filing_ssi":"Exhibitions – Tampa Museum of Art ","title_ssm":["Exhibitions – Tampa Museum of Art "],"title_tesim":["Exhibitions – Tampa Museum of Art "],"unitdate_inclusive_ssm":["1992-2013"],"normalized_date_ssm":["1992-2013"],"normalized_title_ssm":["Exhibitions – Tampa Museum of Art, 1992-2013"],"text":["Exhibitions – Tampa Museum of Art, 1992-2013","Len Prince collection, 1990-2019","Records I","/repositories/2/archival_objects/147576","box 1","folder 10","Also includes an exhibit didactic and correspondence with Tampa Museum of Art about acquisitions."],"component_level_isim":[2],"parent_ids_ssim":["1591d8e7ee24b2059ada233f","1591d8e7ee24b2059ada233f_aspace_b1dc295bab8c42d70ce830737f4cddc0"],"parent_unittitles_ssm":["Len Prince collection, 1990-2019","Records I"],"parent_unittitles_tesim":["Len Prince collection, 1990-2019","Records I"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/2/archival_objects/147576"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Len Prince collection, 1990-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":3,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":40,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"containers_ssim":["box 1","folder 10"],"odd_html_tesm":["\u003cp\u003eAlso includes an exhibit didactic and correspondence with Tampa Museum of Art about acquisitions.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Also includes an exhibit didactic and correspondence with Tampa Museum of Art about acquisitions."],"_nest_path_":"/components#0/components#9","_nest_parent_":"1591d8e7ee24b2059ada233f_aspace_b1dc295bab8c42d70ce830737f4cddc0","_root_":"1591d8e7ee24b2059ada233f","timestamp":"2026-07-11T04:48:23.160Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1591d8e7ee24b2059ada233f","title_ssm":["Len Prince collection"],"title_tesim":["Len Prince collection"],"ead_ssi":"1591d8e7ee24b2059ada233f","unitdate_ssm":["1990-2019"],"unitdate_inclusive_ssm":["1990-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2022-04","/repositories/2/resources/607"],"text":["MS-2022-04","/repositories/2/resources/607","Len Prince collection, 1990-2019","Photograph collections","Photography, Erotic","Photography of the nude","Photography","HIV/AIDS awareness","Gay artists","LGBTQ+ artists","Collection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained.","Len Prince is an American photographer whose work includes portraiture, celebrity photography, fashion, nudes, still life, and botanicals. Prince was born in Detroit, Michigan in 1953 and has since lived and worked internationally. Prince has been working in photography since the age of nine and studied at the School of Visual Arts. Prince has collaborated with celebrities in fashion, theater, and film and is also known for his artistic partnership with Jessie Mann. Prince's photography has been featured in temporary exhibits and permanent collections of museums across the United States, including Florida institutions such as the Tampa Museum of Art, Florida Museum of Photographic Arts, and The John and Mable Ringling Museum of Art.","This collection includes original silver gelatin and polaroid prints by photographer Len Prince, as well as posters and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, media, periodicals that include Prince's photographs, correspondence, exhibition files, biographical material, photographic slides, and related research materials.","Oversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection is comprised of a series of original photographs and supporting documents tracing the career of Len Prince, an American photographer. Included are documents related to Prince's photographic exhibitions across galleries and museums of the United States, including marketing campaigns for A.I.D.S. awareness and relief fundraising. Clippings and periodicals showcase the use of Prince's photography in marketing campaigns and career highlights in both fine art and lifestyle magazines. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Prince's photographs. Cataloged alongside the archival materials are a series of books featuring Len Prince's photographs, as well as select catalogs of exhibits.","USF Libraries - Tampa Special Collections","Prince, Len , 1953-","English"],"unitid_tesim":["MS-2022-04","/repositories/2/resources/607"],"normalized_date_ssm":["1990-2019"],"normalized_title_ssm":["Len Prince collection, 1990-2019"],"collection_title_tesim":["Len Prince collection, 1990-2019"],"collection_ssim":["Len Prince collection, 1990-2019"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Photograph collections","Photography, Erotic","Photography of the nude","Photography","HIV/AIDS awareness","Gay artists","LGBTQ+ artists"],"access_subjects_ssm":["Photograph collections","Photography, Erotic","Photography of the nude","Photography","HIV/AIDS awareness","Gay artists","LGBTQ+ artists"],"has_online_content_ssim":["false"],"extent_ssm":["3 boxes","1.5 Linear Feet"],"extent_tesim":["3 boxes","1.5 Linear Feet"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged according to material type and chronology. When able, the donor's original order and file level labels were maintained."],"bioghist_html_tesm":["\u003cp\u003eLen Prince is an American photographer whose work includes portraiture, celebrity photography, fashion, nudes, still life, and botanicals. Prince was born in Detroit, Michigan in 1953 and has since lived and worked internationally. Prince has been working in photography since the age of nine and studied at the School of Visual Arts. Prince has collaborated with celebrities in fashion, theater, and film and is also known for his artistic partnership with Jessie Mann. Prince's photography has been featured in temporary exhibits and permanent collections of museums across the United States, including Florida institutions such as the Tampa Museum of Art, Florida Museum of Photographic Arts, and The John and Mable Ringling Museum of Art.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Len Prince is an American photographer whose work includes portraiture, celebrity photography, fashion, nudes, still life, and botanicals. Prince was born in Detroit, Michigan in 1953 and has since lived and worked internationally. Prince has been working in photography since the age of nine and studied at the School of Visual Arts. Prince has collaborated with celebrities in fashion, theater, and film and is also known for his artistic partnership with Jessie Mann. Prince's photography has been featured in temporary exhibits and permanent collections of museums across the United States, including Florida institutions such as the Tampa Museum of Art, Florida Museum of Photographic Arts, and The John and Mable Ringling Museum of Art."],"prefercite_html_tesm":["\u003cp\u003eLen Prince collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Len Prince collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes original silver gelatin and polaroid prints by photographer Len Prince, as well as posters and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, media, periodicals that include Prince's photographs, correspondence, exhibition files, biographical material, photographic slides, and related research materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection includes original silver gelatin and polaroid prints by photographer Len Prince, as well as posters and other reproductions of original artwork. Also included are auction and sale records, magazine clippings, media, periodicals that include Prince's photographs, correspondence, exhibition files, biographical material, photographic slides, and related research materials."],"separatedmaterial_html_tesm":["\u003cp\u003eOversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Oversized materials are shelved separately. Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_95660ce35e0a4fddf0de3cdb23b0a08b\"\u003eThis collection is comprised of a series of original photographs and supporting documents tracing the career of Len Prince, an American photographer. Included are documents related to Prince's photographic exhibitions across galleries and museums of the United States, including marketing campaigns for A.I.D.S. awareness and relief fundraising. Clippings and periodicals showcase the use of Prince's photography in marketing campaigns and career highlights in both fine art and lifestyle magazines. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Prince's photographs. Cataloged alongside the archival materials are a series of books featuring Len Prince's photographs, as well as select catalogs of exhibits.\u003c/abstract\u003e"],"abstract_tesim":["This collection is comprised of a series of original photographs and supporting documents tracing the career of Len Prince, an American photographer. Included are documents related to Prince's photographic exhibitions across galleries and museums of the United States, including marketing campaigns for A.I.D.S. awareness and relief fundraising. Clippings and periodicals showcase the use of Prince's photography in marketing campaigns and career highlights in both fine art and lifestyle magazines. Also included is correspondence with the artist, as well as buyers, dealers, and exhibitors of Prince's photographs. Cataloged alongside the archival materials are a series of books featuring Len Prince's photographs, as well as select catalogs of exhibits."],"names_ssim":["USF Libraries - Tampa Special Collections","Prince, Len , 1953-"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"names_coll_ssim":["Prince, Len , 1953-"],"persname_ssim":["Prince, Len , 1953-"],"language_ssim":["English"],"total_component_count_is":147,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"1591d8e7ee24b2059ada233f","timestamp":"2026-07-11T04:48:23.160Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1591d8e7ee24b2059ada233f_aspace_9fe66348c6ded4eef671f72ffa1e271d"}},{"id":"725898a1a41349eb30ec365d_aspace_ebf35ba324680a803b018bb75b8f50a8","type":"File","attributes":{"title":"Exiles (1 of 2), 1958-2005, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_ebf35ba324680a803b018bb75b8f50a8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_ebf35ba324680a803b018bb75b8f50a8","ref_ssm":["aspace_ebf35ba324680a803b018bb75b8f50a8","aspace_ebf35ba324680a803b018bb75b8f50a8"],"id":"725898a1a41349eb30ec365d_aspace_ebf35ba324680a803b018bb75b8f50a8","title_filing_ssi":"Exiles (1 of 2)","title_ssm":["Exiles (1 of 2)"],"title_tesim":["Exiles (1 of 2)"],"unitdate_inclusive_ssm":["1958-2005, Undated"],"normalized_date_ssm":["1958-2005, Undated"],"normalized_title_ssm":["Exiles (1 of 2), 1958-2005, Undated"],"text":["Exiles (1 of 2), 1958-2005, Undated","José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated","Folder 5","/repositories/4/archival_objects/53990","box 8","folder 5"],"component_level_isim":[2],"parent_ids_ssim":["725898a1a41349eb30ec365d","725898a1a41349eb30ec365d_aspace_e0da8a351e89d497ae16650ae623f50e"],"parent_unittitles_ssm":["José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated"],"parent_unittitles_tesim":["José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 5","/repositories/4/archival_objects/53990"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":112,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"containers_ssim":["box 8","folder 5"],"_nest_path_":"/components#1/components#13","_nest_parent_":"725898a1a41349eb30ec365d_aspace_e0da8a351e89d497ae16650ae623f50e","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_ebf35ba324680a803b018bb75b8f50a8"}},{"id":"a0b8dca0cc27e719e79a099f_aspace_9f39a356fa4ee341e0ea880b23e929f2","type":"File","attributes":{"title":"Exotic and Invasive Plants, 1995-2006","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_9f39a356fa4ee341e0ea880b23e929f2#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFolder includes clippings, correspondence about Melaleuca biocontrol, plant lists, and flyer.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_9f39a356fa4ee341e0ea880b23e929f2#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9f39a356fa4ee341e0ea880b23e929f2","ref_ssm":["aspace_9f39a356fa4ee341e0ea880b23e929f2","aspace_9f39a356fa4ee341e0ea880b23e929f2"],"id":"a0b8dca0cc27e719e79a099f_aspace_9f39a356fa4ee341e0ea880b23e929f2","title_filing_ssi":"Exotic and Invasive Plants","title_ssm":["Exotic and Invasive Plants"],"title_tesim":["Exotic and Invasive Plants"],"unitdate_inclusive_ssm":["1995-2006"],"normalized_date_ssm":["1995-2006"],"normalized_title_ssm":["Exotic and Invasive Plants, 1995-2006"],"text":["Exotic and Invasive Plants, 1995-2006","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Subject Files","Exotic and Invasive Plants- Florida Audubon Society – Legislative Letter","/repositories/2/archival_objects/190998","box 33","folder 1","Folder includes clippings, correspondence about Melaleuca biocontrol, plant lists, and flyer."],"component_level_isim":[3],"parent_ids_ssim":["a0b8dca0cc27e719e79a099f","a0b8dca0cc27e719e79a099f_aspace_4c29981ab2b06aeb8893c7a0e3a6accb","a0b8dca0cc27e719e79a099f_aspace_117f6c39ed091f41f76e38412f260cf2"],"parent_unittitles_ssm":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Subject Files","Exotic and Invasive Plants- Florida Audubon Society – Legislative Letter"],"parent_unittitles_tesim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Subject Files","Exotic and Invasive Plants- Florida Audubon Society – Legislative Letter"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["/repositories/2/archival_objects/190998"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":2,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":809,"parent_access_restrict_tesm":["Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"containers_ssim":["box 33","folder 1"],"scopecontent_html_tesm":["\u003cp\u003eFolder includes clippings, correspondence about Melaleuca biocontrol, plant lists, and flyer.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Folder includes clippings, correspondence about Melaleuca biocontrol, plant lists, and flyer."],"_nest_path_":"/components#1/components#11/components#0","_nest_parent_":"a0b8dca0cc27e719e79a099f_aspace_117f6c39ed091f41f76e38412f260cf2","_root_":"a0b8dca0cc27e719e79a099f","_version_":1872946110924849152,"timestamp":"2026-08-08T09:16:41.949Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a0b8dca0cc27e719e79a099f","title_ssm":["Audubon Society Corkscrew Swamp Sanctuary records"],"title_tesim":["Audubon Society Corkscrew Swamp Sanctuary records"],"ead_ssi":"a0b8dca0cc27e719e79a099f","unitdate_ssm":["1937-2019"],"unitdate_inclusive_ssm":["1937-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2020-03","/repositories/2/resources/583"],"text":["MS-2020-03","/repositories/2/resources/583","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration","Good.","Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society.","This collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.","Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.","The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.","This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.","Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River.","USF Libraries - Tampa Special Collections","Ed Carlson","English"],"unitid_tesim":["MS-2020-03","/repositories/2/resources/583"],"normalized_date_ssm":["1937-2019"],"normalized_title_ssm":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"collection_title_tesim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"collection_ssim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Ed Carlson"],"creator_ssim":["Ed Carlson"],"creator_persname_ssim":["Ed Carlson"],"creators_ssim":["Ed Carlson"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration"],"access_subjects_ssm":["Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good."],"extent_ssm":["51 Linear Feet","96 boxes"],"extent_tesim":["51 Linear Feet","96 boxes"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eUntil 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eAudubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.\u003c/p\u003e"],"bioghist_heading_ssm":["Content Description"],"bioghist_tesim":["Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns."],"odd_html_tesm":["\u003cp\u003eThe Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.\u003c/p\u003e"],"odd_heading_ssm":["Cataloged Publications"],"odd_tesim":["The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings."],"separatedmaterial_html_tesm":["\u003cp\u003eMaps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bf60a5a83f90c49360b71829ac95b658\"\u003eThe Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River.\u003c/abstract\u003e"],"abstract_tesim":["The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River."],"names_ssim":["USF Libraries - Tampa Special Collections","Ed Carlson"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Ed Carlson"],"language_ssim":["English"],"total_component_count_is":2704,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872946110924849152,"_root_":"a0b8dca0cc27e719e79a099f","timestamp":"2026-08-08T09:16:41.949Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_9f39a356fa4ee341e0ea880b23e929f2"}},{"id":"acd92a5aa7d9fcd753e986eb_aspace_f2170113837776171e9d938cd3c15223","type":"File","attributes":{"title":"Expectations, 2004-2005","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/acd92a5aa7d9fcd753e986eb_aspace_f2170113837776171e9d938cd3c15223#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_f2170113837776171e9d938cd3c15223","ref_ssm":["aspace_f2170113837776171e9d938cd3c15223","aspace_f2170113837776171e9d938cd3c15223"],"id":"acd92a5aa7d9fcd753e986eb_aspace_f2170113837776171e9d938cd3c15223","title_filing_ssi":"Expectations","title_ssm":["Expectations"],"title_tesim":["Expectations"],"unitdate_inclusive_ssm":["2004-2005"],"normalized_date_ssm":["2004-2005"],"normalized_title_ssm":["Expectations, 2004-2005"],"text":["Expectations, 2004-2005","AARLCC History Collection, 1995-Present","AARLCC","/repositories/2/archival_objects/19903","box 1","folder 7"],"component_level_isim":[2],"parent_ids_ssim":["acd92a5aa7d9fcd753e986eb","acd92a5aa7d9fcd753e986eb_aspace_c046debe42dbd18279922e56a19d8a00"],"parent_unittitles_ssm":["AARLCC History Collection, 1995-Present","AARLCC"],"parent_unittitles_tesim":["AARLCC History Collection, 1995-Present","AARLCC"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/19903"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["AARLCC History Collection, 1995-Present"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":10,"parent_access_restrict_tesm":["The AARLCC History Collection is open for research."],"date_range_isim":[2004,2005],"containers_ssim":["box 1","folder 7"],"_nest_path_":"/components#0/components#8","_nest_parent_":"acd92a5aa7d9fcd753e986eb_aspace_c046debe42dbd18279922e56a19d8a00","_root_":"acd92a5aa7d9fcd753e986eb","_version_":1876455834073956352,"timestamp":"2026-09-16T03:02:14.826Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"acd92a5aa7d9fcd753e986eb","title_filing_ssi":"AARLCC History Collection","title_ssm":["AARLCC History Collection"],"title_tesim":["AARLCC History Collection"],"ead_ssi":"acd92a5aa7d9fcd753e986eb","unitdate_ssm":["1995-Present"],"unitdate_inclusive_ssm":["1995-Present"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2024.1","/repositories/2/resources/377"],"text":["AARLCC.2024.1","/repositories/2/resources/377","AARLCC History Collection, 1995-Present","Broward County Library -- History","Library directors","African American librarians","Libraries and Black people","Public libraries -- Florida -- Fort Lauderdale","The AARLCC History Collection is open for research.","Accruals to the AARLCC History Collection are expected.","Inspired and spearheaded by Samuel Morrison, librarian and thirteen-year director of the Broward County Library system, the African-American Research Library and Cultural Center (AARLCC) opened on October 6, 2002. It replaced the Von D. Mizell Library in the historic Sistrunk neighborhood, Fort Lauderdale's historically Black neighborhood. ","In late 1995 the Broward County Commission pledged funding to build AARLCC, beginning the library's design and construction planning. Over the next 7 years, community fundraising efforts matched and then surpassed the funding allocated by the county, surpassing millions of dollars. The architectural and design firm PAWA Complex International won the contract to design the structure. The building's interior design was completed by Cecil Hayes. Multiple public art projects also went into the original design of the building, including the Harambe Room by Gary Moore, \"The Bridge\" sculpture by George Gadson, and \"The Adinkra Tribute\" by C. J. Lattimore.","Opened as the third public library dedicated to Black research in the United States - along with the Schomburg Center for Research and Black Culture in New York and the Auburn Avenue Research Library in Atlanta - AARLCC distinguished itself by focusing on Caribbean and South American Black history in addition to African-American and African history. To achieve this mission, AARLCC houses the AARLCC Special Collections which continually works to archive and digitize collections for public access. Notable archival collections include the Alex Haley Collection, the Doroty Porter Wesley Collection, and the Niara Sudarkasa Collection. ","In addition to the aforementioned missions, AARLCC serves as a public library branch for the local community, providing patrons with essential resources such as book lending, computer and internet access, reading rooms, and an assortment of programming. The library also has a museum gallery on the first floor featuring large-scale exhibits.","AARLCC's first executive director was Arglenda Friday, who resigned for unforseen personal circumstances in 2001. Easter Wilcher served as the interim director until the library found a replacement. Julie Hunter became the second director, serving from 2002 to 2006 and overseeing the library's grand opening and early programming. She was succeeded by Alicia Antone (2006-January 2008), Elaina Norlin (2009-2019), Makiba Foster (2019-2022), and Dr. Tameka Bradley (2022-present). ","This collection received file level processing and a finding aid was created by Adam Anderson in Feburary 2024. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The AARLCC History Collection documents the history of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. The materials contain information about the inception of the library branch in 1995, its subsequent design and construction, and fundraising efforts. It also contains information about the AARLCC's programming, exhibits, staff, and special events since the grand opening in 2002 to the present. The collection materials include brochures, events, newspaper clippings, correspondence, reports, printed materials, blueprints, photographs, born-digital materials, and audio-visual materials.","The AARLCC History Collection documents the history of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida.","AARLCC Special Collections","African American Research Library and Cultural Center","English"],"unitid_tesim":["AARLCC.2024.1","/repositories/2/resources/377"],"normalized_date_ssm":["1995-Present"],"normalized_title_ssm":["AARLCC History Collection, 1995-Present"],"collection_title_tesim":["AARLCC History Collection, 1995-Present"],"collection_ssim":["AARLCC History Collection, 1995-Present"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"creator_ssm":["African American Research Library and Cultural Center"],"creator_ssim":["African American Research Library and Cultural Center"],"creator_corpname_ssim":["African American Research Library and Cultural Center"],"creators_ssim":["African American Research Library and Cultural Center"],"access_subjects_ssim":["Broward County Library -- History","Library directors","African American librarians","Libraries and Black people","Public libraries -- Florida -- Fort Lauderdale"],"access_subjects_ssm":["Broward County Library -- History","Library directors","African American librarians","Libraries and Black people","Public libraries -- Florida -- Fort Lauderdale"],"has_online_content_ssim":["false"],"extent_ssm":["8 Hollinger Boxes","2 Boxes (irregular size)"],"extent_tesim":["8 Hollinger Boxes","2 Boxes (irregular size)"],"date_range_isim":[1995],"accessrestrict_html_tesm":["\u003cp\u003eThe AARLCC History Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The AARLCC History Collection is open for research."],"accruals_html_tesm":["\u003cp\u003eAccruals to the AARLCC History Collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to the AARLCC History Collection are expected."],"bioghist_html_tesm":["\u003cp\u003eInspired and spearheaded by Samuel Morrison, librarian and thirteen-year director of the Broward County Library system, the African-American Research Library and Cultural Center (AARLCC) opened on October 6, 2002. It replaced the Von D. Mizell Library in the historic Sistrunk neighborhood, Fort Lauderdale's historically Black neighborhood. \u003c/p\u003e\n","\u003cp\u003eIn late 1995 the Broward County Commission pledged funding to build AARLCC, beginning the library's design and construction planning. Over the next 7 years, community fundraising efforts matched and then surpassed the funding allocated by the county, surpassing millions of dollars. The architectural and design firm PAWA Complex International won the contract to design the structure. The building's interior design was completed by Cecil Hayes. Multiple public art projects also went into the original design of the building, including the Harambe Room by Gary Moore, \"The Bridge\" sculpture by George Gadson, and \"The Adinkra Tribute\" by C. J. Lattimore.\u003c/p\u003e\n","\u003cp\u003eOpened as the third public library dedicated to Black research in the United States - along with the Schomburg Center for Research and Black Culture in New York and the Auburn Avenue Research Library in Atlanta - AARLCC distinguished itself by focusing on Caribbean and South American Black history in addition to African-American and African history. To achieve this mission, AARLCC houses the AARLCC Special Collections which continually works to archive and digitize collections for public access. Notable archival collections include the Alex Haley Collection, the Doroty Porter Wesley Collection, and the Niara Sudarkasa Collection. \u003c/p\u003e\n","\u003cp\u003eIn addition to the aforementioned missions, AARLCC serves as a public library branch for the local community, providing patrons with essential resources such as book lending, computer and internet access, reading rooms, and an assortment of programming. The library also has a museum gallery on the first floor featuring large-scale exhibits.\u003c/p\u003e\n","\u003cp\u003eAARLCC's first executive director was Arglenda Friday, who resigned for unforseen personal circumstances in 2001. Easter Wilcher served as the interim director until the library found a replacement. Julie Hunter became the second director, serving from 2002 to 2006 and overseeing the library's grand opening and early programming. She was succeeded by Alicia Antone (2006-January 2008), Elaina Norlin (2009-2019), Makiba Foster (2019-2022), and Dr. Tameka Bradley (2022-present). \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Inspired and spearheaded by Samuel Morrison, librarian and thirteen-year director of the Broward County Library system, the African-American Research Library and Cultural Center (AARLCC) opened on October 6, 2002. It replaced the Von D. Mizell Library in the historic Sistrunk neighborhood, Fort Lauderdale's historically Black neighborhood. ","In late 1995 the Broward County Commission pledged funding to build AARLCC, beginning the library's design and construction planning. Over the next 7 years, community fundraising efforts matched and then surpassed the funding allocated by the county, surpassing millions of dollars. The architectural and design firm PAWA Complex International won the contract to design the structure. The building's interior design was completed by Cecil Hayes. Multiple public art projects also went into the original design of the building, including the Harambe Room by Gary Moore, \"The Bridge\" sculpture by George Gadson, and \"The Adinkra Tribute\" by C. J. Lattimore.","Opened as the third public library dedicated to Black research in the United States - along with the Schomburg Center for Research and Black Culture in New York and the Auburn Avenue Research Library in Atlanta - AARLCC distinguished itself by focusing on Caribbean and South American Black history in addition to African-American and African history. To achieve this mission, AARLCC houses the AARLCC Special Collections which continually works to archive and digitize collections for public access. Notable archival collections include the Alex Haley Collection, the Doroty Porter Wesley Collection, and the Niara Sudarkasa Collection. ","In addition to the aforementioned missions, AARLCC serves as a public library branch for the local community, providing patrons with essential resources such as book lending, computer and internet access, reading rooms, and an assortment of programming. The library also has a museum gallery on the first floor featuring large-scale exhibits.","AARLCC's first executive director was Arglenda Friday, who resigned for unforseen personal circumstances in 2001. Easter Wilcher served as the interim director until the library found a replacement. Julie Hunter became the second director, serving from 2002 to 2006 and overseeing the library's grand opening and early programming. She was succeeded by Alicia Antone (2006-January 2008), Elaina Norlin (2009-2019), Makiba Foster (2019-2022), and Dr. Tameka Bradley (2022-present). "],"prefercite_html_tesm":["\u003cp\u003eAARLCC History Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["AARLCC History Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing and a finding aid was created by Adam Anderson in Feburary 2024. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing and a finding aid was created by Adam Anderson in Feburary 2024. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe AARLCC History Collection documents the history of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. The materials contain information about the inception of the library branch in 1995, its subsequent design and construction, and fundraising efforts. It also contains information about the AARLCC's programming, exhibits, staff, and special events since the grand opening in 2002 to the present. The collection materials include brochures, events, newspaper clippings, correspondence, reports, printed materials, blueprints, photographs, born-digital materials, and audio-visual materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The AARLCC History Collection documents the history of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. The materials contain information about the inception of the library branch in 1995, its subsequent design and construction, and fundraising efforts. It also contains information about the AARLCC's programming, exhibits, staff, and special events since the grand opening in 2002 to the present. The collection materials include brochures, events, newspaper clippings, correspondence, reports, printed materials, blueprints, photographs, born-digital materials, and audio-visual materials."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3c826a2397e08456847b304e6464edf0\"\u003eThe AARLCC History Collection documents the history of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida.\u003c/abstract\u003e"],"abstract_tesim":["The AARLCC History Collection documents the history of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida."],"names_ssim":["AARLCC Special Collections","African American Research Library and Cultural Center"],"corpname_ssim":["AARLCC Special Collections","African American Research Library and Cultural Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":150,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455834073956352,"_root_":"acd92a5aa7d9fcd753e986eb","timestamp":"2026-09-16T03:02:14.826Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/acd92a5aa7d9fcd753e986eb_aspace_f2170113837776171e9d938cd3c15223"}},{"id":"30861c4367a1eba3183b73af_aspace_52181d79ca6864a175af0c5c06fb27db","type":"File","attributes":{"title":"Explore FGCU CDs, 2004-2005","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/30861c4367a1eba3183b73af_aspace_52181d79ca6864a175af0c5c06fb27db#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eUndergradute Catalog, Graduate Catalog, Admissions Information, Student Life, Housing Information, Links to FGCU Website, Explore Southwest FLorida, and FGCU Facts and History.\u003c/p\u003e"],"label":"Abstract Or 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These folder numbers do not appear on the original records but will help staff to retrive the files. In addition, as received, the original files had been organized into series (e.g. Academic, Honor, etc.); we have retained these headings but only when they appeared in the records as a tab folder.   Note that there are duplicate folders for organizations scattered in the collection and that terms for searching may need to be expanded by the user (e.g. Blacks, African-American, NAACP, etc.)\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["For inventory purposes, each folder has been numbered in order to preserve the original order of the records which themselves may not be strictly alphabetical.  These folder numbers do not appear on the original records but will help staff to retrive the files. 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