{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026page=226","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026page=225","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026page=227","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026page=368"},"meta":{"pages":{"current_page":226,"next_page":227,"prev_page":225,"total_pages":368,"limit_value":10,"offset_value":2250,"total_count":3678,"first_page?":false,"last_page?":false}},"data":[{"id":"0591476a0b5eac9c762997fc","type":"collection","attributes":{"title":"Mona Greenberg Magazine Collection, 1968-2004, Date acquired: 03/00/2017","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/0591476a0b5eac9c762997fc#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection contains a series of magazines published by LIFE, TIME, People, Newsweek, and George. 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","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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Other materials include miscellaneous photographs, copies of photographs, film recordings, naval sheet music, and related publications. These publications describe the lives of sailors postwar and the status of destroyed marine vessels. The image of collection author Monte Allen is featured prominently in the photographs, as well as his perspective in the form of added photograph captions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Monte Allen U.S.S. Kwajalein (CVE-98) collection contains comprehensive records pertaining to officially recorded, declassified daily life aboard the Casablanca Class Escort Carrier U.S.S. Kwajalein, an aircraft carrier, as well as various visual and auditory artifact materials relating to the work and lives of its crewmen. ","The collection specifically regards the life of U.S. Navy sailor Monte Allen, information he was able to preserve, and the first-hand observations he deemed important. 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Navy--History--20th century","World War, 1939-1945--Campaigns--Pacific Ocean","World War, 1939-1945","Aircraft carriers--Pacific Area--History--20th century","World War, 1939-1945--Campaigns--Philippines","World War, 1939-1945--Philippines","This collection is open to all researchers.","Creator","Monte Allen served aboard the U.S.S. Kwajalein from its commissioning in June 1944 until November 1945.","This collection was donated by Monte Allen. The collection was acquired by the Institute on World War II and the Human Experience on August 3, 2016.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","The Monte Allen U.S.S. Kwajalein (CVE-98) collection contains comprehensive records pertaining to officially recorded, declassified daily life aboard the Casablanca Class Escort Carrier U.S.S. Kwajalein, an aircraft carrier, as well as various visual and auditory artifact materials relating to the work and lives of its crewmen. ","The collection specifically regards the life of U.S. Navy sailor Monte Allen, information he was able to preserve, and the first-hand observations he deemed important. Allen authored the collection himself. The collection contains detailed photocopies of and notes on ship records, including war diaries, daily logs, muster rolls, and reports of changes amongst the crew and aboard the ship. Direct annotations from Monte Allen within the photocopies provide notes on such things as the living status of crewmen at the time of his writing. Other materials include miscellaneous photographs, copies of photographs, film recordings, naval sheet music, and related publications. These publications describe the lives of sailors postwar and the status of destroyed marine vessels. The image of collection author Monte Allen is featured prominently in the photographs, as well as his perspective in the form of added photograph captions.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Allen, Monte","English"],"unitid_tesim":["16.0019","/repositories/10/resources/446"],"normalized_date_ssm":["1944-2009, Date acquired: 2016-08-03, Date accessioned: 2020-05-13, bulk 1945"],"normalized_title_ssm":["Monte Allen U.S.S. 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Navy--History--20th century","World War, 1939-1945--Campaigns--Pacific Ocean","World War, 1939-1945","Aircraft carriers--Pacific Area--History--20th century","World War, 1939-1945--Campaigns--Philippines","World War, 1939-1945--Philippines"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 3 half boxes"],"extent_tesim":["1.5 Linear Feet 3 half boxes"],"date_range_isim":[1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2016],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"arrangement_html_tesm":["\u003cp\u003eCreator\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Creator"],"bioghist_html_tesm":["\u003cp\u003eMonte Allen served aboard the U.S.S. Kwajalein from its commissioning in June 1944 until November 1945.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Monte Allen served aboard the U.S.S. Kwajalein from its commissioning in June 1944 until November 1945."],"custodhist_html_tesm":["\u003cp\u003eThis collection was donated by Monte Allen. The collection was acquired by the Institute on World War II and the Human Experience on August 3, 2016.\u003c/p\u003e","\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History","Custodial History"],"custodhist_tesim":["This collection was donated by Monte Allen. The collection was acquired by the Institute on World War II and the Human Experience on August 3, 2016.","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Monte Allen U.S.S. Kwajalein collection, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. \u003cextref href=\"http://purl.fcla.edu/fsu/WWII_16_0019\"\u003ehttp://purl.fcla.edu/fsu/WWII_16_0019\u003c/extref\u003e.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Monte Allen U.S.S. Kwajalein collection, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida.  http://purl.fcla.edu/fsu/WWII_16_0019 ."],"scopecontent_html_tesm":["\u003cp\u003eThe Monte Allen U.S.S. 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Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Allen, Monte"],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Allen, Monte"],"persname_ssim":["Allen, Monte"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":25,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"27042ff94da8b6656844ba6a","timestamp":"2026-07-08T10:56:25.607Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/27042ff94da8b6656844ba6a"}},{"id":"d7554fd0174a93449aaf3ff5","type":"collection","attributes":{"title":"Morison Buck Biographies of Hillsborough County Judges, 1997-2005, Date acquired: 00/00/2000","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/d7554fd0174a93449aaf3ff5#creator","type":"document_value","attributes":{"value":["Morison Buck, 1924-2014"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d7554fd0174a93449aaf3ff5#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection consists of short biographies of former Hillsborough County judges written by Judge Morison Buck and published in the \"Chips off the Old Bench\" column in the Hillsborough County Bar Association's publication, \u003cem\u003eLawyer\u003c/em\u003e. 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He served as a United States Commissioner, as Tampa's Assistant City Attorney, as a Circuit Judge and, since 1991, as a mediator for state and federal courts."],"prefercite_html_tesm":["\u003cp\u003eMorison Buck biographies of Hillsborough County judges, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Morison Buck biographies of Hillsborough County judges, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of short biographies of former Hillsborough County judges written by Judge Morison Buck and published in the \"Chips off the Old Bench\" column in the Hillsborough County Bar Association's publication, \u003cemph render=\"italic\"\u003eLawyer\u003c/emph\u003e. Included are photocopies of the biographies and the issue of \u003cemph render=\"italic\"\u003eLawyer\u003c/emph\u003e in which the biography was published.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of short biographies of former Hillsborough County judges written by Judge Morison Buck and published in the \"Chips off the Old Bench\" column in the Hillsborough County Bar Association's publication,  Lawyer . Included are photocopies of the biographies and the issue of  Lawyer  in which the biography was published."],"userestrict_html_tesm":["\u003cp\u003eThe contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at\u003c/p\u003e\n","\u003cp\u003ehttp://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The contents of this collection may be subject to copyright. Visit the United States Copyright Office's website at","http://www.copyright.gov/ for more information."],"names_coll_ssim":["Hillsborough County Bar Association","Morison Buck, 1924-2014"],"names_ssim":["USF Libraries - Tampa Special Collections","Hillsborough County Bar Association","Morison Buck, 1924-2014"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Hillsborough County Bar Association"],"persname_ssim":["Morison Buck, 1924-2014"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":33,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862986318446592,"_root_":"d7554fd0174a93449aaf3ff5","timestamp":"2026-07-16T09:26:19.567Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d7554fd0174a93449aaf3ff5"}},{"id":"05789e80367771603110469f","type":"collection","attributes":{"title":"Morton Gold Collection, 1924-2012, Date acquired: 00/00/2009, bulk 1970-2012","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/05789e80367771603110469f#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eIn 2009, Dr. Morton Gold (1933- ) donated his collection of music manuscripts, scrapbooks, publications, personal papers, and audio recordings to Florida Atlantic University Libraries. These materials relate to his professional life as a composer, writer, and teacher of music. Dr. Gold received a Bachelor of Music: Theory from Boston University in 1953, a Master of Arts in Teaching: Music Education from Harvard University in 1954, and a Doctor of Musical Arts: Composition from Boston University in 1960. He was a professor of Music at Nasson College in Springvale, Maine from 1964 until 1982. He has also taught at University of Southern Maine, the College of St. Joseph, Rutland High School, and Castleton State College, Vermont. While living in Vermont, Dr. Gold gave annual concerts of his own music at the Rutland Jewish Center and served as the organist and choir director at Good Shepherd Lutheran Church.  Dr. Gold guest-conducted the Boston Pops Orchestra in his Rhapsody for Orchestra in 1954 and his Dedication Overture in 1959. His composition, Haggadah, was televised nationally by PBS in 1976. His abilities as a music educator were recognized in 2006 by the Vermont Music Educators Association when he received a Special Achievement Award for Significant Contributions to Music Education in Vermont. In May of 2010 Dr. Gold was honored by the Cantors Assembly of the United States and Canada with their Kavod Award for Creativity and Achievement in the Field of Jewish Sacred Music. Dr. Gold has been active in virtually every area of music throughout his career as a conductor, concert pianist, journalist, and educator. He currently resides in Maine and is still composing.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/05789e80367771603110469f#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"05789e80367771603110469f","title_ssm":["Morton Gold Collection"],"title_tesim":["Morton Gold Collection"],"ead_ssi":"05789e80367771603110469f","unitdate_ssm":["1924-2012","1970-2012","Date acquired: 00/00/2009"],"unitdate_bulk_ssim":["1970-2012"],"unitdate_inclusive_ssm":["1924-2012"],"unitdate_other_ssim":["Date acquired: 00/00/2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00006","/repositories/2/resources/38"],"text":["PMC00006","/repositories/2/resources/38","Morton Gold Collection, 1924-2012, Date acquired: 00/00/2009, bulk 1970-2012","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2011-2012, this collection was processed by Elizabeth Fairall, Justin Rust and Victoria Thur.","In 2009, Dr. Morton Gold (1933- ) donated his collection of music manuscripts, scrapbooks, publications, personal papers, and audio recordings to Florida Atlantic University Libraries. These materials relate to his professional life as a composer, writer, and teacher of music. Dr. Gold received a Bachelor of Music: Theory from Boston University in 1953, a Master of Arts in Teaching: Music Education from Harvard University in 1954, and a Doctor of Musical Arts: Composition from Boston University in 1960. He was a professor of Music at Nasson College in Springvale, Maine from 1964 until 1982. He has also taught at University of Southern Maine, the College of St. Joseph, Rutland High School, and Castleton State College, Vermont. While living in Vermont, Dr. Gold gave annual concerts of his own music at the Rutland Jewish Center and served as the organist and choir director at Good Shepherd Lutheran Church.  Dr. Gold guest-conducted the Boston Pops Orchestra in his Rhapsody for Orchestra in 1954 and his Dedication Overture in 1959. His composition, Haggadah, was televised nationally by PBS in 1976. His abilities as a music educator were recognized in 2006 by the Vermont Music Educators Association when he received a Special Achievement Award for Significant Contributions to Music Education in Vermont. In May of 2010 Dr. Gold was honored by the Cantors Assembly of the United States and Canada with their Kavod Award for Creativity and Achievement in the Field of Jewish Sacred Music. Dr. Gold has been active in virtually every area of music throughout his career as a conductor, concert pianist, journalist, and educator. He currently resides in Maine and is still composing.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections .","Florida Atlantic University Libraries","English"],"unitid_tesim":["PMC00006","/repositories/2/resources/38"],"normalized_date_ssm":["1924-2012, Date acquired: 00/00/2009, bulk 1970-2012"],"normalized_title_ssm":["Morton Gold Collection, 1924-2012, Date acquired: 00/00/2009, bulk 1970-2012"],"collection_title_tesim":["Morton Gold Collection, 1924-2012, Date acquired: 00/00/2009, bulk 1970-2012"],"collection_ssim":["Morton Gold Collection, 1924-2012, Date acquired: 00/00/2009, bulk 1970-2012"],"repository_ssm":["Florida Atlantic University Libraries"],"repository_ssim":["Florida Atlantic University Libraries"],"access_terms_ssm":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"acqinfo_ssim":["Dr. Morton Gold","Donation"],"has_online_content_ssim":["false"],"extent_ssm":["17.00 Linear Feet"],"extent_tesim":["17.00 Linear Feet"],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2011-2012, this collection was processed by Elizabeth Fairall, Justin Rust and Victoria Thur.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2011-2012, this collection was processed by Elizabeth Fairall, Justin Rust and Victoria Thur."],"scopecontent_html_tesm":["\u003cp\u003eIn 2009, Dr. Morton Gold (1933- ) donated his collection of music manuscripts, scrapbooks, publications, personal papers, and audio recordings to Florida Atlantic University Libraries. These materials relate to his professional life as a composer, writer, and teacher of music. Dr. Gold received a Bachelor of Music: Theory from Boston University in 1953, a Master of Arts in Teaching: Music Education from Harvard University in 1954, and a Doctor of Musical Arts: Composition from Boston University in 1960. He was a professor of Music at Nasson College in Springvale, Maine from 1964 until 1982. He has also taught at University of Southern Maine, the College of St. Joseph, Rutland High School, and Castleton State College, Vermont. While living in Vermont, Dr. Gold gave annual concerts of his own music at the Rutland Jewish Center and served as the organist and choir director at Good Shepherd Lutheran Church.\u0026#xA0; Dr. Gold guest-conducted the Boston Pops Orchestra in his Rhapsody for Orchestra in 1954 and his Dedication Overture in 1959. His composition, Haggadah, was televised nationally by PBS in 1976. His abilities as a music educator were recognized in 2006 by the Vermont Music Educators Association when he received a Special Achievement Award for Significant Contributions to Music Education in Vermont. In May of 2010 Dr. Gold was honored by the Cantors Assembly of the United States and Canada with their Kavod Award for Creativity and Achievement in the Field of Jewish Sacred Music. Dr. Gold has been active in virtually every area of music throughout his career as a conductor, concert pianist, journalist, and educator. He currently resides in Maine and is still composing.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["In 2009, Dr. Morton Gold (1933- ) donated his collection of music manuscripts, scrapbooks, publications, personal papers, and audio recordings to Florida Atlantic University Libraries. These materials relate to his professional life as a composer, writer, and teacher of music. Dr. Gold received a Bachelor of Music: Theory from Boston University in 1953, a Master of Arts in Teaching: Music Education from Harvard University in 1954, and a Doctor of Musical Arts: Composition from Boston University in 1960. He was a professor of Music at Nasson College in Springvale, Maine from 1964 until 1982. He has also taught at University of Southern Maine, the College of St. Joseph, Rutland High School, and Castleton State College, Vermont. While living in Vermont, Dr. Gold gave annual concerts of his own music at the Rutland Jewish Center and served as the organist and choir director at Good Shepherd Lutheran Church.  Dr. Gold guest-conducted the Boston Pops Orchestra in his Rhapsody for Orchestra in 1954 and his Dedication Overture in 1959. His composition, Haggadah, was televised nationally by PBS in 1976. His abilities as a music educator were recognized in 2006 by the Vermont Music Educators Association when he received a Special Achievement Award for Significant Contributions to Music Education in Vermont. In May of 2010 Dr. Gold was honored by the Cantors Assembly of the United States and Canada with their Kavod Award for Creativity and Achievement in the Field of Jewish Sacred Music. Dr. Gold has been active in virtually every area of music throughout his career as a conductor, concert pianist, journalist, and educator. He currently resides in Maine and is still composing."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":840,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842003999162368,"_root_":"05789e80367771603110469f","timestamp":"2026-07-16T03:52:49.077Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"05789e80367771603110469f","title_ssm":["Morton Gold Collection"],"title_tesim":["Morton Gold Collection"],"ead_ssi":"05789e80367771603110469f","unitdate_ssm":["1924-2012","1970-2012","Date acquired: 00/00/2009"],"unitdate_bulk_ssim":["1970-2012"],"unitdate_inclusive_ssm":["1924-2012"],"unitdate_other_ssim":["Date acquired: 00/00/2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["PMC00006","/repositories/2/resources/38"],"text":["PMC00006","/repositories/2/resources/38","Morton Gold Collection, 1924-2012, Date acquired: 00/00/2009, bulk 1970-2012","Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.","In 2011-2012, this collection was processed by Elizabeth Fairall, Justin Rust and Victoria Thur.","In 2009, Dr. Morton Gold (1933- ) donated his collection of music manuscripts, scrapbooks, publications, personal papers, and audio recordings to Florida Atlantic University Libraries. These materials relate to his professional life as a composer, writer, and teacher of music. Dr. Gold received a Bachelor of Music: Theory from Boston University in 1953, a Master of Arts in Teaching: Music Education from Harvard University in 1954, and a Doctor of Musical Arts: Composition from Boston University in 1960. He was a professor of Music at Nasson College in Springvale, Maine from 1964 until 1982. He has also taught at University of Southern Maine, the College of St. Joseph, Rutland High School, and Castleton State College, Vermont. While living in Vermont, Dr. Gold gave annual concerts of his own music at the Rutland Jewish Center and served as the organist and choir director at Good Shepherd Lutheran Church.  Dr. Gold guest-conducted the Boston Pops Orchestra in his Rhapsody for Orchestra in 1954 and his Dedication Overture in 1959. His composition, Haggadah, was televised nationally by PBS in 1976. His abilities as a music educator were recognized in 2006 by the Vermont Music Educators Association when he received a Special Achievement Award for Significant Contributions to Music Education in Vermont. In May of 2010 Dr. Gold was honored by the Cantors Assembly of the United States and Canada with their Kavod Award for Creativity and Achievement in the Field of Jewish Sacred Music. Dr. Gold has been active in virtually every area of music throughout his career as a conductor, concert pianist, journalist, and educator. He currently resides in Maine and is still composing.","Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. 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FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"acqinfo_ssim":["Dr. Morton Gold","Donation"],"has_online_content_ssim":["false"],"extent_ssm":["17.00 Linear Feet"],"extent_tesim":["17.00 Linear Feet"],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eCollections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.\u003c/p\u003e\n","\u003cp\u003ePhotocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collections are available for supervised use in the Special Collections reading room during regular hours or by appointment. Users are required to complete a registration form and to comply with regulations governing use. Research assistance may be available but please email or phone first to set up an appointment.","Photocopies or electronic copies of material in the collections may be provided within copyright limits but may not be ready immediately. In addition, selected materials are digitized and available electronically through the Digital Library."],"prefercite_html_tesm":["\u003cp\u003eCollection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collection Title including series, if any; Box and item number; Special Collections; Florida Atlantic University Libraries, Boca Raton, Florida."],"processinfo_html_tesm":["\u003cp\u003eIn 2011-2012, this collection was processed by Elizabeth Fairall, Justin Rust and Victoria Thur.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2011-2012, this collection was processed by Elizabeth Fairall, Justin Rust and Victoria Thur."],"scopecontent_html_tesm":["\u003cp\u003eIn 2009, Dr. Morton Gold (1933- ) donated his collection of music manuscripts, scrapbooks, publications, personal papers, and audio recordings to Florida Atlantic University Libraries. These materials relate to his professional life as a composer, writer, and teacher of music. Dr. Gold received a Bachelor of Music: Theory from Boston University in 1953, a Master of Arts in Teaching: Music Education from Harvard University in 1954, and a Doctor of Musical Arts: Composition from Boston University in 1960. He was a professor of Music at Nasson College in Springvale, Maine from 1964 until 1982. He has also taught at University of Southern Maine, the College of St. Joseph, Rutland High School, and Castleton State College, Vermont. While living in Vermont, Dr. Gold gave annual concerts of his own music at the Rutland Jewish Center and served as the organist and choir director at Good Shepherd Lutheran Church.\u0026#xA0; Dr. Gold guest-conducted the Boston Pops Orchestra in his Rhapsody for Orchestra in 1954 and his Dedication Overture in 1959. His composition, Haggadah, was televised nationally by PBS in 1976. His abilities as a music educator were recognized in 2006 by the Vermont Music Educators Association when he received a Special Achievement Award for Significant Contributions to Music Education in Vermont. In May of 2010 Dr. Gold was honored by the Cantors Assembly of the United States and Canada with their Kavod Award for Creativity and Achievement in the Field of Jewish Sacred Music. Dr. Gold has been active in virtually every area of music throughout his career as a conductor, concert pianist, journalist, and educator. He currently resides in Maine and is still composing.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["In 2009, Dr. Morton Gold (1933- ) donated his collection of music manuscripts, scrapbooks, publications, personal papers, and audio recordings to Florida Atlantic University Libraries. These materials relate to his professional life as a composer, writer, and teacher of music. Dr. Gold received a Bachelor of Music: Theory from Boston University in 1953, a Master of Arts in Teaching: Music Education from Harvard University in 1954, and a Doctor of Musical Arts: Composition from Boston University in 1960. He was a professor of Music at Nasson College in Springvale, Maine from 1964 until 1982. He has also taught at University of Southern Maine, the College of St. Joseph, Rutland High School, and Castleton State College, Vermont. While living in Vermont, Dr. Gold gave annual concerts of his own music at the Rutland Jewish Center and served as the organist and choir director at Good Shepherd Lutheran Church.  Dr. Gold guest-conducted the Boston Pops Orchestra in his Rhapsody for Orchestra in 1954 and his Dedication Overture in 1959. His composition, Haggadah, was televised nationally by PBS in 1976. His abilities as a music educator were recognized in 2006 by the Vermont Music Educators Association when he received a Special Achievement Award for Significant Contributions to Music Education in Vermont. In May of 2010 Dr. Gold was honored by the Cantors Assembly of the United States and Canada with their Kavod Award for Creativity and Achievement in the Field of Jewish Sacred Music. Dr. Gold has been active in virtually every area of music throughout his career as a conductor, concert pianist, journalist, and educator. He currently resides in Maine and is still composing."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.\u003c/p\u003e\n","\u003cp\u003eWhen using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.\u003c/p\u003e\n","\u003cp\u003eShould the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact \u003ca href=\"mailto:lysca@fau.edu\"\u003eSpecial Collections\u003c/a\u003e.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collections are to be used for private study, scholarship, or research in accord with the copyright law of the United States (Title 17, United States Code). FAU Libraries adhere to all conditions specified in the law when providing reproductions of copyrighted material. Any subsequent use of a reproduction in excess of \" fair use,\" may result in the user's liability for copyright infringement.","When using electronic copies or images, please keep in mind that copyright law applies. It is the responsibility of the researcher to obtain copyright permission from the rights holder when copying material in excess of fair use. Restriction in the copying of materials may be imposed if the researcher does not have written permission from the rights holder.","Should the researcher use or reproduce special collections material when submitting or publishing his or her own writing or research, the author should credit Florida Atlantic University Libraries Special Collections. If research at FAU Special Collections results in publication, we would appreciate citation information that would allow us to reference that work to future researchers. Also, If the researcher desires to reuse material for commercial use, please contact  Special Collections ."],"names_ssim":["Florida Atlantic University Libraries"],"corpname_ssim":["Florida Atlantic University Libraries"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":840,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842003999162368,"_root_":"05789e80367771603110469f","timestamp":"2026-07-16T03:52:49.077Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/05789e80367771603110469f"}},{"id":"8e87cad770c4897fd823a47e_aspace_290c49342f6f4f23d765e65b523ba786","type":"File","attributes":{"title":"Moscow City Ballet in Prokofieff's Romeo \u0026 Juliet, 2004-04-06","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8e87cad770c4897fd823a47e_aspace_290c49342f6f4f23d765e65b523ba786#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_290c49342f6f4f23d765e65b523ba786","ref_ssm":["aspace_290c49342f6f4f23d765e65b523ba786","aspace_290c49342f6f4f23d765e65b523ba786"],"id":"8e87cad770c4897fd823a47e_aspace_290c49342f6f4f23d765e65b523ba786","title_filing_ssi":"Moscow City Ballet in Prokofieff's Romeo \u0026 Juliet ","title_ssm":["Moscow City Ballet in Prokofieff's Romeo \u0026 Juliet "],"title_tesim":["Moscow City Ballet in Prokofieff's Romeo \u0026 Juliet "],"unitdate_other_ssim":["2004-04-06"],"normalized_date_ssm":["2004-04-06"],"normalized_title_ssm":["Moscow City Ballet in Prokofieff's Romeo \u0026 Juliet, 2004-04-06"],"text":["Moscow City Ballet in Prokofieff's Romeo \u0026 Juliet, 2004-04-06","Festival of Fine Arts, 1970-2025","Box 20","/repositories/4/archival_objects/7189","folder 9"],"component_level_isim":[2],"parent_ids_ssim":["8e87cad770c4897fd823a47e","8e87cad770c4897fd823a47e_aspace_d702645c6b27b8b9b0ef64b9febcc570"],"parent_unittitles_ssm":["Festival of Fine Arts, 1970-2025","Box 20"],"parent_unittitles_tesim":["Festival of Fine Arts, 1970-2025","Box 20"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/4/archival_objects/7189"],"repository_ssim":["The Florida Southern College Archives"],"collection_ssim":["Festival of Fine Arts, 1970-2025"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":830,"parent_access_restrict_tesm":["This collection is open for research. 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This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","The Florida Southern College Archives","Florida Southern College","English"],"unitid_tesim":["CA8015","/repositories/4/resources/43"],"normalized_date_ssm":["1970-2025"],"normalized_title_ssm":["Festival of Fine Arts, 1970-2025"],"collection_title_tesim":["Festival of Fine Arts, 1970-2025"],"collection_ssim":["Festival of Fine Arts, 1970-2025"],"repository_ssm":["The Florida Southern College Archives"],"repository_ssim":["The Florida Southern College Archives"],"creator_ssm":["Florida Southern College"],"creator_ssim":["Florida Southern College"],"creator_corpname_ssim":["Florida Southern College"],"creators_ssim":["Florida Southern College"],"access_terms_ssm":["The Festival of Fine Arts records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. 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Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. 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Board Documents, 1978-2008 II. Financial Documents, 1979-1999 III. Legal, 1995-2007 IV. Moving, 1999-2007 V. Membership, 1979-2008 VI. Incoming Correspondence, 1979-1991 VII. Outgoing Correspondence, 1979-1990 VIII. Community, 1979-2007 IX. National, 1981-1999 X. Local Publications, 1979-2005 XI. The Triangle, 1984-2004 XII. Scrapbooks, 1979-1995 XIII. Miscellaneous, 1987-2004","The Center is an Orlando-based LGBT+ organization that offers support and orchestrates events to improve the lives of the local LGBT+ community.  ","\"[The Center's] history begins on November 27, 1978, when the non-profit organization Gay Community Services (GCS) for safe space meetups was created. Later that year, Gay Men's Hotline was formed. The number was 407-THE-GAYS and was staffed by volunteers. Gay men could call for referrals, mental health counseling, and up-to-date information on GCS meetups. In 1980, women joined GCS, and the organization was renamed Gay \u0026 Lesbian Community Services (GLCS). In 1984, the focus of GLCS and the Gay Men's Hotline shifted to health and HIV/AIDS care. Our services to the community keep expanding. The organization moved to 1036 N. Mills Avenue in 1987. By 1990, GLCS reincorporated as the Gay, Lesbian \u0026 Bisexual Community Center of Central Florida (GLBCC-The Center), so the organization continues to grow, both in terms of human platform and infrastructure. In 1999, The Center purchased 942 and 946 N. Mills Avenue. In 2007, the organization changed its name to the Gay, Lesbian, Bisexual \u0026 Transgender Community Center of Central Florida, Inc. (GLBTCC). In 2014, the organization ventured to offer services with mobile units. In 2016, The Pulse Tragedy occurred in Orlando. President Obama called the Center \"Ground Zero for community healing.\" Eleven years later, after its latest name change, in 2018, the organization changed its name to LGBT+ Center Orlando, Inc. (The Center Orlando) and opened The Center Kissimmee. Subsequently, in 2020, the Center partnered with AHF to provide testing at Out of the Closet (AHF). By 2021, the Center had been chosen to oversee Orlando United Assistance Center (now OURS), expand health services, and open its second downtown location on Hillcrest Street.\" ","Source: \"About Us.\" The Center Orlando. Accessed July 26, 2023.  https://thecenterorlando.org/about-us/ /. ","Collection processed by and finding aid prepared by Arlie Cruz in 2023.","This collection forms part of the LGBTQ History Museum of Central Florida Collection (CFM2021_22). Please see  The LGBTQ History Museum of Central Florida  for additional information.","Spectrum Awards records","The Center collection, 1979-2008, is comprised of organizational records, such as board documents, financial records, and legal evidence gathered for LGBT+ court cases. Also featured in this collection is The Triangle, The Center's publication. The collection also contains member applications, correspondence, outgoing mail from The Center, local and national-level publications collected by The Center, news clippings, scrapbooks, moving documents such as lease agreements and sale processes, Triangle newspaper copies and ads, and photographs.","This entire collection is open for research, but must be screened by an archivist for personally identifiable information before being used by researchers.","Copyright is still owned and controlled by the LGBT+ Center Orlando.","The Center is a nonprofit organization that has been a staple of Orlando since its creation in 1978. The Center's mission is to promote and empower the LGBT+ community and its allies through advocacy, education, information, and support. This collection contains materials such as correspondence, legal and financial records, membership applications, employee time records, related to The Center as an organization.","UCF Special Collections","LGBT+ Center Orlando","Gay \u0026 Lesbian Community Services of Central Florida","Gay Community Services of Central Florida","English"],"unitid_tesim":["SC 157","/repositories/4/resources/274"],"normalized_date_ssm":["1979-2008"],"normalized_title_ssm":["The Center collection, 1979-2008"],"collection_title_tesim":["The Center collection, 1979-2008"],"collection_ssim":["The Center collection, 1979-2008"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["LGBT+ Center Orlando"],"creator_ssim":["LGBT+ Center Orlando"],"creator_corpname_ssim":["LGBT+ Center Orlando"],"creators_ssim":["LGBT+ Center Orlando"],"access_terms_ssm":["This entire collection is open for research, but must be screened by an archivist for personally identifiable information before being used by researchers.","Copyright is still owned and controlled by the LGBT+ Center Orlando."],"acqinfo_ssim":["Gifted by the LGBT+ Center Orlando to the LGBTQ+ History Museum of Central Florida in 2010. Gifted by the LGBTQ+ History Museum of Central Florida to University of Central Florida Libraries, Special Collections \u0026 University Archives in 2021 (Accession no. CFM2021_22)."],"access_subjects_ssim":["LGBTQ+ activists","Florida -- Orlando"," LGBTQ+ magazines","scrapbooks","photographs"],"access_subjects_ssm":["LGBTQ+ activists","Florida -- Orlando"," LGBTQ+ magazines","scrapbooks","photographs"],"has_online_content_ssim":["false"],"extent_ssm":["15.22 Linear Feet 27 boxes, 1 flat file"],"extent_tesim":["15.22 Linear Feet 27 boxes, 1 flat file"],"genreform_ssim":[" LGBTQ+ magazines","scrapbooks","photographs"],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in thirteen series and is arranged by like-item and subject. \n\u003cul style=\"list-style-type: none\"\u003e\n   \u003cli\u003eI. Board Documents, 1978-2008\u003c/li\u003e\n   \u003cli\u003eII. Financial Documents, 1979-1999\u003c/li\u003e\n   \u003cli\u003eIII. Legal, 1995-2007\u003c/li\u003e\n   \u003cli\u003eIV. Moving, 1999-2007\u003c/li\u003e\n   \u003cli\u003eV. Membership, 1979-2008\u003c/li\u003e\n   \u003cli\u003eVI. Incoming Correspondence, 1979-1991\u003c/li\u003e\n   \u003cli\u003eVII. Outgoing Correspondence, 1979-1990\u003c/li\u003e\n   \u003cli\u003eVIII. Community, 1979-2007\u003c/li\u003e\n   \u003cli\u003eIX. National, 1981-1999\u003c/li\u003e\n   \u003cli\u003eX. Local Publications, 1979-2005\u003c/li\u003e\n   \u003cli\u003eXI. The Triangle, 1984-2004\u003c/li\u003e\n   \u003cli\u003eXII. Scrapbooks, 1979-1995\u003c/li\u003e\n   \u003cli\u003eXIII. Miscellaneous, 1987-2004\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in thirteen series and is arranged by like-item and subject. \n I. 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In 1980, women joined GCS, and the organization was renamed Gay \u0026amp; Lesbian Community Services (GLCS). In 1984, the focus of GLCS and the Gay Men's Hotline shifted to health and HIV/AIDS care. Our services to the community keep expanding. The organization moved to 1036 N. Mills Avenue in 1987. By 1990, GLCS reincorporated as the Gay, Lesbian \u0026amp; Bisexual Community Center of Central Florida (GLBCC-The Center), so the organization continues to grow, both in terms of human platform and infrastructure. In 1999, The Center purchased 942 and 946 N. Mills Avenue. In 2007, the organization changed its name to the Gay, Lesbian, Bisexual \u0026amp; Transgender Community Center of Central Florida, Inc. (GLBTCC). In 2014, the organization ventured to offer services with mobile units. In 2016, The Pulse Tragedy occurred in Orlando. President Obama called the Center \"Ground Zero for community healing.\" Eleven years later, after its latest name change, in 2018, the organization changed its name to LGBT+ Center Orlando, Inc. (The Center Orlando) and opened The Center Kissimmee. Subsequently, in 2020, the Center partnered with AHF to provide testing at Out of the Closet (AHF). By 2021, the Center had been chosen to oversee Orlando United Assistance Center (now OURS), expand health services, and open its second downtown location on Hillcrest Street.\" \u003c/p\u003e\n","\u003cp\u003eSource: \"About Us.\" The Center Orlando. Accessed July 26, 2023. \u003ca href=\"https://thecenterorlando.org/about-us/\"\u003ehttps://thecenterorlando.org/about-us/\u003c/a\u003e/. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Center is an Orlando-based LGBT+ organization that offers support and orchestrates events to improve the lives of the local LGBT+ community.  ","\"[The Center's] history begins on November 27, 1978, when the non-profit organization Gay Community Services (GCS) for safe space meetups was created. Later that year, Gay Men's Hotline was formed. The number was 407-THE-GAYS and was staffed by volunteers. Gay men could call for referrals, mental health counseling, and up-to-date information on GCS meetups. In 1980, women joined GCS, and the organization was renamed Gay \u0026 Lesbian Community Services (GLCS). In 1984, the focus of GLCS and the Gay Men's Hotline shifted to health and HIV/AIDS care. Our services to the community keep expanding. The organization moved to 1036 N. Mills Avenue in 1987. By 1990, GLCS reincorporated as the Gay, Lesbian \u0026 Bisexual Community Center of Central Florida (GLBCC-The Center), so the organization continues to grow, both in terms of human platform and infrastructure. In 1999, The Center purchased 942 and 946 N. Mills Avenue. In 2007, the organization changed its name to the Gay, Lesbian, Bisexual \u0026 Transgender Community Center of Central Florida, Inc. (GLBTCC). In 2014, the organization ventured to offer services with mobile units. In 2016, The Pulse Tragedy occurred in Orlando. President Obama called the Center \"Ground Zero for community healing.\" Eleven years later, after its latest name change, in 2018, the organization changed its name to LGBT+ Center Orlando, Inc. (The Center Orlando) and opened The Center Kissimmee. Subsequently, in 2020, the Center partnered with AHF to provide testing at Out of the Closet (AHF). By 2021, the Center had been chosen to oversee Orlando United Assistance Center (now OURS), expand health services, and open its second downtown location on Hillcrest Street.\" ","Source: \"About Us.\" The Center Orlando. Accessed July 26, 2023.  https://thecenterorlando.org/about-us/ /. "],"prefercite_html_tesm":["\u003cp\u003eThe Center collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["The Center collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by and finding aid prepared by Arlie Cruz in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by and finding aid prepared by Arlie Cruz in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThis collection forms part of the LGBTQ History Museum of Central Florida Collection (CFM2021_22). Please see \u003ca href=\"https://floridalgbtqmuseum.org/\"\u003eThe LGBTQ History Museum of Central Florida\u003c/a\u003e for additional information.\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://scua.library.ucf.edu/repositories/4/resources/256\"\u003eSpectrum Awards records\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["This collection forms part of the LGBTQ History Museum of Central Florida Collection (CFM2021_22). Please see  The LGBTQ History Museum of Central Florida  for additional information.","Spectrum Awards records"],"scopecontent_html_tesm":["\u003cp\u003eThe Center collection, 1979-2008, is comprised of organizational records, such as board documents, financial records, and legal evidence gathered for LGBT+ court cases. Also featured in this collection is The Triangle, The Center's publication. The collection also contains member applications, correspondence, outgoing mail from The Center, local and national-level publications collected by The Center, news clippings, scrapbooks, moving documents such as lease agreements and sale processes, Triangle newspaper copies and ads, and photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Center collection, 1979-2008, is comprised of organizational records, such as board documents, financial records, and legal evidence gathered for LGBT+ court cases. Also featured in this collection is The Triangle, The Center's publication. The collection also contains member applications, correspondence, outgoing mail from The Center, local and national-level publications collected by The Center, news clippings, scrapbooks, moving documents such as lease agreements and sale processes, Triangle newspaper copies and ads, and photographs."],"userestrict_html_tesm":["\u003cp\u003eThis entire collection is open for research, but must be screened by an archivist for personally identifiable information before being used by researchers.\u003c/p\u003e","\u003cp\u003eCopyright is still owned and controlled by the LGBT+ Center Orlando.\u003c/p\u003e"],"userestrict_heading_ssm":["Access","Copyright Statement"],"userestrict_tesim":["This entire collection is open for research, but must be screened by an archivist for personally identifiable information before being used by researchers.","Copyright is still owned and controlled by the LGBT+ Center Orlando."],"abstract_html_tesm":["\u003cabstract id=\"aspace_b7a8cccca768b8676a4797ab58b08af0\"\u003eThe Center is a nonprofit organization that has been a staple of Orlando since its creation in 1978. The Center's mission is to promote and empower the LGBT+ community and its allies through advocacy, education, information, and support. This collection contains materials such as correspondence, legal and financial records, membership applications, employee time records, related to The Center as an organization.\u003c/abstract\u003e"],"abstract_tesim":["The Center is a nonprofit organization that has been a staple of Orlando since its creation in 1978. The Center's mission is to promote and empower the LGBT+ community and its allies through advocacy, education, information, and support. This collection contains materials such as correspondence, legal and financial records, membership applications, employee time records, related to The Center as an organization."],"names_coll_ssim":["Gay \u0026 Lesbian Community Services of Central Florida","Gay Community Services of Central Florida"],"names_ssim":["UCF Special Collections","LGBT+ Center Orlando","Gay \u0026 Lesbian Community Services of Central Florida","Gay Community Services of Central Florida"],"corpname_ssim":["UCF Special Collections","LGBT+ Center Orlando","Gay \u0026 Lesbian Community Services of Central Florida","Gay Community Services of Central Florida"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":307,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857884061925376,"_root_":"cde036b75c510c929be38b19","timestamp":"2026-07-16T08:05:13.673Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cde036b75c510c929be38b19_aspace_c82d88809874bdf462ef6da827aa8ca8"}},{"id":"71b8a757b0f138dee122db24_aspace_dc3a972c658cc1984aefd0adf0eb7c8d","type":"File","attributes":{"title":"MPAs, 2003-2004","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/71b8a757b0f138dee122db24_aspace_dc3a972c658cc1984aefd0adf0eb7c8d#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_dc3a972c658cc1984aefd0adf0eb7c8d","ref_ssm":["aspace_dc3a972c658cc1984aefd0adf0eb7c8d","aspace_dc3a972c658cc1984aefd0adf0eb7c8d"],"id":"71b8a757b0f138dee122db24_aspace_dc3a972c658cc1984aefd0adf0eb7c8d","title_filing_ssi":"MPAs","title_ssm":["MPAs"],"title_tesim":["MPAs"],"unitdate_inclusive_ssm":["2003-2004"],"normalized_date_ssm":["2003-2004"],"normalized_title_ssm":["MPAs, 2003-2004"],"text":["MPAs, 2003-2004","Florida Bandmasters Association Records, 1936-2010","Meetings","District Minutes","/repositories/2/archival_objects/41124","box 123","folder 8"],"component_level_isim":[3],"parent_ids_ssim":["71b8a757b0f138dee122db24","71b8a757b0f138dee122db24_aspace_22ce1ecc8b44965faf3931bb1a47ba5e","71b8a757b0f138dee122db24_aspace_78c7e3a25a43b1833d73315f58775e79"],"parent_unittitles_ssm":["Florida Bandmasters Association Records, 1936-2010","Meetings","District Minutes"],"parent_unittitles_tesim":["Florida Bandmasters Association Records, 1936-2010","Meetings","District Minutes"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/41124"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"collection_ssim":["Florida Bandmasters Association Records, 1936-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2461,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"parent_access_terms_tesm":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"date_range_isim":[2003,2004],"containers_ssim":["box 123","folder 8"],"_nest_path_":"/components#5/components#1/components#300","_nest_parent_":"71b8a757b0f138dee122db24_aspace_78c7e3a25a43b1833d73315f58775e79","_root_":"71b8a757b0f138dee122db24","_version_":1877102187519148032,"timestamp":"2026-09-23T06:15:45.471Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"71b8a757b0f138dee122db24","title_ssm":["Florida Bandmasters Association Records"],"title_tesim":["Florida Bandmasters Association Records"],"ead_ssi":"71b8a757b0f138dee122db24","unitdate_ssm":["1936-2010"],"unitdate_inclusive_ssm":["1936-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS1000","/repositories/2/resources/26"],"text":["MS1000","/repositories/2/resources/26","Florida Bandmasters Association Records, 1936-2010","Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.","The Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2","This collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.","The records have been arranged in eight series, six of which have been further arranged in subseries.","Series 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.","Series 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026 Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries – Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.","Series 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.","Series 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.","Series 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.","Series 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors.","Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association","English"],"unitid_tesim":["MS1000","/repositories/2/resources/26"],"normalized_date_ssm":["1936-2010"],"normalized_title_ssm":["Florida Bandmasters Association Records, 1936-2010"],"collection_title_tesim":["Florida Bandmasters Association Records, 1936-2010"],"collection_ssim":["Florida Bandmasters Association Records, 1936-2010"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"creator_ssm":["Florida Bandmaster Association"],"creator_ssim":["Florida Bandmaster Association"],"creator_corpname_ssim":["Florida Bandmaster Association"],"creators_ssim":["Florida Bandmaster Association"],"access_terms_ssm":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"acqinfo_ssim":["Beginning in 1967, John J. Heney took on the role of FBA archivist and began to assemble what records he could collect from former FBA presidents, executive director Robert Lampi, and individual bandmasters. Heney made arrangements with the University of Florida to store the records, which he delivered in several installments through 1978. In 1988, because of a connection between an FBA member and Florida Southern College, the collection was returned to the FBA and moved to FSC."],"access_subjects_ssim":["Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs"],"access_subjects_ssm":["Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["60.5 Linear Feet"],"extent_tesim":["60.5 Linear Feet"],"genreform_ssim":["Correspondence","Photographs"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eThe Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2"],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.\u003c/p\u003e\n","\u003cp\u003eThe records have been arranged in eight series, six of which have been further arranged in subseries.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026amp; Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries \u0026#x2013; Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.\u003c/p\u003e\n","\u003cp\u003eSeries 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.\u003c/p\u003e\n","\u003cp\u003eSeries 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.\u003c/p\u003e\n","\u003cp\u003eSeries 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.","The records have been arranged in eight series, six of which have been further arranged in subseries.","Series 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.","Series 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026 Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries – Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.","Series 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.","Series 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.","Series 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.","Series 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association"],"corpname_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2839,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877102187519148032,"_root_":"71b8a757b0f138dee122db24","timestamp":"2026-09-23T06:15:45.471Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/71b8a757b0f138dee122db24_aspace_dc3a972c658cc1984aefd0adf0eb7c8d"}},{"id":"71b8a757b0f138dee122db24_aspace_5cf65ab44a3e84090c04641d4e8bed1a","type":"File","attributes":{"title":"MPA (State), 2004-2005","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/71b8a757b0f138dee122db24_aspace_5cf65ab44a3e84090c04641d4e8bed1a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5cf65ab44a3e84090c04641d4e8bed1a","ref_ssm":["aspace_5cf65ab44a3e84090c04641d4e8bed1a","aspace_5cf65ab44a3e84090c04641d4e8bed1a"],"id":"71b8a757b0f138dee122db24_aspace_5cf65ab44a3e84090c04641d4e8bed1a","title_filing_ssi":"MPA (State)","title_ssm":["MPA (State)"],"title_tesim":["MPA (State)"],"unitdate_inclusive_ssm":["2004-2005"],"normalized_date_ssm":["2004-2005"],"normalized_title_ssm":["MPA (State), 2004-2005"],"text":["MPA (State), 2004-2005","Florida Bandmasters Association Records, 1936-2010","Meetings","District Minutes","/repositories/2/archival_objects/41144","box 123","folder 28"],"component_level_isim":[3],"parent_ids_ssim":["71b8a757b0f138dee122db24","71b8a757b0f138dee122db24_aspace_22ce1ecc8b44965faf3931bb1a47ba5e","71b8a757b0f138dee122db24_aspace_78c7e3a25a43b1833d73315f58775e79"],"parent_unittitles_ssm":["Florida Bandmasters Association Records, 1936-2010","Meetings","District Minutes"],"parent_unittitles_tesim":["Florida Bandmasters Association Records, 1936-2010","Meetings","District Minutes"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/41144"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"collection_ssim":["Florida Bandmasters Association Records, 1936-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2481,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"parent_access_terms_tesm":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"date_range_isim":[2004,2005],"containers_ssim":["box 123","folder 28"],"_nest_path_":"/components#5/components#1/components#320","_nest_parent_":"71b8a757b0f138dee122db24_aspace_78c7e3a25a43b1833d73315f58775e79","_root_":"71b8a757b0f138dee122db24","_version_":1877102187519148032,"timestamp":"2026-09-23T06:15:45.471Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"71b8a757b0f138dee122db24","title_ssm":["Florida Bandmasters Association Records"],"title_tesim":["Florida Bandmasters Association Records"],"ead_ssi":"71b8a757b0f138dee122db24","unitdate_ssm":["1936-2010"],"unitdate_inclusive_ssm":["1936-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS1000","/repositories/2/resources/26"],"text":["MS1000","/repositories/2/resources/26","Florida Bandmasters Association Records, 1936-2010","Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.","The Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2","This collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.","The records have been arranged in eight series, six of which have been further arranged in subseries.","Series 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.","Series 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026 Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries – Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.","Series 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.","Series 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.","Series 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.","Series 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors.","Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487","The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association","English"],"unitid_tesim":["MS1000","/repositories/2/resources/26"],"normalized_date_ssm":["1936-2010"],"normalized_title_ssm":["Florida Bandmasters Association Records, 1936-2010"],"collection_title_tesim":["Florida Bandmasters Association Records, 1936-2010"],"collection_ssim":["Florida Bandmasters Association Records, 1936-2010"],"repository_ssm":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"repository_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections"],"creator_ssm":["Florida Bandmaster Association"],"creator_ssim":["Florida Bandmaster Association"],"creator_corpname_ssim":["Florida Bandmaster Association"],"creators_ssim":["Florida Bandmaster Association"],"access_terms_ssm":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"acqinfo_ssim":["Beginning in 1967, John J. Heney took on the role of FBA archivist and began to assemble what records he could collect from former FBA presidents, executive director Robert Lampi, and individual bandmasters. Heney made arrangements with the University of Florida to store the records, which he delivered in several installments through 1978. In 1988, because of a connection between an FBA member and Florida Southern College, the collection was returned to the FBA and moved to FSC."],"access_subjects_ssim":["Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs"],"access_subjects_ssm":["Florida Bandmaster Association","School bands--Florida--History","Music contests--Florida","Photographs--United States","Correspondence","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["60.5 Linear Feet"],"extent_tesim":["60.5 Linear Feet"],"genreform_ssim":["Correspondence","Photographs"],"date_range_isim":[1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to\nunprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eThe Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Florida Bandmasters Association (FBA) has guided the musical development of generations of Florida's high school students since 1936. Formed by a few visionary high school band directors from across Florida, the FBA sought to promote interest in high school bands and band contests during an era where few schools had bands but interest was growing, and to strengthen the professional standing of the state's band directors. The FBA sponsored a\nsingle State Festival for several years. In the late 1940's, the Festival became large enough that the state was divided into six geographical Districts, and District Contests were devised to serve as qualifiers for bands attending the State Contest. Since then, additional growth resulted in 10\nDistricts, then to 14, then to 15 in 1982, to 17 in 1987, and to 19 in 1995. There is still 19 districts.\nThroughout the years, the FBA has managed state- and district-level band festivals, clinics, and other events, ensuring that music remained in the public school curriculum and maintaining high musical standards for students. In 1966, the FBA completed an amicable merger with the Florida Association of Bandmasters, the equivalent organization for African-American schools\nprior to integration. The FABD had formed in 1941with Leander Kirksey as the first president. He was followed by George H. Hill (1955-1960) and James W. Wilson (1960-1966). Wilson later served as president of the FBA from 1974-1975. Early organizers and leaders of the FBA include some giants in the school band field, including first president Major Ed Chenette, P.J. Gustat, Browne Greaton Cole, and John J. Heney. For a complete list of presidents visit https://fba.flmusiced.org/about/history. FBA eventually became a component organization of the Florida Music Education Association.\nIn addition, the FBA had a relationship with the Florida High School Activities Association, from whom the FBA, and their associated events, received funding. John Joseph Heney, Sr. (1903-1978) was a percussionist, music educator, and historian. He played with numerous bands throughout his career, most notably the John Phillip Sousa Band during its final six years. In addition to playing professionally, Heney taught at numerous schools in the Florida area, including Ketterlinus High School, Stetson University, and DeLand High School, where he stayed for thirty-two years. He was a founder of the FBA and instrumental in starting the archives. For more information, please visit: http://www.pas.org/docs/defaultsource/SoundEnhancedPdfs/the-life-and-music-of-john-joseph-heney.pdf?sfvrsn=2"],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.\u003c/p\u003e\n","\u003cp\u003eThe records have been arranged in eight series, six of which have been further arranged in subseries.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026amp; Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries \u0026#x2013; Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.\u003c/p\u003e\n","\u003cp\u003eSeries 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.\u003c/p\u003e\n","\u003cp\u003eSeries 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.\u003c/p\u003e\n","\u003cp\u003eSeries 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection documents the functions and activities of the Florida Bandmasters Association. Included are governance-related materials such as constitutions and bylaws, as well as informational bulletins; financial records; minutes of state, district, and committee meetings; and\ncorrespondence to and from Association leadership. Of note for genealogists are annual membership directories and membership applications from the 1940 into the 1960s that include a resume and photograph of each applicant. The collection also includes detailed records of band contests and festivals, with records pertaining to the administrative and logistical efforts as\nwell as results. Other documentary forms found in the collection are a small number of musical scores and cassette tapes of performances.","The records have been arranged in eight series, six of which have been further arranged in subseries.","Series 1: Bulletins, 1941-2010. Nine feet two inches or 22 boxes. Bulletins includes both State (1941-2010) and District (1946-1995) arranged separately and chronologically. The content of the bulletins changed slightly over the years, and may contain general information for the membership, meeting times, meeting agendas or minutes, and contest results. Some issues are missing.","Series 2: Constitutions, Bylaws, Handbooks, Manuals, \u0026 Proclamations, 1939-2010. 20 inches or 4 boxes. Arranged by year. Copies of the current constitution or by-law were often printed in an annual handbook.\nSeries 3: Contests and other events, 1936-1996. Twenty feet 5 inches or 49 boxes. Arranged in five subseries – Contests (1936-1996), Adjudication (1962-1992), Clinics (1943-1993), Music Lists (1954-1994), and Music Scores, n.d. Each subseries is arranged chronologically. Records include documents relating to events sponsored or managed by FBA, including district and state contests/festivals, the All-Star Marching Band, and All-State competitions.","Series 4: Correspondence, 1927-1994. Twelve feet, one inch or twenty-nine boxes. This series was maintained in original order (as found in 2018) which included materials by Correspondent (1927-1994), and more routine Business Correspondence by year (1948-1993). It contains a variety of letters from FBA presidents, executive secretaries, and other related people or organizations about finances, meetings, activities, events, and association history.\nSeries 5, Financial Records, 1939-2008. Two feet, eleven inches or seven boxes, arranged by year. Documents include ledgers, reports, and budgets at the state and district levels. Financial information can also be found in Bulletins and Minutes.","Series 6, Meetings, 1938-2009. Eight feet, nine inches or twenty-one boxes, arranged in four subseries and then chronologically. State and district meetings were held by officers and reflect decisions made for the group. State Minutes, 1938-1993 and District Minutes, 1945-2009 sometimes include agendas, but they typically describe the events of the meeting and may include a list of attendees, a statement of the issues considered by the participants, and related responses or decisions for the issues. The Committees, 1950-1993 minutes, arranged alphabetically by committee name are not a complete record of all committees. Some minutes were never filed with the main office. Some minutes of the committees are recorded in the bulletins. Decisions made at the business meeting attended by the general membership are found within the Summer Conventions, 1968-1993.","Series 7, Membership, 1949-2000. Three feet, ten inches or nine boxes. The Membership Applications, 1949-1985 from the earlier years often include a photograph and resume-like information. Directories, 1946-2000 are the compilation of information into a published booklet. The News includes some obituaries and newspaper clipping of some members.","Series 8, Related Materials, 1940-1974, n.d. Twenty inches, or five boxes. This last series includes materials by and about John J. Heney, Sr. Heney was a member of the Sousa Band Fraternal Society. Several boxes of materials reflect his involvement with the John Philip Sousa Band, and his interest in preserving Sousa's memory after the band leader's death. The Photographs include mostly albums of marching bands, but also of some band directors."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish materials from the Florida Bandmasters Association Records must be obtained from the Florida Bandmasters Association. Please inquire with the College Archivist if you have questions 863-616-6487"],"names_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association"],"corpname_ssim":["The Sarah D. and L. Kirk McKay, Jr. Archives Center Manuscript Collections","Florida Bandmaster Association"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2839,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1877102187519148032,"_root_":"71b8a757b0f138dee122db24","timestamp":"2026-09-23T06:15:45.471Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/71b8a757b0f138dee122db24_aspace_5cf65ab44a3e84090c04641d4e8bed1a"}},{"id":"c62033b9da482f42de6f1d29_aspace_c445124f2cc1190d9f7767cc11f76133","type":"File","attributes":{"title":"M presskits, 1992–1994, 2004","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c62033b9da482f42de6f1d29_aspace_c445124f2cc1190d9f7767cc11f76133#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c445124f2cc1190d9f7767cc11f76133","ref_ssm":["aspace_c445124f2cc1190d9f7767cc11f76133","aspace_c445124f2cc1190d9f7767cc11f76133"],"id":"c62033b9da482f42de6f1d29_aspace_c445124f2cc1190d9f7767cc11f76133","title_filing_ssi":"M presskits","title_ssm":["M presskits"],"title_tesim":["M presskits"],"unitdate_inclusive_ssm":["1992–1994","2004"],"normalized_date_ssm":["1992–1994, 2004"],"normalized_title_ssm":["M presskits, 1992–1994, 2004"],"text":["M presskits, 1992–1994, 2004","Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010","Series I: Florida, 1900–2013","Brochures \u0026 Presskits","/repositories/4/archival_objects/89382","box 60","folder 9"],"component_level_isim":[3],"parent_ids_ssim":["c62033b9da482f42de6f1d29","c62033b9da482f42de6f1d29_aspace_83107027ba2e547fbc24aa88f01d15e8","c62033b9da482f42de6f1d29_aspace_b77e8c2bd63a0bd2de4d7e04b0a26d38"],"parent_unittitles_ssm":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010","Series I: Florida, 1900–2013","Brochures \u0026 Presskits"],"parent_unittitles_tesim":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010","Series I: Florida, 1900–2013","Brochures \u0026 Presskits"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/89382"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":575,"parent_access_restrict_tesm":["The entire collection is open for research. This minimally processed collection may require further processing and is subject to change."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1992,1993,1994,2004],"containers_ssim":["box 60","folder 9"],"_nest_path_":"/components#0/components#3/components#52","_nest_parent_":"c62033b9da482f42de6f1d29_aspace_b77e8c2bd63a0bd2de4d7e04b0a26d38","_root_":"c62033b9da482f42de6f1d29","_version_":1879011331377463296,"timestamp":"2026-10-14T08:00:46.958Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"c62033b9da482f42de6f1d29","title_ssm":["Robert H. Brown tourism collection"],"title_tesim":["Robert H. Brown tourism collection"],"ead_ssi":"c62033b9da482f42de6f1d29","unitdate_ssm":["1900-2013","1970-2010"],"unitdate_bulk_ssim":["1970-2010"],"unitdate_inclusive_ssm":["1900-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 169","/repositories/4/resources/323"],"text":["SC 169","/repositories/4/resources/323","Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010","Walt Disney World (Fla.) -- Guidebooks","Busch Gardens (Tampa, Fla.)","Disneyland (Calif.)","Walt Disney World (Fla.)","Tourism -- Florida","Amusement parks -- Florida","Amusement parks","Tourism -- United States","Advertising -- Tourism","Resorts -- Florida","brochures","fliers (printed matter)","Guidebooks","picture postcards","postcards","maps (documents)","press kits ","The entire collection is open for research. This minimally processed collection may require further processing and is subject to change.","The collection is arranged into two series: \n I. Florida, 1900-2013  II. United States, 1962-2012 ","Robert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. Of his work on the website, Brown writes, \"Tourist attractions have a way of springing up on the Florida roadside... only to wither and die when they just can't quite sustain the magic. You will find no historical marker to mark their passing, no footnote in the history book, only the occasional exotic plant, or shopping center, or oddly named road.\" His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism.  ","In 1997, Brown created a travel website for The Mining Company (later known as About.com or Dotdash), a digital media company, writing about theme parks around the world and the amusement park industry. As a result, he also collected materials from attractions located across the United States, the United Kingdom, and Germany. Brown worked as an actor in film, television, and theater productions. He was a cast member of Second Thought Improv and On the Edge Improvisational Theatre. As of 2024, Brown is retired and currently resides in Ocoee, Florida. ","Processed by and finding aid prepared by Sofia Arias in 2024. Additional processing by Simone DeLuque in 2025.","Other materials related to theme parks and the tourism industry can be found in the  Disney Ephemera collection , the  George and Anne Millay collection , and the  Al Turner, Splash Magazine collection .","The Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. ","Series I: Florida, 1900-2013, contains postcards, brochures, flyers, presskits, visitor's guides, maps, and other tourist papers related to theme parks and attractions in the state of Florida. Subseries 1 chiefly contains postcards organized alphabetically by city location, then by subject. Subseries 2 contains postcards from established tourist attractions, arranged alphabetically in boxes and binder sleeves as they were originally received. Subseries 3 contains vertical files of various Florida attractions in original order. Subseries 4 contains brochures and presskits, arranged alphabetically. This series does not contain material for the Walt Disney World resort, which can be found in Series II.","Series II: United States, 1962-2012, contains collected postcards, brochures, and tourist papers related to theme parks and attractions outside of the state of Florida. Subseries 1 contains vertical files of various American attractions in original order. Subseries 2 and 3 are arranged by like item, then alphabetically. Also of interest is the Disney subseries, which contains records relating to Walt Disney World and Disneyland, as well as financial reports for the Walt Disney Company. The AAA subseries contains guidebooks for the state of Florida and beyond, as well as a number of Rand McNally guides.","Books donated with the Robert H. Brown tourism collection have been cataloged individually. Please search the Library Catalog using the series Robert H. Brown tourism collection.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. \n\nRobert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism. As of 2024, Brown is retired and currently resides in Ocoee, Florida.","UCF Special Collections","Walt Disney Company","Six Flags Theme Parks Inc","Brown, Robert H. (Robert Hugh)","English"],"unitid_tesim":["SC 169","/repositories/4/resources/323"],"normalized_date_ssm":["1900-2013, bulk 1970-2010"],"normalized_title_ssm":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010"],"collection_title_tesim":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010"],"collection_ssim":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Walt Disney World (Fla.) -- Guidebooks","Busch Gardens (Tampa, Fla.)","Disneyland (Calif.)","Walt Disney World (Fla.)"],"geogname_ssim":["Walt Disney World (Fla.) -- Guidebooks","Busch Gardens (Tampa, Fla.)","Disneyland (Calif.)","Walt Disney World (Fla.)"],"creator_ssm":["Brown, Robert H. (Robert Hugh)"],"creator_ssim":["Brown, Robert H. (Robert Hugh)"],"creator_persname_ssim":["Brown, Robert H. (Robert Hugh)"],"creators_ssim":["Brown, Robert H. (Robert Hugh)"],"places_ssim":["Walt Disney World (Fla.) -- Guidebooks","Busch Gardens (Tampa, Fla.)","Disneyland (Calif.)","Walt Disney World (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of Robert H. Brown in 2023 (Accession no. CFM2023_06)."],"access_subjects_ssim":["Tourism -- Florida","Amusement parks -- Florida","Amusement parks","Tourism -- United States","Advertising -- Tourism","Resorts -- Florida","brochures","fliers (printed matter)","Guidebooks","picture postcards","postcards","maps (documents)","press kits "],"access_subjects_ssm":["Tourism -- Florida","Amusement parks -- Florida","Amusement parks","Tourism -- United States","Advertising -- Tourism","Resorts -- Florida","brochures","fliers (printed matter)","Guidebooks","picture postcards","postcards","maps (documents)","press kits "],"has_online_content_ssim":["false"],"extent_ssm":["39.6 Linear Feet 97 boxes; 2 flat files; 2 flash drives"],"extent_tesim":["39.6 Linear Feet 97 boxes; 2 flat files; 2 flash drives"],"genreform_ssim":["brochures","fliers (printed matter)","Guidebooks","picture postcards","postcards","maps (documents)","press kits "],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research. This minimally processed collection may require further processing and is subject to change.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research. This minimally processed collection may require further processing and is subject to change."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series: \n\u003cul style=\"list-style-type: none\"\u003e\n   \u003cli\u003eI. Florida, 1900-2013 \u003c/li\u003e\n   \u003cli\u003eII. United States, 1962-2012 \u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series: \n I. Florida, 1900-2013  II. United States, 1962-2012 "],"bioghist_html_tesm":["\u003cp\u003eRobert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. Of his work on the website, Brown writes, \"Tourist attractions have a way of springing up on the Florida roadside... only to wither and die when they just can't quite sustain the magic. You will find no historical marker to mark their passing, no footnote in the history book, only the occasional exotic plant, or shopping center, or oddly named road.\" His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism.  \u003c/p\u003e\n","\u003cp\u003eIn 1997, Brown created a travel website for The Mining Company (later known as About.com or Dotdash), a digital media company, writing about theme parks around the world and the amusement park industry. As a result, he also collected materials from attractions located across the United States, the United Kingdom, and Germany. Brown worked as an actor in film, television, and theater productions. He was a cast member of Second Thought Improv and On the Edge Improvisational Theatre. As of 2024, Brown is retired and currently resides in Ocoee, Florida. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Robert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. Of his work on the website, Brown writes, \"Tourist attractions have a way of springing up on the Florida roadside... only to wither and die when they just can't quite sustain the magic. You will find no historical marker to mark their passing, no footnote in the history book, only the occasional exotic plant, or shopping center, or oddly named road.\" His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism.  ","In 1997, Brown created a travel website for The Mining Company (later known as About.com or Dotdash), a digital media company, writing about theme parks around the world and the amusement park industry. As a result, he also collected materials from attractions located across the United States, the United Kingdom, and Germany. Brown worked as an actor in film, television, and theater productions. He was a cast member of Second Thought Improv and On the Edge Improvisational Theatre. As of 2024, Brown is retired and currently resides in Ocoee, Florida. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Robert H. Brown tourism collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Robert H. Brown tourism collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Sofia Arias in 2024. Additional processing by Simone DeLuque in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Sofia Arias in 2024. Additional processing by Simone DeLuque in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eOther materials related to theme parks and the tourism industry can be found in the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/21\"\u003eDisney Ephemera collection\u003c/extref\u003e, the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/154\"\u003eGeorge and Anne Millay collection\u003c/extref\u003e, and the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/9\"\u003eAl Turner, Splash Magazine collection\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other materials related to theme parks and the tourism industry can be found in the  Disney Ephemera collection , the  George and Anne Millay collection , and the  Al Turner, Splash Magazine collection ."],"scopecontent_html_tesm":["\u003cp\u003eThe Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. \u003c/p\u003e\n","\u003cp\u003eSeries I: Florida, 1900-2013, contains postcards, brochures, flyers, presskits, visitor's guides, maps, and other tourist papers related to theme parks and attractions in the state of Florida. Subseries 1 chiefly contains postcards organized alphabetically by city location, then by subject. Subseries 2 contains postcards from established tourist attractions, arranged alphabetically in boxes and binder sleeves as they were originally received. Subseries 3 contains vertical files of various Florida attractions in original order. Subseries 4 contains brochures and presskits, arranged alphabetically. This series does not contain material for the Walt Disney World resort, which can be found in Series II.\u003c/p\u003e\n","\u003cp\u003eSeries II: United States, 1962-2012, contains collected postcards, brochures, and tourist papers related to theme parks and attractions outside of the state of Florida. Subseries 1 contains vertical files of various American attractions in original order. Subseries 2 and 3 are arranged by like item, then alphabetically. Also of interest is the Disney subseries, which contains records relating to Walt Disney World and Disneyland, as well as financial reports for the Walt Disney Company. The AAA subseries contains guidebooks for the state of Florida and beyond, as well as a number of Rand McNally guides.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. ","Series I: Florida, 1900-2013, contains postcards, brochures, flyers, presskits, visitor's guides, maps, and other tourist papers related to theme parks and attractions in the state of Florida. Subseries 1 chiefly contains postcards organized alphabetically by city location, then by subject. Subseries 2 contains postcards from established tourist attractions, arranged alphabetically in boxes and binder sleeves as they were originally received. Subseries 3 contains vertical files of various Florida attractions in original order. Subseries 4 contains brochures and presskits, arranged alphabetically. This series does not contain material for the Walt Disney World resort, which can be found in Series II.","Series II: United States, 1962-2012, contains collected postcards, brochures, and tourist papers related to theme parks and attractions outside of the state of Florida. Subseries 1 contains vertical files of various American attractions in original order. Subseries 2 and 3 are arranged by like item, then alphabetically. Also of interest is the Disney subseries, which contains records relating to Walt Disney World and Disneyland, as well as financial reports for the Walt Disney Company. The AAA subseries contains guidebooks for the state of Florida and beyond, as well as a number of Rand McNally guides."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks donated with the Robert H. Brown tourism collection have been cataloged individually. Please search the Library Catalog using the series Robert H. Brown tourism collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books donated with the Robert H. Brown tourism collection have been cataloged individually. Please search the Library Catalog using the series Robert H. Brown tourism collection."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_21cfff8d77476940979232257b1d9959\"\u003eThe Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. \n\nRobert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism. As of 2024, Brown is retired and currently resides in Ocoee, Florida.\u003c/abstract\u003e"],"abstract_tesim":["The Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. \n\nRobert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism. As of 2024, Brown is retired and currently resides in Ocoee, Florida."],"names_coll_ssim":["Walt Disney Company","Six Flags Theme Parks Inc"],"names_ssim":["UCF Special Collections","Walt Disney Company","Six Flags Theme Parks Inc","Brown, Robert H. (Robert Hugh)"],"corpname_ssim":["UCF Special Collections","Walt Disney Company","Six Flags Theme Parks Inc"],"persname_ssim":["Brown, Robert H. 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