{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026page=126\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026page=125\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026page=127\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026page=368\u0026view=compact"},"meta":{"pages":{"current_page":126,"next_page":127,"prev_page":125,"total_pages":368,"limit_value":10,"offset_value":1250,"total_count":3678,"first_page?":false,"last_page?":false}},"data":[{"id":"cfa3e4446ebff94a3f0c01d2_aspace_5a937bbb20b16c1dbb67449232acc67f","type":"Item","attributes":{"title":"FGCU Quarterly Report #103, 2004","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/cfa3e4446ebff94a3f0c01d2_aspace_5a937bbb20b16c1dbb67449232acc67f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5a937bbb20b16c1dbb67449232acc67f","ref_ssm":["aspace_5a937bbb20b16c1dbb67449232acc67f","aspace_5a937bbb20b16c1dbb67449232acc67f"],"id":"cfa3e4446ebff94a3f0c01d2_aspace_5a937bbb20b16c1dbb67449232acc67f","title_filing_ssi":"FGCU Quarterly Report #103","title_ssm":["FGCU Quarterly Report #103"],"title_tesim":["FGCU Quarterly Report #103"],"unitdate_other_ssim":["2004"],"normalized_date_ssm":["2004"],"normalized_title_ssm":["FGCU Quarterly Report #103, 2004"],"text":["FGCU Quarterly Report #103, 2004","Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007","Objects and Ephemera, 1994-2013","VHS Tapes","/repositories/3/archival_objects/40628","box 10"],"component_level_isim":[3],"parent_ids_ssim":["cfa3e4446ebff94a3f0c01d2","cfa3e4446ebff94a3f0c01d2_aspace_e2537ed0b68e773e3b4d98a5db1aaba1","cfa3e4446ebff94a3f0c01d2_aspace_2b744aa909ca48fb79e3b43b16d54e82"],"parent_unittitles_ssm":["Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007","Objects and Ephemera, 1994-2013","VHS Tapes"],"parent_unittitles_tesim":["Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007","Objects and Ephemera, 1994-2013","VHS Tapes"],"parent_levels_ssm":["collection","Subseries","Subseries"],"unitid_ssm":["/repositories/3/archival_objects/40628"],"repository_ssim":["Florida Gulf Coast University Archives"],"collection_ssim":["Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":596,"parent_access_restrict_tesm":["The collection is open for research."],"date_range_isim":[2004],"containers_ssim":["box 10"],"_nest_path_":"/components#3/components#23/components#6","_nest_parent_":"cfa3e4446ebff94a3f0c01d2_aspace_2b744aa909ca48fb79e3b43b16d54e82","_root_":"cfa3e4446ebff94a3f0c01d2","timestamp":"2026-05-05T01:53:10.751Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"cfa3e4446ebff94a3f0c01d2","title_filing_ssi":"Susan Evans","title_ssm":["Susan Evans Papers"],"title_tesim":["Susan Evans Papers"],"ead_ssi":"cfa3e4446ebff94a3f0c01d2","unitdate_ssm":["1988-2021","1993-2011","1995-2007"],"unitdate_bulk_ssim":["1993-2011","1995-2007"],"unitdate_inclusive_ssm":["1988-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01.19.01","/repositories/3/resources/88"],"text":["01.19.01","/repositories/3/resources/88","Susan Evans Papers, 1988-2021, bulk 1993-2011, 1995-2007","FGCU opening","Florida Gulf Coast University","Records -- Management","The collection is open for research.","Arrangement of materials consist of eleven Series, Athletics, Campus Planning, History, Early Years, Presidential Search, Events, FGCU Early Years - Event Photographs, FGCU VHS Collection, Charlotte County Site Selection, Football Feasibility Study, FGCU News Article Releases. 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Materials for some of the Series were organized by the dates provided and available.","Susan Evans is a Florida native and began working for Florida Gulf Coast University on October 1, 1993, making her the institution's founding staff member at FGCU. Her commitment to Florida Gulf Coast University lasted through four Presidents and several interim Presidents. Evans worked as a University Lobbyist from 1993-2000, then as the Chief of Staff for over 15 years, and Vice President for two years. Evans worked as a corporate secretary to the FGCU Board of Trustees, as well as a committee member for the 2016 FGCU Presidential Search. Evans retired from Florida Gulf Coast University in 2021.","The Susan Evans Papers include various materials surrounding her long serving term, such as items from Florida Gulf Coast University founding, campus planning, history, and athletics. Forms of media included text, photographs, VHS tapes, physical objects and letters. 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Each Series has its own sub-series as well with various documents and information. The first three Series in The Collection Athletics, Campus Planning, and History is organized chronologically within each series, including the bulk dates of 1993-2011 for those materials in the collection. The other four Series Early Years, Presidential Search, Events, and FGCU Early Years Event Photographs are organized by the rules of Archival More Product, Less Process. Therefore, not in chronological order, the material was processed in the way the collection was obtained from Susan Evans, including bulk dates of 1995-2007. Then 1988-2021 for Susan Evans time in office and employed by Florida Gulf Coast University. The third part and last four Series in the Collection also utilized the MPLP processing style. Material was processed in the way it was originally obtained. 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Therefore, not in chronological order, the material was processed in the way the collection was obtained from Susan Evans, including bulk dates of 1995-2007. Then 1988-2021 for Susan Evans time in office and employed by Florida Gulf Coast University. The third part and last four Series in the Collection also utilized the MPLP processing style. Material was processed in the way it was originally obtained. Materials for some of the Series were organized by the dates provided and available."],"bioghist_html_tesm":["\u003cp\u003eSusan Evans is a Florida native and began working for Florida Gulf Coast University on October 1, 1993, making her the institution's founding staff member at FGCU. Her commitment to Florida Gulf Coast University lasted through four Presidents and several interim Presidents. Evans worked as a University Lobbyist from 1993-2000, then as the Chief of Staff for over 15 years, and Vice President for two years. Evans worked as a corporate secretary to the FGCU Board of Trustees, as well as a committee member for the 2016 FGCU Presidential Search. Evans retired from Florida Gulf Coast University in 2021.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Susan Evans is a Florida native and began working for Florida Gulf Coast University on October 1, 1993, making her the institution's founding staff member at FGCU. Her commitment to Florida Gulf Coast University lasted through four Presidents and several interim Presidents. Evans worked as a University Lobbyist from 1993-2000, then as the Chief of Staff for over 15 years, and Vice President for two years. Evans worked as a corporate secretary to the FGCU Board of Trustees, as well as a committee member for the 2016 FGCU Presidential Search. Evans retired from Florida Gulf Coast University in 2021."],"scopecontent_html_tesm":["\u003cp\u003eThe Susan Evans Papers include various materials surrounding her long serving term, such as items from Florida Gulf Coast University founding, campus planning, history, and athletics. Forms of media included text, photographs, VHS tapes, physical objects and letters. Topics and subjects range from University Groundbreaking to Susan Evans's time as a Vice President. The first part of this collection includes Series Athletics, Campus Planning, History and one Sub-Series Objects and Ephemera. The second part of her collection includes Series Early Years, Presidential Search, Events, FGCU Early Years Event Photography. 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The third and last part of this collection is, FGCU VHS Collection, Charlotte County Site Selection, Football Feasibility Study, FGCU News Article Releases."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_51e3242f2f0dbb16d95b935ce1d51627\"\u003eRange: 1B: Section: 3: Shelf: 2-6\nRange: 1B: Section: 4: Shelf: 1-6\nRange: 1B: Section: 5: Shelf: 1-6\nRange: 2A: Section: 5: Shelf: 1-2\nRange: 2A: Section: 6: Shelf: 1-6\u003c/physloc\u003e"],"physloc_tesim":["Range: 1B: Section: 3: Shelf: 2-6\nRange: 1B: Section: 4: Shelf: 1-6\nRange: 1B: Section: 5: Shelf: 1-6\nRange: 2A: Section: 5: Shelf: 1-2\nRange: 2A: Section: 6: Shelf: 1-6"],"names_ssim":["Florida Gulf Coast University Archives"],"corpname_ssim":["Florida Gulf Coast University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content 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Coast University Archives"],"has_online_content_ssim":["false"],"extent_ssm":["12 Linear Feet"],"extent_tesim":["12 Linear Feet"],"date_range_isim":[1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged chronologically."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of documents regarding Florida Gulf Coast University's accrediation through Southern Association of Colleges and Schools (SACS), including but not limited to, committee reports, handbooks, policies, procedures and accredidation applications,reports, and correspondences.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of documents regarding Florida Gulf Coast University's accrediation through Southern Association of Colleges and Schools (SACS), including but not limited to, committee reports, handbooks, policies, procedures and accredidation applications,reports, and correspondences."],"names_ssim":["Florida Gulf Coast University Archives","American Association of University Professors.","National Council for Accreditation of Teacher Education","Harrington, Thomas, Dr.","Ravelli, Joseph, Ph.D.","Southern Association of Colleges and Schools","Merwin, William C., Ph.D., 1939-2001"],"corpname_ssim":["Florida Gulf Coast University Archives","American Association of University Professors.","National Council for Accreditation of Teacher Education"],"persname_ssim":["Harrington, Thomas, Dr.","Ravelli, Joseph, Ph.D.","Southern Association of Colleges and Schools","Merwin, William C., Ph.D., 1939-2001"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":330,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842615814946816,"_root_":"60bbf6b63c4ee0129322d4ce","timestamp":"2026-07-16T04:02:32.738Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/60bbf6b63c4ee0129322d4ce_aspace_1164"}},{"id":"a0b8dca0cc27e719e79a099f_aspace_95011a72c10841735c613025b422cb5a","type":"Item","attributes":{"title":"Field Notebook, 2004","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_95011a72c10841735c613025b422cb5a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_95011a72c10841735c613025b422cb5a","ref_ssm":["aspace_95011a72c10841735c613025b422cb5a","aspace_95011a72c10841735c613025b422cb5a"],"id":"a0b8dca0cc27e719e79a099f_aspace_95011a72c10841735c613025b422cb5a","title_filing_ssi":" Field Notebook","title_ssm":[" Field Notebook"],"title_tesim":[" Field Notebook"],"unitdate_other_ssim":["2004"],"normalized_date_ssm":["2004"],"normalized_title_ssm":["Field Notebook, 2004"],"text":["Field Notebook, 2004","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Corkscrew Swamp Sanctuary Records","Field Notebooks II-Fish Ponds","Field Notebooks, 2002-2004","/repositories/2/archival_objects/198091","box 10","folder 1","object 2"],"component_level_isim":[4],"parent_ids_ssim":["a0b8dca0cc27e719e79a099f","a0b8dca0cc27e719e79a099f_aspace_e321b62174c707b70994a33f9c213e29","a0b8dca0cc27e719e79a099f_aspace_e254b542b071a78758203c4dc3c37ef1","a0b8dca0cc27e719e79a099f_aspace_411058ea1894a38926ad79676f8c75cd"],"parent_unittitles_ssm":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Corkscrew Swamp Sanctuary Records","Field Notebooks II-Fish Ponds","Field Notebooks, 2002-2004"],"parent_unittitles_tesim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Corkscrew Swamp Sanctuary Records","Field Notebooks II-Fish Ponds","Field Notebooks, 2002-2004"],"parent_levels_ssm":["collection","Series","Box","File"],"unitid_ssm":["/repositories/2/archival_objects/198091"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":191,"parent_access_restrict_tesm":["Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2004],"containers_ssim":["box 10","folder 1","object 2"],"_nest_path_":"/components#0/components#9/components#0/components#1","_nest_parent_":"a0b8dca0cc27e719e79a099f_aspace_411058ea1894a38926ad79676f8c75cd","_root_":"a0b8dca0cc27e719e79a099f","_version_":1872946110924849152,"timestamp":"2026-08-08T09:16:41.949Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a0b8dca0cc27e719e79a099f","title_ssm":["Audubon Society Corkscrew Swamp Sanctuary records"],"title_tesim":["Audubon Society Corkscrew Swamp Sanctuary records"],"ead_ssi":"a0b8dca0cc27e719e79a099f","unitdate_ssm":["1937-2019"],"unitdate_inclusive_ssm":["1937-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2020-03","/repositories/2/resources/583"],"text":["MS-2020-03","/repositories/2/resources/583","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration","Good.","Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society.","This collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.","Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.","The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.","This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.","Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. 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The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eAudubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.\u003c/p\u003e"],"bioghist_heading_ssm":["Content Description"],"bioghist_tesim":["Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns."],"odd_html_tesm":["\u003cp\u003eThe Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.\u003c/p\u003e"],"odd_heading_ssm":["Cataloged Publications"],"odd_tesim":["The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings."],"separatedmaterial_html_tesm":["\u003cp\u003eMaps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bf60a5a83f90c49360b71829ac95b658\"\u003eThe Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River.\u003c/abstract\u003e"],"abstract_tesim":["The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River."],"names_ssim":["USF Libraries - Tampa Special Collections","Ed Carlson"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Ed Carlson"],"language_ssim":["English"],"total_component_count_is":2704,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872946110924849152,"_root_":"a0b8dca0cc27e719e79a099f","timestamp":"2026-08-08T09:16:41.949Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_74e3fe634804ad620145bf837fd11a78"}},{"id":"1e210d3d5b491a8ea50fb53f_aspace_41073","type":"File","attributes":{"title":"Fifteenth Annual Festival, 2004","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1e210d3d5b491a8ea50fb53f_aspace_41073#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_41073","ref_ssm":["aspace_41073","aspace_41073"],"id":"1e210d3d5b491a8ea50fb53f_aspace_41073","title_filing_ssi":"Fifteenth Annual Festival","title_ssm":["Fifteenth Annual Festival"],"title_tesim":["Fifteenth Annual Festival"],"unitdate_other_ssim":["2004"],"normalized_date_ssm":["2004"],"normalized_title_ssm":["Fifteenth Annual Festival, 2004"],"text":["Fifteenth Annual Festival, 2004","Collected Materials on the Zora Neale Hurston Festival, 1989-2017","Festivals, 1990-2017.","Folder 14","/repositories/4/archival_objects/8510","box 1","folder 14"],"component_level_isim":[2],"parent_ids_ssim":["1e210d3d5b491a8ea50fb53f","1e210d3d5b491a8ea50fb53f_aspace_41058"],"parent_unittitles_ssm":["Collected Materials on the Zora Neale Hurston Festival, 1989-2017","Festivals, 1990-2017."],"parent_unittitles_tesim":["Collected Materials on the Zora Neale Hurston Festival, 1989-2017","Festivals, 1990-2017."],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 14","/repositories/4/archival_objects/8510"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Collected Materials on the Zora Neale Hurston Festival, 1989-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":15,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[2004],"containers_ssim":["box 1","folder 14"],"_nest_path_":"/components#0/components#13","_nest_parent_":"1e210d3d5b491a8ea50fb53f_aspace_41058","_root_":"1e210d3d5b491a8ea50fb53f","_version_":1870857951396233216,"timestamp":"2026-07-16T08:06:17.890Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1e210d3d5b491a8ea50fb53f","title_ssm":["Collected Materials on the Zora Neale Hurston Festival"],"title_tesim":["Collected Materials on the Zora Neale Hurston Festival"],"ead_ssi":"1e210d3d5b491a8ea50fb53f","unitdate_ssm":["1989-2017"],"unitdate_inclusive_ssm":["1989-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.074","/repositories/4/resources/44"],"text":["SC.074","/repositories/4/resources/44","Collected Materials on the Zora Neale Hurston Festival, 1989-2017","Eatonville (Fla.)","African American women","The entire collection is open for research.","The collection is divided into two series, each organized chronologically and then alphabetically.","The Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God  which was set in Eatonville. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, workshops, museum exhibitions, historical tours, stage performances, arts education programming, an academic humanities- based conference, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. Numerous celebrity guest speakers have been featured at the festival including Alice Walker, Maya Angelou, Pearl Cleage, Danny Glover and Deborah Willis. ","The Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. As of 2024, the festival's sponsors include Orange County Government through the Arts \u0026 Cultural Affairs Program, University of Central Florida, Florida Humanities, the town of Eatonville, Florida, Florida Division of Arts and Culture, and The World Conference of Mayors, Inc. The festival continues to operate and maintain its goals of perpetuating the memory and legacy of Zora Neale Hurston and preserving the Eatonville community.  ","Collection processed by Ryan Groves, Lindsay Mazziotto, and Courtney Toelle; finding aid prepared by Ryan Groves, Lindsay Mazziotto, and Courtney Toelle.\t ","University of Central Florida Libraries collected these materials in 2007.","The collection is divided into three series, each organized chronologically.","\nThe Zora Neale Hurston Festivals collected materials contain documents spanning the festivals inception in 1989 until 2017. The first series of documents primarily contain programs printed for each year's festival. While there is not a complete set, the collection currently contains programs from 1990 to 2017. The second series contains materials concerning the African American Community in Eatonville with a particular focus on cultural programming. The third series contains magazine articles, newspaper clippings, and brochures that illustrate the growing programs and projects of the Association to Preserve the Eatonville Community. These include student and teacher workshops, art exhibitions, and publications that resulted from the growing influence of Zora Neale Hurston's work.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The collection contains documents related to the festival bearing the name of the late poet, writer, anthropologist, and folklorist Zora Neale Hurston. Since 1990, the Zora Neale Hurston Festival has attracted individuals from across the country in academic and artistic disciplines wishing to celebrate Zora Neale Hurston and African American culture as a whole. The following folders contain the programs from festival years 1990 to 2017. In addition to its annual festival, the Association to Preserve Eatonville, Inc. has expanded its focus and community activities to inform and celebrate the life and work of Zora Neale Hurston and Eatonville.","UCF Special Collections","University of Central Florida. Library","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)","English"],"unitid_tesim":["SC.074","/repositories/4/resources/44"],"normalized_date_ssm":["1989-2017"],"normalized_title_ssm":["Collected Materials on the Zora Neale Hurston Festival, 1989-2017"],"collection_title_tesim":["Collected Materials on the Zora Neale Hurston Festival, 1989-2017"],"collection_ssim":["Collected Materials on the Zora Neale Hurston Festival, 1989-2017"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Eatonville (Fla.)"],"geogname_ssim":["Eatonville (Fla.)"],"creator_ssm":["University of Central Florida. Library"],"creator_ssim":["University of Central Florida. Library"],"creator_corpname_ssim":["University of Central Florida. Library"],"creators_ssim":["University of Central Florida. Library"],"places_ssim":["Eatonville (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["University of Central Florida Libraries collected these materials in 2007 (CFM2007_05)."],"access_subjects_ssim":["African American women"],"access_subjects_ssm":["African American women"],"has_online_content_ssim":["false"],"extent_ssm":["0.6 Linear Feet 1 Box"],"extent_tesim":["0.6 Linear Feet 1 Box"],"date_range_isim":[1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two series, each organized chronologically and then alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into two series, each organized chronologically and then alphabetically."],"bioghist_html_tesm":["\u003cp\u003eThe Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel \u003cemph render=\"italic\"\u003eTheir Eyes Were Watching God\u003c/emph\u003e which was set in Eatonville. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, workshops, museum exhibitions, historical tours, stage performances, arts education programming, an academic humanities- based conference, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. Numerous celebrity guest speakers have been featured at the festival including Alice Walker, Maya Angelou, Pearl Cleage, Danny Glover and Deborah Willis. \u003c/p\u003e\n","\u003cp\u003eThe Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. As of 2024, the festival's sponsors include Orange County Government through the Arts \u0026amp; Cultural Affairs Program, University of Central Florida, Florida Humanities, the town of Eatonville, Florida, Florida Division of Arts and Culture, and The World Conference of Mayors, Inc. The festival continues to operate and maintain its goals of perpetuating the memory and legacy of Zora Neale Hurston and preserving the Eatonville community.  \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Zora Neale Hurston Festival, also known as the Zora Neal Hurston Festival of the Arts and Humanities or the ZORA! Festival, is an annual multi-day event that takes place in Eatonville, Florida, and throughout Orange County in late January. Raised in Eatonville, Zora Neale Hurston contributed to the Harlem Renaissance as a writer, storyteller, anthropologist, and ethnographer. She wrote four novels and over fifty short stories, plays, and essays, including her most popular novel  Their Eyes Were Watching God  which was set in Eatonville. Since 1990, the festival has celebrated and honored the legacy of Hurston and other people of African ancestry who have made significant cultural contributions to the world through public talks, workshops, museum exhibitions, historical tours, stage performances, arts education programming, an academic humanities- based conference, and an outdoor festival. The festival is themed into five-year cycles with each year contributing towards the overarching theme. Numerous celebrity guest speakers have been featured at the festival including Alice Walker, Maya Angelou, Pearl Cleage, Danny Glover and Deborah Willis. ","The Zora Neale Hurston Festival is organized by the Association to Preserve the Eatonville Community (PEC), a historic preservation and arts organization led by N.Y. Nathiri. As of 2024, the festival's sponsors include Orange County Government through the Arts \u0026 Cultural Affairs Program, University of Central Florida, Florida Humanities, the town of Eatonville, Florida, Florida Division of Arts and Culture, and The World Conference of Mayors, Inc. The festival continues to operate and maintain its goals of perpetuating the memory and legacy of Zora Neale Hurston and preserving the Eatonville community.  "],"prefercite_html_tesm":["\u003cp\u003eCollected Materials on the Zora Neale Hurston Festival, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Collected Materials on the Zora Neale Hurston Festival, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Ryan Groves, Lindsay Mazziotto, and Courtney Toelle; finding aid prepared by Ryan Groves, Lindsay Mazziotto, and Courtney Toelle.\t \u003c/p\u003e","\u003cp\u003eUniversity of Central Florida Libraries collected these materials in 2007.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Ryan Groves, Lindsay Mazziotto, and Courtney Toelle; finding aid prepared by Ryan Groves, Lindsay Mazziotto, and Courtney Toelle.\t ","University of Central Florida Libraries collected these materials in 2007."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into three series, each organized chronologically.\u003c/p\u003e\n","\u003cp\u003e\nThe Zora Neale Hurston Festivals collected materials contain documents spanning the festivals inception in 1989 until 2017. The first series of documents primarily contain programs printed for each year's festival. While there is not a complete set, the collection currently contains programs from 1990 to 2017. The second series contains materials concerning the African American Community in Eatonville with a particular focus on cultural programming. The third series contains magazine articles, newspaper clippings, and brochures that illustrate the growing programs and projects of the Association to Preserve the Eatonville Community. These include student and teacher workshops, art exhibitions, and publications that resulted from the growing influence of Zora Neale Hurston's work.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is divided into three series, each organized chronologically.","\nThe Zora Neale Hurston Festivals collected materials contain documents spanning the festivals inception in 1989 until 2017. The first series of documents primarily contain programs printed for each year's festival. While there is not a complete set, the collection currently contains programs from 1990 to 2017. The second series contains materials concerning the African American Community in Eatonville with a particular focus on cultural programming. The third series contains magazine articles, newspaper clippings, and brochures that illustrate the growing programs and projects of the Association to Preserve the Eatonville Community. These include student and teacher workshops, art exhibitions, and publications that resulted from the growing influence of Zora Neale Hurston's work."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_574cb50e400f77b5ecb97515777b9ea3\" label=\"Abstract\"\u003eThe collection contains documents related to the festival bearing the name of the late poet, writer, anthropologist, and folklorist Zora Neale Hurston. Since 1990, the Zora Neale Hurston Festival has attracted individuals from across the country in academic and artistic disciplines wishing to celebrate Zora Neale Hurston and African American culture as a whole. The following folders contain the programs from festival years 1990 to 2017. In addition to its annual festival, the Association to Preserve Eatonville, Inc. has expanded its focus and community activities to inform and celebrate the life and work of Zora Neale Hurston and Eatonville.\u003c/abstract\u003e"],"abstract_tesim":["The collection contains documents related to the festival bearing the name of the late poet, writer, anthropologist, and folklorist Zora Neale Hurston. Since 1990, the Zora Neale Hurston Festival has attracted individuals from across the country in academic and artistic disciplines wishing to celebrate Zora Neale Hurston and African American culture as a whole. The following folders contain the programs from festival years 1990 to 2017. In addition to its annual festival, the Association to Preserve Eatonville, Inc. has expanded its focus and community activities to inform and celebrate the life and work of Zora Neale Hurston and Eatonville."],"names_coll_ssim":["Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)"],"names_ssim":["UCF Special Collections","University of Central Florida. Library","Association to Preserve the Eatonville Community (Eatonville, Fla.)","Hurston, Zora Neale (1891-1960)"],"corpname_ssim":["UCF Special Collections","University of Central Florida. Library","Association to Preserve the Eatonville Community (Eatonville, Fla.)"],"persname_ssim":["Hurston, Zora Neale (1891-1960)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":59,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857951396233216,"_root_":"1e210d3d5b491a8ea50fb53f","timestamp":"2026-07-16T08:06:17.890Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/1e210d3d5b491a8ea50fb53f_aspace_41073"}},{"id":"b3e4025e67698b63bebebf69_aspace_c0a44df245d98b815d83f3f3a7150a67","type":"Sub-sub-series","attributes":{"title":"File Backups, 1997-2013","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b3e4025e67698b63bebebf69_aspace_c0a44df245d98b815d83f3f3a7150a67#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c0a44df245d98b815d83f3f3a7150a67","ref_ssm":["aspace_c0a44df245d98b815d83f3f3a7150a67","aspace_c0a44df245d98b815d83f3f3a7150a67"],"id":"b3e4025e67698b63bebebf69_aspace_c0a44df245d98b815d83f3f3a7150a67","title_filing_ssi":"File Backups","title_ssm":["File Backups"],"title_tesim":["File Backups"],"unitdate_inclusive_ssm":["1997-2013"],"normalized_date_ssm":["1997-2013"],"normalized_title_ssm":["File Backups, 1997-2013"],"text":["File Backups, 1997-2013","Dr. Edna Louise Saffy Papers, 1962-2013","Personal Documents, 1928-2013","Newsclippings; Publications; Notes; Planners; Journals, 1951-2013","/repositories/3/archival_objects/7027","box 4","folder 6"],"component_level_isim":[3],"parent_ids_ssim":["b3e4025e67698b63bebebf69","b3e4025e67698b63bebebf69_aspace_c5d2b19bbf7a6b812244506a5c14c9b2","b3e4025e67698b63bebebf69_aspace_5395ed8be9412ea628a786b2df87c8d4"],"parent_unittitles_ssm":["Dr. Edna Louise Saffy Papers, 1962-2013","Personal Documents, 1928-2013","Newsclippings; Publications; Notes; Planners; Journals, 1951-2013"],"parent_unittitles_tesim":["Dr. Edna Louise Saffy Papers, 1962-2013","Personal Documents, 1928-2013","Newsclippings; Publications; Notes; Planners; Journals, 1951-2013"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/3/archival_objects/7027"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Dr. Edna Louise Saffy Papers, 1962-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Sub-sub-series"],"level_ssim":["Sub-sub-series"],"sort_isi":28,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"containers_ssim":["box 4","folder 6"],"_nest_path_":"/components#0/components#3/components#5","_nest_parent_":"b3e4025e67698b63bebebf69_aspace_5395ed8be9412ea628a786b2df87c8d4","_root_":"b3e4025e67698b63bebebf69","_version_":1870860599051681792,"timestamp":"2026-07-16T08:48:22.881Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b3e4025e67698b63bebebf69","title_ssm":["Dr. Edna Louise Saffy Papers"],"title_tesim":["Dr. Edna Louise Saffy Papers"],"ead_ssi":"b3e4025e67698b63bebebf69","unitdate_ssm":["1962-2013"],"unitdate_inclusive_ssm":["1962-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2013.003","/repositories/3/resources/66"],"text":["2013.003","/repositories/3/resources/66","Dr. Edna Louise Saffy Papers, 1962-2013","Florida -- Politics and Government -- 20th century","Clinton, Bill, 1946 -- Presidential campaigns -- Florida","College teachers -- Florida -- Jacksonville (Fla.)","Democratic Party (Fla.)","Human rights workers -- Florida -- Jacksonville (Fla.)","Political activists -- Florida -- Jacksonville (Fla.)","Women's rights -- Florida","The collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment.","\tDr. Edna Louise Saffy, human rights advocate and Jacksonville native was born on March 9, 1935. She attended college at the University of Florida where she received several degrees, including the Master's and Doctorate of Philosophy degrees. She was a professor of Rhetoric and Public Address at University of Florida and Florida State College at Jacksonville, where she was elected Professor Emeritus following her retirement in December 2007. ","\nDr. Saffy was a founder of the National Organization for Women chapters in Jacksonville and Gainesville, as well as founder of the Jacksonville Women's Network. She was named \"A Woman of Courage and Vision\" by the Mayor's Commission on the Status of Women and the recipient of a Lifetime EVE Award by the Florida Times Union.\n    \n    As a humanitarian and activist, she served on numerous local, state, and national committees, including the John F. Kennedy Center Committee for the Performing Arts during the Clinton Administration, the Advisory Committee on LaVilla Cultural Heritage District, American Arab Institute, Duval County Democratic Executive Committee, and the Jacksonville Human Rights Commission. \n    \n    Dr. Saffy was also politically active. She led a 1975 march in Tallahassee in support of the Equal Rights Amendment. She served as a Florida delegate to the International Women's Conference and as a Florida State delegate in six Democratic National Conventions. She was also the president of the Florida Women's Political Caucus. Dr. Saffy died June 20, 2010.","This collection contains awards, correspondence, memorabilia, printed materials, photographs, personal papers, and writings. Many printed materials and photographs relate to politics and political activism. There are numerous photographs and newspaper clippings, as well as Dr. Saffy's dissertation. 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This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.","Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.","USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival","English"],"unitid_tesim":["MS-2024-01","/repositories/2/resources/641"],"normalized_date_ssm":["1990-2024"],"normalized_title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Tampa International Gay and Lesbian Film Festival"],"creator_ssim":["Tampa International Gay and Lesbian Film Festival"],"creator_corpname_ssim":["Tampa International Gay and Lesbian Film Festival"],"creators_ssim":["Tampa International Gay and Lesbian Film Festival"],"access_terms_ssm":["None. 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Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"access_subjects_ssm":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"has_online_content_ssim":["false"],"extent_ssm":["9 boxes","9 Linear Feet"],"extent_tesim":["9 boxes","9 Linear Feet"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged according to type, with attention to chronology within series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged according to type, with attention to chronology within series."],"bioghist_html_tesm":["\u003cp\u003e\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.\u003c/p\u003e\n","\u003cp\u003eDorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.\u003c/p\u003e\n","\u003cp\u003eAt every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.\u003c/p\u003e\n","\u003cp\u003eFounders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.\u003c/p\u003e\n","\u003cp\u003eTampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.\u003c/p\u003e\n","\u003cp\u003eAfter two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.\u003c/p\u003e\n","\u003cp\u003eThat first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.\u003c/p\u003e\n","\u003cp\u003e\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/"],"scopecontent_html_tesm":["\u003cp\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7fd2447780ec58fc96b7d52c2b93a93a\"\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.\u003c/abstract\u003e"],"abstract_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF."],"names_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"language_ssim":["English"],"total_component_count_is":365,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871043586387083264,"_root_":"ec0d65981df646e0f1a8b1b3","timestamp":"2026-07-18T09:16:53.209Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_4faac379ff82ad66aad7228ca31261b2"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Southwest Florida Regional Planning Council Collection, 1920-2020","value":"Southwest Florida Regional Planning Council Collection, 1920-2020","hits":265},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Southwest+Florida+Regional+Planning+Council+Collection%2C+1920-2020\u0026f%5Bdate_range%5D%5B%5D=2004\u0026view=compact"}},{"attributes":{"label":"Democratic Women's Club of Florida, Inc. 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