{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026f%5Blevel%5D%5B%5D=File\u0026page=188","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026f%5Blevel%5D%5B%5D=File\u0026page=187","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026f%5Blevel%5D%5B%5D=File\u0026page=189","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026f%5Blevel%5D%5B%5D=File\u0026page=195"},"meta":{"pages":{"current_page":188,"next_page":189,"prev_page":187,"total_pages":195,"limit_value":10,"offset_value":1870,"total_count":1943,"first_page?":false,"last_page?":false}},"data":[{"id":"725898a1a41349eb30ec365d_aspace_acaf5de8f145d8a14e32cadb4f8dede6","type":"File","attributes":{"title":"Violence and Court Cases (1 of 2)., 1898-2010, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_acaf5de8f145d8a14e32cadb4f8dede6#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_acaf5de8f145d8a14e32cadb4f8dede6","ref_ssm":["aspace_acaf5de8f145d8a14e32cadb4f8dede6","aspace_acaf5de8f145d8a14e32cadb4f8dede6"],"id":"725898a1a41349eb30ec365d_aspace_acaf5de8f145d8a14e32cadb4f8dede6","title_filing_ssi":"Violence and Court Cases (1 of 2).","title_ssm":["Violence and Court Cases (1 of 2)."],"title_tesim":["Violence and Court Cases (1 of 2)."],"unitdate_inclusive_ssm":["1898-2010, Undated"],"normalized_date_ssm":["1898-2010, Undated"],"normalized_title_ssm":["Violence and Court Cases (1 of 2)., 1898-2010, Undated"],"text":["Violence and Court Cases (1 of 2)., 1898-2010, Undated","José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated","Folder 1","/repositories/4/archival_objects/54031","box 11","folder 1"],"component_level_isim":[2],"parent_ids_ssim":["725898a1a41349eb30ec365d","725898a1a41349eb30ec365d_aspace_e0da8a351e89d497ae16650ae623f50e"],"parent_unittitles_ssm":["José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated"],"parent_unittitles_tesim":["José Guerra Alemán Collection, 1887-2013","Research Files, 1898-2012, Undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Folder 1","/repositories/4/archival_objects/54031"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":152,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"containers_ssim":["box 11","folder 1"],"_nest_path_":"/components#1/components#41","_nest_parent_":"725898a1a41349eb30ec365d_aspace_e0da8a351e89d497ae16650ae623f50e","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_acaf5de8f145d8a14e32cadb4f8dede6"}},{"id":"a00ac4456d001c4f5b29b5b6_aspace_bfdf7c0aa0762418d747a10069d51c22","type":"File","attributes":{"title":"Virginia Snyder, 2004","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a00ac4456d001c4f5b29b5b6_aspace_bfdf7c0aa0762418d747a10069d51c22#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_bfdf7c0aa0762418d747a10069d51c22","ref_ssm":["aspace_bfdf7c0aa0762418d747a10069d51c22","aspace_bfdf7c0aa0762418d747a10069d51c22"],"id":"a00ac4456d001c4f5b29b5b6_aspace_bfdf7c0aa0762418d747a10069d51c22","title_filing_ssi":"Virginia Snyder","title_ssm":["Virginia Snyder"],"title_tesim":["Virginia Snyder"],"unitdate_other_ssim":["2004"],"normalized_date_ssm":["2004"],"normalized_title_ssm":["Virginia Snyder, 2004"],"text":["Virginia Snyder, 2004","Kitty Oliver Collection, Circa 1969-2016","Race and Change Oral History Project, Circa 1999-2016","Series I: Race and Change Project, 1999-2005","Delray Beach, FL, 2004","/repositories/2/archival_objects/686","English","box 23","folder 1"],"component_level_isim":[4],"parent_ids_ssim":["a00ac4456d001c4f5b29b5b6","a00ac4456d001c4f5b29b5b6_aspace_b3d66a29216695c8290c3327b44ec7d7","a00ac4456d001c4f5b29b5b6_aspace_4a26d44c6d6e11cb701b2335b426e7b8","a00ac4456d001c4f5b29b5b6_aspace_1184c0c7beb79d95e861bed2a63ba5eb"],"parent_unittitles_ssm":["Kitty Oliver Collection, Circa 1969-2016","Race and Change Oral History Project, Circa 1999-2016","Series I: Race and Change Project, 1999-2005","Delray Beach, FL, 2004"],"parent_unittitles_tesim":["Kitty Oliver Collection, Circa 1969-2016","Race and Change Oral History Project, Circa 1999-2016","Series I: Race and Change Project, 1999-2005","Delray Beach, FL, 2004"],"parent_levels_ssm":["collection","Series","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/686"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Kitty Oliver Collection, Circa 1969-2016"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":279,"parent_access_restrict_tesm":["The Kitty Oliver Collection is open for research."],"date_range_isim":[2004],"language_ssim":["English"],"containers_ssim":["box 23","folder 1"],"_nest_path_":"/components#7/components#0/components#2/components#18","_nest_parent_":"a00ac4456d001c4f5b29b5b6_aspace_1184c0c7beb79d95e861bed2a63ba5eb","_root_":"a00ac4456d001c4f5b29b5b6","_version_":1876455827155451904,"timestamp":"2026-09-16T03:02:08.218Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a00ac4456d001c4f5b29b5b6","title_filing_ssi":"Oliver, Kitty Collection","title_ssm":["Kitty Oliver Collection"],"title_tesim":["Kitty Oliver Collection"],"ead_ssi":"a00ac4456d001c4f5b29b5b6","unitdate_ssm":["Circa 1969-2016"],"unitdate_inclusive_ssm":["Circa 1969-2016"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2004.1","/repositories/2/resources/22"],"text":["AARLCC.2004.1","/repositories/2/resources/22","Kitty Oliver Collection, Circa 1969-2016","African American women journalists -- Florida -- Miami-Dade County","University of Florida -- Alumni and alumnae","African Americans -- Race relations","African Americans -- Civil Rights -- Florida -- Broward County -- History","Correspondence","Oral histories","Photographs","Certificates","Clippings","The Kitty Oliver Collection is open for research.","The Kitty Oliver Collection contains eight series including: Series I. Correspondence, Series II: Personal Papers, Series III: Professional Papers, Series IV: Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Audio-Visual Materials, and Series VIII: Race and Change Project, 1999-2005.","Dr. Eloise \"Kitty\" Oliver is a veteran South Florida journalist, professor of creative nonfiction, memoir writing, oral history, and ethnic communication, and a professional jazz singer. Since the 1980s, she has produced landmark work as a cultural diversity researcher, documenting growing sociocultural conversions and multiculturalism that has become a reflection of contemporary American society.","Dr. Oliver was born on December 16, 1947 in Jacksonville, Florida. In 1965, Kitty Oliver was one of the first five Black freshmen to enroll at the University of Florida and live on campus after the passage of the Civil Rights Act of 1965. She graduated in 1969 with a Bachelor of Arts in English. During college, she met her Richard \"Ricky\" C. Oliver, Jr., who she married in 1969, and together they started a folk-rock musical group.","In 1971, Kitty Oliver started working one of the first Black reporters and columnists for the Miami Herald, covering Broward and Miami-Dade County. She chronicled the history of the Black community in South Florida, including Provident Hospital, Dr. Von Mizell and Dr. James Sistrunk, Eula Johnson, and Samuel Morrison.","Oliver left the Miami Herald in 1990 to pursue a Master of Fine Arts degree in Creative Writing at Florida International University and graduated in 1994. This led to her writing \"Multicolored Memories of a Black Southern Girl,\" a collection autobiographical essays about coming of age with integration and cultural diversity in Jacksonville and attending the University of Florida, working in South Florida, and her international travel.  ","After earning her M.A., she began the Race and Change Oral History Project, collecting oral histories of minority groups in Hollywood, Florida. She worked as a fulltime professor of Creative Writing and Multicultural Literature, Oral History Writing, and Ethnic Communication at Florida International University from 1994 to 1996 and at Florida Atlantic University's Broward Campuses from 1996 to 2006. During that time, she developed the Race and Change oral history methodology for cross-cultural research by students and communities. The work includes the Race and Change Project, the Kitty Oliver Oral Histories Archive, and the multimedia audio, webcast radio and television Race and Change Initiative with intergenerational stories. She donated her collection of 125 interviews to the African American Research Library and Cultural Center Special collections in 2004.","Oliver completed a Ph.D. in Comparative Studies from Florida Atlantic University in 2009, focusing on race and ethnic communication. Her degree included the creation of the 10-part public television documentary series \"Crossing Cultures, Changing Lives\" featuring  archival Race and Change Oral Histories narrators.","Dr. Kitty Oliver also specializes in books, television documentaries and literary performances which explore race and ethnic issues. Dr. Oliver conducts community oral history field work and is a member of the Oral History Association (OHA). Additionally, she serves as president of Kitty O. Enterprises, Inc. – which aids as a cultural diversity consulting firm located in Fort Lauderdale, Florida (Broward County).","Her major public television and video productions include the PBS documentary series \"Celebrate...the Cultural Connections\" and a 10-part series, \"Crossing Cultures/Changing Lives\", which premiered in Florida, Spring, 2008 on WBEC-TV (Beacon-TV). Dr. Oliver's contemporary work includes ongoing lecture series detailing her Race and Change project. Additionally, she produced a book entitled \"Race and Change in Hollywood, Florida (Voices of America)\" in 2000.","Dr. Kitty Oliver married Ricky Oliver in 1969, and they had two children, Kali and Brian Oliver. They divorced in 1989. Kitty Oliver married Arthur I. Musson, Jr. in 2018.","The Kitty Oliver Collection is open for research.","This collection received file level processing. This finding-aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Kitty Oliver Collection in the Broward County Library Digital Archives.","The Kitty Oliver Collection consists of correspondence, personal and professional papers, photographs, newspaper clippings, printed materials, and awards of South Florida journalist and educator Kitty Oliver. ","The collection also contains the Race and Change Project, a group of multiple oral history interviews with African-Americans, European-Americans, and immigrants regarding their memories growing up in Broward County, the United States, and other countries. Subjects include family and community lifestyle, race relations and societal change from the late 1920's through the aftermath of the Civil Rights Act of 1964 and desegregation. The collection contains audio and visual content of participants from the Race and Change Project including research composed by students taught by Kitty Oliver, and an essay written by Deborah Works entitled \"Historical Sketches and Rare Glimpses of the North Fork of the New River: a history of its natural and human environment\" (2001). The majority of Dr. Oliver's questionnaires, transcripts and interviews consist of ongoing research study of race and ethnic relations, geographical history and social change through the collection of oral histories of Whites, Blacks/African-Americans and immigrants of various Hispanic/Latinx, Caribbean and Asian backgrounds. Research sites include the South Florida cities of Hollywood, Fort Lauderdale, West Palm Beach, Miami, Opa-locka, Delray Beach and Boca Raton; North Fork and Liberia – historically significant Black/African-American communities; towns along Florida's landmark Lake Okeechobee; Stranahan High School in Fort Lauderdale; and Ghana, West Africa – where women who have experienced America's racial climate shared their stories.","Some materials from this collection were cataloged in the Broward County Library catalog with the prefix \"OLI\".","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2004.1","/repositories/2/resources/22"],"normalized_date_ssm":["Circa 1969-2016"],"normalized_title_ssm":["Kitty Oliver Collection, Circa 1969-2016"],"collection_title_tesim":["Kitty Oliver Collection, Circa 1969-2016"],"collection_ssim":["Kitty Oliver Collection, Circa 1969-2016"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["Dr. Kitty Oliver donated the materials to AARLCC Special Collections on January 29, 2004 (Accession AARLCC-2004.1). Accruals were made in 2005 (Accession AARLCC-2005.1) and on July 29, 2021 (Accession AARLCC-2021.13). An additional accrual was transferred from the Broward County Historical Archives to AARLCC Special Collections on August 28, 2024 (Accession AARLCC-2024.10)."],"access_subjects_ssim":["African American women journalists -- Florida -- Miami-Dade County","University of Florida -- Alumni and alumnae","African Americans -- Race relations","African Americans -- Civil Rights -- Florida -- Broward County -- History","Correspondence","Oral histories","Photographs","Certificates","Clippings"],"access_subjects_ssm":["African American women journalists -- Florida -- Miami-Dade County","University of Florida -- Alumni and alumnae","African Americans -- Race relations","African Americans -- Civil Rights -- Florida -- Broward County -- History","Correspondence","Oral histories","Photographs","Certificates","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["39 Hollinger Boxes"],"extent_tesim":["39 Hollinger Boxes"],"genreform_ssim":["Correspondence","Oral histories","Photographs","Certificates","Clippings"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe Kitty Oliver Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Kitty Oliver Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Kitty Oliver Collection contains eight series including: Series I. Correspondence, Series II: Personal Papers, Series III: Professional Papers, Series IV: Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Audio-Visual Materials, and Series VIII: Race and Change Project, 1999-2005.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Kitty Oliver Collection contains eight series including: Series I. Correspondence, Series II: Personal Papers, Series III: Professional Papers, Series IV: Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Audio-Visual Materials, and Series VIII: Race and Change Project, 1999-2005."],"bioghist_html_tesm":["\u003cp\u003eDr. Eloise \"Kitty\" Oliver is a veteran South Florida journalist, professor of creative nonfiction, memoir writing, oral history, and ethnic communication, and a professional jazz singer. Since the 1980s, she has produced landmark work as a cultural diversity researcher, documenting growing sociocultural conversions and multiculturalism that has become a reflection of contemporary American society.\u003c/p\u003e\n","\u003cp\u003eDr. Oliver was born on December 16, 1947 in Jacksonville, Florida. In 1965, Kitty Oliver was one of the first five Black freshmen to enroll at the University of Florida and live on campus after the passage of the Civil Rights Act of 1965. She graduated in 1969 with a Bachelor of Arts in English. During college, she met her Richard \"Ricky\" C. Oliver, Jr., who she married in 1969, and together they started a folk-rock musical group.\u003c/p\u003e\n","\u003cp\u003eIn 1971, Kitty Oliver started working one of the first Black reporters and columnists for the Miami Herald, covering Broward and Miami-Dade County. She chronicled the history of the Black community in South Florida, including Provident Hospital, Dr. Von Mizell and Dr. James Sistrunk, Eula Johnson, and Samuel Morrison.\u003c/p\u003e\n","\u003cp\u003eOliver left the Miami Herald in 1990 to pursue a Master of Fine Arts degree in Creative Writing at Florida International University and graduated in 1994. This led to her writing \"Multicolored Memories of a Black Southern Girl,\" a collection autobiographical essays about coming of age with integration and cultural diversity in Jacksonville and attending the University of Florida, working in South Florida, and her international travel.  \u003c/p\u003e\n","\u003cp\u003eAfter earning her M.A., she began the Race and Change Oral History Project, collecting oral histories of minority groups in Hollywood, Florida. She worked as a fulltime professor of Creative Writing and Multicultural Literature, Oral History Writing, and Ethnic Communication at Florida International University from 1994 to 1996 and at Florida Atlantic University's Broward Campuses from 1996 to 2006. During that time, she developed the Race and Change oral history methodology for cross-cultural research by students and communities. The work includes the Race and Change Project, the Kitty Oliver Oral Histories Archive, and the multimedia audio, webcast radio and television Race and Change Initiative with intergenerational stories. She donated her collection of 125 interviews to the African American Research Library and Cultural Center Special collections in 2004.\u003c/p\u003e\n","\u003cp\u003eOliver completed a Ph.D. in Comparative Studies from Florida Atlantic University in 2009, focusing on race and ethnic communication. Her degree included the creation of the 10-part public television documentary series \"Crossing Cultures, Changing Lives\" featuring  archival Race and Change Oral Histories narrators.\u003c/p\u003e\n","\u003cp\u003eDr. Kitty Oliver also specializes in books, television documentaries and literary performances which explore race and ethnic issues. Dr. Oliver conducts community oral history field work and is a member of the Oral History Association (OHA). Additionally, she serves as president of Kitty O. Enterprises, Inc. \u0026#x2013; which aids as a cultural diversity consulting firm located in Fort Lauderdale, Florida (Broward County).\u003c/p\u003e\n","\u003cp\u003eHer major public television and video productions include the PBS documentary series \"Celebrate...the Cultural Connections\" and a 10-part series, \"Crossing Cultures/Changing Lives\", which premiered in Florida, Spring, 2008 on WBEC-TV (Beacon-TV). Dr. Oliver's contemporary work includes ongoing lecture series detailing her Race and Change project. Additionally, she produced a book entitled \"Race and Change in Hollywood, Florida (Voices of America)\" in 2000.\u003c/p\u003e\n","\u003cp\u003eDr. Kitty Oliver married Ricky Oliver in 1969, and they had two children, Kali and Brian Oliver. They divorced in 1989. Kitty Oliver married Arthur I. Musson, Jr. in 2018.\u003c/p\u003e\n","\u003cp\u003eThe Kitty Oliver Collection is open for research.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Eloise \"Kitty\" Oliver is a veteran South Florida journalist, professor of creative nonfiction, memoir writing, oral history, and ethnic communication, and a professional jazz singer. Since the 1980s, she has produced landmark work as a cultural diversity researcher, documenting growing sociocultural conversions and multiculturalism that has become a reflection of contemporary American society.","Dr. Oliver was born on December 16, 1947 in Jacksonville, Florida. In 1965, Kitty Oliver was one of the first five Black freshmen to enroll at the University of Florida and live on campus after the passage of the Civil Rights Act of 1965. She graduated in 1969 with a Bachelor of Arts in English. During college, she met her Richard \"Ricky\" C. Oliver, Jr., who she married in 1969, and together they started a folk-rock musical group.","In 1971, Kitty Oliver started working one of the first Black reporters and columnists for the Miami Herald, covering Broward and Miami-Dade County. She chronicled the history of the Black community in South Florida, including Provident Hospital, Dr. Von Mizell and Dr. James Sistrunk, Eula Johnson, and Samuel Morrison.","Oliver left the Miami Herald in 1990 to pursue a Master of Fine Arts degree in Creative Writing at Florida International University and graduated in 1994. This led to her writing \"Multicolored Memories of a Black Southern Girl,\" a collection autobiographical essays about coming of age with integration and cultural diversity in Jacksonville and attending the University of Florida, working in South Florida, and her international travel.  ","After earning her M.A., she began the Race and Change Oral History Project, collecting oral histories of minority groups in Hollywood, Florida. She worked as a fulltime professor of Creative Writing and Multicultural Literature, Oral History Writing, and Ethnic Communication at Florida International University from 1994 to 1996 and at Florida Atlantic University's Broward Campuses from 1996 to 2006. During that time, she developed the Race and Change oral history methodology for cross-cultural research by students and communities. The work includes the Race and Change Project, the Kitty Oliver Oral Histories Archive, and the multimedia audio, webcast radio and television Race and Change Initiative with intergenerational stories. She donated her collection of 125 interviews to the African American Research Library and Cultural Center Special collections in 2004.","Oliver completed a Ph.D. in Comparative Studies from Florida Atlantic University in 2009, focusing on race and ethnic communication. Her degree included the creation of the 10-part public television documentary series \"Crossing Cultures, Changing Lives\" featuring  archival Race and Change Oral Histories narrators.","Dr. Kitty Oliver also specializes in books, television documentaries and literary performances which explore race and ethnic issues. Dr. Oliver conducts community oral history field work and is a member of the Oral History Association (OHA). Additionally, she serves as president of Kitty O. Enterprises, Inc. – which aids as a cultural diversity consulting firm located in Fort Lauderdale, Florida (Broward County).","Her major public television and video productions include the PBS documentary series \"Celebrate...the Cultural Connections\" and a 10-part series, \"Crossing Cultures/Changing Lives\", which premiered in Florida, Spring, 2008 on WBEC-TV (Beacon-TV). Dr. Oliver's contemporary work includes ongoing lecture series detailing her Race and Change project. Additionally, she produced a book entitled \"Race and Change in Hollywood, Florida (Voices of America)\" in 2000.","Dr. Kitty Oliver married Ricky Oliver in 1969, and they had two children, Kali and Brian Oliver. They divorced in 1989. Kitty Oliver married Arthur I. Musson, Jr. in 2018.","The Kitty Oliver Collection is open for research."],"prefercite_html_tesm":["\u003cp\u003eKitty Oliver Collection (AARLCC-2004.1), AALRCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Kitty Oliver Collection (AARLCC-2004.1), AALRCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding-aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding-aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/k-oliver1/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Kitty Oliver Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Kitty Oliver Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Kitty Oliver Collection consists of correspondence, personal and professional papers, photographs, newspaper clippings, printed materials, and awards of South Florida journalist and educator Kitty Oliver. \u003c/p\u003e\n","\u003cp\u003eThe collection also contains the Race and Change Project, a group of multiple oral history interviews with African-Americans, European-Americans, and immigrants regarding their memories growing up in Broward County, the United States, and other countries. Subjects include family and community lifestyle, race relations and societal change from the late 1920's through the aftermath of the Civil Rights Act of 1964 and desegregation. The collection contains audio and visual content of participants from the Race and Change Project including research composed by students taught by Kitty Oliver, and an essay written by Deborah Works entitled \"Historical Sketches and Rare Glimpses of the North Fork of the New River: a history of its natural and human environment\" (2001). The majority of Dr. Oliver's questionnaires, transcripts and interviews consist of ongoing research study of race and ethnic relations, geographical history and social change through the collection of oral histories of Whites, Blacks/African-Americans and immigrants of various Hispanic/Latinx, Caribbean and Asian backgrounds. Research sites include the South Florida cities of Hollywood, Fort Lauderdale, West Palm Beach, Miami, Opa-locka, Delray Beach and Boca Raton; North Fork and Liberia \u0026#x2013; historically significant Black/African-American communities; towns along Florida's landmark Lake Okeechobee; Stranahan High School in Fort Lauderdale; and Ghana, West Africa \u0026#x2013; where women who have experienced America's racial climate shared their stories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Kitty Oliver Collection consists of correspondence, personal and professional papers, photographs, newspaper clippings, printed materials, and awards of South Florida journalist and educator Kitty Oliver. ","The collection also contains the Race and Change Project, a group of multiple oral history interviews with African-Americans, European-Americans, and immigrants regarding their memories growing up in Broward County, the United States, and other countries. Subjects include family and community lifestyle, race relations and societal change from the late 1920's through the aftermath of the Civil Rights Act of 1964 and desegregation. The collection contains audio and visual content of participants from the Race and Change Project including research composed by students taught by Kitty Oliver, and an essay written by Deborah Works entitled \"Historical Sketches and Rare Glimpses of the North Fork of the New River: a history of its natural and human environment\" (2001). The majority of Dr. Oliver's questionnaires, transcripts and interviews consist of ongoing research study of race and ethnic relations, geographical history and social change through the collection of oral histories of Whites, Blacks/African-Americans and immigrants of various Hispanic/Latinx, Caribbean and Asian backgrounds. Research sites include the South Florida cities of Hollywood, Fort Lauderdale, West Palm Beach, Miami, Opa-locka, Delray Beach and Boca Raton; North Fork and Liberia – historically significant Black/African-American communities; towns along Florida's landmark Lake Okeechobee; Stranahan High School in Fort Lauderdale; and Ghana, West Africa – where women who have experienced America's racial climate shared their stories."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default\" target=\"_blank\"\u003eSome materials from this collection were cataloged in the Broward County Library catalog with the prefix \"OLI\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Some materials from this collection were cataloged in the Broward County Library catalog with the prefix \"OLI\"."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special 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Brochures, International Students Brochure, Diversity Brochure, Financhial Aid and Scholarhips Brochure, Choose FGCU Brochure, A Formula That Adds Up for Parents, Too Brochure, and Vision Value You Graduate Studies Informational Booklets.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/30861c4367a1eba3183b73af_aspace_e1035ceb4e7e51ff2f4fb8b559422d26#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_e1035ceb4e7e51ff2f4fb8b559422d26","ref_ssm":["aspace_e1035ceb4e7e51ff2f4fb8b559422d26","aspace_e1035ceb4e7e51ff2f4fb8b559422d26"],"id":"30861c4367a1eba3183b73af_aspace_e1035ceb4e7e51ff2f4fb8b559422d26","title_filing_ssi":"Vision, Value, You Marketing","title_ssm":["Vision, Value, You Marketing"],"title_tesim":["Vision, Value, You Marketing"],"unitdate_inclusive_ssm":["2001-2004"],"normalized_date_ssm":["2001-2004"],"normalized_title_ssm":["Vision, Value, You Marketing, 2001-2004"],"text":["Vision, 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Booklets.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Vision Value You Informational Booklets, Vision Value You Eagle EXPO Flyer Spring 2004, Vision Value You Eagle EXPO Program Itinery,and Vision Value You Transfer to FGCU Brochures, International Students Brochure, Diversity Brochure, Financhial Aid and Scholarhips Brochure, Choose FGCU Brochure, A Formula That Adds Up for Parents, Too Brochure, and Vision Value You Graduate Studies Informational Booklets."],"_nest_path_":"/components#0/components#42","_nest_parent_":"30861c4367a1eba3183b73af_aspace_fdb1124d2a1868b77cffccb4f8d6fcd2","_root_":"30861c4367a1eba3183b73af","_version_":1878905650237407232,"timestamp":"2026-10-13T04:01:01.516Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"30861c4367a1eba3183b73af","title_filing_ssi":"Office of University Advancement: University Marketing and Communications","title_ssm":["University Marketing and Communications"],"title_tesim":["University Marketing and Communications"],"ead_ssi":"30861c4367a1eba3183b73af","unitdate_ssm":["2022"],"unitdate_inclusive_ssm":["2022"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["01.04.03","/repositories/3/resources/73"],"text":["01.04.03","/repositories/3/resources/73","University Marketing and Communications, 2022","This collection is open for research.","This collection contains photos, documents, and promotional material produced by University Marketing and Communications.","Range: 3A, Section: 6, Shelf: 4-6","Florida Gulf Coast University Archives","English"],"unitid_tesim":["01.04.03","/repositories/3/resources/73"],"normalized_date_ssm":["2022"],"normalized_title_ssm":["University Marketing and Communications, 2022"],"collection_title_tesim":["University Marketing and Communications, 2022"],"collection_ssim":["University Marketing and Communications, 2022"],"repository_ssm":["Florida Gulf Coast University Archives"],"repository_ssim":["Florida Gulf Coast University Archives"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet"],"extent_tesim":["2 Linear Feet"],"date_range_isim":[2022],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains photos, documents, and promotional material produced by University Marketing and Communications.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains photos, documents, and promotional material produced by University Marketing and Communications."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a335147f135313e8ca9a522c3808fdd2\"\u003eRange: 3A, Section: 6, Shelf: 4-6\u003c/physloc\u003e"],"physloc_tesim":["Range: 3A, Section: 6, Shelf: 4-6"],"names_ssim":["Florida Gulf Coast University Archives"],"corpname_ssim":["Florida Gulf Coast University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":554,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1878905650237407232,"_root_":"30861c4367a1eba3183b73af","timestamp":"2026-10-13T04:01:01.516Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/30861c4367a1eba3183b73af_aspace_e1035ceb4e7e51ff2f4fb8b559422d26"}},{"id":"edc1f8792c912192f7c15d4d","type":"collection","attributes":{"title":"Vivian D. and John H. Hewitt Collection, 1942-2020","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/edc1f8792c912192f7c15d4d#abstract_or_scope","type":"document_value","attributes":{"value":["The Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/edc1f8792c912192f7c15d4d#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"edc1f8792c912192f7c15d4d","title_filing_ssi":"Hewitt, Vivian D. and John H. Collection","title_ssm":["Vivian D. and John H. Hewitt Collection"],"title_tesim":["Vivian D. and John H. Hewitt Collection"],"ead_ssi":"edc1f8792c912192f7c15d4d","unitdate_ssm":["1942-2020"],"unitdate_inclusive_ssm":["1942-2020"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2004.7","/repositories/2/resources/48"],"text":["AARLCC.2004.7","/repositories/2/resources/48","Vivian D. and John H. Hewitt Collection, 1942-2020","African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art","The Vivian D. and John H. Hewitt Collection is open for research.","View a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives.","John Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.","John Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.","Vivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.","John and Vivian Hewitt had one son, John Hewitt III (1952-2022).","The Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.","In 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.","In 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\"","The Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture.","The Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Hervé Télémaque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Grégoire (1922-2001), and E. Paul.","The collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories.","Materials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\".","The Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti.","AARLCC Special Collections","Hewitt, Vivian D.","Jacques Gourgue","Alexandre Gregoire","Carlo Jean-Jacques, 1943-1990","L. Janvier","Lucner Lazard, 1928-1998","Charles Obas, 1927-","Hervé Télémaque, 1937-","Luce Turnier, 1924-1994","Favrange Valcin, 1947-","The collection is primarily in English but includes materials in French, Haitian Creole, and German."],"unitid_tesim":["AARLCC.2004.7","/repositories/2/resources/48"],"normalized_date_ssm":["1942-2020"],"normalized_title_ssm":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"collection_title_tesim":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"collection_ssim":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["Vivian Davidson Hewitt donated the materials to the Broward County Library in memory of her husband, John H. Hewitt, Jr. in 2002 (Accession AARLCC-2004.7)."],"access_subjects_ssim":["African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"access_subjects_ssm":["African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"has_online_content_ssim":["false"],"extent_ssm":["4 Hollinger Boxes","14 Artwork","63 Books"],"extent_tesim":["4 Hollinger Boxes","14 Artwork","63 Books"],"genreform_ssim":["Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe Vivian D. and John H. 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Portions of the collection that they amassed now reside at several major museums throughout the United States.\u003c/p\u003e\n","\u003cp\u003eJohn Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.\u003c/p\u003e\n","\u003cp\u003eVivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.\u003c/p\u003e\n","\u003cp\u003eJohn and Vivian Hewitt had one son, John Hewitt III (1952-2022).\u003c/p\u003e\n","\u003cp\u003eThe Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.\u003c/p\u003e\n","\u003cp\u003eIn 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.\u003c/p\u003e\n","\u003cp\u003eIn 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["John Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.","John Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.","Vivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.","John and Vivian Hewitt had one son, John Hewitt III (1952-2022).","The Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.","In 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.","In 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\""],"prefercite_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection, African-American Research Library and Cultural Center Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Vivian D. and John H. Hewitt Collection, African-American Research Library and Cultural Center Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003eThe John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture."],"scopecontent_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Herv\u0026#xE9; T\u0026#xE9;l\u0026#xE9;maque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Gr\u0026#xE9;goire (1922-2001), and E. Paul.\u003c/p\u003e\n","\u003cp\u003eThe collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Hervé Télémaque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Grégoire (1922-2001), and E. Paul.","The collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=HEW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eMaterials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Materials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f20256a848bf64fa36b26feb824aee7d\"\u003eThe Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti.\u003c/abstract\u003e"],"abstract_tesim":["The Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti."],"names_ssim":["AARLCC Special Collections","Hewitt, Vivian D.","Jacques Gourgue","Alexandre Gregoire","Carlo Jean-Jacques, 1943-1990","L. Janvier","Lucner Lazard, 1928-1998","Charles Obas, 1927-","Hervé Télémaque, 1937-","Luce Turnier, 1924-1994","Favrange Valcin, 1947-"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Hewitt, Vivian D."],"persname_ssim":["Hewitt, Vivian D.","Jacques Gourgue","Alexandre Gregoire","Carlo Jean-Jacques, 1943-1990","L. Janvier","Lucner Lazard, 1928-1998","Charles Obas, 1927-","Hervé Télémaque, 1937-","Luce Turnier, 1924-1994","Favrange Valcin, 1947-"],"language_ssim":["The collection is primarily in English but includes materials in French, Haitian Creole, and German."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":157,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455832185470976,"_root_":"edc1f8792c912192f7c15d4d","timestamp":"2026-09-16T03:02:13.023Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"edc1f8792c912192f7c15d4d","title_filing_ssi":"Hewitt, Vivian D. and John H. Collection","title_ssm":["Vivian D. and John H. Hewitt Collection"],"title_tesim":["Vivian D. and John H. Hewitt Collection"],"ead_ssi":"edc1f8792c912192f7c15d4d","unitdate_ssm":["1942-2020"],"unitdate_inclusive_ssm":["1942-2020"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2004.7","/repositories/2/resources/48"],"text":["AARLCC.2004.7","/repositories/2/resources/48","Vivian D. and John H. Hewitt Collection, 1942-2020","African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art","The Vivian D. and John H. Hewitt Collection is open for research.","View a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives.","John Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.","John Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.","Vivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.","John and Vivian Hewitt had one son, John Hewitt III (1952-2022).","The Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.","In 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.","In 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\"","The Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture.","The Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Hervé Télémaque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Grégoire (1922-2001), and E. Paul.","The collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories.","Materials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\".","The Vivian D. and John H. Hewitt Collection contains Haitian art and materials focusing on Black art, particulaly those representing the history and culture of Haiti.","AARLCC Special Collections","Hewitt, Vivian D.","Jacques Gourgue","Alexandre Gregoire","Carlo Jean-Jacques, 1943-1990","L. Janvier","Lucner Lazard, 1928-1998","Charles Obas, 1927-","Hervé Télémaque, 1937-","Luce Turnier, 1924-1994","Favrange Valcin, 1947-","The collection is primarily in English but includes materials in French, Haitian Creole, and German."],"unitid_tesim":["AARLCC.2004.7","/repositories/2/resources/48"],"normalized_date_ssm":["1942-2020"],"normalized_title_ssm":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"collection_title_tesim":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"collection_ssim":["Vivian D. and John H. Hewitt Collection, 1942-2020"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["Vivian Davidson Hewitt donated the materials to the Broward County Library in memory of her husband, John H. Hewitt, Jr. in 2002 (Accession AARLCC-2004.7)."],"access_subjects_ssim":["African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"access_subjects_ssm":["African American art -- Collectors and collecting","Art, Haitian","African American librarians","African American librarians","Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"has_online_content_ssim":["false"],"extent_ssm":["4 Hollinger Boxes","14 Artwork","63 Books"],"extent_tesim":["4 Hollinger Boxes","14 Artwork","63 Books"],"genreform_ssim":["Paintings","Correspondence","Exhibition catalogs","Clippings","Periodicals","Art"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Vivian D. and John H. Hewitt Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/jandvhewitt/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Vivian D. and John H. Hewitt Collection in the Broward County Library Digital Archives."],"bioghist_html_tesm":["\u003cp\u003eJohn Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.\u003c/p\u003e\n","\u003cp\u003eJohn Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.\u003c/p\u003e\n","\u003cp\u003eVivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.\u003c/p\u003e\n","\u003cp\u003eJohn and Vivian Hewitt had one son, John Hewitt III (1952-2022).\u003c/p\u003e\n","\u003cp\u003eThe Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.\u003c/p\u003e\n","\u003cp\u003eIn 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.\u003c/p\u003e\n","\u003cp\u003eIn 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\"\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["John Hamilton Hewitt Jr. and Vivian Davidson Hewitt married in December 1949 and collected art from the African Diaspora. Their art collection of over 500 pieces primarily contained African American and Haitian art. Portions of the collection that they amassed now reside at several major museums throughout the United States.","John Hamilton Hewitt Jr. was born in 1924 in New York City, New York. He attended Harvard College and New York University where he obtained his Master's degree in 1949. Hewitt was an instructor for the Department of English and co-chairman for the Division of Humanities at Morehouse College in Atlanta. Hewitt also held the post of reporter for the New York Amsterdam News; later on he became a medical writer for the Medical Tribune, and served as an editor for both Hospital Practice and Emergency Medicine. Hewitt wrote various articles in publications such as the New York History, the Massachusetts Review, Afro-Americans in New York Life and History, and the International Review of African American Art. He was a member of the American Medical Writers Association. John Hewitt passed away on February 25, 2000.","Vivian Ann Davidson was born on February 17, 1920 in New Castle, Pennsylvania. She earned a Bachelor's degree in Education from Geneva College in 1943 and a M.S. degree in library science from Carnegie-Mellon University in Pittsburg, Pennsylvania in 1944. Vivian Hewitt worked as a librarian in Pittsburg and Atlanta, Georgia. She was the first black woman to serve as a librarian in the city of Pittsburgh. From 1963 to 1983, she was the chief librarian at the Carnegie Endowment for International Peace. Vivian was the first African American president of the Special Libraries Association (1978-1979). She was awarded the Distinguished Alumni Citation from the University of Pittsburgh-Carnegie Library School Alumni Association, Merit Award from Carnegie Mellon University, and the L.H.D. from Geneva College. In addition to being recognized by her alma maters, she was recognized by the American Library Association, and in 1984 she was inducted into the organization's Hall of Fame. In 2016, Queen Elizabeth II of Great Britain bestowed the title of Dame upon Hewitt for her work in the service of humanity. In 2017, Hewitt received an Honorary Doctor of Humane Letters degree at Carnegie Mellon University's 120th Commencement. She passed away on May 29, 2022.","John and Vivian Hewitt had one son, John Hewitt III (1952-2022).","The Hewitts moved to New York in 1951. In the 1960s, the Hewitts collected primarily Haitian art. In the 1970s, the Hewitts began exhibiting their collection of art in their Sugar Hill, Harlem home and became enmeshed in New York's art community. J. Eugene Grigsby, Vivian Hewitt's cousin and internationally acclaimed artist, introduced the couple to many artists. At that time the couple began collecting art by African American artists as well.","In 1998, the Hewitts sold 58 of their major works to the Bank of America which resulted in a travelling exhibition of the pieces at 25 museums. In 2009, the Bank of America donated the collection to the Harvey B. Gantt Center for African-American Arts and Culture.","In 1998, Vivian Hewitt attended two fundraisers for the construction of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. In 2002, artwork from her collection was exhibited at AARLCC in \"Celebration and Vision: The Hewitt Collection of African-American Art.\" Also in 2002, Vivian Hewitt donated 14 pieces of Haitian art from their collection to the Broward County Library in memory of her husband, John H. Hewitt, Jr. Along with the art she also donated personal papers as well as books and other supporting materials. In 2022, in celebration of the 20th anniversary of the opening of the African American Research Library and Cultural Center, the library held an exhibit titled \"Collectors' Duet: The Lifelong Librarianship of Vivian D. Hewitt and Dorothy Porter Wesley.\""],"prefercite_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection, African-American Research Library and Cultural Center Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["The Vivian D. and John H. Hewitt Collection, African-American Research Library and Cultural Center Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The Vivian D. and John H. Hewitt Collection received file level processing by Afua Ferdnance and Emily Calderon in 2021. Additional materials were processed at the item level by Erin Purdy in April 2025. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003eThe John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The John and Vivian Hewitt Collection of African-American Art, Harvey B. Gantt Center for African-American Arts and Culture."],"scopecontent_html_tesm":["\u003cp\u003eThe Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Herv\u0026#xE9; T\u0026#xE9;l\u0026#xE9;maque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Gr\u0026#xE9;goire (1922-2001), and E. Paul.\u003c/p\u003e\n","\u003cp\u003eThe collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Vivian D. and John H. Hewitt Collection contains 14 pieces of art created by 10 prominent Haitian artists dating from circa 1960 to 1985. The artists whose works reside in the collection are Luckner Lazard (1928-1998), Favrange Valcin (1947-2010), Luce Turnier (1924-1994), Hervé Télémaque (1937-2022), Jacques-Enguerrand Gourgue (1930-1996), Carlo Jean-Jacques (1943-1990), L. Janvier, Charles Obas (1927-1969), Alexandre Grégoire (1922-2001), and E. Paul.","The collection also contains materials that document the couple's collecting activities over the course of more than 50 years as well as the history of the artworks in their collection. These materials include correspondence belonging to Vivian D. and John H. Hewitt, publications such as exhibition catalogs, magazines, articles and newsletters, 63 books, newspaper clippings, auction lists, exhibition ephemera, brochures, typed manuscripts, maps, and two telephone directories."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=HEW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eMaterials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Materials from this collection were cataloged in the Broward County Library catalog with the prefix \"HEW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f20256a848bf64fa36b26feb824aee7d\"\u003eThe Vivian D. and John H. 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Oral histories were collected through Dr. Carlson's Research in Public History course, primarily from 2012."],"names_ssim":["Florida Gulf Coast University Archives"],"corpname_ssim":["Florida Gulf Coast University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":94,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"b9fa0d8ac890dbb053133eb6","timestamp":"2026-04-21T02:07:37.824Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b9fa0d8ac890dbb053133eb6_aspace_3683b2ff460a1161122131cd4b439b24"}},{"id":"c62033b9da482f42de6f1d29_aspace_fc2526f3f82565287c6b3540538d6a86","type":"File","attributes":{"title":"W, 2000–2012","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c62033b9da482f42de6f1d29_aspace_fc2526f3f82565287c6b3540538d6a86#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_fc2526f3f82565287c6b3540538d6a86","ref_ssm":["aspace_fc2526f3f82565287c6b3540538d6a86","aspace_fc2526f3f82565287c6b3540538d6a86"],"id":"c62033b9da482f42de6f1d29_aspace_fc2526f3f82565287c6b3540538d6a86","title_filing_ssi":"W","title_ssm":["W"],"title_tesim":["W"],"unitdate_inclusive_ssm":["2000–2012"],"normalized_date_ssm":["2000–2012"],"normalized_title_ssm":["W, 2000–2012"],"text":["W, 2000–2012","Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010","Series I: Florida, 1900–2013","Brochures \u0026 Presskits","/repositories/4/archival_objects/89370","box 59","folder 5"],"component_level_isim":[3],"parent_ids_ssim":["c62033b9da482f42de6f1d29","c62033b9da482f42de6f1d29_aspace_83107027ba2e547fbc24aa88f01d15e8","c62033b9da482f42de6f1d29_aspace_b77e8c2bd63a0bd2de4d7e04b0a26d38"],"parent_unittitles_ssm":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010","Series I: Florida, 1900–2013","Brochures \u0026 Presskits"],"parent_unittitles_tesim":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010","Series I: Florida, 1900–2013","Brochures \u0026 Presskits"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/89370"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":563,"parent_access_restrict_tesm":["The entire collection is open for research. This minimally processed collection may require further processing and is subject to change."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"containers_ssim":["box 59","folder 5"],"_nest_path_":"/components#0/components#3/components#40","_nest_parent_":"c62033b9da482f42de6f1d29_aspace_b77e8c2bd63a0bd2de4d7e04b0a26d38","_root_":"c62033b9da482f42de6f1d29","_version_":1879011331377463296,"timestamp":"2026-10-14T08:00:46.958Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"c62033b9da482f42de6f1d29","title_ssm":["Robert H. Brown tourism collection"],"title_tesim":["Robert H. Brown tourism collection"],"ead_ssi":"c62033b9da482f42de6f1d29","unitdate_ssm":["1900-2013","1970-2010"],"unitdate_bulk_ssim":["1970-2010"],"unitdate_inclusive_ssm":["1900-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 169","/repositories/4/resources/323"],"text":["SC 169","/repositories/4/resources/323","Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010","Walt Disney World (Fla.) -- Guidebooks","Busch Gardens (Tampa, Fla.)","Disneyland (Calif.)","Walt Disney World (Fla.)","Tourism -- Florida","Amusement parks -- Florida","Amusement parks","Tourism -- United States","Advertising -- Tourism","Resorts -- Florida","brochures","fliers (printed matter)","Guidebooks","picture postcards","postcards","maps (documents)","press kits ","The entire collection is open for research. This minimally processed collection may require further processing and is subject to change.","The collection is arranged into two series: \n I. Florida, 1900-2013  II. United States, 1962-2012 ","Robert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. Of his work on the website, Brown writes, \"Tourist attractions have a way of springing up on the Florida roadside... only to wither and die when they just can't quite sustain the magic. You will find no historical marker to mark their passing, no footnote in the history book, only the occasional exotic plant, or shopping center, or oddly named road.\" His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism.  ","In 1997, Brown created a travel website for The Mining Company (later known as About.com or Dotdash), a digital media company, writing about theme parks around the world and the amusement park industry. As a result, he also collected materials from attractions located across the United States, the United Kingdom, and Germany. Brown worked as an actor in film, television, and theater productions. He was a cast member of Second Thought Improv and On the Edge Improvisational Theatre. As of 2024, Brown is retired and currently resides in Ocoee, Florida. ","Processed by and finding aid prepared by Sofia Arias in 2024. Additional processing by Simone DeLuque in 2025.","Other materials related to theme parks and the tourism industry can be found in the  Disney Ephemera collection , the  George and Anne Millay collection , and the  Al Turner, Splash Magazine collection .","The Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. ","Series I: Florida, 1900-2013, contains postcards, brochures, flyers, presskits, visitor's guides, maps, and other tourist papers related to theme parks and attractions in the state of Florida. Subseries 1 chiefly contains postcards organized alphabetically by city location, then by subject. Subseries 2 contains postcards from established tourist attractions, arranged alphabetically in boxes and binder sleeves as they were originally received. Subseries 3 contains vertical files of various Florida attractions in original order. Subseries 4 contains brochures and presskits, arranged alphabetically. This series does not contain material for the Walt Disney World resort, which can be found in Series II.","Series II: United States, 1962-2012, contains collected postcards, brochures, and tourist papers related to theme parks and attractions outside of the state of Florida. Subseries 1 contains vertical files of various American attractions in original order. Subseries 2 and 3 are arranged by like item, then alphabetically. Also of interest is the Disney subseries, which contains records relating to Walt Disney World and Disneyland, as well as financial reports for the Walt Disney Company. The AAA subseries contains guidebooks for the state of Florida and beyond, as well as a number of Rand McNally guides.","Books donated with the Robert H. Brown tourism collection have been cataloged individually. Please search the Library Catalog using the series Robert H. Brown tourism collection.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. \n\nRobert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism. As of 2024, Brown is retired and currently resides in Ocoee, Florida.","UCF Special Collections","Walt Disney Company","Six Flags Theme Parks Inc","Brown, Robert H. (Robert Hugh)","English"],"unitid_tesim":["SC 169","/repositories/4/resources/323"],"normalized_date_ssm":["1900-2013, bulk 1970-2010"],"normalized_title_ssm":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010"],"collection_title_tesim":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010"],"collection_ssim":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Walt Disney World (Fla.) -- Guidebooks","Busch Gardens (Tampa, Fla.)","Disneyland (Calif.)","Walt Disney World (Fla.)"],"geogname_ssim":["Walt Disney World (Fla.) -- Guidebooks","Busch Gardens (Tampa, Fla.)","Disneyland (Calif.)","Walt Disney World (Fla.)"],"creator_ssm":["Brown, Robert H. (Robert Hugh)"],"creator_ssim":["Brown, Robert H. (Robert Hugh)"],"creator_persname_ssim":["Brown, Robert H. (Robert Hugh)"],"creators_ssim":["Brown, Robert H. (Robert Hugh)"],"places_ssim":["Walt Disney World (Fla.) -- Guidebooks","Busch Gardens (Tampa, Fla.)","Disneyland (Calif.)","Walt Disney World (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of Robert H. Brown in 2023 (Accession no. CFM2023_06)."],"access_subjects_ssim":["Tourism -- Florida","Amusement parks -- Florida","Amusement parks","Tourism -- United States","Advertising -- Tourism","Resorts -- Florida","brochures","fliers (printed matter)","Guidebooks","picture postcards","postcards","maps (documents)","press kits "],"access_subjects_ssm":["Tourism -- Florida","Amusement parks -- Florida","Amusement parks","Tourism -- United States","Advertising -- Tourism","Resorts -- Florida","brochures","fliers (printed matter)","Guidebooks","picture postcards","postcards","maps (documents)","press kits "],"has_online_content_ssim":["false"],"extent_ssm":["39.6 Linear Feet 97 boxes; 2 flat files; 2 flash drives"],"extent_tesim":["39.6 Linear Feet 97 boxes; 2 flat files; 2 flash drives"],"genreform_ssim":["brochures","fliers (printed matter)","Guidebooks","picture postcards","postcards","maps (documents)","press kits "],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research. This minimally processed collection may require further processing and is subject to change.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research. This minimally processed collection may require further processing and is subject to change."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series: \n\u003cul style=\"list-style-type: none\"\u003e\n   \u003cli\u003eI. Florida, 1900-2013 \u003c/li\u003e\n   \u003cli\u003eII. United States, 1962-2012 \u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series: \n I. Florida, 1900-2013  II. United States, 1962-2012 "],"bioghist_html_tesm":["\u003cp\u003eRobert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. Of his work on the website, Brown writes, \"Tourist attractions have a way of springing up on the Florida roadside... only to wither and die when they just can't quite sustain the magic. You will find no historical marker to mark their passing, no footnote in the history book, only the occasional exotic plant, or shopping center, or oddly named road.\" His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism.  \u003c/p\u003e\n","\u003cp\u003eIn 1997, Brown created a travel website for The Mining Company (later known as About.com or Dotdash), a digital media company, writing about theme parks around the world and the amusement park industry. As a result, he also collected materials from attractions located across the United States, the United Kingdom, and Germany. Brown worked as an actor in film, television, and theater productions. He was a cast member of Second Thought Improv and On the Edge Improvisational Theatre. As of 2024, Brown is retired and currently resides in Ocoee, Florida. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Robert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. Of his work on the website, Brown writes, \"Tourist attractions have a way of springing up on the Florida roadside... only to wither and die when they just can't quite sustain the magic. You will find no historical marker to mark their passing, no footnote in the history book, only the occasional exotic plant, or shopping center, or oddly named road.\" His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism.  ","In 1997, Brown created a travel website for The Mining Company (later known as About.com or Dotdash), a digital media company, writing about theme parks around the world and the amusement park industry. As a result, he also collected materials from attractions located across the United States, the United Kingdom, and Germany. Brown worked as an actor in film, television, and theater productions. He was a cast member of Second Thought Improv and On the Edge Improvisational Theatre. As of 2024, Brown is retired and currently resides in Ocoee, Florida. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Robert H. Brown tourism collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Robert H. Brown tourism collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Sofia Arias in 2024. Additional processing by Simone DeLuque in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Sofia Arias in 2024. Additional processing by Simone DeLuque in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eOther materials related to theme parks and the tourism industry can be found in the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/21\"\u003eDisney Ephemera collection\u003c/extref\u003e, the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/154\"\u003eGeorge and Anne Millay collection\u003c/extref\u003e, and the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/9\"\u003eAl Turner, Splash Magazine collection\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other materials related to theme parks and the tourism industry can be found in the  Disney Ephemera collection , the  George and Anne Millay collection , and the  Al Turner, Splash Magazine collection ."],"scopecontent_html_tesm":["\u003cp\u003eThe Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. \u003c/p\u003e\n","\u003cp\u003eSeries I: Florida, 1900-2013, contains postcards, brochures, flyers, presskits, visitor's guides, maps, and other tourist papers related to theme parks and attractions in the state of Florida. Subseries 1 chiefly contains postcards organized alphabetically by city location, then by subject. Subseries 2 contains postcards from established tourist attractions, arranged alphabetically in boxes and binder sleeves as they were originally received. Subseries 3 contains vertical files of various Florida attractions in original order. Subseries 4 contains brochures and presskits, arranged alphabetically. This series does not contain material for the Walt Disney World resort, which can be found in Series II.\u003c/p\u003e\n","\u003cp\u003eSeries II: United States, 1962-2012, contains collected postcards, brochures, and tourist papers related to theme parks and attractions outside of the state of Florida. Subseries 1 contains vertical files of various American attractions in original order. Subseries 2 and 3 are arranged by like item, then alphabetically. Also of interest is the Disney subseries, which contains records relating to Walt Disney World and Disneyland, as well as financial reports for the Walt Disney Company. The AAA subseries contains guidebooks for the state of Florida and beyond, as well as a number of Rand McNally guides.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. ","Series I: Florida, 1900-2013, contains postcards, brochures, flyers, presskits, visitor's guides, maps, and other tourist papers related to theme parks and attractions in the state of Florida. Subseries 1 chiefly contains postcards organized alphabetically by city location, then by subject. Subseries 2 contains postcards from established tourist attractions, arranged alphabetically in boxes and binder sleeves as they were originally received. Subseries 3 contains vertical files of various Florida attractions in original order. Subseries 4 contains brochures and presskits, arranged alphabetically. This series does not contain material for the Walt Disney World resort, which can be found in Series II.","Series II: United States, 1962-2012, contains collected postcards, brochures, and tourist papers related to theme parks and attractions outside of the state of Florida. Subseries 1 contains vertical files of various American attractions in original order. Subseries 2 and 3 are arranged by like item, then alphabetically. Also of interest is the Disney subseries, which contains records relating to Walt Disney World and Disneyland, as well as financial reports for the Walt Disney Company. The AAA subseries contains guidebooks for the state of Florida and beyond, as well as a number of Rand McNally guides."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks donated with the Robert H. Brown tourism collection have been cataloged individually. Please search the Library Catalog using the series Robert H. Brown tourism collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books donated with the Robert H. Brown tourism collection have been cataloged individually. Please search the Library Catalog using the series Robert H. Brown tourism collection."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_21cfff8d77476940979232257b1d9959\"\u003eThe Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. \n\nRobert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism. As of 2024, Brown is retired and currently resides in Ocoee, Florida.\u003c/abstract\u003e"],"abstract_tesim":["The Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. \n\nRobert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism. As of 2024, Brown is retired and currently resides in Ocoee, Florida."],"names_coll_ssim":["Walt Disney Company","Six Flags Theme Parks Inc"],"names_ssim":["UCF Special Collections","Walt Disney Company","Six Flags Theme Parks Inc","Brown, Robert H. (Robert Hugh)"],"corpname_ssim":["UCF Special Collections","Walt Disney Company","Six Flags Theme Parks Inc"],"persname_ssim":["Brown, Robert H. 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