{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026f%5Blevel%5D%5B%5D=File\u0026page=136","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026f%5Blevel%5D%5B%5D=File\u0026page=135","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026f%5Blevel%5D%5B%5D=File\u0026page=137","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026f%5Blevel%5D%5B%5D=File\u0026page=195"},"meta":{"pages":{"current_page":136,"next_page":137,"prev_page":135,"total_pages":195,"limit_value":10,"offset_value":1350,"total_count":1943,"first_page?":false,"last_page?":false}},"data":[{"id":"5f11ae4cec69848d75eb4e2d_aspace_168b53c061e005b23f22af68d3c69bc0","type":"File","attributes":{"title":"Philanthropy correspondence, 2004-2005","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5f11ae4cec69848d75eb4e2d_aspace_168b53c061e005b23f22af68d3c69bc0#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_168b53c061e005b23f22af68d3c69bc0","ref_ssm":["aspace_168b53c061e005b23f22af68d3c69bc0","aspace_168b53c061e005b23f22af68d3c69bc0"],"id":"5f11ae4cec69848d75eb4e2d_aspace_168b53c061e005b23f22af68d3c69bc0","title_filing_ssi":"Philanthropy correspondence","title_ssm":["Philanthropy correspondence"],"title_tesim":["Philanthropy correspondence"],"unitdate_inclusive_ssm":["2004-2005"],"normalized_date_ssm":["2004-2005"],"normalized_title_ssm":["Philanthropy correspondence, 2004-2005"],"text":["Philanthropy correspondence, 2004-2005","University of Central Florida Women's Club papers, 1965-2020","Additional materials, 1995-2020","Accession no. 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Additional materials processed by Simone Deluque in 2026.","Further information about this collection may be found in the  Beatrice B. Ettinger papers ,  Phyllis J. Hudson collection , and  Lynda Van Scoyoc Women's Feminist papers .","The UCF Women's Club papers reflects the history of the University of Central Florida's organization for female faculty, staff, and spouses. It contains officer reports, publications, information on special events, photographs, scrapbooks, memorabilia, and other ephemera documenting club activities. This collection provides insight into the history and activities of the UCF Women's Club.","Series I: Officer files, 1968-2006 contain records kept by the different officers, including presidents, secretaries, and treasurers of the UCF Women's Club.","Series II: Publications, 1969-2003 consist of the two main publications of the UCF Women's Club, their newsletter and the annual yearbook.","Series III: Special Event files, 1969-2000 includes information about theannual auction, luncheons, and the series, endowed scholarships of the club as well as partnerships held with other community organizations.","Series IV: Scrapbooks, Photos, and Memorabilia, 1969-2007 contains memorabilia related to the UCF Women's Club, annual scrapbooks, and photographs.","Series V: Additional Materials, 1965-2020 contains additonal materials donated to the collection, including treasurer files, membership forms, correspondence, reports, event planning records, news clippings, newsletters, directories, and photographs.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The UCF Women's Club papers reflects the history of the University of Central Florida's organization for female faculty, staff, and spouses. It contains officer reports, publications, information on special events, photographs, scrapbooks, memorabilia, and other ephemera documenting club activities. This collection provides insight into the history and activities of the UCF Women's Club.\n\nThe University of Central Florida Women's Club was founded in 1969 by female faculty, staff and the spouses of faculty and staff \"to promote the sociability and the advancement of University interests and ideals\". The club is run by elected officers, including a president, secretary, treasurer and historian, who form an executive board. 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Women's Club"],"creators_ssim":["University of Central Florida. Women's Club"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Transferred by the University of Central Florida (UCF) Women's Club in 1998 (Accession no. CFM1998_01). Additional materials transferred by the UCF Women's Club in 2016 and 2021 (CFU2016_20, CFU2021_03), Nancy Marshall in 2014 (CFU2014_19) and Maggie Leclair in 2015 (CFU2015_07)."],"access_subjects_ssim":["University of Central Florida","Women -- Societies and clubs -- Finance","Women -- Societies and clubs","Memorabilia","photographs","scrapbooks"],"access_subjects_ssm":["University of Central Florida","Women -- Societies and clubs -- Finance","Women -- Societies and clubs","Memorabilia","photographs","scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["17.3 Linear Feet 22 boxes"],"extent_tesim":["17.3 Linear Feet 22 boxes"],"genreform_ssim":["Memorabilia","photographs","scrapbooks"],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in four series by material type. A fifth series was added for additional materials and is arranged similarly to the established arrangment.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in four series by material type. A fifth series was added for additional materials and is arranged similarly to the established arrangment."],"bioghist_html_tesm":["\u003cp\u003eThe University of Central Florida Women's Club was founded in 1969 by female faculty, staff and the spouses of faculty and staff \"to promote the sociability and the advancement of University interests and ideals\". The club is run by elected officers, including a president, secretary, treasurer and historian, who form an executive board. 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The organization has provided three endowed scholarships named for the University's current and former president's wives, as well as numerous other projects designed to positively influence the University and the Central Florida community."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], University of Central Florida Women's Club papers, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], University of Central Florida Women's Club papers, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by and finding aid prepared by Jessica Achberger and Katie Seeler in 2007. Updates were made in 2008. The finding aid was updated for consistency among all collections by Mary Rubin in 2012 and 2015. Finding aid revised for consistency by Chloe Lanham in 2026. 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Hudson collection\u003c/extref\u003e, and \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-15\"\u003eLynda Van Scoyoc Women's Feminist papers\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Further information about this collection may be found in the  Beatrice B. Ettinger papers ,  Phyllis J. Hudson collection , and  Lynda Van Scoyoc Women's Feminist papers ."],"scopecontent_html_tesm":["\u003cp\u003eThe UCF Women's Club papers reflects the history of the University of Central Florida's organization for female faculty, staff, and spouses. It contains officer reports, publications, information on special events, photographs, scrapbooks, memorabilia, and other ephemera documenting club activities. This collection provides insight into the history and activities of the UCF Women's Club.\u003c/p\u003e\n","\u003cp\u003eSeries I: Officer files, 1968-2006 contain records kept by the different officers, including presidents, secretaries, and treasurers of the UCF Women's Club.\u003c/p\u003e\n","\u003cp\u003eSeries II: Publications, 1969-2003 consist of the two main publications of the UCF Women's Club, their newsletter and the annual yearbook.\u003c/p\u003e\n","\u003cp\u003eSeries III: Special Event files, 1969-2000 includes information about theannual auction, luncheons, and the series, endowed scholarships of the club as well as partnerships held with other community organizations.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Scrapbooks, Photos, and Memorabilia, 1969-2007 contains memorabilia related to the UCF Women's Club, annual scrapbooks, and photographs.\u003c/p\u003e\n","\u003cp\u003eSeries V: Additional Materials, 1965-2020 contains additonal materials donated to the collection, including treasurer files, membership forms, correspondence, reports, event planning records, news clippings, newsletters, directories, and photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The UCF Women's Club papers reflects the history of the University of Central Florida's organization for female faculty, staff, and spouses. It contains officer reports, publications, information on special events, photographs, scrapbooks, memorabilia, and other ephemera documenting club activities. This collection provides insight into the history and activities of the UCF Women's Club.","Series I: Officer files, 1968-2006 contain records kept by the different officers, including presidents, secretaries, and treasurers of the UCF Women's Club.","Series II: Publications, 1969-2003 consist of the two main publications of the UCF Women's Club, their newsletter and the annual yearbook.","Series III: Special Event files, 1969-2000 includes information about theannual auction, luncheons, and the series, endowed scholarships of the club as well as partnerships held with other community organizations.","Series IV: Scrapbooks, Photos, and Memorabilia, 1969-2007 contains memorabilia related to the UCF Women's Club, annual scrapbooks, and photographs.","Series V: Additional Materials, 1965-2020 contains additonal materials donated to the collection, including treasurer files, membership forms, correspondence, reports, event planning records, news clippings, newsletters, directories, and photographs."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9c52d0b02fc84b008a915515cc96b73b\" label=\"Abstract\"\u003eThe UCF Women's Club papers reflects the history of the University of Central Florida's organization for female faculty, staff, and spouses. It contains officer reports, publications, information on special events, photographs, scrapbooks, memorabilia, and other ephemera documenting club activities. This collection provides insight into the history and activities of the UCF Women's Club.\n\nThe University of Central Florida Women's Club was founded in 1969 by female faculty, staff and the spouses of faculty and staff \"to promote the sociability and the advancement of University interests and ideals\". The club is run by elected officers, including a president, secretary, treasurer and historian, who form an executive board. The organization has provided three endowed scholarships named for the University's current and former president's wives, as well as numerous other projects designed to positively influence the University and the Central Florida community.\u003c/abstract\u003e"],"abstract_tesim":["The UCF Women's Club papers reflects the history of the University of Central Florida's organization for female faculty, staff, and spouses. It contains officer reports, publications, information on special events, photographs, scrapbooks, memorabilia, and other ephemera documenting club activities. This collection provides insight into the history and activities of the UCF Women's Club.\n\nThe University of Central Florida Women's Club was founded in 1969 by female faculty, staff and the spouses of faculty and staff \"to promote the sociability and the advancement of University interests and ideals\". The club is run by elected officers, including a president, secretary, treasurer and historian, who form an executive board. The organization has provided three endowed scholarships named for the University's current and former president's wives, as well as numerous other projects designed to positively influence the University and the Central Florida community."],"names_coll_ssim":["University of Central Florida. Women's Club"],"names_ssim":["UCF University Archives","University of Central Florida. 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Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[2003,2004,2005],"containers_ssim":["box 18","folder 4"],"_nest_path_":"/components#4/components#1/components#2/components#6","_nest_parent_":"5f11ae4cec69848d75eb4e2d_aspace_90836ac964a0ef515972081c3b555319","_root_":"5f11ae4cec69848d75eb4e2d","_version_":1872126944944848896,"timestamp":"2026-07-30T08:16:24.442Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5f11ae4cec69848d75eb4e2d","title_ssm":["University of Central Florida Women's Club papers"],"title_tesim":["University of Central Florida Women's Club papers"],"ead_ssi":"5f11ae4cec69848d75eb4e2d","unitdate_ssm":["1965-2020"],"unitdate_inclusive_ssm":["1965-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA20F","/repositories/2/resources/167"],"text":["UA20F","/repositories/2/resources/167","University of Central Florida Women's Club papers, 1965-2020","University of Central Florida","Women -- Societies and clubs -- Finance","Women -- Societies and clubs","Memorabilia","photographs","scrapbooks","The entire collection is open for research.","This collection is arranged in four series by material type. 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Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The UCF Women's Club papers reflects the history of the University of Central Florida's organization for female faculty, staff, and spouses. It contains officer reports, publications, information on special events, photographs, scrapbooks, memorabilia, and other ephemera documenting club activities. This collection provides insight into the history and activities of the UCF Women's Club.\n\nThe University of Central Florida Women's Club was founded in 1969 by female faculty, staff and the spouses of faculty and staff \"to promote the sociability and the advancement of University interests and ideals\". The club is run by elected officers, including a president, secretary, treasurer and historian, who form an executive board. 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Additional materials transferred by the UCF Women's Club in 2016 and 2021 (CFU2016_20, CFU2021_03), Nancy Marshall in 2014 (CFU2014_19) and Maggie Leclair in 2015 (CFU2015_07)."],"access_subjects_ssim":["University of Central Florida","Women -- Societies and clubs -- Finance","Women -- Societies and clubs","Memorabilia","photographs","scrapbooks"],"access_subjects_ssm":["University of Central Florida","Women -- Societies and clubs -- Finance","Women -- Societies and clubs","Memorabilia","photographs","scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["17.3 Linear Feet 22 boxes"],"extent_tesim":["17.3 Linear Feet 22 boxes"],"genreform_ssim":["Memorabilia","photographs","scrapbooks"],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in four series by material type. A fifth series was added for additional materials and is arranged similarly to the established arrangment.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in four series by material type. A fifth series was added for additional materials and is arranged similarly to the established arrangment."],"bioghist_html_tesm":["\u003cp\u003eThe University of Central Florida Women's Club was founded in 1969 by female faculty, staff and the spouses of faculty and staff \"to promote the sociability and the advancement of University interests and ideals\". The club is run by elected officers, including a president, secretary, treasurer and historian, who form an executive board. The organization has provided three endowed scholarships named for the University's current and former president's wives, as well as numerous other projects designed to positively influence the University and the Central Florida community.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The University of Central Florida Women's Club was founded in 1969 by female faculty, staff and the spouses of faculty and staff \"to promote the sociability and the advancement of University interests and ideals\". The club is run by elected officers, including a president, secretary, treasurer and historian, who form an executive board. The organization has provided three endowed scholarships named for the University's current and former president's wives, as well as numerous other projects designed to positively influence the University and the Central Florida community."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], University of Central Florida Women's Club papers, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], University of Central Florida Women's Club papers, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by and finding aid prepared by Jessica Achberger and Katie Seeler in 2007. Updates were made in 2008. The finding aid was updated for consistency among all collections by Mary Rubin in 2012 and 2015. Finding aid revised for consistency by Chloe Lanham in 2026. Additional materials processed by Simone Deluque in 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by and finding aid prepared by Jessica Achberger and Katie Seeler in 2007. Updates were made in 2008. The finding aid was updated for consistency among all collections by Mary Rubin in 2012 and 2015. Finding aid revised for consistency by Chloe Lanham in 2026. Additional materials processed by Simone Deluque in 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eFurther information about this collection may be found in the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2002-02\"\u003eBeatrice B. Ettinger papers\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-02\"\u003ePhyllis J. Hudson collection\u003c/extref\u003e, and \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2005-15\"\u003eLynda Van Scoyoc Women's Feminist papers\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Further information about this collection may be found in the  Beatrice B. Ettinger papers ,  Phyllis J. Hudson collection , and  Lynda Van Scoyoc Women's Feminist papers ."],"scopecontent_html_tesm":["\u003cp\u003eThe UCF Women's Club papers reflects the history of the University of Central Florida's organization for female faculty, staff, and spouses. It contains officer reports, publications, information on special events, photographs, scrapbooks, memorabilia, and other ephemera documenting club activities. This collection provides insight into the history and activities of the UCF Women's Club.\u003c/p\u003e\n","\u003cp\u003eSeries I: Officer files, 1968-2006 contain records kept by the different officers, including presidents, secretaries, and treasurers of the UCF Women's Club.\u003c/p\u003e\n","\u003cp\u003eSeries II: Publications, 1969-2003 consist of the two main publications of the UCF Women's Club, their newsletter and the annual yearbook.\u003c/p\u003e\n","\u003cp\u003eSeries III: Special Event files, 1969-2000 includes information about theannual auction, luncheons, and the series, endowed scholarships of the club as well as partnerships held with other community organizations.\u003c/p\u003e\n","\u003cp\u003eSeries IV: Scrapbooks, Photos, and Memorabilia, 1969-2007 contains memorabilia related to the UCF Women's Club, annual scrapbooks, and photographs.\u003c/p\u003e\n","\u003cp\u003eSeries V: Additional Materials, 1965-2020 contains additonal materials donated to the collection, including treasurer files, membership forms, correspondence, reports, event planning records, news clippings, newsletters, directories, and photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The UCF Women's Club papers reflects the history of the University of Central Florida's organization for female faculty, staff, and spouses. It contains officer reports, publications, information on special events, photographs, scrapbooks, memorabilia, and other ephemera documenting club activities. This collection provides insight into the history and activities of the UCF Women's Club.","Series I: Officer files, 1968-2006 contain records kept by the different officers, including presidents, secretaries, and treasurers of the UCF Women's Club.","Series II: Publications, 1969-2003 consist of the two main publications of the UCF Women's Club, their newsletter and the annual yearbook.","Series III: Special Event files, 1969-2000 includes information about theannual auction, luncheons, and the series, endowed scholarships of the club as well as partnerships held with other community organizations.","Series IV: Scrapbooks, Photos, and Memorabilia, 1969-2007 contains memorabilia related to the UCF Women's Club, annual scrapbooks, and photographs.","Series V: Additional Materials, 1965-2020 contains additonal materials donated to the collection, including treasurer files, membership forms, correspondence, reports, event planning records, news clippings, newsletters, directories, and photographs."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9c52d0b02fc84b008a915515cc96b73b\" label=\"Abstract\"\u003eThe UCF Women's Club papers reflects the history of the University of Central Florida's organization for female faculty, staff, and spouses. It contains officer reports, publications, information on special events, photographs, scrapbooks, memorabilia, and other ephemera documenting club activities. This collection provides insight into the history and activities of the UCF Women's Club.\n\nThe University of Central Florida Women's Club was founded in 1969 by female faculty, staff and the spouses of faculty and staff \"to promote the sociability and the advancement of University interests and ideals\". The club is run by elected officers, including a president, secretary, treasurer and historian, who form an executive board. The organization has provided three endowed scholarships named for the University's current and former president's wives, as well as numerous other projects designed to positively influence the University and the Central Florida community.\u003c/abstract\u003e"],"abstract_tesim":["The UCF Women's Club papers reflects the history of the University of Central Florida's organization for female faculty, staff, and spouses. It contains officer reports, publications, information on special events, photographs, scrapbooks, memorabilia, and other ephemera documenting club activities. This collection provides insight into the history and activities of the UCF Women's Club.\n\nThe University of Central Florida Women's Club was founded in 1969 by female faculty, staff and the spouses of faculty and staff \"to promote the sociability and the advancement of University interests and ideals\". The club is run by elected officers, including a president, secretary, treasurer and historian, who form an executive board. The organization has provided three endowed scholarships named for the University's current and former president's wives, as well as numerous other projects designed to positively influence the University and the Central Florida community."],"names_coll_ssim":["University of Central Florida. Women's Club"],"names_ssim":["UCF University Archives","University of Central Florida. Women's Club"],"corpname_ssim":["UCF University Archives","University of Central Florida. Women's Club"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":236,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872126944944848896,"_root_":"5f11ae4cec69848d75eb4e2d","timestamp":"2026-07-30T08:16:24.442Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5f11ae4cec69848d75eb4e2d_aspace_250e51a49a82efc2c24d44afb809ab37"}},{"id":"3018d7acc866cce1e2f00be2_aspace_82ff340937f62a3af2b95ae1843808cf","type":"File","attributes":{"title":"Philharmonic Center for the Arts (Naples), 2000-2015","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3018d7acc866cce1e2f00be2_aspace_82ff340937f62a3af2b95ae1843808cf#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_82ff340937f62a3af2b95ae1843808cf","ref_ssm":["aspace_82ff340937f62a3af2b95ae1843808cf","aspace_82ff340937f62a3af2b95ae1843808cf"],"id":"3018d7acc866cce1e2f00be2_aspace_82ff340937f62a3af2b95ae1843808cf","title_filing_ssi":"Philharmonic Center for the Arts (Naples)","title_ssm":["Philharmonic Center for the Arts (Naples)"],"title_tesim":["Philharmonic Center for the Arts (Naples)"],"unitdate_inclusive_ssm":["2000-2015"],"normalized_date_ssm":["2000-2015"],"normalized_title_ssm":["Philharmonic Center for the Arts (Naples), 2000-2015"],"text":["Philharmonic Center for the Arts (Naples), 2000-2015","Mickey Wolfson Theater Collection, 1946-2015","Box 40","U.S. Arts","Arts in Florida","/repositories/2/archival_objects/75119","box 40","folder 18"],"component_level_isim":[4],"parent_ids_ssim":["3018d7acc866cce1e2f00be2","3018d7acc866cce1e2f00be2_aspace_09b4555f36bef860adbeabd778447ebe","3018d7acc866cce1e2f00be2_aspace_8dfa71c8d999a06d956a77e2a312d96a","3018d7acc866cce1e2f00be2_aspace_96a6a738da40ebf6c7c942b1599e1849"],"parent_unittitles_ssm":["Mickey Wolfson Theater Collection, 1946-2015","Box 40","U.S. Arts","Arts in Florida"],"parent_unittitles_tesim":["Mickey Wolfson Theater Collection, 1946-2015","Box 40","U.S. Arts","Arts in Florida"],"parent_levels_ssm":["collection","Other level","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/75119"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Mickey Wolfson Theater Collection, 1946-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1221,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"date_range_isim":[2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"containers_ssim":["box 40","folder 18"],"_nest_path_":"/components#39/components#0/components#0/components#17","_nest_parent_":"3018d7acc866cce1e2f00be2_aspace_96a6a738da40ebf6c7c942b1599e1849","_root_":"3018d7acc866cce1e2f00be2","timestamp":"2026-04-29T02:04:07.331Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3018d7acc866cce1e2f00be2","title_ssm":["Mickey Wolfson Theater Collection"],"title_tesim":["Mickey Wolfson Theater Collection"],"ead_ssi":"3018d7acc866cce1e2f00be2","unitdate_ssm":["1946-2015"],"unitdate_inclusive_ssm":["1946-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8095","/repositories/2/resources/80"],"text":["SPC8095","/repositories/2/resources/80","Mickey Wolfson Theater Collection, 1946-2015","Ballet","Ballet companies","Opera","Performing arts","Performing arts--Festivals","Performing arts--Public relations","Theater","Theatrical publication","Playbills","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. ","There is one sub-series under U.S. Arts entitled Arts in Florida.","Materials are in alphabetical and date order.","Mitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906– May 9, 1980) and Mitchell Wolfson (1900–1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963–1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. ","Collector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. ","In 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. ","\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts Décoratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. ","\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)","The materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana.","The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","Language of materials is in English unless otherwise noted.","FIU Special Collections","Mitchell \"Mickey\" Wolfson, Jr., b.1939","Afrikaans Arabic Bulgarian Chinese Croatian Czech Danish English Finnish French German Italian Japanese Latin Malay Polish Romanian; Moldavian; Moldovan Russian Slovak Swedish"],"unitid_tesim":["SPC8095","/repositories/2/resources/80"],"normalized_date_ssm":["1946-2015"],"normalized_title_ssm":["Mickey Wolfson Theater Collection, 1946-2015"],"collection_title_tesim":["Mickey Wolfson Theater Collection, 1946-2015"],"collection_ssim":["Mickey Wolfson Theater Collection, 1946-2015"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creator_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creator_persname_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creators_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"access_terms_ssm":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Mickey Wolfson"],"access_subjects_ssim":["Ballet","Ballet companies","Opera","Performing arts","Performing arts--Festivals","Performing arts--Public relations","Theater","Theatrical publication","Playbills"],"access_subjects_ssm":["Ballet","Ballet companies","Opera","Performing arts","Performing arts--Festivals","Performing arts--Public relations","Theater","Theatrical publication","Playbills"],"has_online_content_ssim":["false"],"extent_ssm":["18.33 Linear Feet"],"extent_tesim":["18.33 Linear Feet"],"physfacet_tesim":["44 5\" document cases"],"genreform_ssim":["Playbills"],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. \u003c/p\u003e\n","\u003cp\u003eThere is one sub-series under U.S. Arts entitled Arts in Florida.\u003c/p\u003e\n","\u003cp\u003eMaterials are in alphabetical and date order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. ","There is one sub-series under U.S. Arts entitled Arts in Florida.","Materials are in alphabetical and date order."],"bioghist_html_tesm":["\u003cp\u003eMitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906\u0026#x2013; May 9, 1980) and Mitchell Wolfson (1900\u0026#x2013;1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963\u0026#x2013;1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. \u003c/p\u003e\n","\u003cp\u003eCollector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. \u003c/p\u003e\n","\u003cp\u003eIn 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. \u003c/p\u003e\n","\u003cp\u003e\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts D\u0026#xE9;coratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. \u003c/p\u003e\n","\u003cp\u003e\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Mitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906– May 9, 1980) and Mitchell Wolfson (1900–1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963–1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. ","Collector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. ","In 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. ","\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts Décoratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. ","\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)"],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana."],"userestrict_html_tesm":["\u003cp\u003eThe Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. 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Topics include water management, Everglades preservation and restoration, effects of the sugar industry on Florida's wildlife, ornithology, and ecology in South Florida. Groups with significant representation include: Comprehensive Everglades Restoration Plan (CERP), South Florida Water Management District (SFWMD), The Everglades Coalition, and the Governor's Commission for a Sustainable South Florida.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of the organizational papers of the Florida Audubon Society's Miami office, with some material from National Audubon Society projects. Topics include water management, Everglades preservation and restoration, effects of the sugar industry on Florida's wildlife, ornithology, and ecology in South Florida. Groups with significant representation include: Comprehensive Everglades Restoration Plan (CERP), South Florida Water Management District (SFWMD), The Everglades Coalition, and the Governor's Commission for a Sustainable South Florida."],"names_ssim":["USF Libraries - Tampa Special Collections","Florida Audubon Society"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Florida Audubon Society"],"language_ssim":["English"],"total_component_count_is":1307,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"359fedcc5b694e45729a69cf","timestamp":"2026-07-02T03:25:37.750Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/359fedcc5b694e45729a69cf_aspace_3e08feb9b40003aa2ff54f67a7ef474a"}},{"id":"03e12f0b210afaf691bd49d9_aspace_0105a18f33305a591786c49a9f5c7a50","type":"File","attributes":{"title":"Photocopied Images--Produced to Defendants, 2004-5-26","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/03e12f0b210afaf691bd49d9_aspace_0105a18f33305a591786c49a9f5c7a50#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_0105a18f33305a591786c49a9f5c7a50","ref_ssm":["aspace_0105a18f33305a591786c49a9f5c7a50","aspace_0105a18f33305a591786c49a9f5c7a50"],"id":"03e12f0b210afaf691bd49d9_aspace_0105a18f33305a591786c49a9f5c7a50","title_filing_ssi":"Photocopied Images--Produced to Defendants ","title_ssm":["Photocopied Images--Produced to Defendants "],"title_tesim":["Photocopied Images--Produced to Defendants "],"unitdate_other_ssim":["2004-5-26"],"normalized_date_ssm":["2004-5-26"],"normalized_title_ssm":["Photocopied Images--Produced to Defendants, 2004-5-26"],"text":["Photocopied Images--Produced to Defendants, 2004-5-26","Cesar Becerra Logging Industry Collection, 1971-1994","Box 1","Series 1 Papers","/repositories/2/archival_objects/77152","folder 47"],"component_level_isim":[3],"parent_ids_ssim":["03e12f0b210afaf691bd49d9","03e12f0b210afaf691bd49d9_aspace_c734fee04167c79e10aecabd027822cf","03e12f0b210afaf691bd49d9_aspace_3bc99c6b3b57464c456bab28d6e96f2d"],"parent_unittitles_ssm":["Cesar Becerra Logging Industry Collection, 1971-1994","Box 1","Series 1 Papers"],"parent_unittitles_tesim":["Cesar Becerra Logging Industry Collection, 1971-1994","Box 1","Series 1 Papers"],"parent_levels_ssm":["collection","Other level","Series"],"unitid_ssm":["/repositories/2/archival_objects/77152"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Cesar Becerra Logging Industry Collection, 1971-1994"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":49,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Cesar Becerra Logging Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"date_range_isim":[2004],"containers_ssim":["folder 47"],"_nest_path_":"/components#0/components#0/components#46","_nest_parent_":"03e12f0b210afaf691bd49d9_aspace_3bc99c6b3b57464c456bab28d6e96f2d","_root_":"03e12f0b210afaf691bd49d9","_version_":1870844426720378880,"timestamp":"2026-07-16T04:31:19.751Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"03e12f0b210afaf691bd49d9","title_ssm":["Cesar Becerra Logging Industry Collection"],"title_tesim":["Cesar Becerra Logging Industry Collection"],"ead_ssi":"03e12f0b210afaf691bd49d9","unitdate_ssm":["1971-1994"],"unitdate_inclusive_ssm":["1971-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8075","/repositories/2/resources/103"],"text":["SPC8075","/repositories/2/resources/103","Cesar Becerra Logging Industry Collection, 1971-1994","Big Cypress National Preserve (Fla)","Big Cypress Swamp (Fla)","Conservation","Environmental policy","Environmental justice","Florida panther","Logging","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials in this collection are arranged in the following series':","Series 1: Papers\nSeries 2: Photographs\nSeries 3: Videos\nOversize Items\nSlide Carousel","You would never think of the Florida Everglades as a major contributor to Florida's logging industry, but from the 1920s through the early 1950s, it was. The epicenter was the long-abandoned Collier County town of Jerome, located on State Rd.29 just north of U.S.41. The Jerome lumber mill once was among the most productive in the United States. During the 1940s, loggers cut and finished about 100,000 board feet every day. About a thousand workers, mostly African-American men, kept the mill going. In addition to the dangers inherent in this kind of work, the men dealt with snakes, alligators, and oppressive heat. This little known part of Florida history was extensively documented in 1994-1995 by South Florida filmmaker and historian Cesar Becerra. This collection represents his work and research that has subsequently been used in exhibits and at least one court case. It includes photographs taken during the industry's heyday, government documents, videos, and oral history interviews with former loggers.","The materials in this collection concern the environmental impacts of industry in the Florida Everglades. For further research, the Franklin Adams Collection (SPC 9000) also relates to the Big Cypress Preserve. ","Additionally, the James A. Haley Congressional Papers and the Andy Ireland Congressional Papers--both collections housed at Florida Southern College--relate to Big Cypress and the broader Everglades region. ","This little known part of Florida history was extensively documented in 1994-1995 by South Florida filmmaker and historian Cesar Becerra. This collection represents his work and research that has subsequently been used in exhibits and at least one court case. It contains photographs, interview transcripts, and video pertaining to his research efforts.","The Cesar Becerra Logging Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Franklin B. Adams","English"],"unitid_tesim":["SPC8075","/repositories/2/resources/103"],"normalized_date_ssm":["1971-1994"],"normalized_title_ssm":["Cesar Becerra Logging Industry Collection, 1971-1994"],"collection_title_tesim":["Cesar Becerra Logging Industry Collection, 1971-1994"],"collection_ssim":["Cesar Becerra Logging Industry Collection, 1971-1994"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Big Cypress National Preserve (Fla)","Big Cypress Swamp (Fla)"],"geogname_ssim":["Big Cypress National Preserve (Fla)","Big Cypress Swamp (Fla)"],"places_ssim":["Big Cypress National Preserve (Fla)","Big Cypress Swamp (Fla)"],"access_terms_ssm":["The Cesar Becerra Logging Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Cesar Becerra"],"access_subjects_ssim":["Conservation","Environmental policy","Environmental justice","Florida panther","Logging"],"access_subjects_ssm":["Conservation","Environmental policy","Environmental justice","Florida panther","Logging"],"has_online_content_ssim":["false"],"extent_ssm":["8.31 Linear Feet"],"extent_tesim":["8.31 Linear Feet"],"physfacet_tesim":["5 Banker Boxes\n1 Small, flat box\n1 Large, flat box\n2 Slide Carousel boxes"],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged in the following series':\u003c/p\u003e\n","\u003cp\u003eSeries 1: Papers\nSeries 2: Photographs\nSeries 3: Videos\nOversize Items\nSlide Carousel\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection are arranged in the following series':","Series 1: Papers\nSeries 2: Photographs\nSeries 3: Videos\nOversize Items\nSlide Carousel"],"bioghist_html_tesm":["\u003cp\u003eYou would never think of the Florida Everglades as a major contributor to Florida's logging industry, but from the 1920s through the early 1950s, it was. The epicenter was the long-abandoned Collier County town of Jerome, located on State Rd.29 just north of U.S.41. The Jerome lumber mill once was among the most productive in the United States. During the 1940s, loggers cut and finished about 100,000 board feet every day. About a thousand workers, mostly African-American men, kept the mill going. In addition to the dangers inherent in this kind of work, the men dealt with snakes, alligators, and oppressive heat. This little known part of Florida history was extensively documented in 1994-1995 by South Florida filmmaker and historian Cesar Becerra. This collection represents his work and research that has subsequently been used in exhibits and at least one court case. It includes photographs taken during the industry's heyday, government documents, videos, and oral history interviews with former loggers.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["You would never think of the Florida Everglades as a major contributor to Florida's logging industry, but from the 1920s through the early 1950s, it was. The epicenter was the long-abandoned Collier County town of Jerome, located on State Rd.29 just north of U.S.41. The Jerome lumber mill once was among the most productive in the United States. During the 1940s, loggers cut and finished about 100,000 board feet every day. About a thousand workers, mostly African-American men, kept the mill going. In addition to the dangers inherent in this kind of work, the men dealt with snakes, alligators, and oppressive heat. This little known part of Florida history was extensively documented in 1994-1995 by South Florida filmmaker and historian Cesar Becerra. This collection represents his work and research that has subsequently been used in exhibits and at least one court case. It includes photographs taken during the industry's heyday, government documents, videos, and oral history interviews with former loggers."],"odd_html_tesm":["\u003cp\u003eThe materials in this collection concern the environmental impacts of industry in the Florida Everglades. For further research, the Franklin Adams Collection (SPC 9000) also relates to the Big Cypress Preserve. \u003c/p\u003e\n","\u003cp\u003eAdditionally, the James A. Haley Congressional Papers and the Andy Ireland Congressional Papers--both collections housed at Florida Southern College--relate to Big Cypress and the broader Everglades region. \u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["The materials in this collection concern the environmental impacts of industry in the Florida Everglades. For further research, the Franklin Adams Collection (SPC 9000) also relates to the Big Cypress Preserve. ","Additionally, the James A. Haley Congressional Papers and the Andy Ireland Congressional Papers--both collections housed at Florida Southern College--relate to Big Cypress and the broader Everglades region. "],"scopecontent_html_tesm":["\u003cp\u003eThis little known part of Florida history was extensively documented in 1994-1995 by South Florida filmmaker and historian Cesar Becerra. This collection represents his work and research that has subsequently been used in exhibits and at least one court case. It contains photographs, interview transcripts, and video pertaining to his research efforts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This little known part of Florida history was extensively documented in 1994-1995 by South Florida filmmaker and historian Cesar Becerra. This collection represents his work and research that has subsequently been used in exhibits and at least one court case. It contains photographs, interview transcripts, and video pertaining to his research efforts."],"userestrict_html_tesm":["\u003cp\u003eThe Cesar Becerra Logging Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Cesar Becerra Logging Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Franklin B. Adams"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Franklin B. Adams"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":238,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844426720378880,"_root_":"03e12f0b210afaf691bd49d9","timestamp":"2026-07-16T04:31:19.751Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/03e12f0b210afaf691bd49d9_aspace_0105a18f33305a591786c49a9f5c7a50"}},{"id":"05176a8238a411947dafe2de_aspace_17091","type":"File","attributes":{"title":"Photograph, 2004","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/05176a8238a411947dafe2de_aspace_17091#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_17091","ref_ssm":["aspace_17091","aspace_17091"],"id":"05176a8238a411947dafe2de_aspace_17091","title_filing_ssi":"Photograph","title_ssm":["Photograph"],"title_tesim":["Photograph"],"unitdate_other_ssim":["2004"],"normalized_date_ssm":["2004"],"normalized_title_ssm":["Photograph, 2004"],"text":["Photograph, 2004","George and Anne Millay Collection, 1959-2006","Personal, 1965-2006","Wave Maker, 1965-2006","Folder 5","/repositories/4/archival_objects/37172","box 12","folder 5"],"component_level_isim":[3],"parent_ids_ssim":["05176a8238a411947dafe2de","05176a8238a411947dafe2de_aspace_16983","05176a8238a411947dafe2de_aspace_17079"],"parent_unittitles_ssm":["George and Anne Millay Collection, 1959-2006","Personal, 1965-2006","Wave Maker, 1965-2006"],"parent_unittitles_tesim":["George and Anne Millay Collection, 1959-2006","Personal, 1965-2006","Wave Maker, 1965-2006"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 5","/repositories/4/archival_objects/37172"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["George and Anne Millay Collection, 1959-2006"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":606,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[2004],"containers_ssim":["box 12","folder 5"],"_nest_path_":"/components#3/components#20/components#7","_nest_parent_":"05176a8238a411947dafe2de_aspace_17079","_root_":"05176a8238a411947dafe2de","timestamp":"2026-07-09T03:02:51.250Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"05176a8238a411947dafe2de","title_ssm":["George and Anne Millay Collection"],"title_tesim":["George and Anne Millay Collection"],"ead_ssi":"05176a8238a411947dafe2de","unitdate_ssm":["1959-2006"],"unitdate_inclusive_ssm":["1959-2006"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.079","/repositories/4/resources/154"],"text":["SC.079","/repositories/4/resources/154","George and Anne Millay Collection, 1959-2006","Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)","Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings","The entire collection is open for research.","The papers are arranged in five series by topic.","George Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.","\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.","\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.","\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.","\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004.","Collection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. ","Materials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes.","Other collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online  Library Catalog .","Series I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.","\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.","\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.","\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.","\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","George Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements.","UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, Anne, 1934-2006","Millay, George","English"],"unitid_tesim":["SC.079","/repositories/4/resources/154"],"normalized_date_ssm":["1959-2006"],"normalized_title_ssm":["George and Anne Millay Collection, 1959-2006"],"collection_title_tesim":["George and Anne Millay Collection, 1959-2006"],"collection_ssim":["George and Anne Millay Collection, 1959-2006"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"geogname_ssim":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"creator_ssm":["Millay, Anne, 1934-2006"],"creator_ssim":["Millay, Anne, 1934-2006"],"creator_persname_ssim":["Millay, Anne, 1934-2006"],"creators_ssim":["Millay, Anne, 1934-2006"],"places_ssim":["Sea World of Ohio (Aurora, Ohio)","San Diego (Calif.)","Arlington (Tex.)","Orlando (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Millay family donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2007 (CFM2007_15) and 2010 (CFM2010_04)."],"access_subjects_ssim":["Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"access_subjects_ssm":["Amusement parks","Water parks","Marine aquariums","Public aquariums","Tourism","Blueprints","Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"has_online_content_ssim":["false"],"extent_ssm":["21.25 Linear Feet 22 Boxes, 8 Flat Files, 5 Framed Items"],"extent_tesim":["21.25 Linear Feet 22 Boxes, 8 Flat Files, 5 Framed Items"],"genreform_ssim":["Photographic prints","videocassettes","audiocassettes","slides (photographs)","Renderings"],"date_range_isim":[1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged in five series by topic.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The papers are arranged in five series by topic."],"bioghist_html_tesm":["\u003cp\u003eGeorge Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.\u003c/p\u003e\n","\u003cp\u003e\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.\u003c/p\u003e\n","\u003cp\u003e\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.\u003c/p\u003e\n","\u003cp\u003e\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.\u003c/p\u003e\n","\u003cp\u003e\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["George Millay was born on 4th July 1929. While his Father was in the navy, George's family lived at Pearl Harbor, and he witnessed the 1941 attack. George himself served in the navy for more than three years as a weather forecaster; for part of the time he was on the USS Bairoko. After graduating from the University of California, Los Angeles with a degree in meteorology in 1955, George Millay worked for a stockbroking firm until 1960. He married Anne Real in 1963; they eventually had three sons and a daughter.","\nIn 1958, Millay opened the Reef restaurant in Los Angeles with David Tallichet. He planned to create a submarine bar there so that customers could view sea creatures while enjoying cocktails. The plan failed because the water in the harbor was too cloudy. However, his interest in marine life introduced him to Dr. Kenneth Norris, curator at Marineland. Together with Milton Shedd and David DeMott, they organized the Marine Park Corporation to create a marine park in San Diego. Sea World opened in 1964 and expanded in 1970 with a park in Ohio followed by the Orlando park in 1972. Sea World Inc. opened an amusement park in Valencia California on 29th May 1971 in partnership with Newhall Land and Farming. Officially named \"Magic Mountain\", the park was designated \"Tragic Mountain\" by a reporter who was injured there. Sea World did not make a profit on the venture and sold out to its partner late in 1971. Millay resigned from Sea World Inc in 1974 because of a disagreement with his partners over how the company should develop.","\nGeorge Millay had spent a lot of time at Sea World in Orlando, and he thought that families would enjoy water activities as a break from the Florida heat. He pulled together ideas from a water playground at the Toronto World's Fair, a flume near Sacramento and a wave pool in Alabama, added a children's playgound, restrooms, gift shop and snack bar to create a new concept. He formed the Leisure Marine Corporation to develop his idea. Initially, the company ran the Seven Seas park in Arlington, TX, for a season, but the venture did not develop further. Wet 'n Wild eventually became a reality in Orlando, where it opened in 1977. The company took over the failing Seven Seas park and redeveloped it into the second Wet 'n Wild in 1983 followed by Las Vegas in 1985. Additional sites opened in Garland, TX, Brazil and Mexico. Wet 'n Wild was named the Best of Aquatics for 2003 by Aquatics International magazine.","\nMillay retired from Wet 'n Wild in 1998, but he continued to work on new projects. He designed and patented a system for moving visitors down into the center of a circular aquarium so that everyone had a good view of the fish. Millay partnered with William Watts and David Powell in creating a company named Sea Venture to sell the system. At the time of his death in 2006, no examples of the system had been sold.","\nGeorge Millay received Lifetime Achievement Awards from the International Association of Amusement Parks and Attractions and the Themed Entertainment Association, and he was named the Father of the Waterpark Industry by the World Waterpark Association. Tim O'Brien wrote Millay's biography entitled The Wave Maker in 2004."],"prefercite_html_tesm":["\u003cp\u003eGeorge and Anne Millay Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["George and Anne Millay Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. \u003c/p\u003e","\u003cp\u003eMaterials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Judith Beale; finding aid prepared by Judith Beale. Materials received in 2010 processed and added to the collection in 2016 by Suphi Burak Ogreten. ","Materials were removed from binders. Some smaller items were removed from frames. One photograph was digitized, as it was stuck to glass, then removed from the glass. Photographs and slides were sleeved. Faxes were photocopied and traced in pencil to make them clearer. Audiocassettes and slides were removed from their cases because the foam was disintegrating. Plaques and awards were wrapped and documents were placed in pH neutral folders and boxes."],"relatedmaterial_html_tesm":["\u003cp\u003eOther collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online \u003cextref href=\"https://library.ucf.edu\"\u003eLibrary Catalog\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other collections include Harrison \"Buzz\" Price Papers and the Al Turner, Splash Magazine Collection may be found by searching our online  Library Catalog ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Wet 'n Wild, 1974-2005 holds correspondence, minutes, advertising materials, photographs, memorabilia, news clippings, reports and plans concerning all aspects of the founding and management of the Wet 'n Wild Parks.","\nSeries II: Sea World, 1959-2004 contains correspondence, news clippings, scrapbooks, photographs, reports and memorabilia documenting all aspects of the founding and management of Sea World, Inc.","\nSeries III: Sea Venture, 1998-2004 contains correspondence, plans, photographs and contracts concerning the patenting and marketing of George Millay's system for transporting visitors down into a doughnut-shaped aquarium.","\nSeries IV: Personal, 1965-2006 holds photographs, audio, video, correspondence, memorabilia and brochures that document projects, accolades and memorials. The series includes resources used in Millay's biography and a file on the opening of Disney World.","\nSeries V: Additional Materials, 1965-1999 includes newspaper and magazine clippings, photographs, pamphlets, correspondence, annual reports, proposals, and various ephemera related to the Wet'n Wild, Sea World, and Seven Seas parks."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2b9aba5ed67fc882ac4591fdb37c3fb\" label=\"Abstract\"\u003eGeorge Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements.\u003c/abstract\u003e"],"abstract_tesim":["George Millay founded both Sea World and Wet 'n Wild for which he was named Father of the Waterpark Industry. This collection of correspondence, photographs, memorabilia, news clippings, reports and audio visual materials documents the complicated and not always successful process of building a new waterpark. In addition to materials concerning Sea World and Wet 'n Wild, the collection contains information on George Millay's other projects and his personal achievements."],"names_coll_ssim":["Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, George","Millay, Anne, 1934-2006"],"names_ssim":["UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World","Millay, Anne, 1934-2006","Millay, George"],"corpname_ssim":["UCF Special Collections","Leisure Marine Corp.","Wet 'n Wild, Inc.","Sea World of Florida","Sea World"],"persname_ssim":["Millay, Anne, 1934-2006","Millay, George"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":680,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"05176a8238a411947dafe2de","timestamp":"2026-07-09T03:02:51.250Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/05176a8238a411947dafe2de_aspace_17091"}},{"id":"ec0d65981df646e0f1a8b1b3_aspace_619054508166ecf668dd7d729ee95295","type":"File","attributes":{"title":"Photographs – 15th Annual Film Fest Opening Night, October 7-10, 2004","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_619054508166ecf668dd7d729ee95295#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFolder includes contact sheets for the 15th Annual Film Fest Opening Night and Film Fest Trade Show and CD-ROM of photographs. Photographs copyright of Christine Reynolds Photography.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_619054508166ecf668dd7d729ee95295#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_619054508166ecf668dd7d729ee95295","ref_ssm":["aspace_619054508166ecf668dd7d729ee95295","aspace_619054508166ecf668dd7d729ee95295"],"id":"ec0d65981df646e0f1a8b1b3_aspace_619054508166ecf668dd7d729ee95295","title_filing_ssi":"Photographs – 15th Annual Film Fest Opening Night","title_ssm":["Photographs – 15th Annual Film Fest Opening Night"],"title_tesim":["Photographs – 15th Annual Film Fest Opening Night"],"unitdate_inclusive_ssm":["October 7-10, 2004"],"normalized_date_ssm":["October 7-10, 2004"],"normalized_title_ssm":["Photographs – 15th Annual Film Fest Opening Night, October 7-10, 2004"],"text":["Photographs – 15th Annual Film Fest Opening Night, October 7-10, 2004","Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","TIGLFF Annual Files - Part III, Subject Files","/repositories/2/archival_objects/184529","box 3","folder 17","Folder includes contact sheets for the 15th Annual Film Fest Opening Night and Film Fest Trade Show and CD-ROM of photographs. Photographs copyright of Christine Reynolds Photography."],"component_level_isim":[2],"parent_ids_ssim":["ec0d65981df646e0f1a8b1b3","ec0d65981df646e0f1a8b1b3_aspace_a7263d448de2cd8ac3682409d05a67c0"],"parent_unittitles_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","TIGLFF Annual Files - Part III, Subject Files"],"parent_unittitles_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","TIGLFF Annual Files - Part III, Subject Files"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/2/archival_objects/184529"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":197,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2004],"containers_ssim":["box 3","folder 17"],"scopecontent_html_tesm":["\u003cp\u003eFolder includes contact sheets for the 15th Annual Film Fest Opening Night and Film Fest Trade Show and CD-ROM of photographs. Photographs copyright of Christine Reynolds Photography.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Folder includes contact sheets for the 15th Annual Film Fest Opening Night and Film Fest Trade Show and CD-ROM of photographs. Photographs copyright of Christine Reynolds Photography."],"_nest_path_":"/components#2/components#16","_nest_parent_":"ec0d65981df646e0f1a8b1b3_aspace_a7263d448de2cd8ac3682409d05a67c0","_root_":"ec0d65981df646e0f1a8b1b3","_version_":1871043586387083264,"timestamp":"2026-07-18T09:16:53.209Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ec0d65981df646e0f1a8b1b3","title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection"],"title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection"],"ead_ssi":"ec0d65981df646e0f1a8b1b3","unitdate_ssm":["1990-2024"],"unitdate_inclusive_ssm":["1990-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2024-01","/repositories/2/resources/641"],"text":["MS-2024-01","/repositories/2/resources/641","Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)","Materials are arranged according to type, with attention to chronology within series.","\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.","Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.","USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival","English"],"unitid_tesim":["MS-2024-01","/repositories/2/resources/641"],"normalized_date_ssm":["1990-2024"],"normalized_title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Tampa International Gay and Lesbian Film Festival"],"creator_ssim":["Tampa International Gay and Lesbian Film Festival"],"creator_corpname_ssim":["Tampa International Gay and Lesbian Film Festival"],"creators_ssim":["Tampa International Gay and Lesbian Film Festival"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"access_subjects_ssm":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"has_online_content_ssim":["false"],"extent_ssm":["9 boxes","9 Linear Feet"],"extent_tesim":["9 boxes","9 Linear Feet"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged according to type, with attention to chronology within series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged according to type, with attention to chronology within series."],"bioghist_html_tesm":["\u003cp\u003e\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.\u003c/p\u003e\n","\u003cp\u003eDorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.\u003c/p\u003e\n","\u003cp\u003eAt every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.\u003c/p\u003e\n","\u003cp\u003eFounders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.\u003c/p\u003e\n","\u003cp\u003eTampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.\u003c/p\u003e\n","\u003cp\u003eAfter two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.\u003c/p\u003e\n","\u003cp\u003eThat first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.\u003c/p\u003e\n","\u003cp\u003e\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/"],"scopecontent_html_tesm":["\u003cp\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7fd2447780ec58fc96b7d52c2b93a93a\"\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.\u003c/abstract\u003e"],"abstract_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. 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