{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026f%5Blevel%5D%5B%5D=File\u0026page=119","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026f%5Blevel%5D%5B%5D=File\u0026page=118","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026f%5Blevel%5D%5B%5D=File\u0026page=120","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2004\u0026f%5Blevel%5D%5B%5D=File\u0026page=195"},"meta":{"pages":{"current_page":119,"next_page":120,"prev_page":118,"total_pages":195,"limit_value":10,"offset_value":1180,"total_count":1943,"first_page?":false,"last_page?":false}},"data":[{"id":"83f92d0a0a882d51dcaee274_aspace_c15b1440250711c6541224408ae89c7e","type":"File","attributes":{"title":"Murdock Village, 2004","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/83f92d0a0a882d51dcaee274_aspace_c15b1440250711c6541224408ae89c7e#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_c15b1440250711c6541224408ae89c7e","ref_ssm":["aspace_c15b1440250711c6541224408ae89c7e","aspace_c15b1440250711c6541224408ae89c7e"],"id":"83f92d0a0a882d51dcaee274_aspace_c15b1440250711c6541224408ae89c7e","title_filing_ssi":"Murdock Village","title_ssm":["Murdock Village"],"title_tesim":["Murdock Village"],"unitdate_other_ssim":["2004"],"normalized_date_ssm":["2004"],"normalized_title_ssm":["Murdock Village, 2004"],"text":["Murdock Village, 2004","Southwest Florida Regional Planning Council Collection, 1920-2020","DRI M","Modification, 1987-2010","/repositories/2/archival_objects/39262","Developmental Regional Impact (DRI)","English","box 75","folder 21"],"component_level_isim":[3],"parent_ids_ssim":["83f92d0a0a882d51dcaee274","83f92d0a0a882d51dcaee274_aspace_cd3a6db7aef6a2a1cd0d7ead29791d48","83f92d0a0a882d51dcaee274_aspace_a7276dc3b7eee8a4de4c4651a25c7785"],"parent_unittitles_ssm":["Southwest Florida Regional Planning Council Collection, 1920-2020","DRI M","Modification, 1987-2010"],"parent_unittitles_tesim":["Southwest Florida Regional Planning Council Collection, 1920-2020","DRI M","Modification, 1987-2010"],"parent_levels_ssm":["collection","Series","Subgroup"],"unitid_ssm":["/repositories/2/archival_objects/39262"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Southwest Florida Regional Planning Council Collection, 1920-2020"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2685,"parent_access_restrict_tesm":["The collection is open for use by the public."],"date_range_isim":[2004],"access_subjects_ssim":["Developmental Regional Impact (DRI)"],"access_subjects_ssm":["Developmental Regional Impact (DRI)"],"language_ssim":["English"],"containers_ssim":["box 75","folder 21"],"_nest_path_":"/components#67/components#0/components#20","_nest_parent_":"83f92d0a0a882d51dcaee274_aspace_a7276dc3b7eee8a4de4c4651a25c7785","_root_":"83f92d0a0a882d51dcaee274","_version_":1879903291767259136,"timestamp":"2026-10-24T04:18:06.636Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"83f92d0a0a882d51dcaee274","title_ssm":["Southwest Florida Regional Planning Council Collection"],"title_tesim":["Southwest Florida Regional Planning Council Collection"],"ead_ssi":"83f92d0a0a882d51dcaee274","unitdate_ssm":["1920-2020"],"unitdate_inclusive_ssm":["1920-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02.03.11","/repositories/2/resources/69"],"text":["02.03.11","/repositories/2/resources/69","Southwest Florida Regional Planning Council Collection, 1920-2020","Urban Planning","Environmental planning","The collection is open for use by the public.","Oversized maps within the Southwest Regional Planning Council are published and described in the  Southwest Florida Map Collection .","Southwest Florida (SWFL) has a unique environmental ecosystem consisting of preserves, sanctuaries, swamps, estuaries, and coastlines. The Southwest Florida Regional Planning Council Collection offers an extensive array of documents, reports, maps, and materials documenting the development and conservation of the SWFL region from the Southwest Florida Regional Planning Council.","Florida Gulf Coast University Special Collections","Southwest Florida Regional Planning Council","English"],"unitid_tesim":["02.03.11","/repositories/2/resources/69"],"normalized_date_ssm":["1920-2020"],"normalized_title_ssm":["Southwest Florida Regional Planning Council Collection, 1920-2020"],"collection_title_tesim":["Southwest Florida Regional Planning Council Collection, 1920-2020"],"collection_ssim":["Southwest Florida Regional Planning Council Collection, 1920-2020"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Urban Planning"],"geogname_ssim":["Urban Planning"],"creator_ssm":["Southwest Florida Regional Planning Council"],"creator_ssim":["Southwest Florida Regional Planning Council"],"creator_corpname_ssim":["Southwest Florida Regional Planning Council"],"creators_ssim":["Southwest Florida Regional Planning Council"],"places_ssim":["Urban Planning"],"access_subjects_ssim":["Environmental planning"],"access_subjects_ssm":["Environmental planning"],"has_online_content_ssim":["false"],"extent_ssm":["408 Linear Feet"],"extent_tesim":["408 Linear Feet"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use by the public.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for use by the public."],"relatedmaterial_html_tesm":["\u003cp\u003eOversized maps within the Southwest Regional Planning Council are published and described in the \u003ca href=\"https://archives.fgcu.edu/archival_objects/rpcmaps\"\u003eSouthwest Florida Map Collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Oversized maps within the Southwest Regional Planning Council are published and described in the  Southwest Florida Map Collection ."],"scopecontent_html_tesm":["\u003cp\u003eSouthwest Florida (SWFL) has a unique environmental ecosystem consisting of preserves, sanctuaries, swamps, estuaries, and coastlines. 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Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"containers_ssim":["box 6","folder 11"],"_nest_path_":"/components#0/components#2/components#28","_nest_parent_":"725898a1a41349eb30ec365d_aspace_46d087b954c4efe5eb376c3eb0800b41","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_dc5e852cbccc241c210437417aee2c4d"}},{"id":"8e87cad770c4897fd823a47e_aspace_0bbe9ff3ca8ba06672dddcc849cff889","type":"File","attributes":{"title":"Music of the Opera Meets Music of the Dance, 2004-10-09","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8e87cad770c4897fd823a47e_aspace_0bbe9ff3ca8ba06672dddcc849cff889#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_0bbe9ff3ca8ba06672dddcc849cff889","ref_ssm":["aspace_0bbe9ff3ca8ba06672dddcc849cff889","aspace_0bbe9ff3ca8ba06672dddcc849cff889"],"id":"8e87cad770c4897fd823a47e_aspace_0bbe9ff3ca8ba06672dddcc849cff889","title_filing_ssi":"Music of the Opera Meets Music of the Dance ","title_ssm":["Music of the Opera Meets Music of the Dance "],"title_tesim":["Music of the Opera Meets Music of the Dance "],"unitdate_other_ssim":["2004-10-09"],"normalized_date_ssm":["2004-10-09"],"normalized_title_ssm":["Music of the Opera Meets Music of the Dance, 2004-10-09"],"text":["Music of the Opera Meets Music of the Dance, 2004-10-09","Festival of Fine Arts, 1970-2025","Box 20","/repositories/4/archival_objects/7197","folder 12"],"component_level_isim":[2],"parent_ids_ssim":["8e87cad770c4897fd823a47e","8e87cad770c4897fd823a47e_aspace_d702645c6b27b8b9b0ef64b9febcc570"],"parent_unittitles_ssm":["Festival of Fine Arts, 1970-2025","Box 20"],"parent_unittitles_tesim":["Festival of Fine Arts, 1970-2025","Box 20"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/4/archival_objects/7197"],"repository_ssim":["The Florida Southern College Archives"],"collection_ssim":["Festival of Fine Arts, 1970-2025"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":833,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"parent_access_terms_tesm":["The Festival of Fine Arts records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"date_range_isim":[2004],"containers_ssim":["folder 12"],"_nest_path_":"/components#19/components#11","_nest_parent_":"8e87cad770c4897fd823a47e_aspace_d702645c6b27b8b9b0ef64b9febcc570","_root_":"8e87cad770c4897fd823a47e","_version_":1870846336524353536,"timestamp":"2026-07-16T05:01:41.074Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8e87cad770c4897fd823a47e","title_ssm":["Festival of Fine Arts"],"title_tesim":["Festival of Fine Arts"],"ead_ssi":"8e87cad770c4897fd823a47e","unitdate_ssm":["1970-2025"],"unitdate_inclusive_ssm":["1970-2025"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["CA8015","/repositories/4/resources/43"],"text":["CA8015","/repositories/4/resources/43","Festival of Fine Arts, 1970-2025","Arts festivals","Performing arts","Performing arts","College festivals","Florida Southern College--History.","Playbills","Photographs.","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials","These materials have been arranged by ascending date","The materials in this collection are arranged by ascending date order.","The Festival of Fine Arts was formed in the 1970-1971 academic year as a combination of previosuly seperate events. These included the Concert Lecture Series, the Fine Arts Series, the BandConcerts, Drama Productions, and the Concert Choir.","The materials in this collection reflect the history of the Festval of Fine Arts. Included are playbills, photographs, and other ephemera related to the production of these programs. Some biographical information for guest artists is included.","The Festival of Fine Arts records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","The Florida Southern College Archives","Florida Southern College","English"],"unitid_tesim":["CA8015","/repositories/4/resources/43"],"normalized_date_ssm":["1970-2025"],"normalized_title_ssm":["Festival of Fine Arts, 1970-2025"],"collection_title_tesim":["Festival of Fine Arts, 1970-2025"],"collection_ssim":["Festival of Fine Arts, 1970-2025"],"repository_ssm":["The Florida Southern College Archives"],"repository_ssim":["The Florida Southern College Archives"],"creator_ssm":["Florida Southern College"],"creator_ssim":["Florida Southern College"],"creator_corpname_ssim":["Florida Southern College"],"creators_ssim":["Florida Southern College"],"access_terms_ssm":["The Festival of Fine Arts records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["The materials in this collection were transferred to the archives from the college fine arts department."],"access_subjects_ssim":["Arts festivals","Performing arts","Performing arts","College festivals","Florida Southern College--History.","Playbills","Photographs."],"access_subjects_ssm":["Arts festivals","Performing arts","Performing arts","College festivals","Florida Southern College--History.","Playbills","Photographs."],"has_online_content_ssim":["false"],"extent_ssm":["10.00 Linear Feet"],"extent_tesim":["10.00 Linear Feet"],"genreform_ssim":["Playbills","Photographs."],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"arrangement_html_tesm":["\u003cp\u003eThese materials have been arranged by ascending date\u003c/p\u003e","\u003cp\u003eThe materials in this collection are arranged by ascending date order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["These materials have been arranged by ascending date","The materials in this collection are arranged by ascending date order."],"bioghist_html_tesm":["\u003cp\u003eThe Festival of Fine Arts was formed in the 1970-1971 academic year as a combination of previosuly seperate events. These included the Concert Lecture Series, the Fine Arts Series, the BandConcerts, Drama Productions, and the Concert Choir.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Festival of Fine Arts was formed in the 1970-1971 academic year as a combination of previosuly seperate events. These included the Concert Lecture Series, the Fine Arts Series, the BandConcerts, Drama Productions, and the Concert Choir."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect the history of the Festval of Fine Arts. Included are playbills, photographs, and other ephemera related to the production of these programs. Some biographical information for guest artists is included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect the history of the Festval of Fine Arts. Included are playbills, photographs, and other ephemera related to the production of these programs. Some biographical information for guest artists is included."],"userestrict_html_tesm":["\u003cp\u003eThe Festival of Fine Arts records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Festival of Fine Arts records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["The Florida Southern College Archives","Florida Southern College"],"corpname_ssim":["The Florida Southern College Archives","Florida Southern College"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1144,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870846336524353536,"_root_":"8e87cad770c4897fd823a47e","timestamp":"2026-07-16T05:01:41.074Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8e87cad770c4897fd823a47e_aspace_0bbe9ff3ca8ba06672dddcc849cff889"}},{"id":"3018d7acc866cce1e2f00be2_aspace_f826e1473882a93cadc66bae47c528e6","type":"File","attributes":{"title":"Music Under Siege, 2004","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3018d7acc866cce1e2f00be2_aspace_f826e1473882a93cadc66bae47c528e6#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_f826e1473882a93cadc66bae47c528e6","ref_ssm":["aspace_f826e1473882a93cadc66bae47c528e6","aspace_f826e1473882a93cadc66bae47c528e6"],"id":"3018d7acc866cce1e2f00be2_aspace_f826e1473882a93cadc66bae47c528e6","title_filing_ssi":"Music Under Siege","title_ssm":["Music Under Siege"],"title_tesim":["Music Under Siege"],"unitdate_other_ssim":["2004"],"normalized_date_ssm":["2004"],"normalized_title_ssm":["Music Under Siege, 2004"],"text":["Music Under Siege, 2004","Mickey Wolfson Theater Collection, 1946-2015","Box 38","U.S. Arts","Arts in Florida","/repositories/2/archival_objects/75061","box 38","folder 8"],"component_level_isim":[4],"parent_ids_ssim":["3018d7acc866cce1e2f00be2","3018d7acc866cce1e2f00be2_aspace_a081b1dbe04e273c89d3dcf967c0468b","3018d7acc866cce1e2f00be2_aspace_f1347480a73014ea2b77c290e58845f9","3018d7acc866cce1e2f00be2_aspace_e4602b03c17f661ca55e5a9c4892426a"],"parent_unittitles_ssm":["Mickey Wolfson Theater Collection, 1946-2015","Box 38","U.S. Arts","Arts in Florida"],"parent_unittitles_tesim":["Mickey Wolfson Theater Collection, 1946-2015","Box 38","U.S. Arts","Arts in Florida"],"parent_levels_ssm":["collection","Other level","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/75061"],"repository_ssim":["FIU Special Collections"],"collection_ssim":["Mickey Wolfson Theater Collection, 1946-2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1164,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"date_range_isim":[2004],"containers_ssim":["box 38","folder 8"],"_nest_path_":"/components#37/components#0/components#0/components#7","_nest_parent_":"3018d7acc866cce1e2f00be2_aspace_e4602b03c17f661ca55e5a9c4892426a","_root_":"3018d7acc866cce1e2f00be2","timestamp":"2026-04-29T02:04:07.331Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"3018d7acc866cce1e2f00be2","title_ssm":["Mickey Wolfson Theater Collection"],"title_tesim":["Mickey Wolfson Theater Collection"],"ead_ssi":"3018d7acc866cce1e2f00be2","unitdate_ssm":["1946-2015"],"unitdate_inclusive_ssm":["1946-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8095","/repositories/2/resources/80"],"text":["SPC8095","/repositories/2/resources/80","Mickey Wolfson Theater Collection, 1946-2015","Ballet","Ballet companies","Opera","Performing arts","Performing arts--Festivals","Performing arts--Public relations","Theater","Theatrical publication","Playbills","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. ","There is one sub-series under U.S. Arts entitled Arts in Florida.","Materials are in alphabetical and date order.","Mitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906– May 9, 1980) and Mitchell Wolfson (1900–1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963–1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. ","Collector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. ","In 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. ","\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts Décoratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. ","\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)","The materials in this collection reflect Mr. Wolfson's interest in the arts. 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","There is one sub-series under U.S. Arts entitled Arts in Florida.","Materials are in alphabetical and date order."],"bioghist_html_tesm":["\u003cp\u003eMitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906\u0026#x2013; May 9, 1980) and Mitchell Wolfson (1900\u0026#x2013;1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963\u0026#x2013;1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. 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Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. ","Collector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. ","In 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. ","\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts Décoratifs in Paris, France, and a past member of the American Friends of the Louvre. 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He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \u003c/p\u003e\n","\u003cp\u003eA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. 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","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Burt Szabo music collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Burt Szabo music collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Simone DeLuque in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Simone DeLuque in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections \u0026amp; University Archives, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on Special Collections \u0026 University Archives, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_47ef4f2c9d3944ef54170a551f97a3e7\"\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022.\u003c/abstract\u003e"],"abstract_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022."],"names_ssim":["UCF University Archives","Szabo, Burt"],"corpname_ssim":["UCF University Archives"],"names_coll_ssim":["Szabo, Burt"],"persname_ssim":["Szabo, Burt"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1087,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858782767054848,"_root_":"377018d2c691025d88612f9e","timestamp":"2026-07-16T08:19:30.734Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/377018d2c691025d88612f9e_aspace_2bc5eb95dd1db6a156d7fd63b5fc1276"}},{"id":"83f92d0a0a882d51dcaee274_aspace_ffe8e9841f0961e2a0163f8282ce5c85","type":"File","attributes":{"title":"Naples Airport, 2004","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/83f92d0a0a882d51dcaee274_aspace_ffe8e9841f0961e2a0163f8282ce5c85#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_ffe8e9841f0961e2a0163f8282ce5c85","ref_ssm":["aspace_ffe8e9841f0961e2a0163f8282ce5c85","aspace_ffe8e9841f0961e2a0163f8282ce5c85"],"id":"83f92d0a0a882d51dcaee274_aspace_ffe8e9841f0961e2a0163f8282ce5c85","title_filing_ssi":"Naples Airport","title_ssm":["Naples Airport"],"title_tesim":["Naples Airport"],"unitdate_other_ssim":["2004"],"normalized_date_ssm":["2004"],"normalized_title_ssm":["Naples Airport, 2004"],"text":["Naples Airport, 2004","Southwest Florida Regional Planning Council Collection, 1920-2020","Coastal Wetland Studies","Naples, 2004-2018","/repositories/2/archival_objects/33989","English","box 21","folder 150"],"component_level_isim":[3],"parent_ids_ssim":["83f92d0a0a882d51dcaee274","83f92d0a0a882d51dcaee274_aspace_cd0516b66b8c4d657c23f073c7d14b1d","83f92d0a0a882d51dcaee274_aspace_50e29937ee1a2c4597375ab57d483f25"],"parent_unittitles_ssm":["Southwest Florida Regional Planning Council Collection, 1920-2020","Coastal Wetland Studies","Naples, 2004-2018"],"parent_unittitles_tesim":["Southwest Florida Regional Planning Council Collection, 1920-2020","Coastal Wetland Studies","Naples, 2004-2018"],"parent_levels_ssm":["collection","Series","Subgroup"],"unitid_ssm":["/repositories/2/archival_objects/33989"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Southwest Florida Regional Planning Council Collection, 1920-2020"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":765,"parent_access_restrict_tesm":["The collection is open for use by the public."],"date_range_isim":[2004],"language_ssim":["English"],"containers_ssim":["box 21","folder 150"],"_nest_path_":"/components#18/components#9/components#3","_nest_parent_":"83f92d0a0a882d51dcaee274_aspace_50e29937ee1a2c4597375ab57d483f25","_root_":"83f92d0a0a882d51dcaee274","_version_":1879903291767259136,"timestamp":"2026-10-24T04:18:06.636Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"83f92d0a0a882d51dcaee274","title_ssm":["Southwest Florida Regional Planning Council Collection"],"title_tesim":["Southwest Florida Regional Planning Council Collection"],"ead_ssi":"83f92d0a0a882d51dcaee274","unitdate_ssm":["1920-2020"],"unitdate_inclusive_ssm":["1920-2020"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02.03.11","/repositories/2/resources/69"],"text":["02.03.11","/repositories/2/resources/69","Southwest Florida Regional Planning Council Collection, 1920-2020","Urban Planning","Environmental planning","The collection is open for use by the public.","Oversized maps within the Southwest Regional Planning Council are published and described in the  Southwest Florida Map Collection .","Southwest Florida (SWFL) has a unique environmental ecosystem consisting of preserves, sanctuaries, swamps, estuaries, and coastlines. The Southwest Florida Regional Planning Council Collection offers an extensive array of documents, reports, maps, and materials documenting the development and conservation of the SWFL region from the Southwest Florida Regional Planning Council.","Florida Gulf Coast University Special Collections","Southwest Florida Regional Planning Council","English"],"unitid_tesim":["02.03.11","/repositories/2/resources/69"],"normalized_date_ssm":["1920-2020"],"normalized_title_ssm":["Southwest Florida Regional Planning Council Collection, 1920-2020"],"collection_title_tesim":["Southwest Florida Regional Planning Council Collection, 1920-2020"],"collection_ssim":["Southwest Florida Regional Planning Council Collection, 1920-2020"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Urban Planning"],"geogname_ssim":["Urban Planning"],"creator_ssm":["Southwest Florida Regional Planning Council"],"creator_ssim":["Southwest Florida Regional Planning Council"],"creator_corpname_ssim":["Southwest Florida Regional Planning Council"],"creators_ssim":["Southwest Florida Regional Planning Council"],"places_ssim":["Urban Planning"],"access_subjects_ssim":["Environmental planning"],"access_subjects_ssm":["Environmental planning"],"has_online_content_ssim":["false"],"extent_ssm":["408 Linear Feet"],"extent_tesim":["408 Linear Feet"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use by the public.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for use by the public."],"relatedmaterial_html_tesm":["\u003cp\u003eOversized maps within the Southwest Regional Planning Council are published and described in the \u003ca href=\"https://archives.fgcu.edu/archival_objects/rpcmaps\"\u003eSouthwest Florida Map Collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Oversized maps within the Southwest Regional Planning Council are published and described in the  Southwest Florida Map Collection ."],"scopecontent_html_tesm":["\u003cp\u003eSouthwest Florida (SWFL) has a unique environmental ecosystem consisting of preserves, sanctuaries, swamps, estuaries, and coastlines. 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The Southwest Florida Regional Planning Council Collection offers an extensive array of documents, reports, maps, and materials documenting the development and conservation of the SWFL region from the Southwest Florida Regional Planning Council."],"names_coll_ssim":["Southwest Florida Regional Planning Council"],"names_ssim":["Florida Gulf Coast University Special Collections","Southwest Florida Regional Planning Council"],"corpname_ssim":["Florida Gulf Coast University Special Collections","Southwest Florida Regional Planning Council"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4768,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879903291767259136,"_root_":"83f92d0a0a882d51dcaee274","timestamp":"2026-10-24T04:18:06.636Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/83f92d0a0a882d51dcaee274_aspace_ffe8e9841f0961e2a0163f8282ce5c85"}},{"id":"63f59346ddd5736be7b6ca0c_aspace_688805552b7d4362db3351230d06ab28","type":"File","attributes":{"title":"Naples Community Hospital, 2003-2004","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/63f59346ddd5736be7b6ca0c_aspace_688805552b7d4362db3351230d06ab28#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_688805552b7d4362db3351230d06ab28","ref_ssm":["aspace_688805552b7d4362db3351230d06ab28","aspace_688805552b7d4362db3351230d06ab28"],"id":"63f59346ddd5736be7b6ca0c_aspace_688805552b7d4362db3351230d06ab28","title_filing_ssi":"Naples Community Hospital","title_ssm":["Naples Community Hospital"],"title_tesim":["Naples Community Hospital"],"unitdate_inclusive_ssm":["2003-2004"],"normalized_date_ssm":["2003-2004"],"normalized_title_ssm":["Naples Community Hospital, 2003-2004"],"text":["Naples Community Hospital, 2003-2004","President William C. Merwin, 1999-2007","Office Administration, 1999-2007","/repositories/3/archival_objects/37277","English","box 76","folder 64"],"component_level_isim":[2],"parent_ids_ssim":["63f59346ddd5736be7b6ca0c","63f59346ddd5736be7b6ca0c_aspace_1867"],"parent_unittitles_ssm":["President William C. Merwin, 1999-2007","Office Administration, 1999-2007"],"parent_unittitles_tesim":["President William C. Merwin, 1999-2007","Office Administration, 1999-2007"],"parent_levels_ssm":["collection","Sub-sub-series"],"unitid_ssm":["/repositories/3/archival_objects/37277"],"repository_ssim":["Florida Gulf Coast University Archives"],"collection_ssim":["President William C. Merwin, 1999-2007"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":340,"parent_access_restrict_tesm":["The collection contains some restricted files. 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Please contact the Univeristy Archivist for details.","The collection contains four sub-sub-series including Correspondences, documentation regarding the expansion of FGCU, Office Administration, and Environmental Planning. The first part of this sub-series, Correspondences, is arranged chronologically; followed by Transitions and Expansion which is also arranged chronologically. The last part of the sub-series, Office Administration, is arranged alphabetically by subject, and chronologically within the subjects. All large scale items can be found at the end of the sub-series.","The collection consists of documentation regarding the second official University President, William C. Merwin.","Florida Gulf Coast University Archives","Azul the Eagle, 2008 - Present","English"],"unitid_tesim":["01.01.05","/repositories/3/resources/83"],"normalized_date_ssm":["1999-2007"],"normalized_title_ssm":["President William C. Merwin, 1999-2007"],"collection_title_tesim":["President William C. Merwin, 1999-2007"],"collection_ssim":["President William C. Merwin, 1999-2007"],"repository_ssm":["Florida Gulf Coast University Archives"],"repository_ssim":["Florida Gulf Coast University Archives"],"has_online_content_ssim":["false"],"extent_ssm":["10 Linear Feet"],"extent_tesim":["10 Linear Feet"],"date_range_isim":[1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThe collection contains some restricted files. Please contact the Univeristy Archivist for details.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection contains some restricted files. Please contact the Univeristy Archivist for details."],"arrangement_html_tesm":["\u003cp\u003eThe collection contains four sub-sub-series including Correspondences, documentation regarding the expansion of FGCU, Office Administration, and Environmental Planning. 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All large scale items can be found at the end of the sub-series."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of documentation regarding the second official University President, William C. Merwin.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of documentation regarding the second official University President, William C. Merwin."],"names_ssim":["Florida Gulf Coast University Archives","Azul the Eagle, 2008 - Present"],"corpname_ssim":["Florida Gulf Coast University Archives"],"persname_ssim":["Azul the Eagle, 2008 - Present"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":371,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842629572263936,"_root_":"63f59346ddd5736be7b6ca0c","timestamp":"2026-07-16T04:02:45.850Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/63f59346ddd5736be7b6ca0c_aspace_688805552b7d4362db3351230d06ab28"}},{"id":"a00ac4456d001c4f5b29b5b6_aspace_11d17f12c1a7e2df2407a5427fb852b0","type":"File","attributes":{"title":"Narrators, Consent Forms and Interview Questions, 2004","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a00ac4456d001c4f5b29b5b6_aspace_11d17f12c1a7e2df2407a5427fb852b0#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_11d17f12c1a7e2df2407a5427fb852b0","ref_ssm":["aspace_11d17f12c1a7e2df2407a5427fb852b0","aspace_11d17f12c1a7e2df2407a5427fb852b0"],"id":"a00ac4456d001c4f5b29b5b6_aspace_11d17f12c1a7e2df2407a5427fb852b0","title_filing_ssi":"Narrators, Consent Forms and Interview Questions","title_ssm":["Narrators, Consent Forms and Interview Questions"],"title_tesim":["Narrators, Consent Forms and Interview Questions"],"unitdate_other_ssim":["2004"],"normalized_date_ssm":["2004"],"normalized_title_ssm":["Narrators, Consent Forms and Interview Questions, 2004"],"text":["Narrators, Consent Forms and Interview Questions, 2004","Kitty Oliver Collection, Circa 1969-2016","Race and Change Oral History Project, Circa 1999-2016","Series I: Race and Change Project, 1999-2005","Delray Beach, FL, 2004","/repositories/2/archival_objects/694","English","box 24","folder 3"],"component_level_isim":[4],"parent_ids_ssim":["a00ac4456d001c4f5b29b5b6","a00ac4456d001c4f5b29b5b6_aspace_b3d66a29216695c8290c3327b44ec7d7","a00ac4456d001c4f5b29b5b6_aspace_4a26d44c6d6e11cb701b2335b426e7b8","a00ac4456d001c4f5b29b5b6_aspace_1184c0c7beb79d95e861bed2a63ba5eb"],"parent_unittitles_ssm":["Kitty Oliver Collection, Circa 1969-2016","Race and Change Oral History Project, Circa 1999-2016","Series I: Race and Change Project, 1999-2005","Delray Beach, FL, 2004"],"parent_unittitles_tesim":["Kitty Oliver Collection, Circa 1969-2016","Race and Change Oral History Project, Circa 1999-2016","Series I: Race and Change Project, 1999-2005","Delray Beach, FL, 2004"],"parent_levels_ssm":["collection","Series","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/694"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Kitty Oliver Collection, Circa 1969-2016"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":287,"parent_access_restrict_tesm":["The Kitty Oliver Collection is open for research."],"date_range_isim":[2004],"language_ssim":["English"],"containers_ssim":["box 24","folder 3"],"_nest_path_":"/components#7/components#0/components#2/components#26","_nest_parent_":"a00ac4456d001c4f5b29b5b6_aspace_1184c0c7beb79d95e861bed2a63ba5eb","_root_":"a00ac4456d001c4f5b29b5b6","_version_":1876455827155451904,"timestamp":"2026-09-16T03:02:08.218Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a00ac4456d001c4f5b29b5b6","title_filing_ssi":"Oliver, Kitty Collection","title_ssm":["Kitty Oliver Collection"],"title_tesim":["Kitty Oliver Collection"],"ead_ssi":"a00ac4456d001c4f5b29b5b6","unitdate_ssm":["Circa 1969-2016"],"unitdate_inclusive_ssm":["Circa 1969-2016"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2004.1","/repositories/2/resources/22"],"text":["AARLCC.2004.1","/repositories/2/resources/22","Kitty Oliver Collection, Circa 1969-2016","African American women journalists -- Florida -- Miami-Dade County","University of Florida -- Alumni and alumnae","African Americans -- Race relations","African Americans -- Civil Rights -- Florida -- Broward County -- History","Correspondence","Oral histories","Photographs","Certificates","Clippings","The Kitty Oliver Collection is open for research.","The Kitty Oliver Collection contains eight series including: Series I. Correspondence, Series II: Personal Papers, Series III: Professional Papers, Series IV: Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Audio-Visual Materials, and Series VIII: Race and Change Project, 1999-2005.","Dr. Eloise \"Kitty\" Oliver is a veteran South Florida journalist, professor of creative nonfiction, memoir writing, oral history, and ethnic communication, and a professional jazz singer. Since the 1980s, she has produced landmark work as a cultural diversity researcher, documenting growing sociocultural conversions and multiculturalism that has become a reflection of contemporary American society.","Dr. Oliver was born on December 16, 1947 in Jacksonville, Florida. In 1965, Kitty Oliver was one of the first five Black freshmen to enroll at the University of Florida and live on campus after the passage of the Civil Rights Act of 1965. She graduated in 1969 with a Bachelor of Arts in English. During college, she met her Richard \"Ricky\" C. Oliver, Jr., who she married in 1969, and together they started a folk-rock musical group.","In 1971, Kitty Oliver started working one of the first Black reporters and columnists for the Miami Herald, covering Broward and Miami-Dade County. She chronicled the history of the Black community in South Florida, including Provident Hospital, Dr. Von Mizell and Dr. James Sistrunk, Eula Johnson, and Samuel Morrison.","Oliver left the Miami Herald in 1990 to pursue a Master of Fine Arts degree in Creative Writing at Florida International University and graduated in 1994. This led to her writing \"Multicolored Memories of a Black Southern Girl,\" a collection autobiographical essays about coming of age with integration and cultural diversity in Jacksonville and attending the University of Florida, working in South Florida, and her international travel.  ","After earning her M.A., she began the Race and Change Oral History Project, collecting oral histories of minority groups in Hollywood, Florida. She worked as a fulltime professor of Creative Writing and Multicultural Literature, Oral History Writing, and Ethnic Communication at Florida International University from 1994 to 1996 and at Florida Atlantic University's Broward Campuses from 1996 to 2006. During that time, she developed the Race and Change oral history methodology for cross-cultural research by students and communities. The work includes the Race and Change Project, the Kitty Oliver Oral Histories Archive, and the multimedia audio, webcast radio and television Race and Change Initiative with intergenerational stories. She donated her collection of 125 interviews to the African American Research Library and Cultural Center Special collections in 2004.","Oliver completed a Ph.D. in Comparative Studies from Florida Atlantic University in 2009, focusing on race and ethnic communication. Her degree included the creation of the 10-part public television documentary series \"Crossing Cultures, Changing Lives\" featuring  archival Race and Change Oral Histories narrators.","Dr. Kitty Oliver also specializes in books, television documentaries and literary performances which explore race and ethnic issues. Dr. Oliver conducts community oral history field work and is a member of the Oral History Association (OHA). Additionally, she serves as president of Kitty O. Enterprises, Inc. – which aids as a cultural diversity consulting firm located in Fort Lauderdale, Florida (Broward County).","Her major public television and video productions include the PBS documentary series \"Celebrate...the Cultural Connections\" and a 10-part series, \"Crossing Cultures/Changing Lives\", which premiered in Florida, Spring, 2008 on WBEC-TV (Beacon-TV). Dr. Oliver's contemporary work includes ongoing lecture series detailing her Race and Change project. Additionally, she produced a book entitled \"Race and Change in Hollywood, Florida (Voices of America)\" in 2000.","Dr. Kitty Oliver married Ricky Oliver in 1969, and they had two children, Kali and Brian Oliver. They divorced in 1989. Kitty Oliver married Arthur I. Musson, Jr. in 2018.","The Kitty Oliver Collection is open for research.","This collection received file level processing. This finding-aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Kitty Oliver Collection in the Broward County Library Digital Archives.","The Kitty Oliver Collection consists of correspondence, personal and professional papers, photographs, newspaper clippings, printed materials, and awards of South Florida journalist and educator Kitty Oliver. ","The collection also contains the Race and Change Project, a group of multiple oral history interviews with African-Americans, European-Americans, and immigrants regarding their memories growing up in Broward County, the United States, and other countries. Subjects include family and community lifestyle, race relations and societal change from the late 1920's through the aftermath of the Civil Rights Act of 1964 and desegregation. The collection contains audio and visual content of participants from the Race and Change Project including research composed by students taught by Kitty Oliver, and an essay written by Deborah Works entitled \"Historical Sketches and Rare Glimpses of the North Fork of the New River: a history of its natural and human environment\" (2001). The majority of Dr. Oliver's questionnaires, transcripts and interviews consist of ongoing research study of race and ethnic relations, geographical history and social change through the collection of oral histories of Whites, Blacks/African-Americans and immigrants of various Hispanic/Latinx, Caribbean and Asian backgrounds. Research sites include the South Florida cities of Hollywood, Fort Lauderdale, West Palm Beach, Miami, Opa-locka, Delray Beach and Boca Raton; North Fork and Liberia – historically significant Black/African-American communities; towns along Florida's landmark Lake Okeechobee; Stranahan High School in Fort Lauderdale; and Ghana, West Africa – where women who have experienced America's racial climate shared their stories.","Some materials from this collection were cataloged in the Broward County Library catalog with the prefix \"OLI\".","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2004.1","/repositories/2/resources/22"],"normalized_date_ssm":["Circa 1969-2016"],"normalized_title_ssm":["Kitty Oliver Collection, Circa 1969-2016"],"collection_title_tesim":["Kitty Oliver Collection, Circa 1969-2016"],"collection_ssim":["Kitty Oliver Collection, Circa 1969-2016"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"acqinfo_ssim":["Dr. Kitty Oliver donated the materials to AARLCC Special Collections on January 29, 2004 (Accession AARLCC-2004.1). Accruals were made in 2005 (Accession AARLCC-2005.1) and on July 29, 2021 (Accession AARLCC-2021.13). An additional accrual was transferred from the Broward County Historical Archives to AARLCC Special Collections on August 28, 2024 (Accession AARLCC-2024.10)."],"access_subjects_ssim":["African American women journalists -- Florida -- Miami-Dade County","University of Florida -- Alumni and alumnae","African Americans -- Race relations","African Americans -- Civil Rights -- Florida -- Broward County -- History","Correspondence","Oral histories","Photographs","Certificates","Clippings"],"access_subjects_ssm":["African American women journalists -- Florida -- Miami-Dade County","University of Florida -- Alumni and alumnae","African Americans -- Race relations","African Americans -- Civil Rights -- Florida -- Broward County -- History","Correspondence","Oral histories","Photographs","Certificates","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["39 Hollinger Boxes"],"extent_tesim":["39 Hollinger Boxes"],"genreform_ssim":["Correspondence","Oral histories","Photographs","Certificates","Clippings"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accessrestrict_html_tesm":["\u003cp\u003eThe Kitty Oliver Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Kitty Oliver Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Kitty Oliver Collection contains eight series including: Series I. Correspondence, Series II: Personal Papers, Series III: Professional Papers, Series IV: Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Audio-Visual Materials, and Series VIII: Race and Change Project, 1999-2005.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Kitty Oliver Collection contains eight series including: Series I. Correspondence, Series II: Personal Papers, Series III: Professional Papers, Series IV: Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Audio-Visual Materials, and Series VIII: Race and Change Project, 1999-2005."],"bioghist_html_tesm":["\u003cp\u003eDr. Eloise \"Kitty\" Oliver is a veteran South Florida journalist, professor of creative nonfiction, memoir writing, oral history, and ethnic communication, and a professional jazz singer. Since the 1980s, she has produced landmark work as a cultural diversity researcher, documenting growing sociocultural conversions and multiculturalism that has become a reflection of contemporary American society.\u003c/p\u003e\n","\u003cp\u003eDr. Oliver was born on December 16, 1947 in Jacksonville, Florida. In 1965, Kitty Oliver was one of the first five Black freshmen to enroll at the University of Florida and live on campus after the passage of the Civil Rights Act of 1965. She graduated in 1969 with a Bachelor of Arts in English. During college, she met her Richard \"Ricky\" C. Oliver, Jr., who she married in 1969, and together they started a folk-rock musical group.\u003c/p\u003e\n","\u003cp\u003eIn 1971, Kitty Oliver started working one of the first Black reporters and columnists for the Miami Herald, covering Broward and Miami-Dade County. She chronicled the history of the Black community in South Florida, including Provident Hospital, Dr. Von Mizell and Dr. James Sistrunk, Eula Johnson, and Samuel Morrison.\u003c/p\u003e\n","\u003cp\u003eOliver left the Miami Herald in 1990 to pursue a Master of Fine Arts degree in Creative Writing at Florida International University and graduated in 1994. This led to her writing \"Multicolored Memories of a Black Southern Girl,\" a collection autobiographical essays about coming of age with integration and cultural diversity in Jacksonville and attending the University of Florida, working in South Florida, and her international travel.  \u003c/p\u003e\n","\u003cp\u003eAfter earning her M.A., she began the Race and Change Oral History Project, collecting oral histories of minority groups in Hollywood, Florida. She worked as a fulltime professor of Creative Writing and Multicultural Literature, Oral History Writing, and Ethnic Communication at Florida International University from 1994 to 1996 and at Florida Atlantic University's Broward Campuses from 1996 to 2006. During that time, she developed the Race and Change oral history methodology for cross-cultural research by students and communities. The work includes the Race and Change Project, the Kitty Oliver Oral Histories Archive, and the multimedia audio, webcast radio and television Race and Change Initiative with intergenerational stories. She donated her collection of 125 interviews to the African American Research Library and Cultural Center Special collections in 2004.\u003c/p\u003e\n","\u003cp\u003eOliver completed a Ph.D. in Comparative Studies from Florida Atlantic University in 2009, focusing on race and ethnic communication. Her degree included the creation of the 10-part public television documentary series \"Crossing Cultures, Changing Lives\" featuring  archival Race and Change Oral Histories narrators.\u003c/p\u003e\n","\u003cp\u003eDr. Kitty Oliver also specializes in books, television documentaries and literary performances which explore race and ethnic issues. Dr. Oliver conducts community oral history field work and is a member of the Oral History Association (OHA). Additionally, she serves as president of Kitty O. Enterprises, Inc. \u0026#x2013; which aids as a cultural diversity consulting firm located in Fort Lauderdale, Florida (Broward County).\u003c/p\u003e\n","\u003cp\u003eHer major public television and video productions include the PBS documentary series \"Celebrate...the Cultural Connections\" and a 10-part series, \"Crossing Cultures/Changing Lives\", which premiered in Florida, Spring, 2008 on WBEC-TV (Beacon-TV). Dr. Oliver's contemporary work includes ongoing lecture series detailing her Race and Change project. Additionally, she produced a book entitled \"Race and Change in Hollywood, Florida (Voices of America)\" in 2000.\u003c/p\u003e\n","\u003cp\u003eDr. Kitty Oliver married Ricky Oliver in 1969, and they had two children, Kali and Brian Oliver. They divorced in 1989. Kitty Oliver married Arthur I. Musson, Jr. in 2018.\u003c/p\u003e\n","\u003cp\u003eThe Kitty Oliver Collection is open for research.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Eloise \"Kitty\" Oliver is a veteran South Florida journalist, professor of creative nonfiction, memoir writing, oral history, and ethnic communication, and a professional jazz singer. Since the 1980s, she has produced landmark work as a cultural diversity researcher, documenting growing sociocultural conversions and multiculturalism that has become a reflection of contemporary American society.","Dr. Oliver was born on December 16, 1947 in Jacksonville, Florida. In 1965, Kitty Oliver was one of the first five Black freshmen to enroll at the University of Florida and live on campus after the passage of the Civil Rights Act of 1965. She graduated in 1969 with a Bachelor of Arts in English. During college, she met her Richard \"Ricky\" C. Oliver, Jr., who she married in 1969, and together they started a folk-rock musical group.","In 1971, Kitty Oliver started working one of the first Black reporters and columnists for the Miami Herald, covering Broward and Miami-Dade County. She chronicled the history of the Black community in South Florida, including Provident Hospital, Dr. Von Mizell and Dr. James Sistrunk, Eula Johnson, and Samuel Morrison.","Oliver left the Miami Herald in 1990 to pursue a Master of Fine Arts degree in Creative Writing at Florida International University and graduated in 1994. This led to her writing \"Multicolored Memories of a Black Southern Girl,\" a collection autobiographical essays about coming of age with integration and cultural diversity in Jacksonville and attending the University of Florida, working in South Florida, and her international travel.  ","After earning her M.A., she began the Race and Change Oral History Project, collecting oral histories of minority groups in Hollywood, Florida. She worked as a fulltime professor of Creative Writing and Multicultural Literature, Oral History Writing, and Ethnic Communication at Florida International University from 1994 to 1996 and at Florida Atlantic University's Broward Campuses from 1996 to 2006. During that time, she developed the Race and Change oral history methodology for cross-cultural research by students and communities. The work includes the Race and Change Project, the Kitty Oliver Oral Histories Archive, and the multimedia audio, webcast radio and television Race and Change Initiative with intergenerational stories. She donated her collection of 125 interviews to the African American Research Library and Cultural Center Special collections in 2004.","Oliver completed a Ph.D. in Comparative Studies from Florida Atlantic University in 2009, focusing on race and ethnic communication. Her degree included the creation of the 10-part public television documentary series \"Crossing Cultures, Changing Lives\" featuring  archival Race and Change Oral Histories narrators.","Dr. Kitty Oliver also specializes in books, television documentaries and literary performances which explore race and ethnic issues. Dr. Oliver conducts community oral history field work and is a member of the Oral History Association (OHA). Additionally, she serves as president of Kitty O. Enterprises, Inc. – which aids as a cultural diversity consulting firm located in Fort Lauderdale, Florida (Broward County).","Her major public television and video productions include the PBS documentary series \"Celebrate...the Cultural Connections\" and a 10-part series, \"Crossing Cultures/Changing Lives\", which premiered in Florida, Spring, 2008 on WBEC-TV (Beacon-TV). Dr. Oliver's contemporary work includes ongoing lecture series detailing her Race and Change project. Additionally, she produced a book entitled \"Race and Change in Hollywood, Florida (Voices of America)\" in 2000.","Dr. Kitty Oliver married Ricky Oliver in 1969, and they had two children, Kali and Brian Oliver. They divorced in 1989. Kitty Oliver married Arthur I. Musson, Jr. in 2018.","The Kitty Oliver Collection is open for research."],"prefercite_html_tesm":["\u003cp\u003eKitty Oliver Collection (AARLCC-2004.1), AALRCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Kitty Oliver Collection (AARLCC-2004.1), AALRCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding-aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding-aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/k-oliver1/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Kitty Oliver Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Kitty Oliver Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Kitty Oliver Collection consists of correspondence, personal and professional papers, photographs, newspaper clippings, printed materials, and awards of South Florida journalist and educator Kitty Oliver. \u003c/p\u003e\n","\u003cp\u003eThe collection also contains the Race and Change Project, a group of multiple oral history interviews with African-Americans, European-Americans, and immigrants regarding their memories growing up in Broward County, the United States, and other countries. Subjects include family and community lifestyle, race relations and societal change from the late 1920's through the aftermath of the Civil Rights Act of 1964 and desegregation. The collection contains audio and visual content of participants from the Race and Change Project including research composed by students taught by Kitty Oliver, and an essay written by Deborah Works entitled \"Historical Sketches and Rare Glimpses of the North Fork of the New River: a history of its natural and human environment\" (2001). The majority of Dr. Oliver's questionnaires, transcripts and interviews consist of ongoing research study of race and ethnic relations, geographical history and social change through the collection of oral histories of Whites, Blacks/African-Americans and immigrants of various Hispanic/Latinx, Caribbean and Asian backgrounds. Research sites include the South Florida cities of Hollywood, Fort Lauderdale, West Palm Beach, Miami, Opa-locka, Delray Beach and Boca Raton; North Fork and Liberia \u0026#x2013; historically significant Black/African-American communities; towns along Florida's landmark Lake Okeechobee; Stranahan High School in Fort Lauderdale; and Ghana, West Africa \u0026#x2013; where women who have experienced America's racial climate shared their stories.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Kitty Oliver Collection consists of correspondence, personal and professional papers, photographs, newspaper clippings, printed materials, and awards of South Florida journalist and educator Kitty Oliver. ","The collection also contains the Race and Change Project, a group of multiple oral history interviews with African-Americans, European-Americans, and immigrants regarding their memories growing up in Broward County, the United States, and other countries. Subjects include family and community lifestyle, race relations and societal change from the late 1920's through the aftermath of the Civil Rights Act of 1964 and desegregation. The collection contains audio and visual content of participants from the Race and Change Project including research composed by students taught by Kitty Oliver, and an essay written by Deborah Works entitled \"Historical Sketches and Rare Glimpses of the North Fork of the New River: a history of its natural and human environment\" (2001). The majority of Dr. Oliver's questionnaires, transcripts and interviews consist of ongoing research study of race and ethnic relations, geographical history and social change through the collection of oral histories of Whites, Blacks/African-Americans and immigrants of various Hispanic/Latinx, Caribbean and Asian backgrounds. Research sites include the South Florida cities of Hollywood, Fort Lauderdale, West Palm Beach, Miami, Opa-locka, Delray Beach and Boca Raton; North Fork and Liberia – historically significant Black/African-American communities; towns along Florida's landmark Lake Okeechobee; Stranahan High School in Fort Lauderdale; and Ghana, West Africa – where women who have experienced America's racial climate shared their stories."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default\" target=\"_blank\"\u003eSome materials from this collection were cataloged in the Broward County Library catalog with the prefix \"OLI\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Some materials from this collection were cataloged in the Broward County Library catalog with the prefix \"OLI\"."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":418,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455827155451904,"_root_":"a00ac4456d001c4f5b29b5b6","timestamp":"2026-09-16T03:02:08.218Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a00ac4456d001c4f5b29b5b6_aspace_11d17f12c1a7e2df2407a5427fb852b0"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Southwest Florida Regional Planning Council Collection, 1920-2020","value":"Southwest Florida Regional Planning Council Collection, 1920-2020","hits":125},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Southwest+Florida+Regional+Planning+Council+Collection%2C+1920-2020\u0026f%5Bdate_range%5D%5B%5D=2004\u0026f%5Blevel%5D%5B%5D=File"}},{"attributes":{"label":"Democratic Women's Club of Florida, Inc. 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