{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2003\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2003\u0026page=2\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2003\u0026page=399\u0026view=compact"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":399,"limit_value":10,"offset_value":0,"total_count":3981,"first_page?":true,"last_page?":false}},"data":[{"id":"5e17dda97e7549e9d9b40539_aspace_b5d4c3cbb6742c4b8f5acf614af16518","type":"File","attributes":{"title":"14th Annual James A. Porter Colloquium on African American Art, 2003","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_b5d4c3cbb6742c4b8f5acf614af16518#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b5d4c3cbb6742c4b8f5acf614af16518","ref_ssm":["aspace_b5d4c3cbb6742c4b8f5acf614af16518","aspace_b5d4c3cbb6742c4b8f5acf614af16518"],"id":"5e17dda97e7549e9d9b40539_aspace_b5d4c3cbb6742c4b8f5acf614af16518","title_filing_ssi":"14th Annual James A. Porter Colloquium on African American Art","title_ssm":["14th Annual James A. Porter Colloquium on African American Art"],"title_tesim":["14th Annual James A. Porter Colloquium on African American Art"],"unitdate_other_ssim":["2003"],"normalized_date_ssm":["2003"],"normalized_title_ssm":["14th Annual James A. Porter Colloquium on African American Art, 2003"],"text":["14th Annual James A. Porter Colloquium on African American Art, 2003","Dorothy Porter Wesley Collection, Circa 1788-2012","Printed Materials","General, Circa 1773-2009","/repositories/2/archival_objects/6039","box 55","folder 1176"],"component_level_isim":[3],"parent_ids_ssim":["5e17dda97e7549e9d9b40539","5e17dda97e7549e9d9b40539_aspace_ced9b0ebeee47c9fad9a3053c0bdb162","5e17dda97e7549e9d9b40539_aspace_ffd0457a7f30ca1e07173f8bd8cd076a"],"parent_unittitles_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012","Printed Materials","General, Circa 1773-2009"],"parent_unittitles_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012","Printed Materials","General, Circa 1773-2009"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/6039"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1212,"parent_access_restrict_tesm":["The Dorothy Porter Wesley Collection is open for research."],"date_range_isim":[2003],"containers_ssim":["box 55","folder 1176"],"_nest_path_":"/components#5/components#2/components#1","_nest_parent_":"5e17dda97e7549e9d9b40539_aspace_ffd0457a7f30ca1e07173f8bd8cd076a","_root_":"5e17dda97e7549e9d9b40539","_version_":1871563605913108480,"timestamp":"2026-07-24T03:02:22.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"5e17dda97e7549e9d9b40539","title_filing_ssi":"Wesley, Dorothy Porter Collection","title_ssm":["Dorothy Porter Wesley Collection"],"title_tesim":["Dorothy Porter Wesley Collection"],"ead_ssi":"5e17dda97e7549e9d9b40539","unitdate_ssm":["Circa 1788-2012"],"unitdate_inclusive_ssm":["Circa 1788-2012"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2003.6","/repositories/2/resources/20"],"text":["AARLCC.2003.6","/repositories/2/resources/20","Dorothy Porter Wesley Collection, Circa 1788-2012","Africa -- Research","Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art","The Dorothy Porter Wesley Collection is open for research.","View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.","The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets","Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.","The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.","Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".","The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.","AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970","English Portuguese German"],"unitid_tesim":["AARLCC.2003.6","/repositories/2/resources/20"],"normalized_date_ssm":["Circa 1788-2012"],"normalized_title_ssm":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_title_tesim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"collection_ssim":["Dorothy Porter Wesley Collection, Circa 1788-2012"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Africa -- Research"],"geogname_ssim":["Africa -- Research"],"places_ssim":["Africa -- Research"],"acqinfo_ssim":["Broward County Library purchased the materials from Constance Porter Uzelac (daughter of Dorothy Porter Wesley) in December 2002 (Accession AARLCC-2003.6). Milan Uzelac donated accruals to AARLCC Special Collections on June 29, 2012 (Accession AARLCC-2012.12) and on May 12, 2022 (Accession AARLCC-2022.7)."],"access_subjects_ssim":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"access_subjects_ssm":["Wesley, Dorothy Porter -- Correspondence","Uzelac, Constance Porter -- Correspondence","Moorland-Spingarn Research Center","African American librarians","African American historians","African Americans -- History -- Sources","W.E.B. Du Bois Institute for Afro-American Research","Black people -- Brazil","Libraries and Black people","Photographs","Sound recordings","Correspondence","Art"],"has_online_content_ssim":["false"],"extent_ssm":["67 Hollinger Boxes","2800 Books"],"extent_tesim":["67 Hollinger Boxes","2800 Books"],"genreform_ssim":["Photographs","Sound recordings","Correspondence","Art"],"date_range_isim":[1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Dorothy Porter Wesley Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll37/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Dorothy Porter Wesley Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series and sub-series:\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries I. Correspondence\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. General Correspondence\u003c/p\u003e","\u003cp\u003eSub-series II. Family Correspondence\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries II. Professional Papers\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley professional papers\u003c/p\u003e","\u003cp\u003eSub-series II. Constance Porter Uzelac professional papers \u003c/p\u003e","\u003cp\u003eSub-series III. Charles Harris Wesley professional papers \u003c/p\u003e","\u003cp\u003eSub-series IV. Writings by Dorothy Porter Wesley\u003c/p\u003e","\u003cp\u003eSub-series V. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VI. Writings by James A. Porter\u003c/p\u003e","\u003cp\u003eSub-series VII. Writings by Constance Porter Uzelac\u003c/p\u003e","\u003cp\u003eSub-series VIII. Writings by Charles Harris Wesley \u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries III. Research Files\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Dorothy Porter Wesley general research files\u003c/p\u003e","\u003cp\u003eSub-series II. Dorothy Porter Wesley Brazil research files\u003c/p\u003e","\u003cp\u003eSub-series III. Dorothy Porter Wesley illustrations\u003c/p\u003e","\u003cp\u003eSub-series IV. Constance Porter Uzelac research files\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries IV. Personal Papers\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries V. Photographs\u003c/p\u003e\u003c/b\u003e","\u003cb\u003e\u003cp\u003eSeries VI. Printed Materials\u003c/p\u003e\u003c/b\u003e","\u003cp\u003eSub-series I. Calendars and Datebooks\u003c/p\u003e","\u003cp\u003eSub-series II. Catalogs\u003c/p\u003e","\u003cp\u003eSub-series III. General\u003c/p\u003e","\u003cp\u003eSub-series IV. Magazines\u003c/p\u003e","\u003cp\u003eSub-series V. Maps\u003c/p\u003e","\u003cp\u003eSub-series VI. Newspaper Clippings\u003c/p\u003e","\u003cp\u003eSub-series VII. Sheet Music\u003c/p\u003e","\u003cb\u003e\u003cp\u003eSeries VII. Ephemera and Artwork\u003c/p\u003e\u003c/b\u003e","\u003cp\u003e\u003cb\u003eSeries VIII. Books and Pamphlets\u003c/b\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into the following series and sub-series:","Series I. Correspondence","Sub-series I. General Correspondence","Sub-series II. Family Correspondence","Series II. Professional Papers","Sub-series I. Dorothy Porter Wesley professional papers","Sub-series II. Constance Porter Uzelac professional papers ","Sub-series III. Charles Harris Wesley professional papers ","Sub-series IV. Writings by Dorothy Porter Wesley","Sub-series V. Writings by Constance Porter Uzelac","Sub-series VI. Writings by James A. Porter","Sub-series VII. Writings by Constance Porter Uzelac","Sub-series VIII. Writings by Charles Harris Wesley ","Series III. Research Files","Sub-series I. Dorothy Porter Wesley general research files","Sub-series II. Dorothy Porter Wesley Brazil research files","Sub-series III. Dorothy Porter Wesley illustrations","Sub-series IV. Constance Porter Uzelac research files","Series IV. Personal Papers","Series V. Photographs","Series VI. Printed Materials","Sub-series I. Calendars and Datebooks","Sub-series II. Catalogs","Sub-series III. General","Sub-series IV. Magazines","Sub-series V. Maps","Sub-series VI. Newspaper Clippings","Sub-series VII. Sheet Music","Series VII. Ephemera and Artwork","Series VIII. Books and Pamphlets"],"bioghist_html_tesm":["\u003cp\u003eDorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. \u003c/p\u003e\n","\u003cp\u003eShe graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. \u003c/p\u003e\n","\u003cp\u003eIn 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work, \u003cemph\u003eModern Negro Art\u003c/emph\u003e, proved to be one of the most informative sources to date on the creativity of the Black artists.\u003c/p\u003e\n","\u003cp\u003eIn 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.\u003c/p\u003e\n","\u003cp\u003eJames Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. \u003c/p\u003e\n","\u003cp\u003eCharles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.\u003c/p\u003e\n","\u003cp\u003eIn 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.\u003c/p\u003e\n","\u003cp\u003eThe book \u003ci\u003eWilliam Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874\u003c/i\u003e (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.\u003c/p\u003e\n","\u003cp\u003eIn 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dorothy Burnett Porter Wesley (1905-1995) was a librarian, curator and bibliophile born on May 25, 1905 in Warrenton, Virginia. Her parents were physician Hayes Joseph Burnett and tennis player Roberta (\"Bertha\") Ball Burnett. She was the eldest of four children and grew up in Montclair, New Jersey. ","She graduated from Miner Normal School, Washington D.C. in 1925 with the intention of becoming a teacher. Wesley worked as a library assistant in the Miner Normal School library where she worked with librarian Lula V. Allan (1879-1968) who encouraged her to pursue a career in library science. Wesley enrolled in Howard University in 1926 and received a Bachelor of Arts degree in 1928. She then enrolled at Colombia University's School of Library Science where she received a Master's in Library Science in 1931. ","In 1929 Dorothy married artist and art history professor James Amos Porter (1905-1970) with whom she had her only daughter, Constance \"Coni\" Porter Uzelac (1939-2012). James A. Porter graduated with honors from Howard University in 1927 and began teaching art there the next semester. His classic book and standard reference work,  Modern Negro Art , proved to be one of the most informative sources to date on the creativity of the Black artists.","In 1930, Dorothy Porter began work as curator of the Moorland Foundation at Howard University, (now known as the Moorland-Spingarn Research Center) and worked to build the library's collections documenting African, African American, Afro-Caribbean and Afro-Hispanic history and culture. After becoming the Curator at Howard University in 1930, started thinking about how to catalog books by Black authors and related to Black history and culture. At the time, she recognized that the Dewey Decimal System only had two numbers (for \"Slavery\" and for \"Colonization\") under which all works related to Black people or Black authors could be cataloged. In response, during the first few years of her Curatorship, she created a new classification system that reflected the true breadth of the books available on topics related to Black people and by Black authors. She disseminated the classification system to other libraries, and published it in 1939. Porter worked at the Moorland-Spingarn Research Center until her retirement in 1973.","James Porter's died in 1970, and in 1979 Dorothy married Charles Harris Wesley (1891-1987), a noted historian, educator, and author. After receiving his master's degree from Yale University in 1913, he taught at Howard University from 1913 until 1942. Between 1920 and 1925, he also earned a Ph.D. from Harvard University, the fourth African American to do so. He served as President of Wilberforce University from 1942-1947 and of Central State College, Ohio from 1947 until 1965. ","Charles Harris Wesley authored more than 15 books on African-American history over the course of his career. His first book, Negro Labor in the United States, was hailed as one of the most useful works on the role of African-Americans in industry available in the 1920s. Dorothy worked with Charles on a variety of research projects even prior to their marriage, and continued to do so until Charles's death in 1987. ","After her retirement from Howard University in 1973, Dorothy Porter Wesley worked as a consultant for a variety of institutions and foundations such as the Radcliffe University's Black Women Oral History Archive. She also continued to write articles and books.","In 1994 President Bill Clinton presented her with the National Endowment for the Humanities' Charles Frankel Award. Dorothy Porter Wesley died in Broward County, Florida in 1995.","The book  William Cooper Nell, Nineteenth-Century African American Abolitionist, Historian, Integrationist: Selected Writings 1832-1874  (2002) was the last research project that Charles and Dorothy worked on together, and was posthumously published by Dorothy's daughter, Constance Porter Uzelac. Uzelac worked as a medical librarian. After her mother's death, she became the Executive Director of the Dorothy Porter Wesley Archive and managed James A. Porter's art collection.","In 2000, Constance Uzelac worked with the Bienes Museum of the Modern Book, James Findlay, on an exhibition of her mother's collection that was displayed at the Broward County Main Library in February and March of 2001. Samuel F. Morrison, Director of the Broward County Library, was instrumental in bringing the collection to exhibition at the Bienes, and would further encourage the purchase of the materials from Uzelac for the newly-opened AARLCC Special Collections in December 2002. Constance later worked at Broward County Library, cataloging a portion of the Dorothy Porter Wesley Collection at the AARLCC Special Collections. Constance married Milan Uzelac in 1965. They had no children. She died in Broward County in 2012."],"prefercite_html_tesm":["\u003cp\u003eDorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Dorothy Porter Wesley Collection (AARLCC-2003.6), AARLCC Special Collections, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\n\u003ca href=\"https://archives.yale.edu/repositories/11/resources/994\" target=\"_blank\"\u003ePart of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.\u003c/a\u003e\n\u003c/p\u003e","\u003cp\u003e\n\u003ca href=\"https://archives.libraries.emory.edu/repositories/7/resources/3255\" target=\"_blank\"\u003eDorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.\u003c/a\u003e\n\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Part of Dorothy Porter Wesley's papers also reside at the Beinecke Rare Book and Manuscript Library Repository at Yale University. Citation: Dorothy Porter Wesley Papers. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.","Dorothy Porter Wesley's papers can also be found within the James A. Porter papers at Emory University. Citation: James A. Porter papers, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University."],"scopecontent_html_tesm":["\u003cp\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.\u003c/p\u003e\n","\u003cp\u003eCorrespondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.\u003c/p\u003e\n","\u003cp\u003eProfessional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.\u003c/p\u003e\n","\u003cp\u003eConstance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". \u003c/p\u003e\n","\u003cp\u003eThe collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.\u003c/p\u003e\n","\u003cp\u003eResearch files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.\u003c/p\u003e\n","\u003cp\u003ePrinted Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of librarian and bibliophile, Dorothy Porter Wesley. It contains manuscript materials, artwork, newspaper clippings, research files, photographs, awards and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books, pamphlets, and audio recordings dating from 1788 to 1995.","Correspondence covers her participation in professional and national organizations such as the Association for the Study of African American Life and History, Moorland-Spingarn Research Center at Howard University, Black Women in Sisterhood for Action, Delta Sigma Theta Sorority, Frederick Douglass Papers, Library of Congress, Black Caucus of the American Library Association, and the W.E.B. DuBois Institute at Harvard University. Dorothy Porter Wesley received letters from scholars and professionals such as Thomas Battle, John Blassingame, Louis Harlan, Mary McLeod Bethune, Joseph Reason, and Michael Winston. Family correspondence contains personal letters written to and from Dorothy Porter Wesley's family members including her daughter Constance Porter Uzelac, first husband James A. Porter, second husband Charles Harris Wesley, and brother in-law Robert P. Porter.","Professional papers consist of conference materials, reports, grant proposals, materials from organizations of which Dorothy and Constance were members, curriculum vitas of colleagues, exhibitions, and commencement programs. Dorothy Porter Wesley participated in organizations and institutions such as the Association for the Study of African American Life and History (ASALH), African Studies Association, Amistad Research Center, Howard University, Moorland-Spingarn Research Center, Frederick Douglass Papers Editorial Board, National Council of Negro Women, Organization of American Historians, Phi Delta Kappa, Radcliffe College, Society of American Archivists, and the W.E.B. Dubois Institute at Harvard University.","Constance Porter Uzelac collected documents from her career at the African American Research Library and Cultural Center branch of Broward County Libraries. She was a member of ASALH. Constance also managed the Dorothy Porter Wesley archives and the James A. Porter art collection. She attended conferences related to her parents' legacy and collection such as the Dorothy Porter Wesley Forum and Lecture Series at Howard University and the James A. Porter Colloquium on African American Art at Howard University. Documents related to Charles Harris Wesley include a Martin Luther King, Jr. commemorative service he attended and a book brochure of his monograph \"Prince Hall life and legacy\". ","The collection also includes published and unpublished works by Dorothy Porter Wesley, Constance Porter Uzelac, Charles Harris Wesley, and James A. Porter.","Research files contain articles, notes, and illustrations on subjects collected by Dorothy Porter Wesley and Constance Porter Uzelac during their research. Dorothy Porter Wesley conducted research on African, African American, Caribbean and Afro-Latin cultures to build the Moorland-Spingarn Research Center at Howard University. Her research was also used for her writings.","Printed Materials consist of materials collected by Dorothy Porter Wesley and Constance Porter Uzelac. Dorothy Porter Wesley's saved notes in calendars and datebooks. She collected catalogs, programs, brochures, maps, and magazines covering African and African American people, places and research topics. Newspaper clippings feature articles discussing Dorothy Porter Wesley's career as a librarian, archivist and curator at Howard University. Clippings also feature Constance Porter Uzelac's stewardship of her father's art collection and mother's archival collection."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default/search/results?qu=DPW\u0026amp;qf=LOCATION%09Shelf+Location%091%3AAF-SPC%09AARLCC+Special+Collections\" target=\"_blank\"\u003eBooks from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Access the Books"],"separatedmaterial_tesim":["Books from this collection are cataloged in the Broward County Library catalog with the prefix \"DPW\"."],"abstract_html_tesm":["\u003cabstract id=\"aspace_559c404160acc20bdc75d09cde3325a4\"\u003eThe Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets.\u003c/abstract\u003e"],"abstract_tesim":["The Dorothy Porter Wesley Collection documents the professional and personal life of pioneering librarian, Dorothy Porter Wesley. It contains manuscript materials, artwork, research files, and correspondence dating from 1905 to 2012 as well as Wesley's personal library of more than 2,800 books and pamphlets."],"names_ssim":["AARLCC Special Collections","Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"corpname_ssim":["AARLCC Special Collections"],"names_coll_ssim":["Wesley, Dorothy Porter, 1905-1995"],"persname_ssim":["Wesley, Dorothy Porter, 1905-1995","Porter, James A. (James Amos), 1905-1970"],"language_ssim":["English Portuguese German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1539,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871563605913108480,"_root_":"5e17dda97e7549e9d9b40539","timestamp":"2026-07-24T03:02:22.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5e17dda97e7549e9d9b40539_aspace_b5d4c3cbb6742c4b8f5acf614af16518"}},{"id":"ec0d65981df646e0f1a8b1b3_aspace_b93d87cf1789cc50f138d59b254ca19e","type":"File","attributes":{"title":"14th Annual Tampa International Gay \u0026 Lesbian Film Festival, 2003","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_b93d87cf1789cc50f138d59b254ca19e#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFolder includes poster designs and test photographs, handwritten list of films, and clippings from Contax and the Tampa Tribune.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_b93d87cf1789cc50f138d59b254ca19e#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b93d87cf1789cc50f138d59b254ca19e","ref_ssm":["aspace_b93d87cf1789cc50f138d59b254ca19e","aspace_b93d87cf1789cc50f138d59b254ca19e"],"id":"ec0d65981df646e0f1a8b1b3_aspace_b93d87cf1789cc50f138d59b254ca19e","title_filing_ssi":"14th Annual Tampa International Gay \u0026 Lesbian Film Festival","title_ssm":["14th Annual Tampa International Gay \u0026 Lesbian Film Festival"],"title_tesim":["14th Annual Tampa International Gay \u0026 Lesbian Film Festival"],"unitdate_other_ssim":["2003"],"normalized_date_ssm":["2003"],"normalized_title_ssm":["14th Annual Tampa International Gay \u0026 Lesbian Film Festival, 2003"],"text":["14th Annual Tampa International Gay \u0026 Lesbian Film Festival, 2003","Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","TIGLFF Annual Files - Part I","/repositories/2/archival_objects/184448","box 1","folder 10","Folder includes poster designs and test photographs, handwritten list of films, and clippings from Contax and the Tampa Tribune."],"component_level_isim":[2],"parent_ids_ssim":["ec0d65981df646e0f1a8b1b3","ec0d65981df646e0f1a8b1b3_aspace_d36ac4d0cc35031841428695f2625ee2"],"parent_unittitles_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","TIGLFF Annual Files - Part I"],"parent_unittitles_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","TIGLFF Annual Files - Part I"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/2/archival_objects/184448"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":39,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2003],"containers_ssim":["box 1","folder 10"],"scopecontent_html_tesm":["\u003cp\u003eFolder includes poster designs and test photographs, handwritten list of films, and clippings from Contax and the Tampa Tribune.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Folder includes poster designs and test photographs, handwritten list of films, and clippings from Contax and the Tampa Tribune."],"_nest_path_":"/components#0/components#9","_nest_parent_":"ec0d65981df646e0f1a8b1b3_aspace_d36ac4d0cc35031841428695f2625ee2","_root_":"ec0d65981df646e0f1a8b1b3","_version_":1871043586387083264,"timestamp":"2026-07-18T09:16:53.209Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ec0d65981df646e0f1a8b1b3","title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection"],"title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection"],"ead_ssi":"ec0d65981df646e0f1a8b1b3","unitdate_ssm":["1990-2024"],"unitdate_inclusive_ssm":["1990-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2024-01","/repositories/2/resources/641"],"text":["MS-2024-01","/repositories/2/resources/641","Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)","Materials are arranged according to type, with attention to chronology within series.","\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.","Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.","USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival","English"],"unitid_tesim":["MS-2024-01","/repositories/2/resources/641"],"normalized_date_ssm":["1990-2024"],"normalized_title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Tampa International Gay and Lesbian Film Festival"],"creator_ssim":["Tampa International Gay and Lesbian Film Festival"],"creator_corpname_ssim":["Tampa International Gay and Lesbian Film Festival"],"creators_ssim":["Tampa International Gay and Lesbian Film Festival"],"access_terms_ssm":["None. 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Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"access_subjects_ssm":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"has_online_content_ssim":["false"],"extent_ssm":["9 boxes","9 Linear Feet"],"extent_tesim":["9 boxes","9 Linear Feet"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged according to type, with attention to chronology within series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged according to type, with attention to chronology within series."],"bioghist_html_tesm":["\u003cp\u003e\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.\u003c/p\u003e\n","\u003cp\u003eDorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.\u003c/p\u003e\n","\u003cp\u003eAt every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.\u003c/p\u003e\n","\u003cp\u003eFounders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.\u003c/p\u003e\n","\u003cp\u003eTampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.\u003c/p\u003e\n","\u003cp\u003eAfter two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.\u003c/p\u003e\n","\u003cp\u003eThat first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.\u003c/p\u003e\n","\u003cp\u003e\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/"],"scopecontent_html_tesm":["\u003cp\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7fd2447780ec58fc96b7d52c2b93a93a\"\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.\u003c/abstract\u003e"],"abstract_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF."],"names_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"language_ssim":["English"],"total_component_count_is":365,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871043586387083264,"_root_":"ec0d65981df646e0f1a8b1b3","timestamp":"2026-07-18T09:16:53.209Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_b93d87cf1789cc50f138d59b254ca19e"}},{"id":"ec0d65981df646e0f1a8b1b3_aspace_5f599dd26e3326e046c1c1d68dddd63f","type":"Item","attributes":{"title":"14th Annual Tampa International Gay \u0026 Lesbian Film Festival, October 2-12, 2003","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_5f599dd26e3326e046c1c1d68dddd63f#abstract_or_scope","type":"document_value","attributes":{"value":["Proudly sponsored by St. Petersburg Times. Expo 2003 by Tampa Bay Business Guild inside TECO, Sunday, October 5. 3 copies."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_5f599dd26e3326e046c1c1d68dddd63f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5f599dd26e3326e046c1c1d68dddd63f","ref_ssm":["aspace_5f599dd26e3326e046c1c1d68dddd63f","aspace_5f599dd26e3326e046c1c1d68dddd63f"],"id":"ec0d65981df646e0f1a8b1b3_aspace_5f599dd26e3326e046c1c1d68dddd63f","title_filing_ssi":"14th Annual Tampa International Gay \u0026 Lesbian Film Festival","title_ssm":["14th Annual Tampa International Gay \u0026 Lesbian Film Festival"],"title_tesim":["14th Annual Tampa International Gay \u0026 Lesbian Film Festival"],"unitdate_inclusive_ssm":["October 2-12, 2003"],"normalized_date_ssm":["October 2-12, 2003"],"normalized_title_ssm":["14th Annual Tampa International Gay \u0026 Lesbian Film Festival, October 2-12, 2003"],"text":["14th Annual Tampa International Gay \u0026 Lesbian Film Festival, October 2-12, 2003","Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","Oversized Material - Clippings, Photographs, Posters, Advertisements, Realia","Oversized Posters","/repositories/2/archival_objects/184630","box 7","folder 4","object 8","Proudly sponsored by St. Petersburg Times. 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The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2003],"containers_ssim":["box 7","folder 4","object 8"],"abstract_html_tesm":["\u003cabstract id=\"aspace_8fd7cba08e138bbfcd8d87b3b32bc591\"\u003eProudly sponsored by St. Petersburg Times. Expo 2003 by Tampa Bay Business Guild inside TECO, Sunday, October 5. 3 copies.\u003c/abstract\u003e"],"abstract_tesim":["Proudly sponsored by St. Petersburg Times. Expo 2003 by Tampa Bay Business Guild inside TECO, Sunday, October 5. 3 copies."],"_nest_path_":"/components#6/components#3/components#7","_nest_parent_":"ec0d65981df646e0f1a8b1b3_aspace_0a67e19895679dbcf31c08928078bca8","_root_":"ec0d65981df646e0f1a8b1b3","_version_":1871043586387083264,"timestamp":"2026-07-18T09:16:53.209Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"ec0d65981df646e0f1a8b1b3","title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection"],"title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection"],"ead_ssi":"ec0d65981df646e0f1a8b1b3","unitdate_ssm":["1990-2024"],"unitdate_inclusive_ssm":["1990-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2024-01","/repositories/2/resources/641"],"text":["MS-2024-01","/repositories/2/resources/641","Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024","LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)","Materials are arranged according to type, with attention to chronology within series.","\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.","Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.","USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival","English"],"unitid_tesim":["MS-2024-01","/repositories/2/resources/641"],"normalized_date_ssm":["1990-2024"],"normalized_title_ssm":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_title_tesim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"collection_ssim":["Tampa Bay International Gay \u0026 Lesbian Film Festival (TIGLFF) collection, 1990-2024"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Tampa International Gay and Lesbian Film Festival"],"creator_ssim":["Tampa International Gay and Lesbian Film Festival"],"creator_corpname_ssim":["Tampa International Gay and Lesbian Film Festival"],"creators_ssim":["Tampa International Gay and Lesbian Film Festival"],"access_terms_ssm":["None. 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Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"access_subjects_ssim":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"access_subjects_ssm":["LGBTQ+ film festivals","LGBTQ+ artists","LGBTQ+ communities","Queer community ","Queer culture","LGBTQ+ films","Queer studies -- Tampa (Fla.)"],"has_online_content_ssim":["false"],"extent_ssm":["9 boxes","9 Linear Feet"],"extent_tesim":["9 boxes","9 Linear Feet"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged according to type, with attention to chronology within series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged according to type, with attention to chronology within series."],"bioghist_html_tesm":["\u003cp\u003e\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.\u003c/p\u003e\n","\u003cp\u003eDorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.\u003c/p\u003e\n","\u003cp\u003eAt every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.\u003c/p\u003e\n","\u003cp\u003eFounders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.\u003c/p\u003e\n","\u003cp\u003eTampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.\u003c/p\u003e\n","\u003cp\u003eAfter two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.\u003c/p\u003e\n","\u003cp\u003eThat first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.\u003c/p\u003e\n","\u003cp\u003e\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"The Tampa Bay International Gay and Lesbian Film Festival (TIGLFF) was founded in 1990 as a three day extension of Tampa's gay pride celebrations by representatives of three LGBTQ+ organizations: The Tampa Bay Business Guild (TBBG), the Bay Area Human Rights Coalition, and the Tampa Bay Gay Men's Chorus.  Over the course of its first decade the film festival was a fundraising event for a number of local non-profit groups, eventually falling under the umbrella of Tampa Bay Arts.","Dorothy Abbott programmed most of the festivals through the 1990s. Dorothy built industry relationships that put TIGLFF on the national map.  She is also the person who put the word \"international\" in our name.","At every moment in the film festival's history, a number of people have stepped up and done whatever needed to be done.  Some gave more time and money than they could afford.  They did it because they loved this festival, and they wanted to see it survive and prosper.  This is true no matter which era or which producing organization we're talking about.","Founders who helped lead, organize and plan the film festival in its initial years include: Mark Puig, Dorothy Abbott, Keith Roberts, Sunny Hall, Bob Pope, Richard Waugh, Chuck Wilhelm, Larry Fischer, Martin Padgett, Amy Nestor, Lex Poppens, Cathy Prance, Victoria Jorgensen, Brian Winfield, Robert Geller, Michele Greenberg and many more.","Tampa Bay Arts, was an umbrella organization that had taken responsibility for the Tampa Bay Gay Men's Chorus and several other activities, including producing the film festival. By 1999 Tampa Bay Arts had accumulated a rather large debt.  The lender was trying to collect it.  Tampa Bay Arts was discussing bankruptcy as a way to forestall the collection. Film festival planners feared that the money would just be sucked into that debt, which had nothing to do with the film festival. So they started their own organization to produce the film festival.","After two years of negotiation, Friends of the Festival Inc.  (FOF) was formed and the film festival parted amiably from Tampa Bay Arts. The film festival was finally on its own, fully in charge of its own destiny.  Friends of the Festival, Inc., is a non-profit 501c(3) entity, DBA the Tampa International Gay and Lesbian Film Festival.","That first start-up year as Friends of the Festival, Inc., in 2000, Jim Harper, FOFs first Board President put up $30,000 of his own money to pay bills until ticket sales and sponsorship revenues started coming in.  He ended up getting most of that money back over the next several years.","\" --Our Mission, TIGLFF Website https://tiglff.com/our-mission/"],"scopecontent_html_tesm":["\u003cp\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of organizational records, publications, and material produced by the group for film festivals and related events. Included are film festival programs, advertisements, posters, clippings, photographs, realia, ephemera, audiovisual materials (CD-ROMS and DVD), Tampa Bay LGBTQ+ publications, flyers, tickets, and administrative documents."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7fd2447780ec58fc96b7d52c2b93a93a\"\u003eThe Tampa Bay International Gay \u0026amp;#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF.\u003c/abstract\u003e"],"abstract_tesim":["The Tampa Bay International Gay \u0026#38; Lesbian Film Festival (TIGLFF) collection consists of material produced by and written about the Film Festival. Organizational files, programs, and graphics capture the films screened and the attendees of the annual event. Also included is ephemera for local LGBTQ+ businesses and organizations that supported the fundraising efforts for the festival and both clippings and full publications from Florida LGBTQ+ periodicals that advertised wrote articles supporting TIGLFF."],"names_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Tampa International Gay and Lesbian Film Festival"],"language_ssim":["English"],"total_component_count_is":365,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1871043586387083264,"_root_":"ec0d65981df646e0f1a8b1b3","timestamp":"2026-07-18T09:16:53.209Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/ec0d65981df646e0f1a8b1b3_aspace_5f599dd26e3326e046c1c1d68dddd63f"}},{"id":"789ec3142ea5ddb5f1375ea2_aspace_41127cb2df0f42869917e82288cbb1cb","type":"File","attributes":{"title":"178th Ordnance Depot Company Veterans' Photographs, 1971-2003","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/789ec3142ea5ddb5f1375ea2_aspace_41127cb2df0f42869917e82288cbb1cb#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis folder contains seven group photographs taken during re-unions.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/789ec3142ea5ddb5f1375ea2_aspace_41127cb2df0f42869917e82288cbb1cb#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_41127cb2df0f42869917e82288cbb1cb","ref_ssm":["aspace_41127cb2df0f42869917e82288cbb1cb","aspace_41127cb2df0f42869917e82288cbb1cb"],"id":"789ec3142ea5ddb5f1375ea2_aspace_41127cb2df0f42869917e82288cbb1cb","title_filing_ssi":"178th Ordnance Depot Company Veterans' Photographs","title_ssm":["178th Ordnance Depot Company Veterans' Photographs"],"title_tesim":["178th Ordnance Depot Company Veterans' Photographs"],"unitdate_inclusive_ssm":["1971-2003"],"normalized_date_ssm":["1971-2003"],"normalized_title_ssm":["178th Ordnance Depot Company Veterans' Photographs, 1971-2003"],"text":["178th Ordnance Depot Company Veterans' Photographs, 1971-2003","Bert Williamson Webb papers, 1941-1945, Date accessioned: 2018-10-26","/repositories/10/archival_objects/185430","18.0030 - Box 1","folder 005","This folder contains seven group photographs taken during re-unions."],"component_level_isim":[1],"parent_ids_ssim":["789ec3142ea5ddb5f1375ea2"],"parent_unittitles_ssm":["Bert Williamson Webb papers, 1941-1945, Date accessioned: 2018-10-26"],"parent_unittitles_tesim":["Bert Williamson Webb papers, 1941-1945, Date accessioned: 2018-10-26"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/10/archival_objects/185430"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"collection_ssim":["Bert Williamson Webb papers, 1941-1945, Date accessioned: 2018-10-26"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":5,"parent_access_restrict_tesm":["This collection is open to all researchers."],"parent_access_terms_tesm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"date_range_isim":[1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"containers_ssim":["18.0030 - Box 1","folder 005"],"scopecontent_html_tesm":["\u003cp\u003eThis folder contains seven group photographs taken during re-unions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This folder contains seven group photographs taken during re-unions."],"_nest_path_":"/components#4","_nest_parent_":"789ec3142ea5ddb5f1375ea2","_root_":"789ec3142ea5ddb5f1375ea2","timestamp":"2026-07-10T04:34:13.362Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"789ec3142ea5ddb5f1375ea2","title_filing_ssi":"Webb, Bert Williamson papers","title_ssm":["Bert Williamson Webb papers"],"title_tesim":["Bert Williamson Webb papers"],"ead_ssi":"789ec3142ea5ddb5f1375ea2","unitdate_ssm":["1941-1945","Date accessioned: 2018-10-26"],"unitdate_inclusive_ssm":["1941-1945"],"unitdate_other_ssim":["Date accessioned: 2018-10-26"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["18.0030","/repositories/10/resources/1430"],"text":["18.0030","/repositories/10/resources/1430","Bert Williamson Webb papers, 1941-1945, Date accessioned: 2018-10-26","Milledgeville (Ga.)","World War, 1939-1945--Campaigns--France","World War, 1939-1945--Campaigns--Belgium","World War, 1939-1945--Campaigns--Scheldt River Estuary (Netherlands and Belgium)","This collection is open to all researchers.","Bert Williamson Webb was born on January 14, 1919, in Milledgeville, Georgia, to Berta Williamson Digby and Luke Digby. His mother died on the day of his birth, and he was soon adopted and raised by his mother's sister, Mary Williamson Webb and her husband Milton Webb.   Webb grew up on a farm in rural Milledgeville, was educated until the fourth grade in a one room school house, went to Georgia Military and graduated from the University of Georgia with a Bachelors of Science in Accounting.   During World War II, Webb served as a Captain in the U.S. Army with the 178th Ordnance Depot Company. He shipped overseas to Europe on November 11, 1943. He participated in the Invasion of Normandy and four other campaigns including the Battle of the Bulge. He was awarded a Bronze Star and five battle stars. He returned to the United States on November 11, 1945.   Following the war, Webb and his wife, Mary, lived in Chicago, Illinois, where he began his career with the Internal Revenue Service while also taking classes at Northwestern and attending Chicago Kent College of Law. After three years and the birth of his first daughter, Linda, and son, George, he was transferred to Jacksonville, Florida for a year and then Ocala for five years where his daughter, Andera, was born. Following a brief one year stay in Tampa, Florida, Webb decided to stay with the IRS and was relocated to Orlando, where he lived for 25 years in Pine Hills. Webb was one of the founders of the Pine Hills Boys Club and the Optimist Club; an active coach in Little League; and a Sunday school teacher at Pine Hills Methodist Church. In 1991 he and his wife, Mary, moved to Altamonte Springs, where he lived until his death on November 23, 2018.   Webb remained with the IRS until 1974 when he took early retirement. After retirement, Webb continued to prepare tax returns to help friends and extended family. During his career in the IRS, he had the opportunity to audit two former Presidents of the United States.   Source:  DeGusipe Funeral Home. \"Obituary for Bert Williamson Webb.\" www.degusipefuneralhome.com. https://www.degusipefuneralhome.com/obituaries/Bert-Webb/#!/Obituary (accessed June 30, 2019).","Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022.","This collection relates to Bert Williamson Webb who served as a Captain in the U.S. Army with the 178th Ordnance Depot Company during World War II in the European Theater of Operations. Webb received a Bronze Star Medal for his service.  This collection includes a manuscript memoir of Webb's World War II service in the U.S. Army, photographs, unit history with roster, and pre-war cadet booklet.","All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.","FSU Special Collections \u0026 Archives","Webb, Bert Williamson, 1921-2018","Webb, Linda Jean, Dr.","English"],"unitid_tesim":["18.0030","/repositories/10/resources/1430"],"normalized_date_ssm":["1941-1945, Date accessioned: 2018-10-26"],"normalized_title_ssm":["Bert Williamson Webb papers, 1941-1945, Date accessioned: 2018-10-26"],"collection_title_tesim":["Bert Williamson Webb papers, 1941-1945, Date accessioned: 2018-10-26"],"collection_ssim":["Bert Williamson Webb papers, 1941-1945, Date accessioned: 2018-10-26"],"repository_ssm":["FSU Special Collections \u0026 Archives"],"repository_ssim":["FSU Special Collections \u0026 Archives"],"geogname_ssm":["Milledgeville (Ga.)"],"geogname_ssim":["Milledgeville (Ga.)"],"creator_ssm":["Webb, Bert Williamson, 1921-2018","Webb, Linda Jean, Dr."],"creator_ssim":["Webb, Bert Williamson, 1921-2018","Webb, Linda Jean, Dr."],"creator_persname_ssim":["Webb, Bert Williamson, 1921-2018","Webb, Linda Jean, Dr."],"creators_ssim":["Webb, Bert Williamson, 1921-2018","Webb, Linda Jean, Dr."],"places_ssim":["Milledgeville (Ga.)"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"access_subjects_ssim":["World War, 1939-1945--Campaigns--France","World War, 1939-1945--Campaigns--Belgium","World War, 1939-1945--Campaigns--Scheldt River Estuary (Netherlands and Belgium)"],"access_subjects_ssm":["World War, 1939-1945--Campaigns--France","World War, 1939-1945--Campaigns--Belgium","World War, 1939-1945--Campaigns--Scheldt River Estuary (Netherlands and Belgium)"],"has_online_content_ssim":["false"],"extent_ssm":["1 folders"],"extent_tesim":["1 folders"],"date_range_isim":[1941,1942,1943,1944,1945,2018],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers."],"bioghist_html_tesm":["\u003cp\u003eBert Williamson Webb was born on January 14, 1919, in Milledgeville, Georgia, to Berta Williamson Digby and Luke Digby. His mother died on the day of his birth, and he was soon adopted and raised by his mother's sister, Mary Williamson Webb and her husband Milton Webb. \u003cbr\u003e\u003cbr\u003e Webb grew up on a farm in rural Milledgeville, was educated until the fourth grade in a one room school house, went to Georgia Military and graduated from the University of Georgia with a Bachelors of Science in Accounting. \u003cbr\u003e\u003cbr\u003e During World War II, Webb served as a Captain in the U.S. Army with the 178th Ordnance Depot Company. He shipped overseas to Europe on November 11, 1943. He participated in the Invasion of Normandy and four other campaigns including the Battle of the Bulge. He was awarded a Bronze Star and five battle stars. He returned to the United States on November 11, 1945. \u003cbr\u003e\u003cbr\u003e Following the war, Webb and his wife, Mary, lived in Chicago, Illinois, where he began his career with the Internal Revenue Service while also taking classes at Northwestern and attending Chicago Kent College of Law. After three years and the birth of his first daughter, Linda, and son, George, he was transferred to Jacksonville, Florida for a year and then Ocala for five years where his daughter, Andera, was born. Following a brief one year stay in Tampa, Florida, Webb decided to stay with the IRS and was relocated to Orlando, where he lived for 25 years in Pine Hills. Webb was one of the founders of the Pine Hills Boys Club and the Optimist Club; an active coach in Little League; and a Sunday school teacher at Pine Hills Methodist Church. In 1991 he and his wife, Mary, moved to Altamonte Springs, where he lived until his death on November 23, 2018. \u003cbr\u003e\u003cbr\u003e Webb remained with the IRS until 1974 when he took early retirement. After retirement, Webb continued to prepare tax returns to help friends and extended family. During his career in the IRS, he had the opportunity to audit two former Presidents of the United States. \u003cbr\u003e\u003cbr\u003e Source:\u003cbr\u003e\u003cbr\u003e DeGusipe Funeral Home. \"Obituary for Bert Williamson Webb.\" www.degusipefuneralhome.com. https://www.degusipefuneralhome.com/obituaries/Bert-Webb/#!/Obituary (accessed June 30, 2019).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Bert Williamson Webb was born on January 14, 1919, in Milledgeville, Georgia, to Berta Williamson Digby and Luke Digby. His mother died on the day of his birth, and he was soon adopted and raised by his mother's sister, Mary Williamson Webb and her husband Milton Webb.   Webb grew up on a farm in rural Milledgeville, was educated until the fourth grade in a one room school house, went to Georgia Military and graduated from the University of Georgia with a Bachelors of Science in Accounting.   During World War II, Webb served as a Captain in the U.S. Army with the 178th Ordnance Depot Company. He shipped overseas to Europe on November 11, 1943. He participated in the Invasion of Normandy and four other campaigns including the Battle of the Bulge. He was awarded a Bronze Star and five battle stars. He returned to the United States on November 11, 1945.   Following the war, Webb and his wife, Mary, lived in Chicago, Illinois, where he began his career with the Internal Revenue Service while also taking classes at Northwestern and attending Chicago Kent College of Law. After three years and the birth of his first daughter, Linda, and son, George, he was transferred to Jacksonville, Florida for a year and then Ocala for five years where his daughter, Andera, was born. Following a brief one year stay in Tampa, Florida, Webb decided to stay with the IRS and was relocated to Orlando, where he lived for 25 years in Pine Hills. Webb was one of the founders of the Pine Hills Boys Club and the Optimist Club; an active coach in Little League; and a Sunday school teacher at Pine Hills Methodist Church. In 1991 he and his wife, Mary, moved to Altamonte Springs, where he lived until his death on November 23, 2018.   Webb remained with the IRS until 1974 when he took early retirement. After retirement, Webb continued to prepare tax returns to help friends and extended family. During his career in the IRS, he had the opportunity to audit two former Presidents of the United States.   Source:  DeGusipe Funeral Home. \"Obituary for Bert Williamson Webb.\" www.degusipefuneralhome.com. https://www.degusipefuneralhome.com/obituaries/Bert-Webb/#!/Obituary (accessed June 30, 2019)."],"custodhist_html_tesm":["\u003cp\u003eTransferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026amp; Archives in July 2022.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Transferred from the Institute on World War II and the Human Experience to FSU Libraries Special Collections \u0026 Archives in July 2022."],"prefercite_html_tesm":["\u003cp\u003e[Title of Item], [Date of Item], [Box and Folder number], Bert Williamson Webb papers, Special Collections \u0026amp; Archives, Florida State University Libraries, Tallahassee, Florida. http://purl.fcla.edu/fsu/WWII_18_0030.\u003c/p\u003e"],"prefercite_tesim":["[Title of Item], [Date of Item], [Box and Folder number], Bert Williamson Webb papers, Special Collections \u0026 Archives, Florida State University Libraries, Tallahassee, Florida. http://purl.fcla.edu/fsu/WWII_18_0030."],"scopecontent_html_tesm":["\u003cp\u003eThis collection relates to Bert Williamson Webb who served as a Captain in the U.S. Army with the 178th Ordnance Depot Company during World War II in the European Theater of Operations. Webb received a Bronze Star Medal for his service.  This collection includes a manuscript memoir of Webb's World War II service in the U.S. Army, photographs, unit history with roster, and pre-war cadet booklet.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["This collection relates to Bert Williamson Webb who served as a Captain in the U.S. Army with the 178th Ordnance Depot Company during World War II in the European Theater of Operations. Webb received a Bronze Star Medal for his service.  This collection includes a manuscript memoir of Webb's World War II service in the U.S. Army, photographs, unit history with roster, and pre-war cadet booklet."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026amp; Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise reproduce from manuscripts must be submitted in writing to the Associate Dean for Special Collections \u0026 Archives. Permission for publication is given on behalf of the Florida State University Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher."],"names_ssim":["FSU Special Collections \u0026 Archives","Webb, Bert Williamson, 1921-2018","Webb, Linda Jean, Dr."],"corpname_ssim":["FSU Special Collections \u0026 Archives"],"names_coll_ssim":["Webb, Linda Jean, Dr."],"persname_ssim":["Webb, Bert Williamson, 1921-2018","Webb, Linda Jean, Dr."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"789ec3142ea5ddb5f1375ea2","timestamp":"2026-07-10T04:34:13.362Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/789ec3142ea5ddb5f1375ea2_aspace_41127cb2df0f42869917e82288cbb1cb"}},{"id":"83d5a5ce1d016fce045a8af0_aspace_7ecc838626b3e3aaebe42ac79b4338f5","type":"File","attributes":{"title":"18th National Conference on Preventing Crime in the Black Community, 2003","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/83d5a5ce1d016fce045a8af0_aspace_7ecc838626b3e3aaebe42ac79b4338f5#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7ecc838626b3e3aaebe42ac79b4338f5","ref_ssm":["aspace_7ecc838626b3e3aaebe42ac79b4338f5","aspace_7ecc838626b3e3aaebe42ac79b4338f5"],"id":"83d5a5ce1d016fce045a8af0_aspace_7ecc838626b3e3aaebe42ac79b4338f5","title_filing_ssi":"18th National Conference on Preventing Crime in the Black Community","title_ssm":["18th National Conference on Preventing Crime in the Black Community"],"title_tesim":["18th National Conference on Preventing Crime in the Black Community"],"unitdate_other_ssim":["2003"],"normalized_date_ssm":["2003"],"normalized_title_ssm":["18th National Conference on Preventing Crime in the Black Community, 2003"],"text":["18th National Conference on Preventing Crime in the Black Community, 2003","Julie Hunter Collection, 1961-2022","Professional Papers","General, Circa 1981-2019","/repositories/2/archival_objects/7892","box 2","folder 52"],"component_level_isim":[3],"parent_ids_ssim":["83d5a5ce1d016fce045a8af0","83d5a5ce1d016fce045a8af0_aspace_2e477ac1f3b85fb072498122cd369c57","83d5a5ce1d016fce045a8af0_aspace_2aa1bd9cc6f92845e14fe4fe46668489"],"parent_unittitles_ssm":["Julie Hunter Collection, 1961-2022","Professional Papers","General, Circa 1981-2019"],"parent_unittitles_tesim":["Julie Hunter Collection, 1961-2022","Professional Papers","General, Circa 1981-2019"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/7892"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Julie Hunter Collection, 1961-2022"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":58,"parent_access_restrict_tesm":["Julie Hunter Collection is open for research."],"date_range_isim":[2003],"containers_ssim":["box 2","folder 52"],"_nest_path_":"/components#1/components#3/components#0","_nest_parent_":"83d5a5ce1d016fce045a8af0_aspace_2aa1bd9cc6f92845e14fe4fe46668489","_root_":"83d5a5ce1d016fce045a8af0","_version_":1876455792462266368,"timestamp":"2026-09-16T03:01:35.141Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"83d5a5ce1d016fce045a8af0","title_filing_ssi":"Hunter, Julie Collection","title_ssm":["Julie Hunter Collection"],"title_tesim":["Julie Hunter Collection"],"ead_ssi":"83d5a5ce1d016fce045a8af0","unitdate_ssm":["1961-2022"],"unitdate_inclusive_ssm":["1961-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2021.16","/repositories/2/resources/182"],"text":["AARLCC.2021.16","/repositories/2/resources/182","Julie Hunter Collection, 1961-2022","Fort Lauderdale (Fla.)","Broward County (Fla.)","African American librarians","African American women","Hunter, Julie, 1937-2022 -- Correspondence","Library directors","Public libraries -- Florida -- Fort Lauderdale","Libraries and Black people","African American librarians","Photographs","Clippings","Programs","minutes (administrative records)","plaques (flat objects)","Certificates","Oral histories","Julie Hunter Collection is open for research.","The collection is arranged into 8 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs, Series V. Printed Materials, Series VI. Audio-Visual Materials, Series VII. Awards, and Series VIII. Poster.","Julie Varner Hunter, a leader within the field of librarianship and civil rights, was born on April 5, 1937 in Summerville, South Carolina to parents John Varner, welder and grocery store owner, and Mildred Collins, a homemaker. She was one of eight children. Hunter experienced racism and Ku Klux Klan activities as a young girl such as cross burnings in neighborhood yards and KKK parades through town. She earned her Bachelor's degree in Mathematics with a minor in English from Claflin College (now Claflin University) in Orangeburg, South Carolina, graduating summa cum laude. She joined the student chapter of the National Association for the Advancement of Colored People (NAACP) and served as president. After college, she worked as a Field Director for the NAACP and organized youth groups in the South from 1960 to 1963. In 1964, Mrs. Hunter attended library school at Atlanta University (now known as Clark Atlanta University). In Atlanta, she met Roy Hunter a professor of Biology at Morehouse College. They married in 1966.","Julie worked as the director of Atlanta University's Trevor Arnett Library after receiving her Masters degree in library science. She furthered her leadership in librarianship by working as the deputy/acting Director of the Robert W. Woodruff Library of Atlanta University in Atlanta, Georgia; Assistant Director of DeKalb County Public Library system in Decatur, Georgia; and the first Director of the Auburn Avenue Research Library on African American Culture and History at the Atlanta-Fulton Public Library. In 1996, she was promoted to Director of the Atlanta-Fulton Public Library.","Based on her prior experiences at the Auburn Avenue Research Library, Samuel Morrison recruited Julie to become the second director of the African American Research Library and Cultural Center (AARLCC). Her appointment began in September 2002. Julie strengthened AARLCC's collections and programs, championing the preservation and access of Black history and culture in South Florida. She coordinated the Ashley Bryan Art Series Conference with children's book illustrator Ashley Bryan and librarian and educator, Dr. Henrietta M. Smith. The conference hosts an illustrator of African descent each year and the artist donates an illustration to AARLCC. Julie also oversaw the acquisition of archival collections such as the Esther Rolle Collection in 2005 which contains actress Esther Rolle's photographs, playbills, and an Emmy Award. She later worked as Assistant Library Director for Broward County Library system until 2013. ","After her retirement in 2013, Julie remained active in the community and libraries by serving in the Friends of AARLCC. She received the 2014 Lifetime Achievement Award from the Florida Library Association, honoring her 47 years of library service. Through her work in the NAACP and in librarianship, Julie Hunter championed the spread of knowledge to dismantle ignorance and promote well-being in American society. She passed away on July 13, 2022.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Julie Hunter Collection in the Broward County Library Digital Archives.","The collection contains personal and professional papers of Julie Hunter. Materials include correspondence to and from Julie Hunter, professional papers documenting her career at the Atlanta-Fulton Public Library, African American Research Library and Cultural Center, and Broward County Library, photographs, notes, certificates, plaques, newspaper clippings, audio-visual materials, and one framed poster.","AARLCC Special Collections","African American Research Library and Cultural Center","Broward County Library","Auburn Avenue Research Library on African-American Culture and History","Atlanta-Fulton Public Library","National Association for the Advancement of Colored People","English"],"unitid_tesim":["AARLCC.2021.16","/repositories/2/resources/182"],"normalized_date_ssm":["1961-2022"],"normalized_title_ssm":["Julie Hunter Collection, 1961-2022"],"collection_title_tesim":["Julie Hunter Collection, 1961-2022"],"collection_ssim":["Julie Hunter Collection, 1961-2022"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"geogname_ssim":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"places_ssim":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"access_subjects_ssim":["African American librarians","African American women","Hunter, Julie, 1937-2022 -- Correspondence","Library directors","Public libraries -- Florida -- Fort Lauderdale","Libraries and Black people","African American librarians","Photographs","Clippings","Programs","minutes (administrative records)","plaques (flat objects)","Certificates","Oral histories"],"access_subjects_ssm":["African American librarians","African American women","Hunter, Julie, 1937-2022 -- Correspondence","Library directors","Public libraries -- Florida -- Fort Lauderdale","Libraries and Black people","African American librarians","Photographs","Clippings","Programs","minutes (administrative records)","plaques (flat objects)","Certificates","Oral histories"],"has_online_content_ssim":["false"],"extent_ssm":["9 Hollinger Boxes","2 Boxes (irregular size)"],"extent_tesim":["9 Hollinger Boxes","2 Boxes (irregular size)"],"genreform_ssim":["Photographs","Clippings","Programs","minutes (administrative records)","plaques (flat objects)","Certificates","Oral histories"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eJulie Hunter Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Julie Hunter Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 8 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs, Series V. Printed Materials, Series VI. Audio-Visual Materials, Series VII. Awards, and Series VIII. Poster.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 8 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs, Series V. Printed Materials, Series VI. Audio-Visual Materials, Series VII. Awards, and Series VIII. Poster."],"bioghist_html_tesm":["\u003cp\u003eJulie Varner Hunter, a leader within the field of librarianship and civil rights, was born on April 5, 1937 in Summerville, South Carolina to parents John Varner, welder and grocery store owner, and Mildred Collins, a homemaker. She was one of eight children. Hunter experienced racism and Ku Klux Klan activities as a young girl such as cross burnings in neighborhood yards and KKK parades through town. She earned her Bachelor's degree in Mathematics with a minor in English from Claflin College (now Claflin University) in Orangeburg, South Carolina, graduating summa cum laude. She joined the student chapter of the National Association for the Advancement of Colored People (NAACP) and served as president. After college, she worked as a Field Director for the NAACP and organized youth groups in the South from 1960 to 1963. In 1964, Mrs. Hunter attended library school at Atlanta University (now known as Clark Atlanta University). In Atlanta, she met Roy Hunter a professor of Biology at Morehouse College. They married in 1966.\u003c/p\u003e\n","\u003cp\u003eJulie worked as the director of Atlanta University's Trevor Arnett Library after receiving her Masters degree in library science. She furthered her leadership in librarianship by working as the deputy/acting Director of the Robert W. Woodruff Library of Atlanta University in Atlanta, Georgia; Assistant Director of DeKalb County Public Library system in Decatur, Georgia; and the first Director of the Auburn Avenue Research Library on African American Culture and History at the Atlanta-Fulton Public Library. In 1996, she was promoted to Director of the Atlanta-Fulton Public Library.\u003c/p\u003e\n","\u003cp\u003eBased on her prior experiences at the Auburn Avenue Research Library, Samuel Morrison recruited Julie to become the second director of the African American Research Library and Cultural Center (AARLCC). Her appointment began in September 2002. Julie strengthened AARLCC's collections and programs, championing the preservation and access of Black history and culture in South Florida. She coordinated the Ashley Bryan Art Series Conference with children's book illustrator Ashley Bryan and librarian and educator, Dr. Henrietta M. Smith. The conference hosts an illustrator of African descent each year and the artist donates an illustration to AARLCC. Julie also oversaw the acquisition of archival collections such as the Esther Rolle Collection in 2005 which contains actress Esther Rolle's photographs, playbills, and an Emmy Award. She later worked as Assistant Library Director for Broward County Library system until 2013. \u003c/p\u003e\n","\u003cp\u003eAfter her retirement in 2013, Julie remained active in the community and libraries by serving in the Friends of AARLCC. She received the 2014 Lifetime Achievement Award from the Florida Library Association, honoring her 47 years of library service. Through her work in the NAACP and in librarianship, Julie Hunter championed the spread of knowledge to dismantle ignorance and promote well-being in American society. She passed away on July 13, 2022.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Julie Varner Hunter, a leader within the field of librarianship and civil rights, was born on April 5, 1937 in Summerville, South Carolina to parents John Varner, welder and grocery store owner, and Mildred Collins, a homemaker. She was one of eight children. Hunter experienced racism and Ku Klux Klan activities as a young girl such as cross burnings in neighborhood yards and KKK parades through town. She earned her Bachelor's degree in Mathematics with a minor in English from Claflin College (now Claflin University) in Orangeburg, South Carolina, graduating summa cum laude. She joined the student chapter of the National Association for the Advancement of Colored People (NAACP) and served as president. After college, she worked as a Field Director for the NAACP and organized youth groups in the South from 1960 to 1963. In 1964, Mrs. Hunter attended library school at Atlanta University (now known as Clark Atlanta University). In Atlanta, she met Roy Hunter a professor of Biology at Morehouse College. They married in 1966.","Julie worked as the director of Atlanta University's Trevor Arnett Library after receiving her Masters degree in library science. She furthered her leadership in librarianship by working as the deputy/acting Director of the Robert W. Woodruff Library of Atlanta University in Atlanta, Georgia; Assistant Director of DeKalb County Public Library system in Decatur, Georgia; and the first Director of the Auburn Avenue Research Library on African American Culture and History at the Atlanta-Fulton Public Library. In 1996, she was promoted to Director of the Atlanta-Fulton Public Library.","Based on her prior experiences at the Auburn Avenue Research Library, Samuel Morrison recruited Julie to become the second director of the African American Research Library and Cultural Center (AARLCC). Her appointment began in September 2002. Julie strengthened AARLCC's collections and programs, championing the preservation and access of Black history and culture in South Florida. She coordinated the Ashley Bryan Art Series Conference with children's book illustrator Ashley Bryan and librarian and educator, Dr. Henrietta M. Smith. The conference hosts an illustrator of African descent each year and the artist donates an illustration to AARLCC. Julie also oversaw the acquisition of archival collections such as the Esther Rolle Collection in 2005 which contains actress Esther Rolle's photographs, playbills, and an Emmy Award. She later worked as Assistant Library Director for Broward County Library system until 2013. ","After her retirement in 2013, Julie remained active in the community and libraries by serving in the Friends of AARLCC. She received the 2014 Lifetime Achievement Award from the Florida Library Association, honoring her 47 years of library service. Through her work in the NAACP and in librarianship, Julie Hunter championed the spread of knowledge to dismantle ignorance and promote well-being in American society. She passed away on July 13, 2022."],"prefercite_html_tesm":["\u003cp\u003eJulie Hunter Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Julie Hunter Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll44\" target=\"_blank\"\u003eView a selection of digitized materials from the Julie Hunter Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Julie Hunter Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains personal and professional papers of Julie Hunter. Materials include correspondence to and from Julie Hunter, professional papers documenting her career at the Atlanta-Fulton Public Library, African American Research Library and Cultural Center, and Broward County Library, photographs, notes, certificates, plaques, newspaper clippings, audio-visual materials, and one framed poster.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains personal and professional papers of Julie Hunter. Materials include correspondence to and from Julie Hunter, professional papers documenting her career at the Atlanta-Fulton Public Library, African American Research Library and Cultural Center, and Broward County Library, photographs, notes, certificates, plaques, newspaper clippings, audio-visual materials, and one framed poster."],"names_coll_ssim":["African American Research Library and Cultural Center","Broward County Library","Auburn Avenue Research Library on African-American Culture and History","Atlanta-Fulton Public Library","National Association for the Advancement of Colored People"],"names_ssim":["AARLCC Special Collections","African American Research Library and Cultural Center","Broward County Library","Auburn Avenue Research Library on African-American Culture and History","Atlanta-Fulton Public Library","National Association for the Advancement of Colored People"],"corpname_ssim":["AARLCC Special Collections","African American Research Library and Cultural Center","Broward County Library","Auburn Avenue Research Library on African-American Culture and History","Atlanta-Fulton Public Library","National Association for the Advancement of Colored People"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":171,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455792462266368,"_root_":"83d5a5ce1d016fce045a8af0","timestamp":"2026-09-16T03:01:35.141Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/83d5a5ce1d016fce045a8af0_aspace_7ecc838626b3e3aaebe42ac79b4338f5"}},{"id":"dde59887df80392325f2a53e_aspace_78e17af8ab8f57526755ecbee7cfcf7a","type":"File","attributes":{"title":"1996-2003, 1996-2003","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/dde59887df80392325f2a53e_aspace_78e17af8ab8f57526755ecbee7cfcf7a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_78e17af8ab8f57526755ecbee7cfcf7a","ref_ssm":["aspace_78e17af8ab8f57526755ecbee7cfcf7a","aspace_78e17af8ab8f57526755ecbee7cfcf7a"],"id":"dde59887df80392325f2a53e_aspace_78e17af8ab8f57526755ecbee7cfcf7a","title_filing_ssi":"1996-2003","title_ssm":["1996-2003"],"title_tesim":["1996-2003"],"unitdate_inclusive_ssm":["1996-2003"],"normalized_date_ssm":["1996-2003"],"normalized_title_ssm":["1996-2003, 1996-2003"],"text":["1996-2003, 1996-2003","Florida Citrus Mutual Papers, 1930s-2000s","Reports","Florida Citrus Mutual Annual Statistical Reports","/repositories/3/archival_objects/42008","box 4"],"component_level_isim":[3],"parent_ids_ssim":["dde59887df80392325f2a53e","dde59887df80392325f2a53e_aspace_422f399423cffb55d82296c44376d757","dde59887df80392325f2a53e_aspace_cc85f46feda3e1d03d98c1471d4c8852"],"parent_unittitles_ssm":["Florida Citrus Mutual Papers, 1930s-2000s","Reports","Florida Citrus Mutual Annual Statistical Reports"],"parent_unittitles_tesim":["Florida Citrus Mutual Papers, 1930s-2000s","Reports","Florida Citrus Mutual Annual Statistical Reports"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/3/archival_objects/42008"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"collection_ssim":["Florida Citrus Mutual Papers, 1930s-2000s"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":7,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials."],"parent_access_terms_tesm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"date_range_isim":[1996,1997,1998,1999,2000,2001,2002,2003],"containers_ssim":["box 4"],"_nest_path_":"/components#1/components#0/components#3","_nest_parent_":"dde59887df80392325f2a53e_aspace_cc85f46feda3e1d03d98c1471d4c8852","_root_":"dde59887df80392325f2a53e","_version_":1870852031839731712,"timestamp":"2026-07-16T06:32:12.561Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"dde59887df80392325f2a53e","title_ssm":["Florida Citrus Mutual Papers"],"title_tesim":["Florida Citrus Mutual Papers"],"ead_ssi":"dde59887df80392325f2a53e","unitdate_ssm":["1930s-2000s"],"unitdate_inclusive_ssm":["1930s-2000s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["CIT7005","/repositories/3/resources/142"],"text":["CIT7005","/repositories/3/resources/142","Florida Citrus Mutual Papers, 1930s-2000s","Florida Citrus Mutual","Citrus fruit industry--Florida--History.","Citrus growers--Florida--History.","Agricultural cooperatives--Florida--History.","Citrus fruits--Marketing--Florida","Citrus fruit industry--Florida--Marketing","Citrus fruit industry--Law and legislation--United States","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials.","In the late 1940s, Florida's citrus industry was experiencing severe market fluctuations. Citrus prices did not cover the cost of production, and growers were losing money. The Citrus Exchange determined that the industry needed an organization dedicated to stabilizing prices. ","The idea for Florida Citrus Mutual was born. With the support of several key industry members known as Mutual's \"Founding Fathers\" – Latt Maxcy, Barney Kilgore, C.C. Commander, J.A. Griffin and James C. Morton – Mutual was formed in 1948, and was officially activated on March 25, 1949. ","With more than 6,000 grower members, Florida Citrus Mutual's primary goal was to stabilize prices for growers and to provide previously unpublished price information to members. In the years that followed, Mutual expanded its focus to advocate for growers among state and federal lawmakers.\nInformation pulled from the Florida Citrus Mutual webpage (https://www.flcitrusmutual.com/).","This collection encompasses various materials produced by or written on the Florida Citrus Mutual organization.  It has a wide date range, with files beginning in the 1930s, and ending in the early 2000s.  It includes records of legal issues, including tariffs and regulatory laws.  It also includes several business files, from meeting accounts to associate records to statistics reports to marketing materials.  It has the 1987-2002 Market News Bulletin for the organization.  It also contains three boxes of photographs, which largely feature members of the organization.","This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","Thomas B. Mack Florida Citrus Archives","English"],"unitid_tesim":["CIT7005","/repositories/3/resources/142"],"normalized_date_ssm":["1930s-2000s"],"normalized_title_ssm":["Florida Citrus Mutual Papers, 1930s-2000s"],"collection_title_tesim":["Florida Citrus Mutual Papers, 1930s-2000s"],"collection_ssim":["Florida Citrus Mutual Papers, 1930s-2000s"],"repository_ssm":["Thomas B. Mack Florida Citrus Archives"],"repository_ssim":["Thomas B. Mack Florida Citrus Archives"],"access_terms_ssm":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["This collection was donated to Professor Thomas Mack, date unknown (prior to 2009)."],"access_subjects_ssim":["Florida Citrus Mutual","Citrus fruit industry--Florida--History.","Citrus growers--Florida--History.","Agricultural cooperatives--Florida--History.","Citrus fruits--Marketing--Florida","Citrus fruit industry--Florida--Marketing","Citrus fruit industry--Law and legislation--United States"],"access_subjects_ssm":["Florida Citrus Mutual","Citrus fruit industry--Florida--History.","Citrus growers--Florida--History.","Agricultural cooperatives--Florida--History.","Citrus fruits--Marketing--Florida","Citrus fruit industry--Florida--Marketing","Citrus fruit industry--Law and legislation--United States"],"has_online_content_ssim":["false"],"extent_ssm":["3.1 Linear Feet"],"extent_tesim":["3.1 Linear Feet"],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials."],"bioghist_html_tesm":["\u003cp\u003eIn the late 1940s, Florida's citrus industry was experiencing severe market fluctuations. Citrus prices did not cover the cost of production, and growers were losing money. 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In the years that followed, Mutual expanded its focus to advocate for growers among state and federal lawmakers.\nInformation pulled from the Florida Citrus Mutual webpage (https://www.flcitrusmutual.com/).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["In the late 1940s, Florida's citrus industry was experiencing severe market fluctuations. Citrus prices did not cover the cost of production, and growers were losing money. The Citrus Exchange determined that the industry needed an organization dedicated to stabilizing prices. ","The idea for Florida Citrus Mutual was born. With the support of several key industry members known as Mutual's \"Founding Fathers\" – Latt Maxcy, Barney Kilgore, C.C. Commander, J.A. Griffin and James C. Morton – Mutual was formed in 1948, and was officially activated on March 25, 1949. ","With more than 6,000 grower members, Florida Citrus Mutual's primary goal was to stabilize prices for growers and to provide previously unpublished price information to members. In the years that followed, Mutual expanded its focus to advocate for growers among state and federal lawmakers.\nInformation pulled from the Florida Citrus Mutual webpage (https://www.flcitrusmutual.com/)."],"scopecontent_html_tesm":["\u003cp\u003eThis collection encompasses various materials produced by or written on the Florida Citrus Mutual organization.  It has a wide date range, with files beginning in the 1930s, and ending in the early 2000s.  It includes records of legal issues, including tariffs and regulatory laws.  It also includes several business files, from meeting accounts to associate records to statistics reports to marketing materials.  It has the 1987-2002 Market News Bulletin for the organization.  It also contains three boxes of photographs, which largely feature members of the organization.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection encompasses various materials produced by or written on the Florida Citrus Mutual organization.  It has a wide date range, with files beginning in the 1930s, and ending in the early 2000s.  It includes records of legal issues, including tariffs and regulatory laws.  It also includes several business files, from meeting accounts to associate records to statistics reports to marketing materials.  It has the 1987-2002 Market News Bulletin for the organization.  It also contains three boxes of photographs, which largely feature members of the organization."],"userestrict_html_tesm":["\u003cp\u003eThis collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection is owned by Florida Southern College and is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["Thomas B. Mack Florida Citrus Archives"],"corpname_ssim":["Thomas B. 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Collection, bulk 1993-2006","Edison Home Collection \u0026 Travel and Tourism Segments \u0026 Hurricanes","/repositories/2/archival_objects/47438","English","box 5"],"component_level_isim":[2],"parent_ids_ssim":["2fccbf8f2d795e4018f74fa1","2fccbf8f2d795e4018f74fa1_aspace_47d261f25ca097b2225e3b7765b2ee0f"],"parent_unittitles_ssm":["Mainsail Video Productions, Inc. Collection, bulk 1993-2006","Edison Home Collection \u0026 Travel and Tourism Segments \u0026 Hurricanes"],"parent_unittitles_tesim":["Mainsail Video Productions, Inc. Collection, bulk 1993-2006","Edison Home Collection \u0026 Travel and Tourism Segments \u0026 Hurricanes"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/47438"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Mainsail Video Productions, Inc. 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Main Sail focuses on broadcast documentaries, and designs digital art and motion graphics for the television industry.","This collection contains VHS tapes pertaining to the Main Sail Video Productions Campany based out of Southwest Florida and includes tapes involving the Southwest Florida Water Management District in the Everglades, the Edison Home Collection, Travel and Tourism segments, Hurricanes, and Floridas Golf culture. Series involving the Southwest Florida International Airport, Florida wildlife, Farm Tours, and the Red Sox spring training.","Florida Gulf Coast University Special Collections","English"],"unitid_tesim":["02.09.24","/repositories/2/resources/103"],"normalized_date_ssm":["bulk 1993-2006"],"normalized_title_ssm":["Mainsail Video Productions, Inc. Collection, bulk 1993-2006"],"collection_title_tesim":["Mainsail Video Productions, Inc. Collection, bulk 1993-2006"],"collection_ssim":["Mainsail Video Productions, Inc. 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Main Sail focuses on broadcast documentaries, and designs digital art and motion graphics for the television industry.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical "],"bioghist_tesim":["Mainsail Video Productions is an Emmy-Award winning TV production company based in Southwest Florida. Main Sail focuses on broadcast documentaries, and designs digital art and motion graphics for the television industry."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains VHS tapes pertaining to the Main Sail Video Productions Campany based out of Southwest Florida and includes tapes involving the Southwest Florida Water Management District in the Everglades, the Edison Home Collection, Travel and Tourism segments, Hurricanes, and Floridas Golf culture. Series involving the Southwest Florida International Airport, Florida wildlife, Farm Tours, and the Red Sox spring training.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["This collection contains VHS tapes pertaining to the Main Sail Video Productions Campany based out of Southwest Florida and includes tapes involving the Southwest Florida Water Management District in the Everglades, the Edison Home Collection, Travel and Tourism segments, Hurricanes, and Floridas Golf culture. Series involving the Southwest Florida International Airport, Florida wildlife, Farm Tours, and the Red Sox spring training."],"names_ssim":["Florida Gulf Coast University Special Collections"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":458,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"2fccbf8f2d795e4018f74fa1","timestamp":"2026-06-19T01:56:37.457Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2fccbf8f2d795e4018f74fa1_aspace_67cd7219924133ebce81e379dab824d7"}},{"id":"acd92a5aa7d9fcd753e986eb_aspace_e1b56ae941c82413f5733c6e8b44d907","type":"File","attributes":{"title":"1st Anniversary celebration, 2003","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/acd92a5aa7d9fcd753e986eb_aspace_e1b56ae941c82413f5733c6e8b44d907#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_e1b56ae941c82413f5733c6e8b44d907","ref_ssm":["aspace_e1b56ae941c82413f5733c6e8b44d907","aspace_e1b56ae941c82413f5733c6e8b44d907"],"id":"acd92a5aa7d9fcd753e986eb_aspace_e1b56ae941c82413f5733c6e8b44d907","title_filing_ssi":"1st Anniversary celebration","title_ssm":["1st Anniversary celebration"],"title_tesim":["1st Anniversary celebration"],"unitdate_other_ssim":["2003"],"normalized_date_ssm":["2003"],"normalized_title_ssm":["1st Anniversary celebration, 2003"],"text":["1st Anniversary celebration, 2003","AARLCC History Collection, 1995-Present","Events, exhibits, and programing","/repositories/2/archival_objects/19935","box 2","folder 10"],"component_level_isim":[2],"parent_ids_ssim":["acd92a5aa7d9fcd753e986eb","acd92a5aa7d9fcd753e986eb_aspace_637024f84095172f8093ecc737280891"],"parent_unittitles_ssm":["AARLCC History Collection, 1995-Present","Events, exhibits, and programing"],"parent_unittitles_tesim":["AARLCC History Collection, 1995-Present","Events, exhibits, and programing"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/19935"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["AARLCC History Collection, 1995-Present"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":39,"parent_access_restrict_tesm":["The AARLCC History Collection is open for research."],"date_range_isim":[2003],"containers_ssim":["box 2","folder 10"],"_nest_path_":"/components#2/components#0","_nest_parent_":"acd92a5aa7d9fcd753e986eb_aspace_637024f84095172f8093ecc737280891","_root_":"acd92a5aa7d9fcd753e986eb","_version_":1876455834073956352,"timestamp":"2026-09-16T03:02:14.826Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"acd92a5aa7d9fcd753e986eb","title_filing_ssi":"AARLCC History Collection","title_ssm":["AARLCC History Collection"],"title_tesim":["AARLCC History Collection"],"ead_ssi":"acd92a5aa7d9fcd753e986eb","unitdate_ssm":["1995-Present"],"unitdate_inclusive_ssm":["1995-Present"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2024.1","/repositories/2/resources/377"],"text":["AARLCC.2024.1","/repositories/2/resources/377","AARLCC History Collection, 1995-Present","Broward County Library -- History","Library directors","African American librarians","Libraries and Black people","Public libraries -- Florida -- Fort Lauderdale","The AARLCC History Collection is open for research.","Accruals to the AARLCC History Collection are expected.","Inspired and spearheaded by Samuel Morrison, librarian and thirteen-year director of the Broward County Library system, the African-American Research Library and Cultural Center (AARLCC) opened on October 6, 2002. It replaced the Von D. Mizell Library in the historic Sistrunk neighborhood, Fort Lauderdale's historically Black neighborhood. ","In late 1995 the Broward County Commission pledged funding to build AARLCC, beginning the library's design and construction planning. Over the next 7 years, community fundraising efforts matched and then surpassed the funding allocated by the county, surpassing millions of dollars. The architectural and design firm PAWA Complex International won the contract to design the structure. The building's interior design was completed by Cecil Hayes. Multiple public art projects also went into the original design of the building, including the Harambe Room by Gary Moore, \"The Bridge\" sculpture by George Gadson, and \"The Adinkra Tribute\" by C. J. Lattimore.","Opened as the third public library dedicated to Black research in the United States - along with the Schomburg Center for Research and Black Culture in New York and the Auburn Avenue Research Library in Atlanta - AARLCC distinguished itself by focusing on Caribbean and South American Black history in addition to African-American and African history. To achieve this mission, AARLCC houses the AARLCC Special Collections which continually works to archive and digitize collections for public access. Notable archival collections include the Alex Haley Collection, the Doroty Porter Wesley Collection, and the Niara Sudarkasa Collection. ","In addition to the aforementioned missions, AARLCC serves as a public library branch for the local community, providing patrons with essential resources such as book lending, computer and internet access, reading rooms, and an assortment of programming. The library also has a museum gallery on the first floor featuring large-scale exhibits.","AARLCC's first executive director was Arglenda Friday, who resigned for unforseen personal circumstances in 2001. Easter Wilcher served as the interim director until the library found a replacement. Julie Hunter became the second director, serving from 2002 to 2006 and overseeing the library's grand opening and early programming. She was succeeded by Alicia Antone (2006-January 2008), Elaina Norlin (2009-2019), Makiba Foster (2019-2022), and Dr. Tameka Bradley (2022-present). ","This collection received file level processing and a finding aid was created by Adam Anderson in Feburary 2024. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","The AARLCC History Collection documents the history of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. The materials contain information about the inception of the library branch in 1995, its subsequent design and construction, and fundraising efforts. It also contains information about the AARLCC's programming, exhibits, staff, and special events since the grand opening in 2002 to the present. The collection materials include brochures, events, newspaper clippings, correspondence, reports, printed materials, blueprints, photographs, born-digital materials, and audio-visual materials.","The AARLCC History Collection documents the history of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida.","AARLCC Special Collections","African American Research Library and Cultural Center","English"],"unitid_tesim":["AARLCC.2024.1","/repositories/2/resources/377"],"normalized_date_ssm":["1995-Present"],"normalized_title_ssm":["AARLCC History Collection, 1995-Present"],"collection_title_tesim":["AARLCC History Collection, 1995-Present"],"collection_ssim":["AARLCC History Collection, 1995-Present"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"creator_ssm":["African American Research Library and Cultural Center"],"creator_ssim":["African American Research Library and Cultural Center"],"creator_corpname_ssim":["African American Research Library and Cultural Center"],"creators_ssim":["African American Research Library and Cultural Center"],"access_subjects_ssim":["Broward County Library -- History","Library directors","African American librarians","Libraries and Black people","Public libraries -- Florida -- Fort Lauderdale"],"access_subjects_ssm":["Broward County Library -- History","Library directors","African American librarians","Libraries and Black people","Public libraries -- Florida -- Fort Lauderdale"],"has_online_content_ssim":["false"],"extent_ssm":["8 Hollinger Boxes","2 Boxes (irregular size)"],"extent_tesim":["8 Hollinger Boxes","2 Boxes (irregular size)"],"date_range_isim":[1995],"accessrestrict_html_tesm":["\u003cp\u003eThe AARLCC History Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The AARLCC History Collection is open for research."],"accruals_html_tesm":["\u003cp\u003eAccruals to the AARLCC History Collection are expected.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accruals to the AARLCC History Collection are expected."],"bioghist_html_tesm":["\u003cp\u003eInspired and spearheaded by Samuel Morrison, librarian and thirteen-year director of the Broward County Library system, the African-American Research Library and Cultural Center (AARLCC) opened on October 6, 2002. 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Lattimore.\u003c/p\u003e\n","\u003cp\u003eOpened as the third public library dedicated to Black research in the United States - along with the Schomburg Center for Research and Black Culture in New York and the Auburn Avenue Research Library in Atlanta - AARLCC distinguished itself by focusing on Caribbean and South American Black history in addition to African-American and African history. To achieve this mission, AARLCC houses the AARLCC Special Collections which continually works to archive and digitize collections for public access. Notable archival collections include the Alex Haley Collection, the Doroty Porter Wesley Collection, and the Niara Sudarkasa Collection. \u003c/p\u003e\n","\u003cp\u003eIn addition to the aforementioned missions, AARLCC serves as a public library branch for the local community, providing patrons with essential resources such as book lending, computer and internet access, reading rooms, and an assortment of programming. The library also has a museum gallery on the first floor featuring large-scale exhibits.\u003c/p\u003e\n","\u003cp\u003eAARLCC's first executive director was Arglenda Friday, who resigned for unforseen personal circumstances in 2001. Easter Wilcher served as the interim director until the library found a replacement. Julie Hunter became the second director, serving from 2002 to 2006 and overseeing the library's grand opening and early programming. She was succeeded by Alicia Antone (2006-January 2008), Elaina Norlin (2009-2019), Makiba Foster (2019-2022), and Dr. Tameka Bradley (2022-present). \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Inspired and spearheaded by Samuel Morrison, librarian and thirteen-year director of the Broward County Library system, the African-American Research Library and Cultural Center (AARLCC) opened on October 6, 2002. It replaced the Von D. Mizell Library in the historic Sistrunk neighborhood, Fort Lauderdale's historically Black neighborhood. ","In late 1995 the Broward County Commission pledged funding to build AARLCC, beginning the library's design and construction planning. Over the next 7 years, community fundraising efforts matched and then surpassed the funding allocated by the county, surpassing millions of dollars. The architectural and design firm PAWA Complex International won the contract to design the structure. The building's interior design was completed by Cecil Hayes. Multiple public art projects also went into the original design of the building, including the Harambe Room by Gary Moore, \"The Bridge\" sculpture by George Gadson, and \"The Adinkra Tribute\" by C. J. Lattimore.","Opened as the third public library dedicated to Black research in the United States - along with the Schomburg Center for Research and Black Culture in New York and the Auburn Avenue Research Library in Atlanta - AARLCC distinguished itself by focusing on Caribbean and South American Black history in addition to African-American and African history. To achieve this mission, AARLCC houses the AARLCC Special Collections which continually works to archive and digitize collections for public access. Notable archival collections include the Alex Haley Collection, the Doroty Porter Wesley Collection, and the Niara Sudarkasa Collection. ","In addition to the aforementioned missions, AARLCC serves as a public library branch for the local community, providing patrons with essential resources such as book lending, computer and internet access, reading rooms, and an assortment of programming. The library also has a museum gallery on the first floor featuring large-scale exhibits.","AARLCC's first executive director was Arglenda Friday, who resigned for unforseen personal circumstances in 2001. Easter Wilcher served as the interim director until the library found a replacement. Julie Hunter became the second director, serving from 2002 to 2006 and overseeing the library's grand opening and early programming. She was succeeded by Alicia Antone (2006-January 2008), Elaina Norlin (2009-2019), Makiba Foster (2019-2022), and Dr. Tameka Bradley (2022-present). "],"prefercite_html_tesm":["\u003cp\u003eAARLCC History Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["AARLCC History Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing and a finding aid was created by Adam Anderson in Feburary 2024. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing and a finding aid was created by Adam Anderson in Feburary 2024. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe AARLCC History Collection documents the history of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. The materials contain information about the inception of the library branch in 1995, its subsequent design and construction, and fundraising efforts. It also contains information about the AARLCC's programming, exhibits, staff, and special events since the grand opening in 2002 to the present. The collection materials include brochures, events, newspaper clippings, correspondence, reports, printed materials, blueprints, photographs, born-digital materials, and audio-visual materials.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The AARLCC History Collection documents the history of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida. The materials contain information about the inception of the library branch in 1995, its subsequent design and construction, and fundraising efforts. It also contains information about the AARLCC's programming, exhibits, staff, and special events since the grand opening in 2002 to the present. The collection materials include brochures, events, newspaper clippings, correspondence, reports, printed materials, blueprints, photographs, born-digital materials, and audio-visual materials."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3c826a2397e08456847b304e6464edf0\"\u003eThe AARLCC History Collection documents the history of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida.\u003c/abstract\u003e"],"abstract_tesim":["The AARLCC History Collection documents the history of the African American Research Library and Cultural Center (AARLCC) in Fort Lauderdale, Florida."],"names_ssim":["AARLCC Special Collections","African American Research Library and Cultural Center"],"corpname_ssim":["AARLCC Special Collections","African American Research Library and Cultural Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":150,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455834073956352,"_root_":"acd92a5aa7d9fcd753e986eb","timestamp":"2026-09-16T03:02:14.826Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/acd92a5aa7d9fcd753e986eb_aspace_e1b56ae941c82413f5733c6e8b44d907"}},{"id":"6a3439ec5b142fcb048b4e8a_aspace_a52df865da0a769c7a874dc84052f681","type":"File","attributes":{"title":"2000s Pictures, 2000-2010","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/6a3439ec5b142fcb048b4e8a_aspace_a52df865da0a769c7a874dc84052f681#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eA collection of photographs of Ellen Peterson and various other people and figures from the 2000s.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6a3439ec5b142fcb048b4e8a_aspace_a52df865da0a769c7a874dc84052f681#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_a52df865da0a769c7a874dc84052f681","ref_ssm":["aspace_a52df865da0a769c7a874dc84052f681","aspace_a52df865da0a769c7a874dc84052f681"],"id":"6a3439ec5b142fcb048b4e8a_aspace_a52df865da0a769c7a874dc84052f681","title_filing_ssi":"2000s Pictures","title_ssm":["2000s Pictures"],"title_tesim":["2000s Pictures"],"unitdate_inclusive_ssm":["2000-2010"],"normalized_date_ssm":["2000-2010"],"normalized_title_ssm":["2000s Pictures, 2000-2010"],"text":["2000s Pictures, 2000-2010","Ellen Peterson Legacy Collection, 1923-2018","Photos","35","/repositories/2/archival_objects/19872","English","box 3","folder 35","A collection of photographs of Ellen Peterson and various other people and figures from the 2000s."],"component_level_isim":[2],"parent_ids_ssim":["6a3439ec5b142fcb048b4e8a","6a3439ec5b142fcb048b4e8a_aspace_aae3fcf25edb1dc3eba3aa5b07556a46"],"parent_unittitles_ssm":["Ellen Peterson Legacy Collection, 1923-2018","Photos"],"parent_unittitles_tesim":["Ellen Peterson Legacy Collection, 1923-2018","Photos"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["35","/repositories/2/archival_objects/19872"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Ellen Peterson Legacy Collection, 1923-2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":274,"parent_access_restrict_tesm":["The collection is open for research."],"date_range_isim":[2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"language_ssim":["English"],"containers_ssim":["box 3","folder 35"],"scopecontent_html_tesm":["\u003cp\u003eA collection of photographs of Ellen Peterson and various other people and figures from the 2000s.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["A collection of photographs of Ellen Peterson and various other people and figures from the 2000s."],"_nest_path_":"/components#4/components#34","_nest_parent_":"6a3439ec5b142fcb048b4e8a_aspace_aae3fcf25edb1dc3eba3aa5b07556a46","_root_":"6a3439ec5b142fcb048b4e8a","_version_":1877728880174825472,"timestamp":"2026-09-30T04:16:46.193Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6a3439ec5b142fcb048b4e8a","title_ssm":["Ellen Peterson Legacy Collection"],"title_tesim":["Ellen Peterson Legacy Collection"],"ead_ssi":"6a3439ec5b142fcb048b4e8a","unitdate_ssm":["1923-2018"],"unitdate_inclusive_ssm":["1923-2018"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/14","/repositories/2/resources/25"],"text":["02/01/14","/repositories/2/resources/25","Ellen Peterson Legacy Collection, 1923-2018","Estero (Fla.)","Sierra Club","Environment","Activists","Women's Rights Advocates","Social science.","Environmental science.","Political science.","Entrepreneurship.","The collection is open for research.","Organized in five series: Series 1, Ellen Peterson Materials; Series 2, Happehatchee Papers; Series 3, Audiovisual Materials; Series 4, Ephemera; Series 5, Photos.","Ellen Peterson, formerly Ellen Salisbury and Ellen Welch, was a woman before her time. From traveling across the country on a bike in her twenties to becoming a staunch environmentalists later in life, she cemented her legacy in the creation of the Happehatchee Center in Estero, Florida to inspire peace and healing. Ellen was heavily involved with saving Fisheating Creek in Florida, and continued to raise awareness about climate change and the environment until her parting.","This collection includes the scrapbook and journal from her bike trip, family photos, and correspondence from various stages of her life. Also included are projector slides, Sierra Club awards, an energy map of Southwest Florida, posters, bumper stickers, Happehatchee flyers, and pictures of her Florida home, which later became a part of Happehatchee. 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