{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2003\u0026page=237\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2003\u0026page=236\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2003\u0026page=238\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2003\u0026page=399\u0026view=compact"},"meta":{"pages":{"current_page":237,"next_page":238,"prev_page":236,"total_pages":399,"limit_value":10,"offset_value":2360,"total_count":3981,"first_page?":false,"last_page?":false}},"data":[{"id":"7ece5dfb4b1b68900e8f89ed_aspace_c9722b0dbaf044ed3935a09e9a9c88c4","type":"File","attributes":{"title":"Multicultural Student Reception Program and Multicultural Student Center Brochure, August 27, 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"],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Office of Global Perspectives \u0026amp;\u0026#xA0;International\u0026#xA0;Initiatives records, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Office of Global Perspectives \u0026 International Initiatives records, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Alyssa Adkins in 2025; additional processing and finding aid prepared by Angela Sainz Aponte in 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Alyssa Adkins in 2025; additional processing and finding aid prepared by Angela Sainz Aponte in 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eFor further information on UCF affiliated television programs, see the \u003cextref href=\"http://purl.flvc.org/UCF/ead/UCFMetroLindaChapinTV\"\u003e\"UCF Metro with Linda Chapin\" television series collection\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For further information on UCF affiliated television programs, see the  \"UCF Metro with Linda Chapin\" television series collection"],"scopecontent_html_tesm":["\u003cp\u003eThe University of Central Florida Office of Global Perspectives \u0026amp; International Initiatives Records collection, 2001-2013, contains presentations from the Office of Global Perspectives \u0026amp; International Initiatives. 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","Series I: Office Files, 2003-2012, contains printed presentations, photographs, and news clippings from the Global Perspectives \u0026 International Initiatives office. This series is arranged by chronological order.   ","Series II: Multimedia, 2001-2014, contains CDs and VHS tapes documenting presentations and other media from the Global Perspectives \u0026 International Initiatives office. The bulk of this series is the recorded presentations on CDs. This series is arranged by chronological order. ","Series III: Memorabilia, 1963, 2011-2012, 2017, contains a ceramic Pegasus sculpture and three Telly Awards awarded to WUCF TV for the Global Perspectives show in 2011, 2012, and 2017. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. 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Also included are tapes of interviews with individuals that worked on the X-1 project."],"_nest_path_":"/components#3","_nest_parent_":"327a719ef39dc0daf945bfe2","_root_":"327a719ef39dc0daf945bfe2","_version_":1878014774349922304,"timestamp":"2026-10-03T08:00:56.124Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"327a719ef39dc0daf945bfe2","title_ssm":["Into the Unknown: The X-1 Story Research files"],"title_tesim":["Into the Unknown: The X-1 Story Research files"],"ead_ssi":"327a719ef39dc0daf945bfe2","unitdate_ssm":["1942-2013","1942-1955"],"unitdate_bulk_ssim":["1942-1955"],"unitdate_inclusive_ssm":["1942-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC116","/repositories/4/resources/216"],"text":["SC116","/repositories/4/resources/216","Into the Unknown: The X-1 Story Research files, 1942-2013, bulk 1942-1955","High-speed aeronautics","Bell X-1 (Supersonic plane)","Supersonic planes","manuscripts (documents)","newspaper clippings","interviews","photographs","audiocassettes","VHS","The entire collection is open for research.","This collection is arranged by material type.","Louis C. Rotundo was born on October 28, 1949. He graduated from the University of Central Florida (UCF) in 1975 and then worked for United States Senator Lawton Childes as an aide. Rotundo served as a lobbyist for the State of Florida and was employed by UCF from 1980 to 1988 as Special Assistant to the Director of the Florida Solar Energy Center (FSEC) and Special Assistant to the President of UCF from 1984 to 1987. After departing from UCF in 1988, Rotundo worked as the Principal of Louis Rotundo and Associates, a Central Florida based company that specializes in lobbying and consulting.","Processed and finding aid prepared by Alexander S. Jerome. Finding aid revised for consistency by Chloe Lanham in 2026.","For more information on Special Collections \u0026 University Archives, please see our  website .","This collection contains the files that Louis Rotundo used for the research of his book,  Into the Unknown: The X-1 Story . The book \"describes the complete history of the world's first supersonic aircraft, the Bell X-1.\" Materials consist of manuscripts, reports, interview transcripts, news clippings, photographs, and multimedia. This collection provides insight into the history of the X-1 plane and the work of Louis Rotundo.","Series I: Manuscripts, 1989-1991, undated contains 11 manuscripts including  Forgotten Dawn  and  Into the Unknown . ","Series II: Research files, 1943-2013, undated contains 73 research files used by the author when writing Into the Unknown. Research files include reports, interview notes and transcripts, and news clippings.  ","Series III: Photographs, 1942-1995, undated contains 302 photographs, broken up into 8 subseries, including photographs of the Pinecastle Army Airfield tests and Muroc tests. Photographs also depict Bell company employees and aircrafts. ","Series IV: Multimedia files, 1946-2003, undated contains 27 multimedia, including VHS tapes, audio cassettes, floppy disks, and film. Media contains documentaries on the X-1 and other X-Planes, and interviews with individuals that worked on the X-1 project. ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","This collection contains the files that Louis Rotundo used for the research of his book, Into the Unknown: The X-1 Story. The book \"describes the complete history of the world's first supersonic aircraft, the Bell X-1.\" Materials consist of manuscripts, reports, interview transcripts, news clippings, photographs, and multimedia. This collection provides insight into the history of the X-1 plane and the work of Louis Rotundo.\n\nLouis C. Rotundo was born on October 28, 1949. He graduated from the University of Central Florida (UCF) in 1975 and then worked for United States Senator Lawton Childes as an aide. Rotundo served as a lobbyist for the State of Florida and was employed by UCF from 1980 to 1988 as Special Assistant to the Director of the Florida Solar Energy Center (FSEC) and Special Assistant to the President of UCF from 1984 to 1987. After departing from UCF in 1988, Rotundo worked as the Principal of Louis Rotundo and Associates, a Central Florida based company that specializes in lobbying and consulting.","UCF Special Collections","United States. Air Force","United States. Army","United States. National Aeronautics and Space Administration","Rotundo, Louis C.","English"],"unitid_tesim":["SC116","/repositories/4/resources/216"],"normalized_date_ssm":["1942-2013, bulk 1942-1955"],"normalized_title_ssm":["Into the Unknown: The X-1 Story Research files, 1942-2013, bulk 1942-1955"],"collection_title_tesim":["Into the Unknown: The X-1 Story Research files, 1942-2013, bulk 1942-1955"],"collection_ssim":["Into the Unknown: The X-1 Story Research files, 1942-2013, bulk 1942-1955"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Rotundo, Louis C."],"creator_ssim":["Rotundo, Louis C."],"creator_persname_ssim":["Rotundo, Louis C."],"creators_ssim":["Rotundo, Louis C."],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Donated by Louis C. Rotundo in 2019 (Accession no. CFM2019_08)."],"access_subjects_ssim":["High-speed aeronautics","Bell X-1 (Supersonic plane)","Supersonic planes","manuscripts (documents)","newspaper clippings","interviews","photographs","audiocassettes","VHS"],"access_subjects_ssm":["High-speed aeronautics","Bell X-1 (Supersonic plane)","Supersonic planes","manuscripts (documents)","newspaper clippings","interviews","photographs","audiocassettes","VHS"],"has_online_content_ssim":["false"],"extent_ssm":["8.25 Linear Feet 15 Boxes"],"extent_tesim":["8.25 Linear Feet 15 Boxes"],"genreform_ssim":["manuscripts (documents)","newspaper clippings","interviews","photographs","audiocassettes","VHS"],"date_range_isim":[1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged by material type.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged by material type."],"bioghist_html_tesm":["\u003cp\u003eLouis C. Rotundo was born on October 28, 1949. He graduated from the University of Central Florida (UCF) in 1975 and then worked for United States Senator Lawton Childes as an aide. Rotundo served as a lobbyist for the State of Florida and was employed by UCF from 1980 to 1988 as Special Assistant to the Director of the Florida Solar Energy Center (FSEC) and Special Assistant to the President of UCF from 1984 to 1987. After departing from UCF in 1988, Rotundo worked as the Principal of Louis Rotundo and Associates, a Central Florida based company that specializes in lobbying and consulting.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical/Historical Note"],"bioghist_tesim":["Louis C. Rotundo was born on October 28, 1949. He graduated from the University of Central Florida (UCF) in 1975 and then worked for United States Senator Lawton Childes as an aide. Rotundo served as a lobbyist for the State of Florida and was employed by UCF from 1980 to 1988 as Special Assistant to the Director of the Florida Solar Energy Center (FSEC) and Special Assistant to the President of UCF from 1984 to 1987. After departing from UCF in 1988, Rotundo worked as the Principal of Louis Rotundo and Associates, a Central Florida based company that specializes in lobbying and consulting."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Into the Unknown: The X-1 Story Research files, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Into the Unknown: The X-1 Story Research files, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed and finding aid prepared by Alexander S. Jerome. Finding aid revised for consistency by Chloe Lanham in 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed and finding aid prepared by Alexander S. Jerome. Finding aid revised for consistency by Chloe Lanham in 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections \u0026amp; University Archives, please see our \u003cextref href=\"https://library.ucf.edu/about/departments/special-collections-university-archives/\"\u003ewebsite\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["For more information on Special Collections \u0026 University Archives, please see our  website ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the files that Louis Rotundo used for the research of his book, \u003cemph render=\"italic\"\u003eInto the Unknown: The X-1 Story\u003c/emph\u003e. The book \"describes the complete history of the world's first supersonic aircraft, the Bell X-1.\" Materials consist of manuscripts, reports, interview transcripts, news clippings, photographs, and multimedia. This collection provides insight into the history of the X-1 plane and the work of Louis Rotundo.\u003c/p\u003e\n","\u003cp\u003eSeries I: Manuscripts, 1989-1991, undated contains 11 manuscripts including \u003cemph render=\"italic\"\u003eForgotten Dawn\u003c/emph\u003e and \u003cemph render=\"italic\"\u003eInto the Unknown\u003c/emph\u003e. \u003c/p\u003e\n","\u003cp\u003eSeries II: Research files, 1943-2013, undated contains 73 research files used by the author when writing Into the Unknown. Research files include reports, interview notes and transcripts, and news clippings.  \u003c/p\u003e\n","\u003cp\u003eSeries III: Photographs, 1942-1995, undated contains 302 photographs, broken up into 8 subseries, including photographs of the Pinecastle Army Airfield tests and Muroc tests. Photographs also depict Bell company employees and aircrafts. \u003c/p\u003e\n","\u003cp\u003eSeries IV: Multimedia files, 1946-2003, undated contains 27 multimedia, including VHS tapes, audio cassettes, floppy disks, and film. Media contains documentaries on the X-1 and other X-Planes, and interviews with individuals that worked on the X-1 project. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains the files that Louis Rotundo used for the research of his book,  Into the Unknown: The X-1 Story . The book \"describes the complete history of the world's first supersonic aircraft, the Bell X-1.\" Materials consist of manuscripts, reports, interview transcripts, news clippings, photographs, and multimedia. This collection provides insight into the history of the X-1 plane and the work of Louis Rotundo.","Series I: Manuscripts, 1989-1991, undated contains 11 manuscripts including  Forgotten Dawn  and  Into the Unknown . ","Series II: Research files, 1943-2013, undated contains 73 research files used by the author when writing Into the Unknown. Research files include reports, interview notes and transcripts, and news clippings.  ","Series III: Photographs, 1942-1995, undated contains 302 photographs, broken up into 8 subseries, including photographs of the Pinecastle Army Airfield tests and Muroc tests. Photographs also depict Bell company employees and aircrafts. ","Series IV: Multimedia files, 1946-2003, undated contains 27 multimedia, including VHS tapes, audio cassettes, floppy disks, and film. Media contains documentaries on the X-1 and other X-Planes, and interviews with individuals that worked on the X-1 project. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_712b66cac3d836f1c027b0b6c1fbb1e4\" label=\"Abstract\"\u003eThis collection contains the files that Louis Rotundo used for the research of his book, Into the Unknown: The X-1 Story. The book \"describes the complete history of the world's first supersonic aircraft, the Bell X-1.\" Materials consist of manuscripts, reports, interview transcripts, news clippings, photographs, and multimedia. This collection provides insight into the history of the X-1 plane and the work of Louis Rotundo.\n\nLouis C. Rotundo was born on October 28, 1949. He graduated from the University of Central Florida (UCF) in 1975 and then worked for United States Senator Lawton Childes as an aide. Rotundo served as a lobbyist for the State of Florida and was employed by UCF from 1980 to 1988 as Special Assistant to the Director of the Florida Solar Energy Center (FSEC) and Special Assistant to the President of UCF from 1984 to 1987. After departing from UCF in 1988, Rotundo worked as the Principal of Louis Rotundo and Associates, a Central Florida based company that specializes in lobbying and consulting.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains the files that Louis Rotundo used for the research of his book, Into the Unknown: The X-1 Story. The book \"describes the complete history of the world's first supersonic aircraft, the Bell X-1.\" Materials consist of manuscripts, reports, interview transcripts, news clippings, photographs, and multimedia. This collection provides insight into the history of the X-1 plane and the work of Louis Rotundo.\n\nLouis C. Rotundo was born on October 28, 1949. He graduated from the University of Central Florida (UCF) in 1975 and then worked for United States Senator Lawton Childes as an aide. Rotundo served as a lobbyist for the State of Florida and was employed by UCF from 1980 to 1988 as Special Assistant to the Director of the Florida Solar Energy Center (FSEC) and Special Assistant to the President of UCF from 1984 to 1987. After departing from UCF in 1988, Rotundo worked as the Principal of Louis Rotundo and Associates, a Central Florida based company that specializes in lobbying and consulting."],"names_coll_ssim":["United States. Air Force","United States. Army","United States. National Aeronautics and Space Administration"],"names_ssim":["UCF Special Collections","United States. Air Force","United States. Army","United States. National Aeronautics and Space Administration","Rotundo, Louis C."],"corpname_ssim":["UCF Special Collections","United States. Air Force","United States. Army","United States. National Aeronautics and Space Administration"],"persname_ssim":["Rotundo, Louis C."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":437,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1878014774349922304,"_root_":"327a719ef39dc0daf945bfe2","timestamp":"2026-10-03T08:00:56.124Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/327a719ef39dc0daf945bfe2_aspace_seriesIV"}},{"id":"f8d3633d34f002b3757aa28f","type":"collection","attributes":{"title":"Mu Mu (Phi Theta Kappa Honors Society), 1962-2003","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/f8d3633d34f002b3757aa28f#creator","type":"document_value","attributes":{"value":["Phi Theta Kappa, Mu Mu Chapter (Broward College)"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/f8d3633d34f002b3757aa28f#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThis collection contains framed plaques, certificates, and commemorative materials recognizing the accomplishments of the Mu Mu Chapter of Phi Theta Kappa at Broward College. Items include correspondence, award plaques for state and national achievements, recognition for service, and framed documents highlighting chapter honors. Together, they trace the progression of student-led excellence and academic honors initiatives spanning four decades.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f8d3633d34f002b3757aa28f#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"f8d3633d34f002b3757aa28f","title_ssm":["Mu Mu (Phi Theta Kappa Honors Society)"],"title_tesim":["Mu Mu (Phi Theta Kappa Honors Society)"],"ead_ssi":"f8d3633d34f002b3757aa28f","unitdate_ssm":["1962-2003"],"unitdate_inclusive_ssm":["1962-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG 848","/repositories/2/resources/25"],"text":["RG 848","/repositories/2/resources/25","Mu Mu (Phi Theta Kappa Honors Society), 1962-2003","Academic achievement--Awards--Florida","Broward College--Awards","Phi Theta Kappa Society","Open for research. Certain materials may have restrictions due to fragility or privacy.","The Mu Mu Chapter of Phi Theta Kappa Honor Society was established in 1962 at Broward College, Central Campus, making it the earliest chapter founded within the Broward College system. Phi Theta Kappa (PTK), the international honor society for two-year colleges, recognizes academic excellence, leadership, service, and fellowship among community and state college students. Over the decades, the Mu Mu Chapter has exemplified PTK's mission by fostering student success, scholarship, and civic involvement.","Since its founding, the chapter has maintained a distinguished record, including State Championships in the Brain Bowl (1989 and 1990) and multiple five-star regional awards in the 1990s. PTK Mu Mu members have won state and national recognitions under the auspices of the Robert \"Bob\" Elmore Honors College, the academic home of Broward's high-achieving students. The collection also features community engagement memorabilia such as the \"Friends of Our Troops\" fan-mail drive (2003), reflecting Mu Mu's active role in service programs extending beyond academics.","This collection preserves evidence of Broward College's deep tradition of student achievement through the Mu Mu Chapter of Phi Theta Kappa, whose members have consistently upheld academic excellence, leadership, and community service on both local and national levels.","This collection contains framed plaques, certificates, and commemorative materials recognizing the accomplishments of the Mu Mu Chapter of Phi Theta Kappa at Broward College. Items include correspondence, award plaques for state and national achievements, recognition for service, and framed documents highlighting chapter honors. Together, they trace the progression of student-led excellence and academic honors initiatives spanning four decades.","Of particular note, the unofficial mascot of the Mu Mu Chapter is the cow—specifically the white-and-black Holstein variety. During the 1980s and 1990s, members fully embraced this association, incorporating bovine imagery into chapter culture and collecting an assortment of cow-themed memorabilia. As a result, the collection includes numerous items such as hats, figurines, stuffed animals, plaques, signage, and other ephemera reflecting this long-standing and good‑natured tradition. The connection, perhaps unsurprisingly, stems from the phonetic resemblance between \"Mu Mu\" and \"Moo Moo.\"","Responsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy.","Broward College Archives and Special Collections ","Phi Theta Kappa, Mu Mu Chapter (Broward College)","English"],"unitid_tesim":["RG 848","/repositories/2/resources/25"],"normalized_date_ssm":["1962-2003"],"normalized_title_ssm":["Mu Mu (Phi Theta Kappa Honors Society), 1962-2003"],"collection_title_tesim":["Mu Mu (Phi Theta Kappa Honors Society), 1962-2003"],"collection_ssim":["Mu Mu (Phi Theta Kappa Honors Society), 1962-2003"],"repository_ssm":["Broward College Archives and Special Collections"],"repository_ssim":["Broward College Archives and Special Collections"],"creator_ssm":["Phi Theta Kappa, Mu Mu Chapter (Broward College)"],"creator_ssim":["Phi Theta Kappa, Mu Mu Chapter (Broward College)"],"creator_corpname_ssim":["Phi Theta Kappa, Mu Mu Chapter (Broward College)"],"creators_ssim":["Phi Theta Kappa, Mu Mu Chapter (Broward College)"],"access_terms_ssm":["Responsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy."],"access_subjects_ssim":["Academic achievement--Awards--Florida","Broward College--Awards","Phi Theta Kappa Society"],"access_subjects_ssm":["Academic achievement--Awards--Florida","Broward College--Awards","Phi Theta Kappa Society"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet 1 box: 10 items; framed certificates, plaques, and correspondence"],"extent_tesim":["1 Linear Feet 1 box: 10 items; framed certificates, plaques, and correspondence"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eOpen for research. Certain materials may have restrictions due to fragility or privacy.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open for research. Certain materials may have restrictions due to fragility or privacy."],"bioghist_html_tesm":["\u003cp\u003eThe Mu Mu Chapter of Phi Theta Kappa Honor Society was established in 1962 at Broward College, Central Campus, making it the earliest chapter founded within the Broward College system. Phi Theta Kappa (PTK), the international honor society for two-year colleges, recognizes academic excellence, leadership, service, and fellowship among community and state college students. Over the decades, the Mu Mu Chapter has exemplified PTK's mission by fostering student success, scholarship, and civic involvement.\u003c/p\u003e\n","\u003cp\u003eSince its founding, the chapter has maintained a distinguished record, including State Championships in the Brain Bowl (1989 and 1990) and multiple five-star regional awards in the 1990s. PTK Mu Mu members have won state and national recognitions under the auspices of the Robert \"Bob\" Elmore Honors College, the academic home of Broward's high-achieving students. The collection also features community engagement memorabilia such as the \"Friends of Our Troops\" fan-mail drive (2003), reflecting Mu Mu's active role in service programs extending beyond academics.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Mu Mu Chapter of Phi Theta Kappa Honor Society was established in 1962 at Broward College, Central Campus, making it the earliest chapter founded within the Broward College system. Phi Theta Kappa (PTK), the international honor society for two-year colleges, recognizes academic excellence, leadership, service, and fellowship among community and state college students. Over the decades, the Mu Mu Chapter has exemplified PTK's mission by fostering student success, scholarship, and civic involvement.","Since its founding, the chapter has maintained a distinguished record, including State Championships in the Brain Bowl (1989 and 1990) and multiple five-star regional awards in the 1990s. PTK Mu Mu members have won state and national recognitions under the auspices of the Robert \"Bob\" Elmore Honors College, the academic home of Broward's high-achieving students. The collection also features community engagement memorabilia such as the \"Friends of Our Troops\" fan-mail drive (2003), reflecting Mu Mu's active role in service programs extending beyond academics."],"odd_html_tesm":["\u003cp\u003eThis collection preserves evidence of Broward College's deep tradition of student achievement through the Mu Mu Chapter of Phi Theta Kappa, whose members have consistently upheld academic excellence, leadership, and community service on both local and national levels.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["This collection preserves evidence of Broward College's deep tradition of student achievement through the Mu Mu Chapter of Phi Theta Kappa, whose members have consistently upheld academic excellence, leadership, and community service on both local and national levels."],"prefercite_html_tesm":["\u003cp\u003eRecord Group 848, Mu Mu (Phi Theta Kappa Honors Society), 1962\u0026#x2013;2003, Broward College Archives.\u003c/p\u003e"],"prefercite_tesim":["Record Group 848, Mu Mu (Phi Theta Kappa Honors Society), 1962–2003, Broward College Archives."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains framed plaques, certificates, and commemorative materials recognizing the accomplishments of the Mu Mu Chapter of Phi Theta Kappa at Broward College. Items include correspondence, award plaques for state and national achievements, recognition for service, and framed documents highlighting chapter honors. Together, they trace the progression of student-led excellence and academic honors initiatives spanning four decades.\u003c/p\u003e\n","\u003cp\u003eOf particular note, the unofficial mascot of the Mu Mu Chapter is the cow\u0026#x2014;specifically the white-and-black Holstein variety. During the 1980s and 1990s, members fully embraced this association, incorporating bovine imagery into chapter culture and collecting an assortment of cow-themed memorabilia. As a result, the collection includes numerous items such as hats, figurines, stuffed animals, plaques, signage, and other ephemera reflecting this long-standing and good\u0026#x2011;natured tradition. The connection, perhaps unsurprisingly, stems from the phonetic resemblance between \"Mu Mu\" and \"Moo Moo.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains framed plaques, certificates, and commemorative materials recognizing the accomplishments of the Mu Mu Chapter of Phi Theta Kappa at Broward College. Items include correspondence, award plaques for state and national achievements, recognition for service, and framed documents highlighting chapter honors. Together, they trace the progression of student-led excellence and academic honors initiatives spanning four decades.","Of particular note, the unofficial mascot of the Mu Mu Chapter is the cow—specifically the white-and-black Holstein variety. During the 1980s and 1990s, members fully embraced this association, incorporating bovine imagery into chapter culture and collecting an assortment of cow-themed memorabilia. As a result, the collection includes numerous items such as hats, figurines, stuffed animals, plaques, signage, and other ephemera reflecting this long-standing and good‑natured tradition. The connection, perhaps unsurprisingly, stems from the phonetic resemblance between \"Mu Mu\" and \"Moo Moo.\""],"userestrict_html_tesm":["\u003cp\u003eResponsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Responsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy."],"names_ssim":["Broward College Archives and Special Collections ","Phi Theta Kappa, Mu Mu Chapter (Broward College)"],"corpname_ssim":["Broward College Archives and Special Collections ","Phi Theta Kappa, Mu Mu Chapter (Broward College)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f8d3633d34f002b3757aa28f","timestamp":"2026-07-09T01:29:11.824Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f8d3633d34f002b3757aa28f","title_ssm":["Mu Mu (Phi Theta Kappa Honors Society)"],"title_tesim":["Mu Mu (Phi Theta Kappa Honors Society)"],"ead_ssi":"f8d3633d34f002b3757aa28f","unitdate_ssm":["1962-2003"],"unitdate_inclusive_ssm":["1962-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RG 848","/repositories/2/resources/25"],"text":["RG 848","/repositories/2/resources/25","Mu Mu (Phi Theta Kappa Honors Society), 1962-2003","Academic achievement--Awards--Florida","Broward College--Awards","Phi Theta Kappa Society","Open for research. Certain materials may have restrictions due to fragility or privacy.","The Mu Mu Chapter of Phi Theta Kappa Honor Society was established in 1962 at Broward College, Central Campus, making it the earliest chapter founded within the Broward College system. Phi Theta Kappa (PTK), the international honor society for two-year colleges, recognizes academic excellence, leadership, service, and fellowship among community and state college students. Over the decades, the Mu Mu Chapter has exemplified PTK's mission by fostering student success, scholarship, and civic involvement.","Since its founding, the chapter has maintained a distinguished record, including State Championships in the Brain Bowl (1989 and 1990) and multiple five-star regional awards in the 1990s. PTK Mu Mu members have won state and national recognitions under the auspices of the Robert \"Bob\" Elmore Honors College, the academic home of Broward's high-achieving students. The collection also features community engagement memorabilia such as the \"Friends of Our Troops\" fan-mail drive (2003), reflecting Mu Mu's active role in service programs extending beyond academics.","This collection preserves evidence of Broward College's deep tradition of student achievement through the Mu Mu Chapter of Phi Theta Kappa, whose members have consistently upheld academic excellence, leadership, and community service on both local and national levels.","This collection contains framed plaques, certificates, and commemorative materials recognizing the accomplishments of the Mu Mu Chapter of Phi Theta Kappa at Broward College. Items include correspondence, award plaques for state and national achievements, recognition for service, and framed documents highlighting chapter honors. Together, they trace the progression of student-led excellence and academic honors initiatives spanning four decades.","Of particular note, the unofficial mascot of the Mu Mu Chapter is the cow—specifically the white-and-black Holstein variety. During the 1980s and 1990s, members fully embraced this association, incorporating bovine imagery into chapter culture and collecting an assortment of cow-themed memorabilia. As a result, the collection includes numerous items such as hats, figurines, stuffed animals, plaques, signage, and other ephemera reflecting this long-standing and good‑natured tradition. The connection, perhaps unsurprisingly, stems from the phonetic resemblance between \"Mu Mu\" and \"Moo Moo.\"","Responsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy.","Broward College Archives and Special Collections ","Phi Theta Kappa, Mu Mu Chapter (Broward College)","English"],"unitid_tesim":["RG 848","/repositories/2/resources/25"],"normalized_date_ssm":["1962-2003"],"normalized_title_ssm":["Mu Mu (Phi Theta Kappa Honors Society), 1962-2003"],"collection_title_tesim":["Mu Mu (Phi Theta Kappa Honors Society), 1962-2003"],"collection_ssim":["Mu Mu (Phi Theta Kappa Honors Society), 1962-2003"],"repository_ssm":["Broward College Archives and Special Collections"],"repository_ssim":["Broward College Archives and Special Collections"],"creator_ssm":["Phi Theta Kappa, Mu Mu Chapter (Broward College)"],"creator_ssim":["Phi Theta Kappa, Mu Mu Chapter (Broward College)"],"creator_corpname_ssim":["Phi Theta Kappa, Mu Mu Chapter (Broward College)"],"creators_ssim":["Phi Theta Kappa, Mu Mu Chapter (Broward College)"],"access_terms_ssm":["Responsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy."],"access_subjects_ssim":["Academic achievement--Awards--Florida","Broward College--Awards","Phi Theta Kappa Society"],"access_subjects_ssm":["Academic achievement--Awards--Florida","Broward College--Awards","Phi Theta Kappa Society"],"has_online_content_ssim":["false"],"extent_ssm":["1 Linear Feet 1 box: 10 items; framed certificates, plaques, and correspondence"],"extent_tesim":["1 Linear Feet 1 box: 10 items; framed certificates, plaques, and correspondence"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eOpen for research. Certain materials may have restrictions due to fragility or privacy.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Open for research. Certain materials may have restrictions due to fragility or privacy."],"bioghist_html_tesm":["\u003cp\u003eThe Mu Mu Chapter of Phi Theta Kappa Honor Society was established in 1962 at Broward College, Central Campus, making it the earliest chapter founded within the Broward College system. Phi Theta Kappa (PTK), the international honor society for two-year colleges, recognizes academic excellence, leadership, service, and fellowship among community and state college students. Over the decades, the Mu Mu Chapter has exemplified PTK's mission by fostering student success, scholarship, and civic involvement.\u003c/p\u003e\n","\u003cp\u003eSince its founding, the chapter has maintained a distinguished record, including State Championships in the Brain Bowl (1989 and 1990) and multiple five-star regional awards in the 1990s. PTK Mu Mu members have won state and national recognitions under the auspices of the Robert \"Bob\" Elmore Honors College, the academic home of Broward's high-achieving students. The collection also features community engagement memorabilia such as the \"Friends of Our Troops\" fan-mail drive (2003), reflecting Mu Mu's active role in service programs extending beyond academics.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Mu Mu Chapter of Phi Theta Kappa Honor Society was established in 1962 at Broward College, Central Campus, making it the earliest chapter founded within the Broward College system. Phi Theta Kappa (PTK), the international honor society for two-year colleges, recognizes academic excellence, leadership, service, and fellowship among community and state college students. Over the decades, the Mu Mu Chapter has exemplified PTK's mission by fostering student success, scholarship, and civic involvement.","Since its founding, the chapter has maintained a distinguished record, including State Championships in the Brain Bowl (1989 and 1990) and multiple five-star regional awards in the 1990s. PTK Mu Mu members have won state and national recognitions under the auspices of the Robert \"Bob\" Elmore Honors College, the academic home of Broward's high-achieving students. The collection also features community engagement memorabilia such as the \"Friends of Our Troops\" fan-mail drive (2003), reflecting Mu Mu's active role in service programs extending beyond academics."],"odd_html_tesm":["\u003cp\u003eThis collection preserves evidence of Broward College's deep tradition of student achievement through the Mu Mu Chapter of Phi Theta Kappa, whose members have consistently upheld academic excellence, leadership, and community service on both local and national levels.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["This collection preserves evidence of Broward College's deep tradition of student achievement through the Mu Mu Chapter of Phi Theta Kappa, whose members have consistently upheld academic excellence, leadership, and community service on both local and national levels."],"prefercite_html_tesm":["\u003cp\u003eRecord Group 848, Mu Mu (Phi Theta Kappa Honors Society), 1962\u0026#x2013;2003, Broward College Archives.\u003c/p\u003e"],"prefercite_tesim":["Record Group 848, Mu Mu (Phi Theta Kappa Honors Society), 1962–2003, Broward College Archives."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains framed plaques, certificates, and commemorative materials recognizing the accomplishments of the Mu Mu Chapter of Phi Theta Kappa at Broward College. Items include correspondence, award plaques for state and national achievements, recognition for service, and framed documents highlighting chapter honors. Together, they trace the progression of student-led excellence and academic honors initiatives spanning four decades.\u003c/p\u003e\n","\u003cp\u003eOf particular note, the unofficial mascot of the Mu Mu Chapter is the cow\u0026#x2014;specifically the white-and-black Holstein variety. During the 1980s and 1990s, members fully embraced this association, incorporating bovine imagery into chapter culture and collecting an assortment of cow-themed memorabilia. As a result, the collection includes numerous items such as hats, figurines, stuffed animals, plaques, signage, and other ephemera reflecting this long-standing and good\u0026#x2011;natured tradition. The connection, perhaps unsurprisingly, stems from the phonetic resemblance between \"Mu Mu\" and \"Moo Moo.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains framed plaques, certificates, and commemorative materials recognizing the accomplishments of the Mu Mu Chapter of Phi Theta Kappa at Broward College. Items include correspondence, award plaques for state and national achievements, recognition for service, and framed documents highlighting chapter honors. Together, they trace the progression of student-led excellence and academic honors initiatives spanning four decades.","Of particular note, the unofficial mascot of the Mu Mu Chapter is the cow—specifically the white-and-black Holstein variety. During the 1980s and 1990s, members fully embraced this association, incorporating bovine imagery into chapter culture and collecting an assortment of cow-themed memorabilia. As a result, the collection includes numerous items such as hats, figurines, stuffed animals, plaques, signage, and other ephemera reflecting this long-standing and good‑natured tradition. The connection, perhaps unsurprisingly, stems from the phonetic resemblance between \"Mu Mu\" and \"Moo Moo.\""],"userestrict_html_tesm":["\u003cp\u003eResponsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Responsibility for securing copyright permission rests with the researcher. Reproduction is subject to material condition and institutional policy."],"names_ssim":["Broward College Archives and Special Collections ","Phi Theta Kappa, Mu Mu Chapter (Broward College)"],"corpname_ssim":["Broward College Archives and Special Collections ","Phi Theta Kappa, Mu Mu Chapter (Broward College)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f8d3633d34f002b3757aa28f","timestamp":"2026-07-09T01:29:11.824Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f8d3633d34f002b3757aa28f"}},{"id":"07bc054fadb6f282f5fac782_aspace_2b22fcac24d6e6e71fe0a56713b1ffe8","type":"Item","attributes":{"title":"Municipal Court Docket HH, Case Nos. 73123-74718, January 10, 1966-July 8, 1966","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/07bc054fadb6f282f5fac782_aspace_2b22fcac24d6e6e71fe0a56713b1ffe8#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_2b22fcac24d6e6e71fe0a56713b1ffe8","ref_ssm":["aspace_2b22fcac24d6e6e71fe0a56713b1ffe8","aspace_2b22fcac24d6e6e71fe0a56713b1ffe8"],"id":"07bc054fadb6f282f5fac782_aspace_2b22fcac24d6e6e71fe0a56713b1ffe8","title_filing_ssi":"Municipal Court Docket HH, Case Nos. 73123-74718","title_ssm":["Municipal Court Docket HH, Case Nos. 73123-74718"],"title_tesim":["Municipal Court Docket HH, Case Nos. 73123-74718"],"unitdate_inclusive_ssm":["January 10, 1966-July 8, 1966"],"normalized_date_ssm":["January 10, 1966-July 8, 1966"],"normalized_title_ssm":["Municipal Court Docket HH, Case Nos. 73123-74718, January 10, 1966-July 8, 1966"],"text":["Municipal Court Docket HH, Case Nos. 73123-74718, January 10, 1966-July 8, 1966","Sanford Municipal Court Records, 1920-1972","Municipal Court Dockets, 1920-1972","36","/repositories/4/archival_objects/54175","English","Volume 36"],"component_level_isim":[2],"parent_ids_ssim":["07bc054fadb6f282f5fac782","07bc054fadb6f282f5fac782_aspace_45f78cbd1bd965240ad8873611bbdff6"],"parent_unittitles_ssm":["Sanford Municipal Court Records, 1920-1972","Municipal Court Dockets, 1920-1972"],"parent_unittitles_tesim":["Sanford Municipal Court Records, 1920-1972","Municipal Court Dockets, 1920-1972"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["36","/repositories/4/archival_objects/54175"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Sanford Municipal Court Records, 1920-1972"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":37,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025,2026,2027,2028,2029,2030,2031,2032,2033,2034,2035,2036,2037,2038,2039,2040,2041,2042,2043,2044,2045,2046,2047,2048,2049,2050,2051,2052,2053,2054,2055,2056,2057,2058,2059,2060,2061,2062,2063,2064,2065,2066],"language_ssim":["English"],"containers_ssim":["Volume 36"],"_nest_path_":"/components#0/components#35","_nest_parent_":"07bc054fadb6f282f5fac782_aspace_45f78cbd1bd965240ad8873611bbdff6","_root_":"07bc054fadb6f282f5fac782","_version_":1870857763593125888,"timestamp":"2026-07-16T08:03:18.787Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"07bc054fadb6f282f5fac782","title_ssm":["Sanford Municipal Court Records"],"title_tesim":["Sanford Municipal Court Records"],"ead_ssi":"07bc054fadb6f282f5fac782","unitdate_ssm":["1920-1972"],"unitdate_inclusive_ssm":["1920-1972"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.114","/repositories/4/resources/205"],"text":["SC.114","/repositories/4/resources/205","Sanford Municipal Court Records, 1920-1972","Sanford (Fla.)","Court records -- Florida -- Seminole County","Crime -- Florida -- Seminole County","Court calendars -- Florida -- Seminole County","Municipal courts -- Florida -- Seminole County","Police reports -- Florida -- Seminole County","dockets","judicial records","The entire collection is open for research.","Sanford was founded by Henry Shelton Sanford and incorporated in 1877. Henry Sanford had hoped to make his city the seat of the county, which was Mellonville at the time. In 1883 Mellonville was annexed to the city of Sanford, effectively ending its tenure as county seat. However, this did not result in Sanford becoming the county seat.","\nHenry Sanford died on May 21, 1891, leaving Gertrude Ellen DuPuy Sanford, his wife, to settle their many debts. Twenty-two years after his death, Henry Sanford's dream came true. On April 25, 1913 Sanford was established as the county seat, the same day Seminole County was established.","\nFlorida had a very extensive and complex court system comprised of no less than sixteen different types of court until 1972, when Article V was revised. With the 1972 revisions, the Office of the State Courts Administrator (OSCA) was created and tasked to create uniformity across the Florida court system, and all courts were broken between the new two-tier system. The new court system, still in use in 2019, consists of County and Circuit Courts. Most courts outside of the two tiers were gone by 1973, and those that remained were definitively gone by 1977.","\nThe Sanford Municipal court was instated in 1923 as a part of the City Charter of the City of Sanford Passed by the Legislature of Florida. In the same document, it orders a docket to be kept to record all proceedings. The dockets in this collection begin their records before 1923, beginning with cases in 1920 and ending with cases from 1972. This Municipal Court was part of Florida's Middle District, which stretches in a diagonal from Nassau to Collier Counties. As a municipal court, the Sanford Municipal court was designated to have power over one city, Sanford. It handled cases of traffic violations, small claims, small conflicts, and the like.","\nThe Sanford Police Dockets within this collection begin thirteen years after the establishment of Sanford as the county seat. A police docket was not required by the City Charter in 1923. These documents were for the police's use as an index of cases. The police dockets cover cases from 1926 to 1946.","\nThe Jail Records likewise act as an index of persons who went to jail. They begin recording in 1924, and those within the collection end recording 1942.","\nCity Charter of the City of Sanford, Florida, Passed by the Legislature of Florida, 1923. 1923. Tallahassee, Fla.: T. J. Appleyard.","\nEighteenth Judicial Circuit of Florida. \"History of the Eighteenth Circuit: Our Story.\" Accessed June 19, 2019.","\nFlorida Courts, \"History of Court Processes, Programs, and Initiatives.\" Accessed June 20, 2019.","\nFlorida Courts, \"Trial Courts - Circuit\" Accessed June 4, 2019.","\nOffice of the State Courts Administrator, Florida. \"Short History of the Florida State Courts System Processes, Programs, and Initiatives.\" 2016. PDF. ","\nRobinson, Jim, and Mark Andrews. Flashbacks: The Story of Central Florida's Past. Orlando, Florida: The Orange County Historical Society and the Orlando Sentinel, 1995.","\nSanford Museum. \"Gen Henry Shelton Sanford.\" Accessed June 19, 2019.","\nThe City of Sanford. \"History and Historic Preservation.\" Accessed June 19, 2019.","\nWhitner, J. N. The Tale of a Mosquito: A Story of Early Sanford, Florida. The Sanford Historical Society Inc., 2000.","Loose items between pages of the dockets must remain in their original locations within the Dockets.","Manuscript records are organized in chronological order within the series. Each bound volume individually wrapped with acid-free heavy duty paper and tied with cotton tying tape.","For more information, please see our website.","The collection is divided into three series. All the volumes are the records taken by the City of Sanford, Florida and the police in regard to court cases and arrests in Sanford, Florida. The cases recorded in the three separate volumes overlap with the cases recorded with each one containing a different amount or specific type of information.","\nSeries I, Municipal Court Dockets arranged by date and case number. The dockets dates range from January 12, 1920 to December 29, 1972 and are separated into 53 separate volumes. The individual dockets start with an index alphabetizing the cases by last name of the defendant. Then the docket goes in case order three to a page. The records record the name of the defendant, the charges against them, the date the hearing was held, and the result and/or fine from the case in question. The charges recorded are small misdemeanors ranging from driving under influence or the use of illegal substances. These are the records recorded for the filing of the local Sanford court or governmental body.","\nSeries II, Police Dockets are arranged by date and case number. The records date from July 16, 1926 to April 13, 1946 and are separated into 4 volumes. Three of the volumes starts with an index that is arranged alphabetically; however, the last volume contains no such index. Following the index is the individual cases which are set to four to a page and record the individual, the date of the citation, the name of the arresting officer, the charges, and the result (Ex. If the case was dismissed or fine designated). These are the records created and held by the police for their own individual filling.","\nSeries III, Jail Records are arranged by date though the dates of the three volumes overlap. The records date from April 25, 1924 to January 4, 1943 with the second record overlapping with the dates February 2, 1942 to May 4, 1942. Each volume is a spread sheet that goes by date and case number order. They record the individual, the case, the number of days sentenced, the fine or bail posted, the date it was paid and whether the sentence was served or dismissed. These records are only in the case of jail sentencing for misdemeanors and do not exceed the maximum time for those cases.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","This collection contains bound manuscript volumes from the City of Sanford which includes fifty-three municipal court dockets (January 12, 1920-December 29, 1972); four police dockets (July 16, 1926-April 13, 1946); and 3 jail records (April 25, 1924-May 4, 1942).","UCF Special Collections","English"],"unitid_tesim":["SC.114","/repositories/4/resources/205"],"normalized_date_ssm":["1920-1972"],"normalized_title_ssm":["Sanford Municipal Court Records, 1920-1972"],"collection_title_tesim":["Sanford Municipal Court Records, 1920-1972"],"collection_ssim":["Sanford Municipal Court Records, 1920-1972"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Sanford (Fla.)"],"geogname_ssim":["Sanford (Fla.)"],"places_ssim":["Sanford (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["City of Sanford donated these materials to the University of Central Florida Libraries, Special Collections and University Archives in 2018. (CFM2018_16)"],"access_subjects_ssim":["Court records -- Florida -- Seminole County","Crime -- Florida -- Seminole County","Court calendars -- Florida -- Seminole County","Municipal courts -- Florida -- Seminole County","Police reports -- Florida -- Seminole County","dockets","judicial records"],"access_subjects_ssm":["Court records -- Florida -- Seminole County","Crime -- Florida -- Seminole County","Court calendars -- Florida -- Seminole County","Municipal courts -- Florida -- Seminole County","Police reports -- Florida -- Seminole County","dockets","judicial records"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet"],"extent_tesim":["18 Linear Feet"],"genreform_ssim":["dockets","judicial records"],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eSanford was founded by Henry Shelton Sanford and incorporated in 1877. Henry Sanford had hoped to make his city the seat of the county, which was Mellonville at the time. In 1883 Mellonville was annexed to the city of Sanford, effectively ending its tenure as county seat. However, this did not result in Sanford becoming the county seat.\u003c/p\u003e\n","\u003cp\u003e\nHenry Sanford died on May 21, 1891, leaving Gertrude Ellen DuPuy Sanford, his wife, to settle their many debts. Twenty-two years after his death, Henry Sanford's dream came true. On April 25, 1913 Sanford was established as the county seat, the same day Seminole County was established.\u003c/p\u003e\n","\u003cp\u003e\nFlorida had a very extensive and complex court system comprised of no less than sixteen different types of court until 1972, when Article V was revised. With the 1972 revisions, the Office of the State Courts Administrator (OSCA) was created and tasked to create uniformity across the Florida court system, and all courts were broken between the new two-tier system. The new court system, still in use in 2019, consists of County and Circuit Courts. Most courts outside of the two tiers were gone by 1973, and those that remained were definitively gone by 1977.\u003c/p\u003e\n","\u003cp\u003e\nThe Sanford Municipal court was instated in 1923 as a part of the City Charter of the City of Sanford Passed by the Legislature of Florida. In the same document, it orders a docket to be kept to record all proceedings. The dockets in this collection begin their records before 1923, beginning with cases in 1920 and ending with cases from 1972. This Municipal Court was part of Florida's Middle District, which stretches in a diagonal from Nassau to Collier Counties. As a municipal court, the Sanford Municipal court was designated to have power over one city, Sanford. It handled cases of traffic violations, small claims, small conflicts, and the like.\u003c/p\u003e\n","\u003cp\u003e\nThe Sanford Police Dockets within this collection begin thirteen years after the establishment of Sanford as the county seat. A police docket was not required by the City Charter in 1923. These documents were for the police's use as an index of cases. The police dockets cover cases from 1926 to 1946.\u003c/p\u003e\n","\u003cp\u003e\nThe Jail Records likewise act as an index of persons who went to jail. They begin recording in 1924, and those within the collection end recording 1942.\u003c/p\u003e\n","\u003cp\u003e\nCity Charter of the City of Sanford, Florida, Passed by the Legislature of Florida, 1923. 1923. Tallahassee, Fla.: T. J. Appleyard.\u003c/p\u003e\n","\u003cp\u003e\nEighteenth Judicial Circuit of Florida. \"History of the Eighteenth Circuit: Our Story.\" Accessed June 19, 2019.\u003c/p\u003e\n","\u003cp\u003e\nFlorida Courts, \"History of Court Processes, Programs, and Initiatives.\" Accessed June 20, 2019.\u003c/p\u003e\n","\u003cp\u003e\nFlorida Courts, \"Trial Courts - Circuit\" Accessed June 4, 2019.\u003c/p\u003e\n","\u003cp\u003e\nOffice of the State Courts Administrator, Florida. \"Short History of the Florida State Courts System Processes, Programs, and Initiatives.\" 2016. PDF. \u003c/p\u003e\n","\u003cp\u003e\nRobinson, Jim, and Mark Andrews. Flashbacks: The Story of Central Florida's Past. Orlando, Florida: The Orange County Historical Society and the Orlando Sentinel, 1995.\u003c/p\u003e\n","\u003cp\u003e\nSanford Museum. \"Gen Henry Shelton Sanford.\" Accessed June 19, 2019.\u003c/p\u003e\n","\u003cp\u003e\nThe City of Sanford. \"History and Historic Preservation.\" Accessed June 19, 2019.\u003c/p\u003e\n","\u003cp\u003e\nWhitner, J. N. The Tale of a Mosquito: A Story of Early Sanford, Florida. The Sanford Historical Society Inc., 2000.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Sanford was founded by Henry Shelton Sanford and incorporated in 1877. Henry Sanford had hoped to make his city the seat of the county, which was Mellonville at the time. In 1883 Mellonville was annexed to the city of Sanford, effectively ending its tenure as county seat. However, this did not result in Sanford becoming the county seat.","\nHenry Sanford died on May 21, 1891, leaving Gertrude Ellen DuPuy Sanford, his wife, to settle their many debts. Twenty-two years after his death, Henry Sanford's dream came true. On April 25, 1913 Sanford was established as the county seat, the same day Seminole County was established.","\nFlorida had a very extensive and complex court system comprised of no less than sixteen different types of court until 1972, when Article V was revised. With the 1972 revisions, the Office of the State Courts Administrator (OSCA) was created and tasked to create uniformity across the Florida court system, and all courts were broken between the new two-tier system. The new court system, still in use in 2019, consists of County and Circuit Courts. Most courts outside of the two tiers were gone by 1973, and those that remained were definitively gone by 1977.","\nThe Sanford Municipal court was instated in 1923 as a part of the City Charter of the City of Sanford Passed by the Legislature of Florida. In the same document, it orders a docket to be kept to record all proceedings. The dockets in this collection begin their records before 1923, beginning with cases in 1920 and ending with cases from 1972. This Municipal Court was part of Florida's Middle District, which stretches in a diagonal from Nassau to Collier Counties. As a municipal court, the Sanford Municipal court was designated to have power over one city, Sanford. It handled cases of traffic violations, small claims, small conflicts, and the like.","\nThe Sanford Police Dockets within this collection begin thirteen years after the establishment of Sanford as the county seat. A police docket was not required by the City Charter in 1923. These documents were for the police's use as an index of cases. The police dockets cover cases from 1926 to 1946.","\nThe Jail Records likewise act as an index of persons who went to jail. They begin recording in 1924, and those within the collection end recording 1942.","\nCity Charter of the City of Sanford, Florida, Passed by the Legislature of Florida, 1923. 1923. Tallahassee, Fla.: T. J. Appleyard.","\nEighteenth Judicial Circuit of Florida. \"History of the Eighteenth Circuit: Our Story.\" Accessed June 19, 2019.","\nFlorida Courts, \"History of Court Processes, Programs, and Initiatives.\" Accessed June 20, 2019.","\nFlorida Courts, \"Trial Courts - Circuit\" Accessed June 4, 2019.","\nOffice of the State Courts Administrator, Florida. \"Short History of the Florida State Courts System Processes, Programs, and Initiatives.\" 2016. PDF. ","\nRobinson, Jim, and Mark Andrews. Flashbacks: The Story of Central Florida's Past. Orlando, Florida: The Orange County Historical Society and the Orlando Sentinel, 1995.","\nSanford Museum. \"Gen Henry Shelton Sanford.\" Accessed June 19, 2019.","\nThe City of Sanford. \"History and Historic Preservation.\" Accessed June 19, 2019.","\nWhitner, J. N. The Tale of a Mosquito: A Story of Early Sanford, Florida. The Sanford Historical Society Inc., 2000."],"odd_html_tesm":["\u003cp\u003eLoose items between pages of the dockets must remain in their original locations within the Dockets.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Loose items between pages of the dockets must remain in their original locations within the Dockets."],"prefercite_html_tesm":["\u003cp\u003eSanford Municipal Court Records, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Sanford Municipal Court Records, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eManuscript records are organized in chronological order within the series. Each bound volume individually wrapped with acid-free heavy duty paper and tied with cotton tying tape.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Manuscript records are organized in chronological order within the series. Each bound volume individually wrapped with acid-free heavy duty paper and tied with cotton tying tape."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into three series. All the volumes are the records taken by the City of Sanford, Florida and the police in regard to court cases and arrests in Sanford, Florida. The cases recorded in the three separate volumes overlap with the cases recorded with each one containing a different amount or specific type of information.\u003c/p\u003e\n","\u003cp\u003e\nSeries I, Municipal Court Dockets arranged by date and case number. The dockets dates range from January 12, 1920 to December 29, 1972 and are separated into 53 separate volumes. The individual dockets start with an index alphabetizing the cases by last name of the defendant. Then the docket goes in case order three to a page. The records record the name of the defendant, the charges against them, the date the hearing was held, and the result and/or fine from the case in question. The charges recorded are small misdemeanors ranging from driving under influence or the use of illegal substances. These are the records recorded for the filing of the local Sanford court or governmental body.\u003c/p\u003e\n","\u003cp\u003e\nSeries II, Police Dockets are arranged by date and case number. The records date from July 16, 1926 to April 13, 1946 and are separated into 4 volumes. Three of the volumes starts with an index that is arranged alphabetically; however, the last volume contains no such index. Following the index is the individual cases which are set to four to a page and record the individual, the date of the citation, the name of the arresting officer, the charges, and the result (Ex. If the case was dismissed or fine designated). These are the records created and held by the police for their own individual filling.\u003c/p\u003e\n","\u003cp\u003e\nSeries III, Jail Records are arranged by date though the dates of the three volumes overlap. The records date from April 25, 1924 to January 4, 1943 with the second record overlapping with the dates February 2, 1942 to May 4, 1942. Each volume is a spread sheet that goes by date and case number order. They record the individual, the case, the number of days sentenced, the fine or bail posted, the date it was paid and whether the sentence was served or dismissed. These records are only in the case of jail sentencing for misdemeanors and do not exceed the maximum time for those cases.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is divided into three series. All the volumes are the records taken by the City of Sanford, Florida and the police in regard to court cases and arrests in Sanford, Florida. The cases recorded in the three separate volumes overlap with the cases recorded with each one containing a different amount or specific type of information.","\nSeries I, Municipal Court Dockets arranged by date and case number. The dockets dates range from January 12, 1920 to December 29, 1972 and are separated into 53 separate volumes. The individual dockets start with an index alphabetizing the cases by last name of the defendant. Then the docket goes in case order three to a page. The records record the name of the defendant, the charges against them, the date the hearing was held, and the result and/or fine from the case in question. The charges recorded are small misdemeanors ranging from driving under influence or the use of illegal substances. These are the records recorded for the filing of the local Sanford court or governmental body.","\nSeries II, Police Dockets are arranged by date and case number. The records date from July 16, 1926 to April 13, 1946 and are separated into 4 volumes. Three of the volumes starts with an index that is arranged alphabetically; however, the last volume contains no such index. Following the index is the individual cases which are set to four to a page and record the individual, the date of the citation, the name of the arresting officer, the charges, and the result (Ex. If the case was dismissed or fine designated). These are the records created and held by the police for their own individual filling.","\nSeries III, Jail Records are arranged by date though the dates of the three volumes overlap. The records date from April 25, 1924 to January 4, 1943 with the second record overlapping with the dates February 2, 1942 to May 4, 1942. Each volume is a spread sheet that goes by date and case number order. They record the individual, the case, the number of days sentenced, the fine or bail posted, the date it was paid and whether the sentence was served or dismissed. These records are only in the case of jail sentencing for misdemeanors and do not exceed the maximum time for those cases."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_99ea81fcfceabec4bb788221de74b426\"\u003eThis collection contains bound manuscript volumes from the City of Sanford which includes fifty-three municipal court dockets (January 12, 1920-December 29, 1972); four police dockets (July 16, 1926-April 13, 1946); and 3 jail records (April 25, 1924-May 4, 1942).\u003c/abstract\u003e"],"abstract_tesim":["This collection contains bound manuscript volumes from the City of Sanford which includes fifty-three municipal court dockets (January 12, 1920-December 29, 1972); four police dockets (July 16, 1926-April 13, 1946); and 3 jail records (April 25, 1924-May 4, 1942)."],"names_ssim":["UCF Special Collections"],"corpname_ssim":["UCF Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":63,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857763593125888,"_root_":"07bc054fadb6f282f5fac782","timestamp":"2026-07-16T08:03:18.787Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/07bc054fadb6f282f5fac782_aspace_2b22fcac24d6e6e71fe0a56713b1ffe8"}},{"id":"f11c2e39be427385299a43c9","type":"collection","attributes":{"title":"Museum of Contemporary Art Jacksonville Collection, 1977-2010","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/f11c2e39be427385299a43c9#creator","type":"document_value","attributes":{"value":["Museum of Contemporary Art Jacksonville."],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/f11c2e39be427385299a43c9#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Library's collection contains printed materials which provide documentation of the Museum's exhibitions and programs from the late 1970s to date. Types of items include gallery guides and rack cards, exhibition catalogs, invitations and publicity brochures, exhibition and text boards, and posters published by the Museum. Of particular interest are guides, catalogs, publicity and memorabilia from the Ramses II exhibition presented by the Jacksonville Art Museum in 1986-87, the Andrew Wyeth exhibition in 1992, and large scale posters from other notable art exhibitions.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f11c2e39be427385299a43c9#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"f11c2e39be427385299a43c9","title_ssm":["Museum of Contemporary Art Jacksonville Collection"],"title_tesim":["Museum of Contemporary Art Jacksonville Collection"],"ead_ssi":"f11c2e39be427385299a43c9","unitdate_ssm":["1977-2010"],"unitdate_inclusive_ssm":["1977-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2009.006","/repositories/3/resources/62"],"text":["2009.006","/repositories/3/resources/62","Museum of Contemporary Art Jacksonville Collection, 1977-2010","Art--Florida--Jacksonville--Exhibitions.","Arts, American--Florida--Jacksonville--20th century--Exhibitions.","Arts, American--Florida--Jacksonville--21st century--Exhibitions.","Arts, Modern--20th century--Exhibitions.","Arts, Modern--21st century--Exhibitions.","Pamphlets","Posters","Printed materials","Realia","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","The Museum of Contemporary Art Jacksonville (MOCA Jacksonville) has a long and rich history as the first organization devoted to the visual arts in Northeast Florida. Founded in 1924 as the Jacksonville Fine Arts Society, the Museum evolved into a contemporary artistic institution with a substantial permanent collection, traveling exhibitions, and special events and educational programs for the community, supported by a permanent staff. At the mid-twentieth century mark in 1948, it was professionally incorporated as the Jacksonville Art Museum and purchased its first facility - the \"Fleming Mansion,\" a historic home on Riverside Avenue. A new and substantially larger building, located in the Koger Executive Center on 4160 Boulevard Center Drive, opened in 1966 and included both permanent and rotating exhibition galleries, a museum store, and an outdoor sculpture garden. In 1978, the Museum was accredited by the American Association of Museums. Efforts by the Board of Trustees in 1995 to clarify its mission resulted in the Museum's name change to the Jacksonville Museum of Contemporary Art.\nThe end of the twentieth century brought two major changes to the Museum: a new, centralized and visible location in downtown Jacksonville to house its growing collections and a name change to more accurately reflect the Museum's then scope and mission. In November 1999, the Museum acquired the five story Galleria / Western Union Telegraph building across from Hemming Park and City Hall. At the same time, the Museum became the Jacksonville Museum of Modern Art (JMoMA). In May 2003, a total renovation of the building was completed, with the addition of updated educational facilities, and a new restaurant, theater, and Museum Shop. The permanent galleries showcase works by leading modernists, such as Hans Hofmann, Joan Mitchell and Ed Paschke, with additional rotating exhibits displayed several times a year.\nIn 2006, JMoMA officially became the Museum of Contemporary Art Jacksonville (MOCA Jacksonville). Two years later, in October 2008, it was announced that the University of North Florida (UNF) was planning to take over the operations of MOCA, coincidentally housed in the same Galleria Building where the University had maintained a Downtown Center from 1978 to 1987. On April 16, 2009, the UNF Board of Trustees approved the arrangement, after the University's eleven-month review of the Museum's finances, legal obligations, physical plant, and the art collection. Under the terms of the arrangement, UNF became the building's leaseholder and in control of most of MOCA Jacksonville's 800-piece collection. The symbiotic affiliation and partnership continues to serve both the Museum and UNF as MOCA provides a rich stage for arts education activities, including UNF faculty and student exhibits, workshops and lectures, and special art outreach programs in the Jacksonville community.","Note written by ","The Library's collection contains printed materials which provide documentation of the Museum's exhibitions and programs from the late 1970s to date. Types of items include gallery guides and rack cards, exhibition catalogs, invitations and publicity brochures, exhibition and text boards, and posters published by the Museum. Of particular interest are guides, catalogs, publicity and memorabilia from the Ramses II exhibition presented by the Jacksonville Art Museum in 1986-87, the Andrew Wyeth exhibition in 1992, and large scale posters from other notable art exhibitions.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","Museum of Contemporary Art Jacksonville.","Jacksonville Art Museum.","Jacksonville Museum of Contemporary Art.","Jacksonville Museum of Modern Art.","University of North Florida.","Jacksonville Museum of Modern Art--Catalogs.","Jacksonville Art Museum--Catalogs.","Jacksonville Museum of Contemporary Art--Catalogs.","Museum of Contemporary Art Jacksonville--Catalogs.","Ramses II King of Egypt--Exhibitions.","English"],"unitid_tesim":["2009.006","/repositories/3/resources/62"],"normalized_date_ssm":["1977-2010"],"normalized_title_ssm":["Museum of Contemporary Art Jacksonville Collection, 1977-2010"],"collection_title_tesim":["Museum of Contemporary Art Jacksonville Collection, 1977-2010"],"collection_ssim":["Museum of Contemporary Art Jacksonville Collection, 1977-2010"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"creator_ssm":["Museum of Contemporary Art Jacksonville.","Jacksonville Art Museum.","Jacksonville Museum of Contemporary Art.","Jacksonville Museum of Modern Art."],"creator_ssim":["Museum of Contemporary Art Jacksonville.","Jacksonville Art Museum.","Jacksonville Museum of Contemporary Art.","Jacksonville Museum of Modern Art."],"creator_corpname_ssim":["Museum of Contemporary Art Jacksonville.","Jacksonville Art Museum.","Jacksonville Museum of Contemporary Art.","Jacksonville Museum of Modern Art."],"creators_ssim":["Museum of Contemporary Art Jacksonville.","Jacksonville Art Museum.","Jacksonville Museum of Contemporary Art.","Jacksonville Museum of Modern Art."],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from the Museum of Contemporary Art Jacksonville, 2009"],"access_subjects_ssim":["Art--Florida--Jacksonville--Exhibitions.","Arts, American--Florida--Jacksonville--20th century--Exhibitions.","Arts, American--Florida--Jacksonville--21st century--Exhibitions.","Arts, Modern--20th century--Exhibitions.","Arts, Modern--21st century--Exhibitions.","Pamphlets","Posters","Printed materials","Realia"],"access_subjects_ssm":["Art--Florida--Jacksonville--Exhibitions.","Arts, American--Florida--Jacksonville--20th century--Exhibitions.","Arts, American--Florida--Jacksonville--21st century--Exhibitions.","Arts, Modern--20th century--Exhibitions.","Arts, Modern--21st century--Exhibitions.","Pamphlets","Posters","Printed materials","Realia"],"has_online_content_ssim":["false"],"extent_ssm":["13.00 Linear Feet"],"extent_tesim":["13.00 Linear Feet"],"genreform_ssim":["Pamphlets","Posters","Printed materials","Realia"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eThe Museum of Contemporary Art Jacksonville (MOCA Jacksonville) has a long and rich history as the first organization devoted to the visual arts in Northeast Florida. Founded in 1924 as the Jacksonville Fine Arts Society, the Museum evolved into a contemporary artistic institution with a substantial permanent collection, traveling exhibitions, and special events and educational programs for the community, supported by a permanent staff. At the mid-twentieth century mark in 1948, it was professionally incorporated as the Jacksonville Art Museum and purchased its first facility - the \"Fleming Mansion,\" a historic home on Riverside Avenue. A new and substantially larger building, located in the Koger Executive Center on 4160 Boulevard Center Drive, opened in 1966 and included both permanent and rotating exhibition galleries, a museum store, and an outdoor sculpture garden. In 1978, the Museum was accredited by the American Association of Museums. Efforts by the Board of Trustees in 1995 to clarify its mission resulted in the Museum's name change to the Jacksonville Museum of Contemporary Art.\nThe end of the twentieth century brought two major changes to the Museum: a new, centralized and visible location in downtown Jacksonville to house its growing collections and a name change to more accurately reflect the Museum's then scope and mission. In November 1999, the Museum acquired the five story Galleria / Western Union Telegraph building across from Hemming Park and City Hall. At the same time, the Museum became the Jacksonville Museum of Modern Art (JMoMA). In May 2003, a total renovation of the building was completed, with the addition of updated educational facilities, and a new restaurant, theater, and Museum Shop. The permanent galleries showcase works by leading modernists, such as Hans Hofmann, Joan Mitchell and Ed Paschke, with additional rotating exhibits displayed several times a year.\nIn 2006, JMoMA officially became the Museum of Contemporary Art Jacksonville (MOCA Jacksonville). Two years later, in October 2008, it was announced that the University of North Florida (UNF) was planning to take over the operations of MOCA, coincidentally housed in the same Galleria Building where the University had maintained a Downtown Center from 1978 to 1987. On April 16, 2009, the UNF Board of Trustees approved the arrangement, after the University's eleven-month review of the Museum's finances, legal obligations, physical plant, and the art collection. Under the terms of the arrangement, UNF became the building's leaseholder and in control of most of MOCA Jacksonville's 800-piece collection. The symbiotic affiliation and partnership continues to serve both the Museum and UNF as MOCA provides a rich stage for arts education activities, including UNF faculty and student exhibits, workshops and lectures, and special art outreach programs in the Jacksonville community.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Museum of Contemporary Art Jacksonville (MOCA Jacksonville) has a long and rich history as the first organization devoted to the visual arts in Northeast Florida. Founded in 1924 as the Jacksonville Fine Arts Society, the Museum evolved into a contemporary artistic institution with a substantial permanent collection, traveling exhibitions, and special events and educational programs for the community, supported by a permanent staff. At the mid-twentieth century mark in 1948, it was professionally incorporated as the Jacksonville Art Museum and purchased its first facility - the \"Fleming Mansion,\" a historic home on Riverside Avenue. A new and substantially larger building, located in the Koger Executive Center on 4160 Boulevard Center Drive, opened in 1966 and included both permanent and rotating exhibition galleries, a museum store, and an outdoor sculpture garden. In 1978, the Museum was accredited by the American Association of Museums. Efforts by the Board of Trustees in 1995 to clarify its mission resulted in the Museum's name change to the Jacksonville Museum of Contemporary Art.\nThe end of the twentieth century brought two major changes to the Museum: a new, centralized and visible location in downtown Jacksonville to house its growing collections and a name change to more accurately reflect the Museum's then scope and mission. In November 1999, the Museum acquired the five story Galleria / Western Union Telegraph building across from Hemming Park and City Hall. At the same time, the Museum became the Jacksonville Museum of Modern Art (JMoMA). In May 2003, a total renovation of the building was completed, with the addition of updated educational facilities, and a new restaurant, theater, and Museum Shop. The permanent galleries showcase works by leading modernists, such as Hans Hofmann, Joan Mitchell and Ed Paschke, with additional rotating exhibits displayed several times a year.\nIn 2006, JMoMA officially became the Museum of Contemporary Art Jacksonville (MOCA Jacksonville). Two years later, in October 2008, it was announced that the University of North Florida (UNF) was planning to take over the operations of MOCA, coincidentally housed in the same Galleria Building where the University had maintained a Downtown Center from 1978 to 1987. On April 16, 2009, the UNF Board of Trustees approved the arrangement, after the University's eleven-month review of the Museum's finances, legal obligations, physical plant, and the art collection. Under the terms of the arrangement, UNF became the building's leaseholder and in control of most of MOCA Jacksonville's 800-piece collection. The symbiotic affiliation and partnership continues to serve both the Museum and UNF as MOCA provides a rich stage for arts education activities, including UNF faculty and student exhibits, workshops and lectures, and special art outreach programs in the Jacksonville community.","Note written by "],"prefercite_html_tesm":["\u003cp\u003eMuseum of Contemporary Art Jacksonville Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Museum of Contemporary Art Jacksonville Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe Library's collection contains printed materials which provide documentation of the Museum's exhibitions and programs from the late 1970s to date. Types of items include gallery guides and rack cards, exhibition catalogs, invitations and publicity brochures, exhibition and text boards, and posters published by the Museum. Of particular interest are guides, catalogs, publicity and memorabilia from the Ramses II exhibition presented by the Jacksonville Art Museum in 1986-87, the Andrew Wyeth exhibition in 1992, and large scale posters from other notable art exhibitions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Library's collection contains printed materials which provide documentation of the Museum's exhibitions and programs from the late 1970s to date. Types of items include gallery guides and rack cards, exhibition catalogs, invitations and publicity brochures, exhibition and text boards, and posters published by the Museum. Of particular interest are guides, catalogs, publicity and memorabilia from the Ramses II exhibition presented by the Jacksonville Art Museum in 1986-87, the Andrew Wyeth exhibition in 1992, and large scale posters from other notable art exhibitions."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_coll_ssim":["Jacksonville Art Museum.","Jacksonville Museum of Contemporary Art.","Jacksonville Museum of Modern Art.","Museum of Contemporary Art Jacksonville.","University of North Florida.","Jacksonville Museum of Modern Art--Catalogs.","Jacksonville Art Museum--Catalogs.","Jacksonville Museum of Contemporary Art--Catalogs.","Museum of Contemporary Art Jacksonville--Catalogs.","Ramses II King of Egypt--Exhibitions."],"names_ssim":["UNF Library Special Collections and University Archives","Museum of Contemporary Art Jacksonville.","Jacksonville Art Museum.","Jacksonville Museum of Contemporary Art.","Jacksonville Museum of Modern Art.","University of North Florida.","Jacksonville Museum of Modern Art--Catalogs.","Jacksonville Art Museum--Catalogs.","Jacksonville Museum of Contemporary Art--Catalogs.","Museum of Contemporary Art Jacksonville--Catalogs.","Ramses II King of Egypt--Exhibitions."],"corpname_ssim":["UNF Library Special Collections and University Archives","Museum of Contemporary Art Jacksonville.","Jacksonville Art Museum.","Jacksonville Museum of Contemporary Art.","Jacksonville Museum of Modern Art.","University of North Florida.","Jacksonville Museum of Modern Art--Catalogs.","Jacksonville Art Museum--Catalogs.","Jacksonville Museum of Contemporary Art--Catalogs.","Museum of Contemporary Art Jacksonville--Catalogs."],"persname_ssim":["Ramses II King of Egypt--Exhibitions."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860566621323264,"_root_":"f11c2e39be427385299a43c9","timestamp":"2026-07-16T08:47:51.964Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f11c2e39be427385299a43c9","title_ssm":["Museum of Contemporary Art Jacksonville Collection"],"title_tesim":["Museum of Contemporary Art Jacksonville Collection"],"ead_ssi":"f11c2e39be427385299a43c9","unitdate_ssm":["1977-2010"],"unitdate_inclusive_ssm":["1977-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2009.006","/repositories/3/resources/62"],"text":["2009.006","/repositories/3/resources/62","Museum of Contemporary Art Jacksonville Collection, 1977-2010","Art--Florida--Jacksonville--Exhibitions.","Arts, American--Florida--Jacksonville--20th century--Exhibitions.","Arts, American--Florida--Jacksonville--21st century--Exhibitions.","Arts, Modern--20th century--Exhibitions.","Arts, Modern--21st century--Exhibitions.","Pamphlets","Posters","Printed materials","Realia","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","The Museum of Contemporary Art Jacksonville (MOCA Jacksonville) has a long and rich history as the first organization devoted to the visual arts in Northeast Florida. Founded in 1924 as the Jacksonville Fine Arts Society, the Museum evolved into a contemporary artistic institution with a substantial permanent collection, traveling exhibitions, and special events and educational programs for the community, supported by a permanent staff. At the mid-twentieth century mark in 1948, it was professionally incorporated as the Jacksonville Art Museum and purchased its first facility - the \"Fleming Mansion,\" a historic home on Riverside Avenue. A new and substantially larger building, located in the Koger Executive Center on 4160 Boulevard Center Drive, opened in 1966 and included both permanent and rotating exhibition galleries, a museum store, and an outdoor sculpture garden. In 1978, the Museum was accredited by the American Association of Museums. Efforts by the Board of Trustees in 1995 to clarify its mission resulted in the Museum's name change to the Jacksonville Museum of Contemporary Art.\nThe end of the twentieth century brought two major changes to the Museum: a new, centralized and visible location in downtown Jacksonville to house its growing collections and a name change to more accurately reflect the Museum's then scope and mission. In November 1999, the Museum acquired the five story Galleria / Western Union Telegraph building across from Hemming Park and City Hall. At the same time, the Museum became the Jacksonville Museum of Modern Art (JMoMA). In May 2003, a total renovation of the building was completed, with the addition of updated educational facilities, and a new restaurant, theater, and Museum Shop. The permanent galleries showcase works by leading modernists, such as Hans Hofmann, Joan Mitchell and Ed Paschke, with additional rotating exhibits displayed several times a year.\nIn 2006, JMoMA officially became the Museum of Contemporary Art Jacksonville (MOCA Jacksonville). Two years later, in October 2008, it was announced that the University of North Florida (UNF) was planning to take over the operations of MOCA, coincidentally housed in the same Galleria Building where the University had maintained a Downtown Center from 1978 to 1987. On April 16, 2009, the UNF Board of Trustees approved the arrangement, after the University's eleven-month review of the Museum's finances, legal obligations, physical plant, and the art collection. Under the terms of the arrangement, UNF became the building's leaseholder and in control of most of MOCA Jacksonville's 800-piece collection. The symbiotic affiliation and partnership continues to serve both the Museum and UNF as MOCA provides a rich stage for arts education activities, including UNF faculty and student exhibits, workshops and lectures, and special art outreach programs in the Jacksonville community.","Note written by ","The Library's collection contains printed materials which provide documentation of the Museum's exhibitions and programs from the late 1970s to date. Types of items include gallery guides and rack cards, exhibition catalogs, invitations and publicity brochures, exhibition and text boards, and posters published by the Museum. Of particular interest are guides, catalogs, publicity and memorabilia from the Ramses II exhibition presented by the Jacksonville Art Museum in 1986-87, the Andrew Wyeth exhibition in 1992, and large scale posters from other notable art exhibitions.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","Museum of Contemporary Art Jacksonville.","Jacksonville Art Museum.","Jacksonville Museum of Contemporary Art.","Jacksonville Museum of Modern Art.","University of North Florida.","Jacksonville Museum of Modern Art--Catalogs.","Jacksonville Art Museum--Catalogs.","Jacksonville Museum of Contemporary Art--Catalogs.","Museum of Contemporary Art Jacksonville--Catalogs.","Ramses II King of Egypt--Exhibitions.","English"],"unitid_tesim":["2009.006","/repositories/3/resources/62"],"normalized_date_ssm":["1977-2010"],"normalized_title_ssm":["Museum of Contemporary Art Jacksonville Collection, 1977-2010"],"collection_title_tesim":["Museum of Contemporary Art Jacksonville Collection, 1977-2010"],"collection_ssim":["Museum of Contemporary Art Jacksonville Collection, 1977-2010"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"creator_ssm":["Museum of Contemporary Art Jacksonville.","Jacksonville Art Museum.","Jacksonville Museum of Contemporary Art.","Jacksonville Museum of Modern Art."],"creator_ssim":["Museum of Contemporary Art Jacksonville.","Jacksonville Art Museum.","Jacksonville Museum of Contemporary Art.","Jacksonville Museum of Modern Art."],"creator_corpname_ssim":["Museum of Contemporary Art Jacksonville.","Jacksonville Art Museum.","Jacksonville Museum of Contemporary Art.","Jacksonville Museum of Modern Art."],"creators_ssim":["Museum of Contemporary Art Jacksonville.","Jacksonville Art Museum.","Jacksonville Museum of Contemporary Art.","Jacksonville Museum of Modern Art."],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from the Museum of Contemporary Art Jacksonville, 2009"],"access_subjects_ssim":["Art--Florida--Jacksonville--Exhibitions.","Arts, American--Florida--Jacksonville--20th century--Exhibitions.","Arts, American--Florida--Jacksonville--21st century--Exhibitions.","Arts, Modern--20th century--Exhibitions.","Arts, Modern--21st century--Exhibitions.","Pamphlets","Posters","Printed materials","Realia"],"access_subjects_ssm":["Art--Florida--Jacksonville--Exhibitions.","Arts, American--Florida--Jacksonville--20th century--Exhibitions.","Arts, American--Florida--Jacksonville--21st century--Exhibitions.","Arts, Modern--20th century--Exhibitions.","Arts, Modern--21st century--Exhibitions.","Pamphlets","Posters","Printed materials","Realia"],"has_online_content_ssim":["false"],"extent_ssm":["13.00 Linear Feet"],"extent_tesim":["13.00 Linear Feet"],"genreform_ssim":["Pamphlets","Posters","Printed materials","Realia"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eThe Museum of Contemporary Art Jacksonville (MOCA Jacksonville) has a long and rich history as the first organization devoted to the visual arts in Northeast Florida. Founded in 1924 as the Jacksonville Fine Arts Society, the Museum evolved into a contemporary artistic institution with a substantial permanent collection, traveling exhibitions, and special events and educational programs for the community, supported by a permanent staff. At the mid-twentieth century mark in 1948, it was professionally incorporated as the Jacksonville Art Museum and purchased its first facility - the \"Fleming Mansion,\" a historic home on Riverside Avenue. A new and substantially larger building, located in the Koger Executive Center on 4160 Boulevard Center Drive, opened in 1966 and included both permanent and rotating exhibition galleries, a museum store, and an outdoor sculpture garden. In 1978, the Museum was accredited by the American Association of Museums. Efforts by the Board of Trustees in 1995 to clarify its mission resulted in the Museum's name change to the Jacksonville Museum of Contemporary Art.\nThe end of the twentieth century brought two major changes to the Museum: a new, centralized and visible location in downtown Jacksonville to house its growing collections and a name change to more accurately reflect the Museum's then scope and mission. In November 1999, the Museum acquired the five story Galleria / Western Union Telegraph building across from Hemming Park and City Hall. At the same time, the Museum became the Jacksonville Museum of Modern Art (JMoMA). In May 2003, a total renovation of the building was completed, with the addition of updated educational facilities, and a new restaurant, theater, and Museum Shop. The permanent galleries showcase works by leading modernists, such as Hans Hofmann, Joan Mitchell and Ed Paschke, with additional rotating exhibits displayed several times a year.\nIn 2006, JMoMA officially became the Museum of Contemporary Art Jacksonville (MOCA Jacksonville). Two years later, in October 2008, it was announced that the University of North Florida (UNF) was planning to take over the operations of MOCA, coincidentally housed in the same Galleria Building where the University had maintained a Downtown Center from 1978 to 1987. On April 16, 2009, the UNF Board of Trustees approved the arrangement, after the University's eleven-month review of the Museum's finances, legal obligations, physical plant, and the art collection. Under the terms of the arrangement, UNF became the building's leaseholder and in control of most of MOCA Jacksonville's 800-piece collection. The symbiotic affiliation and partnership continues to serve both the Museum and UNF as MOCA provides a rich stage for arts education activities, including UNF faculty and student exhibits, workshops and lectures, and special art outreach programs in the Jacksonville community.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["The Museum of Contemporary Art Jacksonville (MOCA Jacksonville) has a long and rich history as the first organization devoted to the visual arts in Northeast Florida. Founded in 1924 as the Jacksonville Fine Arts Society, the Museum evolved into a contemporary artistic institution with a substantial permanent collection, traveling exhibitions, and special events and educational programs for the community, supported by a permanent staff. At the mid-twentieth century mark in 1948, it was professionally incorporated as the Jacksonville Art Museum and purchased its first facility - the \"Fleming Mansion,\" a historic home on Riverside Avenue. A new and substantially larger building, located in the Koger Executive Center on 4160 Boulevard Center Drive, opened in 1966 and included both permanent and rotating exhibition galleries, a museum store, and an outdoor sculpture garden. In 1978, the Museum was accredited by the American Association of Museums. Efforts by the Board of Trustees in 1995 to clarify its mission resulted in the Museum's name change to the Jacksonville Museum of Contemporary Art.\nThe end of the twentieth century brought two major changes to the Museum: a new, centralized and visible location in downtown Jacksonville to house its growing collections and a name change to more accurately reflect the Museum's then scope and mission. In November 1999, the Museum acquired the five story Galleria / Western Union Telegraph building across from Hemming Park and City Hall. At the same time, the Museum became the Jacksonville Museum of Modern Art (JMoMA). In May 2003, a total renovation of the building was completed, with the addition of updated educational facilities, and a new restaurant, theater, and Museum Shop. The permanent galleries showcase works by leading modernists, such as Hans Hofmann, Joan Mitchell and Ed Paschke, with additional rotating exhibits displayed several times a year.\nIn 2006, JMoMA officially became the Museum of Contemporary Art Jacksonville (MOCA Jacksonville). Two years later, in October 2008, it was announced that the University of North Florida (UNF) was planning to take over the operations of MOCA, coincidentally housed in the same Galleria Building where the University had maintained a Downtown Center from 1978 to 1987. On April 16, 2009, the UNF Board of Trustees approved the arrangement, after the University's eleven-month review of the Museum's finances, legal obligations, physical plant, and the art collection. Under the terms of the arrangement, UNF became the building's leaseholder and in control of most of MOCA Jacksonville's 800-piece collection. The symbiotic affiliation and partnership continues to serve both the Museum and UNF as MOCA provides a rich stage for arts education activities, including UNF faculty and student exhibits, workshops and lectures, and special art outreach programs in the Jacksonville community.","Note written by "],"prefercite_html_tesm":["\u003cp\u003eMuseum of Contemporary Art Jacksonville Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Museum of Contemporary Art Jacksonville Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe Library's collection contains printed materials which provide documentation of the Museum's exhibitions and programs from the late 1970s to date. Types of items include gallery guides and rack cards, exhibition catalogs, invitations and publicity brochures, exhibition and text boards, and posters published by the Museum. Of particular interest are guides, catalogs, publicity and memorabilia from the Ramses II exhibition presented by the Jacksonville Art Museum in 1986-87, the Andrew Wyeth exhibition in 1992, and large scale posters from other notable art exhibitions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Library's collection contains printed materials which provide documentation of the Museum's exhibitions and programs from the late 1970s to date. Types of items include gallery guides and rack cards, exhibition catalogs, invitations and publicity brochures, exhibition and text boards, and posters published by the Museum. Of particular interest are guides, catalogs, publicity and memorabilia from the Ramses II exhibition presented by the Jacksonville Art Museum in 1986-87, the Andrew Wyeth exhibition in 1992, and large scale posters from other notable art exhibitions."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_coll_ssim":["Jacksonville Art Museum.","Jacksonville Museum of Contemporary Art.","Jacksonville Museum of Modern Art.","Museum of Contemporary Art Jacksonville.","University of North Florida.","Jacksonville Museum of Modern Art--Catalogs.","Jacksonville Art Museum--Catalogs.","Jacksonville Museum of Contemporary Art--Catalogs.","Museum of Contemporary Art Jacksonville--Catalogs.","Ramses II King of Egypt--Exhibitions."],"names_ssim":["UNF Library Special Collections and University Archives","Museum of Contemporary Art Jacksonville.","Jacksonville Art Museum.","Jacksonville Museum of Contemporary Art.","Jacksonville Museum of Modern Art.","University of North Florida.","Jacksonville Museum of Modern Art--Catalogs.","Jacksonville Art Museum--Catalogs.","Jacksonville Museum of Contemporary Art--Catalogs.","Museum of Contemporary Art Jacksonville--Catalogs.","Ramses II King of Egypt--Exhibitions."],"corpname_ssim":["UNF Library Special Collections and University Archives","Museum of Contemporary Art Jacksonville.","Jacksonville Art Museum.","Jacksonville Museum of Contemporary Art.","Jacksonville Museum of Modern Art.","University of North Florida.","Jacksonville Museum of Modern Art--Catalogs.","Jacksonville Art Museum--Catalogs.","Jacksonville Museum of Contemporary Art--Catalogs.","Museum of Contemporary Art Jacksonville--Catalogs."],"persname_ssim":["Ramses II King of Egypt--Exhibitions."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860566621323264,"_root_":"f11c2e39be427385299a43c9","timestamp":"2026-07-16T08:47:51.964Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f11c2e39be427385299a43c9"}},{"id":"725898a1a41349eb30ec365d_aspace_dc5e852cbccc241c210437417aee2c4d","type":"File","attributes":{"title":"Music, 1976-2010, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_dc5e852cbccc241c210437417aee2c4d#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_dc5e852cbccc241c210437417aee2c4d","ref_ssm":["aspace_dc5e852cbccc241c210437417aee2c4d","aspace_dc5e852cbccc241c210437417aee2c4d"],"id":"725898a1a41349eb30ec365d_aspace_dc5e852cbccc241c210437417aee2c4d","title_filing_ssi":"Music","title_ssm":["Music"],"title_tesim":["Music"],"unitdate_inclusive_ssm":["1976-2010, Undated "],"normalized_date_ssm":["1976-2010, Undated"],"normalized_title_ssm":["Music, 1976-2010, Undated"],"text":["Music, 1976-2010, Undated","José Guerra Alemán Collection, 1887-2013","Manuscripts, 1915-2013, Undated","Social, Political, and Cultural History, 1922-2013, Undated","Folder 11","/repositories/4/archival_objects/53963","box 6","folder 11"],"component_level_isim":[3],"parent_ids_ssim":["725898a1a41349eb30ec365d","725898a1a41349eb30ec365d_aspace_c169fb1b4abcdaaa416e683d4329daa8","725898a1a41349eb30ec365d_aspace_46d087b954c4efe5eb376c3eb0800b41"],"parent_unittitles_ssm":["José Guerra Alemán Collection, 1887-2013","Manuscripts, 1915-2013, Undated","Social, Political, and Cultural History, 1922-2013, Undated"],"parent_unittitles_tesim":["José Guerra Alemán Collection, 1887-2013","Manuscripts, 1915-2013, Undated","Social, Political, and Cultural History, 1922-2013, Undated"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 11","/repositories/4/archival_objects/53963"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":85,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"containers_ssim":["box 6","folder 11"],"_nest_path_":"/components#0/components#2/components#28","_nest_parent_":"725898a1a41349eb30ec365d_aspace_46d087b954c4efe5eb376c3eb0800b41","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_dc5e852cbccc241c210437417aee2c4d"}},{"id":"7066de5bc77f318f91269ffe_aspace_bc68695f9dfb6452969286d0cca8a77a","type":"Subseries","attributes":{"title":"Music, 1991–2003","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/7066de5bc77f318f91269ffe_aspace_bc68695f9dfb6452969286d0cca8a77a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_bc68695f9dfb6452969286d0cca8a77a","ref_ssm":["aspace_bc68695f9dfb6452969286d0cca8a77a","aspace_bc68695f9dfb6452969286d0cca8a77a"],"id":"7066de5bc77f318f91269ffe_aspace_bc68695f9dfb6452969286d0cca8a77a","title_filing_ssi":"Music","title_ssm":["Music"],"title_tesim":["Music"],"unitdate_inclusive_ssm":["1991–2003"],"normalized_date_ssm":["1991–2003"],"normalized_title_ssm":["Music, 1991–2003"],"text":["Music, 1991–2003","Mindy Colton collection, 1986-2009","Events Promotion, 1988–2003","/repositories/2/archival_objects/90658"],"component_level_isim":[2],"parent_ids_ssim":["7066de5bc77f318f91269ffe","7066de5bc77f318f91269ffe_aspace_a6300965f54cf84b2eef257d321817b7"],"parent_unittitles_ssm":["Mindy Colton collection, 1986-2009","Events Promotion, 1988–2003"],"parent_unittitles_tesim":["Mindy Colton collection, 1986-2009","Events Promotion, 1988–2003"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/90658"],"repository_ssim":["UCF University Archives"],"collection_ssim":["Mindy Colton collection, 1986-2009"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":74,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"_nest_path_":"/components#3/components#2","_nest_parent_":"7066de5bc77f318f91269ffe_aspace_a6300965f54cf84b2eef257d321817b7","_root_":"7066de5bc77f318f91269ffe","_version_":1870858748673654784,"timestamp":"2026-07-16T08:18:58.232Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"7066de5bc77f318f91269ffe","title_ssm":["Mindy Colton collection"],"title_tesim":["Mindy Colton collection"],"ead_ssi":"7066de5bc77f318f91269ffe","unitdate_ssm":["1986-2009"],"unitdate_inclusive_ssm":["1986-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA21H","/repositories/2/resources/380"],"text":["UA21H","/repositories/2/resources/380","Mindy Colton collection, 1986-2009","Posters","Advertising","Graphic arts","College publications","Advertising campaigns","advertisements","The entire collection is open for research.","This collection is organized in four series as follows: \n I. Personal, 1990-2009 II. University Publications, 1987-2002 III. University Reports, 1986-2002 IV. Events Promotion, 1988-2003 \nMaterials are arranged by chronological date within their series.","Mindy Zimmerman Colton was born in New York City (NYC) to Dr. Louis Zimmerman and Helen Helfstein Zimmerman. At age five, her parents enrolled her in children's art classes at the Metropolitan Museum of Art. She later studied at the Art Students League of New York and attended the High School of Music and Art in NYC (now the Fiorello La Guardia High School for Music and Art and Performing Arts) until she was sixteen years old.  \n \nColton attended Parsons School of Design and received a Bachelor of Fine Arts from Washington University School of Fine Art in St. Louis. She received her M.A. from the University of Central Florida (UCF) and studied abroad in San Miguel de Allendé, Mexico. From 1987 to 2002, Colton worked at UCF as the Director and Designer of Publications. During her seventeen-year tenure at UCF, she oversaw the design and graphics for all UCF publications, crafting a consistent visual identity for the university. Her work won multiple CASE Advancement Awards and Bronze Quill Awards, including a CASE Advancement Award in Merit for the 2000-2001 UCF Football advertising campaign \"Time Has Come for UCF.\"  ","After leaving UCF, Colton focused on her fine arts career, developing a passion for bronze sculpture. Her multimedia work consists of large outdoor sculptures — often of horses — including  Renewal , showcased at EPCOT's Flower and Garden Invitational Sculpture Exhibit and bought by the city of Casselberry in 2014.  Wind Dancer , a life-size sculpture of Pegasus, was purchased by UCF in 2007 and is still displayed today. Colton has exhibited widely, won multiple awards, and received six grants supporting her artistic work. She has said herself, \"I strive for my works to intrigue the viewer, invite a closer look, and exhibit strength, determination, and vulnerability.\" As of 2026, Colton resides in Orlando, Florida.","Processed by and finding aid prepared by Ava Botwin in 2026.","Other materials related to advertising and marketing at UCF can be found in the  UCF Audio, Visual, and Multi-Media Collection.","The Mindy Colton collection, 1986-2009, features samples of Mindy Colton's graphic designs during her seventeen-year career at the University of Central Florida (UCF). While serving As Director and Designer of Publications, Colton oversaw various design projects for UCF, including academic factbooks, annual reports, posters, calendars, advertising campaigns, and event invitations, made for students, faculty, staff, and the public. Her work frequently features not only graphic design, but also her own artwork.  ","This collection offers a glimpse into how UCF advertised and marketed its academic programs and tracks to prospective students from the late 1980s through the early 2000s. Additionally, it records many campus events, both academic and not, as well as annual and fiscal reports, which document expectations and summaries of the university's academic year.   ","Series I: Personal, 1990-2009 contains collected material that highlight Colton's achievements or feature her artwork in them.  ","Series II: University Publications, 1987-2002 consists of printed publications produced by UCF, such as fact books, brochures, branded folders, and awards. ","Series III: Reports, 1986-2000, contains annual reports, financial or fiscal reports, President's reports, and untitled reports about the university.  ","Series IV: Events Publications, 1988-2003 consists of advertising materials created for specific events held at or by UCF. The General subseries includes both on and off-campus events tied to the university. The Football subseries consist of invitations and advertisements for UCF football games. This subseries also holds materials related to 'The Time Is Now', UCF's advertising campaign to join its first NCAA college football conference in 2000. The Music subseries chiefly consist of audition posters for the UCF School of Music. ","Issues of  Emphasis  magazine donated with the Mindy Colton collection have been cataloged individually under the call number LD1772.F9120 E47.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Mindy Colton collection, 1986-2009, features samples of Mindy Colton's graphic designs during her seventeen-year career at the University of Central Florida (UCF). While serving As Director and Designer of Publications, Colton oversaw various design projects for UCF, including academic factbooks, annual reports, posters, calendars, advertising campaigns, and event invitations, made for students, faculty, staff, and the public. Her work frequently features not only graphic design, but also her own artwork. \n\nMindy Zimmerman Colton was born in New York City and studied at the Art Students League of New York and attended the High School of Music and Art in NYC. Colton attended Parsons School of Design and received a Bachelor of Fine Arts from Washington University School of Fine Art in St. Louis. She received her M.A. from the University of Central Florida. From 1987 to 2002, Colton worked at UCF as the Director and Designer of Publications. During her seventeen-year tenure at UCF, she oversaw the design and graphics for all UCF publications, crafting a consistent visual identity for the university. After leaving UCF, Colton focused on her fine arts career, developing a passion for bronze sculpture. Colton has exhibited widely, won multiple awards, and received six grants supporting her artistic work.","UCF University Archives","UCF Knights (Football team)","University of Central Florida. Communications and Marketing","Colton, Mindy Z.","English"],"unitid_tesim":["UA21H","/repositories/2/resources/380"],"normalized_date_ssm":["1986-2009"],"normalized_title_ssm":["Mindy Colton collection, 1986-2009"],"collection_title_tesim":["Mindy Colton collection, 1986-2009"],"collection_ssim":["Mindy Colton collection, 1986-2009"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["Colton, Mindy Z."],"creator_ssim":["Colton, Mindy Z."],"creator_persname_ssim":["Colton, Mindy Z."],"creators_ssim":["Colton, Mindy Z."],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of Mindy Colton in 2025 (Accession no. CFU2025_03)."],"access_subjects_ssim":["Posters","Advertising","Graphic arts","College publications","Advertising campaigns","advertisements"],"access_subjects_ssm":["Posters","Advertising","Graphic arts","College publications","Advertising campaigns","advertisements"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 3 boxes, 5 flat files"],"extent_tesim":["1.5 Linear Feet 3 boxes, 5 flat files"],"genreform_ssim":["advertisements"],"date_range_isim":[1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized in four series as follows: \n\u003cul style=\"list-style-type: none\"\u003e\n \u003cli\u003eI. Personal, 1990-2009\u003c/li\u003e\n \u003cli\u003eII. University Publications, 1987-2002\u003c/li\u003e\n \u003cli\u003eIII. University Reports, 1986-2002\u003c/li\u003e\n  \u003cli\u003eIV. Events Promotion, 1988-2003\u003c/li\u003e\n\u003c/ul\u003e\nMaterials are arranged by chronological date within their series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized in four series as follows: \n I. Personal, 1990-2009 II. University Publications, 1987-2002 III. University Reports, 1986-2002 IV. Events Promotion, 1988-2003 \nMaterials are arranged by chronological date within their series."],"bioghist_html_tesm":["\u003cp\u003eMindy Zimmerman Colton was born in New York City (NYC) to Dr. Louis Zimmerman and Helen Helfstein Zimmerman. At age five, her parents enrolled her in children's art classes at the Metropolitan Museum of Art. She later studied at the Art Students League of New York and attended the High School of Music and Art in NYC (now the Fiorello La Guardia High School for Music and Art and Performing Arts) until she was sixteen years old.  \n \nColton attended Parsons School of Design and received a Bachelor of Fine Arts from Washington University School of Fine Art in St. Louis. She received her M.A. from the University of Central Florida (UCF) and studied abroad in San Miguel de Allend\u0026#xE9;, Mexico. From 1987 to 2002, Colton worked at UCF as the Director and Designer of Publications. During her seventeen-year tenure at UCF, she oversaw the design and graphics for all UCF publications, crafting a consistent visual identity for the university. Her work won multiple CASE Advancement Awards and Bronze Quill Awards, including a CASE Advancement Award in Merit for the 2000-2001 UCF Football advertising campaign \"Time Has Come for UCF.\"  \u003c/p\u003e\n","\u003cp\u003eAfter leaving UCF, Colton focused on her fine arts career, developing a passion for bronze sculpture. Her multimedia work consists of large outdoor sculptures \u0026#x2014; often of horses \u0026#x2014; including \u003cemph render=\"italic\"\u003eRenewal\u003c/emph\u003e, showcased at EPCOT's Flower and Garden Invitational Sculpture Exhibit and bought by the city of Casselberry in 2014. \u003cemph render=\"italic\"\u003eWind Dancer\u003c/emph\u003e, a life-size sculpture of Pegasus, was purchased by UCF in 2007 and is still displayed today. Colton has exhibited widely, won multiple awards, and received six grants supporting her artistic work. She has said herself, \"I strive for my works to intrigue the viewer, invite a closer look, and exhibit strength, determination, and vulnerability.\" As of 2026, Colton resides in Orlando, Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Mindy Zimmerman Colton was born in New York City (NYC) to Dr. Louis Zimmerman and Helen Helfstein Zimmerman. At age five, her parents enrolled her in children's art classes at the Metropolitan Museum of Art. She later studied at the Art Students League of New York and attended the High School of Music and Art in NYC (now the Fiorello La Guardia High School for Music and Art and Performing Arts) until she was sixteen years old.  \n \nColton attended Parsons School of Design and received a Bachelor of Fine Arts from Washington University School of Fine Art in St. Louis. She received her M.A. from the University of Central Florida (UCF) and studied abroad in San Miguel de Allendé, Mexico. From 1987 to 2002, Colton worked at UCF as the Director and Designer of Publications. During her seventeen-year tenure at UCF, she oversaw the design and graphics for all UCF publications, crafting a consistent visual identity for the university. Her work won multiple CASE Advancement Awards and Bronze Quill Awards, including a CASE Advancement Award in Merit for the 2000-2001 UCF Football advertising campaign \"Time Has Come for UCF.\"  ","After leaving UCF, Colton focused on her fine arts career, developing a passion for bronze sculpture. Her multimedia work consists of large outdoor sculptures — often of horses — including  Renewal , showcased at EPCOT's Flower and Garden Invitational Sculpture Exhibit and bought by the city of Casselberry in 2014.  Wind Dancer , a life-size sculpture of Pegasus, was purchased by UCF in 2007 and is still displayed today. Colton has exhibited widely, won multiple awards, and received six grants supporting her artistic work. She has said herself, \"I strive for my works to intrigue the viewer, invite a closer look, and exhibit strength, determination, and vulnerability.\" As of 2026, Colton resides in Orlando, Florida."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Mindy Colton collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Mindy Colton collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Ava Botwin in 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Ava Botwin in 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eOther materials related to advertising and marketing at UCF can be found in the \u003cextref href=\"http://purl.flvc.org/ucf/ead/UCFAVMM\"\u003eUCF Audio, Visual, and Multi-Media Collection.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other materials related to advertising and marketing at UCF can be found in the  UCF Audio, Visual, and Multi-Media Collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Mindy Colton collection, 1986-2009, features samples of Mindy Colton's graphic designs during her seventeen-year career at the University of Central Florida (UCF). While serving As Director and Designer of Publications, Colton oversaw various design projects for UCF, including academic factbooks, annual reports, posters, calendars, advertising campaigns, and event invitations, made for students, faculty, staff, and the public. Her work frequently features not only graphic design, but also her own artwork.  \u003c/p\u003e\n","\u003cp\u003eThis collection offers a glimpse into how UCF advertised and marketed its academic programs and tracks to prospective students from the late 1980s through the early 2000s. Additionally, it records many campus events, both academic and not, as well as annual and fiscal reports, which document expectations and summaries of the university's academic year.   \u003c/p\u003e\n","\u003cp\u003eSeries I: Personal, 1990-2009 contains collected material that highlight Colton's achievements or feature her artwork in them.  \u003c/p\u003e\n","\u003cp\u003eSeries II: University Publications, 1987-2002 consists of printed publications produced by UCF, such as fact books, brochures, branded folders, and awards. \u003c/p\u003e\n","\u003cp\u003eSeries III: Reports, 1986-2000, contains annual reports, financial or fiscal reports, President's reports, and untitled reports about the university.  \u003c/p\u003e\n","\u003cp\u003eSeries IV: Events Publications, 1988-2003 consists of advertising materials created for specific events held at or by UCF. The General subseries includes both on and off-campus events tied to the university. The Football subseries consist of invitations and advertisements for UCF football games. This subseries also holds materials related to 'The Time Is Now', UCF's advertising campaign to join its first NCAA college football conference in 2000. The Music subseries chiefly consist of audition posters for the UCF School of Music. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Mindy Colton collection, 1986-2009, features samples of Mindy Colton's graphic designs during her seventeen-year career at the University of Central Florida (UCF). While serving As Director and Designer of Publications, Colton oversaw various design projects for UCF, including academic factbooks, annual reports, posters, calendars, advertising campaigns, and event invitations, made for students, faculty, staff, and the public. Her work frequently features not only graphic design, but also her own artwork.  ","This collection offers a glimpse into how UCF advertised and marketed its academic programs and tracks to prospective students from the late 1980s through the early 2000s. Additionally, it records many campus events, both academic and not, as well as annual and fiscal reports, which document expectations and summaries of the university's academic year.   ","Series I: Personal, 1990-2009 contains collected material that highlight Colton's achievements or feature her artwork in them.  ","Series II: University Publications, 1987-2002 consists of printed publications produced by UCF, such as fact books, brochures, branded folders, and awards. ","Series III: Reports, 1986-2000, contains annual reports, financial or fiscal reports, President's reports, and untitled reports about the university.  ","Series IV: Events Publications, 1988-2003 consists of advertising materials created for specific events held at or by UCF. The General subseries includes both on and off-campus events tied to the university. The Football subseries consist of invitations and advertisements for UCF football games. This subseries also holds materials related to 'The Time Is Now', UCF's advertising campaign to join its first NCAA college football conference in 2000. The Music subseries chiefly consist of audition posters for the UCF School of Music. "],"separatedmaterial_html_tesm":["\u003cp\u003eIssues of \u003cemph render=\"italic\"\u003eEmphasis\u003c/emph\u003e magazine donated with the Mindy Colton collection have been cataloged individually under the call number LD1772.F9120 E47.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Issues of  Emphasis  magazine donated with the Mindy Colton collection have been cataloged individually under the call number LD1772.F9120 E47."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_65f3252de156dd9b20de1be61b64c62b\"\u003eThe Mindy Colton collection, 1986-2009, features samples of Mindy Colton's graphic designs during her seventeen-year career at the University of Central Florida (UCF). While serving As Director and Designer of Publications, Colton oversaw various design projects for UCF, including academic factbooks, annual reports, posters, calendars, advertising campaigns, and event invitations, made for students, faculty, staff, and the public. Her work frequently features not only graphic design, but also her own artwork. \n\nMindy Zimmerman Colton was born in New York City and studied at the Art Students League of New York and attended the High School of Music and Art in NYC. Colton attended Parsons School of Design and received a Bachelor of Fine Arts from Washington University School of Fine Art in St. Louis. She received her M.A. from the University of Central Florida. From 1987 to 2002, Colton worked at UCF as the Director and Designer of Publications. During her seventeen-year tenure at UCF, she oversaw the design and graphics for all UCF publications, crafting a consistent visual identity for the university. After leaving UCF, Colton focused on her fine arts career, developing a passion for bronze sculpture. Colton has exhibited widely, won multiple awards, and received six grants supporting her artistic work.\u003c/abstract\u003e"],"abstract_tesim":["The Mindy Colton collection, 1986-2009, features samples of Mindy Colton's graphic designs during her seventeen-year career at the University of Central Florida (UCF). While serving As Director and Designer of Publications, Colton oversaw various design projects for UCF, including academic factbooks, annual reports, posters, calendars, advertising campaigns, and event invitations, made for students, faculty, staff, and the public. Her work frequently features not only graphic design, but also her own artwork. \n\nMindy Zimmerman Colton was born in New York City and studied at the Art Students League of New York and attended the High School of Music and Art in NYC. Colton attended Parsons School of Design and received a Bachelor of Fine Arts from Washington University School of Fine Art in St. Louis. She received her M.A. from the University of Central Florida. From 1987 to 2002, Colton worked at UCF as the Director and Designer of Publications. During her seventeen-year tenure at UCF, she oversaw the design and graphics for all UCF publications, crafting a consistent visual identity for the university. After leaving UCF, Colton focused on her fine arts career, developing a passion for bronze sculpture. Colton has exhibited widely, won multiple awards, and received six grants supporting her artistic work."],"names_coll_ssim":["UCF Knights (Football team)","University of Central Florida. Communications and Marketing","Colton, Mindy Z."],"names_ssim":["UCF University Archives","UCF Knights (Football team)","University of Central Florida. Communications and Marketing","Colton, Mindy Z."],"corpname_ssim":["UCF University Archives","UCF Knights (Football team)","University of Central Florida. Communications and Marketing"],"persname_ssim":["Colton, Mindy Z."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":78,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858748673654784,"_root_":"7066de5bc77f318f91269ffe","timestamp":"2026-07-16T08:18:58.232Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/7066de5bc77f318f91269ffe_aspace_bc68695f9dfb6452969286d0cca8a77a"}},{"id":"c62033b9da482f42de6f1d29_aspace_104e63774fa77911ae694bc4493dd140","type":"File","attributes":{"title":"N, 1993–1999, 2003, 2011–2012","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/c62033b9da482f42de6f1d29_aspace_104e63774fa77911ae694bc4493dd140#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_104e63774fa77911ae694bc4493dd140","ref_ssm":["aspace_104e63774fa77911ae694bc4493dd140","aspace_104e63774fa77911ae694bc4493dd140"],"id":"c62033b9da482f42de6f1d29_aspace_104e63774fa77911ae694bc4493dd140","title_filing_ssi":"N","title_ssm":["N"],"title_tesim":["N"],"unitdate_inclusive_ssm":["1993–1999","2003","2011–2012"],"normalized_date_ssm":["1993–1999, 2003, 2011–2012"],"normalized_title_ssm":["N, 1993–1999, 2003, 2011–2012"],"text":["N, 1993–1999, 2003, 2011–2012","Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010","Series I: Florida, 1900–2013","Brochures \u0026 Presskits","/repositories/4/archival_objects/89354","box 56","folder 4"],"component_level_isim":[3],"parent_ids_ssim":["c62033b9da482f42de6f1d29","c62033b9da482f42de6f1d29_aspace_83107027ba2e547fbc24aa88f01d15e8","c62033b9da482f42de6f1d29_aspace_b77e8c2bd63a0bd2de4d7e04b0a26d38"],"parent_unittitles_ssm":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010","Series I: Florida, 1900–2013","Brochures \u0026 Presskits"],"parent_unittitles_tesim":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010","Series I: Florida, 1900–2013","Brochures \u0026 Presskits"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/4/archival_objects/89354"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":547,"parent_access_restrict_tesm":["The entire collection is open for research. This minimally processed collection may require further processing and is subject to change."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1993,1994,1995,1996,1997,1998,1999,2003,2011,2012],"containers_ssim":["box 56","folder 4"],"_nest_path_":"/components#0/components#3/components#24","_nest_parent_":"c62033b9da482f42de6f1d29_aspace_b77e8c2bd63a0bd2de4d7e04b0a26d38","_root_":"c62033b9da482f42de6f1d29","_version_":1879011331377463296,"timestamp":"2026-10-14T08:00:46.958Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"c62033b9da482f42de6f1d29","title_ssm":["Robert H. Brown tourism collection"],"title_tesim":["Robert H. Brown tourism collection"],"ead_ssi":"c62033b9da482f42de6f1d29","unitdate_ssm":["1900-2013","1970-2010"],"unitdate_bulk_ssim":["1970-2010"],"unitdate_inclusive_ssm":["1900-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 169","/repositories/4/resources/323"],"text":["SC 169","/repositories/4/resources/323","Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010","Walt Disney World (Fla.) -- Guidebooks","Busch Gardens (Tampa, Fla.)","Disneyland (Calif.)","Walt Disney World (Fla.)","Tourism -- Florida","Amusement parks -- Florida","Amusement parks","Tourism -- United States","Advertising -- Tourism","Resorts -- Florida","brochures","fliers (printed matter)","Guidebooks","picture postcards","postcards","maps (documents)","press kits ","The entire collection is open for research. This minimally processed collection may require further processing and is subject to change.","The collection is arranged into two series: \n I. Florida, 1900-2013  II. United States, 1962-2012 ","Robert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. Of his work on the website, Brown writes, \"Tourist attractions have a way of springing up on the Florida roadside... only to wither and die when they just can't quite sustain the magic. You will find no historical marker to mark their passing, no footnote in the history book, only the occasional exotic plant, or shopping center, or oddly named road.\" His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism.  ","In 1997, Brown created a travel website for The Mining Company (later known as About.com or Dotdash), a digital media company, writing about theme parks around the world and the amusement park industry. As a result, he also collected materials from attractions located across the United States, the United Kingdom, and Germany. Brown worked as an actor in film, television, and theater productions. He was a cast member of Second Thought Improv and On the Edge Improvisational Theatre. As of 2024, Brown is retired and currently resides in Ocoee, Florida. ","Processed by and finding aid prepared by Sofia Arias in 2024. Additional processing by Simone DeLuque in 2025.","Other materials related to theme parks and the tourism industry can be found in the  Disney Ephemera collection , the  George and Anne Millay collection , and the  Al Turner, Splash Magazine collection .","The Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. ","Series I: Florida, 1900-2013, contains postcards, brochures, flyers, presskits, visitor's guides, maps, and other tourist papers related to theme parks and attractions in the state of Florida. Subseries 1 chiefly contains postcards organized alphabetically by city location, then by subject. Subseries 2 contains postcards from established tourist attractions, arranged alphabetically in boxes and binder sleeves as they were originally received. Subseries 3 contains vertical files of various Florida attractions in original order. Subseries 4 contains brochures and presskits, arranged alphabetically. This series does not contain material for the Walt Disney World resort, which can be found in Series II.","Series II: United States, 1962-2012, contains collected postcards, brochures, and tourist papers related to theme parks and attractions outside of the state of Florida. Subseries 1 contains vertical files of various American attractions in original order. Subseries 2 and 3 are arranged by like item, then alphabetically. Also of interest is the Disney subseries, which contains records relating to Walt Disney World and Disneyland, as well as financial reports for the Walt Disney Company. The AAA subseries contains guidebooks for the state of Florida and beyond, as well as a number of Rand McNally guides.","Books donated with the Robert H. Brown tourism collection have been cataloged individually. Please search the Library Catalog using the series Robert H. Brown tourism collection.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. \n\nRobert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism. As of 2024, Brown is retired and currently resides in Ocoee, Florida.","UCF Special Collections","Walt Disney Company","Six Flags Theme Parks Inc","Brown, Robert H. (Robert Hugh)","English"],"unitid_tesim":["SC 169","/repositories/4/resources/323"],"normalized_date_ssm":["1900-2013, bulk 1970-2010"],"normalized_title_ssm":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010"],"collection_title_tesim":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010"],"collection_ssim":["Robert H. Brown tourism collection, 1900-2013, bulk 1970-2010"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Walt Disney World (Fla.) -- Guidebooks","Busch Gardens (Tampa, Fla.)","Disneyland (Calif.)","Walt Disney World (Fla.)"],"geogname_ssim":["Walt Disney World (Fla.) -- Guidebooks","Busch Gardens (Tampa, Fla.)","Disneyland (Calif.)","Walt Disney World (Fla.)"],"creator_ssm":["Brown, Robert H. (Robert Hugh)"],"creator_ssim":["Brown, Robert H. (Robert Hugh)"],"creator_persname_ssim":["Brown, Robert H. (Robert Hugh)"],"creators_ssim":["Brown, Robert H. (Robert Hugh)"],"places_ssim":["Walt Disney World (Fla.) -- Guidebooks","Busch Gardens (Tampa, Fla.)","Disneyland (Calif.)","Walt Disney World (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of Robert H. Brown in 2023 (Accession no. CFM2023_06)."],"access_subjects_ssim":["Tourism -- Florida","Amusement parks -- Florida","Amusement parks","Tourism -- United States","Advertising -- Tourism","Resorts -- Florida","brochures","fliers (printed matter)","Guidebooks","picture postcards","postcards","maps (documents)","press kits "],"access_subjects_ssm":["Tourism -- Florida","Amusement parks -- Florida","Amusement parks","Tourism -- United States","Advertising -- Tourism","Resorts -- Florida","brochures","fliers (printed matter)","Guidebooks","picture postcards","postcards","maps (documents)","press kits "],"has_online_content_ssim":["false"],"extent_ssm":["39.6 Linear Feet 97 boxes; 2 flat files; 2 flash drives"],"extent_tesim":["39.6 Linear Feet 97 boxes; 2 flat files; 2 flash drives"],"genreform_ssim":["brochures","fliers (printed matter)","Guidebooks","picture postcards","postcards","maps (documents)","press kits "],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research. This minimally processed collection may require further processing and is subject to change.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research. This minimally processed collection may require further processing and is subject to change."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into two series: \n\u003cul style=\"list-style-type: none\"\u003e\n   \u003cli\u003eI. Florida, 1900-2013 \u003c/li\u003e\n   \u003cli\u003eII. United States, 1962-2012 \u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into two series: \n I. Florida, 1900-2013  II. United States, 1962-2012 "],"bioghist_html_tesm":["\u003cp\u003eRobert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. Of his work on the website, Brown writes, \"Tourist attractions have a way of springing up on the Florida roadside... only to wither and die when they just can't quite sustain the magic. You will find no historical marker to mark their passing, no footnote in the history book, only the occasional exotic plant, or shopping center, or oddly named road.\" His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism.  \u003c/p\u003e\n","\u003cp\u003eIn 1997, Brown created a travel website for The Mining Company (later known as About.com or Dotdash), a digital media company, writing about theme parks around the world and the amusement park industry. As a result, he also collected materials from attractions located across the United States, the United Kingdom, and Germany. Brown worked as an actor in film, television, and theater productions. He was a cast member of Second Thought Improv and On the Edge Improvisational Theatre. As of 2024, Brown is retired and currently resides in Ocoee, Florida. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Robert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. Of his work on the website, Brown writes, \"Tourist attractions have a way of springing up on the Florida roadside... only to wither and die when they just can't quite sustain the magic. You will find no historical marker to mark their passing, no footnote in the history book, only the occasional exotic plant, or shopping center, or oddly named road.\" His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism.  ","In 1997, Brown created a travel website for The Mining Company (later known as About.com or Dotdash), a digital media company, writing about theme parks around the world and the amusement park industry. As a result, he also collected materials from attractions located across the United States, the United Kingdom, and Germany. Brown worked as an actor in film, television, and theater productions. He was a cast member of Second Thought Improv and On the Edge Improvisational Theatre. As of 2024, Brown is retired and currently resides in Ocoee, Florida. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Robert H. Brown tourism collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Robert H. Brown tourism collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Sofia Arias in 2024. Additional processing by Simone DeLuque in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Sofia Arias in 2024. Additional processing by Simone DeLuque in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eOther materials related to theme parks and the tourism industry can be found in the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/21\"\u003eDisney Ephemera collection\u003c/extref\u003e, the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/154\"\u003eGeorge and Anne Millay collection\u003c/extref\u003e, and the \u003cextref href=\"https://scua.library.ucf.edu/repositories/4/resources/9\"\u003eAl Turner, Splash Magazine collection\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other materials related to theme parks and the tourism industry can be found in the  Disney Ephemera collection , the  George and Anne Millay collection , and the  Al Turner, Splash Magazine collection ."],"scopecontent_html_tesm":["\u003cp\u003eThe Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. \u003c/p\u003e\n","\u003cp\u003eSeries I: Florida, 1900-2013, contains postcards, brochures, flyers, presskits, visitor's guides, maps, and other tourist papers related to theme parks and attractions in the state of Florida. Subseries 1 chiefly contains postcards organized alphabetically by city location, then by subject. Subseries 2 contains postcards from established tourist attractions, arranged alphabetically in boxes and binder sleeves as they were originally received. Subseries 3 contains vertical files of various Florida attractions in original order. Subseries 4 contains brochures and presskits, arranged alphabetically. This series does not contain material for the Walt Disney World resort, which can be found in Series II.\u003c/p\u003e\n","\u003cp\u003eSeries II: United States, 1962-2012, contains collected postcards, brochures, and tourist papers related to theme parks and attractions outside of the state of Florida. Subseries 1 contains vertical files of various American attractions in original order. Subseries 2 and 3 are arranged by like item, then alphabetically. Also of interest is the Disney subseries, which contains records relating to Walt Disney World and Disneyland, as well as financial reports for the Walt Disney Company. The AAA subseries contains guidebooks for the state of Florida and beyond, as well as a number of Rand McNally guides.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. ","Series I: Florida, 1900-2013, contains postcards, brochures, flyers, presskits, visitor's guides, maps, and other tourist papers related to theme parks and attractions in the state of Florida. Subseries 1 chiefly contains postcards organized alphabetically by city location, then by subject. Subseries 2 contains postcards from established tourist attractions, arranged alphabetically in boxes and binder sleeves as they were originally received. Subseries 3 contains vertical files of various Florida attractions in original order. Subseries 4 contains brochures and presskits, arranged alphabetically. This series does not contain material for the Walt Disney World resort, which can be found in Series II.","Series II: United States, 1962-2012, contains collected postcards, brochures, and tourist papers related to theme parks and attractions outside of the state of Florida. Subseries 1 contains vertical files of various American attractions in original order. Subseries 2 and 3 are arranged by like item, then alphabetically. Also of interest is the Disney subseries, which contains records relating to Walt Disney World and Disneyland, as well as financial reports for the Walt Disney Company. The AAA subseries contains guidebooks for the state of Florida and beyond, as well as a number of Rand McNally guides."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks donated with the Robert H. Brown tourism collection have been cataloged individually. Please search the Library Catalog using the series Robert H. Brown tourism collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books donated with the Robert H. Brown tourism collection have been cataloged individually. Please search the Library Catalog using the series Robert H. Brown tourism collection."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_21cfff8d77476940979232257b1d9959\"\u003eThe Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. \n\nRobert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism. As of 2024, Brown is retired and currently resides in Ocoee, Florida.\u003c/abstract\u003e"],"abstract_tesim":["The Robert H. Brown Tourism Collection, 1900-2013 (bulk 1970-2010), documents tourism in and around Florida during the twentieth century. It chiefly consists of postcards, brochures, and guidebooks relating to the tourism and theme park industries, as well as press kits and other promotional materials. This collection provides insight into the marketing and promotion of tourist attractions in and around Florida. Many of the attractions documented are no longer in existence or are in decline after the opening of the Walt Disney World Resort in 1971, offering a glimpse at the tourist landscape of Florida prior to and immediately after the resort's domination of Central Florida tourism. \n\nRobert Hugh Brown grew up in Miami, Florida. He developed a fascination for roadside attractions while touring the state of Florida extensively. In the 1990s, Brown created \"Florida's Lost Tourist Attractions,\" or Lostparks.com, a website dedicated to documenting the many attractions that sprang up and later fell by the wayside following the opening of Walt Disney World. His research for the website led him to collect thousands of brochures, postcards, flyers, and other ephemera detailing Florida tourism. As of 2024, Brown is retired and currently resides in Ocoee, Florida."],"names_coll_ssim":["Walt Disney Company","Six Flags Theme Parks Inc"],"names_ssim":["UCF Special Collections","Walt Disney Company","Six Flags Theme Parks Inc","Brown, Robert H. (Robert Hugh)"],"corpname_ssim":["UCF Special Collections","Walt Disney Company","Six Flags Theme Parks Inc"],"persname_ssim":["Brown, Robert H. (Robert Hugh)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":922,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879011331377463296,"_root_":"c62033b9da482f42de6f1d29","timestamp":"2026-10-14T08:00:46.958Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/c62033b9da482f42de6f1d29_aspace_104e63774fa77911ae694bc4493dd140"}},{"id":"bc3b405ad7bffa4e6aa102a4_aspace_9fe4171b045ca4f313b46070dbbf5830","type":"Item","attributes":{"title":"Naked Asia - Clifford Baker, David Leddick, Yukio Mishima, 2003","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bc3b405ad7bffa4e6aa102a4_aspace_9fe4171b045ca4f313b46070dbbf5830#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_9fe4171b045ca4f313b46070dbbf5830","ref_ssm":["aspace_9fe4171b045ca4f313b46070dbbf5830","aspace_9fe4171b045ca4f313b46070dbbf5830"],"id":"bc3b405ad7bffa4e6aa102a4_aspace_9fe4171b045ca4f313b46070dbbf5830","title_filing_ssi":"Naked Asia - Clifford Baker, David Leddick, Yukio Mishima\n","title_ssm":["Naked Asia - Clifford Baker, David Leddick, Yukio Mishima\n"],"title_tesim":["Naked Asia - Clifford Baker, David Leddick, Yukio Mishima\n"],"unitdate_other_ssim":["2003"],"normalized_date_ssm":["2003"],"normalized_title_ssm":["Naked Asia - Clifford Baker, David Leddick, Yukio Mishima, 2003"],"text":["Naked Asia - Clifford Baker, David Leddick, Yukio Mishima, 2003","Asian male nude collection, 1939-2014, Date acquired: 07/00/2013","Cataloged Publications","/repositories/2/archival_objects/150437","object QLIT TR681.M4 B35 2003","Go To Catalog Record"],"component_level_isim":[2],"parent_ids_ssim":["bc3b405ad7bffa4e6aa102a4","bc3b405ad7bffa4e6aa102a4_aspace_5703fbca9bee8cb9584a32494ebd3857"],"parent_unittitles_ssm":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013","Cataloged Publications"],"parent_unittitles_tesim":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013","Cataloged Publications"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/150437"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1697,"parent_access_restrict_tesm":["Age Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material."],"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2003],"containers_ssim":["object QLIT TR681.M4 B35 2003"],"bibliography_html_tesm":["\u003cp\u003e\n\u003ca href=\"https://usf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_USF/1amem1q/alma99379745662706599\"\u003eGo To Catalog Record\u003c/a\u003e\n\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Go To Catalog Record"],"_nest_path_":"/components#8/components#11","_nest_parent_":"bc3b405ad7bffa4e6aa102a4_aspace_5703fbca9bee8cb9584a32494ebd3857","_root_":"bc3b405ad7bffa4e6aa102a4","_version_":1876026433506115584,"timestamp":"2026-09-11T09:17:06.437Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bc3b405ad7bffa4e6aa102a4","title_ssm":["Asian male nude collection"],"title_tesim":["Asian male nude collection"],"ead_ssi":"bc3b405ad7bffa4e6aa102a4","unitdate_ssm":["1939-2014","Date acquired: 07/00/2013"],"unitdate_inclusive_ssm":["1939-2014"],"unitdate_other_ssim":["Date acquired: 07/00/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2013-01","/repositories/2/resources/199"],"text":["MS-2013-01","/repositories/2/resources/199","Asian male nude collection, 1939-2014, Date acquired: 07/00/2013","Gay culture","Lesbian and gay experience","Photography, Erotic","Stereotypes (Social psychology) in art","Photography of the nude","Steretoypes (Social psychology) in advertising","Asian/Pacific Lesbians and Gays","Queer studies","Age Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material.","The collection is arranged by series. Within each series, items are arranged by geographical location, then by date of publication. In the event of no date being provided, the items are arranged alphabetically by subject.","Gay Surfer Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  ","LGBT Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","The collection contains magazines, news clippings, photographs, ephemera, and audio/visual materials that document the historical rarity of the Asian male nude and the transition from the rarity of the Asian male nude to the more common proliferation of materials that can be found in later years. Even now when male Asian nudes are appearing with a limited frequency, the Asian body is portrayed in racial stereotypes, as being unworthy, lacking sexual endowment, or being submissive or passive. The collection illustrates the historical reality of this racial stereotype and the rarity of the nude Asian male in gay imagery in art as well as Western pornography. The gradual emergence from a near total absence from male imagery to the presently more widespread use of the Asian male nude is traced in detail. Also included in the collection are series on Asian body building, including martial arts, and Asian adult film stars Jordan Young and Brandon Lee.","Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","A collection of materials, including magazines, books, photographs and ephemera, that document the historical rarity of the Asian male nude.","USF Libraries - Tampa Special Collections","Anonymous","English"],"unitid_tesim":["MS-2013-01","/repositories/2/resources/199"],"normalized_date_ssm":["1939-2014, Date acquired: 07/00/2013"],"normalized_title_ssm":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013"],"collection_title_tesim":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013"],"collection_ssim":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Anonymous"],"creator_ssim":["Anonymous"],"creator_persname_ssim":["Anonymous"],"creators_ssim":["Anonymous"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Anonymous","Donation"],"access_subjects_ssim":["Gay culture","Lesbian and gay experience","Photography, Erotic","Stereotypes (Social psychology) in art","Photography of the nude","Steretoypes (Social psychology) in advertising","Asian/Pacific Lesbians and Gays","Queer studies"],"access_subjects_ssm":["Gay culture","Lesbian and gay experience","Photography, Erotic","Stereotypes (Social psychology) in art","Photography of the nude","Steretoypes (Social psychology) in advertising","Asian/Pacific Lesbians and Gays","Queer studies"],"has_online_content_ssim":["false"],"extent_ssm":["29.04 Linear Feet","67 boxes"],"extent_tesim":["29.04 Linear Feet","67 boxes"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eAge Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Age Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by series. Within each series, items are arranged by geographical location, then by date of publication. In the event of no date being provided, the items are arranged alphabetically by subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged by series. Within each series, items are arranged by geographical location, then by date of publication. In the event of no date being provided, the items are arranged alphabetically by subject."],"prefercite_html_tesm":["\u003cp\u003eAsian Male Nude Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Asian Male Nude Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eGay Surfer Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  \u003c/p\u003e\n","\u003cp\u003eLGBT Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Gay Surfer Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  ","LGBT Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains magazines, news clippings, photographs, ephemera, and audio/visual materials that document the historical rarity of the Asian male nude and the transition from the rarity of the Asian male nude to the more common proliferation of materials that can be found in later years. Even now when male Asian nudes are appearing with a limited frequency, the Asian body is portrayed in racial stereotypes, as being unworthy, lacking sexual endowment, or being submissive or passive. The collection illustrates the historical reality of this racial stereotype and the rarity of the nude Asian male in gay imagery in art as well as Western pornography. The gradual emergence from a near total absence from male imagery to the presently more widespread use of the Asian male nude is traced in detail. Also included in the collection are series on Asian body building, including martial arts, and Asian adult film stars Jordan Young and Brandon Lee.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains magazines, news clippings, photographs, ephemera, and audio/visual materials that document the historical rarity of the Asian male nude and the transition from the rarity of the Asian male nude to the more common proliferation of materials that can be found in later years. Even now when male Asian nudes are appearing with a limited frequency, the Asian body is portrayed in racial stereotypes, as being unworthy, lacking sexual endowment, or being submissive or passive. The collection illustrates the historical reality of this racial stereotype and the rarity of the nude Asian male in gay imagery in art as well as Western pornography. The gradual emergence from a near total absence from male imagery to the presently more widespread use of the Asian male nude is traced in detail. Also included in the collection are series on Asian body building, including martial arts, and Asian adult film stars Jordan Young and Brandon Lee."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6664ca4341de9df58678563f11c3afcb\" label=\"Abstract\"\u003eA collection of materials, including magazines, books, photographs and ephemera, that document the historical rarity of the Asian male nude.\u003c/abstract\u003e"],"abstract_tesim":["A collection of materials, including magazines, books, photographs and ephemera, that document the historical rarity of the Asian male nude."],"names_ssim":["USF Libraries - Tampa Special Collections","Anonymous"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Anonymous"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1709,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876026433506115584,"_root_":"bc3b405ad7bffa4e6aa102a4","timestamp":"2026-09-11T09:17:06.437Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bc3b405ad7bffa4e6aa102a4_aspace_9fe4171b045ca4f313b46070dbbf5830"}}],"included":[{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Southwest Florida Regional Planning Council Collection, 1920-2020","value":"Southwest Florida Regional Planning Council Collection, 1920-2020","hits":264},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Southwest+Florida+Regional+Planning+Council+Collection%2C+1920-2020\u0026f%5Bdate_range%5D%5B%5D=2003\u0026view=compact"}},{"attributes":{"label":"Bromeliad Society International (BSI) Archive, 1911-2018","value":"Bromeliad Society International (BSI) Archive, 1911-2018","hits":200},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Bromeliad+Society+International+%28BSI%29+Archive%2C+1911-2018\u0026f%5Bdate_range%5D%5B%5D=2003\u0026view=compact"}},{"attributes":{"label":"Florida Audubon Society Miami records, 1961-2014","value":"Florida Audubon Society Miami records, 1961-2014","hits":120},"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bcollection%5D%5B%5D=Florida+Audubon+Society+Miami+records%2C+1961-2014\u0026f%5Bdate_range%5D%5B%5D=2003\u0026view=compact"}},{"attributes":{"label":"Democratic Women's Club of Florida, Inc. 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