{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2002\u0026page=261\u0026view=list","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2002\u0026page=260\u0026view=list","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2002\u0026page=262\u0026view=list","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2002\u0026page=427\u0026view=list"},"meta":{"pages":{"current_page":261,"next_page":262,"prev_page":260,"total_pages":427,"limit_value":10,"offset_value":2600,"total_count":4270,"first_page?":false,"last_page?":false}},"data":[{"id":"f11c2e39be427385299a43c9","type":"collection","attributes":{"title":"Museum of Contemporary Art Jacksonville Collection, 1977-2010","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/f11c2e39be427385299a43c9#creator","type":"document_value","attributes":{"value":["Museum of Contemporary Art Jacksonville."],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/f11c2e39be427385299a43c9#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Library's collection contains printed materials which provide documentation of the Museum's exhibitions and programs from the late 1970s to date. Types of items include gallery guides and rack cards, exhibition catalogs, invitations and publicity brochures, exhibition and text boards, and posters published by the Museum. Of particular interest are guides, catalogs, publicity and memorabilia from the Ramses II exhibition presented by the Jacksonville Art Museum in 1986-87, the Andrew Wyeth exhibition in 1992, and large scale posters from other notable art exhibitions.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f11c2e39be427385299a43c9#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"f11c2e39be427385299a43c9","title_ssm":["Museum of Contemporary Art Jacksonville Collection"],"title_tesim":["Museum of Contemporary Art Jacksonville Collection"],"ead_ssi":"f11c2e39be427385299a43c9","unitdate_ssm":["1977-2010"],"unitdate_inclusive_ssm":["1977-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2009.006","/repositories/3/resources/62"],"text":["2009.006","/repositories/3/resources/62","Museum of Contemporary Art Jacksonville Collection, 1977-2010","Art--Florida--Jacksonville--Exhibitions.","Arts, American--Florida--Jacksonville--20th century--Exhibitions.","Arts, American--Florida--Jacksonville--21st century--Exhibitions.","Arts, Modern--20th century--Exhibitions.","Arts, Modern--21st century--Exhibitions.","Pamphlets","Posters","Printed materials","Realia","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","The Museum of Contemporary Art Jacksonville (MOCA Jacksonville) has a long and rich history as the first organization devoted to the visual arts in Northeast Florida. Founded in 1924 as the Jacksonville Fine Arts Society, the Museum evolved into a contemporary artistic institution with a substantial permanent collection, traveling exhibitions, and special events and educational programs for the community, supported by a permanent staff. At the mid-twentieth century mark in 1948, it was professionally incorporated as the Jacksonville Art Museum and purchased its first facility - the \"Fleming Mansion,\" a historic home on Riverside Avenue. A new and substantially larger building, located in the Koger Executive Center on 4160 Boulevard Center Drive, opened in 1966 and included both permanent and rotating exhibition galleries, a museum store, and an outdoor sculpture garden. In 1978, the Museum was accredited by the American Association of Museums. Efforts by the Board of Trustees in 1995 to clarify its mission resulted in the Museum's name change to the Jacksonville Museum of Contemporary Art.\nThe end of the twentieth century brought two major changes to the Museum: a new, centralized and visible location in downtown Jacksonville to house its growing collections and a name change to more accurately reflect the Museum's then scope and mission. In November 1999, the Museum acquired the five story Galleria / Western Union Telegraph building across from Hemming Park and City Hall. At the same time, the Museum became the Jacksonville Museum of Modern Art (JMoMA). In May 2003, a total renovation of the building was completed, with the addition of updated educational facilities, and a new restaurant, theater, and Museum Shop. The permanent galleries showcase works by leading modernists, such as Hans Hofmann, Joan Mitchell and Ed Paschke, with additional rotating exhibits displayed several times a year.\nIn 2006, JMoMA officially became the Museum of Contemporary Art Jacksonville (MOCA Jacksonville). Two years later, in October 2008, it was announced that the University of North Florida (UNF) was planning to take over the operations of MOCA, coincidentally housed in the same Galleria Building where the University had maintained a Downtown Center from 1978 to 1987. On April 16, 2009, the UNF Board of Trustees approved the arrangement, after the University's eleven-month review of the Museum's finances, legal obligations, physical plant, and the art collection. Under the terms of the arrangement, UNF became the building's leaseholder and in control of most of MOCA Jacksonville's 800-piece collection. The symbiotic affiliation and partnership continues to serve both the Museum and UNF as MOCA provides a rich stage for arts education activities, including UNF faculty and student exhibits, workshops and lectures, and special art outreach programs in the Jacksonville community.","Note written by ","The Library's collection contains printed materials which provide documentation of the Museum's exhibitions and programs from the late 1970s to date. Types of items include gallery guides and rack cards, exhibition catalogs, invitations and publicity brochures, exhibition and text boards, and posters published by the Museum. Of particular interest are guides, catalogs, publicity and memorabilia from the Ramses II exhibition presented by the Jacksonville Art Museum in 1986-87, the Andrew Wyeth exhibition in 1992, and large scale posters from other notable art exhibitions.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. 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Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from the Museum of Contemporary Art Jacksonville, 2009"],"access_subjects_ssim":["Art--Florida--Jacksonville--Exhibitions.","Arts, American--Florida--Jacksonville--20th century--Exhibitions.","Arts, American--Florida--Jacksonville--21st century--Exhibitions.","Arts, Modern--20th century--Exhibitions.","Arts, Modern--21st century--Exhibitions.","Pamphlets","Posters","Printed materials","Realia"],"access_subjects_ssm":["Art--Florida--Jacksonville--Exhibitions.","Arts, American--Florida--Jacksonville--20th century--Exhibitions.","Arts, American--Florida--Jacksonville--21st century--Exhibitions.","Arts, Modern--20th century--Exhibitions.","Arts, Modern--21st century--Exhibitions.","Pamphlets","Posters","Printed materials","Realia"],"has_online_content_ssim":["false"],"extent_ssm":["13.00 Linear Feet"],"extent_tesim":["13.00 Linear Feet"],"genreform_ssim":["Pamphlets","Posters","Printed materials","Realia"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eThe Museum of Contemporary Art Jacksonville (MOCA Jacksonville) has a long and rich history as the first organization devoted to the visual arts in Northeast Florida. Founded in 1924 as the Jacksonville Fine Arts Society, the Museum evolved into a contemporary artistic institution with a substantial permanent collection, traveling exhibitions, and special events and educational programs for the community, supported by a permanent staff. At the mid-twentieth century mark in 1948, it was professionally incorporated as the Jacksonville Art Museum and purchased its first facility - the \"Fleming Mansion,\" a historic home on Riverside Avenue. 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In May 2003, a total renovation of the building was completed, with the addition of updated educational facilities, and a new restaurant, theater, and Museum Shop. The permanent galleries showcase works by leading modernists, such as Hans Hofmann, Joan Mitchell and Ed Paschke, with additional rotating exhibits displayed several times a year.\nIn 2006, JMoMA officially became the Museum of Contemporary Art Jacksonville (MOCA Jacksonville). Two years later, in October 2008, it was announced that the University of North Florida (UNF) was planning to take over the operations of MOCA, coincidentally housed in the same Galleria Building where the University had maintained a Downtown Center from 1978 to 1987. On April 16, 2009, the UNF Board of Trustees approved the arrangement, after the University's eleven-month review of the Museum's finances, legal obligations, physical plant, and the art collection. 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Founded in 1924 as the Jacksonville Fine Arts Society, the Museum evolved into a contemporary artistic institution with a substantial permanent collection, traveling exhibitions, and special events and educational programs for the community, supported by a permanent staff. At the mid-twentieth century mark in 1948, it was professionally incorporated as the Jacksonville Art Museum and purchased its first facility - the \"Fleming Mansion,\" a historic home on Riverside Avenue. A new and substantially larger building, located in the Koger Executive Center on 4160 Boulevard Center Drive, opened in 1966 and included both permanent and rotating exhibition galleries, a museum store, and an outdoor sculpture garden. In 1978, the Museum was accredited by the American Association of Museums. Efforts by the Board of Trustees in 1995 to clarify its mission resulted in the Museum's name change to the Jacksonville Museum of Contemporary Art.\nThe end of the twentieth century brought two major changes to the Museum: a new, centralized and visible location in downtown Jacksonville to house its growing collections and a name change to more accurately reflect the Museum's then scope and mission. In November 1999, the Museum acquired the five story Galleria / Western Union Telegraph building across from Hemming Park and City Hall. At the same time, the Museum became the Jacksonville Museum of Modern Art (JMoMA). In May 2003, a total renovation of the building was completed, with the addition of updated educational facilities, and a new restaurant, theater, and Museum Shop. The permanent galleries showcase works by leading modernists, such as Hans Hofmann, Joan Mitchell and Ed Paschke, with additional rotating exhibits displayed several times a year.\nIn 2006, JMoMA officially became the Museum of Contemporary Art Jacksonville (MOCA Jacksonville). Two years later, in October 2008, it was announced that the University of North Florida (UNF) was planning to take over the operations of MOCA, coincidentally housed in the same Galleria Building where the University had maintained a Downtown Center from 1978 to 1987. On April 16, 2009, the UNF Board of Trustees approved the arrangement, after the University's eleven-month review of the Museum's finances, legal obligations, physical plant, and the art collection. Under the terms of the arrangement, UNF became the building's leaseholder and in control of most of MOCA Jacksonville's 800-piece collection. The symbiotic affiliation and partnership continues to serve both the Museum and UNF as MOCA provides a rich stage for arts education activities, including UNF faculty and student exhibits, workshops and lectures, and special art outreach programs in the Jacksonville community.","Note written by "],"prefercite_html_tesm":["\u003cp\u003eMuseum of Contemporary Art Jacksonville Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Museum of Contemporary Art Jacksonville Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe Library's collection contains printed materials which provide documentation of the Museum's exhibitions and programs from the late 1970s to date. 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Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_coll_ssim":["Jacksonville Art Museum.","Jacksonville Museum of Contemporary Art.","Jacksonville Museum of Modern Art.","Museum of Contemporary Art Jacksonville.","University of North Florida.","Jacksonville Museum of Modern Art--Catalogs.","Jacksonville Art Museum--Catalogs.","Jacksonville Museum of Contemporary Art--Catalogs.","Museum of Contemporary Art Jacksonville--Catalogs.","Ramses II King of Egypt--Exhibitions."],"names_ssim":["UNF Library Special Collections and University Archives","Museum of Contemporary Art Jacksonville.","Jacksonville Art Museum.","Jacksonville Museum of Contemporary Art.","Jacksonville Museum of Modern Art.","University of North Florida.","Jacksonville Museum of Modern Art--Catalogs.","Jacksonville Art Museum--Catalogs.","Jacksonville Museum of Contemporary Art--Catalogs.","Museum of Contemporary Art Jacksonville--Catalogs.","Ramses II King of Egypt--Exhibitions."],"corpname_ssim":["UNF Library Special Collections and University Archives","Museum of Contemporary Art Jacksonville.","Jacksonville Art Museum.","Jacksonville Museum of Contemporary Art.","Jacksonville Museum of Modern Art.","University of North Florida.","Jacksonville Museum of Modern Art--Catalogs.","Jacksonville Art Museum--Catalogs.","Jacksonville Museum of Contemporary Art--Catalogs.","Museum of Contemporary Art Jacksonville--Catalogs."],"persname_ssim":["Ramses II King of Egypt--Exhibitions."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860566621323264,"_root_":"f11c2e39be427385299a43c9","timestamp":"2026-07-16T08:47:51.964Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"f11c2e39be427385299a43c9","title_ssm":["Museum of Contemporary Art Jacksonville Collection"],"title_tesim":["Museum of Contemporary Art Jacksonville Collection"],"ead_ssi":"f11c2e39be427385299a43c9","unitdate_ssm":["1977-2010"],"unitdate_inclusive_ssm":["1977-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2009.006","/repositories/3/resources/62"],"text":["2009.006","/repositories/3/resources/62","Museum of Contemporary Art Jacksonville Collection, 1977-2010","Art--Florida--Jacksonville--Exhibitions.","Arts, American--Florida--Jacksonville--20th century--Exhibitions.","Arts, American--Florida--Jacksonville--21st century--Exhibitions.","Arts, Modern--20th century--Exhibitions.","Arts, Modern--21st century--Exhibitions.","Pamphlets","Posters","Printed materials","Realia","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","The Museum of Contemporary Art Jacksonville (MOCA Jacksonville) has a long and rich history as the first organization devoted to the visual arts in Northeast Florida. Founded in 1924 as the Jacksonville Fine Arts Society, the Museum evolved into a contemporary artistic institution with a substantial permanent collection, traveling exhibitions, and special events and educational programs for the community, supported by a permanent staff. At the mid-twentieth century mark in 1948, it was professionally incorporated as the Jacksonville Art Museum and purchased its first facility - the \"Fleming Mansion,\" a historic home on Riverside Avenue. A new and substantially larger building, located in the Koger Executive Center on 4160 Boulevard Center Drive, opened in 1966 and included both permanent and rotating exhibition galleries, a museum store, and an outdoor sculpture garden. In 1978, the Museum was accredited by the American Association of Museums. Efforts by the Board of Trustees in 1995 to clarify its mission resulted in the Museum's name change to the Jacksonville Museum of Contemporary Art.\nThe end of the twentieth century brought two major changes to the Museum: a new, centralized and visible location in downtown Jacksonville to house its growing collections and a name change to more accurately reflect the Museum's then scope and mission. In November 1999, the Museum acquired the five story Galleria / Western Union Telegraph building across from Hemming Park and City Hall. At the same time, the Museum became the Jacksonville Museum of Modern Art (JMoMA). In May 2003, a total renovation of the building was completed, with the addition of updated educational facilities, and a new restaurant, theater, and Museum Shop. The permanent galleries showcase works by leading modernists, such as Hans Hofmann, Joan Mitchell and Ed Paschke, with additional rotating exhibits displayed several times a year.\nIn 2006, JMoMA officially became the Museum of Contemporary Art Jacksonville (MOCA Jacksonville). Two years later, in October 2008, it was announced that the University of North Florida (UNF) was planning to take over the operations of MOCA, coincidentally housed in the same Galleria Building where the University had maintained a Downtown Center from 1978 to 1987. On April 16, 2009, the UNF Board of Trustees approved the arrangement, after the University's eleven-month review of the Museum's finances, legal obligations, physical plant, and the art collection. Under the terms of the arrangement, UNF became the building's leaseholder and in control of most of MOCA Jacksonville's 800-piece collection. The symbiotic affiliation and partnership continues to serve both the Museum and UNF as MOCA provides a rich stage for arts education activities, including UNF faculty and student exhibits, workshops and lectures, and special art outreach programs in the Jacksonville community.","Note written by ","The Library's collection contains printed materials which provide documentation of the Museum's exhibitions and programs from the late 1970s to date. Types of items include gallery guides and rack cards, exhibition catalogs, invitations and publicity brochures, exhibition and text boards, and posters published by the Museum. Of particular interest are guides, catalogs, publicity and memorabilia from the Ramses II exhibition presented by the Jacksonville Art Museum in 1986-87, the Andrew Wyeth exhibition in 1992, and large scale posters from other notable art exhibitions.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","Museum of Contemporary Art Jacksonville.","Jacksonville Art Museum.","Jacksonville Museum of Contemporary Art.","Jacksonville Museum of Modern Art.","University of North Florida.","Jacksonville Museum of Modern Art--Catalogs.","Jacksonville Art Museum--Catalogs.","Jacksonville Museum of Contemporary Art--Catalogs.","Museum of Contemporary Art Jacksonville--Catalogs.","Ramses II King of Egypt--Exhibitions.","English"],"unitid_tesim":["2009.006","/repositories/3/resources/62"],"normalized_date_ssm":["1977-2010"],"normalized_title_ssm":["Museum of Contemporary Art Jacksonville Collection, 1977-2010"],"collection_title_tesim":["Museum of Contemporary Art Jacksonville Collection, 1977-2010"],"collection_ssim":["Museum of Contemporary Art Jacksonville Collection, 1977-2010"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"creator_ssm":["Museum of Contemporary Art Jacksonville.","Jacksonville Art Museum.","Jacksonville Museum of Contemporary Art.","Jacksonville Museum of Modern Art."],"creator_ssim":["Museum of Contemporary Art Jacksonville.","Jacksonville Art Museum.","Jacksonville Museum of Contemporary Art.","Jacksonville Museum of Modern Art."],"creator_corpname_ssim":["Museum of Contemporary Art Jacksonville.","Jacksonville Art Museum.","Jacksonville Museum of Contemporary Art.","Jacksonville Museum of Modern Art."],"creators_ssim":["Museum of Contemporary Art Jacksonville.","Jacksonville Art Museum.","Jacksonville Museum of Contemporary Art.","Jacksonville Museum of Modern Art."],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from the Museum of Contemporary Art Jacksonville, 2009"],"access_subjects_ssim":["Art--Florida--Jacksonville--Exhibitions.","Arts, American--Florida--Jacksonville--20th century--Exhibitions.","Arts, American--Florida--Jacksonville--21st century--Exhibitions.","Arts, Modern--20th century--Exhibitions.","Arts, Modern--21st century--Exhibitions.","Pamphlets","Posters","Printed materials","Realia"],"access_subjects_ssm":["Art--Florida--Jacksonville--Exhibitions.","Arts, American--Florida--Jacksonville--20th century--Exhibitions.","Arts, American--Florida--Jacksonville--21st century--Exhibitions.","Arts, Modern--20th century--Exhibitions.","Arts, Modern--21st century--Exhibitions.","Pamphlets","Posters","Printed materials","Realia"],"has_online_content_ssim":["false"],"extent_ssm":["13.00 Linear Feet"],"extent_tesim":["13.00 Linear Feet"],"genreform_ssim":["Pamphlets","Posters","Printed materials","Realia"],"date_range_isim":[1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. 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In May 2003, a total renovation of the building was completed, with the addition of updated educational facilities, and a new restaurant, theater, and Museum Shop. The permanent galleries showcase works by leading modernists, such as Hans Hofmann, Joan Mitchell and Ed Paschke, with additional rotating exhibits displayed several times a year.\nIn 2006, JMoMA officially became the Museum of Contemporary Art Jacksonville (MOCA Jacksonville). Two years later, in October 2008, it was announced that the University of North Florida (UNF) was planning to take over the operations of MOCA, coincidentally housed in the same Galleria Building where the University had maintained a Downtown Center from 1978 to 1987. On April 16, 2009, the UNF Board of Trustees approved the arrangement, after the University's eleven-month review of the Museum's finances, legal obligations, physical plant, and the art collection. 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Efforts by the Board of Trustees in 1995 to clarify its mission resulted in the Museum's name change to the Jacksonville Museum of Contemporary Art.\nThe end of the twentieth century brought two major changes to the Museum: a new, centralized and visible location in downtown Jacksonville to house its growing collections and a name change to more accurately reflect the Museum's then scope and mission. In November 1999, the Museum acquired the five story Galleria / Western Union Telegraph building across from Hemming Park and City Hall. At the same time, the Museum became the Jacksonville Museum of Modern Art (JMoMA). In May 2003, a total renovation of the building was completed, with the addition of updated educational facilities, and a new restaurant, theater, and Museum Shop. The permanent galleries showcase works by leading modernists, such as Hans Hofmann, Joan Mitchell and Ed Paschke, with additional rotating exhibits displayed several times a year.\nIn 2006, JMoMA officially became the Museum of Contemporary Art Jacksonville (MOCA Jacksonville). Two years later, in October 2008, it was announced that the University of North Florida (UNF) was planning to take over the operations of MOCA, coincidentally housed in the same Galleria Building where the University had maintained a Downtown Center from 1978 to 1987. On April 16, 2009, the UNF Board of Trustees approved the arrangement, after the University's eleven-month review of the Museum's finances, legal obligations, physical plant, and the art collection. Under the terms of the arrangement, UNF became the building's leaseholder and in control of most of MOCA Jacksonville's 800-piece collection. The symbiotic affiliation and partnership continues to serve both the Museum and UNF as MOCA provides a rich stage for arts education activities, including UNF faculty and student exhibits, workshops and lectures, and special art outreach programs in the Jacksonville community.","Note written by "],"prefercite_html_tesm":["\u003cp\u003eMuseum of Contemporary Art Jacksonville Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Museum of Contemporary Art Jacksonville Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe Library's collection contains printed materials which provide documentation of the Museum's exhibitions and programs from the late 1970s to date. Types of items include gallery guides and rack cards, exhibition catalogs, invitations and publicity brochures, exhibition and text boards, and posters published by the Museum. Of particular interest are guides, catalogs, publicity and memorabilia from the Ramses II exhibition presented by the Jacksonville Art Museum in 1986-87, the Andrew Wyeth exhibition in 1992, and large scale posters from other notable art exhibitions.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Library's collection contains printed materials which provide documentation of the Museum's exhibitions and programs from the late 1970s to date. Types of items include gallery guides and rack cards, exhibition catalogs, invitations and publicity brochures, exhibition and text boards, and posters published by the Museum. Of particular interest are guides, catalogs, publicity and memorabilia from the Ramses II exhibition presented by the Jacksonville Art Museum in 1986-87, the Andrew Wyeth exhibition in 1992, and large scale posters from other notable art exhibitions."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \"fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_coll_ssim":["Jacksonville Art Museum.","Jacksonville Museum of Contemporary Art.","Jacksonville Museum of Modern Art.","Museum of Contemporary Art Jacksonville.","University of North Florida.","Jacksonville Museum of Modern Art--Catalogs.","Jacksonville Art Museum--Catalogs.","Jacksonville Museum of Contemporary Art--Catalogs.","Museum of Contemporary Art Jacksonville--Catalogs.","Ramses II King of Egypt--Exhibitions."],"names_ssim":["UNF Library Special Collections and University Archives","Museum of Contemporary Art Jacksonville.","Jacksonville Art Museum.","Jacksonville Museum of Contemporary Art.","Jacksonville Museum of Modern Art.","University of North Florida.","Jacksonville Museum of Modern Art--Catalogs.","Jacksonville Art Museum--Catalogs.","Jacksonville Museum of Contemporary Art--Catalogs.","Museum of Contemporary Art Jacksonville--Catalogs.","Ramses II King of Egypt--Exhibitions."],"corpname_ssim":["UNF Library Special Collections and University Archives","Museum of Contemporary Art Jacksonville.","Jacksonville Art Museum.","Jacksonville Museum of Contemporary Art.","Jacksonville Museum of Modern Art.","University of North Florida.","Jacksonville Museum of Modern Art--Catalogs.","Jacksonville Art Museum--Catalogs.","Jacksonville Museum of Contemporary Art--Catalogs.","Museum of Contemporary Art Jacksonville--Catalogs."],"persname_ssim":["Ramses II King of Egypt--Exhibitions."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860566621323264,"_root_":"f11c2e39be427385299a43c9","timestamp":"2026-07-16T08:47:51.964Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f11c2e39be427385299a43c9"}},{"id":"725898a1a41349eb30ec365d_aspace_dc5e852cbccc241c210437417aee2c4d","type":"File","attributes":{"title":"Music, 1976-2010, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_dc5e852cbccc241c210437417aee2c4d#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_dc5e852cbccc241c210437417aee2c4d","ref_ssm":["aspace_dc5e852cbccc241c210437417aee2c4d","aspace_dc5e852cbccc241c210437417aee2c4d"],"id":"725898a1a41349eb30ec365d_aspace_dc5e852cbccc241c210437417aee2c4d","title_filing_ssi":"Music","title_ssm":["Music"],"title_tesim":["Music"],"unitdate_inclusive_ssm":["1976-2010, Undated "],"normalized_date_ssm":["1976-2010, Undated"],"normalized_title_ssm":["Music, 1976-2010, Undated"],"text":["Music, 1976-2010, Undated","José Guerra Alemán Collection, 1887-2013","Manuscripts, 1915-2013, Undated","Social, Political, and Cultural History, 1922-2013, Undated","Folder 11","/repositories/4/archival_objects/53963","box 6","folder 11"],"component_level_isim":[3],"parent_ids_ssim":["725898a1a41349eb30ec365d","725898a1a41349eb30ec365d_aspace_c169fb1b4abcdaaa416e683d4329daa8","725898a1a41349eb30ec365d_aspace_46d087b954c4efe5eb376c3eb0800b41"],"parent_unittitles_ssm":["José Guerra Alemán Collection, 1887-2013","Manuscripts, 1915-2013, Undated","Social, Political, and Cultural History, 1922-2013, Undated"],"parent_unittitles_tesim":["José Guerra Alemán Collection, 1887-2013","Manuscripts, 1915-2013, Undated","Social, Political, and Cultural History, 1922-2013, Undated"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["Folder 11","/repositories/4/archival_objects/53963"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":85,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"containers_ssim":["box 6","folder 11"],"_nest_path_":"/components#0/components#2/components#28","_nest_parent_":"725898a1a41349eb30ec365d_aspace_46d087b954c4efe5eb376c3eb0800b41","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_dc5e852cbccc241c210437417aee2c4d"}},{"id":"7066de5bc77f318f91269ffe_aspace_bc68695f9dfb6452969286d0cca8a77a","type":"Subseries","attributes":{"title":"Music, 1991–2003","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/7066de5bc77f318f91269ffe_aspace_bc68695f9dfb6452969286d0cca8a77a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_bc68695f9dfb6452969286d0cca8a77a","ref_ssm":["aspace_bc68695f9dfb6452969286d0cca8a77a","aspace_bc68695f9dfb6452969286d0cca8a77a"],"id":"7066de5bc77f318f91269ffe_aspace_bc68695f9dfb6452969286d0cca8a77a","title_filing_ssi":"Music","title_ssm":["Music"],"title_tesim":["Music"],"unitdate_inclusive_ssm":["1991–2003"],"normalized_date_ssm":["1991–2003"],"normalized_title_ssm":["Music, 1991–2003"],"text":["Music, 1991–2003","Mindy Colton collection, 1986-2009","Events Promotion, 1988–2003","/repositories/2/archival_objects/90658"],"component_level_isim":[2],"parent_ids_ssim":["7066de5bc77f318f91269ffe","7066de5bc77f318f91269ffe_aspace_a6300965f54cf84b2eef257d321817b7"],"parent_unittitles_ssm":["Mindy Colton collection, 1986-2009","Events Promotion, 1988–2003"],"parent_unittitles_tesim":["Mindy Colton collection, 1986-2009","Events Promotion, 1988–2003"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/90658"],"repository_ssim":["UCF University Archives"],"collection_ssim":["Mindy Colton collection, 1986-2009"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":74,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"_nest_path_":"/components#3/components#2","_nest_parent_":"7066de5bc77f318f91269ffe_aspace_a6300965f54cf84b2eef257d321817b7","_root_":"7066de5bc77f318f91269ffe","_version_":1870858748673654784,"timestamp":"2026-07-16T08:18:58.232Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"7066de5bc77f318f91269ffe","title_ssm":["Mindy Colton collection"],"title_tesim":["Mindy Colton collection"],"ead_ssi":"7066de5bc77f318f91269ffe","unitdate_ssm":["1986-2009"],"unitdate_inclusive_ssm":["1986-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA21H","/repositories/2/resources/380"],"text":["UA21H","/repositories/2/resources/380","Mindy Colton collection, 1986-2009","Posters","Advertising","Graphic arts","College publications","Advertising campaigns","advertisements","The entire collection is open for research.","This collection is organized in four series as follows: \n I. Personal, 1990-2009 II. University Publications, 1987-2002 III. University Reports, 1986-2002 IV. Events Promotion, 1988-2003 \nMaterials are arranged by chronological date within their series.","Mindy Zimmerman Colton was born in New York City (NYC) to Dr. Louis Zimmerman and Helen Helfstein Zimmerman. At age five, her parents enrolled her in children's art classes at the Metropolitan Museum of Art. She later studied at the Art Students League of New York and attended the High School of Music and Art in NYC (now the Fiorello La Guardia High School for Music and Art and Performing Arts) until she was sixteen years old.  \n \nColton attended Parsons School of Design and received a Bachelor of Fine Arts from Washington University School of Fine Art in St. Louis. She received her M.A. from the University of Central Florida (UCF) and studied abroad in San Miguel de Allendé, Mexico. From 1987 to 2002, Colton worked at UCF as the Director and Designer of Publications. During her seventeen-year tenure at UCF, she oversaw the design and graphics for all UCF publications, crafting a consistent visual identity for the university. Her work won multiple CASE Advancement Awards and Bronze Quill Awards, including a CASE Advancement Award in Merit for the 2000-2001 UCF Football advertising campaign \"Time Has Come for UCF.\"  ","After leaving UCF, Colton focused on her fine arts career, developing a passion for bronze sculpture. Her multimedia work consists of large outdoor sculptures — often of horses — including  Renewal , showcased at EPCOT's Flower and Garden Invitational Sculpture Exhibit and bought by the city of Casselberry in 2014.  Wind Dancer , a life-size sculpture of Pegasus, was purchased by UCF in 2007 and is still displayed today. Colton has exhibited widely, won multiple awards, and received six grants supporting her artistic work. She has said herself, \"I strive for my works to intrigue the viewer, invite a closer look, and exhibit strength, determination, and vulnerability.\" As of 2026, Colton resides in Orlando, Florida.","Processed by and finding aid prepared by Ava Botwin in 2026.","Other materials related to advertising and marketing at UCF can be found in the  UCF Audio, Visual, and Multi-Media Collection.","The Mindy Colton collection, 1986-2009, features samples of Mindy Colton's graphic designs during her seventeen-year career at the University of Central Florida (UCF). While serving As Director and Designer of Publications, Colton oversaw various design projects for UCF, including academic factbooks, annual reports, posters, calendars, advertising campaigns, and event invitations, made for students, faculty, staff, and the public. Her work frequently features not only graphic design, but also her own artwork.  ","This collection offers a glimpse into how UCF advertised and marketed its academic programs and tracks to prospective students from the late 1980s through the early 2000s. Additionally, it records many campus events, both academic and not, as well as annual and fiscal reports, which document expectations and summaries of the university's academic year.   ","Series I: Personal, 1990-2009 contains collected material that highlight Colton's achievements or feature her artwork in them.  ","Series II: University Publications, 1987-2002 consists of printed publications produced by UCF, such as fact books, brochures, branded folders, and awards. ","Series III: Reports, 1986-2000, contains annual reports, financial or fiscal reports, President's reports, and untitled reports about the university.  ","Series IV: Events Publications, 1988-2003 consists of advertising materials created for specific events held at or by UCF. The General subseries includes both on and off-campus events tied to the university. The Football subseries consist of invitations and advertisements for UCF football games. This subseries also holds materials related to 'The Time Is Now', UCF's advertising campaign to join its first NCAA college football conference in 2000. The Music subseries chiefly consist of audition posters for the UCF School of Music. ","Issues of  Emphasis  magazine donated with the Mindy Colton collection have been cataloged individually under the call number LD1772.F9120 E47.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Mindy Colton collection, 1986-2009, features samples of Mindy Colton's graphic designs during her seventeen-year career at the University of Central Florida (UCF). While serving As Director and Designer of Publications, Colton oversaw various design projects for UCF, including academic factbooks, annual reports, posters, calendars, advertising campaigns, and event invitations, made for students, faculty, staff, and the public. Her work frequently features not only graphic design, but also her own artwork. \n\nMindy Zimmerman Colton was born in New York City and studied at the Art Students League of New York and attended the High School of Music and Art in NYC. Colton attended Parsons School of Design and received a Bachelor of Fine Arts from Washington University School of Fine Art in St. Louis. She received her M.A. from the University of Central Florida. From 1987 to 2002, Colton worked at UCF as the Director and Designer of Publications. During her seventeen-year tenure at UCF, she oversaw the design and graphics for all UCF publications, crafting a consistent visual identity for the university. After leaving UCF, Colton focused on her fine arts career, developing a passion for bronze sculpture. Colton has exhibited widely, won multiple awards, and received six grants supporting her artistic work.","UCF University Archives","UCF Knights (Football team)","University of Central Florida. Communications and Marketing","Colton, Mindy Z.","English"],"unitid_tesim":["UA21H","/repositories/2/resources/380"],"normalized_date_ssm":["1986-2009"],"normalized_title_ssm":["Mindy Colton collection, 1986-2009"],"collection_title_tesim":["Mindy Colton collection, 1986-2009"],"collection_ssim":["Mindy Colton collection, 1986-2009"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["Colton, Mindy Z."],"creator_ssim":["Colton, Mindy Z."],"creator_persname_ssim":["Colton, Mindy Z."],"creators_ssim":["Colton, Mindy Z."],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of Mindy Colton in 2025 (Accession no. CFU2025_03)."],"access_subjects_ssim":["Posters","Advertising","Graphic arts","College publications","Advertising campaigns","advertisements"],"access_subjects_ssm":["Posters","Advertising","Graphic arts","College publications","Advertising campaigns","advertisements"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 3 boxes, 5 flat files"],"extent_tesim":["1.5 Linear Feet 3 boxes, 5 flat files"],"genreform_ssim":["advertisements"],"date_range_isim":[1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized in four series as follows: \n\u003cul style=\"list-style-type: none\"\u003e\n \u003cli\u003eI. Personal, 1990-2009\u003c/li\u003e\n \u003cli\u003eII. University Publications, 1987-2002\u003c/li\u003e\n \u003cli\u003eIII. University Reports, 1986-2002\u003c/li\u003e\n  \u003cli\u003eIV. Events Promotion, 1988-2003\u003c/li\u003e\n\u003c/ul\u003e\nMaterials are arranged by chronological date within their series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized in four series as follows: \n I. Personal, 1990-2009 II. University Publications, 1987-2002 III. University Reports, 1986-2002 IV. Events Promotion, 1988-2003 \nMaterials are arranged by chronological date within their series."],"bioghist_html_tesm":["\u003cp\u003eMindy Zimmerman Colton was born in New York City (NYC) to Dr. Louis Zimmerman and Helen Helfstein Zimmerman. At age five, her parents enrolled her in children's art classes at the Metropolitan Museum of Art. She later studied at the Art Students League of New York and attended the High School of Music and Art in NYC (now the Fiorello La Guardia High School for Music and Art and Performing Arts) until she was sixteen years old.  \n \nColton attended Parsons School of Design and received a Bachelor of Fine Arts from Washington University School of Fine Art in St. Louis. She received her M.A. from the University of Central Florida (UCF) and studied abroad in San Miguel de Allend\u0026#xE9;, Mexico. From 1987 to 2002, Colton worked at UCF as the Director and Designer of Publications. During her seventeen-year tenure at UCF, she oversaw the design and graphics for all UCF publications, crafting a consistent visual identity for the university. Her work won multiple CASE Advancement Awards and Bronze Quill Awards, including a CASE Advancement Award in Merit for the 2000-2001 UCF Football advertising campaign \"Time Has Come for UCF.\"  \u003c/p\u003e\n","\u003cp\u003eAfter leaving UCF, Colton focused on her fine arts career, developing a passion for bronze sculpture. Her multimedia work consists of large outdoor sculptures \u0026#x2014; often of horses \u0026#x2014; including \u003cemph render=\"italic\"\u003eRenewal\u003c/emph\u003e, showcased at EPCOT's Flower and Garden Invitational Sculpture Exhibit and bought by the city of Casselberry in 2014. \u003cemph render=\"italic\"\u003eWind Dancer\u003c/emph\u003e, a life-size sculpture of Pegasus, was purchased by UCF in 2007 and is still displayed today. Colton has exhibited widely, won multiple awards, and received six grants supporting her artistic work. She has said herself, \"I strive for my works to intrigue the viewer, invite a closer look, and exhibit strength, determination, and vulnerability.\" As of 2026, Colton resides in Orlando, Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Mindy Zimmerman Colton was born in New York City (NYC) to Dr. Louis Zimmerman and Helen Helfstein Zimmerman. At age five, her parents enrolled her in children's art classes at the Metropolitan Museum of Art. She later studied at the Art Students League of New York and attended the High School of Music and Art in NYC (now the Fiorello La Guardia High School for Music and Art and Performing Arts) until she was sixteen years old.  \n \nColton attended Parsons School of Design and received a Bachelor of Fine Arts from Washington University School of Fine Art in St. Louis. She received her M.A. from the University of Central Florida (UCF) and studied abroad in San Miguel de Allendé, Mexico. From 1987 to 2002, Colton worked at UCF as the Director and Designer of Publications. During her seventeen-year tenure at UCF, she oversaw the design and graphics for all UCF publications, crafting a consistent visual identity for the university. Her work won multiple CASE Advancement Awards and Bronze Quill Awards, including a CASE Advancement Award in Merit for the 2000-2001 UCF Football advertising campaign \"Time Has Come for UCF.\"  ","After leaving UCF, Colton focused on her fine arts career, developing a passion for bronze sculpture. Her multimedia work consists of large outdoor sculptures — often of horses — including  Renewal , showcased at EPCOT's Flower and Garden Invitational Sculpture Exhibit and bought by the city of Casselberry in 2014.  Wind Dancer , a life-size sculpture of Pegasus, was purchased by UCF in 2007 and is still displayed today. Colton has exhibited widely, won multiple awards, and received six grants supporting her artistic work. She has said herself, \"I strive for my works to intrigue the viewer, invite a closer look, and exhibit strength, determination, and vulnerability.\" As of 2026, Colton resides in Orlando, Florida."],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Mindy Colton collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Mindy Colton collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Ava Botwin in 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Ava Botwin in 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eOther materials related to advertising and marketing at UCF can be found in the \u003cextref href=\"http://purl.flvc.org/ucf/ead/UCFAVMM\"\u003eUCF Audio, Visual, and Multi-Media Collection.\u003c/extref\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other materials related to advertising and marketing at UCF can be found in the  UCF Audio, Visual, and Multi-Media Collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Mindy Colton collection, 1986-2009, features samples of Mindy Colton's graphic designs during her seventeen-year career at the University of Central Florida (UCF). While serving As Director and Designer of Publications, Colton oversaw various design projects for UCF, including academic factbooks, annual reports, posters, calendars, advertising campaigns, and event invitations, made for students, faculty, staff, and the public. Her work frequently features not only graphic design, but also her own artwork.  \u003c/p\u003e\n","\u003cp\u003eThis collection offers a glimpse into how UCF advertised and marketed its academic programs and tracks to prospective students from the late 1980s through the early 2000s. Additionally, it records many campus events, both academic and not, as well as annual and fiscal reports, which document expectations and summaries of the university's academic year.   \u003c/p\u003e\n","\u003cp\u003eSeries I: Personal, 1990-2009 contains collected material that highlight Colton's achievements or feature her artwork in them.  \u003c/p\u003e\n","\u003cp\u003eSeries II: University Publications, 1987-2002 consists of printed publications produced by UCF, such as fact books, brochures, branded folders, and awards. \u003c/p\u003e\n","\u003cp\u003eSeries III: Reports, 1986-2000, contains annual reports, financial or fiscal reports, President's reports, and untitled reports about the university.  \u003c/p\u003e\n","\u003cp\u003eSeries IV: Events Publications, 1988-2003 consists of advertising materials created for specific events held at or by UCF. The General subseries includes both on and off-campus events tied to the university. The Football subseries consist of invitations and advertisements for UCF football games. This subseries also holds materials related to 'The Time Is Now', UCF's advertising campaign to join its first NCAA college football conference in 2000. The Music subseries chiefly consist of audition posters for the UCF School of Music. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Mindy Colton collection, 1986-2009, features samples of Mindy Colton's graphic designs during her seventeen-year career at the University of Central Florida (UCF). While serving As Director and Designer of Publications, Colton oversaw various design projects for UCF, including academic factbooks, annual reports, posters, calendars, advertising campaigns, and event invitations, made for students, faculty, staff, and the public. Her work frequently features not only graphic design, but also her own artwork.  ","This collection offers a glimpse into how UCF advertised and marketed its academic programs and tracks to prospective students from the late 1980s through the early 2000s. Additionally, it records many campus events, both academic and not, as well as annual and fiscal reports, which document expectations and summaries of the university's academic year.   ","Series I: Personal, 1990-2009 contains collected material that highlight Colton's achievements or feature her artwork in them.  ","Series II: University Publications, 1987-2002 consists of printed publications produced by UCF, such as fact books, brochures, branded folders, and awards. ","Series III: Reports, 1986-2000, contains annual reports, financial or fiscal reports, President's reports, and untitled reports about the university.  ","Series IV: Events Publications, 1988-2003 consists of advertising materials created for specific events held at or by UCF. The General subseries includes both on and off-campus events tied to the university. The Football subseries consist of invitations and advertisements for UCF football games. This subseries also holds materials related to 'The Time Is Now', UCF's advertising campaign to join its first NCAA college football conference in 2000. The Music subseries chiefly consist of audition posters for the UCF School of Music. "],"separatedmaterial_html_tesm":["\u003cp\u003eIssues of \u003cemph render=\"italic\"\u003eEmphasis\u003c/emph\u003e magazine donated with the Mindy Colton collection have been cataloged individually under the call number LD1772.F9120 E47.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Issues of  Emphasis  magazine donated with the Mindy Colton collection have been cataloged individually under the call number LD1772.F9120 E47."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_65f3252de156dd9b20de1be61b64c62b\"\u003eThe Mindy Colton collection, 1986-2009, features samples of Mindy Colton's graphic designs during her seventeen-year career at the University of Central Florida (UCF). While serving As Director and Designer of Publications, Colton oversaw various design projects for UCF, including academic factbooks, annual reports, posters, calendars, advertising campaigns, and event invitations, made for students, faculty, staff, and the public. Her work frequently features not only graphic design, but also her own artwork. \n\nMindy Zimmerman Colton was born in New York City and studied at the Art Students League of New York and attended the High School of Music and Art in NYC. Colton attended Parsons School of Design and received a Bachelor of Fine Arts from Washington University School of Fine Art in St. Louis. She received her M.A. from the University of Central Florida. From 1987 to 2002, Colton worked at UCF as the Director and Designer of Publications. During her seventeen-year tenure at UCF, she oversaw the design and graphics for all UCF publications, crafting a consistent visual identity for the university. After leaving UCF, Colton focused on her fine arts career, developing a passion for bronze sculpture. Colton has exhibited widely, won multiple awards, and received six grants supporting her artistic work.\u003c/abstract\u003e"],"abstract_tesim":["The Mindy Colton collection, 1986-2009, features samples of Mindy Colton's graphic designs during her seventeen-year career at the University of Central Florida (UCF). While serving As Director and Designer of Publications, Colton oversaw various design projects for UCF, including academic factbooks, annual reports, posters, calendars, advertising campaigns, and event invitations, made for students, faculty, staff, and the public. Her work frequently features not only graphic design, but also her own artwork. \n\nMindy Zimmerman Colton was born in New York City and studied at the Art Students League of New York and attended the High School of Music and Art in NYC. Colton attended Parsons School of Design and received a Bachelor of Fine Arts from Washington University School of Fine Art in St. Louis. She received her M.A. from the University of Central Florida. From 1987 to 2002, Colton worked at UCF as the Director and Designer of Publications. During her seventeen-year tenure at UCF, she oversaw the design and graphics for all UCF publications, crafting a consistent visual identity for the university. After leaving UCF, Colton focused on her fine arts career, developing a passion for bronze sculpture. Colton has exhibited widely, won multiple awards, and received six grants supporting her artistic work."],"names_coll_ssim":["UCF Knights (Football team)","University of Central Florida. Communications and Marketing","Colton, Mindy Z."],"names_ssim":["UCF University Archives","UCF Knights (Football team)","University of Central Florida. Communications and Marketing","Colton, Mindy Z."],"corpname_ssim":["UCF University Archives","UCF Knights (Football team)","University of Central Florida. 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","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Burt Szabo music collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Burt Szabo music collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Simone DeLuque in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Simone DeLuque in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections \u0026amp; University Archives, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on Special Collections \u0026 University Archives, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. 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Please contact the Univeristy Archivist for details.","The collection contains four sub-sub-series including Correspondences, documentation regarding the expansion of FGCU, Office Administration, and Environmental Planning. The first part of this sub-series, Correspondences, is arranged chronologically; followed by Transitions and Expansion which is also arranged chronologically. The last part of the sub-series, Office Administration, is arranged alphabetically by subject, and chronologically within the subjects. All large scale items can be found at the end of the sub-series.","The collection consists of documentation regarding the second official University President, William C. Merwin.","Florida Gulf Coast University Archives","Azul the Eagle, 2008 - Present","English"],"unitid_tesim":["01.01.05","/repositories/3/resources/83"],"normalized_date_ssm":["1999-2007"],"normalized_title_ssm":["President William C. Merwin, 1999-2007"],"collection_title_tesim":["President William C. 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All large scale items can be found at the end of the sub-series."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of documentation regarding the second official University President, William C. Merwin.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of documentation regarding the second official University President, William C. Merwin."],"names_ssim":["Florida Gulf Coast University Archives","Azul the Eagle, 2008 - Present"],"corpname_ssim":["Florida Gulf Coast University Archives"],"persname_ssim":["Azul the Eagle, 2008 - Present"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":371,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870842629572263936,"_root_":"63f59346ddd5736be7b6ca0c","timestamp":"2026-07-16T04:02:45.850Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/63f59346ddd5736be7b6ca0c_aspace_995f6df209148b40c3d0a174656bfe7d"}},{"id":"377018d2c691025d88612f9e_aspace_fe0a5cd6725db6647cb959a6323a5f99","type":"File","attributes":{"title":"\"My pretty little jesus S.S.A.A.\", 2002","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/377018d2c691025d88612f9e_aspace_fe0a5cd6725db6647cb959a6323a5f99#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_fe0a5cd6725db6647cb959a6323a5f99","ref_ssm":["aspace_fe0a5cd6725db6647cb959a6323a5f99","aspace_fe0a5cd6725db6647cb959a6323a5f99"],"id":"377018d2c691025d88612f9e_aspace_fe0a5cd6725db6647cb959a6323a5f99","title_filing_ssi":"\"My pretty little jesus S.S.A.A.\"","title_ssm":["\"My pretty little jesus S.S.A.A.\""],"title_tesim":["\"My pretty little jesus S.S.A.A.\""],"unitdate_inclusive_ssm":["2002"],"normalized_date_ssm":["2002"],"normalized_title_ssm":["\"My pretty little jesus S.S.A.A.\", 2002"],"text":["\"My pretty little jesus S.S.A.A.\", 2002","Burt Szabo music collection, 1955-2017","/repositories/2/archival_objects/79708","/repositories/2/archival_objects/82970","box 22","folder 1"],"component_level_isim":[1],"parent_ids_ssim":["377018d2c691025d88612f9e"],"parent_unittitles_ssm":["Burt Szabo music collection, 1955-2017"],"parent_unittitles_tesim":["Burt Szabo music collection, 1955-2017"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/79708","/repositories/2/archival_objects/82970"],"repository_ssim":["UCF University Archives"],"collection_ssim":["Burt Szabo music collection, 1955-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":744,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[2002],"containers_ssim":["box 22","folder 1"],"_nest_path_":"/components#743","_nest_parent_":"377018d2c691025d88612f9e","_root_":"377018d2c691025d88612f9e","_version_":1870858782767054848,"timestamp":"2026-07-16T08:19:30.734Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"377018d2c691025d88612f9e","title_ssm":["Burt Szabo music collection"],"title_tesim":["Burt Szabo music collection"],"ead_ssi":"377018d2c691025d88612f9e","unitdate_ssm":["1955-2017"],"unitdate_inclusive_ssm":["1955-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA21G","/repositories/2/resources/332"],"text":["UA21G","/repositories/2/resources/332","Burt Szabo music collection, 1955-2017","Barbershop quartets","sheet music","The entire collection is open for research.","The collection is arranged in the original order that it was received.","Albert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  ","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. ","Processed by and finding aid prepared by Simone DeLuque in 2025.","For more information on Special Collections \u0026 University Archives, please see our website.","The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022.","UCF University Archives","Szabo, Burt","English"],"unitid_tesim":["UA21G","/repositories/2/resources/332"],"normalized_date_ssm":["1955-2017"],"normalized_title_ssm":["Burt Szabo music collection, 1955-2017"],"collection_title_tesim":["Burt Szabo music collection, 1955-2017"],"collection_ssim":["Burt Szabo music collection, 1955-2017"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["Szabo, Burt"],"creator_ssim":["Szabo, Burt"],"creator_persname_ssim":["Szabo, Burt"],"creators_ssim":["Szabo, Burt"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of David Schreier in 2018 (Accession no. 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He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \u003c/p\u003e\n","\u003cp\u003eA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Albert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  ","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Burt Szabo music collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Burt Szabo music collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Simone DeLuque in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Simone DeLuque in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections \u0026amp; University Archives, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on Special Collections \u0026 University Archives, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_47ef4f2c9d3944ef54170a551f97a3e7\"\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022.\u003c/abstract\u003e"],"abstract_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022."],"names_ssim":["UCF University Archives","Szabo, Burt"],"corpname_ssim":["UCF University Archives"],"names_coll_ssim":["Szabo, Burt"],"persname_ssim":["Szabo, Burt"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1087,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858782767054848,"_root_":"377018d2c691025d88612f9e","timestamp":"2026-07-16T08:19:30.734Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/377018d2c691025d88612f9e_aspace_fe0a5cd6725db6647cb959a6323a5f99"}},{"id":"5bfec06960a94373aa1cd96c_aspace_dec02bce4b83d96906479ff4d46f6968","type":"File","attributes":{"title":"\"My Soul is a Witness\" book brochures and related correspondence, 2001-2002","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/5bfec06960a94373aa1cd96c_aspace_dec02bce4b83d96906479ff4d46f6968#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_dec02bce4b83d96906479ff4d46f6968","ref_ssm":["aspace_dec02bce4b83d96906479ff4d46f6968","aspace_dec02bce4b83d96906479ff4d46f6968"],"id":"5bfec06960a94373aa1cd96c_aspace_dec02bce4b83d96906479ff4d46f6968","title_filing_ssi":"\"My Soul is a Witness\" book brochures and related correspondence","title_ssm":["\"My Soul is a Witness\" book brochures and related correspondence"],"title_tesim":["\"My Soul is a Witness\" book brochures and related correspondence"],"unitdate_inclusive_ssm":["2001-2002"],"normalized_date_ssm":["2001-2002"],"normalized_title_ssm":["\"My Soul is a Witness\" book brochures and related correspondence, 2001-2002"],"text":["\"My Soul is a Witness\" book brochures and related correspondence, 2001-2002","Samuel F. Morrison Collection, Circa 1936-2021","Professional Papers","Broward County Library, Library Director (1990-2003)","/repositories/2/archival_objects/2472","box 9","folder 4"],"component_level_isim":[3],"parent_ids_ssim":["5bfec06960a94373aa1cd96c","5bfec06960a94373aa1cd96c_aspace_dcaac4351213942957b10382d794bf4e","5bfec06960a94373aa1cd96c_aspace_8f026e51ce2a0dfbc0f1df5bdad1e79a"],"parent_unittitles_ssm":["Samuel F. Morrison Collection, Circa 1936-2021","Professional Papers","Broward County Library, Library Director (1990-2003)"],"parent_unittitles_tesim":["Samuel F. Morrison Collection, Circa 1936-2021","Professional Papers","Broward County Library, Library Director (1990-2003)"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/2472"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Samuel F. 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Morrison Collection"],"ead_ssi":"5bfec06960a94373aa1cd96c","unitdate_ssm":["Circa 1936-2021"],"unitdate_inclusive_ssm":["Circa 1936-2021"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2003.27","/repositories/2/resources/28"],"text":["AARLCC.2003.27","/repositories/2/resources/28","Samuel F. Morrison Collection, Circa 1936-2021","Morrison, Samuel F., 1936- -- Correspondence","African American librarians","Library directors","Public libraries -- Florida -- Fort Lauderdale","Public libraries -- Florida -- Frostproof","Photographs","Certificates","plaques (flat objects)","scrapbooks","Clippings","Ephemera","Periodicals","videocassettes","Sound recordings","The collection is arranged into 9 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs and Scrapbooks, Series V. Printed Materials, Series VI. Awards, Series VII. Ephemera, Series VIII. Artwork, and Series IX. Audio-Visual Materials.","Samuel F. Morrison was born in Flagstaff, Arizona on December 19, 1936 to parents Travis Morrison (1909-1953) and Esther Porter (1919-circa 2000). He had one sister, Pearl Lorraine Morrison Pitts (1938-1964). His father divorced Esther and married his second wife Ruth Swain (1911-1990). Morrison was primarily raised in Phoenix, Arizona. His family moved several times due to his father's job at munitions plants. He graduated from Compton High School in Los Angeles, California in 1952. Morrison earned an associate degree from Compton Junior College in 1955. Morrison entered the United States Air Force and served from 1955 to 1959. For three of those years in the service, he was stationed in Morocco and helped manage the library on the Air Force base. In 1970, he received his bachelor's degree in English from California State University. Morrison earned a Master's degree in Library Science from the University of Illinois at Urbana–Champaign in 1972 and attended the John F. Kennedy School of Government at Harvard University completing coursework in 1989. ","From 1972-1974, Morrison worked as a library director at the Frostproof Living Learning Library Center in Frostproof, Florida. He built a library and initiated outreach services for the African American and Hispanic migrant communities. In 1974, Morrison became the assistant director of Broward County Library in Broward County, Florida and served as deputy director from 1976-1987. He assisted in the growth of Broward County Library from 2 branches to 25 branches during this time. He also managed the formation of the new Main Library branch in downtown Fort Lauderdale, Florida.","Morrison lead in the construction of the Chicago Public Library's Harold Washington Library Center and became the library's chief director from 1987 to 1990. In 1990, Morrison returned to Broward County as director of Broward County Library and worked in that position until his retirement in 2003. Under his leadership, Broward County Library was awarded \"Library of the Year\" in 1996 and grew to 38 branches. During his tenure as director, Morrison fundraised for the creation of the African American Research Library and Cultural Center, which serves as a public library as well as a special collections research center dedicated to the history and culture of the African diaspora. He attended the library's groundbreaking ceremony on October 23, 1999 and opening day on October 26, 2002.","Samuel F. Morrison actively participated in local and national organizations during his career. He served in the Fort Lauderdale Chapter of the NAACP, Urban League of Broward County, Florida Library Association (FLA), and American Library Association (ALA). He was president of the Florida Library Association in 1981. Morrison received awards and recognition including the FLA Lifetime Achievement Award, DEMCO/ALA Black Caucus Award for Excellence in Librarianship, Leadership Foundation Broward \"Leader of the Year\" Award, and the African American Achievers Award.","Morrison married Judith Moore in 1964 and divorced in 1985. He and his former wife had no children.\n ","This collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Samuel F. Morrison Collection in the Broward County Library Digital Archives.","The Samuel F. Morrison Collection is comprised of materials primarily dating from the 1970s to 2010s including correspondence, books, professional and personal papers, photographs, scrapbooks, plaques, ephemera, artwork, vinyl records, and VHS tapes. These materials document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the establishment of the Chicago Public Library's Harold Washington Library Center. The collection also contains materials related to Morrison's roles as director of the Frostproof Living Learning Library Center in Frostproof, Florida from 1972 to 1974, the assistant/deputy director of Broward County Library in Broward County, Florida from 1974 to 1987, the Chicago Public Library's Harold Washington Library Center's chief director from 1987 to 1990, and Director of the Broward County Library from 1990 to 2003. Also included are items related to Morrison's participation and leadership in local and national organizations.","Books from the Morrison collection were cataloged in the Broward County Library catalog with the prefix \"SFM\".","The Samuel F. Morrison Collection is open for research.","The Samuel F. 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Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs and Scrapbooks, Series V. Printed Materials, Series VI. Awards, Series VII. Ephemera, Series VIII. Artwork, and Series IX. Audio-Visual Materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 9 series: Series I. Correspondence, Series II. Professional Papers, Series III. Personal Papers, Series IV. Photographs and Scrapbooks, Series V. Printed Materials, Series VI. Awards, Series VII. Ephemera, Series VIII. Artwork, and Series IX. Audio-Visual Materials."],"bioghist_html_tesm":["\u003cp\u003eSamuel F. Morrison was born in Flagstaff, Arizona on December 19, 1936 to parents Travis Morrison (1909-1953) and Esther Porter (1919-circa 2000). He had one sister, Pearl Lorraine Morrison Pitts (1938-1964). His father divorced Esther and married his second wife Ruth Swain (1911-1990). Morrison was primarily raised in Phoenix, Arizona. His family moved several times due to his father's job at munitions plants. He graduated from Compton High School in Los Angeles, California in 1952. Morrison earned an associate degree from Compton Junior College in 1955. Morrison entered the United States Air Force and served from 1955 to 1959. For three of those years in the service, he was stationed in Morocco and helped manage the library on the Air Force base. In 1970, he received his bachelor's degree in English from California State University. Morrison earned a Master's degree in Library Science from the University of Illinois at Urbana\u0026#x2013;Champaign in 1972 and attended the John F. Kennedy School of Government at Harvard University completing coursework in 1989. \u003c/p\u003e\n","\u003cp\u003eFrom 1972-1974, Morrison worked as a library director at the Frostproof Living Learning Library Center in Frostproof, Florida. He built a library and initiated outreach services for the African American and Hispanic migrant communities. In 1974, Morrison became the assistant director of Broward County Library in Broward County, Florida and served as deputy director from 1976-1987. He assisted in the growth of Broward County Library from 2 branches to 25 branches during this time. He also managed the formation of the new Main Library branch in downtown Fort Lauderdale, Florida.\u003c/p\u003e\n","\u003cp\u003eMorrison lead in the construction of the Chicago Public Library's Harold Washington Library Center and became the library's chief director from 1987 to 1990. In 1990, Morrison returned to Broward County as director of Broward County Library and worked in that position until his retirement in 2003. Under his leadership, Broward County Library was awarded \"Library of the Year\" in 1996 and grew to 38 branches. During his tenure as director, Morrison fundraised for the creation of the African American Research Library and Cultural Center, which serves as a public library as well as a special collections research center dedicated to the history and culture of the African diaspora. He attended the library's groundbreaking ceremony on October 23, 1999 and opening day on October 26, 2002.\u003c/p\u003e\n","\u003cp\u003eSamuel F. Morrison actively participated in local and national organizations during his career. He served in the Fort Lauderdale Chapter of the NAACP, Urban League of Broward County, Florida Library Association (FLA), and American Library Association (ALA). He was president of the Florida Library Association in 1981. Morrison received awards and recognition including the FLA Lifetime Achievement Award, DEMCO/ALA Black Caucus Award for Excellence in Librarianship, Leadership Foundation Broward \"Leader of the Year\" Award, and the African American Achievers Award.\u003c/p\u003e\n","\u003cp\u003eMorrison married Judith Moore in 1964 and divorced in 1985. He and his former wife had no children.\n \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Samuel F. Morrison was born in Flagstaff, Arizona on December 19, 1936 to parents Travis Morrison (1909-1953) and Esther Porter (1919-circa 2000). He had one sister, Pearl Lorraine Morrison Pitts (1938-1964). His father divorced Esther and married his second wife Ruth Swain (1911-1990). Morrison was primarily raised in Phoenix, Arizona. His family moved several times due to his father's job at munitions plants. He graduated from Compton High School in Los Angeles, California in 1952. Morrison earned an associate degree from Compton Junior College in 1955. Morrison entered the United States Air Force and served from 1955 to 1959. For three of those years in the service, he was stationed in Morocco and helped manage the library on the Air Force base. In 1970, he received his bachelor's degree in English from California State University. Morrison earned a Master's degree in Library Science from the University of Illinois at Urbana–Champaign in 1972 and attended the John F. Kennedy School of Government at Harvard University completing coursework in 1989. ","From 1972-1974, Morrison worked as a library director at the Frostproof Living Learning Library Center in Frostproof, Florida. He built a library and initiated outreach services for the African American and Hispanic migrant communities. In 1974, Morrison became the assistant director of Broward County Library in Broward County, Florida and served as deputy director from 1976-1987. He assisted in the growth of Broward County Library from 2 branches to 25 branches during this time. He also managed the formation of the new Main Library branch in downtown Fort Lauderdale, Florida.","Morrison lead in the construction of the Chicago Public Library's Harold Washington Library Center and became the library's chief director from 1987 to 1990. In 1990, Morrison returned to Broward County as director of Broward County Library and worked in that position until his retirement in 2003. Under his leadership, Broward County Library was awarded \"Library of the Year\" in 1996 and grew to 38 branches. During his tenure as director, Morrison fundraised for the creation of the African American Research Library and Cultural Center, which serves as a public library as well as a special collections research center dedicated to the history and culture of the African diaspora. He attended the library's groundbreaking ceremony on October 23, 1999 and opening day on October 26, 2002.","Samuel F. Morrison actively participated in local and national organizations during his career. He served in the Fort Lauderdale Chapter of the NAACP, Urban League of Broward County, Florida Library Association (FLA), and American Library Association (ALA). He was president of the Florida Library Association in 1981. Morrison received awards and recognition including the FLA Lifetime Achievement Award, DEMCO/ALA Black Caucus Award for Excellence in Librarianship, Leadership Foundation Broward \"Leader of the Year\" Award, and the African American Achievers Award.","Morrison married Judith Moore in 1964 and divorced in 1985. He and his former wife had no children.\n "],"prefercite_html_tesm":["\u003cp\u003eSamuel F. Morrison Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Samuel F. Morrison Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll26/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Samuel F. Morrison Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digitized Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Samuel F. Morrison Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Samuel F. Morrison Collection is comprised of materials primarily dating from the 1970s to 2010s including correspondence, books, professional and personal papers, photographs, scrapbooks, plaques, ephemera, artwork, vinyl records, and VHS tapes. These materials document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the establishment of the Chicago Public Library's Harold Washington Library Center. The collection also contains materials related to Morrison's roles as director of the Frostproof Living Learning Library Center in Frostproof, Florida from 1972 to 1974, the assistant/deputy director of Broward County Library in Broward County, Florida from 1974 to 1987, the Chicago Public Library's Harold Washington Library Center's chief director from 1987 to 1990, and Director of the Broward County Library from 1990 to 2003. Also included are items related to Morrison's participation and leadership in local and national organizations.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Samuel F. Morrison Collection is comprised of materials primarily dating from the 1970s to 2010s including correspondence, books, professional and personal papers, photographs, scrapbooks, plaques, ephemera, artwork, vinyl records, and VHS tapes. These materials document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the establishment of the Chicago Public Library's Harold Washington Library Center. The collection also contains materials related to Morrison's roles as director of the Frostproof Living Learning Library Center in Frostproof, Florida from 1972 to 1974, the assistant/deputy director of Broward County Library in Broward County, Florida from 1974 to 1987, the Chicago Public Library's Harold Washington Library Center's chief director from 1987 to 1990, and Director of the Broward County Library from 1990 to 2003. Also included are items related to Morrison's participation and leadership in local and national organizations."],"separatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.ent.sirsi.net/client/en_US/default\" target=\"_blank\"\u003eBooks from the Morrison collection were cataloged in the Broward County Library catalog with the prefix \"SFM\".\u003c/a\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books from the Morrison collection were cataloged in the Broward County Library catalog with the prefix \"SFM\"."],"userestrict_html_tesm":["\u003cp\u003eThe Samuel F. Morrison Collection is open for research.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Samuel F. Morrison Collection is open for research."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e2606958532f5daaff3ca0844861a4b4\"\u003eThe Samuel F. Morrison Collection contains materials primarily dating from the 1970s to 2010s that document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the Chicago Public Library's Harold Washington Library Center.\u003c/abstract\u003e"],"abstract_tesim":["The Samuel F. Morrison Collection contains materials primarily dating from the 1970s to 2010s that document the professional and personal life of librarian Samuel F. Morrison, the creation of the Broward County Library's African American Research Library and Cultural Center, and the Chicago Public Library's Harold Washington Library Center."],"names_coll_ssim":["Broward County Library","African American Research Library and Cultural Center","Chicago Public Library. Harold Washington Library Center","Morrison, Samuel F., 1936-"],"names_ssim":["AARLCC Special Collections","Broward County Library","African American Research Library and Cultural Center","Chicago Public Library. Harold Washington Library Center","Morrison, Samuel F., 1936-"],"corpname_ssim":["AARLCC Special Collections","Broward County Library","African American Research Library and Cultural Center","Chicago Public Library. Harold Washington Library Center"],"persname_ssim":["Morrison, Samuel F., 1936-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":782,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455835659403264,"_root_":"5bfec06960a94373aa1cd96c","timestamp":"2026-09-16T03:02:16.331Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/5bfec06960a94373aa1cd96c_aspace_dec02bce4b83d96906479ff4d46f6968"}},{"id":"63f85ee1ad3b0ea5b7bd3ffa_aspace_576f71f9c2a1e87d93ef3b6fa442efd4","type":"File","attributes":{"title":"\"My Soul is a Witness\" book poster signed by author Deborah Work (oversize), 2002","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/63f85ee1ad3b0ea5b7bd3ffa_aspace_576f71f9c2a1e87d93ef3b6fa442efd4#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_576f71f9c2a1e87d93ef3b6fa442efd4","ref_ssm":["aspace_576f71f9c2a1e87d93ef3b6fa442efd4","aspace_576f71f9c2a1e87d93ef3b6fa442efd4"],"id":"63f85ee1ad3b0ea5b7bd3ffa_aspace_576f71f9c2a1e87d93ef3b6fa442efd4","title_filing_ssi":"\"My Soul is a Witness\" book poster signed by author Deborah Work (oversize)","title_ssm":["\"My Soul is a Witness\" book poster signed by author Deborah Work (oversize)"],"title_tesim":["\"My Soul is a Witness\" book poster signed by author Deborah Work (oversize)"],"unitdate_other_ssim":["2002"],"normalized_date_ssm":["2002"],"normalized_title_ssm":["\"My Soul is a Witness\" book poster signed by author Deborah Work (oversize), 2002"],"text":["\"My Soul is a Witness\" book poster signed by author Deborah Work (oversize), 2002","Library-In-Action Collection, Circa 1969-2002","Printed Materials, 1969-2002","General","/repositories/2/archival_objects/18786","box 34","folder 2"],"component_level_isim":[3],"parent_ids_ssim":["63f85ee1ad3b0ea5b7bd3ffa","63f85ee1ad3b0ea5b7bd3ffa_aspace_2cd13a9403ea5d9481ab7d17e91c5360","63f85ee1ad3b0ea5b7bd3ffa_aspace_17e7865e0694c1942696c289c603a5e0"],"parent_unittitles_ssm":["Library-In-Action Collection, Circa 1969-2002","Printed Materials, 1969-2002","General"],"parent_unittitles_tesim":["Library-In-Action Collection, Circa 1969-2002","Printed Materials, 1969-2002","General"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/18786"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Library-In-Action Collection, Circa 1969-2002"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":371,"parent_access_restrict_tesm":["The Library-In-Action Collection is open for research."],"date_range_isim":[2002],"containers_ssim":["box 34","folder 2"],"_nest_path_":"/components#4/components#0/components#25","_nest_parent_":"63f85ee1ad3b0ea5b7bd3ffa_aspace_17e7865e0694c1942696c289c603a5e0","_root_":"63f85ee1ad3b0ea5b7bd3ffa","_version_":1876455833356730368,"timestamp":"2026-09-16T03:02:14.138Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"63f85ee1ad3b0ea5b7bd3ffa","title_filing_ssi":"Library-In-Action Collection","title_ssm":["Library-In-Action Collection"],"title_tesim":["Library-In-Action Collection"],"ead_ssi":"63f85ee1ad3b0ea5b7bd3ffa","unitdate_ssm":["Circa 1969-2002"],"unitdate_inclusive_ssm":["Circa 1969-2002"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["AARLCC.2024.4","/repositories/2/resources/356"],"text":["AARLCC.2024.4","/repositories/2/resources/356","Library-In-Action Collection, Circa 1969-2002","Fort Lauderdale (Fla.)","Broward County (Fla.)","Libraries and Black people","Public libraries -- Florida -- Broward County","Literacy","Subsidies","Correspondence","minutes (administrative records)","Photographs","slides (photographs)","Clippings","Proclamations","plaques (flat objects)","Certificates","The Library-In-Action Collection is open for research.","View a selection of digitized materials from the Library-In-Action Collection in the Broward County Library Digital Archives.","The collection is arranged into 11 series: Series I. Correspondence, Series II. Administrative Files, Series III. Photographs and Slides, Series IV. Programming, Series V. Printed Materials, Series VI. Sistrunk Historical Festival, Series VII. Awards and Proclamations, Series VIII. Objects, Series IX. Langston Hughes Library and Tyrone Bryant Papers, Series X. Art XI. Audio-Visual Materials.","Broward County Library created the Library-in-Action (LIA) initiative to address educational needs and increase access to libraries in historically underserved, primarily minority communities in Broward County. It started in 1975 as the Broward County Library \"Project for the Economically Disadvantaged\" but soon became internationally known as Library-in-Action Project. The project ran until 2002.","The Von D. Mizell Library in the historic Sistrunk neighborhood, which became part of the Broward County Library system in 1974, was the headquarters of Library-In-Action. As a result of LIA-authored grant funding, four additional libraries were opened: Dania Beach Library (Feb. 5, 1979), Collier City Library (1980), Rock Island Library (1980), and Carver Ranches Library (1982). Also in 1980, the Von D. Mizell Library moved to a new building with a larger collection. These five libraries provided youth and adults with free access to books, literacy classes, and tutoring services. They also created tailor-made services and programs based on community input.","Broward County Library's Assistant Director, Samuel Morrison, hired an administrative team to oversee the LIA program: Tyrone Bryant (Director), Janet Hansen (Assistant Director), and Tanya Simons-Oparah (Outreach Services Coordinator). The LIA team earned millions of dollars in grants, trained librarians and staff, and conducted programming. ","From 1977 to 1980, Library-In-Action staff canvassed neighborhoods and offered library resources to the Collier City community before the Collier City Library was built. The LIA's Homework Assistance program bussed children from elementary schools to the Collier City Library, where they received help with their homework and school projects, graduating more than 200 students in its early years. ","The LIA project also involved a Bookmobile and a Footmobile service - where staff went door-to-door promoting libraries and delivering books. Other notable programs included speakers such as Alex Haley (author of \"Roots\") in 1980, Elton Fox, and Tom Feelings. The Black Heritage program educated children on Africa, and an African hut was constructed in the Von D. Mizell Library as part of the programming.","LIA Director Tyrone Bryant coined the name \"Library-In-Action\". Tyrone Bryant (1942-1988) was a graduate of Florida Agriculture and Mechanical University. Prior to his directorship at the Langston Hughes Library he was the director of the Committee for the Corona-East Elmhurst Community Corp, where he began working in 1967. The Committee's activism ultimately formed the Langston Hughes Cultural Center and Library in the Corona neighborhood in New York City. Tyrone Bryant became the first Director of the Langston Hughes Library which opened April 26, 1969 and served the needs of inner-city residents. Bryant moved to Fort Lauderdale in 1975 to become the LIA Director. The many programs conducted during the BCL LIA project originated from Tyrone Byrant's experience with programs at the Langston Hughes Library, such as the Homework Assistance Program. In 1983 Bryant was named Assistant Director of the Broward County Library system in charge of Special Services while also retaining his position as Project Director of LIA. Bryant also served as the chairman of the Sistrunk Historical Festival from 1983 until 1988. He married Claudia Wright in 1986. Tyrone Bryant died on February 24, 1988 at age 45. The Rock Island Library was rededicated in his honor on April 20, 1988 as the Tyrone Bryant Library Branch.","The 1980 Sistrunk Historical Festival saw the dedication of the Von D. Mizell Center which housed the Von D. Mizell Branch Library.","The LIA program collaborated with the City of Fort Lauderdale to create the Sistrunk Historical Festival in 1979, celebrating the county's black pioneers. The festival began as a two-day event to initiate economic redevelopment and held programming on African American culture, and under Bryant's chairmanship grew to a month-long event drawing over 100,000 people by 1988.","This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","Von D. Mizell Library Collection","The Library-In-Action Collection documents the Library-In-Action initiative started by the Broward County Library in 1975 to address literacy and access in underserved communities. The collection also documents the career of Tyrone Bryant from his tenure at the Langston Hughes Library through his directorship at Library-In-Action, as well as the Sistrunk Historical Festival.","Materials in the collection consist of correspondence, budgets, meeting minutes, staff files, grants, reports, photographs, slides, programs, newspaper clippings, newsletters, press releases, certificates, proclamations, audio-visual materials, and objects.","AARLCC Special Collections","Broward County Library","Langston Hughes Community Library and Cultural Center. Queens Public Library (Corona, N.Y.)","Bryant, Tyrone, 1942-1988","English"],"unitid_tesim":["AARLCC.2024.4","/repositories/2/resources/356"],"normalized_date_ssm":["Circa 1969-2002"],"normalized_title_ssm":["Library-In-Action Collection, Circa 1969-2002"],"collection_title_tesim":["Library-In-Action Collection, Circa 1969-2002"],"collection_ssim":["Library-In-Action Collection, Circa 1969-2002"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"geogname_ssm":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"geogname_ssim":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"places_ssim":["Fort Lauderdale (Fla.)","Broward County (Fla.)"],"access_subjects_ssim":["Libraries and Black people","Public libraries -- Florida -- Broward County","Literacy","Subsidies","Correspondence","minutes (administrative records)","Photographs","slides (photographs)","Clippings","Proclamations","plaques (flat objects)","Certificates"],"access_subjects_ssm":["Libraries and Black people","Public libraries -- Florida -- Broward County","Literacy","Subsidies","Correspondence","minutes (administrative records)","Photographs","slides (photographs)","Clippings","Proclamations","plaques (flat objects)","Certificates"],"has_online_content_ssim":["false"],"extent_ssm":["45 Hollinger Boxes","24.75 Linear Feet"],"extent_tesim":["45 Hollinger Boxes","24.75 Linear Feet"],"genreform_ssim":["Correspondence","minutes (administrative records)","Photographs","slides (photographs)","Clippings","Proclamations","plaques (flat objects)","Certificates"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"accessrestrict_html_tesm":["\u003cp\u003eThe Library-In-Action Collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The Library-In-Action Collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/libinaction/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Library-In-Action Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Digitized Materials"],"altformavail_tesim":["View a selection of digitized materials from the Library-In-Action Collection in the Broward County Library Digital Archives."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 11 series: Series I. Correspondence, Series II. Administrative Files, Series III. Photographs and Slides, Series IV. Programming, Series V. Printed Materials, Series VI. Sistrunk Historical Festival, Series VII. Awards and Proclamations, Series VIII. Objects, Series IX. Langston Hughes Library and Tyrone Bryant Papers, Series X. Art XI. Audio-Visual Materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 11 series: Series I. Correspondence, Series II. Administrative Files, Series III. Photographs and Slides, Series IV. Programming, Series V. Printed Materials, Series VI. Sistrunk Historical Festival, Series VII. Awards and Proclamations, Series VIII. Objects, Series IX. Langston Hughes Library and Tyrone Bryant Papers, Series X. Art XI. Audio-Visual Materials."],"bioghist_html_tesm":["\u003cp\u003eBroward County Library created the Library-in-Action (LIA) initiative to address educational needs and increase access to libraries in historically underserved, primarily minority communities in Broward County. It started in 1975 as the Broward County Library \"Project for the Economically Disadvantaged\" but soon became internationally known as Library-in-Action Project. The project ran until 2002.\u003c/p\u003e\n","\u003cp\u003eThe Von D. Mizell Library in the historic Sistrunk neighborhood, which became part of the Broward County Library system in 1974, was the headquarters of Library-In-Action. As a result of LIA-authored grant funding, four additional libraries were opened: Dania Beach Library (Feb. 5, 1979), Collier City Library (1980), Rock Island Library (1980), and Carver Ranches Library (1982). Also in 1980, the Von D. Mizell Library moved to a new building with a larger collection. These five libraries provided youth and adults with free access to books, literacy classes, and tutoring services. They also created tailor-made services and programs based on community input.\u003c/p\u003e\n","\u003cp\u003eBroward County Library's Assistant Director, Samuel Morrison, hired an administrative team to oversee the LIA program: Tyrone Bryant (Director), Janet Hansen (Assistant Director), and Tanya Simons-Oparah (Outreach Services Coordinator). The LIA team earned millions of dollars in grants, trained librarians and staff, and conducted programming. \u003c/p\u003e\n","\u003cp\u003eFrom 1977 to 1980, Library-In-Action staff canvassed neighborhoods and offered library resources to the Collier City community before the Collier City Library was built. The LIA's Homework Assistance program bussed children from elementary schools to the Collier City Library, where they received help with their homework and school projects, graduating more than 200 students in its early years. \u003c/p\u003e\n","\u003cp\u003eThe LIA project also involved a Bookmobile and a Footmobile service - where staff went door-to-door promoting libraries and delivering books. Other notable programs included speakers such as Alex Haley (author of \"Roots\") in 1980, Elton Fox, and Tom Feelings. The Black Heritage program educated children on Africa, and an African hut was constructed in the Von D. Mizell Library as part of the programming.\u003c/p\u003e\n","\u003cp\u003eLIA Director Tyrone Bryant coined the name \"Library-In-Action\". Tyrone Bryant (1942-1988) was a graduate of Florida Agriculture and Mechanical University. Prior to his directorship at the Langston Hughes Library he was the director of the Committee for the Corona-East Elmhurst Community Corp, where he began working in 1967. The Committee's activism ultimately formed the Langston Hughes Cultural Center and Library in the Corona neighborhood in New York City. Tyrone Bryant became the first Director of the Langston Hughes Library which opened April 26, 1969 and served the needs of inner-city residents. Bryant moved to Fort Lauderdale in 1975 to become the LIA Director. The many programs conducted during the BCL LIA project originated from Tyrone Byrant's experience with programs at the Langston Hughes Library, such as the Homework Assistance Program. In 1983 Bryant was named Assistant Director of the Broward County Library system in charge of Special Services while also retaining his position as Project Director of LIA. Bryant also served as the chairman of the Sistrunk Historical Festival from 1983 until 1988. He married Claudia Wright in 1986. Tyrone Bryant died on February 24, 1988 at age 45. The Rock Island Library was rededicated in his honor on April 20, 1988 as the Tyrone Bryant Library Branch.\u003c/p\u003e\n","\u003cp\u003eThe 1980 Sistrunk Historical Festival saw the dedication of the Von D. Mizell Center which housed the Von D. Mizell Branch Library.\u003c/p\u003e\n","\u003cp\u003eThe LIA program collaborated with the City of Fort Lauderdale to create the Sistrunk Historical Festival in 1979, celebrating the county's black pioneers. The festival began as a two-day event to initiate economic redevelopment and held programming on African American culture, and under Bryant's chairmanship grew to a month-long event drawing over 100,000 people by 1988.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Broward County Library created the Library-in-Action (LIA) initiative to address educational needs and increase access to libraries in historically underserved, primarily minority communities in Broward County. It started in 1975 as the Broward County Library \"Project for the Economically Disadvantaged\" but soon became internationally known as Library-in-Action Project. The project ran until 2002.","The Von D. Mizell Library in the historic Sistrunk neighborhood, which became part of the Broward County Library system in 1974, was the headquarters of Library-In-Action. As a result of LIA-authored grant funding, four additional libraries were opened: Dania Beach Library (Feb. 5, 1979), Collier City Library (1980), Rock Island Library (1980), and Carver Ranches Library (1982). Also in 1980, the Von D. Mizell Library moved to a new building with a larger collection. These five libraries provided youth and adults with free access to books, literacy classes, and tutoring services. They also created tailor-made services and programs based on community input.","Broward County Library's Assistant Director, Samuel Morrison, hired an administrative team to oversee the LIA program: Tyrone Bryant (Director), Janet Hansen (Assistant Director), and Tanya Simons-Oparah (Outreach Services Coordinator). The LIA team earned millions of dollars in grants, trained librarians and staff, and conducted programming. ","From 1977 to 1980, Library-In-Action staff canvassed neighborhoods and offered library resources to the Collier City community before the Collier City Library was built. The LIA's Homework Assistance program bussed children from elementary schools to the Collier City Library, where they received help with their homework and school projects, graduating more than 200 students in its early years. ","The LIA project also involved a Bookmobile and a Footmobile service - where staff went door-to-door promoting libraries and delivering books. Other notable programs included speakers such as Alex Haley (author of \"Roots\") in 1980, Elton Fox, and Tom Feelings. The Black Heritage program educated children on Africa, and an African hut was constructed in the Von D. Mizell Library as part of the programming.","LIA Director Tyrone Bryant coined the name \"Library-In-Action\". Tyrone Bryant (1942-1988) was a graduate of Florida Agriculture and Mechanical University. Prior to his directorship at the Langston Hughes Library he was the director of the Committee for the Corona-East Elmhurst Community Corp, where he began working in 1967. The Committee's activism ultimately formed the Langston Hughes Cultural Center and Library in the Corona neighborhood in New York City. Tyrone Bryant became the first Director of the Langston Hughes Library which opened April 26, 1969 and served the needs of inner-city residents. Bryant moved to Fort Lauderdale in 1975 to become the LIA Director. The many programs conducted during the BCL LIA project originated from Tyrone Byrant's experience with programs at the Langston Hughes Library, such as the Homework Assistance Program. In 1983 Bryant was named Assistant Director of the Broward County Library system in charge of Special Services while also retaining his position as Project Director of LIA. Bryant also served as the chairman of the Sistrunk Historical Festival from 1983 until 1988. He married Claudia Wright in 1986. Tyrone Bryant died on February 24, 1988 at age 45. The Rock Island Library was rededicated in his honor on April 20, 1988 as the Tyrone Bryant Library Branch.","The 1980 Sistrunk Historical Festival saw the dedication of the Von D. Mizell Center which housed the Von D. Mizell Branch Library.","The LIA program collaborated with the City of Fort Lauderdale to create the Sistrunk Historical Festival in 1979, celebrating the county's black pioneers. The festival began as a two-day event to initiate economic redevelopment and held programming on African American culture, and under Bryant's chairmanship grew to a month-long event drawing over 100,000 people by 1988."],"prefercite_html_tesm":["\u003cp\u003eLibrary-In-Action Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Library-In-Action Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. This finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://broward.lyrasistechnology.org/repositories/2/resources/185\" target=\"_blank\"\u003eVon D. Mizell Library Collection\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Von D. Mizell Library Collection"],"scopecontent_html_tesm":["\u003cp\u003eThe Library-In-Action Collection documents the Library-In-Action initiative started by the Broward County Library in 1975 to address literacy and access in underserved communities. The collection also documents the career of Tyrone Bryant from his tenure at the Langston Hughes Library through his directorship at Library-In-Action, as well as the Sistrunk Historical Festival.\u003c/p\u003e\n","\u003cp\u003eMaterials in the collection consist of correspondence, budgets, meeting minutes, staff files, grants, reports, photographs, slides, programs, newspaper clippings, newsletters, press releases, certificates, proclamations, audio-visual materials, and objects.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Library-In-Action Collection documents the Library-In-Action initiative started by the Broward County Library in 1975 to address literacy and access in underserved communities. The collection also documents the career of Tyrone Bryant from his tenure at the Langston Hughes Library through his directorship at Library-In-Action, as well as the Sistrunk Historical Festival.","Materials in the collection consist of correspondence, budgets, meeting minutes, staff files, grants, reports, photographs, slides, programs, newspaper clippings, newsletters, press releases, certificates, proclamations, audio-visual materials, and objects."],"names_coll_ssim":["Broward County Library","Langston Hughes Community Library and Cultural Center. Queens Public Library (Corona, N.Y.)","Bryant, Tyrone, 1942-1988"],"names_ssim":["AARLCC Special Collections","Broward County Library","Langston Hughes Community Library and Cultural Center. Queens Public Library (Corona, N.Y.)","Bryant, Tyrone, 1942-1988"],"corpname_ssim":["AARLCC Special Collections","Broward County Library","Langston Hughes Community Library and Cultural Center. Queens Public Library (Corona, N.Y.)"],"persname_ssim":["Bryant, Tyrone, 1942-1988"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":530,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1876455833356730368,"_root_":"63f85ee1ad3b0ea5b7bd3ffa","timestamp":"2026-09-16T03:02:14.138Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/63f85ee1ad3b0ea5b7bd3ffa_aspace_576f71f9c2a1e87d93ef3b6fa442efd4"}},{"id":"377018d2c691025d88612f9e_aspace_732e3e6ce38b9c0c024680693ca0a0ba","type":"File","attributes":{"title":"\"My tribute SATB\", 2002","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/377018d2c691025d88612f9e_aspace_732e3e6ce38b9c0c024680693ca0a0ba#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_732e3e6ce38b9c0c024680693ca0a0ba","ref_ssm":["aspace_732e3e6ce38b9c0c024680693ca0a0ba","aspace_732e3e6ce38b9c0c024680693ca0a0ba"],"id":"377018d2c691025d88612f9e_aspace_732e3e6ce38b9c0c024680693ca0a0ba","title_filing_ssi":"\"My tribute SATB\"","title_ssm":["\"My tribute SATB\""],"title_tesim":["\"My tribute SATB\""],"unitdate_inclusive_ssm":["2002"],"normalized_date_ssm":["2002"],"normalized_title_ssm":["\"My tribute SATB\", 2002"],"text":["\"My tribute SATB\", 2002","Burt Szabo music collection, 1955-2017","/repositories/2/archival_objects/79647","/repositories/2/archival_objects/82909","box 20","folder 10"],"component_level_isim":[1],"parent_ids_ssim":["377018d2c691025d88612f9e"],"parent_unittitles_ssm":["Burt Szabo music collection, 1955-2017"],"parent_unittitles_tesim":["Burt Szabo music collection, 1955-2017"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/79647","/repositories/2/archival_objects/82909"],"repository_ssim":["UCF University Archives"],"collection_ssim":["Burt Szabo music collection, 1955-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":683,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[2002],"containers_ssim":["box 20","folder 10"],"_nest_path_":"/components#682","_nest_parent_":"377018d2c691025d88612f9e","_root_":"377018d2c691025d88612f9e","_version_":1870858782767054848,"timestamp":"2026-07-16T08:19:30.734Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"377018d2c691025d88612f9e","title_ssm":["Burt Szabo music collection"],"title_tesim":["Burt Szabo music collection"],"ead_ssi":"377018d2c691025d88612f9e","unitdate_ssm":["1955-2017"],"unitdate_inclusive_ssm":["1955-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA21G","/repositories/2/resources/332"],"text":["UA21G","/repositories/2/resources/332","Burt Szabo music collection, 1955-2017","Barbershop quartets","sheet music","The entire collection is open for research.","The collection is arranged in the original order that it was received.","Albert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  ","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. ","Processed by and finding aid prepared by Simone DeLuque in 2025.","For more information on Special Collections \u0026 University Archives, please see our website.","The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022.","UCF University Archives","Szabo, Burt","English"],"unitid_tesim":["UA21G","/repositories/2/resources/332"],"normalized_date_ssm":["1955-2017"],"normalized_title_ssm":["Burt Szabo music collection, 1955-2017"],"collection_title_tesim":["Burt Szabo music collection, 1955-2017"],"collection_ssim":["Burt Szabo music collection, 1955-2017"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["Szabo, Burt"],"creator_ssim":["Szabo, Burt"],"creator_persname_ssim":["Szabo, Burt"],"creators_ssim":["Szabo, Burt"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of David Schreier in 2018 (Accession no. CFU2018_47)."],"access_subjects_ssim":["Barbershop quartets","sheet music"],"access_subjects_ssm":["Barbershop quartets","sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["11.8 Linear Feet 30 boxes"],"extent_tesim":["11.8 Linear Feet 30 boxes"],"genreform_ssim":["sheet music"],"date_range_isim":[1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in the original order that it was received.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in the original order that it was received."],"bioghist_html_tesm":["\u003cp\u003eAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \u003c/p\u003e\n","\u003cp\u003eA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Albert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  ","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Burt Szabo music collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Burt Szabo music collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Simone DeLuque in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Simone DeLuque in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections \u0026amp; University Archives, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on Special Collections \u0026 University Archives, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_47ef4f2c9d3944ef54170a551f97a3e7\"\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022.\u003c/abstract\u003e"],"abstract_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022."],"names_ssim":["UCF University Archives","Szabo, Burt"],"corpname_ssim":["UCF University Archives"],"names_coll_ssim":["Szabo, Burt"],"persname_ssim":["Szabo, Burt"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1087,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858782767054848,"_root_":"377018d2c691025d88612f9e","timestamp":"2026-07-16T08:19:30.734Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/377018d2c691025d88612f9e_aspace_732e3e6ce38b9c0c024680693ca0a0ba"}},{"id":"bc3b405ad7bffa4e6aa102a4_aspace_8868b0358aa08f2c7b299e3e224e50c1","type":"Item","attributes":{"title":"Naked Otoko - Patrick Wu, 2002","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bc3b405ad7bffa4e6aa102a4_aspace_8868b0358aa08f2c7b299e3e224e50c1#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_8868b0358aa08f2c7b299e3e224e50c1","ref_ssm":["aspace_8868b0358aa08f2c7b299e3e224e50c1","aspace_8868b0358aa08f2c7b299e3e224e50c1"],"id":"bc3b405ad7bffa4e6aa102a4_aspace_8868b0358aa08f2c7b299e3e224e50c1","title_filing_ssi":"Naked Otoko - Patrick Wu","title_ssm":["Naked Otoko - Patrick Wu"],"title_tesim":["Naked Otoko - Patrick Wu"],"unitdate_other_ssim":["2002"],"normalized_date_ssm":["2002"],"normalized_title_ssm":["Naked Otoko - Patrick Wu, 2002"],"text":["Naked Otoko - Patrick Wu, 2002","Asian male nude collection, 1939-2014, Date acquired: 07/00/2013","Cataloged Publications","/repositories/2/archival_objects/150432","object QLIT TR675 .W777 2002","Go To Catalog Record"],"component_level_isim":[2],"parent_ids_ssim":["bc3b405ad7bffa4e6aa102a4","bc3b405ad7bffa4e6aa102a4_aspace_5703fbca9bee8cb9584a32494ebd3857"],"parent_unittitles_ssm":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013","Cataloged Publications"],"parent_unittitles_tesim":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013","Cataloged Publications"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/2/archival_objects/150432"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1699,"parent_access_restrict_tesm":["Age Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material."],"parent_access_terms_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2002],"containers_ssim":["object QLIT TR675 .W777 2002"],"bibliography_html_tesm":["\u003cp\u003e\n\u003ca href=\"https://usf-flvc.primo.exlibrisgroup.com/permalink/01FALSC_USF/1amem1q/alma99379745683706599\"\u003eGo To Catalog Record\u003c/a\u003e\n\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Go To Catalog Record"],"_nest_path_":"/components#8/components#13","_nest_parent_":"bc3b405ad7bffa4e6aa102a4_aspace_5703fbca9bee8cb9584a32494ebd3857","_root_":"bc3b405ad7bffa4e6aa102a4","_version_":1876026433506115584,"timestamp":"2026-09-11T09:17:06.437Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bc3b405ad7bffa4e6aa102a4","title_ssm":["Asian male nude collection"],"title_tesim":["Asian male nude collection"],"ead_ssi":"bc3b405ad7bffa4e6aa102a4","unitdate_ssm":["1939-2014","Date acquired: 07/00/2013"],"unitdate_inclusive_ssm":["1939-2014"],"unitdate_other_ssim":["Date acquired: 07/00/2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2013-01","/repositories/2/resources/199"],"text":["MS-2013-01","/repositories/2/resources/199","Asian male nude collection, 1939-2014, Date acquired: 07/00/2013","Gay culture","Lesbian and gay experience","Photography, Erotic","Stereotypes (Social psychology) in art","Photography of the nude","Steretoypes (Social psychology) in advertising","Asian/Pacific Lesbians and Gays","Queer studies","Age Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material.","The collection is arranged by series. Within each series, items are arranged by geographical location, then by date of publication. In the event of no date being provided, the items are arranged alphabetically by subject.","Gay Surfer Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  ","LGBT Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. ","The collection contains magazines, news clippings, photographs, ephemera, and audio/visual materials that document the historical rarity of the Asian male nude and the transition from the rarity of the Asian male nude to the more common proliferation of materials that can be found in later years. Even now when male Asian nudes are appearing with a limited frequency, the Asian body is portrayed in racial stereotypes, as being unworthy, lacking sexual endowment, or being submissive or passive. The collection illustrates the historical reality of this racial stereotype and the rarity of the nude Asian male in gay imagery in art as well as Western pornography. The gradual emergence from a near total absence from male imagery to the presently more widespread use of the Asian male nude is traced in detail. Also included in the collection are series on Asian body building, including martial arts, and Asian adult film stars Jordan Young and Brandon Lee.","Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","A collection of materials, including magazines, books, photographs and ephemera, that document the historical rarity of the Asian male nude.","USF Libraries - Tampa Special Collections","Anonymous","English"],"unitid_tesim":["MS-2013-01","/repositories/2/resources/199"],"normalized_date_ssm":["1939-2014, Date acquired: 07/00/2013"],"normalized_title_ssm":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013"],"collection_title_tesim":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013"],"collection_ssim":["Asian male nude collection, 1939-2014, Date acquired: 07/00/2013"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Anonymous"],"creator_ssim":["Anonymous"],"creator_persname_ssim":["Anonymous"],"creators_ssim":["Anonymous"],"access_terms_ssm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Anonymous","Donation"],"access_subjects_ssim":["Gay culture","Lesbian and gay experience","Photography, Erotic","Stereotypes (Social psychology) in art","Photography of the nude","Steretoypes (Social psychology) in advertising","Asian/Pacific Lesbians and Gays","Queer studies"],"access_subjects_ssm":["Gay culture","Lesbian and gay experience","Photography, Erotic","Stereotypes (Social psychology) in art","Photography of the nude","Steretoypes (Social psychology) in advertising","Asian/Pacific Lesbians and Gays","Queer studies"],"has_online_content_ssim":["false"],"extent_ssm":["29.04 Linear Feet","67 boxes"],"extent_tesim":["29.04 Linear Feet","67 boxes"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eAge Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Age Restriction. The material in this collection is restricted by age. Patron will be required to demonstrate by State Issued ID that they are of the proper age of consent (18+) to view this material."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by series. Within each series, items are arranged by geographical location, then by date of publication. In the event of no date being provided, the items are arranged alphabetically by subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged by series. Within each series, items are arranged by geographical location, then by date of publication. In the event of no date being provided, the items are arranged alphabetically by subject."],"prefercite_html_tesm":["\u003cp\u003eAsian Male Nude Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Asian Male Nude Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eGay Surfer Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  \u003c/p\u003e\n","\u003cp\u003eLGBT Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Gay Surfer Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.  ","LGBT Ephemera Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains magazines, news clippings, photographs, ephemera, and audio/visual materials that document the historical rarity of the Asian male nude and the transition from the rarity of the Asian male nude to the more common proliferation of materials that can be found in later years. Even now when male Asian nudes are appearing with a limited frequency, the Asian body is portrayed in racial stereotypes, as being unworthy, lacking sexual endowment, or being submissive or passive. The collection illustrates the historical reality of this racial stereotype and the rarity of the nude Asian male in gay imagery in art as well as Western pornography. The gradual emergence from a near total absence from male imagery to the presently more widespread use of the Asian male nude is traced in detail. Also included in the collection are series on Asian body building, including martial arts, and Asian adult film stars Jordan Young and Brandon Lee.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains magazines, news clippings, photographs, ephemera, and audio/visual materials that document the historical rarity of the Asian male nude and the transition from the rarity of the Asian male nude to the more common proliferation of materials that can be found in later years. Even now when male Asian nudes are appearing with a limited frequency, the Asian body is portrayed in racial stereotypes, as being unworthy, lacking sexual endowment, or being submissive or passive. The collection illustrates the historical reality of this racial stereotype and the rarity of the nude Asian male in gay imagery in art as well as Western pornography. The gradual emergence from a near total absence from male imagery to the presently more widespread use of the Asian male nude is traced in detail. Also included in the collection are series on Asian body building, including martial arts, and Asian adult film stars Jordan Young and Brandon Lee."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books related to the archival collection are cataloged individually and shelved in the Queer Literature Collection. 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