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Groups with significant representation include: Comprehensive Everglades Restoration Plan (CERP), South Florida Water Management District (SFWMD), The Everglades Coalition, and the Governor's Commission for a Sustainable South Florida.","USF Libraries - Tampa Special Collections","Florida Audubon Society","English"],"unitid_tesim":["MS-2023-13","/repositories/2/resources/752"],"normalized_date_ssm":["1961-2014"],"normalized_title_ssm":["Florida Audubon Society Miami records, 1961-2014"],"collection_title_tesim":["Florida Audubon Society Miami records, 1961-2014"],"collection_ssim":["Florida Audubon Society Miami records, 1961-2014"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Everglades (Fla.)","Everglades (Fla.)"],"geogname_ssim":["Everglades (Fla.)","Everglades (Fla.)"],"creator_ssm":["Florida Audubon Society"],"creator_ssim":["Florida Audubon Society"],"creator_corpname_ssim":["Florida Audubon Society"],"creators_ssim":["Florida Audubon Society"],"places_ssim":["Everglades (Fla.)","Everglades (Fla.)"],"access_subjects_ssim":["Ornithology -- Fieldwork","Conservationists -- Florida","Audubon societies","Birds","Water quality management"],"access_subjects_ssm":["Ornithology -- Fieldwork","Conservationists -- Florida","Audubon societies","Birds","Water quality management"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good"],"extent_ssm":["32 boxes","15.5 Linear Feet"],"extent_tesim":["32 boxes","15.5 Linear Feet"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged according to material type. 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Within series, the arrangement is alphabetical."],"prefercite_html_tesm":["\u003cp\u003eFlorida Audubon Society Miami records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Florida Audubon Society Miami records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of organizational papers, scientific data, computer disks, VHS, correspondence, photographs, photographic slides, maps, clippings, legal and legislative documents, and administrative papers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of organizational papers, scientific data, computer disks, VHS, correspondence, photographs, photographic slides, maps, clippings, legal and legislative documents, and administrative papers."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ae94bfa855929070bc8c7c4ddf975d23\"\u003eThis collection consists of the organizational papers of the Florida Audubon Society's Miami office, with some material from National Audubon Society projects. Topics include water management, Everglades preservation and restoration, effects of the sugar industry on Florida's wildlife, ornithology, and ecology in South Florida. Groups with significant representation include: Comprehensive Everglades Restoration Plan (CERP), South Florida Water Management District (SFWMD), The Everglades Coalition, and the Governor's Commission for a Sustainable South Florida.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of the organizational papers of the Florida Audubon Society's Miami office, with some material from National Audubon Society projects. Topics include water management, Everglades preservation and restoration, effects of the sugar industry on Florida's wildlife, ornithology, and ecology in South Florida. Groups with significant representation include: Comprehensive Everglades Restoration Plan (CERP), South Florida Water Management District (SFWMD), The Everglades Coalition, and the Governor's Commission for a Sustainable South Florida."],"names_ssim":["USF Libraries - Tampa Special Collections","Florida Audubon Society"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Florida Audubon Society"],"language_ssim":["English"],"total_component_count_is":1307,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"359fedcc5b694e45729a69cf","timestamp":"2026-07-02T03:25:37.750Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/359fedcc5b694e45729a69cf_aspace_367b732339f53b65d1e25823b907941c"}},{"id":"4674dbbf638dff3316591cb2","type":"collection","attributes":{"title":"Michael A. Spencer Bromeliad Research Collection, 1754-2014","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/4674dbbf638dff3316591cb2#creator","type":"document_value","attributes":{"value":["Spencer, Michael A."],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/4674dbbf638dff3316591cb2#abstract_or_scope","type":"document_value","attributes":{"value":["Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4674dbbf638dff3316591cb2#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"4674dbbf638dff3316591cb2","title_ssm":["Michael A. Spencer Bromeliad Research Collection"],"title_tesim":["Michael A. Spencer Bromeliad Research Collection"],"ead_ssi":"4674dbbf638dff3316591cb2","unitdate_ssm":["1754-2014"],"unitdate_inclusive_ssm":["1754-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 068","/repositories/4/resources/148"],"text":["SC 068","/repositories/4/resources/148","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Marineland (Fla.)","Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)","The entire collection is open for research except for the following:\n Boxes 180-181: Personal correspondence Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"","The collection is divided into eight series by type of file.","Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.","Materials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023.","A large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library  Online Catalog .  Michael A. Spencer Collection on Julian Nally ,  Michael A. Spencer Collection on Theodore Mead ,  Michael A. Spencer Collection on Henry Nehrling  and the  Henry Nehrling Papers  are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the  Harry P. Leu Gardens . The  Henry Nehrling Collection  and the  Theodore L. Mead Collection  are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the  Smithsonian Institution Archives .","Series I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.","\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.","\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.","\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.","\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.","\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.","\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.","\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder.","Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here.","UCF Special Collections","Bromeliad Society","Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991","English"],"unitid_tesim":["SC 068","/repositories/4/resources/148"],"normalized_date_ssm":["1754-2014"],"normalized_title_ssm":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"collection_title_tesim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"collection_ssim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Marineland (Fla.)"],"geogname_ssim":["Marineland (Fla.)"],"creator_ssm":["Spencer, Michael A."],"creator_ssim":["Spencer, Michael A."],"creator_persname_ssim":["Spencer, Michael A."],"creators_ssim":["Spencer, Michael A."],"places_ssim":["Marineland (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"acqinfo_ssim":["Some of these materials were donated to and others were purchased by the University of Central Florida Libraries, Special Collections and University Archives from Michael A. Spencer in 2006 (CFM2006_09), 2011 (CFM2011_02), 2012 (CFM2012_10), and 2014 (CFM2014_01)."],"access_subjects_ssim":["Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"access_subjects_ssm":["Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["130 Linear Feet 259 boxes, 2 flat files"],"extent_tesim":["130 Linear Feet 259 boxes, 2 flat files"],"genreform_ssim":["botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"date_range_isim":[1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research except for the following:\n\u003cul\u003e\n  \u003cli\u003eBoxes 180-181: Personal correspondence\u003c/li\u003e\n  \u003cli\u003eBoxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research except for the following:\n Boxes 180-181: Personal correspondence Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\""],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into eight series by type of file.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into eight series by type of file."],"bioghist_html_tesm":["\u003cp\u003eMichael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004."],"prefercite_html_tesm":["\u003cp\u003eMichael A. Spencer Bromeliad Research Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Michael A. Spencer Bromeliad Research Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eA large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e. \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08c\"\u003eMichael A. Spencer Collection on Julian Nally\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08b\"\u003eMichael A. Spencer Collection on Theodore Mead\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08a\"\u003eMichael A. Spencer Collection on Henry Nehrling\u003c/extref\u003e and the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-03\"\u003eHenry Nehrling Papers\u003c/extref\u003e are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the \u003cextref href=\"http://www.leugardens.org/\"\u003eHarry P. Leu Gardens\u003c/extref\u003e. The \u003cextref href=\"https://aspace.rollins.edu/repositories/2/resources/4\"\u003eHenry Nehrling Collection\u003c/extref\u003e and the \u003cextref href=\"https://aspace.rollins.edu/repositories/2/resources/97\"\u003eTheodore L. Mead Collection\u003c/extref\u003e are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the \u003cextref href=\"http://siarchives.si.edu/\"\u003eSmithsonian Institution Archives\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library  Online Catalog .  Michael A. Spencer Collection on Julian Nally ,  Michael A. Spencer Collection on Theodore Mead ,  Michael A. Spencer Collection on Henry Nehrling  and the  Henry Nehrling Papers  are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the  Harry P. Leu Gardens . The  Henry Nehrling Collection  and the  Theodore L. Mead Collection  are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the  Smithsonian Institution Archives ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.","\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.","\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.","\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.","\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.","\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.","\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.","\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8e33310d6b1a70e4d88f1e2d3043cf71\" label=\"Abstract\"\u003eMichael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here.\u003c/abstract\u003e"],"abstract_tesim":["Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here."],"names_coll_ssim":["Bromeliad Society","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"names_ssim":["UCF Special Collections","Bromeliad Society","Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"corpname_ssim":["UCF Special Collections","Bromeliad Society"],"persname_ssim":["Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3662,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"4674dbbf638dff3316591cb2","timestamp":"2026-07-11T02:53:59.490Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4674dbbf638dff3316591cb2","title_ssm":["Michael A. Spencer Bromeliad Research Collection"],"title_tesim":["Michael A. Spencer Bromeliad Research Collection"],"ead_ssi":"4674dbbf638dff3316591cb2","unitdate_ssm":["1754-2014"],"unitdate_inclusive_ssm":["1754-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 068","/repositories/4/resources/148"],"text":["SC 068","/repositories/4/resources/148","Michael A. Spencer Bromeliad Research Collection, 1754-2014","Marineland (Fla.)","Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)","The entire collection is open for research except for the following:\n Boxes 180-181: Personal correspondence Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"","The collection is divided into eight series by type of file.","Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.","Materials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023.","A large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library  Online Catalog .  Michael A. Spencer Collection on Julian Nally ,  Michael A. Spencer Collection on Theodore Mead ,  Michael A. Spencer Collection on Henry Nehrling  and the  Henry Nehrling Papers  are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the  Harry P. Leu Gardens . The  Henry Nehrling Collection  and the  Theodore L. Mead Collection  are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the  Smithsonian Institution Archives .","Series I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.","\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.","\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.","\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.","\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.","\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.","\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.","\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here.","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder.","Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here.","UCF Special Collections","Bromeliad Society","Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991","English"],"unitid_tesim":["SC 068","/repositories/4/resources/148"],"normalized_date_ssm":["1754-2014"],"normalized_title_ssm":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"collection_title_tesim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"collection_ssim":["Michael A. Spencer Bromeliad Research Collection, 1754-2014"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Marineland (Fla.)"],"geogname_ssim":["Marineland (Fla.)"],"creator_ssm":["Spencer, Michael A."],"creator_ssim":["Spencer, Michael A."],"creator_persname_ssim":["Spencer, Michael A."],"creators_ssim":["Spencer, Michael A."],"places_ssim":["Marineland (Fla.)"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"acqinfo_ssim":["Some of these materials were donated to and others were purchased by the University of Central Florida Libraries, Special Collections and University Archives from Michael A. Spencer in 2006 (CFM2006_09), 2011 (CFM2011_02), 2012 (CFM2012_10), and 2014 (CFM2014_01)."],"access_subjects_ssim":["Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"access_subjects_ssm":["Botany","Botany -- Brazil","Bromeliaceae","Bromelin","Cooking (Pineapples)","Pineapple","Plant hybridization","botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"has_online_content_ssim":["false"],"extent_ssm":["130 Linear Feet 259 boxes, 2 flat files"],"extent_tesim":["130 Linear Feet 259 boxes, 2 flat files"],"genreform_ssim":["botanical illustrations","negatives (photographs)","Photographic prints","slides (photographs)"],"date_range_isim":[1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research except for the following:\n\u003cul\u003e\n  \u003cli\u003eBoxes 180-181: Personal correspondence\u003c/li\u003e\n  \u003cli\u003eBoxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\"\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research except for the following:\n Boxes 180-181: Personal correspondence Boxes 213-214: Manuscript of \"Brazil: Orchid of the Tropics\""],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into eight series by type of file.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is divided into eight series by type of file."],"bioghist_html_tesm":["\u003cp\u003eMichael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Michael A. Spencer was born in Orlando and grew up in Winter Garden, Florida. He worked at Sand Hill Nursery near Lake Avalon and the Land of Bromeliads in Gotha before finding employment with Julian Nally. After the Nally estate was sold, Spencer worked for Racine Foster at Bromel-La. He graduated from UCF in 1990 summa cum laude with a BA in Liberal Studies and then found employment with Lyman B. Smith at the Smithsonian Museum of Natural History. Michael Spencer named a genus of bromeliads \"Racinaea\" in honor of Racine Foster. While engaged in his research, Spencer amassed this collection of materials concerning bromeliads and their collectors. He now lives in Frederick, Maryland where he has served on the Historic Preservation Commission since 2004."],"prefercite_html_tesm":["\u003cp\u003eMichael A. Spencer Bromeliad Research Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Michael A. Spencer Bromeliad Research Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials were rehoused in pH neutral folders and cartons. Photographs, negatives and slides were enclosed in polyester sleeves. Many of the materials were well organized and the arrangement was retained. The remainder were arranged by following the original arrangement as far as possible. Notes on folders were retained in the new folder. Paper clips were replaced with plastic clips or materials that belonged together were held together in a pH neutral paper sleeve. Loose-leaf notebooks that were badly rusted were discarded and the contents placed in folders. Items loose in the back of notebooks were foldered separately and marked accordingly. Notes from a film canister were written exactly as found as the label could not be removed. Albums falling apart were taken apart and foldered. Albums in reasonable condition had the photographs attached properly with corners and the pages interleaved to prevent sticking. Loose album pages in the Foster subseries on Plant Information were merely foldered as they were not in an album and were found without context. Collecion rehoused and finding aid revised by Chynna Thomas in 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eA large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library \u003cextref href=\"https://library.ucf.edu\"\u003eOnline Catalog\u003c/extref\u003e. \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08c\"\u003eMichael A. Spencer Collection on Julian Nally\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08b\"\u003eMichael A. Spencer Collection on Theodore Mead\u003c/extref\u003e, \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM2006-08a\"\u003eMichael A. Spencer Collection on Henry Nehrling\u003c/extref\u003e and the \u003cextref href=\"http://purl.flvc.org/UCF/EAD/CFM1999-03\"\u003eHenry Nehrling Papers\u003c/extref\u003e are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the \u003cextref href=\"http://www.leugardens.org/\"\u003eHarry P. Leu Gardens\u003c/extref\u003e. The \u003cextref href=\"https://aspace.rollins.edu/repositories/2/resources/4\"\u003eHenry Nehrling Collection\u003c/extref\u003e and the \u003cextref href=\"https://aspace.rollins.edu/repositories/2/resources/97\"\u003eTheodore L. Mead Collection\u003c/extref\u003e are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the \u003cextref href=\"http://siarchives.si.edu/\"\u003eSmithsonian Institution Archives\u003c/extref\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A large book collection accompanies this collection and may be accessed by performing a series search \"Michael A. Spencer Collection\" in the UCF Library  Online Catalog .  Michael A. Spencer Collection on Julian Nally ,  Michael A. Spencer Collection on Theodore Mead ,  Michael A. Spencer Collection on Henry Nehrling  and the  Henry Nehrling Papers  are also available in Special Collections and University Archives, University of Central Florida Libraries. Some paintings by Mulford Foster are held at the  Harry P. Leu Gardens . The  Henry Nehrling Collection  and the  Theodore L. Mead Collection  are held at Rollins College, Winter Park, Florida. Lyman Smith's Papers are held at the  Smithsonian Institution Archives ."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.\u003c/p\u003e\n","\u003cp\u003e\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.\u003c/p\u003e\n","\u003cp\u003e\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Mulford and Racine Foster Files, 1910-1991 documents the work of these two individuals in discovering and propagating bromeliads. Correspondence, publications, notebooks, drawings, research materials, memorabilia and photographs show all aspects of their work including plant collecting, landscape designing and publishing. Photographs may be black and white or color prints, negatives or slides. Additional materials about the Fosters may be found in Series II and III.","\nSeries II: Subject Files, 1880-2003 contains catalogues, journals, photographs, memorabilia and correspondence that Michael Spencer brought together under his chosen subject headings and arranged alphabetically. Many of the materials in this series originally came from Mulford and Racine Foster, which means that there is some overlap with the previous series. Spencer's own collecting interest lay in documenting the importance of bromeliads in society, and he collected many common items that showed bromeliads, especially pineapples.","\nSeries III: Author Files, 1754-1997 includes a variety of media used for research, such as articles, books, magazines, newspaper clippings, and photographs. There are a significant number of materials authored by Mulford and Racine Foster and Lyman B. Smith, including original manuscripts.","\nSeries IV: Plants by Family Files, 1908-1990 contains alphabetical files on plant families, which include newspaper clippings, books and other research materials.","\nSeries V: Natural History Files, 1853-1997 holds alphabetical files on a wide range of natural history topics including plant societies, authors, drugs and diseases. The files contain published materials, photocopies, web resources, plant and geological samples that document's Michael's Spencer's considerable research interests.","\nSeries VI: Medicinal Files, 1988-1996 contains alphabetical files on diseases and therapies. Not all these files relate to plants though many of them concern natural therapies.","\nSeries VII: Lyman Smith Files: 1905-1994 holds alphabetical files that belonged to Lyman B. Smith. His notebooks, manscripts, teaching materials and correspondence may all be found here.","\nSeries VIII: Personal Files, 1863-2014 contains alphabetical files showing Spencer's interest in collecting books and his wide interests. Materials that do not clearly belong in the other series may be found here."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository, donor and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_8e33310d6b1a70e4d88f1e2d3043cf71\" label=\"Abstract\"\u003eMichael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here.\u003c/abstract\u003e"],"abstract_tesim":["Michael A. Spencer assembled this collection of publications, photographs, drawings, correspondence programs and other materials focusing on the discovery, taxonomy and cultivation of bromeliads. Mulford B. Foster, Racine Foster and Lyman B. Smith are among the significant bromeliad collectors whose work is documented here."],"names_coll_ssim":["Bromeliad Society","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"names_ssim":["UCF Special Collections","Bromeliad Society","Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"corpname_ssim":["UCF Special Collections","Bromeliad Society"],"persname_ssim":["Spencer, Michael A.","Smith, Lyman B.","Foster, Mulford B. (Mulford Bateman), 1888-1978","Foster, Racine, 1910-1991"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3662,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"4674dbbf638dff3316591cb2","timestamp":"2026-07-11T02:53:59.490Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4674dbbf638dff3316591cb2"}},{"id":"00367cb5d46c6d23005d9506","type":"collection","attributes":{"title":"Michael D. Kolb collection, 1998-2002, Acquired: 03/14/2003","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/00367cb5d46c6d23005d9506#creator","type":"document_value","attributes":{"value":["Kolb, Michael"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/00367cb5d46c6d23005d9506#abstract_or_scope","type":"document_value","attributes":{"value":["The Michael D. Kolb collection includes materials related to the Kolb's feature film screenplay and stage script, \"The Lectors.\" Supplementary materials provided by the author provide the following synopsis: An elderly Julian Abuzmann, a hand rolling cigar maker and cigar shop owner, tells his grandson and his friends the story of the great Lectors strike that rocked the cigar industry in Ybor City – Tampa, Florida at the start of the Depression. After cigar manufactures cut wages, John Crawford, a communist organizer for a new cigar makers union, asks Julian, a young lector in a factory, to persuade the lectors to distribute propaganda and speak out for the union. To the chagrin of Isobel, his wife, Julian speaks along with Benito, an elder lector who is his best friend, at a labor rally broken up by the KKK. Later that evening, vigilantes beat Julian. After an inflammatory reading to the factory workers, Moses Castillo, the boss at Benito's factory, bans him and tears down his lector's platform. During another rally, violence erupts between KKK vigilantes and the cigar makers. Then the communists cause several factories to strike. Benito persuades Julian to let him lead the strike because he says Julian has a family. Julian and other lectors continue reading in the factories, as the tension rises. On Thanksgiving, John Crawford's communists agitate the cigar makers to go on strike. Then the manufacturers, led by Charles Jeffers, change the strike into a lock out. The cigar makers march violently to the factories in protest and hold more rallies. Julian and Benito hatch a plan to play good guy/bad guy with the manufacturers. Julian begins to seek a peaceful solution, while Benito continues to protest. Violence and negotiations last for several weeks. A federal injunction and threats by the secret committee of the twenty-five, a vigilante group, stops the cigar makers. During a climatic rally, Julian, Benito and several other lectors make passionate speeches about patriotism and the flag in order to persuade the cigar makers to resolve the strike. Intertwined into the story is how Julian and his wife confront their differences to conceive another child, along with scenes depicting the Spanish culture, the holiday celebrations of the cigar makers and the society balls of the manufacturers, and the cigar makers performing their craft."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/00367cb5d46c6d23005d9506#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"00367cb5d46c6d23005d9506","title_ssm":["Michael D. Kolb collection"],"title_tesim":["Michael D. Kolb collection"],"ead_ssi":"00367cb5d46c6d23005d9506","unitdate_ssm":["1998-2002","Acquired: 03/14/2003"],"unitdate_inclusive_ssm":["1998-2002"],"unitdate_other_ssim":["Acquired: 03/14/2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2003-09","/repositories/2/resources/104"],"text":["MS-2003-09","/repositories/2/resources/104","Michael D. Kolb collection, 1998-2002, Acquired: 03/14/2003","Ybor City (Tampa, Fla.) -- Social life and customs","Cigar industry -- Florida -- Tampa","Cigar industry -- History","Theater","Individual drafts of the screenplay are bound separately.","This collection consists of several screenplay drafts and recordings of table readings for Michael D. Korb's screenplay, \"The Lectors.\" The script includes the following description: During the height of Tampa's cigar industry in the early 1930s, two passionate lectors resolve a strike between defiant cigar makers and powerful factory bosses.","The second screenplay present is \"The Apocalypse Dream.\" It is set in contemporary Jerusalem, and deals ith international terrorism. ","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Michael D. Kolb collection includes materials related to the Kolb's feature film screenplay and stage script, \"The Lectors.\" Supplementary materials provided by the author provide the following synopsis: An elderly Julian Abuzmann, a hand rolling cigar maker and cigar shop owner, tells his grandson and his friends the story of the great Lectors strike that rocked the cigar industry in Ybor City – Tampa, Florida at the start of the Depression.\n\tAfter cigar manufactures cut wages, John Crawford, a communist organizer for a new cigar makers union, asks Julian, a young lector in a factory, to persuade the lectors to distribute propaganda and speak out for the union. To the chagrin of Isobel, his wife, Julian speaks along with Benito, an elder lector who is his best friend, at a labor rally broken up by the KKK. Later that evening, vigilantes beat Julian. After an inflammatory reading to the factory workers, Moses Castillo, the boss at Benito's factory, bans him and tears down his lector's platform. During another rally, violence erupts between KKK vigilantes and the cigar makers. Then the communists cause several factories to strike. Benito persuades Julian to let him lead the strike because he says Julian has a family. Julian and other lectors continue reading in the factories, as the tension rises.\n\tOn Thanksgiving, John Crawford's communists agitate the cigar makers to go on strike. Then the manufacturers, led by Charles Jeffers, change the strike into a lock out. The cigar makers march violently to the factories in protest and hold more rallies. Julian and Benito hatch a plan to play good guy/bad guy with the manufacturers. Julian begins to seek a peaceful solution, while Benito continues to protest. Violence and negotiations last for several weeks. A federal injunction and threats by the secret committee of the twenty-five, a vigilante group, stops the cigar makers. During a climatic rally, Julian, Benito and several other lectors make passionate speeches about patriotism and the flag in order to persuade the cigar makers to resolve the strike. Intertwined into the story is how Julian and his wife confront their differences to conceive another child, along with scenes depicting the Spanish culture, the holiday celebrations of the cigar makers and the society balls of the manufacturers, and the cigar makers performing their craft.","USF Libraries - Tampa Special Collections","Kolb, Michael","English"],"unitid_tesim":["MS-2003-09","/repositories/2/resources/104"],"normalized_date_ssm":["1998-2002, Acquired: 03/14/2003"],"normalized_title_ssm":["Michael D. Kolb collection, 1998-2002, Acquired: 03/14/2003"],"collection_title_tesim":["Michael D. Kolb collection, 1998-2002, Acquired: 03/14/2003"],"collection_ssim":["Michael D. Kolb collection, 1998-2002, Acquired: 03/14/2003"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Ybor City (Tampa, Fla.) -- Social life and customs"],"geogname_ssim":["Ybor City (Tampa, Fla.) -- Social life and customs"],"creator_ssm":["Kolb, Michael"],"creator_ssim":["Kolb, Michael"],"creator_persname_ssim":["Kolb, Michael"],"creators_ssim":["Kolb, Michael"],"places_ssim":["Ybor City (Tampa, Fla.) -- Social life and customs"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Michael D. Kolb","Donation."],"access_subjects_ssim":["Cigar industry -- Florida -- Tampa","Cigar industry -- History","Theater"],"access_subjects_ssm":["Cigar industry -- Florida -- Tampa","Cigar industry -- History","Theater"],"has_online_content_ssim":["false"],"extent_ssm":["0.42 Linear Feet","1 boxes"],"extent_tesim":["0.42 Linear Feet","1 boxes"],"date_range_isim":[1998,1999,2000,2001,2002],"arrangement_html_tesm":["\u003cp\u003eIndividual drafts of the screenplay are bound separately.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Individual drafts of the screenplay are bound separately."],"prefercite_html_tesm":["\u003cp\u003eMichael D. Kolb collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u0026#xA0;\u003c/p\u003e"],"prefercite_tesim":["Michael D. Kolb collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of several screenplay drafts and recordings of table readings for Michael D. Korb's screenplay, \"The Lectors.\" The script includes the following description: During the height of Tampa's cigar industry in the early 1930s, two passionate lectors resolve a strike between defiant cigar makers and powerful factory bosses.\u003c/p\u003e\n","\u003cp\u003eThe second screenplay present is \"The Apocalypse Dream.\" It is set in contemporary Jerusalem, and deals ith international terrorism. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of several screenplay drafts and recordings of table readings for Michael D. Korb's screenplay, \"The Lectors.\" The script includes the following description: During the height of Tampa's cigar industry in the early 1930s, two passionate lectors resolve a strike between defiant cigar makers and powerful factory bosses.","The second screenplay present is \"The Apocalypse Dream.\" It is set in contemporary Jerusalem, and deals ith international terrorism. "],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_513f3348a2b7a86467950749e677ab13\" label=\"Abstract\"\u003eThe Michael D. Kolb collection includes materials related to the Kolb's feature film screenplay and stage script, \"The Lectors.\" Supplementary materials provided by the author provide the following synopsis: An elderly Julian Abuzmann, a hand rolling cigar maker and cigar shop owner, tells his grandson and his friends the story of the great Lectors strike that rocked the cigar industry in Ybor City \u0026#x2013; Tampa, Florida at the start of the Depression.\n\tAfter cigar manufactures cut wages, John Crawford, a communist organizer for a new cigar makers union, asks Julian, a young lector in a factory, to persuade the lectors to distribute propaganda and speak out for the union. To the chagrin of Isobel, his wife, Julian speaks along with Benito, an elder lector who is his best friend, at a labor rally broken up by the KKK. Later that evening, vigilantes beat Julian. After an inflammatory reading to the factory workers, Moses Castillo, the boss at Benito's factory, bans him and tears down his lector's platform. During another rally, violence erupts between KKK vigilantes and the cigar makers. Then the communists cause several factories to strike. Benito persuades Julian to let him lead the strike because he says Julian has a family. Julian and other lectors continue reading in the factories, as the tension rises.\n\tOn Thanksgiving, John Crawford's communists agitate the cigar makers to go on strike. Then the manufacturers, led by Charles Jeffers, change the strike into a lock out. The cigar makers march violently to the factories in protest and hold more rallies. Julian and Benito hatch a plan to play good guy/bad guy with the manufacturers. Julian begins to seek a peaceful solution, while Benito continues to protest. Violence and negotiations last for several weeks. A federal injunction and threats by the secret committee of the twenty-five, a vigilante group, stops the cigar makers. During a climatic rally, Julian, Benito and several other lectors make passionate speeches about patriotism and the flag in order to persuade the cigar makers to resolve the strike. Intertwined into the story is how Julian and his wife confront their differences to conceive another child, along with scenes depicting the Spanish culture, the holiday celebrations of the cigar makers and the society balls of the manufacturers, and the cigar makers performing their craft.\u003c/abstract\u003e"],"abstract_tesim":["The Michael D. Kolb collection includes materials related to the Kolb's feature film screenplay and stage script, \"The Lectors.\" Supplementary materials provided by the author provide the following synopsis: An elderly Julian Abuzmann, a hand rolling cigar maker and cigar shop owner, tells his grandson and his friends the story of the great Lectors strike that rocked the cigar industry in Ybor City – Tampa, Florida at the start of the Depression.\n\tAfter cigar manufactures cut wages, John Crawford, a communist organizer for a new cigar makers union, asks Julian, a young lector in a factory, to persuade the lectors to distribute propaganda and speak out for the union. To the chagrin of Isobel, his wife, Julian speaks along with Benito, an elder lector who is his best friend, at a labor rally broken up by the KKK. Later that evening, vigilantes beat Julian. After an inflammatory reading to the factory workers, Moses Castillo, the boss at Benito's factory, bans him and tears down his lector's platform. During another rally, violence erupts between KKK vigilantes and the cigar makers. Then the communists cause several factories to strike. Benito persuades Julian to let him lead the strike because he says Julian has a family. Julian and other lectors continue reading in the factories, as the tension rises.\n\tOn Thanksgiving, John Crawford's communists agitate the cigar makers to go on strike. Then the manufacturers, led by Charles Jeffers, change the strike into a lock out. The cigar makers march violently to the factories in protest and hold more rallies. Julian and Benito hatch a plan to play good guy/bad guy with the manufacturers. Julian begins to seek a peaceful solution, while Benito continues to protest. Violence and negotiations last for several weeks. A federal injunction and threats by the secret committee of the twenty-five, a vigilante group, stops the cigar makers. During a climatic rally, Julian, Benito and several other lectors make passionate speeches about patriotism and the flag in order to persuade the cigar makers to resolve the strike. Intertwined into the story is how Julian and his wife confront their differences to conceive another child, along with scenes depicting the Spanish culture, the holiday celebrations of the cigar makers and the society balls of the manufacturers, and the cigar makers performing their craft."],"names_ssim":["USF Libraries - Tampa Special Collections","Kolb, Michael"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Kolb, Michael"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862386224693248,"_root_":"00367cb5d46c6d23005d9506","timestamp":"2026-07-16T09:16:47.272Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"00367cb5d46c6d23005d9506","title_ssm":["Michael D. Kolb collection"],"title_tesim":["Michael D. Kolb collection"],"ead_ssi":"00367cb5d46c6d23005d9506","unitdate_ssm":["1998-2002","Acquired: 03/14/2003"],"unitdate_inclusive_ssm":["1998-2002"],"unitdate_other_ssim":["Acquired: 03/14/2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2003-09","/repositories/2/resources/104"],"text":["MS-2003-09","/repositories/2/resources/104","Michael D. Kolb collection, 1998-2002, Acquired: 03/14/2003","Ybor City (Tampa, Fla.) -- Social life and customs","Cigar industry -- Florida -- Tampa","Cigar industry -- History","Theater","Individual drafts of the screenplay are bound separately.","This collection consists of several screenplay drafts and recordings of table readings for Michael D. Korb's screenplay, \"The Lectors.\" The script includes the following description: During the height of Tampa's cigar industry in the early 1930s, two passionate lectors resolve a strike between defiant cigar makers and powerful factory bosses.","The second screenplay present is \"The Apocalypse Dream.\" It is set in contemporary Jerusalem, and deals ith international terrorism. ","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Michael D. Kolb collection includes materials related to the Kolb's feature film screenplay and stage script, \"The Lectors.\" Supplementary materials provided by the author provide the following synopsis: An elderly Julian Abuzmann, a hand rolling cigar maker and cigar shop owner, tells his grandson and his friends the story of the great Lectors strike that rocked the cigar industry in Ybor City – Tampa, Florida at the start of the Depression.\n\tAfter cigar manufactures cut wages, John Crawford, a communist organizer for a new cigar makers union, asks Julian, a young lector in a factory, to persuade the lectors to distribute propaganda and speak out for the union. To the chagrin of Isobel, his wife, Julian speaks along with Benito, an elder lector who is his best friend, at a labor rally broken up by the KKK. Later that evening, vigilantes beat Julian. After an inflammatory reading to the factory workers, Moses Castillo, the boss at Benito's factory, bans him and tears down his lector's platform. During another rally, violence erupts between KKK vigilantes and the cigar makers. Then the communists cause several factories to strike. Benito persuades Julian to let him lead the strike because he says Julian has a family. Julian and other lectors continue reading in the factories, as the tension rises.\n\tOn Thanksgiving, John Crawford's communists agitate the cigar makers to go on strike. Then the manufacturers, led by Charles Jeffers, change the strike into a lock out. The cigar makers march violently to the factories in protest and hold more rallies. Julian and Benito hatch a plan to play good guy/bad guy with the manufacturers. Julian begins to seek a peaceful solution, while Benito continues to protest. Violence and negotiations last for several weeks. A federal injunction and threats by the secret committee of the twenty-five, a vigilante group, stops the cigar makers. During a climatic rally, Julian, Benito and several other lectors make passionate speeches about patriotism and the flag in order to persuade the cigar makers to resolve the strike. Intertwined into the story is how Julian and his wife confront their differences to conceive another child, along with scenes depicting the Spanish culture, the holiday celebrations of the cigar makers and the society balls of the manufacturers, and the cigar makers performing their craft.","USF Libraries - Tampa Special Collections","Kolb, Michael","English"],"unitid_tesim":["MS-2003-09","/repositories/2/resources/104"],"normalized_date_ssm":["1998-2002, Acquired: 03/14/2003"],"normalized_title_ssm":["Michael D. Kolb collection, 1998-2002, Acquired: 03/14/2003"],"collection_title_tesim":["Michael D. Kolb collection, 1998-2002, Acquired: 03/14/2003"],"collection_ssim":["Michael D. Kolb collection, 1998-2002, Acquired: 03/14/2003"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Ybor City (Tampa, Fla.) -- Social life and customs"],"geogname_ssim":["Ybor City (Tampa, Fla.) -- Social life and customs"],"creator_ssm":["Kolb, Michael"],"creator_ssim":["Kolb, Michael"],"creator_persname_ssim":["Kolb, Michael"],"creators_ssim":["Kolb, Michael"],"places_ssim":["Ybor City (Tampa, Fla.) -- Social life and customs"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Michael D. Kolb","Donation."],"access_subjects_ssim":["Cigar industry -- Florida -- Tampa","Cigar industry -- History","Theater"],"access_subjects_ssm":["Cigar industry -- Florida -- Tampa","Cigar industry -- History","Theater"],"has_online_content_ssim":["false"],"extent_ssm":["0.42 Linear Feet","1 boxes"],"extent_tesim":["0.42 Linear Feet","1 boxes"],"date_range_isim":[1998,1999,2000,2001,2002],"arrangement_html_tesm":["\u003cp\u003eIndividual drafts of the screenplay are bound separately.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Individual drafts of the screenplay are bound separately."],"prefercite_html_tesm":["\u003cp\u003eMichael D. Kolb collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u0026#xA0;\u003c/p\u003e"],"prefercite_tesim":["Michael D. Kolb collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL. "],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of several screenplay drafts and recordings of table readings for Michael D. Korb's screenplay, \"The Lectors.\" The script includes the following description: During the height of Tampa's cigar industry in the early 1930s, two passionate lectors resolve a strike between defiant cigar makers and powerful factory bosses.\u003c/p\u003e\n","\u003cp\u003eThe second screenplay present is \"The Apocalypse Dream.\" It is set in contemporary Jerusalem, and deals ith international terrorism. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of several screenplay drafts and recordings of table readings for Michael D. Korb's screenplay, \"The Lectors.\" The script includes the following description: During the height of Tampa's cigar industry in the early 1930s, two passionate lectors resolve a strike between defiant cigar makers and powerful factory bosses.","The second screenplay present is \"The Apocalypse Dream.\" It is set in contemporary Jerusalem, and deals ith international terrorism. "],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_513f3348a2b7a86467950749e677ab13\" label=\"Abstract\"\u003eThe Michael D. Kolb collection includes materials related to the Kolb's feature film screenplay and stage script, \"The Lectors.\" Supplementary materials provided by the author provide the following synopsis: An elderly Julian Abuzmann, a hand rolling cigar maker and cigar shop owner, tells his grandson and his friends the story of the great Lectors strike that rocked the cigar industry in Ybor City \u0026#x2013; Tampa, Florida at the start of the Depression.\n\tAfter cigar manufactures cut wages, John Crawford, a communist organizer for a new cigar makers union, asks Julian, a young lector in a factory, to persuade the lectors to distribute propaganda and speak out for the union. To the chagrin of Isobel, his wife, Julian speaks along with Benito, an elder lector who is his best friend, at a labor rally broken up by the KKK. Later that evening, vigilantes beat Julian. After an inflammatory reading to the factory workers, Moses Castillo, the boss at Benito's factory, bans him and tears down his lector's platform. During another rally, violence erupts between KKK vigilantes and the cigar makers. Then the communists cause several factories to strike. Benito persuades Julian to let him lead the strike because he says Julian has a family. Julian and other lectors continue reading in the factories, as the tension rises.\n\tOn Thanksgiving, John Crawford's communists agitate the cigar makers to go on strike. Then the manufacturers, led by Charles Jeffers, change the strike into a lock out. The cigar makers march violently to the factories in protest and hold more rallies. Julian and Benito hatch a plan to play good guy/bad guy with the manufacturers. Julian begins to seek a peaceful solution, while Benito continues to protest. Violence and negotiations last for several weeks. A federal injunction and threats by the secret committee of the twenty-five, a vigilante group, stops the cigar makers. During a climatic rally, Julian, Benito and several other lectors make passionate speeches about patriotism and the flag in order to persuade the cigar makers to resolve the strike. Intertwined into the story is how Julian and his wife confront their differences to conceive another child, along with scenes depicting the Spanish culture, the holiday celebrations of the cigar makers and the society balls of the manufacturers, and the cigar makers performing their craft.\u003c/abstract\u003e"],"abstract_tesim":["The Michael D. Kolb collection includes materials related to the Kolb's feature film screenplay and stage script, \"The Lectors.\" Supplementary materials provided by the author provide the following synopsis: An elderly Julian Abuzmann, a hand rolling cigar maker and cigar shop owner, tells his grandson and his friends the story of the great Lectors strike that rocked the cigar industry in Ybor City – Tampa, Florida at the start of the Depression.\n\tAfter cigar manufactures cut wages, John Crawford, a communist organizer for a new cigar makers union, asks Julian, a young lector in a factory, to persuade the lectors to distribute propaganda and speak out for the union. To the chagrin of Isobel, his wife, Julian speaks along with Benito, an elder lector who is his best friend, at a labor rally broken up by the KKK. Later that evening, vigilantes beat Julian. After an inflammatory reading to the factory workers, Moses Castillo, the boss at Benito's factory, bans him and tears down his lector's platform. During another rally, violence erupts between KKK vigilantes and the cigar makers. Then the communists cause several factories to strike. Benito persuades Julian to let him lead the strike because he says Julian has a family. Julian and other lectors continue reading in the factories, as the tension rises.\n\tOn Thanksgiving, John Crawford's communists agitate the cigar makers to go on strike. Then the manufacturers, led by Charles Jeffers, change the strike into a lock out. The cigar makers march violently to the factories in protest and hold more rallies. Julian and Benito hatch a plan to play good guy/bad guy with the manufacturers. Julian begins to seek a peaceful solution, while Benito continues to protest. Violence and negotiations last for several weeks. A federal injunction and threats by the secret committee of the twenty-five, a vigilante group, stops the cigar makers. During a climatic rally, Julian, Benito and several other lectors make passionate speeches about patriotism and the flag in order to persuade the cigar makers to resolve the strike. Intertwined into the story is how Julian and his wife confront their differences to conceive another child, along with scenes depicting the Spanish culture, the holiday celebrations of the cigar makers and the society balls of the manufacturers, and the cigar makers performing their craft."],"names_ssim":["USF Libraries - Tampa Special Collections","Kolb, Michael"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Kolb, Michael"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870862386224693248,"_root_":"00367cb5d46c6d23005d9506","timestamp":"2026-07-16T09:16:47.272Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/00367cb5d46c6d23005d9506"}},{"id":"8e87cad770c4897fd823a47e_aspace_3f5ee0e7f4e391bffc9695592b9ab55f","type":"File","attributes":{"title":"Michael Feinstein, 2002-02-22","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8e87cad770c4897fd823a47e_aspace_3f5ee0e7f4e391bffc9695592b9ab55f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_3f5ee0e7f4e391bffc9695592b9ab55f","ref_ssm":["aspace_3f5ee0e7f4e391bffc9695592b9ab55f","aspace_3f5ee0e7f4e391bffc9695592b9ab55f"],"id":"8e87cad770c4897fd823a47e_aspace_3f5ee0e7f4e391bffc9695592b9ab55f","title_filing_ssi":"Michael Feinstein","title_ssm":["Michael Feinstein"],"title_tesim":["Michael Feinstein"],"unitdate_other_ssim":["2002-02-22"],"normalized_date_ssm":["2002-02-22"],"normalized_title_ssm":["Michael Feinstein, 2002-02-22"],"text":["Michael Feinstein, 2002-02-22","Festival of Fine Arts, 1970-2025","Box 19","/repositories/4/archival_objects/7043","folder 4"],"component_level_isim":[2],"parent_ids_ssim":["8e87cad770c4897fd823a47e","8e87cad770c4897fd823a47e_aspace_953132e86d382e2cbbf74ceea4611a34"],"parent_unittitles_ssm":["Festival of Fine Arts, 1970-2025","Box 19"],"parent_unittitles_tesim":["Festival of Fine Arts, 1970-2025","Box 19"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/4/archival_objects/7043"],"repository_ssim":["The Florida Southern College Archives"],"collection_ssim":["Festival of Fine Arts, 1970-2025"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":777,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"parent_access_terms_tesm":["The Festival of Fine Arts records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. 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Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials","These materials have been arranged by ascending date","The materials in this collection are arranged by ascending date order.","The Festival of Fine Arts was formed in the 1970-1971 academic year as a combination of previosuly seperate events. These included the Concert Lecture Series, the Fine Arts Series, the BandConcerts, Drama Productions, and the Concert Choir.","The materials in this collection reflect the history of the Festval of Fine Arts. Included are playbills, photographs, and other ephemera related to the production of these programs. Some biographical information for guest artists is included.","The Festival of Fine Arts records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","The Florida Southern College Archives","Florida Southern College","English"],"unitid_tesim":["CA8015","/repositories/4/resources/43"],"normalized_date_ssm":["1970-2025"],"normalized_title_ssm":["Festival of Fine Arts, 1970-2025"],"collection_title_tesim":["Festival of Fine Arts, 1970-2025"],"collection_ssim":["Festival of Fine Arts, 1970-2025"],"repository_ssm":["The Florida Southern College Archives"],"repository_ssim":["The Florida Southern College Archives"],"creator_ssm":["Florida Southern College"],"creator_ssim":["Florida Southern College"],"creator_corpname_ssim":["Florida Southern College"],"creators_ssim":["Florida Southern College"],"access_terms_ssm":["The Festival of Fine Arts records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["The materials in this collection were transferred to the archives from the college fine arts department."],"access_subjects_ssim":["Arts festivals","Performing arts","Performing arts","College festivals","Florida Southern College--History.","Playbills","Photographs."],"access_subjects_ssm":["Arts festivals","Performing arts","Performing arts","College festivals","Florida Southern College--History.","Playbills","Photographs."],"has_online_content_ssim":["false"],"extent_ssm":["10.00 Linear Feet"],"extent_tesim":["10.00 Linear Feet"],"genreform_ssim":["Playbills","Photographs."],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"arrangement_html_tesm":["\u003cp\u003eThese materials have been arranged by ascending date\u003c/p\u003e","\u003cp\u003eThe materials in this collection are arranged by ascending date order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["These materials have been arranged by ascending date","The materials in this collection are arranged by ascending date order."],"bioghist_html_tesm":["\u003cp\u003eThe Festival of Fine Arts was formed in the 1970-1971 academic year as a combination of previosuly seperate events. These included the Concert Lecture Series, the Fine Arts Series, the BandConcerts, Drama Productions, and the Concert Choir.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Festival of Fine Arts was formed in the 1970-1971 academic year as a combination of previosuly seperate events. These included the Concert Lecture Series, the Fine Arts Series, the BandConcerts, Drama Productions, and the Concert Choir."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect the history of the Festval of Fine Arts. Included are playbills, photographs, and other ephemera related to the production of these programs. Some biographical information for guest artists is included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect the history of the Festval of Fine Arts. Included are playbills, photographs, and other ephemera related to the production of these programs. Some biographical information for guest artists is included."],"userestrict_html_tesm":["\u003cp\u003eThe Festival of Fine Arts records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Festival of Fine Arts records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["The Florida Southern College Archives","Florida Southern College"],"corpname_ssim":["The Florida Southern College Archives","Florida Southern College"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1144,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870846336524353536,"_root_":"8e87cad770c4897fd823a47e","timestamp":"2026-07-16T05:01:41.074Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8e87cad770c4897fd823a47e_aspace_3f5ee0e7f4e391bffc9695592b9ab55f"}},{"id":"93f43fce44434e575b3ff5ab","type":"collection","attributes":{"title":"Michael Hirsh manuscript collection, 1970-2010, Date acquired: 00/00/2010","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/93f43fce44434e575b3ff5ab#creator","type":"document_value","attributes":{"value":["Hirsh, Michael (1943-)"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/93f43fce44434e575b3ff5ab#abstract_or_scope","type":"document_value","attributes":{"value":["This collection consists of the papers of Michael Hirsh, tracing his career in television and as a journalist."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/93f43fce44434e575b3ff5ab#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"93f43fce44434e575b3ff5ab","title_ssm":["Michael Hirsh manuscript collection"],"title_tesim":["Michael Hirsh manuscript collection"],"ead_ssi":"93f43fce44434e575b3ff5ab","unitdate_ssm":["1970-2010","Date acquired: 00/00/2010"],"unitdate_inclusive_ssm":["1970-2010"],"unitdate_other_ssim":["Date acquired: 00/00/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2006-11","/repositories/2/resources/356"],"text":["MS-2006-11","/repositories/2/resources/356","Michael Hirsh manuscript collection, 1970-2010, Date acquired: 00/00/2010","Concentration camps -- Austria -- History -- 20th century","Concentration camps -- Germany -- History -- 20th century","World War, 1939-1945 -- Concentration camps -- Austria","World War, 1939-1945 -- Concentration camps -- Germany","World War, 1939-1945 -- Concentration camps -- Liberation","World War, 1939-1945 -- Personal Narratives","Soldiers -- United States -- Interviews","Holocaust, Jewish (1939-1945) -- Atrocities","World War, 1939-1945 -- Atrocities","Film and TV studies","Television","By type of material","Michael Hirsh is as a journalist, documentarian, and producer in radio and television. 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This series also contains materials related to the history of television, as well as assorted scripts and screenplays.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection consists of the papers of Michael Hirsh, tracing his career in television and as a journalist.","USF Libraries - Tampa Special Collections","Hirsh, Michael (1943-)","English"],"unitid_tesim":["MS-2006-11","/repositories/2/resources/356"],"normalized_date_ssm":["1970-2010, Date acquired: 00/00/2010"],"normalized_title_ssm":["Michael Hirsh manuscript collection, 1970-2010, Date acquired: 00/00/2010"],"collection_title_tesim":["Michael Hirsh manuscript collection, 1970-2010, Date acquired: 00/00/2010"],"collection_ssim":["Michael Hirsh manuscript collection, 1970-2010, Date acquired: 00/00/2010"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Hirsh, Michael (1943-)"],"creator_ssim":["Hirsh, Michael (1943-)"],"creator_persname_ssim":["Hirsh, Michael (1943-)"],"creators_ssim":["Hirsh, Michael (1943-)"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Michael Hirsh","Donation"],"access_subjects_ssim":["Concentration camps -- Austria -- History -- 20th century","Concentration camps -- Germany -- History -- 20th century","World War, 1939-1945 -- Concentration camps -- Austria","World War, 1939-1945 -- Concentration camps -- Germany","World War, 1939-1945 -- Concentration camps -- Liberation","World War, 1939-1945 -- Personal Narratives","Soldiers -- United States -- Interviews","Holocaust, Jewish (1939-1945) -- Atrocities","World War, 1939-1945 -- Atrocities","Film and TV studies","Television"],"access_subjects_ssm":["Concentration camps -- Austria -- History -- 20th century","Concentration camps -- Germany -- History -- 20th century","World War, 1939-1945 -- Concentration camps -- Austria","World War, 1939-1945 -- Concentration camps -- Germany","World War, 1939-1945 -- Concentration camps -- Liberation","World War, 1939-1945 -- Personal Narratives","Soldiers -- United States -- Interviews","Holocaust, Jewish (1939-1945) -- Atrocities","World War, 1939-1945 -- Atrocities","Film and TV studies","Television"],"has_online_content_ssim":["false"],"extent_ssm":["14.68 Linear Feet","34 boxes","1 items"],"extent_tesim":["14.68 Linear Feet","34 boxes","1 items"],"physfacet_tesim":["The item is at the end of the collection in its original, metal container."],"genreform_ssim":["Television"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"arrangement_html_tesm":["\u003cp\u003eBy type of material\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["By type of material"],"bioghist_html_tesm":["\u003cp\u003eMichael Hirsh is as a journalist, documentarian, and producer in radio and television. Over his 35 year career, he was the recipient of numerous awards, including several Emmy Awards, a Writers Guild Award, the DuPont-Columbia Citation, and the George Foster Peabody Award. He served as a combat correspondent with the U.S. Army's 25th Infantry Division in Vietnam, where he was also awarded the Combat Infantryman Badge. Hirsh is the author of several works of non-fiction, including The Liberators: America's Witnesses to the Holocaust (New York: Bantam Books, 2010).\u003c/p\u003e\n","\u003cp\u003eNote written by Jean Mcallister, 2010\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Michael Hirsh is as a journalist, documentarian, and producer in radio and television. Over his 35 year career, he was the recipient of numerous awards, including several Emmy Awards, a Writers Guild Award, the DuPont-Columbia Citation, and the George Foster Peabody Award. He served as a combat correspondent with the U.S. Army's 25th Infantry Division in Vietnam, where he was also awarded the Combat Infantryman Badge. Hirsh is the author of several works of non-fiction, including The Liberators: America's Witnesses to the Holocaust (New York: Bantam Books, 2010).","Note written by Jean Mcallister, 2010"],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eMichael Hirsh Manuscript Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Michael Hirsh Manuscript Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eConcentration Camp Liberators Oral History Project, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003ehttp://guides.lib.usf.edu/content.php?pid=49131\u0026amp;sid=655659#\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eThe Liberators: America's Witnesses to the Holocaust\u003c/emph\u003e, by Michael Hirsh (New York: Bantam Books, 2010)\u003cemph render=\"italic\"\u003e. \u003c/emph\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Publications"],"relatedmaterial_tesim":["Concentration Camp Liberators Oral History Project, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","http://guides.lib.usf.edu/content.php?pid=49131\u0026sid=655659#","The Liberators: America's Witnesses to the Holocaust , by Michael Hirsh (New York: Bantam Books, 2010) . "],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of Michael Hirsh's original manuscripts, photographs, research, correspondence, and proofs related to the publication of \u003cemph render=\"italic\"\u003eThe Liberators: America's Witnesses to the Holocaust. \u003c/emph\u003eThe second series in the collection consists of materials related to Hirsh's time as a television and film producer and writer, with a concentration on the series M*A*S*H. This series also contains materials related to the history of television, as well as assorted scripts and screenplays.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of Michael Hirsh's original manuscripts, photographs, research, correspondence, and proofs related to the publication of  The Liberators: America's Witnesses to the Holocaust.  The second series in the collection consists of materials related to Hirsh's time as a television and film producer and writer, with a concentration on the series M*A*S*H. This series also contains materials related to the history of television, as well as assorted scripts and screenplays."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_31ef013010c053f46d7364bd837c53a5\" label=\"Abstract\"\u003eThis collection consists of the papers of Michael Hirsh, tracing his career in television and as a journalist.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of the papers of Michael Hirsh, tracing his career in television and as a journalist."],"names_ssim":["USF Libraries - Tampa Special Collections","Hirsh, Michael (1943-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Hirsh, Michael (1943-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":511,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"93f43fce44434e575b3ff5ab","timestamp":"2026-07-11T04:05:19.251Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"93f43fce44434e575b3ff5ab","title_ssm":["Michael Hirsh manuscript collection"],"title_tesim":["Michael Hirsh manuscript collection"],"ead_ssi":"93f43fce44434e575b3ff5ab","unitdate_ssm":["1970-2010","Date acquired: 00/00/2010"],"unitdate_inclusive_ssm":["1970-2010"],"unitdate_other_ssim":["Date acquired: 00/00/2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2006-11","/repositories/2/resources/356"],"text":["MS-2006-11","/repositories/2/resources/356","Michael Hirsh manuscript collection, 1970-2010, Date acquired: 00/00/2010","Concentration camps -- Austria -- History -- 20th century","Concentration camps -- Germany -- History -- 20th century","World War, 1939-1945 -- Concentration camps -- Austria","World War, 1939-1945 -- Concentration camps -- Germany","World War, 1939-1945 -- Concentration camps -- Liberation","World War, 1939-1945 -- Personal Narratives","Soldiers -- United States -- Interviews","Holocaust, Jewish (1939-1945) -- Atrocities","World War, 1939-1945 -- Atrocities","Film and TV studies","Television","By type of material","Michael Hirsh is as a journalist, documentarian, and producer in radio and television. Over his 35 year career, he was the recipient of numerous awards, including several Emmy Awards, a Writers Guild Award, the DuPont-Columbia Citation, and the George Foster Peabody Award. He served as a combat correspondent with the U.S. Army's 25th Infantry Division in Vietnam, where he was also awarded the Combat Infantryman Badge. Hirsh is the author of several works of non-fiction, including The Liberators: America's Witnesses to the Holocaust (New York: Bantam Books, 2010).","Note written by Jean Mcallister, 2010","published","Concentration Camp Liberators Oral History Project, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","http://guides.lib.usf.edu/content.php?pid=49131\u0026sid=655659#","The Liberators: America's Witnesses to the Holocaust , by Michael Hirsh (New York: Bantam Books, 2010) . ","The collection consists of Michael Hirsh's original manuscripts, photographs, research, correspondence, and proofs related to the publication of  The Liberators: America's Witnesses to the Holocaust.  The second series in the collection consists of materials related to Hirsh's time as a television and film producer and writer, with a concentration on the series M*A*S*H. This series also contains materials related to the history of television, as well as assorted scripts and screenplays.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection consists of the papers of Michael Hirsh, tracing his career in television and as a journalist.","USF Libraries - Tampa Special Collections","Hirsh, Michael (1943-)","English"],"unitid_tesim":["MS-2006-11","/repositories/2/resources/356"],"normalized_date_ssm":["1970-2010, Date acquired: 00/00/2010"],"normalized_title_ssm":["Michael Hirsh manuscript collection, 1970-2010, Date acquired: 00/00/2010"],"collection_title_tesim":["Michael Hirsh manuscript collection, 1970-2010, Date acquired: 00/00/2010"],"collection_ssim":["Michael Hirsh manuscript collection, 1970-2010, Date acquired: 00/00/2010"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Hirsh, Michael (1943-)"],"creator_ssim":["Hirsh, Michael (1943-)"],"creator_persname_ssim":["Hirsh, Michael (1943-)"],"creators_ssim":["Hirsh, Michael (1943-)"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Michael Hirsh","Donation"],"access_subjects_ssim":["Concentration camps -- Austria -- History -- 20th century","Concentration camps -- Germany -- History -- 20th century","World War, 1939-1945 -- Concentration camps -- Austria","World War, 1939-1945 -- Concentration camps -- Germany","World War, 1939-1945 -- Concentration camps -- Liberation","World War, 1939-1945 -- Personal Narratives","Soldiers -- United States -- Interviews","Holocaust, Jewish (1939-1945) -- Atrocities","World War, 1939-1945 -- Atrocities","Film and TV studies","Television"],"access_subjects_ssm":["Concentration camps -- Austria -- History -- 20th century","Concentration camps -- Germany -- History -- 20th century","World War, 1939-1945 -- Concentration camps -- Austria","World War, 1939-1945 -- Concentration camps -- Germany","World War, 1939-1945 -- Concentration camps -- Liberation","World War, 1939-1945 -- Personal Narratives","Soldiers -- United States -- Interviews","Holocaust, Jewish (1939-1945) -- Atrocities","World War, 1939-1945 -- Atrocities","Film and TV studies","Television"],"has_online_content_ssim":["false"],"extent_ssm":["14.68 Linear Feet","34 boxes","1 items"],"extent_tesim":["14.68 Linear Feet","34 boxes","1 items"],"physfacet_tesim":["The item is at the end of the collection in its original, metal container."],"genreform_ssim":["Television"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"arrangement_html_tesm":["\u003cp\u003eBy type of material\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["By type of material"],"bioghist_html_tesm":["\u003cp\u003eMichael Hirsh is as a journalist, documentarian, and producer in radio and television. Over his 35 year career, he was the recipient of numerous awards, including several Emmy Awards, a Writers Guild Award, the DuPont-Columbia Citation, and the George Foster Peabody Award. He served as a combat correspondent with the U.S. Army's 25th Infantry Division in Vietnam, where he was also awarded the Combat Infantryman Badge. Hirsh is the author of several works of non-fiction, including The Liberators: America's Witnesses to the Holocaust (New York: Bantam Books, 2010).\u003c/p\u003e\n","\u003cp\u003eNote written by Jean Mcallister, 2010\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Michael Hirsh is as a journalist, documentarian, and producer in radio and television. Over his 35 year career, he was the recipient of numerous awards, including several Emmy Awards, a Writers Guild Award, the DuPont-Columbia Citation, and the George Foster Peabody Award. He served as a combat correspondent with the U.S. Army's 25th Infantry Division in Vietnam, where he was also awarded the Combat Infantryman Badge. Hirsh is the author of several works of non-fiction, including The Liberators: America's Witnesses to the Holocaust (New York: Bantam Books, 2010).","Note written by Jean Mcallister, 2010"],"odd_html_tesm":["\u003cp\u003epublished\u003c/p\u003e"],"odd_heading_ssm":["Other Descriptive Information"],"odd_tesim":["published"],"prefercite_html_tesm":["\u003cp\u003eMichael Hirsh Manuscript Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Michael Hirsh Manuscript Collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"relatedmaterial_html_tesm":["\u003cp\u003eConcentration Camp Liberators Oral History Project, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.\u003c/p\u003e\n","\u003cp\u003ehttp://guides.lib.usf.edu/content.php?pid=49131\u0026amp;sid=655659#\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italic\"\u003eThe Liberators: America's Witnesses to the Holocaust\u003c/emph\u003e, by Michael Hirsh (New York: Bantam Books, 2010)\u003cemph render=\"italic\"\u003e. \u003c/emph\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Publications"],"relatedmaterial_tesim":["Concentration Camp Liberators Oral History Project, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida.","http://guides.lib.usf.edu/content.php?pid=49131\u0026sid=655659#","The Liberators: America's Witnesses to the Holocaust , by Michael Hirsh (New York: Bantam Books, 2010) . "],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of Michael Hirsh's original manuscripts, photographs, research, correspondence, and proofs related to the publication of \u003cemph render=\"italic\"\u003eThe Liberators: America's Witnesses to the Holocaust. \u003c/emph\u003eThe second series in the collection consists of materials related to Hirsh's time as a television and film producer and writer, with a concentration on the series M*A*S*H. This series also contains materials related to the history of television, as well as assorted scripts and screenplays.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of Michael Hirsh's original manuscripts, photographs, research, correspondence, and proofs related to the publication of  The Liberators: America's Witnesses to the Holocaust.  The second series in the collection consists of materials related to Hirsh's time as a television and film producer and writer, with a concentration on the series M*A*S*H. This series also contains materials related to the history of television, as well as assorted scripts and screenplays."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_31ef013010c053f46d7364bd837c53a5\" label=\"Abstract\"\u003eThis collection consists of the papers of Michael Hirsh, tracing his career in television and as a journalist.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of the papers of Michael Hirsh, tracing his career in television and as a journalist."],"names_ssim":["USF Libraries - Tampa Special Collections","Hirsh, Michael (1943-)"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Hirsh, Michael (1943-)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":511,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"93f43fce44434e575b3ff5ab","timestamp":"2026-07-11T04:05:19.251Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/93f43fce44434e575b3ff5ab"}},{"id":"3018d7acc866cce1e2f00be2","type":"collection","attributes":{"title":"Mickey Wolfson Theater Collection, 1946-2015","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/3018d7acc866cce1e2f00be2#creator","type":"document_value","attributes":{"value":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/3018d7acc866cce1e2f00be2#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/3018d7acc866cce1e2f00be2#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"3018d7acc866cce1e2f00be2","title_ssm":["Mickey Wolfson Theater Collection"],"title_tesim":["Mickey Wolfson Theater Collection"],"ead_ssi":"3018d7acc866cce1e2f00be2","unitdate_ssm":["1946-2015"],"unitdate_inclusive_ssm":["1946-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC8095","/repositories/2/resources/80"],"text":["SPC8095","/repositories/2/resources/80","Mickey Wolfson Theater Collection, 1946-2015","Ballet","Ballet companies","Opera","Performing arts","Performing arts--Festivals","Performing arts--Public relations","Theater","Theatrical publication","Playbills","This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.","The materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. European Arts 6. Filipino Arts 7. Indian Arts 8. Japanese Arts 9. Lebanese Arts 10. Malaysian Arts 11. Mexican Arts 12. New Zealand Arts 13. South African Arts 14. U.S. Arts. ","There is one sub-series under U.S. Arts entitled Arts in Florida.","Materials are in alphabetical and date order.","Mitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906– May 9, 1980) and Mitchell Wolfson (1900–1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963–1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. ","Collector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. ","In 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. ","\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts Décoratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. ","\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)","The materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana.","The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general","Language of materials is in English unless otherwise noted.","FIU Special Collections","Mitchell \"Mickey\" Wolfson, Jr., b.1939","Afrikaans Arabic Bulgarian Chinese Croatian Czech Danish English Finnish French German Italian Japanese Latin Malay Polish Romanian; Moldavian; Moldovan Russian Slovak Swedish"],"unitid_tesim":["SPC8095","/repositories/2/resources/80"],"normalized_date_ssm":["1946-2015"],"normalized_title_ssm":["Mickey Wolfson Theater Collection, 1946-2015"],"collection_title_tesim":["Mickey Wolfson Theater Collection, 1946-2015"],"collection_ssim":["Mickey Wolfson Theater Collection, 1946-2015"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creator_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creator_persname_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"creators_ssim":["Mitchell \"Mickey\" Wolfson, Jr., b.1939"],"access_terms_ssm":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Materials were donated by Mickey Wolfson"],"access_subjects_ssim":["Ballet","Ballet companies","Opera","Performing arts","Performing arts--Festivals","Performing arts--Public relations","Theater","Theatrical publication","Playbills"],"access_subjects_ssm":["Ballet","Ballet companies","Opera","Performing arts","Performing arts--Festivals","Performing arts--Public relations","Theater","Theatrical publication","Playbills"],"has_online_content_ssim":["false"],"extent_ssm":["18.33 Linear Feet"],"extent_tesim":["18.33 Linear Feet"],"physfacet_tesim":["44 5\" document cases"],"genreform_ssim":["Playbills"],"date_range_isim":[1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact Special Collections \u0026amp; University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact Special Collections \u0026 University Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the SPCUA's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials are arranged into the following series based on the geographical location of the performance: 1. Australian Arts 2. Bolivian Arts 3. Canadian Arts 4. Chinese Arts 5. 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","There is one sub-series under U.S. Arts entitled Arts in Florida.","Materials are in alphabetical and date order."],"bioghist_html_tesm":["\u003cp\u003eMitchell \"Mickey\" Wolfson was born in 1939 and raised in Miami Beach and Asheville, NC. His parents were Frances Cohen (December 16, 1906\u0026#x2013; May 9, 1980) and Mitchell Wolfson (1900\u0026#x2013;1983). His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963\u0026#x2013;1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. 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In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. \u003c/p\u003e\n","\u003cp\u003e\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts D\u0026#xE9;coratifs in Paris, France, and a past member of the American Friends of the Louvre. 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Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. ","Collector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. ","In 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. ","\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. He is a member of the International Council of the Museum of Arts and Design, the International Council of The Museum of Modern Art, the International Council of Les Arts Décoratifs in Paris, France, and a past member of the American Friends of the Louvre. He is on the advisory council of Princeton University's Department of Comparative Literature and on the advisory council of the Paul N. Nitze School of Advanced International Studies at Johns Hopkins University. ","\nWolfson co-authored Miami Beach: Blueprint of an Eden with artist Michele Oka Doner. Published in 2005, the book is a personal portrayal of Miami Beach from the 1920s through the 1960s. (Biographical source: Wikipedia and collection materials)"],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect Mr. Wolfson's interest in the arts. The materials primarily consist of playbills, showbills, and programs from plays, operas, and musical performances in Europe, the U.S. (including South Florida), Asia, and Oceana."],"userestrict_html_tesm":["\u003cp\u003eThe Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Mickey Wolfson Theater Collection is owned by Florida International University.  This collection is protected by copyright and/or related rights. 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His father was the founder of Wometco Enterprises in 1925 and served as the first Jewish mayor of Miami Beach in 1943. His older brother, Louis Wolfson II, was a Florida state representative from Dade County from 1963–1973. Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. ","Collector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. ","In 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. In Italy, the newly inaugurated Wolfsoniana Museum in Genoa exhibits elements from his collection that comprises more than 18,000 works on paper, paintings, sculpture, furniture and decorative objects. ","\nCommunity Activities: He is president of The Wolfson Initiative, Washington Storage Company, and the Novecento Corporation. He sits on the Wolfsonian-FIU Advisory Board and the Florida International University Board of Directors and is a trustee for the Mitchell Wolfson Senior Foundation that supports educational and health issues. Also, he is a trustee for the Mitchell Wolfson Family Foundation that supports the Audubon House and Tropical Gardens in Key West, Florida. 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Mickey Wolfson is a graduate of the Lawrenceville School, Princeton, and Johns Hopkins. He is an American businessman and collector and founded the Wolfsonian Museum in Miami Beach and Genoa, Italy. ","Collector: In 1986 Wolfson established The Wolfsonian Foundation, a research center and museum in Miami Beach, and began publishing The Journal of Decorative and Propaganda Art, a journal fostering scholarship in late 19th- and early 20th-century design. In the same year he acquired the Mackenzie Castle in Genoa to house his collection. ","In 1997 he donated his collection, estimated at 80,000 objects, and the state-of-the-art museum to Florida International University. It was the basis for the Wolfsonian Museum-FIU, a research center and museum. In downtown Miami, the new Michael Wolfson Jr. Study Centre provides access to a collection of decorative, design and propaganda arts of the period 1885 to 1945. 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