{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2002\u0026page=226\u0026view=compact","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2002\u0026page=225\u0026view=compact","next":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2002\u0026page=227\u0026view=compact","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2002\u0026page=427\u0026view=compact"},"meta":{"pages":{"current_page":226,"next_page":227,"prev_page":225,"total_pages":427,"limit_value":10,"offset_value":2250,"total_count":4270,"first_page?":false,"last_page?":false}},"data":[{"id":"085cdf111f574f3d1d8dd845_aspace_7020215709faca790bae674d0cc0abc6","type":"Item","attributes":{"title":"lion + lamb  #2, 2002","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/085cdf111f574f3d1d8dd845_aspace_7020215709faca790bae674d0cc0abc6#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eA perzine with personal writings, black and white photography, and collage art.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/085cdf111f574f3d1d8dd845_aspace_7020215709faca790bae674d0cc0abc6#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_7020215709faca790bae674d0cc0abc6","ref_ssm":["aspace_7020215709faca790bae674d0cc0abc6","aspace_7020215709faca790bae674d0cc0abc6"],"id":"085cdf111f574f3d1d8dd845_aspace_7020215709faca790bae674d0cc0abc6","title_filing_ssi":"lion + lamb  #2","title_ssm":["lion + lamb  #2"],"title_tesim":["lion + lamb  #2"],"unitdate_other_ssim":["2002"],"normalized_date_ssm":["2002"],"normalized_title_ssm":["lion + lamb  #2, 2002"],"text":["lion + lamb  #2, 2002","Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017","Perzines, Le-Mi","Item 4","/repositories/2/archival_objects/216014","A perzine with personal writings, black and white photography, and collage art.","[Riley, auth.]"],"component_level_isim":[2],"parent_ids_ssim":["085cdf111f574f3d1d8dd845","085cdf111f574f3d1d8dd845_aspace_157894"],"parent_unittitles_ssm":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017","Perzines, Le-Mi"],"parent_unittitles_tesim":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017","Perzines, Le-Mi"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Item 4","/repositories/2/archival_objects/216014"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":134,"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[2002],"scopecontent_html_tesm":["\u003cp\u003eA perzine with personal writings, black and white photography, and collage art.\u003c/p\u003e","\u003cp\u003e[Riley, auth.]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["A perzine with personal writings, black and white photography, and collage art.","[Riley, auth.]"],"_nest_path_":"/components#4/components#3","_nest_parent_":"085cdf111f574f3d1d8dd845_aspace_157894","_root_":"085cdf111f574f3d1d8dd845","timestamp":"2026-05-28T03:16:33.791Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"085cdf111f574f3d1d8dd845","title_ssm":["Tampa Zine Fest Public Library"],"title_tesim":["Tampa Zine Fest Public Library"],"ead_ssi":"085cdf111f574f3d1d8dd845","unitdate_ssm":["1980-2016","Date acquired: 00/00/2017"],"unitdate_inclusive_ssm":["1980-2016"],"unitdate_other_ssim":["Date acquired: 00/00/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2017-08","/repositories/2/resources/47"],"text":["MS-2017-08","/repositories/2/resources/47","Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017","Punk rock music","Self-publishing","Personal Narratives","Social justice","Anarchism","Women's rights","Mental health","Poetry","Communism","Subculture","Feminism","Marxism","Photography","Riot grrrl movement","Creative nonfiction","Gay culture","lesbian culture","Socialism","Zines","LGBTQ+ zines","Accrual integrated 2026-02; CC","The zines within this collection have been arranged into categories by subject and format. Within each category, zines are arranged in alphabetical order. Overlap of subject and themes are present within the collection, and a basic description of content is provided for each zine.","Processed","The majority of zines within this collection are based out of the United States, though several come from Canada, Europe, Asia, and Oceania. Publication locations are provided at the item level, when information is available. Major collection areas include: perzines (personal zines), art and photography zines, literary zines, poetry zines, political zines, community and activism zines, women's experience zines, music zines, travel zines, DIY zines, comix zines, and LGBTQIA zines. Within these categories, frequent topics of discussion are feminism, mental health, gender, sexuality, identity, body image, leftist politics (i.e. communism, socialism, Marxism, etc.), anarchism, activism, race, community organizing, punk culture, and subculture.","This finding aid indicates if we hold multiple copies of the same zine within the collection. Overall, there are 538 distinct zines.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","Zine is a shortened version of magazine or fanzine, with a focus on self-publishing and Do It Youself (D.I.Y.) aesthetics. Zines are anti-copyright and are not for profit.\n\tSpecial Collections at the University of South Florida is now functioning as a repository for the Tampa Zine Library, which was established in conjunction with the Tampa Zine Fest in 2012. This particular collection reflects a mixture of donations, personal acquisitions, and zines that were featured at Tampa Zine Fest.","USF Libraries - Tampa Special Collections","Bloom, Philip","English"],"unitid_tesim":["MS-2017-08","/repositories/2/resources/47"],"normalized_date_ssm":["1980-2016, Date acquired: 00/00/2017"],"normalized_title_ssm":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017"],"collection_title_tesim":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017"],"collection_ssim":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Bloom, Philip"],"creator_ssim":["Bloom, Philip"],"creator_persname_ssim":["Bloom, Philip"],"creators_ssim":["Bloom, Philip"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Philip Bloom","Donation."],"access_subjects_ssim":["Punk rock music","Self-publishing","Personal Narratives","Social justice","Anarchism","Women's rights","Mental health","Poetry","Communism","Subculture","Feminism","Marxism","Photography","Riot grrrl movement","Creative nonfiction","Gay culture","lesbian culture","Socialism","Zines","LGBTQ+ zines"],"access_subjects_ssm":["Punk rock music","Self-publishing","Personal Narratives","Social justice","Anarchism","Women's rights","Mental health","Poetry","Communism","Subculture","Feminism","Marxism","Photography","Riot grrrl movement","Creative nonfiction","Gay culture","lesbian culture","Socialism","Zines","LGBTQ+ zines"],"has_online_content_ssim":["false"],"extent_ssm":["6.00 Linear Feet","18 boxes"],"extent_tesim":["6.00 Linear Feet","18 boxes"],"genreform_ssim":["Zines","LGBTQ+ zines"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accruals_html_tesm":["\u003cp\u003eAccrual integrated 2026-02; CC\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accrual integrated 2026-02; CC"],"arrangement_html_tesm":["\u003cp\u003eThe zines within this collection have been arranged into categories by subject and format. Within each category, zines are arranged in alphabetical order. Overlap of subject and themes are present within the collection, and a basic description of content is provided for each zine.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The zines within this collection have been arranged into categories by subject and format. Within each category, zines are arranged in alphabetical order. Overlap of subject and themes are present within the collection, and a basic description of content is provided for each zine."],"prefercite_html_tesm":["\u003cp\u003eTampa Zine Fest Public Library, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Tampa Zine Fest Public Library, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"processinfo_html_tesm":["\u003cp\u003eProcessed\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed"],"scopecontent_html_tesm":["\u003cp\u003eThe majority of zines within this collection are based out of the United States, though several come from Canada, Europe, Asia, and Oceania. Publication locations are provided at the item level, when information is available. Major collection areas include: perzines (personal zines), art and photography zines, literary zines, poetry zines, political zines, community and activism zines, women's experience zines, music zines, travel zines, DIY zines, comix zines, and LGBTQIA zines. Within these categories, frequent topics of discussion are feminism, mental health, gender, sexuality, identity, body image, leftist politics (i.e. communism, socialism, Marxism, etc.), anarchism, activism, race, community organizing, punk culture, and subculture.\u003c/p\u003e\n","\u003cp\u003eThis finding aid indicates if we hold multiple copies of the same zine within the collection. Overall, there are 538 distinct zines.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The majority of zines within this collection are based out of the United States, though several come from Canada, Europe, Asia, and Oceania. 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Overall, there are 538 distinct zines."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_330acc9f5dfb8f75036aa56087852cfe\" label=\"Abstract\"\u003eZine is a shortened version of magazine or fanzine, with a focus on self-publishing and Do It Youself (D.I.Y.) aesthetics. Zines are anti-copyright and are not for profit.\n\tSpecial Collections at the University of South Florida is now functioning as a repository for the Tampa Zine Library, which was established in conjunction with the Tampa Zine Fest in 2012. This particular collection reflects a mixture of donations, personal acquisitions, and zines that were featured at Tampa Zine Fest.\u003c/abstract\u003e"],"abstract_tesim":["Zine is a shortened version of magazine or fanzine, with a focus on self-publishing and Do It Youself (D.I.Y.) aesthetics. Zines are anti-copyright and are not for profit.\n\tSpecial Collections at the University of South Florida is now functioning as a repository for the Tampa Zine Library, which was established in conjunction with the Tampa Zine Fest in 2012. 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Within each category, zines are arranged in alphabetical order. Overlap of subject and themes are present within the collection, and a basic description of content is provided for each zine.","Processed","The majority of zines within this collection are based out of the United States, though several come from Canada, Europe, Asia, and Oceania. Publication locations are provided at the item level, when information is available. Major collection areas include: perzines (personal zines), art and photography zines, literary zines, poetry zines, political zines, community and activism zines, women's experience zines, music zines, travel zines, DIY zines, comix zines, and LGBTQIA zines. Within these categories, frequent topics of discussion are feminism, mental health, gender, sexuality, identity, body image, leftist politics (i.e. communism, socialism, Marxism, etc.), anarchism, activism, race, community organizing, punk culture, and subculture.","This finding aid indicates if we hold multiple copies of the same zine within the collection. Overall, there are 538 distinct zines.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","Zine is a shortened version of magazine or fanzine, with a focus on self-publishing and Do It Youself (D.I.Y.) aesthetics. Zines are anti-copyright and are not for profit.\n\tSpecial Collections at the University of South Florida is now functioning as a repository for the Tampa Zine Library, which was established in conjunction with the Tampa Zine Fest in 2012. This particular collection reflects a mixture of donations, personal acquisitions, and zines that were featured at Tampa Zine Fest.","USF Libraries - Tampa Special Collections","Bloom, Philip","English"],"unitid_tesim":["MS-2017-08","/repositories/2/resources/47"],"normalized_date_ssm":["1980-2016, Date acquired: 00/00/2017"],"normalized_title_ssm":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017"],"collection_title_tesim":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017"],"collection_ssim":["Tampa Zine Fest Public Library, 1980-2016, Date acquired: 00/00/2017"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"creator_ssm":["Bloom, Philip"],"creator_ssim":["Bloom, Philip"],"creator_persname_ssim":["Bloom, Philip"],"creators_ssim":["Bloom, Philip"],"access_terms_ssm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"acqinfo_ssim":["Philip Bloom","Donation."],"access_subjects_ssim":["Punk rock music","Self-publishing","Personal Narratives","Social justice","Anarchism","Women's rights","Mental health","Poetry","Communism","Subculture","Feminism","Marxism","Photography","Riot grrrl movement","Creative nonfiction","Gay culture","lesbian culture","Socialism","Zines","LGBTQ+ zines"],"access_subjects_ssm":["Punk rock music","Self-publishing","Personal Narratives","Social justice","Anarchism","Women's rights","Mental health","Poetry","Communism","Subculture","Feminism","Marxism","Photography","Riot grrrl movement","Creative nonfiction","Gay culture","lesbian culture","Socialism","Zines","LGBTQ+ zines"],"has_online_content_ssim":["false"],"extent_ssm":["6.00 Linear Feet","18 boxes"],"extent_tesim":["6.00 Linear Feet","18 boxes"],"genreform_ssim":["Zines","LGBTQ+ zines"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016],"accruals_html_tesm":["\u003cp\u003eAccrual integrated 2026-02; CC\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["Accrual integrated 2026-02; CC"],"arrangement_html_tesm":["\u003cp\u003eThe zines within this collection have been arranged into categories by subject and format. Within each category, zines are arranged in alphabetical order. Overlap of subject and themes are present within the collection, and a basic description of content is provided for each zine.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The zines within this collection have been arranged into categories by subject and format. Within each category, zines are arranged in alphabetical order. Overlap of subject and themes are present within the collection, and a basic description of content is provided for each zine."],"prefercite_html_tesm":["\u003cp\u003eTampa Zine Fest Public Library, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Tampa Zine Fest Public Library, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"processinfo_html_tesm":["\u003cp\u003eProcessed\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed"],"scopecontent_html_tesm":["\u003cp\u003eThe majority of zines within this collection are based out of the United States, though several come from Canada, Europe, Asia, and Oceania. Publication locations are provided at the item level, when information is available. Major collection areas include: perzines (personal zines), art and photography zines, literary zines, poetry zines, political zines, community and activism zines, women's experience zines, music zines, travel zines, DIY zines, comix zines, and LGBTQIA zines. Within these categories, frequent topics of discussion are feminism, mental health, gender, sexuality, identity, body image, leftist politics (i.e. communism, socialism, Marxism, etc.), anarchism, activism, race, community organizing, punk culture, and subculture.\u003c/p\u003e\n","\u003cp\u003eThis finding aid indicates if we hold multiple copies of the same zine within the collection. Overall, there are 538 distinct zines.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The majority of zines within this collection are based out of the United States, though several come from Canada, Europe, Asia, and Oceania. Publication locations are provided at the item level, when information is available. Major collection areas include: perzines (personal zines), art and photography zines, literary zines, poetry zines, political zines, community and activism zines, women's experience zines, music zines, travel zines, DIY zines, comix zines, and LGBTQIA zines. Within these categories, frequent topics of discussion are feminism, mental health, gender, sexuality, identity, body image, leftist politics (i.e. communism, socialism, Marxism, etc.), anarchism, activism, race, community organizing, punk culture, and subculture.","This finding aid indicates if we hold multiple copies of the same zine within the collection. Overall, there are 538 distinct zines."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_330acc9f5dfb8f75036aa56087852cfe\" label=\"Abstract\"\u003eZine is a shortened version of magazine or fanzine, with a focus on self-publishing and Do It Youself (D.I.Y.) aesthetics. Zines are anti-copyright and are not for profit.\n\tSpecial Collections at the University of South Florida is now functioning as a repository for the Tampa Zine Library, which was established in conjunction with the Tampa Zine Fest in 2012. This particular collection reflects a mixture of donations, personal acquisitions, and zines that were featured at Tampa Zine Fest.\u003c/abstract\u003e"],"abstract_tesim":["Zine is a shortened version of magazine or fanzine, with a focus on self-publishing and Do It Youself (D.I.Y.) aesthetics. Zines are anti-copyright and are not for profit.\n\tSpecial Collections at the University of South Florida is now functioning as a repository for the Tampa Zine Library, which was established in conjunction with the Tampa Zine Fest in 2012. This particular collection reflects a mixture of donations, personal acquisitions, and zines that were featured at Tampa Zine Fest."],"names_ssim":["USF Libraries - Tampa Special Collections","Bloom, Philip"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Bloom, Philip"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":739,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"085cdf111f574f3d1d8dd845","timestamp":"2026-05-28T03:16:33.791Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/085cdf111f574f3d1d8dd845_aspace_952fee25e015b26c8a801197fd7a79cf"}},{"id":"f632a32cd4f534c5e8722489","type":"collection","attributes":{"title":"Lisa Mills collection, 1992-2012","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/f632a32cd4f534c5e8722489#abstract_or_scope","type":"document_value","attributes":{"value":["The Lisa Mills collection houses several of Dr. Mills's work on several films throughout her career. This collection contains documents such as licensing agreements, interviews, and correspondence. 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Lisa Mills and the University of Central Florida must be credited in future films or videos.","This collection is arranged in two series. Series I contains documents relating to the several projects that Lisa Mills had a part in creating. Series II contains media such as Mini DVs of interviews, rehearsals, workshops and events.","From Faculty \u0026 Staff Nicholson School of Comm. \u0026 Media- Lisa Mills is a Professor and Assistant Director of Film and Mass Media at the University of Central Florida. Lisa Mills was born in Jacksonville and received her BA in English from Jacksonville University (1983), her MA in Mass Communication from the University of Central Florida (1999) and her PhD in Political Communication from the University of Florida (2005). Before entering academia in 1999 she was a broadcast journalist for 25 years at several television stations in the Southeast. Dr. Mills has directed or co-directed four feature length documentaries and 12 shorts.  Her films have won national awards and screened in film festivals all over the world. https://communication.ucf.edu/person/lisa-mills/"," Collection processed by and finding aid prepared by Elisabeth Jimenez in 2022. Staples and paper clips were removed from documents and replaced with plastic clips. All materials were placed into acid free folders and in an acid free box. At least three versions of publications were kept, and all additional copies were recycled. The department does not currently house the proper equipment to read any of the mini DVs, thus no further historical context can be made from them other than the title provided.","Series I: Project Documents, 2001-2012 includes documents surrounding Lisa Mill's films. Some folders are specific to individual projects. This series also contains newspapers that topics relating to Mills's films. ","Series II: Media, 1992- 2010 contains media such as Mini DVs of interviews, rehearsals, home videos and events. Within this series are two UCF Metro VHS tapes.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Lisa Mills collection houses several of Dr. Mills's work on several films throughout her career. This collection contains documents such as licensing agreements, interviews, and correspondence. There are also mini DVs that contain interviews, rehearsals, and recordings of live events and competitions.","UCF Special Collections","English"],"unitid_tesim":["SC.148","/repositories/4/resources/245"],"normalized_date_ssm":["1992-2012"],"normalized_title_ssm":["Lisa Mills collection, 1992-2012"],"collection_title_tesim":["Lisa Mills collection, 1992-2012"],"collection_ssim":["Lisa Mills collection, 1992-2012"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. 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Her films have won national awards and screened in film festivals all over the world. https://communication.ucf.edu/person/lisa-mills/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Note"],"bioghist_tesim":["From Faculty \u0026 Staff Nicholson School of Comm. \u0026 Media- Lisa Mills is a Professor and Assistant Director of Film and Mass Media at the University of Central Florida. Lisa Mills was born in Jacksonville and received her BA in English from Jacksonville University (1983), her MA in Mass Communication from the University of Central Florida (1999) and her PhD in Political Communication from the University of Florida (2005). Before entering academia in 1999 she was a broadcast journalist for 25 years at several television stations in the Southeast. Dr. Mills has directed or co-directed four feature length documentaries and 12 shorts.  Her films have won national awards and screened in film festivals all over the world. https://communication.ucf.edu/person/lisa-mills/"],"prefercite_html_tesm":["\u003cp\u003eLisa Mills Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Lisa Mills Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003e\u0026#x202F;Collection processed by and finding aid prepared by Elisabeth Jimenez in 2022. Staples and paper clips were removed from documents and replaced with plastic clips. All materials were placed into acid free folders and in an acid free box. At least three versions of publications were kept, and all additional copies were recycled. The department does not currently house the proper equipment to read any of the mini DVs, thus no further historical context can be made from them other than the title provided.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information "],"processinfo_tesim":[" Collection processed by and finding aid prepared by Elisabeth Jimenez in 2022. Staples and paper clips were removed from documents and replaced with plastic clips. All materials were placed into acid free folders and in an acid free box. At least three versions of publications were kept, and all additional copies were recycled. The department does not currently house the proper equipment to read any of the mini DVs, thus no further historical context can be made from them other than the title provided."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Project Documents, 2001-2012 includes documents surrounding Lisa Mill's films. Some folders are specific to individual projects. This series also contains newspapers that topics relating to Mills's films. \u003c/p\u003e\n","\u003cp\u003eSeries II: Media, 1992- 2010 contains media such as Mini DVs of interviews, rehearsals, home videos and events. Within this series are two UCF Metro VHS tapes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Project Documents, 2001-2012 includes documents surrounding Lisa Mill's films. Some folders are specific to individual projects. This series also contains newspapers that topics relating to Mills's films. ","Series II: Media, 1992- 2010 contains media such as Mini DVs of interviews, rehearsals, home videos and events. Within this series are two UCF Metro VHS tapes."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d8d754c951278ee6666538abd5f8fe8b\" label=\"Abstract\"\u003eThe Lisa Mills collection houses several of Dr. Mills's work on several films throughout her career. This collection contains documents such as licensing agreements, interviews, and correspondence. There are also mini DVs that contain interviews, rehearsals, and recordings of live events and competitions.\u003c/abstract\u003e"],"abstract_tesim":["The Lisa Mills collection houses several of Dr. Mills's work on several films throughout her career. 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Lisa Mills and the University of Central Florida must be credited in future films or videos.","This collection is arranged in two series. Series I contains documents relating to the several projects that Lisa Mills had a part in creating. Series II contains media such as Mini DVs of interviews, rehearsals, workshops and events.","From Faculty \u0026 Staff Nicholson School of Comm. \u0026 Media- Lisa Mills is a Professor and Assistant Director of Film and Mass Media at the University of Central Florida. Lisa Mills was born in Jacksonville and received her BA in English from Jacksonville University (1983), her MA in Mass Communication from the University of Central Florida (1999) and her PhD in Political Communication from the University of Florida (2005). Before entering academia in 1999 she was a broadcast journalist for 25 years at several television stations in the Southeast. Dr. Mills has directed or co-directed four feature length documentaries and 12 shorts.  Her films have won national awards and screened in film festivals all over the world. https://communication.ucf.edu/person/lisa-mills/"," Collection processed by and finding aid prepared by Elisabeth Jimenez in 2022. Staples and paper clips were removed from documents and replaced with plastic clips. All materials were placed into acid free folders and in an acid free box. At least three versions of publications were kept, and all additional copies were recycled. The department does not currently house the proper equipment to read any of the mini DVs, thus no further historical context can be made from them other than the title provided.","Series I: Project Documents, 2001-2012 includes documents surrounding Lisa Mill's films. Some folders are specific to individual projects. This series also contains newspapers that topics relating to Mills's films. ","Series II: Media, 1992- 2010 contains media such as Mini DVs of interviews, rehearsals, home videos and events. Within this series are two UCF Metro VHS tapes.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Lisa Mills collection houses several of Dr. Mills's work on several films throughout her career. This collection contains documents such as licensing agreements, interviews, and correspondence. There are also mini DVs that contain interviews, rehearsals, and recordings of live events and competitions.","UCF Special Collections","English"],"unitid_tesim":["SC.148","/repositories/4/resources/245"],"normalized_date_ssm":["1992-2012"],"normalized_title_ssm":["Lisa Mills collection, 1992-2012"],"collection_title_tesim":["Lisa Mills collection, 1992-2012"],"collection_ssim":["Lisa Mills collection, 1992-2012"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. 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Lisa Mills and the University of Central Florida must be credited in future films or videos.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["Consent must be obtained to use interviews with documentary subjects in future films or videos. Lisa Mills and the University of Central Florida must be credited in future films or videos."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged in two series. Series I contains documents relating to the several projects that Lisa Mills had a part in creating. Series II contains media such as Mini DVs of interviews, rehearsals, workshops and events.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged in two series. Series I contains documents relating to the several projects that Lisa Mills had a part in creating. 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Her films have won national awards and screened in film festivals all over the world. https://communication.ucf.edu/person/lisa-mills/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Note"],"bioghist_tesim":["From Faculty \u0026 Staff Nicholson School of Comm. \u0026 Media- Lisa Mills is a Professor and Assistant Director of Film and Mass Media at the University of Central Florida. Lisa Mills was born in Jacksonville and received her BA in English from Jacksonville University (1983), her MA in Mass Communication from the University of Central Florida (1999) and her PhD in Political Communication from the University of Florida (2005). Before entering academia in 1999 she was a broadcast journalist for 25 years at several television stations in the Southeast. Dr. Mills has directed or co-directed four feature length documentaries and 12 shorts.  Her films have won national awards and screened in film festivals all over the world. https://communication.ucf.edu/person/lisa-mills/"],"prefercite_html_tesm":["\u003cp\u003eLisa Mills Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Lisa Mills Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003e\u0026#x202F;Collection processed by and finding aid prepared by Elisabeth Jimenez in 2022. Staples and paper clips were removed from documents and replaced with plastic clips. All materials were placed into acid free folders and in an acid free box. At least three versions of publications were kept, and all additional copies were recycled. The department does not currently house the proper equipment to read any of the mini DVs, thus no further historical context can be made from them other than the title provided.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information "],"processinfo_tesim":[" Collection processed by and finding aid prepared by Elisabeth Jimenez in 2022. Staples and paper clips were removed from documents and replaced with plastic clips. All materials were placed into acid free folders and in an acid free box. At least three versions of publications were kept, and all additional copies were recycled. The department does not currently house the proper equipment to read any of the mini DVs, thus no further historical context can be made from them other than the title provided."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Project Documents, 2001-2012 includes documents surrounding Lisa Mill's films. Some folders are specific to individual projects. 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Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d8d754c951278ee6666538abd5f8fe8b\" label=\"Abstract\"\u003eThe Lisa Mills collection houses several of Dr. Mills's work on several films throughout her career. This collection contains documents such as licensing agreements, interviews, and correspondence. There are also mini DVs that contain interviews, rehearsals, and recordings of live events and competitions.\u003c/abstract\u003e"],"abstract_tesim":["The Lisa Mills collection houses several of Dr. Mills's work on several films throughout her career. 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The collection is a compilation of papers that represent his work as a professor from Louisiana State University and Florida International University. In addition, the collection has papers related to his research studies, the Cuban Research Institute (CRI), Hispanic Faculty Association, the Cuban American Foundation, migration Initiative, as well as articles written by him from Miami Herald.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/bb1da2b4100e881922892021#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"bb1da2b4100e881922892021","title_ssm":["Lisandro Pérez Papers"],"title_tesim":["Lisandro Pérez Papers"],"ead_ssi":"bb1da2b4100e881922892021","unitdate_ssm":["1985-2003","Date acquired: 01/13/2012"],"unitdate_inclusive_ssm":["1985-2003"],"unitdate_other_ssim":["Date acquired: 01/13/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC6000","/repositories/2/resources/30"],"text":["SPC6000","/repositories/2/resources/30","Lisandro Pérez Papers, 1985-2003, Date acquired: 01/13/2012","The collection is open for research.","Special Collection kept the arrangement given by the creator, Dr. Lisandro Perez. The collection is compiled into five boxes. The files are arranged in alphabetical, except the correspondence which is organized in chronological order.","Lisandro Pérez received his Ph.D in Sociology and Latin American Studies from the University of Florida. Until the summer of 2010 Dr. Pérez served for twenty-five years on the faculty of Florida International University (FIU) in Miami where he founded and directed its Cuban Research Institute after two terms as Chair of its Sociology and Anthropology Department. He also served as the editor of the journal Cuban Studies from 1999 to 2004 and is the co-author of the book The Legacy of Exile: Cubans in the United States, published by Allyn \u0026 Bacon. He authored the chapter on Cubans for the The New Americans: A Guide to Immigration Since 1965, published by Harvard University Press. During the 2004-2005 academic years, Dr. Pérez was a fellow at the Cullman Center for Scholars and Writers of the New York Public Library, where he carried out research for a book on the Cuban community in New York City during the nineteenth century, under contract with New York University Press. An essay based on that research project appeared in the edited book New York 400 published in 2009 by the Museum of the City of New York. He served as consultant for the 2010 exhibit Nueva York sponsored by the New York Historical Society and exhibited at the Museo del Barrio and wrote a chapter for the exhibit's companion book, published by Rizzoli Publishers. In addition to the Cullman Center, Dr. Pérez has received fellowships and grants from the National Endowment for the Humanities, the Rockefeller Foundation, the Ford Foundation, and the Gilder Lehrman Institute of American History.  Dr. Perez areas of research interests are ethnicity, immigration, Latinos (esp. Cubans) in the U.S., Cuban society and culture, historical research methods, New York ethnic history, political culture, and Cuban Americans and U.S. policy towards Cuba.","Note written by John Jay College of Criminal Justice. Department of Latin American and Latina/o Studies.","There are no physical restrictions on this collection","There are no thecnical restrictions on this collection","This collection of five boxes of papers represents the academic background of Dr. Lisandro Perez. The collection is a compilation of papers that represent his work as a professor from Louisiana State University and Florida International University. In addition, the collection has papers related to his research studies, the Cuban Research Institute (CRI), Hispanic Faculty Association, the Cuban American Foundation, migration Initiative, as well as articles written by him from Miami Herald.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Pérez, Lisandro","English"],"unitid_tesim":["SPC6000","/repositories/2/resources/30"],"normalized_date_ssm":["1985-2003, Date acquired: 01/13/2012"],"normalized_title_ssm":["Lisandro Pérez Papers, 1985-2003, Date acquired: 01/13/2012"],"collection_title_tesim":["Lisandro Pérez Papers, 1985-2003, Date acquired: 01/13/2012"],"collection_ssim":["Lisandro Pérez Papers, 1985-2003, Date acquired: 01/13/2012"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Pérez, Lisandro"],"creator_ssim":["Pérez, Lisandro"],"creator_persname_ssim":["Pérez, Lisandro"],"creators_ssim":["Pérez, Lisandro"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Lisandro Pérez","Donation"],"has_online_content_ssim":["false"],"extent_ssm":["5.00 boxes"],"extent_tesim":["5.00 boxes"],"date_range_isim":[1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eSpecial Collection kept the arrangement given by the creator, Dr. Lisandro Perez. The collection is compiled into five boxes. The files are arranged in alphabetical, except the correspondence which is organized in chronological order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Special Collection kept the arrangement given by the creator, Dr. Lisandro Perez. The collection is compiled into five boxes. The files are arranged in alphabetical, except the correspondence which is organized in chronological order."],"bioghist_html_tesm":["\u003cp\u003eLisandro P\u0026#xE9;rez received his Ph.D in Sociology and Latin American Studies from the University of Florida. Until the summer of 2010 Dr. P\u0026#xE9;rez served for twenty-five years on the faculty of Florida International University (FIU) in Miami where he founded and directed its Cuban Research Institute after two terms as Chair of its Sociology and Anthropology Department. He also served as the editor of the journal Cuban Studies from 1999 to 2004 and is the co-author of the book The Legacy of Exile: Cubans in the United States, published by Allyn \u0026amp; Bacon. He authored the chapter on Cubans for the The New Americans: A Guide to Immigration Since 1965, published by Harvard University Press. During the 2004-2005 academic years, Dr. P\u0026#xE9;rez was a fellow at the Cullman Center for Scholars and Writers of the New York Public Library, where he carried out research for a book on the Cuban community in New York City during the nineteenth century, under contract with New York University Press. An essay based on that research project appeared in the edited book New York 400 published in 2009 by the Museum of the City of New York. He served as consultant for the 2010 exhibit Nueva York sponsored by the New York Historical Society and exhibited at the Museo del Barrio and wrote a chapter for the exhibit's companion book, published by Rizzoli Publishers. In addition to the Cullman Center, Dr. P\u0026#xE9;rez has received fellowships and grants from the National Endowment for the Humanities, the Rockefeller Foundation, the Ford Foundation, and the Gilder Lehrman Institute of American History.\u0026#xA0; Dr. Perez areas of research interests are ethnicity, immigration, Latinos (esp. Cubans) in the U.S., Cuban society and culture, historical research methods, New York ethnic history, political culture, and Cuban Americans and U.S. policy towards Cuba.\u003c/p\u003e\n","\u003cp\u003eNote written by John Jay College of Criminal Justice. Department of Latin American and Latina/o Studies.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Lisandro Pérez received his Ph.D in Sociology and Latin American Studies from the University of Florida. Until the summer of 2010 Dr. Pérez served for twenty-five years on the faculty of Florida International University (FIU) in Miami where he founded and directed its Cuban Research Institute after two terms as Chair of its Sociology and Anthropology Department. He also served as the editor of the journal Cuban Studies from 1999 to 2004 and is the co-author of the book The Legacy of Exile: Cubans in the United States, published by Allyn \u0026 Bacon. He authored the chapter on Cubans for the The New Americans: A Guide to Immigration Since 1965, published by Harvard University Press. During the 2004-2005 academic years, Dr. Pérez was a fellow at the Cullman Center for Scholars and Writers of the New York Public Library, where he carried out research for a book on the Cuban community in New York City during the nineteenth century, under contract with New York University Press. An essay based on that research project appeared in the edited book New York 400 published in 2009 by the Museum of the City of New York. He served as consultant for the 2010 exhibit Nueva York sponsored by the New York Historical Society and exhibited at the Museo del Barrio and wrote a chapter for the exhibit's companion book, published by Rizzoli Publishers. In addition to the Cullman Center, Dr. Pérez has received fellowships and grants from the National Endowment for the Humanities, the Rockefeller Foundation, the Ford Foundation, and the Gilder Lehrman Institute of American History.  Dr. Perez areas of research interests are ethnicity, immigration, Latinos (esp. Cubans) in the U.S., Cuban society and culture, historical research methods, New York ethnic history, political culture, and Cuban Americans and U.S. policy towards Cuba.","Note written by John Jay College of Criminal Justice. Department of Latin American and Latina/o Studies."],"phystech_html_tesm":["\u003cp\u003eThere are no physical restrictions on this collection\u003c/p\u003e","\u003cp\u003eThere are no thecnical restrictions on this collection\u003c/p\u003e"],"phystech_heading_ssm":["Physical Access Requirements","Technical Access Requirements"],"phystech_tesim":["There are no physical restrictions on this collection","There are no thecnical restrictions on this collection"],"scopecontent_html_tesm":["\u003cp\u003eThis collection of five boxes of papers represents the academic background of Dr. Lisandro Perez. The collection is a compilation of papers that represent his work as a professor from Louisiana State University and Florida International University. 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Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. 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","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Pérez, Lisandro"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Pérez, Lisandro"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":87,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844555494948864,"_root_":"bb1da2b4100e881922892021","timestamp":"2026-07-16T04:33:22.562Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"bb1da2b4100e881922892021","title_ssm":["Lisandro Pérez Papers"],"title_tesim":["Lisandro Pérez Papers"],"ead_ssi":"bb1da2b4100e881922892021","unitdate_ssm":["1985-2003","Date acquired: 01/13/2012"],"unitdate_inclusive_ssm":["1985-2003"],"unitdate_other_ssim":["Date acquired: 01/13/2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC6000","/repositories/2/resources/30"],"text":["SPC6000","/repositories/2/resources/30","Lisandro Pérez Papers, 1985-2003, Date acquired: 01/13/2012","The collection is open for research.","Special Collection kept the arrangement given by the creator, Dr. Lisandro Perez. The collection is compiled into five boxes. The files are arranged in alphabetical, except the correspondence which is organized in chronological order.","Lisandro Pérez received his Ph.D in Sociology and Latin American Studies from the University of Florida. Until the summer of 2010 Dr. Pérez served for twenty-five years on the faculty of Florida International University (FIU) in Miami where he founded and directed its Cuban Research Institute after two terms as Chair of its Sociology and Anthropology Department. He also served as the editor of the journal Cuban Studies from 1999 to 2004 and is the co-author of the book The Legacy of Exile: Cubans in the United States, published by Allyn \u0026 Bacon. He authored the chapter on Cubans for the The New Americans: A Guide to Immigration Since 1965, published by Harvard University Press. During the 2004-2005 academic years, Dr. Pérez was a fellow at the Cullman Center for Scholars and Writers of the New York Public Library, where he carried out research for a book on the Cuban community in New York City during the nineteenth century, under contract with New York University Press. An essay based on that research project appeared in the edited book New York 400 published in 2009 by the Museum of the City of New York. He served as consultant for the 2010 exhibit Nueva York sponsored by the New York Historical Society and exhibited at the Museo del Barrio and wrote a chapter for the exhibit's companion book, published by Rizzoli Publishers. In addition to the Cullman Center, Dr. Pérez has received fellowships and grants from the National Endowment for the Humanities, the Rockefeller Foundation, the Ford Foundation, and the Gilder Lehrman Institute of American History.  Dr. Perez areas of research interests are ethnicity, immigration, Latinos (esp. Cubans) in the U.S., Cuban society and culture, historical research methods, New York ethnic history, political culture, and Cuban Americans and U.S. policy towards Cuba.","Note written by John Jay College of Criminal Justice. Department of Latin American and Latina/o Studies.","There are no physical restrictions on this collection","There are no thecnical restrictions on this collection","This collection of five boxes of papers represents the academic background of Dr. Lisandro Perez. The collection is a compilation of papers that represent his work as a professor from Louisiana State University and Florida International University. In addition, the collection has papers related to his research studies, the Cuban Research Institute (CRI), Hispanic Faculty Association, the Cuban American Foundation, migration Initiative, as well as articles written by him from Miami Herald.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Pérez, Lisandro","English"],"unitid_tesim":["SPC6000","/repositories/2/resources/30"],"normalized_date_ssm":["1985-2003, Date acquired: 01/13/2012"],"normalized_title_ssm":["Lisandro Pérez Papers, 1985-2003, Date acquired: 01/13/2012"],"collection_title_tesim":["Lisandro Pérez Papers, 1985-2003, Date acquired: 01/13/2012"],"collection_ssim":["Lisandro Pérez Papers, 1985-2003, Date acquired: 01/13/2012"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Pérez, Lisandro"],"creator_ssim":["Pérez, Lisandro"],"creator_persname_ssim":["Pérez, Lisandro"],"creators_ssim":["Pérez, Lisandro"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work. FIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Lisandro Pérez","Donation"],"has_online_content_ssim":["false"],"extent_ssm":["5.00 boxes"],"extent_tesim":["5.00 boxes"],"date_range_isim":[1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eSpecial Collection kept the arrangement given by the creator, Dr. Lisandro Perez. The collection is compiled into five boxes. 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He also served as the editor of the journal Cuban Studies from 1999 to 2004 and is the co-author of the book The Legacy of Exile: Cubans in the United States, published by Allyn \u0026amp; Bacon. He authored the chapter on Cubans for the The New Americans: A Guide to Immigration Since 1965, published by Harvard University Press. During the 2004-2005 academic years, Dr. P\u0026#xE9;rez was a fellow at the Cullman Center for Scholars and Writers of the New York Public Library, where he carried out research for a book on the Cuban community in New York City during the nineteenth century, under contract with New York University Press. An essay based on that research project appeared in the edited book New York 400 published in 2009 by the Museum of the City of New York. He served as consultant for the 2010 exhibit Nueva York sponsored by the New York Historical Society and exhibited at the Museo del Barrio and wrote a chapter for the exhibit's companion book, published by Rizzoli Publishers. In addition to the Cullman Center, Dr. P\u0026#xE9;rez has received fellowships and grants from the National Endowment for the Humanities, the Rockefeller Foundation, the Ford Foundation, and the Gilder Lehrman Institute of American History.\u0026#xA0; Dr. Perez areas of research interests are ethnicity, immigration, Latinos (esp. Cubans) in the U.S., Cuban society and culture, historical research methods, New York ethnic history, political culture, and Cuban Americans and U.S. policy towards Cuba.\u003c/p\u003e\n","\u003cp\u003eNote written by John Jay College of Criminal Justice. Department of Latin American and Latina/o Studies.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Lisandro Pérez received his Ph.D in Sociology and Latin American Studies from the University of Florida. Until the summer of 2010 Dr. Pérez served for twenty-five years on the faculty of Florida International University (FIU) in Miami where he founded and directed its Cuban Research Institute after two terms as Chair of its Sociology and Anthropology Department. He also served as the editor of the journal Cuban Studies from 1999 to 2004 and is the co-author of the book The Legacy of Exile: Cubans in the United States, published by Allyn \u0026 Bacon. He authored the chapter on Cubans for the The New Americans: A Guide to Immigration Since 1965, published by Harvard University Press. During the 2004-2005 academic years, Dr. Pérez was a fellow at the Cullman Center for Scholars and Writers of the New York Public Library, where he carried out research for a book on the Cuban community in New York City during the nineteenth century, under contract with New York University Press. An essay based on that research project appeared in the edited book New York 400 published in 2009 by the Museum of the City of New York. He served as consultant for the 2010 exhibit Nueva York sponsored by the New York Historical Society and exhibited at the Museo del Barrio and wrote a chapter for the exhibit's companion book, published by Rizzoli Publishers. In addition to the Cullman Center, Dr. Pérez has received fellowships and grants from the National Endowment for the Humanities, the Rockefeller Foundation, the Ford Foundation, and the Gilder Lehrman Institute of American History.  Dr. Perez areas of research interests are ethnicity, immigration, Latinos (esp. Cubans) in the U.S., Cuban society and culture, historical research methods, New York ethnic history, political culture, and Cuban Americans and U.S. policy towards Cuba.","Note written by John Jay College of Criminal Justice. Department of Latin American and Latina/o Studies."],"phystech_html_tesm":["\u003cp\u003eThere are no physical restrictions on this collection\u003c/p\u003e","\u003cp\u003eThere are no thecnical restrictions on this collection\u003c/p\u003e"],"phystech_heading_ssm":["Physical Access Requirements","Technical Access Requirements"],"phystech_tesim":["There are no physical restrictions on this collection","There are no thecnical restrictions on this collection"],"scopecontent_html_tesm":["\u003cp\u003eThis collection of five boxes of papers represents the academic background of Dr. Lisandro Perez. The collection is a compilation of papers that represent his work as a professor from Louisiana State University and Florida International University. 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","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Pérez, Lisandro"],"corpname_ssim":["FIU Special Collections"],"persname_ssim":["Pérez, Lisandro"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":87,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844555494948864,"_root_":"bb1da2b4100e881922892021","timestamp":"2026-07-16T04:33:22.562Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/bb1da2b4100e881922892021"}},{"id":"377018d2c691025d88612f9e_aspace_74e43a120d4e0cd1774b0435280b6dc6","type":"File","attributes":{"title":"\"Listen to that dixie band\", 2002","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/377018d2c691025d88612f9e_aspace_74e43a120d4e0cd1774b0435280b6dc6#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_74e43a120d4e0cd1774b0435280b6dc6","ref_ssm":["aspace_74e43a120d4e0cd1774b0435280b6dc6","aspace_74e43a120d4e0cd1774b0435280b6dc6"],"id":"377018d2c691025d88612f9e_aspace_74e43a120d4e0cd1774b0435280b6dc6","title_filing_ssi":"\"Listen to that dixie band\"","title_ssm":["\"Listen to that dixie band\""],"title_tesim":["\"Listen to that dixie band\""],"unitdate_inclusive_ssm":["2002"],"normalized_date_ssm":["2002"],"normalized_title_ssm":["\"Listen to that dixie band\", 2002"],"text":["\"Listen to that dixie band\", 2002","Burt Szabo music collection, 1955-2017","/repositories/2/archival_objects/79569","/repositories/2/archival_objects/82831","box 18","folder 33"],"component_level_isim":[1],"parent_ids_ssim":["377018d2c691025d88612f9e"],"parent_unittitles_ssm":["Burt Szabo music collection, 1955-2017"],"parent_unittitles_tesim":["Burt Szabo music collection, 1955-2017"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/79569","/repositories/2/archival_objects/82831"],"repository_ssim":["UCF University Archives"],"collection_ssim":["Burt Szabo music collection, 1955-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":605,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[2002],"containers_ssim":["box 18","folder 33"],"_nest_path_":"/components#604","_nest_parent_":"377018d2c691025d88612f9e","_root_":"377018d2c691025d88612f9e","_version_":1870858782767054848,"timestamp":"2026-07-16T08:19:30.734Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"377018d2c691025d88612f9e","title_ssm":["Burt Szabo music collection"],"title_tesim":["Burt Szabo music collection"],"ead_ssi":"377018d2c691025d88612f9e","unitdate_ssm":["1955-2017"],"unitdate_inclusive_ssm":["1955-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA21G","/repositories/2/resources/332"],"text":["UA21G","/repositories/2/resources/332","Burt Szabo music collection, 1955-2017","Barbershop quartets","sheet music","The entire collection is open for research.","The collection is arranged in the original order that it was received.","Albert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  ","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. ","Processed by and finding aid prepared by Simone DeLuque in 2025.","For more information on Special Collections \u0026 University Archives, please see our website.","The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022.","UCF University Archives","Szabo, Burt","English"],"unitid_tesim":["UA21G","/repositories/2/resources/332"],"normalized_date_ssm":["1955-2017"],"normalized_title_ssm":["Burt Szabo music collection, 1955-2017"],"collection_title_tesim":["Burt Szabo music collection, 1955-2017"],"collection_ssim":["Burt Szabo music collection, 1955-2017"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["Szabo, Burt"],"creator_ssim":["Szabo, Burt"],"creator_persname_ssim":["Szabo, Burt"],"creators_ssim":["Szabo, Burt"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of David Schreier in 2018 (Accession no. 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His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Albert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  ","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Burt Szabo music collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Burt Szabo music collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Simone DeLuque in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Simone DeLuque in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections \u0026amp; University Archives, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on Special Collections \u0026 University Archives, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_47ef4f2c9d3944ef54170a551f97a3e7\"\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022.\u003c/abstract\u003e"],"abstract_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022."],"names_ssim":["UCF University Archives","Szabo, Burt"],"corpname_ssim":["UCF University Archives"],"names_coll_ssim":["Szabo, Burt"],"persname_ssim":["Szabo, Burt"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1087,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858782767054848,"_root_":"377018d2c691025d88612f9e","timestamp":"2026-07-16T08:19:30.734Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/377018d2c691025d88612f9e_aspace_74e43a120d4e0cd1774b0435280b6dc6"}},{"id":"eea4e217ab9989312d6a7964_aspace_dbb93dbd12feea8bf11a4ea725cda4a3","type":"Drawer","attributes":{"title":"Literacy posters, 1986-2012","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/eea4e217ab9989312d6a7964_aspace_dbb93dbd12feea8bf11a4ea725cda4a3#abstract_or_scope","type":"document_value","attributes":{"value":["This collection consists of three posters celebrating literacy and freedom-to-read. Two of the three posters feature Governor Charlie Crist and Secretary of State Kurt Browning."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/eea4e217ab9989312d6a7964_aspace_dbb93dbd12feea8bf11a4ea725cda4a3#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_dbb93dbd12feea8bf11a4ea725cda4a3","ref_ssm":["aspace_dbb93dbd12feea8bf11a4ea725cda4a3","aspace_dbb93dbd12feea8bf11a4ea725cda4a3"],"id":"eea4e217ab9989312d6a7964_aspace_dbb93dbd12feea8bf11a4ea725cda4a3","title_filing_ssi":"Literacy posters ","title_ssm":["Literacy posters "],"title_tesim":["Literacy posters "],"unitdate_inclusive_ssm":["1986-2012"],"normalized_date_ssm":["1986-2012"],"normalized_title_ssm":["Literacy posters, 1986-2012"],"text":["Literacy posters, 1986-2012","Florida Broadsides and Miscellaneous Printed Ephemera, bulk 1822-2012","Folder 1","/repositories/2/archival_objects/180841","Literacy","English","case 7","The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","This collection consists of three posters celebrating literacy and freedom-to-read. Two of the three posters feature Governor Charlie Crist and Secretary of State Kurt Browning."],"component_level_isim":[1],"parent_ids_ssim":["eea4e217ab9989312d6a7964"],"parent_unittitles_ssm":["Florida Broadsides and Miscellaneous Printed Ephemera, bulk 1822-2012"],"parent_unittitles_tesim":["Florida Broadsides and Miscellaneous Printed Ephemera, bulk 1822-2012"],"parent_levels_ssm":["collection"],"unitid_ssm":["Folder 1","/repositories/2/archival_objects/180841"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Florida Broadsides and Miscellaneous Printed Ephemera, bulk 1822-2012"],"extent_ssm":["3 items"],"extent_tesim":["3 items"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Drawer"],"level_ssim":["Drawer"],"sort_isi":1,"parent_access_restrict_tesm":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"access_subjects_ssim":["Literacy"],"access_subjects_ssm":["Literacy"],"language_ssim":["English"],"containers_ssim":["case 7"],"accessrestrict_html_tesm":["\u003cp\u003eThe contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The contents of this collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_18c9e68cd49e0cb2b93de15fe79cba2c\"\u003eThis collection consists of three posters celebrating literacy and freedom-to-read. Two of the three posters feature Governor Charlie Crist and Secretary of State Kurt Browning.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of three posters celebrating literacy and freedom-to-read. Two of the three posters feature Governor Charlie Crist and Secretary of State Kurt Browning."],"_nest_path_":"/components#0","_nest_parent_":"eea4e217ab9989312d6a7964","_root_":"eea4e217ab9989312d6a7964","timestamp":"2026-07-10T05:12:38.996Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"eea4e217ab9989312d6a7964","title_ssm":["Florida Broadsides and Miscellaneous Printed Ephemera"],"title_tesim":["Florida Broadsides and Miscellaneous Printed Ephemera"],"ead_ssi":"eea4e217ab9989312d6a7964","unitdate_ssm":["1822-2012"],"unitdate_bulk_ssim":["1822-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2023-07","/repositories/2/resources/628"],"text":["MS-2023-07","/repositories/2/resources/628","Florida Broadsides and Miscellaneous Printed Ephemera, bulk 1822-2012","Florida -- Politics and government","Tampa (Fla.) -- History","Pensacola (Fla.) -- History","Tampa (Fla.) -- Newspapers","Literacy","Hispanic Americans -- Tampa Bay Region (Fla.)","Italian Americans -- Florida -- Tampa","Jewish people","Clubs -- Florida -- Tampa","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","Documents in this collection are arranged by topic.","This collection contains assorted over-sized illustrations and graphics for a number of topics of Florida's history.","Map case 7, drawer 6","USF Libraries - Tampa Special Collections","English Spanish; Castilian"],"unitid_tesim":["MS-2023-07","/repositories/2/resources/628"],"normalized_date_ssm":["bulk 1822-2012"],"normalized_title_ssm":["Florida Broadsides and Miscellaneous Printed Ephemera, bulk 1822-2012"],"collection_title_tesim":["Florida Broadsides and Miscellaneous Printed Ephemera, bulk 1822-2012"],"collection_ssim":["Florida Broadsides and Miscellaneous Printed Ephemera, bulk 1822-2012"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Florida -- Politics and government","Tampa (Fla.) -- History","Pensacola (Fla.) -- History","Tampa (Fla.) -- Newspapers"],"geogname_ssim":["Florida -- Politics and government","Tampa (Fla.) -- History","Pensacola (Fla.) -- History","Tampa (Fla.) -- Newspapers"],"places_ssim":["Florida -- Politics and government","Tampa (Fla.) -- History","Pensacola (Fla.) -- History","Tampa (Fla.) -- Newspapers"],"access_subjects_ssim":["Literacy","Hispanic Americans -- Tampa Bay Region (Fla.)","Italian Americans -- Florida -- Tampa","Jewish people","Clubs -- Florida -- Tampa"],"access_subjects_ssm":["Literacy","Hispanic Americans -- Tampa Bay Region (Fla.)","Italian Americans -- Florida -- Tampa","Jewish people","Clubs -- Florida -- Tampa"],"has_online_content_ssim":["false"],"extent_ssm":["7 folders"],"extent_tesim":["7 folders"],"date_range_isim":[1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"arrangement_html_tesm":["\u003cp\u003eDocuments in this collection are arranged by topic.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Documents in this collection are arranged by topic."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains assorted over-sized illustrations and graphics for a number of topics of Florida's history.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains assorted over-sized illustrations and graphics for a number of topics of Florida's history."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_74cfb4e906d09b912d03d79771a16d78\"\u003eMap case 7, drawer 6\u003c/physloc\u003e"],"physloc_tesim":["Map case 7, drawer 6"],"names_ssim":["USF Libraries - Tampa Special Collections"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"language_ssim":["English Spanish; Castilian"],"total_component_count_is":7,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"eea4e217ab9989312d6a7964","timestamp":"2026-07-10T05:12:38.996Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/eea4e217ab9989312d6a7964_aspace_dbb93dbd12feea8bf11a4ea725cda4a3"}},{"id":"725898a1a41349eb30ec365d_aspace_5233acb9de7da58ed3c15d3c9f229e7f","type":"Subseries","attributes":{"title":"Literature, 1915-2012, Undated","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_5233acb9de7da58ed3c15d3c9f229e7f#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5233acb9de7da58ed3c15d3c9f229e7f","ref_ssm":["aspace_5233acb9de7da58ed3c15d3c9f229e7f","aspace_5233acb9de7da58ed3c15d3c9f229e7f"],"id":"725898a1a41349eb30ec365d_aspace_5233acb9de7da58ed3c15d3c9f229e7f","title_filing_ssi":"Literature","title_ssm":["Literature"],"title_tesim":["Literature"],"unitdate_inclusive_ssm":["1915-2012, Undated"],"normalized_date_ssm":["1915-2012, Undated"],"normalized_title_ssm":["Literature, 1915-2012, Undated"],"text":["Literature, 1915-2012, Undated","José Guerra Alemán Collection, 1887-2013","Manuscripts, 1915-2013, Undated","2","/repositories/4/archival_objects/53899"],"component_level_isim":[2],"parent_ids_ssim":["725898a1a41349eb30ec365d","725898a1a41349eb30ec365d_aspace_c169fb1b4abcdaaa416e683d4329daa8"],"parent_unittitles_ssm":["José Guerra Alemán Collection, 1887-2013","Manuscripts, 1915-2013, Undated"],"parent_unittitles_tesim":["José Guerra Alemán Collection, 1887-2013","Manuscripts, 1915-2013, Undated"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["2","/repositories/4/archival_objects/53899"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":30,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":25,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"_nest_path_":"/components#0/components#1","_nest_parent_":"725898a1a41349eb30ec365d_aspace_c169fb1b4abcdaaa416e683d4329daa8","_root_":"725898a1a41349eb30ec365d","_version_":1870857755411087360,"timestamp":"2026-07-16T08:03:10.972Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"725898a1a41349eb30ec365d","title_ssm":["José Guerra Alemán Collection"],"title_tesim":["José Guerra Alemán Collection"],"ead_ssi":"725898a1a41349eb30ec365d","unitdate_ssm":["1887-2013"],"unitdate_inclusive_ssm":["1887-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC.098","/repositories/4/resources/204"],"text":["SC.098","/repositories/4/resources/204","José Guerra Alemán Collection, 1887-2013","Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs","Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints","The entire collection is open for research.","José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.","Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.","Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog.","This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"","Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.","The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.","UCF Special Collections","Guerra Alemán, José","English"],"unitid_tesim":["SC.098","/repositories/4/resources/204"],"normalized_date_ssm":["1887-2013"],"normalized_title_ssm":["José Guerra Alemán Collection, 1887-2013"],"collection_title_tesim":["José Guerra Alemán Collection, 1887-2013"],"collection_ssim":["José Guerra Alemán Collection, 1887-2013"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"geogname_ssm":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"geogname_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"creator_ssm":["Guerra Alemán, José"],"creator_ssim":["Guerra Alemán, José"],"creator_persname_ssim":["Guerra Alemán, José"],"creators_ssim":["Guerra Alemán, José"],"places_ssim":["Cuba","Cuba -- History -- Revolution","Cuba -- Social life and customs"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"acqinfo_ssim":["The collection was donated by Carlos Guerra, José Guerra Alemán's son, to the University of Central Florida Libraries in 2014. (CFM2014_07)"],"access_subjects_ssim":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"access_subjects_ssm":["Cuba -- History -- Description and Travel","Cuba -- History -- Pictorial works","correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":["17.5 Linear Feet 20 boxes, 1 Flat File"],"extent_tesim":["17.5 Linear Feet 20 boxes, 1 Flat File"],"genreform_ssim":["correspondence","newspaper clippings","manuscripts (documents)","negatives (photographs)","Photographic prints"],"date_range_isim":[1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The entire collection is open for research."],"bioghist_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n was born to Jos\u0026#xE9; Guerra and Herminia Alem\u0026#xE1;n-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as Jos\u0026#xE9; Guerra Alem\u0026#xE1;n, his initials J.G.A. and his nickname Pep\u0026#xED;n. Many of his closest friends and family called him as Pep\u0026#xED;n. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.\u003c/p\u003e\n","\u003cp\u003eIn his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ej\u0026#xE9;rcito) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 Divisi\u0026#xF3;n de Infanter\u0026#xED;a) called Divisi\u0026#xF3;n Rel\u0026#xE1;mpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.\u003c/p\u003e\n","\u003cp\u003eOnce he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of \u0026#xC9;l Pa\u0026#xED;s, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.\u003c/p\u003e\n","\u003cp\u003eOne of those encounters, Jos\u0026#xE9; Guerra Alem\u0026#xE1;n climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with Jos\u0026#xE9; Garc\u0026#xED;a and Eduardo Hern\u0026#xE1;ndez (Guayo) in the same company. Jos\u0026#xE9; Guerra Alem\u0026#xE1;n directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.\u003c/p\u003e\n","\u003cp\u003eWith his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote A\u0026#xFA;n Hay Luna En Los Cerros, Ensayos (Las Mayor\u0026#xED;as Discriminadas): En Defensa de la Mujer, Barro y Cenizas (D\u0026#xED;alogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biograf\u0026#xED;a de su Abuelo el General Jos\u0026#xE9; Braulio Alem\u0026#xE1;n). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.\u003c/p\u003e\n","\u003cp\u003eUnderstanding where his family came from and knowing the other members of his family tree can provide a part of Jos\u0026#xE9; Guerra Alem\u0026#xE1;n's identity. Jose Guerra Alem\u0026#xE1;n's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named Jos\u0026#xE9; Braulio Guerra Alem\u0026#xE1;n fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, Jos\u0026#xE9; Manuel Alem\u0026#xE1;n, served in the Cuban government as Minister of Education during the presidency of Dr. Ram\u0026#xF3;n Grau San Martin, president of the Authentic Party (Partido Aut\u0026#xE9;ntico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.\u003c/p\u003e\n","\u003cp\u003eHe rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alem\u0026#xE1;n. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["José Guerra Alemán was born to José Guerra and Herminia Alemán-Valdes on November 20, 1922 in Cuba. He referred to alternative names such as José Guerra Alemán, his initials J.G.A. and his nickname Pepín. Many of his closest friends and family called him as Pepín. His family contained of six members that included his three siblings, Maria Vicenta Guerra, Rafael Luis Guerra, and an eldest brother who his name is unknown. His brother, Rafael L. Guerra was born on November 20, 1926 in Habana, Cuba and died on October 2, 1998 in Miami, Florida. His sister, Maria, was born on June 19, 1924 in Habana, Cuba. A year after her brother's death, she died on February 27, 1999 in Miami, Florida. In her later years, she was a homemaker and she never married.","In his early years, he enrolled in the United States military at the age of 20 in 1942. He participated in the 8th Army (Octavo Ejército) of EE.UU. (United States). He covered the campaign of the Pacific as the 35th Division of Infantry (35 División de Infantería) called División Relámpago (Lightning Division). He finished training in the military at Fort Dix, Burlington County, New Jersey in the Delaware River region on October of 1946.","Once he finished his service, he returned to Cuba and founded a company called CINEPERIODICO in 1947. His motivation of starting this company began from his interest in journalism. At the age of 16, he delved into both journalism and short films/news films. He was one of the editors of Él País, La Habana. These experiences guided him to globally make notorious documentaries and cinematography of actual events and issues. He traveled around the globe. For instance, he registered for a temporary immigration card to Rio de Janeiro, Brazil in 1959 as a journalist. As a result for his traveling, he encountered prominent leaders of various movements.","One of those encounters, José Guerra Alemán climbed the Mountains of Sierra Maestra, in the province of East of the Island of Cuba to interview Fidel Castro and Che Guevara. Under the agency of his company, CINEPERIODICO, he personally knew these men and those who were a part of the guerillas during the Cuban Revolution. In 1950, he worked with José García and Eduardo Hernández (Guayo) in the same company. José Guerra Alemán directed films such as Sangre Y Esperanza: La Cuba de Hoy (Blood and Hope: the Cuba of Today and El Gran Recuento (The Great Story). He also took the position as the Senior Vice President of Guastella Film Producers Inc., an advertising firm in Puerto Rico, where he did similar works until he retired in 1990. This included the creation of historical documentary films.","With his interest in Cuba's history and living at a time of historical changes in Cuba, he wrote extensive materials along those themes. He wrote Aún Hay Luna En Los Cerros, Ensayos (Las Mayorías Discriminadas): En Defensa de la Mujer, Barro y Cenizas (Díalogos con Fidel Castro y el Che Guevara), and Juro Pero No Prometo (Biografía de su Abuelo el General José Braulio Alemán). His major work composes four volumes of encyclopedias called Cuba Infinita. Each book contains specific chronological decades and starts from 1855, when the first photographs of the city were available by American artist Fredericks De Forest, to 1958, when the Republic collapsed. The volumes includes more than a thousand selected photos of the history of Cuba, from colonial times to the Spanish American War. The reader walks through time and gets to see the transformation of Cuba. He included photographs received by family, friends, colleagues and what he collected from his travels. He also was inspired and guided from the work called La Enciclopedia de Cuba.","Understanding where his family came from and knowing the other members of his family tree can provide a part of José Guerra Alemán's identity. Jose Guerra Alemán's maternal bloodline had a huge role in the movement toward Cuba's independence against colonialism and imperialism. His grandfather named José Braulio Guerra Alemán fought in the Spanish-American War as a Cuban Brigadier General and was the principal author to the Constitution of Cuba proclaimed at Yara in 1896. He worked as a lawyer, newspaper owner, advocate of the liberation of Cuba, senator and governor for the province of Las Villas, minister of Education and ambassador to Mexico. His half uncle, José Manuel Alemán, served in the Cuban government as Minister of Education during the presidency of Dr. Ramón Grau San Martin, president of the Authentic Party (Partido Auténtico) in La Habana, and Senator of the Republic. His family went through three generations of leaders and fighters for Cuban independence through revolutions or preserving its history and culture.","He rested on February 22, 2013 in Miami, Florida. He survived his wife named Lidia Llano who he married on September 22, 1945 and left a son named Carlos Guerra Llano. He left a mark of what he had done, significant work in Cuba's history. However, he has not been given as much attention as he deserves in any setting, especially in academia. It is the many aspects of unknown history and researching the people from below like Alemán. He was a Cuban, veteran, journalist, nontraditional historian, and founder of a journalist business."],"prefercite_html_tesm":["\u003cp\u003eJos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["José Guerra Alemán Collection, Special Collections and UniversityArchives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eMaterials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Materials are housed in acid free folders and boxes; photographs and negatives were placed in clear sleeves; publications removed from the collection and cataloged separately."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks collected by Jos\u0026#xE9; Guerra Alem\u0026#xE1;n can be found by performing a series search for \"Jos\u0026#xE9; Guerra Alem\u0026#xE1;n Collection\" in the UCF Libraries catalog.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Books collected by José Guerra Alemán can be found by performing a series search for \"José Guerra Alemán Collection\" in the UCF Libraries catalog."],"scopecontent_html_tesm":["\u003cp\u003eThis collection was arranged in seven series:\u003c/p\u003e\n","\u003cp\u003e\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alem\u0026#xE1;n took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.\u003c/p\u003e\n","\u003cp\u003e\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alem\u0026#xE1;n used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.\u003c/p\u003e\n","\u003cp\u003e\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.\u003c/p\u003e\n","\u003cp\u003e\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. \u003c/p\u003e\n","\u003cp\u003e\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of Jos\u0026#xE9; G. Alem\u0026#xE1;n and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".\u003c/p\u003e\n","\u003cp\u003e\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.\u003c/p\u003e\n","\u003cp\u003e\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection was arranged in seven series:","\nSeries I. Manuscripts, 1915-2013, Undated, includes notes that Alemán took on varieties of subjects. His interests ranged from the origin of words and meaning of phrases to his summaries and interpretations of authors' works.","\nSeries II: Research Files, 1898-2012, Undated, holds a combination of newspapers, images, and works of others where Alemán used for the publication of Cuba Infinita and his work on Cuban and Latin American history, involving their relations to other countries.","\nSeries III: Publications, 1987-2008, Undated, contains his writings that has drafts of his published work, his articles from newspapers, and promotional materials advertising his works.","\nSeries IV: Personal Files, 1887-2011, Undated, provides letters between Aleman and his family members and between Aleman and business workers. They share insight of Aleman's genealogy and Aleman's work ethic. Series also includes various maps and postcards. ","\nSeries V: Visual Materials, Circa 1900-Circa 2000, Undated, includes photographs and negatives of José G. Alemán and his relatives; overseas trips as a Journalist; and images of Cuba, cubans, and public buildings. Series also includes a CD of \"Fidel Castro: La Historia Lo Absolvera\" and another CD contains a song from Marisela Verena \"Mi Pinar del Rio\".","\nSeries VI: Memorabilia, 1926-1977, Undated, comprises hats from different places that Aleman travelled, identification cards, and a lottery ticket from Republic of Cuba, 1949.","\nSeries VII: Oversize Materials, 1958-2008, Undated, includes large maps of various countries, posters, a proof sheet for Cuba Infinita, and a game card \"La Charada Cubana.\""],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission topublish, quote or reproduce must be secured from the repository and thecopyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e4d41ff341ce7470c0d40282c3f71dd8\"\u003eThe collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist Jos\u0026#xE9; Guerra Alem\u0026#xE1;n. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita.\u003c/abstract\u003e"],"abstract_tesim":["The collection is filled with Cuban history and researched materials on society's past was created by Cuban and American journalist José Guerra Alemán. The materials range from photographs of his travels to cultural sites and countries to personal notes on literature of other scholars' works and his published books. He is most notable of his published four-volume encyclopedia on Cuban history called Cuba Infinita."],"names_ssim":["UCF Special Collections","Guerra Alemán, José"],"corpname_ssim":["UCF Special Collections"],"persname_ssim":["Guerra Alemán, José"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":282,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870857755411087360,"_root_":"725898a1a41349eb30ec365d","timestamp":"2026-07-16T08:03:10.972Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/725898a1a41349eb30ec365d_aspace_5233acb9de7da58ed3c15d3c9f229e7f"}},{"id":"b9fa0d8ac890dbb053133eb6_aspace_5165e46abb78b70c41bb6b2f0e8a3450","type":"File","attributes":{"title":"Literature and News Articles, 1986 - 2006","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/b9fa0d8ac890dbb053133eb6_aspace_5165e46abb78b70c41bb6b2f0e8a3450#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFolder includes books and articles about Six Mile Cypress in Florida libraries and ProQuest.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b9fa0d8ac890dbb053133eb6_aspace_5165e46abb78b70c41bb6b2f0e8a3450#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5165e46abb78b70c41bb6b2f0e8a3450","ref_ssm":["aspace_5165e46abb78b70c41bb6b2f0e8a3450","aspace_5165e46abb78b70c41bb6b2f0e8a3450"],"id":"b9fa0d8ac890dbb053133eb6_aspace_5165e46abb78b70c41bb6b2f0e8a3450","title_filing_ssi":"Literature and News Articles","title_ssm":["Literature and News Articles"],"title_tesim":["Literature and News Articles"],"unitdate_inclusive_ssm":["1986 - 2006"],"normalized_date_ssm":["1986 - 2006"],"normalized_title_ssm":["Literature and News Articles, 1986 - 2006"],"text":["Literature and News Articles, 1986 - 2006","Six Mile Cypress Slough Preserve, 1965-2011","/repositories/3/archival_objects/51069","English","box 01","folder 25","Folder includes books and articles about Six Mile Cypress in Florida libraries and ProQuest."],"component_level_isim":[1],"parent_ids_ssim":["b9fa0d8ac890dbb053133eb6"],"parent_unittitles_ssm":["Six Mile Cypress Slough Preserve, 1965-2011"],"parent_unittitles_tesim":["Six Mile Cypress Slough Preserve, 1965-2011"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/3/archival_objects/51069"],"repository_ssim":["Florida Gulf Coast University Archives"],"collection_ssim":["Six Mile Cypress Slough Preserve, 1965-2011"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":25,"parent_access_restrict_tesm":["Some audio not avaliable for CDs and micro cassette tapes."],"date_range_isim":[1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"language_ssim":["English"],"containers_ssim":["box 01","folder 25"],"scopecontent_html_tesm":["\u003cp\u003eFolder includes books and articles about Six Mile Cypress in Florida libraries and ProQuest.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Folder includes books and articles about Six Mile Cypress in Florida libraries and ProQuest."],"_nest_path_":"/components#24","_nest_parent_":"b9fa0d8ac890dbb053133eb6","_root_":"b9fa0d8ac890dbb053133eb6","timestamp":"2026-04-21T02:07:37.824Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b9fa0d8ac890dbb053133eb6","title_filing_ssi":"Six Mile Cypress Slough Preserve","title_ssm":["Six Mile Cypress Slough Preserve"],"title_tesim":["Six Mile Cypress Slough Preserve"],"ead_ssi":"b9fa0d8ac890dbb053133eb6","unitdate_ssm":["1965-2011"],"unitdate_inclusive_ssm":["1965-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["01.02.17","/repositories/3/resources/99"],"text":["01.02.17","/repositories/3/resources/99","Six Mile Cypress Slough Preserve, 1965-2011","Florida -- History","Environment","The collection is open for research.","Some audio not avaliable for CDs and micro cassette tapes.","Materials are arranged chronologically.","Materials largely relate to the history and preservation of the Six Miles Cypress Slough Preservation, including oral histories, advocacy works, and news articles. Oral histories were collected through Dr. Carlson's Research in Public History course, primarily from 2012.","Florida Gulf Coast University Archives","English"],"unitid_tesim":["01.02.17","/repositories/3/resources/99"],"normalized_date_ssm":["1965-2011"],"normalized_title_ssm":["Six Mile Cypress Slough Preserve, 1965-2011"],"collection_title_tesim":["Six Mile Cypress Slough Preserve, 1965-2011"],"collection_ssim":["Six Mile Cypress Slough Preserve, 1965-2011"],"repository_ssm":["Florida Gulf Coast University Archives"],"repository_ssim":["Florida Gulf Coast University Archives"],"geogname_ssm":["Florida -- History"],"geogname_ssim":["Florida -- History"],"places_ssim":["Florida -- History"],"access_subjects_ssim":["Environment"],"access_subjects_ssm":["Environment"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet"],"extent_tesim":["2 Linear Feet"],"date_range_isim":[1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e","\u003cp\u003eSome audio not avaliable for CDs and micro cassette tapes.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research.","Some audio not avaliable for CDs and micro cassette tapes."],"arrangement_html_tesm":["\u003cp\u003eMaterials are arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are arranged chronologically."],"scopecontent_html_tesm":["\u003cp\u003eMaterials largely relate to the history and preservation of the Six Miles Cypress Slough Preservation, including oral histories, advocacy works, and news articles. Oral histories were collected through Dr. Carlson's Research in Public History course, primarily from 2012.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials largely relate to the history and preservation of the Six Miles Cypress Slough Preservation, including oral histories, advocacy works, and news articles. Oral histories were collected through Dr. Carlson's Research in Public History course, primarily from 2012."],"names_ssim":["Florida Gulf Coast University Archives"],"corpname_ssim":["Florida Gulf Coast University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":94,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"b9fa0d8ac890dbb053133eb6","timestamp":"2026-04-21T02:07:37.824Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b9fa0d8ac890dbb053133eb6_aspace_5165e46abb78b70c41bb6b2f0e8a3450"}},{"id":"8e775b6d2c750c409e16ae47_aspace_51be28c6464c3fada398f678831ad575","type":"Series","attributes":{"title":"Lithuanian Files, 1991-2006","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8e775b6d2c750c409e16ae47_aspace_51be28c6464c3fada398f678831ad575#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_51be28c6464c3fada398f678831ad575","ref_ssm":["aspace_51be28c6464c3fada398f678831ad575","aspace_51be28c6464c3fada398f678831ad575"],"id":"8e775b6d2c750c409e16ae47_aspace_51be28c6464c3fada398f678831ad575","title_filing_ssi":"Lithuanian Files","title_ssm":["Lithuanian Files"],"title_tesim":["Lithuanian Files"],"unitdate_inclusive_ssm":["1991-2006"],"normalized_date_ssm":["1991-2006"],"normalized_title_ssm":["Lithuanian Files, 1991-2006"],"text":["Lithuanian Files, 1991-2006","U.S.-Baltic Foundation records, 1990-2013, bulk 1992-1997","4","/repositories/4/archival_objects/83703"],"component_level_isim":[1],"parent_ids_ssim":["8e775b6d2c750c409e16ae47"],"parent_unittitles_ssm":["U.S.-Baltic Foundation records, 1990-2013, bulk 1992-1997"],"parent_unittitles_tesim":["U.S.-Baltic Foundation records, 1990-2013, bulk 1992-1997"],"parent_levels_ssm":["collection"],"unitid_ssm":["4","/repositories/4/archival_objects/83703"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["U.S.-Baltic Foundation records, 1990-2013, bulk 1992-1997"],"has_online_content_ssim":["false"],"child_component_count_isi":57,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":151,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"_nest_path_":"/components#3","_nest_parent_":"8e775b6d2c750c409e16ae47","_root_":"8e775b6d2c750c409e16ae47","_version_":1870857903575924736,"timestamp":"2026-07-16T08:05:32.282Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8e775b6d2c750c409e16ae47","title_ssm":["U.S.-Baltic Foundation records"],"title_tesim":["U.S.-Baltic Foundation records"],"ead_ssi":"8e775b6d2c750c409e16ae47","unitdate_ssm":["1990-2013","1992-1997"],"unitdate_bulk_ssim":["1992-1997"],"unitdate_inclusive_ssm":["1990-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 142","/repositories/4/resources/321"],"text":["SC 142","/repositories/4/resources/321","U.S.-Baltic Foundation records, 1990-2013, bulk 1992-1997","Baltic States -- Foreign relations","Baltic States","United States -- Relations  --  Baltic States","Democratization","Democratization -- Europe, Eastern","Decentralization in government","newsletters","annual reports","financial statements","The entire collection is open for research.","The collection is arranged into four series as follows. Each series is arranged chronologically. \n I. U.S.-Baltic Foundation Files, 1990 – 2008 II. Latvia Files, 1991-1998 III. Estonia Files, 1993-2001 IV. Lithuania Files, 1992 – 2006","The U.S.-Baltic Foundation (USBF) was founded in 1990 as a response to the collapse of the Soviet Union and the United States' desire to restore independence and democracy to the Baltic States. In 1990, they also obtained non-profit status. As part of the U.S. Democracy Network, the U.S.-Baltic Foundation received a 2.4-million-dollar budget from Congress to work with Baltic organizations and embassies to aid in the democratization of Latvia, Lithuania, and Estonia. USBF worked very closely with the United States Agency for International Development (USAID) on many of its projects and politicians from both U.S. political parties served on its board of trustees. USBF also received private support, accepting donations from American individuals and large non-profit organizations such as Pew Charitable Trusts and the Audrey Gruss Foundation. ","The U.S.-Baltic Foundation held Baltic Municipal Management Seminars and established Municipal Training Centers, which taught local Baltic officials how to govern in a capitalist system. Municipal Training Centers were created in partnership with universities in the Baltic States, including the University of Tartu in Estonia, the University of Latvia, and the Kaunas Technological University in Lithuania, emphasizing decentralization and providing opportunities to visit America and observe how government operated in a capitalist society. The Foundation also worked to introduce free press to the Baltic states through exchange programs that allowed Baltic media personnel to visit news stations in Washington D.C. and Dallas, Texas. These visits gave Baltic media personnel examples of how the free press operated. USBF also had country-specific programs such as helping the Jewish community in Lithuania build a community center, creating an AIDS-Information and Support center in Estonia, and donating to the Latvian Society of Nature and Monuments Protection. USBF supported many organizations such as these and was a crucial part of democratizing the Baltic states. USBF's operations slowed in 2011. In 2019, USBF donated $250,000, the last of its cash assets, to the University of Central Florida for a new dual undergraduate program in public administration and nonprofit management in partnership with Kaunas University of Technology in Lithuania. ","Processed by and finding aid prepared by Stanley Shen in 2024.","Joint Baltic American National Committee records , Immigration History Research Center Archives, University of Minnesota Libraries.","The U.S.-Baltic Foundation records, 1990-2013, documents the work of the U.S.-Baltic Foundation, a non-profit organization that aimed to support the democratization of the Baltic States after the collapse of the Soviet Union. The collection consists of financial reports, legal documents, newspaper articles, newsletters, magazines, and a small number of photographs documenting the Foundation's activities and programs in Latvia, Estonia, and Lithuania.  It also contains briefings, which offer broad information on various projects, monthly events, and final reports on a project's progress.  Proposals, agreements, and modifications of  grants awarded by the U.S.-Baltic Foundation are also included. This collection offers insight into American efforts to restore democracy in former Soviet states of Eastern Europe, steering Baltic states away from communism and encouraging free markets.  Through initiatives promoting press freedom, decentralization, and the creation of PhD programs in the Baltic States, the U.S.-Baltic Foundation significantly aided the Baltic States' transition to capitalism and democracy. ","Series I: U.S.-Baltic Foundation Files, 1990 – 2008, contain organizational records and major project files that document the U.S.-Baltic Foundation's work with multiple Baltic countries. It includes grant agreements, modifications, the U.S.-Baltic Foundation in media such as new clippings or articles, emails, newsletters, financial documents, legal documents, and reports about programs, such as the Baltic Municipal Training Institute. It also documents the Foundation's efforts to obtain non-profit status.  This series is arranged by like-item.  ","Series II: Latvian Files, 1991-1998, contain materials related to projects in Latvia. The series includes grant paperwork, emails, financial reports, and proposals. The files document the brand-new U.S.-Baltic Foundation's first contact with Latvian social programs.  ","Series III: Estonia Files, 1993-2001, contains materials related to projects in Estonia. The series includes grant paperwork, emails, and financial files. The U.S.-Baltic Foundation's work in Estonia is centered around protecting the environment. The U.S.-Baltic Foundation worked very closely with the Estonian Green Movement, providing financial aid.  ","Series IV: Lithuanian files, 1992 – 2006, contain materials related to projects in Lithuania. The series includes grant paperwork, emails, thank you letters, correspondence with local authorities, and financial files. The U.S.-Baltic Foundation's activities in Lithuania demonstrate the organization's evolving role over time. Initially, the Foundation supported Lithuania in a similar way as the other states by creating a Municipal Training Center and the Kaunas Technological University in Lithuania. This Municipal Training Center taught local officials how to govern in a capitalist democracy. Later, the U.S.-Baltic Foundation began to focus on community growth, such as creating summer camps for students and building a community center for the Jewish population. ","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The U.S.-Baltic Foundation records, 1990-2013, documents the work of the U.S.-Baltic Foundation, a non-profit organization that aimed to support the democratization of the Baltic States after the collapse of the Soviet Union. The collection consists of financial reports, legal documents, newspaper articles, newsletters, magazines, and a small number of photographs documenting the Foundation's activities and programs in Latvia, Estonia, and Lithuania.  It also contains briefings, which offer broad information on various projects, monthly events, and final reports on a project's progress.  Proposals, agreements, and modifications of  grants awarded by the U.S.-Baltic Foundation are also included. \n\nThe U.S.-Baltic Foundation (USBF) was founded in 1990 as a response to the collapse of the Soviet Union and the United States' desire to restore independence and democracy to the Baltic States. In 1990, they also obtained non-profit status. As part of the U.S. Democracy Network, the U.S.-Baltic Foundation received a 2.4-million-dollar budget from Congress to work with Baltic organizations and embassies to aid in the democratization of Latvia, Lithuania, and Estonia. USBF held Baltic Municipal Management Seminars and established Municipal Training Centers, which taught local Baltic officials how to govern in a capitalist system. Municipal Training Centers were created in partnership with universities in the Baltic States, including the University of Tartu in Estonia, the University of Latvia, and the Kaunas Technological University in Lithuania, emphasizing decentralization and providing opportunities to visit America and observe how government operated in a capitalist society. USBF's operations slowed in 2011. In 2019, USBF donated $250,000, the last of its cash assets, to the University of Central Florida for a new dual undergraduate program in public administration and nonprofit management in partnership with Kaunas University of Technology in Lithuania.","UCF Special Collections","U.S.-Baltic Foundation","United States. 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Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of Jeff Nelson in 2023 (Accession no. CFM2023_04)."],"access_subjects_ssim":["Democratization","Democratization -- Europe, Eastern","Decentralization in government","newsletters","annual reports","financial statements"],"access_subjects_ssm":["Democratization","Democratization -- Europe, Eastern","Decentralization in government","newsletters","annual reports","financial statements"],"has_online_content_ssim":["false"],"extent_ssm":["6 Linear Feet 12 boxes"],"extent_tesim":["6 Linear Feet 12 boxes"],"genreform_ssim":["newsletters","annual reports","financial statements"],"date_range_isim":[1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series as follows. Each series is arranged chronologically.\u0026#x202F;\n\u003cul style=\"list-style-type:none;\"\u003e\n  \u003cli\u003eI. U.S.-Baltic Foundation Files, 1990 \u0026#x2013; 2008\u003c/li\u003e\n  \u003cli\u003eII. Latvia Files, 1991-1998\u003c/li\u003e\n  \u003cli\u003eIII. Estonia Files, 1993-2001\u003c/li\u003e\n  \u003cli\u003eIV. Lithuania Files, 1992 \u0026#x2013; 2006\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The collection is arranged into four series as follows. Each series is arranged chronologically. \n I. U.S.-Baltic Foundation Files, 1990 – 2008 II. Latvia Files, 1991-1998 III. Estonia Files, 1993-2001 IV. Lithuania Files, 1992 – 2006"],"bioghist_html_tesm":["\u003cp\u003eThe U.S.-Baltic Foundation (USBF) was founded in 1990 as a response to the collapse of the Soviet Union and the United States' desire to restore independence and democracy to the Baltic States. In 1990, they also obtained non-profit status. As part of the U.S. Democracy Network, the U.S.-Baltic Foundation received a 2.4-million-dollar budget from Congress to work with Baltic organizations and embassies to aid in the democratization of Latvia, Lithuania, and Estonia. USBF worked very closely with the United States Agency for International Development (USAID) on many of its projects and politicians from both U.S. political parties served on its board of trustees. USBF also received private support, accepting donations from American individuals and large non-profit organizations such as Pew Charitable Trusts and the Audrey Gruss Foundation. \u003c/p\u003e\n","\u003cp\u003eThe U.S.-Baltic Foundation held Baltic Municipal Management Seminars and established Municipal Training Centers, which taught local Baltic officials how to govern in a capitalist system. Municipal Training Centers were created in partnership with universities in the Baltic States, including the University of Tartu in Estonia, the University of Latvia, and the Kaunas Technological University in Lithuania, emphasizing decentralization and providing opportunities to visit America and observe how government operated in a capitalist society. The Foundation also worked to introduce free press to the Baltic states through exchange programs that allowed Baltic media personnel to visit news stations in Washington D.C. and Dallas, Texas. These visits gave Baltic media personnel examples of how the free press operated. USBF also had country-specific programs such as helping the Jewish community in Lithuania build a community center, creating an AIDS-Information and Support center in Estonia, and donating to the Latvian Society of Nature and Monuments Protection. USBF supported many organizations such as these and was a crucial part of democratizing the Baltic states. USBF's operations slowed in 2011. In 2019, USBF donated $250,000, the last of its cash assets, to the University of Central Florida for a new dual undergraduate program in public administration and nonprofit management in partnership with Kaunas University of Technology in Lithuania. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The U.S.-Baltic Foundation (USBF) was founded in 1990 as a response to the collapse of the Soviet Union and the United States' desire to restore independence and democracy to the Baltic States. In 1990, they also obtained non-profit status. As part of the U.S. Democracy Network, the U.S.-Baltic Foundation received a 2.4-million-dollar budget from Congress to work with Baltic organizations and embassies to aid in the democratization of Latvia, Lithuania, and Estonia. USBF worked very closely with the United States Agency for International Development (USAID) on many of its projects and politicians from both U.S. political parties served on its board of trustees. USBF also received private support, accepting donations from American individuals and large non-profit organizations such as Pew Charitable Trusts and the Audrey Gruss Foundation. ","The U.S.-Baltic Foundation held Baltic Municipal Management Seminars and established Municipal Training Centers, which taught local Baltic officials how to govern in a capitalist system. Municipal Training Centers were created in partnership with universities in the Baltic States, including the University of Tartu in Estonia, the University of Latvia, and the Kaunas Technological University in Lithuania, emphasizing decentralization and providing opportunities to visit America and observe how government operated in a capitalist society. The Foundation also worked to introduce free press to the Baltic states through exchange programs that allowed Baltic media personnel to visit news stations in Washington D.C. and Dallas, Texas. These visits gave Baltic media personnel examples of how the free press operated. USBF also had country-specific programs such as helping the Jewish community in Lithuania build a community center, creating an AIDS-Information and Support center in Estonia, and donating to the Latvian Society of Nature and Monuments Protection. USBF supported many organizations such as these and was a crucial part of democratizing the Baltic states. USBF's operations slowed in 2011. In 2019, USBF donated $250,000, the last of its cash assets, to the University of Central Florida for a new dual undergraduate program in public administration and nonprofit management in partnership with Kaunas University of Technology in Lithuania. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], U.S.-Baltic Foundation records, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], U.S.-Baltic Foundation records, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Stanley Shen in 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Stanley Shen in 2024."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://archives.lib.umn.edu/repositories/6/resources/5880\"\u003eJoint Baltic American National Committee records\u003c/extref\u003e, Immigration History Research Center Archives, University of Minnesota Libraries.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Joint Baltic American National Committee records , Immigration History Research Center Archives, University of Minnesota Libraries."],"scopecontent_html_tesm":["\u003cp\u003eThe U.S.-Baltic Foundation records, 1990-2013, documents the work of the U.S.-Baltic Foundation, a non-profit organization that aimed to support the democratization of the Baltic States after the collapse of the Soviet Union. The collection consists of financial reports, legal documents, newspaper articles, newsletters, magazines, and a small number of photographs documenting the Foundation's activities and programs in Latvia, Estonia, and Lithuania.  It also contains briefings, which offer broad information on various projects, monthly events, and final reports on a project's progress.  Proposals, agreements, and modifications of  grants awarded by the U.S.-Baltic Foundation are also included. This collection offers insight into American efforts to restore democracy in former Soviet states of Eastern Europe, steering Baltic states away from communism and encouraging free markets.  Through initiatives promoting press freedom, decentralization, and the creation of PhD programs in the Baltic States, the U.S.-Baltic Foundation significantly aided the Baltic States' transition to capitalism and democracy. \u003c/p\u003e\n","\u003cp\u003eSeries I: U.S.-Baltic Foundation Files, 1990 \u0026#x2013; 2008, contain organizational records and major project files that document the U.S.-Baltic Foundation's work with multiple Baltic countries. It includes grant agreements, modifications, the U.S.-Baltic Foundation in media such as new clippings or articles, emails, newsletters, financial documents, legal documents, and reports about programs, such as the Baltic Municipal Training Institute. It also documents the Foundation's efforts to obtain non-profit status.  This series is arranged by like-item.  \u003c/p\u003e\n","\u003cp\u003eSeries II: Latvian Files, 1991-1998, contain materials related to projects in Latvia. The series includes grant paperwork, emails, financial reports, and proposals. The files document the brand-new U.S.-Baltic Foundation's first contact with Latvian social programs.  \u003c/p\u003e\n","\u003cp\u003eSeries III: Estonia Files, 1993-2001, contains materials related to projects in Estonia. The series includes grant paperwork, emails, and financial files. The U.S.-Baltic Foundation's work in Estonia is centered around protecting the environment. The U.S.-Baltic Foundation worked very closely with the Estonian Green Movement, providing financial aid.  \u003c/p\u003e\n","\u003cp\u003eSeries IV: Lithuanian files, 1992 \u0026#x2013; 2006, contain materials related to projects in Lithuania. The series includes grant paperwork, emails, thank you letters, correspondence with local authorities, and financial files. The U.S.-Baltic Foundation's activities in Lithuania demonstrate the organization's evolving role over time. Initially, the Foundation supported Lithuania in a similar way as the other states by creating a Municipal Training Center and the Kaunas Technological University in Lithuania. This Municipal Training Center taught local officials how to govern in a capitalist democracy. Later, the U.S.-Baltic Foundation began to focus on community growth, such as creating summer camps for students and building a community center for the Jewish population. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The U.S.-Baltic Foundation records, 1990-2013, documents the work of the U.S.-Baltic Foundation, a non-profit organization that aimed to support the democratization of the Baltic States after the collapse of the Soviet Union. The collection consists of financial reports, legal documents, newspaper articles, newsletters, magazines, and a small number of photographs documenting the Foundation's activities and programs in Latvia, Estonia, and Lithuania.  It also contains briefings, which offer broad information on various projects, monthly events, and final reports on a project's progress.  Proposals, agreements, and modifications of  grants awarded by the U.S.-Baltic Foundation are also included. This collection offers insight into American efforts to restore democracy in former Soviet states of Eastern Europe, steering Baltic states away from communism and encouraging free markets.  Through initiatives promoting press freedom, decentralization, and the creation of PhD programs in the Baltic States, the U.S.-Baltic Foundation significantly aided the Baltic States' transition to capitalism and democracy. ","Series I: U.S.-Baltic Foundation Files, 1990 – 2008, contain organizational records and major project files that document the U.S.-Baltic Foundation's work with multiple Baltic countries. It includes grant agreements, modifications, the U.S.-Baltic Foundation in media such as new clippings or articles, emails, newsletters, financial documents, legal documents, and reports about programs, such as the Baltic Municipal Training Institute. It also documents the Foundation's efforts to obtain non-profit status.  This series is arranged by like-item.  ","Series II: Latvian Files, 1991-1998, contain materials related to projects in Latvia. The series includes grant paperwork, emails, financial reports, and proposals. The files document the brand-new U.S.-Baltic Foundation's first contact with Latvian social programs.  ","Series III: Estonia Files, 1993-2001, contains materials related to projects in Estonia. The series includes grant paperwork, emails, and financial files. The U.S.-Baltic Foundation's work in Estonia is centered around protecting the environment. The U.S.-Baltic Foundation worked very closely with the Estonian Green Movement, providing financial aid.  ","Series IV: Lithuanian files, 1992 – 2006, contain materials related to projects in Lithuania. The series includes grant paperwork, emails, thank you letters, correspondence with local authorities, and financial files. The U.S.-Baltic Foundation's activities in Lithuania demonstrate the organization's evolving role over time. Initially, the Foundation supported Lithuania in a similar way as the other states by creating a Municipal Training Center and the Kaunas Technological University in Lithuania. This Municipal Training Center taught local officials how to govern in a capitalist democracy. Later, the U.S.-Baltic Foundation began to focus on community growth, such as creating summer camps for students and building a community center for the Jewish population. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7ce0e7f5258c72c34f947e506f6800df\"\u003eThe U.S.-Baltic Foundation records, 1990-2013, documents the work of the U.S.-Baltic Foundation, a non-profit organization that aimed to support the democratization of the Baltic States after the collapse of the Soviet Union. The collection consists of financial reports, legal documents, newspaper articles, newsletters, magazines, and a small number of photographs documenting the Foundation's activities and programs in Latvia, Estonia, and Lithuania.  It also contains briefings, which offer broad information on various projects, monthly events, and final reports on a project's progress.  Proposals, agreements, and modifications of  grants awarded by the U.S.-Baltic Foundation are also included. \n\nThe U.S.-Baltic Foundation (USBF) was founded in 1990 as a response to the collapse of the Soviet Union and the United States' desire to restore independence and democracy to the Baltic States. In 1990, they also obtained non-profit status. As part of the U.S. Democracy Network, the U.S.-Baltic Foundation received a 2.4-million-dollar budget from Congress to work with Baltic organizations and embassies to aid in the democratization of Latvia, Lithuania, and Estonia. USBF held Baltic Municipal Management Seminars and established Municipal Training Centers, which taught local Baltic officials how to govern in a capitalist system. Municipal Training Centers were created in partnership with universities in the Baltic States, including the University of Tartu in Estonia, the University of Latvia, and the Kaunas Technological University in Lithuania, emphasizing decentralization and providing opportunities to visit America and observe how government operated in a capitalist society. USBF's operations slowed in 2011. In 2019, USBF donated $250,000, the last of its cash assets, to the University of Central Florida for a new dual undergraduate program in public administration and nonprofit management in partnership with Kaunas University of Technology in Lithuania.\u003c/abstract\u003e"],"abstract_tesim":["The U.S.-Baltic Foundation records, 1990-2013, documents the work of the U.S.-Baltic Foundation, a non-profit organization that aimed to support the democratization of the Baltic States after the collapse of the Soviet Union. The collection consists of financial reports, legal documents, newspaper articles, newsletters, magazines, and a small number of photographs documenting the Foundation's activities and programs in Latvia, Estonia, and Lithuania.  It also contains briefings, which offer broad information on various projects, monthly events, and final reports on a project's progress.  Proposals, agreements, and modifications of  grants awarded by the U.S.-Baltic Foundation are also included. \n\nThe U.S.-Baltic Foundation (USBF) was founded in 1990 as a response to the collapse of the Soviet Union and the United States' desire to restore independence and democracy to the Baltic States. In 1990, they also obtained non-profit status. As part of the U.S. Democracy Network, the U.S.-Baltic Foundation received a 2.4-million-dollar budget from Congress to work with Baltic organizations and embassies to aid in the democratization of Latvia, Lithuania, and Estonia. 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