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Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.\u003c/p\u003e","\u003cp\u003eOversized graphic materials stored in a horizontal folder separate from the collection.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Publications related to the archival collection are cataloged individually and shelved in Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the Cataloged Publications series.","Oversized graphic materials stored in a horizontal folder separate from the collection."],"abstract_html_tesm":["\u003cabstract id=\"aspace_942288f0813d472c169711bd5a6bc750\"\u003eThe Sally Thompson collection consists of professional papers covering Thompson's career in environmental advocacy, public administration, and education. This collection consists of organizational documents, reports, periodicals, public awareness campaign materials, and other items related to environmental and conservation advocacy in Florida, with attention to the Tampa Bay area. Topics of interest include green spaces, urban planning, environmental policy and legislation, citizen activism, wildlife conservation, energy, hydrology, land management, and restoration projects.\u003c/abstract\u003e"],"abstract_tesim":["The Sally Thompson collection consists of professional papers covering Thompson's career in environmental advocacy, public administration, and education. This collection consists of organizational documents, reports, periodicals, public awareness campaign materials, and other items related to environmental and conservation advocacy in Florida, with attention to the Tampa Bay area. Topics of interest include green spaces, urban planning, environmental policy and legislation, citizen activism, wildlife conservation, energy, hydrology, land management, and restoration projects."],"names_ssim":["USF Libraries - Tampa Special Collections","Thompson, Sally"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Thompson, Sally"],"language_ssim":["English"],"total_component_count_is":3547,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870863616778960896,"_root_":"adbe667f7776a646ea83b849","timestamp":"2026-07-16T09:36:20.762Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/adbe667f7776a646ea83b849_aspace_919ab906697ce0ace82fc72cef45366e"}},{"id":"256e771e3cc0782aac349f80_aspace_87da09f9737bb861d154295e51e2a1db","type":"File","attributes":{"title":"Ego Records \u0026 Super-Babe Productions, Summer 2002, Summer 2002","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_87da09f9737bb861d154295e51e2a1db#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_87da09f9737bb861d154295e51e2a1db","ref_ssm":["aspace_87da09f9737bb861d154295e51e2a1db","aspace_87da09f9737bb861d154295e51e2a1db"],"id":"256e771e3cc0782aac349f80_aspace_87da09f9737bb861d154295e51e2a1db","title_filing_ssi":"Ego Records \u0026 Super-Babe Productions, Summer 2002","title_ssm":["Ego Records \u0026 Super-Babe Productions, Summer 2002"],"title_tesim":["Ego Records \u0026 Super-Babe Productions, Summer 2002"],"unitdate_other_ssim":["Summer 2002"],"normalized_date_ssm":["Summer 2002"],"normalized_title_ssm":["Ego Records \u0026 Super-Babe Productions, Summer 2002, Summer 2002"],"text":["Ego Records \u0026 Super-Babe Productions, Summer 2002, Summer 2002","Zine Collection, 1973-2019","Riot Grrrl Zine Collection, 1989-1996","Reviews, Distro Catalogs and Miscellaneous Materials","/repositories/2/archival_objects/29213","Zines.","Music.","Reviews","box 1","folder 118"],"component_level_isim":[3],"parent_ids_ssim":["256e771e3cc0782aac349f80","256e771e3cc0782aac349f80_aspace_17302","256e771e3cc0782aac349f80_aspace_17992"],"parent_unittitles_ssm":["Zine Collection, 1973-2019","Riot Grrrl Zine Collection, 1989-1996","Reviews, Distro Catalogs and Miscellaneous Materials"],"parent_unittitles_tesim":["Zine Collection, 1973-2019","Riot Grrrl Zine Collection, 1989-1996","Reviews, Distro Catalogs and Miscellaneous Materials"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/29213"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["Zine Collection, 1973-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":143,"parent_access_restrict_tesm":["The collection is open for use."],"date_range_isim":[2002],"geogname_ssim":["Zines."],"geogname_ssm":["Zines."],"places_ssim":["Zines."],"access_subjects_ssim":["Music.","Reviews"],"access_subjects_ssm":["Music.","Reviews"],"containers_ssim":["box 1","folder 118"],"_nest_path_":"/components#0/components#3/components#49","_nest_parent_":"256e771e3cc0782aac349f80_aspace_17992","_root_":"256e771e3cc0782aac349f80","_version_":1870843569479090176,"timestamp":"2026-07-16T04:17:42.144Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"256e771e3cc0782aac349f80","title_ssm":["Zine Collection"],"title_tesim":["Zine Collection"],"ead_ssi":"256e771e3cc0782aac349f80","unitdate_ssm":["1973-2019"],"unitdate_inclusive_ssm":["1973-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/26","/repositories/2/resources/6"],"text":["02/01/26","/repositories/2/resources/6","Zine Collection, 1973-2019","Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art","The collection is open for use.","Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.","The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.","Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.","Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe","English"],"unitid_tesim":["02/01/26","/repositories/2/resources/6"],"normalized_date_ssm":["1973-2019"],"normalized_title_ssm":["Zine Collection, 1973-2019"],"collection_title_tesim":["Zine Collection, 1973-2019"],"collection_ssim":["Zine Collection, 1973-2019"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"geogname_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"places_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for use."],"arrangement_html_tesm":["\u003cp\u003eOrganized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5a0de4e8fb6224cb231f2eecf1aee4f4\" label=\"Abstract and Language Disclaimer\"\u003eZines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.\u003c/abstract\u003e"],"abstract_tesim":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"names_ssim":["Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Corley, Madison","Lewis, Chloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":447,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843569479090176,"_root_":"256e771e3cc0782aac349f80","timestamp":"2026-07-16T04:17:42.144Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80_aspace_87da09f9737bb861d154295e51e2a1db"}},{"id":"8e87cad770c4897fd823a47e_aspace_0234f1b373fb1350d9523b9634cb9092","type":"File","attributes":{"title":"Eighth Blackbird, 2002-02-04","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/8e87cad770c4897fd823a47e_aspace_0234f1b373fb1350d9523b9634cb9092#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_0234f1b373fb1350d9523b9634cb9092","ref_ssm":["aspace_0234f1b373fb1350d9523b9634cb9092","aspace_0234f1b373fb1350d9523b9634cb9092"],"id":"8e87cad770c4897fd823a47e_aspace_0234f1b373fb1350d9523b9634cb9092","title_filing_ssi":"Eighth Blackbird ","title_ssm":["Eighth Blackbird "],"title_tesim":["Eighth Blackbird "],"unitdate_other_ssim":["2002-02-04"],"normalized_date_ssm":["2002-02-04"],"normalized_title_ssm":["Eighth Blackbird, 2002-02-04"],"text":["Eighth Blackbird, 2002-02-04","Festival of Fine Arts, 1970-2025","Box 19","/repositories/4/archival_objects/7038","folder 2"],"component_level_isim":[2],"parent_ids_ssim":["8e87cad770c4897fd823a47e","8e87cad770c4897fd823a47e_aspace_953132e86d382e2cbbf74ceea4611a34"],"parent_unittitles_ssm":["Festival of Fine Arts, 1970-2025","Box 19"],"parent_unittitles_tesim":["Festival of Fine Arts, 1970-2025","Box 19"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["/repositories/4/archival_objects/7038"],"repository_ssim":["The Florida Southern College Archives"],"collection_ssim":["Festival of Fine Arts, 1970-2025"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":775,"parent_access_restrict_tesm":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"parent_access_terms_tesm":["The Festival of Fine Arts records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"date_range_isim":[2002],"containers_ssim":["folder 2"],"_nest_path_":"/components#18/components#1","_nest_parent_":"8e87cad770c4897fd823a47e_aspace_953132e86d382e2cbbf74ceea4611a34","_root_":"8e87cad770c4897fd823a47e","_version_":1870846336524353536,"timestamp":"2026-07-16T05:01:41.074Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"8e87cad770c4897fd823a47e","title_ssm":["Festival of Fine Arts"],"title_tesim":["Festival of Fine Arts"],"ead_ssi":"8e87cad770c4897fd823a47e","unitdate_ssm":["1970-2025"],"unitdate_inclusive_ssm":["1970-2025"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["CA8015","/repositories/4/resources/43"],"text":["CA8015","/repositories/4/resources/43","Festival of Fine Arts, 1970-2025","Arts festivals","Performing arts","Performing arts","College festivals","Florida Southern College--History.","Playbills","Photographs.","This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials","These materials have been arranged by ascending date","The materials in this collection are arranged by ascending date order.","The Festival of Fine Arts was formed in the 1970-1971 academic year as a combination of previosuly seperate events. These included the Concert Lecture Series, the Fine Arts Series, the BandConcerts, Drama Productions, and the Concert Choir.","The materials in this collection reflect the history of the Festval of Fine Arts. Included are playbills, photographs, and other ephemera related to the production of these programs. Some biographical information for guest artists is included.","The Festival of Fine Arts records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).","The Florida Southern College Archives","Florida Southern College","English"],"unitid_tesim":["CA8015","/repositories/4/resources/43"],"normalized_date_ssm":["1970-2025"],"normalized_title_ssm":["Festival of Fine Arts, 1970-2025"],"collection_title_tesim":["Festival of Fine Arts, 1970-2025"],"collection_ssim":["Festival of Fine Arts, 1970-2025"],"repository_ssm":["The Florida Southern College Archives"],"repository_ssim":["The Florida Southern College Archives"],"creator_ssm":["Florida Southern College"],"creator_ssim":["Florida Southern College"],"creator_corpname_ssim":["Florida Southern College"],"creators_ssim":["Florida Southern College"],"access_terms_ssm":["The Festival of Fine Arts records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"acqinfo_ssim":["The materials in this collection were transferred to the archives from the college fine arts department."],"access_subjects_ssim":["Arts festivals","Performing arts","Performing arts","College festivals","Florida Southern College--History.","Playbills","Photographs."],"access_subjects_ssm":["Arts festivals","Performing arts","Performing arts","College festivals","Florida Southern College--History.","Playbills","Photographs."],"has_online_content_ssim":["false"],"extent_ssm":["10.00 Linear Feet"],"extent_tesim":["10.00 Linear Feet"],"genreform_ssim":["Playbills","Photographs."],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open for research. Researchers must contact McKay Archives in advance for access to unprocessed born digital materials in this collection. Collection restrictions, copyright limitations, or technical complications may hinder the archives' ability to provide access to unprocessed born digital materials"],"arrangement_html_tesm":["\u003cp\u003eThese materials have been arranged by ascending date\u003c/p\u003e","\u003cp\u003eThe materials in this collection are arranged by ascending date order.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["These materials have been arranged by ascending date","The materials in this collection are arranged by ascending date order."],"bioghist_html_tesm":["\u003cp\u003eThe Festival of Fine Arts was formed in the 1970-1971 academic year as a combination of previosuly seperate events. These included the Concert Lecture Series, the Fine Arts Series, the BandConcerts, Drama Productions, and the Concert Choir.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Festival of Fine Arts was formed in the 1970-1971 academic year as a combination of previosuly seperate events. These included the Concert Lecture Series, the Fine Arts Series, the BandConcerts, Drama Productions, and the Concert Choir."],"scopecontent_html_tesm":["\u003cp\u003eThe materials in this collection reflect the history of the Festval of Fine Arts. Included are playbills, photographs, and other ephemera related to the production of these programs. Some biographical information for guest artists is included.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials in this collection reflect the history of the Festval of Fine Arts. Included are playbills, photographs, and other ephemera related to the production of these programs. Some biographical information for guest artists is included."],"userestrict_html_tesm":["\u003cp\u003eThe Festival of Fine Arts records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Festival of Fine Arts records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s)."],"names_ssim":["The Florida Southern College Archives","Florida Southern College"],"corpname_ssim":["The Florida Southern College Archives","Florida Southern College"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1144,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870846336524353536,"_root_":"8e87cad770c4897fd823a47e","timestamp":"2026-07-16T05:01:41.074Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/8e87cad770c4897fd823a47e_aspace_0234f1b373fb1350d9523b9634cb9092"}},{"id":"be6ce791bcd745e39261598f","type":"collection","attributes":{"title":"Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f#abstract_or_scope","type":"document_value","attributes":{"value":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career. Her involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"be6ce791bcd745e39261598f","title_ssm":["Eleanor Merritt [Darlington] Collection"],"title_tesim":["Eleanor Merritt [Darlington] Collection"],"ead_ssi":"be6ce791bcd745e39261598f","unitdate_ssm":["1950-2019","1990-2019"],"unitdate_bulk_ssim":["1990-2019"],"unitdate_inclusive_ssm":["1950-2019"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["A.2022.0004","/repositories/11/resources/1933"],"text":["A.2022.0004","/repositories/11/resources/1933","Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting.","This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.","The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.","All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.","The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. 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Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"access_subjects_ssim":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"access_subjects_ssm":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"has_online_content_ssim":["false"],"extent_ssm":["5.3 Linear Feet 17 Boxes"],"extent_tesim":["5.3 Linear Feet 17 Boxes"],"genreform_ssim":["Painting."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals."],"prefercite_html_tesm":["\u003cp\u003eThe John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019.\u003c/p\u003e"],"prefercite_tesim":["The John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019."],"scopecontent_html_tesm":["\u003cp\u003eThe Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged by subject in chronological order spanning from 1950 \u0026#x2013; 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. \u003c/p\u003e\n","\u003cp\u003eMerritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0d3e798eb2a8cee06c3eebf554d917ee\"\u003eThe Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.\u003c/abstract\u003e"],"abstract_tesim":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"names_ssim":["The John and Mable Ringling Museum of Art Archives"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"be6ce791bcd745e39261598f","timestamp":"2026-04-21T02:41:46.838Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"be6ce791bcd745e39261598f","title_ssm":["Eleanor Merritt [Darlington] Collection"],"title_tesim":["Eleanor Merritt [Darlington] Collection"],"ead_ssi":"be6ce791bcd745e39261598f","unitdate_ssm":["1950-2019","1990-2019"],"unitdate_bulk_ssim":["1990-2019"],"unitdate_inclusive_ssm":["1950-2019"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["A.2022.0004","/repositories/11/resources/1933"],"text":["A.2022.0004","/repositories/11/resources/1933","Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019","Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting.","This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.","The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.","All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.","The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.","The John and Mable Ringling Museum of Art Archives","English"],"unitid_tesim":["A.2022.0004","/repositories/11/resources/1933"],"normalized_date_ssm":["1950-2019, bulk 1990-2019"],"normalized_title_ssm":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_title_tesim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"collection_ssim":["Eleanor Merritt [Darlington] Collection, 1950-2019, bulk 1990-2019"],"repository_ssm":["The John and Mable Ringling Museum of Art Archives"],"repository_ssim":["The John and Mable Ringling Museum of Art Archives"],"access_terms_ssm":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"access_subjects_ssim":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"access_subjects_ssm":["Artists","African American women artists","Public art","Feminism","Feminism and the arts","Art--History","Acrylic painting","Minority artists","Minority women artists","Jamaican American women","Jamaican Americans","Art -- Study and teaching","Art museums","Women artists","Womanism","Painting."],"has_online_content_ssim":["false"],"extent_ssm":["5.3 Linear Feet 17 Boxes"],"extent_tesim":["5.3 Linear Feet 17 Boxes"],"genreform_ssim":["Painting."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["This collection is open to all researchers. The Eleanor Merritt [Darlington] Collection can be accessed on site at The Ringling Archives. Archives collections may be viewed by appointment. Use of\ncertain materials is restricted by statute, by the office of origin, or by the donor. For the\nprotection of its collections, the Archives also reserves the right to restrict access to\nrecords which are not arranged, are being processed, or are exceptionally valuable or\nfragile. In some cases, copies may be substituted for the originals."],"prefercite_html_tesm":["\u003cp\u003eThe John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019.\u003c/p\u003e"],"prefercite_tesim":["The John and Mable Ringling Museum of Art, Eleanor Merritt [Darlington] Collection, 1950-2019."],"scopecontent_html_tesm":["\u003cp\u003eThe Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.\u003c/p\u003e\n","\u003cp\u003eThe collection is arranged by subject in chronological order spanning from 1950 \u0026#x2013; 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. \u003c/p\u003e\n","\u003cp\u003eMerritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Eleanor Merritt [Darlington] Collection holds printed materials, lectures, records, news clippings, audio visual materials, and correspondence which capture Eleanor Merritt's life-long career as an artist, teacher, and leader of community arts organizations. This collection documents how Merritt organized and recorded her substantial involvement with the Sarasota County arts community and the growth of her career as an artist and teacher overtime. The collection reflects Merritt's life-long advocacy for women and women of color in the arts.  This interest is apparent in the types of organizations she was involved with, the themes of her artwork, and teaching materials, all highlighting the history of minority artists.","The collection is arranged by subject in chronological order spanning from 1950 – 2019, with the majority of the collection dating after 2000. Material from prior to 1980 pertains to Merritt's life in New York. Notable in these files are illustrated high school reports of art from the Metropolitan Museum of Art, an art lesson planning book she illustrated while at Westbury High School, and her numerous essays on pedagogical theory while at Hofstra University. ","Merritt documented her career, involvement with community art organizations, and her art within the binders in this collection. The binders hold numerous photographs of her artworks, exhibition pamphlets, and related newspaper and magazine clippings, with many arranged in a scrap-book style. Especially present within these files are printed materials relating to the Women Contemporary Artists (WCA). From Merritt's late career teaching art history, there are a large number of lecture outlines and reference materials on minority artists."],"userestrict_html_tesm":["\u003cp\u003eAll requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["All requests for permission to quote, publish, broadcast or otherwise\nreproduce from manuscripts must be submitted in writing to the Chief Archivist of\nthe Ringling Archives. Permission for publication is given on behalf of the John\nand Mable Ringling Museum of Art as the owner of the physical items and is not\nintended to include or imply permission of the copyright holder, which must also\nbe obtained by the researcher."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0d3e798eb2a8cee06c3eebf554d917ee\"\u003eThe Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists.\u003c/abstract\u003e"],"abstract_tesim":["The Eleanor Merritt Collection holds printed materials, lectures, records, news clippings, audio-visual materials, and correspondence related to Eleanor Merritt's life-long career as an artist, teacher, and advocate for community arts organizations. Materials focus on Merritt's life in Long Island, New York and Sarasota, Florida. Her formative years are captured in essays while a college student, planning notebooks as an art history teacher, and printed materials documenting her early artistic career.\n\nHer involvement with the arts community primarily pertains to her work with the Women's Caucus of Art (WCA), Women of Color (WOCA), the Petticoat Painters, Community Art in Public Paces (CAPP), Florida Artists Group, Pierian Spring Academy, and as a docent and board member of The John and Mable Ringling Museum of Art. There are a significant number of art history lecture outlines and source materials on African American, Feminist, and minority artists."],"names_ssim":["The John and Mable Ringling Museum of Art Archives"],"corpname_ssim":["The John and Mable Ringling Museum of Art Archives"],"language_ssim":["English"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"be6ce791bcd745e39261598f","timestamp":"2026-04-21T02:41:46.838Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/be6ce791bcd745e39261598f"}},{"id":"4cad6a8e1fb73ffc7f9b49f0_aspace_b1f3047aae7b38e05ac70395908a436a","type":"Sub-sub-series","attributes":{"title":"Elections, 1986-2010","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/4cad6a8e1fb73ffc7f9b49f0_aspace_b1f3047aae7b38e05ac70395908a436a#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_b1f3047aae7b38e05ac70395908a436a","ref_ssm":["aspace_b1f3047aae7b38e05ac70395908a436a","aspace_b1f3047aae7b38e05ac70395908a436a"],"id":"4cad6a8e1fb73ffc7f9b49f0_aspace_b1f3047aae7b38e05ac70395908a436a","title_filing_ssi":"Elections","title_ssm":["Elections"],"title_tesim":["Elections"],"unitdate_inclusive_ssm":["1986-2010"],"normalized_date_ssm":["1986-2010"],"normalized_title_ssm":["Elections, 1986-2010"],"text":["Elections, 1986-2010","Edward H. 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Gamble Collection, 1980-2010"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Sub-sub-series"],"level_ssim":["Sub-sub-series"],"sort_isi":60,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"date_range_isim":[1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"containers_ssim":["box 12","folder 5"],"_nest_path_":"/components#0/components#4/components#2","_nest_parent_":"4cad6a8e1fb73ffc7f9b49f0_aspace_72998891586a16ef628ee754704041e9","_root_":"4cad6a8e1fb73ffc7f9b49f0","_version_":1870860561902731264,"timestamp":"2026-07-16T08:47:47.463Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"4cad6a8e1fb73ffc7f9b49f0","title_ssm":["Edward H. Gamble Collection"],"title_tesim":["Edward H. Gamble Collection"],"ead_ssi":"4cad6a8e1fb73ffc7f9b49f0","unitdate_ssm":["1980-2010"],"unitdate_inclusive_ssm":["1980-2010"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2014.001","/repositories/3/resources/67"],"text":["2014.001","/repositories/3/resources/67","Edward H. Gamble Collection, 1980-2010","United States -- Politics and Government -- 20th century -- Caricatures and Cartoons","United States -- Politics and Government -- 21st century -- Caricatures and Cartoons","United States -- Social Life and Customs -- Caricatures and Cartoons","Cartoonists -- Tennessee -- Morristown -- Archives","Political Satire, American -- History -- 20th century -- Caricatures and Cartoons","Political Satire, American -- History -- 21st century -- Caricatures and Cartoons","Newspapers -- Caricatures and Cartoons","Political Cartoons","Politicians -- United States -- Caricatures and Cartoons","Wit and Humor, Pictorial","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Ed Gamble is a nationally syndicated political cartoonist whose work has appeared in numerous national and international publications, including the New York Times, the Washington Post, the Los Angeles Times, LeMonde (France), Der Spiegel (Germany), and the Independent (England). Born on May 12, 1943, in Morristown, Tennessee, his father, James Vernon Gamble, had a political career, while his mother, Anna Hill, was a newspaper columnist. Gamble was married to Saundra Lancaster on June 28, 1964.","Gamble was awarded a bachelor's degree in political science from the University of South Florida in 1970 and did graduate work at the University of Tennessee between 1971 and 1972. His professional career includes work as a reporter, sports editor, sports cartoonist, and political cartoonist. He was editorial cartoonist for the Nashville Banner in Nashville, Tennessee, from 1972 to 1980 and for the Florida Times-Union in Jacksonville, Florida, from 1980 to 2010.","In addition to appearing in magazines and newspapers, Gamble's cartoons are permanently displayed at the Texas Depository in Dallas, Texas, and at the Ford, Carter, Nixon, Reagan, and Bush Presidential Museums. His work has also been featured in several books: A Peek at the Great Society, 1965; A Cartoon History of the Reagan Years, 1988; and You Get Two for the Price of One, 1995. The Gambles currently reside in the Mandarin area of Jacksonville, Florida.","The collection contains original political cartoons, personal letters, and ephemera. The majority of the cartoon collection relates to Florida and Jacksonville and were published in the Florida Times-Union Newspaper.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information.","UNF Library Special Collections and University Archives","Florida Times-Union.","English"],"unitid_tesim":["2014.001","/repositories/3/resources/67"],"normalized_date_ssm":["1980-2010"],"normalized_title_ssm":["Edward H. Gamble Collection, 1980-2010"],"collection_title_tesim":["Edward H. Gamble Collection, 1980-2010"],"collection_ssim":["Edward H. Gamble Collection, 1980-2010"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"geogname_ssm":["United States -- Politics and Government -- 20th century -- Caricatures and Cartoons","United States -- Politics and Government -- 21st century -- Caricatures and Cartoons","United States -- Social Life and Customs -- Caricatures and Cartoons"],"geogname_ssim":["United States -- Politics and Government -- 20th century -- Caricatures and Cartoons","United States -- Politics and Government -- 21st century -- Caricatures and Cartoons","United States -- Social Life and Customs -- Caricatures and Cartoons"],"creator_ssm":["Florida Times-Union."],"creator_ssim":["Florida Times-Union."],"creator_corpname_ssim":["Florida Times-Union."],"creators_ssim":["Florida Times-Union."],"places_ssim":["United States -- Politics and Government -- 20th century -- Caricatures and Cartoons","United States -- Politics and Government -- 21st century -- Caricatures and Cartoons","United States -- Social Life and Customs -- Caricatures and Cartoons"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"acqinfo_ssim":["The collection was acquired through donation from Edward H. Gamble, February 2014."],"access_subjects_ssim":["Cartoonists -- Tennessee -- Morristown -- Archives","Political Satire, American -- History -- 20th century -- Caricatures and Cartoons","Political Satire, American -- History -- 21st century -- Caricatures and Cartoons","Newspapers -- Caricatures and Cartoons","Political Cartoons","Politicians -- United States -- Caricatures and Cartoons","Wit and Humor, Pictorial"],"access_subjects_ssm":["Cartoonists -- Tennessee -- Morristown -- Archives","Political Satire, American -- History -- 20th century -- Caricatures and Cartoons","Political Satire, American -- History -- 21st century -- Caricatures and Cartoons","Newspapers -- Caricatures and Cartoons","Political Cartoons","Politicians -- United States -- Caricatures and Cartoons","Wit and Humor, Pictorial"],"has_online_content_ssim":["false"],"extent_ssm":["9.00 Linear Feet"],"extent_tesim":["9.00 Linear Feet"],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eEd Gamble is a nationally syndicated political cartoonist whose work has appeared in numerous national and international publications, including the New York Times, the Washington Post, the Los Angeles Times, LeMonde (France), Der Spiegel (Germany), and the Independent (England). Born on May 12, 1943, in Morristown, Tennessee, his father, James Vernon Gamble, had a political career, while his mother, Anna Hill, was a newspaper columnist. Gamble was married to Saundra Lancaster on June 28, 1964.\u003c/p\u003e\n","\u003cp\u003eGamble was awarded a bachelor's degree in political science from the University of South Florida in 1970 and did graduate work at the University of Tennessee between 1971 and 1972. His professional career includes work as a reporter, sports editor, sports cartoonist, and political cartoonist. He was editorial cartoonist for the Nashville Banner in Nashville, Tennessee, from 1972 to 1980 and for the Florida Times-Union in Jacksonville, Florida, from 1980 to 2010.\u003c/p\u003e\n","\u003cp\u003eIn addition to appearing in magazines and newspapers, Gamble's cartoons are permanently displayed at the Texas Depository in Dallas, Texas, and at the Ford, Carter, Nixon, Reagan, and Bush Presidential Museums. His work has also been featured in several books: A Peek at the Great Society, 1965; A Cartoon History of the Reagan Years, 1988; and You Get Two for the Price of One, 1995. The Gambles currently reside in the Mandarin area of Jacksonville, Florida.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Ed Gamble is a nationally syndicated political cartoonist whose work has appeared in numerous national and international publications, including the New York Times, the Washington Post, the Los Angeles Times, LeMonde (France), Der Spiegel (Germany), and the Independent (England). Born on May 12, 1943, in Morristown, Tennessee, his father, James Vernon Gamble, had a political career, while his mother, Anna Hill, was a newspaper columnist. Gamble was married to Saundra Lancaster on June 28, 1964.","Gamble was awarded a bachelor's degree in political science from the University of South Florida in 1970 and did graduate work at the University of Tennessee between 1971 and 1972. His professional career includes work as a reporter, sports editor, sports cartoonist, and political cartoonist. He was editorial cartoonist for the Nashville Banner in Nashville, Tennessee, from 1972 to 1980 and for the Florida Times-Union in Jacksonville, Florida, from 1980 to 2010.","In addition to appearing in magazines and newspapers, Gamble's cartoons are permanently displayed at the Texas Depository in Dallas, Texas, and at the Ford, Carter, Nixon, Reagan, and Bush Presidential Museums. His work has also been featured in several books: A Peek at the Great Society, 1965; A Cartoon History of the Reagan Years, 1988; and You Get Two for the Price of One, 1995. The Gambles currently reside in the Mandarin area of Jacksonville, Florida."],"prefercite_html_tesm":["\u003cp\u003eEdward H. Gamble Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Edward H. Gamble Collection, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains original political cartoons, personal letters, and ephemera. The majority of the cartoon collection relates to Florida and Jacksonville and were published in the Florida Times-Union Newspaper.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection contains original political cartoons, personal letters, and ephemera. The majority of the cartoon collection relates to Florida and Jacksonville and were published in the Florida Times-Union Newspaper."],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information."],"names_coll_ssim":["Florida Times-Union."],"names_ssim":["UNF Library Special Collections and University Archives","Florida Times-Union."],"corpname_ssim":["UNF Library Special Collections and University Archives","Florida Times-Union."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":68,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860561902731264,"_root_":"4cad6a8e1fb73ffc7f9b49f0","timestamp":"2026-07-16T08:47:47.463Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/4cad6a8e1fb73ffc7f9b49f0_aspace_b1f3047aae7b38e05ac70395908a436a"}},{"id":"d2a06db634eacd90b4a1829c_aspace_3562f6c894159964bb547350f6d36239","type":"File","attributes":{"title":"Elimination of State Board of Regents, 2001-2002","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d2a06db634eacd90b4a1829c_aspace_3562f6c894159964bb547350f6d36239#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_3562f6c894159964bb547350f6d36239","ref_ssm":["aspace_3562f6c894159964bb547350f6d36239","aspace_3562f6c894159964bb547350f6d36239"],"id":"d2a06db634eacd90b4a1829c_aspace_3562f6c894159964bb547350f6d36239","title_filing_ssi":"Elimination of State Board of Regents","title_ssm":["Elimination of State Board of Regents"],"title_tesim":["Elimination of State Board of Regents"],"unitdate_inclusive_ssm":["2001-2002"],"normalized_date_ssm":["2001-2002"],"normalized_title_ssm":["Elimination of State Board of Regents, 2001-2002"],"text":["Elimination of State Board of Regents, 2001-2002","Bruce Nissen collection relating to the United Faculty of Florida, 1978-2022","Miscellaneous, 2001-2005, bulk 2001-2005","Series 4","/repositories/4/archival_objects/65725","English","box 3","folder 10"],"component_level_isim":[2],"parent_ids_ssim":["d2a06db634eacd90b4a1829c","d2a06db634eacd90b4a1829c_aspace_b4d18f94a7ef67895bfc9edd18c034b4"],"parent_unittitles_ssm":["Bruce Nissen collection relating to the United Faculty of Florida, 1978-2022","Miscellaneous, 2001-2005, bulk 2001-2005"],"parent_unittitles_tesim":["Bruce Nissen collection relating to the United Faculty of Florida, 1978-2022","Miscellaneous, 2001-2005, bulk 2001-2005"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Series 4","/repositories/4/archival_objects/65725"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Bruce Nissen collection relating to the United Faculty of Florida, 1978-2022"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":18,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[2001,2002],"language_ssim":["English"],"containers_ssim":["box 3","folder 10"],"_nest_path_":"/components#3/components#0","_nest_parent_":"d2a06db634eacd90b4a1829c_aspace_b4d18f94a7ef67895bfc9edd18c034b4","_root_":"d2a06db634eacd90b4a1829c","timestamp":"2026-07-09T03:26:44.936Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d2a06db634eacd90b4a1829c","title_ssm":["Bruce Nissen collection relating to the United Faculty of Florida"],"title_tesim":["Bruce Nissen collection relating to the United Faculty of Florida"],"ead_ssi":"d2a06db634eacd90b4a1829c","unitdate_ssm":["1978-2022"],"unitdate_inclusive_ssm":["1978-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 155","/repositories/4/resources/273"],"text":["SC 155","/repositories/4/resources/273","Bruce Nissen collection relating to the United Faculty of Florida, 1978-2022","Collective bargaining -- College teachers -- Florida","Collective bargaining -- College teachers -- United States","Collective bargaining","Collective labor agreements","minutes (administrative records)","reports","The entire collection is open for research.","This collection is arranged into five series as follows: \n I. Meeting Materials, 1978, 1997, 1999-2022 II. Minutes/Memos/Reports, 1999-2012, and 2016 III. Publications, 1998-2003, 2011-2014 IV. The Miscellaneous series, 2001-2005 V. UFF-FIU Materials, 2005-2012","Bruce Nissen taught at the Center for Labor Research and Studies at Florida International University (FIU) from 1997 to 2016. He retired to St. Peterburg, Florida. During his working years and retirement, he has been active in the United Faculty of Florida (UFF). During the 2009-2010 academic year, he served as the UFF Service Unit Director for the state's southern region while taking a leave of absence from his academic job. As of 2023, he continues to serve as the statewide chair of the union's Contract Enforcement Committee and continues to be a delegate to the twice-yearly UFF State Senate, as he has been since 1997. All the materials contributed to this collection were acquired during his activities in the roles mentioned earlier. He is the co-author (with UFF Executive Director Candi Churchill) of the article \"Unionism in a Right-to-Work Environment: United Faculty of Florida from Stagnation to Crisis Mobilization to Power Building\" in Vol. 45, No. 4 (December 2020) of Labor Studies Journal.","Collection processed and finding aid prepared by David Benjamin, 2023. All materials were placed into acid-free folders and acid-free boxes.","United Faculty of Florida collection","The collection consists of materials gathered by Bruce Nissen during his time serving as a member of the United Faculty of Florida. The bulk of the collection consists of meeting packets from Senate and Council of Presidents meetings. The collection provides a glimpse at the union's activities. It is not a complete view of the union and its activities representing higher education faculty in Florida.  ","The Meeting Materials, 1978, 1997, 1999-2022, (Series I) consists of meeting packets given to union representatives. They include agendas, budgets, membership, and background information for union-related issues. The packet contents vary from meeting to meeting. Also included are portions of delegate materials from the 1978 and 1997 meetings.","The Minutes/Memos/Reports, 1999-2012, and 2016, (Series II) include minutes, called \"actions,\" of UFF Senate meetings, a memo about dues caps, and member reports.","The Publications, 1998-2003, 2011-2014, (Series III) includes several Collective Bargaining Agreements, membership directories, and a few United Faculty of Florida Update issues. There is a booklet published by the UFF about union organizing.","The Miscellaneous series, 2001-2005, (Series IV) includes information, newsletters, and email printouts about the elimination of the state Board of Regents in 2001-2002. Other items include a brief history of the UFF.","The UFF-FIU Materials, 2005-2012, consists mainly of materials from Executive Council meetings and includes agendas and background information. ","Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Materials collected by Bruce Nissen documenting the United Faculty of Florida (UFF), 1978 – 2022. Included are UFF meeting materials, agendas, minutes, and reports; published materials, including newsletters, directories, union organizing guides, and collective bargaining agreements. Also included are United Faculty of Florida – Florida International University Executive Council Minutes and meeting materials.","UCF Special Collections","United Faculty of Florida","Nissen, Bruce, 1948-","English"],"unitid_tesim":["SC 155","/repositories/4/resources/273"],"normalized_date_ssm":["1978-2022"],"normalized_title_ssm":["Bruce Nissen collection relating to the United Faculty of Florida, 1978-2022"],"collection_title_tesim":["Bruce Nissen collection relating to the United Faculty of Florida, 1978-2022"],"collection_ssim":["Bruce Nissen collection relating to the United Faculty of Florida, 1978-2022"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"creator_ssm":["Nissen, Bruce, 1948-"],"creator_ssim":["Nissen, Bruce, 1948-"],"creator_persname_ssim":["Nissen, Bruce, 1948-"],"creators_ssim":["Nissen, Bruce, 1948-"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of Bruce Nissen, 2023 (Accession no. CFM2023_01)."],"access_subjects_ssim":["Collective bargaining -- College teachers -- Florida","Collective bargaining -- College teachers -- United States","Collective bargaining","Collective labor agreements","minutes (administrative records)","reports"],"access_subjects_ssm":["Collective bargaining -- College teachers -- Florida","Collective bargaining -- College teachers -- United States","Collective bargaining","Collective labor agreements","minutes (administrative records)","reports"],"has_online_content_ssim":["false"],"extent_ssm":["1.5  Linear Feet 3 archives boxes, letter"],"extent_tesim":["1.5  Linear Feet 3 archives boxes, letter"],"genreform_ssim":["minutes (administrative records)","reports"],"date_range_isim":[1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThe entire collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The entire collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into five series as follows: \n\u003cul style=\"list-style-type: none\"\u003e\n   \u003cli\u003eI. Meeting Materials, 1978, 1997, 1999-2022\u003c/li\u003e\n   \u003cli\u003eII. Minutes/Memos/Reports, 1999-2012, and 2016\u003c/li\u003e\n   \u003cli\u003eIII. Publications, 1998-2003, 2011-2014\u003c/li\u003e\n   \u003cli\u003eIV. The Miscellaneous series, 2001-2005\u003c/li\u003e\n   \u003cli\u003eV. UFF-FIU Materials, 2005-2012\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["This collection is arranged into five series as follows: \n I. Meeting Materials, 1978, 1997, 1999-2022 II. Minutes/Memos/Reports, 1999-2012, and 2016 III. Publications, 1998-2003, 2011-2014 IV. The Miscellaneous series, 2001-2005 V. UFF-FIU Materials, 2005-2012"],"bioghist_html_tesm":["\u003cp\u003eBruce Nissen taught at the Center for Labor Research and Studies at Florida International University (FIU) from 1997 to 2016. He retired to St. Peterburg, Florida. During his working years and retirement, he has been active in the United Faculty of Florida (UFF). During the 2009-2010 academic year, he served as the UFF Service Unit Director for the state's southern region while taking a leave of absence from his academic job. As of 2023, he continues to serve as the statewide chair of the union's Contract Enforcement Committee and continues to be a delegate to the twice-yearly UFF State Senate, as he has been since 1997. All the materials contributed to this collection were acquired during his activities in the roles mentioned earlier. He is the co-author (with UFF Executive Director Candi Churchill) of the article \"Unionism in a Right-to-Work Environment: United Faculty of Florida from Stagnation to Crisis Mobilization to Power Building\" in Vol. 45, No. 4 (December 2020) of Labor Studies Journal.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Bruce Nissen taught at the Center for Labor Research and Studies at Florida International University (FIU) from 1997 to 2016. He retired to St. Peterburg, Florida. During his working years and retirement, he has been active in the United Faculty of Florida (UFF). During the 2009-2010 academic year, he served as the UFF Service Unit Director for the state's southern region while taking a leave of absence from his academic job. As of 2023, he continues to serve as the statewide chair of the union's Contract Enforcement Committee and continues to be a delegate to the twice-yearly UFF State Senate, as he has been since 1997. All the materials contributed to this collection were acquired during his activities in the roles mentioned earlier. He is the co-author (with UFF Executive Director Candi Churchill) of the article \"Unionism in a Right-to-Work Environment: United Faculty of Florida from Stagnation to Crisis Mobilization to Power Building\" in Vol. 45, No. 4 (December 2020) of Labor Studies Journal."],"prefercite_html_tesm":["\u003cp\u003eBruce Nissen collection relating to the United Faculty of Floirda, Special Collections and University Archives, University of Central Florida, Orlando, Florida\u003c/p\u003e"],"prefercite_tesim":["Bruce Nissen collection relating to the United Faculty of Floirda, Special Collections and University Archives, University of Central Florida, Orlando, Florida"],"processinfo_html_tesm":["\u003cp\u003eCollection processed and finding aid prepared by David Benjamin, 2023. All materials were placed into acid-free folders and acid-free boxes.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed and finding aid prepared by David Benjamin, 2023. All materials were placed into acid-free folders and acid-free boxes."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://scua.library.ucf.edu/repositories/4/resources/194\"\u003eUnited Faculty of Florida collection\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["United Faculty of Florida collection"],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of materials gathered by Bruce Nissen during his time serving as a member of the United Faculty of Florida. The bulk of the collection consists of meeting packets from Senate and Council of Presidents meetings. The collection provides a glimpse at the union's activities. It is not a complete view of the union and its activities representing higher education faculty in Florida.  \u003c/p\u003e\n","\u003cp\u003eThe Meeting Materials, 1978, 1997, 1999-2022, (Series I) consists of meeting packets given to union representatives. They include agendas, budgets, membership, and background information for union-related issues. The packet contents vary from meeting to meeting. Also included are portions of delegate materials from the 1978 and 1997 meetings.\u003c/p\u003e\n","\u003cp\u003eThe Minutes/Memos/Reports, 1999-2012, and 2016, (Series II) include minutes, called \"actions,\" of UFF Senate meetings, a memo about dues caps, and member reports.\u003c/p\u003e\n","\u003cp\u003eThe Publications, 1998-2003, 2011-2014, (Series III) includes several Collective Bargaining Agreements, membership directories, and a few United Faculty of Florida Update issues. There is a booklet published by the UFF about union organizing.\u003c/p\u003e\n","\u003cp\u003eThe Miscellaneous series, 2001-2005, (Series IV) includes information, newsletters, and email printouts about the elimination of the state Board of Regents in 2001-2002. Other items include a brief history of the UFF.\u003c/p\u003e\n","\u003cp\u003eThe UFF-FIU Materials, 2005-2012, consists mainly of materials from Executive Council meetings and includes agendas and background information. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of materials gathered by Bruce Nissen during his time serving as a member of the United Faculty of Florida. The bulk of the collection consists of meeting packets from Senate and Council of Presidents meetings. The collection provides a glimpse at the union's activities. It is not a complete view of the union and its activities representing higher education faculty in Florida.  ","The Meeting Materials, 1978, 1997, 1999-2022, (Series I) consists of meeting packets given to union representatives. They include agendas, budgets, membership, and background information for union-related issues. The packet contents vary from meeting to meeting. Also included are portions of delegate materials from the 1978 and 1997 meetings.","The Minutes/Memos/Reports, 1999-2012, and 2016, (Series II) include minutes, called \"actions,\" of UFF Senate meetings, a memo about dues caps, and member reports.","The Publications, 1998-2003, 2011-2014, (Series III) includes several Collective Bargaining Agreements, membership directories, and a few United Faculty of Florida Update issues. There is a booklet published by the UFF about union organizing.","The Miscellaneous series, 2001-2005, (Series IV) includes information, newsletters, and email printouts about the elimination of the state Board of Regents in 2001-2002. Other items include a brief history of the UFF.","The UFF-FIU Materials, 2005-2012, consists mainly of materials from Executive Council meetings and includes agendas and background information. "],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_e22ec7ea0654a08b67040e1d57fa1a2d\" label=\"Abstract\"\u003eMaterials collected by Bruce Nissen documenting the United Faculty of Florida (UFF), 1978 \u0026#x2013; 2022. Included are UFF meeting materials, agendas, minutes, and reports; published materials, including newsletters, directories, union organizing guides, and collective bargaining agreements. Also included are United Faculty of Florida \u0026#x2013; Florida International University Executive Council Minutes and meeting materials.\u003c/abstract\u003e"],"abstract_tesim":["Materials collected by Bruce Nissen documenting the United Faculty of Florida (UFF), 1978 – 2022. Included are UFF meeting materials, agendas, minutes, and reports; published materials, including newsletters, directories, union organizing guides, and collective bargaining agreements. Also included are United Faculty of Florida – Florida International University Executive Council Minutes and meeting materials."],"names_coll_ssim":["United Faculty of Florida"],"names_ssim":["UCF Special Collections","United Faculty of Florida","Nissen, Bruce, 1948-"],"corpname_ssim":["UCF Special Collections","United Faculty of Florida"],"persname_ssim":["Nissen, Bruce, 1948-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":21,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"d2a06db634eacd90b4a1829c","timestamp":"2026-07-09T03:26:44.936Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d2a06db634eacd90b4a1829c_aspace_3562f6c894159964bb547350f6d36239"}},{"id":"cbc2a7b19233380ee50dea36","type":"collection","attributes":{"title":"Elizabeth Lee Barron collection of children's literature prints, 1922-2016, Date acquired: 04/05/2018","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/cbc2a7b19233380ee50dea36#creator","type":"document_value","attributes":{"value":["Barron, Elizabeth Lee"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/cbc2a7b19233380ee50dea36#abstract_or_scope","type":"document_value","attributes":{"value":["This collection includes four color prints collected and donated by Elizabeth Lee Barron, a librarian employed by the University of Tampa. 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"],"prefercite_html_tesm":["\u003cp\u003eEllen Hopkins collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Ellen Hopkins collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of book proposals, promotional and publishing materials, research files, royalty statements, contracts and licensing agreements, and other documents related to the career of young adult and children's author Ellen Hopkins.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of book proposals, promotional and publishing materials, research files, royalty statements, contracts and licensing agreements, and other documents related to the career of young adult and children's author Ellen Hopkins."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a5fe165276609c1a2d52361a1c4355b9\"\u003eThe Ellen Hopkins collection consists of archival materials, typescripts, and published materials donated by Hopkins, a children's and young adult author. 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Cataloged materials, including books, advanced reader copies, and manuscripts are hyperlinked to records available in the USF Libraries catalog."],"names_ssim":["USF Libraries - Tampa Special Collections","Hopkins, Ellen "],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Hopkins, Ellen "],"language_ssim":["English"],"total_component_count_is":53,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"b4e09e71e9784c956bc8f51e","timestamp":"2026-07-11T04:48:20.249Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b4e09e71e9784c956bc8f51e","title_ssm":["Ellen Hopkins collection"],"title_tesim":["Ellen Hopkins collection"],"ead_ssi":"b4e09e71e9784c956bc8f51e","unitdate_ssm":["1992-2022"],"unitdate_inclusive_ssm":["1992-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2023-01","/repositories/2/resources/615"],"text":["MS-2023-01","/repositories/2/resources/615","Ellen Hopkins collection, 1992-2022","Young adult fiction -- Publishing -- United States","Children's literature, American","Children's literature","Material is arranged according to format.","\"Ellen Hopkins is a poet, freelance writer, and the award-winning author of twenty nonfiction titles, three novels for adults, and thirteen NY Times Bestselling novels-in-verse. She has published hundreds of articles on subjects ranging from aviation to child abuse to winegrowing. Ellen is a regular speaker at schools, book festivals and writers conferences across the US, and now throughout the world.\"","Biography courtesy of the author's website: http://www.ellenhopkinsbooks.com/about.html. ","This collection consists of book proposals, promotional and publishing materials, research files, royalty statements, contracts and licensing agreements, and other documents related to the career of young adult and children's author Ellen Hopkins.","None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Ellen Hopkins collection consists of archival materials, typescripts, and published materials donated by Hopkins, a children's and young adult author. 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She has published hundreds of articles on subjects ranging from aviation to child abuse to winegrowing. Ellen is a regular speaker at schools, book festivals and writers conferences across the US, and now throughout the world.\"\u003c/p\u003e\n","\u003cp\u003eBiography courtesy of the author's website: http://www.ellenhopkinsbooks.com/about.html. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\"Ellen Hopkins is a poet, freelance writer, and the award-winning author of twenty nonfiction titles, three novels for adults, and thirteen NY Times Bestselling novels-in-verse. She has published hundreds of articles on subjects ranging from aviation to child abuse to winegrowing. Ellen is a regular speaker at schools, book festivals and writers conferences across the US, and now throughout the world.\"","Biography courtesy of the author's website: http://www.ellenhopkinsbooks.com/about.html. "],"prefercite_html_tesm":["\u003cp\u003eEllen Hopkins collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Ellen Hopkins collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of book proposals, promotional and publishing materials, research files, royalty statements, contracts and licensing agreements, and other documents related to the career of young adult and children's author Ellen Hopkins.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of book proposals, promotional and publishing materials, research files, royalty statements, contracts and licensing agreements, and other documents related to the career of young adult and children's author Ellen Hopkins."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0; The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None.  The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a5fe165276609c1a2d52361a1c4355b9\"\u003eThe Ellen Hopkins collection consists of archival materials, typescripts, and published materials donated by Hopkins, a children's and young adult author. Cataloged materials, including books, advanced reader copies, and manuscripts are hyperlinked to records available in the USF Libraries catalog.\u003c/abstract\u003e"],"abstract_tesim":["The Ellen Hopkins collection consists of archival materials, typescripts, and published materials donated by Hopkins, a children's and young adult author. 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From traveling across the country on a bike in her twenties to becoming a staunch environmentalists later in life, she cemented her legacy in the creation of the Happehatchee Center in Estero, Florida to inspire peace and healing. Ellen was heavily involved with saving Fisheating Creek in Florida, and continued to raise awareness about climate change and the environment until her parting.","This collection includes the scrapbook and journal from her bike trip, family photos, and correspondence from various stages of her life. Also included are projector slides, Sierra Club awards, an energy map of Southwest Florida, posters, bumper stickers, Happehatchee flyers, and pictures of her Florida home, which later became a part of Happehatchee. 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