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Dr. Saffy died June 20, 2010."],"prefercite_html_tesm":["\u003cp\u003eDr. Edna Louise Saffy Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Dr. Edna Louise Saffy Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains awards, correspondence, memorabilia, printed materials, photographs, personal papers, and writings. Many printed materials and photographs relate to politics and political activism. There are numerous photographs and newspaper clippings, as well as Dr. Saffy's dissertation. 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The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1999,2000,2001],"containers_ssim":["box 9","folder 3"],"abstract_html_tesm":["\u003cabstract id=\"aspace_d0e8a3fc1026d901a13b6ecf9f09a9f5\"\u003eMaterials in this file (part 3 of 3) document how NOW members responded to a merger of Pinellas County hospitals under the BayCare Health Systems. Under this arrangement, secular hospitals (Bayfront Medical Center and Morton Plant Hospital) agreed to abide by Catholic religious and ethical directives on abortion and reproductive matters. Includes clippings, photographs, legal correspondence, and government documents that also illustrate relations between BayCare and the City of St. Petersburg.\u003c/abstract\u003e"],"abstract_tesim":["Materials in this file (part 3 of 3) document how NOW members responded to a merger of Pinellas County hospitals under the BayCare Health Systems. Under this arrangement, secular hospitals (Bayfront Medical Center and Morton Plant Hospital) agreed to abide by Catholic religious and ethical directives on abortion and reproductive matters. Includes clippings, photographs, legal correspondence, and government documents that also illustrate relations between BayCare and the City of St. Petersburg."],"_nest_path_":"/components#7/components#6","_nest_parent_":"25086f63d8e4c420b97444e6_aspace_6c644a44a4e9ed745bf384499a62d399","_root_":"25086f63d8e4c420b97444e6","_version_":1879830485534769152,"timestamp":"2026-10-23T09:00:53.251Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"25086f63d8e4c420b97444e6","title_ssm":["Pinellas County National Organization for Women (NOW) papers"],"title_tesim":["Pinellas County National Organization for Women (NOW) papers"],"ead_ssi":"25086f63d8e4c420b97444e6","unitdate_ssm":["1970s-2000s"],"unitdate_bulk_ssim":["1970s-2000s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SP-MS-2003-004","/repositories/3/resources/702"],"text":["SP-MS-2003-004","/repositories/3/resources/702","Pinellas County National Organization for Women (NOW) papers, bulk 1970s-2000s","Pinellas County (Fla.)","Women","Feminism","LGBTQ+ advocacy","African Americans -- Civil Rights -- Florida","Women's rights","Reproductive rights","Social justice","Political advocacy","None.","National Organization of Women is a \"multi-issue, multi-strategy organization that takes a holistic approach to women's rights. 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Issues include advocacy for reproductive rights and criminal justice reform, preventing sexual harassment and violence towards women, and supporting the passage of the proposed Equal Rights Amendment. Materials date from the late 1970s through the late 1990s.","None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.","Collection includes research and subject files from the leadership of Pinellas County's National Organization of Women chapter.","USF Libraries - St. Petersburg Special Collections \u0026 University Archives","National Organization for Women ","Oestreich, Sandy ","Hainisch, May","English"],"unitid_tesim":["SP-MS-2003-004","/repositories/3/resources/702"],"normalized_date_ssm":["bulk 1970s-2000s"],"normalized_title_ssm":["Pinellas County National Organization for Women (NOW) papers, bulk 1970s-2000s"],"collection_title_tesim":["Pinellas County National Organization for Women (NOW) papers, bulk 1970s-2000s"],"collection_ssim":["Pinellas County National Organization for Women (NOW) papers, bulk 1970s-2000s"],"repository_ssm":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"repository_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives"],"geogname_ssm":["Pinellas County (Fla.)"],"geogname_ssim":["Pinellas County (Fla.)"],"creator_ssm":["Oestreich, Sandy ","Hainisch, May"],"creator_ssim":["Oestreich, Sandy ","Hainisch, May"],"creator_persname_ssim":["Oestreich, Sandy ","Hainisch, May"],"creators_ssim":["Oestreich, Sandy ","Hainisch, May"],"places_ssim":["Pinellas County (Fla.)"],"access_terms_ssm":["None. 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Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"acqinfo_ssim":["Sandy Oestreich and May Hainisch, two longstanding members of the Pinellas County Chapter of the National Organization for Women (NOW), donated a variety of research and subject files from their leadership of the Pinellas NOW chapter to the Special Collections and Archives."],"access_subjects_ssim":["Women","Feminism","LGBTQ+ advocacy","African Americans -- Civil Rights -- Florida","Women's rights","Reproductive rights","Social justice","Political advocacy"],"access_subjects_ssm":["Women","Feminism","LGBTQ+ advocacy","African Americans -- Civil Rights -- Florida","Women's rights","Reproductive rights","Social justice","Political advocacy"],"has_online_content_ssim":["false"],"extent_ssm":["9 boxes"],"extent_tesim":["9 boxes"],"physfacet_tesim":["8 document boxes and 1 oversized box"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eNone.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["None."],"bioghist_html_tesm":["\u003cp\u003eNational Organization of Women is a \"multi-issue, multi-strategy organization that takes a holistic approach to women's rights. 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Our priorities are winning economic equality and securing it with an amendment to the U.S. Constitution that will guarantee equal rights for women; championing abortion rights, reproductive freedom and other women's health issues; opposing racism; fighting bigotry against the LGBTQIA community; and ending violence against women\" (https://now.org/)."],"prefercite_html_tesm":["\u003cp\u003ePinellas County Chapter Papers, National Organization for Women (NOW) 1973-2004, Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL.\u003c/p\u003e"],"prefercite_tesim":["Pinellas County Chapter Papers, National Organization for Women (NOW) 1973-2004, Nelson Poynter Memorial Library Special Collections and University Archives, University of South Florida, St. Petersburg, FL."],"scopecontent_html_tesm":["\u003cp\u003eCollection consists of two series reflecting two seperate accessions. 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Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_def8b7460025f0ea38229646102c27ec\"\u003eCollection includes research and subject files from the leadership of Pinellas County's National Organization of Women chapter.\u003c/abstract\u003e"],"abstract_tesim":["Collection includes research and subject files from the leadership of Pinellas County's National Organization of Women chapter."],"names_coll_ssim":["National Organization for Women ","Oestreich, Sandy ","Hainisch, May"],"names_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives","National Organization for Women ","Oestreich, Sandy ","Hainisch, May"],"corpname_ssim":["USF Libraries - St. Petersburg Special Collections \u0026 University Archives","National Organization for Women "],"persname_ssim":["Oestreich, Sandy ","Hainisch, May"],"language_ssim":["English"],"total_component_count_is":84,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1879830485534769152,"_root_":"25086f63d8e4c420b97444e6","timestamp":"2026-10-23T09:00:53.251Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/25086f63d8e4c420b97444e6_aspace_222460fe3bee9a378f1f5daa9ac44a6d"}},{"id":"b3e4025e67698b63bebebf69_aspace_a055c5fa062d2eb540fc13a519da9b61","type":"Sub-sub-series","attributes":{"title":"Abortion Rights News Clippings, 1986-2006","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/b3e4025e67698b63bebebf69_aspace_a055c5fa062d2eb540fc13a519da9b61#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_a055c5fa062d2eb540fc13a519da9b61","ref_ssm":["aspace_a055c5fa062d2eb540fc13a519da9b61","aspace_a055c5fa062d2eb540fc13a519da9b61"],"id":"b3e4025e67698b63bebebf69_aspace_a055c5fa062d2eb540fc13a519da9b61","title_filing_ssi":"Abortion Rights News Clippings","title_ssm":["Abortion Rights News Clippings"],"title_tesim":["Abortion Rights News Clippings"],"unitdate_inclusive_ssm":["1986-2006"],"normalized_date_ssm":["1986-2006"],"normalized_title_ssm":["Abortion Rights News Clippings, 1986-2006"],"text":["Abortion Rights News Clippings, 1986-2006","Dr. Edna Louise Saffy Papers, 1962-2013","Abortion Rights; Planned Parenthood; NEFLPP (Northeast Florida Planned Parenthood); NARAL (National Abortion Rights Action League); NFARAL (North Florida Abortion Rights Action League); FARAL (Florida Abortion Rights Action League), 1974-2007","/repositories/3/archival_objects/7372","box 42","folder 1"],"component_level_isim":[2],"parent_ids_ssim":["b3e4025e67698b63bebebf69","b3e4025e67698b63bebebf69_aspace_1a0ed93ae0d6548b5a2fca64f28e4602"],"parent_unittitles_ssm":["Dr. Edna Louise Saffy Papers, 1962-2013","Abortion Rights; Planned Parenthood; NEFLPP (Northeast Florida Planned Parenthood); NARAL (National Abortion Rights Action League); NFARAL (North Florida Abortion Rights Action League); FARAL (Florida Abortion Rights Action League), 1974-2007"],"parent_unittitles_tesim":["Dr. Edna Louise Saffy Papers, 1962-2013","Abortion Rights; Planned Parenthood; NEFLPP (Northeast Florida Planned Parenthood); NARAL (National Abortion Rights Action League); NFARAL (North Florida Abortion Rights Action League); FARAL (Florida Abortion Rights Action League), 1974-2007"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["/repositories/3/archival_objects/7372"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Dr. Edna Louise Saffy Papers, 1962-2013"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Sub-sub-series"],"level_ssim":["Sub-sub-series"],"sort_isi":409,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006],"containers_ssim":["box 42","folder 1"],"_nest_path_":"/components#17/components#0","_nest_parent_":"b3e4025e67698b63bebebf69_aspace_1a0ed93ae0d6548b5a2fca64f28e4602","_root_":"b3e4025e67698b63bebebf69","_version_":1870860599051681792,"timestamp":"2026-07-16T08:48:22.881Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"b3e4025e67698b63bebebf69","title_ssm":["Dr. Edna Louise Saffy Papers"],"title_tesim":["Dr. Edna Louise Saffy Papers"],"ead_ssi":"b3e4025e67698b63bebebf69","unitdate_ssm":["1962-2013"],"unitdate_inclusive_ssm":["1962-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2013.003","/repositories/3/resources/66"],"text":["2013.003","/repositories/3/resources/66","Dr. Edna Louise Saffy Papers, 1962-2013","Florida -- Politics and Government -- 20th century","Clinton, Bill, 1946 -- Presidential campaigns -- Florida","College teachers -- Florida -- Jacksonville (Fla.)","Democratic Party (Fla.)","Human rights workers -- Florida -- Jacksonville (Fla.)","Political activists -- Florida -- Jacksonville (Fla.)","Women's rights -- Florida","The collection is open for research by appointment only. Please contact \nlib-special@unf.edu to schedule an appointment.","\tDr. Edna Louise Saffy, human rights advocate and Jacksonville native was born on March 9, 1935. She attended college at the University of Florida where she received several degrees, including the Master's and Doctorate of Philosophy degrees. She was a professor of Rhetoric and Public Address at University of Florida and Florida State College at Jacksonville, where she was elected Professor Emeritus following her retirement in December 2007. ","\nDr. Saffy was a founder of the National Organization for Women chapters in Jacksonville and Gainesville, as well as founder of the Jacksonville Women's Network. She was named \"A Woman of Courage and Vision\" by the Mayor's Commission on the Status of Women and the recipient of a Lifetime EVE Award by the Florida Times Union.\n    \n    As a humanitarian and activist, she served on numerous local, state, and national committees, including the John F. Kennedy Center Committee for the Performing Arts during the Clinton Administration, the Advisory Committee on LaVilla Cultural Heritage District, American Arab Institute, Duval County Democratic Executive Committee, and the Jacksonville Human Rights Commission. \n    \n    Dr. Saffy was also politically active. She led a 1975 march in Tallahassee in support of the Equal Rights Amendment. She served as a Florida delegate to the International Women's Conference and as a Florida State delegate in six Democratic National Conventions. She was also the president of the Florida Women's Political Caucus. Dr. Saffy died June 20, 2010.","This collection contains awards, correspondence, memorabilia, printed materials, photographs, personal papers, and writings. Many printed materials and photographs relate to politics and political activism. There are numerous photographs and newspaper clippings, as well as Dr. Saffy's dissertation. The collection contains many memorabilia items, particularly from various political events, and there are two large portraits of Dr. Edna Louise Saffy.","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2013.003","/repositories/3/resources/66"],"normalized_date_ssm":["1962-2013"],"normalized_title_ssm":["Dr. Edna Louise Saffy Papers, 1962-2013"],"collection_title_tesim":["Dr. Edna Louise Saffy Papers, 1962-2013"],"collection_ssim":["Dr. Edna Louise Saffy Papers, 1962-2013"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"geogname_ssm":["Florida -- Politics and Government -- 20th century"],"geogname_ssim":["Florida -- Politics and Government -- 20th century"],"places_ssim":["Florida -- Politics and Government -- 20th century"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). 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Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Dr. Grady Johnson, 2013."],"access_subjects_ssim":["Clinton, Bill, 1946 -- Presidential campaigns -- Florida","College teachers -- Florida -- Jacksonville (Fla.)","Democratic Party (Fla.)","Human rights workers -- Florida -- Jacksonville (Fla.)","Political activists -- Florida -- Jacksonville (Fla.)","Women's rights -- Florida"],"access_subjects_ssm":["Clinton, Bill, 1946 -- Presidential campaigns -- Florida","College teachers -- Florida -- Jacksonville (Fla.)","Democratic Party (Fla.)","Human rights workers -- Florida -- Jacksonville (Fla.)","Political activists -- Florida -- Jacksonville (Fla.)","Women's rights -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["36.00 Linear Feet"],"extent_tesim":["36.00 Linear Feet"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. 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She was named \"A Woman of Courage and Vision\" by the Mayor's Commission on the Status of Women and the recipient of a Lifetime EVE Award by the Florida Times Union.\n    \n    As a humanitarian and activist, she served on numerous local, state, and national committees, including the John F. Kennedy Center Committee for the Performing Arts during the Clinton Administration, the Advisory Committee on LaVilla Cultural Heritage District, American Arab Institute, Duval County Democratic Executive Committee, and the Jacksonville Human Rights Commission. \n    \n    Dr. Saffy was also politically active. She led a 1975 march in Tallahassee in support of the Equal Rights Amendment. She served as a Florida delegate to the International Women's Conference and as a Florida State delegate in six Democratic National Conventions. She was also the president of the Florida Women's Political Caucus. Dr. Saffy died June 20, 2010.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\tDr. Edna Louise Saffy, human rights advocate and Jacksonville native was born on March 9, 1935. She attended college at the University of Florida where she received several degrees, including the Master's and Doctorate of Philosophy degrees. She was a professor of Rhetoric and Public Address at University of Florida and Florida State College at Jacksonville, where she was elected Professor Emeritus following her retirement in December 2007. ","\nDr. Saffy was a founder of the National Organization for Women chapters in Jacksonville and Gainesville, as well as founder of the Jacksonville Women's Network. She was named \"A Woman of Courage and Vision\" by the Mayor's Commission on the Status of Women and the recipient of a Lifetime EVE Award by the Florida Times Union.\n    \n    As a humanitarian and activist, she served on numerous local, state, and national committees, including the John F. Kennedy Center Committee for the Performing Arts during the Clinton Administration, the Advisory Committee on LaVilla Cultural Heritage District, American Arab Institute, Duval County Democratic Executive Committee, and the Jacksonville Human Rights Commission. \n    \n    Dr. Saffy was also politically active. She led a 1975 march in Tallahassee in support of the Equal Rights Amendment. She served as a Florida delegate to the International Women's Conference and as a Florida State delegate in six Democratic National Conventions. She was also the president of the Florida Women's Political Caucus. Dr. Saffy died June 20, 2010."],"prefercite_html_tesm":["\u003cp\u003eDr. Edna Louise Saffy Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Dr. Edna Louise Saffy Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains awards, correspondence, memorabilia, printed materials, photographs, personal papers, and writings. Many printed materials and photographs relate to politics and political activism. There are numerous photographs and newspaper clippings, as well as Dr. Saffy's dissertation. 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Please contact \nlib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. 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Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2013.003","/repositories/3/resources/66"],"normalized_date_ssm":["1962-2013"],"normalized_title_ssm":["Dr. Edna Louise Saffy Papers, 1962-2013"],"collection_title_tesim":["Dr. Edna Louise Saffy Papers, 1962-2013"],"collection_ssim":["Dr. Edna Louise Saffy Papers, 1962-2013"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"geogname_ssm":["Florida -- Politics and Government -- 20th century"],"geogname_ssim":["Florida -- Politics and Government -- 20th century"],"places_ssim":["Florida -- Politics and Government -- 20th century"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). 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Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Dr. Grady Johnson, 2013."],"access_subjects_ssim":["Clinton, Bill, 1946 -- Presidential campaigns -- Florida","College teachers -- Florida -- Jacksonville (Fla.)","Democratic Party (Fla.)","Human rights workers -- Florida -- Jacksonville (Fla.)","Political activists -- Florida -- Jacksonville (Fla.)","Women's rights -- Florida"],"access_subjects_ssm":["Clinton, Bill, 1946 -- Presidential campaigns -- Florida","College teachers -- Florida -- Jacksonville (Fla.)","Democratic Party (Fla.)","Human rights workers -- Florida -- Jacksonville (Fla.)","Political activists -- Florida -- Jacksonville (Fla.)","Women's rights -- Florida"],"has_online_content_ssim":["false"],"extent_ssm":["36.00 Linear Feet"],"extent_tesim":["36.00 Linear Feet"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. 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She was named \"A Woman of Courage and Vision\" by the Mayor's Commission on the Status of Women and the recipient of a Lifetime EVE Award by the Florida Times Union.\n    \n    As a humanitarian and activist, she served on numerous local, state, and national committees, including the John F. Kennedy Center Committee for the Performing Arts during the Clinton Administration, the Advisory Committee on LaVilla Cultural Heritage District, American Arab Institute, Duval County Democratic Executive Committee, and the Jacksonville Human Rights Commission. \n    \n    Dr. Saffy was also politically active. She led a 1975 march in Tallahassee in support of the Equal Rights Amendment. She served as a Florida delegate to the International Women's Conference and as a Florida State delegate in six Democratic National Conventions. She was also the president of the Florida Women's Political Caucus. Dr. Saffy died June 20, 2010."],"prefercite_html_tesm":["\u003cp\u003eDr. Edna Louise Saffy Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Dr. Edna Louise Saffy Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains awards, correspondence, memorabilia, printed materials, photographs, personal papers, and writings. Many printed materials and photographs relate to politics and political activism. There are numerous photographs and newspaper clippings, as well as Dr. Saffy's dissertation. 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Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":748,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860599051681792,"_root_":"b3e4025e67698b63bebebf69","timestamp":"2026-07-16T08:48:22.881Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/b3e4025e67698b63bebebf69_aspace_1a0ed93ae0d6548b5a2fca64f28e4602"}},{"id":"f632a32cd4f534c5e8722489_aspace_f1341147c633852067a01d38eb8a45c2","type":"Folder","attributes":{"title":"\"A Bowl of Cherries: A Memoir of a Twentieth Century American\" by Wally Nelson, 2001","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/f632a32cd4f534c5e8722489_aspace_f1341147c633852067a01d38eb8a45c2#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_f1341147c633852067a01d38eb8a45c2","ref_ssm":["aspace_f1341147c633852067a01d38eb8a45c2","aspace_f1341147c633852067a01d38eb8a45c2"],"id":"f632a32cd4f534c5e8722489_aspace_f1341147c633852067a01d38eb8a45c2","title_filing_ssi":"\"A Bowl of Cherries: A Memoir of a Twentieth Century American\" by Wally Nelson","title_ssm":["\"A Bowl of Cherries: A Memoir of a Twentieth Century American\" by Wally Nelson"],"title_tesim":["\"A Bowl of Cherries: A Memoir of a Twentieth Century American\" by Wally Nelson"],"unitdate_other_ssim":["2001"],"normalized_date_ssm":["2001"],"normalized_title_ssm":["\"A Bowl of Cherries: A Memoir of a Twentieth Century American\" by Wally Nelson, 2001"],"text":["\"A Bowl of Cherries: A Memoir of a Twentieth Century American\" by Wally Nelson, 2001","Lisa Mills collection, 1992-2012","Project documents, 2001-2012","Series I","/repositories/4/archival_objects/64165","Box 1"],"component_level_isim":[2],"parent_ids_ssim":["f632a32cd4f534c5e8722489","f632a32cd4f534c5e8722489_aspace_d0ffcfaf5ac46677e43be9c6ef27fffe"],"parent_unittitles_ssm":["Lisa Mills collection, 1992-2012","Project documents, 2001-2012"],"parent_unittitles_tesim":["Lisa Mills collection, 1992-2012","Project documents, 2001-2012"],"parent_levels_ssm":["collection","Series"],"unitid_ssm":["Series I","/repositories/4/archival_objects/64165"],"repository_ssim":["UCF Special Collections"],"collection_ssim":["Lisa Mills collection, 1992-2012"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Folder"],"level_ssim":["Folder"],"sort_isi":2,"parent_access_restrict_tesm":["Consent must be obtained to use interviews with documentary subjects in future films or videos. 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Her films have won national awards and screened in film festivals all over the world. https://communication.ucf.edu/person/lisa-mills/"," Collection processed by and finding aid prepared by Elisabeth Jimenez in 2022. Staples and paper clips were removed from documents and replaced with plastic clips. All materials were placed into acid free folders and in an acid free box. At least three versions of publications were kept, and all additional copies were recycled. The department does not currently house the proper equipment to read any of the mini DVs, thus no further historical context can be made from them other than the title provided.","Series I: Project Documents, 2001-2012 includes documents surrounding Lisa Mill's films. Some folders are specific to individual projects. This series also contains newspapers that topics relating to Mills's films. ","Series II: Media, 1992- 2010 contains media such as Mini DVs of interviews, rehearsals, home videos and events. Within this series are two UCF Metro VHS tapes.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Lisa Mills collection houses several of Dr. Mills's work on several films throughout her career. This collection contains documents such as licensing agreements, interviews, and correspondence. There are also mini DVs that contain interviews, rehearsals, and recordings of live events and competitions.","UCF Special Collections","English"],"unitid_tesim":["SC.148","/repositories/4/resources/245"],"normalized_date_ssm":["1992-2012"],"normalized_title_ssm":["Lisa Mills collection, 1992-2012"],"collection_title_tesim":["Lisa Mills collection, 1992-2012"],"collection_ssim":["Lisa Mills collection, 1992-2012"],"repository_ssm":["UCF Special Collections"],"repository_ssim":["UCF Special Collections"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. 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Her films have won national awards and screened in film festivals all over the world. https://communication.ucf.edu/person/lisa-mills/"],"prefercite_html_tesm":["\u003cp\u003eLisa Mills Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["Lisa Mills Collection, Special Collections and University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003e\u0026#x202F;Collection processed by and finding aid prepared by Elisabeth Jimenez in 2022. Staples and paper clips were removed from documents and replaced with plastic clips. All materials were placed into acid free folders and in an acid free box. At least three versions of publications were kept, and all additional copies were recycled. The department does not currently house the proper equipment to read any of the mini DVs, thus no further historical context can be made from them other than the title provided.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information "],"processinfo_tesim":[" Collection processed by and finding aid prepared by Elisabeth Jimenez in 2022. Staples and paper clips were removed from documents and replaced with plastic clips. All materials were placed into acid free folders and in an acid free box. At least three versions of publications were kept, and all additional copies were recycled. The department does not currently house the proper equipment to read any of the mini DVs, thus no further historical context can be made from them other than the title provided."],"scopecontent_html_tesm":["\u003cp\u003eSeries I: Project Documents, 2001-2012 includes documents surrounding Lisa Mill's films. Some folders are specific to individual projects. This series also contains newspapers that topics relating to Mills's films. \u003c/p\u003e\n","\u003cp\u003eSeries II: Media, 1992- 2010 contains media such as Mini DVs of interviews, rehearsals, home videos and events. Within this series are two UCF Metro VHS tapes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I: Project Documents, 2001-2012 includes documents surrounding Lisa Mill's films. Some folders are specific to individual projects. This series also contains newspapers that topics relating to Mills's films. ","Series II: Media, 1992- 2010 contains media such as Mini DVs of interviews, rehearsals, home videos and events. Within this series are two UCF Metro VHS tapes."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d8d754c951278ee6666538abd5f8fe8b\" label=\"Abstract\"\u003eThe Lisa Mills collection houses several of Dr. Mills's work on several films throughout her career. This collection contains documents such as licensing agreements, interviews, and correspondence. There are also mini DVs that contain interviews, rehearsals, and recordings of live events and competitions.\u003c/abstract\u003e"],"abstract_tesim":["The Lisa Mills collection houses several of Dr. Mills's work on several films throughout her career. This collection contains documents such as licensing agreements, interviews, and correspondence. There are also mini DVs that contain interviews, rehearsals, and recordings of live events and competitions."],"names_ssim":["UCF Special Collections"],"corpname_ssim":["UCF Special Collections"],"language_ssim":["English"],"total_component_count_is":308,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"f632a32cd4f534c5e8722489","timestamp":"2026-05-22T02:50:56.760Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/f632a32cd4f534c5e8722489_aspace_f1341147c633852067a01d38eb8a45c2"}},{"id":"d331ed22985bd548fd56cca6","type":"collection","attributes":{"title":"Abril Lamarque Collection, 1883-2001","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6#creator","type":"document_value","attributes":{"value":["Lamarque Sarno, Martha"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip \u003cem\u003eMonguito. \u003c/em\u003e\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d331ed22985bd548fd56cca6#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"d331ed22985bd548fd56cca6","title_ssm":["Abril Lamarque Collection"],"title_tesim":["Abril Lamarque Collection"],"ead_ssi":"d331ed22985bd548fd56cca6","unitdate_ssm":["1883-2001"],"unitdate_inclusive_ssm":["1883-2001"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["SPC6045","/repositories/2/resources/71"],"text":["SPC6045","/repositories/2/resources/71","Abril Lamarque Collection, 1883-2001","Cuba","Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs","The collection is open for research.","The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.","Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art","Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more","The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society.","Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999","English Spanish; Castilian"],"unitid_tesim":["SPC6045","/repositories/2/resources/71"],"normalized_date_ssm":["1883-2001"],"normalized_title_ssm":["Abril Lamarque Collection, 1883-2001"],"collection_title_tesim":["Abril Lamarque Collection, 1883-2001"],"collection_ssim":["Abril Lamarque Collection, 1883-2001"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"creator_ssm":["Lamarque Sarno, Martha"],"creator_ssim":["Lamarque Sarno, Martha"],"creator_persname_ssim":["Lamarque Sarno, Martha"],"creators_ssim":["Lamarque Sarno, Martha"],"places_ssim":["Cuba"],"access_terms_ssm":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"acqinfo_ssim":["Martha Lamarque Sarno donated her father's papers to Special Collections at Florida International University."],"access_subjects_ssim":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"access_subjects_ssm":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 boxes"],"extent_tesim":["2.00 boxes"],"genreform_ssim":["Works of art","Sketches","Photographs"],"date_range_isim":[1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2.\u0026#xA0;Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs."],"bioghist_html_tesm":["\u003cp\u003eEduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the \u003cemph render=\"italic\"\u003eNew York World-Telegram and Evening Mail\u003c/emph\u003e at age 15. Four years later he created \u003cemph render=\"italic\"\u003eBla-Bla\u003c/emph\u003e, a comic strip that appeared regularly in the \u003cemph render=\"italic\"\u003eNew York Daily News\u003c/emph\u003e. He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character, \u003cemph render=\"italic\"\u003eMonguito\u003c/emph\u003e, was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.\u003c/p\u003e\n","\u003cp\u003eWhen he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e. He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the \u003cemph render=\"italic\"\u003eNew York World Telegram and Evening Mail\u003c/emph\u003e as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.\u003c/p\u003e\n","\u003cp\u003eIn 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included \u003cemph render=\"italic\"\u003eFilm Fun\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eI Confess\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eWar Stories\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eModern Screen\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Song\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eSpotlight\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRadio Stars\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eTheatrical Page\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eBallyhoo\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eModern Romances\u003c/emph\u003e. He continued working there for 14 years.\u003c/p\u003e\n","\u003cp\u003eIn 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.\u003c/p\u003e\n","\u003cp\u003eBetween 1941 and 1946, Lamarque became the first art director for the Sunday edition of the \u003cemph render=\"italic\"\u003eNew York Times\u003c/emph\u003e and redesigned the \u003cemph render=\"italic\"\u003eNew York Times Magazine\u003c/emph\u003e and the \u003cemph render=\"italic\"\u003eNew York Times Book Review\u003c/emph\u003e. Throughout his career, Lamarque designed and redesigned countless magazines and journals, including \u003cemph render=\"italic\"\u003eAmerican Weekly\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eNew York News\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eMetropolitan Life\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Science\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThis Week\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eUS News-World Report\u003c/emph\u003e, and others.\u003c/p\u003e\n","\u003cp\u003eIn 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.\u003c/p\u003e\n","\u003cp\u003eHis success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.\u003c/p\u003e\n","\u003cp\u003eLamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.\u003c/p\u003e\n","\u003cp\u003eLamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art"],"odd_html_tesm":["\u003cp\u003eLanguage from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated material to the collection may be found in the following repository. \u003c/p\u003e\n","\u003cp\u003eArchives of the American Art.\u003c/p\u003e\n","\u003cp\u003ehttp://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more"],"scopecontent_html_tesm":["\u003cp\u003eThe Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito. \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eThe collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito \u003c/emph\u003eand editions of the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e.In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.\u003c/p\u003e\n","\u003cp\u003eThe collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, a segment that included Massaguer's caricatures of prominent members of Cuban high society.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society."],"userestrict_html_tesm":["\u003cp\u003eRights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"names_coll_ssim":["Society of American Magicians","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"names_ssim":["FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"corpname_ssim":["FIU Special Collections","Society of American Magicians"],"persname_ssim":["Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":247,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844705641594880,"_root_":"d331ed22985bd548fd56cca6","timestamp":"2026-07-16T04:35:45.752Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d331ed22985bd548fd56cca6","title_ssm":["Abril Lamarque Collection"],"title_tesim":["Abril Lamarque Collection"],"ead_ssi":"d331ed22985bd548fd56cca6","unitdate_ssm":["1883-2001"],"unitdate_inclusive_ssm":["1883-2001"],"level_ssm":["collection"],"level_ssim":["Item","Collection"],"unitid_ssm":["SPC6045","/repositories/2/resources/71"],"text":["SPC6045","/repositories/2/resources/71","Abril Lamarque Collection, 1883-2001","Cuba","Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs","The collection is open for research.","The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.","Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art","Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.","Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more","The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society.","Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.","FIU Special Collections","Society of American Magicians","Lamarque Sarno, Martha","Batista, Fulgencio, 1901-1973","Massaguer, Conrado Walter, 1889-1965","Lamarque, Abril, 1904-1999","English Spanish; Castilian"],"unitid_tesim":["SPC6045","/repositories/2/resources/71"],"normalized_date_ssm":["1883-2001"],"normalized_title_ssm":["Abril Lamarque Collection, 1883-2001"],"collection_title_tesim":["Abril Lamarque Collection, 1883-2001"],"collection_ssim":["Abril Lamarque Collection, 1883-2001"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"geogname_ssm":["Cuba"],"geogname_ssim":["Cuba"],"creator_ssm":["Lamarque Sarno, Martha"],"creator_ssim":["Lamarque Sarno, Martha"],"creator_persname_ssim":["Lamarque Sarno, Martha"],"creators_ssim":["Lamarque Sarno, Martha"],"places_ssim":["Cuba"],"access_terms_ssm":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws."],"acqinfo_ssim":["Martha Lamarque Sarno donated her father's papers to Special Collections at Florida International University."],"access_subjects_ssim":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"access_subjects_ssm":["Magicians -- United States","Cartoonists","Caricatures and cartoons","Graphic artists","Illustrators","Works of art","Sketches","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["2.00 boxes"],"extent_tesim":["2.00 boxes"],"genreform_ssim":["Works of art","Sketches","Photographs"],"date_range_isim":[1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2.\u0026#xA0;Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Abril Lamarque collection is arranged into three \nSeries: 1. Photographs and Slides. Series: 2. Printed Material. Series: 3. Artifacts. Series 1 has three sub-series: General Photographs, Santiago de Cuba Earthqueake, and Abril Lamarque Photographs."],"bioghist_html_tesm":["\u003cp\u003eEduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the \u003cemph render=\"italic\"\u003eNew York World-Telegram and Evening Mail\u003c/emph\u003e at age 15. Four years later he created \u003cemph render=\"italic\"\u003eBla-Bla\u003c/emph\u003e, a comic strip that appeared regularly in the \u003cemph render=\"italic\"\u003eNew York Daily News\u003c/emph\u003e. He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character, \u003cemph render=\"italic\"\u003eMonguito\u003c/emph\u003e, was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.\u003c/p\u003e\n","\u003cp\u003eWhen he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e. He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the \u003cemph render=\"italic\"\u003eNew York World Telegram and Evening Mail\u003c/emph\u003e as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.\u003c/p\u003e\n","\u003cp\u003eIn 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included \u003cemph render=\"italic\"\u003eFilm Fun\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eI Confess\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eWar Stories\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eModern Screen\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Song\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eSpotlight\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eRadio Stars\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eTheatrical Page\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eBallyhoo\u003c/emph\u003e, and \u003cemph render=\"italic\"\u003eModern Romances\u003c/emph\u003e. He continued working there for 14 years.\u003c/p\u003e\n","\u003cp\u003eIn 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.\u003c/p\u003e\n","\u003cp\u003eBetween 1941 and 1946, Lamarque became the first art director for the Sunday edition of the \u003cemph render=\"italic\"\u003eNew York Times\u003c/emph\u003e and redesigned the \u003cemph render=\"italic\"\u003eNew York Times Magazine\u003c/emph\u003e and the \u003cemph render=\"italic\"\u003eNew York Times Book Review\u003c/emph\u003e. Throughout his career, Lamarque designed and redesigned countless magazines and journals, including \u003cemph render=\"italic\"\u003eAmerican Weekly\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eNew York News\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eMetropolitan Life\u003c/emph\u003e, \u003cemph render=\"italic\"\u003ePopular Science\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eThis Week\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eUS News-World Report\u003c/emph\u003e, and others.\u003c/p\u003e\n","\u003cp\u003eIn 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.\u003c/p\u003e\n","\u003cp\u003eHis success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.\u003c/p\u003e\n","\u003cp\u003eLamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.\u003c/p\u003e\n","\u003cp\u003eLamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Eduardo Abril Lamarque was born in Cuba on August 28, 1904. His parents sent him to the United States in 1916 when he was twelve to study English and business administration. He lived with an American family in Brooklyn. Lamarque's first cartoon was published in the Boy Scout section of the  New York World-Telegram and Evening Mail  at age 15. Four years later he created  Bla-Bla , a comic strip that appeared regularly in the  New York Daily News . He is credited with creating, in the early 1920s, the first Spanish language comic strip that was not translated from English. The title cartoon character,  Monguito , was a hapless soul, fully dressed in business suit and hat, who kept getting into sticky situations. Lamarque produced hundreds of these strips which were picked up by the New York based United Feature Syndicate and published daily in Spanish language newspapers throughout Latin America and the United States.","When he was twenty, Lamarque returned to Cuba and worked as the artistic director for the Havana newspaper  Lunes de Diario de Cuba . He also published a booklet designed to teach the elements of caricature drawing. Lamarque returned to New York and was hired by the  New York World Telegram and Evening Mail  as a caricaturist. In this position, he produced political cartoons and caricatures for the paper, introducing his \"radiocatures\", which involved providing instructions on the radio for filling in a grid in the newspaper to produce a caricature of well-known figure in the news.","In 1927, at the age of 23, he became the first art director of Dell Publishing Company - a magazine empire that included  Film Fun ,  I Confess ,  War Stories ,  Modern Screen ,  Popular Song ,  Spotlight ,  Radio Stars ,  Theatrical Page ,  Ballyhoo , and  Modern Romances . He continued working there for 14 years.","In 1940-1941, Lamarque established Abril Lamarque Creations, a design firm that specialized in elegant and functional household objects and jewelry in a modernist tradition. His signature piece was the Pallettray, a serving tray modeled after an artist's palette and hand-finished in exotic woods.","Between 1941 and 1946, Lamarque became the first art director for the Sunday edition of the  New York Times  and redesigned the  New York Times Magazine  and the  New York Times Book Review . Throughout his career, Lamarque designed and redesigned countless magazines and journals, including  American Weekly ,  New York News ,  Metropolitan Life ,  Popular Science ,  This Week ,  US News-World Report , and others.","In 1948, Lamarque established a successful graphic design studio in New York that provided a full spectrum of design services, including annual reports, posters, product labeling, corporate publications, advertising, logos, package designs, and brochures. His clients included Barcardi Company, Con Edison, Ericcson Telephone, General Cable, Berlitz School, Lipton, Monsanto, and numerous magazines. In 1958, he was given the National Award for Graphic Design in packaging. His design for the annual American Red Cross poster was selected for the 1948 national Red Cross campaign.","His success and high demand as a publication art director, consultant, and designer was attributed to innovative design principles he based on the German Bauhaus School and its philosophy that promoted functional design principles. Lamarque reduced these principles to a set of guidelines suitable for page design and applied them successfully to a wide variety of publication and print layouts.","Lamarque's teaching experience began in the early 1940s with seminars and workshops he conducted for the publishing industry. He joined the faculty of New York University School of Continuing Education in 1958, where he taught until 1963, and later joined the Crowell Collier Institute and taught publication design workshops across the United States and Canada. He also gave workshops and courses at Oklahoma State School of Journalism.","Lamarque was a long-time member of the Society of Illustrators, Society of Art Directors, the Dutch Treat Club, National Press Club, and New York University Club. He was also an amateur magician and member of the Society of American Magicians. He performed magic acts for the annual Christmas party of the Society of Illustrators. Abril Lamarque died in 1999 at the age of 94.\nNote written by Archives of American Art"],"odd_html_tesm":["\u003cp\u003eLanguage from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research.\u003c/p\u003e"],"odd_heading_ssm":["Harmful Language Statement"],"odd_tesim":["Language from the original item is typically transcribed directly and without redaction, especially for titles. Items depicting offensive, racist, and/or stereotypical imagery or language are presented in their original state as a historical record for scholarship and research."],"relatedmaterial_html_tesm":["\u003cp\u003eRelated material to the collection may be found in the following repository. \u003c/p\u003e\n","\u003cp\u003eArchives of the American Art.\u003c/p\u003e\n","\u003cp\u003ehttp://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Related material to the collection may be found in the following repository. ","Archives of the American Art.","http://www.aaa.si.edu/collections/abril-lamarque-papers-5573/more"],"scopecontent_html_tesm":["\u003cp\u003eThe Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito. \u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eThe collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip \u003cemph render=\"italic\"\u003eMonguito \u003c/emph\u003eand editions of the Havana newspaper \u003cemph render=\"italic\"\u003eLunes de Diario de Cuba\u003c/emph\u003e.In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.\u003c/p\u003e\n","\u003cp\u003eThe collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of \u003cemph render=\"italic\"\u003eSocial\u003c/emph\u003e, a segment that included Massaguer's caricatures of prominent members of Cuban high society.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents "],"scopecontent_tesim":["The Abril Lamarque papers date from 1904-2002. The collection documents the life and career of Cuban-born cartoonist, designer, illustrator, graphic artist, caricaturist, and art director Abril Lamarque through printed materials, scrapbooks, writings, and original artwork. The collection includes examples of his cartoons and caricatures, these include clippings of the comic strip  Monguito. ","The collection consists primarily of varied printed material (1883-1989), such as magazines, newspapers, clippings, posters, and other publications that Lamarque either designed or that feature his cartoons, caricatures, or illustrations. These include clippings of the comic strip  Monguito  and editions of the Havana newspaper  Lunes de Diario de Cuba .In addition, the collection includes photographs (1924-1986) documenting Lamarque's private and professional life.","The collection includes materials concerning the Barcardi company, for which Lamarque designed a company logo and annual reports, the Dell Publishing Company, and Cuban caricaturist and publisher Conrado Massaguer. The material on Massaguer includes Massaguer's illustrations and several covers of his celebrated magazine  Social , published in Havana between the years 1916 and 1938, and pages from the \"Ellos\" section of  Social , a segment that included Massaguer's caricatures of prominent members of Cuban high society."],"userestrict_html_tesm":["\u003cp\u003eRights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights. The Abril Lamarque papers are owned by Florida International University. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. 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