{"links":{"self":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2001\u0026page=464","prev":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2001\u0026page=463","last":"https://flvc.lyrasistechnology.org/catalog.json?f%5Bdate_range%5D%5B%5D=2001\u0026page=464"},"meta":{"pages":{"current_page":464,"next_page":null,"prev_page":463,"total_pages":464,"limit_value":10,"offset_value":4630,"total_count":4639,"first_page?":false,"last_page?":true}},"data":[{"id":"826ec9e46b95f700555c74a0_aspace_a725b274b9043b08059cf93b77b7904b","type":"File","attributes":{"title":"YMCA Multi-Cultural Achievers Sixth Annual Recognition \"Turning Dreams into Achievements\", 2001","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/826ec9e46b95f700555c74a0_aspace_a725b274b9043b08059cf93b77b7904b#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_a725b274b9043b08059cf93b77b7904b","ref_ssm":["aspace_a725b274b9043b08059cf93b77b7904b","aspace_a725b274b9043b08059cf93b77b7904b"],"id":"826ec9e46b95f700555c74a0_aspace_a725b274b9043b08059cf93b77b7904b","title_filing_ssi":"YMCA Multi-Cultural Achievers Sixth Annual Recognition \"Turning Dreams into Achievements\"","title_ssm":["YMCA Multi-Cultural Achievers Sixth Annual Recognition \"Turning Dreams into Achievements\""],"title_tesim":["YMCA Multi-Cultural Achievers Sixth Annual Recognition \"Turning Dreams into Achievements\""],"unitdate_other_ssim":["2001"],"normalized_date_ssm":["2001"],"normalized_title_ssm":["YMCA Multi-Cultural Achievers Sixth Annual Recognition \"Turning Dreams into Achievements\", 2001"],"text":["YMCA Multi-Cultural Achievers Sixth Annual Recognition \"Turning Dreams into Achievements\", 2001","Emridge \"E.J.\" Jones, Jr. Collection, Circa 1960-2002","Printed Materials","Program, Circa 1996-2002","/repositories/2/archival_objects/8470","Box 3","folder 52"],"component_level_isim":[3],"parent_ids_ssim":["826ec9e46b95f700555c74a0","826ec9e46b95f700555c74a0_aspace_7591ad0bb39582c04cdb11e3d96dd628","826ec9e46b95f700555c74a0_aspace_6b6661db8bf740a91d5509413aceefb8"],"parent_unittitles_ssm":["Emridge \"E.J.\" Jones, Jr. Collection, Circa 1960-2002","Printed Materials","Program, Circa 1996-2002"],"parent_unittitles_tesim":["Emridge \"E.J.\" Jones, Jr. Collection, Circa 1960-2002","Printed Materials","Program, Circa 1996-2002"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/2/archival_objects/8470"],"repository_ssim":["AARLCC Special Collections"],"collection_ssim":["Emridge \"E.J.\" Jones, Jr. Collection, Circa 1960-2002"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":128,"parent_access_terms_tesm":["The Emridge \"E.J.\" Jones, Jr. Collection is open for research."],"date_range_isim":[2001],"containers_ssim":["Box 3","folder 52"],"_nest_path_":"/components#4/components#5/components#7","_nest_parent_":"826ec9e46b95f700555c74a0_aspace_6b6661db8bf740a91d5509413aceefb8","_root_":"826ec9e46b95f700555c74a0","_version_":1870838762494230528,"timestamp":"2026-07-16T03:01:17.896Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"826ec9e46b95f700555c74a0","title_filing_ssi":"Jones, Emridge \"E.J.\" Jr. Collection","title_ssm":["Emridge \"E.J.\" Jones, Jr. Collection"],"title_tesim":["Emridge \"E.J.\" Jones, Jr. Collection"],"ead_ssi":"826ec9e46b95f700555c74a0","unitdate_ssm":["Circa 1960-2002"],"unitdate_inclusive_ssm":["Circa 1960-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AARLCC.2006.2","/repositories/2/resources/253"],"text":["AARLCC.2006.2","/repositories/2/resources/253","Emridge \"E.J.\" Jones, Jr. Collection, Circa 1960-2002","Notated music","The collection is organized into eight series: Series I. Correspondence, Series II. Personal Papers, Series III. Professional Papers, Series IV. Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Objects, and Series VIII. Audio-Visual Materials.","Emridge \"E.J.\" Jones, Jr. was born on July 10, 1950, to parents Emridge Jones, Sr and Norma Brady Jones of Chicago, Illinois. He began performing in church as a child and learned to play the saxophone, piano, flute, and other instruments. He received his early education in Cook County, Illinois. He attended John Marshall Harlan High School where he graduated as an honor student. He earned his Bachelor of Science degree in Music Education from Florida Agricultural and Mechanical University in 1972 and did additional musical studies at Roosevelt University in Chicago, Illinois. He married Linda Houston in 1974, and they have two children, daughter Jemilah L. Jones and son Emridge Jones Ⅲ.","Emridge \"E.J.\" Jones Jr. blossomed into a master musician and created the professional contemporary jazz group called E.J. and Company that performed for audiences at clubs, events, and other venues. Their unique sound is funky, sensual, and rhythmic. He was also the President of New Rel J Records 1994 to 2002.","Jones worked with other musicians as a music producer to compose, arrange, and record music and performed with and opened for other national and international acts such as Maze ft. Frankie Beverly, Jimmy Bo Horne, Earth Wind and Fire, KC and The Sunshine Band, Kool and the Gang, Miami Sound Machine, Issac Hayes, George Benson, Olivia Newton-John, George Michaels, BB King, and many more.","In addition to his music career, Emridge \"E.J.\" Jones Jr. was a music instructor and band director for the Broward County School District and music director for Ashanti Cultural Arts, Incorporated. He participated in youth creation programs in the City of Lauderdale Lakes and various parks within Broward County youth activity organizations that included football, baseball, basketball, and other youth related leagues. Emridge \"E.J.\" Jones Jr. also tutored young people in music and consulted others in music business and legal matters that included copywrite, publishing and songwriting.","At the age of 51, he passed away from colon cancer in his home at Pompano, Florida, on February 23, 2002.","The Community Foundation of Broward created an endowment fund in Emridge \"E.J.\" Jones Jr. name that continues his legacy of uplifting young African American musicians and artists with scholarships to support their creative initiatives.","Throughout his lifetime he was recognized and received prestigious awards including Musician of the Year on February 15, 2002, and the JM Family Enterprises African-American Achiever of the Arts in 2001. He was also awarded the North Broward County Links Male Pillars of the Community Award in May 1996, and Outstanding Contribution to the Youth in our Community on August 12, 1994. Notably, November 18, 2001, was declared Emridge \"E.J.\" Jones Day.","E.J. \u0026 Company produced a 15-track album entitled \"Everything Happens in Time\" released in 1999 with famous tracks; \"Suki Suki' \"Ah Yeah\" and \"Amazing Grace\".","This collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.","View a selection of digitized materials from the Emridge \"E.J.\" Jones, Jr. Collection in the Broward County Library Digital Archives.","The Emridge \"E.J.\" Jones, Jr. Collection contains photographs, plaques, awards, newspaper clippings,  sheet music, correspondence to and from Emridge \"E.J.\" Jones Jr., a card, certificates, contracts, a yearbook, a membership card, proclamations, resume, adjudication forms, printed ephemera, one CD, a saxophone mouthpiece, coffee mug, license plate, oval shaped plate and sweater belonging to Emridge \"E.J.\" Jones Jr. of Pompano Beach, Florida.","The Emridge \"E.J.\" Jones, Jr. Collection is open for research.","AARLCC Special Collections","English"],"unitid_tesim":["AARLCC.2006.2","/repositories/2/resources/253"],"normalized_date_ssm":["Circa 1960-2002"],"normalized_title_ssm":["Emridge \"E.J.\" Jones, Jr. Collection, Circa 1960-2002"],"collection_title_tesim":["Emridge \"E.J.\" Jones, Jr. Collection, Circa 1960-2002"],"collection_ssim":["Emridge \"E.J.\" Jones, Jr. Collection, Circa 1960-2002"],"repository_ssm":["AARLCC Special Collections"],"repository_ssim":["AARLCC Special Collections"],"access_terms_ssm":["The Emridge \"E.J.\" Jones, Jr. Collection is open for research."],"access_subjects_ssim":["Notated music"],"access_subjects_ssm":["Notated music"],"has_online_content_ssim":["false"],"extent_ssm":["8 Hollinger Boxes"],"extent_tesim":["8 Hollinger Boxes"],"genreform_ssim":["Notated music"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into eight series: Series I. Correspondence, Series II. Personal Papers, Series III. Professional Papers, Series IV. Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Objects, and Series VIII. Audio-Visual Materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into eight series: Series I. Correspondence, Series II. Personal Papers, Series III. Professional Papers, Series IV. Photographs, Series V. Printed Materials, Series VI. Awards, Series VII. Objects, and Series VIII. Audio-Visual Materials."],"bioghist_html_tesm":["\u003cp\u003eEmridge \"E.J.\" Jones, Jr. was born on July 10, 1950, to parents Emridge Jones, Sr and Norma Brady Jones of Chicago, Illinois. He began performing in church as a child and learned to play the saxophone, piano, flute, and other instruments. He received his early education in Cook County, Illinois. He attended John Marshall Harlan High School where he graduated as an honor student. He earned his Bachelor of Science degree in Music Education from Florida Agricultural and Mechanical University in 1972 and did additional musical studies at Roosevelt University in Chicago, Illinois. He married Linda Houston in 1974, and they have two children, daughter Jemilah L. Jones and son Emridge Jones \u0026#x2162;.\u003c/p\u003e\n","\u003cp\u003eEmridge \"E.J.\" Jones Jr. blossomed into a master musician and created the professional contemporary jazz group called E.J. and Company that performed for audiences at clubs, events, and other venues. Their unique sound is funky, sensual, and rhythmic. He was also the President of New Rel J Records 1994 to 2002.\u003c/p\u003e\n","\u003cp\u003eJones worked with other musicians as a music producer to compose, arrange, and record music and performed with and opened for other national and international acts such as Maze ft. Frankie Beverly, Jimmy Bo Horne, Earth Wind and Fire, KC and The Sunshine Band, Kool and the Gang, Miami Sound Machine, Issac Hayes, George Benson, Olivia Newton-John, George Michaels, BB King, and many more.\u003c/p\u003e\n","\u003cp\u003eIn addition to his music career, Emridge \"E.J.\" Jones Jr. was a music instructor and band director for the Broward County School District and music director for Ashanti Cultural Arts, Incorporated. He participated in youth creation programs in the City of Lauderdale Lakes and various parks within Broward County youth activity organizations that included football, baseball, basketball, and other youth related leagues. Emridge \"E.J.\" Jones Jr. also tutored young people in music and consulted others in music business and legal matters that included copywrite, publishing and songwriting.\u003c/p\u003e\n","\u003cp\u003eAt the age of 51, he passed away from colon cancer in his home at Pompano, Florida, on February 23, 2002.\u003c/p\u003e\n","\u003cp\u003eThe Community Foundation of Broward created an endowment fund in Emridge \"E.J.\" Jones Jr. name that continues his legacy of uplifting young African American musicians and artists with scholarships to support their creative initiatives.\u003c/p\u003e\n","\u003cp\u003eThroughout his lifetime he was recognized and received prestigious awards including Musician of the Year on February 15, 2002, and the JM Family Enterprises African-American Achiever of the Arts in 2001. He was also awarded the North Broward County Links Male Pillars of the Community Award in May 1996, and Outstanding Contribution to the Youth in our Community on August 12, 1994. Notably, November 18, 2001, was declared Emridge \"E.J.\" Jones Day.\u003c/p\u003e\n","\u003cp\u003eE.J. \u0026amp; Company produced a 15-track album entitled \"Everything Happens in Time\" released in 1999 with famous tracks; \"Suki Suki' \"Ah Yeah\" and \"Amazing Grace\".\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Emridge \"E.J.\" Jones, Jr. was born on July 10, 1950, to parents Emridge Jones, Sr and Norma Brady Jones of Chicago, Illinois. He began performing in church as a child and learned to play the saxophone, piano, flute, and other instruments. He received his early education in Cook County, Illinois. He attended John Marshall Harlan High School where he graduated as an honor student. He earned his Bachelor of Science degree in Music Education from Florida Agricultural and Mechanical University in 1972 and did additional musical studies at Roosevelt University in Chicago, Illinois. He married Linda Houston in 1974, and they have two children, daughter Jemilah L. Jones and son Emridge Jones Ⅲ.","Emridge \"E.J.\" Jones Jr. blossomed into a master musician and created the professional contemporary jazz group called E.J. and Company that performed for audiences at clubs, events, and other venues. Their unique sound is funky, sensual, and rhythmic. He was also the President of New Rel J Records 1994 to 2002.","Jones worked with other musicians as a music producer to compose, arrange, and record music and performed with and opened for other national and international acts such as Maze ft. Frankie Beverly, Jimmy Bo Horne, Earth Wind and Fire, KC and The Sunshine Band, Kool and the Gang, Miami Sound Machine, Issac Hayes, George Benson, Olivia Newton-John, George Michaels, BB King, and many more.","In addition to his music career, Emridge \"E.J.\" Jones Jr. was a music instructor and band director for the Broward County School District and music director for Ashanti Cultural Arts, Incorporated. He participated in youth creation programs in the City of Lauderdale Lakes and various parks within Broward County youth activity organizations that included football, baseball, basketball, and other youth related leagues. Emridge \"E.J.\" Jones Jr. also tutored young people in music and consulted others in music business and legal matters that included copywrite, publishing and songwriting.","At the age of 51, he passed away from colon cancer in his home at Pompano, Florida, on February 23, 2002.","The Community Foundation of Broward created an endowment fund in Emridge \"E.J.\" Jones Jr. name that continues his legacy of uplifting young African American musicians and artists with scholarships to support their creative initiatives.","Throughout his lifetime he was recognized and received prestigious awards including Musician of the Year on February 15, 2002, and the JM Family Enterprises African-American Achiever of the Arts in 2001. He was also awarded the North Broward County Links Male Pillars of the Community Award in May 1996, and Outstanding Contribution to the Youth in our Community on August 12, 1994. Notably, November 18, 2001, was declared Emridge \"E.J.\" Jones Day.","E.J. \u0026 Company produced a 15-track album entitled \"Everything Happens in Time\" released in 1999 with famous tracks; \"Suki Suki' \"Ah Yeah\" and \"Amazing Grace\"."],"prefercite_html_tesm":["\u003cp\u003eEmridge \"E.J.\" Jones, Jr. Collection, African American Research Library and Cultural Center, Broward County Library.\u003c/p\u003e"],"prefercite_tesim":["Emridge \"E.J.\" Jones, Jr. Collection, African American Research Library and Cultural Center, Broward County Library."],"processinfo_html_tesm":["\u003cp\u003eThis collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection received file level processing. The finding aid may be updated to reflect new descriptions as well as acquisitions to the collection."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://digitalarchives.broward.org/digital/collection/p16146coll9/search\" target=\"_blank\"\u003eView a selection of digitized materials from the Emridge \"E.J.\" Jones, Jr. Collection in the Broward County Library Digital Archives.\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Digital Materials"],"relatedmaterial_tesim":["View a selection of digitized materials from the Emridge \"E.J.\" Jones, Jr. Collection in the Broward County Library Digital Archives."],"scopecontent_html_tesm":["\u003cp\u003eThe Emridge \"E.J.\" Jones, Jr. Collection contains photographs, plaques, awards, newspaper clippings,  sheet music, correspondence to and from Emridge \"E.J.\" Jones Jr., a card, certificates, contracts, a yearbook, a membership card, proclamations, resume, adjudication forms, printed ephemera, one CD, a saxophone mouthpiece, coffee mug, license plate, oval shaped plate and sweater belonging to Emridge \"E.J.\" Jones Jr. of Pompano Beach, Florida.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Emridge \"E.J.\" Jones, Jr. Collection contains photographs, plaques, awards, newspaper clippings,  sheet music, correspondence to and from Emridge \"E.J.\" Jones Jr., a card, certificates, contracts, a yearbook, a membership card, proclamations, resume, adjudication forms, printed ephemera, one CD, a saxophone mouthpiece, coffee mug, license plate, oval shaped plate and sweater belonging to Emridge \"E.J.\" Jones Jr. of Pompano Beach, Florida."],"userestrict_html_tesm":["\u003cp\u003eThe Emridge \"E.J.\" Jones, Jr. Collection is open for research.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Emridge \"E.J.\" Jones, Jr. Collection is open for research."],"names_ssim":["AARLCC Special Collections"],"corpname_ssim":["AARLCC Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":164,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870838762494230528,"_root_":"826ec9e46b95f700555c74a0","timestamp":"2026-07-16T03:01:17.896Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/826ec9e46b95f700555c74a0_aspace_a725b274b9043b08059cf93b77b7904b"}},{"id":"377018d2c691025d88612f9e_aspace_cf660160c14be2e97b504c8b5cb34959","type":"File","attributes":{"title":"\"You'd be so nice (to come home to)\", 2001","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/377018d2c691025d88612f9e_aspace_cf660160c14be2e97b504c8b5cb34959#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_cf660160c14be2e97b504c8b5cb34959","ref_ssm":["aspace_cf660160c14be2e97b504c8b5cb34959","aspace_cf660160c14be2e97b504c8b5cb34959"],"id":"377018d2c691025d88612f9e_aspace_cf660160c14be2e97b504c8b5cb34959","title_filing_ssi":"\"You'd be so nice (to come home to)\"","title_ssm":["\"You'd be so nice (to come home to)\""],"title_tesim":["\"You'd be so nice (to come home to)\""],"unitdate_inclusive_ssm":["2001"],"normalized_date_ssm":["2001"],"normalized_title_ssm":["\"You'd be so nice (to come home to)\", 2001"],"text":["\"You'd be so nice (to come home to)\", 2001","Burt Szabo music collection, 1955-2017","/repositories/2/archival_objects/79727","/repositories/2/archival_objects/82989","box 22","folder 20"],"component_level_isim":[1],"parent_ids_ssim":["377018d2c691025d88612f9e"],"parent_unittitles_ssm":["Burt Szabo music collection, 1955-2017"],"parent_unittitles_tesim":["Burt Szabo music collection, 1955-2017"],"parent_levels_ssm":["collection"],"unitid_ssm":["/repositories/2/archival_objects/79727","/repositories/2/archival_objects/82989"],"repository_ssim":["UCF University Archives"],"collection_ssim":["Burt Szabo music collection, 1955-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":763,"parent_access_restrict_tesm":["The entire collection is open for research."],"parent_access_terms_tesm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[2001],"containers_ssim":["box 22","folder 20"],"_nest_path_":"/components#762","_nest_parent_":"377018d2c691025d88612f9e","_root_":"377018d2c691025d88612f9e","_version_":1870858782767054848,"timestamp":"2026-07-16T08:19:30.734Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"377018d2c691025d88612f9e","title_ssm":["Burt Szabo music collection"],"title_tesim":["Burt Szabo music collection"],"ead_ssi":"377018d2c691025d88612f9e","unitdate_ssm":["1955-2017"],"unitdate_inclusive_ssm":["1955-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA21G","/repositories/2/resources/332"],"text":["UA21G","/repositories/2/resources/332","Burt Szabo music collection, 1955-2017","Barbershop quartets","sheet music","The entire collection is open for research.","The collection is arranged in the original order that it was received.","Albert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  ","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. ","Processed by and finding aid prepared by Simone DeLuque in 2025.","For more information on Special Collections \u0026 University Archives, please see our website.","The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.","Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.","The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022.","UCF University Archives","Szabo, Burt","English"],"unitid_tesim":["UA21G","/repositories/2/resources/332"],"normalized_date_ssm":["1955-2017"],"normalized_title_ssm":["Burt Szabo music collection, 1955-2017"],"collection_title_tesim":["Burt Szabo music collection, 1955-2017"],"collection_ssim":["Burt Szabo music collection, 1955-2017"],"repository_ssm":["UCF University Archives"],"repository_ssim":["UCF University Archives"],"creator_ssm":["Szabo, Burt"],"creator_ssim":["Szabo, Burt"],"creator_persname_ssim":["Szabo, Burt"],"creators_ssim":["Szabo, Burt"],"access_terms_ssm":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Gift of David Schreier in 2018 (Accession no. 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He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \u003c/p\u003e\n","\u003cp\u003eA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Albert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  ","A strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022. "],"prefercite_html_tesm":["\u003cp\u003e[Identification of item], Burt Szabo music collection, Special Collections \u0026amp; University Archives, University of Central Florida, Orlando, Florida.\u003c/p\u003e"],"prefercite_tesim":["[Identification of item], Burt Szabo music collection, Special Collections \u0026 University Archives, University of Central Florida, Orlando, Florida."],"processinfo_html_tesm":["\u003cp\u003eProcessed by and finding aid prepared by Simone DeLuque in 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by and finding aid prepared by Simone DeLuque in 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eFor more information on Special Collections \u0026amp; University Archives, please see our website.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["For more information on Special Collections \u0026 University Archives, please see our website."],"scopecontent_html_tesm":["\u003cp\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published."],"userestrict_html_tesm":["\u003cp\u003eUnpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Copyright Statement"],"userestrict_tesim":["Unpublished manuscripts are protected by copyright. Permission to publish, quote or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_47ef4f2c9d3944ef54170a551f97a3e7\"\u003eThe Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the \u003cemph render=\"italic\"\u003eBarbershop Arranging Manual\u003c/emph\u003e and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022.\u003c/abstract\u003e"],"abstract_tesim":["The Burt Szabo music collection is comprised of sheet music of pieces Burtz Szabo collected, composed, arranged, and/or published. \n\nAlbert Edward \"Burt\" Szabo,  a composer, arranger, and music educator, was born in Ohio in 1931. He composed and published several pieces of music for barbershop quartets, choruses, schools, and churches. Szabo was a faculty member of the music department at the University of Central Florida (then Florida Technological University). He taught courses in music composition, music theory, and music calligraphy and created the melody and lyrics for the university's alma mater in 1974.  \n\nA strong proponent of the barbershop musical style, Szabo worked for the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America (SPEBSQSA) in Kenosha, Wisconsin as their Music Publications Editor from 1982 to 1992.  He was inducted into the Barbershop Society Hall of Fame in 2009 and worked as an Arrangement judge for the Barbershop Harmony Society. His publications, such as the  Barbershop Arranging Manual  and his work on the Barbershop Harmony Society staff, cemented his long-lasting influence on the musical style. Szabo passed away in 2022."],"names_ssim":["UCF University Archives","Szabo, Burt"],"corpname_ssim":["UCF University Archives"],"names_coll_ssim":["Szabo, Burt"],"persname_ssim":["Szabo, Burt"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1087,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870858782767054848,"_root_":"377018d2c691025d88612f9e","timestamp":"2026-07-16T08:19:30.734Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/377018d2c691025d88612f9e_aspace_cf660160c14be2e97b504c8b5cb34959"}},{"id":"a0b8dca0cc27e719e79a099f_aspace_66f2186e775a1aa9e5eef42520df8f61","type":"File","attributes":{"title":"Youngquist Property, 1983-2008","abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_66f2186e775a1aa9e5eef42520df8f61#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eFolder includes mitigation meeting notes and aerial prints.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_66f2186e775a1aa9e5eef42520df8f61#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_66f2186e775a1aa9e5eef42520df8f61","ref_ssm":["aspace_66f2186e775a1aa9e5eef42520df8f61","aspace_66f2186e775a1aa9e5eef42520df8f61"],"id":"a0b8dca0cc27e719e79a099f_aspace_66f2186e775a1aa9e5eef42520df8f61","title_filing_ssi":"Youngquist Property","title_ssm":["Youngquist Property"],"title_tesim":["Youngquist Property"],"unitdate_inclusive_ssm":["1983-2008"],"normalized_date_ssm":["1983-2008"],"normalized_title_ssm":["Youngquist Property, 1983-2008"],"text":["Youngquist Property, 1983-2008","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Corkscrew Swamp Sanctuary Records","Weather Data, 1992-Youngquist Property","/repositories/2/archival_objects/198332","box 21","folder 14","Folder includes mitigation meeting notes and aerial prints."],"component_level_isim":[3],"parent_ids_ssim":["a0b8dca0cc27e719e79a099f","a0b8dca0cc27e719e79a099f_aspace_e321b62174c707b70994a33f9c213e29","a0b8dca0cc27e719e79a099f_aspace_1cac2636a61b0add27fea61adf63a056"],"parent_unittitles_ssm":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Corkscrew Swamp Sanctuary Records","Weather Data, 1992-Youngquist Property"],"parent_unittitles_tesim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Corkscrew Swamp Sanctuary Records","Weather Data, 1992-Youngquist Property"],"parent_levels_ssm":["collection","Series","Box"],"unitid_ssm":["/repositories/2/archival_objects/198332"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":462,"parent_access_restrict_tesm":["Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society."],"parent_access_terms_tesm":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information."],"date_range_isim":[1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"containers_ssim":["box 21","folder 14"],"scopecontent_html_tesm":["\u003cp\u003eFolder includes mitigation meeting notes and aerial prints.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Folder includes mitigation meeting notes and aerial prints."],"_nest_path_":"/components#0/components#20/components#13","_nest_parent_":"a0b8dca0cc27e719e79a099f_aspace_1cac2636a61b0add27fea61adf63a056","_root_":"a0b8dca0cc27e719e79a099f","_version_":1872946110924849152,"timestamp":"2026-08-08T09:16:41.949Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"a0b8dca0cc27e719e79a099f","title_ssm":["Audubon Society Corkscrew Swamp Sanctuary records"],"title_tesim":["Audubon Society Corkscrew Swamp Sanctuary records"],"ead_ssi":"a0b8dca0cc27e719e79a099f","unitdate_ssm":["1937-2019"],"unitdate_inclusive_ssm":["1937-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2020-03","/repositories/2/resources/583"],"text":["MS-2020-03","/repositories/2/resources/583","Audubon Society Corkscrew Swamp Sanctuary records, 1937-2019","Ecology -- Florida","Conservationists -- Florida","Birds -- Habitat -- Florida","Birds -- Migration","Good.","Until 2034, USF Libraries must provide a 90 day notice to Florida Audubon Society in advance of any exhibition or cultural activity initiated by USF Libraries in which the sole focus of the exhibition or activity is the Florida Audubon Society.","This collection is divided into four series: Corkscrew Swamp Sanctuary records, subject files, photographs and slides, and oversized material. The first series includes documents from work conducted at the sanctuary proper, though additional related documents may be found in the subject files. Within series, folders are arranged alphabetically.","Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.","The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.","This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.","Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.","None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information.","The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. 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It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns.\u003c/p\u003e"],"bioghist_heading_ssm":["Content Description"],"bioghist_tesim":["Audubon Florida's Corkscrew Swamp Sanctuary is a site which had been protected by Audubon wardens since the 1910s.  With no interest from the state in preserving the area, Audubon Florida founded the sanctuary in the mid-1950s.  From an initial 5,000 acres, it was expanded to more than 13,000 acres.  It is especially notable for its bald cypress forest and cypress domes, the only part of the original Fakahatchee cypress strand in the area to be preserved from logging, which commenced in 1944. As part of the Corkscrew watershed, the sanctuary is part of the western Everglades. To save the remaining cypress and vital habitat from destruction, Audubon led an effort to raise money to buy the property. By 1954, 5,680 acres were accumulated, the last virgin cypress forest in the entire world and the most important Wood Stork rookery in the U.S. When offered the property, the state of Florida expressed no interest in the site, so Audubon took ownership. By the 1970s and 80s, development had altered the local landscape and made the sanctuary a much less isolated site. Under the leadership of Executive Director (and longtime Audubon employee) Ed Carlson in the 1980s and 90s, the sanctuary incoroporated more formal education programs, a visitor center, and a boardwalk that provides a scenic tour of parts of the property. These records document the activities of the sanctuary, including habitat studies, research materials, educational records, correspondence, and general management of the site, from invasive species mitigation to controlled burns."],"odd_html_tesm":["\u003cp\u003eThe Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record.\u003c/p\u003e"],"odd_heading_ssm":["Cataloged Publications"],"odd_tesim":["The Audubon Florida Corkscrew Swamp Sanctuary Records donation included published book materials that are being processed for inclusion into the collection and will be traced on this record."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of organizational papers, scientific data, field notebooks, correspondence, photographs and photographic slides, maps, and clippings."],"separatedmaterial_html_tesm":["\u003cp\u003eMaps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Maps and publications related to the archival collection are cataloged individually and shelved in the Environment and Natural History Collection. Titles and links to the catalog record are available on this finding aid via the \"Cataloged Books, Publications, and Media\" and \"Cataloged Maps\" series."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_bf60a5a83f90c49360b71829ac95b658\"\u003eThe Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River.\u003c/abstract\u003e"],"abstract_tesim":["The Audubon Society Corkscrew Swamp Sanctuary records contain materials collecting the history of this sanctuary and the scientific and outreach work conducted on the property and surrounding area. In addition, this collection includes research materials from several National Audubon Society projects, including from the Paul J. Rainey Wildlife Sanctuary and Platte River."],"names_ssim":["USF Libraries - Tampa Special Collections","Ed Carlson"],"corpname_ssim":["USF Libraries - Tampa Special Collections"],"persname_ssim":["Ed Carlson"],"language_ssim":["English"],"total_component_count_is":2704,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1872946110924849152,"_root_":"a0b8dca0cc27e719e79a099f","timestamp":"2026-08-08T09:16:41.949Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/a0b8dca0cc27e719e79a099f_aspace_66f2186e775a1aa9e5eef42520df8f61"}},{"id":"6ef9b12dd4f42eb4de7a67c1_aspace_5f026ee18551c93c2b587f9df1842c3c","type":"File","attributes":{"title":"\"You Rock!\" Award presented by AAUW Florida to the Naples Brance, April 28, 2001","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/6ef9b12dd4f42eb4de7a67c1_aspace_5f026ee18551c93c2b587f9df1842c3c#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_5f026ee18551c93c2b587f9df1842c3c","ref_ssm":["aspace_5f026ee18551c93c2b587f9df1842c3c","aspace_5f026ee18551c93c2b587f9df1842c3c"],"id":"6ef9b12dd4f42eb4de7a67c1_aspace_5f026ee18551c93c2b587f9df1842c3c","title_filing_ssi":"\"You Rock!\" Award presented by AAUW Florida to the Naples Brance","title_ssm":["\"You Rock!\" Award presented by AAUW Florida to the Naples Brance"],"title_tesim":["\"You Rock!\" Award presented by AAUW Florida to the Naples Brance"],"unitdate_other_ssim":["April 28, 2001"],"normalized_date_ssm":["April 28, 2001"],"normalized_title_ssm":["\"You Rock!\" Award presented by AAUW Florida to the Naples Brance, April 28, 2001"],"text":["\"You Rock!\" Award presented by AAUW Florida to the Naples Brance, April 28, 2001","American Association of University Women (AAUW) Collection, 1964-2018","AAUW Greater Naples (FL) Branch, 1974-2017","AAUW Collier County History, Photographs, and Scrapbooks, bulk 1979-2009","/repositories/2/archival_objects/37178","English","box 11","object 04"],"component_level_isim":[3],"parent_ids_ssim":["6ef9b12dd4f42eb4de7a67c1","6ef9b12dd4f42eb4de7a67c1_aspace_ae46e8687f0d9a2c35c207a25a0c4a5a","6ef9b12dd4f42eb4de7a67c1_aspace_5603676eaa6ae435d78d307b573e79b4"],"parent_unittitles_ssm":["American Association of University Women (AAUW) Collection, 1964-2018","AAUW Greater Naples (FL) Branch, 1974-2017","AAUW Collier County History, Photographs, and Scrapbooks, bulk 1979-2009"],"parent_unittitles_tesim":["American Association of University Women (AAUW) Collection, 1964-2018","AAUW Greater Naples (FL) Branch, 1974-2017","AAUW Collier County History, Photographs, and Scrapbooks, bulk 1979-2009"],"parent_levels_ssm":["collection","Series","Series"],"unitid_ssm":["/repositories/2/archival_objects/37178"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"collection_ssim":["American Association of University Women (AAUW) Collection, 1964-2018"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":249,"parent_access_restrict_tesm":["Some materials are restricted; consult repository for details."],"date_range_isim":[2001],"language_ssim":["English"],"containers_ssim":["box 11","object 04"],"_nest_path_":"/components#1/components#3/components#9","_nest_parent_":"6ef9b12dd4f42eb4de7a67c1_aspace_5603676eaa6ae435d78d307b573e79b4","_root_":"6ef9b12dd4f42eb4de7a67c1","_version_":1870843535614279680,"timestamp":"2026-07-16T04:17:09.925Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"6ef9b12dd4f42eb4de7a67c1","title_ssm":["American Association of University Women (AAUW) Collection"],"title_tesim":["American Association of University Women (AAUW) Collection"],"ead_ssi":"6ef9b12dd4f42eb4de7a67c1","unitdate_ssm":["1964-2018"],"unitdate_inclusive_ssm":["1964-2018"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["02/01/36","/repositories/2/resources/28"],"text":["02/01/36","/repositories/2/resources/28","American Association of University Women (AAUW) Collection, 1964-2018","Community organization.","American Association of University Women","Gender studies \u0026 applied sciences","Political science.","Social science.","Some materials are restricted; consult repository for details.","Organized in three series: Series 1, AAUW Vero Beach Branch, ca. 1964-2018; Series 2, AAUW Greater Naples Branch, ca. 1974-2017; Series 3, AAUW Southwest Florida Branch, 1970 - 2020.","The American Association of University Women record group is a growing collection, with more branches of AAUW throughout Florida that will be added. Each collection within this record group is named after the branch it is from, with their following series detailing  documents, images, and ephermera related to the series. ","About the American Association of University Women\n\"AAUW has been empowering women as individuals and as a community since 1881. For more than 130 years, we have worked together as a national grassroots organization to improve the lives of millions of women and their families\" \n(https://www.aauw.org/what-we-do/)","AAUW Initiatives include: College Campus Outreach, Education and Training, Educational Funding, Financial Planning and Security, Leadership, Legal Support, Salary Negotiation, and STEM Education. ","Florida Gulf Coast University Special Collections","English"],"unitid_tesim":["02/01/36","/repositories/2/resources/28"],"normalized_date_ssm":["1964-2018"],"normalized_title_ssm":["American Association of University Women (AAUW) Collection, 1964-2018"],"collection_title_tesim":["American Association of University Women (AAUW) Collection, 1964-2018"],"collection_ssim":["American Association of University Women (AAUW) Collection, 1964-2018"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Community organization."],"geogname_ssim":["Community organization."],"places_ssim":["Community organization."],"access_subjects_ssim":["American Association of University Women","Gender studies \u0026 applied sciences","Political science.","Social science."],"access_subjects_ssm":["American Association of University Women","Gender studies \u0026 applied sciences","Political science.","Social science."],"has_online_content_ssim":["false"],"extent_ssm":["12 Linear Feet"],"extent_tesim":["12 Linear Feet"],"genreform_ssim":["American Association of University Women","Gender studies \u0026 applied sciences","Political science.","Social science."],"date_range_isim":[1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eSome materials are restricted; consult repository for details.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Certain Restrictions Apply"],"accessrestrict_tesim":["Some materials are restricted; consult repository for details."],"arrangement_html_tesm":["\u003cp\u003eOrganized in three series: Series 1, AAUW Vero Beach Branch, ca. 1964-2018; Series 2, AAUW Greater Naples Branch, ca. 1974-2017; Series 3, AAUW Southwest Florida Branch, 1970 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized in three series: Series 1, AAUW Vero Beach Branch, ca. 1964-2018; Series 2, AAUW Greater Naples Branch, ca. 1974-2017; Series 3, AAUW Southwest Florida Branch, 1970 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe American Association of University Women record group is a growing collection, with more branches of AAUW throughout Florida that will be added. 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Each collection within this record group is named after the branch it is from, with their following series detailing  documents, images, and ephermera related to the series. ","About the American Association of University Women\n\"AAUW has been empowering women as individuals and as a community since 1881. For more than 130 years, we have worked together as a national grassroots organization to improve the lives of millions of women and their families\" \n(https://www.aauw.org/what-we-do/)","AAUW Initiatives include: College Campus Outreach, Education and Training, Educational Funding, Financial Planning and Security, Leadership, Legal Support, Salary Negotiation, and STEM Education. "],"names_ssim":["Florida Gulf Coast University Special Collections"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":269,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843535614279680,"_root_":"6ef9b12dd4f42eb4de7a67c1","timestamp":"2026-07-16T04:17:09.925Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/6ef9b12dd4f42eb4de7a67c1_aspace_5f026ee18551c93c2b587f9df1842c3c"}},{"id":"e2000508767dfc5088ad7637_aspace_2f39334f1362bbf40897d4117741260d","type":"File","attributes":{"title":"Zeta Psi Eta, 1997-2010","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/e2000508767dfc5088ad7637_aspace_2f39334f1362bbf40897d4117741260d#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_2f39334f1362bbf40897d4117741260d","ref_ssm":["aspace_2f39334f1362bbf40897d4117741260d","aspace_2f39334f1362bbf40897d4117741260d"],"id":"e2000508767dfc5088ad7637_aspace_2f39334f1362bbf40897d4117741260d","title_filing_ssi":"Zeta Psi Eta","title_ssm":["Zeta Psi Eta"],"title_tesim":["Zeta Psi Eta"],"unitdate_inclusive_ssm":["1997-2010"],"normalized_date_ssm":["1997-2010"],"normalized_title_ssm":["Zeta Psi Eta, 1997-2010"],"text":["Zeta Psi Eta, 1997-2010","University of West Florida. University Commons and Student Activities.  Student Organizations., 1968-2017","Box 4","M2017-05, Box 4, Folder 52","/repositories/2/archival_objects/14622"],"component_level_isim":[2],"parent_ids_ssim":["e2000508767dfc5088ad7637","e2000508767dfc5088ad7637_aspace_f80c55e72d9f753fdc886389ecb80cf6"],"parent_unittitles_ssm":["University of West Florida. University Commons and Student Activities.  Student Organizations., 1968-2017","Box 4"],"parent_unittitles_tesim":["University of West Florida. University Commons and Student Activities.  Student Organizations., 1968-2017","Box 4"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["M2017-05, Box 4, Folder 52","/repositories/2/archival_objects/14622"],"repository_ssim":["UWF University Archives and West Florida History Center"],"collection_ssim":["University of West Florida. University Commons and Student Activities.  Student Organizations., 1968-2017"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":217,"date_range_isim":[1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010],"_nest_path_":"/components#7/components#51","_nest_parent_":"e2000508767dfc5088ad7637_aspace_f80c55e72d9f753fdc886389ecb80cf6","_root_":"e2000508767dfc5088ad7637","timestamp":"2026-04-21T05:01:07.356Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"e2000508767dfc5088ad7637","title_ssm":["University of West Florida. University Commons and Student Activities.  Student Organizations."],"title_tesim":["University of West Florida. University Commons and Student Activities.  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In addition, as received, the original files had been organized into series (e.g. Academic, Honor, etc.); we have retained these headings but only when they appeared in the records as a tab folder.   Note that there are duplicate folders for organizations scattered in the collection and that terms for searching may need to be expanded by the user (e.g. Blacks, African-American, NAACP, etc.)","Records, 1968-2017, of the University of West Florida, University Commons and Student Activities, consisting of files on student organizations including honor societies, religious, fraternal, professional, special interest, and academic student groups.  Records include charters, bylaws, membership and officer lists, organization activities, and annual filings.","UWF University Archives and West Florida History Center","English"],"unitid_tesim":["M2017-05","/repositories/2/resources/379"],"normalized_date_ssm":["1968-2017"],"normalized_title_ssm":["University of West Florida. 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These folder numbers do not appear on the original records but will help staff to retrive the files. In addition, as received, the original files had been organized into series (e.g. Academic, Honor, etc.); we have retained these headings but only when they appeared in the records as a tab folder.   Note that there are duplicate folders for organizations scattered in the collection and that terms for searching may need to be expanded by the user (e.g. Blacks, African-American, NAACP, etc.)\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["For inventory purposes, each folder has been numbered in order to preserve the original order of the records which themselves may not be strictly alphabetical.  These folder numbers do not appear on the original records but will help staff to retrive the files. In addition, as received, the original files had been organized into series (e.g. Academic, Honor, etc.); we have retained these headings but only when they appeared in the records as a tab folder.   Note that there are duplicate folders for organizations scattered in the collection and that terms for searching may need to be expanded by the user (e.g. Blacks, African-American, NAACP, etc.)"],"scopecontent_html_tesm":["\u003cp\u003eRecords, 1968-2017, of the University of West Florida, University Commons and Student Activities, consisting of files on student organizations including honor societies, religious, fraternal, professional, special interest, and academic student groups.  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Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"256e771e3cc0782aac349f80","title_ssm":["Zine Collection"],"title_tesim":["Zine Collection"],"ead_ssi":"256e771e3cc0782aac349f80","unitdate_ssm":["1973-2019"],"unitdate_inclusive_ssm":["1973-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/26","/repositories/2/resources/6"],"text":["02/01/26","/repositories/2/resources/6","Zine Collection, 1973-2019","Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art","The collection is open for use.","Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.","The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.","Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.","Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe","English"],"unitid_tesim":["02/01/26","/repositories/2/resources/6"],"normalized_date_ssm":["1973-2019"],"normalized_title_ssm":["Zine Collection, 1973-2019"],"collection_title_tesim":["Zine Collection, 1973-2019"],"collection_ssim":["Zine Collection, 1973-2019"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"geogname_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"places_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for use."],"arrangement_html_tesm":["\u003cp\u003eOrganized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5a0de4e8fb6224cb231f2eecf1aee4f4\" label=\"Abstract and Language Disclaimer\"\u003eZines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.\u003c/abstract\u003e"],"abstract_tesim":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"names_ssim":["Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Corley, Madison","Lewis, Chloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":447,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843569479090176,"_root_":"256e771e3cc0782aac349f80","timestamp":"2026-07-16T04:17:42.144Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"256e771e3cc0782aac349f80","title_ssm":["Zine Collection"],"title_tesim":["Zine Collection"],"ead_ssi":"256e771e3cc0782aac349f80","unitdate_ssm":["1973-2019"],"unitdate_inclusive_ssm":["1973-2019"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["02/01/26","/repositories/2/resources/6"],"text":["02/01/26","/repositories/2/resources/6","Zine Collection, 1973-2019","Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art","The collection is open for use.","Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.","The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.","Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.","Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe","English"],"unitid_tesim":["02/01/26","/repositories/2/resources/6"],"normalized_date_ssm":["1973-2019"],"normalized_title_ssm":["Zine Collection, 1973-2019"],"collection_title_tesim":["Zine Collection, 1973-2019"],"collection_ssim":["Zine Collection, 1973-2019"],"repository_ssm":["Florida Gulf Coast University Special Collections"],"repository_ssim":["Florida Gulf Coast University Special Collections"],"geogname_ssm":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"geogname_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"places_ssim":["Rape.","Rape victims.","Rape in art.","Sexual abuse.","Sexual assault","Sexual consent.","Lesbian and gay studies","Transgender life","Riot grrrl movement.","Zines.","Feminism.","Feminist music.","Feminist art criticism.","Activist art"],"has_online_content_ssim":["false"],"extent_ssm":["9 Linear Feet"],"extent_tesim":["9 Linear Feet"],"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for use."],"arrangement_html_tesm":["\u003cp\u003eOrganized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["Organized in 7 series: Series 1, Riot Grrrl Zine Collection, 1989-1996; Series 2, Southwest Florida Zine Collection, 2011-Present; Series 3, Non-Collective and Unaffiliated Creators, 1970-2018; Series 4, \"Rape Culture: Zines and Artists' Books\" Exhibition-Related Materials, Spring 2018; Series 5, \"Rape Culture: Zines and Artists' Books\" Large Materials, 2013-2016; Series 6, Non-Collectives and Unaffiliated Creators Part 2, 1920-Present; Series 7, Contemporary American Collectives and Creators, 2019 - 2020."],"scopecontent_html_tesm":["\u003cp\u003eThe Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zine Collection includes Riot Grrrl zines, which is an artist's collective formerly based in Olympia WA with roots in the punk/grunge music scene and covers topics such as feminism, the reclaimation of derogatory language, racism, physical assult and rape, LGBT issues and anarchism; zines that were created by Southwest Florida artists and collectives which features both homemade zines and professionally printed materials covering topics ranging from feminism to witchcraft to home block printing; and the last part of the collection is comprised of zines focused on the topics of rape culture and feminism, but are not a part of any collective or created in Southwest Florida, and they are examples of many types of home-publications as well as comics, orginial art, and personal ethnogrophies."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5a0de4e8fb6224cb231f2eecf1aee4f4\" label=\"Abstract and Language Disclaimer\"\u003eZines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience.\u003c/abstract\u003e"],"abstract_tesim":["Zines, derived from \"magazines,\" are alternative publications constructed using inexpensive, easily accessible materials. Zines, as a genre, have historically been used by political, social, and counterculture movements to easily and inexpensively proliferate information. Zines are often created in a cooperative, utilizing multiple mediums of expression from poets, essayists, and visual artists. In 2017, the University Archives and Special Collections at FGCU began actively collecting zines to be included in the Spring 2018 exhibition Rape Culture. The collection has a strong focus on sexual assault, women's studies, and the LGBTQIA+ community. Note that language is a constantly evolving construct and therefore the tags, keywords, and subject headings attributed to the zines may be considered unacceptable by contemporary and future standards as well as social norms. The archives intent is to preserve the historical record which may include harmful language when viewed through a 21st century lens. To modify the language would be an act of erasure of the creators' lived experience."],"names_ssim":["Florida Gulf Coast University Special Collections","Corley, Madison","Lewis, Chloe"],"corpname_ssim":["Florida Gulf Coast University Special Collections"],"persname_ssim":["Corley, Madison","Lewis, Chloe"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":447,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870843569479090176,"_root_":"256e771e3cc0782aac349f80","timestamp":"2026-07-16T04:17:42.144Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/256e771e3cc0782aac349f80"}},{"id":"359fedcc5b694e45729a69cf_aspace_22ed22bf78c5e3581c19c404e3b1cffa","type":"Item","attributes":{"title":"Zip Disk: My Documents, Backups, 2001-09-27-2002-07-01","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/359fedcc5b694e45729a69cf_aspace_22ed22bf78c5e3581c19c404e3b1cffa#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_22ed22bf78c5e3581c19c404e3b1cffa","ref_ssm":["aspace_22ed22bf78c5e3581c19c404e3b1cffa","aspace_22ed22bf78c5e3581c19c404e3b1cffa"],"id":"359fedcc5b694e45729a69cf_aspace_22ed22bf78c5e3581c19c404e3b1cffa","title_filing_ssi":"Zip Disk: My Documents, Backups","title_ssm":["Zip Disk: My Documents, Backups"],"title_tesim":["Zip Disk: My Documents, Backups"],"unitdate_inclusive_ssm":["2001-09-27-2002-07-01"],"normalized_date_ssm":["2001-09-27-2002-07-01"],"normalized_title_ssm":["Zip Disk: My Documents, Backups, 2001-09-27-2002-07-01"],"text":["Zip Disk: My Documents, Backups, 2001-09-27-2002-07-01","Florida Audubon Society Miami records, 1961-2014","Media","Item 63","/repositories/2/archival_objects/212936","box 31","Item 63"],"component_level_isim":[2],"parent_ids_ssim":["359fedcc5b694e45729a69cf","359fedcc5b694e45729a69cf_aspace_df245669522a1e3eb517a63585e17e40"],"parent_unittitles_ssm":["Florida Audubon Society Miami records, 1961-2014","Media"],"parent_unittitles_tesim":["Florida Audubon Society Miami records, 1961-2014","Media"],"parent_levels_ssm":["collection","Box"],"unitid_ssm":["Item 63","/repositories/2/archival_objects/212936"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"collection_ssim":["Florida Audubon Society Miami records, 1961-2014"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":1301,"date_range_isim":[2001,2002],"containers_ssim":["box 31","Item 63"],"_nest_path_":"/components#30/components#62","_nest_parent_":"359fedcc5b694e45729a69cf_aspace_df245669522a1e3eb517a63585e17e40","_root_":"359fedcc5b694e45729a69cf","timestamp":"2026-07-02T03:25:37.750Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"359fedcc5b694e45729a69cf","title_ssm":["Florida Audubon Society Miami records"],"title_tesim":["Florida Audubon Society Miami records"],"ead_ssi":"359fedcc5b694e45729a69cf","unitdate_ssm":["1961-2014"],"unitdate_inclusive_ssm":["1961-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-2023-13","/repositories/2/resources/752"],"text":["MS-2023-13","/repositories/2/resources/752","Florida Audubon Society Miami records, 1961-2014","Everglades (Fla.)","Everglades (Fla.)","Ornithology -- Fieldwork","Conservationists -- Florida","Audubon societies","Birds","Water quality management","Good","This collection is arranged according to material type. Within series, the arrangement is alphabetical.","This collection consists of organizational papers, scientific data, computer disks, VHS, correspondence, photographs, photographic slides, maps, clippings, legal and legislative documents, and administrative papers.","This collection consists of the organizational papers of the Florida Audubon Society's Miami office, with some material from National Audubon Society projects. Topics include water management, Everglades preservation and restoration, effects of the sugar industry on Florida's wildlife, ornithology, and ecology in South Florida. Groups with significant representation include: Comprehensive Everglades Restoration Plan (CERP), South Florida Water Management District (SFWMD), The Everglades Coalition, and the Governor's Commission for a Sustainable South Florida.","USF Libraries - Tampa Special Collections","Florida Audubon Society","English"],"unitid_tesim":["MS-2023-13","/repositories/2/resources/752"],"normalized_date_ssm":["1961-2014"],"normalized_title_ssm":["Florida Audubon Society Miami records, 1961-2014"],"collection_title_tesim":["Florida Audubon Society Miami records, 1961-2014"],"collection_ssim":["Florida Audubon Society Miami records, 1961-2014"],"repository_ssm":["USF Libraries - Tampa Special Collections"],"repository_ssim":["USF Libraries - Tampa Special Collections"],"geogname_ssm":["Everglades (Fla.)","Everglades (Fla.)"],"geogname_ssim":["Everglades (Fla.)","Everglades (Fla.)"],"creator_ssm":["Florida Audubon Society"],"creator_ssim":["Florida Audubon Society"],"creator_corpname_ssim":["Florida Audubon Society"],"creators_ssim":["Florida Audubon Society"],"places_ssim":["Everglades (Fla.)","Everglades (Fla.)"],"access_subjects_ssim":["Ornithology -- Fieldwork","Conservationists -- Florida","Audubon societies","Birds","Water quality management"],"access_subjects_ssm":["Ornithology -- Fieldwork","Conservationists -- Florida","Audubon societies","Birds","Water quality management"],"has_online_content_ssim":["false"],"physdesc_tesim":["Good"],"extent_ssm":["32 boxes","15.5 Linear Feet"],"extent_tesim":["32 boxes","15.5 Linear Feet"],"date_range_isim":[1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged according to material type. Within series, the arrangement is alphabetical.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged according to material type. Within series, the arrangement is alphabetical."],"prefercite_html_tesm":["\u003cp\u003eFlorida Audubon Society Miami records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Florida Audubon Society Miami records, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of organizational papers, scientific data, computer disks, VHS, correspondence, photographs, photographic slides, maps, clippings, legal and legislative documents, and administrative papers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection consists of organizational papers, scientific data, computer disks, VHS, correspondence, photographs, photographic slides, maps, clippings, legal and legislative documents, and administrative papers."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ae94bfa855929070bc8c7c4ddf975d23\"\u003eThis collection consists of the organizational papers of the Florida Audubon Society's Miami office, with some material from National Audubon Society projects. Topics include water management, Everglades preservation and restoration, effects of the sugar industry on Florida's wildlife, ornithology, and ecology in South Florida. Groups with significant representation include: Comprehensive Everglades Restoration Plan (CERP), South Florida Water Management District (SFWMD), The Everglades Coalition, and the Governor's Commission for a Sustainable South Florida.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of the organizational papers of the Florida Audubon Society's Miami office, with some material from National Audubon Society projects. Topics include water management, Everglades preservation and restoration, effects of the sugar industry on Florida's wildlife, ornithology, and ecology in South Florida. Groups with significant representation include: Comprehensive Everglades Restoration Plan (CERP), South Florida Water Management District (SFWMD), The Everglades Coalition, and the Governor's Commission for a Sustainable South Florida."],"names_ssim":["USF Libraries - Tampa Special Collections","Florida Audubon Society"],"corpname_ssim":["USF Libraries - Tampa Special Collections","Florida Audubon Society"],"language_ssim":["English"],"total_component_count_is":1307,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"359fedcc5b694e45729a69cf","timestamp":"2026-07-02T03:25:37.750Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/359fedcc5b694e45729a69cf_aspace_22ed22bf78c5e3581c19c404e3b1cffa"}},{"id":"2b8ea8f68f63cb8d721464d3","type":"collection","attributes":{"title":"Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/2b8ea8f68f63cb8d721464d3#creator","type":"document_value","attributes":{"value":["Zoo Miami and Zoo Miami Foundation"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/2b8ea8f68f63cb8d721464d3#abstract_or_scope","type":"document_value","attributes":{"value":["Miami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/2b8ea8f68f63cb8d721464d3#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"2b8ea8f68f63cb8d721464d3","title_ssm":["Zoo Miami Collection"],"title_tesim":["Zoo Miami Collection"],"ead_ssi":"2b8ea8f68f63cb8d721464d3","unitdate_ssm":["1967-2017","1980-2006","Date acquired: 05/26/2017"],"unitdate_bulk_ssim":["1980-2006"],"unitdate_inclusive_ssm":["1967-2017"],"unitdate_other_ssim":["Date acquired: 05/26/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SFC1701","/repositories/2/resources/15"],"text":["SFC1701","/repositories/2/resources/15","Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006","The collection is open for research. Newsletters, most of the ephemeral materials and photographs are available through the  Zoo Miami Digital Collection","The Zoo Miami Collection is organized and housed in 12 boxes. The collection is arranged in four series determined by materiality: I. Publications, II. Ephemeral Materials, III. Promotional Materials, and IV. Photographic Materials. Contents in series I. include newsletters, corporate reports, and special newspaper supplements. Series II. include coloring books, guidebook, 45' vinyl record; Series III. include brochures and press kits; Series IV. include b\u0026w and color photographs, and slides.","The beginnings of Zoo Miami trail back to 1948, when a traveling show traded two spider monkeys, a chimpanzee, two black bears, and a goat to Miami-Dade County for the amount of $270 they needed to repair its truck. The six animals were the first of over 1,000 to be housed at the Crandon Park Zoological Gardens in Key Biscayne. The investment proved successful, as the Zoo gained momentum within its community and housed the first successful captive birth of an Aardvark in North America.","After Hurricane Betsy hit Miami in 1965, over 200 animals met their unfortunate demise and prompted the zoo officials, alongside the Zoological Society of Florida, to propose a relocation of the Zoo in order to prevent future casualties of zoo residents. In 1972, through the \"Item Nine\" referendum, Miami-Dade County approved the relocation of Crandon Park Zoo from Key Biscayne to its current home in South Miami. Construction took almost a decade to complete, and in 1980, the doors opened to the new Miami Metrozoo.","Since opening its doors in 1980, Miami Metrozoo has had 800,000 annual visitors, and has reached over 15 million people of all ages. Their conservation programs are alive not just locally, but on a global level, with over 30 programs on six continents. Their new rebranding as the Miami-Dade Zoological Park and Gardens, known on a day to day basis as Zoo Miami, keeps and maintains conservation on the forefront of any and all decision making processes.","Note written by ","Collection was processed by Ana D. Rodriguez. Finding aid was written by Ana D. Rodriguez and Melissa Cuadra.","The Zoo Miami Collection dates from 1967 to 2017, with bulk dates ranging from 1981 to 2006. The collection includes newsletters, ephemeral objects, promotional materials, and photographic material. The newsletters highlight early efforts from Crandon Park Zoo alongside the Zoological Society of Florida to spark public interest in zoological activities including conservation efforts, welcoming new residents and in-home captive births, and raising public funding necessary for zoological maintenance. The collection also contains a large amount of photographs taken by zoo keepers and staff members, focusing on showcasing the residents of the Zoo through the years. The Zoo Miami Collection offers an intellectual value for studies of history of South Florida between 1967-2017; history of zoological gardens and conservation; conservation of subtropical flora and fauna.","Copyright restrictions may apply.","Miami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials","Green Library, Goverment Resources and Information Department,\nGL 214\nContact Staff for Access\nat 305-348-3135","FIU Special Collections","Zoo Miami and Zoo Miami Foundation","Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami","English"],"unitid_tesim":["SFC1701","/repositories/2/resources/15"],"normalized_date_ssm":["1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"normalized_title_ssm":["Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"collection_title_tesim":["Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"collection_ssim":["Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Zoo Miami and Zoo Miami Foundation"],"creator_ssim":["Zoo Miami and Zoo Miami Foundation"],"creator_corpname_ssim":["Zoo Miami and Zoo Miami Foundation"],"creators_ssim":["Zoo Miami and Zoo Miami Foundation"],"access_terms_ssm":["Copyright restrictions may apply."],"acqinfo_ssim":["Zoo Miami and Zoo Miami Foundation","Donation"],"has_online_content_ssim":["false"],"extent_ssm":["12.00 boxes"],"extent_tesim":["12.00 boxes"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. Newsletters, most of the ephemeral materials and photographs are available through the \u003cextref href=\"http://dpanther.fiu.edu/dPanther/collections/zoo\"\u003eZoo Miami Digital Collection\u003c/extref\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. Newsletters, most of the ephemeral materials and photographs are available through the  Zoo Miami Digital Collection"],"arrangement_html_tesm":["\u003cp\u003eThe Zoo Miami Collection is organized and housed in 12 boxes. The collection is arranged in four series determined by materiality: I. Publications, II. Ephemeral Materials, III. Promotional Materials, and IV. Photographic Materials. Contents in series I. include newsletters, corporate reports, and special newspaper supplements. Series II. include coloring books, guidebook, 45' vinyl record; Series III. include brochures and press kits; Series IV. include b\u0026amp;w and color photographs, and slides.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Zoo Miami Collection is organized and housed in 12 boxes. The collection is arranged in four series determined by materiality: I. Publications, II. Ephemeral Materials, III. Promotional Materials, and IV. Photographic Materials. Contents in series I. include newsletters, corporate reports, and special newspaper supplements. Series II. include coloring books, guidebook, 45' vinyl record; Series III. include brochures and press kits; Series IV. include b\u0026w and color photographs, and slides."],"bioghist_html_tesm":["\u003cp\u003eThe beginnings of Zoo Miami trail back to 1948, when a traveling show traded two spider monkeys, a chimpanzee, two black bears, and a goat to Miami-Dade County for the amount of $270 they needed to repair its truck. The six animals were the first of over 1,000 to be housed at the Crandon Park Zoological Gardens in Key Biscayne. The investment proved successful, as the Zoo gained momentum within its community and housed the first successful captive birth of an Aardvark in North America.\u003c/p\u003e\n","\u003cp\u003eAfter Hurricane Betsy hit Miami in 1965, over 200 animals met their unfortunate demise and prompted the zoo officials, alongside the Zoological Society of Florida, to propose a relocation of the Zoo in order to prevent future casualties of zoo residents. In 1972, through the \"Item Nine\" referendum, Miami-Dade County approved the relocation of Crandon Park Zoo from Key Biscayne to its current home in South Miami. Construction took almost a decade to complete, and in 1980, the doors opened to the new Miami Metrozoo.\u003c/p\u003e\n","\u003cp\u003eSince opening its doors in 1980, Miami Metrozoo has had 800,000 annual visitors, and has reached over 15 million people of all ages. Their conservation programs are alive not just locally, but on a global level, with over 30 programs on six continents. Their new rebranding as the Miami-Dade Zoological Park and Gardens, known on a day to day basis as Zoo Miami, keeps and maintains conservation on the forefront of any and all decision making processes.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical "],"bioghist_tesim":["The beginnings of Zoo Miami trail back to 1948, when a traveling show traded two spider monkeys, a chimpanzee, two black bears, and a goat to Miami-Dade County for the amount of $270 they needed to repair its truck. The six animals were the first of over 1,000 to be housed at the Crandon Park Zoological Gardens in Key Biscayne. The investment proved successful, as the Zoo gained momentum within its community and housed the first successful captive birth of an Aardvark in North America.","After Hurricane Betsy hit Miami in 1965, over 200 animals met their unfortunate demise and prompted the zoo officials, alongside the Zoological Society of Florida, to propose a relocation of the Zoo in order to prevent future casualties of zoo residents. In 1972, through the \"Item Nine\" referendum, Miami-Dade County approved the relocation of Crandon Park Zoo from Key Biscayne to its current home in South Miami. Construction took almost a decade to complete, and in 1980, the doors opened to the new Miami Metrozoo.","Since opening its doors in 1980, Miami Metrozoo has had 800,000 annual visitors, and has reached over 15 million people of all ages. Their conservation programs are alive not just locally, but on a global level, with over 30 programs on six continents. Their new rebranding as the Miami-Dade Zoological Park and Gardens, known on a day to day basis as Zoo Miami, keeps and maintains conservation on the forefront of any and all decision making processes.","Note written by "],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by Ana D. Rodriguez. Finding aid was written by Ana D. Rodriguez and Melissa Cuadra.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by Ana D. Rodriguez. Finding aid was written by Ana D. Rodriguez and Melissa Cuadra."],"scopecontent_html_tesm":["\u003cp\u003eThe Zoo Miami Collection dates from 1967 to 2017, with bulk dates ranging from 1981 to 2006. The collection includes newsletters, ephemeral objects, promotional materials, and photographic material. The newsletters highlight early efforts from Crandon Park Zoo alongside the Zoological Society of Florida to spark public interest in zoological activities including conservation efforts, welcoming new residents and in-home captive births, and raising public funding necessary for zoological maintenance. The collection also contains a large amount of photographs taken by zoo keepers and staff members, focusing on showcasing the residents of the Zoo through the years. The Zoo Miami Collection offers an intellectual value for studies of history of South Florida between 1967-2017; history of zoological gardens and conservation; conservation of subtropical flora and fauna.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zoo Miami Collection dates from 1967 to 2017, with bulk dates ranging from 1981 to 2006. The collection includes newsletters, ephemeral objects, promotional materials, and photographic material. The newsletters highlight early efforts from Crandon Park Zoo alongside the Zoological Society of Florida to spark public interest in zoological activities including conservation efforts, welcoming new residents and in-home captive births, and raising public funding necessary for zoological maintenance. The collection also contains a large amount of photographs taken by zoo keepers and staff members, focusing on showcasing the residents of the Zoo through the years. The Zoo Miami Collection offers an intellectual value for studies of history of South Florida between 1967-2017; history of zoological gardens and conservation; conservation of subtropical flora and fauna."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply."],"abstract_html_tesm":["\u003cabstract id=\"aspace_98d93a047aa83afe872c25f21d3ec3c0\" label=\"Abstract\"\u003eMiami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials\u003c/abstract\u003e"],"abstract_tesim":["Miami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials"],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a24244a19994cc0d2c82168599de7bb3\" label=\"Physical Location\"\u003eGreen Library, Goverment Resources and Information Department,\nGL 214\nContact Staff for Access\nat 305-348-3135\u003c/physloc\u003e"],"physloc_tesim":["Green Library, Goverment Resources and Information Department,\nGL 214\nContact Staff for Access\nat 305-348-3135"],"names_coll_ssim":["Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami"],"names_ssim":["FIU Special Collections","Zoo Miami and Zoo Miami Foundation","Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami"],"corpname_ssim":["FIU Special Collections","Zoo Miami and Zoo Miami Foundation","Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"2b8ea8f68f63cb8d721464d3","timestamp":"2026-04-21T02:12:11.955Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"2b8ea8f68f63cb8d721464d3","title_ssm":["Zoo Miami Collection"],"title_tesim":["Zoo Miami Collection"],"ead_ssi":"2b8ea8f68f63cb8d721464d3","unitdate_ssm":["1967-2017","1980-2006","Date acquired: 05/26/2017"],"unitdate_bulk_ssim":["1980-2006"],"unitdate_inclusive_ssm":["1967-2017"],"unitdate_other_ssim":["Date acquired: 05/26/2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SFC1701","/repositories/2/resources/15"],"text":["SFC1701","/repositories/2/resources/15","Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006","The collection is open for research. Newsletters, most of the ephemeral materials and photographs are available through the  Zoo Miami Digital Collection","The Zoo Miami Collection is organized and housed in 12 boxes. The collection is arranged in four series determined by materiality: I. Publications, II. Ephemeral Materials, III. Promotional Materials, and IV. Photographic Materials. Contents in series I. include newsletters, corporate reports, and special newspaper supplements. Series II. include coloring books, guidebook, 45' vinyl record; Series III. include brochures and press kits; Series IV. include b\u0026w and color photographs, and slides.","The beginnings of Zoo Miami trail back to 1948, when a traveling show traded two spider monkeys, a chimpanzee, two black bears, and a goat to Miami-Dade County for the amount of $270 they needed to repair its truck. The six animals were the first of over 1,000 to be housed at the Crandon Park Zoological Gardens in Key Biscayne. The investment proved successful, as the Zoo gained momentum within its community and housed the first successful captive birth of an Aardvark in North America.","After Hurricane Betsy hit Miami in 1965, over 200 animals met their unfortunate demise and prompted the zoo officials, alongside the Zoological Society of Florida, to propose a relocation of the Zoo in order to prevent future casualties of zoo residents. In 1972, through the \"Item Nine\" referendum, Miami-Dade County approved the relocation of Crandon Park Zoo from Key Biscayne to its current home in South Miami. Construction took almost a decade to complete, and in 1980, the doors opened to the new Miami Metrozoo.","Since opening its doors in 1980, Miami Metrozoo has had 800,000 annual visitors, and has reached over 15 million people of all ages. Their conservation programs are alive not just locally, but on a global level, with over 30 programs on six continents. Their new rebranding as the Miami-Dade Zoological Park and Gardens, known on a day to day basis as Zoo Miami, keeps and maintains conservation on the forefront of any and all decision making processes.","Note written by ","Collection was processed by Ana D. Rodriguez. Finding aid was written by Ana D. Rodriguez and Melissa Cuadra.","The Zoo Miami Collection dates from 1967 to 2017, with bulk dates ranging from 1981 to 2006. The collection includes newsletters, ephemeral objects, promotional materials, and photographic material. The newsletters highlight early efforts from Crandon Park Zoo alongside the Zoological Society of Florida to spark public interest in zoological activities including conservation efforts, welcoming new residents and in-home captive births, and raising public funding necessary for zoological maintenance. The collection also contains a large amount of photographs taken by zoo keepers and staff members, focusing on showcasing the residents of the Zoo through the years. The Zoo Miami Collection offers an intellectual value for studies of history of South Florida between 1967-2017; history of zoological gardens and conservation; conservation of subtropical flora and fauna.","Copyright restrictions may apply.","Miami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials","Green Library, Goverment Resources and Information Department,\nGL 214\nContact Staff for Access\nat 305-348-3135","FIU Special Collections","Zoo Miami and Zoo Miami Foundation","Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami","English"],"unitid_tesim":["SFC1701","/repositories/2/resources/15"],"normalized_date_ssm":["1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"normalized_title_ssm":["Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"collection_title_tesim":["Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"collection_ssim":["Zoo Miami Collection, 1967-2017, Date acquired: 05/26/2017, bulk 1980-2006"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Zoo Miami and Zoo Miami Foundation"],"creator_ssim":["Zoo Miami and Zoo Miami Foundation"],"creator_corpname_ssim":["Zoo Miami and Zoo Miami Foundation"],"creators_ssim":["Zoo Miami and Zoo Miami Foundation"],"access_terms_ssm":["Copyright restrictions may apply."],"acqinfo_ssim":["Zoo Miami and Zoo Miami Foundation","Donation"],"has_online_content_ssim":["false"],"extent_ssm":["12.00 boxes"],"extent_tesim":["12.00 boxes"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. Newsletters, most of the ephemeral materials and photographs are available through the \u003cextref href=\"http://dpanther.fiu.edu/dPanther/collections/zoo\"\u003eZoo Miami Digital Collection\u003c/extref\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. Newsletters, most of the ephemeral materials and photographs are available through the  Zoo Miami Digital Collection"],"arrangement_html_tesm":["\u003cp\u003eThe Zoo Miami Collection is organized and housed in 12 boxes. The collection is arranged in four series determined by materiality: I. Publications, II. Ephemeral Materials, III. Promotional Materials, and IV. Photographic Materials. Contents in series I. include newsletters, corporate reports, and special newspaper supplements. Series II. include coloring books, guidebook, 45' vinyl record; Series III. include brochures and press kits; Series IV. include b\u0026amp;w and color photographs, and slides.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement Note"],"arrangement_tesim":["The Zoo Miami Collection is organized and housed in 12 boxes. The collection is arranged in four series determined by materiality: I. Publications, II. Ephemeral Materials, III. Promotional Materials, and IV. Photographic Materials. Contents in series I. include newsletters, corporate reports, and special newspaper supplements. Series II. include coloring books, guidebook, 45' vinyl record; Series III. include brochures and press kits; Series IV. include b\u0026w and color photographs, and slides."],"bioghist_html_tesm":["\u003cp\u003eThe beginnings of Zoo Miami trail back to 1948, when a traveling show traded two spider monkeys, a chimpanzee, two black bears, and a goat to Miami-Dade County for the amount of $270 they needed to repair its truck. The six animals were the first of over 1,000 to be housed at the Crandon Park Zoological Gardens in Key Biscayne. The investment proved successful, as the Zoo gained momentum within its community and housed the first successful captive birth of an Aardvark in North America.\u003c/p\u003e\n","\u003cp\u003eAfter Hurricane Betsy hit Miami in 1965, over 200 animals met their unfortunate demise and prompted the zoo officials, alongside the Zoological Society of Florida, to propose a relocation of the Zoo in order to prevent future casualties of zoo residents. In 1972, through the \"Item Nine\" referendum, Miami-Dade County approved the relocation of Crandon Park Zoo from Key Biscayne to its current home in South Miami. Construction took almost a decade to complete, and in 1980, the doors opened to the new Miami Metrozoo.\u003c/p\u003e\n","\u003cp\u003eSince opening its doors in 1980, Miami Metrozoo has had 800,000 annual visitors, and has reached over 15 million people of all ages. Their conservation programs are alive not just locally, but on a global level, with over 30 programs on six continents. Their new rebranding as the Miami-Dade Zoological Park and Gardens, known on a day to day basis as Zoo Miami, keeps and maintains conservation on the forefront of any and all decision making processes.\u003c/p\u003e\n","\u003cp\u003eNote written by \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical "],"bioghist_tesim":["The beginnings of Zoo Miami trail back to 1948, when a traveling show traded two spider monkeys, a chimpanzee, two black bears, and a goat to Miami-Dade County for the amount of $270 they needed to repair its truck. The six animals were the first of over 1,000 to be housed at the Crandon Park Zoological Gardens in Key Biscayne. The investment proved successful, as the Zoo gained momentum within its community and housed the first successful captive birth of an Aardvark in North America.","After Hurricane Betsy hit Miami in 1965, over 200 animals met their unfortunate demise and prompted the zoo officials, alongside the Zoological Society of Florida, to propose a relocation of the Zoo in order to prevent future casualties of zoo residents. In 1972, through the \"Item Nine\" referendum, Miami-Dade County approved the relocation of Crandon Park Zoo from Key Biscayne to its current home in South Miami. Construction took almost a decade to complete, and in 1980, the doors opened to the new Miami Metrozoo.","Since opening its doors in 1980, Miami Metrozoo has had 800,000 annual visitors, and has reached over 15 million people of all ages. Their conservation programs are alive not just locally, but on a global level, with over 30 programs on six continents. Their new rebranding as the Miami-Dade Zoological Park and Gardens, known on a day to day basis as Zoo Miami, keeps and maintains conservation on the forefront of any and all decision making processes.","Note written by "],"processinfo_html_tesm":["\u003cp\u003eCollection was processed by Ana D. Rodriguez. Finding aid was written by Ana D. Rodriguez and Melissa Cuadra.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection was processed by Ana D. Rodriguez. Finding aid was written by Ana D. Rodriguez and Melissa Cuadra."],"scopecontent_html_tesm":["\u003cp\u003eThe Zoo Miami Collection dates from 1967 to 2017, with bulk dates ranging from 1981 to 2006. The collection includes newsletters, ephemeral objects, promotional materials, and photographic material. The newsletters highlight early efforts from Crandon Park Zoo alongside the Zoological Society of Florida to spark public interest in zoological activities including conservation efforts, welcoming new residents and in-home captive births, and raising public funding necessary for zoological maintenance. The collection also contains a large amount of photographs taken by zoo keepers and staff members, focusing on showcasing the residents of the Zoo through the years. The Zoo Miami Collection offers an intellectual value for studies of history of South Florida between 1967-2017; history of zoological gardens and conservation; conservation of subtropical flora and fauna.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Zoo Miami Collection dates from 1967 to 2017, with bulk dates ranging from 1981 to 2006. The collection includes newsletters, ephemeral objects, promotional materials, and photographic material. The newsletters highlight early efforts from Crandon Park Zoo alongside the Zoological Society of Florida to spark public interest in zoological activities including conservation efforts, welcoming new residents and in-home captive births, and raising public funding necessary for zoological maintenance. The collection also contains a large amount of photographs taken by zoo keepers and staff members, focusing on showcasing the residents of the Zoo through the years. The Zoo Miami Collection offers an intellectual value for studies of history of South Florida between 1967-2017; history of zoological gardens and conservation; conservation of subtropical flora and fauna."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply."],"abstract_html_tesm":["\u003cabstract id=\"aspace_98d93a047aa83afe872c25f21d3ec3c0\" label=\"Abstract\"\u003eMiami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials\u003c/abstract\u003e"],"abstract_tesim":["Miami-Dade Zoological Park and Gardens, colloquially known as Zoo Miami, is the largest and oldest zoological park in the state of Florida. The zoo is the only zoological garden in the continental United States with a tropical climate, which allows it to house a large array of animals from different continents. Previously known as Miami Metrozoo and Crandon Park Zoological Gardens, this collection offers a progressive chronology of the Zoo. Emphasis on the instrumental role played by benefactors, volunteers, zoo keepers and administrative staff is captured in the collection, from their early days in Key Biscayne, to their historic relocation to South Miami. The collection is comprised of newsletters, ephemeral objects, promotional materials, and photographic materials"],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a24244a19994cc0d2c82168599de7bb3\" label=\"Physical Location\"\u003eGreen Library, Goverment Resources and Information Department,\nGL 214\nContact Staff for Access\nat 305-348-3135\u003c/physloc\u003e"],"physloc_tesim":["Green Library, Goverment Resources and Information Department,\nGL 214\nContact Staff for Access\nat 305-348-3135"],"names_coll_ssim":["Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami"],"names_ssim":["FIU Special Collections","Zoo Miami and Zoo Miami Foundation","Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami"],"corpname_ssim":["FIU Special Collections","Zoo Miami and Zoo Miami Foundation","Crandon Park Zoo, Key Biscayne, FL","Miami Metrozoo","Zoological Society of Florida","Zoo Miami"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":4,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_root_":"2b8ea8f68f63cb8d721464d3","timestamp":"2026-04-21T02:12:11.955Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/2b8ea8f68f63cb8d721464d3"}},{"id":"5704cc28d5311ad5f4edd43f_aspace_338a06704cd01c72a5566b262cfe1573","type":"File","attributes":{"title":"Zubor, Ildiko - 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