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Also includes scrapbooks and ephemera."],"userestrict_html_tesm":["\u003cp\u003eNone.\u0026#xA0;The contents of the collection may be subject to copyright.\u0026#xA0; Visit the United States Copyright Office's website at \u003cextref href=\"http://www.copyright.gov/\"\u003ehttp://www.copyright.gov/\u003c/extref\u003e for more information.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["None. The contents of the collection may be subject to copyright.  Visit the United States Copyright Office's website at  http://www.copyright.gov/  for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1be5ce27a6b442d6aec8abfd5d387cbe\" label=\"Abstract\"\u003eThis collection represents the records of the USF Women's Club.\u003c/abstract\u003e"],"abstract_tesim":["This collection represents the records of the USF Women's Club."],"names_coll_ssim":["USF Women's Club"],"names_ssim":["USF Libraries - Tampa Special Collections","USF Women's Club"],"corpname_ssim":["USF Libraries - Tampa Special Collections","USF Women's Club"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":637,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1873308493474168832,"_root_":"cf48ed4297bae054e1b95148","timestamp":"2026-08-12T09:16:36.923Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/cf48ed4297bae054e1b95148_aspace_618ed2d68bf6ca9d015f7a0b822f860a"}},{"id":"d20aa889e8ea8129c93e6502_aspace_aab197048ffdcfcbf5fcf70b2640ce49","type":"File","attributes":{"title":"The Continent of Dreams, Publication Correspondence, 1998-2001","breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502_aspace_aab197048ffdcfcbf5fcf70b2640ce49#breadcrumbs","type":"document_value","attributes":{"value":[{"ref_ssi":"aspace_aab197048ffdcfcbf5fcf70b2640ce49","ref_ssm":["aspace_aab197048ffdcfcbf5fcf70b2640ce49","aspace_aab197048ffdcfcbf5fcf70b2640ce49"],"id":"d20aa889e8ea8129c93e6502_aspace_aab197048ffdcfcbf5fcf70b2640ce49","title_filing_ssi":"The Continent of Dreams, Publication Correspondence","title_ssm":["The Continent of Dreams, Publication Correspondence"],"title_tesim":["The Continent of Dreams, Publication Correspondence"],"unitdate_inclusive_ssm":["1998-2001"],"normalized_date_ssm":["1998-2001"],"normalized_title_ssm":["The Continent of Dreams, Publication Correspondence, 1998-2001"],"text":["The Continent of Dreams, Publication Correspondence, 1998-2001","Nola Perez Papers, 1969-2022","Publications, 1969-2017","Books, 1981-2017","/repositories/3/archival_objects/9381","box 5","folder 14"],"component_level_isim":[3],"parent_ids_ssim":["d20aa889e8ea8129c93e6502","d20aa889e8ea8129c93e6502_aspace_d61075a7466461ada34b0e4a618c87fe","d20aa889e8ea8129c93e6502_aspace_9fbc1b44d7c555ae8aa33552f4986ba5"],"parent_unittitles_ssm":["Nola Perez Papers, 1969-2022","Publications, 1969-2017","Books, 1981-2017"],"parent_unittitles_tesim":["Nola Perez Papers, 1969-2022","Publications, 1969-2017","Books, 1981-2017"],"parent_levels_ssm":["collection","Series","Subseries"],"unitid_ssm":["/repositories/3/archival_objects/9381"],"repository_ssim":["UNF Library Special Collections and University Archives"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":124,"parent_access_restrict_tesm":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"parent_access_terms_tesm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"date_range_isim":[1998,1999,2000,2001],"containers_ssim":["box 5","folder 14"],"_nest_path_":"/components#10/components#0/components#9","_nest_parent_":"d20aa889e8ea8129c93e6502_aspace_9fbc1b44d7c555ae8aa33552f4986ba5","_root_":"d20aa889e8ea8129c93e6502","_version_":1870860591887810560,"timestamp":"2026-07-16T08:48:16.050Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"d20aa889e8ea8129c93e6502","title_ssm":["Nola Perez Papers"],"title_tesim":["Nola Perez Papers"],"ead_ssi":"d20aa889e8ea8129c93e6502","unitdate_ssm":["1969-2022"],"unitdate_inclusive_ssm":["1969-2022"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2016.006","/repositories/3/resources/78"],"text":["2016.006","/repositories/3/resources/78","Nola Perez Papers, 1969-2022","The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.","Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. ","This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop","Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information","UNF Library Special Collections and University Archives","English"],"unitid_tesim":["2016.006","/repositories/3/resources/78"],"normalized_date_ssm":["1969-2022"],"normalized_title_ssm":["Nola Perez Papers, 1969-2022"],"collection_title_tesim":["Nola Perez Papers, 1969-2022"],"collection_ssim":["Nola Perez Papers, 1969-2022"],"repository_ssm":["UNF Library Special Collections and University Archives"],"repository_ssim":["UNF Library Special Collections and University Archives"],"access_terms_ssm":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"acqinfo_ssim":["The collection was acquired through donation from Nola B. Perez, 2016-09-06."],"has_online_content_ssim":["false"],"extent_ssm":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"extent_tesim":["7.00 Linear Feet Eleven (11) flip-top document boxes, one (1) shoe box, one (1) oversized box"],"date_range_isim":[1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research by appointment only. Please contact lib-special@unf.edu to schedule an appointment."],"bioghist_html_tesm":["\u003cp\u003eNola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. \u003c/p\u003e\n","\u003cp\u003eDuring her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.\u003c/p\u003e\n","\u003cp\u003eIn the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.\u003c/p\u003e\n","\u003cp\u003eUpon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Nola Baker Perez was born in 1931 on Amelia Island in the town of Fernandina. She acquired a keen interest in literature and poetry during her years at Fernandina High School and received her higher education at Florida State University and Massey Business College. She left her hometown in the early 1970s and moved to Atlanta along with her husband. ","During her two decades in Atlanta, Nola regularly attended poetry workshops and readings. It is during this time that she struck up friendships with accomplished fellow poets and mentors like Walter Griffin and Andrew Glaze. Through the 1980s she continued to hone her poetry publishing her works in various poetry publications across the country.","In the 1990s as part of her husband's government work, she moved across the Atlantic to Europe. She spent the next seven years between Paris and Brussels. During this time, she continued to refine her poetry as part of the Paris Poetry Group alongside other American expatriates in the embassy community. Her experiences on the Continent greatly influenced and inspired her poetry as she continued to publish and compete in poetry competitions including the 1993 National Poetry Series in which she was a finalist.","Upon her return to the United States and Amelia Island in 1999, Nola used her experiences in Europe to publish two books. The Continent of Dreams, a collection of poems from her time in Europe, and Cruising with the Kir Queen, a memoir of her experiences during those seven years were released to great critical reception. Since 2000 she has continued to write and publish poetry from her home in Fernandina, publishing fifteen books and regularly writing for local Amelia Island publications. Furthermore, she is a regular guest and organizer for the Amelia Island Book Festival since 2001. In 2016 her contributions as a poet and Amelia Island native earned her recognition as the Poet Laureate of Fernandina Beach. "],"prefercite_html_tesm":["\u003cp\u003eNola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida.\u003c/p\u003e"],"prefercite_tesim":["Nola Perez Papers, Thomas G. Carpenter Library, University of North Florida, Jacksonville, Florida."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. \u003c/p\u003e\n","\u003cp\u003eSeries in this collection include the following:\u003c/p\u003e\n","\u003cp\u003eSeries 1 \u0026#x2013; Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez\u003c/p\u003e\n","\u003cp\u003eSeries 2 \u0026#x2013; Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles\u003c/p\u003e\n","\u003cp\u003eSeries 3 \u0026#x2013; Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails\u003c/p\u003e\n","\u003cp\u003eSeries 4 \u0026#x2013; Critiques (arranged chronologically) include critical receptions of Nola Perez's work\u003c/p\u003e\n","\u003cp\u003eSeries 5 \u0026#x2013; Events (arranged alphabetically by subseries)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Book Signings and Poetry Readings (arranged chronologically) includes information and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"\u003c/p\u003e\n","\u003cp\u003eSeries 6 \u0026#x2013; Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation\u003c/p\u003e\n","\u003cp\u003eSeries 7 \u0026#x2013; Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career\u003c/p\u003e\n","\u003cp\u003eSeries 8 \u0026#x2013; Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Photographs (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Publications (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSubseries 5 \u0026#x2013; Workshops (arranged chronologically)\u003c/p\u003e\n","\u003cp\u003eSeries 9 \u0026#x2013; Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events\u003c/p\u003e\n","\u003cp\u003eSeries 10 \u0026#x2013; Poetry (arranged chronologically) contains a collection of Nola's poetry\u003c/p\u003e\n","\u003cp\u003eSeries 11 \u0026#x2013; Publications (arranged alphabetically by type of publication)\u003c/p\u003e\n","\u003cp\u003eSubseries 1 \u0026#x2013; Books (arranged chronologically by publication date; chronological files within each book published)\u003c/p\u003e\n","\u003cp\u003eSubseries 2 \u0026#x2013; Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications\u003c/p\u003e\n","\u003cp\u003eSubseries 3 \u0026#x2013; Poetry Journals (arranged chronologically by publication date)\u003c/p\u003e\n","\u003cp\u003eSubseries 4 \u0026#x2013; Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website\u003c/p\u003e\n","\u003cp\u003eSeries 12 \u0026#x2013; Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia\u003c/p\u003e\n","\u003cp\u003eSeries 13 \u0026#x2013; Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is home to the personal papers of Nola Baker Perez, the Poet Laureate of Fernandina Beach and native of Amelia Island. These papers provide insight into the literary career of Nola Perez and the effect her travels and poetry mentors had in shaping her works. Furthermore, this collection grants a look into the experiences of an American living amongst the English language literary community in Paris and Brussels during the 1990s, as well as material on the Amelia Island Book Festival from the 2000s through the 2010s. ","Series in this collection include the following:","Series 1 – Awards and Accolades (arranged chronologically) houses award certificates/notifications and poetry by others that honor Nola Perez","Series 2 – Biographical Information (arranged chronologically) contains a personal statement, resume and newspaper articles","Series 3 – Correspondence (arranged chronologically) is comprised of a large variety of correspondence received by Nola Perez during her career, ranging from holiday cards to emails","Series 4 – Critiques (arranged chronologically) include critical receptions of Nola Perez's work","Series 5 – Events (arranged alphabetically by subseries)","Subseries 1 – Amelia Island Book Festival (arranged chronologically) has programs, photographs and correspondence related to the Book Festival","Subseries 2 – Book Signings and Poetry Readings (arranged chronologically) includes information and photographs","Subseries 3 – Performances (arranged chronologically) relates to the performances of \"Fernandina and Other Images\"","Series 6 – Grants and Fellowships (arranged chronologically) contains applications and related documents for literature fellowships from such organizations as the National Endowment for the Arts and the Camargo Foundation","Series 7 – Mentors (arranged alphabetically by mentor last name) include correspondence from individuals Nola Perez identified as having a large influence on her work and career","Series 8 – Paris Poetry Group (arranged alphabetically by subject matter) includes materials relating to Nola Perez's years as an American poet living in Paris and Brussels","Subseries 1 – Members (arranged alphabetically by member last name) has correspondence and works of the members of the Paris Poetry Group","Subseries 2 – Photographs (arranged chronologically)","Subseries 3 – Poetry Readings (arranged chronologically) contains advertisements for the readings and photographs","Subseries 4 – Publications (arranged chronologically)","Subseries 5 – Workshops (arranged chronologically)","Series 9 – Photographs (arranged chronologically) include photographs not included with other series, largely from unidentified events","Series 10 – Poetry (arranged chronologically) contains a collection of Nola's poetry","Series 11 – Publications (arranged alphabetically by type of publication)","Subseries 1 – Books (arranged chronologically by publication date; chronological files within each book published)","Subseries 2 – Other (arranged alphabetically by publication title) includes articles in local Amelia Island publications","Subseries 3 – Poetry Journals (arranged chronologically by publication date)","Subseries 4 – Poetry/Online (arranged chronologically) includes poems posted on the Poetry Soup website","Series 12 – Travel (arranged chronologically) has information about trips to Casablanca, The American School in Brussels, and Milledgeville, Georgia","Series 13 – Workshops (arranged chronologically) contains information about the Atlanta Callanwolde Workshop"],"userestrict_html_tesm":["\u003cp\u003eMaterials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials in the collection may be subject to copyright and are to be used for private study, scholarship, or research in accordance with the copyright law of the United States (Title 17, United States Code). Use of reproductions of copyrighted works in excess of \" fair use,\" may result in the user's liability for copyright infringement and be subject to the civil and criminal penalties of federal law. Visit the United States Copyright Office's website at http://www.copyright.gov/ for further information"],"names_ssim":["UNF Library Special Collections and University Archives"],"corpname_ssim":["UNF Library Special Collections and University Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":231,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870860591887810560,"_root_":"d20aa889e8ea8129c93e6502","timestamp":"2026-07-16T08:48:16.050Z"}]}}],"label":"Breadcrumbs"}}},"links":{"self":"https://flvc.lyrasistechnology.org/catalog/d20aa889e8ea8129c93e6502_aspace_aab197048ffdcfcbf5fcf70b2640ce49"}},{"id":"1271f5e59391a5ad8f79a42f","type":"collection","attributes":{"title":"The Cuban Human Rights Collection, 1983-2004, Date acquired: 2005, bulk 1990-1999","creator":{"id":"https://flvc.lyrasistechnology.org/catalog/1271f5e59391a5ad8f79a42f#creator","type":"document_value","attributes":{"value":["Hidalgo, Ariel"],"label":"Creator"}},"abstract_or_scope":{"id":"https://flvc.lyrasistechnology.org/catalog/1271f5e59391a5ad8f79a42f#abstract_or_scope","type":"document_value","attributes":{"value":["\u003cp\u003eThe Cuban Human Right Collection date from 1961 to 2004, primarily covering issues of human rights on Cuba. In addition to Cuban newspaper clippings from the 1980s to the early 2000s, published in \u003cem\u003eThe Miami Herald\u003c/em\u003e, \u003cem\u003eEl Nuevo Herald,\u003c/em\u003e and other periodicals, the collection also includes audio interviews with Cuban dissidents, which include key members of the dissident movement in Cuba. Radio programs from \u003cem\u003eCuba en vivo y en directo, \u003c/em\u003ethe first U.S. radio program to feature the perspectives of dissidents, created by Ariel Hidalgo in 1989. Documents written by jailed dissidents in Cuba. Photographs of Cuban dissidents. Television programs from Cuba, recorded from government-run TV stations on the island during the 1980s and 90s.\u003c/p\u003e"],"label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://flvc.lyrasistechnology.org/catalog/1271f5e59391a5ad8f79a42f#breadcrumbs","type":"document_value","attributes":{"value":[{"id":"1271f5e59391a5ad8f79a42f","title_ssm":["The Cuban Human Rights Collection"],"title_tesim":["The Cuban Human Rights Collection"],"ead_ssi":"1271f5e59391a5ad8f79a42f","unitdate_ssm":["1983-2004","1990-1999","Date acquired: 2005"],"unitdate_bulk_ssim":["1990-1999"],"unitdate_inclusive_ssm":["1983-2004"],"unitdate_other_ssim":["Date acquired: 2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC7035","/repositories/2/resources/2"],"text":["SPC7035","/repositories/2/resources/2","The Cuban Human Rights Collection, 1983-2004, Date acquired: 2005, bulk 1990-1999","The collection is open for research.","The collection is arranged in 4 series: 1 Papers. 2 Correspondence. 3 Audio/Visual Material. 4 Photographs. Resources are organized in chronological order when date was available and in alphabetical order by subject or personal name.","Ariel Hidalgo was born in Cuba on 1945. Mr. Hidalgo was sentenced to five years in prison in 1967 for allegedly planning to leave Cuba illegally after escaping from a forced labor camp. Released the following year, he studied history, philosophy, and political economy at the University of Havana and published  Orígenes del Movimiento Obrero y del Pensamiento Socialista en Cuba  (Origins of the Worker's Movement and of Socialist Thought in Cuba), a text used in universities throughout the island. In 1981, he was sentenced to prison for the publication of  Cuba, El Estado Marxista y La Nueva Clase  (Cuba: The Marxist State and the New Class), Hidalgo spent a year of solitary confinement in the so-called  Rectángulo de la muerte  (Rectangle of Death) a special section at maximum security Combinado del Este Prison in Havana.","Released from isolation after one year, Hidalgo began to collaborate with other political prisoners who were the founding members of the CCPDH, the first human rights group in Cuba. After founding the Liga Cívica Martiana in 1986, Hidalgo was frequently interviewed in jail by representatives from various international human rights organizations and foreign journalists. He was released in 1988 thanks to the intervention of Cardinal John O'Connor from New York, Hidalgo settled in Miami where he founded  Cuba en Vivo y en Directo  (Cuba Live and Direct), the first U.S. radio program to feature the perspectives of dissidents from the island. In 1990 he founded the Information Bureau of the Human Rights Movement in Cuba and began to publish various periodicals which were secretly distributed to the island and circulated among members of the dissident movement. In 1994 Hidalgo published  Disidencia: Segunda revolucion cubana?  (Dissidence: the Second Cuban Revolution?), a history of the Cuban dissident movement.","Note written by Annia Gonzalez","The Cuban Human Right Collection date from 1961 to 2004, primarily covering issues of human rights on Cuba. In addition to Cuban newspaper clippings from the 1980s to the early 2000s, published in  The Miami Herald ,  El Nuevo Herald,  and other periodicals, the collection also includes audio interviews with Cuban dissidents, which include key members of the dissident movement in Cuba. Radio programs from  Cuba en vivo y en directo,  the first U.S. radio program to feature the perspectives of dissidents, created by Ariel Hidalgo in 1989. Documents written by jailed dissidents in Cuba. Photographs of Cuban dissidents. Television programs from Cuba, recorded from government-run TV stations on the island during the 1980s and 90s.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Hidalgo, Ariel","English Spanish; Castilian"],"unitid_tesim":["SPC7035","/repositories/2/resources/2"],"normalized_date_ssm":["1983-2004, Date acquired: 2005, bulk 1990-1999"],"normalized_title_ssm":["The Cuban Human Rights Collection, 1983-2004, Date acquired: 2005, bulk 1990-1999"],"collection_title_tesim":["The Cuban Human Rights Collection, 1983-2004, Date acquired: 2005, bulk 1990-1999"],"collection_ssim":["The Cuban Human Rights Collection, 1983-2004, Date acquired: 2005, bulk 1990-1999"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Hidalgo, Ariel","Hidalgo, Ariel"],"creator_ssim":["Hidalgo, Ariel","Hidalgo, Ariel"],"creator_persname_ssim":["Hidalgo, Ariel","Hidalgo, Ariel"],"creators_ssim":["Hidalgo, Ariel","Hidalgo, Ariel"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["30.00 boxes"],"extent_tesim":["30.00 boxes"],"date_range_isim":[1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in 4 series: 1 Papers. 2 Correspondence. 3 Audio/Visual Material. 4 Photographs. 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In 1981, he was sentenced to prison for the publication of \u003cemph render=\"italic\"\u003eCuba, El Estado Marxista y La Nueva Clase\u003c/emph\u003e (Cuba: The Marxist State and the New Class), Hidalgo spent a year of solitary confinement in the so-called \u003cemph render=\"italic\"\u003eRect\u0026#xE1;ngulo de la muerte \u003c/emph\u003e(Rectangle of Death) a special section at maximum security Combinado del Este Prison in Havana.\u003c/p\u003e\n","\u003cp\u003eReleased from isolation after one year, Hidalgo began to collaborate with other political prisoners who were the founding members of the CCPDH, the first human rights group in Cuba. After founding the Liga C\u0026#xED;vica Martiana in 1986, Hidalgo was frequently interviewed in jail by representatives from various international human rights organizations and foreign journalists. 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Mr. Hidalgo was sentenced to five years in prison in 1967 for allegedly planning to leave Cuba illegally after escaping from a forced labor camp. Released the following year, he studied history, philosophy, and political economy at the University of Havana and published  Orígenes del Movimiento Obrero y del Pensamiento Socialista en Cuba  (Origins of the Worker's Movement and of Socialist Thought in Cuba), a text used in universities throughout the island. In 1981, he was sentenced to prison for the publication of  Cuba, El Estado Marxista y La Nueva Clase  (Cuba: The Marxist State and the New Class), Hidalgo spent a year of solitary confinement in the so-called  Rectángulo de la muerte  (Rectangle of Death) a special section at maximum security Combinado del Este Prison in Havana.","Released from isolation after one year, Hidalgo began to collaborate with other political prisoners who were the founding members of the CCPDH, the first human rights group in Cuba. After founding the Liga Cívica Martiana in 1986, Hidalgo was frequently interviewed in jail by representatives from various international human rights organizations and foreign journalists. He was released in 1988 thanks to the intervention of Cardinal John O'Connor from New York, Hidalgo settled in Miami where he founded  Cuba en Vivo y en Directo  (Cuba Live and Direct), the first U.S. radio program to feature the perspectives of dissidents from the island. In 1990 he founded the Information Bureau of the Human Rights Movement in Cuba and began to publish various periodicals which were secretly distributed to the island and circulated among members of the dissident movement. In 1994 Hidalgo published  Disidencia: Segunda revolucion cubana?  (Dissidence: the Second Cuban Revolution?), a history of the Cuban dissident movement.","Note written by Annia Gonzalez"],"scopecontent_html_tesm":["\u003cp\u003eThe Cuban Human Right Collection date from 1961 to 2004, primarily covering issues of human rights on Cuba. In addition to Cuban newspaper clippings from the 1980s to the early 2000s, published in \u003cemph render=\"italic\"\u003eThe Miami Herald\u003c/emph\u003e, \u003cemph render=\"italic\"\u003eEl Nuevo Herald,\u003c/emph\u003e and other periodicals, the collection also includes audio interviews with Cuban dissidents, which include key members of the dissident movement in Cuba. Radio programs from \u003cemph render=\"italic\"\u003eCuba en vivo y en directo, \u003c/emph\u003ethe first U.S. radio program to feature the perspectives of dissidents, created by Ariel Hidalgo in 1989. Documents written by jailed dissidents in Cuba. Photographs of Cuban dissidents. 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Television programs from Cuba, recorded from government-run TV stations on the island during the 1980s and 90s."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"names_ssim":["FIU Special Collections","Hidalgo, Ariel"],"corpname_ssim":["FIU Special Collections"],"names_coll_ssim":["Hidalgo, Ariel"],"persname_ssim":["Hidalgo, Ariel"],"language_ssim":["English Spanish; Castilian"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1887,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"_version_":1870844668378349568,"_root_":"1271f5e59391a5ad8f79a42f","timestamp":"2026-07-16T04:35:09.961Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"1271f5e59391a5ad8f79a42f","title_ssm":["The Cuban Human Rights Collection"],"title_tesim":["The Cuban Human Rights Collection"],"ead_ssi":"1271f5e59391a5ad8f79a42f","unitdate_ssm":["1983-2004","1990-1999","Date acquired: 2005"],"unitdate_bulk_ssim":["1990-1999"],"unitdate_inclusive_ssm":["1983-2004"],"unitdate_other_ssim":["Date acquired: 2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SPC7035","/repositories/2/resources/2"],"text":["SPC7035","/repositories/2/resources/2","The Cuban Human Rights Collection, 1983-2004, Date acquired: 2005, bulk 1990-1999","The collection is open for research.","The collection is arranged in 4 series: 1 Papers. 2 Correspondence. 3 Audio/Visual Material. 4 Photographs. Resources are organized in chronological order when date was available and in alphabetical order by subject or personal name.","Ariel Hidalgo was born in Cuba on 1945. Mr. Hidalgo was sentenced to five years in prison in 1967 for allegedly planning to leave Cuba illegally after escaping from a forced labor camp. Released the following year, he studied history, philosophy, and political economy at the University of Havana and published  Orígenes del Movimiento Obrero y del Pensamiento Socialista en Cuba  (Origins of the Worker's Movement and of Socialist Thought in Cuba), a text used in universities throughout the island. In 1981, he was sentenced to prison for the publication of  Cuba, El Estado Marxista y La Nueva Clase  (Cuba: The Marxist State and the New Class), Hidalgo spent a year of solitary confinement in the so-called  Rectángulo de la muerte  (Rectangle of Death) a special section at maximum security Combinado del Este Prison in Havana.","Released from isolation after one year, Hidalgo began to collaborate with other political prisoners who were the founding members of the CCPDH, the first human rights group in Cuba. After founding the Liga Cívica Martiana in 1986, Hidalgo was frequently interviewed in jail by representatives from various international human rights organizations and foreign journalists. He was released in 1988 thanks to the intervention of Cardinal John O'Connor from New York, Hidalgo settled in Miami where he founded  Cuba en Vivo y en Directo  (Cuba Live and Direct), the first U.S. radio program to feature the perspectives of dissidents from the island. In 1990 he founded the Information Bureau of the Human Rights Movement in Cuba and began to publish various periodicals which were secretly distributed to the island and circulated among members of the dissident movement. In 1994 Hidalgo published  Disidencia: Segunda revolucion cubana?  (Dissidence: the Second Cuban Revolution?), a history of the Cuban dissident movement.","Note written by Annia Gonzalez","The Cuban Human Right Collection date from 1961 to 2004, primarily covering issues of human rights on Cuba. In addition to Cuban newspaper clippings from the 1980s to the early 2000s, published in  The Miami Herald ,  El Nuevo Herald,  and other periodicals, the collection also includes audio interviews with Cuban dissidents, which include key members of the dissident movement in Cuba. Radio programs from  Cuba en vivo y en directo,  the first U.S. radio program to feature the perspectives of dissidents, created by Ariel Hidalgo in 1989. Documents written by jailed dissidents in Cuba. Photographs of Cuban dissidents. Television programs from Cuba, recorded from government-run TV stations on the island during the 1980s and 90s.","Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general","FIU Special Collections","Hidalgo, Ariel","English Spanish; Castilian"],"unitid_tesim":["SPC7035","/repositories/2/resources/2"],"normalized_date_ssm":["1983-2004, Date acquired: 2005, bulk 1990-1999"],"normalized_title_ssm":["The Cuban Human Rights Collection, 1983-2004, Date acquired: 2005, bulk 1990-1999"],"collection_title_tesim":["The Cuban Human Rights Collection, 1983-2004, Date acquired: 2005, bulk 1990-1999"],"collection_ssim":["The Cuban Human Rights Collection, 1983-2004, Date acquired: 2005, bulk 1990-1999"],"repository_ssm":["FIU Special Collections"],"repository_ssim":["FIU Special Collections"],"creator_ssm":["Hidalgo, Ariel","Hidalgo, Ariel"],"creator_ssim":["Hidalgo, Ariel","Hidalgo, Ariel"],"creator_persname_ssim":["Hidalgo, Ariel","Hidalgo, Ariel"],"creators_ssim":["Hidalgo, Ariel","Hidalgo, Ariel"],"access_terms_ssm":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. ","For more information please visit: https://library.fiu.edu/find/copyright/general"],"acqinfo_ssim":["Donation"],"has_online_content_ssim":["false"],"extent_ssm":["30.00 boxes"],"extent_tesim":["30.00 boxes"],"date_range_isim":[1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in 4 series: 1 Papers. 2 Correspondence. 3 Audio/Visual Material. 4 Photographs. 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In 1981, he was sentenced to prison for the publication of \u003cemph render=\"italic\"\u003eCuba, El Estado Marxista y La Nueva Clase\u003c/emph\u003e (Cuba: The Marxist State and the New Class), Hidalgo spent a year of solitary confinement in the so-called \u003cemph render=\"italic\"\u003eRect\u0026#xE1;ngulo de la muerte \u003c/emph\u003e(Rectangle of Death) a special section at maximum security Combinado del Este Prison in Havana.\u003c/p\u003e\n","\u003cp\u003eReleased from isolation after one year, Hidalgo began to collaborate with other political prisoners who were the founding members of the CCPDH, the first human rights group in Cuba. After founding the Liga C\u0026#xED;vica Martiana in 1986, Hidalgo was frequently interviewed in jail by representatives from various international human rights organizations and foreign journalists. He was released in 1988 thanks to the intervention of Cardinal John O'Connor from New York, Hidalgo settled in Miami where he founded \u003cemph render=\"italic\"\u003eCuba en Vivo y en Directo \u003c/emph\u003e(Cuba Live and Direct), the first U.S. radio program to feature the perspectives of dissidents from the island. In 1990 he founded the Information Bureau of the Human Rights Movement in Cuba and began to publish various periodicals which were secretly distributed to the island and circulated among members of the dissident movement. In 1994 Hidalgo published \u003cemph render=\"italic\"\u003eDisidencia: Segunda revolucion cubana? \u003c/emph\u003e(Dissidence: the Second Cuban Revolution?), a history of the Cuban dissident movement.\u003c/p\u003e\n","\u003cp\u003eNote written by Annia Gonzalez\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical or Historical Information"],"bioghist_tesim":["Ariel Hidalgo was born in Cuba on 1945. Mr. Hidalgo was sentenced to five years in prison in 1967 for allegedly planning to leave Cuba illegally after escaping from a forced labor camp. Released the following year, he studied history, philosophy, and political economy at the University of Havana and published  Orígenes del Movimiento Obrero y del Pensamiento Socialista en Cuba  (Origins of the Worker's Movement and of Socialist Thought in Cuba), a text used in universities throughout the island. In 1981, he was sentenced to prison for the publication of  Cuba, El Estado Marxista y La Nueva Clase  (Cuba: The Marxist State and the New Class), Hidalgo spent a year of solitary confinement in the so-called  Rectángulo de la muerte  (Rectangle of Death) a special section at maximum security Combinado del Este Prison in Havana.","Released from isolation after one year, Hidalgo began to collaborate with other political prisoners who were the founding members of the CCPDH, the first human rights group in Cuba. After founding the Liga Cívica Martiana in 1986, Hidalgo was frequently interviewed in jail by representatives from various international human rights organizations and foreign journalists. He was released in 1988 thanks to the intervention of Cardinal John O'Connor from New York, Hidalgo settled in Miami where he founded  Cuba en Vivo y en Directo  (Cuba Live and Direct), the first U.S. radio program to feature the perspectives of dissidents from the island. In 1990 he founded the Information Bureau of the Human Rights Movement in Cuba and began to publish various periodicals which were secretly distributed to the island and circulated among members of the dissident movement. In 1994 Hidalgo published  Disidencia: Segunda revolucion cubana?  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Television programs from Cuba, recorded from government-run TV stations on the island during the 1980s and 90s."],"userestrict_html_tesm":["\u003cp\u003eRights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/\u003c/p\u003e\n","\u003cp\u003eSpecial Collections \u0026amp; University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. \u003c/p\u003e\n","\u003cp\u003eFor more information please visit: https://library.fiu.edu/find/copyright/general\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Rights: In copyright. Standardized rights statement: https://rightsstatements.org/page/InC/1.0/","Special Collections \u0026 University Archives provides copies of materials in our collections for private study, scholarship, or research. Patrons are responsible for determining the proper copyright holder and securing permission to publish, quote, broadcast, exhibit, or perform that work.\nFIU Special Collections will provide all available information about the copyright holder of materials found in our collections. 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Please inquire if you have questions - archives@flsouthern.edu."],"acqinfo_ssim":["These materials were generated by the college and transferred to the archives upon completion of their active status.\nThis is an active record group and new materials are added periodically."],"access_subjects_ssim":["College theater","Student organizations","Performing arts","Florida Southern College--Students."],"access_subjects_ssm":["College theater","Student organizations","Performing arts","Florida Southern College--Students."],"has_online_content_ssim":["false"],"extent_ssm":["12.9 Linear Feet"],"extent_tesim":["12.9 Linear Feet"],"date_range_isim":[1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research. 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Collection restrictions, copyright limitations, or technical complications may hinder the archive's ability to provide access to unprocessed born digital materials."],"arrangement_html_tesm":["\u003cp\u003eThe materials in this collection are arranged alphabetically by name of program/performance.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials in this collection are arranged alphabetically by name of program/performance."],"bioghist_html_tesm":["\u003cp\u003eVagabonds is a campus organization for those interested in theatre, theatre production, and dance. Vagabonds raises awareness for the performing arts represented on campus. Vagabond members are not limited to just students of the performing arts departments but also to those who enjoy and appreciate the performing arts. The Vagabonds is the oldest student organization on campus. It provides performance opportunities in lab productions, improv, and student cabarets.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Vagabonds is a campus organization for those interested in theatre, theatre production, and dance. Vagabonds raises awareness for the performing arts represented on campus. Vagabond members are not limited to just students of the performing arts departments but also to those who enjoy and appreciate the performing arts. The Vagabonds is the oldest student organization on campus. It provides performance opportunities in lab productions, improv, and student cabarets."],"odd_html_tesm":["\u003cp\u003eThis collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["This collection may include materials that reflect certain cultural attitudes and opinions common during the time of their creation. Florida Southern College, Roux Library, and McKay Archives do not promote the attitudes depicted in these materials, but they are included to document the historical record."],"scopecontent_html_tesm":["\u003cp\u003eThe records of the Vagabonds organization contain playbills and other promotional materials; photographs; scripts; newspaper articles; and sketches. While there are materials dating back to the begninnings of the organization in 1926, the bulk of the material is from the 1940s through the prsent day. \u003c/p\u003e\n","\u003cp\u003eAs these are college records, the archives is still actively collecting material at the end of each Vagabonds season. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The records of the Vagabonds organization contain playbills and other promotional materials; photographs; scripts; newspaper articles; and sketches. While there are materials dating back to the begninnings of the organization in 1926, the bulk of the material is from the 1940s through the prsent day. ","As these are college records, the archives is still actively collecting material at the end of each Vagabonds season. "],"userestrict_html_tesm":["\u003cp\u003eThe Vagabonds Records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). Please inquire if you have questions - archives@flsouthern.edu.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The Vagabonds Records are owned by Florida Southern College. This collection is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to\nobtain permission from the rights-holder(s). 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Thompson is a founding member of the Tampa Bay Conservancy and has also been involved in Board of Director roles for the Florida Aquarium and Keep Tampa Bay Beautiful. Thompson is currently self-employed as an environmental advisor and educator.","Materials in the collection include meeting agendas and minutes for government institutions and citizen environmental organizations, conference materials, pamphlets, flyers, publications, reports, photographs, maps, audiovisual material, correspondence, clippings, research files, and public awareness campaign fact sheets.","Publications related to the archival collection are cataloged individually and shelved in Environment and Natural History Collection. 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Thompson is currently self-employed as an environmental advisor and educator."],"prefercite_html_tesm":["\u003cp\u003eSally Thompson collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL.\u003c/p\u003e"],"prefercite_tesim":["Sally Thompson collection, USF Libraries - Tampa Special Collections, University of South Florida, Tampa, FL."],"scopecontent_html_tesm":["\u003cp\u003eMaterials in the collection include meeting agendas and minutes for government institutions and citizen environmental organizations, conference materials, pamphlets, flyers, publications, reports, photographs, maps, audiovisual material, correspondence, clippings, research files, and public awareness campaign fact sheets.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Materials in the collection include meeting agendas and minutes for government institutions and citizen environmental organizations, conference materials, pamphlets, flyers, publications, reports, photographs, maps, audiovisual material, correspondence, clippings, research files, and public awareness campaign fact sheets."],"separatedmaterial_html_tesm":["\u003cp\u003ePublications related to the archival collection are cataloged individually and shelved in Environment and Natural History Collection. 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